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Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings. Max Martin produced seven of these 13 songs, and his beats provide the Saturdaynightwhatever soundtrack as Swift sings about the single life in the big old city she always dreamed about. In Welcome to New York, she finds herself in a place where you can want who you want/Boys and boys, and girls and girls. She hits cruise mode on the floor in Blank Space ( I can make the bad guys good for the weekend ) and the hilariously titled Style, where she swoons, You got that James Dean daydream look in your eye. The best moments come toward the end, when Swift shakes up the concept. How You Get the Girl mixes up the best of her old and new tricks, as she strums an acoustic guitar aggressive-
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ly over Martin’s expert disco surge. This Love brings back her most simpatico producer, Nathan Chapman, for the kind of tune that they were just starting to call a power ballad in 1989. (The precise equivalent would be Bon Jovi’s I’ll Be There for You. ) On the killer finale, Clean, English singer Imogen Heap adds ethereal backup sighs to Swift’s electro melancholy ( You’re still all over me like a winestained dress I can’t wear anymore ). If there’s nothing as grandiose as All Too Well or Dear John or Enchanted, that’s because there wasn’t come toward the end, when Swift shakes up the concept. meant to be. 1989 sets the record for fewest adjectives.
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Only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
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metafola buble Max Martin produced seven of these 13 songs, and his beats provide the Saturdaynightwhatever soundtrack as Swift sings about the single life in the big old city she always dreamed about. In Welcome to New York, she finds herself in a place where you can want who you want/ Boys and boys, and girls and girls..
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Only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s
Dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the.
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Only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s
Dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the.
Jetset Diaries In Welcome to New York, she finds herself in a place where you can want who you want/Boys and boys, and girls and girls. She hits cruise mode on the floor in Blank Space ( I can make the bad guys good for the weekend ) and the hilariously titled Style, where she swoons, You got that James Dean daydream look in your eye.
DE COLLECTION IMPRESTION TITLE here LAGUNA REDO Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying
to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings. Max Martin produced seven of these 13 songs, and his beats provide the Saturdaynightwhatever soundtrack as Swift sings about the single life in the big old city she always dreamed about.
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Yellow sport punk Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings. Max Martin produced seven of these 13 songs, and his beats provide the Saturdaynightwhatever soundtrack as Swift sings about the single life in the big old city she always dreamed about.
In Welcome to New York, she finds herself in a place where you can want who you want/Boys and boys, and girls and girls. She hits cruise mode on the floor in Blank Space ( I can make the bad guys good for the weekend ) and the hilariously titled Style, where she swoons, You got that James Dean daydream look in your eye. The best moments come toward the end, when Swift shakes up the concept. How You Get the Girl mixes up the best of her old and new tricks, as she strums an acoustic guitar aggressive
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1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
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Spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
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Fashions for Tularosa Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings. Max Martin produced seven of these 13 songs, and his beats provide the Saturdaynightwhatever soundtrack as Swift sings about the single life in the big old city she always dreamed about.
Beach Fashions for Tularosa Decides to do something, the girl really knows how to overdo it. So on her fifth album, when she indulges her crush on Eighties synthpop, she goes full blast, spending most of the album trying to turn herself into the Pet Shop Boys. 1989 is a drastic departure – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
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Feparture – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
Feparture – only a couple of tracks feature her trademark tearstained guitar. But she’s still Taylor Swift, which means she’s dreaming bigger and oversharing louder than anyone else in the game. And she still has way too many feelings for the kind of dudes who probably can’t even spell feelings.
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