American & European Paintings | Skinner Auction 2459 by Bonhams Skinner

SKINNER American & European Paintings Sale 2459

May 15, 2009

Boston

391

American & European Paintings

Specialists in Charge

Robin S. R. Starr Department Director Pro Tem

Laura Conover

Kathy Wong

Auction

Friday, May 15, 2009 at 4 p.m.

63 Park Plaza Boston, Massachusetts 02116

Preview

Wednesday, May 13, 2009 Thursday, May 14, 2009 Friday, May 15, 2009

12 to 5 p.m. 12 to 7 p.m. 12 to 2:30 p.m.

Sale 2459

Illustrated catalogue #2459 available for $32, $35 by mail, $42 overseas Lots can be viewed online at www.skinnerinc.com Valet parking available for $18

Absentee Bidding

Tel: 617.350.5400 Fax: 617.350.5429

Web Site

View sale, leave bids, and view prices realized online at www.skinnerinc.com

Cover lot: 378 (detail) Back cover lot: 362

Board of Directors

Chairman of the Board - Nancy R. Skinner Richard Albright Barnet Fain Stephen L. Fletcher Karen M. Keane

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Stuart P. Whitehurst

Expert Departments

SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

American & European Paintings & Prints - Robin S.R. Starr, Director Pro Tem; Assistants: Laura Conover, Kathy Wong American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton; Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan Zacharias American Indian & Ethnographic Art - Douglas Deihl Art Glass & Art Pottery - Jane D. Prentiss Arts & Crafts & The Modern Movement - Jane D. Prentiss Asian Works of Art - James F. Callahan Books & Manuscripts - Stuart P. Whitehurst Assistant: Sara C. Wishart Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Clocks - Robert C. Cheney Discovery Sales - Kerry Shrives; Assistants: Garrett J. Sheahan, Nicole Nicas Rovner, Harry B. McNabb European Furniture & Decorative Arts - Stuart G. Slavid; Assistants: Stuart P. Whitehurst, Sara C. Wishart Fine Wines - Marie Keep Jewelry - Gloria Lieberman; Assistants: Sheila Barron Smithie, F.G.A., G.G.; John Colasacco Judaica - Kerry Shrives Museum & Collections Services - Martha Hamilton Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science & Technology - Robert C. Cheney Silver - Stuart G. Slavid; Assistant: Sara C. Wishart Toys & Dolls - Robert C. Cheney Auctioneers - LaGina Austin, David Bonsey, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney, Stuart P. Whitehurst

Exhibitions and Property Distribution

Marlborough:

Warehouse Manager - Jonathan Dowling, ext. 3280 Property Manager - Samuel Combs, ext. 3262 508.970.3000

Boston:

Jillian Domenici, ext. 4329; Elisabeth Benson-Allott, ext. 4312 Property Distribution Manager - Jessica R. Lincoln, ext. 4308 617.350.5400

Finance Department

Marlborough:

Accounts Receivable - Denise Johnson, ext. 3269 Accounts Payable - Kathleen Hayes, ext. 3268 Credit Supervisor - Denise Ubaldino, ext. 3266

Subscriptions

Marlborough:

Karen Skinner, ext. 3240 508.970.3000

Service Departments

Absentee Bidding - Carol McCaffrey, Marie C. Keep, Laura V. Sweeney Appraisals - Patricia Walker King, Beth Zwicker, Cara Ammendolia, Katharine Holtman Advertising Production - Pamela Van de Houten Auction Services - Patricia Walker King Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Sarah McDermott Buildings and Grounds - Robert Tower Catalogue Production - Pamela Van de Houten, Kristina Harrison; Assistant: Cheryl Freeman Customer Relations - Carol McCaffrey Human Resources - Carol McCaffrey Information Technology and Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Nicole Nicas Rovner Inventory Control - Marlborough: Registrar - Deanna Williams Hubert P. Borg, Gary Dahl, Eric Jones, Megan J. Blomgren Managing Director - Marie C. Keep Marketing & Public Relations - Catherine Riedel, Anne M. Trodella Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, Stephanie Paulus Receptionists - Marlborough: Elizabeth H. Wilson, Judy McLeod; Boston: Erica Boccard Transportation - Eric Jones; Assistant: Mark McCaffrey

Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold â&#x20AC;&#x153;as is,â&#x20AC;? and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed by the purchaser within three (3) business days after the date of sale. Skinner, Inc. shall have no liability for any damage to property left on its premises for more than three (3) days after the date of sale. At the option of Skinner, Inc., the merchandise may be transferred to and stored at a bonded warehouse and the purchaser agrees to pay all transfer and storage expenses. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item not paid by the purchaser within thirty-five (35) days of the date of sale. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner, Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) cancelling the sale and applying any payments made by the purchaser to the damages caused by the purchaserâ&#x20AC;&#x2122;s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has failed to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 5% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

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Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist. Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist. American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

SKINNER presents a

FINE ART GALLERY WALK Presented by Robin Starr, Director Pro Tem of Skinner’s Paintings Department

Thursday, May 14, 2009 5:30 p.m. Reception/6:00 p.m. Gallery Walk 63 Park Plaza Boston, MA

R.S.V.P. 617.350.5400 Gallery Walk held in conjunction with a preview of Skinner’s May 15th auction of American & European Paintings

List of Artists Abrahams, Fay ......................408, 413, 417, 446, 448, 449, 451 Aitken, Harry G. ..................................................................185 Al-Khaid, Ismael ....................................................................387 Albert, Jeannine ....................................................................295 Alcántara, Rafael Cauduro ....................................................441 Aldridge, Frederick James ....................................................86A Alexander, Clifford Grear ......................................................183 Alken, Samuel Henry [called Henry Alken, Jr.] (Attributed to) 19 Allingham, Helen ....................................................................58 Alqadhi, Munir Mohammed Al Ali ........................................393 American School, 19th Century ................95, 99, 103, 107, 109 ............................................................113, 116, 121, 128, 132A American School, 19th/20th Century ....................................327 American School, 20th Century ..................144, 160A, 198, 218 ......................224, 236, 245, 280, 288, 299, 314, 336, 338, 374 de Angelis, Domenico ............................................................45 Anglo/American School, 19th/20th Century ..................56, 131 Anivitti, Filippo ....................................................................166 Anshutz, Thomas Pollock ......................................................256 Armand-Dumaresq, Edouard (Attributed to)..............................8 Armfield, Edward (Attributed to) ............................................22 Arp, Jean (Hans) ..................................................................447 Asti, Angelo ..........................................................................292 Azzawi, Dia ..................................................389-391, 395, 396 Baker, Ernest ..........................................................................75 Baker, George Herbert ..........................................................196 Bannister, Edward Mitchell ................................................129A Barney, Frank A. ....................................................................187 Barye, Antoine-Louis ..............................................................21 Bashian, John Dana ..............................................................221 Baskin, Leonard ....................................................................498 Beard, James Carter ..............................................................297 Bearden, Romare Howard ............................................379, 382 Beecham, Greg A. ................................................................153 Belloni, Serge ........................................................................351 Bellows, Albert Fitch ............................................................104 Benzoni, Giovanni Maria ....................................................129B Berger, Jason ..........................................................421-423, 425 Bernath, Sandor ............................................................172, 229 Betts, Theon ........................................................................265 Blossom, Christopher ..............................................................85 Boese, Henry ........................................................................101 Boghosian, Varujan ..............................................................453 Bonheur, Rosa ........................................................................25 Borensztejn, Riva [called Riva Boren] ....................................367 Bosley, Frederick Andrew ......................................................308 Bouve, Rosamond Lombard Smith ........................................240 Brackett, Sidney Lawrence ....................................................132 Brail, Achille Jean Theodore ....................................................38 Brecher, Samuel ....................................................................337 Brewster, Anna Mary Richards ..............................................86B Bricher, Alfred Thompson ............................................87, 109A Briganti, Nicholas ..................................................................164 Bristol, John Bunyan ..............................................................94 British School, 18th Century Style............................................20 British School, 19th Century............................................34, 263 Brodney, Edward ........................................................149B, 244 Browne, Byron ......................................................................380 Brownell, Franklin Peleg ..........................................................91 Brukner, Jan ......................................................................340A Bueno, Xavier ........................................................................440 Byron, Bourmond ................................................................418

Cahoon, Charles Drew ....................................................88, 93B Calcagno, Lawrence ..............................................................430 Callot, Jacques (After) ..............................................................13 Campbell, Duncan ..............................................................160B Carriera, Rosalba (Attributed to) ..............................................27 Carson, Frank ........................................................................239 Carter, Bernard Shirley ..........................................................436 Castelucho, Claudio ..............................................................309 Chaffee, Jr., Oliver Newberry ................................................248 Charlton, Gene ............................................................519, 521 Chen, Chi-Kwan ............................................471, 473-476, 479 Chinese School, 20th Century................................................472 Christy, Howard Chandler ....................................................139 Chuang, Che ..........................................................................480 Chubbuck, Stephanie ............................................................529 Cikovsky, Nicolai S. ..............................................................348 Cleenewerck, Henry ................................................................36 Closson, William Baxter Palmer ............................................323 Clymer, Albert ......................................................................426 Clymer, James Floyd ..............................................................250 Cobelle, Charles ............................................................271, 273 Coleman, William Stephen ..................................................130A Colyer, Vincent ....................................................................111 Comins, Eben Farrington ......................................................254 Congdon, Thomas Raphael ........................................41, 49, 53 Conti, Carol ..........................................................................235 Continental School, 17th Century Style ..................................11 Continental School, 18th Century Style ..................................29 Continental School, 18th/19th Century ..........................2, 9, 28 Continental School, 19th Century..........................18, 46, 51, 69 Continental School, 19th/20th Century ..................................42 Continental School, 20th Century..................................402, 486 Cook, Jr., Otis Pierce ............................................................206 Cook, Robert ........................................................................405 Corbridge, Edgar ..................................................................281 Cornwell, Dean ....................................................................301 Cotton, Marietta ..................................................................306 Covarrubias, Miguel ......................................................370, 439 Cox, Jan ................................................................................384 Craig, Thomas Bigelow ........................................................105 Creswick, Thomas ..................................................................63 Croft, Arthur ..........................................................................62 Cropsey, Jasper Francis ..........................................................142 Cumming, Arthur S. ..............................................................92 da Vinci, Leonardo (After) ........................................................5 Dalí, Salvador ........................................................................386 Dannenberg, Alice ................................................................264 Dasgupta, Bimal ....................................................................496 Dehn, Adolf Arthur ..............................................................279 Denny, Robyn ......................................................................515 DeWitt, Jerome Pennington (Attributed to) ........................116A Dickson, Malcolm ................................................................442 DiDonna, Porfirio ................................................................517 Dill, Ludwig ............................................................................73 Dodds, Peggy ........................................................................340 Domond, Wilmino ................................................................419 Dow, Arthur Wesley (Attributed to) ......................................243 Drabkin, Stella ......................................................................333 Du Bois, Guy Pène ................................................................317 Dubord, Jean Pierre ......................................................268, 270 Dufy, Raoul ..........................................................................362 Dunham, Horace C. ......................................................197, 199

Dunn, Alan Cantwell ............................................................324 Dutch School, 19th Century ....................................................40 Dutch School, 19th/20th Century ........................................293 Dworkin, Elizabeth ..............................................................511 Dyer, Hezekiah Anthony ......................................................200 Eastern European School, 20th Century ................................304 Eastman, Harrison Gilman ....................................................155 Van Elten, Hendrik-Dirk Kruseman ......................................110 Epstein, Sir Jacob ..........................................................375, 376 Esperón, Yampier Sardina ......................................................528 Farrer, Henry ..................................................................89, 102 Farsky, Oldrich Otto ..............................................................120 Ferry, Isabelle H. ..................................................................344 Fett, William F. ....................................................................179 Fink, Aaron ..........................................................................410 Fischer, Lothar ......................................................................354 Fisher, Harrison ....................................................................321 Flagg, James Montgomery ....................................................322 Foster, John B. ........................................................................86 Fournier, Alexis Jean ............................................................242 Franco/American School, 20th Century ................................341 Franz, Fritz ............................................................................54 Freeman, Don ......................................................................331 de la Fresnaye, Roger ............................................................350 Galvan, Jesus Guerrero ..........................................................437 Gardet, Georges ................................................................24, 26 Garston, Gerald ....................................................................450 German School, 20th Century................................................377 Gibson, Charles Dana ....................................................136, 141 Gilbert, C. Ivar ......................................................................222 Ginsburg, Max ......................................................................347 Glendening, Jr., Alfred Augustus ............................................59 Glindon, Paul ........................................................................156 Godard, Gabriel ....................................................................404 Gonzalez, Xavier ..................................................................434 Goodacre, Glenna ................................................................328 Goodwin, Arthur Clifton ......................................285, 289, 290 Gorter, Arnold Marc ..........................................................115A Graham, Donald Wilkinson ..................................................278 Grant, Gordon Hope ....................................................223, 298 Granville-Smith, Walter ........................................................307 Graves, Abbott Fuller ..............................................................64 Green, Charles Edwin Lewis ....................................................93 Greene, Wilhelmina F. ..........................................................303 Greenwood, Joseph H. ..........................................................117 Gregory, Dorothy Lake ........................................................330 Greuze, Jean Baptiste (Manner of) ........................................47A Groll, Albert Lorey ................................................................234 Groombridge, William (Attributed to)......................................70 Grosz, George Ehrenfried ......................................................339 Gruppe, Emile Albert ............................................................226 Haffner, Jean Jacques ....................................................174, 259 Hall, George Lowthian ............................................................79 Ham, Elmer L. ......................................................................228 Hannaford, Charles E. ..........................................................258 Harding, Chester ..................................................................125 Hardy, Dewitt Clarion ..........................................................352 Hart, Pop (George Overbury) ..............................................180 Hart, William ........................................................................106 Hartson, Walter C. ..............................................................116A

Havell, William ........................................................................66 Hayder, Kadhim ....................................................................398 Hedegaard, Peter ..................................................................483 Heliker, John Edward ............................................................181 Henry, H.R.H.A., Grace ......................................................335 Herskovitz, David ..................................................................363 Hervé, Jules Rene ........................................................269, 275 Herzog, Hermann Ottomar ....................................................61 Hibbard, Aldro Thompson ....................................................217 Hibel, Edna ..........................................................................167 Hill, John William ................................................................108 Hills, Laura Coombs ............................................................310 Hilton, John William ............................................................150 Hodgin, Marston Dean ......................................................253A Hoffmann, Arnold ................................................................364 Holt, Frank Edward ..............................................................443 Holtzman, Chuck ..................................................................406 de Hondecoeter, Gillis Claesz (Attributed to) ..........................15 Hopkinson, Charles Sydney ..........................................241, 249 Houmere, Walter ..................................................................329 Hubbard, Mary Wilson ........................................................215 Hunt, Edmund Aubrey ....................................................72, 74 Hunt, Esther Anna ................................................................296 Hussain, Faiq ................................................................388, 397 Imber, Jon ............................................................................424 Irvine, Wilson Henry ............................................................184 Isabey, Jean Baptiste (Attributed to) ........................................35 Italian School, 15th Century Style ..............................................1 Italian School, 18th Century ......................................................7 Italian School, 19th Century ....................................................55 Jackson, Harry Andrew ........................................................154 Jamieson, David Bethuel ......................................................365 Jenson, Ivan ..........................................................................411 Johnson, Jr., Marshall ..............................................................82 Jones, Leon Foster ................................................................195 Jones, Lois Mailou ................................................................212 Kami, Y.Z. ............................................................................523 Kazor, Leonard ....................................................................513 Keil, Peter Robert ........................................................412, 414 Kendrick, Mel ........................................................................506 Kepes, Gyorgy ......................................................................510 Kerr, Vernon ........................................................................232 Kitagawa, Toshiharu ..............................................................520 Knaths, Karl (Otto Karl) ........................................................383 Kneeland, Roy C. ..................................................................192 Knipschild, Robert ................................................................499 Koerner, Henry ....................................................................372 Korean School, 20th Century ........................................497, 502 Kronberg, Louis ....................................................................294 Kubik, Kamil ........................................................................286 Kulicke, Robert Moore ......................................................332A Kupferman, Lawrence Edward ..............................................432 L’Engle, Lucy Stelle Brown ............................................468-470 L’Engle, William Johnson ..............................................465-467 LaFarge, Bancel ....................................................................145 Lamois ....................................................................................80 Lattimore, Andrew ................................................................262 Laurence, Sydney Mortimer (Attributed to) ..........................147 Lawrence, Edna W. ................................................................151 Lazzell, Blanche (Nettie Blanche) ..........................................522

van Leemputten, Jef Louis ......................................................39 Lee-Robbins, Lucy ................................................................312 Lee, Frederick Richard ............................................................65 Leong, James Chan ..............................................................493 Leontus, Adam ......................................................................420 Levee, John Harrison ............................................................494 Lewis, Doris Lindo ................................................................445 Liberts, Ludolfs ....................................................................267 Linson, Corwin Knapp ..........................................................159 Littlefield, William Horace ..................................................331A Liu, Tian Wei ........................................................................481 Logan, Robert Henry ............................................................209 Louis, Morris ........................................................................407 Lowe, Alfred ........................................................................231 Lowell, Lemuel L. ................................................................112 Lowell, Orson Byron ............................................................138 Loy, J. ....................................................................................76 MacKendrick, Lilian ............................................................355A Magrotti, Ercole ....................................................................163 Mahoney, Charles A. ............................................................320 Mandel, Howard ..................................................................438 Manso, Leo ..........................................................................392 Marple, William Lewis ............................................................78 Massani, Pompeo ....................................................................52 Matisse, Henri ......................................................................359 Mauve, Anton ........................................................................43 Mazzolini, Giuseppe (Attributed to) ........................................30 McAuliffe, James J. ................................................................148 McCord, George Herbert ......................................................119 McCracken, James ................................................................207 McKie, Todd Stoddard ..........................................................487 McLean, James Augustus ......................................................276 McShea, Jim ..........................................................................509 Meakin, Lewis Henry ............................................................177 Mears, Henrietta Dunn ........................................................233 Mears, Herbert Richard ........................................................355 Melin, Joseph Urbain ..............................................................23 Melrose, Andrew W. ..............................................................115 Meltsner, Paul Raphael ..........................................................237 Mena, Osmany Soler ............................................................399 De Menocal, Richard ..........................................................334A Messer, Sam ..................................................................366, 373 Metivier, Clement ..................................................................230 Meulener, Pieter (Attributed to) ..............................................2A Meyer, William C. ................................................................435 Miller, Harriette G. ..............................................................343 Miller, Lee ............................................................................332 Montoya, Gustavo ....................................................439A, 439B Moore, Henry ..............................................................488, 489 Moreelse, Paulus (Manner of) ................................................15A Morgan, Patrick ....................................................................526 Morrell, Wayne Beam ............................................................220 Morris, William Walker ............................................................67 Motch, Alan ..........................................................................505 M端ller, Carl ..........................................................................165 Murphy, Hermann Dudley ....................................................175 Nagano, Paul Tatsumi ..........................................246, 251, 284 Nasmyth, Patrick (Attributed to) ..............................................16 Nelson, George Laurence ......................................................345 Newcomb, Marie H. Guise ....................................................146 Newell, George Glenn ..........................................................307 Newman, Henry Roderick ....................................................255 Nichols, Hobart ....................................................................178 Noble, Dana Gibson ................................................................84

Noble, Thomas Satterwhite ..................................................126 Noll, David ........................................................................143A Nordstrom, Carl Harold ....................................................293A Olivetti, Luigi ..........................................................................47 Ollendorff, Jane ....................................................................518 Oxtoby, David Jowett Greaves ..............................368, 456, 458 Palmer, Adelaide Coburne ....................................................134 Palumbo, Alphonse (Attributed to) ........................................318 Pansing, Fred ..........................................................................81 Parsons, Beatrice E. ..............................................................305 Parsons, Phillip Brown ..........................................................190 Pascal, Paul ............................................................................158 Patterson, Charles Robert ........................................................83 Patterson, Margaret Jordan ..........................................311, 353 Pavlosky, Vladimir ................................................................282 Pegg, William Quaker ..............................................................10 Peruvian School, 18th/19th Century ........................................4 Peterdi, Gabor F. ..................................................................485 Peterson, Jane ......................................................................160 Pfeiffer, Heinrich Herman ............................................171, 247 Pfeiffer, Hope Hazard Voorhees ............................................492 Phipps, George Gardner ........................................................93A Picasso, Pablo ........................................................................378 Picillo, Joseph ..............................................................452, 454 Pierson, Albert Leopold ........................................................274 Plazzotta, Enzo ....................................................................361 Poisson, Louverture ..............................................................416 Pontormo (Jacopo Carucci) (After) ............................................3 Powers, Marilyn ....................................................427-429, 464 Pratt, Francis ........................................................................403 Prentice, Levi Wells ..............................................................114 Priest, Terri ..........................................................................394 Prior, Scott ....................................................................524, 525 Puybareau, Annie ..........................................................272, 283 Pyne, James Baker (Attributed to) ............................................68 Quanchi, Leo William ........................................................338A Le Quesne, Fernand ..............................................................300 Quincy, Edmund ..................................................................334 Quintero, Daniel ....................................................................457 Raeburn, Sir Henry (Attributed to) ....................................31, 32 Ramos, Felix ..........................................................................176 Ranger, Henry Ward ............................................................122 Raschen, Henry ....................................................................152 Reddie, MacIvor ..................................................................86C Reiffenstein, Karl Theodor ......................................................60 Reinhart, Charles Stanley ......................................................133 Renzi, Clement ....................................................................400 Richardson, Louis H. ............................................................208 Richardson, Margaret Foster ..............................................130B Richert, Charles Henry ..........................................................211 Rico y Ortega, Martin ..........................................................161 Ripley, Aiden Lassell ......................................................253, 277 Robbins, Franklin ..................................................................369 Robinson, Charles Dormon ..................................................186 Roca, Stella McLennan ......................................................149A Roseland, Harry Herman ......................................................140 Roth, Jack ............................................478, 491, 512, 514, 516 Rotterdam, Paul Z. ................................................................504 Roux, Carl ..............................................................................44 Rubenstein, Barnet ................................................................462 Safford, Arthur ......................................................................193

Saganic, Livio ........................................................................503 Sargent, Walter ......................................................................188 Sarka, Charles Nicolas ............................................................170 Sarnoff, Arthur ......................................................................216 Scarlett, Rolph ......................................................................477 Schikkinger, Franz ..................................................................17 Schlageter, Karl ....................................................................266 Schwartz, Manfred ................................................................431 Scott, Charlotte Harrington ..................................168, 169, 415 Sears, Olga Itasca ..................................................................342 Sears, Philip Shelton ......................................................124, 127 de Servin, Jose Maria ............................................................385 Sether, Gulbrand ..................................................................219 Shapleigh, Frank Henry ....................................................97, 98 Sharrock, Joan ............................................................142A, 143 Sherer, Mary Richards ..........................................................371 Shibrain, Ahmad ....................................................................401 Shores, Robin H. ..................................................................326 Shrady, Henry Merwin ..........................................................149 Simmons, Freeman Willis ......................................................98A Sisson, Laurence Philip ..........................................................433 Slater, Roderick ....................................................................459 Smith, Howard Everett ..........................................................213 Smith, Joseph Lindon ............................................................252 Snowden, Chester Dixon ......................................................381 Sorenson, Helen Lincoln ......................................................194 Soyer, Raphael ......................................................................349 Spaulding, Henry Plympton ..................................................162 Speeckaert, Michel Joseph ......................................................8A Stad, Willem ..........................................................................291 Stasack, Edward Armen ........................................................507 Stead, Judith ........................................................................463 Sterne, Maurice H. ..............................................................160B Stevens, William Lester ..........................................................204 Strisik, Paul ..........................................................................225 Sturtevant, Helena ..............................................................191A Tait, Arthur Fitzwilliam ........................................................100 Talfourd, Field ........................................................................37 Thom, James Crawford ........................................................137 Thomas, Clara Fargo ............................................................357 Thompson, Alfred Wordsworth ..............................................96 Thompson, George Albert ....................................................227 Tilton, John Rollin ..................................................................71 Toledo, Enrique ....................................................................444 Townsend, Harry Everett ......................................................313 Trova, Ernest Tino ................................................................455 Trubee, John ........................................................................319 Tucker, John Wallace ..............................................................77 Tugel, Ake ............................................................................482 Turner, Helen Maria ..............................................................257 Valentine-Daines, Sherree ......................................................316 Vallin, Robert ........................................................................261 Vedder, Elihu (Attributed to) ................................................157 Vithal, B. ..............................................................................527 Vonnoh, Bessie Onahotema Potter (Keyes) ............................130 de Vos, Martin (Manner of)........................................................6 Vuillard, Edouard ..................................................................360 Wadler, Ruth Cugat ..............................................................260 Walkowitz, Abraham ............................................................325 Ward, John Quincy Adams ....................................................129 Warner, Everett Longley ........................................................210 Way [Wei Letang], John ................................................500, 501 Weis, John Ellsworth ............................................................346

Wengenroth, Stow ................................................................238 Wesson, Robert Shaw ....................................189 ,191, 201, 205 Whitaker, George William ..............................................90, 118 White, Clarence Scott ............................................................214 White, David Omar ..............................................................356 Whitman, Sarah Wyman (Attributed to) ................................135 Whittredge, Worthington (Attributed to) ............................116B Von Wicht, John G.F. ............................................................484 Wiggins, Guy Carleton ..........................................................287 Wiles, Irving Ramsey ............................................................315 Wingfield, James Digman ........................................................57 Winter, Fritz ..........................................................................495 Wolfe, Jack ............................................................................358 Wonnacott, John ..................................................................461 Woodcock, Hartwell Leon ....................................................173 Woodward, Stanley Wingate ..................................................202 Wouwerman, Jan (Manner of) ..................................................12 Wouwerman, Philips (Manner of) ............................................14 Wuermer, Carl ......................................................................203 Wyant, Alexander Helwig ......................................................123 Yakovlev, Aleksandr Evgenâ&#x20AC;&#x2122;evich ........................................167A Yamamoto, Taro ....................................................................490 Young, Michael ....................................................................508 Yvon, Adolphe ........................................................................33 Zampighi, Eugenio ............................................................48, 50 Zansky, Michael ....................................................................460 Zerbe, Karl ............................................................................182 Zussin, Harold ............................................................278A, 409

Provenance Skinner is pleased to present the first of a two-part modern art collection from the estate of Anna Eleanor Roosevelt (née Braman) Grasso of Essex, Connecticut. Ms. Braman was born in 1929 to Chester Alwyn Braman Jr. (1902-1964), and Anna Eleanor Roosevelt (née Hall) Braman (b. 1903) of New York. Her father worked as a Wall Street stockbroker through the Great Depression, and like his father before, held a management position at the textile manufacturer A.D. Julliard & Co.1 Her mother was a namesake and cousin of Anna Eleanor (née Roosevelt) Roosevelt (1884-1962), also known as First Lady Mrs. Franklin Delano Roosevelt through the marriage of her paternal aunt Anna Rebecca Hall (1863-1892) to Elliott Bulloch Roosevelt (1860-1894). As the First Lady was almost twenty years older than Ms. Hall, she adopted a maternal role toward her—including hosting her introduction to New York society in 1923—and was consequently fond of Ms. Braman, her youngest namesake.2 Ms. Braman was raised on Long Island and Old Chatham in the Hudson River Valley before attending Miss Porter’s School, where Jacqueline Onassis was among her classmates. She continued her education at Vassar College, and upon completion in 1951, married Dr. Thomas Arthur McGraw, a graduate of Yale and Cornell Universities. The couple spent their first married year in North Carolina where Dr. McGraw was completing his residency, but lived thereafter in New York City until Dr. McGraw’s passing in 1966. The couple’s New York years were formative ones for art and rare book collecting, as they frequented auctions and gallery shows. During this time, Ms. Braman was active in the art scene as a reviewer for a Manhattan publication called Park East. Ms. Braman continued to refine and exhibit her collection with her second husband Mr. Graham H.R. Jenkins of Connecticut, and her last husband of eighteen years, Dr. Thomas A. Grasso of Connecticut, the widower of Connecticut’s first woman governor Ella Tambussi Grasso. In her middle to late age, she promoted the artistic and literary life of her community in Essex, as the owner of the Clipper Ship Bookshop and member of the Connecticut River Museum. She was dedicated to music as well, and participated in several choral ensembles including the Oratorio Society of New York. Ms. Braman’s art collection is wide-ranging in medium and style, yet can be characterized as dedicated to avant-garde modernism. She was an aesthete of the visual, literary, and music arts, and avidly committed to all three into her advanced age. 1. “Chester Braman, Stockbroker, 62,” New York Times, Jan. 14, 1964, p. 31. 2. “Miss Anna Hall Engaged,” New York Times, Apr. 8, 1924, p. 19.

Louis Albert McMillen acquired his collection of Middle East modernist art during the 1960s when he managed the completion of The Architects Collaborative’s University of Baghdad. The University of Baghdad was conceived in an atmosphere of rapid urban and civic development, funded by a growth in oil production after World War II. The Royal Iraqi government approved plans to build the new campus in 1956, and in the next year, held a design competition that attracted visionary International Style architects such as Frank Lloyd Wright.1 The Development Board, which was Iraq’s public works administration, ultimately chose Walter Gropius and TAC for the project, and in 1957, Gropius began his survey of the site.2 TAC was undoubtedly chosen for their expertise in designing educational buildings, which included Brandeis and Harvard Universities. In its overall form, the design of the Baghdad campus encourages fluid interaction between students and teachers, with classrooms, cultural spaces, and faculty buildings clustered at the core. It may be said that it expressed egalitarian and democratic beliefs that resonated with a population who was growing restless with the British-supported monarchy. A turning point in Iraqi history occurred on July 14, 1958, when a military coup overthrew the royal government and a republic was declared. In this post-Colonial era, there was “a great atmosphere of hope and new beginnings swept the country. Iraqi artists immediately took up the challenge to create work that would reflect post-revolutionary aspirations and social ideals.”3 As a result, a myriad artistic groups arose (e.g., “The Innovationists,” “The Angle,” “The New Vision,” and “The One Dimension Group”) in the belief that they were pushing new boundaries. The artists represented in this collection, such as Dia Azzawi and Kadhim Hayder, were innovators in creating a modern Iraqi visual language, both by their practice and instruction. The works can be understood as trying to reconcile enduring aspects of Ancient Mesopotamian and Classical Arabic culture with the pressing artistic and political developments of their day. 1. Elsheshtawy, Yasser, ed., Planning Middle Eastern cities : an urban kaleidoscope in a globalizing world, New York: Routledge, 2004, p. 76. 2. Siry, Joseph M., “Wright’s Baghdad Opera House and Gammage Auditorium: In Search of Regional Modernity,” The Art Bulletin, Vol. 87, No. 2, June 2005, p. 272. 3. Al-Khamis, Ulrike, An Historical Overview: 1900s-1990s. Strokes of Genius: Contemporary Iraqi Art, London: Saqi Books, 2001, pp. 25-26.

Skinner Inc. expresses its sincere thanks to Colleene Fesko for her energy and expertise in helping to gather the works of art for this auction.

Dear Skinner Paintings Clients: As the newly named Director Pro Tem of Skinner’s American & European Paintings department, I present our May auction of American & European Paintings. I started here at Skinner in 1987 (rumor has it I was only 5 years old at the time.) Since then I have seen Skinner grow and change. What remains consistent, though, is the warmth and intelligence of the people who work here, and the personal relationships that the company has maintained with clients over the years. Relationships between people are very much like the relationships between collectors and their art: the collectors are what make this auction so special. We are featuring two of the finest collections of modern paintings that Skinner has ever offered. The individuals who amassed these collections have wonderful stories to tell, as you can read on the provenance page of this catalogue. Their stories and collections, in turn, tell us about who they are as people. The first of these is Anna Eleanor Roosevelt Braman Grasso of Essex, Connecticut. Her collection is a tribute to artists of the avant-garde modernist movement, and works to be sold in this auction include paintings by Pablo Picasso, Henri Matisse, and Henry Moore. Grasso was part of the social and intellectual elite in New York in the 1950s and 1960s, and her collection reflects her refined yet adventurous taste. Skinner’s September auction of American & European Paintings & Prints will feature Part II of this impressive collection. The second collection comes from Louis McMillan, a renowned American architect. His collection reflects his travels to Europe and well beyond. McMillan was a member of The Architect’s Collaborative involved in the design of the University of Baghdad. Here he amassed a unique collection of modern Middle Eastern works from leading figures of the Modernist movement in Iraq including Dia Azzawi, Kadhim Hayder and Ismael Al-Khaid. These are just two collections to be offered in this sale–there are numerous others, including some hidden gems. I urge you to seek out what interests you. I have had the pleasure of working with many of you already in the past twenty years, and am looking forward to strengthening old relationships and forging new ones. Whether you are interested in buying or selling at Skinner, please feel free to contact me. As the director of the department, I am dedicated to the excellence of our staff and a high level of personal service to our clients. I look forward to your suggestions on how we might better serve you, and to seeing all of you at the preview and auction! All the Best,

1. Italian School, 15th Century Style Madonna and Child in a Landscape Unsigned. Oil on panel, 13 1/2 x 14 in. (34.2 x 35.5 cm), framed. Condition: Panel stabilized with metal splat, losses, retouched, surface grime, craquelure. $800-1,200

2. Continental School, 18th/19th Century Landscape with Seated Man, Woman, and Child Unsigned, identified on a label from Harvard University Art Museums affixed to the reverse. Oil on canvas, 18 1/4 x 22 3/4 in. (46.4 x 57.8 cm), framed. Condition: Retouch, varnish inconsistencies, tape to tacking edge, craquelure with alligatoring, surface grime. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $700-900

2A. Attributed to Pieter Meulener (Flemish, 1602-1654) Equestrian Battle Unsigned. Oil on canvas, 18 3/8 x 23 3/8 in. (46.5 x 59.3 cm), framed. Condition: Lined, retouched, craquelure. $3,000-5,000

3. After Pontormo (Jacopo Carucci) (Italian, 1494-1556) Portrait of Cosimo de’ Medici Unsigned, identified on plaques affixed to frame, recto and verso, inscribed “248” on the reverse. Oil on canvas, 35 3/4 x 27 in. (90.8 x 68.6 cm), framed. Condition: Tears with losses, retouch, patch reinforcements, craquelure, surface grime. N.B. The original is in the collection of the Uffizi Gallery, Florence. $800-1,200

4. Peruvian School, 18th/19th Century Archangel Raphael Unsigned. Oil on canvas, 62 3/4 x 29 3/4 in. (159.4 x 75.6 cm), unframed. Condition: Unstretched, damage/losses to edges, scattered punctures/losses, scattered retouch, surface rubs, surface grime. $2,000-4,000

5. After Leonardo da Vinci (Italian, 1452-1519) Portrait of an Unknown Woman (La Belle Ferroniere) Unsigned. Oil on canvas, 23 1/4 x 19 in. (59.1 x 48.3 cm), framed. Condition: Surface rubs, varnish inconsistencies, craquelure, surface grime. N.B. The original, completed c. 1490, is in the collection of the Louvre, Paris, France. $800-1,200

6. Manner of Martin de Vos (Flemish, 1532-1603) Entombment of Christ Inscribed “M. de Vos” l.r. Ink and chalk on paper, 7 3/4 x 6 1/2 in. (19.7 x 16.5 cm), framed. Condition: Toning, pinholes u.c., subtle rippling/handling creases, not examined out of frame. $300-500

8. Attributed to Edouard Armand-Dumaresq (French, 18261895) Sketch of a Gentleman Unsigned, inscribed on the reverse. Charcoal and chalk on blue paper, sight size 16 1/2 x 10 1/2 in. (41.9 x 26.6 cm), framed. Condition: Subtle toning, tape to edges on the reverse. Provenance: The estate of Sir Edwin A.G. Manton. $300-500

7. Italian School, 18th Century The Resurrection of Christ Unsigned. Oil on canvas, 26 x 19 1/2 in., unframed. Condition: Unstretched, tears, losses, skinning, craquelure, possibly sized with glue. $500-700

8A. Michel Joseph Speeckaert (Belgian, 1748-1838) Bouquet de fleurs Signed and dated “peint par MJ: Speeckaert, l’an 1811” l.r., titled on a period label affixed to the reverse. Oil on panel, 24 x 19 in. (61.0 x 48.3 cm), framed. Condition: Flaking/losses, retouch, craquelure, support bowed, vertical break to panel u.l., surface grime. $1,500-2,000

9. Continental School, 18th/19th Century

10. William Quaker Pegg (British, 1775-1851)

Knights Unsigned. Ink on laid paper with partial figural watermark, sight size 6 x 7 5/8 in. (15.2 x 19.4 cm), framed. Condition: Toning/mat burn, tape on the reverse. $300-350

Still Life with Fruit and Flowers Signed â&#x20AC;&#x153;W...Peggâ&#x20AC;? l.r. Oil on canvas, 14 1/4 x 17 3/4 in. (36.2 x 45.1 cm), framed. Condition: Lined (with a solid support), retouch, varnish inconsistencies, craquelure, surface grime. $1,200-1,800

11. Continental School, 17th Century Style Memento Mori Unsigned. Oil on panel, lunette format, 15 1/2 x 11 in. (39.3 x 27.8 cm), framed. Condition: Repaired and retouched split to panel, additional retouch, especially to lowest quarter of the composition, craquelure. $400-600

12 13

12. Manner of Jan Wouwerman (Dutch, 1629-1666)

13. After Jacques Callot (French, 1592-1635)

Loading Cargo Indistinctly inscribed l.r. Oil on panel, 12 5/8 x 17 in. (32.0 x 43.0 cm), framed. Condition: Repaired horizontal split and gentle curve to panel, scattered retouch, craquelure.

Le vieux mendiant a une seule bequille from LES GUEUX Series, c. 1622 Unsigned. Ink on laid paper, partial watermark, sight size 6 1/2 x 4 1/8 in. (16.5 x 10.5 cm), framed. Condition: Toning, handling creases, repairs and pinholes to edges. $400-600

Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $3,000-5,000

14. Manner of Philips Wouwerman (Dutch, 1619-1668) At Camp Unsigned, inscribed â&#x20AC;&#x153;Caval...Lo... XIIIâ&#x20AC;? on the reverse. Oil on panel, 13 5/8 x 17 3/4 in. (34.6 x 45.1 cm), unframed. Condition: Craquelure with alligatoring, retouch, bowing, losses (to support), heavy surface grime, holes/losses. $400-600

15. Attributed to Gillis Claesz de Hondecoeter (Belgian, 15751638) Travelers in Mountainous Terrain Unsigned, stamped “R.C. VOSE...” on the reverse, label from the Fogg Art Museum affixed to the frame. Oil on panel, 15 7/8 x 25 1/4 in. (40.3 x 64.0 cm), in a signed Carrig-Rohane frame. Condition: Cradle to panel, repaired/retouched horizontal split to panel plus additional scattered retouch, subtle surface grime, craquelure.

15A. Manner of Paulus Moreelse (Dutch, 1571-1638) Christ Bears signature and date “Paulus de Mor... F 1595” c.r. Oil on canvas, 25 x 19 3/4 in. (63.4 x 50.0 cm), framed. Condition: Lined, repaired and/or stabilized punctures, retouched, craquelure with some areas of cupping. $2,000-2,500

Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). William Walters established a grain trading company in Baltimore, and invested heavily and successfully in railroads and banking. During the American Civil War, he moved to Paris. Here he was immersed in the world of art patronage, and collected both fine and decorative arts. His son Henry (1848-1931), was also a collector, and his collecting interests were even broader than those of his father. The two collections were merged in the creation of Baltimore's Walters Art Museum. N.B. Gillis Claesz de Hondecoeter most likely received his artistic training from his father, Niclaes Jansz de Hondecoeter. Continuing the family tradition, he was the father of artist Gysbert-Gillisz Hondecoeter and the grandfather of Melchoir de Hondecoeter. In 1610, Gillis Hondecoeter moved to Amsterdam where he was appointed head of the Guild of Saint Luke. Influenced by the paintings of Gillis van Coninxloo and Roelant Savery, Hondecoeter’s landscape compositions, blending aspects of realism and fantasy, convey a strong sense of depth and distance through their atmospheric light. $15,000-20,000

15A

16. Attributed to Patrick Nasmyth (British, 1787-1831) Lot of Two Village Scenes with Figures Unsigned, identified on presentation plaques. Oil on panel, 7 3/4 x 10 3/4 in. (19.7 x 27.3 cm), framed. Condition: Fine craquelure, subtle bowing to boards. $800-1,200

17. Franz Schikkinger (Dutch, 1838-1902) Bridge over the Keizersgracht Canal Unsigned, with Pro Patria Eendragt Maakt Magt watermark. Watercolor, ink and graphite on laid paper, sheet size 10 1/2 x 15 3/4 in. (26.7 x 40.0 cm), framed. Condition: Subtle rippling, taped to window mat. $400-600

18. Continental School, 19th Century Village in an Alpine Valley Unsigned. Oil on canvas, 13 x 18 in. (32.8 x 45.7 cm), framed. Condition: Scattered retouch, craquelure. $200-300

19. Attributed to Samuel Henry Alken [called Henry Alken, Jr.] (British, 1810-1894) Wild Dayrell, Winner of the Derby, 1855 Signed â&#x20AC;&#x153;H. Alkenâ&#x20AC;? l.l., identified on labels from Vicars Brothers, London, and with labels from Kennedy Galleries, Inc., New York, affixed to the reverse. Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed. Condition: Craquelure, retouch, varnish inconsistencies. $6,000-8,000

20. British School, 18th Century Style Hunting Scene Unsigned. Oil on canvas, 17 1/4 x 23 3/4 in. (43.8 x 60.3 cm), framed. Condition: Lined, tape to tacking edge, small scattered losses, craquelure, surface grime. $400-600

21. Antoine-Louis Barye (French, 1795-1875) Cheval Turc No. 2 (antérieur gauche levé, terrasse carrée) Signed “BARYE” and foundry stamped “F. BARBEDIENNE FONDEUR” in the cast on base, also incised 703/N° 1” in the cast on the underside of base. Bronze with dark brown patina, approximately 11 5/8 x 12 7/16 x 4 7/8 in. (29.5 x 31.6 x 12.4 cm). Condition: Minor surface grime. Provenance: Descended within the families of William Walters (1819-1894), and/or George Harold Edgell (1887-1954). Please refer to lot 15 for more details. Literature: Poletti, Michel and Alain Richarme, Barye: Catalogue Raisonné des Sculptures, Paris: Gallimard, 2000, p. 265, no. A 128. $15,000-20,000

22. Attributed to Edward Armfield (British, 1817-1896) Scottish Terriers Signed “EArmfield” l.r., tited and identified on a presentation plaque. Oil on canvas, 23 x 29 in. (58.3 x 73.6 cm), framed. Condition: Lined, scattered retouch, signature possibly reinforced, craquelure. $3,000-5,000

23. Joseph Urbain Melin (French, 1811-1886) Hounds in Full Cry Signed and dated “J. Melin 1872” l.l., identified on a label from the Museum of Fine Arts, Boston, affixed to the stretcher. Oil on canvas, 15 1/4 x 21 in. (38.7 x 53.2 cm), framed. Condition: Lined, scattered retouch, fine scattered craquelure. Provenance: Descended within the family of George Harold Edgell, 1887-1954. Edgell was an architectural historian and a professor of fine arts at Harvard University. In 1934 he became a curator of paintings at the Museum of Fine Arts, Boston, and assumed the directorship the following year. $3,000-5,000

24. Georges Gardet (French, 1863-1939) Deux Lionnes Signed “G. CARDET [sic]” on the base l.c., marked “SIOT DECAUVILLE, Fondeur, Paris” on the base, stamped “1602” along the side, on the base. Bronze with a brown patina, height 14 3/4 in. (37.5 cm), framed. Condition: Wear, oxidation, surface grime. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $4,000-6,000

25. Rosa Bonheur (French, 1822-1899) Lion Studies Stamped “Rosa Bonheur” l.l. Graphite on paper, sheet size 7 3/4 x 9 1/2 in. (19.7 x 24.1 cm), unframed. Condition: Mounted onto board, foxing throughout, loss u.l., nicks/wear to edges, subtle toning. Provenance: Through a Nantucket estate. $600-800

26. Georges Gardet (French, 1863-1939) Lion et Lionne Signed “G. GARDET” on the base l.c., marked “SIOT DECAUVILLE, Fondeur, Paris” on the base. Bronze with a brown patina, height 14 1/4 in. (36.2 cm). Condition: Wear, oxidation, surface grime. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $7,000-9,000

28 27

27. Attributed to Rosalba Carriera (Italian, 1675-1757) A Woman Offering a Garland of Flowers to Eros Unsigned, identified on labels affixed to the backing. Pastel on paper, sight size 37 x 28 in. (93.9 x 71.0 cm), framed. Condition: Minor abrasions and pigment displacement, small areas of possible mold growth and/or retouch, not examined out of frame. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $4,000-6,000

28. Continental School, 18th/19th Century Portrait of a Woman Unsigned. Oil on canvas, 21 1/2 x 17 3/4 in. (54.6 x 45.1 cm), framed. Condition: Lined, craquelure, retouch, varnish inconsistencies. $1,000-2,000

29. Continental School, 18th Century Style Contemplation of the Folly of Mankind Unsigned. Oil on canvas, 57 1/4 x 45 in. (145.4 x 114.2 cm), framed. Condition: Scattered punctures (some patched and/or repaired, some with losses), scattered retouch, craquelure. $3,000-5,000 29

30. Attributed to Giuseppe Mazzolini (Italian, 1806-1876) Girl with a Wreath of Flowers Bears signature “G Mazzolini” l.r., inscribed “M” c.l. Oil on canvas, 24 1/2 x 19 1/4 in. (62.1 x 48.8 cm), framed. Condition: Stabilized puncture u.c., retouched, craquelure. $2,000-3,000

31. Attributed to Sir Henry Raeburn (British, 1756-1823) Portrait of a Lady in White Seated in a Landscape Unsigned, identified on a presentation plaque. Oil on canvas, 32 1/2 x 26 1/4 in. (82.4 x 66.6 cm), framed. Condition: Lined, retouched, craquelure. $3,000-5,000

32. Attributed to Sir Henry Raeburn (British, 1756-1823) Portrait of a Gentleman Unsigned, identified on a presentation plaque. Oil on canvas, 30 x 25 in. (76.2 x 63.4 cm), framed. Condition: Lined, retouched, craquelure. $3,000-5,000 32

33. Adolphe Yvon (French, 1817-1893) Portrait of a Man, Possibly a Napoleonic Emissary Signed “Ad. Yvon” c.r., with a label from the Museum of Fine Arts, Boston, affixed to the reverse. Oil on oval board, 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), framed. Condition: Minor abrasions beneath frame liner. Provenance: Mr. Lyman Delano (1883-1944), chairman of Atlantic Coast Lines and first cousin of President Franklin Delano Roosevelt; descended within the families of William Walters (1819-1894), and/or George Harold Edgell (1887-1954). Please refer to lot 15 for more details. $4,000-6,000

34. British School, 19th Century Eighty-fourth Regiment of Foot Officer Circa 1815 Unsigned, identified on a presentation plaque. Oil on canvas, 31 x 25 1/4 in. (78.6 x 64.0 cm), framed. Condition: Lined, retouched, craquelure. $1,000-1,500

35. Attributed to Jean Baptiste Isabey (French, 1767-1855)

Portrait of a Gentleman Signed and dated “Isabey 1815” c.r. Watercolor and graphite on paper, oval format, sight size 5 3/8 x 4 in. (13.5 x 10.0 cm), framed. Condition: Abrasion u.l., subtle toning, not examined out of frame. $1,000-1,500

36. Henry Cleenewerck (American, 1818-1901)

37. Field Talfourd (British, 1815-1874)

Riding the Hay Cart Signed “H Cleenewerck” l.r., identified on a label on the frame. Oil on canvas mounted onto board, 8 1/4 x 11 1/4 in. (20.8 x 28.5 cm), framed. Condition: Scattered retouch, varnish inconsistencies. $300-500

Portrait of Reverend William Vansittart, Son of the Reverend D. Vansittart of White Waltham Shottesbrook Signed or inscribed, titled, and dated “...By Field Talfourd Esq. Sept. 1846” on the stretcher bar, with a Dimes & Elam, Bloombury, London, canvas stencil on the reverse. Oil on canvas, 30 1/4 x 25 1/4 in. (76.8 x 64.1 cm), framed. Condition: Craquelure, surface grime. $1,000-1,500

38. Achille Jean Theodore Brail (French, 1842-1911) Before the Battle Signed “Achille Brail” l.l. Oil on canvas, 16 3/4 x 23 1/4 in. (42.5 x 59.1 cm), framed. Condition: Lined, retouch, craquelure, surface grime. $3,000-5,000

39. Jef Louis van Leemputten (Belgian, 1865-1948) Sheep and Shepherdess Signed “J L Van Leemputten” l.r. Oil on canvas, 18 1/2 x 27 1/2 in. (47.0 x 69.8 cm), framed. Condition: Lined, retouch, craquelure. $300-500

40. Dutch School, 19th Century Cattle in a Tranquil Pasture Indistinctly signed and dated l.r. Oil on panel, 6 1/4 x 7 in. (15.9 x 17.7 cm), framed. Condition: Surface abrasions, surface grime. $600-800

41. Thomas Raphael Congdon (American, 1862-1917) The Shepherdess Signed “TRCongdon” l.r., identified on a presentation plaque. Watercolor and graphite on paper, sight size 12 x 18 in. (30.5 x 45.7 cm), framed. Condition: Not examined out of frame. $800-1,200

42. Continental School, 19th/20th Century Cows Watering in a Woodland Stream Signed “E. Courtois” l.r. Oil on canvas, 14 3/4 x 18 1/4 in. (37.5 x 46.4 cm), framed. Condition: Patch reinforcement, retouch, scattered losses, surface rubs, surface grime. $500-700

43. Anton Mauve (Dutch, 1838-1888) Portrait of a Rider on Horseback Signed “A. Mauve...” l.r. Watercolor on paper laid onto board, 18 1/2 x 12 3/4 in. (47.0 x 32.4 cm), framed. Condition: Toning, acid burn. Provenance: Collection of R.C. Mauve, Bennekom, the Netherlands; the property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. N.B. We wish to thank Jeroen Kapelle of the Rijksbureau voor Kunsthistorische Documentatie (RKD) for his assistance with cataloguing the lot. $2,000-4,000

44. Carl Roux (German, 1826-1894) Cattle Coming ‘Round the Mountain Monogram signed and dated “CRoux 1870” l.r., titled on the stretcher bar with an A. Schutzman, München, canvas stencil on the reverse. Oil on canvas, 23 1/4 x 14 1/2 in. (59.1 x 36.8 cm), framed. Condition: Craquelure, surface grime, small restored puncture and retouch. $1,000-1,500

47 45

45. Domenico de Angelis (Italian, 1852-1904)

47. Luigi Olivetti (Italian, 1856-1941)

Boy in the Countryside Signed and inscribed “D DE ANGELIS Roma” l.l. Watercolor on paper/board, sight size 20 1/2 x 14 in. (52.1 x 35.6 cm), framed. Condition: Not examined out of frame. $300-500

At the Window Signed and inscribed “LOlivetti -Roma” l.r. Watercolor on paper/board, sight size 21 x 14 1/2 in. (53.3 x 36.8 cm), framed. Condition: Not examined out of frame. $600-800

46. Continental School, 19th Century

47A. Manner of Jean Baptiste Greuze (French, 1725-1805)

Waiting Indistinctly signed “A. Leon...” l.l. Oil on canvas, 21 1/4 x 18 1/4 in. (54.0 x 46.4 cm), framed. Condition: Lined, retouch (including repaired tears), mild craquelure, surface grime. $400-600

The Buxom Maiden Unsigned. Oil on canvas, 21 1/2 x 17 3/8 in. (54.5 x 44.0 cm), framed. Condition: Minor scattered losses, surface grime, craquelure. $800-1,200

47A

48. Eugenio Zampighi (Italian, 1859-1944) The Knitting Lesson Signed “E Zampighi” l.r. Oil on canvas, 23 x 18 1/4 in. (58.4 x 46.4 cm), framed. Condition: Patch reinforcement, restretched, canvas adhered to tacking edge, retouch, mild craquelure. $2,200-2,800

49. Thomas Raphael Congdon (American, 1862-1917) Gretchen Signed and inscribed “TR Congdon Holland” l.r., identified on a presentation plaque. Watercolor and whiting on paper, sight size 12 x 9 in. (30.4 x 22.8 cm), framed. Condition: Not examined out of frame. $700-900

50. Eugenio Zampighi (Italian, 1859-1944)

The Duet Signed “E Zampighi” l.r. Oil on canvas, 23 1/2 x 18 in. (59.7 x 45.7 cm), framed. Condition: Patch reinforcement, retouch, mild scattered craquelure. $2,200-2,800

53 51

51. Continental School, 19th Century

53. Thomas Raphael Congdon (American, 1862-1917)

A Rabbit from the Hunt Unsigned. Oil on canvas, 18 x 14 1/2 in. (45.7 x 36.8 cm), framed. Condition: Minor losses, retouch, surface grime. $1,000-1,500

A Morning Call Signed “TR Congdon” l.l. Watercolor and graphite on paper, sight size 12 1/2 x 18 1/2 in. (31.8 x 47.0 cm), framed. Condition: Not examined out of frame. $1,200-1,800

52. Pompeo Massani (Italian, 1850-1920)

54. Fritz Franz (German, 19th Century)

A Refreshing Beverage Signed and dated “P. Massani 1882” u.l., stenciled “3687” on the reverse. Oil on canvas, 12 3/4 x 9 in. (32.4 x 22.9 cm), framed. Condition: Scattered retouch, craquelure, mild surface grime. $3,000-5,000

Before the Inn Signed and inscribed “Fritz Franz, Munchen” l.r. Oil on panel, 8 3/8 x 10 1/2 in. (21.3 x 26.6 cm), framed. Condition: Surface grime. $600-800

54 52

55. Italian School, 19th Century

57. James Digman Wingfield (American, 1809-1872)

Gathering in the Wine Cellar Monogram signature “GGalli” l.r. Oil on canvas, 16 1/4 x 24 in. (41.3 x 61.0 cm), framed. Condition: Scattered retouch, repair (with patch reinforcement) u.c., pinholes. $3,000-5,000

A Gentleman’s Assistance Signed and dated “J.D. Wingfield 1861” l.l., fragmentary label on the reverse. Oil on paper, 30 x 25 in. (76.2 x 63.4 cm), framed. Condition: Mounted onto stretched canvas, scattered retouch, craquelure. $2,500-3,500

56. Anglo/American School, 19th/20th Century Waiting by the Window Indistinctly inscribed “R...” l.r. Oil on canvas, 15 1/2 x 13 1/4 in. (39.4 x 33.7 cm), framed. Condition: Lined, retouch, craquelure, surface grime. $600-800

59 58

58. Helen Allingham (British, 1848-1926)

60. Karl Theodor Reiffenstein (German, 1820-1893)

In a Surrey Garden Signed “H. Allingham” l.r., identified in an inscription on the liner. Watercolor with whiting on paper/board, sheet size 11 1/4 x 8 3/4 in. (28.6 x 22.2 cm), framed. Condition: Toning, subtle fading, very minor rippling at top edge of sheet.

Peters Hirchhof/A Wooded Landscape View with Shed Initialed and dated “ThR 1840” l.r., inscribed on the reverse Oil on canvas mounted onto board, 12 1/4 x 8 in. (31.0 x 20.3 cm), framed. Condition: Scattered retouch, craquelure. $300-500

N.B. Helen Allingham (née Patterson) was born in the small village of Swadlincote in Derbyshire, England. As a child, Allingham developed an interest in art, inspired by her grandmother, Sarah Smith Herford, and aunt, Laura Herford, who were both artists. At seventeen, she enrolled at the Birmingham School of Design where she was exposed to the work of Frederick Walker, Sir Frederick Leighton, and John Everett Millais. While at school, Allingham worked as an illustrator to support herself and soon found a job working for the illustrated magazine The Graphic. After marrying William Allingham in 1874, the couple eventually moved to Surrey, where Allingham painted nostalgic views of the local cottages in the medium she truly loved–watercolor. $3,000-4,000

59. Alfred Augustus Glendening, Jr. (British, 1861-1907) Summertime Initialed and dated “AG 1903” l.r. Watercolor on paper, sight size 14 3/4 x 10 3/4 in. (37.5 x 27.3 cm), framed. Condition: Not examined out of frame. $2,000-3,000

61. Hermann Ottomar Herzog (German/American, 1832-1932)

62. Arthur Croft (British, 1828-c. 1893)

Alpine Study Signed “H Herzog” l.l. Oil on canvas, sight size 7 x 4 3/4 in. (17.8 x 12.1 cm), framed. Condition: Scattered retouch, varnish inconsistencies and fluorescence, surface grime, not examined out of frame. $1,000-1,500

The Path Along the Mountain Torrent Signed and dated “Arthur Croft 1882” l.r. Watercolor and graphite on paper, 12 1/8 x 27 1/2 in. (30.7 x 69.8 cm), unmatted, unframed. Condition: Laid down, staining. $800-1,200

63. Thomas Creswick (British, 1811-1870) Forest Interior/A Northumberland, England View Unsigned, inscribed and titled “T.Creswick R.A...Water at ...B...ford Northumberland,” probably in a later hand, on the reverse. Gouache, whiting and graphite on paper, sheet size 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm), framed. Condition: Minor losses, craquelure. $1,000-2,000

64. Abbott Fuller Graves (American, 1859-1936) Wash Day Signed “Abbott Graves” l.r. Oil on canvas, 15 1/2 x 18 1/4 in. (39.3 x 46.3 cm), framed. Condition: Subtle surface grime. $4,000-6,000

65. Frederick Richard Lee (British, 1798-1879) Naperly Bridge, Yorkshire Signed and dated “F.R. Lee R.A. 1843” l.r., identified on labels affixed to the stretcher, stamped “R.C. VOSE PAINTINGS BOSTON” on the stretcher. Oil on canvas, 28 x 36 in. (71.0 x 91.3 cm), framed. Condition: Lined, retouched, loss near right edge, surface grime, craquelure. N.B. Born in Barstaple, Devon, Frederick Richard Lee served in the Army before receiving his art training at the Royal Academy Schools. Lee painted genre scenes as well as landscapes, predominately views of Scotland or his native Devon, and is best known for his fluid compositions and idyllic settings. A prolific artist, he was elected to the Royal Academy in 1838 and exhibited his work there, as well as at the British Institution and the Society of British Artists.1 1. Wood, Christopher, The Dictionary of Victorian Painters, 2nd ed., Antique Collector’s Club: Woodbridge, England, 1978, p. 279.

$7,000-9,000

66. William Havell (British, 1782-1857)

67. William Walker Morris (British, fl. 1850-1867)

...Torre del Cinque...Tiber Initialed “W.H.” l.c., titled and signed on the reverse. Oil on panel, 6 3/4 x 10 in. (17.0 x 25.4 cm), framed. Condition: Curve to panel, horizontal cracks with minute losses, surface grime. $500-700

A Chat with the Young Game Keeper Signed and dated “W.W.Morris/61” l.c., identified in information affixed to the reverse, London canvas stencil on the reverse. Oil on canvas, 36 x 28 in. (91.4 x 71.0 cm), framed. Condition: Two small punctures u.l., scattered retouch, surface grime, craquelure. $3,000-5,000

68. Attributed to James Baker Pyne (British, 1800-1870) Windsor Castle Unsigned, a label from Fogg Art Museum, Harvard University affixed to the reverse. Oil on canvas, 9 x 16 in. (22.9 x 40.6 cm), framed. Condition: Mild scattered craquelure, mild surface grime. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $600-800

69. Continental School, 19th Century

70. Attributed to William Groombridge (British, 1748-1811)

Soldier Before a Roman Arch Initialed â&#x20AC;&#x153;B W Fâ&#x20AC;? l.l. Watercolor with whiting on paper, 17 1/4 x 12 in. (43.8 x 30.5 cm), framed. Condition: Subtle rippling, staining, not examined out of frame. $400-600

In the Churchyard by the River under the Light of the Moon Unsigned, identified on a presentation plaque. Oil on canvas, 20 x 36 1/2 in. (50.8 x 92.5 cm), framed. Condition: Lined, scattered retouch, craquelure. $1,000-1,500

71. John Rollin Tilton (American, 1828-1888) La Ronda, Spain Unsigned, identified on labels on the reverse. Oil on canvas, 18 3/4 x 30 in. (47.6 x 76.2 cm), framed. Condition: Lined, minor retouch. $2,000-4,000

72. Edmund Aubrey Hunt (American, 1855-1922)

73. Ludwig Dill (German, 1848-1940)

Coastal View with Figures Signed “E Aubrey Hunt” l.l. Oil on canvas, 12 1/2 x 21 1/2 in. (31.8 x 54.6 cm), framed. Condition: Lined, craquelure, subtle canvas deformations, minor surface grime. $1,500-2,000

A Day’s Catch Signed “LDill” l.r., identified on a presentation plaque. Oil on canvas, 22 1/2 x 17 3/4 in. (57.2 x 45.1 cm), framed. Condition: Craquelure. $1,500-2,000

74. Edmund Aubrey Hunt (American, 1855-1922) Harbor View Signed “E. Aubrey Hunt” l.l. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Retouch, mild varnish inconsistencies, craquelure, mild surface grime. $2,000-3,000

75. Ernest Baker (American, fl. circa 1876) Headed for the Harbor Signed and dated “Ernest Baker 1876” l.l. Oil on canvas, 21 1/2 x 35 1/2 in. (54.6 x 90.2 cm), framed. Condition: Retouch, varnish inconsistencies, surface rubs, surface grime. $600-800

76. J. Loy (British, 19th Century) Marine View, Trieste Signed and inscribed “Loy Trieste” l.l. Oil on canvas, 19 x 27 in. (48.3 x 68.6 cm), framed. Condition: Lined, retouch, craquelure. $1,200-1,800

77. John Wallace Tucker (British, 1808-1869) View on the River Exe near Topsham Titled and signed “...JW Tucker” on the reverse. Oil on canvas, 19 1/4 x 26 in. (48.9 x 66.0 cm), framed. Condition: Retouch, minor scattered areas of lifting, minor scattered losses, craquelure, surface grime. $800-1,200

78. William Lewis Marple (American, 1827-1910)

79. George Lowthian Hall (British, 1825-1888)

The Steamboat Initialed “WLM” l.l. Oil on board, 10 x 8 in. (25.5 x 20.3 cm), framed. Condition: Minute losses at right edge, surface grime.

Rolling Surf Signed and dated “G.L. Hall. 1879” l.r. Watercolor on paper, sight size 15 1/2 x 26 1/2 in. (39.3 x 67.3 cm), framed. Condition: Toning, staining, not examined out of frame. $300-500

$300-500

80. Lamois (French, 19th/20th Century) Walking through the Harbor Signed “Lamois” l.l. Oil on panel, 7 x 14 in. (17.8 x 35.6 cm), framed. Condition: Support slightly warped, scattered retouch, varnish inconsistencies, surface grime. $600-800

81. Fred Pansing (American, 1844-1912) A Man O’War Brig at Sunset Signed “FRED PANSING” l.r. Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed. Condition: Retouch, craquelure. $1,200-1,800

82. Marshall Johnson, Jr. (American, 1850-1921) Making Harbor Signed “MARSHALL JOHNSON.” l.l., identified on labels on the reverse. Oil on canvas, 18 1/4 x 24 1/4 in. (46.3 x 61.4 cm), framed. Condition: Lined, retouched (primarily to sky). $2,000-4,000

83. Charles Robert Patterson (American, 1878-1958) Hove to for a Pilot Signed “Charles R. Patterson” l.r., identified on a Salmagundi Club Thumb-box Exhibition label affixed to the reverse. Oil on canvas mounted onto board, 9 x 12 in. (22.9 x 30.5 cm), framed. Condition: Mild surface grime. $1,000-2,000

84. Dana Gibson Noble (American, b. 1915)

86. John B. Foster (American, 1865-1930)

Schooners in Open Water Signed “DANA GIBSON NOBLE” l.r. Oil on canvas, 20 x 30 in. (50.7 x 76.2 cm), framed. Condition: Good.

Sailing Signed “J. B. FOSTER.” l.l. Watercolor and gouache on paper, sight size 20 x 13 3/4 in. (50.8 x 34.9 cm), framed. Condition: Toning, light soiling, not examined out of frame. $400-600

$400-600

85. Christopher Blossom (American, b. 1956) Naval Battle Signed and dated “Christopher Blossom 1975” l.l. Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Surface grime. $800-1,200

85 86

86A

86B

86A. Frederick James Aldridge (British, 1850-1933)

86B. Anna Mary Richards Brewster (American, 1870-1952)

Racing the Storm Signed “F.J. Aldridge” l.r. Watercolor on paper, sight size 13 3/4 x 19 3/4 in. (34.9 x 50.2 cm), framed. Condition: Not examined out of frame. $700-900

View from the Dock Signed “AR Brewster” l.l. Oil on canvas mounted onto Masonite, 7 1/2 x 5 1/4 in. (19.1 x 13.3 cm), framed. Condition: Mild scattered craquelure, surface grime, wear to edges. $500-600

86C. MacIvor Reddie (American, 1864-1931) On the High Seas Signed “Mac Ivor Reddie” l.l. Watercolor on paper, 15 1/2 x 19 1/4 in. (39.4 x 38.7 cm), framed. Condition: Not examined out of frame. $600-800

86C

87. Alfred Thompson Bricher (American, 1837-1908) Coastal Cliffs Monogrammed signature “ATBRICHER” l.r. Watercolor with graphite on paper/board, sight size 8 3/4 x 19 in. (22.2 x 48.3 cm), framed. Condition: Toning, not examined out of frame. $4,000-6,000

88. Charles Drew Cahoon (American, 1861-1951)

Cape Cod Country Road with Barn Signed “C.D. Cahoon” l.r. Oil on canvas, 11 x 14 in. (27.9 x 35.6 cm), framed. Condition: Surface grime, craquelure, minor losses/lifting. $4,000-6,000

89. Henry Farrer (American, 1844-1903) Summer Shower, c. 1875 Unsigned, identified on labels from Kennedy Galleries Inc. and Spanierman Gallery, LLC, New York, on the reverse. Watercolor on paper, sight size 8 3/4 x 11 1/4 in. (22.2 x 28.6 cm), framed. Condition: Subtle rippling, not examined out of frame. $800-1,200

90. George William Whitaker (American, 1840-1916) Coastal View Signed “G W WHITAKER” l.r. Oil on canvas mounted onto board, 13 3/4 x 19 1/2 in. (34.9 x 49.5 cm), framed. Condition: Minor scattered losses, retouch, signature partially reinforced, craquelure, surface grime. $700-900

91. Franklin Peleg Brownell (American/Canadian, 1857-1946) Summer at Salt Flats - Dartmouth, Mass Signed and dated “F. brownell ’83” l.r., identified in an inscription on the stretcher. Oil on canvas, 9 x 14 in. (22.8 x 35.6 cm), framed. Condition: Several small losses and areas of flaking l.c., surface grime, craquelure. $300-500

92. Arthur S. Cumming (American, 1847-1913) Allens Neck, New Bedford or Dartmouth Signed “Arthur Cumming” l.r., titled l.l. Watercolor with graphite on paper, sight size 9 1/4 x 13 3/4 in. (23.5 x 34.9 cm), framed. Condition: Toning, taped to front mat on the reverse, light foxing/staining. $200-300

93. Charles Edwin Lewis Green (American, 1844-1915) Beach View Signed “CEL Green” l.r., canvas stencil on the reverse. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed. Condition: Reinforcements, retouch, and mild craquelure and surface grime. $400-600

93A. George Gardner Phipps (American, b. 1838) 93

Coastal View Signed “GeoGPhipps” l.r. Watercolor with whiting on paper/board, sight size 8 5/8 x 13 1/4 in. (21.9 x 33.7 cm), framed. Condition: Rippling, toning, mat burn, foxing, not examined out of frame. $200-400

93B. Charles Drew Cahoon (American, 1861-1951) Cape Cod Sand Dunes Signed “C.D Cahoon” l.r. Oil on board, 15 x 19 1/4 in. (38.0 x 48.8 cm), framed. Condition: Surface grime. $3,000-5,000

93A

93B

94. John Bunyan Bristol (American, 1826-1909)

96. Alfred Wordsworth Thompson (American, 1840-1896)

Landscape with Church Signed “J.B. BristoL” l.l. Oil on canvas, 14 3/8 x 23 in. (36.5 x 58.4 cm), framed. Condition: Surface grime, craquelure. $6,000-8,000

View of the Old Bruton Church, Williamsburg, Virginia Unsigned, inscribed “original water-color by Wordsworth Thompson, for oil painting now in the Metropolitan Museum, N.Y., from the artist’s portfolio” on the reverse. Watercolor with graphite and whiting on blue/gray paper, sight size 8 3/4 x 12 in. (22.2 x 30.5 cm), framed. Condition: Hinged/adhered at top edge, toning/mat burn, creases c.r.

95. American School, 19th Century

N.B. Thompson completed an oil on canvas composition titled Old Bruton Church, Williamsburg, Virginia, in the Time of Lord Dunmore, in the collection of the Metropolitan Museum of Art. This watercolor, possibly a preliminary sketch, depicts the church from a different vantage point. $700-900

Landscape with Country Road and Covered Wagon Unsigned. Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed. Condition: Lined, retouch. $800-1,200

96 95

97. Frank Henry Shapleigh (American, 18421906) Old Fort at Matanzas, Florida Signed and dated “F.H. Shapleigh 1891.” l.r., titled and signed “...by F.H. Shapleigh.” on the reverse. Oil on board, 7 1/2 x 12 1/2 in. (19.1 x 31.8 cm), framed. Condition: Scattered retouch, varnish inconsistencies, fine scattered craquelure, surface grime. N.B. Frank Henry Shapleigh was born in Boston and often painted the beautiful mountain scenery of his native New England. However, in 1886, Shapleigh began to spend the winter months in St. Augustine, Florida. When in Florida he stayed at the Ponce de Leon Hotel, where he was the artistin-residence. $25,000-30,000

98. Frank Henry Shapleigh (American, 18421906) In Hospital Street, St. Augustine, Florida Titled and signed “...by F.H. Shapleigh” on the reverse, Frost & Adams label on the reverse. Oil on Academy board, 7 1/2 x 12 1/2 in. (19.1 x 31.8 cm), framed. Condition: Wear and losses to edges, mild surface grime. $30,000-50,000

98A. Freeman Willis Simmons (American, d. 1926) In Front of the Richfield Inn Signed “Freeman W. Simmons-” l.l. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Craquelure, minor retouch. $600-800

98A

99. American School, 19th Century Winter Landscape, Possibly a View Near Olana, c. 1860s Unsigned. Oil on canvas, 18 x 26 in. (45.7 x 66.0 cm), unframed. Condition: Lined (with tape at tacking edges), retouch, scattered craquelure, surface rubs, surface grime. $800-1,200

100. Arthur Fitzwilliam Tait (American, 1819-1905) Heading Home from Pasture Signed, inscribed and dated “A.F. Tait N.A., NY 97” l.r. Oil on canvas, sight size 13 x 21 in. (33.0 x 53.3 cm), framed (in a shadow box). Condition: Scattered retouch, scattered craquelure, not examined out of frame. N.B. Arthur Fitzwilliam Tait was born in Liverpool, however, as a child moved to the English countryside near Lancaster, where he first became interested in nature, animals, hunting, and fishing. By the 1840s Tait relocated to Manchester where he worked at Agnew’s Repository for the Arts, and discovered the work of Edwin Landseer and John Frederick Herring. Herring’s use of color, in particular, inspired the young artist. In 1850, Tait, after viewing an exhibition of George Catlin’s paintings of the American West, decided to move to America. He settled in New York, where he painted views of the surrounding Adirondacks. He purchased a farm in Westchester Country, which offered the opportunity to paint animals in their natural environment. Tait is best known for these realistic, narrative scenes, often featuring animals and huntsmen, using rich natural colors. $15,000-25,000

100

101. Henry Boese (American, 1824-1863) Landscape with Watering Cows Signed “H Boese” l.r. Oil on board, 10 1/4 x 13 1/4 in. (26.0 x 33.7 cm), framed. Condition: Retouch, craquelure with alligatoring, surface grime. $500-700

101

102. Henry Farrer (American, 1844-1903) The Houses in the Old Orchard, Twilight Signed and dated “H.FARRER. 1889.” l.l., a label from the Museum of Fine Arts, Boston, on the backing. Watercolor on paper, 30 x 48 in. (76.2 x 121.8 cm), unmatted, unframed. Condition: Mounted onto stretched canvas, abrasions, toning. $2,000-3,000

102

103. American School, 19th Century Survey of the Land/A New England Agricultural View Monogram signed and dated “FE Berier 1857” l.r. Oil on canvas, 25 1/4 x 36 in. (64.1 x 91.4 cm), framed. Condition: Craquelure, surface grime, minor abrasions. $1,000-1,500

103

104. Albert Fitch Bellows (American, 1829-1883) Landscape with Cottage and Livestock Signed “A. F. Bellows.” l.l. Watercolor on paper/board, sight size 9 3/4 x 17 1/4 in. (24.8 x 43.8 cm), framed. Condition: Toning, scattered surface abrasions, not examined out of frame. $1,000-1,500

104

105. Thomas Bigelow Craig (American, 1849-1924) A Shady Stream Signed “THOS. B. CRAIG A.N.A.” l.r., titled and signed “...Painted by THOS. B. CRAIG. A.N.A.” on the reverse. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Strip-lined, scattered retouch, mild craquelure, surface grime. $1,000-1,500

105

106. William Hart (American, 1823-1894) Cows by a River Bank Signed and dated “Wm HART 1874” l.r. Oil on canvas, 11 x 16 1/2 in. (27.9 x 41.9 cm), framed. Condition: Craquelure, surface grime. $2,000-4,000

106

107. American School, 19th Century Landscape with Cows by a Lake Signed “N...Boardman” l.r. Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed. Condition: Craquelure, surface grime, losses/abrasions. $800-1,200

107

108

109

108. John William Hill (American, 1812-1879)

109A. Alfred Thompson Bricher (American, 1837-1908)

Summer Afternoon Signed and dated “J. W. Hill 1865” l.l., identified on a label from Godel and Company, New York, affixed to the reverse. Watercolor on paper, sight size 14 x 21 in. (35.5 x 53.0 cm), framed. Condition: Subtle mat burn, repaired tears, minor scattered staining/fox marks, not examined out of frame. $5,000-7,000

Mountain Landscape Signed and dated “A T Bricher 1860” l.c. Oil on canvas, 30 x 45 in. (76.2 x 101.6 cm), unframed. Condition: Lined, tape to edges, retouch, craquelure with scattered lifting, surface grime.

109. American School, 19th Century Pair of Hudson River School Views Unsigned. Oil on board, oval formats, 11 x 13 3/4 in. (27.9 x 34.9 cm), framed. Condition: Scattered retouch, surface grime. $200-300

N.B. Alfred Thompson Bricher grew up in Newburyport, a coastal town on the North Shore of Massachusetts. Bricher was largely self-taught although he attended the Lowell Institute in Boston. His earliest known work is from 1856; by 1860 he most likely had traveled to the Hudson River Valley to see first-hand the landscape that so inspired the artists of the Hudson River School. “Studying the scenery and the works of the major Hudson River painters, while perhaps looking over some of their shoulders, Bricher rapidly personalized the styles of Cole, Durand, Kensett and Gifford with amazing virtuosity.”1 A wonderful example of his work from this time, this landscape is both accurate in detail and romantic in its depiction. It conveys the subtleties of light and a rich tonality emblematic of the Hudson River School. 1. Brown, Jeffrey R., assisted by Ellen W. Lee Alfred Thompson, Bricher (Indianapolis: Indianapolis Museum of Art, 1973), p. 15.

$15,000-20,000

109A

110

110. Hendrik-Dirk Kruseman Van Elten (Dutch/American, 18291904) Boys Fishing on a River Bank Signed “Kruseman van Elten” l.l. Watercolor on paper, sight size 12 1/2 x 19 3/4 in. (31.8 x 50.2 cm), framed. Condition: Subtle mat burn, not examined out of frame. $2,000-3,000

111. Vincent Colyer (American, 1825-1888)

111

Boating on the Lake Unsigned, identified on the frame. Oil on canvas, 24 1/2 x 30 1/2 in. (62.2 x 77.5 cm), framed. Condition: Retouch, abrasions, craquelure, stretched around wood panel to stretcher bars. Provenance: Robert C. Eldred Co. Inc., March 16, 1991. $1,000-1,500

112. Lemuel L. Lowell (American, 1837-1914) Figures on the River Bank Signed and dated “L.L. Lowell 1904” l.l. Oil on canvas, 22 x 34 in. (55.9 x 86.4 cm), framed. Condition: Surface rubs, surface grime. $400-600

112

113

113. American School, 19th Century Deer at the Lake Unsigned. Oil on canvas, 9 1/4 x 11 in. (23.5 x 27.9 cm), framed. Condition: Scattered retouch, mild surface grime. $500-700

114

114. Levi Wells Prentice (American, 1851-1935)

115. Andrew W. Melrose (American, 1836-1901)

River Landscape Initialed “LWP” l.r. and signed “L.W. Prentice” on the reverse. Oil on artist board, 9 1/4 x 4 3/4 in. (23.5 x 12.1 cm), framed. Condition: Minor surface grime. $800-1,200

Landscape with Tranquil Lake Signed “A. Melrose” l.r. Oil on artist board, 6 x 11 in. (15.2 x 27.9 cm), framed. Condition: Surface grime, craquelure, retouch. $1,000-1,500

115

116

115A

115A. Arnold Marc Gorter (American, 1866-1933)

116. American School, 19th Century

Landscape with Cows by a River at Twilight Signed “AMGORTER” l.r. Oil on canvas, 16 1/4 x 12 1/4 in. (41.3 x 31.1 cm), framed. Condition: Craquelure, retouch. $1,000-1,500

Stroll by the River Unsigned. Pastel on paper, sight size 15 x 20 1/4 in. (38.1 x 51.4 cm), framed. Condition: Scattered foxing and/or staining, subtle toning. $500-700

116A. Lot of Two Landscape Views: Walter C. Hartson (American, 1866-1946), River View at Dusk, signed “WCHartson” l.l.; Attributed to Jerome Pennington DeWitt (American, 1895-1940), Castle Landscape with Figure, signed or inscribed “JDEWitt” l.l. Oil on paper/board, sizes to 5 1/4 x 7 1/8 in. (13.3 x 18.1 cm), both framed. Condition: River with restored break l.r., Castle with scattered minor losses and abrasions beneath frame liner, surface grime. $200-300

116A

116B

117

116B. Attributed to Worthington Whittredge (American, 18201910) Woodland River Unsigned. Oil on canvas, 15 x 12 in. (38.1 x 30.5 cm), framed. Condition: Lined, retouch, craquelure. $600-800

117. Joseph H. Greenwood (American, 1857-1927) Woodland View Signed and dated “J H Greenwood 07” l.l., a landscape sketch of apple trees on the reverse. Oil on panel, 9 x 8 in. (22.9 x 20.3 cm), framed. Condition: Nail hole u.r., scattered retouch, mild varnish inconsistencies, verso with surface rubs/abrasions throughout. $600-800

118. George William Whitaker (American, 1840-1916) Path Through the Woods Signed and dated “G. W. WHITAKER -95-” l.l. Oil on canvas, 23 x 33 in. (58.4 x 83.8 cm), framed. Condition: Scattered craquelure with separating, scattered retouch, surface grime. $800-1,200

118

119. George Herbert McCord (American, 1848-1909) Autumn Walk at Sunset Signed “G H McCord NA...” l.r. Oil on canvas, 30 x 25 in. (76.2 x 63.4 cm), framed. Condition: Minor repair/retouch u.r., surface grime, craquelure. $3,000-5,000

119

120. Oldrich Otto Farsky (American, 1895-1968) Autumn in the Birches Signed “O. Farsky” l.r. Oil on canvas, 24 x 20 1/8 in. (60.9 x 51.0 cm), framed. Condition: Lined, scattered retouch. $1,200-1,500

120

121. American School, 19th Century A Moment’s Rest Signed and dated “PHELAN 1875” l.r. Oil on artist board, 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm), framed (in a liner). Condition: Minor surface grime, mounted to matboard. $600-800

121

122. Henry Ward Ranger (American, 1858-1916) Woodland View Unsigned, with National Academy of Design estate stamp l.r., inscribed “B438” l.r. Oil on panel, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Horizontal splits to the panel, craquelure, surface grime. $800-1,200

123. Alexander Helwig Wyant (American, 1836-1892) A Solitary Horseman Signed “A.H. Wyant” l.r. Oil on artist board, 6 1/8 x 9 1/8 in. (15.6 x 23.2 cm), framed. Condition: Minor surface grime. $2,000-2,500 122

123

124. Philip Shelton Sears (American, 1867-1953) Pumananqwet (He Who Shoots the Stars) Signed and dated “Philip S. Sears Sc, 1929, ©” on the base l.c. Bronze with brown patina, height 15 in. (38.1 cm). Condition: Base filled with plaster and felt adhered to the bottom of the base, mild scattered areas of oxidation, gentle wear, surface grime. $4,000-6,000

125. Chester Harding (American, 1792-1866) Portrait of Alden Bradford Unsigned, identified on labels from Fogg Art Museum, Museum of Fine Arts, and Addison Gallery, Philips Andover Academy, affixed to the reverse. Oil on canvas mounted onto panel, 26 1/2 x 22 1/4 in. (67.3 x 56.5 cm), framed. Condition: Bowing to support, retouch, varnish inconsistencies, craquelure, pinholes, surface grime. $1,500-3,000

126. Thomas Satterwhite Noble (American, 1835-1907) Forgiveness Signed “T....” l.l. Oil on canvas, 50 x 60 in. (127 x 152.4 cm), framed. Condition: Lined, retouch primarily to l.l. quadrant, minor losses along frame liner. $7,000-9,000

124

125

126

127. Philip Shelton Sears (American, 1867-1953) Stepping Stones Signed and dated “Philip S. Sears Sc, 1923” on the base l.r., stamped “GORHAM CO FOUNDERS QFVS #13” on the base. Bronze with green patina, height 13 1/2 in. (34.3 cm). Condition: Base filled with plaster and felt adhered to the bottom of the base, extremely mild scattered areas of oxidation, gentle wear, surface grime. $3,000-5,000

128. American School, 19th Century Soldier Unsigned. Oil on canvas, 21 x 14 1/4 in. (53.3 x 36.2 cm), framed. Condition: Losses, scattered retouch, surface grime. $300-500

129. John Quincy Adams Ward (American, 1830-1910) Henry Ward Beecher, c. 1888-89 Unsigned. Painted plaster, height 14 3/4 in. (37.5 cm). Condition: Repairs, felt adhered to the bottom.

127

Provenance: The sculptor, until 1910, to his widow, until 1923; by gift to the American Academy and Institute of Arts and Letters, New York, until 1989, at Hirschl & Adler Galleries, New York; a private collection. Exhibitions: Primary Models: American Plasters 1880-1945, Hirschl & Adler Galleries, New York, 1990. $3,000-5,000

128

129

129A. Edward Mitchell Bannister (American, 1828-1901) Headed Home from Haymaking/A Figure Study Initialed “E. M. B.” l.r. Oil on board, 14 x 10 in. (35.6 x 25.4 cm), framed. Condition: Board slightly warped, surface grime. N.B. Following the American and French Barbizon schools to which he was ideologically and aesthetically affiliated, the genre of “peasant life” and the subject of the agricultural worker is a constant in Edward Mitchell Bannister’s paintings and drawings. The figure depicted here, a dark-haired woman wearing a straw hat to protect her from the sun’s glare and carrying a wooden rake, is returning from a long day of haymaking in the fields. On New England farms in the 19th century, there were strong gender boundaries between men’s work (which included care of the horses and cattle, tillage crops, the use of edge tools and any activities requiring major physical strength) and that of their wives and daughters (comprising of the housekeeping and childrearing, running the dairy, the husbandry of smaller animals, gardening and sewing). The urgency of haymaking, however, meant that these labor divisions collapsed, and women routinely joined their men folk in gathering the stacks. The subject of haymaking was revisited by Bannister and can be seen in other extant and unlocated Bannister works, both preparatory sketches and finished pieces. These include The Hay Gatherers (private collection) and Loading Hay (collection of Smithsonian Institution, Washington D.C.). The model for this piece was most likely Annie S. Monroe (née Jefferey) who posed regularly for Bannister during the 1880s. This work will be included in Anne Louise Avery’s forthcoming catalogue raisonné on the artist. We would like to thank her for her assistance with cataloging this lot. $8,000-12,000 129A

129B. Giovanni Maria Benzoni (Italian, 1809-1873) Young Girl and Her Dog, alternatively titled La Riconoscenza (Gratitude) Signed and dated “G. M. BENZONI R.A. 1855 ROMA” l.l. Marble with a pedestal, height 27 1/2 in. (69.8 cm). Condition: Break to paw, repaired breaks/cracks, discolorations, surface grime, soiling/surface abrasions. Provenance: MSPCA-Angell; proceeds of the sale will help restore archives recently damaged in a fire. N.B. Giovanni Maria Benzoni was born near Bergamo, Italy, and studied with Giuseppe Fabris at Academia di San Luca in Rome. A technically skilled sculptor, Benzoni is best known for his neoclassical marble works in which the stone is imbued with qualities of softness and life. $5,000-8,500

129B

130

130A

130. Bessie Onahotema Potter (Keyes) Vonnoh (American, 18721955) Mother and Child Signed, numbered, and foundry stamped “Bessie Potter Vonnoh ...XV... ROMAN BRONZE WORKS, N-Y” in the cast on the base. Bronze with dark brown patina, approximately 6 1/2 x 6 1/2 x 3 1/2 in. (16.5 x 16.5 x 8.9 cm), on an oval wood plinth. Condition: Minor surface grime. $2,000-4,000

130A. William Stephen Coleman (British, 1829-1904) The Butterfly Catcher Signed “W.S. Coleman” l.l. Watercolor and gouache on paper/board, sight size 20 3/4 x 12 in. (52.7 x 30.5 cm), framed. Condition: Toning, not examined out of frame. $2,000-3,000

130B. Margaret Foster Richardson (American, 1881-1945)

130B

Portrait of a Young Woman Signed and dated “Margaret F. Richardson, 1910” l.r., artist and date inscribed on the frame, verso. Oil on canvas, 22 x 18 in. (55.9 x 45.7 cm), framed. Condition: Lined, lifting/flaking in the varnish layer, surface grime. $3,000-5,000

131. Anglo/American School, 19th/20th Century Still Life with Fruit a Plein Air Unsigned. Oil on canvas, 13 1/2 x 19 in. (34.3 x 48.3 cm), framed. Condition: Lined, scattered retouch, mild varnish inconsistencies, craquelure, surface grime. $400-600

131

132. Sidney Lawrence Brackett (American, 1852-1910) Kittens in the Barnyard Signed “Sid.Brackett” l.l. Oil on canvas, 34 x 46 in. (86.4 x 116.8 cm), framed. Condition: Bloom, surface grime. $1,000-1,500

132

132A. American School, 19th Century Still Life with Fruit Incised date and monogram signature “88...G C...se” u.r. Oil on canvas mounted onto board, 10 1/4 x 17 1/2 in. (26.0 x 44.4 cm), framed. Condition: Surface grime, subtle bloom. $400-600

132A

134

133

133. Charles Stanley Reinhart (American, 1844-1896)

134. Adelaide Coburne Palmer (American, 1851-1928)

Portrait of a Woman in a Landscape Signed “REINHART” l.r. Oil on canvas, 16 1/4 x 9 5/8 in. (41.3 x 24.4 cm), framed. Condition: Patch reinforcement, retouch. $1,500-2,500

Raspberries Signed and dated “Adelaide Palmer. 1895.” l.l., identified on a label affixed to the stretcher. Oil on canvas, 10 x 16 in. (25.4 x 40.6 cm), framed (under glass). Condition: Not examined out of frame. Provenance: A gift from the family of the artist to the family of the present owner. $1,200-1,800

135. Attributed to Sarah Wyman Whitman (American, 18421904) Chestnut in Bloom/A Diptych Unsigned. Oil on board, each panel 21 1/2 x 42 in. (54.6 x 106.7 cm), framed. Condition: Surface grime. Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $3,000-4,000

135

136

136. Charles Dana Gibson (American, 1867-1944)

137. James Crawford Thom (American, 1835-1898)

The Social Call Signed “C.D. Gibson” l.c. Ink on paper, sight size 14 x 18 1/8 in. (35.5 x 46.0 cm), framed. Condition: Toning, tear (into signature) l.c., staining, abrasion l.r., not examined out of frame. $2,000-3,000

The French Lesson Signed “J.C. Thom-” l.r. Oil on cradled panel, 18 1/2 x 14 in. (47.0 x 35.6 cm), framed. Condition: Minor retouch, varnish inconsistencies. $2,000-4,000

138. Orson Byron Lowell (American, 1871-1956) The Love Seat Signed and dated “Orson Lowell - 93” l.l. Ink with whiting on paper, sight size 11 1/2 x 13 3/4 in. (29.2 x 34.8 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600

138 137

139. Howard Chandler Christy (American, 1872-1952) Meeting at the Restaurant Signed “Howard Chandler Christy” l.r. Ink wash and whiting on paper/board, sight size 21 x 27 in. (53.3 x 68.6 cm), framed. Condition: Toning, creases, not examined out of frame. $2,500-3,500

139

140. Harry Herman Roseland (American, 1868-1950) The Oracle of the Cards Signed “H. Roseland” l.r., titled and signed “...BY HARRY ROSELAND/17” on the reverse. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed. Condition: Lined, retouch, surface rubs, minute scattered losses, craquelure. $2,000-3,000

140

141. Charles Dana Gibson (American, 1867-1944) A Rest by the Sand Trap Signed and inscribed “...C.D. Gibson” l.c. Ink on paper, sight size 16 1/2 x 23 1/2 in. (41.8 x 59.6 cm), framed. Condition: Toning, minor staining, not examined out of frame. $2,000-2,500

141

142

142. Jasper Francis Cropsey (American, 1823-1900)

142A. Joan Sharrock (British/Canadian, b. 1946)

On the Lake Signed, inscribed, and dated “J F Cropsey xmas 1887” l.r. Watercolor on paper, sight size 7 1/2 x 14 1/4 in. (19.1 x 36.2 cm), framed. Condition: Toning, subtle rippling, adhered to supporting mat (with front mat glued along top).

Bayou Lace Signed “© JOAN SHARROCK-” l.l., identified in information on the reverse. Oil on canvas, 24 x 18 in. (60.9 x 45.7 cm), framed. Condition: Good. $1,500-2,200

N.B. This work will be included in a forthcoming catalogue raisonné of Cropsey’s works in watercolor by the NewingtonCropsey Foundation. We would like to thank the foundation for their kind assistance with cataloging this lot. $10,000-15,000

142A

143. Joan Sharrock (British/Canadian, b. 1946) Zebras at a Watering Hole Signed “© JOAN SHARROCK-” l.l., identified in information on the reverse. Oil on canvas, 18 x 14 in. (45.7 x 35.5 cm), framed. Condition: Good. $1,800-2,200

143

143A. David Noll (American, 20th Century) Eagle Nest at Paradis/A Louisiana View Signed “DAVID NOLL” l.r. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Good. $800-1,200

143A

144. American School, 20th Century Dunes at Dawn Signed “BARNARD” l.c., identified on a Boston Art Club Member’s Exhibition label affixed to the reverse. Watercolor on paper/board, sight size 18 1/2 x 23 in. (47.0 x 58.4 cm), framed. Condition: Toning, mat burn, not examined out of frame. $600-800

144

145. Bancel LaFarge (American, 1875-1938) Trout (Riviere Ste. Marguerite) Signed and dated “B. La Farge 1933” l.r., titled in an inscription on the backing, a label from the collection of Mrs. Charles Cummings, Prides Crossing, Massachusetts, on the backing. Watercolor and whiting on paper, sight size 14 x 19 1/8 in. (35.5 x 48.5 cm), framed. Condition: Rippling, several fox marks, not examined out of frame. Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $300-400 145

146

146. Marie H. Guise Newcomb (American, 1865-1895) 147

Portrait of a Horse Signed and dated “M.H. Guise 1885” l.r. Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed. Condition: Lined, craquelure, minor lifting, retouch. $1,000-1,500

147. Attributed to Sydney Mortimer Laurence (American, 18651940) Mountain View, Possibly Mt. McKinley, Alaska Signed or inscribed “Sydney Laurence” l.c. Watercolor on paper, 13 1/4 x 8 3/4 in. (33.7 x 22.2 cm), framed. Condition: Adhered to front mat, mat burn. $700-900

148

148. James J. McAuliffe (American, 1848-1921) American Boy/An Equine Portrait Signed and dated “J.McAuliffe 1869” l.r. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Lined, retouch, surface grime, craquelure. $3,000-5,000

149. Henry Merwin Shrady (American, 1871-1922) Portrait of a Jockey Signed and inscribed “Copyrighted 1904 by/HM SHRADY” in the cast on base. Bronze with dark brown patina, approximately 24 1/2 x 23 x 7 in. (62.2 x 58.4 x 17.8 cm). Condition: Loss to whip, crack and restoration to figure’s right foot. $15,000-25,000

149

149A. Stella McLennan Roca (American, 1879-1955) Arizona Sky Titled, dedicated and signed “...for my dear Tanna Mae Stella Roca” on the frame. Oil on canvas board, 16 x 20 in. (40.5 x 50.5 cm), framed. Condition: Scattered retouch (primarily to sky), subtle surface grime. $200-300

149A

149B. Edward Brodney (American, 1910-2002) Forward Charge Signed “Edward Brodney” l.l., identified on a label on the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Good. $800-1,200

149B

150

151

150. John William Hilton (American, 1904-1983) High Desert Sunshine Signature incised “John W. Hilton” l.r., titled on the reverse. Oil on Masonite, 19 3/4 x 30 in. (50.2 x 76.2 cm), framed. Condition: Surface rubs, mild surface grime. $3,000-5,000

151. Edna W. Lawrence (American, 1898-1987) Lot of Two Portraits of a Native Americans Unsigned. Graphite (one with colored pencil) on paper, sheet sizes 12 x 9 in. (30.4 x 22.7 cm), framed. Condition: Subtle toning, tape to verso at edges. Provenance: A gift from the artist to her student, Alice Miles, to the present owner. $300-500

152

152. Henry Raschen (American, 1854-1937) Campfire Stories Signed “H. RASCHEN” l.r., identified on a presentation plaque. Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed (under glass). Condition: Not examined out of frame. N.B. Henry Raschen was born in Germany and, in 1868, moved with his family to Fort Ross, California. Raschen soon settled in San Francisco and began to study art with Charles Nahl and Virgil Williams. He traveled to Munich in the late 1870s where he studied alongside fellow American expatriates such as William Merritt Chase. Raschen returned to San Francisco and began to paint scenes of American Indians. His life-like compositions conveyed the customs of the Native American tribes throughout California and the Southwest, particularly the Pomo Indians of nearby Sonoma County. Although he returned to Munich for four years (from 1890 until 1894), Raschen ultimately settled in California, where he continued to produce the paintings of Native Americans for which he best known. $15,000-20,000

153 154

153. Greg A. Beecham (American, b. 1954)

154. Harry Andrew Jackson (American, b. 1924)

An Easy Target Signed “BEECHAM” l.l. Oil on board, sight size 17 1/4 x 17 1/4 in. (43.8 x 43.8 cm), framed (under glass). Condition: Very slight bowing to support, scattered retouch, not examined out of frame. $1,800-2,200

Cowboy’s Meditation Signed, inscribed and dated “19./Harry Jackson 64” in the cast on base, titled “COWBOY [sic] MEDITATION” on a presentation plaque, with a label from Kennedy Galleries, Inc., New York, affixed to the felt bottom. Bronze with dark brown patina, approximately 22 1/2 x 22 x 9 in. (57.2 x 55.9 x 22.9 cm), mounted to a stone plinth. Condition: Surface grime, minor oxidation. $4,000-6,000

155. Harrison Gilman Eastman (American, 1822-1891) Gathering in Front of Mission Dolores Signed and dated “HARRISON.EASTMAN.1852” l.l. Watercolor with graphite on paper, 9 x 13 in. (22.9 x 33.0 cm), unframed. Condition: Sharp crease u.l., toning, residue on the reverse, minor loss to l.r. corner. $700-900

155

157

156

156. Paul Glindon (British, fl. circa 1879)

157. Attributed to Elihu Vedder (American, 1836-1923)

Bringing Tea to the Garden Signed and dated “PGlindon 78.” l.l. Gouache on paper/board, sight size 10 3/4 x 6 1/4 in. (27.3 x 15.8 cm), framed. Condition: Not examined out of frame. $200-300

View in Egypt Inscribed “Feb...” l.c., identified on a label on the reverse. Charcoal on blue/gray paper, 8 1/8 x 13 in. (20.5 x 33.0 cm), framed. Condition: Unpressed vertical crease, subtle toning or fading. $200-250

158. Paul Pascal (French, 1832-1903) Arabian Scene Signed “P. Pascal” l.r. Watercolor, ink wash, and gouache on paper/board, sight size 16 1/4 x 22 1/4 in. (41.3 x 56.5 cm), framed. Condition: Subtle rippling, not examined out of frame. $400-600

158

160A

159

159. Corwin Knapp Linson (American, 1864-1959)

160A. American School, 20th Century

Street in Nazareth Signed, inscribed and dated “Corwin K. Linson Nazareth 1898.” l.l. Oil on canvas mounted on board, 10 3/8 x 6 7/8 in. (26.3 x 17.3 cm), framed. Condition: Subtle surface grime. $600-800

Figural Study Signed or inscribed “DAVID KOMURA/1931” and with a label from Raydon Gallery, New York, on the reverse. Oil on paper, sheet size 12 3/4 x 17 1/2 in. (32.4 x 44.4 cm), framed (without glass). Condition: Mounted to matboard. $300-500

160. Jane Peterson (American, 1876-1965)

160B. Lot of Two Works on Paper:

Arabian Market Signed “JANE PETERSON” l.r. Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Lined, retouch. $5,000-7,000

Duncan Campbell (American, 19th/20th Century), Arabian City, signed and dated “DUNCAN CAMPBELL 1935” l.r.; Maurice H. Sterne (American, 1878-1957), Benares, signed, titled and dated “Maurice Sterne...1912” l.l., inscribed on the backing; both watercolor and gouache on paper/board, sight sizes to 9 x 12 1/2 in. (22.9 x 31.8 cm), framed. Condition: Toning, not examined out of frames. $300-500

160B

160

161

161. Martin Rico y Ortega (Spanish, 1833-1908) Calle Dietro il Campanile Signed “RICO” l.l., identified within the composition. Watercolor and graphite on paper, sight size 13 1/4 x 20 3/4 in. (33.6 x 52.5 cm), framed. Condition: Subtle toning, staining, not examined out of frame. $8,000-12,000

162

162. Henry Plympton Spaulding (American, 1868-1938) Moored in the Grand Canal Signed and dated “Henry Plympton Spaulding 1902” l.r. Watercolor and gouache on paper mounted onto board, 13 3/4 x 4 3/4 in. (34.8 x 12.0 cm), frame accompanies the lot. Condition: Subtle toning. $250-350

163. Ercole Magrotti (Italian, 1890-1967) Particolare di Largo/An Italian Coastal View with Mt. Vesuvius in the Distance Signed “EMagrotti” l.l., identified on a label from Fontarte Milanese affixed to the reverse. Oil on canvas, 16 x 31 in. (40.6 x 78.7 cm), framed. Condition: Surface grime. $600-800

163

164

164. Nicholas Briganti (American, 1861-1944) View of the Grand Canal Signed “N. Briganti” l.r. Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed. Condition: Partially strip-lined, craquelure, mild surface grime. $1,500-2,000

165. Carl Müller (Austrian, 1862-1938)

165

Moored in the Grand Canal Signed “C Muller” l.l. Oil on canvasboard, 15 5/8 x 19 3/4 in. (39.5 x 50.0 cm), framed. Condition: Minor scattered retouch. $1,000-1,500

166. Filippo Anivitti (Italian/American, 1876-1955) Flower Seller, Spanish Steps, Rome Signed “F. Anivitti” l.r. Oil on canvas, 15 3/4 x 17 3/4 in. (40.0 x 45.1 cm), framed. Condition: Losses, craquelure with flaking, scattered retouch, surface grime. $800-1,200

166

167A

167

167. Edna Hibel (American, b. 1917)

167A. Aleksandr Evgen’evich Yakovlev (Russian, 1887-1938)

Women Cutting Grain Signed “Edna Hibel” l.r., identified on a label from the Museum of Fine Arts, Boston, on the reverse. Watercolor with gouache on paper/board, 23 x 16 7/8 in. (58.4 x 42.8 cm), framed. Condition: Unobtrusive toning, not examined out of frame.

Mexico Signed, inscribed and dated “AIacovleff MEXICO 1936” l.l., dedicated and inscribed “To Mr. Edgell in remembrance of our three years of collaboration at the Museum School and as a Friendly Souvenir... 1937” on the backing. Watercolor with gouache on paper, 12 x 18 in. (30.4 x 45.7 cm), framed. Condition: Subtle toning, tape to edges on the reverse.

Provenance: Descended within the family of George Harold Edgell (1887-1954). Edgell was an architectural historian and a professor of fine arts at Harvard University. In 1934 he became a curator of paintings at the Museum of Fine Arts, Boston, and assumed the directorship the following year. $200-300

Provenance: Descended within the family of George Harold Edgell (1887-1954). $1,000-1,500

168. Charlotte Harrington Scott (American, 1905-1963) Tharpes Cottage Signed “Charlotte Scott” l.r., titled in an inscription on the reverse. Watercolor and graphite on paper, 15 1/2 x 19 1/2 in. (39.3 x 49.4 cm), unmatted, unframed. Condition: Pinholes to corners, brown paper tape to edges on the reverse. Provenance: Through the collection of the artist. $300-500

168

170

169

169. Charlotte Harrington Scott (American, 1905-1963)

170. Charles Nicolas Sarka (American, 1879-1960)

Trimming the Grasses Unsigned. Watercolor and graphite on paper, 13 x 9 7/8 in. (33.0 x 25.0 cm), unmatted, unframed. Condition: Deckled edges, tape residue to edges on the reverse.

Valley in Moorea Signed and inscribed “SARKA, MOOREA” l.r., inscribed “INLAND RANGES” l.l., titled on the reverse. Watercolor on paper, sight size 15 3/4 x 21 1/4 in. (40.0 x 54.0 cm), framed. Condition: Taped to front mat at u.r. and u.l. verso, tape and residue at edges verso. $1,500-2,500

Provenance: Through the collection of the artist. $300-500

171. Heinrich Herman Pfeiffer (American, 1874-1960) Figures by the Shore Incised signature “HEINRICH PFEIFFER” l.r., inscribed “OCTOBER/HEINRICH PFEIFFER/PROVINCETOWN MASS./SUMMER STUDIO...” on the reverse. Oil on canvasboard, 14 x 13 in. (35.6 x 33.2 cm), framed. Condition: Minor surface grime. $600-800

171

172

173

172. Sandor Bernath (American, 1892-1984)

173. Hartwell Leon Woodcock (American, 1853-1929)

Honduras View Signed “Sandor Bernath” l.l. Watercolor with whiting on paper/board, 9 3/4 x 14 in. (24.8 x 35.6 cm), framed. Condition: Not examined out of frame. $500-700

Bermuda Beach Dedicated, signed and dated “To Daniel Frahman - Hart L. Woodcock 1924.” l.l. Watercolor with graphite on paper/board, sight size 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm), framed. Condition: Subtle toning, not examined out of frame. $700-900

174. Jean Jacques Haffner (American, 1885-1961) Caribbean Village, St. Thomas Inscribed, dated, and signed “St. Thomas 1934 JHaffner” l.r., identified on labels from Doll & Richards, Inc., Boston, the Boston Society of Water Color Painters, and the Museum of Fine Arts Special Loan Exhibition, Boston, on the backing. Watercolor and graphite on paper, sight size 13 3/4 x 20 in. (34.8 x 50.8 cm), framed. Condition: Subtle toning, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500 174

175

175. Hermann Dudley Murphy (American, 1867-1945) The Blue Sea Monogrammed signature l.r., signed or inscribed and titled “Hermann Dudley Murphy...” on the reverse, a label from Articoli per Belle Arte affixed to the reverse. Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), in a frame signed “19...09 Carrig-Rohane 623” l.c. (under glass). Condition: Scattered retouch, not examined out of frame. N.B. Boston School artist Herman Dudley Murphy began his studies at the Museum School in Boston with Edmund Tarbell and Frank Benson. In 1891 he went to Paris where he attended the Academie Julian and studied with Jean-Paul Laurens. While in Paris, Murphy met James Abbott McNeil Whistler and was inspired by his palette, tonality, and compositions. Murphy, like Whistler, began to create his own frames that complemented his paintings. Upon his return to the US, Murphy opened a frame making studio, Carrig-Rohane, with Charles Prendergast (and later with W. Alfred Thulin).

176

Murphy first traveled to Nicaragua in 1887 for his work as an illustrator for the Nicaraguan Canal Expedition. He continued to travel to the tropics throughout the late 1800s and early 1990s. These travels certainly influenced his art; by the 1910s Murphy departed from the soft colors and refined compositions that marked his early work and began to use a vibrant palette and energetic brushwork. $3,000-5,000

176. Felix Ramos (Cuban, 1919-1993) Thatched House in the Valley Signed “Felix Ramos” l.r. Oil on canvas, 21 1/4 x 27 1/4 in. (54.0 x 69.0 cm), unframed. Condition: Unstretched, subtle surface grime. $2,000-3,000

177. Lewis Henry Meakin (American, c. 1850-1917) Arizona Landscape Signed “L.H. Meakin” l.l. Oil on canvas, 21 x 30 in. (53.3 x 76.2 cm), framed. Condition: Craquelure, retouch. $1,500-2,500

177

178. Hobart Nichols (American, 1869-1962) Westchester Hills/A New York Landscape Signed “-Hobart Nichols-” l.l., identified on labels including Flint Institute of Arts (see below) and Grand Central Art Galleries, New York, affixed to the reverse. Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed. Condition: Retouch. Exhibitions: Art of Collecting, Flint Institute of Arts, Flint, Michigan, November 28, 1997 to January 4, 1998. $3,000-5,000

178

179. William F. Fett (American, b. 1918) Mexican Landscape Signed, inscribed and dated “Wm. Fett/Mexico/1965” l.c. Watercolor on paper, 23 x 30 in. (58.4 x 76.2 cm), framed (without glass). Condition: Subtle rippling. $1,000-1,500

179

180. Pop (George Overbury) Hart (American, 1868-1933) Mr. Borg in His Garden/An Algerian Landscape Signed, inscribed and dated “Hart/Bousaada 1930” l.r., titled l.l., identified on labels from the Downtown Gallery, New York, and The Cleveland Museum of Art, on the reverse. Watercolor and graphite on paper, sheet size 19 x 25 1/8 in. (48.3 x 63.8 cm), framed. Condition: Laid onto mat board, tack holes to sheet, small restored tears to left margin, restored paper loss to l.l. corner, subtle toning. Exhibitions: Eighth Exhibition of Water Colors and Pastels, The Cleveland Museum of Art, November 6–December 7, 1930. $1,000-2,000 180

181. John Edward Heliker (American, 1909-2000) Landscape, Andalusia Signed and inscribed “Heliker, Spain...” l.r., identified on a label from Kraushaar Galleries, New York, affixed to the reverse. Watercolor and graphite on paper, sight size 7 1/2 x 12 3/4 in. (19.1 x 32.4 cm), framed. Condition: Subtle toning, not examined out of frame. Provenance: At Kraushaar Galleries, New York, between 19791983. $500-700 181

182. Karl Zerbe (American, 1903-1972) Spring Fields Signed “Zerbe” l.l. Watercolor and gouache on paper/board, sight size 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm), framed. Condition: Mild rippling, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500

182

183

183. Clifford Grear Alexander (American, 1870-1954) Off After Pickerel/A View of the Sudbury River, Massachusetts Signed and dated “C. GREAR ALEXANDER -1906-” l.r., titled and inscribed “...SUDBURY RIVER ‘MASS’/C. GREAR ALEXANDER...” in the artist’s hand on the reverse. Oil on canvas, 19 3/4 x 30 in. (50.2 x 76.2 cm), unframed. Condition: Surface grime, craquelure, minor abrasions. $1,000-1,500

184. Wilson Henry Irvine (American, 1869-1936)

185

185. Harry G. Aitken (American, 1867-1952) Winter Landscape Signed “AITKEN” l.l. Oil on board, 8 x 6 in. (20.3 x 15.2 cm), framed. Condition: Surface grime. $400-600

Sunlight and Shadows Signed “IRVINE” l.l., titled in a later hand on the stretcher. Oil on canvas, 29 1/4 x 36 in. (74.3 x 91.4 cm), framed. Condition: Scattered flaking and losses, scattered retouch, varnish inconsistencies, surface grime. $3,000-5,000

184

186

187

186. Charles Dormon Robinson (American, 1847-1933)

187. Frank A. Barney (American, 1862-1954)

Afterglow on a Winter Lake Monogram signature “CDRobinson” l.l. Oil on board, 9 x 9 1/8 in. (22.6 x 23.1 cm), framed (under glass). Condition: Minor scattered losses, surface grime. $400-600

Autumn Fields Signed and dated “FRANK A BARNEY 1911” l.r. Oil on canvas, 22 1/4 x 28 1/4 in. (56.5 x 71.8 cm), framed. Condition: Mild surface grime. $1,500-2,000

188. Walter Sargent (American, 1868-1927) Summer Afternoon Signed “WALTER SARGENT” l.l., titled on the stretcher bar. Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), framed. Condition: Craquelure, surface grime, small losses. $1,500-2,000

188

189. Robert Shaw Wesson (American, 1902-1967) Lazy Summer, Rockport, Mass Signed “R Wesson” l.r., inscribed and titled “#116...” on the stretcher. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Scattered retouch, signature partially reinforced, surface grime. $800-1,200

190. Phillip Brown Parsons (American, 1895-1977) The Road into Town Signed “P.B. PARSONS” l.l. Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Mild surface grime. $300-500 189

191. Robert Shaw Wesson (American, 1902-1967) Summer Falls Signed “Robert Wesson” l.r., titled in a later hand on the stretcher. Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Mild surface grime. $600-800

191A. Helena Sturtevant (American, 1872-1946)

190

191

The Side Yard, Late Afternoon Signed and dated “Helena Sturtevant 1929” l.r. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Puncture l.l., canvas deformation c.l., rippling, surface grime. $800-1,200

191A

192. Roy C. Kneeland (American, 1891-1982) Figures on a Porch Monogram signed and dated “KNEE/LAND/1926” l.l. Oil on artist board, 14 x 19 in. (35.6 x 48.3 cm), framed. Condition: Minor surface grime. $400-600

192

193. Arthur Safford (American, 1900-1992) A Walk Through Town, Probably a North Shore View Signed “Arthur R. Safford” l.r. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Scattered retouch, mild surface grime. $600-800

193

194. Helen Lincoln Sorenson (American, c. 1870-1929) New England Summer, Possibly Old House, Kennebunkport, Me. Signed “Helen L. Sorenson” l.r., biographical information affixed to the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Minor surface grime, varnish inconsistencies. $400-600

194

195

196

195. Leon Foster Jones (American, 1871-1940)

196. George Herbert Baker (American, 1878-1943)

Across the Pond Signed and dated “Leon Foster Jones 1925” l.r. Oil on canvas, 16 x 12 in. (40.8 x 30.6 cm), in a period frame. Condition: Small loss u.r., surface grime.

House on a Hill Signed “G.H. Baker” l.l. Pastel on paper/board, sight size 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm), framed. Condition: Toning, not examined out of frame. $800-1,200

Provenance: Given by the artist to his student, Elizabeth Barber, then to the present owner. $1,500-2,000

197. Horace C. Dunham (American, 1893-1934) Marsh View Signed and dated “H.C. Dunham 1914” in pencil l.l. Gouache and watercolor on paper, sight size 13 1/4 x 17 1/4 in. (33.7 x 43.8 cm), framed. Condition: Not examined out of frame. $700-900

197

199

198

198. American School, 20th Century

199. Horace C. Dunham (American, 1893-1934)

Under the Arbor Indistinctly signed l.r. Oil on canvas, 23 3/4 x 19 3/4 in. (60.3 x 50.2 cm), framed. Condition: Retouch, varnish inconsistencies, craquelure with lifting, mild surface grime. $800-1,200

River in Spring Signed and dated “H.C. Dunham 1914” in pencil l.l. Gouache and watercolor on paper/board, sight size 13 1/2 x 17 1/2 in. (34.3 x 44.4 cm), framed. Condition: Not examined out of frame. $700-900

200. Hezekiah Anthony Dyer (American, 1872-1943) Lot of Two Landscape Views: Hamilton, Rhode Island and Nantucket, Massachusetts Each signed, inscribed and dated “-H.A. Dyer-...1895...” l.r. Watercolor on paper, sight sizes to 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed. Condition: Not examined out of frames. $200-300

200

201. Robert Shaw Wesson (American, 1902-1967) Cambridge Valley Signed “Robert Wesson” l.r., titled and signed “...Robert Wesson” on the reverse, identified on a label from Grand Central Art Galleries, New York, affixed to the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Retouch, varnish inconsistencies. $1,000-1,500

201

202. Stanley Wingate Woodward (American, 1890-1970) View From the Lookout Signed “Stanley W Woodward” l.l. Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Scattered retouch, surface grime. $700-900

202

203. Carl Wuermer (American, 1900-1983) Blossom Time Signed “Carl Wuermer” l.r., identified on a label and in an inscription on the backing, artist’s card affixed to the frame. Oil on canvas, 24 1/8 x 31 in. (61.2 x 78.6 cm), framed. Condition: Good. $3,000-5,000

203

204. William Lester Stevens (American, 1888-1969) Barns Signed “W. LESTER STEVENS” l.r., a label from The Fenway Art Center, Boston, affixed to the backing. Oil on canvas, 20 x 22 in. (50.8 x 55.9 cm), framed. Condition: Puncture u.r. quadrant, mild surface grime. $1,500-2,500

204

205. Robert Shaw Wesson (American, 1902-1967) Autumn View, Possibly a Vermont View Signed “Robert Wesson” l.r. Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Tears/damage to u.r. and l.r. corners, scattered retouch, surface grime. $800-1,200

205

206. Otis Pierce Cook, Jr. (American, 1900-1980) Covered Bridge/A View of Beebe River, New Hampshire Signed “Otis Cook” l.l., inscribed, possibly in the artist’s hand, with title and location on the stretcher. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Mild surface grime. $700-900

206

207

207. James McCracken (American, 1875-1967) Migrating Herons, c. 1930 Signed “JAMES McCRACKEN” l.r. Oil on artist board, 32 x 32 in. (81.3 x 81.3 cm), framed. Condition: Retouch, minor surface grime, minor lifting u.l. $2,000-3,000

208. Louis H. Richardson (American, 1853-1923) Marshes in Autumn Stamped signature “LHRICHARDSON” over original signature l.r. Oil on slate, 18 x 14 in. (45.7 x 35.6 cm), framed. Condition: Retouch, surface grime. $800-1,200

208

209. Robert Henry Logan (American, 1874-1942) Tree-lined Path Signed “R. Logan” l.l. Oil on board, 10 1/2 x 13 3/4 in. (26.6 x 34.9 cm), framed. Condition: Mild wear to edges, mild staining/water damage (visible on the reverse). $300-500

209

210. Everett Longley Warner (American, 1877-1963) Maples Signed “EVERETT WARNER” l.r., identified on a period label affixed to the reverse. Oil on board, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Unobtrusive surface grime. Provenance: The son of the artist to a private New England collection, c. 1970, then by descent to the current owner. $3,000-5,000

210

211. Charles Henry Richert (American, 1880-1974) Lot of Four Landscapes Three signed “C.H. RICHERT.” l.r., one unsigned. Three watercolor on paper, one oil on board, sizes to 15 1/4 x 20 1/4 in. (38.7 x 50.8 cm), all unframed, one matted. Condition: Wear/losses to edges, subtle toning, not examined out of mat. $300-500

211

212

212. Lois Mailou Jones (American, 1905-1998)

213. Howard Everett Smith (American, 1885-1970)

Katherine Cornell’s Summer Home-Lambert’s Cove, Martha’s Vineyard Signed “LOIS M. JONES” l.r., titled and inscribed “...by Lois Mailou Jones...” on the reverse. Watercolor and graphite on paper, sheet size 14 x 20 in. (35.6 x 50.8 cm), unframed. Condition: Mat burn, toning, brown gummed tape residue on the reverse, cloth tape hinged to backing mat, paper losses to margins in u.r. and l.l. quadrants.

Home Nestled in the Hills Signed “HOWARD E. SMITH-” l.r. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Surface grime. $1,500-2,500

Provenance: Purchased from the artist. $2,500-3,500

213

214. Clarence Scott White (American, 1872-1965) Home in the Valley Signed “C SCOTT WHITE” l.l. Watercolor with graphite on paper, sight size 10 1/2 x 12 1/2 in. (26.6 x 31.8 cm), framed. Condition: Not examined out of frame. $300-500

214

215. Mary Wilson Hubbard (American, b. 1871) The Village in the Valley Signed “Mary Wilson Hubbard” l.r., inscribed “...42nd Annual Exhibition” on the stretcher. Oil on canvas, 25 x 30 in. (63.4 x 76.4 cm), framed. Condition: Surface grime. $600-800

215

216. Arthur Sarnoff (American, 1912-2000) Studies of a House, Peggy’s Cove, Nova Scotia/A Canadian Landscape Signed “Arthur Sarnoff” l.r. Gouache and ink on paper, 13 1/2 x 15 1/2 in. (34.3 x 39.4 cm), framed. Condition: Not examined out of frame. $800-1,200

216

217

217. Aldro Thompson Hibbard (American, 1886-1972) Up the Valley Signed “A.T. Hibbard-” l.r., inscribed and titled “#152...” on the reverse. Oil on canvas mounted onto board, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Retouch. $6,000-8,000

218. American School, 20th Century

218

The First Ride Signed “W.J. McQuade” l.l., artist identified as William J. McQuade on a Boston Society of Independent Artists, Inc. exhibition label affixed to the reverse. Watercolor and gouache on paper/board, sight size 11 3/4 x 16 1/2 in. (29.8 x 41.9 cm), framed. Condition: Subtle toning, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500

219. Gulbrand Sether (Norwegian/American, 1869-1941) Blacksmith Shop in Winter Twilight Signed “GULBRAND SETHER” l.r. Oil on canvas, 20 3/8 x 37 in. (51.7 x 93.8 cm), framed. Condition: Subtle surface grime, scattered craquelure. $1,000-2,000

219

220. Wayne Beam Morrell (American, b. 1923) Lot of Three New England Views: A River in Middlebury, Vt., Rockport Meadows Autumn, and Autumn View Each signed “Wayne Morrell” l.r., Middlebury identified on a label affixed to the reverse, oil on board; Rockport titled l.l., inscribed, dedicated, and signed “CHRISTMAS 1976, to our good friend Dr. Wm D. Hoyt, Rockport Meadows Autumn from Wayne & Lillian Morrell, DEC. 1976” on the reverse, oil on panel; Autumn inscribed, dedicated and signed “Merry Christmas to Dr. Wm (Bill) Hoyt 1977 from Wayne Morrell” on the reverse, oil on canvasboard; sizes to 7 x 9 1/2 in. (17.8 x 24.1 cm), framed. Condition: Unobtrusive surface grime, pigment fluorescence. $600-800 220

221. John Dana Bashian (Jamaican/American, 1897-1975) Sledding Signed “John Nig.” l.r. Watercolor with graphite on paper/board, sight size 13 3/4 x 20 1/2 in. (34.9 x 50.8 cm), framed. Condition: Toning, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500

221

222. C. Ivar Gilbert (American, 1882-1959) Hazy Winterday Signed “C.I. GILBERT” l.r., titled in the artist’s hand and signed “C. IVAR GILBERT” on the reverse. Oil on board, 13 1/2 x 17 in. (34.3 x 43.2 cm), framed. Condition: Surface grime. $300-500

222

223. Gordon Hope Grant (American, 1875-1962) Boat at Dry Dock, Possibly a Gloucester Scene Signed “Gordon Grant” l.l. Watercolor with graphite on paper, sight size 13 3/4 x 21 in. (34.9 x 53.3 cm), framed. Condition: Broad rippling, not examined out of frame. $800-1,200

223

224. American School, 20th Century Lot of Two Harbor Views Unsigned. Pastel on paper, sight sizes to 9 x 13 1/4 in. (22.9 x 33.7 cm), framed. Condition: Foxing, toning, one laid down onto board, tape and residue verso, adhered to front mat at points verso. $400-600

224

225. Paul Strisik (American, 1918-1998) Gloucester Harbor Signed “P. STRISIK” l.r., titled, dated, and signed “Gloucester Harbor, Aug 1963, Paul Strisik” on the backing. Oil on canvas mounted onto board, 12 1/2 x 16 1/4 in. (31.8 x 41.3 cm), framed. Condition: Scattered losses, mild surface grime. $800-1,200

225

226

226. Emile Albert Gruppe (American, 1896-1978)

227. George Albert Thompson (American, 1868-1938)

Mackerel Fleet Drying Sails Signed “Emile A. Gruppe” l.r., titled and signed “...by Emile A Gruppe” on the stretcher. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Scattered craquelure, mild surface grime. $3,000-5,000

Connecticut Fishing Village Signed and dated “G.A. Thompson 1917” l.l., inscribed on the reverse. Oil on board, 12 x 15 3/4 in. (30.4 x 40.0 cm), framed. Condition: Surface grime, minute loss u.l., scattered craquelure. $300-500

227

228. Elmer L. Ham (American, 1884-1978) Lot of Three Coastal Views Each signed “Elmer L. Ham” l.r. or l.l. Watercolor with whiting and graphite on paper/board, sight sizes to 14 3/4 x 21 3/4 in. (37.5 x 55.2 cm), framed (one without glass). Condition: Toning, subtle rippling, surface grime, mild surface rubs, not examined out of frames. $300-500

228

229. Sandor Bernath (American, 1892-1984) Seagulls in Flight Signed “Sandor Bernath” l.l. Watercolor on paper/board, sight size 12 3/4 x 15 3/4 in. (32.4 x 40.0 cm), framed. Condition: Toning, not examined out of frame. $400-600

229

230. Clement Metivier (American, 1910-1996) Passing Storm Signed “C. METIVIER” l.r., identified on a label affixed to the reverse. Oil on canvas mounted onto board, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Light scattered surface abrasions. $400-600

230

231

231. Alfred Lowe (American, 20th Century)

232. Vernon Kerr (American, 1938-1982)

Shore at Low Tide Signed “A LOWE” l.r., fragmentary label affixed to the frame. Oil on canvas, 25 x 30 1/4 in. (63.4 x 76.7 cm), in a period frame. Condition: Surface grime. $300-500

Big Sur Signed “VERNON KERR” l.l., titled and signed “Original by VERNON KERR” on the reverse. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Surface grime. $300-500

232

233. Henrietta Dunn Mears (American, 1877-1970) Unitarian Universalist Church from High Pole Hill, Provincetown Signed “HD Mears” l.l. Oil on paper/board, 3 1/2 x 5 1/2 in. (8.9 x 14.0 cm), framed. Condition: Minor surface grime and craquelure. $600-800

234. Albert Lorey Groll (American, 1866-1952)

233

A View of Provincetown, Massachusetts, from Miller Hill Signed “A.L. Groll” l.l., inscribed and dated “Provincetown, Mass./A.L. Groll 1915/To my friend Ren. Beal” on the reverse. Oil on paper/board, 5 3/4 x 8 in. (14.6 x 20.3 cm), framed. Condition: Good. $2,000-4,000

235. Carol Conti (American, 20th/21st Century) Maine Harbor Signed and dated “CLConti 97” l.r., titled on the backing, information on the artist affixed to the backing. Watercolor on paper/board, sight size 6 1/2 x 14 1/4 in. (16.5 x 36.2 cm), framed. Condition: Not examined out of frame. $200-250

236. American School, 20th Century

234

Boats on the Shore Signed “SCHAFER” l.l. Watercolor on paper/board, sight size 13 1/4 x 18 in. (33.7 x 45.7 cm), framed. Condition: Subtle toning/fading, foxing, not examined out of frame. $200-300

235

236

237. Paul Raphael Meltsner (American, 1905-1966) Sailing at the Point Signed “PAUL MELTSNER” l.r. Watercolor on paper/board, sight size 17 1/2 x 21 3/4 in. (44.5 x 55.2 cm), framed. Condition: Subtle toning, mild scattered foxing/staining, not examined out of frame. $800-1,200

237

238. Stow Wengenroth (American, 1906-1978) Coastline, Rockport, Massachusetts Signed “Stow Wengenroth” in pen l.r. Ink wash and graphite on paper, 18 3/8 x 25 1/8 in. (46.7 x 63.8 cm), framed. Condition: Not examined out of frame. $2,000-3,000

238

239. Frank Carson (American, 1881-1968) Race Day Unsigned, estate stamped “FRANK CARSON/1881-ESTATE1968” and identified on a label from the Provincetown Art Association and Museum (see below) on the reverse. Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Good. Exhibitions: Frank Carson: 1881-1968, Provincetown Art Association and Museum, August 22 to September 1, 1997. $600-800

239

240. Rosamond Lombard Smith Bouve (American, 1876-1949) From the Annisquam Pasture Signed “ROSAMOND L. SMITH” l.l. Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed. Condition: Lined, scattered retouch and pigment fluorescence. $1,500-2,500

240

241. Charles Sydney Hopkinson (American, 1869-1962) Summer Lake Signed “Hopkinson” l.r., abstract watercolor sketch on the reverse. Watercolor with graphite, gouache, and tooling on paper, sight size 10 1/2 x 14 1/2 in. (26.6 x 36.8 cm), framed. Condition: Brown paper tape along the edges verso, hinged to back mat at u.r. and u.l., subtle toning, light staining/foxing, pinholes at corners, scattered craquelure. $600-800

241

242. Alexis Jean Fournier (French, 1865-1948) A Bit of Old Provincetown Signed and dated “ALEXIS J. FOURNIER. 1924” l.r., titled on the stretcher bar. Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), framed. Condition: Retouch. $5,000-7,000

242

243. Attributed to Arthur Wesley Dow (American, 1857-1922) Landscape Sketch Signed or inscribed “Arthur W. Dow” on the reverse. Oil on canvas mounted onto board, 6 x 8 in. (15.2 x 20.3 cm), framed. Condition: Retouch. $700-900

243

244. Edward Brodney (American, 1910-2002) Sitting on the Bay Signed and dated “Edward Brodney 87” l.l. Oil on fiberboard, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Minor loss/abrasion beneath frame liner. $800-1,200

244

245. American School, 20th Century Coastal Town, Possibly a Cape Ann View Unsigned. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Tape reinforcement to l.l. quadrant, scattered losses, craquelure, surface grime. $1,000-1,500

245

246

247

246. Paul Tatsumi Nagano (American, b. 1938)

247. Heinrich Herman Pfeiffer (American, 1874-1960)

Dusk: Provincetown Signed, dated, and titled “Nagano 08...” l.r., artist’s stamp on the backing. Watercolor on paper, 22 x 30 in. (55.9 x 76.2 cm), framed. Condition: Deckled edges, subtle rippling, not examined out of frame. $2,500-3,500

The Houses by the Dunes Signed “HARRY PFEIFFER” l.r., also signed, dated, inscribed, and titled “...SEPT. 1924...HARRY PFEIFFER/ PROVINCETOWN/MASS.” on the reverse. Oil on canvasboard, 10 x 10 in. (25.4 x 25.4 cm), framed. Condition: Minor surface grime, retouch. $600-800

248. Oliver Newberry Chaffee, Jr. (American, 1881-1944) Provincetown Street Scene with Figure Signed “Chaffee” l.r. Oil on board, 12 x 15 in. (30.5 x 38.1 cm), framed. Condition: Minor surface grime and alligatoring, pigment fluorescence. $2,000-3,000

248

249. Charles Sydney Hopkinson (American, 1869-1962) Noonglitter/A View from the Cliff Signed “HOPKINSON” l.l., titled in a later hand on the backing, a label from Stuart Art Gallery, Boston, affixed to the backing. Watercolor with gouache on paper/board, sight size 14 3/4 x 22 1/4 in. (37.5 x 56.5 cm), framed. Condition: Subtle rippling, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $400-600

249

250. James Floyd Clymer (American, 1893-1982) Fishing Off the Coast Signed “Clymer” l.r., inscribed “...AULING IN THE C.” in a period hand on the stretcher. Oil on canvas, 25 x 34 1/2 in. (63.5 x 87.6 cm), framed. Condition: Scattered craquelure, retouch, varnish inconsistencies. $1,000-1,500

250

251. Paul Tatsumi Nagano (American, b. 1938) The Great Blue/A Martha’s Vineyard Landscape Titled, signed, and dated “...Nagano 08” l.r., artist’s stamp on the backing. Watercolor on paper, 22 1/4 x 29 3/4 in. (56.5 x 75.6 cm), framed. Condition: Deckled edges, subtle rippling, not examined out of frame. $2,500-3,500

251

252

252. Joseph Lindon Smith (American, 1863-1949) King Sesostris Between the Gods Amun and Horus-Ra/An Egyptian Hieroglyph Bas-Relief Trompe L’Oeil Signed or inscribed “JOSEPH LINDON SMITH” l.l., identified on labels including one from Doll & Richards Inc., Boston, affixed to the stretcher. Oil on canvas, 29 1/4 x 34 1/2 in. (74.3 x 87.6 cm), framed. Condition: Craquelure. $4,000-6,000

253. Aiden Lassell Ripley (American, 1896-1969)

253

Coastal Vista Artist’s estate stamp on the reverse, titled in an inscription on the reverse. Watercolor with gouache and graphite on paper, sight size 10 x 12 1/2 in. (25.4 x 31.7 cm), framed (without glass). Condition: Not examined out of frame. N.B. The scene may depict the area around Taormina on the island of Sicily. $500-700

253A. Marston Dean Hodgin (American, 1903-2003) Acropolis Athens Signature incised “Marston Hodgin” l.r., titled, signed, and dated “...By Marston Hodgin 1964” on the reverse, inscribed “Provincetown Art Association, First Show 1965,” possibly in the artist’s hand, on the reverse. Oil on board, 21 3/4 x 30 in. (55.2 x 76.2 cm), framed. Condition: Slight bowing to support, surface grime. $300-500

253A

254

254. Eben Farrington Comins (American, 1875-1949) View of Pompeii Titled and monogrammed l.l., identified on a label from the Farnsworth Museum of Art, Wellesley College, on the reverse. Watercolor, gouache, and graphite on paper, sight size 12 3/4 x 14 3/8 in. (32.3 x 36.4 cm), framed. Condition: Subtle toning, not examined out of frame. $2,000-4,000

255. Henry Roderick Newman (American, 1833-1918) Queen Nefertiti, c. 1896-1899 Signed “HR Newman” l.r., and inscribed “...The figure to the right of the door of the Temple of Abu Simbel near the 2nd Cataract...Fuller/22 Feby 1945” in pencil on the reverse, with a label from Alexander Reeves Fine Art, Richmond, Virginia, on the paper backing. Watercolor on linen-backed paper, 18 x 9 3/4 in. (45.7 x 24.8 cm), framed. Condition: Trimmed sheet, cloth tape hinged, small restored tear u.l. $7,000-9,000

255

256

257

256. Thomas Pollock Anshutz (American, 1851-1912)

257. Helen Maria Turner (American, 1858-1958)

St. Cloud, France Unsigned, inscribed “St. Cloud in Paris, France 1893, by Thomas P. Anshutz ANA Edward R. Anshutz, artist’s son” on the reverse, identified on a label from James Graham & Sons, New York, affixed to the backing. Watercolor on paper, sight size 7 3/4 x 10 in. (19.7 x 25.4 cm), framed. Condition: Tack holes to corners, taped to front mat u.r. and u.l. verso, mat burn, scattered foxing. $600-800

Village Street Signed and dated “Helen M. Turner 1904” l.l. Watercolor and gouache on gray/green paper, sight size 13 1/2 x 9 in. (34.3 x 22.9 cm), framed. Condition: Laid down, fading. $200-400

258. Charles E. Hannaford (British, 1863-1955) Lake View Unsigned, pencil sketch on the reverse, artist identified in a later inscription on the backing. Watercolor with whiting and graphite on paper, sheet size 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm), framed. Condition: Toning, adhered to supporting sheet at u.r. and l.r. corners, u.l. and l.l. corners with residue/thinned paper. $200-400

258

259. Jean Jacques Haffner (American, 1885-1961) Cheese Market Inscribed and signed “BESSE ENCHANDESSE, MARCHE AUX FROMAGES, JJHaffner-” l.r., identified on exhibition labels from the Museum of Fine Arts, Boston, and Boston Society of Water Color Painters affixed to the reverse. Watercolor and gouache on paper/board, sight size 13 x 19 1/2 in. (33.0 x 49.5 cm), framed. Condition: Minor scattered craquelure. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500 259

260. Ruth Cugat Wadler (American, fl. 1926-1934) Market in Spain Signed “Ruth Cugat” l.r., title inscribed on the reverse. Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Subtle curve to support, surface grime. Provenance: Through the estate of Lucille Lortel. $300-500

260

261. Robert Vallin (French, d. 1915) Florentine Street View Signed, inscribed, and dated “Robert Vallin/Firenze 1908” l.l., also inscribed and dated “Via et Porta di Bell...Firenze 6 Mai 1908” on the reverse. Oil on paper/board, 9 x 15 1/4 in. (22.9 x 38.7 cm), framed. Condition: Surface grime, subtle bowing to board. $700-900

261

262. Andrew Lattimore (American, 20th/21st Century) Bannerman’s Castle, Hudson River, New York Signed “A J Lattimore ©” l.r. Oil on canvas, 26 x 32 in. (66.0 x 81.3 cm), framed. Condition: Good. N.B. Pollepel Island, often referred to as Bannerman’s Island after the castle there, is located on the Hudson River, at the Northern entrance to the Highlands, approximately 50 miles from New York City. Bannerman’s castle was built as a surplus warehouse by Francis Bannerman IV. A businessman and Scottish patriot, Bannerman purchased the land in 1900 and began building in the style of Scottish castles. He continued to work on it until his death in 1918. $800-1,200

263. British School, 19th Century 262

Near Lydford Dartmoor Signed “Stanley Rowden” l.l., titled in an inscription on the reverse. Oil on canvas, 12 1/8 x 16 1/8 in. (30.9 x 41.0 cm), unframed. Condition: Patch reinforcements, minor scattered retouch, craquelure. $300-500

264. Alice Dannenberg (American, 1861-1948) River Landscape Signed “A Dannenberg” l.r., artist identified on a period label affixed to the reverse. Oil on board, 9 1/4 x 13 in. (23.5 x 33.0 cm), framed. Condition: Support slightly warped, mild varnish inconsistencies, mild surface grime. $300-500

265. Theon Betts (American, fl. 1920-1921) 263

Rolampont - France Marne Canal Signed “Theon Betts” l.r., identified and dated “...Sept. 1918” on a label on the reverse. Oil on canvas, 22 x 26 in. (55.8 x 66.0 cm), framed. Condition: Surface grime. $700-900

264 265

267

267. Ludolfs Liberts (Latvian/American, 1895-1959)

266

266. Karl Schlageter (Swiss, 1894-1990) Mountains and Glacial Lake Signed and dated “Karl Schlageter 1921” l.l. Oil on canvas, 27 x 19 in. (68.4 x 48.2 cm), framed. Condition: Several minute repairs, scattered retouch, minor losses, surface grime, craquelure. $400-600

268

Spring Landscape Signed “L. Liberts” l.r. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Craquelure, surface grime, pigment fluorescence. $2,000-4,000

268. Jean Pierre Dubord (French, b. 1949) La Plage à Omaha Beach (Saint Laurent sur mer) Signed “JP DUBORD” l.r., titled and signed “...Jean Pierre dubord” on the reverse. Oil on canvas, 29 x 39 1/2 in. (73.7 x 100.3 cm), framed. Condition: Good. $2,000-4,000

269. Jules Rene Hervé (Franco/American, 1887-1981) Vue de la Fontaine à Le Jardin des Tuileries Signed “Jules R. Hervé” l.r. and on the reverse. Oil on canvas, 25 3/4 x 31 in. (63.5 x 78.7 cm), framed. Condition: Varnish inconsistencies, pigment fluorescence. $3,000-5,000

270. Jean Pierre Dubord (French, b. 1949) Bateaux Pavoisés dans le Port de Caen Signed “JP DUBORD” l.r., titled and signed “...jean Pierre dubord” on the reverse. Oil on canvas, 19 3/4 x 24 in. (24.8 x 61.0 cm), framed. Condition: Good. $2,000-4,000 269

271. Charles Cobelle (Franco/American, 1902-1994) Bird’s-eye View of Paris Signed “Cobelle” l.r. Oil and ink with tooling on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Mild scattered craquelure, pigment fluorescence, mild varnish inconsistencies, mild surface grime. $500-700

272. Annie Puybareau (French, b. 1955) Giverny Signed “Puybareau” l.r., titled and signed “...Puybareau ©” on the reverse. Oil on canvas, 23 x 28 1/4 in. (58.4 x 71.8 cm), framed. Condition: Good. $2,000-2,500

270

271

272

273. Charles Cobelle (Franco/American, 1902-1994) Bustling Street Signed “Cobelle” l.r. Oil and ink on canvas mounted onto Masonite, 9 x 12 in. (22.9 x 30.5 cm), framed. Condition: Mild scattered craquelure, pigment fluorescence, mild surface grime. $300-500

273

274. Albert Leopold Pierson (French, 19th/20th Century) A Paris Street Signed “A. Pierson” l.l. Watercolor on paper, sight size 5 x 7 1/4 in. (12.7 x 18.4 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

274

275. Jules Rene Hervé (Franco/American, 1887-1981) Lot of Two Paris City Views Each signed “Jules R. Hervé” l.r. or l.l. and on the reverse. Oil on canvas, 8 3/4 x 10 1/2 in. (22.2 x 26.6 cm), framed. Condition: Good. $3,000-3,500

275

276

278

276. James Augustus McLean (American, 1904-1989) Iron City, Pennsylvania, c. 1927 Signed or inscribed “J.A. MCLEAN...” and stamped “REGISTERED AT THE PENNSYLVANIA ACADEMY OF THE FINE ARTS/CHESTER SPRINGS, PA” on the reverse. Oil on canvas, 28 x 30 in. (71.1 x 76.2 cm), framed. Condition: Minor surface grime and losses. $2,000-4,000

277. Aiden Lassell Ripley (American, 1896-1969) Ice Hockey by the Train Tracks Signed and dated “A Lassell Ripley 1934” l.l. Watercolor with graphite on paper/board, sight size 19 x 25 in. (48.3 x 63.5 cm), framed. Condition: Toning, not examined out of frame.

278. Donald Wilkinson Graham (American, 1903-1976) Del Rey/A Southern California Oil Field Signed and dated “DON GRAHAM 1932” l.r., identified on a label affixed to the stretcher. Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed. Condition: Lined, minor retouch. $6,000-8,000

278A. Harold Zussin (American, 1915-1994) Backyard View in Winter Signed and dated “Zussin 1946” l.r. Oil on canvas, 34 x 28 in. (86.4 x 71.1 cm), unframed. Condition: Surface grime, retouch. $400-600

Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $1,000-1,500

277 278A

279. Adolf Arthur Dehn (American, 1895-1968) Factory at Night Signed and dated “Adolf Dehn 1930” l.r., a canceled watercolor sketch on the reverse. Ink and wash with tooling on paper, sight size 14 x 20 1/4 in. (35.6 x 51.4 cm), framed. Condition: Adhered to back mat at u.r., u.l., and l.l. corners, deckled edges with some minor nicks/losses, pinholes at corners. $1,200-1,800

279

280. American School, 20th Century At the City Edge Signed “B.A. Barnes” l.l. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Mild surface grime/varnish inconsistencies. $500-700

280

281. Edgar Corbridge (American, 1901-1988) Coal Yard Signed “CORBRIDGE” l.l., identified on a label from the Margaret Brown Gallery, Boston, affixed to the reverse. Watercolor on paper/board, sight size 15 1/2 x 24 1/2 in. (39.4 x 62.2 cm), framed. Condition: Subtle toning/mat burn, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500 281

282

282. Vladimir Pavlosky (Russian/American, 1884-1944)

284. Paul Tatsumi Nagano (American, b. 1938)

Park View Unsigned. Watercolor on paper, sight size 15 x 22 in. (38.1 x 55.9 cm), framed. Condition: Subtle toning, subtle rippling, not examined out of frame. $200-300

Public Garden, Private Moment Signed, dated, and titled “Nagano ‘08...” l.l., artist’s stamp on the backing. Watercolor on paper, 30 x 22 1/4 in. (76.2 x 56.5 cm), framed. Condition: Deckled edges, subtle rippling, not examined out of frame. $2,500-3,500

283. Annie Puybareau (French, b. 1955) Le bund a Shanghai Signed “Puybareau” l.l., titled and signed “...Puybareau ©” on the reverse. Oil on canvas, 19 x 25 in. (48.3 x 63.5 cm), framed. Condition: Good. $2,000-2,500

283 284

285

285. Arthur Clifton Goodwin (American, 1864-1929)

286. Kamil Kubik (American, b. 1930)

Boston Common Signed “A.C. Goodwin” l.l. Pastel on tan paper, sight size 18 1/2 x 23 1/2 in. (46.9 x 59.5 cm), framed. Condition: Subtle pigment displacement, not examined out of frame. $3,000-5,000

Central Park, New York Signed and dated “Kamil Kubik 74” l.r. Pastel on paper/board, sight size 19 1/4 x 25 1/4 in. (48.9 x 64.1 cm), framed. Condition: Mild rippling, not examined out of frame. $1,500-2,500

286

287

287. Guy Carleton Wiggins (American, 1883-1962)

288. American School, 20th Century

Snow Storm at the Plaza/View of the Pulitzer Memorial Fountain, also called the “Fountain of Abundance” in Grand Army Park, New York Signed “Guy Wiggins NA” l.r., titled and signed on the reverse. Oil on canvas, 25 x 31 in. (63.5 x 78.7 cm), framed. Condition: Minute loss u.l., craquelure, mild surface grime.

Brooklyn Bridge, Late Afternoon Signed indistinctly l.r. Oil on canvasboard, 8 5/8 x 9 7/8 in. (21.9 x 25.1 cm), framed. Condition: Craquelure. $1,500-2,000

Provenance: A private New England collection. N.B. The son of well-known landscape painter Carleton Wiggins, Guy C. Wiggins was able to learn the art of painting early at his father’s side. He first studied architecture and drawing at the Brooklyn Polytechnic Institute, then studied at the National Academy of Design with William Merritt Chase and Robert Henri. His training in architecture may have influenced his affinity for New York cityscapes. Wiggins started producing images of New York under snowfall in the 1920s. In an interview from 1924 Wiggins described how he was sitting in his New York studio on a snowy winter day trying, unsuccessfully, to paint a summer landscape. He said, “I sat idly looking out of a window at nothing. Suddenly I saw what was before me...”1 Wiggins was enthralled by the hazy views of New York buildings seen through gusts of white snow. While the majority of these views date to the early 1920s, he revisited the subject from time to time, and once told someone that New York during a snowfall was his favorite subject.2 1. Connecticut and American Impressionism: a cooperative exhibition project concurrently in three locations, Storrs: William Benton Museum of Art, 1980, p. 179. 2. Ibid.

$25,000-35,000

288

289

289. Arthur Clifton Goodwin (American, 1864-1929)

290. Arthur Clifton Goodwin (American, 1866-1929)

Park Ave and 42nd St Signed and titled “AC GOODWIN...” on the reverse. Oil on panel, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Scattered retouch, subtle surface grime. $8,000-12,000

Market Day in Boston Signed “AC Goodwin” l.r. Oil on canvas, 25 x 30 in. (63.3 x 76.2 cm), framed. Condition: Subtle surface grime. $8,000-12,000

290

291. Willem Stad (Dutch, 1873-1959) View of the Nieuwezijds Kapel on the Rokin/An Amsterdam View Unsigned. Watercolor, ink, and graphite on paper, sight size 10 3/4 x 15 in. (25.4 x 38.1 cm), framed. Condition: Not examined out of frame. $800-1,200

292. Angelo Asti (French, 1847-1903) Woman in Profile Signed “A. Asti” l.r. Oil on canvas, 24 x 20 1/4 in. (61.0 x 51.4 cm), framed. Condition: Patch reinforcement l.l., retouch, varnish inconsistencies, mild craquelure. $800-1,200

291

293. Dutch School, 19th/20th Century Sint Antoniesbreestraat by the Zuidekerk/An Amsterdam View Unsigned. Watercolor, ink, and graphite on paper, 11 1/4 x 14 3/8 in. (28.6 x 36.5 cm), framed. Condition: Not examined out of frame. $800-1,200

293A. Carl Harold Nordstrom (American, 1876-1965) Lot of Two Works from The Fifteenth Century Series Each signed “Carl H. Nordstrom” l.r., one identified on a label from Jordan Marsh Company, Boston, on the reverse. Oil on canvas, 40 x 40 in. (101.6 x 101.6 cm), unframed. Condition: Surface grime, minor losses/abrasions, retouch, patch reinforcements, varnish inconsistencies. $500-700 292

293

293A

295

294. Louis Kronberg (American, 1872-1965) The Red Kimono, alternatively titled Souvenir of Japan Signed and dated “Louis Kronberg 1904” u.r., identified on a fragmentary label and the artist’s calling card affixed to the reverse, Boston canvas stencil on the reverse. Oil on canvas, 22 x 12 in. (55.8 x 30.4 cm), framed. Condition: Scattered retouch, varnish inconsistencies, craquelure. $5,000-7,000

294

295. Jeannine Albert (French, b. 1939) Basket of Flowers in an Archway Signed “Albert” l.r., identified on labels, including one from W. T. Burger Co., Inc., affixed to the reverse. Oil on canvas, 32 x 28 in. (81.3 x 71.1 cm), framed. Condition: Mild varnish inconsistencies. $1,500-3,000

296. Esther Anna Hunt (American, 1875-1951) Portrait of a Chinese Mother and Child Signed “E. Hunt” l.r. Watercolor on paper, sight size 11 x 6 5/8 in. (27.9 x 16.8 cm), framed. Condition: Subtle rippling, not examined out of frame. $600-800

296

297

297. James Carter Beard (American, 1837-1913)

299. American School, 20th Century

The Ambush Monogram signature “JCARTER BEARD” twice l.r. Ink, graphite, and gouache on paper, sight size 14 x 21 in. (35.6 x 53.3 cm), framed. Condition: Subtle rippling, not examined out of frame. $600-800

The Croquet Game Unsigned. Oil and graphite on canvasboard, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Minor surface abrasions and grime. $300-500

298. Gordon Hope Grant (American, 1875-1962) USS Yorktown Signed and dated “Gordon Grant 1947” l.r. Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed. Condition: Good. $3,000-5,000

298

299

300. Fernand Le Quesne (French, 1856-1918) Lady Liberty Leading the Way Signed â&#x20AC;&#x153;F. Le Quesneâ&#x20AC;? l.r., with a Coquelin-Herault, Paris canvas stencil and Schweitzer Galleries stamps on the reverse, and a label from the Museum of the Borough of Brooklyn, New York, affixed to the cardboard backing. Oil on canvas, 39 1/2 x 25 3/4 in. (100.3 x 65.4 cm), framed. Condition: Small tear in l.r. quadrant, craquelure, minor abrasions, surface grime. Exhibitions: Tides of Immigration: Romantic Visions and Urban Realities, Museum of the Borough of Brooklyn, Brooklyn College, October 7 to December 2, 1986. $1,500-3,000

301. Dean Cornwell (American, 1892-1960) Portrait Study of Theodore Newton Vail, c. 1953 Unsigned. Oil on canvas, 57 x 67 in. (144.8 x 170.2 cm), framed. Condition: Strip lined. N.B. This work depicting the former AT&T president was a study for a portrait that was reproduced as the cover illustration for the May 1957 50th Anniversary issue of Topics, a house publication of AT&T. A boxed copy of Topics and a framed photo of the AT&T board of trustees that depicts the final version accompany the lot. $2,000-3,000

300

302. No lot.

301

303

304

303. Wilhelmina F. Greene (American, 20th Century)

304. Eastern European School, 20th Century

Poinsettia Monogram signature “WFGreene” l.r. Watercolor on paper/board, 20 1/4 x 14 3/4 in. (51.4 x 37.5 cm), framed. Condition: Toning, staining, scattered foxing, not examined out of frame.

Gathering of Rural Youth Signed and dated “Derviz 1953” l.l., identified in Cyrillic on the reverse. Oil on canvas, 16 x 15 in. (40.5 x 38.1 cm), framed. Condition: Good. $300-500

Literature: Greene, Wilhelmina F., and Hugo Leander Blomquist, Flowers of the South, Native and Exotic, (Chapel Hill: University of North Carolina Press, 1953). $1,500-2,000

305. Beatrice E. Parsons (British, 1870-1955) Azaleas with Teal Planter Signed and dated “B.E. Parsons 21/3/90” l.r. Watercolor on paper mounted onto board, sight size 6 3/4 x 8 in. (17.2 x 20.3 cm), framed. Condition: Toning, not examined out of frame. $800-1,200

305

307

307. Two Salmagundi Club Painted Porcelain Mugs: 306

306. Marietta Cotton (American, 1860-1926) Portrait of Flora Signed and dated “M...Cotton 1915” l.l. Oil on canvas, 29 x 24 1/2 in. (73.6 x 62.2 cm), framed. Condition: Lined, scattered retouch, craquelure, damage/lifting to the varnish layer. $800-1,200

George Glenn Newell (American, 1870-1947), View through the Trees, dated and signed “1919, -G. Glenn Newell-” l.c. and inscribed “...MUG SALE, SALMAGUNDI...1918 G...n Newell pxt.” on the bottom; Walter Granville-Smith (American, 18701938), Lake View, signed “W. Granville Smith 1918” l.c. Painted porcelain mugs, height 6 in. (15.2 cm). Condition: Surface grime. N.B. In order to raise funds for its library, the Salmagundi Club began auctioning mugs painted by its members. Members painted no more than 24 mugs each year, which were then fired by the Volmar Pottery. This tradition continued until 1923.1 1. DePietro, Anne Cohen, “A Fertile Fellowship: The Rich History of the Salmagundi Club,” www.tfaoi.com

$500-700

308. Frederick Andrew Bosley (American, 1881-1942) Girl in Blue, alternatively titled The Little Deaf Girl Signed “Bosley” u.l., identified on period labels and with a label from the Carnegie Institute, Pittsburgh affixed to the reverse. Oil on canvas, 36 1/4 x 35 in. (92.1 x 88.9 cm), in the original frame. Condition: Tears, mild scattered retouch and/or varnish inconsistencies, mild scattered craquelure, surface grime. N.B. Frederick Bosley was born in Lebanon, New Hampshire, and began his studies at the Boston Museum of Fine Arts School in 1900 where he was influenced by the work of his teacher, Edmund C. Tarbell. In 1906 he married fellow student Emily Linzee Sohier. By 1913, Bosley succeeded Tarbell as the Director of the Department of Painting and Drawing at the Museum School, a position he held for 18 years. Bosley set up studio in Boston where he worked alongside his former pupil, Marguerite S. Pearson, and painted the portraits, interiors, and landscapes for which he is best known.1 1. Bosley, E.S., Frederick A. Bosley A.N.A. 1881-1942 of the Boston School (exhibition catalogue), Vose Galleries of Boston, Inc., November 25, 1981.

$4,000-6,000 308

311

309

309. Claudio Castelucho (American, 1870-1927) Portrait of a Seated Woman Signed “C. Castelucho” l.r., also identified on a label on the reverse. Oil on canvas, 45 3/4 x 35 in. (116.2 x 88.9 cm), framed. Condition: Craquelure, surface grime, abrasions along frame liner, subtle canvas deformations, minor losses, retouch, subtle bloom. $4,000-6,000

310. Laura Coombs Hills (American, 1859-1952) White Petunias in a Bowl Signed “Laura Hills” u.l., identified on labels from Martha Richardson Fine Art, Boston, D. Wigmore Fine Art, Inc., New York, and Richard York Gallery, New York, affixed to the backing. Pastel on paper, sight size 12 1/2 x 11 in. (31.8 x 27.9 cm), framed. Condition: Toning, not examined out of frame. $3,000-5,000

311. Margaret Jordan Patterson (American, 1867-1950) Portrait of a Young Man Unsigned, artist’s estate stamp on the reverse. Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed. Condition: Flaking/losses, mild scattered craquelure. $500-700 310

312 314

312. Lucy Lee-Robbins (American, 1865-1943)

314. American School, 20th Century

Portrait of a Woman Signed and dated “L. Lee-Robbins/1894” u.r., with a Paul Foinet canvas stencil on the reverse. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Minor punctures, surface abrasions and grime, subtle canvas deformations, craquelure. $600-800

Vase of Flowers Signed “HURLBURT” l.r. Oil on canvas, 30 1/4 x 24 in. (76.8 x 61.0 cm), framed. Condition: Retouch, varnish inconsistencies, craquelure, mild surface grime. $400-600

313. Harry Everett Townsend (American, 1879-1941) Phyllis Signed “H Townsend-” l.l., identified on a Salmagundi Club Thumb Box Exhibition label affixed to the reverse. Oil on board, 10 1/2 x 8 1/2 in. (26.6 x 21.6 cm), framed. Condition: Craquelure with retouch, surface grime. $300-500

313

315. Irving Ramsey Wiles (American, 1861-1948) Portrait of Margaret Boyd Withey Signed and dated “Irving R. Wiles 1909” u.l. Oil on canvas, 36 x 28 in. (91.4 x 71.1 cm), in a frame signed “19...07 Carrig-Rohane 470” l.c. Condition: Lined, retouch. $2,500-3,500

315

316 317

316. Sherree Valentine-Daines (British, b. 1956)

317. Guy Pène Du Bois (American, 1884-1958)

Under the Trees Initialed “SEVD” l.r., identified on a label from the Henley Royal Regatta affixed to the reverse. Oil on paper/board, sight size 14 x 12 in. (35.6 x 30.5 cm), framed (under glass). Condition: Not examined out of frame. $800-1,200

Woman in Red and Black Signed and dated “Guy Pène Du Bois ‘24” l.l. Oil on artist board, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Minor losses, retouch. $4,000-6,000

318. Attributed to Alphonse Palumbo (American, 1890-1947) Gathering in the Park Unsigned. Oil on canvas, 29 x 35 in. (73.6 x 88.9 cm), unframed. Condition: Wear to edges, surface grime. $800-1,200

318

320

319

319. John Trubee (American, 1895-1964) Portrait of a Woman Signed “Trubee” u.l. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Retouch, craquelure, surface grime. $200-300

320. Charles A. Mahoney (American, 1906-1992) Nantucket’s Antiques Signed “Charles Mahoney” l.l., identified on an exhibition label from Boston Society of Water Color Painters affixed to the backing. Watercolor with whiting on paper/board, sight size 19 1/4 x 26 1/4 in. (48.9 x 66.7 cm), framed. Condition: Subtle rippling, subtle toning, not examined out of frame. Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). Please see lot 15 for more details. $300-500

321. Harrison Fisher (American, 1877-1934)

321

A Cup of Tea Signed “Harrison Fisher” l.c. Watercolor and ink wash with graphite on paper, sight size 13 3/4 x 8 1/4 in. (34.9 x 21.0 cm), framed. Condition: Adhered to front mat with tape verso, toning, foxing, rippling, Vanity Fair print after Spy (Leslie M. Ward) adhered to inside back mat. $300-500

323

322

322. James Montgomery Flagg (American, 1877-1960)

323. William Baxter Palmer Closson (American, 1848-1926)

Lot of Sixteen Drawings of Femme Fatales, including In Time of Peace, Spring is Here, The Ruling Passion, The Blues Singer, October Mom, Half and Half, Nonchalance, Dynamite, and That’s Life!, c. 1940 Most initialed or signed “J.M.F.,” “Jimmy” and “JAMES MONTGOMERY FLAGG” l.r. or l.l., several inscribed and dedicated to “Maggie.” Watercolor, graphite, and pen on paper, sheet sizes to 11 x 8 1/2 in. (27.9 x 21.6 cm), unframed. Condition: Folds and handling creases, minor paper losses to margins.

Hoppity-Skip Signed “Wm. Baxter Closson” in pencil l.r., titled and identified on labels including one from William Filene’s Sons Company, Boston, on the reverse. Oil on artist board, 10 1/4 x 10 1/4 in. (26.0 x 26.0 cm), framed (under glass). Condition: Not examined out of frame. $1,000-1,500

N.B. Ten affectionately penned letters to “Maggie” [Mrs. Douglas Humphries] dated between 1938 and 1949 and signed “Jimmy,” “Monty,” or “Jim,” accompany the lot. According to affixed notes the Humphries were friends and advertising associates of Flagg. $3,000-5,000

324. Alan Cantwell Dunn (American, 1900-1974) 1088 Jumped the Gun. They’re Already Saying ‘Merry Christmas’! Signed “Alan Dunn” in pen l.r. Ink and crayon on paper, sight size 8 3/4 x 9 1/2 in. (22.2 x 24.1 cm), framed. Condition: Not examined out of frame. Literature: The New Yorker, December 13, 1958, p. 38. N.B. A framed copy of the New Yorker page accompanies the lot. $300-500

324

327

325

325. Abraham Walkowitz (American, 1878-1965) Dancer Indistinctly inscribed and signed “A. Walkowitz” l.r. Ink, watercolor, and graphite on paper, sight size 13 3/4 x 8 1/4 in. (34.9 x 21.0 cm), framed. Condition: Nicks/tears to edges, scattered creases, not examined out of frame. $300-500

326. Robin H. Shores (American, 20th/21st Century) Danskins Unsigned. Carved Texas limestone, approximately 24 x 15 x 16 in. (61.0 x 38.1 x 40.6 cm), on a wood and plaster plinth. Condition: Abrasions.

327. American School, 19th/20th Century Head of a Young Woman Signed “BYRD” l.r. Charcoal and chalk on gray paper, sight size 16 5/8 x 9 1/2 in. (42.2 x 24.0 cm), framed. Condition: Not examined out of frame. $200-300

328. Glenna Goodacre (American, b. 1939) Victory Signed and numbered “G Goodacre © 24/25” on the figure’s right foot. Bronze with a brown patina, height 39 in. (99.1 cm). Condition: Unobtrusive surface grime. $10,000-12,000

Provenance: From the collection of the Fuller Museum of Art, Brockton, Massachusetts. $700-900

326

328

329 330

329. Walter Houmere (American, b. 1895) Portrait of a Man with a Walking Stick Signed and dated “Walter Houmere 1932” l.r. Oil on canvas, 26 x 20 in. (66.0 x 50.8 cm), unframed. Condition: Craquelure, minor scattered losses, mild surface grime. $300-500

330. Dorothy Lake Gregory (American, 1893-1970) Portrait of a Black Cat Signed “Gregory” l.l. Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Good. $800-1,200

331. Don Freeman (American, 1908-1978) Apple Annie Signed “Freeman” l.l., titled in a later hand on the reverse. Oil on Masonite, 15 1/4 x 13 in. (38.7 x 33.0 cm), framed. Condition: Good. $1,000-1,500 331

331A

332

331A. William Horace Littlefield (American, 1902-1969)

332. Lee Miller (American, 19th/20th Century)

A Squash and Two Apples Signed and dated “Wm H. Littlefield/1931” u.l., inscribed “Wm H. Littlefield/Sept. 3 1931/FALMOUTH...” in the artist’s hand on the reverse. Oil on canvas, 9 1/4 x 14 in. (23.5 x 35.6 cm), framed. Condition: Minor surface grime, retouch.

Still Life with Fruit Signed “LEE MILLER” l.l. Oil on Masonite, 25 1/2 x 19 1/2 in. (64.8 x 49.5 cm), framed. Condition: Mild surface grime and varnish inconsistencies. $400-600

Literature: William H. Littlefield 1902-1969: A Retrospective, Cape Cod Museum of Art, May 27–August 27, 2006 (illus.). $600-800

332A. Robert Moore Kulicke (American, 1924-2007) Still Life with Fruit Signed, dated, and inscribed “KULICKE 196...K35...A5” on the reverse. Oil on unprimed board, 6 3/4 x 9 in. (17.2 x 22.9 cm), in a Kulicke aluminum frame. Condition: Craquelure. Provenance: A private New York estate. $300-500

332A

333. Stella Drabkin (American, 1906-1976) Morning Chat, alternatively titled Interlude Signed and dated “STELLA DRABKIN/1933” l.r., titled on labels on the reverse, stamped “N. SNELLENBURG & CO....PHILADELPHIA, PA.” on the stretchers. Oil on canvas, 20 x 15 in. (50.8 x 38.1 cm), framed. Condition: Craquelure. $2,000-4,000

334. Edmund Quincy (American, 1903-1997) Interior View Signed “Quincy” l.l., with a Lucien Lefebvre Foinet canvas stencil on the reverse. Oil on canvas, 19 1/2 x 23 1/2 in. (49.5 x 59.7 cm), framed. Condition: Minor craquelure, retouch. $400-600

333

334

334A. Richard De Menocal (American, b. 1919) Still Life with Artichoke Signed “Menocal” u.l. Watercolor with gouache on paper/board, sight size 13 1/4 x 6 1/4 in. (33.7 x 15.9 cm), framed. Condition: Not examined out of frame. $400-600

334A

335. Grace Henry, H.R.H.A. (Irish, 1868-1953) Portrait of a Young Schoolgirl Signed “G. Henry” l.r., inscribed “ORIG. OWNER J.H. PHILBIN/FRAMED AT DAWSON GALLERY, DUBLIN” on the stretcher. Oil on canvas, 12 1/8 x 10 in. (30.8 x 25.4 cm), framed. Condition: Minor surface grime, pigment fluorescence. Provenance: From the collection of Frank Cook Adams, Boston, Massachusetts. $1,000-1,500

335

336. American School, 20th Century The Trombone Player Signed “Etienne” l.r. Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm), framed. Condition: Light retouch/varnish inconsistencies, mild scattered craquelure, surface grime. $500-700

336

337. Samuel Brecher (American, 1897-1982) The Sad Clown Signed “S. BRECHER-” l.r. Oil on canvas, 22 3/4 x 14 in. (57.8 x 35.6 cm), framed. Condition: Retouch, surface grime. $300-500

337

338. American School, 20th Century Lot of Two Jazz Scenes One signed and dated “Corky Isaacs IX 1956” l.c., the other unsigned. Watercolor and gouache with graphite on paper/board, sight sizes 23 1/4 x 17 1/2 in. (59.1 x 44.5 cm), framed. Condition: Toning, staining (water damage), pinholes, not examined out of frames. $300-500

338

338A. Leo William Quanchi (American, 1892-1974) Let’s Have Fun Signed “Quanchi” l.r., identified on a label from the artist and Salpeter Gallery, New York, on the reverse. Oil on canvas, 26 x 20 1/4 in. (66.0 x 51.43 cm), framed. Condition: Surface grime, craquelure. $800-1,200

338A

339

339. George Ehrenfried Grosz (German/American, 1893-1959) The Black Cabby, c. 1933 Signed “Grosz” l.r. Watercolor on paper, sight size 24 1/8 x 17 1/4 in. (61.3 x 43.8 cm), framed. Condition: Subtle toning, not examined out of frame. N.B. George Grosz is best known for his lively depictions of city life. A Berlin-born artist, Grosz’s work displays the prevailing artistic movements in Europe. His work was “altered by his exposure to Cubism and Futurism, attested to by his enthusiastic adoption of angularity, transparent planes and simultaneous overlappings.”1 Grosz moved to New York in 1933 following an invitation to teach at the Arts Students League. At that time, America was grappling with the Great Depression, the New Deal, “and a naïve desire for Isolationism.”2 Ralph Jentsch writes, “With setting the figure of a black man like a monument in the foreground of this watercolour, the artist demonstrates that this man is also part of the many faces a big city like New York can have.”3 The work will be included in Ralph Jentsch’s forthcoming catalogue raisonné of the artist. A copy of a photocertificate and letter from Ralph Jentsch, both dated May 21, 2008, accompany the lot. 1. Pincus-Witten, Robert, “George Grosz: Watercolors and Drawings,” Members Newsletter published by the Museum of Modern Art, No. 6 (Autumn, 1969) p. 10. 2. Ibid. 3. Ralph Jentsch, May 21, 2008.

$15,000-25,000

340

340. Peggy Dodds (American, 1900-1987)

340A. Jan Brukner (Czech, 1906-1969)

The Party Signed â&#x20AC;&#x153;Peggy Doddsâ&#x20AC;? u.r., identified on a presentation plaque. Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed. Condition: Minor losses. $2,000-4,000

The Picnic Unsigned, identified on a label, probably period, affixed to the reverse. Mixed media with tempera and ink on board, 9 x 23 1/4 in. (22.9 x 59.1 cm), framed. Condition: Support slightly warped. $300-500

340A

341

342

341. Franco/American School, 20th Century

342. Olga Itasca Sears (American, 1906-1990)

Flowers in a Vase Signed “dorian” l.r. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Mild surface grime.

Still Life with Tulips Unsigned, estate stamped “OLGA I. SEARS/1906-ESTATE1990” on the reverse. Oil on artist board, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Good. $500-700

$600-800

343. Harriette G. Miller (American, 1892-1971) Tulips Signed and dated “Harriette G. Miller., 1937” l.r., identified on a period label affixed to the reverse, Paris stencil on the reverse. Oil on canvas, 28 3/4 x 23 1/2 in. (73.0 x 59.7 cm), framed. Condition: Scattered punctures, surface abrasions. $400-600

343

344

345

344. Isabelle H. Ferry (American, 1865-1937)

345. George Laurence Nelson (American, 1887-1978)

Summer Bouquet Unsigned, estate stamped “Isabelle H. Ferry/1865-ESTATE1930” on the stretchers. Oil on canvas, 13 x 17 in. (33.0 x 43.2 cm), framed. Condition: Pigment fluorescence. $500-700

Single Asters Signed “G L NELSON” l.r., identified in a period inscription on the reverse, and on a label from Grand Central Art Galleries, Inc., New York, affixed to the reverse. Oil on canvasboard, 16 x 12 in. (40.6 x 30.5 cm), framed. Condition: Signature reinforced. $700-900

346. John Ellsworth Weis (American, 1892-1962) Flowers from a Cape Ann Garden Signed and dated “J.E. Weis -’25” l.r., titled and inscribed “...BY JOHN E. WEIS/ROCKPORT 1925,” probably in the artist’s hand, on the reverse. Oil on canvas, 18 x 16 in. (45.7 x 40.6 cm), framed. Condition: Good. $600-800

346

347

347. Max Ginsburg (American, b. 1931)

349. Raphael Soyer (American, 1899-1987)

Boricuas Signed “Max Ginsburg” u.r., identified on a label from Harbor Gallery, Long Island, on the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Craquelure. $2,000-3,000

Lot of Five Female Studies Each signed “RAPHAEL SOYER” or initialed “R.S.” with a collector’s stamp (see below) l.r., one inscribed “Pascin’s Model” l.r. Graphite on paper, sight sizes to 19 3/4 x 15 1/2 in. (50.2 x 39.4 cm), framed. Condition: Not examined out of frames.

348. Nicolai S. Cikovsky (American, 1894-1987)

Provenance: Through the collection of Emil J. Arnold. $1,500-2,000

Still Life with Fruit Signed “N. Cikovsky” l.r., artist identified in a later inscription on the backing. Oil on canvas, 22 1/4 x 28 in. (56.5 x 71.1 cm), framed. Condition: Lined, retouch. $300-500

348

349

351 350

350. Roger de la Fresnaye (French, 1885-1925)

352. Dewitt Clarion Hardy (American, b. 1940)

Self-Portrait with Cape, c. 1921-1922 Stamped signature “R de la Fresnaye” l.r., inscribed “...library N.E. Wall” in pen and numbered on labels on the reverse. Ink and graphite on paper, sheet size 8 1/8 x 4 3/4 in. (20.6 x 12.1 cm), framed. Condition: Foxing, not examined out of frame.

Adam on Victorian Couch Signed “D. Hardy” l.l., identified on a label from Frank K.M. Rehn, Inc., New York, on the reverse. Watercolor and graphite on paper, sight size 13 1/8 x 9 7/8 in. (33.2 x 25.0 cm), framed. Condition: Not examined out of frame. $400-600

Provenance: Bondi-Jaray, London; Peter H. Deitsch, New York, 1956, The Benjamin Sonnenberg Collection, Sotheby Parke Bernet, June 5-9, 1979, lot: 1475, sale: 4260. Literature: Seligman, Germain, Roger de la Fresnaye, With a Catalogue Raisonné, 1969, no. 610, p. 269 (illus.); Artists and Writers: Nineteenth and Twentieth Century Portrait Drawings from the Collection of Benjamin Sonnenberg, The Pierpont Morgan Library, New York, May 13–July 30, 1971, no. 56, p. 46 (illus.). $800-1,200

351. Serge Belloni (Italian, 1925-2005) Seated Nude Dedicated, signed, and dated “a mon cher Ami Thomas F. Brigame S. Belloni 54.” l.c., red wax seal l.l. Ink on paper, sight size 23 3/4 x 17 1/2 in. (60.2 x 44.4 cm), framed. Condition: Subtle toning, several fox marks, not examined out of frame. $300-500

352

353 355

353. Margaret Jordan Patterson (American, 1867-1950)

355. Herbert Richard Mears (American, 1923-1999)

Still Life with Fruit Signed “M.J. Patterson” u.r. Oil on canvasboard, 8 x 10 in. (20.3 x 25.4 cm), framed. Condition: Minor surface grime. $600-800

Seated Figure Signed and dated “Mears 52” u.r. Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), unframed. Condition: Small puncture, minor abrasions, varnish inconsistencies.

354. Lothar Fischer (German, 1933-2004)

Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $300-500

Seated Figure Signed, dated, and numbered “Lotharfischer/1982...3/6” on the underside. Bronze, 15 1/2 x 2 x 5 in. (39.4 x 5.1 x 12.7 cm), on a wooden platform. Condition: Minor surface grime. $150-250

355A. Lilian MacKendrick (American, 1906-1987) Portrait of a Reclining Nude Initialed “M” l.r., inscribed “Pastel/Lilian MacKendrick” on the reverse. Gouache and pastel on paper, sight size 8 1/4 x 11 in. (21.0 x 27.9 cm), framed. Condition: Subtle craquelure and flaking. $400-600

355A

354

357

356

356. David Omar White (American, 20th/21st Century)

357. Clara Fargo Thomas (American, 1891-1970)

Fashion Plate Signed “OMAR” l.r. Watercolor on paper, 20 x 15 in. (50.8 x 38.1 cm), unframed. Condition: Toning. $500-700

Figure in an Arboretum Unsigned, stamped “Estate of/Clara Fargo Thomas/(18971970)” on the backing. Oil on paper/board, 28 x 36 1/2 in. (71.1 x 92.7 cm), framed. Condition: Minor surface grime. $1,800-2,200

358. Jack Wolfe (American, 1924-2007) Mother and Infant Initialed and dated “JW 79” l.r., inscribed, titled, and dated “JACK WOLFE STOUGHTON MA... 1979” on the stretcher. Oil on canvas, 32 x 24 in. (81.3 x 61.0 cm), unframed. Condition: Good. Provenance: Through the collection of the artist’s daughter, Twyla Wolfe. N.B. Sold to benefit the Boston Area Rape Crisis Center, Cambridge, Massachusetts. $300-500

358

359

359. Henri Matisse (French, 1869-1954) Seated Woman in Oriental Dress Signed “Henri Matisse” l.l., identified on a label from Charles E. Slatkin Galleries, New York, on the reverse. Pen and ink on paper, sight size 18 3/4 x 13 1/4 in. (47.6 x 33.7 cm), framed. Condition: Laid onto matboard and adhered between beveled and backing mats. Exhibitions: The Many-Sided Artist, Charles E. Slatkin Galleries, New York, Feb. 15–March 31, 1961, no. 60. Provenance: Collection of Henry F. and Stella Fischbach, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. N.B. Matisse was deeply influenced by the sights he encountered in Morocco during the winters of 1911 through 1913, and nostalgia for this time inspired his later work depicting lush Oriental interiors. The present work is characteristic of Matisse’s female portraits of the twenties that show an Arabesque interior with women, frequently in exotic costume “dozing or chatting there, with a dreamy look in their eyes…without a care in the world other than setting a calm, luxurious mood for the delight of a man who exists only negatively, only as he is reflected in the woman’s availability and expectancy.”1 At the same time, in this particular work, there is a subtle aggressiveness to her pose in her frontal display of wealth and direct gaze that may challenge the typically passive gaze of the viewer. 1. Schneider, Pierre, Matisse, New York: Rizzoli, 1984, p. 496.

$150,000-250,000

360

360. Edouard Vuillard (French, 1868-1940) Young Woman Seated Behind a Table Stamped initials “E.V.” l.r. (Lugt 909c). Graphite on paper, sight size 4 1/2 x 7 3/4 in. (11.4 x 19.7 cm), framed. Condition: Mounted to board, toning, not examined out of frame. Provenance: Jacques Solomon, Paris; Huguette Beres, Paris, 1956; The Benjamin Sonnenberg Collection, Sotheby Parke Bernet, June 5–9, 1979, lot: 1463, sale: 4260. $800-1,200

361. Enzo Plazzotta (Italian, 1921-1981) Study for the Autumn, 1970 Signed and numbered “PLAZZOTTA 5/9” and foundry stamped “FON.../LUIGI TOMMASI/PIETRASANTA” in the cast on base. Bronze with dark brown patina, 9 1/2 x 4 1/2 x 3 in. (24.1 x 11.4 x 7.6 cm), mounted to a stone plinth. Condition: Minor surface grime. Literature: Plazzotta, Carol and Richard O’Conor, Enzo Plazzotta: A Catalogue Raisonné, London: Trefoil Books, 1986, p. 85, no. 151. $400-600

361

362

362. Raoul Dufy (French, 1877-1953) Anemones, c. 1938 Signed “Raoul Dufy” in pencil l.r. Gouache on paper, sight size 25 1/2 x 19 in. (64.8 x 48.3 cm), framed. Condition: Water staining, mended tear, subtle acid burn. Provenance: Through Caroll Carstairs Gallery, New York; from the collection of Louis Albert McMillen. N.B. We wish to thank Mme. Fanny Guillon-Laffaille for her assistance with cataloguing the lot. The work will be included in her forthcoming supplement to Catalogue Raisonné des Aquarelles, Gouaches et Pastels de Raoul Dufy, photo-certificate no. A09-1753 accompanies the lot. $40,000-60,000

364

363

363. David Herskovitz (Peruvian/American, b. 1925)

364. Arnold Hoffmann (American, 1886-1966)

Flautista Signed and dated “David Herskovitz IV/LXIII” l.r., titled on the reverse. Oil on canvas, 28 3/4 x 23 in. (73.0 x 58.4 cm), framed. Condition: Flaking, losses, surface grime. $800-1,200

Exit/A Spanish Landscape Signed and dated “Arnold Hoffmann ‘57” l.l., identified on a label from The Painters and Sculptors Society of New Jersey, Inc., affixed to the stretcher. Oil on canvas, 21 1/4 x 37 in. (53.9 x 94.0 cm), framed. Condition: Craquelure, surface grime, minor losses. Provenance: A private New York estate. Exhibitions: Arnold Hoffmann: Land of Don Quixote, Garelick’s Gallery, Detroit, Michigan, November 10–30, 1957, no. 8. $300-500

365. David Bethuel Jamieson (American, 1963-1992) Portrait of a Man Signed and dated “6/13/85 Jamieson” in pencil l.r. Mixed media on paper, sight size 23 x 18 in. (58.4 x 45.7 cm), framed. Condition: Not examined out of frame. $500-700

365

366

367

366. Sam Messer (American, b. 1955)

367. Riva Borensztejn [called Riva Boren] (Polish, 1926-1995)

Before/After Signed, dated, and titled “MESSER ‘85...,” and identified on a label from Nielsen Gallery, Boston, on the reverse. Enamel paint on paper mounted to aluminum panel, 46 x 35 1/4 in. (116.8 x 89.5 cm), unframed. Condition: Minor surface grime. $800-1,200

Two Nudes Signed and dated “RIVA BOREN 61” l.l., inscribed “RIVA BOREN/RUE DE LA BUCHERIE/PARIS” on the reverse. Ink and gouache on paper/board, 27 x 30 in. (68.6 x 76.2 cm), framed. Condition: Partially reinforced signature, subtle bowing to board, not examined out of frame. $400-600

368. David Jowett Greaves Oxtoby (British, b. 1938) Ray Charles #2, 1963 Signed “David J.G. Oxtoby.” l.r., identified on labels from Nordness Gallery, New York, and Metromedia, Inc., Art Collection, Secaucus, New Jersey. Graphite and conté crayon on paper, sight size 13 3/4 x 9 3/4 in. (34.9 x 24.8 cm), framed. Condition: Not examined out of frame. $600-800

368

369

369. Franklin Robbins (American, b. 1917)

370. Miguel Covarrubias (Mexican, 1904-1957)

Orchestra Signed and dated “Robbins ‘54” l.r., identified on a label from the Whitney Museum of American Art, New York, on the reverse. Oil with gold and aluminum leaf on canvas, 27 x 56 in. (68.6 x 142.2 cm), framed. Condition: Tear in the l.l. quadrant with resulting paint loss, surface grime.

Illustration for a Japanese Legend Signed “COVARRUBIAS” in pen l.r. Ink and watercolor on paper, 12 x 8 1/2 in. (30.5 x 21.6 cm), framed. Condition: Not examined out of frame.

Exhibitions: Annual Exhibition of Contemporary American Painting, Whitney Museum of Art, November 9, 1955–January 8, 1956, (exh. no. 125). $800-1,200

370

Provenance: Through the estate of Louis Nizer, New York City. $1,500-2,500

371

371. Mary Richards Sherer (American, 1884-1970)

372. Henry Koerner (American, 1915-1991)

Luncheon by the Sea Signed “M. Sherer” l.l. Oil on canvas, 19 3/4 x 16 3/8 in. (50.0 x 41.5 cm), framed. Condition: Good. $800-1,200

The Symphony Signed “Koerner” l.r., with a label from Midtown Galleries, New York, affixed to the backing. Pen and ink on paper mounted to board, 18 x 22 in. (45.7 x 55.9 cm), framed. Condition: Not examined out of frame. $300-500

372

373

374

373. Sam Messer (American, b. 1955)

374. American School, 20th Century

Acrobat, 1988 Signed and numbered “MESSER 8” on the side. Bronze, approximately 13 1/4 x 5 x 3 1/2 in. (33.7 x 12.7 x 8.9 cm), suspended from a bronze rod. Condition: Minor surface grime.

Three Figures Unsigned. Oil on canvas, 55 x 55 in. (139.7 x 139.7 cm), unframed. Condition: Surface grime, craquelure. $500-700

Provenance: Purchased from Nielsen Gallery, Boston, Massachusetts. $300-500

375. Sir Jacob Epstein (British, 1880-1959) Second Portrait of Sunita (bust) Signed “Epstein” in the cast l.l. Painted plaster, 23 x 23 1/2 x 14 in. (58.4 x 59.7 x 35.6 cm). Condition: Minor chips and surface abrasions. $2,000-4,000

375

376. Sir Jacob Epstein (British, 1880-1959) W. Somerset Maugham, CH, 1951 Signed “Epstein” in the cast on the reverse. Bronze with green patina, 15 1/2 x 10 x 9 in. (38.1 x 25.4 x 22.9 cm), mounted to a stone plinth. Condition: Minor surface grime. Literature: Epstein, Edinburgh Festival Society Memorial Exhibition: Waverley Market, August 19–September 18, 1963 (exh. cat.), no. 204. $10,000-15,000

376

377. German School, 20th Century Portrait of a Woman Signed and inscribed “...Rool” l.r. Ink on paper, sight size 24 1/2 x 18 1/2 in. (52.1 x 47.0 cm), framed. Condition: Subtle water staining l.l., not examined out of frame. $800-1,200

377

378

378. Pablo Picasso (Spanish, 1881-1973) Portrait of Ambroise Vollard with His Cat Signed and dated “Picasso 13·2·1938” in ink l.r. and on the reverse. Crayon and ink on paper, sheet size 8 1/4 x 5 1/4 in. (21.0 x 13.3 cm), framed. Condition: Taped to silk-covered mat at four corners, trimmed sheet (probably by the artist) along left and top margin. Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. Literature: Johnson, Una E., Ambroise Vollard, Editeur [Prints, Books, Bronzes], New York: The Museum of Modern Art, 1977, pp. 32, 44; [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964 (illus. plate XLVII). Exhibitions: Impresario Ambroise Vollard, The Museum of Modern Art, New York, June 9– September 7, 1977 [cover illustration for exhibition brochure]; Krannert Art Museum, University of Illinois, Urbana-Champaign, January 15–February 19, 1978 (lent to the traveling exhibit by Mr. and Mrs. Graham H.R. Jenkins [Anna Eleanor Roosevelt Braman] on February 28, 1977). N.B. The present work was one of eight original drawings included in the sale of a presentation copy of Souvenirs d'un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Meraud. Ambroise Vollard was amongst Picasso’s earliest dealers, beginning their relationship in 1901 and ending with Vollard’s tragic death in 1939. He was influential in introducing Picasso to prominent collectors, such as Leo and Gertrude Stein, as well as works by artists he represented such as Paul Cezanne, Paul Gauguin, and Henri Matisse. Though his role as Picasso’s primary dealer waned after 1911, Vollard continued to promote him over the decades through his work as an éditeur of editioned bronzes, prints, and art books.1 The Vollard Suite, a series of 100 etchings commissioned by Vollard in 1927 and completed in 1937, is among Picasso’s most ambitious print work in scale and subject. In the series, one of the themes examined is the artist’s relationship to his muse. While allusions to his lover Marie-Thérèse Walter figure prominently, three profile portraits of Vollard serve as an end cap to the series, presumably as a salutatory gesture. Picasso was known to have made only a small number of portraits of Vollard in various medium, including the aforementioned etchings. His best known portrait of Vollard is also his earliest, dating to 1910, which is a paradigm example of Picasso’s “analytic cubist” style. A graphite portrait on paper dated to 1915 is also known, which is a naturalistic rendering of Vollard in a formal seated pose. The present work, in its synthesis of facets and lines, strikes a balance between the fragmented depiction of 1910 and the meticulously composed portrait of 1915. It captures a moment of domestic absorption between Vollard and his cat. The frenetic lines masterfully convey the cat’s attempts to right itself from its vulnerable, cradled position, while the heavy contours of Vollard’s hand expresses Vollard’s attempt to tame its wildness. The present portrait, a recently rediscovered work, may have been the inspiration for the etching with aquatint entitled Vollard et son Chat, c. 1960, as well as an undated oil painting in a private collection of the same subject.

1. Tinterow, Gary, “Vollard and Picasso,” Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, New York: The Metropolitan Museum of Art, 2006, p. 101.

$450,000-650,000

379

379. Romare Howard Bearden (American, 1911-1988)

380. Byron Browne (American, 1907-1961)

Christ Taken by Soldiers Signed “Bearden” u.l., titled and identified “...IST TAKEN BY SOLDIER.../...IL ON GESSO/Romare Bearden/Painted 7/1945” on a label fragment affixed to the stretcher, inscribed “Frame for R. Bearden by J. Grippi...” in pencil on the frame. Oil on Masonite, 18 x 23 7/8 in. (45.7 x 60.6 cm), framed. Condition: Surface grime, craquelure, minor losses.

The Circus Weightlifter Signed and dated “Byron Browne 1946” l.r. Gouache, ink, and crayon on paper, sight size 14 1/2 x 10 3/8 in. (36.8 x 26.4 cm), framed. Condition: Not examined out of frame. $600-800

Exhibitions: Romare Bearden: First New York exhibition, opening Monday Oct. 8 extending thru Oct. 27, Samuel M. Kootz Gallery, New York City, New York, 1945. N.B. In 1945, Bearden was given a one-man show by Caresse Crosby at the G Place Gallery in Washington D.C. entitled “The Passion of Christ.” The works in this show “marked the beginning of a new phase of Bearden’s resolution of problems of composition, color, and theme in his art” and was “the first of four important series, all inspired by literary themes, which were to be exhibited in the midst of the down town New York art scene in the mid to late 1940s.”1 On Crosby’s introduction and encouragement, Samuel Kootz hosted a show of “The Passion of Christ” series a few months later, to great critical press. Nora Holt noted that “…[Mr. Bearden] feels his series, “The Passion of Christ” presents a symbol expressing the emotional events of that cycle-tragedy, love, hatred, fear, sadism, and sacrifice-shorn of literalism as a device, but conceived and designed in his own creativeness.”2 1. Schwartzman, Myron, Romare Bearden: His Life & Art, New York: Harry N. Abrams, Inc., 1990, p. 127. 2. Ibid., p. 135.

$15,000-25,000

380

381. Chester Dixon Snowden (American, b. 1900) Planners Signed “Chester Snowden” l.r., dated “JAN. 27 ‘35” and identified on labels from the Museum of Fine Arts of Houston, on the reverse. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Surface grime. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $700-900

381

382. Romare Howard Bearden (American, 1911-1988) Soldier at the Door Signed “Bearden” l.r. Ink and watercolor on paper, sight size 23 1/4 x 17 in. (59.1 x 43.2 cm), framed. Condition: Taped to beveled mat. Provenance: Private New England collection. N.B. Homer’s The Iliad was the inspiration for one of Bearden’s four literary series created between 1945 and 1948. An exhibition of “The “Iliad” series was held at Niveau Gallery in November 1948. Stylistically, the works were consistent with his earlier literary series, where the colors were “prismatic, enclosed by the architectonics of the lines separating them” akin to the stained glass windows of Chartres cathedral.1 1. Schwartzman, Myron, Romare Bearden: His Life & Art, New York: Harry N. Abrams, Inc., 1990, p. 152.

$10,000-15,000

382

383

383. Karl (Otto Karl) Knaths (American, 1891-1971)

384. Jan Cox (American, 1919-1980)

Cosmic Signed “Karl Knaths” l.c., identified on a label from the Paul Rosenberg & Co., New York, affixed to the reverse, inscribed and dated “KARL KNATHS P’TOWN 1970...” on the stretcher. Oil on canvas, 40 x 70 in. (101.6 x 177.8 cm), framed. Condition: Restored tear with retouch in l.l. quadrant, minor paint losses. $8,000-12,000

Still Life Signed and dated “Jan 46” u.l. Oil on canvas, 31 3/4 x 25 1/2 in. (80.6 x 64.8 cm), framed. Condition: Scattered retouch, minute pinhole punctures, mild surface grime. $800-1,200

385. Jose Maria de Servin (Mexican, 1917-1995) Surrealist Composition Signed “JOSE MA. de SERVIN” l.l. Oil on canvas, sight size 30 3/4 x 38 1/2 in. (78.1 x 97.8 cm), framed. Condition: Lined. $1,000-2,000

384

385

386

386. Salvador Dalí (Spanish, 1904-1989) The Annunciation Signed and dated “Dalí 1954” l.c. Ink, graphite, and watercolor on STEE-VEE illustration board, sight size 30 x 44 in. (76.2 x 111.8 cm), framed. Condition: Subtle toning, small crease to l.l. corner. Provenance: From the collection of Louis Albert McMillen. N.B. The present work is characteristic of Dalí’s artistic vision of the 1950s which he called “Nuclear Mysticism.” This concept integrated Dalí’s interpretation of quantum mechanics with Old Master craftsmanship to create a new kind of spiritual art-making and viewing experience. In 1951, Dalí published his “Mystical Manifesto” where he affirmed, in ecstatic prose, his belief that through Renaissance pictorial organization and subject matter an artist can express the immaterial “soul” of painting. Dalí writes, “…with the unity of the universe having been confirmed, clear as the aesthetic of Luca Paccioli or Vitruvius…it being observed that, every quarter of an hour and of a second, matter is in constant and accelerated process of dematerialization, of disintegration, slipping out of the hands of scientists and thus proving to us the spirituality of all substance, for the physical light of Dalí’s ParanoiacCritical Activity, this too, is ‘wave and corpuscle’ at one and the same time.”1 In the present work, matter and anti-matter is represented in the forms of Mary and the Archangel Gabriel, where the former is in the process of dematerializing (transforming from mortal to divine) and the latter as already dematerialized. Nicolas Descharnes has kindly confirmed the authenticity of this work, and a certificate from Mr. Descharnes accompanies the lot. 1. Finkelstein, Haim, ed., The Collected Writings of Salvador Dalí, Cambridge: Cambridge University Press, 1998, p. 356.

$40,000-50,000

387

387. Ismael Al-Khaid (Iraqi, 20th Century)

389. Dia Azzawi (Iraqi, b. 1939)

Those Who Watch Other People Will Die of Envy, alternatively titled Religious Symbols Signed in Arabic l.r., signed, stamped, inscribed, titled, and dated “McMillen....AL WASITI ART GALLERY/NO. 308BAGHDAD, IRAQ...Ismael Al-Khaid/1965” on the reverse, stamped “Paul Schuster Art Gallery...Cambridge, Mass.” on the paper backing. Ink, gouache, foil, and collage on paper, sight size 8 1/4 x 11 1/4 in. (21.0 x 28.6 cm), framed. Condition: Tape hinged to window mat.

The Jealous Will Never Rule Signed, inscribed, and titled “...FOLKLORE SAYING...Dhia Alazawi...” in Arabic and English on the reverse. Watercolor and ink on paper, sight size 17 1/2 x 14 1/4 in. (44.5 x 36.2 cm), framed. Condition: Subtle rippling, mildew to mat, restored tear, masking taped to window mat. Provenance: From the collection of Louis Albert McMillen. $2,000-4,000

Provenance: From the collection of Louis Albert McMillen. $800-1,200

388. Faiq Hussain (Iraqi, 20th Century) Composition No. 1 Signed in Arabic l.l., inscribed “McMillen” and identified on a label from Al-Wasiti Art Gallery, Baghdad, Iraq, in Arabic and English on the reverse. Gouache, ink, and graphite on paper, sheet size 8 7/8 x 11 1/4 in. (22.5 x 28.6 cm), framed. Condition: Handling creases, minor skinning. Provenance: From the collection of Louis Albert McMillen. $800-1,200

388

389

390. Dia Azzawi (Iraqi, b. 1939) Masks of Abyss Signed in Arabic l.r., also signed, inscribed, and dated “...Dhia AlAzzawi 1966/Baghdad” in Arabic and English and identified on a label from Al-Wasiti Art Gallery, Baghdad, Iraq, on the reverse. Oil on canvas, 33 5/8 x 25 5/8 in. (85.4 x 65.1 cm), framed. Condition: Minor surface scratches. Provenance: From the collection of Louis Albert McMillen. $25,000-30,000

391. Dia Azzawi (Iraqi, b. 1939) Visit of Al Kassim Signed in Arabic l.r., also signed, titled, inscribed, and dated “...Dhia Al-Azzawi 1968, IRAQ” in Arabic and English on the reverse. Oil on canvas, 39 x 32 1/2 in. (99.1 x 82.6 cm), framed. Condition: Craquelure, surface grime. Provenance: From the collection of Louis Albert McMillen.

390

N.B. Dia Azzawi was one of the founders of “The New Vision,” a group that aimed to create a pluralistic Arab aesthetic that looked to all Arabic traditions for inspiration and revision. In their 1969 manifesto Azzawi writes, “Let us remember the arts of the Fertile Crescent, Syria, and the Nile, and let us reject the world of rigidity and imitation to create a true and lasting relationship with our generation … We must tear tradition apart to bring it into existence anew … we must challenge it to surpass it.”1 Azzawi studied archeology at the University of Baghdad, graduating in 1962, while studying art at the Institute of Fine Arts, Baghdad. He was deeply influenced by early Mesopotamian culture and employed its “historical forms.” Azzawi notes, “I felt especially close to the Sumerian ideas. I loved the simple lines, the great big eyes...”2 In the present work, Sumerian influences can be seen in the flat, pattered arrangement of the mosque and other buildings, as well as the rounded forms of the woman dressed in hijab. Both human and animal are gazing to the sky, which may inform the title of the work, loosely translated as “the one who determines our fate.” Azzawi currently works in London, where he has lived since 1976. He has had numerous solo and group exhibitions from 1965 to the present, and most recently participated in the 6th Annual Abu Dhabi Music and Arts Festival in the United Arab Emirates. 1. Shabout, Niza, “Modern Arab Art and the Metamorphosis of the Arabic Letter,” (Doctoral dissertation, University of Texas at Arlington, 1999), p. 278. 2. Ibid., 271, 273.

$25,000-30,000

391

392

392. Leo Manso (American, 1914-1993) Avatar II Signed “Manso” l.r., identified on a label affixed to the reverse. Paper collage on canvas, sight size 14 1/2 x 16 1/2 in. (36.8 x 41.9 cm), framed. Condition: Not examined out of frame. $300-500

393

393. Munir Mohammed Al Ali Alqadhi (Iraqi, 20th Century) Seed-Bearim Icon Signed, titled, and inscribed “...No 6... Munir Mohammed Al Ali Alqadhi” in English and Arabic on the reverse. Gouache, foil, and paper collage on paper/board mounted to Masonite, 26 x 18 in. (66.0 x 45.7 cm), unframed. Condition: Losses, lifting. Provenance: From the collection of Louis Albert McMillen. $5,000-7,000

394. Terri Priest (American, 20th/21st Century) Two Abstract Works One signed “T. PRIEST” l.r. Mixed media collage on board, 5 1/4 x 4 1/4 in. (13.3 x 10.8 cm), framed. Condition: Not examined out of frames. $200-250

394

395. Dia Azzawi (Iraqi, b. 1939) Ancient Symbols Signed in Arabic c.r., titled, dated, and inscribed “...Dhia Al-Azzawi...1964” in Arabic and English and identified on a label from Al-Wasiti Art Gallery, Baghdad, Iraq, on the reverse. Oil on canvas, 32 3/4 x 37 1/4 in. (83.2 x 94.6 cm), framed. Condition: Craquelure, restored tear u.l. quadrant, surface abrasions. Provenance: From the collection of Louis Albert McMillen. $25,000-30,000

395

396. Dia Azzawi (Iraqi, b. 1939) Al Shamr Signed in Arabic l.l., inscribed and dated “...Dhia Al-Azzawi/1965” in Arabic and English and identified on a label from Al-Wasiti Art Gallery, Baghdad, Iraq, on the reverse. Oil on canvas, 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Surface grime, craquelure. Provenance: From the collection of Louis Albert McMillen. $25,000-30,000

396

397

397. Faiq Hussain (Iraqi, 20th Century) My Wilderness Open for Others Signed in Arabic l.r., signed or inscribed and dated “No. 178/BAGHDAD-IRAQ...FAIK HA HUSSAIN/1965” on the reverse. Oil on canvas, 18 1/2 x 41 1/4 in. (47.0 x 104.8 cm), framed. Condition: Mildewing. Provenance: From the collection of Louis Albert McMillen. $15,000-20,000

398

398. Kadhim Hayder (Iraqi, 1932-1985) The Martyr’s Epic Signed and dated “K. HAIDAR 1965” l.l., titled and inscribed “...Fatigued, ten horses converse with nothing/ KADIM HAIDER/1965.” Oil on canvas, 36 x 50 in. (91.4 x 127.0 cm), framed. Condition: Surface grime. Provenance: From the collection of Louis Albert McMillen. N.B. Hayder was amongst the younger members of La Société Primitive, better known as “The Pioneers.” The group, which flourished in Baghdad between 1950 and 1974, was comprised of artists who sought to “abandon the restricting and artificial atmosphere of their studios and paint directly within and from their outdoor environment. Nature, city and village scenes as well as traditional Iraqi country life became their main focus for their works.”1 The Pioneers were the first of many artistic groups that arose in the 1950s out of a desire to establish a native Iraqi artistic language, and can be understood against the political backdrop of growing dissatisfaction with the British-backed constitutional monarchy. Hayder received his BA in painting in 1957 at the Institute for Fine Arts, Baghdad’s first school exclusively for the visual and dramatic arts. From 1961 to 1962, Hayder studied theater design and printmaking in London at the Royal College of Art with such contemporaries as Barbara Hepworth and R.B. Kitaj. Upon his return to Iraq, he taught at the IFA as well as the Academy of Fine Arts in Baghdad. Hayder would later establish the design department at the AFA in 1974, and served for a year as department chair of Plastic Arts there. In addition to his academic career, he worked to promote Iraqi and pan-Arab artistic identity by serving on such organizations as the Society of Iraqi Plastic Artists, Union of Iraqi Artists, and Union of Arab Artists. 1. Faraj, Maysaloun, Strokes of Genius: Contemporary Iraqi Art, London: Saqi Books, 2001, p. 24.

$15,000-20,000

399

399. Osmany Soler Mena (Cuban, b. 1974)

400. Clement Renzi (American, 20th/21st Century)

Forma Zoomorfa Monogram signed, dated, and titled “20 OSM 06...” on the reverse. Oil on canvas, 21 3/4 x 26 in. (55.2 x 66.0 cm), unframed. Condition: Good. $1,500-2,000

Portrait of a Boy on a Bull Signed and dated “RENZI 61” on the reverse. Bronze, 5 1/4 x 5 1/2 x 2 in. (13.3 x 14.0 x 5.1 cm), on a travertine plinth. Condition: Good. Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $300-500

400

401

401. Ahmad Shibrain (Sudanese, b. 1931)

402. Continental School, 20th Century

Calligraphic Composition Signed in Arabic l.l., identified on a label from Gallery One, Beirut, Lebanon, on the reverse. Ink wash on paper, sight size 14 1/2 x 14 1/4 in. (36.8 x 36.2 cm), framed. Condition: Craquelure, subtle rippling, masking tape hinged to window mat, minor skinning.

Riders on Horseback Monogrammed â&#x20AC;&#x153;PVâ&#x20AC;? on rear, a label from the First National Bank of Boston affixed to the underside. Bronze with brown patina, approximately 45 x 16 x 48 in. (114.3 x 40.6 x 121.9 cm). Condition: Minor surface grime. $600-800

Provenance: From the collection of Louis Albert McMillen. $600-800

402

404

403

403. Francis Pratt (American, b. 1913) Lot of Two Figural Works Each signed “Francis Pratt...” in pencil l.l., one dated “-50” l.c. Oil and encaustic on board, 7 3/4 x 3 3/4 in. (19.7 x 9.5 cm), framed. Condition: Not examined out of frames. $400-600

404. Gabriel Godard (French, b. 1933) Pecheurs a la trinité Signed and dated “G. Godard. 63.” l.l., identified on a label from David B. Findlay Galleries, New York, on the cardboard backing. Oil on canvas, 31 1/2 x 39 in. (80.0 x 99.1 cm), framed. Condition: Minor surface grime. $5,000-7,000

405. Robert Cook (American, b. 1921) Anteus Signed “R. Cook” in the cast on base, titled on a label affixed to the plinth. Bronze, approximately 20 3/4 x 17 x 3 1/2 in. (52.7 x 43.2 x 8.9 cm), mounted to a wooden plinth. Condition: Minor surface grime. Provenance: Purchased from Wellfleet Gallery, Wellfleet, Massachusetts. $300-500

405

406

407

406. Chuck Holtzman (American, b. 1950)

407. Morris Louis (American, 1912-1962)

Four Spoons, 1986 Signed, titled, dated, and inscribed “CHUCK HOLTZMAN...1986...” on the back. Acrylic paint and wood, 11 1/2 x 9 x 9 1/2 in. (27.9 x 22.9 x 24.1 cm). Condition: Good.

Untitled, c. 1948 Unsigned, estate blindstamped “ML” l.r., identified on labels from Andre Emmerich Gallery, Inc., New York, and Barbara Krakow Gallery, Boston, on the backing. Ink and graphite on paper, 13 1/2 x 16 1/2 in. (82.6 x 41.9 cm), framed. Condition: Not examined out of frame.

Provenance: Purchased from Barbara Krakow Gallery, Boston, Massachusetts. $400-600

Literature: Headley, Diane Upright, The Drawings of Morris Louis, Washington D.C.: Smithsonian Institution Press, 1979, p. 80, Cat. no. D61. Exhibitions: The Drawings of Morris Louis, Smithsonian Institution, December 6, 1979–February 3, 1980; Fogg Art Museum, Harvard University, February 22–April 6, 1980. $2,000-4,000

408. Fay Abrahams (American, 20th Century) Portrait of a Torso in Profile Signed “fay” l.r. Oil on Masonite, 36 x 30 in. (91.4 x 76.2 cm), framed. Condition: Craquelure, lifting, losses, surface grime. $300-500

408

409

410

409. Harold Zussin (American, 1915-1994) Solitaire Signed and dated “HZussin/1940” l.r. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed. Condition: Surface grime, retouch, lined. $400-600

410. Aaron Fink (American, b. 1955) Hat Signed and dated “Aaron Fink ‘86” l.r., identified on a label from The Alpha Gallery, Boston, affixed to the reverse. Ink over oil counterproof on paper, 59 x 33 in. (149.9 x 83.8 cm), framed. Condition: Tack holes to corners, small tear in the l.l. quadrant, not examined out of frame. $500-700

411. Ivan Jenson (American, b. 1962) Grey Areas Signed “IVAN JENSON” l.c., titled, inscribed, and dated “...1997...IVAN JENSON...” on the reverse. Acrylic on canvas, 36 x 24 in. (91.4 x 61.0 cm), unframed. Condition: Minor surface grime. $1,000-2,000 411

412 413

412. Peter Robert Keil (German, b. 1942) Dean Martin Signed, inscribed, and dated “Peter Keil Berlin 77” l.l., also titled, inscribed, signed, and dated “...Las Vegas/P.R. Keil/Berlin 77” on the reverse. Acrylic on canvas, 30 x 24 in. (76.2 x 61.0 cm), unframed. Condition: Surface grime, craquelure. $800-1,200

413. Fay Abrahams (American, 20th Century) Two Men Signed “fay abrahams” u.r. Gouache, charcoal, and pastel on paper, 24 1/2 x 15 1/2 in. (62.2 x 39.4 cm), framed. Condition: Not examined out of frame. $300-500

414. Peter Robert Keil (German, b. 1942) Gregory Peck Signed and dated “PKeil 72” l.l., also titled, signed, inscribed, and dated “...P. Keil Berlin 72” on the reverse. Oil on Masonite, 40 x 25 1/8 in. (101.6 x 63.8 cm), unframed. Condition: Surface grime. $800-1,200 414

415

416

415. Charlotte Harrington Scott (American, 1905-1963)

416. Louverture Poisson (Haitian, 1914-1985)

Carrying Bottles Unsigned. Oil on Masonite, 24 x 18 in. (60.9 x 45.7 cm), unframed. Condition: Unobtrusive surface grime.

Young Woman at Her Toilette Signed “Poisson” l.r. Oil on Masonite, 10 x 16 1/4 in. (25.4 x 41.3 cm), framed. Condition: Surface grime, retouch, alligatoring. $1,000-1,500

Provenance: Through the collection of the artist. $400-600

417. Fay Abrahams (American, 20th Century) Landscape with Houses and Still Life with Bottle/A DoubleSided Composition Landscape signed “fay” l.r., Still Life unsigned. Oil on Masonite, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Landscape with surface grime, abrasions, and alligatoring; Still Life with heavy lifting, abrasions, and losses. $300-500

417

419

418. Bourmond Byron (Haitian, b. 1923)

418

The Quiet Hut Signed “B. Byron” l.r. Oil on Masonite, 24 x 6 in. (60.9 x 15.2 cm), framed. Condition: Unobtrusive surface grime, scattered craquelure. $300-500

419. Wilmino Domond (Haitian, b. 1925) Lavandieres Signed and dated “Wilmino Domond 1963” l.r., identified on labels on the reverse. Oil on Masonite, 16 x 24 in. (40.5 x 60.9 cm), framed. Condition: Minute scattered losses. $600-800

420. Adam Leontus (Haitian, b. 1928) Village Life Signed “ADAM LEONtUS” l.r. Oil on Masonite, 32 x 24 in. (81.3 x 60.9 cm), framed. Condition: Minute scattered losses. $500-700

420

421. Jason Berger (American, b. 1924) European Countryside Signed “jason berger” l.r. Oil on canvas, 32 x 39 in. (81.3 x 99.1 cm), unframed. Condition: Craquelure, surface grime, losses, abrasions. $600-800

421

422. Jason Berger (American, b. 1924) Street View Signed “Jason Berger” l.r., with a composition of an artist’s studio on the reverse. Oil on canvas, 32 x 39 in. (81.3 x 99.1 cm), unframed. Condition: Craquelure, flaking to composition on the reverse, surface grime, restretched, subtle canvas deformations, subtle abrasions to tacking margin. $600-800

422

423. Jason Berger (American, b. 1924) Carvoeiro/A Portuguese Landscape Signed “Jason Berger” l.r., inscribed “#406 CIRCA 1990...” on the stretcher bars. Oil on canvas, 32 1/4 x 40 in. (81.9 x 101.6 cm), unframed. Condition: Restretched, craquelure, minor losses and abrasions along the tacking margin. $600-800

423

425

425. Jason Berger (American, b. 1924) 424

Garden in Benfica/A Portuguese Landscape Signed “Jason Berger” l.r., inscribed and titled “405 NP 1-13...” on the reverse. Oil on canvas, 31 x 40 3/4 in. (78.7 x 103.5 cm), unframed. Condition: Subtle canvas deformations, craquelure, restretched, minor surface grime. $600-800

424. Jon Imber (American, b. 1950) The Cage Signed and dated “Jon Imber 5/89” l.r., identified on a label from Nielsen Gallery, Boston, affixed to the reverse. Pastel on paper, 30 x 22 in. (76.2 x 55.9 cm), framed. Condition: Tack holes to corners, not examined out of frame. $300-500

426

426. Albert Clymer (American, b. 1942) Barn by the Road Signed and dated “Clymer ‘73” l.l. Oil on Masonite, 32 x 38 1/4 in. (81.3 x 97.2 cm), framed. Condition: Minor surface grime, tack holes to margins. $1,000-2,000

427. Marilyn Powers (American, 1925-1976) University Rd. Brookline Signed and dated “Powers 72” l.r., titled and inscribed “...FALL 197...” on a label on the reverse, and inscribed “...#113 NP2-11” on the stretcher. Oil on canvas, 28 1/2 x 36 1/2 in. (72.4 x 92.7 cm), unframed. Condition: Restretched, minor abrasions along the tacking margin. $300-500

427

428. Marilyn Powers (American, 1925-1976) University Rd. Signed and dated “74 Powers” l.l., titled and inscribed “162...1975” on a label and inscribed “063 NP1-4” on the reverse. Oil on canvas, 28 1/2 x 36 in. (72.4 x 91.44 cm), unframed. Condition: Restretched, minor abrasions along tacking margin, subtle surface grime. $300-500

428

429. Marilyn Powers (American, 1925-1976) Spring Landscape Signed “Powers” l.l. Oil on canvas, 28 1/2 x 36 in. (72.4 x 91.4 cm), unframed. Condition: Minor surface abrasions. $300-500

429

430

430. Lawrence Calcagno (American, 1913-1993)

431. Manfred Schwartz (American, 1909-1970)

Untitled Signed and dated “Calcagno 1964” on the reverse, identified on a label from Osborne, New York, on the backing. Oil on canvas, 30 x 24 in. (22.9 x 61.0 cm), framed. Condition: Minor surface grime. $300-500

Water Lilies Signed “Manfred Schwartz” l.r. Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed. Condition: Good. $1,500-2,000

431

432

433

432. Lawrence Edward Kupferman (American, 1909-1982)

433. Laurence Philip Sisson (American, b. 1928)

Encampment in the Desert Signed “Kupferman” l.r., titled and inscribed “...Lawrence Kupferman-,” possibly in the artist’s hand, on the reverse. Crayon and graphite on paper, sheet size 12 x 15 3/4 in. (30.5 x 40.0 cm), framed. Condition: Creases, pale scattered fox marks, not examined out of frame. $200-300

Wave Vortex Signed and dated “L. SISSON ‘73” l.r., titled on a label on the reverse. Watercolor on paper, sight size 29 1/2 x 21 1/2 in. (74.9 x 54.6 cm), framed. Condition: Not examined out of frame. $300-500

434. Xavier Gonzalez (American, 1898-1993) Hidra (Idra) Signed “Xavier Gonzales” in pencil l.r., titled and identified on an artist label on the reverse. Gouache and watercolor on paper, sight size 21 3/4 x 30 in. (55.2 x 76.2 cm), framed. Condition: Not examined out of frame. $500-700

434

435

435. William C. Meyer (American, 1903-1966)

436. Bernard Shirley Carter (American, b. 1917)

Iceland, c. 1940 Unsigned. Gouache on paper, sheet size 15 x 18 in. (38.1 x 45.7 cm), framed. Condition: Spiral-bound right margin. $800-1,200

Abstract Landscape Signed â&#x20AC;&#x153;B. S. Carter...â&#x20AC;? l.r. Watercolor and ink on paper/board, sight size 13 1/2 x 20 3/4 in. (34.3 x 52.7 cm), framed. Condition: Not examined out of frame. $300-500

436

437

437. Jesus Guerrero Galvan (Mexican, 1910-1973) The Apparition of Our Lady of Guadalupe to Saint Juan Diego on Tepeyac Hill Unsigned. Graphite on paper, sight size 22 3/4 x 26 3/4 in. (57.8 x 67.9 cm), framed. Condition: Laid onto mat board, subtle acid burn. Provenance: Collection of composer Cameron O’Day Macpherson, Cuernavaca, Morelos, Mexico, c. 1953; private New England collection by family descent, c. 1976. N.B. The work was a preparatory drawing for an oil painting commissioned by Macpherson which was intended as a record jacket illustration for an original score performed at the Palacio de Bellas Artes in Mexico City. The score was unfortunately not recorded, and thus the painting not reproduced. $1,500-2,500 438. Howard Mandel (American, 1917-1999) Dowser and Wife Signed “HOWARD MANDEL” l.r., identified on a label from Allied Artists of America, Inc., New York, on the reverse. Oil on Masonite, 30 x 36 1/2 in. (76.2 x 92.7 cm), framed. Condition: Minor surface grime.

439

439. Miguel Covarrubias (Mexican, 1904-1957) Portrait of a Woman with a Basket Signed “COVARRUBIAS” l.l. Crayon and graphite on paper, sight size 9 3/4 x 6 in. (24.8 x 15.2 cm), framed. Condition: Brown tape affixed to verso, handling creases. Provenance: From the collection of Louis Albert McMillen. $1,000-2,000

439A. Gustavo Montoya (Mexican, 1905-2003) Girl with Guitar Signed “gustavo montoya” l.r. Oil on canvas, 22 x 18 in. (55.9 x 45.7 cm), framed. Condition: Good. $6,000-8,000

Exhibitions: 70th Annual Exhibition, National Arts Club, Allied Artists of America, Inc. $1,800-2,200

438

439A

440 439B

439B. Gustavo Montoya (Mexican, 1905-2003)

440. Xavier Bueno (Italian, 1915-1979)

Boy with Harp Signed “gustavo montoya” l.r. Oil on canvas, 22 x 18 in. (55.9 x 45.7 cm), framed. Condition: Good. $6,000-8,000

Portrait of a Young Girl in Yellow Floral Dress Signed “Xavier Bueno” u.l., inscribed “X. Bueno...ANNO 1953” on the reverse, with stamps from Casa d’Arte Russo, Forte Dei Marmi, Lucca, Italy, on the reverse. Oil and sand on canvas, 19 1/2 x 27 1/2 in. (49.5 x 69.9 cm), framed. Condition: Good. Provenance: From a private California collection. $20,000-30,000

441. Rafael Cauduro Alcántara (Mexican, b. 1950) Musica para la Mariposas Signed and dated “Alcántara 64” l.r., identified on a partial label from Galeria Misrachi, Mexico City, on the backing, also signed, titled, and dated “... Alcántara 64” on the reverse. Oil on canvas, 25 1/2 x 43 in. (64.8 x 109.2 cm), framed. Condition: Minor surface grime. $2,000-4,000

441

442. Malcolm Dickson (British, 20th Century) The Big Sleep Signed, titled, and dated “MALCOLM DICKSON...18.11.’66” on the reverse. Oil on Masonite, 24 x 24 in. (61.0 x 61.0 cm), unframed. Condition: Surface abrasions and grime, losses. $300-500

442

443. Frank Edward Holt (American, 1911-1987) Eye of the Needle, c. 1955 Signed “Frank Holt” l.l. Oil on Masonite, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Minor retouch. $1,500-2,500

443

444

444. Enrique Toledo (Cuban, b. 1966)

445. Doris Lindo Lewis (American, 1909-1995)

The Annunciation Signed and dated “E. Toledo ‘06” l.r. Oil on canvas, 39 1/8 x 51 in. (99.4 x 129.5 cm), unframed. Condition: Good. $4,000-6,000

Surrealist Landscape Signed “Lewis” l.r. Oil on canvas, 15 x 28 in. (38.1 x 71.1 cm), framed. Condition: Retouch. $1,000-2,000

445

446. Fay Abrahams (American, 20th Century) The Zone Signed “fay” l.l. Oil, resin, and collage on canvas, 24 x 28 in. (61.0 x 71.1 cm), framed. Condition: Minor surface grime and abrasions. $300-500

447. Jean (Hans) Arp (French, 1886-1966) Oiseau-Chute Stamped and numbered “ARP 238/300” on the reverse. Gold-plated nickel brass, 5 3/4 x 3 in. (14.6 x 7.6 cm), in the original presentation case. Condition: Good.

446

N.B. A certificate issued by publisher Editions des Nouvelles Images and signed by Jacques Blanc accompanies the lot. $300-500

448. Fay Abrahams (American, 20th Century) Astral Image Signed “fay” l.r., inscribed and titled “Fay Abrahams...” on the reverse. Oil, resin, and collage on Masonite, 19 1/4 x 37 in. (48.9 x 94.0 cm). Condition: Surface grime and abrasions. $300-500

447

448

449

450

449. Fay Abrahams (American, 20th Century)

450. Gerald Garston (American, 1925-1994)

Spaceball Signed and dated “fay/1966” l.l., a label from the Essex Institute Museum, Salem, Massachusetts, affixed to the reverse. Oil, resin, and collage on Masonite, 30 x 25 in. (76.2 x 63.5 cm), framed. Condition: Craquelure, surface grime, lifting. $300-500

Jazz Theme Number 1 Signed and dated “Garston ‘76” u.r. Oil on canvas, 40 x 44 in. (101.6 x 111.8 cm), framed. Condition: Minor surface grime. Provenance: Purchased from Pucker Safrai Gallery, Boston, Massachusetts. $400-600

451. Fay Abrahams (American, 20th Century) The Space Between Signed “fay” l.r. Oil, resin, and plastic figure on Masonite, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Craquelure, lifting, minor surface grime, pigment fluorescence. $300-500

451

452

454

452. Joseph Picillo (American, b. 1941) Study for Buffoons II Signed, inscribed, and dated “...May 1970/Joseph Picillo” c.r. Graphite on paper, 30 x 40 in. (76.2 x 101.6 cm), framed. Condition: Not examined out of frame. $800-1,200

453. Varujan Boghosian (American, b. 1926) Butterflies Initialed “VB” and inscribed “...PROVINCETOWN...Varujan Boghosian 1991” in the artist’s hand on the reverse. Watercolor and ink on paper, sight size 15 x 11 in. (38.1 x 27.9 cm), framed. Condition: Not examined out of frame. $400-600

453

454. Joseph Picillo (American, b. 1941) Study Signed, inscribed, and dated “...JUNE 1975 Joseph Picillo” c.r. Graphite on paper, 39 1/2 x 29 3/4 in. (100.3 x 75.6 cm), framed. Condition: Not examined out of frame. $800-1,200

455. Ernest Tino Trova (American, 1927-2009) ALL UMANO E IL MIO SOLO RIMOR UNANO E IL MIO SOLO RIMORSO E’SONO UMANO LUOMO E SOLO UNA MEMORIA Unsigned. Mixed media (metal, porcelain, glass, linen, and wood) installation, 24 1/2 x 23 1/2 x 8 in. (62.2 x 59.7 x 20.3 cm), in a glass case. Condition: Good. $3,000-5,000

455

456

456. David Jowett Greaves Oxtoby (British, b. 1938) Self #2, 1966 Unsigned, identified on a label from Nordness Gallery, New York, on the reverse. Gouache, ink, and graphite on paper, sight size 20 x 14 in. (50.8 x 35.6 cm), framed. Condition: Not examined out of frame. $300-500

457

457. Daniel Quintero (Spanish, b. 1949) From the Windows, alternatively titled Sarah and Boy Signed and dated “DQuintero 1982” l.r., identified on a label from Marlborough Gallery, New York, and inscribed “...David Quintero-1982” in the artist’s hand on the reverse. Graphite on paper, sight size 57 x 16 in. (144.8 x 40.6 cm), framed. Condition: Not examined out of frame. $500-700

458. David Jowett Greaves Oxtoby (British, b. 1938) Mingus Signed and dated “David J.G. Oxtoby 1966” u.r. Gouache, ink, and graphite on paper, sight size 20 x 14 in. (50.8 x 35.6 cm), framed. Condition: Not examined out of frame. $600-800

458

459

460

459. Roderick Slater (American, b. 1937)

460. Michael Zansky (American, 20th/21st Century)

Immigrant’s Walk-Up Signed “R. Slater” in pen l.l., identified on labels affixed to the reverse. Mixed media collage on Masonite, 8 x 8 in. (20.3 x 20.3 cm), framed. Condition: Surface grime. $300-500

My Window Signed and dated “Zansky ‘73” and titled on the reverse, identified on a label from the Alonzo Gallery, New York, affixed to the stretcher. Oil on canvas, 32 x 40 in. (81.3 x 101.6 cm), framed. Condition: Mild surface grime. $700-900

461. John Wonnacott (British, b. 1940) Lot of Eight Studies of a Balcony View Unsigned. One graphite on paper, the others crayon on Plexiglas, sizes to 33 x 23 in. (83.8 x 58.4 cm), unframed. Condition: Minor surface abrasions. Provenance: The estate of Sir Edwin A.G. Manton. N.B. Photocopies of balcony views used in the work process accompany the lot. $100-200

461

462. Barnet Rubenstein (American, 20th Century) View from 69 Harvey Street, Cambridge, Mass. Signed and dated “Barnet Rubenstein 1982-1983” l.l., titled l.r., identified on a label from The Alpha Gallery, Boston, affixed to the reverse. Graphite on paper, 22 1/2 x 30 in. (57.2 x 76.2 cm), framed. Condition: Not examined out of frame. $400-600

462

463. Judith Stead (American, 1921-2006) Ninth Avenue Signed and dated “STEAD 1977-” l.l., identified on a label affixed to the reverse. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Surface grime. $1,500-2,000

463

464. Marilyn Powers (American, 1925-1976) Summer Landscape Signed and dated “Powers 73” l.r., inscribed “#105 NP 2-12” on the stretcher. Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), unframed. Condition: Restretched, minor surface abrasions. $300-500

464

465. William Johnson L’Engle (American, 1884-1957) Weather Map Signed and dated “9.11.50/L’Engle” l.r., inscribed “...9-11-50” in the artist’s hand on the reverse. Ink, gouache, watercolor, and graphite on paper, sheet size 14 x 19 in. (35.6 x 48.3 cm), unframed. Condition: Glued along margins to backing mat. Provenance: Through the estate of William and Lucy L’Engle, Massachusetts.

465

N.B. William L’Engle received his artistic training at the Art Students League in New York, the Academie Julian, and the Ecole des Beaux-Arts in Paris, and met his artist wife Lucy Brown while studying abroad. He worked for most of his life in the figurative tradition, creating portraits and genre scenes of Provincetown, but in the early 1950s began to experiment with abstraction. The present work is an example from his Weather Map series, where he used New York Times daily national weather map forecasts as the basis for his depictions of the Cape and Islands.1 1. http://www.lenglefinearts.com/biographies.html

$300-500

466. William Johnson L’Engle (American, 1884-1957) Weather Map Signed, dated, and titled “...8.5.55/8.9.55 L’Engle” in pencil on the reverse, dated “8.5.55” in pencil l.r. Gouache, watercolor, and ink on paper, 15 x 19 3/4 in. (38.1 x 50.2 cm), unframed. Condition: Taped to window mat.

466

Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $400-600

467. William Johnson L’Engle (American, 1884-1957) Weather Map Signed and dated “L’Engle/2-2-52-” l.l. Gouache, graphite, and watercolor on paper, sheet size 15 x 20 in. (38.1 x 50.8 cm), unframed. Condition: Taped to window mat. Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $500-700

467

468. Lucy Stelle Brown L’Engle (American, 1889-1978) Graffiti Signed and dated “Lucy L’Engle 1951” l.r. Gouache, ink, and graphite on paper, sheet size 18 1/4 x 23 in. (46.4 x 58.4 cm), unframed. Condition: Taped to backing mat. Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. N.B. Lucy L’Engle attended the Art Students League, and subsequently the Academie Julian where she studied with Albert Gleizes. She shared a kindred spirit with her husband, and not surprisingly, their work was mutually influenced. Like her husband, her body of work consists mostly of figuration, particularly of dancers. In the 1950s to 1960s, however, Lucy experimented with geometric abstraction that differed from her husband’s in its focus on surface texture and materials. $400-600 468

469. Lucy Stelle Brown L’Engle (American, 1889-1978) Brown’s Blue Signed, dated, and inscribed “Composition... 1961... Lucy L’Engle... (Truro)...” on the reverse. Watercolor on paper, sheet size 14 x 20 in. (35.6 x 50.8 cm), unframed. Condition: Taped to window mat. Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $400-600 469

470. Lucy Stelle Brown L’Engle (American, 1889-1978) Chartreuse & Brown Signed, inscribed, and dated “Lucy L’Engle... Composition 1961...” in pencil on the reverse. Watercolor on paper, 14 x 20 in. (35.6 x 50.8 cm), unframed. Condition: Taped to window mat. Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $400-600

470

471. Chen Chi-Kwan (Chinese, 1921-2007) Grasshopper with Corn Signed and inscribed “...Season’s Greeting from Chi” in Chinese and English l.l. Ink wash on paper, 9 1/4 x 11 1/2 in. (23.5 x 29.2 cm), framed. Condition: Mildewing. Provenance: From the collection of Louis Albert McMillen. $300-500

472. Chinese School, 20th Century Angelfish Sealed and dated “Liang Zhuozhu...Summer 1983” in Chinese l.l., and “Yequ” [wild fun] in Chinese u.r. Ink on paper, sight size 18 x 26 in. (45.7 x 66.0 cm), framed. Condition: Not examined out of frame.

471

Provenance: From the collection of Louis Albert McMillen. $200-400

473. Chen Chi-Kwan (Chinese, 1921-2007) Cockfight Signed and inscribed in Chinese l.l. and u.r. Ink wash on paper, sight size 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), framed. Condition: Toning, not examined out of frame. Provenance: From the collection of Louis Albert McMillen. $4,000-6,000 472

473

474

476

474. Chen Chi-Kwan (Chinese, 1921-2007)

476. Chen Chi-Kwan (Chinese, 1921-2007)

Insect with Bowl of Cherries Signed and inscribed “... 55” in Chinese and English u.r. and l.r. Ink wash on paper, sheet size 13 1/4 x 14 3/4 in. (33.7 x 37.5 cm). Condition: Acid burn to margins.

Still Life with Vase Signed and sealed l.r. in Chinese, identified on a label from E. Weyhe Art Books Prints, New York, on the reverse. Watercolor on mulberry paper mounted to board, sight size 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm), framed. Condition: Subtle paper irregularities.

Provenance: From the collection of Louis Albert McMillen. $1,000-2,000

475. Chen Chi-Kwan (Chinese, 1921-2007) Mother and Sons Signed “Chen Qi Kuan bi” in Chinese l.r. and titled “Muzi” in Chinese u.l. Ink on paper, sight size 11 3/4 x 19 1/4 in. (29.8 x 48.9 cm), framed. Condition: Subtle rippling. Provenance: From the collection of Louis Albert McMillen. $4,000-6,000

475

Provenance: From the collection of Louis Albert McMillen. $2,000-4,000

477. Rolph Scarlett (American, 1889-1984) Untitled Signed “SCARLETT.” l.r. Oil on paper, sight size 17 1/4 x 23 in. (43.8 x 58.4 cm), framed. Condition: Not examined out of frame. $600-800

477

478. Jack Roth (American, 1927-2004) The Cultured Peril Signed and dated “Roth 62+” l.c., also signed, titled, and dated “Jack Roth... 1962...” and identified on a label from M. Knoedler & Co., Inc., New York, on the reverse. Oil on canvas, 48 1/2 x 76 1/2 in. (123.2 x 194.3 cm), framed. Condition: Alligatoring, craquelure. Provenance: Estate of the artist. $2,000-4,000 478

479. Chen Chi-Kwan (Chinese, 1921-2007) Still Life with Persimmons Signed and inscribed “...55’” in Chinese and English l.l. and u.r. Ink wash on paper, sight size 9 1/4 x 11 3/4 in. (23.5 x 29.8 cm), framed. Condition: Toning, subtle creases, not examined out of frame. Provenance: From the collection of Louis Albert McMillen. $2,000-4,000

479

480. Chuang Che (Chinese, b. 1934) Remembrance, 1965 Unsigned, identified on labels including Nordness Gallery, New York, and Metromedia, Inc., Los Angeles, on the stretchers. Mixed media on canvas, 44 x 29 1/2 in. (111.8 x 74.9 cm), framed. Condition: Good. $8,000-10,000

481. Liu Tian Wei (Chinese, b. 1954) Abstract Composition Sealed and dated â&#x20AC;&#x153;...1983â&#x20AC;? in Chinese l.l. Ink wash on paper, sheet size 37 3/4 x 70 1/2 in. (95.9 x 179.1 cm), framed. Condition: Not examined out of frame. Provenance: From the collection of Louis Albert McMillen. $4,000-6,000

480

481

482

483

482. Ake Tugel (American, 1925-2002)

483. Peter Hedegaard (Danish/British, 1929-2008)

Figure Monogrammed and dated “AT 67” l.l., identified on a label on the reverse. Mixed media on board, 24 x 20 in. (60.9 x 50.8 cm), unframed. Condition: Subtle surface grime. $400-600

Red, Green, Teal, and Magenta Signed and dated “Hedegaard 65” in pencil l.r., inscribed “ELKON...” on a label from Kulicke Frames, Inc., on the backing. Gouache and graphite on paper, 22 x 22 in. (55.9 x 55.9 cm), in a Kulicke aluminum frame. Condition: Subtle rippling, not examined out of frame. $300-500

484. John G.F. Von Wicht (American, 1888-1970) Abstract Composition Signed “V. Wicht” l.r. Oil on paper, sight size 16 x 23 in. (40.6 x 58.4 cm), framed. Condition: Not examined out of frame. Provenance: Through a private Connecticut estate. $800-1,200

484

485

485. Gabor F. Peterdi (American, 1915-2001)

487. Todd Stoddard McKie (American, b. 1944)

White Caps Signed and dated “Peterdi ‘71” l.r., titled on the stretcher bar. Oil on canvas, 25 x 41 in. (63.5 x 104.1 cm), framed. Condition: Good.

Sincerely Yours Signed and dated “McKie 1982” l.r., identified on a label from Rose Art Museum, Brandeis University, Waltham, Massachusetts, affixed to the reverse. Watercolor on paper, sheet size 30 x 22 in. (76.2 x 55.9 cm), framed. Condition: Broad rippling, not examined out of frame. $300-500

Provenance: Purchased from the artist’s studio in Rowayton, Connecticut, September 1981. $1,000-1,200

486. Continental School, 20th Century Untitled Stamped “PW 38” on base. Brass, 5 1/8 x 5 1/4 in. (13.0 x 13.3 cm), with painted iron stand. Condition: Minor surface grime and abrasions. $300-500

486 487

488

488 reverse

488. Henry Moore (British, 1898-1986) Head: Cyclops, 1963 Signed and numbered “Moore 9/9” in the cast on the reverse, edition of 9 plus 1 (LH 507). Bronze, approximately 6 1/2 x 5 x 3 1/8 in. (16.5 x 12.7 x 7.9 cm), mounted to a bronze plinth. Condition: Good. Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. Literature: Alan Bowness, ed., Henry Moore, Sculpture and Drawings, Vol. 3, Sculpture 1955-64, London: Lund Humphries, 1986, no. 507 (illus. plate 153). $30,000-50,000

489

489 reverse

489. Henry Moore (British, 1898-1986) Standing Mother and Child: Holes, 1955 Unsigned, edition of 10 plus 1 (LH 400a). Bronze, approximately 9 3/16 x 3 1/2 x 3 1/2 in. (23.3 x 8.9 x 8.9 cm), mounted to a stone plinth. Condition: Good. Provenance: Mr. and Mrs. Robert Scull, Great Neck, New York; Parke-Bernet Galleries, October 30, 1963, lot: 8 (illus.); estate of Anna Eleanor Roosevelt (nĂŠe Braman) Grasso, Essex, Connecticut. Literature: Alan Bowness, ed., Henry Moore, Sculpture and Drawings, Vol. 3, Sculpture 1955-64, London: Lund Humphries, 1986, no. 400a (illus. plates 20, 21). Exhibitions: Recent Sculpture and Early Life Drawings by Henry Moore, Leicester Gallery, London, 1955, no. 17; Fourth Exhibition, Arts Council of Great Britain, London, 1958, no. 28 (illus.), lent by Mrs. Jane Morton. $50,000-75,000

492 490

490. Taro Yamamoto (Japanese/American, 1919-1994)

492. Hope Hazard Voorhees Pfeiffer (American, 1891-1970)

Abstract Composition Signed “Taro” in pen l.r. Oil on paper, sight size 8 1/8 x 10 3/8 in. (20.6 x 26.4 cm), framed. Condition: Flaking, craquelure, not examined out of frame. $400-600

Vis a Vis et Dos a Dos Incised signature and date “1948 HOPE VOORHEES PFEIFFER” l.r., identified on a label affixed to the stretcher, and inscribed “...Provincetown, Mass.” on the reverse. Oil on canvas, 12 1/4 x 24 in. (31.1 x 61.0 cm), framed. Condition: Surface grime, craquelure. $500-600

491. Jack Roth (American, 1927-2004)

493. James Chan Leong (Chinese/American, b. 1929)

Parade’s End Signed and dated “Roth 63” within the composition l.c., titled and signed “...JACK ROTH” on the strainer bar. Mixed media (oil, fabric, paper, and metal) on canvas, 54 x 40 1/2 in. (137.2 x 102.9 cm), framed. Condition: Surface grime, craquelure.

Fragments on a Long Yellow Signed and dated “... Leong/61” on the reverse, identified on a label affixed to the stretcher. Oil and mixed media on burlap, 14 x 30 in. (35.6 x 76.2 cm), framed. Condition: Surface grime.

Provenance: Estate of the artist. $1,000-2,000

493

491

Provenance: From the collection of Louis Albert McMillen. $300-500

495 494

494. John Harrison Levee (American, b. 1924)

495. Fritz Winter (German, 1905-1976)

Untitled [July III] Signed and dated “Levee 60” u.l., also signed, inscribed, and dated “Levee/July III./1960.” and identified on a label from the Fogg Art Museum, Harvard University, on the reverse. Oil and mixed media on canvas, 39 1/4 x 32 in. (99.7 x 81.3 cm), framed. Condition: Surface grime, craquelure.

Blau auf Schwarz Initialed and dated “FW 53” l.l., titled, signed, and dated “...FWinter 53” and identified on a label from Kleemann Galleries, New York, on the reverse. Oil on burlap, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Surface grime, subtle canvas deformations.

Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $400-600

N.B. Winter was born the son of a coal miner and spent his late teens and early twenties working as a mining electrician. He was inspired to change course and study painting after seeing works by Vincent Van Gogh and Paula Modersohn-Becker. In 1927, he attended the Bauhaus in Dessau where he was a student of Paul Klee, Wassily Kandinsky, and Oskar Schlemmer. Upon completing his study in 1930, he worked with Naum Gabo as a freelance artist. He participated in solo and group shows throughout his career, and was a professor at the Staatliche Hochschule für Bildende Künste from 1955 to 1970. $2,000-3,000

496. Bimal Dasgupta (Indian, 1917-1995) Untitled Signed and dated “B. Dasgupta- 66” l.l. Oil on canvas, 33 3/4 x 18 3/4 in. (85.7 x 47.6 cm), framed. Condition: Fine craquelure. $2,000-3,000

496

497

498

497. Korean School, 20th Century

498. Leonard Baskin (American, 1922-2000)

Abstract Composition Incised signature “Seyong” l.r. Oil on canvas, 10 x 16 1/4 in. (25.4 x 41.2 cm), framed. Condition: Possibly restretched, scattered flaking and losses. $100-150

Death Disguised as a Crow Signed and dated “Baskin/1960” l.r., identified on labels from Boris Mirski Gallery, Boston, and The Museum of Modern Art, New York, on the backing. Ink wash on paper, sheet size 39 1/2 x 26 in. (100.3 x 66.0 cm), framed. Condition: Tear in l.r. quadrant, not examined out of frame. $600-800

499. Robert Knipschild (American, 1927-2004) Black Field Signed and dated “Knipschild 60” l.r. and on the stretcher, inscribed “Knipschild...” in pencil and identified on a label from The Alan Gallery, New York, on the reverse. Oil on canvas, 28 x 28 in. (71.1 x 71.1 cm), framed. Condition: Craquelure, surface grime, small losses. $600-800

499

500

500. John Way [Wei Letang] (Chinese/American, b. 1921) Untitled Signed and dated “John Way ‘69” l.r. Oil and ink on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm), unframed. Condition: Masking taped to backing cardboard. $4,000-6,000

501. John Way [Wei Letang] (Chinese/American, b. 1921) Scintillation Signed and dated “John Way ‘92” l.c., titled and inscribed “...1992...” in the artist’s hand on the reverse. Oil on paper, sheet size 29 1/8 x 23 1/8 in. (74.0 x 58.7 cm), unframed. Condition: Good. $4,000-6,000

501

502

502. Korean School, 20th Century Abstract Composition Signed, inscribed, and dated “For Mr. & Mrs. Henderson/Soojin Lee ‘61” on the backing, inscribed in Korean and Chinese on the reverse. Crayon and wash on paper, sheet size 8 1/2 x 15 1/8 in. (21.6 x 38.4 cm), framed. Condition: Subtle handling creases. $300-500

504

503. Livio Saganic (Yugoslavian/American, b. 1950)

504. Paul Z. Rotterdam (American, b. 1939)

Hal Saflien IV Signed and dated “SAGANIC ‘83” on the underside, presented on a rotating plinth. Slate, 17 x 8 x 5 1/2 in. (43.2 x 20.3 x 14.0 cm). Condition: Minor surface grime.

Path Unsigned, titled and inscribed “...1606” on the reverse. Oil and crayon on paper, sheet size 47 x 31 1/2 in. (119.4 x 80.0 cm), framed. Condition: Deckled edges, tack holes at corners. $300-500

Provenance: Purchased from Barbara Krakow Gallery, Boston, Massachusetts. $300-500

503 with reverse

505. Alan Motch (American, 20th/21st Century) Untitled, 1976 Incised signature “AM” on the reverse. Plaster, wire, and metal installation, 22 x 22 x 1/2 in. (55.9 x 55.9 x 1.3 cm). Condition: Break to wire, minor losses. Provenance: Purchased from Nielsen Gallery, Boston, Massachusetts. $300-500

505

506. Mel Kendrick (American, b. 1949) Black Walnut with Bark Signed and dated “Mel Kendrick 1986” in pencil and with incised signature and date “Mel Kendrick 1986” on underside. Wood, approximately 26 1/4 x 15 x 11 in. (66.7 x 38.1 x 27.9 cm), on a brushed metal stand designed by the artist. Condition: Minor surface grime. Provenance: Purchased from Barbara Krakow Gallery, Boston, Massachusetts. $3,000-5,000

506

507

508

507. Edward Armen Stasack (American, b. 1929)

508. Michael Young (American, 1952-1993)

Window #4 Unsigned, titled, inscribed, and dated “...OIL 1962” on the reverse and identified on a label from The Downtown Gallery, New York, on the stretcher. Oil on canvas, 24 1/4 x 26 1/4 in. (61.6 x 66.7 cm), framed. Condition: Losses, craquelure, surface grime. $300-500

Untitled, 1987 Unsigned, identified on labels from Barbara Krakow Gallery, Boston, and Blum Helman Gallery, Inc., New York, on the backing. Ink, sand, acrylic, and earth on paper, 63 x 60 in. (160.0 x 152.4 cm), framed. Condition: Not examined out of frame. $400-600

509. Jim McShea (American, 20th/21st Century) Untitled Signed and dated “Jim McShea 89’” on the reverse, identified on a label from The Alpha Gallery, Boston, affixed to the stretcher. Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Scattered craquelure with lifting. $300-500

509

510

510. Gyorgy Kepes (American, 1906-2001)

511. Elizabeth Dworkin (American, 20th Century)

Moss Moon Signed, dated, and titled “g.kepes 1978...” on the reverse. Oil and sand on canvas, 40 1/2 x 40 in. (102.9 x 101.6 cm), framed. Condition: Minor surface grime.

Just Passin’ Through Signed, dated, and titled “Elizabeth Dworkin/1980-81...” and identified on a label from Nielsen Gallery, Boston, on the reverse. Acrylic on Masonite, 34 x 40 in. (86.4 x 101.6 cm), framed. Condition: Minor surface grime. $500-700

Provenance: Purchased from The Alpha Gallery, Boston, Massachusetts. $800-1,200

511

512

513

512. Jack Roth (American, 1927-2004)

513. Leonard Kazor (American, 1917-2000)

La Ligne Tremblante-18 Initialed and dated “R 80” l.r., signed, dated, and titled “...Roth 80...” and identified on a label from M. Knoedler & Co., Inc., New York, on the reverse. Acrylic on canvas, 40 x 54 in. (101.6 x 137.2 cm), framed. Condition: Good.

Abstract Squares Signed “KAZOR” l.r. Oil on Masonite, 9 x 9 in. (22.9 x 22.9 cm), framed. Condition: Mild surface grime. $300-500

Provenance: Estate of the artist. $1,000-2,000

514. Jack Roth (American, 1927-2004) Still Life Signed and dated “Roth 74” l.c., also signed, titled, and dated “...Roth 74...” and identified on a label from M. Knoedler & Co., Inc., New York, on the reverse. Acrylic on canvas, 48 x 48 1/4 in. (121.9 x 122.6 cm), framed. Condition: Good. Provenance: Estate of the artist. $800-1,200

514

515

515. Robyn Denny (British, b. 1930)

516. Jack Roth (American, 1927-2004)

Untitled Signed and dated “Denny ‘76” in pencil l.r. and inscribed “7718” l.l. Oil on paper, sheet size 22 3/4 x 31 in. (57.8 x 78.7 cm), framed. Condition: Double-side taped to backing mat, deckled edges. $2,000-3,000

La Ligne Tremblante 13 Signed, titled, and dated “Roth 80...” on the reverse, identified on labels including M. Knoedler & Co. Inc., New York, and Galerie Ninety-Nine, Bay Harbor Islands, Florida, on the stretchers. Acrylic on canvas, 44 x 54 in. (111.8 x 137.2 cm), framed. Condition: Good. Provenance: Estate of the artist. $1,000-2,000

516

517 518

517. Porfirio DiDonna (American, 1942-1986)

518. Jane Ollendorff (American, 20th Century)

Untitled, 1978 Unsigned, identified on a label from Nielsen Gallery, Boston, affixed to the reverse. Mixed media on paper, sheet size 22 1/4 x 30 in. (56.5 x 76.2 cm), framed. Condition: Tack holes to corners, tacked to backing sheet. $400-600

Landscape with Bridge Signed and dated “J. Ollendorff 53” in pen l.r., inscribed “NovDec?/53/JOW” on the stretcher. Oil on canvas, 10 x 8 1/4 in. (25.4 x 21.0 cm), framed. Condition: Surface grime. $300-500

519. Gene Charlton (American, b. 1909) October Signed “-GENE CHARLTON-” u.r., identified on a label from Raydon Gallery, New York, on the reverse. Ink and gouache on paper, sight size 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), framed. Condition: Not examined out of frame. Exhibitions: The Union League Club, New York City, 1980. $400-600

519

520

520. Toshiharu Kitagawa (Japanese, 1942-2003)

521. Gene Charlton (American, b. 1909)

Melody of Flowers Signed and dated “1963...KITAGAWA” l.l., titled on a label affixed to the reverse. Oil and ink on canvas, 25 x 34 in. (63.5 x 86.4 cm), framed. Condition: Craquelure. $2,000-4,000

Sunset-Japan Signed and dated “-GENE CHARLTON-52” in pen u.r., identified on a label from Willard Gallery, New York, on the reverse. Oil on canvas, 19 1/4 x 23 in. (48.9 x 58.4 cm), framed. Condition: Surface grime, subtle canvas deformation. $400-600

521

522. Blanche (Nettie Blanche) Lazzell (American, 1878-1956) Color Woodblock Prints by Blanche Lazzell Signed and dated “Blanche Lazzell.1929.” l.l. Oil on board, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Minor surface grime, minor losses. Provenance: Through the estate of Ferol Sibley Warthen (American, 1890-1986). $12,000-15,000

522

523. Y.Z. Kami (Iranian/American, b. 1956) Face #13/From the series Faces #42, 1992-1993 Signed and dated “KAMI 1992,” identified on a label from Barbara Toll Fine Arts, New York, on the reverse. Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), unframed. Condition: Good. Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $400-600

523

524

524. Scott Prior (American, b. 1949) Landscape: Enjoy Signed and dated â&#x20AC;&#x153;Scott Prior 76â&#x20AC;? and identified on a label from The Alpha Gallery, Boston, on the reverse. Oil on Masonite, 7 3/8 x 7 3/4 in. (18.7 x 19.7 cm), framed. Condition: Minor surface grime. $1,000-1,500

525. Scott Prior (American, b. 1949) Paradise Pond II Unsigned, identified on a label from The Alpha Gallery, Boston, on the reverse. Oil on fiberboard, 8 x 4 3/4 in. (20.3 x 12.1 cm), framed. Condition: Surface grime. $1,000-1,500

525

526. Patrick Morgan (American, b. 1904) Lock and Fragile Signed “Patrick M-” l.l., identified on a label from Vose Galleries of Boston affixed to the reverse. Watercolor, whiting, and charcoal on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), framed. Condition: Not examined out of frame. $300-500

527. B. Vithal (Indian, 1935-1992) Reclining Nude Signed and dated “B. Vithal. 78” l.l., with a Camel canvas stencil on the reverse. Oil on canvas, 32 x 58 1/2 in. (81.3 x 148.6 cm), framed. Condition: Good. $3,000-5,000

526

527

528. Yampier Sardina Esperón (Cuban, b. 1979) Elevate Signed and dated “Y. P. Sardina/06-05” l.r. Oil on canvas, 35 x 28 3/4 in. (88.9 x 73.0 cm), unframed. Condition: Good. $3,000-5,000

529. Stephanie Chubbuck (American, 21st Century) Glass Peach with Leash and Shelf, 2008 Unsigned. Glass, steel cable, and wood, 6 x 12 x 7 1/2 in. (15.2 x 30.5 x 19.1 cm). Condition: Minor surface abrasions to shelf. Provenance: Through the collection of the artist. N.B. Sold to benefit the Boston Area Rape Crisis Center, Cambridge, Massachusetts. 528

The work is from Chubbuck’s Glass Fruit series, produced in blown glass, then cold worked. Powdered pigment is added during shaping to create a naturalistic blush-colored peach skin. $800-1,200

END OF SALE

529

Directions to Skinner's Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 223

BOSTON PARKING

BOSTON RESTAURANTS

INDOOR PARKING GARAGES

FINE DINING

City Place Parking Garage Transportation Building 12 Charles Street Located at the end of Park Plaza Underground multi-level garage All day–closes at 2:30 a.m. First hr/$5, after 2 hrs/$14

Aujourd’hui Four Seasons Hotel, 200 Boylston Street (between Arlington & Charles Streets) 617-351-2071 New American.

AllRight Parking Boston Common Garage Located on Charles Street, on the Common Two blocks from Skinner Inc. 1 hr/$6, up to 24 hrs/$25, Evenings (4pm10am)/$10

Dante Royal Sonesta Hotel 5 Cambridge Parkway 617-806-4200 Mediterranean restaurant with great views of the Charles River and Boston skyline.

The Four Seaons Hotel Parking Garage 200 Boylston Street Located adjacent to Skinner Valet drop-off and pick-up, up to 24 hrs/$30 The Taj Hotel Parking Garage 2 Newbury Street Located three blocks from Skinner Inc. Valet drop-off and pick-up Up to 24 hrs/$42 Back Bay Garage 222 Berkeley Street (entrance off St. James) One block from Skinner All day/$35, evening (5 p.m.-7 a.m.)/$10 Radisson Hotel Parking Garage Stuart Street (near intersection of Charles) Two blocks from Skinner Inc. 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31 Motor Mart Garage (Same building as Legal Seafood’s) 26 Park Plaza Up to 1 hr/$8, 1 to 2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, Weekends up to 3 hrs/$8

Davio’s 75 Arlington St. 617-357-4810 Northern Italian steak house.

Grill 23 & Bar 161 Berkley Street (Stuart Street) 617-542-2255 Great steak, seafood, wine list, and service.

L’Espalier 774 Boylston St. 617-262-3023 French dining in an elegant townhouse with a wonderful prix-fixe menu.

No. 9 Park 9 Park St. 617-742-9991 Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.

OUTDOOR PARKING LOTS (recommended for trucks) Pin Stripe Parking Arlington Street 617-338-7984 All day/ $14, after 6 p.m. and weekends/$10, overnight/$15 Billy’s Parking 222 Stuart Street 617-423-7781 8am-5pm/$18, after 5pm/$20

Radius 85 High St. 617-426-1234 Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.

BOSTON RESTAURANTS

FINE DINING continued

MODERATE continued

INEXPENSIVE continued

Scampo The Liberty Hotel 215 Charles St. 617-536-2100 Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

East Ocean City 25-29 Beach St. 617-542-2504 Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.

Davio’s To Go 10 St. James Galleria Atrium 617-357-4810 Casual Italian take-out lunch spot with daily special pastas, soups, and salads.

Lala Rokh on Beacon Hill 97 Mt. Vernon Street 617-720-5511 Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.

Flash’s 310 Stuart St. 617-574-8888 American comfort food served with classic cocktails in a casual setting.

Troquet 140 Boylston St. 617-695-9463 French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.

Via Matta 79 Park Plaza 617-422-0008 Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE Aquitaine 569 Tremont Street 617-424-8577 Parisian bistro style fare.

The Bristol Lounge at Four Seasons Hotel 200 Boylston St. 617-338-4400 Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.

McCormick and Schmick’s Seafood Restaurant 36 Columbus Ave 617-482-3999 Fresh seafood offerings that change daily.

Summer Shack 50 Dalton St. 617-867-9955 Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) 617-338-8948 Casual café offers quick service.

Parish Café 361 Boylston St. 617-247-4777 American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.

Piattini 226 Newbury Street 617-536-2020 Italian wine bar with an eclectic menu; specializes in Italian-style tapas.

The Upper Crust 20 Charles Street 617-723-9600 Gourmet thin crust pizza.

227

BOSTON HOTELS WITH SKINNER CORPORATE RATES Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 Tel: 617-723-1133

XV Beacon 15 Beacon Street Boston, MA 02108 Tel: 617-670-1500

Back Bay Hotel 350 Stuart Street Boston, MA 02116 Tel: 617-532-3800

Eliot Hotel 370 Commonwealth Ave Boston, MA 02215 Tel: 617-267-1607

The Park Plaza 64 Arlington Street Boston, MA 02116 Tel: 617-457-7488 Fax: 617-426-2000

The Charles Street Inn 94 Charles Street Boston, MA 02114 Toll free (in U.S.) 877-772-8900 Tel: 617-314-8900 www.charlesstreetinn.com

The Colonnade 120 Huntington Avenue Boston, MA 02116 Tel: 617-424-7000 Fax: 617-424-0968

BOSTON HOTELS Boston Harbor Hotel 70 Roweâ&#x20AC;&#x2122;s Wharf Boston, MA 02110 Tel: 800-654-2000 Fax: 617-345-6799 Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617-267-5300 Fax: 617-375-9648 Four Seasons 200 Boylston Street Boston, MA 02116 Tel: 617-351-2036

The Liberty Hotel 215 Charles St. Boston, MA 02114 617-224-4000

The Ritz-Carlton, Boston Common 10 Avery Street Boston, MA 02111 Tel: 617-912-3315 Fax: 617-912-3375

Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 800-228-9290 Fax: 617-236-5885

Taj Boston 15 Arlington St. Boston, MA 02116 617-536-5700

Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617-772-5800

Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 800-228-3000 Fax: 617-424-7483

Radisson Hotel 200 Stuart Street Boston, MA 01740 Tel: 617-482-1800 Fax: 617-451-2750

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SKINNER

C ATA L O G U E S U B S C R I P T I O N F O R M

PRICES EFFECTIVE JANUARY 1, 2008. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

P L E A S E C H E C K T H E A P P R O P R I AT E B O X E S :

U.S./Canada No charge

Quarterly Brochure

Foreign (payable in U.S. dollars only) No charge

Included with catalogue subscription American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints

$120

$143

Fine Jewelry

$120

$143

20th Century Furniture & Decorative Arts

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Toys, Dolls & Collectibles

$60

$73

Fine Ceramics

$60

$73

Fine Musical Instruments

$60

$73

Science & Technology

$60

$73

Fine Wines

$60

$73

All Above Departments

$800

$975

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