Zine: WALL OR NOT? (Fall 2020 Studio)

Page 1

Wall Wall / / ?

A wall defines the ‘inside’ and ‘outside’. It acts as a seperator, giving the inside its privacy and isolation, and a varrier to limit physical movements.

A boundary is needed to define the cultural centre from the land. Yet it ought to be open and welcoming both to visitors and villagers.

In other words, I challenge mtyself to make the wall a “permeable membrane” in this project.

WHAT
academic 2020 Summer
IF | a museum has no walls ?
Cultural Center Pok Fu Lam Village, Hong Kong 1,000 sqm. 2021 Spring, Individual Supervised by Prof. Francesco Rossini 3943 6593 , rossini@cuhk.edu.hk

site as membrane membr

/ The site is sandwiched between the old village and the city center - it has to take the role of becoming a transition medium.

/ A permeable membrane is my challenge towards all walls in the project. From boundaries, to the inner partitionsbe on different level of permeability.

challenge

From the outter

they all must

Verticdal definition

Mass of heights

Thread screen

Horizontal definition

Criss-Cross Wire

Layers of Ramps

eability dynamic perm

permeability

eability

LIPOGRAM

LIPOGRAM

Circulation on the outter, surrounding building mass, acting as ‘Wall’.

Circulation on the outter, surrounding building mass, acting as ‘Wall’.

SITE

SUSTAINABILITY

Uplifting the mass by stilts, facilitating cross-ventilation.

SITE

Maximizing GFA by parametric methods.

SITE

Maximizing GFA by parametric methods.

SUSTAINABILITY

SUSTAINABILITY

Uplifting the mass by stilts facilitating

Uplifting the mass by stilts, facilitating cross-ventilation.

VILLAGE INVOLVEMENT

Creating semi-public space as transition of places, and gathering area.

VILLAGE INVOLVEMENT

VILLAGE INVOLVEMENT

Creating semi-public space as transition of places, and gathering area.

LIPOGRAM

LIPOGRAM

Creative use of columns to shape

Creative use of columns to shape different spatial experiences.

LIPOGRAM

Creating semi-public space as transition of places, and gathering area.

VILLAGE INVOLVEMENT

LIPOGRAM

Creating semi-public space as transition of places, and gathering area.

Creative use of columns to shape different spatial experiences.

LIPOGRAM

Creative use of columns to shape different spatial experiences.

LIPOGRAM

Further diminish the solidity of the outter boundar y by omitting walls.

LANGUAGE

Stringing together the slabs by a enclosed core, further strengthen the concept of gradual transition.

LANGUAGE

LIPOGRAM

Further diminish the solidity of the outter boundar y by omitting walls.

Further diminish the solidity of the outter boundar y by omitting walls.

SUSTAINABILITY

Stringing together the slabs by a enclosed core, further strengthen the concept of gradual transition.

LANGUAGE

Stringing together the slabs by a enclosed core, further strengthen the concept of gradual transition.

SUSTAINABILITY

Stringing together the slabs by a enclosed core, further strengthen the concept of gradual transition.

LANGUAGE

Stringing together the slabs by a enclosed core, further strengthen the concept of gradual transition.

SUSTAINABILITY

Introducing all-levels skylight to maximize natural daylight.

Introducing all-levels skylight to maximize natural daylight.

/ Horizontal transition as the concept stood out when the massing is linear and flat. Also, we do not want to block the visual connection between the new and old city. Landscapes and ramps are soft elements to welcome interactions with the land.

blending in. . .

/ 1:100 ground and first floor plan
/
/ -
plan massaging - columns
landscape
structural columns, grid setting out walls programs & zones columns

meander to get lost

/ Beam framing have been referenced from Toyo Ito; Column structure inspired by Kanagawa Institute of Technology Workshop by Junya Ishigami.

getting lost

This series of photos demonstrates how bunches of columns together act as a strong ‘figure’ to emphasize the ‘ground’ which is the village scenery itself.

rediscover.

/
/ 1:100
/ 1:200 elevation
partial model (chunk)
constructing.
Junya Ishigami 石上純也, KAIT Workshop // SANAA, Toledo Glass Pavilion // SANAA, Grace Farm // SANAA Louvre Lens Museum

constructing. . .

double curvature

/ Beam framing have been referenced from Toyo Ito; Column structure inspired by Kanagawa Institute of Technology Workshop by Junya Ishigami.

load-bearing columns

prefabricated

structural-stabling columns

pre-compressed tension columns

non load-bearing columns

1 2 3 4 5

load bearing columns

non-load bearing columns

Y10 Z1 Z2 Z3 Z4 Z5 Z6 Z7 Z8 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 2.90m X1 X2 X3 X4 X5 X6 X7 X8 X9 X10 Y1 Y2 Y3 Y4 Y5 Y6 Y7 Y8 Y9 Y10 Z1 Z2 Z3 Z4 Z5 Z6 Z7 Z8 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 8.00m 7.30m 6.00m 6.00m 1.50m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 2.90m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 8.10m 7.44m X1 X2 X3 X4 X5 X6 X7 X8 X9 X10 Y1 Y2 Y3 Y4 Y5 Y6 Y7 Y8 Y9 Y10 Z1 Z2 Z3 Z4 Z5 Z6 Z7 Z8 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 8.00m 7.30m 6.00m 6.00m 1.50m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 2.90m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 6.00m 8.10m 7.44m
1- compression column (D: 180mm) 2- pre-tensioned column tubes (D: 120mm, t=20mm) 3- H-beams (250 x 244 x 11 mm) 4- C-beam (250 x 80 mm) 5- aluminium plate nishing (t=3mm) 5000
models documentation / 1:200 final model (on site) / 1:50 partial model (chunk) / 1:500 progress model

Y! / the voyager

CHEUNG

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