Sobha Realty’s flagship community – Sobha Hartland – is now a self-su cient 9.3 Million Sq. Ft. exclusive community, where you'll find everything you need right at home. Especially peace of mind. It's a community that's designed to rejuvenate you, and restore all that the city takes away. From world-class schools to retail shops, cafés to a high-street boulevard, it's all a short walk away. And if you do feel the need to step out, you're only minutes from Downtown Dubai.
At Sobha Hartland you're always at the center or multiple experiences
Call 800 999 999 and schedule your visit to Sobha Hartland, MBR City
Waterfront promenadeChoose from a range of premium homes from 2 bedroom townhouses to 5 bedroom villas, all designed in harmony with nature. Benefit from world-class wellness and entertainment facilities and 13km of forested cycle tracks, set in a nature-in spired master plan with 50,000 trees.
A new community in the popular Masaar development in New Sharjah
An electric hypercar graces the cover of Signe magazine for the first time - Rimac Nevera. As the first production Rimac is handed over to its owner Nico Rosberg, are we witnessing the start of a new era? The upgraded Phantom, the flagship of the Rolls Royce marque, makes its debut at Monterey Car Week, while the Bentley Batur bears the signs of things to come.
A study of Hublot’s “art of fusion” philosophy reveals the brand’s secret to success. A. Lange & Söhne has created a one-off timepiece for charity. Jaeger-LeCoultre completes its Katsushika miniatures trilogy, Moser Cie debuts Streamliner Tourbillon, and Greubel Forsey presents two new GMT Balancier models. Chopard debuts a new lightweight jewellery collection for women that’s heavy with heritage.
Brunello Cucinelli and Paul Smith fall-winter 2022 collections are decoded along with Gucci’s new Decor pieces. Berluti presents new sneakers, while Mr Porter and Haas Brothers present L’Objet collectables. Sonos adds Ray, a compact soundbar, to its impressive line-up. Meridian Grooming tackles men’s mental health by solving men’s body image anxiety. Chedi Al Bait heritage resort takes us to days gone by while being in the Heart of Sharjah.
As always, enjoy the read!
All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilised in any form or by any means, without written permission from the Publisher. SIGNÉ does not take any responsibilities for incorrect information. The advertising appearing within this publication reflects the opinion and attitudes of their respective brands and not necessarily those of the Publisher or SIGNÉ.
Greubel Forsey presents a new BLUES
IWC presents two new Portugieser AND LIGHT GALORE
Rolls-Royce debuted the new Phantom EXHILARATION
Zegna Oasi traceable HEARTS
Brunello Cucinelli HI-TOPS
Rimac starts deliveries of Nevera PEEK THE FUTURE
Bentley Mulliner Batur heralds the marque’s UPGRADE
80 SNEAKER PICKS
Stay on trend with the best sneakers to own this season LATEST
Our top product pick is the Saint Laurent Cross Body Pouch
SURREAL REMEMBRANCE
Paul Smith’s AW22 inspired by cinema of days gone by
ESSENCE OF FRANKINCENSE
Ojar’s Eagle Eyed Stranger explores Frankincense
Francis Kurkdjian’s new Eau de parfum
90
Meridian Mens Grooming
MAGNOLIA INFINITA
Acqua di Parma explores tones of the Magnolia flower
SONOS RAY
A compact soundbar that packs quite a punch 100
A special collaboration between L’Objet & Haas Brothers
FLAMBOYANT GARDEN
Gucci Décor collection from the bold to the discreet
106 COLONIAL TREATS
Indochine Dubai and its bouquet of experiences
108
THEATRICAL DINING
Tabū combines Japanese cuisine with avant-garde performances
110
HEALING AROMAS
Bymystique presents 3 new candles TUMI’S FALL 2022 COLLECTION
Refreshing For Sustainability
The Chedi Al Bait Sharjah experience within the Heart of Sharjah AN IMMERSIVE EXPERIENCE
Vacheron Constantin re-opens flagship boutique
A candid chat with PNC Menon, founder, and chairman of Sobha Realty
Signé has a chat with legendary developer PNC Menon, founder and chairman of the multinational real estate and construction giant Sobha Realty. A man who has pledged to give away 50% of his wealth to charity.
Growing up in Kerala, was it your dream to become a billionaire?
My lessons came in small steps. No one can say they planned to become a billionaire. I came from very humble beginnings, and my growth was very gradual, and I certainly never aspired to reach billionaire status. It’s important to note that I didn’t even become a billionaire until my late 50s, and it was a sheer accident. Of course, I wanted to be successful and respectable, but never at the cost of my values. There are 2,700 billionaires globally, and in my opinion, it’s nothing but an accident, whether you inherit your fortune and work to manage it or reach that status through the success of your work, I believe the achievement of great wealth is purely accidental.
Philanthropy is a very important aspect of my success, which is why I dedicate 50 per cent of my wealth to charitable causes. Giving back is very important to my faith and who I am as a human being.
What philosophies did your parents have in teaching you about the value of money?
I lost my father at a very young age. He was also a businessman. Our family had a small trucking business, which consisted of three trucks. He was very successful in his own way, but I lost him when I was ten years old, and my mother had mental health issues, so, I lacked the parental guidance growing
up. Of course, I had my grandparents, but they were not hands-on in the teachings of financial matters and that kind of development, and it would be fair to say that their ways of thinking were outdated in that sense. But my upbringing was certainly a driving force in wanting to be successful and have my own independence.
What kind of jobs did you have as a teen, and what did you take away from those experiences?
I’ve always had an entrepreneurial spirit. As a young teen, I started my first business as a street-side contractor. One of the first projects I ever worked on was having a small table made, and I still have that table today, which I plan to take with me to the ashes when I reach my next journey in life.
When you don’t have money and start building your career, you go through many bad experiences and hardships, which can be very painful at times, but that’s part of your life,
and you’ll remember those experiences that shape who you are.
What is your dynamic like as a marital team with your beloved wife, Sobha?
My wife, Sobha, is a simple woman from a small village. We married young – she is ten years younger than I am. She is the boss in our family, but she doesn’t get involved in the business. We keep our family life entirely separate from work life. When I get home from work, I enjoy my quiet time, watching the news and unwinding, and she gives me that time to reflect and think. Sobha has always taken great pride and interest in focusing on raising our children and nurturing their education.
How do you figure out how to maximise the impact of your humanitarian efforts?
I have always felt that the most vulnerable, particularly where I grew up, was the society of women, so my focus has always been on helping women. The schools that I have built are solely for girls to gain an education, and we provide everything they need to ensure they become educated, including food and clothing. Young girls are often the most abused and disadvantaged globally, even in the Western world.
Through our Sri Kurumba Trust, we have a God-given opportunity to give back and change lives forever. Currently, we have Sobha Hermitage, which is a home for the elderly sprawling over 27 acres of green estates in the heart of Kerala. It’s a place of warmth and affection, a true haven for the less fortunate. Further, our social rehabilitation scheme for
young mothers ensures their safety and security with no costs incurred.
Through the Sobha Rural Women Empowerment Program, Sobha covers the expenses of fifty widowed mothers of the Kizhakkenchery Panchayat, including an allowance, clothing, medical, and other personal accessories, and educational expenses for their children.
Our vocational training program enables the less privileged to pursue a vocation of their choice with access to training centres with computers and music, and paid apprenticeships and employment opportunities.
We have a dedicated healthcare centre, which currently provides access to healthcare for over 2,500 families from adopted panchayat, the Sobha Academy, and Sobha Hermitage. Our beneficiaries receive free medical consultations, checkups, and treatment.
I am now working on building an integrated housing community in my village of Kerala, which will house 100 female orphans and 100 elderly women. In our culture, family is very important, so this is a unique approach that brings together generational girls and women to instill those values and relationships to those who don’t have them.
I run my philanthropic projects like a business. I am very invested in overseeing the development of these projects and ensure that I visit the sites regularly to meet the people and ensure the quality of everything that we do as part of our mission.
You joined the Giving Pledge, founded by Bill and Melinda Gates. Why is the Giving Pledge such an important thing for wealthy individuals to sign onto?
I had committed to donating half of my wealth over thirty years ago. Joining the Pledge was only recent. I was pleased to find such a group of unified individuals, and it’s a great community to share ideas and join forces for the sake of philanthropy.
What life lessons do you try to pass along to your own children?
All of my children believe in the power of philanthropy, and they all hold a strong value system, which I give my wife credit for. We were able to give them a privileged life with all the luxuries, but my wife was devoted to ensuring they were raised to be humble in their outlook and keep their head on their shoulders. If there was a Nobel Prize for mothers, she would certainly be eligible for it.
My mother was not able to provide me that guidance and support, so I admire what she has instilled in them, and never take for granted a mother’s role in her child’s life.
For those who want to get involved in philanthropy, but don’t have the financial means per se, where is a good place to start?
There are a lot of people out there who want to get involved, but may not have the monetary resources, but a little goes a long way. As a charitable brand, trust is of the utmost importance because people want to ensure that their donations are reaching the people or causes that need them. Most funds available can be attributed to the masses of smaller donations by good, hardworking individuals who come together and join hands and funds.
Just because you can’t afford to build an institution, doesn’t mean you can’t contribute to a lofty charitable goal. Every donation and effort counts. The trouble is that most people lack the trust for the organisations who are collecting resources, so one of the most important things we can do is build trust and transparency about where charitable money is going and who it is benefitting.
Chopard presents My Happy Hearts, the maison’s brand-new jewellery collection for women. It features one of the Chopard’s most emblematic motifs -the heart - in a new minimalist style and proportion. It is the embodiment of “less is more,” of chic minimalism.
The new jewellery collection is designed to be used as a fashion accessory. The small size of the pieces in this collection and their unified design ethos make each piece suitable to be worn alone or as part of an ensemble, in a game of mix and match, featuring the different models and colours to suit one’s moods, outfits, emotions or the seasons.
My Happy Hearts draws on a rich Chopard legacy dating back to the 1970s, and to the father of the current co-chairs of the maison. In 1976, 13 years after acquiring the Chopard watchmaking business, Karl Scheufele III presented the Happy Diamonds watch to the world.
It was the first men’s watch to have free-moving diamonds encased between two sapphire crystals. The patented
innovation released the diamonds from their traditional settings, and instead, with every movement of the wrist, they were free to “dance” across the dial.
This innovation was avant-garde, to say the least, both in terms of concept and design. The diamonds, among the hardest substances known to man, normally would leave behind scratches as they moved around, even on a substance as hard as sapphire. The solution was to cover the diamonds with a delicate film of gold. The Happy Diamonds watch, awarded the Baden-Baden Rose d’Or in 1976, was a tremendous commercial success and spawned an entire collection of watches.
In 1985, Caroline Scheufele, Karl Scheufele’s daughter and current co-chairperson of Chopard, designed the Happy Clown, a clown figurine in gold whose transparent tummy contained free-moving diamonds. The clown was another commercial success for the maison, and became the genesis for Chopard’s jewellery collection.
Chopard debuts its newest jewellery collection, and it’s all about the heart
The symbolism of the heart is ever present in nearly all of Chopard’s collections these days – from Haute Joaillerie to watches and accessories. It dates back to 2015, when Caroline designed a bangle for supermodel Petra Nemcova’s All Hands and Hearts Smart Response Foundation, which provides help for children in areas affected by natural disasters.
The 18-carat rose gold bangle featured a red heart cut from Carnelian at one end, and a smaller transparent heart at the other end containing a single free-floating diamond. This limited edition bangle spawned the brand’s playful Happy Hearts collection, which now includes necklaces, pendants, ear clips, earrings, and watches in rose, white and yellow gold, as well as four sub-collections.
Chopard’s new My Happy Hearts collection builds on the legacy of the Happy Diamonds and Happy Hearts collection, but takes things to a more miniaturised scale. The pieces are slender and more discreet, a sort of luxury “kawaii” jewellery that can barely be felt by the wearer. Thus, the pieces in this collection are wearable for any occasion, be it Pilates sessions or flamboyant parties, at the office or on the beach, while wearing sneakers or stilettos.
“My Happy Hearts is a collection that embodies a way of loving oneself in a sunny, generous and benevolent manner, in order to radiate the light cultivated within,” reads a statement by Chopard.
It continues, “The heart, an essential symbol of the Maison that has reinvented it by capturing its peerless
formal quintessence, has been redesigned in a miniature format as My Happy Hearts, while retaining the formal perfection of its curves. A symbol that is both soothing and sends a peaceful message, filled with tenderness, providing scope for unlimited creativity in the way the various jewels in the collection can be worn.”
My Happy Hearts collection includes necklaces, chain bracelets, rings and earrings centred on the single heart motif. While the body may be in either “ethical” 18-carat rose or white gold, the literal heart of each piece of jewellery in this collection is in carnelian, mother-of-pearl or diamond-set versions.
While the red of Carnelian inflames one’s passion and the spirit within, the pure, silky, iridescent mother-ofpearl captures the spirit of a comforting presence. The diamond set, as always, does not fail to dazzle. The collection would not be complete, in a Chopard sense, without dancing diamonds. In this case, the rings and earrings are available with a single dancing diamond to capture the light-hearted side of life.
To enhance the mix and match ethos of the collection, the earrings can be acquired individually: to be worn alone, in groups on one ear or asymmetrically.
Chopard has an enviable track record when it comes to debuting new collections. Based on first impressions, the new My Happy Hearts collection looks all set to follow in the footsteps of its predecessors, especially given that it shares so much of their DNA.
Hublot has consistently stayed ahead of the curve thanks to its sound brand values
Hublot is one of the most sought-after luxury watch brands in existence today. This is particularly true for younger watch enthusiasts, who are drawn to its bold and sporty designs. The LVHM subsidiary has been on a consistent upward trajectory in the past two decades, thanks to its adherence to the core philosophies established by its former CEO and Chairman Jean-Claude Biver.
Hublot’s formula for success has two key components. On the innovation side, it is driven by its “Art of Fusion” philosophy. On the marketing side, it is driven by its customer-centric strategy. Together, these two drivers have been the guiding framework for the Swiss brand’s leadership team.
The first watch to bear the Hublot name made its debut at the 1980 Basel Watch Fair. It was unlike anything on offer at the time. The case was round with a flat bezel held together by 12 titanium screws. It resembled the porthole of a ship, and thus, named Hublot - the French word for porthole. The case was constructed in gold and, for the first time in the watch industry, was paired with a natural rubber strap, which took around three years of research to perfect.
The watch’s fresh design and unexpected combination of materials - gold with rubber - made it a commercial success. Its sales exceeded USD two million in the first year. The “porthole” case design became a hallmark of the brand, and the bold move to mix and match unusual materials evolved into its “Art of Fusion” philosophy under Biver’s leadership.
Biver was already a towering figure in the Swiss watchmaking industry when he became Hublot’s CEO in 2004. Less than a year later, he oversaw the successful launch of the Big Bang Gold Ceramic, from which came the brand’s core Big Bang collection.
Since then, Hublot has launched five other collections - Classic Fusion, Spirit of Big Bang, Manufacture Piece, Techframe and King Power. These timepieces have been powered by movements ranging from the most pared-back to the most complicated - chronograph, tourbillon, minute repeater, GMT, and others. On the material side, the band has accrued an impressive portfolio of exclusive and rare materials.
These include in-house innovations such as King Gold - an exclusive Hublot gold containing 5% platinum; Magic Gold - a scratch-resistant 18-carat gold; and Hublonium - a brand new alloy of aluminium and magnesium. Other exotic materials used over the years include sapphire, gold-crystal, coloured ceramic, carbon fibre, tungsten, titanium, gold, platinum, rubber, precious stones, linen, embroidery, leather, and texalium, among others.
To deliver a consistent flow of innovation, Hublot has sought to accomplish as much of its R&D and manufacturing in-house. In 2012 Hublot built its own foundry to innovate in metallurgy, and delivered some of the brand’s metal-based standouts such as the aforementioned Magic Gold, King Gold and Hublonium. That same year, Hublot also acquired the Swiss firm Profusion, which specialises in manufacturing carbon fibre components.
When Hublot presented the Big Bang Unico Sapphire All Black at the 2016 Baselworld, it announced to the world that it had mastered another material that is notoriously difficult to work with. The watch had a case made entirely from smoked sapphire crystal. Several other colourful and colourless iterations have followed.
Hublot’s “Art of Fusion” philosophy extends into its collaborations with other brands and artists. The best example of this is Hublot’s collaboration with Parisian shoemaker Berluti, which gave us the Classic Fusion Berluti. This limited edition watch was dressed from the dial to the strap in Berluti’s iconic Venezia leather. Meanwhile, Hublot adorned its dials with the same living material through a complex, delicate process that required the natural constituents of the leather
to be neutralised. Two years later, their second collaboration gave us the Classic Fusion Tourbillon Berluti, in Scritto King Gold or All Black versions.
The “Hublot Loves Art” campaign, which covers the brand’s collaborations with artists, may be considered an extension of the “Art of Fusion” philosophy. In addition to supporting and partnering with creative individuals from a broad spectrum - gastronomy, music, painting, street art and photography - Hublot’s collaboration with artists has produced some horological gems.
The iconic Classic Fusion Aerofusion Chronograph Orlinski, a geometric masterpiece in blue ceramic, is the result of a collaboration with celebrated French artist Richard Orlinski. Another collaboration with Swiss tattoo artist Maxime Plescia-Buchi is now in its seventh year, and has produced several collectables. The latest being the three limited editions of the Big Bang Sang Bleu II - in Magic Gold, Black Ceramic and Green Ceramic.
Hublot’s “Art of Fusion” was conceived and implemented by Biver to give the brand a distinct identity and approach to watchmaking. In a similar vein, the brand’s “go where potential customers can be found” marketing strategy was conceived to gain from untapped potential.
Hublot became the first luxury brand to tap into the massive marketing potential of football. It began in 2006 with the Swiss national team. In 2010, Hublot became FIFA’s first ever Official Watch and Official Timekeeper, along with involvements in the World Cup in South Africa, Brazil and Russia, and the Confederations Cup. Hublot will also be at the tournament in Qatar this year.
There have been associations with UEFA’s Euros, Champions League and Europa League, as well as the Premier League. The 2016 “Match of Friendship” was one for the history books. The two teams in this five-a-side match were managed by Hublot brand ambassadors Pelé and Maradona. Featuring football legends - Ferdinand, Hierro, Dida, Crespo, Bebeto Trezeguet, Peruzzi, Ferrara, Materazzi
and Seedorf - the game had no winners but resulted in a EUR 20,000 cheque for the UEFA Foundation for Children. The brand also has a strong link to the golfing world, by partnerships with Dustin Johnson and Top Golf; the world of sailing with its ambassador Alan Roura and the Hublot Sailing team; in polo, with the Hublot Polo Gold Cup Gstaad, and many more. Under the leadership of Ricardo Guadalupe, Hublot’s current CEO, Hublot continues to build on this heritage. Thus, through a combination of sound, clearly defined brand principles that deliver exceptional products and brand differentiation, and a leadership committed to those principles, Hublot has become one of the most recognisable and desirable watch brands in the market today.
Hublot Big Bang Unico UEFA Champions League 42mmA. Lange & Söhne has created a one-off 1815 Chronograph to be auctioned for charity
This year marks the tenth anniversary of the Concours of Elegance, in which Great Britain’s most noble automobile clubs present the best of their high-calibre motorised masterpieces. This year’s event will take place from 2nd to 4th September on the grounds of Hampton Court Palace on the outskirts of London.
A. Lange & Söhne has been a partner of the Concours of Elegance since 2018. At this year’s event, the Saxon
manufactory will present a one-of-a-kind version of the 1815 Chronograph. This watch will be auctioned off on 6th November 2022 at the Geneva Watch Auction XVI by Phillips in Association with Bacs & Russo on 6th November. The proceeds from this sale will go to The Prince’s Trust, a youth charity set up by HRH The Prince of Wales.
Since its introduction in 2004, the 1815 Chronograph has championed the alliance between classic design and
progressive technology. Its design is focused on optimised legibility. Thus, the dial with Arabic numerals, the railwaytrack minute scale, and the slightly shifted subsidiary dials are reminiscent of Lange’s historic pocket watches.
Crafted explicitly for this year’s Concours of Elegance, the 1815 Chronograph “Hampton Court Edition” stands out with a unique combination of features. For the first time, a white-gold case meets a black dial with sandstonecoloured numerals and scales. The tachometer scale on the peripheral – which enables the calculation of average speeds – emphasises the historical connection between motorsport and time measurement.
The rhodié-coloured subsidiary dials for the small seconds and the minute counter contrast well with the black dial. Good legibility is also assured by the rhodium-coated casematched gold hands for the hours and minutes, as well as by the rhodium-coated steel hands for the chrono seconds, the subsidiary seconds, and the minute counter. The elegance of the concept is accentuated with a black hand-stitched alligator leather strap that is secured with a prong buckle in solid white gold.
The selection of one of the most beautiful flyback chronographs for the “Concours Edition” also builds a bridge
between motorsport and time measurement. The hinged cuvette, hand-engraved with the logo of the Concours of Elegance, conceals the Lange calibre L951.5 movement launched in 2010. It is assembled twice and features a column-wheel control, a precisely jumping minute counter, and a flyback function.
The manually wound calibre has a power reserve of 60 hours. A large cam-poised balance wheel driven by a freely oscillating hairspring crafted in-house assures excellent rate accuracy. With its frequency of 18,000 semi-oscillations per hour (2.5 hertz), the watch displays stopped times to an accuracy of one-fifth of a second.
The sapphire-crystal caseback reveals the lavishly handfinished chronograph mechanism. A subtly composed choice of different materials and surface decorations emphasises the three-dimensionality of the open-movement architecture. This highlights the details of the complex switching processes as well as the artistically hand-engraved balance cock with Lange’s iconic whiplash spring.
Thanks to its floral motif, this small but magnificently decorated part of the movement makes every Lange timepiece recognisable – the engraver’s personal signature also makes the 1815 Chronograph a unique piece.
Jaeger-LeCoultre completes its trilogy of miniature masterpieces honouring Japanese master, Katsushika Hokusai
The Reverso Tribute Enamel Hokusai ‘Amida Falls’ is Jaeger-LeCoultre’s latest homage to Asian art and artists. As the name suggests, this particular model honours the work of the 19th-century Japanese master, Katsushika Hokusai.
The case-back of the new timepiece is decorated with a hand-enamelled miniature reproduction of ‘The Amida Falls in the Far Reaches of the Kisokaidō Road’ (Kisoji no oku Amida-ga-taki), the best-known work from ‘A Tour of Waterfalls in Various Provinces’ (Shokoku taki meguri) - a series of eight woodblock prints created by the artist in 1833–34.
For almost two millennia, a two-way cultural exchange between Asia and Europe has had a profound influence on every art form of both East and West. The new Reverso continues the dialogue between Eastern and Western artistic traditions that La Grande Maison has embraced throughout its history.
Reverso Tribute Enamel continues this dialogue. The exquisite tribute to the Asian art form of woodblock printing on the case-back is complemented by a dial anchored in the Western craft traditions of guillochage and Grand Feu enamel.
In the 19th century, Hokusai was among a handful of Japanese artists who elevated the ancient practice of woodblock printing from popular, “low” art to a “high” art form, thanks to his innovations in subject matter, colour and composition.
His ‘Waterfalls’ series – produced when he was in his seventies – is considered by many art historians to be among the finest landscapes ever produced. The best known of the series, ‘Amida Falls,’ epitomises the artist’s fascination with the power of cascading water and monumental landforms, which dwarf the human figures enjoying a picnic nearby.
To capture the power of Hokusai’s original image and faithfully reproduce every detail on a surface of just three square centimetres – little more than one-tenth the size of the original – Jaeger-LeCoultre’s master artisans had not only to miniaturise and intricately mimic every detail of the composition, but also to create the illusion of the woodblock printing technique – a specific effect entirely different from enamelling.
To achieve this, the enamellers had to develop a special technique that reproduces the characteristic bokashi effect of the subtly nuanced and graduated colours of works originally printed on paper, while also capturing the vivid blues and yellows that are a signature of Hokusai’s work. It is a carefully orchestrated process of many stages, which represents a full 70 hours of work over the course of many weeks, including a total of 12–15 separate firings at 800 degrees Celsius.
The simplicity of the Reverso Tribute dial - with its faceted appliqué hour-markers and Dauphine hands - was chosen to avoid any distraction from the beauty of its decoration. Complementing the miniature painting on the case back,
this dial is decorated with a guilloché lozenge pattern –the texture of which is amplified by translucent Grand Feu enamel in a rich shade of green.
Executed by hand, using a century-old lathe, the lozenge pattern requires great dexterity and skill: holding the dial plate at a carefully calculated angle, each of the 60 lines that make up the pattern requires three passages of the lathe – making 600 passages altogether. For every passage, the plate must be held at precisely the same angle to ensure that the lines are crisply etched and the pattern is perfectly symmetrical.
This process alone requires around four hours of extremely focused work, and is followed by the application of at least six layers of translucent enamel, each of which requires separate firing, spanning more than a week. Once the enamelling has been completed, the final challenge is the faultless application of the indexes, which requires tiny holes to be drilled through the pristine surface of the enamel, and the transfer of the chemin de fer minutes register.
Testament to the exceptional artistry and skill of the artisans working in the manufacture’s Métiers Rares (Rare Handcrafts) atelier, the new Reverso Tribute Enamel Hokusai ‘Amida Falls’ epitomises La Grande Maison’s vision of the world of art and culture. It completes a trilogy of Reverso Tribute Enamel timepieces that pay homage to Hokusai –another work from his ‘Waterfalls’ series, ‘Kirifuri Waterfall at Kurokami Mountain in Shimotsuke’ (Shimotsuke Kurokamiyama Kirifuri-no-taki) in 2021, and a reproduction of his most famous work, ‘The Great Wave off Kanagawa’ (Kanagawa oki nama ura) in 2018.
H. Moser & Cie. combines its biggest hits of 2020 into a new Streamliner for 2022 and beyond
H. Moser & Cie. presents the Streamliner Tourbillon Vantablack, bringing together two of the watchmaker’s eyebrow-raising debuts of 2020 - the Streamliner collection and a Vantablack dial.
Building on the success of the all-steel versions, H. Moser & Cie. now presents its Streamliner in red gold for the first time. In another first for the collection, the streamlined aesthetic of the watch, an ode to minimalism, features technical complexities of two types. One is the flying tourbillon, a traditional Haute Horlogerie mechanism, and the other is Vantablack, a deep-black high-tech coating that has its origins in defence and aeronautics.
For this version of its Streamliner model, H. Moser & Cie. has chosen to adorn all its perfectly rounded curves –from its cushion-shaped case to its integrated bracelet with articulating links – in red gold. The meticulous vertical brushed finish alternating with flawless polishing complies with the high-end finishes for which the Streamliner collection has become renowned. The transitions between the different types of finishes are visibly flawless.
The deep black of the Vantablack dial contrasts dramatically with the red gold of the case, hands and indices. It appears as though the latter two are reddish-golden objects in suspension over a dark void, as though floating in space. The watchmaker has achieved a real technical feat in fixing these indices from the back so that, depending on the angle, they appear or disappear against the dark surface.
Vantablack is an innovative material created in 2012, which the manufacture has grown to love and has learned to master over the years. Reputed to be the darkest substance in existence, this super-black Vantablack coating is used in astrophysics, for telescopes, by the military as thermal camouflage or to increase the stealth level of certain equipment, or in civil contexts for solar panels.
It is composed of juxtaposed carbon nanostructures. When a photon hits Vantablack, this material absorbs 99.965% of the light. As our eyes need reflected light to perceive what we are looking at, Vantablack is perceived as the absence of matter. H. Moser & Cie. had to put a structure in place and develop special processes to successfully work with this material, which is protected once behind the sapphire crystal.
Seemingly floating in the middle of a black hole, the oneminute flying tourbillon positioned at six o’clock comes to life as the driving force behind this exceptional timepiece. The automatic HMC 804 calibre, equipped with a double hairspring, is designed and produced in-house by H. Moser & Cie’s sister company Precision Engineering AG.
Thanks to its pair of matched hairsprings, the movement of the point of gravity on each spring when it expands is corrected and the effect of friction reduced, significantly improving accuracy and isochronism.
Packed with state-of-the-art technology, the Streamliner Tourbillon Vantablack model is an understated powerhouse. It is H. Moser & Cie. unique take on Haute Horlogerie.
Greubel Forsey presents a new GMT timepiece. Introduces new firsts for the watchmaker
Greubel Forsey’s new GMT Balancier Convexe places the Earth back at the centre of its mechanical universe. It also features a new GMT calibre that will replace all previous GMT models and features, as well as a new orientation of the watchmaker’s signature inclined balance wheel, which makes it appear as if in orbit around the Earth. As with every Greubel Forsey timepiece, the new GMT’s aesthetic and architecture are matched only by its technical mastery.
The titanium sphere, with its elevated continents, seas and oceans, is one of Greubel Forsey’s most emblematic creations. It was the centrepiece of past masterpieces such as the GMT, GMT Earth, GMT Quadruple Tourbillon and GMT Sport - which also happen to be some of Greubel Forsey’s greatest commercial successes to date.
The Earth is showcased majestically, positioned at the very heart of an amphitheatre-like construction. Flush with the sapphire crystal, almost close enough to the surface to touch, it moves in a constant 24-hour rotation, just as the Earth
rotates in real life. This amphitheatre is bordered by three rings which indicate two complementary times: hours and minutes local time, as well as universal time.
The 24 time zones displaying universal time are set against a black background if the time indicated is at night, and on a white background during the daytime.
Local time is indicated on the two outer rings: one for the hours on a grey satin-finished ring, and minutes on a thin black outer ring. Each time indication has its own hand with a red triangular tip filled with luminescent material. These hands move on two further rings, engraved with key words dear to the Atelier, to display GMT. Finally, an off-centre display at 10 o’clock indicates a second time zone with a blue gold hand.
For the caseback of the timepiece, Greubel Forsey opted to keep the disc with 24 time zones indicating the UTC time of the 24 reference cities, but with a rather appropriate modification: the UTC of Paris has been replaced by the city
where Greubel Forsey has been established since its early days: La Chaux-de-Fonds, Switzerland.
Greubel Forsey has created a brand new calibre to power its Terrestrial globe. This contemporary interpretation of the GMT complication is deeply rooted in the ethos of the brand as well as in Haute Horlogerie. The beating heart of any Greubel Forsey timepiece is the object of appreciation among collectors for their remarkable chronometric performance, and the new calibre is no exception.
The 30° inclined balance wheel, seemingly suspended in mid-air, is held by a beautiful flat black polished and barrel polished steel balance wheel bridge on polished steel pillars. To its right, the small seconds, displayed with a blue gold hand, completes the ensemble.
The titanium bridges, which serve as the aesthetic backdrop for this horological spectacle, are hand-finished with a steel brush and take on a frosted texture never before
applied by Greubel Forsey. The delicate frosted surfaces catch the light and accentuate the globe. Finally, the inside of the case is polished so that it mirrors the escapement platform, the Terrestrial globe, and nearly every element visible on the dial side, thus adding incredible depth to this new construction.
The horological theatrics of the new GMT takes place within the watchmaker’s signature convex case. Made of titanium and with a diameter of 46.5mm around the bezel and 43.5mm around the caseband, it hugs the curve of the wearer’s wrist. The unusual shape required the innovation of a movement that follows an imperceptible slope of just a few degrees. The sapphire crystal and satin-finished bezel follow the same curved geometry, which extends onto either a titanium bracelet or a textured rubber strap.
Greubel Forsey will only make 66 GMT Balancier Convexe timepieces: 22 per year between 2022 and 2024.
IWC Schaffhausen has introduced new versions of two of the most popular models in the brand’s Portugieser collection - the Portugieser Automatic and the Portugieser Chronograph. Both watches feature stainless steel cases, contrasting white and blue dials with the characteristic railway-track style chapter ring, blue Arabic numerals, and blued feuille hands.
The Portugieser Automatic is powered by the IWC’s 52010 calibre with a power reserve of 7 days and fitted with a blue alligator leather strap. The Portugieser Chronograph features the 69355 calibre chronograph movement and a blue rubber strap.
The design of the two new models plays on the contrast between the dial and the subdials. Sometimes affectionately referred to as “panda dial” by watch enthusiasts, this aesthetic
is a frequent occurrence in IWC’s Portugieser collection. Beyond aesthetics, the combination of the two colours improves legibility and makes for a very distinctive appearance.
On this occasion, IWC chose to contrast a white dial with blue subdials. The white dials boast a polished lacquer finish, while the deep blue sub-dials feature an “azurage” finish. Such nautical colours not only lend these classic models a fresh and contemporary look but are also a reminder of the origins of the Portugieser - whose design ethos was initially inspired by marine deck observation watches.
The Portugieser Automatic (Ref. IW500715) features a 42.3 mm stainless steel case with a white and blue dial and blued feuille hands. The balanced dial layout places the small seconds at 9 o’clock and the power reserve display at 3 o’clock. This
IWC presents two new Portugieser models in icy cool colour contrasts
Portugieser is fitted with a blue alligator leather strap with a folding clasp.
The watch’s 52010 calibre has an automatic Pellaton winding system that has been reinforced with components made of virtually wear-free ceramic. It uses even the slightest movements of the rotor in both directions to build up its power reserve. The power is stored in two barrels for a maximum reserve of 7 days. The movement can be admired through the sapphire glass case back.
The Portugieser Chronograph (Ref. IW371620) has a slightly smaller case at 41-millimetre compared to the Automatic, but is made from the same stainless steel. It also has a white and blue dial, and blued feuille hands, but the chronograph minutes subdial is located at 12 o’clock, and the
small seconds is at 6 o’clock. A vertical orientation compared to the Automatic’s horizontal.
The 69355 calibre, with automatic winding, has a power reserve of 46 hours. The chronograph movement in a classic column-wheel design is visible through the sapphire glass case back. In addition, this elegant sports watch is fitted with a durable and flexible blue rubber strap, providing excellent wearing comfort during the summer.
The new Portugieser Automatic and Chronograph are available through IWC boutiques, authorised retail partners or online at IWC.com. Both models are eligible for registration under the My IWC care program, which includes a 6-year extension to the standard 2-year International Limited Warranty.
A brief review of five fragrances that explore woody notes, from Cedar to Oud, Patchouli and Oak
“Phantom represents the pinnacle of Rolls-Royce Motor Cars, and Phantom Series II showcases the ultimate potential of the Rolls-Royce Bespoke Design Collective,” said Rolls-Royce CEO Torsten Müller-Ötvös following the North American debut of Phantom Series II.
For Rolls-Royce, the debut of a model bearing the Phantom name is no small matter. Rolls-Royce has used the Phantom name for its flagship models going as far back as 1925, when the first Rolls-Royce Phantom replaced the genesis of the marque, the Silver Ghost. Phantom VII was the first Rolls-Royce developed and introduced under BMW’s stewardship, and had a 14-year production run, from 2003 to 2017.
Phantom VIII, Rolls-Royce’s current flagship model, made its debut in 2017. Phantom VIII Series II is an evolution of the current flagship with subtle yet significant refinements, and “the broadest range of Bespoke opportunities ever offered by the House of Rolls-Royce.”
“The artisans at The Home of Rolls-Royce, in Goodwood, are the best at combining metal, wood, leather, and a myriad of materials into a commission that represents the personality of each of our patrons,” said Müller-Ötvös. “Designed to be the ultimate blank canvas for Bespoke, we are excited to see how each of our American clients interpret Phantom for themselves as they create a Bespoke commission that expresses their own character, desires, and interests.”
The new Phantom got its North American unveiling at ‘The Quail, A Motorsports Gathering,’ a marquee event of the Monterey Car Week in California. Held on the rolling greens of the Quail Lodge & Golf Club at Carmel Valley, the Quail has combined the atmosphere of an exclusive garden party with the joy of admiring rare and exceptional automobiles and motorcycles for nineteen years.
In recent years, the event has become a popular destination for exclusive automotive brands to unveil their latest models. This year the event hosted over 200 classics, supercars and exotics, as well as 19 model premieres. Among them was RollsRoyce’s ‘Pebble Beach Collection’ 2022, a colourful and exclusive
assemblage of bespoke commissions. The collection includes the first ever Black Badge Cullinan in Forbidden Pink, and a Ghost premiering a new finish - Crystal over Sagano Green.
However, the star of the collection was ‘Maverick’ - a Phantom VIII Series II bespoke creation by Rolls-Royce designers. It was conceived as the ultimate ‘blank canvas’ to demonstrate the customisation possibilities with the new Phantom.
“Each commission represents a distinct design reflecting an aspect of what Phantom means to its ultimate owner,” says Jonathan Simms, Rolls-Royce Head of Bespoke. “Many Phantom owners achieve their success through new ideas, unconventional methods, and their own relentless selfbelief. The ‘Maverick’ Bespoke persona demonstrates how Phantom adapts to the modern age, asserting a creative, independent character.”
Maverick’s new expression features two unique Bespoke elements: utilising light and extending the impact of the iconic Starlight Headliner to the exterior. The Pantheon Grille is illuminated, with each metal vane specifically finished to provide a subtle glow. The headlights are graced with 580 intricate laser-cut bezel starlights. Combined, these create a visual connection with the iconic Starlight Headliner inside and add to Phantom’s nighttime presence.
The exterior is finished in a classic Rolls-Royce two-tone colourway, in this case, Black over Monteverde green. The dark tones give high contrast to the bold, hand-applied Peony Pink coachline, which draws inspiration from the interior palette.
Upon opening the coach doors, one encounters an interior suite of Scivaro Grey offset by a vibrant colour pop from large swatches in Peony Pink. The Obsydian Ayous open-pore wood and canadel panelling present a contemporary yet warm look and feel. The Gallery in this special commission features a world first - a unique embroidery design finished in Scivaro Grey with a Peony Pink thread. The customisable treadplate reads: ‘Pebble Beach 2022’ Special Commission.
The other two members of the Pebble Beach 2022 collection were all about debuting never-before-seen colours and finishes from Goodwood. The Black Badge Cullinan debuts “Forbidden Pink.” Its interior glows with the brightness of the “Grace White” hand-crafted leather, subtly offset by Cashmere Grey highlights and Lime Green leather details. As the rear tailgate opens, it reveals a Viewing Suite in the luggage compartment, which, for the first time, is in Peony Pink leather.
The Pebble Beach collection’s Ghost debuts “Crystal over Sagano Green,” created with six layers of finish. The artisans from the marque’s Exterior Surface Finish Centre had spent hours meticulously hand-polishing each layer. Before the final two clear coatings are completed, the Crystal finish is applied with minute particles of colour specks to create a lustrous, multi-dimensional shimmer on Ghost’s post-opulent design.
“Rolls-Royce is Bespoke, and colour plays a crucial role,” says Simms. “The inspiration for Rolls-Royce colour and finish is limited only by one’s imagination.”
Rimac starts deliveries of Nevera, its first production model
The production version of Rimac Nevera made its U.S. debut at The Quail, A Motorsports Gathering during Monterey Car Week this August. More significantly, the event follows the start of Nevera deliveries to its customer. First on the list is the 2016 F1 World Champion Nico Rosberg, who received his Nevera with the serial number #001.
At the event, Mate Rimac, Founder and CEO of the Rimac Group, said: “We’ve been coming to Monterey Car Week for years, showcasing our first car – Concept_One –and then the gradual development of C_Two into its final production form as Nevera.
“This year’s appearance at The Quail is undoubtedly our most significant yet; the clearest indication that the promises we have made in five years of development have all been fulfilled and exceeded; the world’s first all-electric hypercar – and the fastest accelerating production car – is now ready to be shipped to customers all over the world.”
It was a little over a year ago that the Croatian electricmobility technology specialist and subsequent hypercar manufacturer Rimac Automobili unveiled Nevera, the production-ready iteration of its Rimac C_Two concept car.
Since it was first presented to the world at the International Geneva Motor Show in 2018, the C_Two has been refined at every level during an extensive development program that led to the Nevera, with most of its key components developed in-house at Rimac’s HQ in Croatia.
“This is it. This is the car I had in mind when I embarked on the ‘impossible’ journey ten years ago,” said a proud Mate Rimac, the eponymous company’s Founder and CEO, following the unveiling of Nevera. “When we first revealed the C_Two, we set our targets extremely high. There was nothing else that could even come close to matching the car’s cutting-edge electric powertrain and extreme performance. But for us, that was only the starting point.
“With its combination of everyday use and 1914hp performance, the Nevera proves what is possible when there are no restraints placed on technology, development, or ambition.”
The cars are being produced at Rimac’s new production facility on the outskirts of Zagreb, Croatia. Underlining his own commitment to the project, Mate will personally test and sign off each of the Neveras, before they are delivered to customers.
Nevera is the name of a Mediterranean summer storm off the coast of Croatia, known for its unpredictability. Which is quite apt for a car designed to “transform from a comfortable, adept grand tourer into a pin-sharp performance machine in the blink of an eye.”
To deliver that kind of versatile performance, Nevera possesses around 1,900hp produced by four Rimacengineered electric motors. They can propel the hypercar from 0-100kmph in just 1.97 seconds, and to 300kmph in 9.3 seconds. The top speed is reported to be 412kmph.
“Lean and effective engineering,” the philosophy behind Nevera’s development, has been applied to every aspect of the car, according to the automaker. Nevera’s bodywork, bonnet, pillars, diffusers, intakes, splitters and radiators have undergone refinement from those on the C_Two concept, resulting in a 34 per cent improvement in aerodynamic efficiency.
Changes to the inlets and cooling channels have improved the cooling efficiency of both the brake and powertrain systems by 30 per cent at low speeds and a seven per cent enhancement at high speeds. The aerodynamic design of the lightweight forged alloy wheels channel cooling air to the Brembo carbon-ceramic braking system.
Nevera’s monocoque, the structural core of the car, includes a bonded carbon roof, integrated structural battery
pack and rear carbon subframe. It is the largest single carbon fibre piece in the automotive industry, but weighs less than 200kilograms. It encases the car’s battery to form a compact yet incredibly strong structure with a torsional stiffness of 70.000 Nm/degree, which translates to the most rigid structure in a production car.
The unique H-shaped, liquid-cooled, 120kWh, Lithium/ Manganese/Nickel battery can produce 1.4MW of power. Completely designed and produced in-house, it adds 37 per cent structural stiffness to the carbon fibre monocoque. The battery’s optimum positioning, low and central within the car’s floor, also contributes to a very low centre of gravity. This also helps create an excellent 48/52 front-to-rear weight distribution.
Capable of instantly summoning maximum torque from the first moment, the four surface-mounted permanent magnet motors drive the Nevera’s four wheels individually. The front and rear wheels are each connected to a pair of single-speed gearboxes. Moreover, Rimac’s All-Wheel Torque Vectoring 2 (R-AWTV 2) system - in conjunction with its electronically controlled double wishbone suspension - delivers variable dynamic responses to road and track conditions by making over 100 calculations per second.
“Depending on the driving mode selected, the R-AWTV 2 technology can enable the Nevera to be drifted sideways or
provide optimum levels of all-wheel-drive grip, traction and safety – no matter how challenging the road and weather conditions,” says Miroslav Zrnčević, Rimac Test and Development Driver. “Thanks to a four-individualmotor drivetrain, the driver can also change the torque distribution, and personalize the performance delivery even further, for a completely bespoke drive – ranging from front- to rear-wheel-drive biased car.”
Nevera’s innovative electric power steering has a steerby-wire function, enabling adaptive driver feedback based on the six drive modes - Comfort, Range, Sport, Drift, Track and two Custom modes that enable drivers to access their personal, pre-selected performance preferences. Additionally, the steering also works as a driving-aid system when in Driver Coach mode, which demonstrates optimum racing lines and vehicle control to the driver.
Nevera is designed to be as much a capable grand tourer as it is a performance hypercar. Nevera’s interior space has room for two occupants in full race regalia, as well as their luggage. The cockpit layout is divided into two zones featuring a trio of high-definition TFT screens. The focus of the top segment is driving pleasure and performance, while the lower part houses the infotainment system, comfort controls and driving data. Tactile inputs are limited to a few aluminium rotary controls and switches.
The Rimac M2M system delivers a wealth of realtime anonymized performance data to the manufacturer as well as to the owner through an intuitive mobile app developed in-house. Nevera’s owners can track live data, such as GPS location, charging speed and battery status, while also using it to analyze driving performance, metrics and map previews on Android & iOS.
It is highly unlikely that two identical Neveras will leave the Rimac factory, given the comprehensive range of customization options. In addition to the company’s premium individual personalization program, Rimac will offer its flagship in various editions - GT, Signature, and Timeless - or the customers can choose to go completely Bespoke.
Nico Rosberg, the former F1 champion who these days drives and reviews some of the most extreme cars for his YouTube channel, had these words to say about the acceleration of his recently delivered Nevera #001: “That is incredible acceleration... I have never experienced anything like that.”
He also observed: “It’s very, very enjoyable because you can drive it in a way where you don’t necessarily notice the extreme performance, but then, you can also extract the extreme performance when you want.”
Bentley Mulliner Batur is more than a limited edition coachbuild; it may herald the marque’s future
Bentley Mulliner Batur is a new two-door grand touring coupé conceived by Director of Design Andreas Mindt and his team, which according to statements by the British luxury brand, embodies its new design DNA; one that will ultimately guide the design of Bentley’s future range of Electric Vehicles.
Mulliner - Bentley’s in-house bespoke and coachbuilding divisionwill produce a collection of just 18 series examples of the Batur, similar to Mulliner’s previous project, the Bacalar, which relaunched coachbuilding at Bentley. Also, like its predecessor, Batur is named after a beautiful natural body of water. All 18 examples of the Batur have already been reserved.
The Batur will also be the most powerful Bentley to date. It will debut a 740+ PS version of the hand-assembled 6.0-litre twin-turbocharged W12 engine. The refined beast that has metaphorically and literally powered Bentley’s success for the last two decades. To manage the enhanced power, Batur will have “the most advanced Bentley chassis ever,” with Speed-tuned air suspension, electric active anti-roll control, eLSD, four-wheel steering and torque vectoring.
Typical of a Mulliner project, its in-house design team will co-create every Batur with its customer, working together through a specially-created Mulliner visualiser that allows any part of the car to be customised in colour and surface finish.
Beyond the exterior form of the car lies a seemingly endless array of choices for each car’s future owner to make. Paint choice is near infinite – starting with the full Mulliner colour palette and travelling beyond into fully bespoke paint and even hand-painted graphics. Meanwhile, brightware can be any mix of light and dark, satin or gloss or even titanium.
The exterior paintwork of the launch Batur is a bespoke colour – Bonneville Pearlescent Silver – with bodywork underscored by carbon fibre front splitters, side skirts and rear diffuser painted in Black Crystal. The Batur sits on unique 22inch wheels, with the ‘standard’ option being painted in Black Crystal and then surface bright machined and polished.
The two-seat interior space of the Batur is also designed for the ultimate in personalisation and long-distance grand touring. The range of veneers available for the fascia includes a new material for Bentley – Natural Fibre composite. It is available as a 2x2 twill weave finished in satin lacquer, which is a sustainable alternative to carbon fibre. The passenger fascia panel is then finished with a unique etching of the audio signature of the W12 engine –bespoke etching is also available.
The interior of the launch Batur has been trimmed by hand in a stunning combination of black, red and orange – specifically, Beluga hide contrasted with Hotspur and sustainable low CO2 Mulliner Hyperactive Orange leather.
From the veneers to the Instrument Panel, fascias and doors are painted Gloss Black, with a ‘guitar fade’ to Fine Brodgar that flows from the fascias to the doors, before fading back to black. The fascia is completed with a unique piece of art – a laser-etched sound wave, which represents the unique sound generated by the W12 engine.
The Batur features the most powerful engine yet fitted to a Bentley. The 6.0-litre W12 that started the rebirth of Bentley with the Continental GT in 2002 has been through several design iterations since, and is now one of the most advanced twelve-cylinder engines in the world.
For the Batur, the engine has a new intake system, upgraded turbochargers, new intercoolers and extensive recalibration, resulting in more than 740 PS and 1,000 Nm of torque. Thanks to its 20 years of development, the engine now produces nearly 40% more power than the original, while fuel economy has improved by 25%. The Batur’s W12 is paired with Bentley’s eight-speed double-clutch transmission, and a sports exhaust to provide a soundtrack in keeping with the level of performance.
The most powerful and exclusive Bentley coupe to date, the Batur, we are promised, will also be the most dynamic. Its adaptive three-chamber air springs will each have three switchable chambers. Changing the volume of the air spring will result in a change in its effective stiffness.
Therefore, the driver can select the balance between ride comfort and body control using the four-mode Drive Dynamics Control in the centre console. The driver can choose between Sport, Bentley, Comfort and Custom, which also changes the behaviour of the 48V electric active antiroll control system, providing up to 1,300 Nm of anti-roll torque in 0.3 seconds or completely decoupling the wheels at either end of each axle.
Given that Batur carries the design DNA of future Bentley models, then its most significant part may be at the front. Bentley is not a brand known for radical design changes, but one may be on the way. The circular headlights, a signature of Bentley since its rebirth under VW, may be on their way out, replaced by the eye-shaped silhouette found on the Batur.
BMW gives its iconic 8-Series a timely upgrade, to coincide with the M’s 50th anniversary
In the fiftieth year since the M badge came into existence, BMW has upgraded its lineup 8-Series modes, arguably the most emblematic model series in the Bavarian automaker’s line up of M badged cars. That is a lofty accolade when we consider that the M badged cars include a long line of legendary M3s and M5s, among others.
The high status of the 8-Series within the “M” universe is based on the fact that it is the successor to the original M8 sports coupé. While the M3s, M5s and other M-badged cars were M variants of regular BMW models, the M8, like the M1 before it, was an M-only model. This is true even today. All the models in the 8-series come with an “M” prefix.
The first generation M8, with internal designation E31, made its debut at the 1989 Frankfurt Motor Show. The 850i was the first model to roll off the production line in 1990 with a 5-litre V12 engine capable of producing 296 hp. Unquestionably one of the most beautiful BMW’s ever produced, The E31 M8 is a study in minimalist beauty. Its simple, uncomplicated flow lines make the car look as contemporary today, as it did when it first debuted.
The E31 8-Series production ended in 1999, with just over 30,600 units sold globally. As there was no direct replacement, the M8 badge ceased to exist. Even though the sales figures were bearish - due to unfavourable global geopolitical and economic factors - the M8 was much loved by enthusiasts and critics alike. In fact, the low production numbers added to its desirability, making it highly soughtafter in the classic car scene.
The ever-growing cult status of the original 8-Series coupé eventually led BMW to revive the M8 badge in 2018. First came the Coupé, codenamed G15. Then came two new body styles that were not offered with the first generation M8sthe Convertible (G14) and the four-door Gran Coupé (G16).
Built on the same platform as the coupé, the Gran Coupe is slightly longer and has two extra doors. The result is a more practical car, with a sedan body style, while retaining the dynamic handling and sleek roofline of the coupé. The cabin is designed to be luxurious and comfortable, but not at the limousine-like experience of the roomier 7-series. The emphasis here is to be a driver-centric performance sedan.
For all three body styles - Coupé, Convertible and Gran Coupé - customers could choose one of three model options. The 840i is the base model powered by a 3-litre Inlinesix engine. The other two models - M850i xDrive and M8 Competition - both have the same 4.4 litre V8. However, the M850i engine produces 523hp while the M8 engine has been up-tuned to produce 617hp. All three engines have twin turbos, and are coupled with an automatic 8-speed transmission with a manual shifting mode.
There is also an Alpina B8 with a more luxurious interior, and the V8 engine produces 612 hp, marginally less than the M8. For the 2023 model year, BMW has unveiled the 8 X Jeff Koons, a very limited edition 850i xDrive Gran Coupé designed by the American artist.
In the regular 2023 model lineup, the most noticeable change in the interior space is on the dash, where we now have a 10.25-inch digital instrument cluster with its 12.3inch Live Cockpit Professional display. Optional packages include carbon bucket seats and leather.
The highlight of the exterior, standard on all new 8-Series models, is a new illuminated grille featuring redesigned vertical bars. The grille illumination activates when the vehicle is unlocked or when a door is opened. The driver can manually turn off the feature.
There are five new colours to choose from - Skyscraper Grey metallic, San Remo Green metallic, Portimao Blue metallic, BMW Individual Frozen Tanzanite Blue metallic, and Frozen Pure Grey. Plus, there are two new optional wheel choices.
The M850i xDrive coupé gets a new optional ‘M Sport Package Professional,’ which adds black callipers, a black kidney grille, a black spoiler, and Shadowline headlights with dark inserts. The M850i xDrive coupé, convertible, and Gran Coupe models can now avail the M exterior mirrors that were initially designed exclusively for the M8, as well as an M badge in the grille.
Another option is the classic BMW Motorsport logo on the hood, trunk, and wheel hubs in place of the traditional BMW roundel. This special logo, commemorating 50 years of BMW M, is reminiscent of the first logo BMW used on its M racing cars in 1973.
Comfort, dynamism, and softness are values that underpin all fabrics and volumes in Brunello Cucinelli’s FW22 Collection. All elements express an enveloping feel, with soft lines that combine a contemporary vision and refined style.
Harmonised by timeless neutral hues of beige, grey and blue, new colours come to the fore to convey an enterprising, fresh and bright style. The energy of oranges and reds, the charm of lime and eucalyptus greens, and the soothing sensations of light water and cornflower blues express intensity and enrich textures.
The choice of the highest-quality materials and fabrics include cashmere, superfine wools, exquisite baby camel fibres, precious suedes, nappa leathers and lightweight shearlings in a variety of appearances. Patterns add a refined style to the fabrics in the collection: classic chalk stripes go hand in hand with new interpretations of tweed, houndstooth and Prince of Wales – introducing colours with refined effects to build subtle and chromatic harmonies. Corduroy is also brought to the forefront, renewed with brand new délavé effects, which enrich the colours and enhance the textured appearance.
With its comfortable, relaxed and distinctive appearance, knitwear is the beating heart of the collection, including down jackets, travelwear and footwear. Soft knitted surfaces revolutionise the style of down jackets and elevate travelwear. Knitwear introduces colour expressions, pure or combined with neutrals, together with special yarns that enrich textures with a tweed effect.
Brunello Cucinelli Fall-Winter 2022 Men’s Collection
Wardrobe classics in all their forms offer something for every occasion, whilst innovative garments are the result of new approaches to tradition: chiné and vanisé techniques, jacquard inlays, embroidery and combinations of stitches result in different textures that replace patterns, always in a refined, harmonious and contemporary manner.
The role accessories play in expressing a distinctive style, a fully-fledged lifestyle, is always growing. Prized materials and workmanship instil continuity that is harmoniously in line with the clothing. Lightness and comfort remain the main objective of every element.
The footwear collection develops the new models in a balanced way in the wake of English tradition, and the proposal inspired by a sporty taste and outdoor style. Varieties of capsules build important bridges between the two worlds and offer new solutions for the evolution of contemporary elegance.
Berluti presents a new sneaker inspired by the high-tops of the 1980s
Berluti is expanding its shoe collection, through the FallWinter 2022 season, with a new statement sneaker.
Inspired by high-top basketball sneakers of the 80s and early 90s and paying homage to Berluti’s first-ever sneaker Playtime, it displays a distinctive
sporty design thanks to Berluti’s knowhow and flair.
Made from Venezia leather, the upper’s assembled cutouts are the result of artisanal work comprising 80 leather pieces. The best example is the refined folded leather technique used on the toe and the back of the shoe.
Trademark details include sporty features such as padded Venezia leather tongue, perforations, an anatomic insole, and a mesh lining for comfort.
A thick and comfortable rubber outsole features a leather insert on the heel with a pop of colour matching the laces.
Playoff comes with a choice of two different uppers, an eye-catching high top and a more timeless low top option embellished by the Berluti Scritto signature.
Four different renditions are available, with two specific patina treatments. Classic shades such as iconic
Nero Grigio and Honey - a brand new seasonal colour - offer an understatedly chic option.
On the splashier side is Neon patina, an innovative technique which requires more than 3 hours of work and in which upper edges are highlighted in a contrasting tone by hand, using a pencil.
Chosen hues are Steel Blue-and-Red and Purple-and-Blue.
All Playoff styles include an extra pair of white laces and come in a special canvas pouch matching their heel tab colour.
The sneakers will be available worldwide in Berluti stores and at Berluti’s e-shop from September.
Varsity Jacket, Off-White
Trousers, Heron Preston
T-Shirt, Moncler
Leather Loafers, Saint Laurent
EDITOR’S PICKS
Pattern Silk Tie, Canali
Long-Sleeve Shirt, Jacquemus
Lace-Up Sneakers, Off-White
Wight Jacket, Moncler
Striped Patchwork Jeans, Marni
Virgin Wool Shirt, Marni
Leather Tote Bag, Versace
Diamond Necklace, Hatton Labs
Leather Trousers, Diesel
Leather Loafers, Salvatore Ferragamo
Logo Striped Tie, Alexander McQueen
Leather Cross-Body Bag, Bally
Low-Top Sneakers, Rhude
T-Shirt, Paul Smith
Straight-Leg Jeans, Diesel
Bucket Hat, Celine
Track Jacket, Gucci
Zegna has launched a new cashmere collection named Oasi Cashmere, a fully traceable line intended to represent a new model of environmental and business consciousness. The collection is named as a tribute to the nature reserve created by Ermenegildo Zegna in the mountains around Trivero in the 1930s and which has transformed over the course of years into a 100 square kilometer Oasi.
An individual with a deep-rooted love for nature and his homeland, Ermenegildo Zegna, the eponymous founder of the brand, planted the first tree in the area surrounding his Wool Mill in the year 1910. This act of conservation ignited a reforestation project that now includes over 500,000 trees and counting.
Formally established as Oasi Zegna in 1993, the natural territory covers around 100 km² across the Biella Alps in Northern Italy. Every road and every path, at Zegna, starts from, and brings to, Oasi Zegna. Envisioned by the founder as a way to give back to the community, Oasi Zegna is not only a unique model of societal and environmental consciousness, but also, and more broadly, a set of values that ultimately foster consistency and promote harmony: between men, machine and nature, past and present, belief and innovation, always looking ahead while keeping track of the company roots.
The same all-encompassing ethos is embodied in the Zegna Oasi Cashmere collection: the Oasi Zegna values give tactile materiality and deep, engaging colors in fabrics grown. It is woven out of a passion for excellence and love for the beauty of nature and the overall harmony that only a responsible development can guarantee.
Oasi Cashmere assumes that the very best
Zegna commits to its Oasi Cashmere fiber being fully traceable by 2024
garments can only come from the best natural resources and that the best natural resources need to be cared for and can be traced.
To make Oasi Cashmere, certain medieval techniques are used to dye pure cashmere yarn naturally with wood, herbs, and natural pigments to obtain soft, unique colorings. Garments made with this fabric are finished without chemical additives, the Eco compatibility of the entire process being guaranteed by meticulous temperature control.
Oasi Cashmere collection is a central development in the Zegna commitment to increase traceability in its use of Cashmere fiber. A commitment that the whole collection will be fully certified traceable by 2024.
Zegna’s vertically integrated business model facilitates this commitment, allowing it to be responsible and accountable,
from start to finish. This is an integral part of undertaking this responsibility: showing respect across the whole chain. In turn, all the products will have a “truthful ID”, highlighting how deep values are set as identity traits.
As an authentication of its commitment to traceability all apparel manufactured as part of this collection will be accompanied by a QR code showing the entire journey of the Oasi Cashmere collection, from the cashmere farm to the stores as well as bringing the customer to Oasi Zegna where the campaign has been shot.
Oasi Cashmere for Zegna is an opportunity to be a trademark of traceability and accountability, moving in the direction of this cashmere being responsibly sourced, from remote farms in the world to innovative manufacturing in Italy.
adidas Originals returns with the latest iteration of its groundbreaking NMD S1 sneaker. Dubbed S1 as an abbreviation of “Sneaker Number 1”, the provocative silhouette daringly evolves the NMD lineage with a Black color update. The outcome – a stripped back look that stays true to an ethos of purposeful simplicity, considered aesthetics, and formal innovation.
VALENTINO GARAVANI
Open Skate Calfskin and Leather Sneakers
MONCLER Genius Trailgrip Sneakers
LANVIN
Curb Multi-Panel Sneakers
BALLY
Holden T Leather & Fabric Sneakers
Paul Smith, Britain’s leading independent design company, reveals its AW22 campaign designed to recall surrealist film techniques and the work of the world’s greatest directors as well as showcase a return to dressing up again.
A mood of upbeat nostalgia permeates the campaign. Drawing on Paul Smith advertisements from the 1990s and early 2000s, which celebrated the joy of dressing up. It aims to capture the glamour, opulence and playfulness of “old Hollywood.”
Shot at a weathered country house staged to recall a movie set, the campaign features two distinct narratives: one of actors on set and the other of the antics they get up to when off set, away from the cameras.
Recalling avant-garde director’s techniques and myriad cinematic styles, including surrealism, as well as Paul Smith’s signature use of colour, the campaign showcases a highly saturated palette, inspired by the RGB colour model and the mechanics of cinematography.
Shot by photographer Johnny Dufort, the images make use of blur, flashes and glares to emphasise the richness of the colour palette while visible shadows of
lighting equipment and rigging are intentionally kept in to emphasise the artifice and as a tongue-in-cheek nod to the construction of the image. A trompe-l’œil effect, seen in the AW22 collection, is also present in certain shots to create a dreamlike feel.
The styling – by Julian Ganio for men – is monochromatic to match backdrops and highlights key Paul Smith pillars for the season: coloured tailoring, dynamic prints, statement knitwear and checks.
Key pieces featured for men include a series of bold coloured suits in red, green and blue, the placement Stem Floral printed shirt, the Starlet print camp-collar shirt, Signature Striped mock neck sweater, checked outerwear, Solar Floral printed corduroy trousers, a shearling parka and the showstopping Zig Zag print mohair sweater.
‘Eagle Eyed Stranger’ by Ojar perfumes explores the mystical allure of Frankincense. This oriental woody fragrance greets you with the essence of summer, and is emboldened with white amber.
Ojar was founded by Sheikha Hind Bahwan of Oman, who conceived the brand’s collection of fragrances, as well as its design and visual campaign. Elaborating on her passion for perfumes, she says: “I see perfume as a lifestyle; it is a signature that you bring wherever you go.”
Sheikha Hind’s Ojar presents fragrances that blend influences from the East and the West, while paying tribute to the art and rituals of Middle Eastern perfume making. She chose the name Ojar for her brand because it derives from the word Hojari, widely regarded as the finest quality of frankincense resin in the world. Frankincense happens to be
one of the key ingredients of the brand.
Hojari is harvested from just one location - Oman’s Dhofar mountains, near Salalah. Frankincense, in general, has an ancient and rich history in Oman. Primarily used as an ingredient in perfumes, it is also used extensively in traditional medicine and religious ceremonies. The precious resin, with smoky tones, is harvested in April, when the aroma of fresh Frankincense surrounds the area around Salalah.
Sheikha Hind has curated eighteen unisex fragrances, each with a distinct personality, but also to complement one another when layering. Thus, enabling customers to find their “signature” scent. The 18 fragrances, produced by Givaudan, the renowned Swiss perfume house, are presented in six collections, each comprising three fragrances.
The six collections are each based on a core ingredient: Frankincense,
Oud, Rose, Honey, Sandalwood, and Musk. Eagle Eyed Stranger is one of the three Frankincense fragrances, along with Routes Nomades and Forgiven Outrage.
Eagle Eyed Stranger starts off with the essence of summer with Bayberry and Lily of the valley (Muguet), coupled with the essence of incense. Then, Dry Woods, Oakmoss and Vetiver combine to create a woody tone, followed by the base notes composed with White Amber, Pimento and Birch.
The hero product of the brand is “Absolute” - an alcohol-free perfume oil. The perfume is 25% concentrated and formulated to be long-lasting. It is presented in a slender, travel-friendly 20ml bottle with an innovative double cap featuring a roll-on and a glass stick applicator. The fragrances are also available as 15ml eau de parfum and 100ml body oil mist.
Ojar’s Eagle Eyed Stranger is part of a perfume trilogy that explores the depth of Frankincense
Francis Kurkdjian’s new Eau de parfum seeks to capture the spirit of New York
“There is something about big cities that sweeps over you, electrifies you, elevates you. I translated that communicative energy, that life pulsating in unison, into a musky, floral, urban fragrance that I named 724, for 24 hours of scented living, seven days a week.” This is how Francis Kurkdjian describes his new Eau de parfum for men.
724 offers a totally abstract olfactory theme composed of shades of white, as in fresh laundry white, whose textures overlap in an energetic, flowing rhythm. This is a happy, light fragrance ideal for summers in the cities of Europe or North America, or for the milder winters of our region.
In the top notes, a fresh, undefined urban accord is perceived. It is the sensation of clean, energizing freshness like the one that emanates from New York laundries at the break of day, formed of bergamot from Italy and the verticality of aldehydes with sophisticated, slightly metallic, effervescent facets.
At the heart of its vertical architecture lies an airy aura conveyed by a bouquet of flowers structured by jasmine absolute from Egypt, sweet pea and mock orange. In the base
notes, we have an enveloping, comforting sensation thanks to a sandalwood-white musk accord.
“724 is a soothing Eau de parfum with a vibrant yet enveloping urban spirit,’ says Kurkdjian. “It brings a sensation of comfort and protection, like that of cleanliness, that I crave when I’m wandering around in the city.”
Kurkdjian is an urbanist at heart, a man in love with the vibrancy of city life. Though proud of his Parisian roots, New York, he says, is his home away from home. The smell and the energy of the Big Apple, especially in the early hours of the morning, was his inspiration for creating 724.
Not surprisingly, the urban landscapes and the architecture of New York overtly influenced the graphic aesthetic of 724 Eau de parfum. A unique blue shade, named “urban
blue” by the perfumer, subtly blends the cement grey hue of buildings with the blue of denim jeans, the ultimate universal garment and symbol of modern living.
The chiselled typeface of the fragrance’s name, 724, emulates digital printing. Francis Kurkdjian is especially attentive to these aspects, which help bring his scented stories to life. Elegance and relevance are clearly stated in what may appear to be mere details.
Since Kurkdjian established his eponymous perfumery in 2009, near the Place Vendôme in Paris, it has become a niche brand that’s much beloved among perfume enthusiasts. His fragrances Gentle Fluidity and l’Homme À la rose are among his most popular.
Prior to starting his own perfumery, Kurkdjian had created over 40 fragrances for the world’s top brands. His breakthrough fragrance came in 1995, at the age of twenty-six, when he created Le Male for Jean Paul Gaultier, one of the world’s bestselling perfumes. Other noteworthy creations include Le Parfum for Elie Saab, My Burberry for Burberry, L’extase for Nina Ricci, and Green Tea for Elizabeth Arden.
In a clean cut from the past, the perception of beauty and personal grooming products being the exclusive domain of women has been sheared. Men have extensively joined the race to not only look presentable, but also reap the benefits of serious grooming and personal hygiene with body hair trimmers, spray perfumes, nail kits, skin care and much more. This is a global trend, and the Middle East is not an exception.
While the zeal to look good is fair, the pressure to do so is causing anxiety and stress contributing to body image issues in men. Unrealistic media messaging, social media hypes, dispersal of celebrity profile images, fashion trends and job market demands are all conducive factors. The COVID-19 pandemic has further heated up the challenge. But not all’s lost and there’s no need for men to feel left out without adequate support.
Male body image issues can lead to eating disorders and exercise addiction. Many experts believe that around one third of people with eating disorders globally are male and underreported due to stigma. Steroid abuse in young men, elite athletes, competitive bodybuilders, and men who train with weights are some of the male groups most at risk of using performance and image enhancing drugs to promote muscle growth or reduce body fat.
If you work out even when you’re sick or injured and feel anxious if you can’t exercise, or exhibit similar other traits, chances are you need professional support to get to the root
of your mental health issues. Also, if you regularly binge eat or excessively restrict food intake, seek guidance from a therapist who specialises in male eating disorders.
Statistics show that only about one-third of people in therapy in the United States are men, even as men are three times more likely than women to commit suicide. Men deserve support when mental health issues hit. Seeking help is a sign of courage and strength. Right support can surely help.
Overcoming negative body image and mental health issues are manageable with adequate help. The relationship between men and body image is more complex than ever, but affordable resources have never been more widely accessible. If you’re struggling with your body image or your relationship to food, reach out. Therapy, support groups, and supportive friends and family can be a lifeline as you work to heal.
Dylan Chou, the General Manager for Meridian Grooming says, “Male body image in the superhero era is applied to men’s worth which is unattainable and unrealistic. Your body image is how you think and feel about your body through thoughts, perceptions, imagination, and emotions. While Meridian supports the foundation of men’s wellbeing, grooming, and hygiene routine with high-quality, easy-touse self-care products, we encourage men to create healthier focus and standards on how to love yourself and your body when stress and anxiety hit.”
Meridian creates grooming products for men that maximize their health and well-being. The brand has earned a cult-like following plus viral media attention since it launched two years ago. Personal care practices are far from superficial, and research has long shown a link between mental health and self-care. Good personal hygiene contributes to a more robust body-mind state and greater self-confidence. For Meridian, personal grooming is all about the finer details of product excellence—premium technology, sleek design, and a pain-free experience define Meridian’s products. After all, there’s nothing like winning, feeling fresh, smelling better, and letting compliments roll in.
The spike in male body hair removal in recent years isn’t surprising given the benefits to personal hygiene as well as the advancement of trimming tools that make the process quicker and safer. Dylan Chou, the General Manager for Meridian says, “Once a man embarks on an effective personal care regimen, there’s no going back. The ritualistic nature of a regular trimming protocol brings a satisfying structure to your routine, while the results just feel good. Meridian’s Trimmer not only reduces the opportunity for ingrown hairs and skin irritation, but also helps you avoid nicks and cuts making it ideal for body hair removal. The importance of incorporating Trimmer safety precautions is vital as well to experience the joys of efficient personal grooming.”
Meridian’s premium, innovative body hair Trimmer featuring high-end design offers a smooth gliding experience to manoeuvre around bodily contours with no nicks or snags. With low vibration for comfort, The Trimmer’s waterproof and ergonomic grip feature is designed to ensure easier handling even when wet, for better control during use, in or out of the shower, or even on dry skin.
Meridian’s Trimmer is different from other electric trimmers on the market because it is primarily a fullbody grooming tool, not just another piece of electronics. The Trimmer is easier to use and looks better on a man’s bathroom shelf compared to other brands men may have seen in the past.
Meridian’s Trimmer is high-powered, rechargeable, and available in two colors—Onyx and Sage. It includes two adjustable guide combs (3-6mm, 9-12mm) for personalization and its accessories include a cleaning brush, USB charger, charging light indicators, and 90 minutes of trimming time on a full charge. Its reliable, rust-proof, and replaceable ceramic blades enable smoother trimming for optimal performance and hygiene. The Trimmer’s precision blades are designed for a seamless fit that allows men to trim their body hair without cutting, tugging, or irritating the skin.
Meridian’s classic bundles all include the waterproof Trimmer paired with an array of self-care products to help men save money on a full grooming routine. The Starter Package includes a Replacement Blade, The Complete package includes The Spray, and The Maintenance Package includes The Spray and Two Replacement Blades.
Meridian Grooming has also expanded its product portfolio with the launch of its stylish Travel Case, ensuring you will always travel, and trim in style. The Travel case is a carriable hardcover with a water-resistant polycarbonate outer case material that is sustainable, and matte finished. Its inner nylon fabric is anti-mold and anti-bacterial coated that stores Meridian trimmers and accessories. Available in 3 color variations of Onyx, Sage and Ocean, its shock proof to protect trimmers and easy to clean.
Acqua di Parma Magnolia Infinita explores the complex tones of the Magnolia flower
Magnolia is a sumptuous flower with velveted petals that expand, giving life to infinite new perfume nuances, which Acqua di Parma reveals with Magnolia Infinita, a new vibrant fragrance in its ‘Signatures of the Sun’ collection.
Magnolia Infinita is an Eau de parfum that is potent and joyful. In the beginning, there is the bergamot from Calabria, then orange and lemon as bright rays of sun amplify the clear and transparent light of the potent magnolia, mirroring the freshness of the citrus fruits to warm the spirit, gradually.
A light that becomes progressively more intense in the soft and enveloping centre where the magnolia meets sambac jasmine, rose and ylang-ylang. Lastly, come the notes of patchouli and musk that envelop you in a sensual harmony, allowing the precious essences to continue to reveal infinite nuances.
Magnolia Infinita, in the 20ml, 100ml and 180ml formats, is enclosed within the iconic Art Decò transparent glass bottle that enhances the sunny and intense composition. The golden writing on the label of Signatures of the Sun adds to that precious touch.
As in the rest of the collection, the bottles come with a detachable dispenser for easy recycling. The external packaging, in tones of black, is made of exquisite FSC paper, internationally certified for its production in a responsible manner in forests around the world. It is illuminated by the unmistakable black soft touch label with its gold embossed logo.
Acqua di Parma is a brand that started over one hundred years ago, in 1916, as a small perfume factory in the centre of Parma’s historic old town. Part of the LVMH Group since 2001, the Maison currently produces fragrances, candles, bathrobes, and leather accessories.
Acqua di Parma earned its reputation with its fragrance Colonia - now the icon of the Maison and its values. Over the years, the Maison has gone from strength to strength with the creation of other fragrance lines - Barbiere, Le Nobili, the Blu Mediterraneo and Signatures of the Sun line, to which belongs Magnolia Infinita. The Maison has a separate Home Collection and a Hotel Line, the latter distributed to some of the most elegant hotel brands around the world.
Ray is a new compact soundbar from Sonos that packs quite a punch
Sonos, the American Audio specialist, has unveiled Ray, a new compact and easy-to-use soundbar with impressive sound for its size. It slots into the brand’s line-up of home theatre products. Sonos Ray offers listeners more ways to easily connect with their audio content by delivering premium sound for TV and home theatres.
“Homes have become movie theatres, fitness studios, gaming hubs, and so much more, all supported by a streaming era that is no longer exclusive to just TV, music and film,” said Patrick Spence, CEO of Sonos.
“Ray makes it easier than ever to enhance those listening experiences, thanks to its smaller size and impressive sound.”
Ray premium sound quality is achieved through new acoustic innovations that deliver balanced sound, crisp dialogue, and solid bass.
It has custom-designed waveguides project sound from wall to wall, and advanced processing that accurately positions elements throughout the room, so listeners feel like they are at the centre of the story. A new bass reflex system with a proprietary design delivers lows with weighted bass, while custom acoustics precisely harmonize mid and high-range frequencies.
Like all Sonos speakers, Ray was tuned with the input of the Sonos Soundboard, a collection of leaders across music, film and more. Users can fine-tune the sound even further with Trueplay to create the ideal listening experience for any room.
Sonos’ Speech Enhancement delivers better clarity, while Night Sound reduces the intensity of loud effects, so the listener can avoid disturbing anyone else at home. For surround, users can add a pair of Sonos Ones to their home theatre setup or connect to any Sonos speaker for multi-room listening.
Whether placed on a media stand or inside a credenza, Ray’s understated and compact design blends into just about any space. Ray also features Sonos’s most sustainable design packaging to date, with a gift box and protective cushions that are 100% post-consumer recycled paper.
Ray brings the brand’s market-leading simplicity and versatility to new users, while also making it easy to build a first home theatre setup or expand it to more rooms. The new soundbar comes compatible with all major streaming services so that users can enjoy movies, music and more with a simple setup and control via the Sonos app. Users can also control Ray conveniently with their existing TV remote, Apple AirPlay 2 and more.
In addition to Ray, Sonos has a well-established selection of audio products and accessories. Roam and Roam SL are lightweight, outdoor-ready portable smart speakers. Move, One, and One SL are indoor portable smart speakers. Arc is the brand’s premium soundbar with realistic sound and the 3D experience of Dolby Atmos. The brand also produces In-ceiling and In-wall speakers, amplifiers, network extenders, wall mounts and stands.
Mr Porter presents a special collaboration between L’Objet and Haas Brothers
For this season, Mr Porter presents L’Objet x Haas, a selection of exclusive lifestyle objects.
Launched by Mr Elad Yifrach in 2004, L’Objet is a curation of luxury homeware, candles and grooming
products that elevate everyday living spaces. Each collection incorporates precious materials and the know-how of artisans specially trained in timehonoured techniques.
L’Objet x Haas is a collaboration
between the L’Objet brand and the Los Angeles-based Haas Brothers - Simon and Nikolai Haas - artists known for their playful, imaginative and attentiongrabbing sculptures. Here are a few selections from the collection.
The ‘Meditator’ gold-plated porcelain incense burner is an offbeat object described as a “beacon of peace and tranquillity” cast from porcelain bisque and plated with gold.
‘Huggers’ is a gold-plated porcelain box Inspired by “the joy of rediscovering family and friends.” It is handcrafted from gold-plated porcelain, and both smiling heads come off to reveal two separate compartments.
The ‘Grand Gold-Plated Porcelain Ashtray’ is handcrafted from porcelain in the shape of a fantastical creature and illuminated with goldtone spots, eye sockets and a protruding tongue
‘Lacquered Wood Poker Set’ is made from pink lacquered wood and comes with beautifully illustrated playing cards and colourful chips. It would also make an excellent gift for the card shark in your circle
‘Jumbo Set of Two Playing Cards’ is a hotstamped felt box containing two decks of jumbo illustrated playing cards that are as much works of art as they are functional pieces
‘Cheese Louise’ is a set of two wood and goldtone serving boards sculpted in smoked oak with playful gold-tone brass faces on the handles. They slot together as a set or can be placed on the table separately
This season’s Gucci Décor collection offers a broad range of objects, from the bold to the discreet
Regulars of Gucci’s line of homewares have come to expect the brand to deliver a sense of fantasy, and this season’s collection is no exception. The Gucci Décor collection offers an eclectic collection of items with which customers can dress their home interiors based on themes, as well as elements that allow for living spaces to be customised to one’s liking.
The objects in the Gucci Décor collection are characterised by “novel interpretations” of archival floral prints and animal totems. Each piece is a unique objet d’art, with the primacy of nature as a source of inspiration felt throughout the extensive product selection, imbued with romanticism and whimsy.
In a campaign conceived by Alessandro Michele, photographer and art director Max Siedentopf has created a light-hearted landscape by situating the new Gucci Décor items within the pristine setting of a topiary garden.
The flawless shapes carved out of the hedges are echoed by the pieces, while the lush green provides a poetic background from which the natural curiosities, seen throughout the collection, can faithfully emerge.
Fragrant candles in black metal containers, with black knobbed lids, are a welcome addition to the brand’s 2022 collection. The candles are available in four different fragrances, each with its own corresponding container design printed on black metal.
Mehen, a marine-themed fragrance, has a macrosize frieze-inspired print in aqua and pink. Esotericum, capturing the essence of a botanical garden, has a “Grotesque Garden” print on the container, rich with botanical flowers and a lion head. Freesia, a summer-floral fragrance, has a floral print featuring pink and yellow flowers. Herbosum recalls a garden draped in morning mist through a selection of aromatic herbs. The container has a ‘Guccy’ bee print.
There is an abundance of tableware in this collection that expand on Gucci’s past releases. These include crystalline glasses and silver alpaca dessert flatware featuring animal
totems, silver-tone metal coasters with engravings of historic house designs, a line of silver cutlery with animal head details, playful hand-shaped trinket trays and catch-all trays, to mention a few.
A broad selection of beddings includes colourful cushions and throw blankets, often adorned with monograms, GG patterns, or floral prints. The highlight of the furniture selection includes the 18th-century-inspired tufted armchairs with moiré fabric fronts, floral cotton jacquard backs and beechwood horse hoof legs.
The selection of new wallpapers continues the theme of vibrant florals; bright, sunny hues; retro, geometric designs, as well as a selection of three floral motifs in linen.
The Gucci monogram, logo and other house symbols appear throughout the collection, sometimes emblazoned boldly as a centrepiece of the design, and in other places quite discreetly for a more classical aesthetic.
The complete product selection will be released gradually at select Gucci boutiques across the globe and on Gucci.com.
Indochine Dubai, the first and only international outpost of the legendary French-Vietnamese restaurant of New York, which opened its doors in the Big Apple back in 1984 and has since become a cult favourite. Doing justice to its parent, the DIFC venue was included in the first-ever MENA’s 50 Best Restaurant awards held in Abu Dhabi, this February.
Given its location within DIFC, Indochine is a magnet for Dubai’s fashionable dining epicureans seeking an exceptional dining experience. Serving a carefully curated menu of French-Vietnamese dishes and a wide array of cocktails, Indochine is an ideal venue for a leisurely business lunch during the week, or for dinner and drinks with family and friends in the evenings.
Pomelo Salad, Vietnamese Ravioli, Caramel Black Cod, Typhoon Shelter Prawn and Shaking Beef, among others, are the favourites among regular diners. Signature cocktails of the house include the Indochine Martini or the Perfume River,
a heady mix of lime leaf, elderflower, ginger, bergamot and celery. The selection of desserts includes Indochine classics such as the Honeycomb and Chocolate Ganache, or the rich and creamy Creme Caramel.
Echoing the tropical aesthetic of the New York flagship, Indochine’s interiors feature the iconic ‘Martinique’ wallpaper. The exquisite main dining room is filled with decorative colonial furniture and tropical palm trees, complete with emerald-green leather booths in front of a sultry bar.
For those who love al fresco dining, Indochine boasts a lush outdoor terrace, featuring the restaurant’s trademark tropical décor, complete with a leafy canopy and tropical flowers. For a more intimate affair, the terrace can be reserved for large groups or private events, making it the ideal setting for groups as well as more intimate affairs.
Indochine has curated a bouquet of dining and entertainment packages to cater to the needs of its customers.
Bistrotheque is the new Saturday brunch launched this summer. Between 12pm and 4pm, guests can indulge in a carefully curated menu of French-Vietnamese dishes and exciting cocktails, while accompanied by the live music experience of the house band.
L’apéro Indo Happy Hour is a casual yet chic affair from Monday to Friday, between 4pm and 7pm. Patrons can enjoy a refreshed menu boasting a fine selection of grape, hops, signature house spirits and speciality cocktails, along with an array of small bites to choose from.
On Mondays, 8pm onwards, Indochine’s famed Room84 provides a stripped-back night of live music featuring performances by singers who perform in a series of live sets, accompanied by some of the best musicians in the UAE, all in an intimate setting.
Pour Les Femmes Ladies Night, on Wednesdays between 7pm and 11:30pm, offers a lively evening with a sultry ambience,
courtesy of Indochine’s stylish tropical décor and red-lit lounge combined with smooth beats by the house DJ. Patrons can choose from a curated menu comprising Indochine’s most popular dishes and signature cocktails, such as Crystal Truffle Dumplings or Sea Bream Carpaccio, with some Lychee Saketini or grape by the glass to wash it down.
Indochine’s Business Lunch, served from Monday to Friday, between 12pm to 4pm, offers sharing starters, a choice of one main and sorbet for dessert. Highlights include a selection of starters such as Duck and Banana Blossom Salad and the famous Vietnamese Ravioli, while mains include the classic Shaking Beef, Caramel Black Cod, and Wok Tossed Rice Noodles, amongst others.
Indochine manages to be an excellent all-rounder among Dubai’s competitive fine-dine scene, through its combination of exotic cuisine, cosy and lush dining spaces, and a meaningful bouquet of dining and entertainment options.
Tabū offers Dubai’s diners a uniquely new culinary experience, complete with an unexpected theatrical twist and artistic finesse. Situated on the 23rd floor at The St. Regis Downtown, with stunning views of the city’s skyline and the Burj Khalifa, Tabū has different staging areas to accommodate multiple theatrical elements and “unexpected world-class entertainment.” The theatrical elements aren’t limited to just the performances.
This modern yet authentic Japanese venue serves carefully crafted beverages with theatrical service and style. The entertainment is present all the time and all around, where guests least expect it, designed to offer a unique experience with every single visit.
The restaurant’s interior is inspired by the back-alley Tokyo scene, Yokocho, a type of hidden restaurant/ bar
in today’s Japan – contemporary yet mystical, featuring a streamlined, aerodynamic, underground Japanese design. By adding unexpected elements and furniture selection, Tabū delivers a timeless, rich atmosphere with a strong presence of Japanese aesthetics.
Fusing authentic Japanese flavours with a playful twist, Tabū’s Executive Chef, Roberto Segura, constantly experiments with innovative culinary approaches to ensure that guests are intrigued with unique textures and flavours, interactive live cooking, and a variety of recipes that will have them appreciate the beautiful art behind Tabū’s dishes.
Everything on Tabū’s menu zings with flavour and is served and plated with artistic finesse, enhancing the theatrical food service. Catering to a wide range of tastes and preferences, the extensive menu comprises a wide range of dishes, including a
variety of sushi, salads, ceviches, hot and cold starters, Ishiyaki stone bowls, Yakimono, as well as a selection of main dishes and different steak cuts.
Diners can start with an assortment of the chef’s Sushi selections, which includes the signature Nigiri, Sashimi and Maki Rolls. Then come the starters such as O-toro Tartare in Sesame Cones; Sea Urchin on its shell & Caviar; Japanese Hamachi Usuzukuri; Gold gyoza with burrata & truffle; Japanese Wagyu Steamed Bun, and more.
There are various traditional Yakimono and Ishiyaki stone bowl dishes, including Chilean Seabass Clay Pot; Slow Braised Beef Short Rib; King Crab Leg; Jumbo Prawn; and Chargrilled Avocado. The main dishes include Hibachi Konro Lobster; the ‘Black’ Black Cod; Spicy Miso Baby Chicken as well as Black Angus steak cuts, premium 30-day dry-aged Japanese Wagyu and many more.
Alternatively, guests can opt for Tabū’s Omakase, with options to choose from a six- or 8-course premium chef’s selection of dishes. Beverage pairing and tasting experiences are also available for diners wishing to experiment. Tabū also serves vegan-friendly dishes.
Tabū also has a private dining area for a more intimate gathering, as well as an outdoor terrace where guests can enjoy shisha with a selection of premium flavours and a stunning backdrop of Dubai’s Burj Khalifa. The new ‘Sansetto, The Tasting Hour’ is the perfect after-work sundown plan, with a 5-course tasting menu, every Sunday to Friday, 6 pm until 8 pm.
Post-dinner, guests can uncover the mysterious world of ‘THE OTHER SIDE’ beyond Tabū on the 24th floor, a reservation-only speakeasy lounge club, ideal for those looking for more privacy and to continue their night.
Bymystique, the Dubai-based designer jewellery brand, introduces three scented candles featuring semi-precious stones that complement its jewellery collection. These durable and high-quality candles are “hand-poured with love,” and are consciously vegan, eco-friendly and cruelty-free. The candles are made with 100% organic soy and recycled wood for the wicks. They are offered in a wide variety of fragrances, and are scented with essential oils.
These candles were conceived to do more than make the home smell good. The natural semi-precious stones have been included, according to the brand, for their healing properties and to spread calming energy. Each of the three stones focuses on promoting three qualities - Protection, Love, and Confidence.
This scent has been formulated to spread calming energy with the combination of Aquamarine stone and the “Evil eye” icon. The Aquamarine crystals are believed to help boost protection, keeping evil energy away and cleanse the space with positivity. The natural essential healing oils include Cantaloupe, Pear, Amber and Musk.
Rose Quartz Healing Energy - Love
Spreads peaceful love and compassion energy with the combination of Rose Quartz, Clear Quartz and Hydrangea. This combination of stones is believed to help boost your mental and emotional clarity. They enhance wisdom to attract prosperity and love. The natural essential healing oils include Tarragon, Mint, Blackcurrant, Bergamont and Lemon.
Pyrite Healing Energy - Confidence
Spreads calming energy to support clearing of the mind. The combination of Pyrite, White Topaz and Smoky Quartz is believed to help boost optimism and prosperity. The natural essential healing oils include Vanilla, Lavender, Milk, Amber and Musk.
The three candles are designed to complement Bymystique’s versatile and timeless jewellery pieces. Expertly handcrafted in Dubai, the brand combines the finest local craftsmanship with “ethically sourced” 18-Karat recycled gold. Love for nature and the beauty of celestial objects - the sun, the stars, and the moon - are the overarching design inspirations behind each jewellery piece.
Tumi’s Fall 2022 collection focuses on improving sustainability and innovative design
Tumi explores the concept of “Future Earth” for the Fall 2022 season by reexamining its innovations to “help better every journey – and the planet.”
“It is more important than ever for us to understand the world we live in and take responsibility for what we create to coexist within it,” says Tumi Creative Director, Victor Sanz. “We will continue fortifying our core strengths by marrying technology and the digital space with sustainable innovations. We’ve also examined the natural landscape for inspiration on color and texture. We are creating our future Earth.”
Exemplifying this commitment is Tumi’s assortment of hardside carry-ons and packing cases, including their iconic 19 Degree collection. In aluminum, Tumi introduces a new ‘ombre’ colourway that is both contemporary and classic. A special sustainable edition of 19 Degree polycarbonate travel collection launches, with shells and linings made with recycled materials. Matte finish with speckling throughout is a first for the collection.
The new Tegra-Lite travel collection is sleeker than ever and will be available in carry-on, short trip and extended trip sizes, with an optional front pocket. It includes components made from recycled materials with enhanced durability, and Tumi+ accessory compatibility.
Tumi+ is a system of add-ons that enhance the carrying capacity and function of select styles. It grows this season with even more additions that will help uncomplicate any journey. Tumi has expanded its Alpha Bravo collection with new lightweight, minimalist fabrications and colors.
For the business and commute-oriented, Tumi debuts its most compact backpack yet, the Harrison William. Similarly versatile is the Port Weekend Duffel that has its place in the gym and on the road. Tumi also launches Harrison bestsellers in upcycled leather. Tumi‘s longstanding collaboration with McLaren continues with core pieces in CX6 carbon fibre.
Tumi continues its foray into the world of women’s bags with delicate prints, palettes and silhouettes. Pink Metallic, Zinc and Beetroot are some of the colorways coming in for Fall. Voyageur shows off its sophisticated side with three new leather bags. The Liv Backpack can either be worn as a backpack or carried as a tote, making it the quintessential everyday bag.
The spacious Adrian Carryall brings a stylish new attitude to Voyageur Leather. The Helena Crossbody comes with a delicate gold chain strap that is removable, so the bag can also be worn as a clutch or a wristlet. The new Yoga Sling Tote effortlessly converts from a crossbody sling that’s sized to hold a yoga mat, into a modern, oversized tote.
The Chedi Al Bait hotel in Sharjah combines traditional Arabian aesthetics with modern luxury and functionality to offer an engaging experience for those looking to escape the hustle and bustle of city life, without leaving it. That’s because the hotel is located within the Heart of Sharjah heritage area - one of UAE’s most ambitious historical restoration projects.
This five-star luxury hotel, spread over 10,000 square metres, comprises five heritage houses, all nearly a century old. These houses were once owned by prominent local families who made an impact culturally, intellectually and politically on Sharjah’s history with achievements in publishing, government and business. One of them is Ibrahim Bin Mohammed Al Midfa, recognised as Sharjah’s first journalist, whose influence inspired the galleries of “The Museum” nearby, and whose ‘majlis’ has been converted into the hotel’s Café.
These single-story houses were initially constructed with coral and gypsum walls, and teak and palm frond ceilings.
Originally launched in 2018 as Al Bait Sharjah, it was renamed The Chedi Al Bait after its management was taken over by the Singapore-based General Hotel Management Ltd (GHM).
Under the guidance of GHM, UK architecture firm GAJ was tasked with transforming the carefully preserved historic structures along with newer buildings into the 53 elegant guestrooms and suites where Arabic influences meet the brand’s signature Asian design elements. Whether converting an old home into a modern library and museum or transforming Souq Al Arsah – the traditional open-air marketplace – into a pedestrian thoroughfare within the complex, the heritage of the area has been beautifully preserved.
Upon arrival, in true Arabian tradition, guests receive a grand welcome from the hotel’s “meet and greet” entourage in the lobby. The arrival experience includes a set of personalised welcome rituals and bespoke amenities that include warm scented towels and a selection of beverages and snacks.
The 53 well-appointed accommodations comprise eight different types of rooms and suites. There are five types of rooms under the Deluxe, Grand and Heritage categories, and there are three types of suites - Al Bait Heritage, Chedi Suites and Chedi Grand Suites.
The decor within the accommodations is simple yet sublime. Typical of traditional architecture in the region, the rooms have elevated ceilings, a majlis or a ‘place of sitting’ in Arabic, and antique-style furnishings. This includes the commanding king-size bed. The decor tastefully connects these personal spaces to the surrounding Heart of Sharjah neighbourhood, and the nearby Souq Al Arsah traditional bazaar.
The two Chedi Grand Suites are the most spacious and luxurious accommodations offered at the resort. Spread across more than 100 square metres, each suite is a classical Arabian abode with wooden ceilings. The interior space is thoughtfully divided among a master ensuite bedroom with its commanding four-poster bed, the grand dining area and a living room inspired by a traditional majlis, endowed with Arabian artefacts.
Ideal for long-stay guests, either for business or pleasure, the opulent scale of this suite is perhaps best embodied in the regal bathroom with its expansive bathtub, balanced by the thoughtful Asian design details for which GHM is known.
Chedi Al Bait offers guests a full-service all-day restaurant and two cafes as dining options. The Restaurant, the resort’s main dining venue, has a chic, understated dining room with classic Emarati design features. Tables are set indoors and outdoors in the charming open-air courtyard. The À La Carte experience menu offers a selection of contemporary, oriental and far east dishes, freshly made to order. The Restaurant serves breakfast, lunch and dinner.
Al Bareed is a café managed by Shurooq. It is located within Bait Eissa Al Midfa heritage house and was once Sharjah’s first Post Office. Facing the beautiful Sharjah Creek, it serves artisanal coffee, ice-creams and pastries. Similarly, The Café is located in Majlis Ibrahim Al Midfa, featuring the only remaining circular wind tower (Barjeel) in the UAE.
The hotel’s spa and wellness facilities span a total of 500 square metres, spread across the property. Drawing inspiration from the original meaning of “Chedi,” a mystical
paradise of enchantment and serenity, The Spa at The Chedi Al Bait offers traditional Middle Eastern beauty and wellness treatments, while incorporating tried and tested healing methods from the Far East.
The Spa is divided into men’s and ladies’ sections with two treatment rooms for men and three for women. In each respective area, there is a separate reception area, relaxation lounge, traditional Moroccan hammam, steam room, sauna and spa-boutique. The ladies section also has hot and cold plunge pools.
The menu of holistic treatments uses organic artisan products. The treatments include therapeutic and aromatherapy massages, body polishes, beauty rituals and facials, full-body exfoliation and exotic bathing ceremony for ladies.
The hotel has a world-class studio gym at its Fitness Centre, with modern equipment to suit most fitness routines from cardio to weights, as well as yoga classes. The hotel also has a 15-metre long swimming pool.
The Heart of Sharjah complex, which includes the Chedi Al Bait hotel, includes a collection of unique venues. The Museum, located within the hotel’s Bait Ibrahim Al Midfa heritage building, is a bibliophile’s dream. It has hundreds of antiquarian and contemporary books spanning a variety of subjects and interests. Guests can also enjoy some of the mocktails on offer while learning more about the Al Midfa family.
The Cigar Lounge, adjacent to The Library and also within the Bait Ibrahim Midfa house, offers an expert-curated selection of fine cigars and light beverages. Open only to the hotel’s in-house guests, this private refuge is a sophisticated escape and conversation space.
The Jewellery is a store selling some of the finest custommade Emirati-inspired jewellery pieces. Guests can also venture into the Souq Al Arsah – Sharjah’s oldest openair marketplace, which, like the Chedi Al Bait hotel, is a wonderful mix of old and new.
Vacheron Constantin re-opens its newly renovated Flagship in The Dubai Mall. The boutique features a new design inspired by traditional local architecture that conveys Vacheron Constantin’s dedication to high watchmaking artistry. The Flagship houses for the first time in the Middle East, a permanent Les Collectionneurs vintage watch offering, along with a permanent Heritage exhibition, highlighting some incredible timepieces originally by the region and its culture.
The Middle East clientele will get to experience a sensorial journey, immersive, client-first services that
include in-house watchmaker, strap customization, interactive digital archives, exhibition space, and have access to the complete Vacheron Constantin timepiece collections from simple to high complications, boutique exclusive models and more.
Located on the Ground Floor of The Dubai Mall, the boutique entrance is adorned with the Mashrabiya pattern, traditional to local architecture, references to which continue inside the space offering a metaphorical and physical journey. As a demonstration of the Maison’s commitment to client-centered services, the heart of the experiential boutique opens to
the watchmaking bench, intended to encourage interaction with an inhouse master watchmaker, as well as a custom strap station presenting both engraving and embossing bespoke options along with a Métiers d’Art collection discovery table placed below an iconic dome. A striking blue straw marquetry wall with a Maltese cross motif creates a focal point that conveys Vacheron Constantin’s dedication to high watchmaking artistry.
Two private salons encourage the meeting of minds, that truly embody Vacheron Constantin’s dedication to building an immersive brand experience for their clients.
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