Xiaoyue Shi Portfolio by xy s

PORTFOLIO SHI XIAOYUE

Email: xiaoyueshi955@outlook.com

CONTENTS

The meaning of architecture lies in the building itself.

Salt Field Cemetery

Porcelain Museum

Sculpture Museum

Aerial Street Habitation

Go Borderless

Practice Projects

Methods Profile

2 4 1 4

[CHAPEL & CONDOLENCE HALL PLAN]

Salt Field Cemetery

[ S E C T I O N ] 26

THE LITTLE CHAPEL

1. cemetery 2. park 3. courtyard 4. "mausoleum" 5. to the "little boats" 6. main entrance 7. chapel and condolence hall 8. the little chapel 9. the condolence hall 10. entering terraces 11. entrance plaza

Type: Competition

Project-partner: Sixing Huang, Jiayun Xu

Year: 2022/03/12

Location: Anfeh, Lebanon

BETWEEN THE BOATS

CONDOLENCE HALL

LAVATORY KITCHEN 4

5.0

7.5

[ C E M E T R Y

12.5

T Y P I C A L

17.5

22.5

P L A N ]

27.5

32.5

[ S E C T I O N ]

22.5

10.

17.5

COURTYARD 12.5

7.5

Software: Rhino, Lumion, PS, AI, ID, Autocad

I T E

105

P L A N ] 217

210

2 4 1

203

Salt Field Cemetery Cemetery, landscape, Chapel and condolence hall design

196

PEDESTRIAN ENTRANCE 189

BELL TOWER 182

For a city like Anfeh, history is better reviewed not as a continuous linear structure, but an overlapcity her

ping stack of many layers. A city of Phoenician origin, a city under the rule of Roman Empire, a 1. cemetery 2. park greatly dependent on salt production industry. All these layers together embodies her, shapes CHAPEL 3. courtyard 1F into a rich and unique entity. The texture of the cemetery should not be taken lightly. 4. "mausoleum" 8.5M 5. to the "little boats" LOT 6. main entrance 7. chapel and condolence hall FRONT PLAZA 8. the little chapel 9. the condolence hall 10. entering terraces 11. entrance plaza 6. 2.500

175

168

CONDOLENCE HALL 1F 7.8M

161

0.000 154

ENTRANCE TO CEMETRY

147

2.500 140

2.000

Perspective of the Cemetery Entrance

MEDITATION PLAZA

8. 133

1.500 126

0.500

1.000 119

CEMETRY

112

1.500

1. Perspective of the Cemetery

Overlapping Structures of Unfamiliarity and Historical Nostalgia 16

FRONT PLAZA

BETWEEN THE BOATS

Cemetery Plan and Landscape Design

For a city like Anfeh, history is better reviewed not as a continuous linear structure, but an overlapping stack of many layers. A city of Phoenician origin, a city under the rule of Roman Empire, a city greatly dependent on salt production industry. All these layers together embodies her, shapes her into a rich and unique entity. 10

The texture of the cemetery should not be taken lightly. Cemetery is a part of the living city, and also a city of death by itself. Thus we overlapped two texture over our site: a map of a typical old mediterranean city and a map of the adjacent salt field. By blending these two, we get a large field well structured, a natural extension of the city. 6

217

[ S I T E

CONDOLENCE HALL

105

P L A N ] 217

210

203

LAVATORY

KITCHEN

We also want the structure of the chapel and condolence hall to derive from the same logic. 2 Anfeh 4 1 is a city of Phoenicia, a culture taking boat as a significantStructures symbol. Orthodox churches also have Overlapping their structural uniqueness. We overlap the wood framework of a boat and the arched interior of Unfamiliarity and Historical Nostalgiaof the orthodox chapel and created something forAnfeh, these two small butnotdelicate buildings. Fornew a city like history is better reviewed as a continuous linear structure, [but an [ C E M E T R Y T Y P I C A L P L A N ] S E C T I

105

217

2.5

5.0

7.5

12.5

17.5

22.5

27.5

overlapping stack of many layers. A city of Phoenician origin, a city under the rule of Roman Empire, a city greatly dependent on salt production industry. All these layers together embodies her, shapes her into a rich and unique entity.

196

32.5

O N ]

The overlapping of structures and symbols gives the design more depth and meanwhile makes it texture of the cemeteryand shouldhistorical not be taken lightly. Cemetery is a part of the living city, and easier to understand. Such is the power ofTheunfamiliarity nostalgia.

210

CHAMBER 20

196

17.5

189

BELL TOWER 182

CHAPEL 1F 8.5M

175 20

17.5

175

10.

PARKING LOT

FRONT PLAZA

168

2.500

The overlapping of structures and symbols gives the design more depth and meanwhile makes it easier to understand. Such is the power of unfamiliarity and historical nostalgia.

182

189

22.5

also a city of death by itself. Thus we overlapped two texture over our site: a map of a typical old mediterranean city and a map of the adjacent salt field. By blending these two, we get a large field well structured, a natural extension of the city.

We also want the structure of the chapel and condolence hall to derive from the same logic. Anfeh is a city of Phoenicia, a culture taking boat as a significant symbol. Orthodox churches also have their structural uniqueness. We overlap the wood framework of a boat and the arched interior of the orthodox chapel and created something new for these two small but delicate buildings.

189

PEDESTRIAN ENTRANCE

182

22.5

203

196

CAR ENTRANCE 24

CONDOLENCE HALL 1F 7.8M

161

COURTYARD 12.5

12.5

7.5

0.000 154

175

168

154

ENTRANCE TO CEMETRY

147

CE HALL

147

ENTRANCE TO CEMETRY

161

2.500 140 5.0

140

5.0

154

0.000

133 2.5

147

MEDITATION PLAZA

2.5

2.500

2.000

2.5

5.0

7.5

12.5

17.5

22.5

27.5

32.5

126

140

126

1.000

0.500 2.000

133

1.500

11.

Salt Field Texture

133

1.500

Cemetery Unit Plan

119

0.000 126

112

CEMETRY

1.500

119

105

112

1.500

0.000

1. The texture of the cemetery should not be taken lightly. Cemetery is a part of the living city, and also a city of death by itself. Thus we overlapped two texture over our site: a map of a typical old mediterranean city and a map of the adjacent salt field. By blending these two, we get a large field well structured, a natural extension of the city.

2.000

105

1.500

2.000

2.500

0.500

2.500

0.000

1.500

70 70

2.000

0.000

4. 63

0.000

2.500

2.000 42

1.500

0.000

2.000

0.500

2.500

1.000 CEMETRY PLAZA 0.000

105

PEDESTRIAN ENTRANCE

2.500

1.000

105

2 4 1 26

[CHAPEL & CONDOLENCE HALL PLAN]

11.

Chapel and Condolence Hall Design

]

[ S E C T I O N ]

2.5

5.0

7.5

12.5

17.5

22.5

27.5

32.5

P L A N ]

[ S E C T I O N ]

32.5

]

2.5

32.5 30 27.5

T Y P I C A L

25 22.5 20 17.5 12.5 10 7.5

[ C E M E T R Y

5.0

7.5

2.5

We alsoKITCHEN want the structure of the chapel and condolence hall to derive from the same logic. Anfeh is a city of Phoenicia, a culture taking boat as a significant symbol. Orthodox churches also have their structural uniqueness. We overlap the wood framework of a boat and the arched interior of the orthodox chapel and created something new for these two small but delicate buildings.

22.5

CHAMBER 20

0m 2.5

5.0

7.5

12.5

17.5

22.5

CHAMBER

5.0 2.5 0m

COURTYARD

LAVATORY

6. 15

12.5

17.5

4 2 0m 2

22.5

32.5 30

26 24

27.5 25 22.5 20

22 20 18 16 14

P L A N ]

12.5

10 6

KITCHEN 4

CONDOLENCE HALL

FRONT PLAZA

7.5

CONDOLENCE HALL

BETWEEN THE BOATS

LAVATORY

BETWEEN THE BOATS

FRONT PLAZA

THE LITTLE CHAPEL

T Y P I C A L

24 14

[CHAPEL & CONDOLENCE HALL PLAN]

1. cemetery 2. park 3. courtyard 4. "mausoleum" 5. to the "little boats"THE LITTLE CHAPEL 6. main entrance 7. chapel and condolence hall 8. the little chapel 9. the condolence hall 10. entering terraces 11. entrance plaza

[ C E M E T R Y

[ S E C T I O N ]

2 4 1 4

[CHAPEL & CONDOLENCE HALL PLAN]

Porcelain Museum

[ S E C T I O N ] 26

THE LITTLE CHAPEL

Type: Studio Work

Project-partner: Individual Work

Year: 2017/05/06

Location: Changsha, Hunan Province, China

BETWEEN THE BOATS

CONDOLENCE HALL

LAVATORY KITCHEN 4

5.0

7.5

[ C E M E T R Y

12.5

T Y P I C A L

17.5

22.5

P L A N ]

27.5

32.5

[ S E C T I O N ]

22.5

10.

17.5

COURTYARD 12.5

7.5

Software: SU, V-ray, PS, AI, ID, Autocad

Porcelain Museum Architecture Montage

Architecture can be used as means of reflecting the reality. The Tongguanyao area once had a glorious history of porcelain manufacturing, but it was forgotten because of years of war. With the excavation of historical relic a few years ago, more and more people are participating in the discussion of the context of the region. The past and present are to context what front and back are to a coin. As a container for displaying local culture, the museum is obliged to present the past and present to the visitors. The local natural landscape is very unique and charming, because of that I design the museum by extracting five scenes (farm, river beach, grassland, village, mountain range), which are displayed for visitors between the exhibition of antiques and relics.

Site Plan

8 1:200 Model

⑥ -0.350

⑤

④ -0.350

Perspective of the entrance hall

Perspective of the plank road

Perspective of the hallway ③ -1.150

-0.350

② ±0.000

Facade North

1.800

①

Ground-floor plan ① Office Room ② Entrance Hall ③ Plank Road ④ Relic ⑤ hallway ⑥ Interior Pool

1.800

③

⑧

Perspective of the stairwell

Perspective of the antiques display

⑧

Perspective of the landscape gallery 6.600

6.600

6.900

⑧

6.600

6.900

⑧

⑩ Long Section

First-floor plan ⑦ Observation Tower ⑧ Antiques Display ⑨ Landscape Gallery ⑩ Lounge

6.600

1 2

3 4 5 6 7

The building is located in the south-central part of China, so insulation and drainage are significant. Different materials use different tectonic methods. Antiques display spaces are illuminated by skylights, which not only saves energy but also creates special space effects. The landscape gallery use composites panels as roof material, in which thermal insulation and inner sheet are combined into a single panel.

1.Curved eaves sheet 2.Folded metal gutter 3.Waterproof membrane 4.Concrete coping 20mm-80mm 5.Metal coping 20mm 6.Composites panel 7.Decoration panel 8.Metal beam

1 2 3 4 5 6 7 1.Skylight 2.Metal drip 3.Concrete finishing layer 4.Vapour membrane 5.Insulating layer 6.Insulating layer 7.Concrete structure 11

2 4 1 4

[CHAPEL & CONDOLENCE HALL PLAN]

Sculpture Museum

[ S E C T I O N ] 26

THE LITTLE CHAPEL

Type: Studio Work

Project-partner: Individual Work

Year: 2020/01/15

Location: Haarlem, Netherlands

BETWEEN THE BOATS

CONDOLENCE HALL

LAVATORY KITCHEN 4

5.0

7.5

[ C E M E T R Y

12.5

T Y P I C A L

17.5

22.5

P L A N ]

27.5

32.5

[ S E C T I O N ]

22.5

10.

17.5

COURTYARD 12.5

7.5

Software: SU, PS, AI, ID, Autocad

Sculpture Museum Form, Material and Structure

To use a long span exhibition space as a PURE ABSTRACT ART WORLD, the consideration of structure, details and materials should be combined. So twelve in-suit concrete walls are not only the main structure of the museum, but also the energy and machine containers. Ventilation system and water heating, cooling system are integrated into them. Roof structure material is CLT, in order to achieve a long span. Main beams and second beams are joined together by Ricon S connectors, so there are no screws can be seen from outside. Skylight on the roof material is Kalwall Weatherable Coating (KWS), which has self-cleaning properties and provides additional resistance to UV and heat exposure for lasting performance.

1:500 Model

13 1:50 Model of the Exhibition Hall

Ground-floor Plan

Long Section

1:200 Model Showing Space Sequence

The exhibition hall is the core of whole museum. By experiencing the sequence of different spaces, from dark to bright, tourists finally get a pure white and abstract space, with losing the sense of materials, with sunlight diffuse subtlety.

First-floor Plan

Front Facade

1:50 Interior Model

In order to materialization the pure white abstract space, the translucent glass is flat as same level as the wall, people behind it cast their shadow on it. The translucent ceiling spread sunlight gently into interior. Other spaces penetrate this core space, so people in the exhibition hall, although can’t see other spaces, can perceive them

1:10 Ceil ling Model

10mm Wood floor slab 70mm Fabricated concrete slab with underfloor heating, waterproofed and waxed Separating layer: building paper 50mm Impact-sound insulation 350mm Concrete basement

Hot air

Glass Curtain Facade Detail

15mm Polymer concrete ventilated facade panel by ULMA Vertical T-rail ( sub-frame) 100mm Thermal Insulation Waterproof membrane 400 Concrete wall

Fresh air

Super-flat Translucent Glass Detail 16

Fresh air

2 4 1 4

[CHAPEL & CONDOLENCE HALL PLAN]

Aerial Street Habitation

[ S E C T I O N ] 26

THE LITTLE CHAPEL

Type: Studio Work

Project-partner: Individual Work

Year: 2018/10/23

Location: Changsha, Hunan Province, China

BETWEEN THE BOATS

CONDOLENCE HALL

LAVATORY KITCHEN 4

5.0

7.5

[ C E M E T R Y

12.5

T Y P I C A L

17.5

22.5

P L A N ]

27.5

32.5

[ S E C T I O N ]

22.5

10.

17.5

COURTYARD 12.5

7.5

Software: SU, V-ray, PS, AI, ID, Autocad

Aerial Street Habitation High Density Residential, Aerial Street, From Public to Private

In today’s China, with urban development and population explosion, RESIDENTIAL BUILDINGS have become a popular topic and trigger a constant discussion in public. However, under the grand issue of the development of the times, we still need to preserve the QUALITY of high-quality building space, because the home is the most vital place for urban residents. For traditional Chinese cities, the street is an indispensable space in people’s lives, because a variety of activities take place on the streets, and the streets are the extension of the home. However, in recent years, traditional street spaces have been destroyed and people’s lifestyles have changed dramatically. This project aims to find a propose about how to combine TRADITIONAL STREET SPACES with modern residential buildings.

Concept Collage

18 Axonometric of the Project

Simplify

Typology

Simplify

Typology

Simplify

Transform

Typology

Transform

Analysis of Street Form

Massing and Form Process Original site

Street Linking City and Nature

Dimensional Public Street Long Section

Range of the programme

Using a main public street links the city Making the public street dimensional and the nature

Collective Street

Private Street

Housing Unit

Putting collective street space into the building

Putting private street space into the building

Putting housing unit into the building

Perspective of the Kindergarten

Perspective of the Art Centre

Programme of the Aerial Street

Perspective of the Library

public street collective street private space

Public deck and kitchen are aimed to young people and young couples,as well as a collective space for people to encounter their neighbours.

Plan Of Public Kitchen And Deck In Single Apartment

Plan Of Public Sandpit In Family Apartment

Corridors for young people and couples are more narrow than others because they need more privacy than others.

Corridor Perspective Of Single Apartment

Children could play outside in the sandpits, which are located in the corridors of family apartment.

Corridor Perspective Of Family Apartment

Lobbies between elevator and public street are transition space, people could have a relax in this area.

Plan Of Collective Lobby Between Public Street And Elevator Corridor Perspective Of Aged Apartment

Plan of the Seventh Floor 21

Corridors for families are wider so children could play at this place. The material of guardrail is glass block which makes the corridors a light and safe place.

Corridors in aged apartment offer space for people to rest and communicate. They are closed so they can be warm and comfortable in the whole year.

Go Borderless Type: Competition

Project-partner: Kai Wang, Jiayun Xu; Jingyuan Zhen

Year: 2020/07/01

Location: Gorizia & Slovenia

Software: Rhino, Enscape, PS, AI, ID, Autocad

Go Borderless Urban Generation

Connecting the two cities of Gorizia and Nova Gorica by designing a common central area: the Europe Square - Piazzale Della Transalpina and the transcultural hub EPICenter. This crossborder Competition intends to address the problem of uniting a city once divided by a border which no longer exists as a physical barrier in today’s EU. After world war 2 the region of Gorizia was divided between Italy and former Yugoslavia, today the republic of Slovenia. After long term of transition, start from 8th century of region, the two condition of site has different level of assembly and separation, in terms of geopolitics, religion, ethnics, culture, economy and urban context reflected in form of architecture.

Perspective of the Central Station Renovation

23 Axonometric of the Urban Design

Urban Proposals

Central Station Renovation

Renovation Process

Site Plan The linear space will has the implication of continues and connection with space at western part of the railway.The original program of Nova Gorica station has been intertwined with new exhibition theme, including TED lecture presentation, linguistic studio workshop，social media exhibition hall and etc.The main role of the new EPIcenter becomes as event space and creative transcultural hub, for the citizen from both side, and the tourists from the world to interact with knowledge and social participation. It aims to achieve both national and international recognition as an aspiration for European cooperation and integration.

Perspective from the Plaza 25

Long Section of the Train Station after the Renovation

Practice Internship

Company: Li Weidong Architecture Studio

Year: 05/2018-11/2018

Location: Changsha, China

Internship

Company: Just Open Architecture

Year:07/2020-10/2020

Location: Rotterdam, Netherlands

Junior Architect

Company: van Bergen Kolpa Architects

Year:11/2021-Now

Location: Rotterdam, Netherlands

Practice 01 Li Weidong Architecture Studio, China Role: Architectural Assistant, Site Architect Assistant

Software: Sketchup, Enscape, PS, AI, Autocad

Project: Rammed Earth House (Commission, SD, DD, CD)

Year: 05/2018-11/2018

Location: Changsha, China

① Dig Foundation Pit

② Build Foundation

④ Install Mould

③ Add Waterproof layer

⑤ Ram The Earth

⑥ Install wooden beams

Practice 02 Just Open Architecture, Rotterdam Role: Architectural Assistant

Software: Rhino, Enscape, PS, AI, ID,Autocad

Project: 1/2 Bridge (Competition, SD)

Location: Yongxing Village, China

Go Borderless (Competition, SD)

Year: 07/2020-10/2020

Location: Gorizia & Slovenia

Practice 03 van Bergen Kolpa Architects, Rotterdam Role: Junior Architect

Software: Vectorworks, PS, AI, ID

Project: Wyberties Fabriek Hilversum (Commission, DD, CD)

Location: Hilversum, Netherlands

Year: 07/2020-10/2020

Location: Rotterdam, Netherlands

Kruisdijk Park Poortugaal (Commission, SD,DD)

BU_09

0.28

9 10

0.37

Gang

6 W2

tekeningnummer

5110-VO-01

bestandsnaam

5110-VO-20220120

3900

1600Detail V1 3900

5500

BU_07A

0.27

1600

Kantoor 25.59 m² Ortho

3900

A3 0.26

ventilatie

architect W1

1:10

papier formaat

Spreekkamer klein

schaal

5500 0.25

Concept

status

Spreekkamer groot

19.34 m²

Voorlopig ontwerp 5500 20-01-2022

0.24

datum/wijziging

fase

0.23

5500

Eliza Vastgoed BV

Herenstraat 31 1211 BZ Hilversum T 035 2600024 info@elizavastgoed.nl

Entree

5500

6.17 Rebound m²

6600

Wijnstraat 96-B 3011 TR Rotterdam T 010-4782266 post@vanbergenkolpa.nl

Directie

van Bergen Kolpa Architecten

54500

De Wybert Hilversum

project

17.85 m²

opdrachtgever

450x1200

4500

WM DR WTW

H0.2 49 m2 GO

450x1200

koekoek tbv ventilatie

450x1200

WM DR WTW

450x1200

architect

14.81 m²

BI_06

63.70 m²

Kantoor 17.36 m² Zorgcoord.

0.48

Toilet

1.34 m²

0.45

Voorr.

4.66 toilet m²

W2 0.47

Toilet

1.34 m²

0.39

Werkkast

4.20 m²

0.36

0.38

Corridor

9.20 m²

MIVA toilet

3.75 m²

0.20

Rebound lokaal 2

47.67 m²

BU_09

WM DR WTW

lift

450x1200

WM DR WTW

H0.5 58 m2 GO

H0.1 79 m2 GO

5500

koekoek tbv ventilatie

postkasten

H0.4 47 m2 GO

Entreehal

7000

H0.3 77 m2 GO

gemeenschappelijke buitenruimte hofblok

koekoek tbv ventilatie

4500

W0.4 50 m2 GO

K0.4 55 m2 GO

kk WM DR

K0.3 55 m2 GO

WM DR 450x1200

450x1200

lift

Entreehal

Entreehal invoerkasten

postkasten

invoerkasten

meterkasten

K0.2 53 m2 GO

4500

koekoek tbv ventilatie

kast

WM DR WTW

K0.1 53 m2 GO

450x1200

W0.2 50 m2 GO

450x1200

fietspad

rijweg

fietspad

voetpad

W0.1 50 m2 GO

voetpad

7000

W0.3 50 m2 GO

Methods Profile Inspiration from Sketch, Model, Painting

Left: Preliminary sketch. Charcoal drawing. Landscape and architecture, perception of nature and space sequence. Right: 1:200 work model. Test of volumes and space. I like to wander around the site at the beginning of the design process to try and have a dialogue with it. When I go back I would express my imagination of the project in sketches or models. Then I discuss their feasibility and realism with others over and over again. I am not against thinking emotionally before thinking rationally, because intuitive feelings must have a reason for being formed. Project can be seen in the portfolio as The Porcelain Museum.

Left: Sudden Shower at Shono, from the series Fifty-three Stations of the Tokaido 1834–35. By Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)) Right: Perspective of tea house. Inspired by the Ukiyo-e, I rethought the relationship between the natural elements and the architecture: the Ukiyo-e is presented from the viewpoint of the observer, so what kind of space should the observer, the person watching the rain, be in? If film presents a complex and unclear reality, painting presents an exact representation. This representation is also a powerful evocation of architectural form.