Signe - Edition 43

AED 30 KWD 2.5 QAR 30

S I G N É

CELEBRATION OF HOROLOGY

THE FIFTH EDITION OF DUBA I WATCH WEEK

GLITTERING BALLET

CHOPARD UN VEILS ADDITIONS TO ITS HAPPY SPORT COLLECTION

ARTISTICALLY PARISIAN

LVMH HOTEL’S FIRST URBAN PROPERTY

EXPLORING TIMELESS ELEMENTS

THE BRUNELLO CUCINELLI F/W 2021 COLLECTION

A CENTURY OF EXCELLENCE Mercedes celebrates the centenary of the Maybach brand

E X P E R I E N C E

T H E

E X T R A O R D I N A R Y

Welcome to Trump International Golf Club, Dubai Located in the heart of DAMAC Hills, Trump International Golf Club, Dubai brings links-style golf inspired by the game’s homeland of Scotland. Magnificent golf blended with culinary excellence and well-equipped leisure facilities creates an elegant lifestyle oasis in the United Arab Emirates for members and guests, alike.

Our stunning property boasts an exquisite 18-hole championship links-style golf course and a PAR 3 floodlit 9-hole course designed by world-renowned and 2016 Olympic golf course architect, Gil Hanse. Featuring state-of-the-art facilities, Trump International Dubai is home to the Trump Dubai Golf Performance Academy with air-conditioned indoor swing studios that offer virtual golf and SAM Puttlab technologies, a one-of-a-kind double sided LED floodlit TrackMan driving range, and immaculate short game area with practice facilities.

Complementing the extraordinary golf course and world-class golf facilities, the crescent-shaped 30,000 square foot clubhouse with its arching curves and soaring light-filled spaces provides the finest amenities, such as a chic Italian restaurant, luxurious sports bar and cigar lounge, a beautiful infinity swimming pool, a well-equipped fitness center and an expansive golf pro shop offering exclusive apparel brands in golfing and lifestyle accessories.

Visit Trump International Golf Club, Dubai to experience championship golf and a luxurious golfing lifestyle.

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IMPRESSIVELY MULTIFUNCTIONAL

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A CELEBRATION OF HOROLOGY

The third-generation Porsche Macan

BEAUTY AND RELIABILITY

The 5th edition of Dubai Watch Week

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Chopard unveils addition to its Alpine Eagle collection

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GLITTERING BALLET Chopard unveils additions to the Happy Sport collection

A CENTURY OF EXCELLENCE

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Mercedes celebrates the centenary of the Maybach

Bell & Ross takes golden aesthetic to extremes

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THOROUGHLY GOLDEN

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MASTERPIECE IN GREY

ELEGANCE IN GREY

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Richard Mille’s newest brand ambassador, Miles Chamley-Watson

Vacheron Constantin’s Les Cabinotiers

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The secret formula behind Rasasi Perfumes’ success

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Rolls-Royce announces its all-electric future

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An exceptional piece of mechanical art

PRECISION AND TIMING

Hublot and Berluti deliver a very limited edition in grey

CHIMING MAIDEN

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EXCEPTIONAL FRAGRANCES

MATERIAL APPARITION

TIME TRAVEL IN BURGUNDY

EXPLORING TIMELESS ELEMENTS

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THE BESTSELLER

H. Moser & Cie.’s addition to its Heritage collection

The Mercedes-Benz E-Class model upgrades

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The Brunello Cucinelli Fall-Winter 2021 Collection

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ALPINE EAGLE XL CHRONO The pure yet bold Alpine Eagle XL Chrono is a column-wheel chronograph equipped with a flyback function. Its 44 mm case houses the Chopard 03.05-C chronometer-certified automatic movement, for which three patents have been registered. This exceptional timepiece is made of Lucent Steel A223, an exclusive ultra-resistant metal based on four years of research and development. Proudly handcrafted by our artisans, it represents the expertise and innovation cultivated in our Manufacture.

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RELAXED SOPHISTICATION

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THE STYLE EDIT

HYDROW CONNECTED ROWING MACHINE

Loro Piana’s SS2022 Collection for men

Fashion-forward buys, picked by Signé for you

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A luxurious smart rowing machine

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HERITAGE EVOLVED

LATEST

IN-HOUSE BARISTA

The Moncler Genius 2021 Collection

Our product pick is the Paisley Shopping Bag by ETRO

Nespresso’s new Vertuo Next machine

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MINIMALIST ELEGANCE

Men’s footwear from Santoni’s AW21 collection

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SHREDDED MASTERPIECE

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The Rolls-Royce’s Cellarette

Rosetti Superyachts enters the luxury yacht market

ARTISTICALLY PARISIAN

The sale of Banksy’s “Love is in the Bin”

LVMH Hotel’s first urban property

GENTLEMANLY ACCESSORY

FASHIONABLY ECOCONSCIOUS

Montblanc products for the eco-conscious

FOR THOSE LONG GETAWAYS

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VIRTUAL AND ACTUAL Dolce & Gabbana’s Collezione Genesiis

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FITNESS IN STYLE

LATIN FRESHNESS

Technogym and Dior collection of fitness equipment

SEVA Table has a new chef and menu

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Under the patronage of Her Highness Sheikha Latifa Bint Mohammed Bin Rashid Al Maktoum Chairperson of Dubai Culture & Arts Authority

24TH - 28TH NOVEMBER 2021 www.dubaiwatchweek.com

Publishers’ letter AED 30 KWD 2.5 QAR 30

DUBAI WATCH WEEK 2021

Edition 43

The fifth edition of the biannual Dubai Watch Week (DWW) kicks off on November 24th. The fiveday event, now the biggest in the region, is set to be bigger and better than ever, with more brands participating and more events scheduled. In our 43rd edition, we have compiled an extensive list of activities scheduled at DWW, day by day, so that our readers do not miss out on the good stuff.

Our spotlight on luxury timepieces in this edition has Richard Mille announcing a new brand ambassador from the world of fencing, while Hublot Big Bang Unico gets another Berluti treatment. Vacheron Constantin presents a truly exceptional timepiece - the one-of-a-kind Tribute to Johannes Vermeer pocket watch. H Moser Cie’s Dual Time captivates in deep burgundy. Bell & Ross goes for gold with a skeletonised BR05, while Chopard goes sporty with the Alpine eagle for men and Happy Sport for women.

Our cover story looks back at the past 100 years of the Maybach marque, along with special edition goodies being offered to mark the occasion. The line-up bestseller, Mercedes E-Class gets a facelift across all models.

As the world reopens to travel, so does LVHM’s Cheval Blanc hotel in the heart of Paris. Zillers unveils the R18, a work of art on two wheels. Dolce & Gabbana go digital with their first NFT collection, while Banksy’s shredding leads to a higher price tag.

As always, enjoy the read!

All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilised in any form or by any means, without written permission from the Publisher. SIGNÉ does not take any responsibilities for incorrect information. The advertising appearing within this publication reflects the opinion and attitudes of their respective brands and not necessarily those of the Publisher or SIGNÉ.

ISSN 2410-4523

Day 1

Day 2

Youth, Skills & Future of Work

Innovation in Education

Countries

Organizations

Scan and Register

Day 3

Breakouts & High level Sessions

Speakers

WA T C H E S • A C E L E B R A T I O N O F H O R O L O G Y

A CELEBRATION OF HOROLOGY As the fifth edition of Dubai Watch Week is all set for launch this November, we present the details revealed thus far

Under the patronage of Her Highness , Chairperson of the Dubai Culture & Arts Authority (Dubai Culture), Dubai Watch Week is set to make Dubai the epicentre of the global watch industry once again when the fifth edition welcomes visitors between November 24th and 28th.

Organised by Ahmed Seddiqi & Sons - the region’s leading retailer of luxury watches and jewellery - the biennial event has grown to become the largest and most prominent noncommercial watch event in the Middle East. The organisers have confirmed the participation of around 50 leading watch brands, the highest number to date.

Located under The Gate in DIFC, the purpose-built 70,000 sqm event space is designed to create an inclusive and intimate environment for the exhibitors and visitors. This open-to-all event offers free access to its visitors. However, certain programmes require pre-booking on the event’s website if one wishes to participate.

“Dubai Watch Week is an unprecedented and inclusive experience, influencing the evolution of the global watch industry in a city that prioritises culture and innovation,” says Hind Seddiqi, Director General of Dubai Watch Week.

Speaking of innovation, this year’s Dubai Watch Week (DWW) will witness the launch of Collector’s Lounge - a dedicated space where collectors and connoisseurs from around the world can interact with their peers and industry

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leaders. The lounge will also showcase special limited editions conceptualised by Ahmed Seddiqi & Sons to commemorate the UAE’s 50th anniversary, as well as signature pieces from Buben & Zorweg and Miki Eleta.

As a key cultural and lifestyle event on Dubai’s calendar, DWW is made possible with the support of Dubai Culture and Arts Authority, Dubai Festivals and Retail Establishment (DFRE), as well as DIFC, which provided the venue for the event.

Christie’s is another long-term partner of the event.

This year, the world-leading art and luxury auction house is organising a series of expert lectures, exhibitions, and activities, along with showcasing various watch collections of distinguished private collectors from Asia and the Middle East.

In addition to the headline events, DWW will present daily entertainment, performances and competitions for the visitors on all five days. The event will offer a unique gastronomical journey with limited edition menus and food experiences from successful homegrown concepts to internationally acclaimed restaurants.

“Our ongoing partnerships intersect multiple industries.

Along with leading watch brands, pre-eminent speakers, and guests from around the world — coupled with entertainment and homegrown & international food concepts — our

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Hind Seddiqi, Director General of Dubai Watch Week

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Located under The Gate in DIFC, the purpose-built 70,000 sqm event space is designed to create an inclusive and intimate environment for the exhibitors and visitors.

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The Dubai Watch Week has become a meeting place that watch enthusiasts and horology industry personalities look forward to.

objective is to create an educational, experiential, and networking event like no other,” explains Hind Seddiqi.

Of the fifty-odd brands represented at DWW, some – such as Rolex, Audemars Piguet, TUDOR, Hublot and Chopard - will have stand-alone and interactive spaces on site. Also included in this list is WatchBox, the leading name for preowned luxury timepieces. Some of the prominent brand names presenting themselves this year will include Bell & Ross, Bovet 1822, Breitling, Bvlgari, Greubel Forsey, H. Moser & Cie, Jacob & Co, and MB&F. The Brands’ Exhibition, we are informed, will offer something new to see and experience across each of the five days, including selections of heritage timepieces, seasonal collections and the winning watches from the Grand Prix d’Horlogerie de Genève 2021.

The core events at DWW2021, as always, fall into three categories: Horology Forum, Creative Hub and Masterclasses.

Horology Forum, an original concept pioneered by Dubai Watch Week, is a series of thought-provoking panel discussions that explore diverse themes and topics.

Elaborating on the significance of the forum, Hind says: “It is through open channels of communication that we can continue to disrupt and evolve the horological industry for the better, with this year set of speakers to be the most exciting global exchange yet.”

Meanwhile, the Creative Hub is an educational and cultural platform aimed at cultivating and sharing horological knowledge, learning from industry peers, as well as celebrating the mastery of watchmaking. For the reader’s convenience, we have compiled a brief list of the forums and hubs scheduled over the five-day period. Two forums have been scheduled for each of the five days, with the hubs ranging between one and three events per day.

On the opening day, November 24th, the panel for the “Alignment of the Fittest” forum examines the challenges faced by online celebrities while trying to reconcile their public personas with their actual identities. To dissect this relevant topic will be a panel of four speakers. Cyba Audi - the founder & CEO of Saba Consultants - is a media personality.

Anish Bhatt - the founder & CEO of Watchanish - is a social media sensation known for his passion for watches. Georges Kern is Breitling’s CEO and Michel Loris-Melikoff is the Managing Director of Baselworld.

The second forum of the day, “Epicurious Collectivist #IYKYK” weighs the pros and cons of democratising art and luxury knowledge. The panel for this forum brings together two high powered speakers: François-Henry Bennahmias - the CEO of Audemars Piguet - and Michael Clerizo - an author and journalist specialising in luxury timepieces.

The opening day will witness just one Creative Hub event, but a significant one. Breitling CEO Georges Kern will present the latest novelties from the brand. These will include the Middle East launch of a new aviation collection inspired by the original 1953 “Co-Pilot” Ref. 765 AVI, the recently launched Top Time Classic Cars Capsule Collection paying homage to classic sports cars from the 1960s, and several Boutique Limited Editions, seen for the first time in the Middle East.

The next day, the panel at “I love My Patek, What Does It Do” will explore the issue of money talking louder than knowledge, and why certain cultures have a reputation of exuberant spending habits. Ali Nael - collector and watch expert, Danny Govberg - executive chairman and co-founder of WatchBox, Nicholas Foulkes - author, historian and journalist, and Mohammed Abdulmagied Seddiqi - CCO at Seddiqi Holding will make up the four-member panel.

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The organisers have confirmed the participation of around 50 leading watch brands, the highest number to date.

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Later, Maximilian Büsser - MB&F owner and Creative Director - along with Nélida Nassar - a graphics and communication strategist - and Myrna Ayad - an art consultant, editor and cultural strategist - take the stage for “Authentic Poor Rich Sell-out.” They will appraise ‘authentic commercial success’ in creative industries by comparing the experiences of artists who remain true to themselves, remaining poor and unrecognised until after death, versus those who become wealthy and influential from commercialising creativity.

Three Creative hubs are scheduled for this day. H.Moser et Cie will launch a limited-edition timepiece that “enhances minimalism and understatement.” Girard-Perregaux, at the tail end of a prolific year of model launches and high-profile partnerships, will announce two worldwide launches at DWW. The swiss boutique brand Oris will close out the day with its new watch presentation.

On the 26th, Oskar Metsavaht tackles the question: “What has the luxury industry actually done to stop human rights obstructions, environmental strife and animal cruelty in an increasingly conscientious world.”

The sole speaker of “On the Bright Side, At Least We Don’t (Blank) Anymore” is a UNESCO Ambassador for Sustainability and the founder of Osklen and Instituto-E, the Brazilian fashion brand that champions the “New Luxury” concept - fusing ethics and aesthetics.

“Did You Just Assume My Trope?” will have a two-man panel, confronting stereotypes as collectors in different stages pigeonhole each other from across three generations: Generation X, Millennial and Generation Z. The two distinguished speakers are: Andrew Hildreth - Liveryman, Worshipful Company of Clockmakers and a Fellow at the Royal Statistical Society - and Pierre Biver - watch enthusiast

and son of Jean-Claude Biver, the legend behind Blancpain, Omega, Hublot and TAG Heuer’s resurrection.

This day will witness the launch of two new models by two exceptional watch brands. Urwerk, the manufactures of modern and complex watches, will unveil its new UR-100.

The original styling of each model is signed by the brand’s chief designer and co-founder, Martin Frei.

Frederique Constant will unveil a Slimline Monolithic Manufacture equipped with a movement ticking at an astounding 288,000 vibrations per hour. That is ten times faster than most mechanical watches. Pim Koeslag - Technical Director and Master Watchmaker at Frederique Constant - will conduct “The Art of Precision in Watchmaking” masterclass. In which, he will elaborate on the inner workings of the brand’s new revolutionary calibre.

On the 27th, “Cryp tic-tac-to, Where’d Human Error Go?” examines the global fascination with the Crypto world and how it is being used by the luxury industry. Two insightful panellists have been invited to unravel the intangible mystery. Kevin O’Leary is the chairman of O’Shares ETF Investments and Beanstox - an automated internet-based investment advisory service. Leonie Flückiger is the cofounder of Adresta, which creates a digital twin for luxury watches and securely stores information about authenticity, ownership, and history on the blockchain.

Fabrizio Buonamassa - Design Centre Director for Bvlgari Watches, Aldis Hodge - watch enthusiast and Hollywood actor, and Suzanne Wong - veteran watch journalist are the panellists for “Pan-mechanism.” They will discuss the future of gender-specific watches - will they stay or will they disappear?

The Creative Hub for the day is “An evening with Bovet 1822.” This interactive event will showcase two of the

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premiere novelties of the brand: the Battista Tourbillon and the Orbis Mundi. The presentation will be accompanied by a timepiece-themed quiz with prizes and a trunk show featuring some of the finest Bovet 1822 novelties and collections.

On the 28th and last day of DWW, Rexhep Rexhepi – a watchmaker at boutique brand Akrivia, and Mishal Kanoo Chairman of Kanoo Group, are the panellists for “What Do You Do When We Come for You?” They will examine how industries “welcome” agents of change that rebel against the status quo by enabling adaptation, and which survive to become leaders.

“Carte Blanche,” the final forum event at this year’s DWW, is for the audience. Each member of the audience will be given a white card to anonymously write down any question they may have, which the panellists will then answer. The line-up of panellists for this forum is to be confirmed.

Three creative hubs are planned for the last day of the event.

At “WatchBox presents: The Collectability Conversation,” WatchBox’s Tim Mosso and Mike Manjos, Alp Sever of Langepedia, Mohammed Seddiqi, and several experienced collectors indulge in an open dialogue about evolving approaches to collectability, the importance of market value, encyclopedic knowledge, mono-brand scholarship and intangible intrigue.

Later, Louis Moinet, the independent watch brand named after the inventor of the chronograph, will premier Astronef:

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“a super watch based on unique technology and combining three world premieres.” Also, the brand’s CEO, Jean-Marie Schaller, who discovered the world’s first chronograph in 2012, will place it on display. As one of the final events of this year’s DWW, Bell & Ross will unveil new creations, including an exclusive edition for collectors to mark the UAE’s 50th anniversary.

While the Horology Forums and Creative Hubs are oneday events, DWW’s Masterclasses are often spread over several days. These Masterclasses are hands-on workshops led by expert artisans spanning the fields of watchmaking, engraving, enamelling, design, and more. These classes – like the event itself – are free to the public. However, booking as early as possible on the DWW website is a way to ensure a spot.

This year’s Masterclasses kicks off with the longest one, stretching all five days. At “Drawing with Light,” Fiona Krüger - watch designer and the only female owner of an eponymous watch brand - introduces attendees to linocut: a relief printing technique described as “drawing with light.”

She used this technique in her latest collaboration with Japanese luxury brand Tasaki.

Scheduled for the 26th and 27th November, “Create Your Own Stamp” is Fiona Krüger’s second masterclass.

This one is for children aged between seven and twelve.

Krüger will turn the classroom into an artist’s studio

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Dubai Watch Week 2019 at DIFC

where children can learn how to make their own prints, a technique often used by the artist, including in her latest collaboration with Tasaki.

“The Creation of a Finishing Brush” will be held between the 24th and 27th of November. In this masterclass, Valentina Ivanova - a Master Brush Maker at ALCO - divulges the time-honoured techniques used in the production of an exceptional dial finishing brush. It is reported that almost every timepiece in the world has at least one component that was finished using a tailormade brush developed at ALCO. Giorgio L. Rauccio, Chairman and President of the ALCO Group, will host another Master class, also running from the 24th to 27th. “Murano Glass in Watchmaking” explores one of the most delicate crafts in watchmaking: turning an authentic original “Millefiori” into a watch component. In this session, attendees will create their own unique artwork, starting with a rough piece of traditional Venetian glass and polishing it to final completion. The aim is to make the final piece a unique jewel to wear on a bracelet.

For the “Miniature Dial Painting” masterclass, Andre Martinez - master miniature painter and Bovet artisan will demonstrate how to prepare a metal base dial, mix the paints, then ask the attendees to produce their own

miniature painting on a dial. This master class will be held on three days – 24th, 26th, and 28th of November.

On 25th and 27th, “Similarities of Watch and Car Design” is a masterclass hosted by Luca Borgogno - Chief Design Officer of Automobili Pininfarina - Bovet’s automotive partner. This session will include a presentation on the design ethos for the new Battista all-electric hypercar, and require attendees to try their hand at finishing a Bovet timepiece design, integrating concepts from the Battista hypercar.

Over the course of the last four events, DWW has shown impressive growth, both in terms of numbers and prominence.

The inaugural event in 2015 had 2,500 visitors and 14 brands with 242 watches on display. In 2019, the number of visitors had grown to 9,041, with 42 brands represented.

There were seven watch launches, including a Global Launch

by Chopard. There were around 50 International media titles represented on the ground, conducting over 140 Interviews.

“This year’s event,” says Hind, “will be the most engaging edition yet as we continue to transform and drive forward innovation within the watch industry. We look forward to reuniting for a moment in time with our local and global community as we celebrate our fifth edition alongside the UAE’s golden jubilee.”

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Photoshooting credits: Art Director: Xavier Dolan Photographer: Shayne Laverdière Stylist: Elizabeth Stewart All watches and Jewellery

by Chopard

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GLITTERING BALLET Chopard has unveiled two new additions to its iconic Happy Sport collection, both in a new size

Julia Roberts, the actress with the “milliondollar smile,” has been unveiled, quite appropriately, as Chopard’s brand ambassador for its Happy Sport campaign — which launched two new Happy Sport watch models, and a collection of Happy Diamonds and Happy Hearts jewellery.

The two new Happy Sport ladies wristwatch models – one presenting a new aesthetic and the other recreating the spirit of the original model - are presented in 33mm case sizes for the first time. This case size was arrived at, according to the brand, by using the golden ratio in direct relation to the diameter of the 09.01-C movement designed for Chopard ladies’ watch collections. As a result, the case construction of the new Happy Sport models is particularly well suited to the female wrist.

Happy Sport is an icon of Chopard’s ladies watch collection dating back to 1993, when Caroline Scheufele – the Maison’s Co-President and Artistic Director - captured the spirit of the era by conceptualising a sports watch based on the unprecedented mingling of steel and diamonds.

“I wanted a watch that I could wear all day long: at the gym, in the office or for a dinner in town,” is how Caroline Scheufele explained the concept back when the model was first unveiled. Since then, the Happy Sport collection

has become emblematic of the Joie de Vivre spirit of the Chopard brand.

The Happy Sport models are distinguished by their five “freedom-loving dancing diamonds” set between the two sapphire crystals topping the dial. This is a technical feat that only a few choreography Artisans can achieve, ensuring that each diamond in its spinning-top capsule is arranged in such a way that its “dance” is never hindered.

The “dancing diamonds” concept was first invented by Chopard in 1976, for the Maison’s jewellery collection.

Diamonds are “happier when they are free,” Caroline Scheufele’s mother is said to have exclaimed when she was presented with the first prototype of this concept. This inspired the name of the watch collection that would later adopt the dancing diamonds concept.

Of the two new additions to the collection, one model is titled Happy Sport 33mm, in honour of the new dial size.

This model comes with a total of eight variants based on the combination of materials used to construct the case, bracelet and bezel.

Four of these variants have Lucent Steel A223 cases embellished with ethical 18-carat rose gold for a two-tone aesthetic. Of these four, Reference 278608-6001 comes

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HAPPY SPORT THE FIRST Ref. 278610-3001 Happy Sport The First pays faithful homage to the original model introduced in 1993, thanks to its legendary dancing diamonds and its “pebble-link” bracelet, while adding major innovations: a new case redesigned with a 33 mm diameter inspired by the principles of the golden ratio, as well as the Manufacture Chopard 09.01-C movement with automatic winding.

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HAPPY SPORT Ref. 275378-5004 Pursuing its commitment to a constant quest for harmony, Chopard is endowing its icon with unique stature through a daintier size. By using the golden ratio in direct relation to the diameter of the Chopard 09.01-C movement with automatic winding powering its ladies’ watch collections, the case of the Happy Sport has been redesigned in a 33 mm diameter that is particularly well suited to the female wrist.

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HAPPY SPORT 33 mm, Automatic, Ethical Rose Gold, Diamonds Ref. 275378-5004

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HAPPY SPORT 33 mm, Automatic, Ethical Rose Gold, Stainless Steel, Diamonds Ref. 278608-6001

with a leather strap, 6002 with a metal bracelet, 6003 has a diamond-set bezel with a leather strap, and 6004 has a diamond-set bezel with a metal bracelet.

Three variants are entirely crafted from Chopard’s “ethical” 18-carat rose gold. Reference 275378-5001 has a leather strap, 5003 combines a diamond-set bezel and a leather strap, while 5004 combines a diamond-set bezel with a gold bracelet.

These seven variants are adorned with a silver-toned dial, which is graced with a central guilloché motif and five dancing diamonds. The eighth version is a jewellery piece in “ethical” 18-carat white gold, entirely set with diamonds and features a mother-of-pearl dial.

The second new model unveiled by Chopard is Happy Sport The First. This model comprises two limited-edition rereleases of the very first watch presented when the collection was launched.

The first variant is limited to 1,993 pieces, a quantity that pays tribute to the year the collection was first unveiled. The second variant, limited to just 788 pieces - a lucky number for Caroline Scheufele - is distinguished with a diamond-set bezel and a textured mother-of-pearl dial.

Aesthetically, the new Happy Sport The First timepiece is in every way similar to the original model introduced in 1993.

The round case is adorned with an understated silver-toned dial, punctuated by Roman hour-markers in a shimmering shade of blue. This hue echoes the five cabochon-cut sapphires set on the lugs and crown of the watch. Unlike the original, however, the new case in Lucent Steel A223 has been redesigned with a 33 mm diameter.

The aesthetic appeal of this watch also lies in its bracelet, with links composed of four rows of pebbles. Each pebble is meticulously polished before being assembled in a smooth sequence, making this timepiece a wonderfully pleasing object to wear, touch and admire. Every bit as supple as a mesh design, the bracelet embraces and accentuates the slender curve of its wearer’s wrist, a design that is both sophisticated and sporty.

All the 33mm models are driven by Chopard’s 09.01-C, a 148-part movement with automatic winding and a 42-hour power reserve. The 20.4 mm diameter of this movement entirely designed and produced in-house - has determined the proportions of the latest Happy Sport 33mm models.

When asked how her new Happy Sport watch makes her feel, Julia Roberts replied: “There is something about having a watch, which every time you look at it, seeing all these sparkling diamonds whirling around, it’s pretty awesome.”

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ELEGANCE IN GREY The latest collaborative effort by Hublot and Berluti delivers a very limited edition in shades of grey

Hublot’s new Big Bang Unico Berluti Aluminio - celebrating five years of collaboration between the two LVHM brands - is one for the collectors and connoisseurs of the two brands. Limited to just limited to 100 pieces, this Big Bang Unico leverages the shared know-how of the two houses to present an understated and elegant timepiece in monochrome, in shades of grey.

Commenting on the new Berluti Unico, Ricardo Guadalupe, Hublot’s CEO, said: “This new Big Bang Unico Berluti Aluminio isn’t quite what people were expecting – so, of course, that’s why we made it! In an urban style, it reflects the smooth, satin tones of the concrete that adorns the greatest cities. Understated but technical, monochrome but packed with nuance, it explores some very minimalist creative ground that we are not used to travelling. A piece that many will find surprising!”

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The Hublot-Berluti collaboration, first announced at Baselworld in 2016, has given us the Classic Fusion Chronograph Berluti Cold Brown and Cold Gold in 2019, along with last year’s Big Bang Unico Berluti Cold Brown.

These collaborative timepieces combine Hublot’s selection of innovative materials with Berluti’s signature leathers.

Aluminio, one of Berluti’s signature patinas, is noted for its ability to perfectly transcribe the light onto the different tones of the Venezia leather. According to a statement by Berluti, “working in monochrome is a very demanding exercise in patina, finish and play of light to give the watch its volume.”

Berluti’s patinated Venezia leather forms the base of the dial within the 44mm satin-finished and polished titanium case. It has a cut that reveals the gears of the Unico movement within. The indices and words “Swiss Made” are gauffered directly on the leather dial’s surface.

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Hublot Big Bang Unico Berluti Aluminio

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Hublot Big Bang Unico Berluti Aluminio

The leather is held between two pieces of sapphire glass.

The two brands worked together to develop a technique to encapsulate the natural leather hues and crystallize them.

According to the watchmaker, by using this technique, the leather’s “beauty is rendered in an authentic and unchanging manner.”

Hublot, we are informed, took responsibility for the new, two-part bezel design of this model. The bezel, constructed in satin-finished and polished titanium, is topped by the same Aluminio leather as the case. With the help of a sticky, rigid resin, the first piece of the bezel - in leather, about 1 mm thick - is inserted onto the second piece, in grey titanium, and then screwed onto the case of the watch. This will allow the bezel to be patinated in time, just like the strap.

To bring the Aluminio leather into harmony with its mechanical ensemble, the Hublot Manufacture chose from

the vast palette of materials at its disposal: titanium for the 44-mm case and its deployant clasp, resin for the central horn, tungsten for the oscillating weight, and satin-finished rhodium for the hands.

The watch is powered by Hublot’s MHUB1280 Selfwinding UNICO Manufacture. The flyback chronograph has three full days of power reserve. The satin-finished titanium case back has “Limited Edition 100NUM” and “Berluti” etched on it, while a sapphire crystal with anti-reflective coating offers a view into the movements within. The strap, also representative of the two brands, combines Hublot’s black rubber with Berluti’s patinated Venezia leather.

The Big Bang Unico Berluti Aluminio will be delivered in a special case with a travel pouch, and a shoehorn keyring with the Berluti logo.

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WA T C H E S • C H I M I N G M A I D E N

CHIMING MAIDEN The latest one-of-a-kind from Vacheron Constantin’s Les Cabinotiers is a masterpiece of aesthetics and mechanics

The result of eight years of exceptional creativity, Les Cabinotiers Westminster Sonnerie – Tribute to Johannes Vermeer pocket watch is one-of-a-kind. First commissioned in 2013 by a collector - for whom “passion consists in always seeking that which is theoretically impossible to obtain” - this bespoke Vacheron Constantin pocket watch is a masterpiece of Haute Horlogerie and craftsmanship. It embodies art and beauty, exceptional mechanics and technical mastery.

Les Cabinotiers – named after the Geneva masterwatchmakers during the Age of Enlightenment - is a department within Vacheron Constantin dedicated to creating exceptional one-off masterpieces. The collector’s brief to the team at Les Cabinotiers was to create “a pocket watch that was technically and aesthetically exceptional, reflecting the noblest traditions of 18th century Haute Horlogerie.”

Eight years later, The Westminster Sonnerie pocket watch is unveiled to the world. Powered by a Calibre 3761 new inhouse movement, the watch visually indicates the hours,

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minutes, and small seconds, along with being a minute repeater and Westminster carillon. The hand-engraved yellow gold case has an officer-type caseback featuring a miniature replica of Johannes Vermeer’s “Girl with a Pearl Earring,” hand-painted by Anita Porchet.

The term ‘Westminster Chime’ refers to the world-famous bells of Big Ben, which produce a four-bar melody consisting of four notes played at different frequencies. When the new pocket watch is in “Grande Sonnerie” mode, the watch chimes the quarters in passing, with the hour repeated at each quarter, meaning three bars of the Westminster melody followed by single notes equal to the number of hours.

In “Petite Sonnerie” mode, it strikes the quarters without repeating the hours. With each change of hour, it strikes the fourth quarter – “the carillon” – as well as the hours. The watch can also function as a minute repeater that chimes the quarters, minutes and hours in sequence. The strike work can be selected by a slide switch positioned between 10 and 11 o’clock.

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Vacheron Constantin - Les Cabinotiers Westminster Sonnerie

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Another slide switch enables at 9 o’clock acts as a master switch with three options. In “Sonnerie” mode, it enables the three strike options mentioned above. In “Silence” mode, it completely suspends all striking mechanisms. In “Night Silence” mode is a special feature specifically developed and adapted to the 3761 calibre. According to the time zone chosen by the customer, the alarm is deactivated between 11 pm and 9 am, thus saving energy as well as ensuring peace and quiet at night.

Grande Sonnerie models have always enjoyed a special aura, not only because of the inherent complexity of these mechanisms striking several gongs, but also because of the musical qualities required. The new Westminster Grande Sonnerie’ Calibre 3761 was developed by the same team of watchmakers who designed the Reference 57260 watch - the most complicated watch ever made with an astounding total of 57 complications.

The 3761 is an 806-part manual winding calibre regulated by a tourbillon. The latter is visible through the transparent cashback. All components of the movement are handfinished – from the engraved balance bridge to the bridges buffed with diamond paste to achieve a mirror-polished

finish, as well as the galvanic treatment of the plates adorned with Côtes de Genève.

The craftsmanship adorning this timepiece is truly extraordinary, for it embodies the sum of rare talents. The case has hand-engraved detailing on its bezel, back and sides using various artisanal techniques. It is topped by a bow adorned with two hand-sculpted lion heads. The main ornamental theme is composed of acanthus leaves that run among scrolls and flowers with a pearl heart, echoing the pearl earring in the painting. The detailed hand-chasing of the background accentuates the contrast between the matt chased champlevé surface and the polished motifs.

Enameller Anita Porchet’s miniature reproduction of Vermeer’s famous 1665 painting decorates the officer-type caseback. The challenge of accurately reproducing the work of a great master was amplified by the 98mm diameter of the available surface. A technique known as “Fondant de Genève” was employed to add a final transparent and colourless protective coating to the layers of vitrified enamel, thereby giving brilliance and depth to the artist’s work. We are informed that seven months of intermittent work was necessary to bring this portrait to life.

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WA T C H E S • T I M E T R AV E L I N B U R G U N D Y

TIME TRAVEL IN BURGUNDY Presenting H. Moser & Cie.’s latest addition to its Heritage collection, the Dual Time

Drawing a subtle line between tradition and modernity, between the past and the present, H. Moser & Cie’s Heritage Dual Time model becomes the latest addition to its Heritage Collection. Aesthetically combining polished steel, burgundy fumé, and grey leather, this wristwatch indicates the time in two time zones, along with the date, hours, minutes and seconds.

Since the H. Moser & Cie. brand name was reincarnated in 2002 by Dr. Jürgen Lange and Roger Nicholas Balsiger - the great-grandson of the founder Heinrich Moser – the Schaffhausen based watchmaker has earned a reputation for blending the modern with the traditional, while possessing a minimalist and contemporary elegance. It currently presents its watches in four collections.

The Streamliner collection is a nod to the sleek automotive and locomotive designs of the 1920s, featuring an integrated steel bracelet. The Pioneer is the brand’s collection of sports watches that combine classic styling with robust construction. The Endeavour collection, embodying the notion of less is more, reinterprets the classic round watch in minimalist splendour.

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The fourth collection revisits the brand’s substantial archives to draw inspiration from the brand’s heritage, from the days of Heinrich Moser.

The collection does not seek to faithfully reproduce the watches from the early 20th-century, some of which are on show in the Moser museum in Schaffhausen. Instead, the collection presents a case design inspired by the pocket watches of that era and combines them with the latest innovations. Examples include a double-hairspring flying tourbillon with a blue enamel dial, or an integrated perpetual calendar with deep blue cloisonné enamel and a polished white gold case.

The new Heritage Dual Time, boasting a bold steel look, is a beautifully rounded model with classic touches. It has a 42mm x 11.6 mm polished steel case. Typical of the models in this collection, the case has a thin bezel, large dials, and a broad, flat-ish crown, similar to the pocket watches of old.

The slender lugs are designed to appear as though they have been attached after the fact, reminiscent of the lugs that were sometimes soldered onto the case of pocket watches upon a customer’s request.

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H. Moser & Cie Heritage Dual Time

Staying true to the brand’s DNA of presenting minimalist dials with great visual appeal, the Dual Time debuts a brandnew Burgundy fumé dial. The brand’s logo is applied in transparent lacquer to make it as unobtrusive as possible, like a secret signature. The traditional-style railway minute track appears in white to give a contrasting appeal.

Placed just inside the minute track are the noticeably large appliqué numerals in 3-D, placed around the dial, like blocks of chiselled stone. The numerals are made entirely of Globolight, an innovative glow-at-night ceramicbased material that can assume any shape and colour. It is infused with Super-LumiNova to produce illumination.

The watchmaker debuted Globolight two years ago on the Endeavour Flying Hours.

The sword-shaped hour and minute hands, which also glow in the dark, are thick enough to take a liberal coating of Super-LumiNova. The second time zone is indicated with an anthracite grey-coated central hand, also sword-shaped and coated with Super-LumiNova, but hollowed-out. In line with the watch’s minimalism, the second time zone hand can be hidden behind the main hour’s hand when not required. The date is displayed in a well-proportioned

window at 6 o’clock and is connected to the dual time zone for practical purposes.

At the heart of the Heritage Dual Time model beats the new HMC 809 self-winding calibre. Based on the HMC 200, the dual time function of the 809 was enabled by a new module developed in-house by Moser’s engineers.

The oscillating weight of the 809 transfers the energy to the barrel via a bi-directional pawl winding system which reduces the time required to wind the watch fully. It has a power reserve for three-day.

The strap, in hand-stitched grey kudu leather, beautifully complements the polished steel of the case. Kudu leather is the hide from Kudu, an African species of Antelope with sizeable twisted horns, and either grey or brown shorthaired coat that features distinctive vertical white stripes.

Kudu is soft, mid-to-lightweight leather, often with a subtle sheen and a rich, pebbled texture.

H. Moser & Cie. Heritage Dual Time (Reference 88091200) is not the brand’s first dual timer, but it is the first dual time with a date function. It is also the first to be powered by the new 809 calibre, and the first to feature a dial in burgundy.

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WA T C H E S • B E A U T Y A N D R E L I A B I L I T Y

BEAUTY AND RELIABILITY Chopard unveils a new edition to its classy-sport Alpine Eagle collection

Chopard’s new Alpine Eagle Cadence 8HF in titanium, a limited edition of just 250 timepieces, combines precision, style and sportiness. The 41 mm-diameter watch houses the Calibre 01.12-C, one of the most advanced movements from Chopard’s workshops. The calibre features a high-frequency escapement that reaches 57,600 vibrations per hour, or 8 Hz – that’s twice as fast as a standard automatic movement.

Involving three generations of the Scheufele family in its conception and design, the Alpine Eagle collection has “exceeded all expectations” since its launch in 2019. A collection inspired by the Maison’s bestselling St. Moritz collection of sports watches from the 1980s, its newest member is thin at 9.75 mm, very light, and extremely robust thanks to its titanium construction.

The Alpine Eagle models presented thus far are made from Chopard’s Lucent Steel A223 alloy, ethical gold, or a combination of both. The new model is, for the first time,

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in all-titanium – lighter in weight and darker in colour than its predecessors. The Alpine Eagle design codes, however, remain present.

The bezel, case middle and wide bracelet links are satinbrushed. The central caps of these links are polished, as are the case bevels. The eight screws featuring slots are set at a tangent to the bezel circle.

The dial has the signature “eagle iris” pattern, but its colour, Vals Grey, distinguishes it from the rest of the collection.

Also, because the colour is hand-patinated, each dial has a distinctive shade. The Vals Grey colour was inspired by the village of the same name in the Swiss canton of Graubünden, known for its houses with quartzite-tiled roofs.

The minutes’ track has been pared down to just baton-type hour-markers and the 12 o’clock in Roman numerals. Beneath the Chopard name is the inscription “8 HZ Chronometer,” while above the 6 o’clock is the dynamic arrow-shaped

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Chopard’s Alpine Eagle Cadence 8HF in titanium

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logo - the signature of Chopard high-frequency watches.

This quality is also highlighted on the transparent sapphire crystal caseback, through which the movement is visible.

Calibre 01.12-C’s high frequency of 8 Hertz enables the in-house movement to achieve higher levels of precision without sacrificing its weight and comfort attributes. Simply put, high frequency improves chronometry. Impacts to a watch disturb the oscillations of its balance.

However, due to a statistical effect, the faster it beats, the lower is the disruption on its average rate.

Chopard’s high-frequency mechanical self-winding movements are more technical and more complex to produce than a movement with a conventional escapement. This limits their production to a few units, making them highly appealing to collectors.

Chopard also uses monocrystalline silicon to get the most out of Calibre 01.12-C’s 8 Hertz frequency. The light and self-

lubricating material is used in all the components that are subject to high friction: the pallet-lever, the escape-wheel and the impulse-pin. This approach greatly reduces friction, eliminates the need for traditional watchmaking lubricants and, in turn, improves the movement’s longevity. The lightness of silicon and its tribological properties have been essential to the development of an escapement dedicated to high frequencies without increasing energy consumption.

The calibre, with a 60-hour power reserve, has a ‘Chronometer’ certification issued by the Official Swiss Chronometer Testing Institute (COSC).

Chopard Calibre 01.12-C and its underlying patented technologies have made it possible to reconcile apparently contradictory objectives: chronometry, autonomy and reliability. Now interpreted in the casual chic Alpine Eagle, this high-frequency watch enters a select circle of exceptional chronometers.

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WA T C H E S • T H O R O U G H L Y G O L D E N

THOROUGHLY GOLDEN Bell & Ross’s new BR05 model takes the golden aesthetic to its extreme saturation

Bell & Ross has announced a new addition to its BR 05 collection – the BR05 Skeleton Gold, limited to just 99 pieces.

The French watchmaker, known for its distinctive square watches, debuted the BR05 collection in 2019. It combines the design attributes from several of its previous collections, the BR01 in particular, the brand’s signature collection.

Inspired by aircraft cockpit instruments, the BR01 has a round dial and bezel within a distinctly square case with rounded edges. Four prominent screws, at each of the four corners, hold the upper and lower parts of the case together.

The dial face has large Arabic numerals at the quarters with unusually large illuminated hands.

This design code, both utilitarian and original, was a revelation of sorts when it made its debut back in 2005,

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especially when compared to the conservative designs being offered by the established names in watchmaking.

While the BR01 remains the hallmark collection of the brand to this day, having undergone numerous iterations without straying from its core design codes. The BR05 was introduced as an evolution of the BR01 aesthetics to target the “urban explorers” of the twenty-first century.

Many of the signature elements of the BR01 have translated onto the new BR05, including the large numeral typeface, the four screws, as well as the round dial in a square frame aesthetic. However, the BR05 has an integrated bracelet that fuses with the case to create a unified look. As a result, the square-ish case tapers on opposite ends to integrate with the bracelet. The square illusion is created by the broad

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bezel with a circular interior and squarish interior. The edges of the “square” are much more rounded in the BR05 than in the BR01.

Since its launch, the BR05 has been adorned with gold on several occasions - in a steel and gold version, or by combining gold with deep blue. This year’s model is dressed entirely in rose gold. To amplify the glitter, Bell & Ross have chosen to skeletonize the dial. The all-gold finish accentuates the monobloc aspect of the model. In total, 155 grams of gold make up the new BR05 Skeleton Gold model.

The engineers at Bell & Ross have cut out the bridge and the plate to open a window through which the 18 ct

rose gold-plated skeleton movement can be admired. The central hands and the indices are gilded with 18 ct rose gold. The white Super-Luminova applied to the indexes and hands contrasts elegantly with the gold of the dial.

The BR05 Skeleton Gold is equipped with a BR-CAL.322 mechanism. It is wound by a 360° 18 ct rose gold-plated oscillating weight, open-worked to showcase the movement.

The brand’s logo is metallized on the sapphire case-back.

The 40 mm case and its integrated bracelet are designed to adapt seamlessly to any wrist. The watch comes with a choice of two bracelets: a satin-finished and polished 18 ct rose gold bracelet for a sophisticated look, or a black rubber strap for a sporty look.

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WA T C H E S • P R E C I S I O N A N D T I M I N G

PRECISION AND TIMING Richard Mille’s newest brand ambassador, Miles ChamleyWatson, is a man who perceives time in milliseconds

Richard Mille recently unveiled Miles ChamleyWatson, the London-born-American right-handed foil fencer, as its latest brand ambassador. A man “obsessed with time,” and a long-time admirer of the brand, Miles wears the RM 6701 Automatic White Gold Diamond Set. Miles was introduced to fencing by his teachers at Manhattan’s Dwight School as a way to handle his hyperactivity.

Ever since, Miles has been channelling his extra energy and “that inner kid” in him to become a two-time Olympian, a double Olympic bronze medallist, the first US male fencer to win an individual Senior World Championship, a team world champion and an eleven-time team Pan American champion.

Miles describes himself as “half white, half black.” Born in London with Jamaican, Irish, British and Malawian roots, he

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moved with his family to New York City at the age of ten and now competes for the USA. “All of which is, admittedly, a bit weird!” he jokes in his deep London accent.

When he was a teenager, Miles’ family moved to Philadelphia, which led to a full scholarship at the Pennsylvania State University. While majoring in Sports Management, Miles represented Penn State as a Division I NCAA fencer. His collegiate exploits earned him a spot on the 2012 US Olympics team, held in the city of his birth.

Miles contribution to the sport goes beyond merely competing and winning accolades. His style is unique and rife with innovation. He even has a move named after him – The Chamley-Watson – a deft behind-the-back flick to his opponent’s side.

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WA T C H E S • P R E C I S I O N A N D T I M I N G

Richard Mille RM 67-01 Automatic White Gold Diamond Set

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After competing professionally and innovating for nearly a decade, Miles now wants to transform the “stuffy” sport of fencing from the niche to the mainstream. He sees this as a means of helping children like himself, bullied or misunderstood at school. “I want to show kids what they can do. I’m even working on new outfits and a scoring system with flashing lights to get fencing on Prime Time TV,” he says.

To remain competitive even after a decade of competing at the highest level, Miles does intensive brain training and yoga with his coach, often using virtual games to focus his brain patterns. “Obviously, I go to the gym every day, but the mind is my weapon. It alone is in charge of guiding my foil,” he explains.

“Time is it, in my sport. You can train your whole life, but the merest millisecond means the difference between Gold

and nothing. I train myself mentally in slow motion. I need to get in touch with my neural system, unblock my mind and establish a flow state.”

With such a time-focused mindset, it is no surprise that Miles describes himself as “a massive watch person.” He revealed that five years ago, he wrote down his dream partners.

Richard Mille was at the top. “We’re both unconventional. It’s a brand that’s all about taking risks. I have ‘Risk’ tattooed on my hand, and I look at it for inspiration each time I compete.”

As the brand ambassador of his favourite watchmaker, Miles has chosen to wear the RM 67-01 Automatic White Gold Diamond Set. “I love seeing the movement, the dials.

It’s so much what fencing is all about – precision, timing and style. Above all, Richard Mille is a brand that refuses to do things like everyone else. You dare to be different, like me.

We should join forces and change the world! Touché!”

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A U T O M O T I V E • M AT E R I A L A P PA R I T I O N

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MATERIAL APPARITION Rolls-Royce recently announced its commitment to an all-electric future with an all-new production model

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A U T O M O T I V E • M AT E R I A L A P PA R I T I O N

“The electric car is perfectly noiseless and clean.

There is no smell or vibration, and they should become very useful when fixed charging stations can be arranged.” These words were spoken by none other than Charles Rolls, as quoted in The Motor-Car Journal, April 1900.

With exponential improvements in battery ranges and charging infrastructure, Rolls’ prediction about the electric car is becoming a reality. While several major manufacturers have announced their commitment to electric powertrains, the luxury marque he co-founded has remained tight-lipped about its plans.

Despite considerable speculation in the media, the marque had issued only three statements on the subject: that it will introduce an all-electric car this decade; the car will be a pure EV; and that it will be launched “only when the time is right, and every element meets Rolls-Royce’s technical, aesthetic and performance standards.”

Then, in late September, the marque’s CEO, Torsten Müller-Ötvös, made this dramatic announcement: “I am proud to announce that Rolls-Royce is to begin the on-road testing programme for an extraordinary new product that will elevate the global all-electric car revolution and create the first – and finest – super-luxury product of its type. This is not a prototype. It’s the real thing. It will be tested in plain sight, and our clients will take first deliveries of the car in the fourth quarter of 2023.”

Although this announcement may seem sudden and dramatic, those familiar with the marque’s history have

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speculated that, had the charging problem been solved, Rolls-Royce may well have been a manufacturer of luxury, electric-powered cars.

When the Rolls-Royce company was founded in 1904, automobile manufacturers’ loyalties were divided between the internal combustion engine and the electric motor.

Electric propulsion - which offered silent operation, instantaneous torque, tremendous power and the absence of exhaust fumes – was ideal for manufactures targeting the luxury market, especially Rolls-Royce.

In fact, Claude Johnson - Rolls-Royce’s Managing Director in those days – had advertisements produced which described Rolls-Royce as “a petrol car as smooth and quiet as an electric.” This sentiment was much deeper than a marketing slogan at Rolls-Royce.

Henry Royce, a pioneering electric engineer, founded the F H Royce & Co to manufacture a broad range of electrical appliances, including motors for electric cars. Though Royce never built an electric motor car, the internal combustion engines he created were engineered to deliver as close a driving experience as possible to a car with electric propulsion. The quality of Royce’s two-cylinder engine so impressed Charles Rolls - than a dealer in imported cars – that he agreed to a partnership that gave us the Rolls-Royce brand.

Although Rolls-Royce has now made a formal commitment to Charles Rolls’ prediction of an electric-driven auto industry, it was no sudden decision. When the first fully-

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electric production Rolls-Royce reaches the market, it will be the culmination of research and development work that has been in progress at Goodwood, for well over a decade.

Back in 2011, the marque unveiled 102EX, a fully operational and road-legal battery-electric version of the Phantom. It was never intended for production. Instead, it served as a working test-bed for clients and enthusiasts to experience and share their feedback with Rolls-Royce’s designers and engineers. Rolls-Royce then unveiled the 103EX, its radically innovative concept ca in 2016. Its primary function was to define the marque’s long-term vision of luxury mobility. Its drive train was all-electric.

“These extraordinary products prompted a huge amount of interest in electric powertrain technology amongst our clients,” reveals Müller-Ötvös. “They considered them as the perfect fit for Rolls-Royce. And, over the past decade, I have been repeatedly asked, ‘When will Rolls-Royce go electric?’ and ‘When will you produce your first electric car?’”

Based on the information revealed thus far, this is what we know about the first production all-electric Rolls-Royce. It will be constructed on the marque’s proprietary “Architecture of Luxury” - the scalable and flexible aluminium spaceframe that forms the foundation of the Cullinan, the new Ghost and all forthcoming Rolls-Royce motor cars.

The fundamental change in the marque’s powertrain technology means that every aspect of the product has to be thoroughly tested before it can be offered to clients. “To do this,” says Müller-Ötvö, “we have conceived the most

demanding testing programme in Rolls-Royce’s history. We will cover 2.5 million kilometres – a simulation of more than 400 years of use for a Rolls-Royce, on average – and we will travel to all four corners of the world to push this new motor car to the limit.”

Spectre, the name given to the first all-electric Rolls-Royce is, according to Müller-Ötvö, “given to otherworldly beings synonymous with great power and apparition,” because “a spectre forces the world to pause. It dominates the space it occupies. Then, as quickly as it appears, it dissipates, leaving a wake of exhilaration, energy, and intrigue. “ While introducing the Spectre project to the world, Rolls-Royce’s CEO said: “Today is the most significant day in the history of Rolls-Royce Motor Cars since 4th May, 1904.” Leaving no one in doubt about the significance of the project.

He then went on to add: “With this new product, we set out our credentials for the full electrification of our entire product portfolio by 2030. By then, Rolls-Royce will no longer be in the business of producing or selling any internal combustion engine products.”

Seemingly echoing Charles Rolls and Henry Royce’s sentiments a century later, Müller-Ötvö declared: “Electric drive is uniquely and perfectly suited to Rolls-Royce Motor Cars, more so than any other automotive brand. It is silent, refined and creates torque almost instantly, going on to generate tremendous power. This is what we at Rolls-Royce call ‘waftability’.”

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AUTOMOTIVE • THE BESTSELLER

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THE BESTSELLER The current range of MercedesBenz E-Class models has been given extensive upgrades for the coming year

The entire range of models in the Mercedes-Benz E-Class has been upgraded with a sportier design language, and with the addition of a wealth of technological innovations.

The current tenth generation of the E-Class made its debut in 2016, when the Saloon and Estate models entered the market in the spring and autumn of 2016. The Coupé and Cabriolet models followed in the spring and summer of 2017. Thus far, according to figures released by Mercedes, 1.2 million customers around the world have purchased a current-generation E-Class.

All the models in the G10 E-Class’ have been given exterior facelifts that make them appear more dynamic. Standard on all versions is the new “A-shape” diamond radiator grille, with chrome-plated dots, a single louver and the Mercedes star in the centre. A new highlight of the muscular rear section is the completely redesigned inner workings of the two-section LED taillights.

The entry-level model comes with the sporty Avantgarde Line exterior, featuring a new front end with increased chrome content.

The designers have also updated the Saloon’s rear end with a new bumper and a new boot lid.

The AMG Line has a new bumper similar to the AMG Performance models. In addition, Avantgarde, AMG Line and All-Terrain models feature a bonnet with “powerdomes.” The All-Terrain model is now visually more similar to the SUV models, with the modelspecific components such as the radiator grille or the simulated under guard in Silver Shadow. The front sections of the Coupé and Cabriolet feature flatter headlamps, which, even in the entry-level models, are all-LED. New colours and trim upgrade the interior of the Saloon and Estate models. The new colour combinations include magma grey/ neva grey (Avantgarde), black/nut brown (Exclusive) and magma grey/macchiato beige (Exclusive). The new trims include: silver open-pore ash wood, fondant burr walnut wood, brushed aluminium and aluminium with a carbon grain. There are also new trim options for the Coupé and Cabriolet: grey open-pore ash wood and light aluminium with carbon-fibre grain.

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The E-Class is fitted with an entirely new steering wheel as part of the facelift, and is available as a leather steering wheel or as a Supersport variant. The control surfaces sport a high-gloss black finish, while the trim elements and surrounds have a silver shadow finish. The functions of the instrument cluster and media display are operated using touch controls. The new steering wheel also comes with a hands-off detection system.

Some of the next-gen driving assistance systems available on the E-Class include: “Distronic,” the active distance assist with route-based speed adjustment; Active Stop-and-Go Assist; Active Steering Assist; Active Brake Assist; Active Blind Spot Assist with exit warning. The Parking Package has a 360° camera, expanded side view and, for the first time, automatic parking in parallel and end-on parking spaces, as well as on marked areas.

The E-Class models now include, as standard, two large 10.25-inch screens, which are arranged side by side to give a widescreen effect. Two 12.3-inch screens are optionally available. These generous, high-resolution displays make the information displayed in the instrument cluster and on the media display more legible. The latest generation of the MBUX multimedia system comes as standard.

The Urban Guard Vehicle Protection (UGVP) and UGVP Plus are available for the E-Class models as optional extras.

These systems, which protect the vehicle against vandals

and criminals, comprises an anti-theft alarm system, towaway protection with a visual and audible warning in case of a detected change in position, an alarm siren, interior monitoring, and preinstallation for theft and parking collision detection. If all fails, the UGVP system is also capable of pinpointing the location of stolen vehicles.

For the first time, the four-cylinder diesel and petrol engines feature a second-generation integrated startergenerator that produces up to 15 kW of additional output and 200 Nm more torque. Both engines are highly efficient thanks to energy recovery and the ability to “glide.” This technology is now standard equipment for the six-cylinder petrol engines available for the first time in the E-Class.

There are also seven plug-in hybrid variants of the Saloon and Estate. This EQ Power is available in combination with diesel and petrol engines. The line-up of high-efficiency, lowemission and powerful petrol engines will cover an output range from 115 to 270 kW, while the diesel spectrum spans from 118 to 243 kW. Mercedes has been manufacturing models in the E-Class model size since 1946, even though not all of these models were officially designated with the “E” badge.

Mercedes has delivered over 14 million Saloons, Estates, Coupés and Cabriolets thus far in this category, making the E-Class model range the best-selling in the history of the German manufacturer.

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IMPRESSIVELY MULTIFUNCTIONAL The third-generation Macan has arrived in the region with improvements all around

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This October, following its global launch, Porsche Middle East and Africa announced the start of sale for the latest generation Macan in the Gulf region. The brand’s compact SUV, available in three versions at launch, comes with significantly more power, enhanced performance, a sportier design, a new operating concept, and significantly more customization options.

The Macan has become a staple in the Porsche lineup since its premiere in 2014, thanks largely to its ability to fulfil several

roles, quite impressively. While its silhouette is unmistakeably that of an SUV, with the driver sitting higher from the ground than a normal sedan, it corners with a deftness that is more like a hot hatch. Macan’s ability to be Jekyll and Hyde simultaneously has attracted new admirers with each generation.

Dr. Manfred Bräunl, CEO at Porsche Middle East and Africa, says: “Close to 8,000 owners in the GCC speak for the success of our compact SUV, the majority buying a Porsche

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for the first time. Thanks to its Porsche DNA based on the 70year know-how of building benchmark sports cars, this model has transformed our business, allowing us to dare forward. The Macan has become the GCC’s second most popular Porsche, and with new updates and enhancements, the latest model is poised to continue this success.”

The new entry-level Macan has a new turbocharged fourcylinder engine, producing 195 kW (265 PS) of power. It accelerates from 0-100kmph in 6.2 seconds and has a top speed of 232kmph.

The new Macan S has been further refined with its 2.9-litre V6 Biturbo engine now developing 20 kW (26 PS) more power, for a total of 280 kW (380 PS). Its 0-100kmph acceleration is 4.6 seconds, and its top speed is 259kmph.

The flagship Macan GTS produces an extra 44 kW (60 PS) over the previous version. The engine’s 324 kW (440 PS) overall output brings the 0-100kmph time down to 4.3 seconds while reaching a maximum speed of 272 kmph.

As standard, all three models come equipped with Porsche’s seven-speed, dual-clutch transmission and Porsche’s Traction Management all-wheel-drive system. The chassis has been improved to make the car even more responsive than the previous models, and to make it “respond quicker and more accurately” to changing driving situations and road conditions.

To take things a step further, the new multifunction and GT Sport steering wheel from the 911 has been adopted for the new Macan models.

Visually, the new Macan features a redesigned nose with an inlay in its exterior colour to emphasize its width. The centre of the nose section of the GTS model is finished in black. The rear in all three models is rounded off with a striking diffuser.

LED headlights with the Porsche Dynamic Light System and Sport Design exterior mirrors are now standard on all models.

A total of 14 colours are available, including the new Papaya Metallic and Gentian Blue Metallic. Python Green is available for the Macan GTS with the GTS Sport package. Seven new, larger wheel designs have been added to the range – starting with 19-inch rims for the Macan, 20-inch versions on the Macan S, and 21-inch GT design wheels with performance tyres for the Macan GTS. The interior has been noticeably enhanced with a modern and elegantly designed centre console. It incorporates a new operating concept that makes use of touch surfaces instead of tactile buttons. A shorter selector lever sits in the centre of the control module. An analogue clock, now standard equipment, is mounted at the top of the dashboard. The Porsche Communication Management system can now be controlled by voice commands or the 10.9-inch HD touch display.

A number of leather upholstery and contrasting seam packages in Gentian Blue, Papaya or Crayon are optionally available to add new colour highlights to the interior. Meanwhile, Porsche Exclusive Manufaktur has significantly expanded the design options for the new Macan range. The GTS Sport package also contains exclusive equipment inside, including 18-way sport seats, a Carbon interior package, Race-Tex upholstery with extended leather elements, contrast stitching and GTS lettering in Python Green.

“Each Macan model has its own distinct character with a growing range of visual highlights that complement its performance underpinnings,” Bräunl added. “The result is more than just a sporty SUV. It’s a four-door sports car with emotive, high-revving engines, offering driving fun, comfort and luxury individualization options making it a Porsche through and through.”

The new, third-generation Macan is now available for order, with the first units set to arrive end of this year.

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AUTOMOTIVE • A CENTURY OF EXCELLENCE

A CENTURY OF EXCELLENCE Mercedes celebrates the centenary of the Maybach automotive brand with limited edition vehicles and accessories

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Wilhelm Maybach, born in 1846, wanted to create “the best of the best.” “I think about it around the clock, a constant impulse: the perfection of the technology,” he once said. The marque he founded in 1921 finds expression today as the Mercedes-Maybach.

To commemorate the centenary of the Maybach automotive brand, Daimler-Benz presents the “Edition 100” - a special edition of the current S-Class and GLS Maybach models.

Both are limited to 100 units. The German automaker has

also unveiled several customisable lifestyle accessories to complement its top-of-the-line vehicles.

Wilhelm Maybach, as technical director of DaimlerMotoren-Gesellschaft, helped developed the first “Mercedes” car, which dominated the Nice Race Week in 1901. He later teamed up with his eldest son Karl to found Maybach Motorenbau GmbH. The duo presented their first massproduced car at the 1921 Berlin motor show. The “W3” resembled a moving work of art with the finest interior.

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“It’s about the passionate combination of every detail, no matter how small, that makes a luxury car a Maybach – all in combination with state-of-the-art technology from Mercedes-Benz. Every MercedesMaybach stands for Sophisticated Luxury in all its facets – for our customers who are looking for something very special,” says Philipp Schiemer, Head of Top End Vehicle Group Mercedes-Benz AG and CEO Mercedes-AMG GmbH.

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It was also the first German production car with fourwheel brakes and an epicyclic gear system. It received high praise from consumers and critics alike.

In the 1920s and 30s, Maybach became synonymous with technical innovation and refined craftsmanship.

Custom-made limousines, sedans, coupés, cabriolets and roadsters were delivered to kings, industrialists and celebrities. However, car production ceased with the outbreak of WWII, and it never recovered. After the death of Karl Maybach in 1960, Daimler-Benz AG acquired rights to the Maybach brand. In 2002, Maybach’s double-M logo reappeared on a luxury car with the unveiling of the 57 and 62.

“It’s about the passionate combination of every detail, no matter how small, that makes a luxury car a Maybach – all in combination with state-of-the-art technology from Mercedes-Benz. Every Mercedes-Maybach stands for Sophisticated Luxury in all its facets – for our customers who are looking for something very special,” says Philipp Schiemer, Head of Top End Vehicle Group Mercedes-Benz AG and CEO Mercedes-AMG GmbH. The Mercedes-Maybach “Edition 100” of the GLS and S-Class models bear distinguishing hallmarks that set them apart. The prominent radiator grille bears the brand’s emblem. The vehicles are hand-painted in the same two tones – high-tech silver and nautical blue. The interior leather is in crystal white and silver-grey pearl.

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The brand’s logo and the inscription “Edition 100” adorns the C-pillar of the S-Class and the D-pillar of the GLS, as well as on the various storage compartments and the illuminated panels in the interior. The “Edition 100” lettering adorns the hub caps. The forged wheels of the GLS and the wheels of the S-Class also shine in a new grey finish. These limited editions come with a car cover featuring the double-M logo, and a fine handmade case made of soft crystal white or black leather in file size - made to store keys and papers.

The Mercedes-Maybach of today, just like the Maybach of Wilhelm and Gottlieb a century ago, has a long-standing partnership with traditional, artisanal manufacturers. “We see ourselves as a creator brand,” says Philipp Schiemer. “Every vehicle has always been configured and manufactured with veritable artistic ambition. Customers and producers have always been creative together – we want to preserve this spirit and further strengthen it in the future.”

Maybach’s partners have contributed to the centenary celebrations by presenting limited-edition specials for Maybach owners and brand brand-enthusiasts.

Robbe & Berking, the German manufacturer of exceptional silverware, has created a special series

of champagne flutes. It features the raised Maybach logo on the base and the Maybach “100 Years” logo in fine engraving. The company has also created matching water or long drink tumblers.

Maybach Icons of Luxury, another brand partner, has created exclusive lifestyle accessories such as travel bags, leather goods, clothing, and eyewear, all featuring the brand’s emblem. These accessories are made in Germany, using sustainably selected materials such as natural horn, precious woods, titanium, and cashmere or leather types that meet the highest environmental standards.

Maybach The Peak collection presents a limitededition fountain pen with an 18-carat gold nib and serial numbering in a stylish wooden gift box. The pen’s clip is set with 100 diamonds, in a choice of either black or white. The cap’s tip is mother-of-pearl, and the body is lacquered in the blue metallic shade of the “Edition 100” vehicles.

The Mercedes-Maybach “Edition 100” vehicles will be available at dealers in the first markets from the beginning of 2022, with other markets following in the course of the year. Orders for the limited special series will be accepted from the fourth quarter of 2021.

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AUTOMOTIVE • MASTERPIECE IN GREY

MASTERPIECE IN GREY NMoto Studio and Zillers Motorcycles have joined hands to present a truly exceptional piece of mechanical art NMoto Studio has announced the availability for sale, as a very limited edition, the Zillers R18 custom bike. Conceived by AMD Zillers Motorcycles, the new motorcycle is based on the latest BMW R 18 cruiser. It is available as a complete turnkey unit or as a kit for self-assembly.

NMoto is a Miami-based BMW motorcycle specialist renowned for creating unique Art Deco bikes and kits since 2018. Commissioned by celebrities, collectors and museums from around the around NMoto motorcycles possess high quality, style and attention to detail.

While Nmoto motorcycles have retro styling and finish, they ride and handle like modern BMW’s with state-of-the-art technologies and functions. Zillers Motorcycles was founded by Dmitry Golubchikov, the current AMD World Champion in customising. He specialises in manufacturing custom one-of-a-kind motorcycles. Zillers has partnered with Nmoto to present the Zillers R18 creation as a limited edition.

Zillers has completely changed the look of the BMW R 18. There is no trace of the

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old retro style. The futuristic body is made of carbon. The wheels are milled on a CNC machine. The exhaust system is handcrafted from titanium, and the suspension was developed in-house by Zillers Motorcycles.

The motorcycle does not have a side stand: when parked, it rests on the spikes at the bottom of the body.

The parts for this project are made of carbon, milled aluminium and 3D printing.

The headlight and taillight are LED. The instrument panel has been moved to the fuel tank and folded back to make way in the fuel filler neck. The huge rims with decorative spokes passed through are milled from forged aluminium blanks.

To ensure that the Zillers R18 bike retains its exclusivity, NMoto and Zillers have decided to release only 13 of these worldwide.

The lucky few can order it ready-made or as a kit for extra customisation. The production time for a complete set of parts is about four months, and for a finished motorcycle, it is six months. The motorcycle or the kit can be delivered anywhere in the world.

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EXCEPTIONAL FRAGRANCES Salim Kalsekar unveils the secret formula behind Rasasi Perfumes’ success story

“Three generations of the Kalsekar family have poured their heart and soul into the company, being fully invested in every part of the business to ensure that every bottle that bears the Rasasi brand lives up to the expectation of sophistication, excellence and value expected of the brand” - Salim Kalsekar, Rasasi Perfumes’ Managing Director told Signé recently.

A man defined by his modesty and simplicity, Salim started his career as an apprentice perfumer under the tutelage of his father, and founder of the company, Abdul Razzak Kalsekar. Assisted by his five brothers, who each spearhead different business verticals, Salim has been instrumental in transforming Rasasi from a single-shop entity in the bylanes of the Old Dubai Souq into one of the region’s leading indigenous perfume brands.

The one-shop company founded by Salim’s father in 1979 has grown to 165 elegantly designed stores, located in the

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leading malls and high-streets of the UAE and the GCC region. From its state-of-the-art manufacturing facility in Jebel Ali Free Zone, Rasasi products are exported to more than 60 countries across the globe through its wellestablished distribution network.

“Driven by our commitment to realise our father’s vision,” says Salim, “Rasasi, today, ranks amongst the UAE’s foremost fragrance companies, and we believe, being a family-run business has played a significant role in this success.

“It gives us complete control over every aspect of the company, from the sourcing of the finest raw materials used within our various products to the manufacturing process and the delivery of the product. We ensure our fragrances stand out because we do not need to compromise for the sake of greater profits. We operate on 100% financial equity, which essentially ensures that we don’t have to compromise on any aspect of the business for the sake of any stakeholder.”

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Salim Kalsekar, Managing Director, Rasasi Perfumes

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Oudh Al Boruzz Collection by Rasasi

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The LaYuwaqam Series by Rasasi

Over the past four decades, the company has curated an impressive fragrance palette for a diverse clientele, from a selection of French fragrances to an array of classical and contemporary Arabian perfumes, opulent natural oils, bukhoor and agarwood products. In addition to its in-house mastery over the art of blending fragrances, Rasasi has also indulged in collaborations with some of the best perfume houses across Europe.

“Developing a perfume is as much as an art as it is a science,” explains Salim. “Sometimes, it can take years to come up with a composition. It all starts with a small idea, or an inspiration and then, things get woven into the concept. At times products are driven by consumer or market demand, and at others, we as leaders must anticipate future expectations from us as a brand.”

The two latest Rasasi fragrances to be unveiled are both Eau de Parfums - Ma’ali and Wajaha - both additions to its popular Somow Al Rasasi series.

“Inspired by the mystery of the desert nights,” Ma’ali Eau De Parfum is a unisex composition that elevates the traditional scent of Oudh. It opens with sweet citrus notes that include vanilla, hazelnut and mandarin. It has a floral heart punctuated by a dash of amber, followed by its rich woody base of sandalwood, musk and Oudh. A “subtle salt note” makes its debut to give “a bewildering twist ” to Oudh.

Wajaha Eau de Parfum combines rich woods and resins to create a luxurious and captivating scent. This composition begins with notes of Incense, Tamarine, Bergamot and Cardamom. Its middle notes have Rose, Violet, Leather and Vetiver, while base notes are Sandalwood, Birchwood, Musk and Oudh.

The Somow Al Rasasi series as a whole, according to Salim, “is an enigmatic and addictive scent palette with a multifaceted modern oriental range of perfume products - Eau De Parfums, Oudh Moattar and Dakhoon incense, and perfume

accessories. Elevating the traditional art of Oudh to a modern manifestation, this lavish collection was specifically created for the connoisseurs of luxury, with a passion for extravagant scents and a love for opulent Oudh.”

When asked to pick his personal favourite from the extensive catalogue of Rasasi classics, Salim, not surprisingly, pointed to more than one: “I would have to say one of my favourite collections of perfume would have to be the LaYuqawam & Boruzz series.

“Another absolute must-have product for me is a Dhanal Oudh. The pure extract from the agarwood tree, Dhanal Oudh is one of the most coveted oriental perfumes, highly desired for its complex scent. My favourites include Dhanal Oudh Siufi Sultani - containing a rare extract of top graded heartwood of a single agarwood tree and Dhanal Oudh Maliki Qadeem for its intensely captivating scent.”

Built on a foundation of product innovation through a focus on R&D, strategic international collaborations, technological integration, and stringent quality control throughout the production process, Salim and the Rasasi family seem well poised for the challenges ahead.

“Rasasi will explore both growth and restructuring in the face of new market trends,” Salim says about Rasasi’s future plans.

“We will continue to seek out new retail destinations and strive to have the best consumer experience possible through our new concept stores, which emphasise a journey of exploration and new immersive experiences in elevated settings for our customers.

“As the market for the Rasasi brand and our products is growing exponentially, we are also expanding globally through international distribution channels, which adds to our already proven network. In terms of product and vertical growth, we’re really excited about the variety of products that are currently in the works.”

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EXPLORING TIMELESS ELEMENTS Presenting the Brunello Cucinelli Fall-Winter 2021 Collection Italian menswear specialist Brunello Cucinelli presents its Fall-Winter 2021 Collection as the synthesis of yesterday and tomorrow. Inspired by all that thrives over time, the new collection is a study of the classics and of the elements that have stayed true in the face of ever-changing trends. The consistent and essential styles, the soft silhouettes and the refined details make elegance timeless.

A wide selection of neutral colours is found throughout this collection. The range of beiges goes from off-white to brown.

Greys feature in all shades, from the delicateness of fog to the urban character of lignite. The assortment of blues leads from pale and calming hues up to the noblest shades of navy.

Sitting alongside neutrals are mid to dark colours such as blueberry and hydrangea violets, bordeaux and bonfire reds.

Versions of green such as sage and mint are diffused across a selection of garments, particularly knitwear, where the effects of the chiné and vanisé techniques skilfully tone down the shades. Alternatively, touches of colours are concentrated on details, accessories and hems, creating discreet and harmonious interventions.

The prestige and charm of the classic weaving techniques are revisited with this season’s knitwear. The ageless textures of stockinette stitch and English rib are enriched by chiné and vanisé techniques, blending traditional workmanship and the search for new and delicate nuances. Contrast stripe details balance out the classic taste with the input of discreet colour interventions.

Besides classic coats, a selection of down jackets and outerwear in different lengths and weights are enriched with lightweight materials. New trousers with soft volumes are enriched by pockets and details inspired by the utility and sporty models.

The finest leathers and new materials in this year’s accessories collection are enhanced by hand manufacturing, with a focus on comfort and lightness. Footwear represents an important element of the collection, not only as accessories but also as a fundamental component in the creation of looks.

Formal footwear best expresses the unique qualities of classic and exquisite leather. The ample range of sneakers reflects the contemporary spirit of the collection. Sitting between dressy and sporty are new families, adding versatility to the collection.

Classic forms add an informal touch whilst refined elements enhance sneakers. In either case, comfort is at the forefront, thanks to lightweight constructions and natural materials.

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EDITOR’S PICKS THE STYLE EDIT

Cap, Saint Laurent

Pouch, Carolina Herrera

Sweater, Boss

Coat, Dunhill

Trousers, Thom Browne

Shoes, Gucci

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LATEST

ETRO

Paisley Shopping Bag AED 500

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MINIMALIST ELEGANCE Presenting a selection of men’s footwear from Santoni’s AW21 collection

The selection of footwear presented with Santoni’s Autumn/Winter 2021 collection comprises sneakers and formals, all understated to near monochrome, with the faintest hint of contrast.

The blue nubuck and stretch knit sneaker, with stretch knit upper, offer a seamless fusion of comfort and contemporary style. Their slip-on design is enhanced with decorative

elasticated laces and a rear pull tab, making them easy to throw on in a hurry. An ultra-flexible and lightweight cupsole adds a trendy street edge.

A low-top sneaker in tumbled leather is “Puro” white. It has an unlined lace-up with a minimal line, and a technical sole made of white EVA. Another white leather sneaker boasts a dynamic, contemporary silhouette. It has a rubber

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cupsole and a round toe for maximum comfort and freedom of movement. The tongue and heel are elevated with hand-distressed leather details that nod to the brand’s rich heritage.

The leather loafer’s formal aesthetic perfectly embodies the concept of functional elegance. It reinforces the sophisticated

lines of the iconic penny loafer whilst reworking them with a premium Goodyear construction: a complex and extremely effective technique that ensures resistance whilst providing superior performance in terms of breathability and watertightness. The sole can also be replaced, resulting in a timeless shoe that can be worn for many years to come.

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FASHIONABLY ECO-CONSCIOUS Montblanc introduces a new line of bags and accessories for those who are style conscious and eco-conscious

Montblanc introduces Blue Spirit, a collection of bags and accessories crafted using “environmentally conscious materials,” such as nylon yarn sourced from regenerated waste.

This collection is crafted for urban explorers and creative adventurers who are style conscious and wish to express their individuality, but are also conscious about the footprint they leave on the environment. It comprises an assortment of backpacks, totes, cross-body bags and a duffle, all in black, all with the collection’s distinctive branding.

“At Montblanc, it is our belief to leave a mark, and it is our ambition to bring a positive impact to the world. Therefore, sustainability is at the heart of our actions. We created Montblanc Blue Spirit collection by making environmentally sustainable choices, while ensuring each piece delivers on the functionality and excellence in design that people expect from Montblanc,” says Nicolas Baretzki, Montblanc CEO.

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According to statements issued by the brand, every material used in creating the Blue Spirit collection was selected to “minimize environmental impact.” The most important of these being Econyl - the fabric used both externally and for the lining of each piece.

Econyl is a recycled nylon-6 fibre produced by Aquafil. The Italian textile manufacturer’s 30-plus years of experience in nylon recycling led to the development of the Econyl closedloop recycling process in 2011. Econyl is regenerated from raw materials such as fabric scraps, carpet flooring, fishing nets, industrial and ocean plastics.

Traditional nylon, a synthetic textile made of petroleumbased plastic polymers, is a highly versatile material used in a multitude of applications, including fabrics. Nylon is almost infinitely recyclable, meaning it can be recycled, recreated, remoulded, and become brand new again to create new products without using new resources.

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The Econyl based Blue Spirit collection has a contemporary design in black with blue edges. The nylon is paired with elegant eco-friendly leather. It is produced using a process that decreases the consumption of water and chemical products, as well as reducing the pollutant load and CO2 emissions.

The stainless steel used in the detailing is “100 per cent recyclable.” Every detail made from plastic, including the closures and buckles in certain styles, have had a previous life. The straps are made with recycled polyester (rPET or rePET). It is almost identical to virgin polyester in terms of quality, but its production requires “59% less energy” and results in “a 32% decrease in CO2 emissions.”

An internal leather tag stitched inside each piece of the Blue Spirit collection features a manifesto that celebrates the spirit of those contributing to safeguarding our Planet through their actions. It states: “Those who dare, those who will, those who care make the difference.” The collection also features a leather tag with the original Montblanc name featuring a blue detail as the Maison’s own signature to emphasize a commitment to sustainable production.

The collection includes two city backpacks, a tote with straps so it can be worn as a backpack, an envelope bag to be worn over the shoulder, a mini envelope, a belt bag, a duffle, a wash bag, two types of pouches and a case for overnight trips.

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VIRTUAL AND ACTUAL Dolce & Gabbana’s Collezione Genesiis breaks new ground by bridging the gap between the physical and virtual worlds

On September 30, the Italian luxury fashion house Dolce & Gabbana sold its debut NFT collection for 1,885 ether (equivalent to around US$5.7 million at the time) in an exclusive partnership with the UNXD marketplace.

This is not the first time that a luxury fashion house has offered digital products in the NFT ecosystem. This is, however, the first NFT offering to transcend the physical and the virtual worlds, as the collection offers both digital and physical works of art.

UNXD is an NFT marketplace for digital luxury and cultural products. It is owned and managed by Polygon, a protocol and a framework for building and connecting Ethereumcompatible blockchain networks.

NFT (non-fungible token) is a unique and noninterchangeable unit of data stored on a digital ledger (blockchain), which means it can neither be replaced nor interchanged because of its unique properties. These qualities make it easy to verify and validate NFT ownership and transfer the tokens securely between individuals.

NFTs have taken the digital art and collectables world by storm recently, and have dramatically changed the fortunes of digital artists. Given the impressive numbers changing hand on the NFT exchanges, it was only a matter of time before the big names arrived on the scene in a big way.

Dolce & Gabbana’s ground-breaking Collezione Genesiis is a nine-piece, one-of-a-kind collection designed exclusively by Domenico Dolce and Stefano Gabbana. Their inspiration: the city of Venice, Venetian artisanal glassware and the tradition of the toast - representing the “celebration of health, family, and love.” This collection of digital and physical artwork took some 16,000 hours of collective time to create. The physical pieces in the collection are hand-made with museum-grade finishing.

The nine designs of Collezione Genesiis are presented under the brand’s Alta Moda (women), Alta Sartoria (men) and Alta Gioielleria (high jewellery) labels.

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Alta Moda has two pieces - Dress from a Dream Gold and Dress from a Dream Silver - both richly embroidered feminine silhouettes featuring colourful representations of Venetian glassware. Alta Sartoria has four pieces: The Velvet Impossible Jacket, The Mosaic Impossible Jacket, The Golden Impossible Jacket and The Glass Suit. Featuring 72 chalices reminiscent of the two Alta Moda dresses, The Glass Suit was the most sought after in the NFT sale.

This was because it is both a digital asset and a physical suit that will be tailored specifically for the winner, while the other three are digital-only assets. Based on the information provided, the wearable suit will have Triple organza Silk as the base fabric with pure silk lining and embroidery featuring Swarovski crystals and Murano glass.

Alta Gioielleria features three decadent pieces: a feminine tiara and two masculine crowns rich in Venetian symbolism. The

Impossible Tiara, a digital-only piece, is a delicate white gold filigree featuring a constellation of neon turquoise tourmalines, and crowned by 16-carat central red emeralds. The Lion Crown, in gold, has lion heads inspired by the “Lion of Venice” topping its corona, interspersed by beautiful gems.

The Doge Crown, in reference to the Doge of Venice, fetched the highest price among the three high-jewellery designs. It has a gold-on-blue band at its base, depicting the zodiac signs found on the clocktower of St. Mark’s Square. Above, it is covered with breath-taking gems and capped by the golden rays of a bejewelled sun.

All the digital artworks on sale have been rendered in 4K animation and 4K stills. Original sketches of the physical pieces, personally drawn and signed by Domenico Dolce and Stefano Gabbana, will be presented to the owner while being custom fitted at the Dolce Gabbana atelier in Milan.

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RELAXED SOPHISTICATION Loro Piana’s Spring Summer 2022 Collection for men is designed to be fluid between occasions and locations “Excellent materials crafted into malleable shapes” is how Loro Piana describes the spirit of its Spring-Summer 2022 Collection. Ease is the byword, flowing smoothly from the relaxed sophistication of city dressing to the nonchalance of sportswear and leisurewear.

The pieces are meant to adapt to different moments, ambiences and hours of the day, or for the shifts between different occasions, from sport to travel to holiday – as per the instincts and wills of the wearer.

The collection has been conceived for the cool days of spring and summer, which brings a new spontaneity into the wardrobe while suggesting a decidedly relaxed attitude. However, even at the peak of informality, a certain properness comes through as an ineffable signature.

Soft volumes that move freely and easily around the body, suggesting a multiplicity of user experiences. Lightness is a prominent quality of both the tailored pieces and the outerwear, assuring comfort and effortlessness. Knitwear further underlines the uncontrived spirit, as do the jersey and stretch cashmere tailoring that is quintessentially representative of the Loro Piana approach to mild formality.

The amalgamation of light or deep notes of Camel, Caramel, Sand, Hoch Pecan, Oak, Coffee, Hay, Antelope with vibrant dashes of Petrolio follows a tactile flow of cashmere and Baby Cashmere, cotton, cotton and silk, papiro, linen.

The mix of yarns gives knitwear a remarkable depth of texture.

The collection includes micro-check, unbelted trench coats; hooded bombers and cotton anoraks with leather details; shirt jackets and field jackets; ribbed and multi yarn jumpers with a tactile graphic feel; ribbed vests; easy pants, denim fivepocket trousers; weightless linen tailoring.

Accessories include multicolour sneakers with white soles in cotton and silk, Wish wool, calfskin, nubuck leather, suede and technical fabric; as well as light scarves and linen swimwear.

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HERITAGE EVOLVED Moncler teams up with HYKE to present the Moncler Genius 2021 Collection

Moncler Genius 2021 presents the cult Japanese brand HYKE. Known for its understated and refined aesthetic, the collection translates the formality of vintage and historical uniforms into designs suited for the twentyfirst-century urban lifestyle.

The Moncler Genius project, first unveiled at Milan Fashion Week in 2018 by the brand’s CEO Remo Ruffini, advocates a relatively novel approach to creativity in luxury fashion.

Established and upcoming designers, not associated with Moncler, are invited to create their individual collections that are released under the Moncler Genius label at select times of the year.

According to Ruffini, the Genius approach - which blends the idea of fashion collaborations with the “drop” culture

- allows for “more regular conversations” with customers, along with constantly infusing fresh ideas and energy into the label.

HYKE is a Tokyo-based fashion brand founded by designers Hideaki Yoshihara and Yukiko Ode in 2013.

Their love of vintage workwear, service uniform and sportswear first led the duo to open a vintage store in Tokyo called Bowels in 1997. Soon after, they began designing original pieces under the Green label.

After taking a three-year hiatus to focus on their family, they decided to resume their careers under a new label, HYKE, to indicate an evolution in their designs. The brand’s lineup includes outerwear, tailored items, knitwear and accessories such as hats, scarves,

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bags and shoes. HYKE is currently sold internationally through over 90 stores.

While designing their collection for this year’s Moncler Genius, Hideaki and Yukiko were particularly inspired by Moncler’s archival pieces such as the 1960 Lionel Terray down coat and vintage uniform clothing from France, where the Moncler brand was born. Their designs were then given material substance using Moncler’s advanced technical fabrics and innovative sewing techniques.

The result is a collection that infuses HYKE’s signature sleek and pared-down silhouettes with Moncler’s down blanket. Lines are pure and streamlined: puffers, hooded parkas, collarless coats with scarves that can be attached as collar pads, parkas with detachable linings come in a focused palette of navy and taupe worked in monochromatic compositions.

The extreme simplicity of the designs is a brand signature, just like HYKE’s utilitarian details such as side slits and long puller tapes. There is perfect continuity between the men’s and women’s collections, in a mirroring of shapes and colours that feels decidedly metropolitan.

Teddy fleeces, layered pants, pleated skirts and dresses, and then ribbed cardigans and tabard dresses further assess the pragmatic, uniform-infused spirit of the collection, which carries in the beanies and padded boots, and in the idea that most garments are packable.

Heritage and evolution have always been the HYKE bywords. The same philosophy has been transcribed into the 4 Moncler HYKE collection, delivering a message that is effective, warm and concise. The collection is available in Moncler boutiques, moncler.com and in selective wholesale networks worldwide.

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ART & DESIGN •SHREDDED MASTERPIECE

SHREDDED MASTERPIECE Sotheby’s recently concluded the sale of Banksy’s “Love is in the Bin,” at the very place it spectacularly came into existence

“Banksy is the ultimate art world outlaw, and in one exhilarating and shocking moment, Sotheby’s became the unwitting stage for his audacious piece of performance art,” says Oliver Barker, Auctioneer and Chairman of Sotheby’s Europe. It was Barker’s hammer - striking the gavel to confirm the winning bid – that initiated the transformation of Banksy’s “Girl with Balloon” painting into “Love is in the Bin” performance-art prop.

“Girl with Balloon” - spray paint and acrylic on canvas – fetched £1.042 million ($1.4 million) on October 5, 2018. The “Love is in the Bin” performance-art prop sold for £18.582 million ($25.3 million) at Sotheby’s London on October 14.

That is a price increase of 18-times over the original, and three times over the £6 million estimate set by Sotheby’s. It is also a record price for the artist.

The impressive appreciation between the two selling prices should not have come as a surprise to anyone, given the widespread publicity and high praise the “performance art” received from critics. It sparked over 30,000 global news stories. The Guardian hailed it as “Banksy’s greatest work.” The BBC predicted that the painting “will come to be seen as one of the most significant artworks of the early 21st Century.”

The video of the artwork being threaded went viral on social media, spawned multiple memes, and became the subject of political satire. Even global brands such as McDonald’s, Perrier and IKEA appropriated the artwork and the event for their marketing campaigns. Ikea, for example, posted a how-to shred-it-yourself guide on the company’s Instagram.

When Banksy confirmed the news on his Instagram account, his following grew by one million people overnight. Around a thousand people came to visit Sotheby’s exhibition of the work in a single day.

“Love is in the Bin was born of the most spectacular artistic happening of the 21st century,” wrote Alex Branczik, Sotheby’s Chairman, Modern & Contemporary Art. “When Girl with

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Balloon ‘self-destructed’ in our saleroom, Banksy sparked a global sensation that has since become a cultural phenomenon.

During that memorable night, Banksy did not so much destroy an artwork by shredding it, but instead created one.”

Among the torrent of opinions on the subject were some suggestions that the whole event was a publicity stunt staged by the artist in collaboration with Sotheby’s. These allegations were rubbished by Banksy himself via Instagram. He wrote: “Some people think it didn’t really shred. It did. Some people think the auction house was in on it, they weren’t.”

Commenting on the event, Barker says: “Auctions are live theatre, and as with any live production, we need to prepare for all eventualities, but we were Banskyed, and you can never prepare yourself for that.”

Had it not been for a technical malfunction, “Love is in the Bin” either would not have been, or would have been something completely different. Banksy had originally planned to completely shred “Girl with Balloon,” but the shredder malfunctioned halfway through its assigned task. “It worked in rehearsals every time,” Banksy claimed on Instagram. “The urge to destroy is also a creative urge,” he added.

The undisclosed “European collector” who placed the winning bid for “Girl with Balloon,” just before its transformation, judiciously decided to take possession of the shredded artwork.

Pest Control, Banksy’s authentication body, granted the artwork a new certificate and date and gave it a new title. “Love is in the Bin” had been on view at Germany’s Museum Frieder Burda and the Staatsgalerie Stuttgart before making its way back to the very spot where it came into existence.

Via a statement released by Sotheby’s prior to the auction, the collector said: “That surreal evening three years ago, I became the accidental - but very privileged - owner of Love is in the Bin. It has been an incredible journey to have been part of the story of how one of the most famous artworks in the world came to be, but now it is time to let the painting go.”

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Banksy’s “Love is in the Bin”

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L A D O L C E V I TA • G E N T L E M A N LY A C C E S S O R Y

GENTLEMANLY ACCESSORY Rolls-Royce’s Cellarette is a gentleman’s accessory as refined as the luxury motorcar it represents The Rolls-Royce Cellarette becomes the newest addition to the luxury marque’s portfolio of collectables.

Containing an array of accoutrements designed to complement any soiree, the Cellarette epitomises true Rolls-Royce style: precision engineering, exquisite hand craftsmanship, and a tasteful presentation of luxury.

Nicholas Abrams, the marque’s Bespoke Designer, says: “This bespoke chest can be configured to stow aperitifs or digestifs, dependent on the client’s preferences, alongside prized cigars, in a spectacular fashion.”

The Cellarette’s polished aluminium chassis is enveloped by embossed Rolls-Royce Havana leather. As it opens with

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a charming sense of theatre, a warm ambient glow emits from within to reveal the Armagnac leather highlights and an array of beautiful accessories.

Once open, the client is presented with hand-blown lowball glasses, each exquisitely finished with the ‘RR’ monogram. These glasses rotate outwards as the unit opens. To rest the glasses, an Obsidian Ayous Open Pore veneer serving tray, with Spirit of Ecstasy inlay, presents itself.

At one end of the Cellarette, a magnificent Armagnac leather-lined bottle pannier is revealed. The ‘RR’ embellished holder can adapt to different bottle sizes,

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with the bottle held in place magnetically by a polished aluminium fastener, ensuring safe storage of refreshments.

At the opposing end is a humidor with a tray that nestles the cigars in Spanish Cedarwood. The chosen humidity level is indicated by a hygrometer with detailing that recalls the hands of the Rolls-Royce clock.

Accompanying the humidor are a set of accessories for the cigar enthusiast. At either end of the cassette are two smaller containers. One is for an intricately detailed cigar cutter and lighter, made by S. T. Dupont,

and engraved with the Spirit of Ecstasy Expression.

The other is for an ashtray. To ensure compact transit, the ashtray’s cigar cradles extend only once the container is opened.

Although the Cellarette will fit into the rear of any RollsRoyce, it truly comes into its own as a centrepiece at an al fresco dining experience, or as an accompaniment at an intimate gathering. Like any Rolls-Royce product, the Cellarette can be tailored to the client’s exact specification and is available through Rolls-Royce dealerships.

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OBJECTS OF DESIRE

FITNESS IN STYLE Presenting the limited-edition Technogym and Dior collection of fitness equipment Technogym and Dior have teamed up to create an exclusive limited-edition series of home fitness products. The result of a collaboration between Technogym’s engineers and Dior’s creative team, three of Technogym’s most iconic products - the treadmill, multifunction bench and wellness ball - are revisited with Dior codes.

Nerio Alessandri, founder of Technogym, comments: “The shared goal of excellence gives life to a limited series of innovative Technogym products interpreted with the Maison Dior’s unique allure.

Created to inspire the concept of wellness with new generations, it also offers people the opportunity to live a unique and irresistible experience.”

Technogym My Run For Dior This stylish, compact and quiet treadmill connects to the owner’s tablet and offers a wide range of ondemand running and walking workouts. Users can

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choose the on-demand workout by their preferred trainer by placing the tablet on the MYRUN console.

Technogym Bench For Dior This bench offers over 200 exercises options in a small space. Its innovative design includes a series of dumbbells, elastics and knuckles, as well as an extensive library of on-demand workouts available on the Technogym App. Technogym Ball For Dior Technogym Ball is both a seat and a wellness tool designed to keep the user on the move even while sitting. It comes with a complete exercise program for flexibility, toning and balance.

The Dior and Technogym Limited Edition will be available exclusively in Dior boutiques worldwide starting in January 2022.

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HYDROW CONNECTED ROWING MACHINE A luxurious smart rowing machine

What Peloton did for home cycling, Hydrow is attempting to achieve with the humble rowing machine. Engineered to mimic the feeling of being out on the water, a 22” touch screen (with frontfacing speakers) displays workout routines and all the stats you need to track your process, while also allowing you to train with fellow rowers and friends.

It’s quiet and comfortable too, with an ergonomically cushioned 10-roller system seat. It’s said that rowing engages 86% of your muscles, and this is the most convenient and high-tech way to put that theory to the test.

The Hydrow library consists of a couple of thousand workouts where you’re watching and listening to one of thirteen athletes while they row on one of 21 river and lake locations around the world, from the Oakland Estuary to Loch Ness. Through the screen’s very decent speakers or Bluetooth headphones, you have the option to add in the music your trainer selected at a couple of different mix levels; you also have the option of subtitles for the instructor, a must-have if you want to pump the music way up.

At $2,199, the Hydrow is one of the most expensive smart rowing machines on the market, but it’s also one of the most aesthetically pleasing.

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L A D O L C E V I TA • I N - H O U S E B A R I S TA

IN-HOUSE BARISTA Nespresso’s new Vertuo Next machine offers maximum versatility for the home brewer

Catering to the fast-growing at-home coffee consumption demographic, Vertuo Next is Nespresso’s most versatile machine yet. It is designed to offer the full range of long and short cups - from 40ml Espresso to the new 535ml Carafe Pour-Over Style – at the touch of a button.

The brand’s innovative Centrifusion technology reads and recognizes the coffee variety being brewed, using barcode technology, and automatically adjusts the extraction parameters – such as infusion time, water temperature and flow rate, rotational speed, and cup length. Vertuo Next is also a connected machine, capable of remote software updates.

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To operate the machine, the user simply starts by preparing the milk using the coiled cappuccino whisk with Aeroccino3 milk frother. The user’s choice of Espresso or Double Espresso is poured into the glass, and then the crema is swirled around. The coffee is topped with equal parts hot milk and milk foam, with a dome of froth over the top. Finish with a dusting of chocolate powder for an extra indulgent morning.

Nespresso has curated 11 new coffee blends to expand the Vertuo menu to a total of 35 blends, from intense Espressos and Double Espressos to longer Signature coffees, single-origin, iced-coffee, and flavoured options.

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Nespresso also offers a wide range of accessories, including the Vertuo Carafe set for Carafe Pour-Over Style coffee capsules and the popular Nomad travel mugs range, now available in Olive green.

To comply with Nespresso’s commitment to sustainability, the Vertuo Next machine is made from 50% recycled plastics.

Its packaging is made from 100% recycled sources and is 99.5% recyclable.

Yassir Max Corpataux, Nespresso Coffee Ambassador for the Middle East and Africa, comments, “Modern coffee drinkers no longer want to settle for one style, even at home.

With this in mind, the Vertuo system has been designed to deliver a wide range of brewing styles and sizes - all topped off with Vertuo’s signature crema.”

To celebrate the launch of the new Vertuo Next machines, Nespresso recently organized a pop-up located on the ground floor in the Mall of Emirates. The space was designed to immerse guests in a complete coffee journey with dedicated Masterclasses. The brand has also organized online Masterclasses.

The new Vertuo machines, coffees and accessories are available online and at Nespresso boutiques.

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L A D O L C E V I TA • A R T I S T I C A L LY PA R I S I A N

ARTISTICALLY PARISIAN LVMH Hotel’s first urban property gives expression to the arts – from architecture to the culinary

Overlooking the Seine, in the heart of Paris, LVMH Hotel collection’s first urban property opened its doors this September.

With its handcrafted interiors, an impressive collection of artworks, exceptional hospitality and dining experience, and offering spectacular views of Parisian landmarks, Cheval Blanc Paris takes the French art de Vivre to the next level.

The Cheval Blanc building occupies the south side of the historic Parisian landmark La Samaritaine, a two-building department-store complex founded in 1870.

In 2001, LVMH’s CEO Bernard Arnault purchased the two adjoining buildings of the complex and initiated an ambitious project to regenerate them.

In June 2021, the La Samaritaine department store reopened its doors. While its exterior is encased in futuristic, undulating glass, its interior stays true to its Belle Époque glory. On display are some of the finest LVMH and other luxury labels.

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Then in September, the second building was presented to the world as Cheval Blanc Paris, overlooking the river Seine and Pont Neuf - the oldest bridge in Paris. The Art Deco building - a rarity in Paris - was originally designed by the pioneering architect Henri Sauvage in 1928. Edouard François was given the responsibility of restoring the listed historic building to its original state, “while exalting the best of Parisian modernity.”

The acclaimed New York-based architect Peter Marino - a long-time partner of the LVMH group, and who has realized multiple boutiques for the likes of Dior, Louis Vuitton, Fendi and Chanel – was chosen to reimagine the hotel’s décor.

Commenting on their choice of Architect, Olivier Lefebvre, Head of LVMH Hotel Activities, said: “We work with architects who know residentials perfectly well, and Peter is, of course, one of them.”

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Marino chose to design the 16,000 square-metre building as if it were a private Parisian residence, “a place where the soul of the hotel is felt at first glance.” The feel is 1930s extravagance meets modern elegance, born from a symphony of beige and white with flashes of gold.

More than 600 French artists, we are informed, from ceramists to painters, textile designers and furniture makers, have collaborated on this colossal project. They have worked on some 20 different types of marbles, a variety of leathers, parchments, straw marquetry, handpainted patinas and more.

Two new coloured prints of the Eiffel Tower, both 3.5-meters high by Brazilian-American artist Vik Muniz, dominate the lobby. On another wall is an immense sixmeter high blue abstract painting by the French artist Georges Mathieu from 1978. Among the modern furniture by various French artists is the emblem of Cheval Blanc - a rearing horse sculpture designed by French architect Frank Gehry. Colourful lithographs by Sonia Delaunay hang on the lemon wood-walled hallways of the upper floors.

Artworks by Tony Cragg and Martin Kline, or lithographies

by Charlotte Perriand from the 1930s can be spotted throughout the property.

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The ten floors of the hotel offer just 72 accommodations – 26 of which are rooms and 46 suites. The rooms and suites, starting from 45 square meters, are designed to be plush cocoons, a bastion of quiet and privacy with plush carpeting, elegant dressing areas, and pristine linens. Floor-to-ceiling bay windows offer views of Seine as she flows by, along with views of the Parisian landmarks – the Eiffel Tower, Notre Dame, Les Invalides, La Conciergerie, le Sacré Coeur, or Les Champs Elysées.

At the very pinnacle is the two-story L’Appartement – the hotel’s most exclusive private apartment. The thousandsquare-metre duplex suite has seven distinct bedrooms, two generously sized reception rooms, a projection room, a 12.5-metre private swimming pool, fitness suite, treatment room, hammam, sauna, and separate elevator, entrance and parking space.

For a hotel so immersed in art and set within the world’s gastronomic capital, it was only natural that Cheval Blanc Paris gives pride of place to the culinary arts.

Limbar is the ideal meeting place at the edge of the quay and the Seine. Within its vast space, dazzling city lights intersect with graphic interior woodwork. Throughout the day, Chef Maxime Frédéric’s teams serve breakfast, lunch or

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afternoon goûter. Serving perfected wonders from the oven, they raise the French bakery arts to their most refined state. In the evening, in a subdued atmosphere, mixologist Florian Thireau conjures up his signature cocktails.

On the first floor is Plénitude, where chef Arnaud Donckele has curated a unique selection of broths, vinaigrettes, creams, veloutés and juices using the freshest ingredients of the day. As an example, Velours n°1, features bonito belly filets, prawn consommé, Lambrusco-and-Chardonnay vinegar, chestnut honey and citron essence, rosemary infusion, roasted fish-head oil, and Java pepper.

Le Tout-Paris, the contemporary French brasserie, is located on the seventh floor, with views of the Paris skyline, and situated between the terraces and a hanging garden.

This family-friendly venue, warm and cosmopolitan, serves some of the great classics of French cuisine for breakfast, lunch, dinner, and something in-between.

The iconic Milanese restaurant Langosteria, founded nearly fifteen years ago by Enrico Buonocore, has crossed the Italian border for the first time to the seventh floor of Cheval Blanc Paris. Langosteria’s menu draws inspiration from the Italian countryside and its southern coasts.

A curving spiral staircase - whose walls are covered by a metal weaving created by textile designer Sophie Mallebranche

- takes guests to the below-ground spa by Dior. Upon arrival, guests are greeted by the scent exclusively created

by Dior Perfumer Francois Demachy. The forty-plus skincare treatments are offered in six treatment rooms. Each room has a different motif, each an allusion to Christian Dior‘s life. For Peter Marino, who has worked with Dior for some 30 years, imagining the grandiose setting would have come naturally.

The Dior Spa features a 30-meter curved swimming pool at the same level as the Seine river. Taking two years to complete, it is decorated with swirling waves of blue and green mosaic tiles handicraft by Michael Mayer. Its back wall is covered in screens projecting the undulations of the Seine.

Sharing his opinion on Cheval Blanc Paris, Olivier Lefebvre, the hotel’s CEO, says: “The first urban haven by Cheval Blanc is opening its doors. And those doors open onto the most authentic and lively location in Paris, just between the Marais, the Ile de la Cité, and the Louvre. It’s the most vibrant part of the capital: steeped in history, bursting with vitality, abuzz with creativity.

A destination rising above the Seine and defining the Paris skyline. It is here, in the heart of an iconic Art Deco building, that a new expression of the Art of Hospitality is unveiled. French style. Parisian style.

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L A D O L C E V I T A • F O R T H O S E L O N G G E T AWAY S

FOR THOSE LONG GETAWAYS Rosetti Superyachts announced its entry into the luxury yacht market with the debut of its first superyacht model

Among the boats making their debut at this year’s Cannes Yachting Festival was RSY 38m EXP M/Y Emocean, the first superyacht project undertaken by the relatively new Rosetti Superyachts. It has a beam of 8.85 metres, a gross tonnage of 432 GT, and a total space of 700 square metres, divided almost equally between its interior and exterior.

A relatively young enterprise, Rosetti Superyachts (RSY) was founded in 2017 by the nearly 100-year-old Rosetti Marino Group.

“We were able to rise to this considerable challenge of establishing ourselves as a new player in the yachting world thanks to the financial solidity of the Group and the technical and engineering expertise that we can rely on within our sister companies,” says Ermanno Bellettini, CEO of RSY. The Emocean superyacht was designed and built “for an experienced couple” to spend long periods on board in complete comfort and safety in all sea conditions. “The owners came to us because of our background in building

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thoroughly reliable commercial vessels,” says Andrea Giora, RSY Sales & Marketing Director. Also, “they wanted to be able to interact with the builder, to know the suppliers, to speak with them and select the best contractor for each element that was to be installed on board.”

Emocean’s exterior profile is classic in proportion but contemporary in style with tense, angular lines. The windows and openings were made as large as possible, offering wide sea views and easy access between the exterior and interior.

“The exterior design is a reflection of the yacht’s functionality and reliability, which were the key priorities for the owners,” says Sergio Cutolo, founder of Hydro Tec, who conceived the exterior design and naval architecture.

“Special attention has also been dedicated to the crew areas, and to the hold volumes, both essential requirements for long voyages far from ports or marinas.”

Francesca Burdisso of Burdisso Capponi Yachts & Design, a design firm based in Ravenna, was responsible for the

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interior space. The interior features light Creta oak and dark smoked oak, alternating between glossy and opaque lacquers in light and warm tones.

“The owners wanted a choice of materials and natural tones that transmit a muted but fresh ambience with Mediterranean accents,” says Burdisso. “The furniture forms are characterised by clean and essential lines, and the openplan layout is divided into a succession of spaces that are emotionally diversified.”

The main lounge is located on the upper deck. The tender is stowed on the open aft deck, while a spacious partially shaded space is dedicated to an alfresco lounge. A huge sunbed occupies the open foredeck. The 150-sqm sundeck features a jacuzzi pool with cascade, a large bar unit, a gym area and dining facilities, including a large table for 12 people with chairs and side seats. The centrepiece of the main lobby is a bespoke sculpture by Giacinto Bosco.

On the starboard side of the main deck is the master stateroom, spacious with a fixed side balcony and accessible

through a sliding glass door. It comprises a private office, a walk-in wardrobe, and large His & Hers bathrooms featuring surfaces in Silk Georgette marble with both a raw and brushed finish. A custom-designed 150 bottle wine cellar acts as a divider between the master stateroom the guest areas.

The guest bathrooms are fitted with Silestone Coral Clay with a tactile suede finish.

On the lower deck is a beach club and four comfortable guest cabins - two twins and two doubles. It also has three cabins for the crew, a crew mess, pantry and pro-spec galley.

The yacht has around 3,000 litres of fridge-freezer space in the galley.

Powered by twin MAN 588kW engines, Emocean is, “stylistically, not your typical explorer yacht,” says Giora.

“But in other ways, it complies with the explorer concept, including a huge range of 5,000 nautical miles at 10 knots, solid design and construction, and great storage volumes. So in terms of the main characteristics of what true explorers are all about, she is definitely an explorer yacht!”

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R E S TA U R A N T S

LATIN FRESHNESS SEVA Table has a new chef and a new menu for the vegan community

SEVA Table, Dubai’s first plant-based café, has a new chef and an enticing new menu. Also, the venue has plans to offer daily specials, a new dinner menu and collaborations with other chefs over the coming months.

SEVA Table is part of the SEVA Experience, founded in March 2020, following a rebranding of Life’n One. Situated within the grounds of a Jumeriah 1 villa, SEVA Experience comprises three “experiences,” which include SEVA Table. The other two are SEVA Studio - offering internationally renowned therapists and teachers, and SEVA Shop.

SEVA Table’s new chef, Mexican Jesús Gijaba, has curated a menu with Central

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and South American influences. Chef Jesús, who has worked in restaurants in Mexico, is also “El Chefcito,” a recognisable figure in his home region through his television appearances across South America. His experience and passion for plant-based food make him the perfect fit for SEVA.

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Chef Jesús’ dishes are visually beautiful to look at, bursting with colour and creativity, while also delivering on taste. Avocado Gazpacho is a “fun” alternative to the tomato norm. The Bell Pepper Moussaka is a hearty vegan version of the usual classic. Zucchini Pappardelle offers colour instead of carbs. Tropical Ceviche is like a rainbow in a bowl, and The Plantain Experience is meant to surprise.

SEVA Table is open every day from 8 am to 10 pm, except Tuesdays, and bookings are required.

SEVA Table Jumeirah Beach Road +971 58 543 5888

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