portfolio by Xiaoyue Shi 2021 by xy s

PORTFOLIO SHI XIAOYUE

Email: xiaoyueshi955@gmail.com

CONTENTS

PORCELAIN MUSEUM

Architecture Montage/Academic Work

RAMMED EARTH HOUSE

Material Research/Professional Work

ACTIVITIES CENTRE FOR VILLAGE

Traditional Countryside Fabric Refinement/Academic Work

AERIAL STREET HABITATION

High Density Residential Research/Academic Work

SCULPTURE MUSEUM

Materials and Space/Academic Work

The meaning of architecture lies in the building itself. -------Yung Ho Chang

COLLAGE HOUSING

History and Mundanity/Academic Work

HOTEL RENOVATION

Garden and Circulation/Competition Work

A ROMANIZATION OF MODERNISM 56 Relic and Column/Competition Work

PORCELAIN MUSEUM ARCHITECTURE CAN BE USED AS A MEANS OF REFLECTING REALITY. The Tongguanyao area once had a

glorious history of porcelain manufacturing, but it was forgotten because of years of war. With the excavation of historical relic a few years ago, more and more people are participating in the discussion of the context of the region.

When I arrived at the site, the LOCAL FARMLAND LANDSCAPE gave me a big touch, which have not relationship with the past history. History and reality present a broken relationship in this place, but together they form the local context. Therefore, the museum should reflect this in a very objective form and use the MONTAGE to connect the past and the present so that visitors can have a deeper understanding of them.

Location: Changsha , Hunan Province , China Academic and Individual Work Finish Time: 6/5/2017

Context

DC-223 Han Dynasty

DC-979 Song Dynasty

DC-2018 Now

Maritime Silk Road and Prosperity

Constant War ,Chaos and Lost History

Rediscover the History

In the Han Dynasty, the porcelain industry in the region was very developed. Local products had excellent quality and cheap prices, so they were sold well,and even exported to the world through the Maritime Silk Road. In addition, because of the special production technology, the porcelain in this area had a beautiful and charming red lustre.

Since the Song Dynasty, the region has experienced years of war and chaos. A large number of residents had moved to other places, and the porcelain industry had also experienced a destroy, vanishing in the history. The ancient books that recorded this history also lost.

A few years ago, archaeologists unearthed the relic of the porcelain kiln, which was finally discovered by people. As the research progressed, more and more people began to understand the past glory and lost porcelain crafts in this area.

Space-time Shift

The past and present are to context what front and back are to a coin. As a container for displaying local culture, the museum is obliged to present the past and present to the visitors. The local natural landscape is very unique and charming, because of that I design the museum by extracting five scenes (farm, river beach, grassland, village, mountain range), which are displayed for visitors between the exhibition of antiques and relics.

Site Plan 1:1500 5

Montage of Light and Dark Different display spaces have different light effects and materials: the concrete space that displays the artefacts is dimly lit, thus highlighting the exhibit itself and the forgotten local history. The glass space that shows the current landscape is brighter. The building's tour process is like a movie, and the strong contrast between different scenes enriches the tourist experience. The plank road at the entrance to the building strips visitors from reality, and the landscape tower at the end of the building brings people back to reality again,by this way people could experience the space-time shift .

Ground Floor 0

4.50

⑦ 9.00

18.00 m

±0.000 1.800

③

① Office Room ② Entrance Hall

③ ①

1.800 ②

-0.350

-1.150

③ Plank Road

-0.350

-0.350 ④

④ Relic ⑤ Deck ⑥ Interior Pool ⑦ Observation Tower

⑤

Second Floor 0

4.50

9.00

⑦

18.00 m

⑨ 6.600

⑨

6.600 ⑦ Observation Tower ⑧ Antiques Display ⑨ Landscape Gallery ⑩ Lounge

⑩

6.900

6.600

6.900

⑧

6.600

6.900

6.600

⑧

⑨

Section and Facade

Long Section

4.50

9.00

18.00 m

Facade North

4.50

9.00

18.00 m

Short Section and Tectonics The building is located in the south-central part of China, so insulation and drainage are significant. Different materials use different tectonic methods. Antiques display spaces are illuminated by skylights, which not only saves energy but also creates special space effects. The landscape gallery use composites panels as roof material, in which thermal insulation and inner sheet are combined into a single panel.

Curved eaves sheet Folded metal gutter

Skylight Metal drip Concrete finishing layer Vapour membrane

Waterproof membrane Concrete coping 20mm-80mm Metal coping 20mm Composites panel Decoration panel

Insulating layer Metal beam

Insulating layer Concrete structure

I made several tests in order to find a kind of concrete which has familiar colour with local clay, also increase vernacular feature in this museum. Antiques are displayed in coloured concrete spaces just like buried in the clay Test A

Skylight

Test B

Test C

Test D(final scheme)

Colored concrete structure 150mm

White cement

Cement

Sand

Colored concrete structure 150mm

Insulating layer 80mm

Pigment

Vapour membrane 50mm

Iron powder

Concrete finishing layer 50mm

Double deck frosted glass channels

PVC cushion Steel frame Rubber seal

LOW-E glass

PVC heel Steel frame PVC cushion

Reality is unclear, when it is clear, it is unreal.

Double deck frosted glass channels

RAMMED EARTH HOUSE Rammed earth is a kind of Chinese traditional building technology and because of its unique quality it becomes more and more popular in recent years. This is a renovation programme that is aimed to study MODERN RAMMED EARTH. Although there are many cases in China, especially Wang Shu’s programme,use rammed earth as their wall material and it seems that they have an experienced system about the material proportion and ramming skills, we still need to study them because the clay in this region is different from that in Wang’s programme and we also need to offer training for local workers to reduce cost.

Location: Changsha , Hunan Province , China Professional and Team Work Supervisor: Li Weidong (701237@csu.edu.cn) Role: Main Participant of Material Research and Test, House Design and Building Other Participants: Wu Huizheng, Wang Jingxiang, Ling Mingxiao, Ye Ying, Xin Haokun, Zhang Zhenyue Finish Time: 21/8/2017

Material Proportion Test Proportion

Final Scheme

Sieving Experiment Percentage 1％ 17％ 14％ 8％ 7％ 11％ 25％ 15％ 12％

2％ 1％ 15％ 7％ 7％ 9％ 24％ 14％ 12％

3％ 7％ 17％ 7％ 5％ 7％ 26％ 17％ 11％

2％ 9％ 16％ 6％ 5％ 8％ 25％ 18％ 11％

1％ 10％ 18％ 8％ 6％ 8％ 23％ 16％ 10％

Clay Sand 20 10

2.5 1.25 0.63 0.315 0.16 0

20 10

2.5 1.25 0.63 0.315 0.16 0

20 10

2.5 1.25 0.63 0.315 0.16 0

Rammed Briquette

Rammed Test

20 10

2.5 1.25 0.63 0.315 0.16 0

20 10

2.5 1.25 0.63 0.315 0.16 0 Diameter/mm

Ramming Skills Research

Chinese Traditional Rammed Earth Skill Study In this research we invited a few old workers to teach us how to build a house in a traditional way.,such as how to install Chinese traditional wood mould and the key words of ramming. After that we found that although this is a traditional and cheap way, the quality of the rammed wall could not satisfied us.

Chinese Traditional Wooden Mould

① Mould Installing

② Material Filling

③ Compacting

④ Edge Ramming

⑤ Centre Ramming

⑥ Trimming

⑦ Another layer

⑧ Mould Removing

Modern Rammed Earth Skill Research In this study we did researches about the material proportion and ramming skills, in order to train local workers. Of course before that we improved the mould and hammer, which are different from previous. Because we use air pump as our ramming power ,the quality of the rammed wall(intensity, mechanical properties and waterproof performance) improved a lot.

Modern Steel Mould

① Mould Making

② Material Mixing

③ Mould Installing

④ Ramming

⑤ Mould Removing

⑥ Proportion Test

⑦ Detail Test

⑧ Detail Test

Building Renovation Design Tile Waterproof layer Wooden purline

Wooden oblique beam Wooden column

Iron component

Rammed earth wall

Multi-layer wood plywood

Embedded wooden brick

Wooden baffle

Wooden baseboard Wooden floor Cement layer

Cobblestone layer

Fine sand Earth

Cement ground

Brick foundation

Rammed Earth Renovation Part

Cement base

Details of The Rammed Earth Wall

Renovation Plan

1:20 15

1:200

Construction Process

① Dig Foundation Pit

② Build Foundation

③ Add Waterproof layer

④ Install Mould

⑤ Ram The Earth

⑥ Install wooden beams

Photography after Finishing

ACTIVITIES CENTRE FOR VILLAGE Nowadays there are so many dilemmas in Chinese countryside, because of the changes of social and economic development, spacial logic and structure convert to a different form compared before. Although people living in countryside become more and more rich, they lost there TRADITIONAL LIFE STYLE. When I did several researches, I fond that the vanish of public space is the main reason. Now government built public space for visitors not for dwellers in this region, which has a negative effect on LOCAL FABRIC. And traditional public space also lack fond to preserve . So the biggest problem I need to solve is that how can a activities centre be suit for visitors and local people.

Location: Chenzhou , Hunan Province , China Academic and Individual Work Finish Time: 14/12/2018

Quadrangle Dwelling

Rest Pavilion

Granary

Guard Tower

Type A

Type B

Type C

Type D

Nolli Map 1:2000

Buildings Activities Centre

Original Public Space

River

Current Village Entrance

Because of the change of village entrance and high-speed railway construction, original public space in this village become a fade area. The Activities centre is aimed to turn this situation and crate a place for visitors and local dwellers with multifunction

Tea workshop

Iron fence Stone cover slab

Tea-fermentation room

Tea room Silverware workshop Rest room

Dinning hall

Concrete slab Gravel layer Cement layer Concrete slab Insulating layer Wooden slat Wooden ceiling

Public corridor Hotel 1

Square

Wooden floor Wooden slat Wooden floor Log Wooden beam

Finishing brick layer Insulating layer Ventilation chamber Brick bearing wall Wooden floor Wooden slat Cement layer Waterproof layer Insulating layer Cement layer Fine sand Brick foundation

Original buildings

Ground plan 1:300

Details of hotel’s wall 1:30 20

Section 1-1 1:200 9.200

5.800

6.400 5.200 4.500 3.600 2.500

Perspective between Tea room

Perspective of Public corridor

Perspective of Hotel

AERIAL STREET HABITATION In today’s China, with urban development and population explosion, RESIDENTIAL BUILDINGS have become a popular topic and trigger a constant discussion in public. However, under the grand issue of the development of the times, we still need to preserve the QUALITY of high-quality building space, because the home is the most vital place for urban residents. For traditional Chinese cities, the street is an indispensable space in people’s lives, because a variety of activities take place on the streets, and the streets are the extension of the home. However, in recent years, traditional street spaces have been destroyed and people’s lifestyles have changed dramatically. This project aims to find a propose about how to combine TRADITIONAL STREET SPACES with modern residential buildings.

Location: Changsha , Hunan Province , China Academic Work, Team Work with Li Jingyuan Finish Time:23/10/2018

Concept Collage

Street space carries a variety of activities. Different kinds of activities also make people have different relationships, so people's lives are more closely linked. But nowadays residential buildings are becoming more and more closed, and the homes and public street have become two opposing spaces, which makes it impossible for people to enjoy the harmonious neighbourhood.

Street Research Spacial Type of Street

City Fabric of Beijing

Analysis of Street Form Simplify

Typology

Linear streets are the most common type of street, and usually it is Transform the main road. Circulation on this street is not complicated, people can reach their destination smoothly.

Public street plays a significant role in Chinese traditional city life,since people can purchase items that they need everyday,and it is also a place in which people communicate with others. Simplify

Typology Radial streets usually

have a centre, such as a square. This centre has the largest population and separates Transform people to various street branches. Many iconic buildings are also located in the centre, becoming one of the important features of the street.

Collective street carries activities which are more private than that in public space,such as communicating with neighbours and daily rest. In most time it is a transition space. Simplify

Typology

The street grid has multiple centres, so it has a Transform rich variety of features and spaces. Each centre plays a different role in the city and together forms a complex city.

Private street usually is the place we called home entrance. People see it as a part of their home but in fact it is a kind of in-between space. 24

Original site

Range of the programme Collective Street

Putting collective street space into the building

Street Linking City and Nature

Using a main public street links the city and the nature Private Street

Putting private street space into the building

Dimensional Public Street

Making the public street dimensional Housing Unit

The main public streets are gradually rising, connecting natural mountains and cities, making buildings no longer an obstacle between cities and nature, but a connection. Then verticalize it by putting collective street space and vertical transportation. Finally,fill the private street spaces and housing units into it. Residents of different ages have different space as their corridors and home entrance,so that they can do activities by their the most important need.

Putting housing unit into the building

Long Section of the Whole Building

Section Position

Perspective of kindergarten

Supermarket Cinema

Perspective of art centre

Gym

Kindergarten Art Centre

Perspective of library

Committee

Library

Hospital

The Old Club

Bridge

Public Street

public street collective street private space

Public deck and kitchen are aimed to young people and young couples,as well as a collective space for people to encounter their neighbours. plan of public kitchen and deck in single apartment

corridor perspective of single apartment

Children could play outside in the sandpits, which are located in the corridors of family apartment. plan of public sandpit in family apartment

Corridors for families are wider so children could play at this place. The material of guardrail is glass block which makes the corridors a light and safe place.

corridor perspective of family apartment

Lobbies between elevator and public street are transition space, people could have a relax in this area.

plan of collective lobby between public street and elevator

Corridors for young people and couples are more narrow than others because they need more privacy than others.

corridor perspective of aged apartment 27

Plan of Seven Floor

Corridors in aged apartment offer space for people to rest and communicate. They are closed so they can be warm and comfortable in the whole year.

Collective Street

private street

TYPICAL TYPE A For young couples and young families

TYPICAL TYPE B For young familys and extended families

TYPICAL TYPE C For aged people

Interior perspective of typical type A

Interior perspective of typical type B

Interior perspective of typical type C

Private Street and Housing Unit

SCULPTURE MUSEUM To use a long span exhibition space as a PURE ABSTRACT ART WORLD, the consideration of structure, details and materials should be combined. So twelve in-suit concrete walls are not only the main structure of the museum, but also the energy and machine containers. Ventilation system and water heating, cooling system are integrated into them. Roof structure material is CLT, in order to achieve a long span. Main beams and second beams are joined together by Ricon S connectors, so there are no screws can be seen from outside. Skylight on the roof material is Kalwall Weatherable Coating (KWS), which has self-cleaning properties and provides additional resistance to UV and heat exposure for lasting performance.

Location: Haarlem, Netherlands Academic and Individual Work Finish Time: 1/15/2020 Supervisor: Joris Lüchinger

Main Entrance

Site Plan 1:1000 30

First Floor Plan 1:500 31

Second Floor Plan 1:500 32

Long Section 1:500

Street Facade 1:500 Corner Horizontal Section1:50 Corner Detail 1:10

80mm precast concrete panel vertical baffle joint between panels 180mm insulation layer 340mm in-suit concrete wall

2mm Kalwall Weatherable Coating 70mm air layer 2mm Kalwall Weatherable Coating

Hot air

10mm wood floor slab 70mm fibrated concrete slab with underfloor heating, waterproofed and waxed separating layer: building paper 50mm impact-sound insulation 350mm concrete basement 15mm Polymer concrete ventilated facade panel by ULMA Vertical T-rail ( sub-frame)

Fresh air

100mm Thermal Insulation waterproof membrane 400 concrete wall

Vertical Section Detail 1:100 34

Interior Model 35

COLLAGE HOUSING The American-style shopping centre on the original site eventually closed after a decade-long decline. This seems to epitomise the fate of international style and modernist architecture. The new project attempts to learn stylistic styles from history, thus responding to the glory of the whole city as the first Roman city in the Netherlands. It is worth reflecting on the relationship between history, a subject of such magnitude, and everyday life in the present. We believe that mundanity represents the present, and that the present and the past are like two sides of the same coin, inseparable from each other.

Location: Nijmegen, Netherlands Academic Work Urban Design: Team Work with Jingyu Xu, Yicheng Sun Architecture Design: Individual Work Finish Time: 6/23/2021 Supervisor: Prof. Paul Vermeulen, Dr. Leeke Reinders, Jelke Fokkinga

Urban Design - Street As A Method

The original mall was too large, making the interior space rather homogeneous and resulting in a very poor shopping experience inside. We believe that street-facing shopping spaces are the most effective.

Therefore we propose the concept of reversing. We have reversed the location of the original passage to the building and the location covered by the original building to the street.

In this way two new streets appear on the site, connecting the surrounding roads, increasing accessibility and returning the shopping space to the traditional streets.

N 37

Architecture - History As A Reference

Sequence : House of Pansa

Plan: Temple of Athena Polias (Priene)

Facade: Classical temple facade

① Library ② Office ③ Refuse storage ④ Maintenance ⑤ Bike ⑥ Community Hall ⑦ Shopping

https://www.lookandlearn.com/history-images/M426258/Atrium-of-the-House-ofPansa

①

②

Research of Space Sequence of House Pansa It is not enough to pay homage to history only in terms of structural form. Nijmegen, as an ancient Roman city, may find some points in this history that are instructive for housing. Roman houses are known for their rich spatial sequences. In a symmetrical layout, several courtyards were often laid out along a central axis. These courtyards were places where interaction took place and their function was not limited to gatherings and gardens, but could sometimes even be used for agricultural production. What it brings to my mind is the communal space as a point of transformation in the sequence, but also as a container for many possibilities.

③

④

⑤

Shops

Pansa’s Housing

Separate Housing

Bakery

⑦

⑥

Ground Floor Plan of Project

Cross Section

Plan: Temple of Athena Polias (Priene)

Plan: Propose 1

Classical architecture has always had a sense of dignity and enclosure, and as the plan on the left shows, the symmetrical and orderly structure has absolute dominance in the space. But it is interesting to note that over time, after they have been reduced to ruins, they take on an openness, like the skeletons seen in the X-ray photographs. Visitors, wind and sunlight can come and go without any obstacles, and you can feel a sense of freedom behind the orderly structure.

Plan: Propose 2

As you can see in the diagram of the structural design process on the next page, from the very beginning the scheme sought a sense of, well, order and openness. With practical use in mind, the facade and the load-bearing columns were finally integrated and the columns became flat. This led to a reflection on the size and style of the window openings. I deliberately designed all the windows in the style of balcony doors, so that when the sun is shining the occupants can open all the doors and the house will be completely open to the sky.

Plan: Propose final

First Floor Plan of Project

Main Facade

In this urban photograph, several children climb up a rather classicist gate. More interestingly, behind this gate is a stained brick wall, just like those back doors you and I see in shady alleys. I think this photograph is an extremely vivid portrait of a time when history no longer dominates, but is an important constituent element in a time of contradictions. If we replace it, then this ambivalence no longer exists and the spirituality I mentioned above is lost. In my design, therefore, the historical element acts as a mirror, appearing alongside the contemporary element to reflect the contradictory present. Thus, in front of the main façade I have placed a greenhouse as the entrance to the house. The façade of the house, with its wall of hills and sloping roof, is derived from the classical style. The two form a contrast, the ordered and the disordered, the solid and the fragile, the heavy and the light, the permanent and the temporary, the inorganic and the organic. I wanted the conservatory to play the role of a child in a photographic work, to interact with the historical elements.

Main Facade with Green House

Facade

Housing - Mundanity As A Future

Housing Plan Basic

We can imagine that when a space can be allowed to be used and changed so freely by the user, then the space itself no longer dominates the process of use. The boundaries between spatial separations in the traditional sense, such as walls and rooms, and objects of use such as furniture are increasingly blurred. This freer mundanity at this time suggests a notion of space where time and space change overlap, where everything is tied to the human body and grand narratives are abandoned.

Housing Plan Plus

The Heidegger’s ideas illustrate mundanity as a property with a temporal character. We can therefore get a permission of a housing design in which all the services necessary for modern living (bath, kitchen and bathroom) are compressed into a living core, with the perimeter of the room completely freed up, like a blank section in a scroll painting, waiting to be filled in by the occupant at different times and in different ways with different furniture. 45

Housing Plan Plus+

Section

Roof Detials: Plain tile Interlocking tile Softwood battens Softwood counter battens Roof felt Wood roof product with insulation inside Vapour barrier

Prefabricated Concrete Gutter

Loft floor Detials: Wood floor board Cement layer Modular screed panel with radiant heating tubes Hard wood board

Floor Detials: Concrete heating floor Sound insulation layer Concrete layer with reinforcing bar Hollow core slab

YSIZE XSIZE

Floor Detials: Concrete heating floor Sound insulation layer Concrete layer with reinforcing bar Hollow core slab

YSIZE XSIZE

Details 47

HOTEL RENOVATION A garden can be a container for nature and art. A garden can be a node that connects history and the present. A garden can be the starting point for an old hotel to be given a new lease of life. A garden can be a place to sit and watch what happens.

Location: Turin, Italy Competition and Team Work with Sixing Huang Section and Plan Drawing: Made by Sixing Huang Perspectives and Facade Drawing: Made by Xiaoyue Shi Finish Time: 4/20/2020

AN EXPLORATION IN THE ARCHIPELAGO OF ART functions, activities and galleries are islands organized together by a garden of inner sea. every one of them is independent but loosely connected, allowing people to explore via multiple possible routes. it's not a hotel, nor a gallery, but an archipelago to explore, to seek of shelter from daily errands, to spend a vacation in.

(12)

(13)

(8)

(7)

(3)

(14)

(3)

(11)

(9)

(6) (1)

(2)

(10)

1. HOTEL ENTRANCE 2. "ISLAND": BAR 3. "ISLAND": RESTAURANT 4. KITCHEN 5. "ISLAND": THEATRE 6. GALLERY TICKETS 7. GARDROBE 8. "ISLAND": GALLERY 9. "INNER SEA" GARDEN 10. "ISLAND": THE HORIZONTAL 11. "ISLAND": THE VERTICAL 12. "ISLAND": THE TREE 13. "ISLAND": THE TURN 14. "ISLAND": THE UMBRELLA

(5)

GROUND FLOOR PLAN, 1:100 (detailed to) 49

(4)

PRODUCED BY AN AUTODESK STUDENT VERSION

observation:

the islands

the concept, an archipelago of art, came from an observation that there is a great emptiness between the two existing building. It's natural to dedicate one of them to the hotel and the other the g a l l e r y. b u t t h e distance between these two are too far to establish a sound relationship between them. they are like two big islands standing in a sea of emptiness. c o n c e p t :

SITE PLAN, 1:300

the outer sea garden

PRODUCED BY AN AUTODESK STUDENT VERSION

the inner sea garden

i f w e a d d m o re "islands" in this sea of emptiness, making it into an inner sea not unlike the Aegean sea, a sea of civilization and communication, and make the complex an archipelago, we may build a more comfortable relationship not just among the two buildings, but also various different functions and activities.

WEST FACADE, 1:100 (scale to 1:200)

CROSS SECTION, 1:100 (scale to 1:200) 51

MATERIALIZATION FACADE the facade of the building is quite representative of the time it is built, making it reasonable to keep most of its design. but the material used is already damaged and out-dated. renewed as a hotel, it needs to be more elegant and simple. some materials are replaced according to this, while all the ornaments are left intact. the simple material serve as background to bring out the essence of the details.

sand faced plaster ﬁnish

white terrazzo panel

faced concrete panel

original roof tiles

original ornamental details

sand faced plaster ﬁnish white terrazzo panel faced concrete panel

SOUTH FACADE HOTEL, 1:100 52

original ornamental details

original roof tiles

introduction sequence (following the natural walkway of trees)

a view to the inner sea from the "horizontal island", a contemplating atmosphere

plan b2 (left), plan b1(right), 1:500

a view to the inner sea from behind the big tree, where salons are held

plan f1 of gallery(left), 1:200. plan f1 of hotel, 1:300

from gallery to hotel, view over the old well and new pond

a view of the guest room

from hotel to gallery, through the "vertical island"

an art display in the "vertical island"

A ROMANIZATION OF MODERNISM We take two very different attitudes concerning the ancient cistern and the newly-built museum facility. The cistern is nonetheless ancient and ruined, which gives it a sense of timelessness. The first thing that stroke us was the fungi and plants sprung on the structure, shading this place with green. The way this interact with the light and the old cistern is so inticing that we decide to reserve such atmosphere and take it to an extereme by filling the underground part with water and nature. Visitors take a walk through nature while admiring the bronze statues of Igor Mitoraj. The newly built facility lays above the cistern, taking form after a Roman forum. The space is mainly constructed through building traditional Roman spaces with modern elements. With careful selection of materials, the space feels elegant, ancient and modern at the same time, and thus blends into the experience. Location: Naples, Italy Competition and Team Work with Sixing Huang and Yuanjie Jing Section Drawing: Yuanjie Jing Perspectives and Plan Drawing: Xiaoyue Shi Site Plan and Diagram Drawing: Sixing Huang Finish Time: 5/20/2020

PRODUCED BY AN AUTODESK STUDENT VERSION

Site Plan

PRODUCED BY AN AUTODESK STUDENT VERSION

Section

Perspective of cistern sculpture display

Newly Build Museum Facality Plan 1:500

Perspective of bookshop

Cistern Layer Plan 1:500 Perspective of entrance

Eduction Master of Architecture, Delft, Netherlands

Delft University of Technology [9/2019- 6/2021]

Bachelor of Architecture, Central South University [9/2014-7/2019] Changsha, Hunan Province, China Major GPA: 3.4/4

Shi Xiaoyue xiaoyueshi955@gmail.com

+06 26718417

Experiece Internship at Hebei Xuanhua Gangsheng Construction and Installation Limited Liability Company Assistant Architect [5/2018-11/2018] Assistant designer of layout,<residential design project of Happy Home>

2016 UA Creation Award & International Concept Competition Award of Excellence Team Work [12/2016-1/2017] Leading designer in concept and basic design,<Soil-Cave Evolutionism>

2017 Autodesk Revit National College Student Sustainable Architecture Design Competition

“GRATITUDE.”

Team Work [6/2017-8/2017] One of designers in concept and basic design,<Tea Culture Centre>

2018 Hunan Province ‘Yu Hua’ Cup Hotel Design Competition Second Prize Team Work [10/2017-12/2017] Leading designer in concept and basic design,<Country Union>

Internship at Just Open Architecture Rotterdam Assistant Architect

[7/2020-10/2020]

Achievement School-Level Scholarship (top10％）[9/2015] School-Level Scholarship (top10％）[9/2016] School-Level Scholarship (top 5％） [9/2017] School-Level Scholarship (top 5％） [9/2018] Outstanding Student Leader [9/2017]

Language Mandarin, English

Software Skills PS, AI, ID, Sketchup, Rhino, Revit, Autocad, V-ray