SHEREESE TRUMPET
PORTFOLIOofWORKS 2016
SHEREESETRUMPET The Bernard and Anne Spitzer School of Architecture
PORTFOLIO OF WORKS 2012 - 2015
resumé HONORS/ The City College Honors Program, 2012 GPA 3.5 AWARDS Global Kids’ Lee Naiman Scholar Award, 2012 Hecht Scholarship, 2012 City Works 7, The Bernard and Anne Spitzer School of Architecture, 2013 Center for Architecture Heritage Ball Scholarship, 2014 NYCOBA NOMA Diversity in the School of Architecture Recognition, 2014 City Works 8, The Bernard and Anne Spitzer School of Architecture, 2014 APPLICATIONS + SKILLS
Revit, Rhinoceros 5, Adobe Suite, AutoCAD, Google SketchUp, Microsoft Office High Organizational Skills, Model Building - digital & physical, Workshop Facilitation
EXPERIENCE TOLA Architecture Brooklyn, NY 07/15 – 08/15 Intern 06/14 – 08/14 -Surveyed sites & composed drawing sets for new projects 06/13 – 07/13 -Material research and sourcing -Modeled residential projects on SketchUp from AutoCAD drawings -Organized & Updated resource library -Researched potential project regarding permits and possible contractors -Marketing: assess online presence SubenDougherty Partnership NY, NY 02/12 - 06/12 Intern -Maintained and constantly updated office roster. -Conducted Market Research and organized resource library. Council on Foreign Relations NY, NY 07/10 – 08/10 US in the World International Law and Foreign Policy Program, Intern -Attended daily workshops about human rights issues and other global dilemmas -Planned, wrote and facilitated workshop on crisis in Democratic Republic of Congo ACTIVITIES American Institute of Architecture Students (AIAS) 05/14 – 05/15 Chapter President -Administrative head, the primary contact and City College Rep. to AIAS National. AIAS Freedom By Design Project Manager -Established the design-build schedule, coordinated the building approval process, and coordinated team members.
“I think architects – at least those inclined to understand the multi-disciplinarity and the comprehensive nature of their field – have to visualize something that embraces... political, economic, and social changes. As well as the technological. As well as the spatial.” -Lebbeus Woods
table of contents Year 4 Promenade Research Center 08 Year 3 Enclosure: New Gallery 16 Interior Gardens Urban Living 26 Floating Pods 32 Year 2 GCT Analysis + Intervention 36 Wall 44 Year 1 Weather Station 48 Place 52 Threshold 56
Other Projects
Miami Vacation House 62 HL23 Analysis 68 Furniture Design-Build 72
SHEREESETRUMPET Shereese.t@gmail.com 646.399.0113
ShereeseTrumpet Trumpet | Promenade Research Center | Advanced 1 | Christian FA’15 Shereese | Promenade Research Center | Advanced Design Design Studio 1Studio | Christian Volkmann Volkmann FA’15
Promenade Research Center Manhattanville, NY Critic: Christian Volkmann FA ‘15
The premise of this semester-long project was based on Biomimesis in architecture. Early studies of plants for common principles and strategies of nature led to the exploration of the building as an operational system. My approach was to break down the operation of the building into served and service spaces. Beyond helping to programmatically organize the building, this helped in the true function of the building. With the given program of labs and offices, I challenged the existence of the public spheres of this community/science center that capture views of all aspects of how the building operates.
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Shereese Trumpet | Promenade Research Center | Advanced Design Studio 1 | Christian Volkmann FA’15
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1 Stacked Ventilation 2 Operable Windows for Comfort 3 Photochromic Glass West Shading 4 Sloped Roof Rainwater Collection 5 Viaduct Run-Off Rainwater Collection 6 Rainwater Storage Reuse/Lab Test
01 Detailed Wall Section 02 East-West Building Section 03 Operational Diagram
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Building Boundary
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Shereese Trumpet | Promenade Research Center | Advanced Design Studio 1 | Christian Volkmann FA’15
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Shereese Trumpet | Promenade Research Center | Advanced Design Studio 1 | Christian Volkmann FA’15
Private Labs Circulation Shared Offices Public Program Structural System Biosphere
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04 West Elevation 05 Ramp Parti Diagram 06 Program Diagram
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Shereese Trumpet, Christina Bien-Aimé | Enclosure: New Galler y| Design Studio 2 | Ali Höcek FA’15
156th STREET Intial Site Condtition- Using gallery as a central space
Enclosure: New Gallery Audubon Terrace Harlem, NY Manipulate form- for light, views and circulation
Collaboration: Christina Bien-Aimé Critic: Ali Höcek SP ‘15 Gallery/ Exhibition driver- use gallery as connector through the different programs
The strategy of this new gallery uses the exhibition/ gallery to explore programmatic relationships. The artwork, that would rotate through this new gallery, is the essential tool for dissolving the program boundaries. The display bleeds into every space to unite the Gallery as one large exhibition of Hispanic artwork. The folded enclosure starts at the peak of 156th Street and drapes downward to create interior threshold moments. Each fold is with respect to site regulating lines, site conditions and interior spacial moments. Calculated and custom designed angular bricks came as result of the desire to create a monumental building that still speaks to the existing site.
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Shereese Trumpet, Christina Bien-Aimé | Enclosure: New Galler y| Design Studio 2 | Ali Höcek FA’15
Intial Site Condtition- Using gallery as a central space Intial Site Condtition- Using gallery as a central space
Manipulate form- for light, views and circulation
Manipulate form- forform light, views and circulation Manipulate for light, view and
circulation
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Gallery/Exhibit Gallery/ DriverExhibition - Use drivergallery as connector through different program use gallery as connector through the different programs
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01 Sloped Brick Wall 3-D Diagrams 02-03 Parti Diagrams 04 Custom Brick Types
Gallery/ Exhibition driver- use gallery as connector through the different programs
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Shereese Trumpet, Christina Bien-Aimé | Enclosure: New Galler y| Design Studio 2 | Ali Höcek FA’15
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05 Floor Plan 06 Rendered Section
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Shereese Trumpet, Christina Bien-Aimé | Enclosure: New Galler y| Design Studio 2 | Ali Höcek FA’15
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07 West Elevation 08 Salon Wall Hook Diagrams 09-11 Salon Wall Details
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Shereese Trumpet, Christina Bien-Aimé | Enclosure: New Galler y| Design Studio 2 | Ali Höcek FA’15
BUILDING ENVELOPE
WASTE LINE
WATER LINE
Building Envelope BUILDING ENVELOPE
Waste Line WASTE LINE
Water Line WATER LINE
12 12 Plumbing Diagram 13 Structural Diagram
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Shereese Trumpet | Interior Gardens: Urban Living| Design Studio 1 | Christian Volkmann FA’14
Interior Gardens: Urban Living Morningside Heights, NY critic: Christian Volkmann FA ‘14
My design of the east lot proposes interior gardens that provide semiprivate pockets of green space. One interior garden spans two floors with the exception of a 3-floor garden to take advantage of northern light on 128th street. Each Apartment Unit has both visual and physical access. Each interior garden is shared by two units but their access points are on different levels. This maintains the semi-private aspect of each serene interior green space.
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Shereese Trumpet | Interior 1 i|a nChristian FA’14 Sheree se Tru m p et | I nter i o r G a rdGardens: e n s : U r b a Urban n L i vi ngLiving| | Desi g nDesign St udi o 1Studio | Chri st Vol km a nnVolkmann FA’1 4
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Shereese Trumpet | Interior Gardens: Urban Living| Design Studio 1 | Christian Volkmann FA’14
SBT STUDIO
B R O O K L Y N,N Y
ARCH 51312 | REVIT FALL 2015 PROFESSOR M.T. CHANG
U R B A N HOUSING PROJECT
Design Consultant Christian Volkman 141 Convent Avenue NY NY 10031
Structural Consultant Dominick Pilla Dominick R. Pilla Associates, P.C. 5 Columbus Circle, 8th Floor New York, New York 10019
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APARTMENT INTERIOR - I.G.
ARCHITECT Shereese Trumpet
HARLEM U R B A N HOUSING
InteriorSections & Exterior Plans, & Renderings Elevations
TH ENTRANCE LOBBY VIEW
Project number Date Drawn by Checked by
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2015.01 December 17, 2015 Shereese B. Trumpet SBT
Shereese Trumpet, Nicole Montenegro | Floating Urban Pods| Design Studio 1 | Christian Volkmann FA’14
Floating Urban Pods Morningside Heights, NY Collaboration: Nicole Montenegro Critic: Christian Volkmann FA ‘14
One of the most beautiful features of this site is the view of the sunset. In our design we aimed to create a path that would encourage slower movement through the site in order for people to appreciate the site. The stair on the left acts as an express track and our urban stair becomes the local track. The suggestion of meandering and spaces for viewing is the basis of our plan for the project. The platforms are supported only by mushroon columns and stair catilever off platforms.
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Shereese Trumpet, Nicole Montenegro | Floating Urban Pods| Design Studio 1 | Christian Volkmann FA’14
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01 Section Detail 02 West Elevation 03 East-West Section
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Shereese Trumpet, Famidah Ali | Grand Central Anal ysis | Communication Wkshp 4 | Arthur Haritos SP ’14
Grand Central Terminal Analysis 89 East 42nd Street, New York, NY 10017 Collaboration: Famidah Ali Critic: Arthur Haritos SP ‘14
This semester-long project entails a critical investigation of two aspects of the complex urban project - Grand Central Terminal. Working with trajectories and the natural light that once illuminated Grand Central’s Main Concourse, we sought to investigate the relationship of human interaction and natural light that penetrates from the south. When asked to investigate a related aspect, we were drawn to the light analysis.
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Shereese Trumpet, Famidah Ali | Grand Central Anal ysis | Communication Wkshp 4 | Arthur Haritos SP ’14
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01 Circulation Diagram 02 Clerestory Light 03 Crucial Fragments
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Shereese Trumpet | Grand Central Inter vention | Communication Wkshp 4 | Arthur Haritos SP ’14
Grand Central Terminal Intervention 89 East 42nd Street, New York, NY 10017 Critic: Arthur Haritos SP ‘14
01 The Intervention segement of this semester was individually executed. My urban intervention seeks to repurpose Grand Central’s iconic clerestory windows and inquire some resolution for the initial hypothesis in the analysis phase that light and circulation affect each other. These drawings capture the epitome of this proposal: to cut the existing surrounding buildings of Grand Central Terminal in order to reroute the light to repurpose the clerestory windows of Grand Central that once were drastically illuminated with sunlight.
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02 Sheree se Tru m p et | G ra n d C e ntra l Te r m i n a l I nte r vent i on | Com m uni cat i on W kshp 4 | Art hur H a ri tos SP ’14
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01 Winter Solstice Sunpath 02 Site Section Perspective 03 Exploded Axonometric 04 Diagram of Carved Space’s Usage
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Shereese Trumpet, Farah Abdul-Nasr | First Green Park Wall | Communication Wkshp 3 | Nandini Bagchee
First Green Park Wall 33 E 1st St, New York, NY 10003 Collaboration: Farah Abdul-Nasr Critic: Nandini Bagchee FA ‘13
We were asked to design a “Wall” to replace the existing typical park fence. It was left up to us to interpret the meaning of a ‘wall’. Some questions had to be asked to solve that - What does a wall do? what does the fence do that the wall shuold continue to do? We designed a landscape of cylinders that would create a porous fence that allowed more interaction between the robust street life of Houston Street and this new park.
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Shereese Trumpet, Farah Abdul-Nasr | First Green Park Wall | Communication Wkshp 3 | Nandini Bagchee
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01 Street Elevation 02 Section 1 03 Section 2 04 Site Plan 05 Project Development
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Shereese Trumpet, Wei Ying Zhang | Weather Station | Communication Wkshp 2 | Francis Lead on SP ’13
Weather Station Brooklyn Bridge Park, Brooklyn NY 11201 Collaboration: Wei Ying Zhang Critic: Francis Leadon SP ‘13
In the first phase of this project, I designed a wall experience that moves from land onto the water in a very freeing motion. The ‘wall’ trasitions from a narrow pathway with surrounding batten walls to a wide window framing the view of lower Manhattan skyline view. We continued the idea collaboratively while addressing two weather phenomenons: Sundog and Shelf Cloud. The two projects solve issues of collecting and storing data for each phenomenon. The visitor experience starts on ground level then ramps upward to the other structure and overlooks the skyline. The central convergence of both weather station forms a camera obscura room. This is the method of recording the sky - visitors are welcomed to draw and contribute to the recording of the weather each day.
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Shereese Trumpet, Wei Ying Zhang | Weather Station | Communication Wkshp 2 | Francis Lead on SP ’13
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01 Plan View Model 02-05 Sliver Sections
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Shereese Trumpet, Marlenne Baez | Place| Communication Wkshop 1 | Francis Leadon FA’12
Place Library/Reading
Collaboration: Marlenne Baez Critic: Francis Leadon FA ‘12
These sketches were worked in section to develop a place that facilitated reading. Thinking of the human interaction we developed our form - the ‘C’ shape. Another consideration was the posture of the readers which is also closely related to their preference of atmosphere in terms of the scale of the space they read in. Manipulatiing, overlapping and intersecting the ‘C’ shape created compressed, cozy and decompressed, open spaces.
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Shereese Trumpet, Marlenne Baez | Place | Communication Wkshp 1 | Francis Leadon FA’12
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Shereese Trumpet , Cynthia Yin | Threshold | Communication Wkshp 1 | Francis Leadon FA’12
Threshold Suggestion of Space
Collaboration: Cynthia Yin Critic: Francis Leadon FA ‘12 A threshold is a point of entry or transition; the split second of acknowledgement that we are moving from one place or room to another. As I reasoned this, a question rose in my mind: What is the purpose of threshold? It seems to me that a threshold or the point of entry can influence the movements, moods and behavior of people. For instance, in a school the threshold may be a wide open entrance that transitions into a much narrower hallway. This threshold serves to control the movement of people and because they are forced to walk slower, it also influences behavior. The idea of threshold as the point of entry is the central idea in my structure. In some ways I tried to answer my own question ‘How do we know what a threshold looks like or where it should be?’ Exploring the answer to this question led me to create a varying amount of spatial flow throughout the structure and also led me to transition some very small convoluted areas into open stretches.
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Shereese Trumpet, Cynthia Yin | Threshold | Communication Wkshp 1 | Francis Leadon FA’12
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other projects
Bernard and Anne Spitzer School of Architecture
2014 - 2015
SAFAIRA EVALUATION 5 4
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1 7
WEST 8
Shereese Trumpet, Jorge Burgos | Vacation House | Construction Technology 3 | Christian Volkmann FA’15
Vacation House Miami, Florida Collaboration: Jorge Burgos Critic: Christian Volkmann FA ‘15
Our Miami vacation house emphasizes the use of passive strategies to minimize the use of mechanical systems. An analysis of the climate for that particular region of Miami, Florida along with daylighting testing, lighting and acoustic calculations helped to make the design stronger in its passive take on sustainable, tropical design.
FINAL DAYLIGHT VISUALIZATION FINAL DAYLIGHT VISUALIZATION
1 Prevailing Winds from Lake 2 Stack & Cross Ventilation 3 Clerestory Windows
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1 Prevailing Winds from Lake 24Stack and Cross Ventilation Butterfly Roof Rainwater Collection 3 Clerestory Windows 45Butterfly Roof Rainwater Roof Overhang forCollection Shading 5 Roof Overhang for Shading Vegetation for Year-Round 66Vegetation for Yeat-Round Shading Shading 7 Raised Floor Reduces Humidity/Heat Gain Raised Floor comfort Reduces Humidty Gain 87MER for thermal 9 Translucent Operable Panels
8 MER for Thermal Comfort
9 Translucent Operable Panels
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Shereese Trumpet , Jorge Burgos | Vacation House | Construction Technology 3 | Christian Volkmann FA’15
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Shereese Trumpet, Jorge Burgos | Vacation House | Construction Technology 3 | Christian Volkmann FA’15
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Shereese Trumpet, Eric Iversen, Sar wat Yunus | HL23 Analysis| Construction Technology 2 | Yee Lin S hereese Tru mp et , C h ri sti n a B i en - Ai m e | E n c l o s u re: New G a l l e r y| Desi g n S t udi o 2 | Al i Höcek FA’1 5
A N A L Y S I S
Construction Technology 2 : HL23 Chelsea, NY Collaboration: Eric Iversen, Sarwat Yunus critic: Yee Lin SP ‘14 515 West 23rd Street Residential Construction 2008-2011 Neil M Denari Architects DeSimone Consulting Engineers, PLLC ADS MEP Engineers HL23 is a concrete and steel structure with diagonal perimeter bracing. The use of the structural steel was governed by two factors - minimizing the overall weight of the structure for the capacity of the foundation and minimizing the number of columns used. Due to the unique geometry of the building, the architectural layouts, the quality of soil and the gravity and lateral load system on the perimeter, steel was the most economical material.
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Shereese Trumpet, Eric Iversen, Sar wat Yunus | HL23 Analysis| Construction Technology 2 | Yee Lin
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Shereese Trumpet, Christina Bien-AimĂŠ, Justyna Drozdz, Jamie Huang , Julian Usman, Weiying Zhang
Furniture Design-Build
Harlem, NY Collaboration: Christina Bien-Aimé, Justyna Drozdz, Julian Usman, Jamie Huang & Wei Ying Zhang Critic: Christian Volkmann FA ‘15 At the beginning of the design phase, we created criteria that governed how we approached the prompt to build a conference table for the Solar RoofPod. In keeping with the RoofPod’s mission of sustainability, the table was created entirely from scrap wood including cherry, pine and mahogany, all sourced from NYC cabinetry shops. The table is collapsible and will be stored in an ajacent cabinet on days the RoofPod fills up for its Lunch Lecture series. The table can exist as a conference table for classroom settings but also for school events, it can be pulled apart as two separate tables. For the build portion, we created a nomenclature so each piece and 1:1 plans for constant referencing.
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SHEREESETRUMPET The Bernard and Anne Spitzer School of Architecture
PORTFOLIO OF WORKS 2012 - 2015