Silvi Panchal: Interior Design Portfolio 2023 by SilviPanchal

2023

A glimpse of my work including Interior Architecture, Furniture Design, Graphic Design, and Illustrations

Selected Works 01

Wave 312

Alleys of Time

The Inhabitable Sculpture

Prismatic

Under the Aurora

Wrapped

Furniture Design (Wood)

Furniture Design (Metal)

Hands on Construction

Related Study Courses

CEPT Garba 2019

Maker Bhavan, IIT Gandhinagar

Miscellaneous Designs

Interior Design

01.

Professional, 2021

Wave 312

An office space for an up and coming hair colour brand, Birds of Paradyes, Wave 312 is a project that relies heavily on the concept of insertion

Walk into the spectrum domino, an

through kit of parts and colour theory, while staying true to the already existing strong brand image of Paradyes. The brief was clear yet non-

office space for Birds of Paradyes.

restrictive. The representation of the graphical brand image (waves depicting hair) and 9 colours of the hair-colour range were an integral part of design conceptualization. The site enabled an open floor plan with visual connectivity from the entrance to the employee workspace. The

Scan the code to read more about

continuous insertion provides inclusion of function, division of spaces and play of colours. Curves, waves and fillets depict the brand graphics and

the project

ethos. The language is followed throughout the space from the layout, conduits to details like cabinet and door handles.

Image viewing the pantry area

Display Unit was designed according to the product dimensions

View from the entrance towards the pantry

The space includes a compact pantry area along with a Sculptural table to house the utilities. The unit is designed to house a refrigerator, microwave, coffee machine, and storage area.

Once inside the office, the visitor steps into retail/ waiting area. Keeping the colour palette neutral was a conscious decision to highlight the products of the brand.

The spatial layout was designed in a way to provide maximum layers. A visitor standing in the neutral colour schemed retail/waiting area can get a sneak peak into the warm and bright toned pantry unit. The arches act as space demarcating elements while also exaggerating the corridors/passages.

Image showing the pre-fabricated modules There were many challenges on the site, main one being bringing the modules to the third floor as they were bigger than all the thresholds provided. We brought the modules manually from the facade of the building to the extended balcony area of the site.. It took six men and lots of coordination to bring the modules to the site

Image showing assembling of modules and adding the planes

Stages of the projects

As the site was a rented office, I designed the furniture which can be pre-fabricated and assembled together on the site. This provided us time and space to simultaneously fix the electric and plumbing utilities on site

The project had to be completed within 2 months from design to execution and hence pre-planning the stages and managing agencies was one of the most challenging aspect to reach the final stage

Interior Design

Academic, 2018

GENERAL NOTES

Ex Door Width

18 294 [1']

30 30 EQ 18 EQ 738

125 [5"]

Front Door Open

30 Door

30 540 30 SIDE VIEW 882 [2'-11 1/2"]

Panel 300

Panel 150 30

882 [2'-11 1/2"]

SIDE SECTION VIEW

294 [1']

30x30 MS

Section FrontBox Door Closed

Scale- 1:25

[3'-6 1/2"]30 30 1062722

30 652

782

SIDE VIEW

30 390

640

30 640 738

SHELF

4mm Coloured Glass

01 600

652

1195 [4']

900

970 [3'-3"]

Panel

30X30 MS Box Section

2090

390 30

SHELF

2220

720 18

2150

PLYWOOD

Colour gradient in 6mm wide grooves Door

FRONT VIEW

PLYWOOD TABLE TOP

Lock

102

4mm THK MDF on Plywood

DRAWER

107

DRAWER

390

30 30

PLYWOOD

UPHOLSTERED TACKBOARD

722

215

UPHOLSTERED TACKBOARD

Panelling on wall in 18mm THK Plywood

250

480

2090

GST NUMBER: 123456789101111

Black matte paint R- 50mm finish on MDF

Panel

450 30

1438

300

640 30 720

2220

132

GLASS

640

DRAWER

Door width

144

30 30

45 432 45

GLASS

PLYWOOD

550

Vertical Laminate

250mm ChamferedR-edge GLASS

DRAWER

As on site 153

2150 EQ

337

250

2220

2150

879

Horizontal Laminate

1. ALL DIMENSIONS ARE IN MM,UNLESS OTHERWISE SPECIFIED. 2. ALL LEVELS ARE IN METERS, UNLESS OTHERWISE SPECIFIED. 3. DRAWINGS NOT TO BE SCALED. WRITTEN DIMENSIONS TO BE FOLLOWED. 4. ANY DISCREPANCY IN DIMENSIONS TO BE BROUGHT TO THE NOTICE OF THE DESIGNERS AND THEIR DECISION SHALL BE FINAL. 5. THIS DRAWING IS TO BE READ IN CONJUNCTION WITH DETAILS, LARGE SCALE DRAWINGS, STRUCTURAL, PLUMBING/ SERVICES, ELECTRICAL AND OTHER RELEVANT DRAWINGS. 6. THE DRAWINGS ARE INTELLECTUAL PROPERTY OF THE DESIGNERS. DRAWINGS NOT TO BE REPRODUCED.

Scale- 1:25

Laminate Table Top

882

147

144 54 6 54 6

R123 EQ

EQ 116

123

116

123

116

2090 REFLECTED CEILING PLAN

Detail A: Grooves on the Door + Panel INTERIOR DESIGN FOR 17.09.2021 03 Scale- 1:8 BIRDS OF PARADYES OFFICE Designers: Silvi Panchal, Saloni Mahajan LAMINATE ON PLYWOOD BLACK/ DARK GREY MATTE PAINT

ISOMETRIC VIEW

MODULE 7 - WORKSTATION 2

CLIENT:

Birds Of Paradyes

PROJECT

Project BOP, Ahmedabad

R96

Upholstered Tackboard

Drawers

224

Leg Rest

131

2090

150

591

2150 147

R129

147

300

150

PLAN 30

FABRICATION STRUCTURE � � �

ALL DIMENSIONS ARE IN MM,UNLESS OTHERWISE SPECIFIED DRAWINGS NOT TO BE SCALED. WRITTEN DIMENSIONS TO BE FOLLOWED THE DRAWINGS ARE INTELLECTUAL PROPERTY OF THE DESIGNERS. DRAWINGS NOT TO BE REPRODUCED.

SHEET TITLE :

Door Panel

SHEET NUMBER :

Tender Drawings for Agencies

DESIGNERS :

Silvi Panchal, Saloni Mahajan

U N I T S : M M SHEET SIZE: A3 DATE : 2021.09.26 R E V . : 0 2

The tender drawings were created using Sketchup Layout to visually convey dimensions as well as materiality for pre-fabrication and carpentry work

Work Desks and Utility Modules The workspace is multi-functional. The open floor plan comes in handy to achieve that. The colours in the workspace start from violet tones and gradually change into blue tones.

Image viewing the Cabin Unit The cabin is the only closed space in the open plan office. The wall is used with a Gradient that transitions from the orange-red zone to purple-violet zone and becomes an interactive element in the space.

GENERAL NOTES

Ex Door Width 879

Horizontal Laminate

As on site 153

Door width

144

Vertical Laminate Chamfered edge

Panelling on wall in 18mm THK Plywood

GST NUMBER: 123456789101111

Black matte paint finish on MDF

125 [5"]

1062 [3'-6 1/2"]

900

Panel

Door

Panel

294 [1']

Front Door Open

591

R123

CLIENT:

Birds Of Paradyes

PROJECT

Project BOP, Ahmedabad

123

116

123

147

R96

R129

116

Scale- 1:25

882

144

54 54 6 6 6

147

Panel

294 [1']

Front Door Closed

Scale- 1:25

147

Panel

882 [2'-11 1/2"]

131

882 [2'-11 1/2"]

224

1195 [4'] Colour gradient in 6mm wide grooves Door

Panel

970 [3'-3"]

Lock 4mm THK MDF on Plywood

SHEET TITLE :

Door Panel

SHEET NUMBER :

Detail A: Grooves on the Door + Panel

Scale- 1:8

DESIGNERS :

Silvi Panchal, Saloni Mahajan

LAMINATE ON PLYWOOD BLACK/ DARK GREY MATTE PAINT

U N I T S : M M SHEET SIZE: A3 DATE : 2021.09.26 R E V . : 0 2

Tender Drawings for Agencies

Entrance Door Details

The door was designed to visually gain the most attraction and create curiousty as to what lies behind it in the space with custom door handle details

The two-layered entrance door is designed to be a pleasant first interaction with the user. It exaggerates the polarity and subtly represents the whimsical space one is about to experience.

Interior Design

Academic, 2018

Work Desk and Studio Unit Modules The studio unit is designed to be a comfortable casual seating space while the workspace is bit for formal. However, the placement and layout of the furniture elements allow maximum interaction between both kinds.

Conceptual Process and Furniture Design

Image view from the Pantry Area An informal cabin is the only enclosed space in the office. The colour on one of the walls helps tie it in with the outer brighter colour spaces (like the pantry). The cabin door has an exaggerated wooden curve handle and fluted glass for play for colours and materials.

Modules, though designed as isolated furniture pieces, they work primarily when context of other modules is added. Design is not a linear process, it evolves as per factors involved. This illustration is a recollection of decisions taken which served the design intent and client brief appropriately. The wooden vertical shelves were designed to solve any human error, of the pre-fabricated module, on the site

Image showing the Work Desk Area The work space was designed for 8 employees to work at a time. The space has minimal textures and calming colours which does not over power while one is working.

View towards the Main Entry Inclusion of light oak wooden units was to minimise the human error that is possible in the fabrication of the units. Use of various coloured/ textured glasses to Play of colour and light.

Interior Design

02.

Academic, 2020

Alleys of Time

Adaptive Reuse and Assembly

Alleys of time is a Multi Art Exhibition Centre designed to preserve and promote various fields of Indian Art internationally. The space provides a

based Construction

platform for visitors, scholars, art enthusiasts with artisans through a rich programme of exhibitions, music and theatre production scholars, art

Studio Tutor: Prof. Kireet Patel

enthusiasts with artisans through a rich programme of exhibitions, music and theatre production.

Site: Bhopal, Madhya Pradesh, India Scale: 2050 sq.m / 22066 sq. ft

Interior View of the alley showcasing an exhibition towards the triple volume space in the vault area

Stages of Assembly showing the sequence of pre-fabricated kit of parts being assembled on site

The

different

to reach the volumes and the kit of part

define the kit of parts solving interior design

volumetric levels and a strong orthogonal

site,

Bharat

Bhavan,

has

become the enclosure of the volumes. The

problems height, display systems, flooring,

grid. The project is designed to celebrate

structure creates multiple eye levels in the

volumes, circulation, signages, lighting and

the existing while incorporating the spatial

space which is experienced with perforated

transparency. The kit of parts are standardised

theme as Alleys. The alleys divide the

vertical

with material palette which contrasts with the

space while creating a continuous route

were introduced before the site to help

partitions.

Secondary

exercises

site, exaggerating the old and new.

1. 16mm mild steel plate for pin joints

2. 100 mm mild steel pipe, 16mm

and connection to the ceiling

3. 60mm cast iron member, 8mm

mild steel plate

tension cable, 10mm mild steel rod

4. 60mm cast iron member, 50mm mild steel pipe, 10mm mild steel rod

2 1 4 3

5. 60mm cast iron member, 18mm ply planks, 12mm veneer floor tiles

6. 16mm mild steel plate for pin joint and connection to the floor

7. 5mm stainless steel perforated sheet welded to 100mm mild steel pipe

8. 50mm mild steel pipe welded perpendicular to 100mm mild steel pipe

Interior Design

Academic, 2020

Mass exploration to derive kit of parts

Sectional Perspective showing kit of parts creating the structure along the volumes in the space

540 x 540 mm 12 mm thick veneer flooring planks 250 x 250 mm 18mm thick plywood plank

50mm mild steel pile, 5mm gauge

400 x 400 mm 18mm thick plywood plank

65 x 65 mm cast iron member connects 50mm pipe while the shape supports veneer plank

60 x 120 x 175 mm cast iron member connecting flooring pipe to the main structure

Isometric view showing layers of kit of parts constructing the flooring

The geometry and form of mass is designed in an orthogonal geometry in XYZ direction. To achieve the spatial theme of the project the mass is propagated to achieve linear spatial character according to the site context. The propagation allows iteration of spaces which creates different volumetric spaces and connections. The spaces designed are repeated in the space along with geometry achieved by standardized kit of parts, which can variate according to the changes on site.

Interior Architecture

03.

Academic, 2023

The Inhabitable Sculpture

Thesis Research and Assembly

The Inhabitable Sculpture is an experimental living space which is an outcome of thesis research on Ambiguity of Thresholds. The space provides

based Construction

a platform for visitors, art and architecture enthusiasts an experimental stay within Central London and explore the abstraction of a living space.

Studio Tutor: David Littlefield

Through the meticulous research and imaginative explorations, this study has revealed the transformative potential of thresholds when subjected

Site: Ranston Street, London

to distortions in scale, size, planes, axis, and other elements, ultimately culminating in the conception of a concept: “The super threshold”. This

Scale: 100 sq.m / 1076.4 sq. ft

thesis is my way of successfully demonstrating that thresholds can indeed be inhabitable.

Thresholds

Space

Thresholds

Space

Diagram to question threshold’s function

DOT

DOOR

LINE

PASSAGE

Section towards East: The slope faces the south direction to bring in more light in

Digital Collage distorting the thresholds from the site SHAPE

SPACE

Comparing the basic elements of design with basic elements of threshold

These digital collages were a way of portraying what distorting the thresholds can create. Would the thresholds on site still function if put in different XYZ planes? I worked on with digital collage to answer these questions where the door is on the floor, and a staircase leads to a window, or a space created with inverted bollards.

Slee

p/S

Physically experimenting the use of horizontal planes with the help of Laura, Tala, and Rebal I began to explore the idea of using just the horizontal surface to function with the help of my batchmates to physically execute it. Using the university tables provided me an orthogonal horizontal surface which I can propagate further into a sculpture. With this I achieved numerous postures and situations while also understand uncomfortable situations and dimensions.

tud

Coo

k/Ea

rea

Bat

t Ar

h/W

ash

Are

MM 0

500

1000

2000

Plan at 5500mm showing Cook/Eat area Deconstructing a house into opportunities of situations to sleep, cook, eat, bath, and wash. Can a threshold provide all of this? A threshold like staircase, comprised of horizontal surfaces leads us to different levels. Can just these horizontal surfaces create an inhabitable space? We use the horizontal surface to step on, as a cover, stand on, sit on, sleep on and in many more ways.

ret

rea

The above diagram shows the zoning of all the activity area and it’s use based on the amount of privacy requirements

Interior Architecture

Academic, 2023

Facade: Ethylene Tetra Fluoro Ethylene (ETFE)

East

Nor

th Slop

e fo

r Nat

ural

t Wes

Ligh

Sout

Facade Structure

Card Paper modeling to explore forms for ambiguious thresholds To further this investigation, I worked with paper models where the liminal spaces created situations and even more ambiguity. I worked with a rule of using a 150 x 150 mm size of paper along with whatever paper can do like cutting, folding, bending. These models are a way of exploring the in-between spaces. Distorting the conventional transitional spaces, re-purposing the way we use the spaces.

Interior Main Structure

Wind

ction

Dire

Inhabitable Sculpture lights up from the facade structure during the night

View towards Cook/Eat Area

Section towards North: The facade structure turns inward into an opening along with the wind direction Through the deliberate introduction of ambiguity and the concept of super threshold, challenges preconceived notions, offering a glimpse into a different way of living where spaces are dynamic, adaptable, and capable of accommodating diverse activities within a unified environment. The super threshold pushes boundaries of architectural thinking as a way for more versatile and abstract built environment.

Furniture Design

04.

Professional, 2022

Prismatic

A celebration of colours, Prismatic flames with hues and bleeds of light. It invokes curiousity with it’s never ending spectrum of colours. The

This product is in collaboration

material is explored with the overlapping layers that cannot be designed. Prismatic changes with light, position, height of the observer, backgdrops,

with Design ni Dukaan.

hence, giving a varied visual in everyone’s perception.

You can view the product on Instagram

Prismatic was birthed with an idea of collaboration with Design ni Dukaan, Ahmedabad. The product is designed to explore the play of light and

@siilveyy and @design.ni.dukaan

colours and the effect of all four dimensions on it and this mirror is an outcome of the properties of dichroic medium.

Sampling dichroic medium on different materials

Isometric view of the final mirror design

View of the final product

The exploded isometric explains the overlapping transparent material. The forms are designed to be in harmony with one another and enhance the final visual effect

The mirror was documented in a natural setup which precisely captured the play of light and colour. During the day time, the light filters through and passes with spectrum of colours

Sketches as a medium to explore forms

View at Night and Day Time

The process involved multiple sketches to explore the forms. The explorations was to find a balance with layers of these asymmetrical forms

The above picture shows the difference between the visual effect and the materials responding to time.

Industrial Designer Karim Rashid with Prismatic at The Collosseum, Hyderabad 2022

Prismatic exhibited at the national level exhibition: India Design 2022, Delhi

View showing the mirror with back lights on The mirror is back lit, the lights help function for vanity as well as helps enhance the spectrum of colours through all the layers of the mirror

Prismatic exhibited at the national level exhibition: Raw Collaborative 2022, Vadodra

Lighting Design

05.

Academic, 2023

Under the Aurora

Technical studies module with

The retail design project is for a Shop of Mask focused on the idea of the uncomfortable feeling of being watched and the experience of realising

a focus on Lighting design and

our sense of scale when standing under clear night sky. The aim is to experience this sense of depth of an infinite existing space beyond the

model making

confined space of architecture. The strategy involved using artificial lighting in the space to create the display lighting, atmospheric lighting

Studio Tutor: Conor Clarke

(general lights), and a feature lighting element. Additionally, layered tranperant materials are used to create sense of depth of space within space.

Site: Regents Street, London

This project was about understanding the material properties of acrylic and how the light reflects and refracts through it. After the design, the

Scale: 35 sq.m / 323 sq. ft

model was created using 10mm acrylic and 5mm MDF at the Fabrication Lab, University of Westminster.

View showing complete model

View showing the functioning model with RGB Lights

View of the assembled model

The strip light were attached from the outer edges of the acrylic model which gives the effect at the central cuts we see here

The model was made with pre-planning all the stages and laser cuting the pieces. The side pieces were curved using a hot gun and hence the circumference and lengths were measured before cutting.

2mm Mirror Card Paper

Trial 1 - OHP Sheets Trial 3 - Polypropene Final - 2mm Acrylic

Organic shape laser cut in Acrylic and Polypropene sheets

The diagram shows the layers of the ceiling with different cut outs in the centre

Trials using different materials to finalise the form and materials The first trial model helped decide the structure will require stability from both the sides. The second trial helped understand light effects depending on the overlaps and acrylic edges

Diagram showing how the light travels through different edges of the acrylic

View showing how the light colours affect the space This lighting element helps create different atmosphere according to the display area’s needs by changing the colours.

Stages of the model in the workshop showing Form work for the acrylic to bend perfectly. Trial and error to check the stability of assembling the acrylic with the spray painted MDF cutouts.

Interior Design

06.

Academic, 2018

Wrapped

Detailing in Interior Design

Wrapped is an Experience Store designed to display innovative technology of Textile board. As an approach, Interior spaces can be visualized

Studio Tutor: Amal Shah

and created by using three layers. Each layer can be an outcome from: Programme + Site context, Image of the place, and Qualitative aspect

Site: Ahmedabad, India

for execution of details (Function + Construction + Aesthetics). The program is developed with a vision to create a place where designers and tech

Scale: 743 sq.m / 8000 sq. ft

enthusiasts experience the textile board technology and interior products. It encourages innovative concepts that prolong the lifespan of textile resources with an ambition of zero-waste solution. The design is an outcome of thorough study of development and defining the program and products, spatial adjacency of functions, the philosophy, spatial development, leading to spatial qualities.

DETAIL 5

DETAIL 1 DETAIL 3 A1

DETAIL 1

A2 DETAIL 2

A5 A5 DETAIL 3 DETAIL 2 A2

A4 A6

A6 A3

ELEVATION 1 SCALE - 1:20

FRONT ELEVATION SCALE - 1:20

DETAIL 4

Working drawings for the main circulation element in the space, staircase. The material is used to exhibit A2

A4 A2

A4 A1

A1 A2

DETAIL 1 SCALE - 1:2

DETAIL 2 SCALE - 1:2

GENERAL NOTES

NOTES

PROJECT :

1. ALL DIMENSIONS ARE IN MM 2. ALL DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED 3. THIS DRAWING IS AN INTELLECTUAL PROPERTY OF 'SILVI' AND IT SHOULD NOT BE RE-PRODUCED WITHOUT PERMISSION

2140 - A

DETAIL 3 SCALE - 1:2

SCALE : 1:50

EXPERIENCE CENTRE DETAILING IN INTERIOR DESIGN

SERVICES

ENTRY

MAKING AREA

DESIGN AREA

INTERACTION AREA

RECEPTION/ WAITING AREA

STAIRCASE

HOLOGRAM DISPLAY

DISPLAY AREA

OWNERS SPACE

The layout and division of the spaces are decided to use the whole service block as circulation area. Keeping in mind the requirements of the activity and the adjacencies it needs as a space to function

THE METAL PLATE IS WELDED WITH THE STRINGER

PUBLIC

PLAN AT 1500

SEMI - PRIVATE

MO : 8141109099 EMAIL : silvi.panchal.ugfd15@cept.ac.in

DRAWING : STAIRCASE DETAIL DATE : 28 . 04 . 18

DWG :

FACULTY OF DESIGN CEPT UNIVERSITY

I - 6.5.1

DRAWING BY

PRIVATE

The spaces and the divisions are mainly divided into Private and Public. The space which are semi-private are the spaces for the working staff which is also required to be closer to the actual activity function area

1200

3600

4200

1 600 500

1500 835

835

F14

F6 7

F24

605

6 1200

D5 1 1485

3600 3400

695

1010

550

705

3600

GENERAL NOTES

NOTES

1. ALL DIMENSIONS ARE IN MM 2. ALL DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED 3. THIS DRAWING IS AN INTELLECTUAL PROPERTY OF 'SILVI' AND IT SHOULD NOT BE RE-PRODUCED WITHOUT PERMISSION

The exterior enclosures are glass facades with metal frame. The interior enclosures are opaque as well as transparent.

INTERIOR ENCLOSURE

2300

4200

4075

EXTERIOR ENCLOSURE

1038

F4 15

3600

2325

1040

1245

D 3600

1330

C 3600

F4 14 F12

2325

B 1200

SERVICE BLOCK

1110

F4 13

APPROACH FOR THE DETAIL :

2325

OWNERS SPACE

3400

2120

3600

2325

3400

500

1745

20 965

2300

1695

2165

1390 750

205 1105

F25

1100 500

3400

2385

920

1675

680

T.H.

3400

2320

450 1100

955

905

C.O.A. C.O.B.

2200

1200500

1800

1550

1305

3400

STAFF & CLIENT INTERACTION

3600

500

1250

640

T.H.

F26

1280

2200

2195

890

LVL +3020.00

1085

960

665 2200

1935

1530

4250

2130

1625

F26

F19

1560 3400

F6 5

D.H. 1545

DISPLAY SPACE

F15

885

620

5200

445

565

950 2200

F23

465

F1 2

600

1585

2155

1875

D3 2

F6 4

450

1800

F26

F6 6

1690

D.H.

2170

2015

1000 710

1600

F20

1300

1630

1370

2135

2245

950

1711 1230

964

1380

1015

800

1000 1000

F18

1095

695

640 3400

1200

2395

D.H.

975

1600

F22

280

1000

F6 3

890

515

D3 1

890

740

T.H. C.O.A. C.O.B.

F4 7

525

750

T.H. C.O.A. C.O.B.

T.H.

3985

F4 6

DISPLAY STAFF AREA

D4 1

1615

1585

425

F16

C.O.A. C.O.B.

F4 12 420

T.H.

C.O.A. C.O.B.

1000

LVL +3020.00

2355

1800

C.O.A. C.O.B.

F17

1305

F12

2 F27

1660

F12

1020

710

200

600

373 660

T.H. C.O.A. C.O.B.

3400

1250

1300

F4 11

D2 7 230

F21

DN 1415

D2 6 1050

365

2555

1400

DISCUSSION SPACE

1410

440

11 12

2300 450

1400

1000

2750

1750

2955

1500

1750

1735 1250

1250

F14

5200

T.H. C.O.A. C.O.B.

1300

DESIGN STORAGE

DESIGN SPACE

PANTRY 1400

3400

C.O.A. C.O.B.

200

T.H.

C.O.A. C.O.B.

T.H.

1400

2385

1970

550

3175

3400

T.H.

C.O.A. C.O.B.

F11 2

1030

450

T.H.

1175

F13

200

3400

1000

200

3400

F4 10

1050

1610

200

2200

2165

1000

230

1800

D2 5

2285

TOILET

730

200

1315

230

2000 3400

800

325

2000 200

3400

850

1090

475

655

900

560

835

2000 3410

485

565

690

2155

1030

2095

1 SERVER M10 SPACE 2 1655

1500

F4 11 835

800

541

825

M10

625

825

PROJECT :

EXPERIENCE CENTRE

SCALE : 1:50

2140 - A

DETAILING IN INTERIOR DESIGN

PLAN AT 1500

MO : 8141109099 EMAIL : silvi.panchal.ugfd15@cept.ac.in

DRAWING : FF FURNITURE LAYOUT

DATE : 28 . 04 . 18

DWG :

FACULTY OF DESIGN CEPT UNIVERSITY

I - 2.2

DRAWING BY

Working drawing layout of first floor furniture and space plan including the display and design spaces

1200

3600

4200

1000

1500

2 835

1560

215 1020 1430

1290

5200

1115 1515

6 1200

F7 1

945

1300

995

1000

3400 2325

F4 5

2205

2400 D.H.

3400

1900

F4 4

9400

1980

905

MAKING STAFF 1900

905

2200

2630

2325

3400

LVL +750.00

2305 1270

LVL +750.00

2365

3400

2300

2325

F12 1

760

3400

3535

1000

1590

560 255

1520

LVL +750.00

MAKING SPACE

500

LVL +450.00

2305

LVL +750.00

995

3400

850

500

390 1255

LVL +300.00 2100 1255

2300

M8 620 525

2150

2305

1880

D1 2

745

LVL +600.00

D.H.

2725

HOLOGRAM DISPLAY

1000

3400

230

2770

D3 1

500

3400

SELF CHECKOUT SOUVENIR SHOP

715

535

LVL +600.00

500

1275

2100

455 965 250

ENTRY

LVL +150.00

1200

F13

890

500

D1 1

1045

500

1855

550

525

1375

1445

17 3500 1025

1055 865

LVL +600.00

F8 1

LVL +000.00

1750

1000

LVL +600.00

2615

LVL +750.00

620

RECEPTION F4 2

3385

775

F6 1

905

890

760

1935

F5 1

3125

F4 1

1800

760

500

F6 2

T.H.

2900

1400

1750

900

2165

2025

5200

1940

3410

D2 4 1050

3985

F10

890

WAITING AREA LVL +600.00

F3 1

200

3400

450

450 8

1360

2750

4000

200

3400

500

375

F4 3 2280

1605

1265

1300

200

3400

1200

200

3400

1050

1750

995

F2 1

1050

2015

UP 2465 690

2025

F1 1

D2 3

1775

D2 1

550

715

200

3400

375

200

2200

1000

1050

M2 9

2165

D2 2

1400 1630

2165

550

2285

FEMALE TOILET

220

200

800

220

F11 1

2000 3400

325

2000 200

3400

485

690

475

690

1220

900

MALE TOILET

625

1315

565

835

2000 3410

1090

2155

PANTRY

625

1315

600 500

690

1090

485

850

325

1500

500 600

M9 1

565

800

825

800

540

825

F9 1

1265

3400 3985

1200

3600

4200

21 1

GENERAL NOTES 1. ALL DIMENSIONS ARE IN MM 2. ALL DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED

CIRCULATION PRIMARY CIRCULATION

3. THIS DRAWING IS AN INTELLECTUAL PROPERTY OF 'SILVI' AND IT SHOULD NOT BE RE-PRODUCED WITHOUT PERMISSION

NOTES

PROJECT : 2140 - A

EXPERIENCE CENTRE DETAILING IN INTERIOR DESIGN

SCALE : 1:50 PLAN AT 1500

I MO : 8141109099 EMAIL : silvi.panchal.ugfd15@cept.ac.in

DRAWING : GF FURNITURE LAYOUT DATE : 28 . 04 . 18

DWG :

FACULTY OF DESIGN CEPT UNIVERSITY

I - 2.1

DRAWING BY

SECONDARY CIRCULATION

The Red is the main circulation in the space which leads to the main activities of the spaces. The blue is the secondary circulation inside the activity areas

Working drawing layout of ground floor furniture and space plan including the workshop area

Interior Design

Academic, 2018

A5 A5

DETAIL 2

A6A6

DETAIL 2

DETAIL 2 A4

A5 A5

DETAIL 1

A4 A2

DETAIL DETAIL 1 1 SCALESCALE - 1:2 - 1:2

ELEVATION ELEVATION SCALE - 1:20 SCALE - 1:20

SECTION 1SECTION 1 SCALE - 1:20 SCALE - 1:20

SPECIFICATIONS SPECIFICATIONS MS STUD WITHWITH NUTNUT ANDAND BOLT BOLT 1. STUD A 1. AMS 100 X100 120XX120 3410 X 3410 WHITE WHITE POWDER POWDER COAT COAT MATTMATT FINISH FINISH 2. CONCRETE A 2. ACONCRETE FLOORING FLOORING

DETAIL 2

MS PIPE OF RADIUS 30 , LENGTH 535 WHITE POWDER COAT WITH MATT FINISH

WHITE WHITE , POLISH , POLISH COAT COAT

DETAIL 2 A2

MATTMATT FINISH FINISH

PLAIN WEAVE FABRIC PLAIN WEAVE FABRIC 3. CANVAS A 3. ACANVAS 34003400 X 1200 X 1200 A3 DETAIL 2

WHITE , SIZE, SIZE 2 THREAD WHITE 2 THREAD

DETAIL 2 A4

MS PIPE A 4. AMS 4. PIPE R - 600 L - 3500 R - 600 L - 3500

WHITE POWDER COAT WHITE POWDER COAT A2

FIBR WHIT

MATTMATT FINISH FINISH

DETAIL 1

PLAN PLAN SCALE - 1:20 SCALE - 1:20

DETAILDETAIL 2 2 SCALESCALE - 1:2 - 1:2

SECTION 2SECTION 2 SCALE - 1:20 SCALE - 1:20

GENERAL NOTES GENERAL NOTES

NOTES

CENTRE CENTRE PROJECT PROJECT : EXPERIENCE : EXPERIENCE Working drawing and detailing for Railings 2140 - A2140 DETAILING -A DETAILING IN INTERIOR IN INTERIOR DESIGN DESIGN

1. ALL DIMENSIONS 1. ALL ARE DIMENSIONS IN MM ARE IN MM 2. ALL DIMENSIONS 2. ALL ARE DIMENSIONS TO BE READ ARE AND TO NOT BE READ TO AND NOT TO BE MEASURED BE MEASURED

3. THIS DRAWING 3. IS THIS ANDRAWING INTELLECTUAL IS AN PROPERTY INTELLECTUAL PROPERTY OF 'SILVI' AND ITOF SHOULD 'SILVI' AND NOTITBE SHOULD RE-PRODUCED NOT BE RE-PRODUCED WITHOUT PERMISSION WITHOUT PERMISSION

A A 11

A A2 2 DETAIL 1

DETAIL 2

DETAIL DETAIL 11 A3

A 11 A

DETAIL DETAIL 2 2

DETAIL 2

SCALE SCALE : : 1:50 1:50

MO : MO : 8141109099 8141109099 EMAIL : EMAIL : silvi.panchal.ugfd15@cept.ac.in silvi.panchal.ugfd15@cept.ac.in

DRAWING DRAWING : : RAILING RAILING DETAIL DETAIL

DATE DATE : 28 . 04 : 28 . 18 . 04 . 18

PLANPLAN AT AT 1500 1500

DWGDWG : :

DRAWING DRAWING BY BY

FACULTY FACULTY OF DESIGN OF DESIGNI - 6.1 I - 6.1 CEPT UNIVERSITY CEPT UNIVERSITY

DETAIL DETAIL 2 2

A A3 3

A3 3 A

1 ELEVATION ELEVATION 1 SCALESCALE - 1:20 - 1:20

ELEVATION 2 ELEVATION 2 SCALESCALE - 1:20 - 1:20

DETAIL 1

A A3 3

DETAIL DETAIL 11 A3

A A3 3

SPECIFICATIONS SPECIFICATIONS A2

A2 2 A

A 1.

MS ANCHOR FASTNER MS FASTNER A 1. ANCHOR 50 X 100 50 X 100 POWDER WHITEWHITE POWDER COAT COAT

A 2.

A 2. PLATE MS PLATE 50 X 50 50XX550 X 5 MS , POLISH WHITEWHITE , POLISH COAT COAT

A A2 2 A3

MATT FINISH MATT FINISH

A A3 3

A A2 2

MATT FINISH MATT FINISH A 3. REFLECTED REFLECTED CEILING CEILING PLAN PLAN SCALESCALE - 1:20 - 1:20

GENERAL GENERAL NOTESNOTES

TEXTILE BOARD , REALLY A 3. SOLID SOLID TEXTILE BOARD , REALLY 1000 X1000 1055XX1055 8 X8 WHITEWHITE

1 DETAILDETAIL 1 SCALESCALE - 1:2 - 1:2

NOTESNOTES

1. ALL DIMENSIONS ARE IN MM 1. ALL DIMENSIONS ARE IN MM 2. ALL DIMENSIONS ARE TO BE READ 2. ALL DIMENSIONS ARE TO BE READ AND NOTAND TO NOT TO BE MEASURED BE MEASURED 3. THIS DRAWING IS AN INTELLECTUAL PROPERTY 3. THIS DRAWING IS AN INTELLECTUAL PROPERTY OF 'SILVI' AND IT NOT SHOULD NOT BE RE-PRODUCED OF 'SILVI' AND IT SHOULD BE RE-PRODUCED PERMISSION WITHOUTWITHOUT PERMISSION

2 DETAILDETAIL 2 SCALESCALE - 1:2 - 1:2

EXPERIENCE CENTRE EXPERIENCE CENTRE

: SCALESCALE : 1:50 1:50

DETAILING IN INTERIOR DESIGN DETAILING IN INTERIOR DESIGN

AT PLAN PLAN AT 1500 1500

PROJECT : PROJECT : 2140 - 2140 A -A

MO MO : MO :: 8141109099 8141109099 8141109099 EMAIL EMAIL : EMAIL :: silvi.panchal.ugfd15@cept.ac.in silvi.panchal.ugfd15@cept.ac.in silvi.panchal.ugfd15@cept.ac.in

: DRAWING DRAWING : CEILINGCEILING DETAIL DETAIL

DATE DATE : 28 . 04: . 28 18 . 04 . 18 DWG : DWG : I - 6.4 OF DESIGN FACULTY FACULTY OF DESIGN CEPT UNIVERSITY CEPT UNIVERSITY

DRAWING DRAWING BY DRAWING BY BY

I - 6.4

Working drawing and detailing for false ceiling

Sectional Perspective showing the volumetric space

When one enters the retail store, the space is planned with Information counter on right, New collection display in the front and store experience to the left.

The view shows hologram area, and the exhibition area giving a sense of space. The double height space designed to exhibit the products enhances the user experience

MS PLATE OF SIZE 210 X 220 X 10 WHITE POWDER COAT WITH MATT FINISH SUSPENDED CURTAIN ROLEER OF RADIUS 30 WHITE PU COAT WITH MATT FINISH

RE GLASS FABRIC OF SIZE 1725 X 2900 TE COLOR OF SIZE 2 THREAD

MS BOX SECTION OF SIZE 50 X 100 WHITE POWDER COATED WITH MATT FINISH

TRANSPARENT LAMINATED GLASS OF 10 THICKNESS , MATT FINISH

CONCRETE FLOORING WITH WOODEN FORMWORK WHITE AND POLISH COAT

Working Drawing for the interior enclosure The enclosure detail is designed to give the whole space its characteristic and experience of the concept to any visitor. It showcases a unique way to use the textile boards

Furniture Design

07.

Academic, 2016

Furniture Design

Wooden Folding Table

The idea for this exercise involved replication of a wooden folding table. This lead to learning outcomes that would make a foundation for

Course: Furniture Design I

designing and making our designed pieces. Firstly, measuring every element of the furniture and documenting simultaneously. Individual element

Material: Teak Wood

drawings were made in 1:1 scale.

Joinery: Tenon and Mortise with exposed wooden dowels

Furniture was made in a Group of 4 Students

Shop Drawings made for making of the table. Front view, Side view, and Joinery Details.

Isometric view of the Final made Table

Folding Table in Isometric view, Side view, and Front view

The table was made in the wood workshop after thorough understanding of the mechanisms. Material quantity was studied after researching the market prices.

The set of drawings helped in making of each member at the wood workshop smoothly. Secondly, additions were made to modify the table. Grooves were added in the top most elements for them to flush together, giving a better hold by stopping movement in x-axis. Also, addition of dowels prevented movement in the y-axis. Rivets were used for the foldability of table.

Furniture Design

Academic, 2016

Low Seating Lounge Chair

During this course, I designed and built a low seating furniture piece. The first stage was designing elevations and making individual element

Course: Furniture Design I

drawings in 1:1 scale. The set of drawings helped in making of each member at the wood workshop smoothly. Side elevation was designed

Material: Teak Wood

keeping in mind the comfort of a user, with an angular seat perpendicular to the backrest. All the members of seat and back rest were given a

Joinery: Tenon and Mortise with

gentle curve for better comfort. Along with this the dimensions in plan were designed for a user to also sit comfortably in a cross legged position.

exposed wooden dowels

The chair was built in the workshop within a month’s time from cutting the wood to three layers of polished finish.

Furniture was made in a Group of 5 Students

Furniture along with human scale

Zoomed in image showing detailed joineries

Image showing the final made Wooden Chair

Detailed drawings for the Chair

The chair was made in the wood workshop after thorough understanding of the mechanisms. Material quantity was studied after researching the market prices.

Detailed shop drawings were made in 1:1 scale for better understanding and further taking into use at the wood workshop

Zoomed in image showing detailed joineries

Furniture Design

08.

Academic, 2017

Furniture Design

Showroom Display Unit

The course began with a case study which involved thorough understanding and analysis of Olga Nur Restaurant and it’s High stool bar seat,

Course: Furniture Design II

designed with understanding of the existing bar table ergonomics.

Material: Teak Wood Joinery: Steam Bending, Tenon and

The later stage of the course involved a brief of designing a display element for APPLE showroom. The unit was for a specific product - iWatch.

Mortise with exposed finger joints

The inferences from existing store lead to designing a curved furniture piece. Steam bending, a modern technique like the product, was used for designing the element. The display system incorporates storage, charging points, display area for the customers so they could try the watches

Designed in a Group of 2 students

themselves.

Case Study Exercise involved understanding of a restaurant and designing a furniture element according to its design philosophy

1:1 scale part prototype (failed prototype)

1:5 scale part model to understand the constructions

Isometric view, Side view, Front view, and Plan view for the display unit

The model showcased the form that holds the bent wooden logs creating the main structure.

A set of Technical drawing made to showcase all the details for the design unit. The unit includes a system to hide the wiring for constantly charging phones on display.

Furniture Design

Academic, 2017

Metal Director’s Chair

The course involved replication of a metal chair with learning outcomes that would make a foundation for designing and making our designed

Course: Furniture Design II

pieces. First stage was to measure all the elements of the furniture and documenting it. Individual element drawings were made in 1:1 scale

Material: Mild Steel and Fabric

and the set of drawings helped in making of each member at the metal workshop smoothly with few design additions to modify the chair. A

Hardware: Rivets

combination of colours were used for powder coating the elements for aesthetic purposes and using rivets for the foldability of the chair. The comfort of the chair is visible in the angular seat, perpendicular to the backrest.

Made in a Group of 4 students

Workshop Process Images: Using Lathe machine to edge the rods

Zoomed in image showing detailed joineries

Image showing detailed joineries

View showing the Final Chair made

Kit of Parts for Powder Coating

Plan view, Side view, and Front view of the Metal Chair

The chair was made in the metal workshop after thorough understanding of the mechanisms. Material quantity was studied after researching the market prices.

The kit of parts were created and made ready to send to a powder coating agency. We chose pop of colours and assigned to each element with different function.

Detailed shop drawings were made in 1:1 scale for better understanding and further taking into use at the Metal workshop.

Furniture Design

09.

Academic, 2017

Hands on Construction

Course: Construction Technology

The work seen was done for the Construction Technology Courses ( I - IV) during the early academic semesters. The idea for making the brick

I-IV

wall was to learn working with materials and understanding the properties. The brick patterns were studied and designed in the studio including working of different brick bonds, brick types, and construction processes. Student visited IIM Ahmedabad for case study to understand fly ash

All the work was done in Student

bricks.

Groups

The next project shows 1:5 scale model of the vernacular architecture of North India. This architecture type is known as KathKhuni Architecture, the method includes layers of local materials like wooden logs and stone. These walls also becomes a great insulation resisting the cold weather.

Views showing Brick Walls constructed by the students Prototypes in 1:5 scale were made before finalising the wall. We triangulated the soil and dug to make the foundation. The bricks were later rendered with brick bats.

1:5 model of Kathkhuni Architecture Residence Space The model was made to understand the construction methods of kathkhuni architecture. The model was made in a group of 3 students with wood and paper mache for depiction of hand chiseled stones.

Furniture Design

Academic, 2017

Course: Construction Technology

The work seen was done for the Construction Technology Courses ( I - IV) during the early academic semesters. The idea for making the wattle

I-IV

and daub dome was to learn working with materials and understanding the properties. With the help of sketches and presentation of ideas, we finalised the design and construction. The exercise involved every stage of making, from Design to Construction to Calculations for material

All the work was done in Student

required.

Groups

Wattle and Daub Method to create the dome The long bamboo stripes made the main structure along with smaller ones filling the gaps. The bamboo was cut, added to the outlines ground over which cow dung was applied.

Detailed Working Drawings of Element Case Studies During the exercise, we understood and analysed existing interior elements and created detailed working drawings with material renders.

Related Study

10.

Related Study Courses

All work was done in Student Groups. Below shown images are the work done by me.

Model of a Goan House

Door Case Study and Plans for a Pol House Residence

This course involved studying, measure drawing and detailed model making of a Goan House. The model was made to show the Balcau area of the residence

The courses involved thorough study of pol houses, measuring and a set of detailed technical drawings.

Few sectional drawings from the set The residence Pol house is located in the Old city of Ahmedabad. The drawings show the spaces created in a linear area

Academic, 2015

Related Study

Academic, 2015

Sculpture and Exploring Materials

Digital Representation

The above images shows the outcomes of Sculpture course where I explored various materials like Terracotta Wave, and Lino cut on MDF.

The above images shows outcomes of Digital Representation Courses during 2016. The idea was to design and digital make a magazine after various early exercises

Graphic Design

11.

Non- academic, 2019

CEPT Garba 2019

The merchandise designs were

CEPT Garba 2019 Visual Identity is designed for the festival of 9 nights. The digital illustrations were conceptualised to express and celebrate the

worked by a group of three people

essence of Navaratri. The nine nights are signified by the number of the night. To add the context in the design, there numbers were illustrated

(* indicates group works)

in Gujarati language. The lines forming the numbers take inspiration from the organic dance of garba and how one feels the state of trans while dancing throughout the night. The human figures shown are dancing garba in a flow. Thorough understanding of the nine nights, and the nine goddess tales lead to the importance of the colour palette that followed. Every year the nine nights are predicted with one colour which is meaning good for one to wear. The colour palette follows the prediction of these lucky or ‘shubh’ colours.

Coming Soon Poster

Diary Design* Merchandise Design including diaries and stole scarfs* The design was further taken into various merchandise outcomes. According to the print method of screen printing on scarfs and diaries, the design were customised. These diaries were hand made by local craftsmen. Using cartridge paper the diaries were hand stitched.

Understanding our field, campus, and love for diaries, these small sized hand made diaries were important part of the merch, designed for ones to carry it easily

30 ft Banner The 30 feet banner was designed to sit on the north face of CEPT Library which looks directly upon the Shrenikbhai Plaza. The nine nights are celebrated in this center area of campus

Poster Design The poster design were in portrait format to enhance the verticality of the illustration

MDF Laser cutouts

North Gate Installation

The image shows the laser cut MDF pieces which were coloured and designed to give depth to the North Gate installation shown on the right

The north gate is the main entry area for the event. The installation included Banner designed for this area with MDF cut outs bringing depth to the illustrations

Graphic Design

Non- academic, 2019

Individual Day Poster

Poster Banner Design

These posters were designed to be shared on social media on each night. The elements at the top shows the center lighting design at the ground

The north gate banner was designed specifically to the size available on site. This played a major role in deciding the verticality of the illustrations to fit and also have good breathing space

Pass Design Each night had different pass designs. They varied in terms of the colour, elements, and the sizes. For security reasons, the passes were especially made in various sizes

Merchandise Design* The badge designs focused on a more detailed part of each illustration. The circular detail design language was formed keeping in the mind the output area of the badges

Mandali Poster Banner This banner was designed for the mandali stage used by the musicians who play the tunes all night. The banner was designed to be subtle as to not take away from the group of musicians

Graphic Design

12.

Professional, 2020

Maker Bhavan - Visual Identity Maker Bhavan identity illustrates the word ‘making’ using the duality of the interlocking centre. The two interlocked forms, in an abstract manner, shows the dual nature of academic and nonacademic learning coming together in one place at Maker Bhavan. Following the typeface and composition of the Maker Bhavan logo, there are 3 main visuals : the Logo, Maker Bhavan and IIT Gandhinagar. The strong philosophy aimed for the space helped create the visual aspects of it. The logo is an amalgamation of the initials of Maker Bhavan which is exaggerated using the colour palette. The colours were designed to not represent the mechanical aspects of the field but to give it richness and formality. The identity was an outcome of intensive iterations of forms to showcase the nature as well initials of Maker Bhavan.

Maker Bhavan Logo Design

The logo was designed in 4 different colour palette which can be used depending upon the kind of events hosted in the space

Logo Construction The logo was iterated but subtle fillets to add softness and formality to the visuals. This helped balance it with and reduce the mechanical aspects

Brand Manual Design

Brand Patterns

A thorough brand manual was designed for the visual identity. It explained the static and non-static aspects for ever changing staff at IIT Gandhinagar

The logo was taken further and deconstructed into brand patterns. These became the secondary language used to design the merchandising and poster designs

Logo Variations

Poster Design

Graphic Design

Professional, 2020

Badge Pin Design 14 set of pins were designed with two variating design and 7 colours

Brand Pattern as the secondary element

Stationery Design The pen designs included 4 visuals. These could be used and printed according to the formality of the events Poster Design for one of the event The poster set included four visuals to allow the client use the posters in different events. The information were standardizesd for these to have a continuous language in posters

Sticker Design

Book Cover Design In a set of 4, the book covers were designed for a square print derived from the form of the logo. The brand patterns helped take the designs further in a subtle manner

Poster Design for one of the event

Mug Design The image shows one of the examples out of set of 7 mug designs. The prints were made on custom painted mugs to follow the custom identity colour palette Tshirt Print Design The designs were made in a set of 4 for the staff members and event volunteers

Graphic Design

Non-Academic, 2017

Miscellaneous Designs Different designs were produced

These miscellaneous designs were produced during different period of times like student assistantships, non academic events for student body

in a group of people (* indicates

council, Faculty level exhibitions, wall graphics and wall/flex paintings celebrating foundation day. I was involved in mmultiple community events

group works)

and volunteered as Graphic Designer and Illustrator

Foundation Day Poster, 2017* The poster is designed for the celebration and invitation for Foundation Day of Faculty of Design. The design uses building elements of Faculty of Design

Rock Band Banner, 2018*

Sketching Trip Poster, 2017

The banner was designed during my Student assistantship at CEPT Communications Office. The final editing of the banner was done by Chandni C

The poster is for one of the first sketching + photography trip by the student body council. The idea behind the visual was to combine both the activity

Semester End Exhibition Poster, 2017

Student Body Council Poster, 2017*

General Body Meeting Poster, 2017

Fan art Illustration, 2015

Wall Painting, 2017*

Wall Graphics, 2017*

Worked on Illustrations of music artists done before joining CEPT University

Wall paintings done during non academic events on campus. The graphics were done by students and painted by student body

The flex graphic was designed with Udit P. The flex was designed to put up during the foundation day. The illustrations were worked on digitally, traced with projector and hand painted by the student body

CONTACT: +44 7436681207 silvippanchal@gmail.com