Signe - Edition 16

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ATTIRING ARABIA

GIVING THE TR ADITIONAL K ANDOR A, AN INTERNATIONAL DESIGNER TOUCH, MR. KHALED AL HUR AIMEL’S BAIT AL K ANDOR A SETS A NEW BENCHMARK IN THE HISTORY OF AR ABIAN FASHION

ALL THAT GLITTERS

MR. ANAN FAKHREDDIN, CEO OF DAMAS, DISCUSSES WITH SIGNE HOW THE BR AND MANAGES TO CUT THROUGH EVERY BARRIER AND CONTINUES CLIMBING THE LADDER OF SUCCESS

THE WRAITH MAN

Signé explores the dominant expressions of Rolls Royce Wraith – boldness with elegance - with two Italian menswear influencers, who communicate both these aspects with an effortless grace

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Big Bang Unico.

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In-house Hublot movement. 72-hour power reserve. King Gold case, an exclusive red gold alloy developed by Hublot.

Ceramic bezel. Interchangeable strap by a unique attachment.

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CONTENTS

Scholars 020

018 MAN ABOUT TOWN A personified blend of sophistication and style, Cary Grant is till date looked up-to, not only for his on-screen presence but for carrying a flawless gentleman’s grace

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MASTER OF LUSTRE Adi Al Fardan, the second generation of the Al Fardan Group, deliberates on how their heritage brought forward by generations, continues leaving a lasting impact

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ALL THAT GLITTERS Witnessing decades of unsurpassed success by providing affordable luxury to discerning clients, Damas CEO – Anan Fakhreddin delves deeper into what makes Damas unique

026 SIGNÉ MAN Passionate about vintage art and culture, our Signé man – Ramin Salsali, through his private museum gives his love for art, a unique expression

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N av i g at i N g New waters Sailing the Dhow, Abu Dhabi, UAE

a s e N s e o f p l ac e . ro s e wo o d a b u d h a b i . + 9 7 1 ( 0 ) 2 8 1 3 5 5 5 5 | abudhabi.reservations@rosewoodhotels.com | rosewoodhotels.com SIGNÉ ◊ EDITION 16

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030 REAL MEN WEAR PINK Thomas Pink has pioneered the art of shirtmaking worldwide. We take a look at their latest ‘Which Shirt Are You?’ collection while conversing with Frederik Willems, their Head of Design

034 VIRTUALLY IN VOGUE Mario and Thorsten, in conversation with Signé discuss how, within a decade of entering the industry, they made Stylebop.com one of the top online fashion retail brands

038 ATTIRING ARABIA Bringing the traditional Kandora to mainstream limelight is Bait Al Kandora.

Khaled Al Huraimel talks us through this revolutionary yet innovative concept

042 A FRAN’C’K INSIGHT Famous for producing some of the most complicated timepieces. Franck Muller gets candid with Signé on how the brand carved a niche for itself on the waves of time

046 THE SIGNÉ EXPERIENCE On the occasion of Diwali, Signé plans a special surprise for one of its clients with The Gift Concierge. We later sit over a casual talk with the founder – Christianna Tsiterou to know more about her ravishing venture

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Setting the tone for the ongoing Fall/Winter season, Signé presents a selection of suave yet trendy products like shoes, belts, sunglasses and more. Guess its time for a wardrobe change

Maliha-Al-Tabari, an Arab by origin, walked the unconventional path, giving her passions an artistic touch. Founder of Artspace Dubai, she reveals her love for art and creativity

SPREZZATURA

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FOR HER

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Understanding Finance: An art in itself!

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Blancpain launches a distinguished version of the Villeret Traditional Chinese Calendar for the Only Watch charity auction, further strengthening their historic bond

Reconstructing the celebrated F13 aircraft, Rimowa – Germany’s home grown brand for luxury baggage, is set to give its relationship, with the world of aviation, a new turn

A MATTER OF TIME

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HIGH FLIER

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THE WRAITH MAN With two Italian menswear influencers portraying sophistication and strength, Signe defines what it calls a perfect Rolls-Royce Wraith man

078 PIVOTAL DRIVES Renowned brands – Maserati and Zegna, come together to launch the new Ermenegildo Zegna Interiors for the Maserati Quattroporte and Ghibli, thereby redefining exclusivity through every aspect

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SIGNÉ SOCIETY This season, our Signé Society members experienced the epitome of luxury with both S.T. Dupont and Vertu unveiling their latest products

086 ALL THINGS CELESTIAL Paying tribute to the renowned French Author – Jules Verne, S.T. Dupont launches an impressive collection featuring various elements intrinsic to French luxury

090 THE ROAD LESS TRAVELLED Pierre Koukijan’s fondness for art, and its various forms, is explicitly visible in his works. From sculptures to paintings to his brand, he does it all with an effortless elegance

094 AUTOMOTIVE EXTRAVAGANCE Unveiling the most innovative launches around the globe, the Dubai International Motor Show raises the benchmarks of excellence further

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AN ERA OF WATCHMAKING La Montre Hermès is one watchmaking brand that needs no introduction. Embodying luxury in every bit, Hermès takes us down the memory lane, exploring their collections from when they started

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106 NEW HORIZONS A private beach accompanying beautiful mansions with breathtaking views, the Alef Residences takes luxury living to greater heights

110 IN FULL SPRING Yas Viceroy, renowned for their intricate architecture and flamboyant ambiance, gears up for the Formula 1 Grand Prix with special events lined up, making the race weekend even better

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DRIVING TOMORROW Mercedes’s latest addition to its line of luxury automotives is a Mercedes-Benz GLC. Combining the best of leisure facilities with advanced technology, the SUV provides much more than one could imagine

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TABLE TALK WITH JG A Michelin Star chef who likes mixing the flavors of the east and the west, Jean Georges tells us more about his innovative culinary skills and his new restaurant Jean Georges -Dubai

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LUNCHING LATIN Overlooking the Burj Khalifa while lunching on the terrace of COYA Dubai at the Four Seasons - Jumeirah, is an experience Signé highly recommends

124 HAUTE SOCIÉTÉ With MSGM’s first mono brand store opening at the Dubai Mall and Paris Gallery’s in Yas Mall, you can carefully plan your lifestyle needs for the upcoming winters. Besides shopping, make sure to try out the Babor Spa for a rejuvenating therapy session

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MAN ABOUT TOWN

MAN ABOUT TOWN Screen legend Cary Grant took the world by storm during the Golden Age of Hollywood.

A self-made man with dashing good looks, impeccable style and exceptional talent, Grant wasn’t just a successful movie star — he was also the quintessential gentleman

Cary Grant was the master of both, sophisticated comedy and seduction in the pre-‘60s classic Hollywood era. The British-born actor – who starred in over 70 films during his career that spanned 30plus years – is still remembered as one of the greatest and most charismatic actors of all time. The brown-eyed, cleft-chinned Grant was every woman’s dream man.

His dapper style and distinctive presence, coupled with his brilliant comedic timing, made him a favourite with the men, as well.

“He was everyone’s favourite uncle, brother, best friend and ideal lover: more than most stars he belonged to the public,” wrote David Shipman in his book The Great Movie Stars: The Golden Years. Grant was a leading man in every sense of the word. Needless to say, he was also a favourite with directors, including Alfred Hitchcock.

The actor’s beginnings were a lot less glamorous than his onscreen persona. He was born as Archibald Alexander Leach to a working class family in Bristol, England, in 1904. His father, who would iron clothes by profession, left the family when Grant was a young boy, while his mother was institutionalised upon suffering a breakdown. Made to believe that his mother was dead when he was just 10 – and with little support from his father – Grant was left to make a life of his own. He would go on to join a travelling troupe as an acrobat

show business after spending time at the local theatre in Bristol. The young Grant decided to stay on in New York during one of the troupe’s shows, never to return to his home or original identity. Having left the group in 1920, he walked on stilts at Coney Island. He’d even tried out for a film role in 1929, but nothing really came out of it.

It would not be until 1931 that he would actually arrive in Hollywood. Paramount Pictures signed a contract with him on the condition that he change his name – and thus came about the transformation from Archie Leach to Cary Grant. He later said: “I pretended to be somebody I wanted to be, and finally became that person. Or he became me.

Or we met at some point.” After being cast in a slew of unsuccessful films, the British actor ended his contract and entered into another with Columbia Pictures, appearing in the 1937 comedies Topper and The Awful Truth.

A total of 18 films later, each one of them a hit, he was soon a well-established name in American cinema.

In many of his films, Grant played a man of great wit and sophistication. It was his role in the 1944 film None But the Lonely Heart, however, in which he played a wandering prodigal son who returns home to help his ailing mother, which was one of his greatest leaps. He was nominated for an Academy Award for this film, as well as for his role in Penny Serenade (1941), in which he deftly

a potentially lethal husband in Hitchcock’s 1941 thriller Suspicion, Grant’s first film with the acclaimed director. While he was nominated for a Golden Globe Award for Best Actor on more than one occasion – and even though he did not manage to score an Oscar during this brilliant run – Grant was eventually presented with an honorary Oscar in 1970 by the Academy of Motion Pictures Arts and Sciences “...for his unique mastery of the art of screen acting with the respect and affection of his colleagues...”

Grant was a fashion icon in his own right as well, and his love for impeccably tailored suits was evident off-screen. Even today, not a list goes by that fails to feature the actor for his debonair aesthetic. He was devastatingly handsome, no doubt, but he also possessed that elusive quality of looking suave in just about everything he wore – be it a grey sack suit, his omnipresent pocket square or white tie. It was this keen sartorial flair paired ever so subtly with his trademark grace, charm and humility that made him the most loveable leading man.

If Grant was adored as the master of timing on the big screen, he was no less efficacious in real life. In 1966, at about the time when Hollywood’s Golden Era was coming to an end, the actor strategically retired at the age of 62. Grant, whose good looks persisted until the very end of his life, never really left the imagination of the world.

after he left home at the age of 14. Only a year earlier, he had become fascinated with

balanced his signature humour with a speck of sadness. He effortlessly took on the role of

Even till date, he remains one of Hollywood’s most likeable and elegant actors.

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MASTER OF LUSTRE

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MASTER OF LUSTRE Since 1954, Al Fardan Jewellery has been impressing the GCC with its ravishing collections and impeccable quality. Adi Hasan Al Fardan, from the second generation of the family brand, raises the curtains to reveal the company’s artistic history

Diksha Vohra These days, jewellery is not only an object you adorn, but a message you deliver – a message about who you are, where you come from and where you belong.

However, amidst such intense competition posed both locally and internationally, it has gotten harder to pick something that closely conveys your feelings and symbolises your culture. Al Fardan Jewellery – with the heritage of Arabian culture at its core – is one such brand that has been redefining the essence of jewellery for over 60 years.

Speaking to Adi Hasan Al Fardan, a proud member of the Al Fardan Group and family, we realised that even though the journey has been glorious, it hasn’t been all that easy.

Established in Doha, Qatar, Al Fardan was the first jewellery store of its kind when it introduced the concept of diamond jewellery.

Reminiscing on the brand’s past, Fardan explains how the income in the country was derived mostly from the pearl or food industry, and had no appetite for diamond jewellery.

Being the pioneers of diamonds in the region, Al Fardan Jewellery slowly expanded into Kuwait and Saudi Arabia. Eventually, it moved to Abu Dhabi in 1968 and Dubai in 1980, where the company decided to form its operational base. Today, Al Fardan Group is not only involved with jewellery, but also money exchange, real estate and shopping centres. Despite expanding into different fields, its core business continues to be high-end jewellery meant for ultra-high net worth individuals.

Educated at the American University of

of craftsmanship. His trip to Paris exposed him to a world in which every minute detail was handled with care. “The French love luxury and in my opinion, they appreciate it more than others,” observes Fardan. After training with Chaumet, he moved to Geneva, where he learnt the intricacies of watchmaking. The third stop on his educational excursion was Hong Kong – here, he learned about stones, the trade of jewellery and the current trends in the market.

Fardan officially entered his family business during the recession period. On being asked if he joined out of choice or compulsion, he mentions that even though his brothers are also in the business, his father always gave them the go-ahead to explore other opportunities. Fardan had a passion for jewellery, so he chose to join the business. “Things did not look pleasant then as people assumed there wouldn’t be any future in Dubai, especially for jewellery and timepieces,” he recalls. Surrounded by pessimistic opinions from all sides, he took a leap of faith anyway. Eventually, Asian clients – Chinese in particular – entered the market, granting it more stability. Until recently, they counted for approximately 60 percent of the watch business. Fardan, in addition, also credits the contribution of Sheikh Mohammed Bin Rashid Al Maktoum for making Dubai one of the most soughtafter cities in the world.

Al Fardan Jewellery is the largest collector of natural pearls in the region, and their largest retailers as well. Al Fardan ensures that the

markets. Commenting on the brand’s appeal, Fardan says: “What we offer is a blend of Arabian tradition and modern culture. We use our heritage and combine it with Western designs to cater to a contemporary audience that has been exposed to a global market.”

Highlighting the evolution of trends, Fardan remembers how people would like to adorn themselves with pearl jewellery, especially during weddings, during the 1950s. The preferences had changed over the course of time to 22-carat gold jewellery, with the trend originating in the Indian subcontinent.

Towards the ‘90s, the market witnessed a shift towards diamond jewellery, and now people prefer stones and solitaires. Market research, development and execution are therefore the key aspects that keeps Al Fardan astute to the needs of its customers.

In addition to his success with the family business, Fardan is also a renowned speaker at the Arab Luxury World, an annual conference on the business of luxury in the Middle East.

According to him, the event provides an opportunity to interact with retailers and other influencers of the market. “It’s a time when we are discussing our actual problems and finding cohesive solutions to them, which is very important for sustainable growth,” he adds. Despite all his achievements, Fardan hopes to see improvements in the jewellery industry. As the local market has Swiss, French and many other foreign jewellery brands entering it, he wants to encourage local brands to enter foreign markets and expose others to Arabian heritage. It’s no

Sharjah, Fardan had an inclination towards discovering different cultures and techniques

quality of its pearls and other jewellery bridges the gap between the local and international

longer about going out for him – it’s about bringing others back home.

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A L L T H AT G L I T T E R S

ALL THAT GLITTERS Damas is one of the UAE’s oldest home-grown brands, one that has witnessed decades of unsurpassed success and maintained its designer legacy throughout. CEO - Anan Fakhreddin opens up on how the brand bridges the gap between yesterday and tomorrow

Diksha Vohra When we hear the word ‘jewellery’, we are reminded of terms like art, craftsmanship, culture and fashion. However, to those who live in the UAE, jewellery mostly says ‘Damas’. Catering to every group

Additionally, he was no stranger to Damas.

Thanks to his prior experience in the gold industry, an awareness of the functions and supply of the brand came about rather naturally to him. In his opinion, the journey of

However, what’s less known to people is that each collection is the result of deep market research. Certain collections – such as necklaces, stud earrings, diamonds and solitaires with a level of innovation – are

and every class of individuals, Damas has established itself as one of the most trusted and versatile brands around. Expanding into timepieces, the jewellery house’s selection is not only unique in quality, but also unrivalled in design. CEO Anan Fakhreddin – who won the Retail CEO of the Year award in 2014 – credits the city of Dubai and the Damas team for the company’s growing success.

With more than 300 branches across the country, Fakhreddin says: “We aren’t quite perturbed by the growing competition as the level of sophistication our products have, accompanying excellent quality control and innovation, and we shape our customers’ preferences when it comes to jewellery.”

Having worked at the World Gold Council and De-Beers, Fakhreddin joined Damas in 2011, bringing with him a comprehensive

Damas is very similar to that of Dubai. Evolving alongside the city, Damas has become a onestop shop for all jewellery needs, which indeed brings pride along with great responsibility.

To Fakhreddin, Damas is “…first and foremost – craftsmanship. With 100 years of glorious history backing it – knowing the level of technical know-how present – even as a customer, I wouldn’t think twice before purchasing anything from Damas. It’s undoubtedly the best quality at affordable prices”. On a personal note, Fakhreddin explains that jewellery in the luxury industry of the Middle East is the dream of anyone who wants to enter retail. With a market as knowledgeable and jewellery-enthused as this, it’s an honour to be part of a wellestablished jewellery brand.

It’s a known fact that Damas plans its

intrinsic to every store because they meet a constant demand. The other kind of collection entails Damas developing products from scratch. Fakhreddin elaborates: “When we conduct market research, we try to identify consumer gaps and based on that, we design a special collection. Satisfying the consumer is all we focus on and we do anything to accomplish this goal of ours.” Talking about gaps in the market, an important one is that of income inequality. Damas, on the contrary, is one such brand that caters to customers from practically all types of income groups. Where one can see the Arabic-style collections in areas like Al Ghurair; Bur Dubai and Karama stores have an Indian touch and Damas boutiques in five-star hotels and other localities are for the elite. Following the philosophy of something for all, Damas

understanding of market structure trends, customer dynamics and market segmentation.

collections and launch timings very carefully in order to cater to growing demands.

climbs up the ladder of popularity irrespective of income, class and nationality.

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A L L T H AT G L I T T E R S

As the purchase of jewellery has mostly been linked with either pleasure or investment purposes, Fakhreddin claims that even though most Damas customers intend to wear its products, they are convinced of their resale value on a subconscious level.

He explains: “Jewellery is everlasting and even if you cannot get back the full amount, at least you can get back most of it – unlike the purchase of any handbag or another fashion product.”

In contrast to jewellery, timepieces have

watches are the only type of accessory that is widely culturally accepted – their inclusion has extended the company’s market reach further.

On this note, Fakhreddin deliberates: “Our shopkeepers are mostly GIA-certified and have close to 10-15 years of experience each.

However, in practical experience and a recent study, we found that Arabian male and female clients know as much as the shopkeepers know about the products.” With media providing an explosion of information, he affirms that when people walk into the store today, they

necessary to keep expanding into new lines to match the growing interests.

Establishing its mark all over the UAE and other nearby countries, Damas is now focusing on the Saudi Arabian market. Having opened five stores in the country to date, it aims to open 50 more in the coming 1.5 years.

For now, Fakhreddin is busy planning the Diwali collection. With a line-up of products waiting to be unveiled during the festival, he confirms that this collection will witness a new brand alliance with Damas and promises

been a recent addition to Damas’ product range.

Considering Arab men especially – for whom

know exactly what they want, how they want and when they want, so it becomes all the more

to be the most special Diwali range that the country has ever seen.

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“With 100 years of glorious history backing it – knowing the level of technical know-how present – even as a customer, I wouldn’t think twice before purchasing anything from Damas” A N A N FA K H R E D D I N

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ESTATE OF HIS ART

Where Ramin Salsali’s passion for art escaped the confinement of societal norms, Salsali Private Museum manifested. With his fondness for endless exploration and learning, our Signé Man prefers simplicity over extravagance.

Diksha Vohra Hailing from Tehran, Ramin Salsali has always been an art aficionado.

Be it sculptures or paintings, one can find an array of rare masterpieces at his private museum – Salsali Private Museum – which is one of a kind in the UAE. Strong winds of the contemporary world have, however, not managed to push Salsali away, who still envisages living the life in the 1920s or 1960s. With a layer of simplicity profusely placed over his tastes for the finer things, Salsali wants to contribute to the development of the UAE through his artworks, which he considers to be the centre of life education.

From Iran to Germany to the UAE – how has the journey been so far?

I like to consider myself the luckiest person in this context as I have got an opportunity to be a part of three different, distinct and developing nations. Observing the pace of development, UAE above all fascinates me. The vision of the rulers here makes the country all the more beautiful and worth living in. Despite so much turbulence that the economy has witnessed in recent times, it’s overwhelming to see how the country has managed to evolve through them and become even more strong today.

What made you choose Dubai over the West to establish your private museum? Was Dubai an appropriate choice for such a visionary project?

I chose Dubai because I truly consider it as a model for the future. To me, Dubai is not a ‘City’, it is a ‘University’. A city with over 150 nationalities and 45 religions harmoniously living with each other makes it even more interesting. On top of that, I always wanted to do something different for Dubai that would be my contribution towards making it a model for other cities in the world. By the time other cities reach the level of Dubai, it would have gone beyond that and established new benchmarks of excellence.

As yours was the first private museum in the region, what were the challenges you faced while developing it?

When you initiate a new idea, you always have to face challenges. Some of ours were the absence of a license for a private museum, and for that, we had to talk to the authorities continuously. Legal challenges like these aside, we witnessed a couple of practical challenges as well - like finding the best lighting system and constructors

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for a concept like this and then getting it approved by the municipality.

Additionally, when people consider you much higher than what you

can turn into a good vacation. As you are living within confined spaces, you tend to learn to respect each other’s presence.

consider yourself, you tend to face a lot of pressure, which I learned to let go of eventually. In the end, my museum was a place where I could do what I like with respect to the values of the society.

An art-based excursion?

Following your passion for art, do you make sure your overall look communicates an artistic appeal?

For me, fortunately, choosing clothes has not been an issue as I was raised amidst sheer traditionalism because of an in-house family tailor. As a result, I have always adhered to a more classic look than a fashionable one. However, I feel the choice of clothes evolves during the course of your life. I tend to stick to what has been taught, and an example of that is my shoemaker, who remains unchanged since my childhood. I was previously buying from his father and now I am buying from him in London.

The trend today is to turn to the West for all your needs. I, however, like to turn towards the East, where traditional arts started and continues to exist. For instance, I went to India and got an opportunity to discover some incredible art pieces. I would love to visit the National College of Arts in Lahore, Pakistan and do the same. Even China and Japan interest me very much. I am also really fond of Soviet Modernism. In the end, I feel art repeats itself.

Which of the below would you choose and why: Painting vs. sculpture?

That’s a very difficult choice. If I could take both, I would, but I have a closer inclination towards sculptures.

Home vs. museum?

I would love to have the museum in my home.

From your various collections, which one has been your

Public event vs. individual consultancy?

favourite and why?

For me, this question is like asking who my favourite child is. All of them are equally important to me. The fact is that when we start to collect, bearing in mind that it’s not for trade or investment purposes, we have a passion for it. Over time, we develop our tastes and then begin having preferences. So every phase actually has a favourite… and that’s the emotional impact that connects one to the artist.

Public event, definitely. It’s because if you open a museum, then you have an obligation to grant a larger public the opportunity to see the art and enjoy it, while encouraging others to start something similar.

“...I have always adhered to a more classic look than a fashionable one. However, I feel the choice of clothes evolves during the course of your life.”

RAMIN SALSALI

Since artists are all about colours and combinations, do you have any favourites that you must follow on a regular basis?

During summers, I like wearing lightweight materials and light colours. For my pants and shirts, I carefully choose light fabrics. If I am spending my summers in Europe, then I use lots of dark blues and pants shaded red and white. In winters, I like to have a beige or dark brown pullover with a contrasting bright coloured shirt inside to give the boring colours an interesting appeal. I guess that’s how I choose to release myself from the cage of the age.

Driving vs. being driven?

Being driven, without a question. The amount of time that I would spend driving can be invested in answering my emails and taking care of so many things. I do ride a bike in Berlin and use public transport in London – I even take the metro in Dubai sometimes when the need arises.

One thing your day goes incomplete without?

I ask myself a similar question by the end of each day – am I happy?

I can be happy when I have had a complete day, which is one during which I have learnt something new – be it reading a page or engaging in any form of knowledge-receiving activity. It’s a must for me to learn something new every day.

Where in Dubai do you like to shop and dine?

Since my clothes are done by my tailor and my shoes by my shoemaker, there is not much left to buy on a daily basis apart from, maybe, some casual wear like jeans. I, however, love going to Karama, Deira and old Dubai, which puts me in a time machine. I love to observe the developments of craftsmanship. A walk through the textile market – going to each shop and getting a feel of their fabrics and techniques – is something I do every 10 days or so. In terms of dining, La Petit Maison, Gaucho, Coya and Jean-Georges are really good restaurants. Amal, the Indian restaurant at Burj Khalifa, is also great. However, still nothing beats the aroma and taste of the shawarma from Deira and some Iranian kebabs.

Where would you ideally like to spend: A destination wedding?

I have been married for 20 years but if I could go back in time, I would prefer returning to the ‘60s when I was in my twenties, getting married in Berlin in 1920s or the south of France in 1960s. If it was today, then maybe Italy would be an option.

A family trip?

I would go for a sailing trip as I feel it’s a great psychological escape that

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If you were given the opportunity to be someone else today, who would that be and why?

As you know, I am fond of the vintage era, so I would see myself in 1920s owning a Theatre with a Salon in Berlin. The salon would be like a majlis, a place for intellectuals to get together in the evenings and have some profound conversations. The salon concept of the ‘20s is what I dearly miss these days.

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REAL MEN WEAR PINK

REAL MEN WEAR PINK

British heritage clothing brand Thomas Pink has unveiled three new collections and an in-store made-to-measure service. The shirt-maker has also released a series of films for its latest campaign titled ‘Which Shirt Are You?’ that stars four very illustrious personalities showcasing what is on offer

Thomas Pink is synonymous with sartorial excellence. The luxury clothing brand is particularly famed for it’s immaculately cut and finished shirts. Its journey began on Jermyn Street, home to traditional British tailoring, in 1984. The brand name as well as its emblem – a cheeky fox in a red ‘Pink’ coat – is a tribute to the creator of the famous scarlet red hunting coat. A London-based tailor, Mr. Pink had designed this iconic coat in the 18th century, and it went on to inspire the House of Thomas Pink some two centuries later. Today, the luxury brand that transformed shirt-making into a veritable art form has flagship stores in London, New York and Paris, and a wide network of outlets around the world in countries such as France, the UAE, Hong Kong, China, Australia, India, South Africa and the USA. The current ‘Which Shirt Are You?’ campaign features four inspirational individuals, each of whom embodies the seminal values of Thomas Pink and its shirts.

It is showcased through a series of four films,

four famous personalities. In the first leg of the campaign, Thomas Pink launched the Blues By Pink collection. Drawing inspiration from the sharply dressed Sir Michael Caine in the 1971 film Get Carter, it spans shirting, knitwear, accessories and outerwear in a blue-hued palette. The launch of the collection was announced with a film called Blue By Ed Smith that features Ed Smith, a journalist, former England cricketer and Cambridge Blue. Smith discusses the importance of this season’s key colour and why it makes for a quintessential part of every well-dressed man’s wardrobe. Key shirting from this line comprises a washed indigo Italian weave chambray shirt in ‘80s two-fold cotton and a slim-fit blue/black smudge check shirt.

The campaign then moves on to the launch of the Personally Pink made-to-order service for customisation of shirts, right down to the placket. Thomas Pink collaborated with legendary fashion artist David Downton for the film Made To Order By David Downton, in which he wears his very own Personally

fashion illustrators. This in-store service – in partnership with the renowned Italian mill Albini – gives shirt wearers an extensive choice of over 160 fabrics. They range from fine Egyptian cottons and exquisitely woven lines to long staple cotton poplins in twofold 100s, 170s and 200s. The introduction of the prized 120-thread count Sea Island cotton is the highlight of this service. Also added are the innovative independent and the contemporary Nehru collars to the 13-strong collar collection.

Towards the latter half of September, Thomas Pink launched a new Rugby Edit that comprises luxe cashmere and cotton rugby jerseys, sporty polos, rugby stripe socks and accessories inspired by the sport, including pocket squares and cufflinks.

The shirt specialist’s athletic fit shirt made of stretch cotton and in a slim-fit style is inarguably the star of this collection.

Designed to accommodate the combination of muscular shoulders and a narrow waist, the shirt was first spotted on former England rugby World Cup winner Ben Kay in a film

each highlighting a new Pink collection or an in-store service through the eyes of the

Pink Sea Island cotton shirt while talking about his career as one of the world’s leading

by Thomas Pink titled Athletic By Ben Kay. In it, Kay also wears other key pieces from

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REAL MEN WEAR PINK

this collection dominated by the colours red, white and blue while describing the intense physical and mental hardship that a player experiences in the build-up to a pivotal game.

The last leg of the ‘Which Shirt Are You?’ campaign for 2015 showcases Thomas Pink’s travel-inspired capsule collection that was launched last month. This non-crease collection, perfect for frequent travellers, features a two-piece suit in navy, made

collection offers a choice of easy-iron traveller shirts in a host of colour ways and prints.

The brand enlisted the help of the successful entrepreneur and adventurer Neil Laughton, a former Special Forces officer. In the film Travel By Neil Laughton, viewers are privy not only to the new Thomas Pink travel collection, but also to Laughton describing his most recent attempt to ascend Everest in a bid to set the record for the world’s

Each Pink shirt in the three new collections is an exercise in impeccable tailoring. In addition to being wardrobe staples, they offer comfort in wearing of the highest degree. The newly launched made-to-measure service represents the Jermyn Street luxury brand’s love for a well-cut shirt. Even the ‘Which Shirt Are You?’ campaign’s shirt chroniclers, carefully chosen for their professional and personal excellence, effectively convey Thomas Pink’s

from Loro Piana wool/mohair. Besides two reversible jackets and a raincoat, the

highest dinner party, during which the Nepal earthquake struck.

savoir-faire that combines classicism, tradition and perfection.

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Providing a deeper insight into the brand and the ‘Which Shirt Are You?’ campaign, Frederik Willems - Head of Design, Thumas Pink, interacts with Signé, discussing his initial move into the brand, his aspirations and work.

You joined Thomas Pink in 2011. What were the key aspects about the brand that made you want to be a part of it?

The quirkiness of the brand and its colourful, innovative products.

How is the brand different from the rest in the market, especially when shirt-making is very commonly adopted by most fashion brands?

The attention to detail and highest quality standards are the leading forces of Thomas Pink. The constant research for new innovation in fabric, construction and fit keeps the brand in prime position of the definitive shirt authority in the market.

What was the ideology behind the creation of this collection?

We had three main fits: Classic Fit/Slim Fit, Super Slim Fit and Traveller Shirt. When we created the Athletic Fit shirt, we felt we had such specific shirt stories that we should make them connect with personalities and body shapes, as well as the purpose of wearing it – be it formal or leisure.

Which of the four categories do you identify with the most?

I am definitely a Slim Fit guy. I love the tailored shape of the shirt, which wears perfect all dressed up as well as wearing it ‘open-necked’ on the weekends.

How is the ‘Which Shirt Are You?’ campaign unique?

Thomas Pink has a great connection with its customer base, and we wanted to make this relationship even stronger and more special by creating the campaign with the focus on the needs of the customer, from fit to functionality. We also wanted the customer to be able to

Which areas in the world were kept in mind while designing the collection?

We work globally, and feel our products have a global appeal with an urban feel.

show us and the world how they wear Thomas Pink shirts on our website and through all major social media channels.

Any future collections that you are working on at the moment?

Yes we are, but it is too early to give anything away just yet.

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V I R T U A L LY I N V O G U E

VIRTUALLY IN VOGUE

Home to over 250 brands and more than 15,000 products, Stylebop.com is one of the world’s top luxury fashion e-commerce destinations. Its co-founders Mario and Thorsten Eimuth discuss the movement that has forever changed the way we splurge

Bringing fashion from catwalks to street-walks is an art Stylebop. com has mastered. Established in 2004 to being a premier destination for luxury fashion products, Stylebop.com has managed to become one of the two leading online retail stores worldwide. Mr. Mario and Thorsten Eimuth tell their story about the inception of their brand, their challenges and their path of ongoing success.

Stylebop.com is one of the leading online luxury fashion retailers. What inspired you to launch such a unique concept?

Mario: Prior to launching Stylebop.com, I owned Sarajo, a successful brick-and-mortar luxury concept store in Munich. However, seven years after founding Stylebop.com in 2004, I sold Sarajo to focus exclusively on the emerging e-commerce market. Thorsten came on-board a little later, bringing with him a profound logistics background that proved invaluable to the growth of the business. At the time, many people thought that moving solely into e-commerce was a mistake, but we wanted to go against the grain and ultimately prove them wrong. I saw the potential and 11 years later, I am glad I trusted my instinct.

You have been in the market since 2004.

What are the most striking changes you

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have witnessed in the fashion industry during the last decade?

Mario: I think perhaps the most striking change would be the way in which the digital space has come to dominate fashion. Having an online presence is a non-negotiable aspect now, whether you’re a retailer, designer, influencer or industry resource. It’s about ease and access, 24/7. Being able to log on from your laptop to read, shop, talk – whenever and wherever – is taken as a given now. We are all living in a truly digital world.

Why do you think there is a need for an online retail outlet like Stylebop.com considering customers today are more conscious about quality and style?

Thorsten: There is absolutely the need to create a luxury environment online today, particularly in the absence of a tangible physical space. The idea of luxury manifests itself in many ways, be it through exceptional customer service and speedy delivery times, or via a dynamic buy and a complementary editorial component.

List some advantages that your online retail outlet has over other competing online retailers and physical outlets.

Mario: Stylebop.com differentiates itself from its online competitors by championing both emerging and established designers. The range is necessarily broad and the offering

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extends beyond traditional luxury, which is increasingly how the whole luxury concept is being defined these days. People want to create their own look by pairing a Valentino blazer with a James Perse t-shirt and J Brand jeans, for example. Making an online purchase, whenever and wherever you want to, is simple. You avoid the inconvenience of travel by saving time, and you enjoy the ease of completing a transaction in a few minutes. With items from over 250 designers and brands, our product offering is also vast. Additionally, we’re able to add to that offering on a daily basis to cater to a growing global clientele.

When you look at a global market, how much traffic is generated from the Middle East? Which other areas are you looking to enter?

Thorsten: With a loyal and savvy customer base, the Middle East has always been a very strong market for Stylebop.com. In terms of the potential for further development, we are of course looking to the U.S. and Asian markets. That said, we’re seeing growth around the globe and working hard to cater to new and exciting audiences.

The luxury market is also witnessing a shift from readymade to bespoke. How does your brand counter or follow new trends?

Mario Eimuth and Thorsten Eimuth

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“ Having a quick-thinking, conscientious customer service team is one of the best ways to ensure satisfaction. ” THORSTEN EIMUTH

Mario: While our buys are often made with an eye on trends, it’s really about creating a full, cohesive fashion narrative each season.

That is the key to appealing to both those who are looking for something more classic – say, a camel overcoat – as well as those who gravitate toward more directional pieces. We buy with both our current and future customers in mind, aiming to create a comprehensive selection that reflects their many needs and suits their multifaceted styles.

Your brand was only four years old when the global recession struck. At a time when everyone witnessed a decrease in purchasing power, how did you cope with the sudden fall and the subsequent risks?

Thorsten: We’re happy to say that Stylebop. com has been profitable since its inception.

While the recession definitely impacted businesses across the board, including a number of retailers, we were fortunate to have founded our business in Germany, which still remains our number one market – and a market that weathered the global financial storm better than most. This positioning actually enabled a growth of 70 percent per annum during that period.

conscientious customer service team is one of the best ways to ensure satisfaction.

Stylebop.com employs customer service representatives who can speak multiple languages to assist anyone who might need their expertise and advice. We also have an extremely sophisticated logistics operation in place, along with quick delivery – most parcels are dispatched within 24 hours of an order being placed. With Stylebop.com, we’ve created a luxurious, multi-tiered environment and a trusted destination where customers feel engaged. This isn’t your cookie-cutter online retail experience.

are going to disappear, but I do believe that e-commerce is the future of fashion. It offers convenience, excellent service, quick shipping, and an amazing assortment of designer items to virtually anyone, anywhere in the world. We have also created excellent editorial content to augment the luxury experience and provide daily inspiration and insight.

Amidst an era of cut-throat competition, have you strategized a

What do you think the future looks like for an e-commerce store versus a

Lastly, if you were given the power to change any myths about online retailing, what would they be?

Mario: That a luxury retail experience cannot be achieved online. The traditional luxury consumer can find a trusted space online that also provides a greater variety of designers, brands and styles from which to choose. We offer a unique experience via a mix of superior content, service, technology and logistics.

Thorsten: There remains a slight trepidation surrounding the security of credit card use online, when the reality is that e-commerce has some of the most sophisticated security systems in place to ensure that our customers’

way to ensure customer satisfaction?

Thorsten: Having a quick-thinking,

retail outlet?

Mario: I don’t think that physical retail spaces

online data, including their credit card information, is always safeguarded.

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What are your most successful menswear brands?

Thorsten: Depending on market size, we see very good results with brands such as Brioni for the conservative customer, and Balmain for the more trend conscious consumer.

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AT T I R I N G A R A B I A

ATTIRING ARABIA

Symbolising a glorious history of harmony and togetherness, the kandora continues to remain a regional garment that has been less exposed to modernity. Bait Al Kandora, a one-stop boutique for this form of attire, pledges to provide traditional wear an international touch through quality and convenience

To the Arabs, a kandora is much more than a customary outfit. Signifying their pride in belongingness to the Arabian lands, their dress speaks volumes about their culture. Despite being widely visible throughout the GCC, the kandora remains to be unexposed to modern creativity and craftsmanship. For generations, the tradition of designing a kandora has been confined to the hands of family tailors. Amongst these dynamics came Bait Al Kandora – meaning ‘house of kandora’ – for those who wish to distinguish themselves by adding a designer feel to their more traditional persona. Signé converses with Khaled Al Huraimel, the man behind the visionary boutique.

Emirati menswear brand that provides the complete range of Gulf menswear with a brand and store experience that rivals international brands. This includes also the first online store dedicated for Emirati menswear and the first to offer clients the opportunity to design and customize a kandora online and we ship worldwide.

Even though we live in an Arabian country, what, in your opinion, is the reason behind the absence of Emirati menswear brands?

The primary reason is that our market is relatively new, and the fashion industry for Emirati menswear has not matured. I remember my father would go to his tailor to get his kandoras stitched and I would do the same. This tradition of serving local regions with local tailors has been going on for a while now. Consecutively, nobody thought about changing the trend. Today, while we are all exposed to excellence in every field, our traditional attire remains confined to

Following the above, what were the challenges you faced when you decided to launch Bait Al Kandora, especially since it’s the first of its kind?

The biggest challenge was to change the mind-set of the clients, who were used to going to the same traditional tailors for their kandoras. We are the first to offer a brand experience that rivals international brands and some customers felt it would be above their price point. However, our price range was set to be inline with the market.

Furthermore, we also offer the visiting tailor service where a customer can book online or through a call and our tailor will visit you to take your measurements and your order. In addition, although international penetration rate in the UAE is amongst the highest in the world, shopping online has still not matured especially for menswear in the region. We have created a website where it offers clients the ultimate convenience to order a kandora online and we deliver.

the walls of small, local tailoring shops. We launched Bait Al Kandora to be the first

Another challenge was finding the right location, which took us some time and we

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were quite picky to ensure it’s a location that reflects the positioning of our brand.

However, we have opened our first boutique earlier this year in Downtown Dubai at Souq Al Bahar and only this month opened our second boutique in the Heart of Sharjah at the new development by Shurooq. Also, like any new brand that is launching, marketing and advertising to create awareness requires substantial investments and we have done a lot in press, social media and other forms of marketing.

Please describe how Bait Al Kandora is unique in terms of its operations and craftsmanship.

Bait Al Kandora is really the first UAE menswear brand that offers a full range of menswear products all under one brand, which is our own. This includes different styles of kandoras, ghutras and shemaghs, sandals, wallets, cufflinks and even underwear.

There are three types of kandoras, which are most popular in the UAE, which are referred to as Arabi, Kuwait and Qatari. We have kept these designs true to their origins but with slight changes to improve the quality, whilst introducing a higher quality stitching.

We are also opening this month a state of the art production facility that will be the largest in the UAE for kandoras where we will be offering the highest quality of workmanship, while maintaining a strict quality control system. We are eagerly looking forward to it.

Khaled Al Huraimel, founder of Bait Al Kandora

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Take us through the different ways in which a client can get a custom kandora made, both in person

products on offer. The main component of Emirati menswear is the sandal, and our designer sandals have specifically been made

Our brand filled lots of gaps – there were no boutiques in the market that catered to all menswear needs in a confined environment,

and online.

We provide a different angle to the process.

You can walk into our shop, choose a fabric, give your measurements and personalise your kandora down to the smallest details – from the zipper to the cufflinks and buttons.

If you have time constraints, we have a range of readymade kandoras available for you to choose from, as well as an in-house tailor

to cater to this market. We have liaised with Pakerson, a famous designer brand from Florence to launch a collection of special Emirati Sandals that has never been done before. We have 50 different types of these, and each is handmade and hand-painted to an expert finish. We also have a variety of wallets in different colours and types to choose from, and have introduced cufflinks

which we do provide. Moreover, today’s client is internet-literate and is used to higher levels of service. Our offerings through our physical outlets and online store help bridge these gaps.

for all types of alterations. Furthermore, if coming to the store isn’t possible, you can book a tailor online or over the phone, and he will come to your house with a range of fabrics for you to choose from, ready to facilitate the above. Lastly, if you are clear about what you like, you can log into the website and not only order a fabric, but even provide your measurements and customise the kandora accordingly. We also have online tutorials that guide you step-by-step on how to provide your measurements. Once the kandora is ready, it can be delivered anywhere.

Moreover, if you have ordered your kandora online, the website stores your measurements along with the last fabric you chose to make the process of re-ordering much simpler. To top it all, you can also select from our special range of Emirati sandals, which was launched in collaboration with Pakerson, in addition to an option for matching cufflinks and wallet purchase, too. For further convenience, our website is both in English and Arabic.

as they provide an edge to the kandora. You can also find different varieties of ghutras and shemaghs –the headgear for kandoras, which are specially made in Switzerland. Pure cotton undershirts in various styles are also available for purchase. On another note, our kandora fabrics come from Japan.

establish your mark in the region?

As you know, the Khalifa Fund is set up to support local entrepreneurs who have an interesting and an innovative concept. When we presented our idea of setting up Bait Al Kandora two years ago, they were impressed with our level of expertise and online presence. In order to take the local heritage to the next level, Khalifa Fund supported us both, financially and in many other ways.

We have also been supported by the Ruwaad fund in Sharjah for the same reasons, and we are delighted that the government of UAE is supporting our cause so efficiently.

Apart from kandoras, what are the

What were the other gaps you

With a store recently opening in Sharjah after the first one in Dubai, where is the next one planned?

We are looking at opening a store in Abu Dhabi in the next six months, and one on the east coast as well. We are also receiving interest from other GCC countries like Oman, Bahrain and Qatar, so we might consider these options too. We may also look into launching a mono-brand store for Pakerson products as

other offerings at your boutique?

To begin with, we have a range of leather

witnessed in the market that Bait Al Kandora fills today?

well as more Bait Al Kandora stores in Dubai, Sharjah and Abu Dhabi.

Who are your primary target clients?

Our primary targets are people aged between 14-55 years. In terms of income, we target customers between the mid- to high-income levels. We have also designed some kandoras for babies and children, which were very well received by our clients, and we shall soon be launching a range of kids’ Emirati sandals.

An interesting aspect of our approach is that unlike other men’s brands, we are targeting women, too. Those ladies who would like to purchase a menswear product from us for their loved ones – father, brother, husband or son – can do so through our retail and online store at their convenience.

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You have been supported by the Khalifa Fund. How did that alliance come about and how has it helped you further

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A FRAN’C’K INSIGHT

A FRAN’C’K INSIGHT

Making a mark in less than 20 years for being the Master of Complications, Franck Muller collections a harmony that has charmed the entire world since its inception. Speaking to Signé, Mr. Franck Muller provides a deeper insight into the brand’s operations and its enviable success

Diksha Vohra What started only as a ‘boutiwque brand’ witnessed various developments over last two decades before being labeled as the epitome of craftsmanship. The alliance between two friends, Franck Muller and Vartan Sirmakes, has produced some of the mostw complex watches time has ever known. In addition to that, the brand has become popular for introducing unique fashion trends and models with remarkable quality and precision. Sustaining the company’s unrivalled creativity, Franck Muller discusses his big leap into the watch industry and the secret to their success.

Was building a brand that is reputed as the ‘Master of Complications’ a dream or destiny’s surprise?

I have always been attracted by the field of mechanical watches, so I think it was simultaneously my destiny to join the prestigious world of watchmaking as well as a dream to achieve such success. I very soon decided to join the Geneva School of Horology. Initially, I worked for collectors, restoring their timekeepers. After a few years, I started creating my own timepieces and devoting my work to the creation of models that are unique by their complications.

What was the first timepiece you created, and for whom?

I had the desire to surpass myself and make a wristwatch with a visible tourbillon and jumping hours. It was a real challenge for me as nobody thought it was possible to manufacture such a unique timepiece. We managed to achieve this project and first unveiled the piece during Baselworld as a world premiere.

How did your alliance with Vartan Sirmakes come about?

Vartan and I met at the end of the ‘80s, and we both shared the same passion for watchmaking and complicated watches. At this time, I was already well recognised for the complicated watches I manufactured under my name, and was about to open the first Franck Muller boutique in Tokyo. As for Vartan, he was specialised in the manufacturing of watch cases and already made them for several fine watchmaking brands. Our collective expertise enabled us to create unique and distinctive watches, both in terms of complications and design.

What inspired you to launch a brand of your own?

I have always had the desire to design and manufacture my own timekeepers and be specialised in very complicated watches. Since 1980, the demand has been increasing a lot. It was, therefore, the next logical step. The brand Franck Muller quickly became a worldwide one and we opened the first boutique in Tokyo in 1992.

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“Every new piece is like a child – it is a creation, a miracle, a unique moment. How can I choose between my children? I am always expecting a new miracle.”

FRANCK MULLER

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A FRAN’C’K INSIGHT

When you launched, what aspect of watchmaking was

Considering the growing market for Swiss watches

missing in the market that you strived to provide?

At the start of the ‘90s, the Swiss watchmaking industry was in the midst of a crisis and most companies gave up when confronted with the emergence of the quartz movement. As a result, it was highly audacious to go against the trend and focus exclusively on mechanical watches with complications. During that time, it was almost unthinkable to acquire credibility amidst the large watchmaking houses that have been present in the market for several centuries. The watchmaking industry

worldwide, which markets need to be tackled the most for your brand?

All the markets are interesting. We mainly focus on markets in which customers have a culture for Haute Horlogerie and also a certain level of spending power.

– and in particular the fine watchmaking segment – was bound by tradition and consequently not very open to innovation, especially in terms of design. It was a bold move then to introduce the case shape known as the Cintrée Curvex, something previously non-existent in the market – a curved body with three dimensions involving great technical difficulty in production. Introducing dials in bright colours such as royal blue was also a first and revolutionary step in the world of fine watchmaking.

Every new piece is like a child – it is a creation, a miracle, a unique moment. How can I choose between my children? I am always expecting a new miracle.

Please take us through the entire process of watchmaking – how do you decide on the concept, its execution and launch?

The manufacturing process of a watch is pretty long. Indeed, we first need an idea (a new concept). Our teams of designers work hard to design and create new pieces that are distinctive by their design and their technical character. Our teams of engineers and micro-mechanics conceive the movements of our timepieces – the House’s signature – as well as it’s constant challenge is to gather the three most delicate master complications in a single watch – the tourbillon, minute-repeater and perpetual calendar. After that, we need a prototype to approve the project. The Franck Muller group manages the entire manufacture process of its watch components. Our components are created in the Jura region, whereas small parts, such as the crowns, are produced in Meyrin. We also do the engraving of movements to give our watches a personal as well as an emotional touch. Thanks to our industrial verticalization, we are able to offer customers unique models. This independence of production enables the brand to have the freedom to create new innovation and pioneer one-of-a-kind pieces.

You were the first one to produce a timepiece with the tourbillon visible from the front. Tell us about the overall idea behind the invention.

After months of research and dedication, I presented my first wristwatch featuring a visible tourbillon and also a jumping hours.

I realised there was a demand in the market by collectors and watch enthusiasts in search of unique piece. Since then, I regularly introduce new World Premieres. From the Oscillatory Tourbillon to the Evo 3.1 and Aeternitas Mega 4, I always try to create new pieces that are different by their technical features and design.

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Amongst your collections and models, which is your favorite and why?

Aeternitas Mega is the most complicated watch the world has seen. What brought about the concept and in what terms was it different?

The Aeternitas Mega 4 is, for Franck Muller, the pinnacle of success in the art of watchmaking. The Aeternitas Mega 4 is a masterpiece that features 18 hands, 36 complications and 1,483 components. This unique piece is the result of five years of teamwork. Priced at US$2.7 million, it is also the most expensive watch ever sold outside the auctions. This masterpiece of complications and know-how was entirely designed and manufactured by the Franck Muller group.

What is the WPHH, and what inspired you to start an exclusive event like that?

The WPHH: World Presentation of Haute Horlogerie is an independent exhibition that we organise annually in Genthod, Switzerland, one of the most beautiful known sites of the watchmaking industry. This is where all the different brands under Franck Muller Group are showcased.

The group carries fine brands such as Pierre Kunz, Backes & Strauss, Smalto Timepieces, Roberto Cavalli, Pierre Michel Golay, Martin Braun, European Company Watch, Rodolphe, Barthelay and of course, Franck Muller. We became too big of a watchmaking organisation to be included in any watch exhibition so we decided to create our own. At WPHH, we take pride in all the latest, most innovative and most creative designs of each and every brand we are representing. This unique moment also enables us to gather the international press with our customers and retailers to enrich our worldwide visibility while sharing the best of watchmaking.

You have launched a new store in The Dubai Mall. What are your expectations with the Middle Eastern market?

The Middle East region, especially the UAE, contains very strong markets and we are very proud to open this Dubai-based flagship store, which promises to gather the best of

Franck Muller - Founder and Designer

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Franck Muller and be a reference in the field of fine watchmaking.

Franck Muller - Aeternitas Mega-IV

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THE SIGNÉ EXPERIENCE

THE SIGNÉ EXPERIENCE

With Diwali – the festival of lights – approaching, Signé gifts a special experience to one discerning client through The Gift Concierge that is utterly bespoke and unique, taking personalisation to a whole new level

Diksha Vohra Diwali is the most widely celebrated Hindu festival throughout the world, made even more special by friends and families coming together to rejoice its festivities. To add the Signé touch to this memorable event, Signé plans a special experience to gift to one of our distinguished clients. The execution of our surprise plan began with the pioneers of experience gifting – The Gift Concierge. We brainstormed with the company’s gift consultants, who carefully took over the reins and planned an exclusive experience far beyond our imagination.

To us, this experience was an expression of gratitude, which needed core personalisation and flawless execution. Bearing in mind that the gift and its mode of delivery conveys a lot about our emotions behind it, we decided to seek an expert gift concierge that not only belongs to the luxury industry but is also trustworthy and credible, and could understand our motives. While looking for options online, we came across The Gift Concierge and expressed our interest in their services. Bringing some much needed efficiency to the picture, a gift consultant from their side called us back at the designated time as was mentioned to discuss the event in detail. Understanding the occasion and our intentions, the consultant cordially booked in a time to meet us and discuss this further.

Completely unaware of the actual process, they amazed us with their particularity. On initiating the meeting, we were first asked to describe our client in terms of his educational background, passions and preferences. A

fine dining. To him, food conveys an array of emotions, much like the colours splashed onto a blank palette. Keeping that in mind – along with other things like polo and art that he takes an interest in – we discussed how a ritual customary to the Diwali festival could be added to our gift experience. After getting an insight into Signé’s profile as well as the client’s, the next major step was preparing the proposal, which the consultant happily agreed to provide us within a short period of time.

To our surprise, the proposal contained ideas that took innovative luxury to an unprecedented level. The first set of options were artworks that came with a certificate of authenticity and were available in the region

tailor by profession, he is well connected to the world of art and immensely fond of

Henri Matisse - Teeny

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exclusively through The Gift Concierge. All of the pieces – be it Henri Matise’s Teeny from 1938, Henry Moore’s Eight Figures Reclining on Rock Background or Joan Miro’s Cantic del Sol – were an exceptional selection as all three were limited editions. While we couldn’t sort the confusion of selecting a piece, we were presented another idea, which included a private dinner for two with a Michelin-starr chef who would prepare a specially tailoredto-taste menu for the recipient, making the event even more special and bespoke.

The next option in line was a three-month membership with the Talise Fitness at Burj Al Arab in Dubai, wherein the recipient would enjoy tailored offerings and services, providing the ultimate member’s experience.

The last option was a breathtaking one – a VIP ticket to the prestigious Emirates Open Polo Championship.

Calling all of the above options unique would be an understatement. As much as each of the offered proposals was enticing, the ball was now in our court, with The Gift Concierge awaiting our final decision. Bearing in mind that our client loves to dine and Diwali was the occasion at hand, a private dinner for two with an Indian Michelin-starr chef who could give his cuisine a contemporary touch and tailor the meal according to our client’s tastes was the option we finalised after much contemplation.

The chef would be flown down to Dubai on the eve of Diwali to host the dinner, the invitation given to our client by The Gift Concierge’s porter being the proverbial icing on the cake.

With all the preparations handled by the ingenious personal gift shopper, we could sit back, relax and be assured that our client would feast on a fine dining experience like no other.

“ The Gift Concierge is the first-and only-VIP gift shopping service dedicated to sourcing and providing the most thought out luxury gifts, exclusive experiences and events.”

CHRISTIANNA TSITEROU

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THE SIGNÉ EXPERIENCE

Impressed by the concept of The Gift Concierge, Signé speaks to its founder Christianna Tsiterou to explore the types of exclusive and bespoke services it offers to both, its direct and corporate clients The Gift Concierge is a fairly new concept. What inspired you to develop this?

The idea of The Gift Concierge (TGC) came

Our services are divided into two categories: direct client and corporate. For our direct clients, we offer four key services from which three are interrelated, namely VIP personal

deliver. Underneath these, we offer special experiences, which elevate the concept to a whole new category. Ranging from fashion to golfing and signature experiences – which

out of a personal need. While I was looking out for different types of concierges from an entrepreneurial perspective last year, a friend was turning 40 and I thought of gifting him something special. Unfortunately, I could not find any company that could help with either providing new and innovative ideas for the level of gifting I was interested in or sourcing the gift I thought of giving. I ended up

gift shopping, gifting experiences, and events. In the VIP personal gift shopping, we allow our clients to choose a gift that they would like to buy either for themselves or for someone else, available in the UAE and abroad. We have access to items like limited edition artwork, fashion products and more.

Our key partners are based in London and Paris, and we are slowly trying to get Milan

even though are exclusive in the region – can be further tailored to suit one’s requirements.

The third element is gifting an event. If someone wants to host a private dinner, we have access to some of the finest Michelinstarr chefs who can cater to a variety of tastes, making your event even more memorable.

Additionally, we do organise exclusive themed parties and celebrations, which can

buying a limited edition watch, which was not available in the UAE, so I had to contact the headquarters personally, get the code and sort out the delivery myself as well. When you are speaking of gifting at this level, you really want the delivery to be just as special. That’s when I thought a concept like TGC needed to come into the market. Here, we are all busy with our work and other commitments, and we need to figure out a way to make spending much easier. TGC is specifically for the ‘money-rich, time-poor’ who would like to make events and occasions special in a unique way.

into our team as well, thereby providing easier access to even more gifting options for our discerning patrons. Having said that, there are no limitations as our service is fully bespoke; whatever our clients desire, we

either be hosted locally or internationally.

The fourth element is the wedding registry.

What makes it all the more distinguished is that our porter will deliver the gifts with an additional gift from us, as we like to celebrate with our clients. On the other hand, we follow the same philosophy for our corporate gifts.

Considering the gift selection and the manner in which it is delivered conveys more about the company’s profile, our consultants work with our clients to understand their objective and devise ideas that would suit them, the occasion and the recipient client.

When did you establish the brand?

We started working on the concept in early October last year and after carefully planning our approach and liaising with some partner concepts, we had a soft launch in June wherein we distributed bespoke gifts to the media while announcing our arrival through our porters.

Once we are properly settled and have built a strong network, we will have a big bash.

Tell us more about the bespoke

In your opinion, what would make people turn to your brand for their gift concierge requirements in relation to your competitors?

The Gift Concierge is the first - and only- VIP gift shopping service dedicated to sourcing and providing the most thought out luxury gifts, exclusive experiences and events. There are of course well known concierge services that are high profile but their focus is different, and sometimes you have to be a member in order

services you offer for both - corporate and personal events.

to benefit from their perks and services. With us, clients have no restrictions. We specialise

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Christianna Tsiterou, founder of The Gift Concierge

in gifting and celebratory occasions, and not travel or reservations unless they are a part of the experience, which in turn makes us very niche as we are targeting a specific area and clientele.

Since you specifically create concepts for clients, please take us through the process of idea development through to its execution.

The process actually starts with the client contacting us, which he can do via three different channels – email, phone or website inquiry. If the client is contacting us through the website, he only needs to enter the basic details like full name, contact number and a designated time to call back. Unless specifically mentioned, our team makes sure to get back to them by the end of the working day. Our consultants then interact with the client, learning more about their relationship with the recipient for whom the gift will be selected. This conversation is most essential

as based on what the client communicates – in terms of the recipient’s likes and dislikes, level of intimacy etc. – the consultants can advise on what gifts would be the most appropriate and please them the most.

Depending on the scale of the affair, the consultants can have an in-person meeting with the client to discuss this. The next stage is discussing the budget of the entire matter.

Based on this interaction, we propose a selection of ideas for gifting from which the client chooses what he likes. After paying the cost of the gift and the concierge service, the client then either receives the gifts through our special porters or we get it delivered to the recipient client at any designated date and time, making the delivery part of the overall gifting experience.

with the largest potential in terms of both, the disposable income and the profile of people.

That is also another reason why I selected the UAE as our base. Bearing in mind that the UAE, and overall GCC, lifestyle allows people to enjoy luxuries they would not necessarily be able to in other regions or back home, those with the disposable income to afford luxury anywhere in the world use services like TGC to further elevate their experience.

Amongst the demographics of your field, do you think the UAE has a

How has the market received your services?

So far, the positive feedback from our clients has been overwhelming. The best part of it is that even if the clients are not using our services, they are inquiring, which means we are being talked about. It also feels great to have international brands approaching us, wanting to be a part of our bespoke services, which has increased the list of our affiliations

potential market for this?

I would say the GCC overall is the market

and direct outreach. We do have a long way to go but so far, we have had a great start.

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SPREZZATURA WORD: SPREZ·ZA·TU·RA PRONUNCIATION: /ˌsprɛtsəˈt(j)ʊərə / sprāt-tsä-ˈtü-rä DEFINITION: rehearsed spontaneity, studied nonchalance and well-practised naturalness

Pal Zileri FW 2015/16

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Giorgio Armani FW 2015/16

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Versace Men’s FW 2015/16

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Zilli FW 2015/16

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Santoni

Versace

Berluti

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Bally

Tod’s

Salvatore Ferragamo

Christian Louboutin

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1. Tod’s : Sunglasses 2. Salvatore Ferragamo : Silk Pocket Square 3. Bally : Wallet 4. Tumi : Belt 5. Salvatore Ferragamo : Cufflinks

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MONTBLANC SARTORIAL LEATHER COLLECTION Luxurious, sophisticated and functional, the Sartorial leather collection is the perfect companion for the modern world traveller

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ART FOR ART’S SAKE Artspace, a truly distinguished art gallery in Dubai, remains the most prominent institution to promote contemporary art and artists from around the region. Signé sits down with its Managing Director, Maliha Al-Tabari, to learn more about her passion for art and how it all began

It’s hard to imagine, but Maliha Al-Tabari was only 22 when she opened Artspace in Dubai. It was the year 2002, and Middle Eastern art was not exactly being widely promoted in the UAE. The gallery was located on the ninth floor of the trendy Fairmont Dubai hotel, and although small in size, quickly became the talk of the town. Now in its 13th year, Artspace – which relocated to the Gate Village enclave of galleries in DIFC – remains dedicated to the promotion of contemporary art and artists from the region. As the Managing Director of Artspace, Al-Tabari looks at the gallery as a passion rather than a business. A sculptor and painter herself, she feels that doors open when you follow your passion. In her case, life really did imitate art. Artspace opened a second branch on Milner Street in London in 2012. This initiative has helped to further drive Middle Eastern art forward, as well as provide artists and collectors with a link between the East and the West.

years. I started off as a fashion student but soon realised that I don’t actually like to cut and sew. I wanted to do my Masters in New York, but the only way I could convince my family was for me to say that I wanted to do something here in Dubai. It was really the lack of art in Dubai that prompted me to open up a gallery here.

What was the thought process behind starting the gallery?

I grew up and lived in Saudi Arabia for 15 years. I was the eccentric child who loved art and design, and always knew that I wanted to be in the field of acting, fashion, art or something related to event planning.

Having grown up in a family of business, it was difficult to tell them that I wanted to study something related to art. I went to Otis

What were the various challenges you faced while making Artspace a success?

When we first opened in 2002, a lot of people would step into the gallery, but it was hard to convince people to invest in art. You could say that the gallery pushed people further enough to understand. With any art gallery, you have to first build your clientele. They need to confide in you, and respect and trust

Tell us more about the form of art that you practice in your personal life.

I have put that on hold. It’s not fair to promote other artists as well as myself. I have, however, always been a creative person.

I’m very much into design – my sister owns a fashion line called All Things Mochi and I help her with ideas. I also love to cook. I try to bring up my two children in an artistic way.

College of Art and Design in Los Angeles, the sister school of Parsons in New York, for two

you. Even if you are in the luxury business, you might have only 10 clients. The question

Right now is not the time for me to practice art. I will go back to it, but not right now.

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Have you been interested in art since your childhood or did you develop a passion for it over time?

I have applied to art competitions from a young age, and even won a few, so I always knew I had something. Growing up in Saudi Arabia and then going to art school in the US with other artists helped me find my calling.

It made me reflect on my childhood in Saudi Arabia, where I attended an all-girls school and people didn’t do much on Saturdays – you only went from your home to school and back. The passion, the love, the craze came out in my artwork.

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is – how do you keep your 10 clients loyal to you as opposed to a one-off deal? It’s about building that relationship and connection, not about getting 20 more clients. It’s the uniqueness that you give to your client who trusts in you.

What motivated you to establish your brand in London?

Being in the Middle East and opening in Dubai, it was only natural for me to make the next stop abroad, and I saw myself in Europe.

Middle Eastern art was already picking up, and Christie’s was here in Dubai. We wanted to create that unique bridge between the East and the West. Was it a successful move? Yes, with time it became successful. Today, if you look at the British Museum and the Tate, they all have Middle Eastern art. It’s about education. Artspace has been running for 13 years, but we are still educating, so Middle Eastern art is still very much in the education phase. The US is now looking at art from the region.

Maliha Al Tabari, founder of Artspace, Dubai

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“I always like to think that it’s about me wearing the dress rather than the dress wearing me.”

M A L I H A A L - TA B A R I

Since art is a form of expression, do

as younger designers like Alexander Wang

Do you have plans to expand

you take conscious care of how you look and express yourself to others?

If I’m in a foul mood one morning, I might not put much effort into my dressing. I’d probably make a bun and apply no makeup. I do like to transform myself everyday. I’m a simple person who likes simple, but luxurious, things. I also like quirky things that have character, but I don’t overdo it. I always like to think that it’s about me wearing the dress rather than the dress wearing me. I like a toned-down look that allows you to discover a person’s character. One thing that happens in the Middle East is that a lot of women try so hard that you almost forget who the person really is deep inside.

and Pucci. Honestly, ever since my sister’s brand Mochi – which focuses on embroidery – was set up, I tend to wear her designs.

They’re easy to wear and can take you from day to night. I like designers who can channel the day-and-night look. Stella McCartney, whose clothes you can wear with trainers or heels, is a genius when it comes to that.

What is your usual style like?

I am a minimalistic person, but I like stuff with patterns. I can be boho, but also chic at times. I like wearing high-end brands like Dolce & Gabbana because their clothes make me feel like a woman, but I also love biker jackets. I mix things up depending on how I feel. I love yellow – it makes me happy. I love

What is your favourite holiday destination?

To me, leisure is about being on a yacht and travelling to islands. I love travelling all around the south of France, the Amalfi Coast and Italy while having good food – that’s the perfect vacation. Milan is one of my favourite cities because there’s always something to discover. I love Dubai too, and ever since I moved into my new house in front of Atlantis, I’ve noticed that I want to spend more time at home and less time outside. We used to visit the Maldives a lot, but now I have my own Maldives in my backyard! Honestly, after a day’s work, I like to entertain or dine at home. If we go out for dinner, the closest for

your brand?

We don’t have any plans of future expansion with regards to the gallery, but we do take our brand outside Dubai a lot because we participate in many art fairs. This year, we are going to Hong Kong, and we’ll be doing the Art Dubai and Abu Dhabi Art fairs too. We are also the Middle Eastern distributors of Taschen Books, the number one book publisher in Germany that does the most luxurious books on art, fashion and design. We believe in charity and one of our recent projects is called Ocean Sole, through which we collect and recycle flipflops from the Indian Ocean, near Kenya, to create colourful animal sculptures and gift items. The project is all about creating art pieces for a cause, which is to clean up the environment and the ocean. We have just set up a division called Art Social, an art project that will teach local artists and give them exposure, and it involves working with universities like Sorbonne. My aim isn’t to expand into another gallery, but more about charity, collaborations, education and

mixing colours, and patterns that clash with each other. I like Balmain and Fendi, as well

us is Nobu and we go there a lot or, we invite people over.

building awareness. I am also interested in luxury food and distribution.

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A M AT T E R O F T I M E

A MATTER OF TIME A very unique version of the Villeret Traditional Chinese Calendar by the Blancpain will go under the hammer at Only Watch this month. The timepiece marks the sixth time that the Swiss watchmaker has teamed up with the reputed charitable auction to support research of Duchenne muscular dystrophy

Since September 23, a special version of the Blancpain Villeret Traditional Chinese Calendar has been part of a travelling exhibition that has taken place across several countries. The exquisite watch – along with a little over 40 watches donated by prestigious brands – has been lending a helping hand in raising awareness about a noble cause before going under the hammer at a biennial charity auction. The travelling show will culminate in Geneva on November 7 at Only Watch, an auction held once every two years under the patronage of His Serene Highness Prince Albert II of Monaco. The proceeds of the auction will be used towards research into neuromuscular diseases in general, and Duchenne muscular dystrophy in particular, along with creating awareness about the same.

Blancpain has stood firmly alongside the Monaco Association Against Muscular Dystrophy (AMM) for almost 15 years. This will be the sixth edition of Only Watch that the watchmaker will be taking part in, and it will be the first time that the renowned charity auction will be held in Geneva, a city synonymous with the art of haute horology.

Duchenne muscular dystrophy is a recessive X-linked form of muscular dystrophy that affects roughly one in 3,600 male infants, with the disorder resulting in muscle degeneration and premature death. While both sexes can carry the mutation, females are rarely affected.

For over two centuries, Blancpain has been known to take the art of watchmaking to places it has never been before, whether it involves improving complications, designs

watch is an exclusive horological complication developed by the Swiss watchmaker in its Le Brassus manufacture. Paying tribute to one of the world’s oldest cultures, China, this one-off model is indeed an exceptionally outstanding timepiece that symbolises the fundamental principles established for centuries and rooted in Chinese tradition. The stupendously distinctive creation in red gold features a black grand feu enamel dial fitted with a chapter ring that has been applied gold hour-markers.

It also features indications that are painted in gold before firing. Its 45mm-diameter case holds five Blancpain-patented under-lug correctors that serve to adjust indications.

On its dial, the hours, minutes and Gregorian calendar consort with the main indications of the Chinese calendar, which include traditional double-hour indication, day and month, as well as indication of leap months. Also rubbing shoulders with these indications are the signs of the zodiac, the five elements and the 10 celestial stems. The artful blend of the 10 celestial stems with the 12 animals of the zodiac that represent the terrestrial branches follows the 60-year cycle, central to Chinese culture. The oscillating weight shines through the watch’s sapphire crystal. In fact, so exclusive is this timepiece that its oscillating weight was specially crafted in a black champlevé enamel finish. It also bears the Only Watch inscription, lending that much more exclusivity and uniqueness to the Blancpain Villeret Traditional Chinese Calendar timepiece.

The travelling tour first showcased the spread of watches, including the Villeret

23-26. The show then moved on to Hong Kong, Beijing, New York and London. This month, the travelling exhibition finds a semipermanent home at the Only Watch charity auction in Geneva from November 5-7. At the charity event, the Villeret Traditional Chinese Calendar is expected to find a permanent home after hundreds of connoisseurs, donators and collectors raise their highest interest for bidding on Blancpain’s unique timepiece.

Ever since luxury brands have collaborated with Only Watch for the common goal of financing research against Duchenne muscular dystrophy, the response has been overwhelming. In the five previous editions, Only Watch succeeded in enabling the Association Monegasque contre les Myopathies to collect over 15 million euros.

The charity auction has also contributed to significant advances in research over the last 10 years. Scientists and clinicians working on the researching the disease have agreed that the exon skipping – a form of RNA splicing used to cause cells to ‘skip’ over faulty or misaligned sections of genetic code – seems to give the best chance of success. Still, much research needs to be conducted to obtain more concrete results.

As research units remain hungry for more funds to maintain a smooth flow of process and to facilitate progress in this area, Only Watch will continue to lend its much needed support to this cause. It is because of the many participating fine watchmakers such as Blancpain that such vital research will continue to be facilitated. This, in turn, will help to convey a sense of hope to

or product methods. Blancpain’s one-of-akind Villeret Traditional Chinese Calendar

Traditional Chinese Calendar, at the Monaco Yacht Show that took place from September

those suffering from Duchenne muscular dystrophy, as well as to their families.

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HIGH FLIER

HIGH FLIER German luxury luggage brand Rimowa has given new wings to the legendary Junkers F13, the world’s first all-metal commercial aircraft. Set to take to the skies next year, the reconstructed F13 symbolises Rimowa’s unshakeable bond with the world of aviation

Beverly Pereira It was a beautiful summer evening in July, when a certain aircraft was the cynosure of all eyes at the EAA AirVenture Oshkosh fly-in convention in Wisconsin, USA. The aircraft in question was The Annelise 2, a true-to-life replica of the Junkers F13, the world’s first all–metal commercial aircraft that was produced in Germany in 1919. Behind this epic undertaking of putting a reconstructed version of the historic aircraft back in the skies was the German luxury luggage brand Rimowa, reputed for its lightweight aluminium luggage. Given that legendary aeroplanes from the pioneering era of aircraft construction are its greatest inspiration, it was only natural for the historic brand to honour its link to the aviation world in this magnanimous manner.

German aircraft manufacturer Junkers, founded by Hugo Junkers in 1895, developed the original F13 at the tail end of WWI. It was a lightweight, cantilever low-wing aircraft superseded wooden model with a fabric covering. This aircraft revolutionised aviation thanks

in museums, although none of them are capable of taking to the skies any longer. Now, The Annelise 2, based on these very historic airplanes, is set to fly again next year after decades.

The sheer sight of the F13’s faithful replica amazed all in attendance when it was rolled out at a Roaring Twenties-themed event hosted by Rimowa at the annual aviation gathering. Dieter Morszeck, CEO of Rimowa and grandson of company founder Paul Morszeck, was closely involved in the monumental reconstruction project from the outset.

“The construction of the ‘mother’ of all commercial aircraft had long been my dream, and I am delighted to see it finally come true,” said an overwhelmed Morszeck. Adding that he anticipates demand for other copies on the market, he said: “We have already established the Swissbased company Rimowa Flugzeugwerke AG for the roll-out. Here, we will build the F13 in series to meet market demand.”

Rimowa had been working for a very long time towards the day when The Annelise 2, a true-to-life recreation of the F13, would be

to its reliability, robustness, long service life, and low-maintenance design. At present, there are but a few Junkers F13 aircraft on display

presented to the world. Those involved with the aircraft’s successful reconstruction included the Association of Friends of Historical

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Aircraft (VFL), JU-Air from Switzerland and Kaelin Aero Technologies from the Black Forest. In fact, the team that built the Rimowa F13

More recently – at the turn of the millennium – polycarbonate, a recyclable raw material used to produce the windows of modern-day

clocked in a total of 9,000 working hours. Extensive research and a detailed 3D laser scan of one of the original F13 airplanes in a Parisian museum made the reconstruction of an airworthy F13 possible. Held together by 35,000 rivets, the Rimowa F13 consists of 2,600 individual parts and used as much as 60kg of paint for the finish.

From a technical standpoint, the Rimowa F13 is a single-engine aircraft that is powered by a Pratt & Whitney R-985 Wasp Junior engine with 450hp and a top speed of 170 km/h. Its wingspan measures a little less than 15 metres, while the wing area is approximately 40 square metres. At almost 10 metres long and 3.5 metres high, the Rimowa F13 has a maximum take-off weight of 2,000kg and a full-load range of 600km. This means that while the aircraft can accommodate four passengers in its enclosed cabin, the crew aboard consists of a pilot and a mechanic, both of whom sit in an open cockpit.

It was Richard Morszeck, son of Rimowa’s founder, whose name helped derive the company name (RIchard MOrszeck WArenzeichen).

Greatly inspired by the aviation industry, he was also responsible for developing an aluminium suitcase – the lightest travel bag of its time – with a distinctive groove design in 1950. Marrying form and function, as well as combining maximum capacity with minimum weight, the Topas suitcase by Rimowa had arrived at a time when airliners began to cross the Atlantic on scheduled flights. Crafted from Duralumin – the chosen material for Junkers’s aircraft some 30 years earlier – this suitcase was not only elegant but also light, suitable for tropical conditions and well protected against termites. These characteristics

aircraft, was used to further reduce the weight of the typical Rimowa suitcase without comprising on its stability. This revolutionary idea was conceptualised and executed by the founder’s grandson and current CEO of Rimowa, so it really comes as no surprise that the company took it upon itself to give back to the world the legendary F13, which is essentially a piece of history that shaped the aviation industry as well as the brand.

It is of interest to know that both the Junkers and the Morszeck families come from the Rhineland region of Germany. It is yet another considerable factor that links Rimowa to the F13. With a history that dates back over 115 years, Rimowa holds its deeply rooted aviationinspired heritage close to its core brand philosophy. ‘Made in Germany’ and ‘German engineering’ – two terms synonymous with outstanding materials, unparalleled technology, extraordinary product design and the highest possible quality – also find a place in Rimowa’s distinctive history.

The company has very aptly titled its latest campaign ‘A Journey Through Time’. In the campaign as well as in its lookbook for 2015/16, Rimowa journeys back in time to the 1920s, a very important time period for its development. It was also an era marked by glamour, high living and an exceptionally pioneering spirit. Across an impressive collection of photographs, the advertising campaign and lookbook feature Brazilian supermodel Alessandro Ambrosio and German model Johannes Huebl dressed to the nines while showcasing Rimowa’s latest product range of elegant suitcases. The campaign, photographed by Horst Diekgerdes, juxtaposes the clean-cut lines of the German luggage brand against the

made the piece of luggage something of a cult item among the wellheeled travellers of the time.

timeless allure of a bygone era. The Rimowa F13, for obvious reasons, makes for a truly impressive backdrop for the campaign.

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THE WRAITH MAN

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THE WRAITH MAN The Rolls-Royce Wraith is nothing but superior technology reflecting extraordinary power, blending smoothly with vibrant yet chic colours making an impactful style statement. Hence, Wraith is made for a man who walks in style and drives strength, giving the facets of accepted norms of a Rolls-Royce man, a new look. Redefining the concept of pure luxury, combining the two primary aesthetics – speed & elegance, Wraith allows the modern man to exhibit boldness while being elegant. We reaffirm the statement in the Signé way, bringing together a mix and match of aesthetics. Driving the Rolls-Royce Wraith in an industrial background, we have two Menswear influencers who are a definition of ‘Bold Gentlemen’ in the modern world. Where on one hand the setting communicates a sense of adventure and risk loving attitude, the gentlemen communicate confidence with utmost classiness. Drawing characteristics from two diverse worlds of craftsmanship, we outline what we call a ‘Wraith Man’.

PHOTOGRAPHER ADAM BROWNING-HILL H A I R A N D M A K E U P : K AT H L E E N S U M N E R S MODELS :

ROB E RTO MAR ARO, DAN I E L E ZAC C ON E ELEONORA SEBASTIANI

L O C AT I O N C O U R T E S Y : A L S E R K A L AV E N U E , D U B A I CAR MODELS : WRAITH ‘INSPIRED BY FILM’ A N D W R A I T H ‘ I N S P I R E D B Y FA S H I O N ’ ABU DHABI MOTORS

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P I V O TA L D R I V E S

PIVOTAL DRIVES Luxury powerhouses Maserati and Ermenegildo Zegna continue their collaboration with the launch of the new Ermenegildo Zegna Interiors for the Maserati Quattroporte and Ghibli. Bearing distinct elements of each brand – Maserati’s technological perfection and Ermenegildo Zegna’s luxurious silks – these models pull out all the stops when it comes to customisation

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Earlier this year, Maserati’s Quattroporte and Ghibli sedans for the model year 2016 entered the production stage. In addition to many updates in terms of equipment, the offering also

happens to be the most exquisite of all customisations offered by Maserati. For one, the Ermenegildo Zegna interiors were designed exclusively for Maserati. The luxury fashion house’s Zegna silk is a

includes a new interior package crafted from some of the finest Italian materials, available in three distinct colour combinations. The new Quattroporte and Ghibli sedans feature Ermenegildo Zegna’s silk in Anthracite and Maserati’s signature fine leather in colours like black, red and natural.

Italians are known are for their innate sense of style. The country, which has a rich cultural heritage, was known to produce luxury goods even before the Renaissance. Maserati and Ermenegildo Zegna are

luxurious fabric in itself. Produced from 100 percent natural Mulberry silk fibre, the luxurious dark grey silk fabric is combined with Maserati’s plush leather for inserts on seats, door panels, roof lining, sunshades and ceiling light fixtures.

From the outset, the collaboration between Zegna and Maserati was a perfect match. Both companies stand for all things exclusive.

They come from the same region in northern Italy, and both are more than 100 years old. Craftsmanship, tradition and heritage run strong in

two brands that epitomise this signature Italian genius for impeccable elegance and quality products. When the two companies teamed up last year to present the Maserati Quattroporte “One of 100” Limited Edition by Ermenegildo Zegna, the result best exemplified the height of luxury, customisation and refinement. Under the hood, the sedan was an ode to technological perfection. Its exterior, treated in an impeccably flawless sand-like colour called Platinum Silk, was no less polished.

Ermenegildo Zegna injected a tailor-made touch to its interior with silk that is specially crafted by the renowned Italian fashion house,

the DNA of these two Italian luxury powerhouses. “This collaboration is very special,” says Harald J. Wester, CEO of Maserati, adding that Ermenegildo Zegna does with its products what Maserati does with theirs. “We provide emotions. I would go so far as to say that our cars are able to provide meaningful moments,” he continued.

The new model year 2016 Quattroporte and Ghibli saloons have been upgraded with several new features, many of which are related to safety. The Blind Spot Alert, available upon request, alerts the driver with visual and audible signals when a vehicle enters the blind spot

reminiscent of the experience of wearing an Ermenegildo Zegna suit.

This collaboration between two of Italy’s most iconic luxury houses continues, and Maserati’s sedans – the Quattroporte and Ghibli – yet again take luxury to a whole new level. In fact, this exclusive outfit

zones. The Rear Cross Path function issues the same alerts when backing out of a parking space. Using sensors located on either side of the rear bumper, it’s a feature that is intended to assist drivers in reversing out of tight spaces where their view of oncoming vehicles is blocked. The

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“We provide emotions.

I would go so far as to say that our cars are able to provide meaningful moments...”

H A R A L D J . W E S T E R , C E O O F M A S E R AT I

Quattroporte and Ghibli sedans, many of which were equipped with the

Ermenegildo Zegna and Harald J. Wester

exclusive Ermenegildo Zegna interiors.

Very aptly, the next stop of the Maserati Lifestyle Journey led guests to Trivero, the birthplace of Ermenegildo Zegna’s family business.

Casa Zegna, part of the Fondazione Zegna, is a historical archive and cultural centre in the region. In a 1930s building that once served as the family home, a new archive-museum space has been developed, and it was here that the unique silk developed by Ermenegildo Zegna for use in the interiors of the Maserati sedans was actually created. A second drive took place, giving guests a further hands-on experience with the

Power Boot Lid allows one to open or close the boot automatically. One can also open and close the boot lid by simply moving their foot under the rear bumper, however, as a safety feature, this is only possible if the Passive Entry System acknowledges the presence of the key.

It is perhaps the newly introduced Siri Smart Personal Assistant function – now available in the model year 2016 Ghibli and Quattroporte sedans – that is the most intriguing. Thanks to the Apple chip contained in the MTC, this feature exploits iOS’s functionality to act like one’s very own personal assistant. Based on Bluetooth technology, Siri uses natural language to understand commands.

It allows users to perform tasks on iOS connected devices and make requests using voice commands. The model year 2016 Maserati sedans are also fitted with a completely new audio system that brings on board Harman Kardon as a standard on all versions. The top-of-the-range Bowers & Wilkins premium surround system is even more impressive.

In fact, it hits all the right notes with the new Clari-Fi function available in the 2016 models.

Both Maserati and Ermenegildo Zegna have capitalised on the European summer months to showcase the exquisite cars to a large number of special guests. Dubbed the Maserati Lifestyle Journey, the familiarisation event spanned three days beginning in Stresa, which is located on the shores of Lake Maggiore and renowned for its timeless beauty. The venue for the press conference was the same very suite at the Grand Hotel des Iles Borromées in which American writer Earnest

all-new models. This time, the drive was headed towards Balocco – Fiat Chrysler Automobile’s proving ground, home to 80km of tracks, circuits and bends for every driving condition, and 13 areas to tests the dynamics of the vehicles. Maserati’s sportiest cars – the GranTurismo MC Stradale Centennial Edition and the GranTurismo Sport – also made an appearance. Professional drivers Alex Fiorio, Piero Liatti and the young, talented female driver Alessandra Neri took to the Langhe track to give all in attendance a chance to experience the thrills of the circuit.

Next up was another electrifying event. The famous racing duo Andrea Bertolini and Michael Bartels, along with Alessandro Pier Guidi, performed a series of breathtaking laps in the winning 755HP Maserati MC12. It was a pure treat for onlookers as the men that brought the victorious Maserati MC12 to fame in the FIA GT championship between 2005 and 2010 raced against each other. Participants then took on the roles of explorer, author, actor and spectator at the Cinema National Museum or the Pinacoteca Giovanni e Marella Agnelli picture gallery in Turin. The third and final day of the lifestyle drive ended where the Maserati Quattroporte and Ghibli sedans begin. Grugliasco, not far from Turin, is home to the new state-of-the-art Avvocato Giovanni Agnelli Plant (AGAP). It is at this plant, inaugurated in January 2013, where Maserati’s highest technical and quality standards and flexible customisation capabilities take place.

In between the adrenaline-filled days of getting acquainted with craftsmanship and design excellence, food and art were seamlessly blended into the mix. The lifestyle drive quite literally took guests on a

Hemingway was said to have set part of his novel A Farewell To Arms.

Day two saw guests embarking on an initial test drive of the Maserati

carefully curated journey through the fountainheads of both Maserati and Ermenegildo Zegna.

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FRENCH LUXURY SPEAKS

FRENCH LUXURY SPEAKS Opulent and intellectual are two words that best describe the iconic evening hosted by S.T. Dupont in association with Signe Society. Held at the Burj Khalifa, our members witnessed the magical engraving process, exclusive to the brand. The master engraver from France had put together a real show for the members by engraving the Burj Khalifa live on a metal palette. Bringing the best of French craftsmanship to the region, S.T. Dupont’s ‘Shoot The Moon’ collection was a true masterpiece

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A VERTU-OUS MOVE

A VERTU-OUS MOVE The brain behind one of the most advanced cell phone brand, Mr. Hutch Hutchison – Head of Design for Vertu, hosted an elegant yet metropolitan evening in association with Signé Society.

Witnessing the launch of the latest Signature Touch phones, our members got candid with the designer himself who revealed the history of the brand, its intrinsic attributes, features of the New Signature Touch and, to sum it all, what makes Vertu truly one-of-a-kind

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ALL THINGS CELESTIAL

ALL THINGS CELESTIAL Shoot The Moon, a collection of handcrafted luxury goods by S.T. Dupont pays tribute to the famous French author Jules Verne. The limited edition collection features all the signature elements of the French luxury accessories house, from fine guilloche work and lacquer adornments to masterfully detailed leathers

Beverly Pereira

French luxury goods maker S.T. Dupont has been revered for combining heritage and modernity in its handcrafted accessories since 1872. For its new, limited edition collection called Shoot The Moon, the luxury house once again draws inspiration from history by celebrating the contributions of two very remarkable personalities of the 19th century — Simon Tissot-Dupont, the founder of S.T. Dupont, and French writer Jules Verne. It is vital to revisit the beginnings of the Parisian atelier to fully understand the elegance, beauty and intricacies of this landmark collection.

When Tissot-Dupont opened a luggage and leather goods workshop in 1872, his exceptional craftsmanship – personalised down to the last detail – was well received by the European elite, the French royal family included. Having played photographer to Napoleon III at the age of 25, Dupont well understood the wanderlust of his time. It was this early exposure to the boundless world of travel that perhaps led him to invent the art of travel, patronised by the leading figures of his time. Over the years, Audrey Hepburn, Coco Chanel, Humphrey Bogart, Winston Churchill and Jackie Kennedy were counted as S.T. Dupont loyalists. Even today, the house is still renowned as a master goldsmith, lacquerer and trunk-maker, and remains the very emblem of luxury in France and beyond.

French literary figure Verne, the second half of the duo that forms the basis of inspiration for the Shoot The Moon collection, represents the art of travel in a similar vein. The theme of the accessories collection stems from the writer’s most famous work De la Terre à la

cannon. When the novel was released in 1865, the story might have sounded a tad ridiculous. Little did people know that Verne, who foresaw travel in outer space – an event that would change the history of mankind forever – was simply utilising the power of his imagination.

S.T. Dupont’s Shoot The Moon collection celebrates this mighty power of imagination and its capacity to change the world. Inspired by Verne’s visionary novel, the craftsmen at S.T. Dupont’s Faverges workshops have designed and created new and ultra-sophisticated objects for the limited edition collection. Astronomy and artillery, as a technical means to go to the moon, are widely featured in the novel, and each piece is an ode to Verne’s imagination. Categorised into three series – Shoot The Moon Prestige, Shoot The Moon Diamond and Shoot The Moon Premium – the collection covers the house’s famed accessories lines that comprise writing instruments, lighters, cufflinks and leather goods.

Lune (From the Earth to the Moon), a science fiction novel in which three adventurers reach the moon on-board a vessel shot out of a

pale glow of the awe-inspiring moonstone to perfectly complement each piece, be it the writing instrument, lighter or cufflink.

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SHOOT THE MOON PRESTIGE COLLECTION S.T. Dupont’s heightened level of know-how and exceptional craftsmanship are well reflected in the Shoot The Moon Prestige collection. To commemorate the year that Verne’s novel was published, only 1,865 numbered editions of this collection have been made. The series is marked by articulated gold parts and decorations engraved on hand-painted Chinese lacquer, the colour of which is reminiscent of 19th century leather goods. The lacquer’s warm shades amplify the

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ALL THINGS CELESTIAL

The writing instruments in this series are fitted with a twistable piston system on the clip and a rotating ring that features the various phases of the moon. The pen, once placed on its case, becomes a spectacular representation of the canon that hurls Verne’s rocket invention into outer space and on to conquer the moon. The lighter, part of the Shoot The Moon Diamond collection, is also symbolic of Verne’s celestial vision. When opened, the lighter’s special mechanism moves an

signature luxury with accents like midnight blue hand-painted lacquer, delicately engraved platinum patterns, and a constellation of sparkling white diamonds. This exclusive line comprises writing instruments and a lighter, and each item is available in only 28 numbered editions worldwide.

The exceptional writing instrument that belongs to the Shoot The Moon Diamond collection shines just as bright as the Milky Way, thanks

arrow, which represents the historic journey from the Earth to the moon.

The engraving illustrates a stylish astrolabe, the essential tool of ancient explorers, while the lighter’s roller replicates the shell-shaped rocket that would send humanity into outer space.

If the writing instrument in the Shoot The Moon Prestige collection reflects the artistry of S.T. Dupont as a master lacquerer, and the lighter represents the sophistication of the house’s decorative engraving techniques, the rest of the series celebrates its masterful use of fine leathers. The Collector’s Selection is an exclusive line of luxury accessories such as a fountain pen with a rollerball adapter, a pen case, a pair of cufflinks, a lighter and a travel diary. The inside of the travel diary’s cover is decorated with an engraving very much in line with the collection’s lunar theme.

Leather goods in the form of travel and conference bags – a throwback to S.T. Dupont’s seminal reputation as a master trunkmaker – also form a part of the Prestige series. In fact, this happens to be the first time that S.T. Dupont has included leather goods in one of its limited edition lines. Naturally, these are as luxurious and meticulously detailed as one would expect an S.T. Dupont line with a restricted production run to be. Amber patina, an iconic element of 19th century style, adorns the two leather goods items. Each bag, printed with a globe, comes decorated with engraved gold corners. A pair of gold cufflinks, fitted with a moonstone, completes this collection.

to the 237 white diamonds, totalling 2.29 carats, which adorn it. As an ode to 19th century canons, the pen is fitted with a rotating ring that displays the phases of the moon. It also comes fitted with an articulated piston on its clip. This writing instrument is equally impressive when displayed in its case, which is shaped like a gun carriage and decorated with patterns evocative of the 19th century.

The magnificent celestial theme is carried forward on a lighter that forms a part of the Shoot The Moon Diamond series. Coated in 204 white diamonds, it can only be described as strikingly extravagant.

Its platinum accents highlight the astrolabe, the ancient tool of the traveller. The moving arrow, embodying the courageous flight from planet Earth to the moon, pivots when the top opens with the company’s signature ‘ping’ sound.

SHOOT THE MOON DIAMOND COLLECTION

SHOOT THE MOON PREMIUM COLLECTION Last, but definitely not least, is the Shoot The Moon Premium collection, which poignantly evokes a breathtaking star-speckled sky bathed in moonlight. Every piece in this collection, whether it’s the lighter or a writing instrument, is coated in a deep black lacquer that is accentuated with silver glitter. Available in 1,865 numbered editions, each piece also comes engraved with details that reflect Verne’s epic lunar saga.

The lighter from the Premium series features straight lines contrasted beautifully against decorative ornaments in a 19th century style. The writing instruments in the Premium collection are just as covetable – they combine the perfect simplicity of a timeless outline with

The Diamond collection is reminiscent of a twilight sky, scattered with showers of meteors. This particular series represents S.T. Dupont’s

the lavish nature of the ornaments, also inspired by Verne’s fascination for discovery and exploration through his works of literature.

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“The pen, once placed on its case, becomes a spectacular representation of the canon that hurls Verne’s rocket invention into outer space and on to conquer the moon.”

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THE ROAD LESS TRAVELLED

The love of art knows no boundaries and has numerous forms of expression. Painter, sculptor and brand founder Pierre Koukjian believes in accomplishing creative renown while walking the path towards discovering – and rediscovering – himself

Born in Beirut, Pierre Koukjian grew up craving an outlet for expressing his creativity. He was forced to leave his hometown due to the outbreak of the civil war, after which he made Germany his base. In Europe, Koukjian met various designers and artists who not only inspired him, but also gave him some valuable experience, which he later used in his paintings and sculptures. After refining his skills further in Paris, his work began to be appreciated by some of the most noted art collectors and his career curve then took him to the Far East, Madrid and many more places. Today the Lebanese artist and designer, from his office in Bangkok and Geneva, develops watches and jewellery in addition to working as a conceptual artist, thereby expanding his sphere of creativity even further.

From Beirut to Germany and France and even the Far East – your passion for art has taken you across the world. What does the word ‘art’ mean to you?

Although art has taken me around the world from a young age, my understanding of it has not changed. Art is a medium through which one can experience everything or feel nothing. Art takes you places, however it is not the place. What art means to me changes with every day, with every feeling, and with every piece.

When did you first realise this was your passion and that you had to pursue a creative line?

I knew it since I was young and I was always looking for ways to express my creativity – and I still do it today.

The appreciation of art exists outside the sphere of trends. Art can be absolute nonsense or can build nations, and that is the beauty of it.

Which was your first painting and what was the ideology behind it?

My first work, I believe, was a drawing on the walls of my parents’ living room with a piece of charcoal that I got from the barbecue. Similarly till today, I have no ideology – beauty has always been in the eye of the beholder.

You also take an interest in the creation of sculptures.

Please tell us more about how this started and the special elements you use.

Sculpture is an essential pillar of the world we live in – it is what inspired 3D computer engineering. Instead, we do it by hand and let the fingers decide, which is what attracted me to it. I love to mix and use all kind of materials ranging from gold, steel, titanium and fibreglass to lately, feathers and glass.

From all of these, you entered the field of watches and jewellery. How did that occur?

My curiosity very naturally led me to explore various fields. Jewellery was attractive as it offered freedom in many forms. Many masters were attracted to the field, such as Calder, Picasso and Dali.

Through the course of your journey, what are some of the

As a brand, how is Hedera unique in itself?

Hedera is just a signature that I use. I love the word as it means ‘ivy’ in Latin, an evergreen climbing plant – an optimistic message, in other

significant trend changes that you have witnessed when it comes to appreciating art?

words. My pieces are unique, and they transcend the need for a brand.

My slogan is beyond function with all that it means.

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Pierre Koukijan

Why did you choose to make jewellery with carbon and titanium instead of some of the regular metals?

We are in 2015. Men and women alike are always looking for what is irregular. It starts with the materials.

Are you planning to enter another field to further portray your creative insights?

Creativity and design are everywhere. I am preparing art furniture and even tea sets at the moment.

Which country is the best for your industry, and which needs more development?

Fortunately, I look at the world as one village when it comes to design and art. Beauty is universal and it can be appreciated, expressed and created anywhere.

youngsters and their ways of thinking, utilising new technologies, drawing inspiration from more remote places, and combining different fields with art.

In today’s scenario, how tough is it to be different in your opinion?

Most people perceive collecting art as a status symbol or look at art as a trend. These appreciators shop for art as if they are shopping for mega brands – by merely looking at the price or by listening to others. Maybe to them, it has become more difficult to be different. Towards true appreciators of art and those who follow their heart, one can always be unique. One can always stir a different mix of emotions with every spectator, and that can never be plagiarised.

In a hypothetical scenario, what would be five things that

Having won awards from around the world for your work, is there anything you wish you had, but you couldn’t get?

I do not look for awards, I merely enjoy living my passion. My only wish

you wish you could change in your industry?

I don’t like changing. I prefer adding, experimenting more, using more

is that one day, we can combine museums with academics and artists, and thus, teach young people about design and its potential.

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A U T O M O T I V E E X T R AVA G A N C E

AUTOMOTIVE EXTRAVAGANCE The largest automotive show in the Middle East and North Africa – Dubai International Motor Show (DIMS) is all set to provide a glimpse into the future with some of the world’s leading automakers revealing a number of innovative concepts

Continuing the legacy of presenting some of the finest global automotive launches and their evolution for 24 successful years, Dubai International Motor Show 2015 gears up to, once again, showcase the epitome of automobile luxury.

The event, for long, has been known to be the ultimate showcase of global brands and a trusted voice for the industry, driving the passion of automotive lovers and creating unique opportunities for participants.

To be held between the 10th and the 14th of November 2015 at the Dubai World Trade Centre, automobile enthusiasts will experience the new auto world with concepts and innovations that will soon filter through to the showrooms. In addition, some new models, which feature the very latest in driver-assisted functions that will remove some of the more tedious driving tasks in the near future, will be unveiled.

From the automotives to be presented at the event, the prominent must-to-be-seen ones are the Audi Q7, the BMW 7 series and Ford’s alliance with Lincoln Motors marking a debut with their concepts in the region.

The Audi Q7 is the lightest car in its class.

With its weight, multi-material body and all

its CO2 footprint. The Q7 features a secondgeneration modular infotainment platform as well as Audi’s virtual cockpit as an option.

The new MMI all in touch control unit with large touchpad and a tablet for rear seat passenger operate the B&O 3D sound system and are intuitive and simple to operate.

Another highlight is the extremely broad and graduated range of new driver assistance systems, which includes adaptive cruise control with traffic jam assist and the crosstraffic assist in the rear.

The second in the series of highlights is the all new BMW 7 series combining stateof-the-art comfort with dynamic agility and styling. Offering advanced design and technology features, visitors to the show will be able to witness elements such as BMW’s futuristic Laser Light headlamp technology, which throws a high beam range of up to 600m that’s double the length of regular LED headlamps. It also features a Welcome Light Carpet that illuminates the area in front of the car doors in white to create an elegantly hospitable impression. Once seated, occupants can then admire the night’s constellation through its star-gazer-inspired panorama glass “Sky Lounge” roof.

and luxury. BMW’s ConnectedDrive driver assistance portal has been upgraded and now includes Touch Command for the rear seat passengers via a seven-inch tablet that gives passengers a new experience in controlling multiple in-car functions. Through Touch Command, rear passengers can control in-car infotainment and comfort features such as the new Vitality Programme, which provides a luxurious in-seat massage option, as well as a unique Gesture Control function which allows for specified functions to be operated by hand movements.

Furthermore, two renowned brands – Ford Motors and Lincoln Motors also plan to showcase some of the latest technologies emerging as a part of the 2016 model range through their latest concepts making their debut at the event. Driver assist technologies such as MyFord Touch, MyLincoln Touch, Active Park Assist, Lane Keeping System and Lane Departure Warning continue offering drivers the confidence and safety they need.

Held every alternate year, the DIMS is the main highlight of the Dubai Motor festival, which is held under the patronage of His Highness Sheikh Hamdan bin Mohammed bin Rashid al Maktoum, Crown Prince of

new chassis, it can offer the performance of Audi’s more sporting saloons while reducing

Inside, technology offers both the driver and passenger optimal levels of comfort

Dubai. This interactive event also includes expert talks and guided tours for all.

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Dubai International Motor Show is from 10-14 November 2015 in Dubai world trade centre

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AN ERA OF WATCHMAKING With its watchmaking traditions dating back to the 1920s, Hermès is known for producing some of the finest timepieces in history. Taking a few steps back in time, we discover the impeccable journey the brand has taken since its inception.

The House of Hermès was originally founded in 1837 in Paris where it built its reputation for excellence on its skill in making horse saddles. During the 20th century, it developed its savoir-faire and produced some notable products like belts, clothes and bags. The groundbreaking moment was, however, during the 1920s when its saddle-making talent was first exercised on watchstraps. After a short while, the renowned brand placed its signature on timepieces created in cooperation with some of the greatest names in the Swiss Watch industry – such as Jaeger-LeCoultre, Vacheron Constantin and Audemars Piguet – before founding the Ateliers de La Montre Hermès in Biel, Switzerland in 1978. Crossing one milestone after another with exemplary success, Hermès has created an era of its own in the world of watchmaking. We take a look at some of these milestone achievements.

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1912

La Montre Hermès – Porte Oignon Crafted in 1912, the Porte Oignon was a pocket watch with a clever system that held the watch in place on a leather strap. The leather came from the company workshops and it was the very first Hermès wristwatch, focusing on leather craftsmanship, which was at the very heart of the company’s know-how.

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1930

La Montre Hermès – Belt Watch In the beginning of the 20th century, the equestrian world increasingly inclined towards the world of sports and leisure. Hermès began to offer precious timepieces to be worn on the belt, so that the vibrations inherent to certain sports did not affect the mechanisms.

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1935

La Montre Hermès – Miami wristwatch At Hermès, leather has always been the primary material used, from saddlery to clothing, from harnesses to the art of living. Above and beyond the aesthetics, leather also played a technical role, such as by serving to protect the bracelet of the circa 1935 Miami model, entirely leather-clad and perfectly adjusted.

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THROUGH THE AGES

1978

La Montre Hermès – Arceau Designed by Henri d’Origny in 1978, the Arceau watch represents the essential spirit of the House and is immediately recognisable: the horns have disappeared on either side of the round case, replaced by two lugs echoing the shape and curve of a stirrup. This aesthetic principle ensures the closest possible fit between strap and case, as if the leather were holding the metal

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1991

La Montre Hermès - Cape Cod The Cape Cod line of Hermès watches created in 1991 by Henri d’Origny to express a style based on “elegance in movement”. A signature feature of the collection is the double tour strap; an iconic design which has reinforced its figurative ties with the line since 1998.

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1996

La Montre Hermès – Heure H The famous Hermès ‘H’ emblem was introduced to the acclaimed Maison’s watches in 1996. The so-called Heure H, or H-our model, features an H-shaped case. The watch is representative of the graphical purity of this perfectly balanced letter. This growing family of watches epitomizes Hermès’ values of fine craftsmanship.

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2011

La Montre Hermès – Time to Dream concept The playful and highly sophisticated ‘Time to Dream’ concept was introduced in 2011 with the Arceau Le Temps Suspendu 43mm, which conceals time and erases it from the dial whilst continuing to register its ceaseless march. This new horological complication developed exclusively for Hermès was a world first and won the Grand Prix Horlogerie the year of its introduction.

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2015

La Montre Hermès – Slim d’Hermès 2015 saw Hermès introduce a brand new watch collection, the Slim d’Hermès. Designed by Philippe Delhotal, Creative Director of La Montre Hermès, the collection is testament to the graphic approach of the house and features pieces for both men and women. It includes a 39.5mm piece for men, 32mm and 25mm sizes for women, and a highly technical Perpetual Calendar.

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NEW HORIZONS

Imagine waking up in a spacious penthouse with your eyes opening to the view of a pristine private beach, views of the Gulf Ocean and the dynamic Dubai skyline. Bringing together the best of city and serene life, Matthew Bate talks about Alef Residences and the distinguished luxury it embodies

In partnership with Al Sharq Investment, S. H. Al Mana Group has introduced a masterpiece of luxury – one that the Middle East has never seen before.

From lavish mansions to a club and private beach, every aspect of the exclusive Alef Residences speaks volumes about customisation. We spoke with Matthew Bate, General Manager of Hotels & Luxury Developments at S. H. Al Mana Group over a casual high tea on what the residence means to him.

From tourism and leisure to lifestyle assets and finally real estate which of these sectors did you feel was your inherent passion?

As I understand, and some people would disagree, it is all real estate. Whether I am working in a hotel, resort, or a mixed-use integrated lifestyle development, real estate is an implicit part of it all. Consequently I didn’t feel the shift was significant.

However, I feel working in the real estate industry in Dubai provides me with more opportunities and opens up doors to new, undiscovered avenues. Fortunately, I have always worked with the most high-end brands. Through it all I have learnt that we always have to integrate a facet of development to suit our customers known needs, however, always extending that further to ensure we exceed expectations. So in short, I enjoyed working in all sectors and since they were all real estate related, they have all fulfilled my passion to deliver high-end unique destinations.

Tell us more about the alliance between S. H. Al Mana Group and Al Sharq Investment.

Saleh Al Hamad Al Mana is a Qatar-based Group with a diverse company portfolio spanning many different business sectors. Its inherent strength lies in the automotive industry, but recently has been pushing its successful F&B and retail brands.

Additionally, the Group has moved into the establishment of luxury department stores such as Harvey Nichols at Qatar’s new Festival City. The Group has diversified its real estate investments, which now includes international investments in operating assets.

Coincidently, it found like-mindedness and a drive to take reality to another level in Al Sharq Investment and through a joint venture, these are the shareholders behind The Alef Residences. Targeting the high net worth individuals, The Alef is designed to showcase the capabilities of this Group can achieve – luxury, thoughtfulness and a willingness to set new benchmarks in Qatar, Dubai and within the GCC.

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“We are very proud to boast one of the largest private residential beaches in Dubai and with a total beach frontage of over 475m for the total development we believe this is truly one of a kind.”

M AT T H E W B AT E

Why do you think Dubai is an ideal location for such an extensive visionary project? Why not another city, say somewhere in Europe?

Dubai allows for the creative and innovative developments, and it embraces modern design, whilst also expecting traditional values to

Please take us through the thought process behind Alef and how it takes luxury to another level.

The Alef is the vision of our shareholders, they are the driving force behind the project and their commitment is what will turn this vision into reality. The company purchased a plot on The Palm

be upheld. Add healthy and stable market conditions and the result is world class sustainable projects such as The Alef Residences. However, Europe is undoubtedly a very strong market and I have no doubt that in the future we will see The Alef brand extending to a premium destination within the EU. Dubai, especially, affords us opportunity to design using a blank canvas. We can draw inspiration from the rich culture of the region and consider the beautiful natural environment surrounding the Gulf, and this has resulted in truly inspirational designs. Finally, which other

during 2004-2005, showing its futuristic entrepreneurial vision. Our owners clearly identified a gap in the market related to the supply of exclusive, spacious and quality residences. From this point on we were full steam ahead.

One major challenge was what we should call it. We were very much aware that we are truly unique in our creation, vision and execution. It was also going to be the first for Al Sharq Investment, the first project of the joint venture, and the first of its kind in Dubai.

We wanted an Arabic connotation to make sure we stay true to our

country has such iconic destinations to compliment a development. It has been a great opportunity to develop the first truly luxury lifestyle residences in the region.

roots and take pride in taking an Arabic brand to other international markets. After assessing over 50 names we were certain that the most appropriate name was the Alef, the first letter of the alphabet, meaning first and foremost.

The design of the residence is extraordinary with 222 metres of private beach for only the residents, or 475 metres including the W Dubai - The Palm beach. There are eight exclusive mansions, each accommodating approximately 12 homes, and each mansion with a unique view – you will either be facing the Gulf, the Marina, or the city of Dubai.

Another interesting aspect of the development is that we are playing with space and size. Each property is a penthouse with the smallest apartment being approximately 322 square metres, and the largest 945 square metres, with up to 645 square metres of external space. In Dubai, we do see a lot of penthouses, but here the distinguishing aspect is that you share the space with a diverse range of owners who have similar tastes and likings. Our apartments are villa-sized for those who like privacy. Usually when you enter a residential area, you have one main entrance but we have eight different mansions, with each having its own entrance and lobby. There are two homes on each floor and none of the 104 properties are like each other. Additionally,

The waterfront is one of the most striking features brought forward by the Alef Residences. How did you capitalize on this?

We are very proud to boast one of the largest private residential beaches in Dubai and with a total beach frontage of over 475m for the total development we believe this is truly one of a kind.

As a developer having direct access to the waterfront is critical to achieve the ultimate lifestyle experience. The sprawling urban landscape of the vast majority of cities also meant that waterfront property was now in close proximity to schools, shops, and other community services. Roads and critical infrastructure brought these areas closer to the CBDs .

When we were designing The Alef we took this all into consideration. We ensured we provided easy and direct access to the gardens and beach, we ensured that we maximised the views of the Gulf and the Palm’s pristine beach.

Through design, we have leveraged this asset, and we our providing our residences unrestricted access to one of Dubai’s largest private beaches.

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we provide design flexibility to our home owners, ensuring their spaces meet their

lifestyle needs. . Our homes are truly bespoke to our clients. For example, if someone doesn’t want an open kitchen, we have the ability to enclose them using high quality purpose designed partitioning. The interiors and exteriors are inspired by Arabesque culture.

In terms of operations, what part of the functionality is taken care of by you?

Firstly, I would like to point out that we have a very experienced and enthusiastic team, which is really important for giving such a project an international touch. Without this team I am certain we wouldn’t have the high quality results that we see today. As part of the team I believe I provide sound leadership and guidance, while also ensuring smooth communication between the project team and the Board.

This is imperative to guarantee efficient approvals and to ensure the Board’s vision is being realized. My international experience in luxury developments and operations also allows me to contribute to the design of the residences. This extends from macro design elements through to the finer details that will set us aside from any other development in Dubai.

our product and making it as unique as possible, so that it eventually becomes somewhat immune to market fluctuations. Our target audience is high net worth individuals and people who appreciate and deserve quality. The Alef offers something that they cannot yet buy.

Looking at the market conditions, statistically there has been a drop in the overall market but The Alef is something the Middle East has never seen before. We are more comfortable leading and delivering a development of this nature, rather than something that has been seen before in Dubai. I am very comfortable that with the multiple unique selling points that exist in this project that we will see good returns for the Board and continued healthy returns for a new homeowners. We are also fully funded, so for us selling the property is about providing a dream home to someone who has been longing for exclusivity. We are not reliant on off the plan sales which gives us an edge in the market – one that potential buyers can take advantage of.

When you look at the market in the UAE, do you feel the

When will the sales for Alef commence and when would it actually be ready?

The Alef’s completion date is scheduled for the second quarter of 2017. We will, however, start the sales in November. Our attention is on providing personalized customer focused experiences wherein our

country is oversaturated with real estate companies?

We are conscious of the market but our focus is on differentiating

sales team will spend the required time with buyers to make sure the home they buy is a home they cherish.

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IN FULL SPRING

IN FULL SPRING Yas Viceroy - Abu Dhabi, renowned for its breath-taking ambiance and intricate architecture, has long been associated for hosting the Formula 1 Grand Prix festivities. General Manager-Andrew Humphries unveils the exciting events lined up for this year’s race weekend

Formula 1 Etihad Airways Abu Dhabi Grand Prix is

in Abu Dhabi for many years now. This year’s race is important, as it’s

an annual event that racing aficionados from across the globe yearn to witness. With the onset of winter, Yas Viceroy gears up to make this year’s festivities the best of what has been seen so far. With a series of parties, concerts, sporting events, art exhibitions and food festivals planned, Andrew Humphries promises this year’s race weekend will have something for everyone.

the last race of the season, as it was also in 2014. The eyes of the world are on the Yas Marina Circuit and, also, on us during the weekend. Our location has, therefore, raised the profile of the hotel to being the most sought-after destination during the race weekend.

To what extent has this positioning helped you in getting

Please tell us about the special events you have in store for the Formula 1 Grand Prix event this year.

The most important and distinguishing factor about the Yas Viceroy is that the majority of our rooms have views of the racetrack. Being in the hotel, guests can easily enjoy views of the race from the terrace or their room’s private balconies. In addition to that, the views include that of Yas Marina as well. The hotel switches to party mode, celebrating the most vibrant weekend in both Abu Dhabi and Dubai calendars. The first event is on Friday, November 20th – the Access All Areas party at the Skyline Lounge, which offers a 360-degree panoramic view across the Yas Island. We have another nightclub Rush, with views of the racetrack from either side. Making the event even more special, Rich List will be joining with Cirque Le Soir at Rush to host its one-of-a-kind experience. With performers hailing from around the world for various types of entertainment, the event will create unforgettable memories. On the other hand, bringing the glamour of the French Riviera to the Middle East, Sunset Monaco will be taking over the Palm Gardens for the first time, transforming it into a hangout for the sophisticated set. Furthermore, all the restaurants and terraces will be open throughout to provide the best views of the

more traffic?

The Formula 1 Grand Prix is an international event that has been hosted

track. Overall, it’s a great combination for those who want to come and enjoy the race atmosphere.

Formula 1 Grand Prix brings the entire nation to rejoice together. What does the event mean to you?

To us, the Formula 1 Grand Prix weekend is the highlight of the year.

These four days are, undoubtedly, the busiest and most profitable ones.

Inherently, it is really what the hotel is built for. The best of our events are lined up especially for this weekend and with so much going on, both emotionally and financially, the Formula 1 makes this time period an important one for us.

How long has Yas Viceroy been associated with the Grand Prix?

The Formula 1 Grand Prix event was initiated in Abu Dhabi in 2009, which is precisely when the hotel hosted the first F1 weekend.

Therefore, the hotel has been an intrinsic part of it ever since it begun.

Being the only hotel located in the Yas Marina Circuit, our identities are totally integrated.

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In terms of the demographics during the Formula 1 event, how much of your crowd is local and how much is international?

The majority of the guests who stay with us are international. We do see quite a few people coming from the GCC and some coming down from the other emirates of the UAE, so approximately 60 percent of our clients are international and from outside the GCC region.

What special services are you offering to your local clients during the race weekend?

Formula 1 Grand Prix is not a local, but an international event.

Following the same principle, we at Yas Viceroy offer a great snapshot of the international world. Hence, we are open to everyone who wants to enjoy our services and rejoice the festivities with us. We love hosting both our local and international clients, so everyone is equally welcome.

rooms offer spectacular views of the marina from all sides. Another interesting aspect is that on Tuesdays and Sundays, you can actually come down and walk, run or cycle around the circuit track, as it is open for the public. We are also surrounded by Yas Waterworld, Ferrari World and Yas Mall, which, in my opinion, provides the most enjoyable shopping experience within the UAE and in the GCC overall. If you stay with us, we offer complementary access to Yas Beach as well, which is another experience on its own. Even in itself, the hotel’s location, unique architecture and exotic delicacies make it the most sought-after in the region.

Apart from the Grand Prix, what makes Yas Viceroy unique in comparison to other niche hotels?

We started off with the Formula 1 event and although the race is only

What does the New Year look like for Yas Viceroy?

Given that the oil prices are undergoing turbulence, we are expecting a slightly dampening effect on the economy. For the hotel identity, the dirham vs. euro and, the rouble will also be an issue. On a tourism front, the activities at Yas Island will keep growing. We also found that all year round, the weekends at Yas are very popular with Abu Dhabi and GCC residents, who choose to come for short or long holidays. In terms of New Year’s Eve, we have a selection of events that we will

held once a year, the Yas Marina Circuit hosts a lot of motorsport activities throughout the year, especially in the summer. Our hotel

be finalising shortly, but all I can say is it would be something not to be missed.

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DRIVING TOMORROW

DRIVING TOMORROW Mercedes-Benz’s latest entrant is a mid-size, all-terrain SUV that combines the best of leisure features with technology-driven capabilities. Available in two models, it is as much an urban cruiser as it is a rugged, off-road vehicle.

Here’s everything you need to know about the Mercedes-Benz GLC

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The fact that Mercedes-Benz has a longstanding reputation for offering the highest levels of engineering is wellestablished. The German carmaker’s luxury automobiles have stood apart for not only their practical – and very sleek – design ideology, but also the unparalleled technology that goes into their engines and systems.

With the launch of the new Mercedes-Benz GLC, the automobile manufacturer has yet again proved its mettle. The GLC is an allterrain SUV that succeeds the hugely popular Mercedes-Benz GLK. More spacious than its predecessor, the new model is equal parts sleek and athletic. It is very much an evolution for the second generation, mid-range SUV by Mercedes-Benz, complete with top of the line technology and unsurpassed performance.

The GLC represents a giant leap forward on several fronts for the German carmaker.

One of the factors to have contributed to the early success of the Mercedes-Benz GLC is that it fits rather seamlessly with all sorts of lifestyles. Whether you’re off on a family trip, an off-road adventure, a road trip with friends or even just a drive around the city, the GLC pretty much delivers everything that’s in line with your expectations. This means that you can expect a truly refined drive with the highest levels of comforts and performance, all packed into one car.

It helps that the new Mercedes-Benz SUV is svelte, certainly less boxy in appearance than the GLK it replaces. The design philosophy behind the GLC ticks off all the right boxes when it comes to delivering a modern look and feel. Leaving behind the classic off-road look and the sharply defined edges of the

are well in sync with its minimal aesthetic.

Its clearly defined lines deliberately display a degree of tension. Softer, more rounded and subtle in a distinctive manner, the GLC assumes a more refined position than the previous GLK. The Mercedes-Benz GLC has an urban design, with just the right amount of athletic appeal, to delight the senses of even the most discerning auto enthusiasts.

“The new GLC sets new benchmarks for mid-size SUVs thanks to its outstanding design, technology and off-road capabilities,” said Dirk Fetzer, Director of Sales & Marketing Mercedes-Benz Cars Middle East & Levant at Daimler AG. “We know that the second generation of this model has been highly anticipated by Middle Eastern customers and will contribute to the continued popularity of the Mercedes-Benz SUV range.”

The Mercedes-Benz GLC is available in two models – the GLC 250 4MATIC and the GLC 300 4MATIC. The former comes with the Off Road Line exterior, including 19-inch multispoke light alloy wheels, a radiator grille with twin louvers and chrome inserts, bumpers with a chrome-plated under guard at the front and rear, two chrome-plated tailpipes, a polished aluminium trim, and roof rails in anodised aluminium. The latter has a sporty AMG Line exterior, so you can expect this SUV to come with body styling that is distinctive to AMG, 19-inch AMG wheels, chrome package, and sports suspension that give the car enhanced performance and driving dynamics.

When you look at the technical aspects of the Mercedes-Benz GLC, you will notice that the SUV sets new standards on different fronts. The 9G-TRONIC, the world’s first

its rivals. It offers an impressively high shift speed and the perfect transition level for energetic sprinting, as well as for gentle, barely perceptible gear changes for leisurely drives. Its four-cylinder petrol engine with direct injection and turbocharging also brings to the table features that technology-driven auto enthusiasts will love.

Looking inside the car, both the GLC models magically work up the feel-good ambience that Mercedes-Benz has been known to offer. There’s no doubt that the new Mercedes-Benz GLC is much larger – exterior- and interior-wise – than its predecessor. But this change has been well utilised, translating into more space for both front and rear passengers. All of the distinctive, hallmark features of the German carmaker are seen in the GLC’s interiors, such as premium materials like nappa leather and open-pore wood trims, along with meticulously finished detailing.

Both the GLC 250 4MATIC and GLC 300 4MATIC come standard with exclusive line interior, including luxurious upholstery in Artico manmade leather and fabric, an Artico-covered dashboard with contrasting topstitching, and seats that feature an exclusive design. Even the interior light package and the 3-spoke multi-function steering wheel lend both models a very modern feel. While the GLC 250 4MATIC comes standard with a high-gloss brown line structure trim in lime wood, the sportier GLC 300 4MATIC features a light aluminium trim.

Perhaps, it is the dashboard and the centre console with its flowing lines, and the large, single-piece console panel that flows

GLK, its dynamic design exudes emotional appeal while employing purist forms that

nine-speed automatic transmission, on the two GLC models sets the SUV apart from

elegantly from the centre air vents to the armrest that really is the focus of the GLC’s

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all-new interior design. Clear-cut lines create a feeling of open space, while establishing a purist yet modern appeal. Nestled in the centre console, the ergonomically placed touchpad is located in the hand rest. Newly developed, the touchpad works intuitively – much like a high-end smartphone – to operate all of the head-unit functions using simple finger gestures. To round it off, a centrally positioned media display has been partially integrated above the centre console.

Mercedes-Benz knows more than just a thing or two about the pleasure of driving both, on and off the road. To this end, the new GLC offers Dynamic Select handling control systems with five driving programmes: Eco, Comfort, Sport, Sport+ and Individual

damping system that come fitted as a standard. The suspension combines excellent driving stability and the agility of a sports car with optimum comfort levels and outstanding off-road performance.

Besides the aforementioned, the allnew SUV can also be programmed with an Off-Road Engineering package, which comprises up to five different programmes.

These include settings like Slippery, OffRoad, Incline, Trailer and Rocking Assist.

Additionally, this package includes a robust Gemtex underride guard that takes the stress out of heavy ground contact. Also included is the self-explanatory Downhill Speed Regulation (DSR) command.

Mercedes-Benz has also taken its

systems, which act like onboard guardian angels, combine data from various sensor technologies for a safer drive. Collision Prevention Assist Plus, Crosswind Assist, Headlamp Assist and Attention Assist are offered as standard features, but the Driving Assistance Package Plus provides that many more comprehensive safety features, including features like Distronic Plus with Steering Assist and Stop&Go Pilot, PRESAFE Brake with pedestrian detection, BAS PLUS with Cross-Traffic Assist, Active Blind Spot Assist, Active Lane Keeping Assist and PRE-SAFE PLUS. All in all, the new Mercedes-Benz GLC makes the best of every ground, sets unbeatable benchmarks in several disciplines,

settings. The car also features Agility Control suspension with steel springs and a variable

safety systems up several notches with the Intelligent Drive concept. The GLC’s safety

and stands confident in its elegantly designed body and interiors.

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TA B L E TA L K W I T H J G

TABLE TALK WITH JG Prolific chef and restaurateur Jean-Georges Vongerichten brings his three-star Michelin background to the table at his new restaurant in Dubai – Jean-Georges Dubai. Reputed for the intense flavours and curiosity-inducing textures he creates, the French chef talks to Signé about his tryst with the culinary arts, what brought him to Dubai, and more

JG Dining Room at the Four Seasons Resort Dubai at Jumeirah Beach marks the debut of Jean-Georges Vongerichten in Dubai. The highly acclaimed chef, restaurateur and cookbook author has over 40 years of experience in the kitchen, and at present operates 30 restaurants globally across culinary capitals like New York, London and Paris, many with three Michelin stars. With a focus on decidedly innovative, concept-driven menus that focus on exotic flavours and textures of the East, Vongerichten’s culinary repertoire has always pushed the boundaries of gastronomy. In his Dubai outlets, the delicate balance of French and Asian cuisines shines through unexpected combinations like lychee and black olives, or lemongrass and sugar snap peas. The hands-on chef not only enjoys spending time in his restaurants, but also chooses to be involved in the interior design, menu and plating, staff selection and training – every possible aspect is overseen by him. Although the two new restaurants are located under the same roof, they are completely diverse in their offerings. JG Kitchen is a casual space for all-day dining, while JG Dining Room is a fine dining restaurant with a chef’s tasting menu.

How did you get into the culinary industry?

It was kind of an accident, I saw an opportunity and took it. My parents used to run a coal company from our home in Alsace, France. Our family consisted of 12 people, plus there were about a dozen workers, so there was always food on the table. It was a daily routine for my mother and grandmother to cook for the family and employees. Being the oldest of the boys in my family, I was expected to take over the company. My parents sent me to an engineering school when I was 15, but I hated every minute of it. When I was thrown out of school after

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six months, I didn’t know what to do, so I started helping at home.

For my 16th birthday, my parents took me to a three-star Michelin restaurant called Auberge de l’ill. It was a big deal since we never dined out because the family was too big, and in the 1970s, there weren’t many restaurants. I was amazed at how the waiters moved around and at how great the food was. I couldn’t believe that a cook could make a living by working at a restaurant! When the chef came over to our table, my father jokingly said, “My son is a good-fornothing, maybe he can help with washing the dishes.” The chef said that he was actually looking for an apprentice. I started working there within a week and that’s how I discovered my passion.

What inspired you to combine French and Asian cuisines?

It was during my first trip to Asia in 1980, when I had become the chef of a restaurant at the Oriental Hotel in Bangkok. I had come from using cream and butter in France to discovering lemongrass, ginger and chilies in Thailand! Now there’s probably not a single dish on my menu that doesn’t have a hint of chili in it… and you might not even recognise it! One of our dishes combines lychee, black olives, rose and foie grass, which is an explosion of sweet, salty and briny flavours.

What are your signature dishes?

I think all of the dishes are signature dishes. I want the first bite – be it of a vegetarian, chicken or fish dish – to be as exciting as the last one. If after two bites, you put your plate away, then I’m not doing my job right. I never put a dish on the menu if I cannot completely finish it. I always eat the complete dish during tastings because if you eat the full dish, you know what’s missing.

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Your role also extends to deciding the restaurant’s décor, ambience and more. Tell us about it.

After cooking for 42 years and having opened so many restaurants, I know what I like and what I don’t like. I enjoy working closely with the designer. I learn things while letting them know what kind of elements, textures, etc. I’d like to see in my restaurant. I love architecture, buildings, fabrics and layers – they’re all similar to food. I don’t stick to any one theme as such. It all depends on the size of the space and factors like whether it has a view or a garden. A restaurant is not just

What brought you to Dubai? Are you planning to expand any further in the region or outside?

About five years ago, I met a customer in my New York and Paris restaurants who, later on, became my friend. He resided in the UAE and told me that I should bring my food to Dubai. We formed a partnership based on good friendship and a common love for food.

Dubai is a dynamic and multi-cultural city with a lot of energy. The market is sophisticated and knows its food. The people here are open to new flavours; they love to eat out almost every other night! If this

about what’s on your plate. It’s also about the atmosphere. We’re living in a visual world where it’s all about what you touch, feel and see.

new outlet does well, I would love to expand in the region and bring my vegetarian restaurant here.

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LUNCHING LATIN Following its success in London’s Mayfair, COYA adds a distinctly Latin touch to your dining experience with its exotic offerings. Signé savours a lunch getaway experience at the Dubai outpost, enjoying fresh and light flavours in stunning surroundings overlooking the Burj Khalifa

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L U N C H I N G L AT I N

COYA Dubai, another addition to the London and Miami expansions, brought the Latin American culinary world to our shores in 2014. It’s easy to see how the bespoke décor and contemporary Peruvian cuisine transforms one’s visit into a veritable cultural experience. After a busy working day, we headed out to the restaurant located in the Restaurant Village of the Four Seasons Hotel in Jumeirah to sample some of its special lunch offerings ourselves.

Simply entering COYA, one feel to have instantly been transported to Peru, with its traditional vibrant colors and zen-like ambiance. Walking through the spacious restaurant, past the member’s club and Pisco lounge, to dine on the terrace is something to look forward to. Offering solace from the blistering summer heat, a glass of Berrylicious – a smoothie made with raspberries, blackberries, apple, honey, ginger and acai berries – was not only refreshing but also kick-started the fantastic meal that followed.

COYA’s menu caters to a diverse range of palates. The specially tailored threecourse meal suited our need that particular afternoon – a quick 45-minute business

tossed with different spices. The corn used at Coya, incidentally, is specially imported from Peru, which is famous for producing nearly 700 different varieties.

Moving on to the main course, the Pollo al Josper, the tender bites of corn-fed baby chicken abruptly melts in your mouths.

Accompanying this can be a vegetarian option – a flawlessly executed mix of sweet potato and mushrooms dipped in a sour sauce.

The grand finale, so to speak, was just as appeasing – the Tarta de Limon, a sweet and tangy lemon tart paired with blueberry sauce, sesame meringue and yoghurt sorbet. Light and decadent in equal measures isn’t always easy to pull off, but the chefs at COYA manage just fine, every time.

AN EVENING AT PISCO Innovation and reformation is the key to survival in today’s condensed market. With an established Latin-American restaurant climbing the stairs of popularity by each passing day, COYA doesn’t fail to amaze us with its new and improved offerings. This time they bring a buzzing new Pisco Lounge, a section of COYA complete with its own menu, which launched this August.

trinkets and a pisco-infusion lined wall, the lounge leaves guests with very little to be desired for this fall. On entering the vibrant atmosphere of COYA amidst the sassy sounds of Latin America, at once we are transported to another world. While basking in the energy of the energetic atmosphere, guests can delight in trying one of its numerous offerings from exploring the largest selection of homemade pisco infusions with a variety of over 25 flavors including mango, pineapple, pear, strawberry, passion fruit and raspberry; prepared in traditional glass, pisco jars. From an array of international beverages to select from, the lounge also offers energizing and detoxing mocktails served up with flair by the talented bar team.

The most special addition to it all is the new menu, which is different from that of COYA, offering smaller, bite-sized portions of delicacies. Right from serving Peruvian-style Patatas bravas with a tinch of tangy and spicy tomatoes, to the Huancaina sauce or lighter bites of flavorful ceviche with a delightful truffle, you are in for a treat like no other.

Providing a perfect venue to unwind with friends after a tiring day at work, the destination bar, where comfort accompanies

lunch. The lunch officially started by having the Lubina Clâsica, a freshly made ceviche

Showcasing a distinctively beautiful venue, famed for its colorful décor filled with

a mouth watering cuisine, is an ideal location to spend a casual evening.

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HAUTE SOCIÉTÉ

BEYOND BORDERS BOUTIQUE Where fashion meets luxury, MSGM is born. A renowned name in the Italian luxury fashion market, MSGM enters the city of Dubai. BinHendi enterprises, the region’s leader in fashion, watches and jewellery, collaborates with MSGM for opening its first mono-brand store in the Middle East. Located in the Fashion Avenue of The Dubai Mall, the boutique extends over an area of more than 100 square metres and features menswear, womenswear and accessories. Flexible, modular iron structures create a dynamic exhibition of products, alternating with black and white marble surfaces broken up by a fluorescent yellow line as a distinctive signature of the brand. With a museum-style uniform lighting diffused by neon tubes emerging from the ceiling in geometrical forms, the ambiance of the store gives a contemporary look with touches of the past. With this, BinHendi takes another step forward towards introducing new luxury brands in the region.

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THE NEXT STEP BOUTIQUE The leading luxury retailer in the region, Paris Gallery, adds another feather to its crown by expanding into Abu Dhabi. Its latest store, which has opened at Yas Mall, aims to indulge visitors with an exceptional experience. The boutique offers a premium collection of international luxury brands across various product lines including fragrances, cosmetics, timepieces, jewellery and leather goods. Discerning fashionistas and watch connoisseurs are certainly in for a treat with its latest seasonal collections in fashion accessories and exquisite timepieces from the best brands available worldwide. The store’s service standards and its exceptional Arabic hospitality practices makes Paris Gallery stand out as an unequivocal shopping and gifting destination.

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BLACK BEAUTY S PA The history of Babor dates back to 1956 when it was founded by Dr. Michael Babor in the German town of Aachen with a black rose, which is the symbol of infinite beauty. Pursuing a path of constant innovation, Babor remains to this day a star product of the family-owned company. Across various therapies ranging from facial treatments and massages to body treatments and wraps, the philosophy of the brand remains the same – to provide individualistic and customised service to each and every client.

In addition, the motive is to see visible effects not only through their treatments, but even through their signature products.

The journey of senses continues everlastingly in respect for authenticity through their hand-performed treatments provided by Babor’s specialists, who provide individual on-site counselling and support.

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