Signe - Edition 17

AED 30 KWD 2.5 QAR 30

S I G N É

HEART & SOLE

SPEAKING TO SIGNÉ, CHRISTIAN LOUBOUTINFOUNDER OF THE RENOWNED FOOTWEAR BR AND, REVEALS WHAT MAKES THE BR AND UNIQUE IN ITSELF

A WHOLE NEW WORLD

WITH THE LAUNCH OF THE NEW SIGNATURE TOUCH BY VERTU, WE EXPLORE SOME OF ITS DISTINGUISHING FEATURES, THROUGH AN EXCLUSIVE PHOTOSHOOT

MASTER OF SPEED Maurizio Arrivabene - Scuderia Ferrari’s team principal, delves deeper into his passion for driving and what being the Hublot ambassador means to him

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Classic Fusion Power Reserve.

Manual-winding movement with 8-day power reserve.

King Gold case, an exclusive red gold alloy developed

by Hublot. Black rubber and alligator-skin strap.

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22|23 JANUARY W W W. A L S E R K A L AV E N U E . A E

CONTENTS

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018 THE SULTAN OF SWOON One of the most popular and influential musical artists of the 20th century, Frank Sinatra’s voice has travelled places through music, even where people haven’t

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HEART & SOLE In an exclusive chat with the renowned Christian Louboutin, we discover his world, which extends far beyond the unimaginable dimensions of his brand

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AN ERA OF EXCELLENCE Hailing from a small town in Ireland, Stephen McDonnell learnt the art of watchmaking at a very early age. We discover his journey to being one of the most celebrated watchmakers today

028 MAN OF A KIND Jan Bladen, the man behind two of the biggest financial hubs of the Middle East, with his intense passion for polo, gracefully allows his ambitions and accomplishments speak for himself

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design a n d technology.

luminor 1950 10 days gmt automatic (ref. 533)

Atlantis 04 4220233 • Four Seasons Resort 04 3855858 Mall of the Emirates 04 3411211 • Wafi 04 3246060 S In G Ne É r ◊ E O No1 m 7 pa aDiI T. Ic

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CARRYING THE LEGACY BEYOND Ettinger, a prominent producer of British luxury leather goods, has been carrying the skill of craftsmanship through generations.

Speaking to Robert Ettinger, we discuss the story behind the success of the family business

038 MEMORIES IN A BOTTLE Creating a fragrance that takes one down the memory lane is an art Roja Dove has mastered. In conversation with Signé, he talks about how his scents tell his stories

042 DIALLED IN Giving the established watch-house a new direction, Oliver Elbstein – CEO of Chronoswiss, talks about two of his selective timepieces and his plans for the future, aiming at greater heights

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SPREZZATURA Signé brings a selection of carefully chosen attires, accessories and bags for gifting or adorning yourself with, this festive season

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A beautiful combination of woods, musks, balsam and Tobacco, Molton Brown’s Tobacco Absolute Collection is an essential without which any look would go incomplete

Giving travel clothing a contemporary and chic look, Latifa Al Gurg’s brand – Twisted Roots – is meant for women of all ages. Simple at heart, with an ambitious attitude, Latifa prefers to keep things classic and simple

ESSENTIALS

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FOR HER

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Understanding Finance: An art in itself!

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Making constant endeavors in collaboration with Save the Children, Bulgari strives to make a difference in the lives of those affected by the Nepal Earthquake through education

Charity sponsor of Variety’s Power of Women. Frédérique Constant presented each honouree’s respective charity, a new model from its Ladies Automatic Heart Beat collection, thereby appreciating their contributions

REBUILDING HOPE

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CELEBRATING THE SPIRIT

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MASTER OF SPEED From managing the Scuderia Ferrari team at the F1 to now being the brand ambassador of the leaders of time – Hublot, Maurizio Arrivabene discusses the transition phase and the FerrariHublot alliance in a special chat with Signé

074 A WHOLE NEW WORLD Vertu’s smartphones have been known for pushing the boundaries of extravagance always.

In an exclusive photo-shoot, we explore some prominent services offered in the New Signature Touch

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A TIME TO SOAR Bell&Ross’s international brand representative – Barbara Pradal- gets candid with Signé on the brand and how important the Middle Eastern market is for them

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With the release of Spectre, we look back at the most favored Omega watches by James Bond, having featured in some of his most popular movies

Taking a few steps back in history, we discover the evolution of suits and shoes through the ages, opening the wardrobe of time, door by door

BONDING WITH OMEGA

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SARTORIAL REVOLUTIONS

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STATELY REVIVAL

TRAVEL DIARIES

The dream car of every passionate driver – Mercedes-Mayback S-Class Pullman, with its elegant designs and beautiful interiors, is all set to mark an era in the history of luxury driving

Setting up the mood for your festive spirit, Signé recommends three exotic holiday destinations to spend your Chirstmas and New Years at, in our style

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HAVEN OF HEALTH

HAUTE SOCIÉTÉ

SHA Wellness Clinic has been redefining the concept of good health and well-being through its dedicated personalized services offered by the finest of professionals, making sure you leave relaxed and rejuvenated

Welcome the festive season by stopping into the new Chopard store, Ermenegildo Zegna and Audemars Piguet located at the Mall of the Emirates. Once done, do not forget to taste some Asian food at Novikov

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T H E S U LTA N O F S W O O N

THE SULTAN OF SWOON

Lovingly referred to as “The Voice”, Frank Sinatra was known for his alluring vocal abilities, sophisticated swagger and an effortlessly edgy demeanour. The American entertainer lives on in the hearts of both men and women far beyond American shores to this day

Beverly Pereira The legendary Frank Sinatra was influenced by singer Bing Crosby and big band jazz during his teens, but he never really did learn how to read music. Yet, when he tried his hand at singing in local clubs and on radio stations, it was certain that he had an uncanny ability to emote. Even when he started to compose his first recordings with bandleaders before the 1940s, he seemed to display a natural ability to understand music. Born in New Jersey in 1915, Sinatra was the only child of Italian immigrants and went on to make a name for himself as an entertainer during the course of his career that spanned over five decades.

The American crooner struck it out on his own between 1943 and 1946, topping the charts with more than a dozen singles.

His dreamy baritone voice coupled with his emotional lyrics made the ladies swoon. Men, no less amazed by his sophisticated style, found it easy to identify with his songs. From ‘Come Fly With Me’ and ‘In The Wee Small Hours’, Sinatra and his unforgettable voice could be heard just about everywhere, from jukeboxes to radios. His show business career went far beyond singing though.

Sinatra appeared in 58 films and much like his music, which was relatable to people of all ages, his movie appearances proved that he had the same natural ability to communicate emotions in the most honest way possible on screen as well. In his first film titled Reveille With Beverly, which was released in 1943, Sinatra played himself.

Although it was a cameo appearance along

role with the ease of a seasoned actor. In his second film, Higher And Higher, released that same year, Sinatra very aptly played the role of a young crooner. By 1945, the entertainer had already won an Academy Award for the 10-minute short film The House I Live In, which promoted racial and religious tolerance. He would later go on to win another Academy Award for his role as Private Angelo Maggio – his first non-singing role – in From Here To Eternity (1953).

By the late 1940s, the well-established singer appeared to be going through a career slump, his once velvety voice losing its timbre. However, Sinatra was always one to make the best of the moment, and he found a way to capitalise on his voice change. In one of the biggest career comebacks of all time, the blue-eyed singer started to belt out punchy, uptempo songs, prompting a revival of swing music with the help of his new-found coarser voice.

Needless to say, the world lapped up the more mature sound of Sinatra well into the ‘60s. He would go on to enjoy fame in the world of both film and music for many years to come, even setting up his own record label called Reprise when his record sales at Capitol began to drop. Ever the dynamic entertainer, he also established his own film production company, Artanis, in association with Warner Bros.

With the return of stardom came more awards in the form of a Grammy Lifetime Achievement Award. It was also during this time that Sinatra would go on to popularise

other popular musicians like Sammy Davis Jr. and Dean Martin. A fixture at the Caesar’s Palace on the Strip, the group’s swagger was a deft balance of sophistication and hedonism.

Sinatra managed to pull off this image almost effortlessly while he released his own hits on the side, including the very famous ‘Strangers In The Night’ (1966) and ‘My Way’ (1968).

Sinatra briefly retired from the world of show business during the early years of the 1970s, but came back with a bang when he released an album that was quite aptly titled Ol’ Blue Eyes Is Back. His hugely popular song ‘New York, New York’ was released when the 1980s came around. This period also marked his engagement with American politics as he used his strong influence to support candidates.

“The Voice” might have been reputed for his exceptional artistry, but he had an exquisite sense of style to boot. Just like his music, the sartorial style of Sinatra still resonates across the world. He was almost always dressed in a classic but impeccably tailored suit, often in greys or blues. Sinatra loved his fedoras to such an extent that it’s hard to conjure up an image of the legend without one. Over a decade has passed since his death in 1998, yet he remains a style icon even in the fickle world of fashion. That sharp sense of dressing aside, it was arguably his confidence that contributed even more to his cool but commanding presence. Sinatra would have turned 100 years old this month. During his career that spanned over half a century, the singer provided the background vocals

with several other notable big band musicians like Duke Ellington, Sinatra aced his debut

Las Vegas as the entertainment capital of the world – he founded the Rat Pack along with

for many a love story – and he continues to serenade, just as beautifully, even today.

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HEART & SOLE

Christian Louboutin, the man behind the eponymous brand of sky-high stilettos and iconic red soles, has built a shoe empire as vast as his boundless imagination. The French designer talks about his fascination with the world of cabaret, travelling to India and Egypt, and the psychology behind footwear

Beverly Pereira Christian Louboutin does not believe in setting aside a budget for advertising. He simply doesn’t need it. He does, however, believe in letting his shoes do all the talking. The lacquered red soles of Louboutin shoes speak to both the wearer and the onlooker, while the designs communicate through their dangerously sensual silhouette and unmatchable craftsmanship. The French designer’s shoes continue to prompt global celebrities – everyone from Jennifer Lopez to Angelina Jolie – and the just plain fashionobsessed to shell out the kind of money that a pair of Louboutins commands. From towering bejewelled stilettos, studded pumps, and sneakers with spikes for women to the equally embellished men’s shoes, Christian Louboutin footwear has always been as wildly fascinating and fierce as the designer’s vivid imagination. Despite their glossy red soles having undergone a series of infringement attempts by other brands, they remain a constant on every shoe that comes out of the Christian Louboutin atelier.

Of course, there is much more than meets the eye when it comes to understanding a woman’s fascination with the Christian Louboutin brand. This, according to the designer himself, has a lot to do with the fact that stilettos can unconsciously change one’s attitude, perception, height and gait.

“Very few accessories can give you so much empowerment,” says Louboutin. “To wear a pair of stilettos is to make both, an active and passive statement. When you wear high heels, you don’t control the way you walk… yet, you walk in a different way. It changes the attitude of the entire body.”

It was this keen attention to something as commonplace as a shoe that inspired some of Louboutin’s earliest sketches. Born in Paris in 1963, he was never really interested in studying. As a child, he remembers being fascinated by a warning sign that depicted a stiletto struck off by a red line at the Museum of African and Oceanic Art. Later, as a teen, he discovered the flamboyant world of Parisian music halls and their glamorous,

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stiletto-wearing dancers during a work stint at the Folies Bergère cabaret music hall.

“I was never really serious about working,” says Louboutin. Travel, however, opened up a whole new world for him. “Back then in the ‘70s and ‘80s, one wanted to have fun,” he explains. By the age of 18, the designer had already travelled to faraway destinations like India to feed his love for classic Indian cinema. “I first visited India in 1979 and went to every part of the country, except for Orissa.” Louboutin also has a profound connection with Egypt, which he refers to as the gateway to the Middle East. “This region has fascinating pockets of worlds that work by themselves. Most people perceive it to be just a desert, but my entry into the Middle East has much to do with my interest in its archaeological sites, civilisation and culture.”

In between bouts of travel during his early years, Louboutin worked as a freelancer.

He mastered the ins and outs of shoe design during an internship at Charles Jourdan in 1982, a move that would lead him to freelance

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“Women have a masculine way of treating their shoes, whereas men are more feminine in that respect.”

CHRISTIAN LOUBOUTIN

projects for Maud Frizon, Yves Saint Laurent and Chanel. After working with Roger Vivier on an exhibition at the Musée des Arts Décoratifs in Paris, Louboutin would turn to a completely different creative profession – landscaping. Eventually, he did return to his first love – shoe design – in 1991, when he got wind of a boutique’s availability in the Galerie Véro-Dodat, a historical Parisian passage not far from the Louvre. “I was fed up of working for people, and I was too impatient to be a landscaper. It all fell into place at the right time,” he explains. His company, Christian Louboutin, was also formed that year.

designer says: “Even when it comes to art, I’ve always loved Persian and Indian miniature paintings. Similarly, even though shoes are a small element, they have the power to change so much.” Further delving into the psychology behind footwear, he adds: “Women have a masculine way of treating their shoes, whereas men are more feminine in that respect. You won’t find women polishing their shoes all the time like most men do. Men consider shoes as an object, and they are proud if they own a pair of shoes forever. That’s not the case with women, who are most often miserable if they own the same pair of shoes for three years.”

boutiques in practically every metropolis worldwide. Besides his highly anticipated collaborations with fashion designers and two annual shoe collections, Louboutin pays court to creative pursuits outside the world of fashion, including photo exhibitions. “I’m not someone who needs to have his name everywhere,” says the designer, when asked if he has plans to diversify beyond his iconic shoe and bag collections, and his line of nail colours. “I need to stay true to myself and have a life so that I can carry out my passion.

I need to allow myself time to stroll, to just go with the flow instead of being a robot,” says

Indicative of his fascination with all things small and meticulously detailed, the

Today, over two decades since he started out as a shoe designer, Louboutin has

Louboutin whose imaginations have never had boundaries.

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AN ERA OF EXCELLENCE

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AN ERA OF EXCELLENCE

Irish watchmaker Stephen McDonnell is a horology perfectionist who prefers to control all aspects of the watchmaking process. His latest development for MB&F – the Legacy Machine Perpetual – is a noteworthy achievement, characteristic of his ingenious capabilities and expertise

Independent Irish watchmaker Stephen McDonnell played an instrumental role in the finalisation of the movement and the assembly of the first production of the HM1 – the very first MB&F timepiece that was unveiled in 2007.

McDonnell was a precocious child who had an inclination for watches from a young age. Born in Belfast in 1972, he remembers

course, he became more confident of his watchmaking skills because until then his experience focussed around clocks.

Shifting his base to the Swiss town of Neuchâtel in 2001, McDonnell completed a six-month course at the Watchmakers of Switzerland Training and Educational Program (WOSTEP) and was soon offered a position as an instructor at the exemplary

more ways than one – the new complication developed is stunning to say the least. That it can be fully appreciated dial-side is just one of the several advantages that come with the new movement. It has launched with a limited edition of just 25 pieces in 18K red gold and 25 pieces in platinum 950.

The idea behind the watch came about in January 2012 during an informal discussion

tinkering and ‘repairing’ his grandfather’s clocks when he was as young as four. Even when he came of age, McDonnell’s passion for horology continued to tick. In fact, he describes his passion as an addiction. In spite of hailing from North Ireland at a time when watchmaking wasn’t exactly a wellknown career path to embark on, the young McDonnell nurtured his love for the inner workings of a clock as a hobby while he took up a job as a watchmaker for the after-sales service of a retailer in North Ireland. He would go on to become the accomplished movement designer that he is now.

McDonnell boasts a very rare skill set unlike every other watch constructor, who most often enters the field with theoretical knowledge and barely any practical experience. Not long after he completed a degree in theology at Oxford University, the young McDonnell returned to Belfast, where he made his foray into the world of horology as a clock repairer. It was also during this period that he was fully convinced of the fact that watchmaking could indeed make

training centre. It would only be in 2007 that he gave up this post to become an independent watchmaker. Over the years, McDonnell has worked with the likes of MB&F, Peter SpeakeMarin and Christophe Claret. Having made the move back to Belfast with his wife and two children in 2014, McDonnell currently works from his own well-equipped workshop, where all the magic happens, enabling him to make anything that he needs for prototyping. He is well-known for being a perfectionist in the field of watchmaking and going great lengths to overlook every aspect of the process, from conception right up to 3D design construction, the creation of technical plans, and prototyping. McDonnell has also been working independently with the technical team of British luxury watch brand Bremont.

However, it is McDonnell’s most recent development for MB&F that is, undoubtedly, the talk of the watch world. McDonnell developed the Legacy Machine Perpetual, which reinvents the most traditional horological complication, the perpetual calendar. The watch features a skeletonised

between McDonnell and MB&F owner and creative director Maximilian Büsser, when the former explained that he had been toying with the idea of revisiting the perpetual calendar complication for some time. The LM1, the first Legacy Machine by MB&F, had just been launched a few months earlier in October 2011, and the two decided that McDonnell’s idea could indeed make for the perfect candidate for a subsequent Legacy Machine.

Traditional perpetual calendars are known to be complex and can easily break if adjusted while the date is changing. Dates can often skip and the complications are usually compromises of modules powered by base movements. McDonnell, therefore, envisioned the Legacy Machine Perpetual as a means to nullify the drawbacks of conventional calendars. What resulted was a timepiece that features a fully integrated 581-component calibre that does away with a module and base movement, and integrates a revolutionary system for calculating the number of days in each month. It also

for a fruitful career option. Armed with the expertise gained at a one-week Rolex

dial that showcases the visually rich in-house movement. It’s certainly revolutionary in

completely reinterprets the aesthetics of the perpetual calendar by placing the full

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Perpetual Engine

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complication on a dial-free display that sits under a stunning suspended balance. Simply put, the MB&F Legacy Machine Perpetual with its foolproof mechanism offers a troublefree experience.

The Legacy Machine Perpetual disrupts the traditional perpetual calendar system by using a patent-pending mechanical processor instead of the conventional spaceconsuming grand levier (big lever) system.

To better understand the new system, it is imperative to delve into the workings of the traditional perpetual calendar. The traditional mechanism uses a 31-day month as the default, deleting superfluous dates for the months with fewer days. It does this by fast-forwarding through the redundant dates during changeover. So, a traditional perpetual calendar makes the switch from February 28 to March 1 with a swift scroll through the 29th, 30th and 31st to arrive at the 1st.

The Legacy Machine Perpetual, on the other hand, adopts the mechanical processor to utilise a default 28-day month and to add extra days, as required, which means that each month always has the exact number of required days. It leaves no room for the fastforwarding or skipping of redundant days. As for leap years, during which the traditional

for February, the all-new Legacy Machine Perpetual has a leap year indicator operated through a dedicated quickset pusher to adjust the year.

When it comes to the dial, the hours and minutes nestle comfortably between the elegant arches of the balance at 12 o’clock, the day of the week at 3 o’clock, the power reserve indicator at 4 o’clock, the month at 6 o’clock, the retrograde leap year indicator at 7 o’clock, and the date at 9 o’clock. The skeletonised sub-dials appear to float above the movement with no visible attachments through the use of hidden studs, which is yet another innovation unique to the Legacy Machine Perpetual. It

for the sole reason that they would block the movement of the grand levier.

While the Legacy Machine Perpetual’s complication is completely new, its aesthetic retains signature marks of the famous LM1 and LM2 timepieces from the MB&F Legacy Machine collection. The eye-catching balance hovering up high is seamlessly connected to the escapement on the back of the movement.

Connecting the balance to the escapement is a pure and ingenious technical twist in the form of what can likely be described as the world’s longest balance staff. One look at the Legacy Machine Perpetual and it’s quite evident that McDonnell pulled out all the

perpetual calendar has to scroll through up to 47 months to arrive at a 29-day month

is technically impossible to achieve this with traditional perpetual calendar mechanisms

stops when it came to the inner workings of this revolutionary watch.

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MAN OF A KIND Playing an instrumental role in founding the country’s financial hubs, Jan Bladen executes the masterstrokes of life with unwavering leadership, integrity and passion. Signé gets candid with the polo enthusiast, discussing his expeditions, ambitions and more

Diksha Vohra Despite being European by origin, Jan Bladen feels Dubai is home. He established two of the most well known financial hubs in the region – Abu Dhabi Global Market (ADGM) and Dubai International Financial Centre (DIFC) – bringing his leadership skills and expert knowledge of financial markets to the Middle East.

However, Bladen credits the success of these to the country and the teams behind these revolutionary projects. Interestingly, he has also walked the roads less travelled, climbing Mount Everest and completing the Lunana Snowman Expedition in Bhutan. Signé provides a deeper insight into the classic appeal of this global citizen.

Hailing from the West and moving to the Middle East wouldn’t have been easy. What brought about this shift and how has your experience been so far?

I was raised in the Far East, Middle East, Europe and Africa. I hold dual nationalities, have three mother tongues, and have now spent over 20 years living in the Middle East. In addition to this, my spouse is an Arab and my kids speak Arabic at home. As a result, I actually feel more at home in this region than anywhere else. From a business perspective, this cultural awareness also allows me to blend international management practices with local and cultural understanding.

Over the past decade, Dubai has managed to attract some of the biggest names in finance to the DIFC. I believe that at the core of what makes the DIFC appealing is its regulatory framework and the Dubai Financial Services Authority (DFSA), an internationally respected regulator. The DIFC has already become the financial hub for the region, and it is, normally, quite challenging to unbalance a hub’s hold once established. Once recognised, financial centre incumbents tend to grow on their own accord as new companies are attracted to an existing network.

Both ADGM and DIFC were challenging in different ways just as both were amazing experiences as well. In both cases, Strategy Conception and Execution, Structuring, Performance Excellence and Governance leadership were core requirements. I believe that, in time, the two UAE financial centres will complement each other, making the UAE the undisputed financial hub of the region.

In terms of your involvement in the establishment of the DIFC and ADGM, how different were these projects and which was a bigger challenge?

I was honoured to have been able to contribute towards the establishment of both over the last 10 years. ADGM is regarded as an essential element of Abu Dhabi’s long-term strategy of economic diversification, as set out in the Economic Vision 2030 and will initially focus on private banking, wealth management and asset management.

The city is naturally looking to capitalise on its oil wealth, political

Tell us what the DFSA is about and what did you oversee as its founding Chief Operating Officer?

The DFSA is the independent regulator for all financial and ancillary services conducted through the DIFC. Its regulatory mandate covers asset management, banking and credit services, securities, collective investment funds, custody and trust services, commodities futures trading, Islamic finance, insurance, an international equities exchange, and an international commodities derivatives exchange. The DFSA is also responsible for the regulation and supervision of persons in the DIFC in relation to anti-money laundering, counter-terrorist financing and sanctions compliance.

I spent nine years co-leading the establishment of the DIFC as the founding Chief Operating Officer of the DFSA. Within this role, I led corporate strategy, business planning, budgeting and governmental funding. I also constructed and oversaw the departments of finance,

stability, financial services and global investment portfolio to attract international firms.

risk management, human resources, information technology, corporate communications, and corporate administration.

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“I believe that part of my success in the Middle East can be owed to my ability to understand the regional culture and merge it with established international management practices” JA N B L A D E N

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“Nothing quite matches the adrenaline experience, the relationship and teamwork with your horses, the frustration of missing a ball and the satisfaction of winning a tournament.”

JA N B L A D E N

Since you have lived in the Middle East for 20 years, has the Arabian culture influenced your leadership approach?

In terms of leadership, I believe that part of my success in the Middle East can be owed to my ability to understand the regional culture and merge it with established international management practices. This allows organisations to take the best of both worlds and create practices

Mount Everest Base Camp expedition. Putting tents up during a strong gale, forgetting to dry firewood, getting lost on mountain tops, and dealing with blisters are – believe it or not – all good memories of a happy childhood at school.

My hardest and most enjoyable outdoor challenge was in Bhutan.

The Lunana Snowman Expedition through the Kingdom of Bhutan

that satisfy international standards, while staying true to the family and cultural values of the region. This merging of Middle Eastern and Western perspectives to create effective culturally adapted governance practices is key to the future success and growth of the region. However, the most important element is the true value of trusted relationships and handling all stakeholders effectively.

is described by the Lonely Planet as “one of the most difficult high altitude treks in the world”. The expedition is a long and challenging trek, and entails travelling to a remote and rarely visited region of the Eastern Himalaya. Actually, far more people have climbed to the summit of Mount Everest than completed this unique expedition and traverse of Bhutan! It is a 29-day trek crossing the north of Bhutan along the border with Tibet, covering 356km and crossing eight Himalayan mountain passes and peaks. Very few Westerners have ever visited the remote district of Lunana due to its inaccessibility – one

Tell us about how polo became one of your prominent passions.

Second to family comes my passion for horses and sport, but most notably polo. I’m an active playing member of the Desert Palm Polo Club in Dubai and a former member of the Guards Polo Club. I’ve played for Team Great Britain in the UAE and most recently reached the finals in the Dubai Beach Polo 2015 tournament, held under the patronage of H. H Sheikh Hamdan bin Mohammed, Crown Prince of Dubai.

My parents had horses in South America many years ago when they were based in Caracas, Venezuela, and my first memories of horse riding are from our time in North Africa. As such, I was always raised around family dogs, horses and the outdoors. The passion continued at boarding school in England, where I headed the school stables and oversaw the management of some 15 to 20 horses for several years.

This passion for polo, however, truly kicked off upon my arrival in the UAE some 15 years ago, when I met Mr. Ali Albwardy. He is one of the world’s leading polo patrons and as you might expect, he has the very best of facilities here in Dubai; fantastic horses, outstanding polo fields, and an internationally recognised club and team.

Nothing quite matches the adrenaline experience, the relationship and teamwork with your horses, the frustration of missing a ball and the satisfaction of winning a tournament. The game is fast, competitive and the horsemanship skills are demanding. Polo has been described as like “trying to play golf in an earthquake”. Looking back at the last few years I can honestly conclude that a passion for polo was the binding agent for many of my friendships.

can only get in and out by crossing mountain passes over 5,000 metres that are frequently blocked by snow. The mountain views throughout this trek are spectacular. Many peaks along the Bhutan and Tibet border are unnamed and unmapped, including several mountains over 7,000 metres such as Gangkhar Puensum, which counts as the world’s highest unclimbed mountain. One of my mountain guides once said: “Take nothing but memories and leave nothing but footprints.”

What comes to your mind when you hear the following?

ADGM: Political stability, regulatory independence, financial strength, judicial certainty, and cultural discretion.

Business in Dubai: International reach, outstanding infrastructure, physical security, business-friendly, and visionary leadership.

What is your favourite car? The Bentley Continental GT Speed.

What are your dream holiday destinations? Argentina for polo and asado, Milan for good food, and Mykonos for fun. But all involve good friends and family.

Given a chance to flee to a deserted island, what would be three things you wouldn’t go without? A good friend, fishing tackle and a

boat … just in case I changed my mind and wanted to leave.

How would you compare the Lunana Snowman Expedition

Where in Dubai do you like to dine?

La Petite Maison in the DIFC has become a cornerstone establishment in Dubai’s international cuisine. The food is consistently outstanding and its staff have started to become friends over the years. Down-to-

with the Mount Everest one?

My outdoor education started at boarding school and included my first

earth good food, good wines, good service and a great smile – what more do you want at the end of a hard week?

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CARRYING THE LEGACY BEYOND

CARRYING THE LEGACY BEYOND

British luxury leather goods company Ettinger is reputed for its high level of craftsmanship and attention to detail. Robert Ettinger, the CEO and founder’s son, talks about the family-run business, future plans and the ongoing importance of heritage

When Gerry Ettinger founded Ettinger in 1934, it was renowned for its leather luggage and small accessories. The adherence to a very high level of craftsmanship with a keen eye for detail resulted in the company receiving well-deserved recognition – the appointment of the Royal Warrant to HRH the Prince of Wales, an honour allowing Ettinger to carry the Prince of Wales cipher on all its products. Wimbledon also approached the company some 20 years

He bought the factory and started to manufacturer his own products – it sort of led on from that.

ago; it’s one of Ettinger’s many valuable collaborations that live on until today. Last year, the company celebrated its 80th anniversary, a milestone representative of the company’s dedication to timehonoured traditions.

money during the holidays. I used to watch how things were made at the factory, but I was never forced to join the family business. I think that is – and would have been – wrong. I was sent to work abroad for a number of years. I worked in Germany for a German company and did a business apprenticeship. I started at the bottom and worked in accounts, sales, exports and marketing to learn all the aspects of the business. Then I went to Canada, where I worked for Mappins, a jeweller. My father wanted me to see how other people worked and to work for another boss, besides himself. It also gave me time to think about what I wanted to do with my life. When I decided to come back and work for the business, I wasn’t just made the company’s managing director – I was eased in gently. I’ve learnt that when you run a business, it’s helpful to walk around the warehouse. I walk around every morning now, be it in the head office in London, the warehouse or the factory. You see things and most of the time, it’s the good stuff. However, sometimes you see something that needs to be fixed as well.

How did the transition from filmmaking to launching Ettinger come about for your father?

My father came from a family of tailors, specifically military tailors.

In a way, making things was always in his blood. My father did get into filmmaking – he was a film director in both Italy and Germany, but decided that he wanted to get back into making beautiful products. That’s when he started the business of Ettinger in London in 1934 with my grandfather, and here we are today, 81 years later.

I belong to the third generation in what still remains a completely family-run business. Many of the people in our factory belong to the second- or third-generation as well. It’s about handing down skills.

The company’s heritage is in their blood, too, but they still have to train for five years. However gifted someone is, it takes a few years to learn how to make a product beautifully and at a speed that makes it viable. We are craftspeople who like to have our production moving sensibly without losing sight of the fact that every single piece needs to turn out 100 percent.

When you joined the business, did you have an idea of how dynamic it was going to be, or did you just take it as an inheritance?

As a child, I remember going to the warehouse to make some pocket

What inspired your father to produce leather products?

Before he started the business, my father sold leather goods for a

Tell us more about the Ettinger story of craftsmanship.

The factory was making heavy leather suitcases in the beginning, and we still have a lot of them. That was wonderful in the days when you had porters at railway stations in England, but you don’t see that anymore and therefore, leather luggage disappeared largely.

We started making smaller accessories as a result. If you look at our leather wallets from the 1930s, they obviously didn’t have credit card

prominent German leather goods company. He was their sole partner agent in England. Soon after that, he was offered a factory in London.

slots. Things evolve, but they don’t really change fundamentally with regards to the shape and size.

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“We are one of the last British-manufactured brands. We have the Royal Warrant, a symbol of quality and trust.”

ROBERT ET TINGER

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CARRYING THE LEGACY BEYOND

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Take us through the entire process of making a collection?

We bring on-board people from the entire company – sales, marketing and design as well as people from the factory – for a think-tank. I

double in the last two years – but we are training our people to the same standards as we did 20 years ago.

come back with ideas from across the world, and I like talking to our customers for feedback. A new collection can take a year and a half, from sitting around a table and brainstorming to the first samples.

When the samples are ready, we send them out to people to see if they’re practical. These are fashion accessories but they have also got to work.

How is the leather quality used by Ettinger different from

Demographically, which areas is the company focusing on and which ones still need development?

Presently, we sell in 35 countries but our main market is the Far East, in countries like Japan, South Korea and Taiwan. America is growing well and we just entered the Middle East a year ago. Also, we tend to not take on too much at any one time. For the next few years, we will work with the Middle East. We’ve just opened an office in New York.

We are careful and don’t want to over-expand too quickly.

the others in the market?

We make sure to use leather that is beautifully tanned. We don’t just order leather; we like to pick the best so we send our senior managers down to the tannery to select the raw skins before they get tanned.

They can tell which ones are best at that stage. Often they might pick 300 of the best out of 1,000 leather skins. The better the quality of the materials, the better the end product is.

Before purchasing a leather product, what are the criteria you would recommend our readers to keep in mind?

They’ve got to like the look of the product, the colours and the design.

We are very much into design. We design-test things well before they are launched. You need to touch and feel the leather to tell if it’s high quality. Our new range of burnished calf feels like silk.

In terms of the collections, which has been your favourite?

Our biggest still remains the Bridle Hide collection, which we started making in the 1930s. The collection I love the most, and maybe I’m biased because I started it, is the Sterling collection that features the four colours of British bank notes – turquoise, orange, purple and red to correspond to the English £5, £10, £20 and £50. It’s colourful but it works well. It’s very British and I use it too. In London, the men wear dark suits but when they open them up, they have brightly coloured linings.

Now that you’ve started business in the Middle East, what’s the next area that Ettinger will be targeting?

We aren’t sure, actually. We were thinking of South America, Brazil and Argentina. Then again, there have been serious problems in these economies in the last year or two. Before we go into any new market, we like to go there a few times to see what is going on and do a bit of research. Online sales are also very important because we can judge who likes what and who is buying our products. It is of great help in deciding where to go next.

Considering the market for leather products is getting saturated, what makes your brand stand apart from others?

We are one of the last British-manufactured brands. We have the Royal Warrant, a symbol of quality and trust. People love something that’s inherently British, which the Royal Family uses. We’re aware that we must never lose sight of the quality and attention to detail.

Yes, we are growing our business – our factory has expanded by

Are you working on any new collections?

Yes, it’s called Saint Crispin, made up of the finest burnished calf leather.

Saint Crispin was the patron saint of leather workers. Burnishing means that after you use the product for a few weeks or months, the leather polishes up and has sheen. We are making our most popular products out of it. It’s the very best of Ettinger with the finest leather, materials and linings. It’s something that everybody should aspire to own.

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MEMORIES IN A BOTTLE

MEMORIES IN A BOTTLE

Known for having the world’s most impressive nose, Roja Dove evokes strangely powerful memories through his fragrances. The master perfumer shares the inspiration behind Roja Parfums, and his advice on shopping for perfumes

Roja Parfums, the British-born niche line of fragrances, was born out of Roja Dove’s olfactory obsession that began as a child. A visit to the Guerlain boutique on the Champs Élysées on his 21st birthday further sparked his interest in perfumery, and although he was hired to work in training and public relations at the French fragrance house, he fast earned the title ‘Professeur de Parfums’. Dove’s knowledge of this world goes far beyond creating fragrances – the master perfumer is as much a storyteller as he is a creator and connoisseur. Every one of his scents has a riveting tale to tell.

How did you get into this line?

When I was six or seven years old and tucked in bed, my mother, wearing a gold lamé cocktail dress, came in and kissed me goodnight. I can vividly remember the smell of her perfume and face powder. It was the first time I understood that perfume and a moment in time could live together. I was put on the path that I was born to walk down. Initially, I thought that I was to get into the world of medicine, but my passion has always been perfumery. I had the great fortune to train as a classical perfumer. I’ve always said that I don’t have a job, but a way of life.

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When you decided to launch your brand, what did you intend to provide that other brands in the market did not provide at the time?

Very large corporations, like detergent manufacturers, bought our industry. The people who weren’t really left in our industry were perfumers. When we launched Roja Parfums, the idea was very simple – I wanted to create a balanced palette of perfumes in the hope of finding a perfect one for everyone. It had never been done before in the perfume world. The other thing that made it different from any other brand is that it’s a perfumers’ brand. It also has much to do with the quality of raw materials. I use an extraordinary volume of the very finest natural raw materials. Take the May rose, or Rose de Mai, that flowers only in the month of May in the south of France. A year’s production of this rose is equivalent to a day’s production of the Bulgarian rose. The price is high because the yield is tiny. I wouldn’t use it if it smelled like other roses.

Take us through the process of launching a collection, from how the idea is conceptualised to when it is placed in stores.

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Roja Dove

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MEMORIES IN A BOTTLE

“A perfumer is like an artist, but while an artist paints with colour, I paint through smell.”

RO JA D OV E

A perfumer is like an artist, but while an artist paints with colour, I paint through smell. I can explain the process with regards to my new collection called Tutti Frutti Aoud. I visited the Middle East for the first time eight years ago for a big project with Mohamed Al Fayed. I began to discover the smells of this region, particularly that of oud, saffron

someone in my company told me that I should make it. We launched A Goodnight Kiss on January 6, which would have been my mother’s birthday. By the end of the month, it turned out to be the bestselling perfume in the world with no advertising or marketing. It was stupid of me to feel nervous because, in the end, everyone has a mother. This

and rose. As I got to know the region, I noticed that the people have a sweet tooth. I also realised that, as is the case in every culture around the world, each generation does not want to be like the generation before them. There was a huge respect for tradition, and yet there was the desire for modernity. I noticed that young Arabic women wore bejewelled Christian Louboutin stilettos underneath their abayas. They wanted to wear any colour other than black, so I decided to combine oud with the scent of edible guilty pleasures.

The first perfume is called Sweetie Aoud, and as you know, in

scent of femininity is a universal story, actually. I wanted to create the gentleness of the scent of powder and the softness of a kiss.

this region when people ask for something sweet, they refer to it as ‘sweetie’. The fragrance has the smell of buttery pastries like croissant or brioche. The second one is called Candy Aoud, and is inspired by the smell of a boiled sweet like pear drop, which has a slight acidity along with sweetness. The last fragrance is called Fruity Aoud, which smells of raspberries and strawberries mixed with oud. Now with the Parfums De La Nuit collection, you enter a different world. These three fragrances are rich, warm and sensual. I thought about the night, friends I know at night, and about how we do things in the night that we would never do in the day. I thought about three different characters – the first one is a very confident person who walks into a restaurant or bar, and you can feel how self-confident this person is. The second, Parfum De La Nuit 2, is based on a character that seduces in a soft way.

The third fragrance is about an exotic-looking person who doesn’t even know that they have seduced you.

This might sound arrogant, but wherever my perfumes are sold, they rank in the top three with no advertising. They sell on their own merit.

Tell us more about the inspiration behind A Goodnight Kiss.

The idea of this fragrance is based on my mother, who passed away in 2009. I wanted to pay a tribute to her and for about two and half years, I wanted to create a perfume based

What, in your opinion, draws customers to Roja Parfums?

Maybe it’s because they don’t see my brand advertised, and human beings are curious by nature. Another thing is that if you look at the cap of the Roja Parfums bottle, it is made of Swarovski crystal, which catches your eye. If you walk behind a woman wearing Louboutins, you’ll know it just by the red sole under the shoe. It’s the same with us.

Can you tell us more about the fascinating packaging of your perfumes?

Our award-winning craftsmen make every Roja Parfums box by hand.

The box’s interior is lined with hand-pleated silk, or crêpe de Chine.

The base of one of our boxes takes 40 minutes to make by hand. The paper on all the boxes uses copperplate foil and is then embossed. We now have my signature on each box. It’s a fiveday process to set the 14 Swarovski crystals on each cap by hand. Our bottles are manufactured in France, while each pure gold detail is heatimprinted on the glass by hand in England. The stoppers, made by forging gold particles into the metal, create a highly reflective finish on which the brand name is stamped. It’s all about the details. You’ll notice that the caps of the Parfums De La Nuit collection look silver, even though all our caps are black. The idea was that if the moon was shining on them, the moonlight would turn them into this colour.

What factors should people consider before purchasing a perfume?

on my memories of her, but I felt it was too personal a story for everyone to relate to. Then,

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It’s easier to say what they shouldn’t look out for. Don’t just buy the latest thing. If there is

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Parfums De La Nuit

a big promotion, don’t go for it because do the stores really care if the product is the best one for you or not? My advice would be to look through the magazines that you trust, and jot down the names of some perfumes that sound nice. Editors generally put in some popular products along with some esoteric ones, which is a nice balance. Go into a perfume store with your list. Spray some fragrances on blotters and write down the name of each on the back. Don’t smell them just yet. Take your blotters into a coffee shop and smell them. Ask yourself which one you like the most without looking at the name. You will end

What perfume would you recommend a man to wear to an official meeting, a formal dinner, and casual family outing?

My choices for the same would vary as I have very different yet discrete tastes. A man should wear Vetiver for an official meeting because, according to me, it’s how a confident man should smell. For a formal dinner, I would use something like Parfum De La Nuit 2 because there is something very sensual about dinners – people are all dressed up and it’s very easy to get seduced by the whole occasion. For a casual family outing, you could wear something like Reckless because you

up with one or two perfumes in the end. Then go into the shop and spray some on your skin.

want something that’s carefree but in the end, most men do something just a little bit reckless. Not all men… but many.

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DIALLED IN

DIALLED IN Chronoswiss is reputed for its precise, balanced and handcrafted dials. CEO Oliver Ebstein and his wife Eva led the company in a new direction when they took over the respected watch manufacturer. Here, Ebstein talks about the brand’s uniqueness, future plans, and strategies to keep its core DNA alive

German master watchmaker Gerd-Rüdiger Lang founded Chronoswiss in Munich, Germany in 1983. Highly attentive to detail, he was known for lavishing upon grand intricacies to the crowns, bezels and case bands of his watches. Even today, three years after the Swiss watch manufacturer restructured with a shift in headquarters to Lucerne, Switzerland, Chronoswiss watches continue to be known for their beautiful proportions and traditional dials.

How does your experience in diverse fields such as food, pharmaceuticals and finance help you connect to the world of timepieces?

It’s an inherited love for watches and watchmaking. I have been a watch lover all my life. I come from a watch-loving family whose discussions revolve around watches and cars. I’ve learnt that if you love something, you have to be careful not to go ahead with every possibility just because you can create any watch that you want – you need to stay focused on what’s required. You cannot miss the point of the brand DNA, which is very clear. It’s very difficult to stop yourself from being ambitious, but you need to remind yourself to focus.

What makes Chronoswiss a distinguished brand compared to other Swiss watchmakers?

It’s the history of Chronoswiss and its guilloche dials that make the company stand apart from the rest. A watch is an instrument but the proportions are important. People fall in love with a Chronoswiss because of the precise dial. Sometimes, it takes us weeks to make a decision once we have a design in place. Watchmaking is like architecture – you

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need to have a feeling for the dial, which is a proportional thing. Even if you go back 30 years, the minute hand of the Chronoswiss watches needed to be on the minute and the second hand on the second. The team at Chronoswiss puts a lot of emphasis on executing the design of the dial. We are a niche brand and the dial is how we can be different in our own design language.

What have been the challenges in positioning Chronoswiss as one of the most sought-after brands in the world?

We have enjoyed success, but it’s an ongoing process. The challenge is to concentrate on a few pieces to make them iconic instead of having a large collection. Before we took over in 2012, the collection of Chronoswiss watches had grown in the face of competition. The management had come up with additional models that, at times, didn’t correspond to the look of Chronoswiss. Since we took over, we’ve gone from 140 to 80 references. It’s a challenge to say that we don’t want to produce certain models in the future, but I hope to reach just 50 references, which is a nice collection for a brand of our size. I’m surprised when I look at other brands that have a collection of 200 or 250 pieces. Such brands want to cater to everyone. The reality is that sometimes, you cannot cater to the Chinese, the Indonesians, the Indians, the Germans and so on. You need to find your language and then stick to it.

Chronoswiss watches are recognisable by certain design features. Please elaborate on this.

Oliver Ebstein, CEO - Chronoswiss

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The onion-style crown, the semi-fluted bezel and the screw-in lugs have remained

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DIALLED IN

“The onion-style crown, the semi-fluted bezel and the screw-in lugs have remained the unmistakable design features of a Chronoswiss watch for the last 30 years.”

OLIVER EBSTEIN

the unmistakable design features of a Chronoswiss watch for the last 30 years. Our mechanical “Swiss Made” timepieces continue to be

Which country, other than Switzerland, has mastered the art of crafting exclusive timepieces?

manufactured with components from select Swiss suppliers, and many of the models feature exclusive manufacture movements. We’ve always been passionate about precise handmade dials. Whether you look at our current watches or those from 30 years ago, you will know they are Chronoswiss.

There was a man showing his watches at Basel World in 2013 or 2014. He created all his watches out of wood – including the movement – which is mindboggling. There are some good watchmakers in England and the US.

Tell us more about the uniqueness of the Sirius Lion Heart timepiece.

Every year, we try to design a watch with a symbolic meaning for a charity auction. The Sirius Lion Heart was one such project in 2014 for the Make-A-Wish Foundation. After a gentleman from China bought the watch, the proceeds went to the foundation. Its uniqueness lies in the dial. The lion stands for the Lion of Lucerne, a symbol of strength.

We felt that it stands for the children who have a very difficult destiny.

Can you shed light on the Ouroboros timepiece and the message it communicates?

We came up with a watch for the Only Watch charity auction this year. The Ouroboros is a quarter repeater with a solid 18-karat white gold dial that features a hand-engraved Greek dragon devouring its own tail. This three-dimensional representation of the doubleheaded serpent stands for eternal re-creation. The inner part of the dial is adorned with a côtes de Genève pattern in galvanic anthracite.

Balance is an important element when we make a Chronoswiss watch. A watch can get out of balance very easily if you put in too much.

Lately, even the Middle East has been witnessing an increase in the number of watch connoisseurs. How has the market received your timepieces?

The Middle East is a very important market for Chronoswiss because the people here have a distinct taste. It puts us on the edge of the extreme to cater to the extravagant preferences of this market. They want something different, unlike other markets in which people want the same thing as their neighbour. Here, the more unique and customised the timepiece is, the better. The Middle East was our first market for individualised pieces two years ago. Besides the locals here, even the Indian, Russian and Chinese populations are interested. From this point of view, it’s an exciting market for us.

Give us some important criteria that watch aficionados should consider before purchasing a timepiece for pleasure or for an investment.

It’s an individual thing. I, for one, collect for pleasure. That’s how I started collecting. I look at the watch and the emotions attached to it.

It’s a different way of collecting if you buy for investment purposes.

There are some nice brands that create handmade watches with a great finish and keep the production run low. It makes them special. Today, however, you see 1,000 pieces of a limited edition watch, which is nothing special for me. People are buying them because they think it’s a good investment but if you collect because you love a unique timepiece or buy from a manufacturer that produces a low volume of watches, then that’s exclusive.

How long have you been associated with Only Watch?

Chronoswiss first participated in the Only Watch auction two years ago. We created The Three Apes, a watch dedicated to the traditional crafts of guilloche main, skeletonisation and fire enamel. The apes are a symbol of denial, a typical human reaction to disease. We wanted to create awareness for the cause of muscular dystrophy. Sometimes, when the kids have gone to bed, my wife and I think about these kinds

Any plans of future expansion for the brand?

We believe in growing organically. For now, we plan to stay and expand in the markets in which we already operate. I have been asked if we

of timepieces because watches and time are very symbolic. It fits us well to introduce one symbolic watch every year.

plan to go to India. I would love that and we are currently in talks with a gentleman about this matter.

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BENTLEY 1.Equestrian Blanket 2.Blower Cashmere Scarf 3.St James Red Tibaldi GT Rollerball

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4.Heritage Race Backback 5.Bentayga Gear Shift Cufflinks 6.Tail Light Cufflinks

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PAL ZILERI 1.Single breasted smocking Jacket 2.Cachemire Sweaters 3.Brown Calfskin Messanger Bag

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DUNHILL 1.Blue and Silver Keychain 2.Navy Leather Keychain 3.Pink Gold Cufflinks 4.Avorites Cufflinks 5.Albany Single Doc Case

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BERLUTI Toys for Boys

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Playtime (fringes) Neutro shoes

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ESSENTIALS

SCENT OF THE SEASON The Molton Brown Tobacco Absolute Collection for men evokes the sensual, earthy notes of the tobacco plant and is lifted by hints of citrus

Molton Brown has got men covered this season with the launch of the Tobacco Absolute Collection, comprised of an eau du toilette, a bath and shower gel, and deodorant. The collection’s hero ingredient, tobacco, is sourced from South America and lends the collection a nuanced, earthy and profound scent. “Tobacco Absolute is a complex, warm combination of woods, Paraguayan tobacco, balsam and musks lifted by a hint of citrus,” explains the scent’s creator Elsa Chabert of Fragrances Essentielles.

Argentinian grapefruit and bergamot for a subtle though decisive freshness,” Chabert goes on to say. Molton Brown has been blending scents to perfection since 1973 and has stayed true to its promise of uncovering the world’s rarest ingredients sourced from some of the most exotic locations across the world. Its latest Tobacco Absolute Collection is inspired by a British botanist Dr. William Houstoun who discovered a tobacco plant specimen in South America.

Evocative of London’s famed botanical gardens as well as of

“The mature authenticity of Tobacco Absolute balances the sensual depth of Peru balsam as it intermingles with

the pioneering spirit of discovery, the new men’s collection makes for the perfect gift for him this season.

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FOR HER

A TWISTED TALE

Creating contemporary and comfortable attire – especially for travel – Latifa Al Gurg’s brand, Twisted Roots, resonates with her story. Taking a successful leap from engineering to fashion, Latifa gives her roots, a new look

Travelling and exploration often go hand in hand.

Escaping from the monotonous routine of city life, travel often opens new avenues to relax, rejuvenate and re-identify us. Lately, much attention has been paid towards making leisure trips as comfortable as possible. However, appropriate and comfortable travel clothing, especially for Arab women, has not been paid much attention to.

Understanding this gap in the market, Latifa Al Gurg launched her brand, Twisted Roots, in 2014 to fill the void between fashion and travel wear. Signé converses with the designer to discuss her brand, sources of inspiration, and Green Tea collection.

You started Twisted Roots in 2014. What inspired you to start such a brand?

Actually I started planning the launch of Twisted Roots in 2012, and then officially launched the same in 2014. The ideology behind its conceptualisation came out of a personal need. I travel a lot with my family and being an Arab, I like to maintain an appropriate dress code, even during my travels. To my surprise, I couldn’t find one place where I could get long tops with matching pants and a scarf. That’s when I decided to launch a brand that serves this need and goes beyond travel, while also translating into everyday comfortable wear.

From a client’s perspective, what distinguishes your brand from the rest in the market?

Concept and quality are the two most distinguishing aspects of our brand that clients identify us with. All our fabrics are custom-dyed for us and certain fabrics are specifically woven only for us. We work with a mill in China that develops a special type of silk that cannot be found elsewhere. It’s gaining popularity in the market and we have orders for making more, too, so we are doing quite a few things that our regional market hasn’t witnessed before.

Your latest collection, Green Tea, is inspired by China. Tell us more about it.

I have been fascinated with Chinese culture for a while now. Having read a lot about the Chinese, I have developed a liking for their thinking and lifestyle. It’s interesting as it’s all about going back to nature, and how beautifully food integrates itself into nature and our living. The green used in the collection is, hence, a very earthy green, the blue is like the Ming blue, and the whites are like the chinaware whites. The lotus, as being an integral part of their nature and even food, also inspired me. We decided to redraw the lotus pattern and developed our own designer patterns. The shirts are inspired by the Chinese canons and rooftops browns you find here. It’s all about China.

How has your engineering background helped you in establishing the brand?

It has actually helped me analyse situations critically and take appropriate measures in times of difficulty. It’s a lot easier for me to break things down into steps and work on a devised plan of action. It also taught me how certain patterns are made and which ones work for which areas. Instead of being a challenging impediment, it empowered me to think more prudently.

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Since you design clothes for others, do you prefer to carry a certain look that is conveyed through your dressing?

I am someone who is totally into comfort wear, so on a daily basis, it has to be jeans and T-shirts for me. However, I do go through phases during which I like certain colours for a while. In my opinion, our tastes change throughout our lives Latifa Al Gurg

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according to what surrounds us. The trendiest things are certainly not my take, but I like to

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FOR HER

“Where liking is concerned, I like to travel to places that are culturally rich – places where I can allow myself to get absorbed in the country’s heritage and lifestyle” L AT I FA A L G U R G

wear different patterns or colours. Keeping it classic, minimal and clean is my mantra for clothing.

Apart from your own, which are other brands that you like to shop for clothes, shoes and handbags?

I like the jeans from Rock & Republic, and for handbags, my latest favourite is Nathalie Trad. I am a big fan of her stylish clutches. I don’t have any particular favourites when it comes to shoes as I keep changing them. They have to, however, represent the aesthetic of the season. I like things that are quite plain, generally.

What is one thing that you must have during the day?

I need to have an agenda to plan things out accordingly. In addition to this, I need to have my three minutes of introspection every day to reflect on my day’s activities and accomplishments, as well as tasks for the next day.

What would be your choice of clothing and jewellery for the following situations?

A corporate event: I would wear an abaya with clean lines, a bit of colour and minimal accessories. I’d wear a statement shoe to go with it.

A friend’s wedding: Classic with a twist – a long gown with clean cuts and quality stitching would be my choice for the evening. I am obsessed with heels even though I don’t wear them daily, so a Tom Ford statement heel would be great.

A family picnic: Jeans and long tops from the Twisted Roots collection.

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If you get an opportunity to go back in time and live in a particular era, which would it be and why?

I wouldn’t want to travel back into any era as it is really hard for me to imagine myself anywhere else. This is such an interesting time as technology is evolving so fast and it feels that everything is possible right now, so it’s relatively harder to go back in time when it was not so interesting. Sometimes I do feel a quiet life, probably when we weren’t so technologically-driven, would be good… but when I feel that way, I travel to Denmark – my home country – to find the muchneeded balance.

Where do you like to travel for holidays?

I like to discover new places. There is nowhere you could ask me to travel to that I would refuse. Having said that, I’ve been trying to plan a trip to Antarctica. Where liking is concerned, I like to travel to places that are culturally rich – places where I can allow myself to get absorbed in the country’s heritage and lifestyle. Probably nothing interests me more than that.

As winter is approaching, what are some style tips you would like to share with our readers?

It’s all about layering. Since the temperatures inside and outside vary quite a bit, layers of clothing would be easier to handle than heavy clothing. One should make sure that despite it all, she shouldn’t look cluttered. A camisole with a top, a sweater, an overcoat and a scarf would do just fine.

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REBUILDING HOPE

REBUILDING HOPE Italian luxury house Bulgari continues its collaboration with Save the Children to bring hope through education to those directly impacted by the Nepal earthquake.

On a recent field visit to the country, Bulgari’s celebrity ambassadors met the children who have directly benefited from this initiative

After the earthquake in Nepal struck on April 25, it was estimated that several thousands of people had died, while tens of thousands of people had been injured.

Since this devastating natural disaster, a large number of children were also left without homes. Help in any form was the need of the hour. In response to this emergency situation, Bulgari CEO Jean-Christophe Babin stepped in to display a strong commitment to the affected children of Nepal. It was his donation of half a million Euros that enabled Save the Children, an international non-governmental organisation that promotes children’s rights, to immediately scale up its response in a bid to meet the critical needs of the children in distress.

Bulgari has worked alongside Save the Children for the past six years. During this period, the Italian luxury goods and jewellery house has committed more than 30 million euros, which has helped to bring immediate and lasting change to the lives of 700,000 children. The longstanding campaign between Save the Children and Bulgari is based on selling a silver and ceramic pendant and ring that bears the Save the Children logo at the price of EUR450, of which 75 euros are donated to the NGO. Bulgari’s immensely popular and successful line of jewellery called B.zero1 has continually inspired these pieces of jewellery that are sold to raise funds for the campaign.

To put things into perspective, projects facilitated by Save the Children and supported

by Bulgari have been created in 25 countries across five continents. To date, the Bulgari-

vulnerable, disadvantaged and marginalised children in areas where natural disasters, wars or conflict, disability or poverty might possibly hinder or entirely destroy their right to education and a better future.

A group of Bulgari ambassadors visited Nepal six months after the earthquake.

Comprising Oscar-winning actor Adrien Brody, renowned Italian actress Isabella Ferrari, Spanish model and actor Jon Kortajarena, and HSH Princess Lilly zu Sayn Wittgenstein Berleburg, the group interacted with the children who were directly impacted by the earthquake in the districts of Kavre and Sindupalchowkh. “The boys and girls I met in Nepal were gentle and kind and full of dignity,” said Brody. “Save the Children provides a place for these young minds to flourish. Education affords the tools for selfreliance, and I remain impressed by Bulgari’s commitment to helping these children.”

Ferrari, who featured in the Oscarwinning film The Great Beauty, treasures and holds close to her heart the memory of watching strong women nursing their babies during a visit to a safe space run by Save the Children and supported by Bulgari.

“They lost all they had, but they live day by day aiming to rebuild for their children what the earthquake took away from them,” she said. Being a mother herself, HSH Princess Lilly zu Sayn Wittgenstein Berleburg was also moved by the children’s extraordinary resilience. “The work of the Save the Children educators is crucial to help the youngest victims recover trust and serenity.

The support of Bulgari is fundamental to

teachers within the various Save the Children programmes and learned about how the luxury brand and social organisation have jointly helped during the Nepal crisis. They witnessed, firsthand, the results of activities executed by Save the Children and funded

by Bulgari. As per records, over 28,000 children in Nepal benefited from a series of humanitarian efforts that came about due to the partnership.

Bulgari’s ambassadors came away with knowledge of how the Italian luxury house continues to help build a pathway of recovery in crisis-ridden regions, especially through supporting the education programming facilitated by Save the Children. Spanish model, actor and Bulgari ambassador Kortajarena referred to the people that work to make these children’s lives a little better as real heroes. “Because of the earthquake, many children were separated from their families,” he explained. “I was deeply moved to see how Bulgari is supporting Save the Children to establish reunification programmes and how they built schools for children so that they could continue getting an education, giving them a chance to forget their extreme situations and to allow them to be happy again.”

Earlier this year, Bulgari had partnered with Save the Children to facilitate yet another initiative on behalf of the international NGO. Kicking off Oscars week, Bulgari launched STOP.THINK.GIVE, a portrait collection of celebrity supporters of the Bulgari-Save the Children campaign were photographed beautifully by famed photographer Fabrizio Ferri. The funds collected yet again helped

Save the Children campaign has given a range of opportunities to some of the most

give these children a promising future,” she added. The ambassadors also spoke to

to bring hope and smiles to the faces of many young children across the globe.

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C E L E B R AT I N G T H E S P I R I T

CELEBRATING THE SPIRIT Frédérique Constant honoured five inspirational women for their humanitarian efforts at Variety’s Power of Women event. As its Charity Sponsor, the Swiss watchmaker presented each honouree’s charity with a new model from its Ladies Automatic Heart Beat collection to be auctioned off for philanthropic causes

Passion, a value that defines the philosophy of Swiss watchmaker Frédérique Constant, shines through the craftsmanship of its watches. Established in 1988, the brand creates beautiful, handassembled and high quality watches with precision design. Its slogan “Live your passion” is also evident in the watch house’s passion for giving back to society, particularly to charities related to women, children and the heart. From its partnerships with the World Heart Federation, the American Heart Association and the International Children’s Heart Foundation to the Paint a Smile Foundation, the Par Coeur Association and scholarships for students, Frédérique Constant has contributed to a host of charitable initiatives over the years. The Swiss watchmaker’s continued sponsorship of Variety magazine’s Power of Women events is yet another indication of its pursuit of giving back to initiatives that directly impact women.

Earlier this year, Frédérique Constant supported its ninth instalment of the famed luncheons that are a part of Variety’s Power of Women event. Taking place at the Beverly Wilshire Four Seasons, it lauded an intimate group of Hollywood’s most philanthropic women who were selected as Variety’s ‘Lifetime Impact Honourees’. A total of 500 invite-only guests, including Hollywood insiders, attended the event. The honourees for 2015 includes five women who have made

Among the honourees are actress Salma Hayek Pinault for her global campaign CHIME FOR CHANGE that works towards speaking out for girls and women around the world, actress Gwyneth Paltrow for her non-profit organisation L.A. Kitchen that works to give real food to those who need it, and actress Anna Kendrick for her support to The Trevor Project that focuses on suicide prevention efforts among the LGBTQ community. Also on the list of honourees is media mogul Oprah Winfrey for the Oprah Winfrey Leadership Academy Foundation that provides a nurturing educational background for academically gifted

Frederique Constant 2015 Ladies Automatic Heart Beat

a significant impact on their chosen causes through humanitarian efforts.

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girls from disadvantaged backgrounds, and YouTube CEO Susan Wojcicki for her dedicated support to the Room to Read organisation that aims to improve literacy and gender equality in education in developing countries.

As the sponsor of this prestigious event, Frédérique Constant donated watches from the brand’s core collection – the Heart Beat. Each of the honourees’ charities were presented with a Frédérique Constant Ladies Automatic Heart Beat watch to be auctioned off for the benefit of their respective causes.

The Frédérique Constant Heart Beat line of watches, the signature of the brand, showcases

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Frederique Constant Charity Sponsor of Variety Power of Women Los-Angeles Honorees

the mechanical intricacies of the Geneva-based manufacturer through its iconic open aperture.

“Thanks to the dedicated work from our partner charities and to our brand’s engagement, we hope that all together we are able to improve the lives of many people,” said Aletta Stas, COO and co-founder of Frédérique Constant. “By purchasing one of the latest models of our Ladies Automatic collection, you will not only feel the joy to have a beautiful timepiece on your wrist, you will also contribute and help people who need it the most, which will give an inestimable value to your watch.”

The open circular aperture on the silver dial, set at the 12 o’clock position, invites the

the Ladies Automatic Heart Beat collection.

The dial, no less stunning, is made of silver mother of pearl with guilloche decoration and eight applied diamonds as hour markers.

Looking through its open-case back, one sees the FC-310 automatic winding movement that features 26 jewels.

Among the latest models in the collection that were presented to the honourees are timepieces with variations in their cases and bracelets – one of them carries a polished stainless steel case with grey alligator strap, while another is presented with a stainless steel polished bracelet. Yet another model is the polished rose gold-plated stainless steel case that is complemented by a pink alligator

with a white alligator strap. All the timepieces offer a 38-hour power reserve, and the Heart Beat, hours, minutes and seconds functions of these watches are adjustable through the crown.

As Variety magazine and Frédérique Constant paid tribute to the philanthropic efforts of the five inspirational women, the gathering of select invitees joined in to celebrate and support their personal commitments to fostering change. For Frédérique Constant, a brand that has been engaged in supporting charities by donating $50 from each watch sold from the Ladies Automatic Collection since 2004, this event was yet another shining example of the

wearer and the beholder to take a look at the mechanical nature of these watches from

strap. The fourth model in this collection has a polished rose gold-plated stainless steel case

limitless outcomes of harnessing fame and power for the good of society.

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MASTER OF SPEED

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MASTER OF SPEED

Maurizio Arrivabene has been putting Scuderia Ferrari team amongst the leaders of speed at the Formula One since 2014. Bestowed with another honour as the ambassador for Hublot, sitting over an exclusive interview with Signé, Arrivabene talks about his passion towards racing and the alliance with Hublot – Ferrari’s time-tested partner

In its new visual communications campaign that was recently unveiled in Milan, Swiss watchmaker Hublot

marque, the suave and soft-spoken Italian has been successful at revitalising the team. In fact, even before he was appointed into this

highlighted its shared history with Ferrari. Revolving around a theme that explores what exactly makes a legend, the discreet and stylish campaign was developed by Julien Vallon. One cannot miss the star of the campaign – Maurizio Arrivabene, Scuderia Ferrari’s team principal – in a beautiful shot taken on the roof of Ferrari’s storied Maranello headquarters, home to both the Italian sports car manufacturer and its reputed racing team. On his wrist is an 18-carat gold Hublot Classic Fusion Ultra Thin, a watch that bears the distinctive hallmarks of the brand’s refined sober design of the Classic Fusion collection.

The watch isn’t exactly a typical Hublot design, and cannot in any way be compared to the more rugged dials of the Hublot Big Bang collection. Although it retains the watchmaker’s instantly recognisable dynamic and modern codes, the Classic Fusion Ultra Thin is an extra-thin watch with a 45mm diameter. Hublot describes this watch as something completely new for the brand, and while the first Classic Fusion line launched in 2010 is a throwback to Hublot’s classic watches of the 1980s, this new launch exhibits a marvellous balance between the extra-thin look, the art of watchmaking, and a very contemporary look. “Wearing a Hublot watch on my wrist is a good sign because I care a lot about design. I like that my watch has been made well, and that it is interesting in terms of the creative approach that went into it. I am proud to wear it,” says Arrivabene of his role as Hublot’s ambassador.

It has only been just over one year since Arrivabene was named

position, he was no stranger to Formula One. As a senior executive at Philip Morris International, he had been closely involved with the sponsorship of Scuderia Ferrari. He also sat on the Formula One Commission, representing all the sponsors since 2010. Alongside making invaluable contributions to the Italian carmaker, Arrivabene has been juggling his new role as ambassador for the Swiss watch brand Hublot with a grand sense of finesse.

It’s a fitting role considering the fact that both Ferrari and Hublot are pioneers in their respective fields. Given their shared respect for tradition and the belief that the future is shaped by an ability to innovate, Hublot and Ferrari have enjoyed a lengthy and fruitful association. The two legendary brands have been in a longterm strategic partnership since January 2012, and Hublot has since been the official watch and timekeeper for Ferrari. Hublot’s iconic Big Bang watch, which was launched in 2005, best epitomises the ‘art of fusion’ first invented by founder Carlo Crocco in 1980. As Hublot and Ferrari then joined hands in 2012, it was only natural that the two would go on to collaborate on something big. Hublot had unveiled a new material called Magic Gold to the press in 2011 and some of the first watches to be made from this unique, scratchresistant 18-carat gold were, in fact, presented in a very limitededition Big Bang Ferrari series at Baselworld 2012. Reflecting the two brands’ shared DNA of innovation, technology and exclusivity, it remains a notable collaboration more so because the Big Bang itself is a disruptively bold creation that spearheaded a change in the

Team Principal of Scuderia Ferrari. Responsible for sporting management at the racing team division of the Ferrari automobile

notion of a luxury sports watch. New synergies between the brands have since been created, including the latest with Arrivabene.

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“I’m just a wild, educated man… and I want to remain like this forever” M A U R I Z I O A R R I VA B E N E

He goes on to explain that if a comparison between Ferrari and Hublot were to be made, one would come away with nothing but similarities.

“When I visited the Hublot factory in Nyon one day, I went through all the different departments of the watchmaking process at the company. The parallel between the two brands is so strong because of the attention to detail. The team at Hublot designs and assembles every single watch very carefully. The people who work at Hublot do this with a great passion. You can see the same attention to detail in the racing department of Ferrari.

It is evident in how we design and assemble every single piece of a Ferrari engine, so there’s a huge link between what Ferrari does and what Hublot does,” says Arrivabene.

“Hublot and Ferrari collaboration was in very specific key areas,” explains Arrivabene. “It is basically cooperation related to the use of special materials. It is also cooperation in terms of design. These are the two main areas where we have collaborated with Hublot.” One thing’s for sure – given the peerless league that both Hublot and Ferrari belong to, both brands share a vision to constantly improve performance, innovate and develop pioneering materials.

A good example of this would be the recently launched MP-05 LaFerrari All Black watch that was entirely designed, styled and developed

by Hublot’s engineers and watchmakers. It doesn’t quite adhere to Hublot’s signature designs, and this is what makes this timepiece decidedly different. A pure work of art, the watch is a limited-edition version of the well-received Hublot MP-05 LaFerrari that was conceived and engineered by Hublot and Ferrari in 2013. The original model was created as a homage to the bold design of the LaFerrari supercar. Also drawing inspiration from the lines of the iconic car, the limited-edition version is highly distinctive with sapphire crystal. A total of 11 barrels are set in line to form the backbone of the watch, while the movement displays the time on cylinders. The movement contains 637 components, which accounts for more parts than the movement of any Hublot watch to date. It also sets a record for a manually wound tourbillon wristwatch, thanks to its 50-day power reserve.

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“I have always loved design. Since I was a child, I tried to design my own interpretation of Formula One whenever I found a piece of paper, so you can say that it all started from there.”

M A U R I Z I O A R R I VA B E N E

Keeping Hublot’s philosophy of fusion very much alive is the newly launched Big Bang Ferrari Carbon. Following on Hublot’s success with Magic Gold, the Swiss watchmaker yet again surpassed expectations when it launched the Big Bang Ferrari Carbon in March, 2015. Six months of research and development went into the creation

Just like he brought years of invaluable experience and business acumen to the Scuderia Ferrari team, Arrivabene finds it only natural to bring something to the table in his new role at Hublot. “Hublot asked me what I thought about the watch and what I would like to change due to the fact that I’m quite passionate about design and fashion. I like to

of an exclusive composite formulated by combining carbon and metal, two components that are incapable of forming an alloy. This original composite has been used as a dual-material signature on the carbon bezel encrusted with gold or titanium. The watch has been fitted with Hublot’s trustworthy Unico movement, presented in an All Black version for the first time.

Arrivabene knows the importance of teamwork between the racing departments and the Italian team’s drivers. A proven leader with a voice of experience, tradition and success, he had set the team a target of winning two races in this season – a goal already accomplished. The turnaround is fast happening, majorly due to changes that include the debut of the Ferrari SF15-T in the 2015 Formula One season. In addition to the drivers’ performances and skills, the team’s progress can in part be credited to the amped up V6 turbo hybrid engine, and more importantly to Scuderia Ferrari’s keen attention to its chassis and tyres.

“Ferrari is Formula One and Formula One is Ferrari. I can’t imagine a bright future for Formula One without Ferrari,” sums up Arrivabene.

“There may be a year when we don’t win races, and another year when we do win, but all around the world and not only in Monza, one sees red shirts and caps everywhere.” Given that the Italian Formula One Grand Prix is held at the legendary Monza circuit, the event is Ferrari’s home race. Hublot even invited journalists and friends of the brand to experience a multi-faceted tour of the venue to coincide with the 55th edition of the event. It turned out to be an immersive experience that

give them my input,” he says. “After all, design is design – design being creation, ability and creativity,” responds Arrivabene, when asked whether the two worlds of racing and watchmaking involve different aspects of design or whether they collide. “I have always loved design.

Since I was a child, I tried to design my own interpretation of Formula One whenever I found a piece of paper, so you can say that it all started from there. My father was a big supporter of Ferrari, and my passion for Ferrari really came from him. I used to hope and imagine that I would meet the racing department of my father’s dream team one day,” he reminisces. Living this hope of his father, Arrivabene has truly accomplished, what to others would only be imagination.

The world might look at Arrivabene as a leader, a trendsetter and an achiever when it comes to both racing and watches. “It’s not what you wear that makes you successful. If you can be successful at what you do, then you are successful,” he maintains. There is another side to the man, a side that most racing and watch aficionados might not be acquainted with. “My wife accuses me of the fact that my passion is work, but I also have other interests like music and going hiking alone.

I like to go out into the mountains and even spend the night there alone because it helps me to find myself and to really feel like myself,” he admits. He doesn’t mince his words when asked whether Hublot and Ferrari fans could expect a Maurizio Arrivabene-themed Hublot watch. “I’m a person who has my feet on the ground. My mantra in life is humility, so I don’t really want anything like that. I don’t have any reason to do such a thing nor am I one of the most famous people in the

included time well spent in all areas, from the stand to the paddock, and the start line to the final podium.

world. I’m just a wild, educated man… and I want to remain like this forever,” he signs off.

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WHEN SPEED MET TIME

When Speed Met Time Hublot and Ferrari have been pioneers of their respective fields of expertise for decades.

The two renowned brands have, however, time and again come together to present different pieces, reaching the zenith of excellence. Signé takes a closer look into the different manifestations of the Hublot-Ferrari alliance

The last seven decades have seen Scuderia Ferrari consistently holding majority of the records at Formula 1 racing.

Triumphing over challenges and pushing back the boundaries, Ferrari has created a mark for itself in various fields. Hublot, on the other hand, also belongs to this peerless league and also has a list of records to its credit.

When the two brands come together, they create history. Leaving behind their impressions on the sands of time, the duo have given us some of the finest timepieces representing the glorious heritage of both the brands.

BIG BANG FERRARI CARBON Presenting its exclusive composite, combining carbon and metal – two components incapable of forming an alloy, Hublot launched the Big Bang Ferrari Carbon collection. The original composite of the same, with its innovative style is employed as a signature on the bezel of the watch. With gold or titanium encrusted on the dual-material carbon bezel, the Big Bang Ferrari Carbon plays on contrast. The timepiece is also, interestingly, fitted with Hublot’s Unico movement, presented in al All Black version for the first time. Scuderia Ferrari and Hublot love rising to a challenge, and demonstrating the power behind the technological advances they have achieved.

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MP-05 LA FERRARI ALL BLACK Echoing the lines of the car, the sapphire crystals added the much-needed distinctiveness to the timepiece. Furthermore, eleven barrels were set in line to form the backbone of the way, and the movement displayed the time on cylinders. With about 637 components, the movement contained more parts than any other movement made by Hublot.

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BIG BANG FERRARI SPECIAL CERAMIC Expanding its classic Big Bang Ferrari series, Hublot released another watch in deluxe ceramic material. Encased in a microblasted zirconium oxide ceramic, the watch is an engineered variation on ceramic and is resistant to cracks. The 45mm shell protects the internal mechanism.

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A WHOLE NEW WORLD

A WHOLE NEW WORLD Held within your palm, as your fingers scroll through the screen of the New Signature Touch by Vertu, you enter the world of exclusive services – never seen before. From a 24-hour dedicated concierge to a curated list of global experiences, the phone is, but, a passport to an endless world of possibilities.

We explore some distinguished services the phone provides P H O T O G R A P H E R : V I S A K A VA R D H A N MODELS : NEEL SHUKLA AND OMAR SAIDEH L O C AT I O N C O U R T E S Y : G R A N D E U R , D U B A I

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A WHOLE NEW WORLD

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CERTAINTY Keeping your personal data secure at all times, yet ensuring it is available to you throughout, is an important offering of the New Signature Touch. You can now sync all contacts through iCloud when required, remotely find your phone when lost and connect to the iPass – the world’s largest global Wi-Fi network – through a 12-month complementary access.

Through their expert services and cutting edge technology, the New Signature Touch provides you, not a phone but an experience of a lifetime.

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A WHOLE NEW WORLD

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CONCIERGE Taking care of your travel needs across the globe in a personalized manner is Vertu’s dedicated concierge service.

The New Signature Touch comes with a complimentary subscription for 18-months to this exclusive service wherein the lifestyle manager provides you with discrete assistance 24/7, tailored to your needs.

Using his local knowledge of the best services to avail, the lifestyle manager will recommend and facilitate every request of yours perfectly. Connecting through these managers is also easy through live chat, email or telephone.

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LIFE Adding moments that one would cherish forever, this service provides privileged access to the extraordinary via a carefully curated selection of exclusive experiences.

Matching the discerning yet diverse tastes of Vertu users, Life offers a variety of experiences from entry to special limited entry events to dining and more.

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A TIME TO SOAR

A TIME TO SOAR Bell & Ross was present at the 14th edition of the recent Dubai Air Show, signifying its longstanding relationship with aviation. Barbara Pradal, International Brand Representative for Bell & Ross, talks about the brand’s identity, the Middle Eastern market and more in an exclusive conversation with Signé

Since Bell & Ross was launched in 1992, the French watchmaking company has maintained its link to the world of aviation. Some of its earliest pieces

a lot, and it has now been eight years since I’ve been working with the company.

right up to many from its current collections have been designed to replicate the shape of a cockpit instrument. Its iconic BR01 timepiece, launched 10 years ago, best symbolises the strong connection. This watch, along with other Bell & Ross timepieces, has a unique identity and appeal that’s mirrored in its four design principles – highly accurate Swiss mechanical movements, clear visual indicators akin to those found on aircraft instrument panels, optimal water resistance, and special functions for specific uses.

background.

I grew up in Saudi Arabia, but I went back to Europe to continue my studies. I took a course at an international business school, and started working at an aviation agency that handled many famous brands like Eurocopter, NetJets and Marquis Jet. I was responsible for marketing and communication strategies for these brands,

Tell us about your professional

You have a background in aviation and watches. What made you choose aviation and then enter the field of watches?

The link between aviation and Bell & Ross is very strong. I am really passionate about innovation, fine engineering and the mechanism of things. I am also passionate about beautiful watches, cars and aircraft. My objective was to enter the field of aviation. I’d also always wanted to join a watch brand and with my experience in communication and my background in aviation, I joined Bell & Ross.

The business course that I pursued taught me

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and one of my first work experiences was at the Paris Air Show. I joined Bell & Ross four years later, in 2007. Here, I first took care of the advertising activity worldwide and set up my own team. Three years ago, I was put in charge of the communication of the brand in the position of Communication Director.

How distinct are these two industries, and what similarities do you find between them?

Aviation and watchmaking, particularly Bell & Ross, are similar worlds. In the luxury world, your product needs to be perfect in terms of innovation, quality, precision, mechanism and preference. Innovation in the military world is exactly the same. There is a synergy between the aviation and watch industries with regards to performance, quality and precision. Bell & Ross has always been influenced by aviation since its inception because the idea behind the company came from putting a piece of the cockpit – the aircraft’s clock – on the wrist of a person.

What’s the biggest challenge when putting these two industries together to come up with a product?

Barbara Pradal

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It’s not a challenge, but it’s about how we can make someone dream about aviation, about a

BR S White Ceramic Diamonds

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“Bell & Ross has always been influenced by aviation since its inception because the idea behind the company came from putting a piece of the cockpit – the aircraft’s clock – on the wrist of a person.”

beautiful luxury watch. It’s my role to make people dream. The brand addicts are like a community that is passionate about beautiful

with regards to digital, social networks and even to develop the local community.

between Bell & Ross and any other brand is that we actually put a piece of the cockpit on the wrist of the watch wearer. The product is

watches, cars and everything that works on a fine mechanism.

How are you planning to tap into the Middle Eastern market, given that collectors opt for manufactures here?

Firstly, the distribution is based on quality – we will develop new boutiques. The work is really to create more brand awareness. We are looking to help the community grow by hosting more private events in the Middle East. We have a lot of plans ahead. We have a

very strong. Aviation professionals connect with our watches. The functionality of a Bell & Ross watch extends to the form, design and precision.

strong identity with aviation, and with regards to the design too, Bell & Ross is different.

horology?

Bell & Ross is a young brand that has a lot of potential everywhere. It is true that markets like France, Spain and the US are more mature, but we have still have so much to do in other markets because Bell & Ross is only 23 years old. We also need to develop new markets like India, which has a lot of potential.

What are the parameters that you keep in mind when creating a watch?

With Bell & Ross, it’s like wearing a piece of the cockpit on your wrist. Your wrist has a dream on it. It fascinates people who wanted to become pilots when they were young. Ten years ago, the watchmaker and designer at Bell & Ross had a simple idea to put a clock on the wrist. That’s why the design of the watch is very simple, and its legibility is perfect. That iconic watch, which was designed ten years ago, is the BR-01. It’s our bestseller, and that is why we launched a purist version – the BR-01 10th Anniversary – in 2015. The original watch is the benchmark of creativity because in the past ten years, we have designed 150 models and 50 limited editions around this iconic timepiece. We also recently launched the BR-X1 in the continuity of this iconic watch – it’s a smaller and more sophisticated version of the original.

From a brand’s perspective, how important is the Middle Eastern market for Bell & Ross?

It’s a very important market today. We have two boutiques in the Middle East, and we want to keep on developing our own boutiques. We are working with a high quality distribution network, and now we really need to develop the brand awareness of Bell & Ross in the region. There are many things to do

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How different are the tastes of the Middle Eastern audience from the rest of the world?

The Middle East is a melting pot – there are so many cultures here. One notices that the Italians or even the French have their own unique approaches, but here you need to think about the locals first, which is 10 percent of the population. You then need to think about the other nationalities, so it’s not an easy market to understand. We need to develop the local communities to reach the different cultures, and are open to bespoke commissions for our clients. There is also continuity for the Bell & Ross Rafale chronograph that pays tribute to the French fighter jet called Dassault Rafale.

Qatar has a connection with this combat aircraft since the country bought 24 Rafales after it was declared operational in 2004.

Since you have handled global marketing for the brand, which regions do you think still need more development in terms of appreciating

Which is the biggest market for Bell & Ross?

Our biggest market is France because the Bell & Ross headquarters is located in Paris.

Bell & Ross is a Swiss-made brand, while the creative department is in Paris. Roughly 50 percent of sales come from Europe, 25 percent from Asia, and the remaining 25 percent from the USA, so you can see the potential that the brand has in Asia.

What makes Bell & Ross different from other brands in the market?

How would you describe a Bell & Ross customer?

He is a gentleman, a young intellectual who is a brand addict and passionate about cars and watches. A pure client of Bell & Ross

There are several watch brands that have links with the aviation world, but the big difference

is a collector of limited edition watches. other goods.

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BR S Black Ceramic

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BONDING WITH OMEGA By now, it’s no surprise that James Bond looks to his Omega Seamaster Aqua Terra and Seamaster Planet Ocean 600M to save the world in the latest 007 extravaganza, Spectre. Signé celebrates the arrival of the new watches by looking back at some of his favoured versions

Futuristic, lethal and downright handy – gadgets have played a major role in the 23 James Bond films released to date. However, if ever there were one that has piqued more interest than the rest, it would have to be the infallible Omega Seamaster – the character’s watch of choice since 1995. The timepiece has concealed some of Bond’s most ingenious devices of trickery, as seen in the installments of the last 20 years. Even Ian Fleming, author of the James Bond series of spy novels on which the films are based, was convinced that “a gentleman’s choice of timepieces says as much about him as does his Savile Row suit”. As a result, the British Secret Service agent has frequently relied on his trusty Omega Seamaster watches to get him out of dangerous situations, be it underwater or from under a thick blanket of snow.

The collaboration between Swiss watchmaker Omega and the world’s most famous silver screen spy began two decades ago with the release of GoldenEye in 1995. Every James Bond film – from the Pierce Brosnan era through the present-day Daniel Craig installments – has since featured various versions of the all-important Omega Seamaster. Released last month, the latest edition is titled Spectre and features not one, but two new Omega watches that, for the first time, have been made available for purchase exactly as portrayed in the film. Honouring 007 and his legacy of more than half a century of genre-defining movies, Signé revisits the celebrated Seamasters in the history of the James Bond franchise.

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Partners in crime GoldenEye (1995) Seamaster Diver 300M

In GoldenEye, Bond – played by Pierce Brosnan – wears the Omega Seamaster Diver 300M with a remote detonator for bombs and a laser beam that aids in his escape from a train. Featuring a distinctive blue dial and quartz calibre, the professional diving watch that is water-resistant up to 300 metres was launched by Omega in 1993.

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Bonds for sale Die Another Day (2002) Seamaster 300M Chronometer

In Die Another Day, the Omega Seamaster 300M featured a detonator pin and laser in the watch’s crown. Again, Bond’s trusty gadget-rigged watch worked like a charm against an arrogant industrialist who has his sights set on creating a diamond-encrusted space weapon that can concentrate sunlight.

This particular Seamaster 300M was the first watch that Omega modified and released for sale as an official ‘Bond timepiece’.

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New kid on the block Casino Royale (2006)

Seamaster Diver 300M Co-Axial, Seamaster Planet Ocean Co-Axial Casino Royale ushered in a new era. Not only did the film cast Daniel Craig as the new Bond, it also happened to be the first time that two new Omega Seamasters made their way onto the big screen. Craig is spotted wearing a Seamaster Diver 300M Co-Axial and a Planet Ocean 600M Co-Axial in the film that challenges Le Chiffre over a casino gaming table.

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The new black Quantum of Solace (2008) Seamaster Planet Ocean 600M Omega Co-Axial

Bond’s watch of choice in Quantum of Solace is a Seamaster Planet Ocean 600M Omega Co-Axial.

Featuring a classic black dial and bezel, the 42mm Omega Seamaster watch once again plays the role of the secret agent’s faithful companion as he seeks vengeance for Vesper Lynd.

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A family affair Skyfall (2012)

Seamaster Planet Ocean 600M, Seamaster Aqua Terra This action-packed edition saw Bond relying on two watches powered by Omega Co-Axial calibres. The Omega Seamaster Planet Ocean 600M, as seen in the film, featured a red and black colour scheme, an updated co-axial 8507 calibre, and the word ‘Skyfall’ engraved on its winding rotor. The watch also sported the 007 logo in place of the 7 o’clock hour marker on the dial. A new member of the Omega Seamaster family – the more formal Omega Seamaster Aqua Terra – was also introduced in this film. Skyfall was a perfect balance of action and drama, and the two Bond watches very aptly reflected this duality.

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Here and Now Spectre- 2015

Seamaster 300 SPECTRE Limited Edition Unlike those launched by Omega in previous years, the Seamaster 300 SPECTRE Limited Edition watch is not a commemorative piece. For the first time, the recently launched model happens to be identical to the timepiece issued to Bond, played by Daniel Craig, in Spectre. Featuring an update to the original Seamaster 300 with a heavy dose of attitude, its 12 o’clock hour index features a large Omega Seamaster logo, while its bi-directional rotating bezel with numerals from 0-11 lends the watch a second time zone function. The watch is powered by the revolutionary Master Co-Axial calibre 8400 movement that is resistant to magnetic fields of up to 15,000 gauss.

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SARTORIAL REVOLUTIONS A suit paired with dress shoes has stood the test of time for a good four centuries. Signé traces the history of these two quintessential style staples that have enjoyed a revered place in every man’s wardrobe through the eras

The suit, as we know it today, evolved from a uniform created by King Charles II for men of the English Court in the 17th century. These brightly coloured matching coats, waistcoats and trousers in the finest velvets, silks and satins can well be said to have laid the foundation for the modern day suit. Of course, they were far too ostentatious in comparison to the minimal suit of today. Dress shoes of the time came in brocades and velvets with pointed toes, heels and decorative buckles. These have never since reappeared in the history of the men’s shoe. If anything, men’s shoes became blunter over the centuries. However, there’s no denying the fact that social, cultural and economic factors of the past decades, all contributed to defining what is worn today. To make things more relevant, we revisit men’s fashion from the 20th century right up to the 21st century to make sense of the modern man’s suit and dress shoe.

tuxedo or dinner jacket, paired with trousers that hung straight were de rigueur for all sorts of occasions. Laced or button-up ankle boots in nothing but dark colours were in sync with the stiff suit styles of this period.

Style icon: Sir Arthur Conan Doyle

1900-1910 Breaking free from the constraints of the 19th century and of the Victorian way of dressing, menswear entered the Edwardian era of fashion in the early 20th century. It underwent a transition from the Victorian frock coat and the stuffy tailcoat to the simple and more conservative three-piece lounge or

1920s The suit turned into a wardrobe essential by the end of WWI. In fact, for the most part, modern suits are still based on those worn in the latter part of this era. It was the age of jazz and American suit makers such as Brooks Brothers, who radically defined the appearance of the custom suit. Men were known to favour shorter, high-waist suit jackets with two or three buttons and narrow lapels paired with narrow, straight-legged trousers through the 1920s. Long tailcoats and the unmistakeable pinstriped suit also featured largely during this era. However, by 1925, jackets with normal waistlines and wider peak lapels were deemed appropriate, while the wide-legged Oxford bag trouser started to make an appearance. Doublebreasted vests paired with a single-breasted jacket began to define the end of the ‘20s.

Complementing the impressive style of this era were pale Oxford shoes, lace-up boots and two-tone brogues.

sack suit paired with a vest or waistcoat. Dark tailcoats with a contrasting vest, or even a

Style icons: F. Scott Fitzgerald and Ernest Hemingway

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In 1919, morning dresses and lounge suits were worn for informal meetings, but frock coats for formal daytime meetings.

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1930s The style of the ‘30s built on a number of sartorial elements distinctive to the 1920s.

Snugly fit tailored coats and waistcoats ruled the roost before 1935. However, a change occurred in menswear thereafter, and most men were soon known to prefer more of an exaggerated silhouette. It comes as no surprise that the defining looks of the time were based on suits worn by the golden age of cinema’s leading men. So, you had the drape cut suit – a loose-fit suit – with more fabric at the shoulders, an ever so slight nip at the waist, light padding and tapered full sleeves.

Brogues were the most popular dress shoes of the 1930s, but this era also saw the rise of leisure shoes like moccasins and loafers.

Style icons: The Duke of Windsor and Fred Astaire 1940s At the end of the Great Depression, when the Second World War broke out in 1939, governments began to restrict the use of wool and other fabrics. This change influenced the trend of suits quite a bit. The day suit took on a minimalist appeal in response to these changes. Jackets were cut as straight as possible while trousers had narrow legs. In a way, they were more practical than stylish.

Add-ons like pant cuffs and pleats as well as pocket flaps on jackets could no longer be accommodated, while colours such as black and navy complemented this austere period. Single-breasted styles replaced the traditional double-breasted jacket, and it only made sense to narrow the lapels to a great extent. Suits were also reduced to two pieces

While Italy and France were the pre-war trendsetters, America became increasingly popular in this regard by the end of the decade. Wider lapels, pant cuffs, spacious double-breasted suits with broad shoulders and coordinated accessories were all the rage, at least in the USA, where cloth rationing had eased out, unlike Britain. The zoot suit – a long jacket with padded shoulders paired with wide-legged, tight-cuffed pants worn high – became popular among AfroAmerican musicians.

The everyday shoe of the 1940s was undoubtedly the lace-up Oxford in dark

The iconic two-toned brown and white brogue with details on the toe was also commonplace with both business and casual wear.

Style icons: Bing Crosby and Humphrey Bogart

to do away with extravagances. Flamboyance returned once the war ended in 1945.

brown leather with a chunky heel, although black oxfords were worn with formal suits.

were mostly worn in solid colours or with a small print. The traditional vest still made

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Fred Astaire

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1950s The dawn of the ‘50s signalled the Age of Swing, bringing with it a simplified suit that came with a slimmer coat cut. This style was previously never seen before in the history of the suit. Its collar was less accentuated and its lapels smaller, while lightweight shirts in muted tones were popular. Ties became narrower by several inches and

The Beatles, in 1963

an appearance on the single-breasted suit.

These might have been less liberal times than those before the war, but the rationing of fabric had stopped. This led to fuller pant styles with wide front pleats and shorter cuffs. With the advent of casual wear, including T-shirts and jeans, suits were soon deemed fit only for formal occasions, while white or off-white dinner jackets were the norm during warmer months. Savile Row introduced the ‘New Edwardian’ look that featured a moderately flared jacket with natural shoulder cuts.

The trend of wearing Oxfords, brogues

the black winklepicker – an ankle boot or shoe with a low heel and pointed toes – were the trademark shoes of this decade.

Style icons: Frank Sinatra and James Dean 1960s If the ‘50s was the age of conformity, the decade that followed was one of rebellion.

What better way than clothes to express one’s newfound individuality? While the youth indulged in every piece of clothing outside the conventional rulebook, the older generation embraced the classic suit of the previous decade. That’s not to say that the suit was on

famous four – The Beatles – who donned fitted suits with collarless jackets and drainpipe trousers. So relaxed and self-expressive was this period that it wasn’t rare to see a polo-neck sweater replace a shirt that was traditionally worn with a suit. At about the same time, the newly resurged Savile Row gave birth to the term ‘bespoke’.

Men of the ‘60s continued to wear the Chelsea boot, again popularised by The Beatles, as well as ankle boots with square Cuban heels.

By this time, the ever-so-stylish Oxford, brogue and loafers had become permanent fixtures in the male wardrobe.

and loafers continued well into the ‘50s, but styles like the ankle-length desert boot and

its way to becoming extinct. Instead, it was popularised, albeit in a new avatar, by the

Style icons: Sir Paul McCartney and Sir Sean Connery

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“Slim lapels and trousers no longer than the ankle remain key looks till date, contributing to the overall suave and polished look that men now desire.”

1970s

1990s

the most luxurious fabrics, was sought-after

It’s safe to say that when it comes to fashion, the early years of the ‘70s were an extension of the rebellious sixties. Stylish three-piece suits and safari suits in an astounding variety of colours emerged amid the bell-bottoms and tie-dye T-shirts. Reflecting the mainstream trends of the 1970s, trousers had wide legs while jackets came with exaggerated lapels.

The birth of disco set the tone for overly

The nineties may be known as the most unfashionable period in history, what with crazy trends like the rebellious and roomy parachute pant. However, this decade wasn’t so bad for the men’s suit. Business wear took on a casual appeal that, in turn, led to the rise in popularity of the slim-fit suit jacket paired with moderately skinny trousers, slim ties and white shirts. The power suit of the

across the world. Three-button pinstripe suits in navy, black or charcoal remained a workplace staple in the UK, while the smart casual look reigned in the US. Black oxfords, brown brogues, leather loafers, and summer dress shoes in light colours were signature styles of this period.

Style icons: Jon Hamm and Tom Ford

pointed shirt collars.

Oxfords and loafers continued to be worn with formal wear, but soon enough low boots with a square toe and raised heel became just as popular.

Style icons: David Bowie and Mick Jagger

previous decade gave way to grey or navy single-breasted notch lapel suits with three or four buttons. This was especially true for the whole of Europe. No longer were fuddyduddy tweed coats considered fashionable.

Business-casuals, or smart formals, started trending in America. Many succumbed to the all-black look, pairing a black shirt and tie with a black suit. In many ways, the ‘90s era was the antithesis of the gaudy, over-the-top style of the ‘80s.

Almost every man owned a pair of black Chelsea boots with square or round toes, as well as monkstraps and full brogues or wingtips.

Style icons: Pierce Brosnan and Brad Pitt 2000-2010 The turn of the millennium ushered in an increase in disposable income and the arrival of the Internet. Men were starting to become more aware when it came to both personal style and grooming. The early 21st century was a particularly good time for those who favoured the suit, and it was now being worn

2010 onwards Suit styles reminiscent of the 1920s, 1940s and 1950s started to make a comeback by 2011. Slim lapels and trousers no longer than the ankle remain key looks till date, contributing to the overall suave and polished look that men now desire. Bespoke suits that were previously something of a luxury have now, for the most part, become the only way to stitch a suit. Suits made from mohair, houndstooth and windowpane tweed started to take centre stage in 2014, and the evergreen pinstripe suit saw its stripes becoming narrower. Of late, suits that move, much like those by Paul Smith and Ermenegildo Zegna, are being worn in a very versatile and easy-going manner. It’s evident that the aesthetics of today are not exactly being dictated by rules. One thing’s for sure: suits have definitely become pared down and more streamlined than ever before in the history of the men’s suit.

Shoe styles of the present also borrow much from the past, so you’ll spot the iconic Oxford and brogue as much as you’ll see

only when required. The famed Europeancut, seen on slim, well-fitted suits stitched in

sneakers being paired effortlessly with a suit.

Style icons: David Beckham and Daniel Craig.

1980s This decade witnessed a slight change from the prevailing trends. Looser suits, in both double-breasted and two-piece singlebreasted styles, arrived at the start of the 1980s.

Designers like Giorgio Armani resurrected the 1940s-inspired double-breasted suit, sparking a strong trend among men to embrace the power suit. Largely influenced by pop stars, actors and celebrities, trends of this era existed in all forms. They ranged from the pinstripe suit and suspenders, right up to suits that employed heavily saturated colours or graphic prints, and padded jackets with informal ties and narrow lapels.

The loafer, brogue and Oxford in such colours as black and brown were most often paired with suits.

Style icons: Richard Gere and Michael Douglas

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STATELY REVIVAL The Mercedes-Maybach S-Class Pullman embodies the aristocracy and elegance associated with the legendary Pullman, the go-to vehicle for state heads and signatories alike. Luxurious interiors, the best in seating comfort and a host of automotive features make it a drive like no other

Mercedes-Benz’s iconic armoured Pullman limousine has been the top-of-the-range, car of choice of signatories, heads of state and royal families across the world for several decades now. This year (2015), marked the 50th anniversary of the Mercedes-Benz 600, the most famous luxury armoured version of the Pullman that was launched in 1965. In keeping with the nostalgia and celebratory buzz generated by the original limousine-like vehicle, Mercedes-Maybach has introduced the Mercedes-Maybach S-Class Pullman. Daimler AG relaunched Mercedes-Maybach as the luxury sub-brand of the company, marking this milestone with the recent launch of the Mercedes-Maybach S600. Now, the top-of-the-line Mercedes-Maybach S-Class Pullman, the second vehicle launch under the Mercedes-Maybach marque, bears all the signs of the high-end automotive luxury traditionally associated with the Pullman. The vehicle also pulls out all the stops when it comes to offering a regal drive.

“One can sense the significance and greatness of it in every detail,” says Ola Källenius, Member of the Daimler AG Management Board responsible for sales and marketing of Mercedes Benz Cars. Indeed, each aspect of the 2016 Pullman – from the best in spacious seating, features that offer unmatchable comfort, and plush interiors – has been meticulously planned to offer the perfection and exclusivity best epitomised by the unique badge of a Pullman vehicle. “Quite apart from providing spacious seating in first-class comfort for high-ranking passengers, the new Mercedes-Maybach Pullman is of course the embodiment of exclusivity at its highest level,” he adds.

The name Pullman was originally associated with railway carriages with luxurious open-plan compartments that were manufactured by the Pullman Palace Car Company.

Soon after, the name was applied to Mercedes-Benz’s luxury motorcars that were based on an extremely long wheelbase and offered a very spacious passenger compartment.

Four single seats facing each other in the rear and separated from the driver’s area by a partition was a typical feature of these original Pullmans. A portfolio of the Pullman series of luxury vehicles was first introduced in 1963. That said, the tradition of offering exclusive Pullman limousines goes back even further, for Mercedes-Benz had introduced three special design examples of the model 300 in Pullman dimensions in 1960.

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The newly launched Mercedes-Maybach S-Class Pullman is equally spacious, exclusive and sophisticated, if not more. At 6.50 metres, or 6,499mm, the Mercedes-Maybach Pullman S600 is 1,053mm longer than the Mercedes-Maybach S-Class. At 1,598mm in height, the 2016 Pullman offers that much more headroom, thanks to the fact that it is more than 100mm higher than a Mercedes S-Class. Its wheelbase stands at an impressive 4,418mm.

The new Mercedes-Maybach Pullman has a generously-sized club lounge in the rear, tastefully appointed with amenities that are fitted as standard. Two executive seats in the direction of travel are part of the standard specification, while two passengers can sit on the fold-

position of the passengers on the executive seats make it convenient to access any of the seats. This thoughtful arrangement preserves the privacy of dignitaries as a large proportion of their bodies remain hidden by a rear roof pillar.

Special adjustment kinematics allow for a unique level of comfort when seated on the executive seats of the Mercedes-Maybach S-Class Pullman. The backrests can be adjusted separately, even if the footwell and seat reference point remain unchanged. The maximum backrest angle of these seats is 43.5 degrees, but even the most upright backrest position of 19 degrees allows for ample space in the rear end of the vehicle. A high level of adjustment features includes the ability

down seats facing the executive seats. Passengers on the executive seats enjoy the greatest legroom in the segment. The large rear doors and the

to adjust the cushion separately with inclination and horizontal adjustment combined, and calf support that is freely adjustable for

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length and angle. The head restraints come with an extra cushion, making the ride much more comfortable.

An electrically operated partition window ensures discretion by segregating the rear seating space from the chauffeur’s area. Along with the standard specification rear window curtains, the partition – which changes from transparent to opaque at the touch of a button – allows for different levels of privacy. An 18-inch monitor in front of the partition can also be extended electrically.

In addition to the best in spacious seating, one can expect extraordinary levels of craftsmanship in the vehicle’s interiors. The leather-clad interior comes as a standard feature with every Mercedes-

Carrying forward the tradition of Maybach’s offerings, three analogue instruments in the roof liner inform passengers in the rear of the speed, time and outside temperature.

Further, taking the 2016 Pullman to new heights is the unrivalled scope for customisation of features that set the car apart from another.

For instance, the Burmester High-End 3D Surround Sound System is also offered as an option for an exceptionally outstanding sound experience. The Mercedes-Maybach S-Class Pullman can also be individualised to retain the standard-fitted executive seats without the additional, foldable rear seats. Other unique opportunities to personalise this top-class limousine include the tasteful Maybach paint

Maybach S-Class Pullman. The roof liner is upholstered in the same high-quality leather, as are the doorframes and seat consoles.

finishes, which are applied in several layers. An armoured version of the 2016 Pullman is also slated to go on offer.

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HAVEN OF HEALTH A pioneering luxury health spa and clinic in Spain, the SHA Wellness Clinic is dedicated to the art of rejuvenation and wellbeing through a balanced blend of holistic therapies and scientific advances in medicine

SHA Wellness Clinic remains the first word in health and wellness, improving the lives of many since 2008. Located in the Spanish city of Alicante within close proximity to the beach of Albir and Alfaz del Pi, the clinic looks out on to the Mediterranean Sea. One of the many things that sets the clinic apart from other such wellness centres is the SHA method that views health not merely as a lack of illness, but as a state of complete physical, mental and spiritual wellness in harmony with the environment.

Offering guests a combination of the most effective and tested natural therapies coupled with the latest advances in medical science is the main premise of SHA. What’s more is that thanks to extensive research carried out by their in-house experts, the SHA Wellness Clinic is successful in offering the very best in medical and holistic solutions. The clinic is committed to staying abreast with the latest through the use of state-of-the-art facilities and unmatchable services executed by over 250 professionals of 35 different nationalities.

The wellness resort makes guests feel right at home. Its chic suites are not only relaxing but also come equipped with luxurious amenities and the very best in technology – even the SHAMADI restaurant that commands stunning views out onto the bay of Altea is intended to delight the senses.

The concept of SHA Wellness Spa was born out of a personal experience. Its founder, Alfredo Bataller Parietti, suffered from digestive problems for 30 years and after several unsuccessful treatments, was referred to a doctor educated in natural therapies

Parietti to research the benefits of healthy eating and natural therapy, and to eventually share his knowledge through the SHA Wellness Clinic.

The centre is segregated into a Clinic Area and a Wellness Area. The former comprises facilities such as an Ophthalmology Unit, Bioenergetic Unit, Cognitive Development Unit, Capillary Care Unit, Anti-Tobacco Unit, Clinical Psychology Unit, Cosmetic Dentistry Unit and Osteopathy Unit, among others. Medical and healthy aging services as well as nutrition therapies are also on offer.

Meanwhile, the Aesthetic medicine area offers some of the most revolutionary and minimally invasive techniques for enhancing the face, body and skin. The Wellness Area is designed to help soothe the body, mind and soul. From massages and water treatments to nature-influenced therapies and exercises for body and mind, it’s all on the menu at SHA. Run by Dr Oscar Mayorga, the regenerative medicine or RegenBiocell Unit is the latest addition to this comprehensive list of medical and holistic treatments.

This facility caters to promoting tissue regeneration in aesthetics and anti-aging treatments, chronic degenerative diseases, metabolic disorders, autoimmune diseases and nervous system disorders. Interestingly, cells are stimulated using low-frequency and low-intensity pulsed electromagnetic fields to make for higher effectiveness – one of the many fruits of the research work executed by the experts at SHA Wellness Clinic.

To live an exceptionally long life by no means equates to living a better life because

new brain stimulating unit that focuses on brain training, neuro health food, aerobic exercise and stress control, and is intended to promote wellbeing through a balanced offering of a proper lifestyle and the latest advances in cognitive rejuvenation. Medical units aside, the SHA Wellness Clinic offers other wellbeing-driven facilities, including an indoor swimming pool, a Pilates studio and a fitness room kitted out with the latest TechnoGym equipment. Complementary to these is the SHA Academy, which provides guests with the knowledge and tools to sustain their journey on the road to a healthier life.

SHA Wellness Clinic has also launched its own line of food supplements, a project well in line with the clinic’s extensive health and wellness offerings. According to Antonio Roibás, the director the clinic area of SHA Wellness Clinic: “One of the ingredients that has an important role in this is the plant product Berberine, which has a positive effect on the metabolic syndrome. It reduces the blood glucose levels and improves the lipid profile, that is to say, the different types of fat that exist in the bloodstream.” The Berberina Gold is a medicinal plant that has been used in China, Mexico and India for thousands of years; it has only recently been re-discovered by science as a means to protect against fungal infections and viral or bacterial infections.

The Healthy Bones supplement by SHA contains all the vitamins and nutrients required to strengthen bone structure.

Intended to improve one’s health from inside out, all the supplements are made with natural ingredients to compensate for nutrient

through whom he found the solution to his illness. It was this revelation that prompted

mental health also has much to do with one’s wellbeing. To this end, SHA has set up a

deficiencies that may hinder the attainment of an optimum state of wellbeing.

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Offering guests a combination of the most effective and tested natural therapies coupled with the latest advances in medical science is the main premise of SHA

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TRAVEL DIARIES

With the onset of winter, it’s time to plan the beginning of the New Year in style. Adding the Signé touch to your travel planning, we bring to you a selection of easily accessible destinations that guarantee a getaway infused with sheer luxury

Diksha Vohra Lower temperatures, a cool breeze and some raindrops scattered across your windscreen are signs enough to prove that winter is are finally here. As it is time to pull out those oft-neglected warm clothes from our closets, it’s also time to plan a quick jaunt to enjoy the much-awaited holiday season.

With Christmas and New Year’s Eve being just a couple of days away, we’ve handpicked a few resorts for you to choose from.

For those who wish to travel outside the UAE, the Six Senses Zighy Bay in Oman is an ideal option. If you prefer to stay closer to home, then Banyan Tree in Ras Al Khaimah and the Anantara The Palm Dubai Resort would be just as decadent.

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BANYAN TREE AL WADI AND BANYAN TREE RAS AL KHAIMAH BEACH If you want to spend your Christmas in a true fusion of the east and west, head to the Banyan Tree Al Wadi, where you can decorate your own gingerbread house, enjoy pony rides and watch a spectacular falconry show. With traditional Christmas feasts being offered on the 24th and the 25th, guests can enjoy the festivities with their families and friends alike. Later, one can head out to the unique private shore at Banyan Tree Ras Al Khaimah Beach and enjoy the cool Arabian Gulf breeze as chefs prepare a Christmas Day barbeque with all the trimmings. Alternatively, tuck into a sumptuous spread filled with traditional festive favourites over at Al Waha restaurant at the Banyan Tree Al Wadi.

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SIX SENSES ZIGHY BAY Creating remarkable memories with their one-of-a-kind services, the Six Senses Zighy Bay has some great festivities in store for the upcoming holiday season. Located on the northern Musandam Peninsula, the resort offers everything from adventurous activities and wellness treats to special gastronomic experiences. The Six Senses Spa has prepared a special ‘New Year New Look’ ritual for those who need to balance their inner and outer beauty through a meaningful combination of treatments including the Rose Crystal Lymphatic Facial to yoghurt and honey body rituals. In terms of fine dining for the year’s most awaited time, the Six Senses Zighy Bay has planned a 2016 gala dinner to be held at the salt-water pool area featuring some of the resort’s most scrumptious delicacies – enough to make your New Year’s Eve a memorable one.

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ANANTARA THE PALM DUBAI RESORT Giving your seasonal celebrations an exotic twist is the Anantara on the Palm Jumeirah.

Enchanting festive moments will be composed of some delightfully tempting cuisine alongside luxurious festivities inspired by Thai culture. Crescendo brings its tantalising Fork & Cork Christmas Day Brunch with live cooking stations serving a variety of specially selected traditional festive dishes. Adding a relaxing touch to the occasion, Bushman’s restaurant hosts a Boxing Day Lazy Brunch. Dine on a variety of traditional seasonal Australian dishes, accompanied by a selection of Aussie beverages. The grand finale of the festivities will be held at Crescendo with an Orthodox Christmas Dinner. With an extensive buffet offering delicious delicacies from around the world, it promises to be a perfect way to celebrate the day.

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PURE OPULENCE BOUTIQUE Chopard’s re-opened store in the Mall of the Emirates showcases the storied house’s new design concept by reputed French architect Thierry W. Despont. Opulent leathers, silk and velvet flirt with the boutique’s white oak interiors, giving one the feeling of entering a plush private home. Intimate yet spacious, the refurbished Chopard store offers an exclusive VIP room for selected guests to enjoy the beauty of Chopard’s collections of jewellery and timepiece creations in a warm, relaxing ambience.

Caroline Scheufele, Co-President and Artistic Director of Chopard, believes that the new environment will encourage the company’s clients to discover the multiple facets of its universe.

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A TASTE OF ASIA R E S TAU R A N T The hugely successful London establishment Novikov Restaurant & Bar – the brainchild of Russian restaurateur Arkady Novikov and a favourite amongst international A-listers – has arrived in Dubai. Located at the Sheraton Grand Hotel on Sheikh Zayed Road, the local outpost continues to set the global benchmark for eclectic Asian dining. The menu is led by Executive Chef Shane Macneill and offers signature dishes like Black Cod Rolls, Toro Tartare and Novikov Duck Salad among other progressive culinary indulgences from Japan, China and South East Asia. Besides the open kitchen, the Seafood Market is an interactive element of the Novikov dining experience that allows diners to participate in the design of their meal. The riveting design by Moscow-based Geometry Design fuses cool granite walls, natural leather and cracked stone, while a private dining area for up to 20 guests comes with a dedicated waiter, private lift and bespoke menus.

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SOME LIKE IT HAUTE BOUTIQUE Ermenegildo Zegna has opened the doors to a highly anticipated new outpost in Mall of the Emirates. Starting with a selection of leather goods, textile accessories, fragrances and eyewear, the walk-through continues with the Upper Casual collection and the new Z ZEGNA brand. The exclusive Couture Room houses the Ermenegildo Zegna Couture collection by Stefano Pilati, while a dedicated room highlights the Casual Luxury line and personalisation offerings. One of the key inspirations for the store design is the fabric created at the Zegna wool mill in Trivero, Italy, for over 100 years. While the storefront windows are framed by a façade in tempered glass, a natural colour palette represents the harmonious blend of nature and technology.

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LUXURY OF SPACE EVENT VENUE Emaar Properties has opened one of its most prestigious events venues in Dubai. Described as bold, theatrical, avant-garde and elegant all at the same time, The Annex, Burj Khalifa is spread across 2,500 square metres and offers a spectacular view of The Dubai Fountain. The sprawling venue has already played host to several high-end events for some of the world’s finest luxury brands including Chanel, Versace Jewellery, Gucci and L’Oréal. Its ability to be customised to suit any theme and concept means it translates into a venue for all sorts of premium events ranging from fashion shows, product launches and brand previews to art exhibitions and prestigious soirees – an aspect that places The Annex, Burj Khalifa in a league of its own.

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CLOSE TO HOME BOUTIQUE Audemars Piguet unveiled its new design concept at its flagship boutique at Mall Of The Emirates last month. It took members of the press, watch collectors and other esteemed guests through the new design that blends wood, metal and elements of the idyllic landscapes of Le Brassus. Not only does the new look immerse clients in Switzerland’s Vallée de Joux – the birthplace of Audemars Piguet – but it also captures the 140-year-old brand’s core values of artistry, watchmaking expertise and extraordinary relationships. Key timepieces sit alongside new launches in the boutique that showcases the renowned craftsmanship of the world’s oldest family-owned horology house.

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