LOST HIGHWAY
from FILM to ARCHITECTURE
FSP
TSP
Architectonic Spatial/Visual Connectors/Separators
Optical Devices Functional Spatial Units (Subspaces)
Syntagmas
Non-Functional Spatial Units (Subspaces)
Segments
NE
Functional Aggregates Functional + NonFunctional
NS
Functional Spaces
NNS
-sterile, not lively -chaotic relationships betweeen spaces
ISC
Spaces Aggregates of Spatial Units (Subspaces)
ISpC
fred’s reality
ISR
Lost Highway
Non-Functional Spaces
Spatial Units (Subspaces)
ISpR
Kinder garden
2 Worlds Intra
pete’s fantasy
Music
Diegesis
Extra
Music
-active + lively spaces -simple spatial relationships
Connection between realites
Architectonic/ Built Environment Functional Elements
Spatial Structure/Organization (Form)
Emphasising scene specific atmospheres Pete's Fantasy
Fabula
-Pete’s life is intersecting with Fred’s life
-Adult’s world -children’s world
Portal (Highway)
Program (Programmatic Content)
Fred's Reality
Narrative
Plot
fine line between realities
-Möbius strip -4° acts Impotence
Events
-Interphone -Murderd -Transformations - Interphone
Chooses Alice
Arrested Videos
Returns to work Fred
Pete Renee cheating
Confronted by Mystery Man
Robs Andy Betrays Mr. Eddie
Diagram (Programmatic Organization) Fred’s world fragile Pete’s world solid and controled
Architectural Event/ Happening/ Program
Primary Function
Playground Classrooms
Andy’s house Garage
Reception Pete’s house WC
KINDER GARDEN
Offices
Fred’s house
Circulation
Highway
Stairway
Cabin
Under the stairs
Prison
LOST HIGHWAY
Fred’s world Pete’s fantasy
James Chenault, Letizia Coppo, Charles Howard