American & European Paintings & Prints | Skinner Auction 2470

SKINNER American & European Paintings & Prints Sale 2470

September 11, 2009

Boston

American & European Paintings & Prints SPECIALISTS IN CHARGE

Robin S. R. Starr Department Director Pro Tem

Laura Conover 508.970.3258

Kathy Wong 508.970.3297

American & European Paintings & Prints Department - 508.970.3206 General Inquiries: paintings@skinnerinc.com

AUCTION 2470 Friday, September 11, 2009 Prints & Photography at 12 noon Paintings & Sculpture at 4 p.m.

63 Park Plaza Boston, Massachusetts

PREVIEW Wednesday, September 9, 2009 Thursday, September 10, 2009 Friday, September 11, 2009

12 to 5 p.m.

12 to 7 p.m.

9 to 10:30 a.m.

ABSENTEE BIDDING Tel: 617.874.4318 Fax: 617.350.5429 View lots and bid online: www.skinnerinc.com Illustrated catalogue #2470 available for $35 by mail, $42 overseas

COVER : 779; FRONTISPIECE : 789 ; BACK COVER : 767

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TABLE OF CONTENTS 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Event Announcement

7

Prints & Photography - Lots 1-227

89

Paintings & Sculpture - Lots 301-846

314

Glossary of Terms

315

Artist Index

320

Conditions of Sale

321

Absentee Bid Form

322

Company Directors & Specialty Departments

323

Administrative Staff & Client Services

324

Map & Driving Directions

325

Parking & Accommodations

326

Dining

327

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 320 of this catalogue for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2009 All rights reserved

SKINNER presents a

Fine Art Gallery Walk Presented by Robin Starr, Director Pro Tem of Skinner’s Paintings Department

Thursday, September 10, 2009 5:30 p.m. Reception/6:00 p.m. Gallery Walk 63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited Gallery Walk held in conjunction with a preview of Skinner’s September 11th auction of American & European Paintings & Prints

Session I

Prints & Photography Lots 1-227 to be sold Friday, September 11th, 2009 at 12 noon

Certno.XXX-XXX-000

Proudly printed by

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5 Almeida Avenue, East Providence, R.I., USA Toll Free: 866-229-7752

1.

GENTSE KONSTRUKTIEVE KUNST/A Portfolio of Six Works Jan van den Abbeel (Belgian, b. 1943), Piet Beckaert (Belgian, 1939-2000); Hugo de Clercq (Belgian, b. 1930); Amédée Cortier (Belgian, 1921-1976); Willy Plompen (Belgian, b. 1942); and Yves de Smet (Belgian, b. 1946), 1972, edition of 150. Each signed in pencil or ink on the reverse, most numbered “53/150” in pencil or ink on the reverse. Color screenprints on paper, image/sheet sizes 19 1/2 x 19 3/4 in.

(49.4 x 50.0 cm), presented in the original folder.

Condition: Minor handling marks and/or creases.

Provenance: Property of the Fogg Art Museum, Harvard Art Museum, sold to benefit the acquisition fund. $300-500

1

2.

Louis Abel-Truchet (French, 1857-1918) La quadrille, 1890. Signed in the matrix. Color lithograph on paper, image size 20 1/4 x 28 1/4 in. (51.4 x 71.7 cm), framed.

Condition: Not examined out of frame. $600-800

2

3.

Clinton Adams (American, b. 1918) Interior, 1953, edition of 10. Signed and dated “Clinton Adams ‘53” in pencil l.r., numbered “1/10” in pencil l.l., dry stamp l.l.

Lithograph on paper, image size 9 3/4 x 13 7/8 in. (24.7 x 35.2 cm), framed.

Condition: Toning, several pale fox marks and stains, unpressed crease to image c.r., not examined out of frame. $200-300

3

4.

Ivan Le Lorraine Albright (American, 1897-1983) Fleeting Time Thou Hast Left Me Old, 1945, edition of 250, published by American Associated Artists (Grayson, 11). Signed “Ivan Le Lorraine Albright” in pencil l.r., titled in pencil l.l., identified on an AAA label on the reverse. Lithograph on paper, image size 13 3/4 x 9 1/2 in. (34.8 x 24.0 cm), framed.

Condition: Not examined out of frame. $600-800

5.

Alison Cann-Clift, called Ali (American, b. 1949) Blue and White, 1986, edition of 70. Signed and dated “Ali ‘86” in pencil l.r., titled and numbered “...8/70” in pencil l.l.

Color screenprint on paper, image size 32 x 24 in. (81.3 x 60.8 cm), framed.

Condition: Not examined out of frame.

Provenance: Purchased at Pucker Gallery, Boston. $400-600

6.

Alison Cann-Clift, called Ali (American, b. 1949) 4

Center Tent, 1986, edition of 70. Signed and dated “Ali ‘86” in pencil l.r., titled and numbered “...8/70” in pencil l.l. Color screenprint on paper, image size 31 3/4 x 32 in. (80.5 x 81.3 cm), framed.

Condition: Not examined out of frame.

Provenance: Purchased at Pucker Gallery, Boston. $400-600

6 5

7

8

7.

Richard Anuszkiewicz (American, b. 1930)

8.

Richard Anuszkiewicz (American, b. 1930)

Triangulated Green, 1977-1978, edition of 50, printed by Editions Lassiter-Meisel, New York. Signed, numbered, and dated “ANUSZKIEWICZ 17/50 1977” in pencil (within the image) l.r., stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’s monogram) on the reverse, inscribed “24” on the reverse. Color screenprint on paper mounted onto board, image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.

Condition: Surface grime and rubs. $400-600

Triangulated Orange, 1977-1978, edition of 50, printed by Editions Lassiter-Meisel, New York. Signed, numbered, and dated “ANUSZKIEWICZ 17/50 1977” in pencil (within the image) l.r., stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’s monogram) on the reverse, inscribed “23” on the reverse. Color screenprint on paper mounted onto board, image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.

Condition: Surface grime and rubs, retouched damage u.r. $300-500

9.

John Taylor Arms (American, 1887-1953) Rouen, 1925, edition of 150 (Fletcher, 162). Signed and dated “John Taylor Arms - 1925” in pencil l.r., identified on a label from Doll & Richards, Inc., Boston, on the reverse. Etching on paper, plate size 8 1/4 x 8 in. (20.8 x 20.3 cm), framed.

Condition: Toning, not examined out of frame. $200-300

9

11

10

10.

Lot of Two Animal Prints: Helen Baker (American, 20th Century), Seahorse Parade, color monotype; American School, 20th Century, Penguins, color etching with aquatint and roulette. The former signed in pencil, the latter unsigned. Image sizes to 10 x 16 in. (25.4 x 40.5 cm), framed.

Condition: Toning to Seahorse, not examined out of frame; margins to Penguins over 1 1/2 inches and with mat burn. $200-250

11.

Will Barnet (American, b. 1911) Cat and Canary, 1971, aside from the edition of 225 (Cole, 145). Signed “Will Barnet” in pencil l.r., titled in pencil l.l., inscribed “artist’s proof” in pencil l.c. Color lithograph on paper, image size 14 1/2 x 17 5/8 in. (36.7 x 44.7 cm), framed.

Condition: Margins 3 1/2 inches or more, foxing, subtle rippling, not examined out of frame. $300-500

12.

Leonard Baskin (American, 1922-2000) Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 60 x 30 3/4 in. (152.4 x 78.0 cm), framed.

Condition: Rippling, unpressed crease to upper margin, subtle toning, not examined out of frame. $1,000-1,500

12

13

13.

Leonard Baskin (American, 1922-2000) Lot of Four Works: Two Blind Men, c. 1952/53 (Fern & O’Sullivan, 215); The Owl That Calls Upon the Night Speaks the Unbeliever’s Fright, 1959, reproduced version of 1961 (Fern & O’Sullivan, 375); Death Among the Thistles, 1959 (Fern & O’Sullivan, 379); and Pomegranate - New Year’s Greeting, 1960 (Fern & O’Sullivan, 410). Blind and Thistles signed in pencil l.r.

Woodcuts and wood engravings on paper, image sizes to 6 x 8 in.

(15.2 x 20.3 cm), framed.

Condition: Mat burn, subtle toning, Blind with foxing, not examined out of frames.

N.B. The lot is accompanied by the pamphlet Leonard Baskin: Ten Woodcuts, (The Gehenna Press: Northampton, Massachusetts), 1961. $400-600

14

14.

Leonard Baskin (American, 1922-2000) Saturn, 1970 (Fern & O’Sullivan, 577). Signed “Baskin” in pencil l.r., titled in pencil l.l., titled, initialed, and dated in the block. Woodcut in red and black on fine paper, image size 71 1/2 x 37 1/2 in. (181.6 x 95.2 cm), unmatted, unframed.

Condition: Rippling, unpressed creases, subtle toning. $1,000-1,500

15.

Leonard Baskin (American, 1922-2000) Lot of Three Etchings: Iris for Lisa, 1970, edition of 130 (Fern & O’Sullivan, 584); Shakespeare from TITUS ANDRONICUS, 1970, edition of 200 (Fern & O’Sullivan, 594); and Lessons in Far Future, 1978, edition of 125 (Fern & O’Sullivan, 671).

Each signed “Baskin” in pencil l.r. and numbered in pencil l.l.

Plate sizes to 17 3/4 x 11 3/4 in. (45.0 x 29.7 cm), framed.

Condition: Not examined out of frames. $500-700

15

16

16.

Romare Bearden (American, 1911-1988)

18.

Frank Weston Benson (American, 1862-1951)

The Return of Ulysses, 1976, edition of 30. Numbered, signed, and dated “25/30 Romare Bearden 9/76” in pencil l.r., titled in pencil l.l. Color screenprint on paper, image size 18 3/4 x 22 1/2 in. (47.5 x 57.0 cm), framed.

Condition: Not examined out of frame. $2,000-3,000

Brown Pelican, 1915, published state, edition of 50 (Paff, 48).

Signed “FrankWBenson.” in pencil l.l., numbered “25/50” in pencil l.r., initialed in the plate. Etching on Shogun paper with partial watermark, plate size 7 7/8 x 5 7/8 in. (20.0 x 15.0 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more, subtle toning. $700-900

17.

Cecil Crosley Bell (American, 1906-1970) Lot of Two Prints: Shoe Shine, 1933, and Trolley Car, 1933, both probably later editions. Both signed and dated “Cecil C. Bell ‘33” in pencil l.r. and inscribed “...2nd” in pencil l.l.

Etchings on cream paper, plate sizes approximately 8 x 5 3/4 in.

(20.3 x 14.5 cm), unmatted, unframed.

Condition: Margins over 2 inches with deckled edges. $200-300

17

18

20 19

19.

Frank Weston Benson (American, 1862-1951)

21.

Thomas Hart Benton (American, 1889-1975)

Flying Ducks, 1919, published state of 235 (Paff, 160). Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.

Etching on paper, plate size 8 7/8 x 6 7/8 in. (22.4 x 17.4 cm), framed.

Condition: Subtle toning, not examined out of frame. $500-700

Arkansas Evening, alternatively titled Nebraska Evening, 1941, edition of 250, published by Associated American Artists (Fath, 45). Signed “Benton” in pencil l.r. and in the matrix, identified on an AAA label on the reverse. Lithograph on paper, image size 10 x 13 1/8 in. (25.4 x 33.2 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

20.

Frank Weston Benson (American, 1862-1951) November Moon, 1931, published state, edition of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on paper, plate size 10 x 8 in. (25.5 x 20.5 cm), framed.

Condition: Margins over 1/4 inch, subtle rippling, not examined out of frame. $800-1,200

21

22.

Thomas Hart Benton (American, 1889-1975) Nebraska Evening, alternatively titled Arkansas Evening, 1941, edition of 250, published by Associated American Artists (Fath, 45). Signed “Benton” in pencil l.r. and in the matrix, identified on an AAA label on the reverse. Lithograph on paper, image size 10 x 13 1/8 in. (25.5 x 33.2 cm), framed.

Condition: Foxing, not examined out of frame. $700-900

22

23.

Thomas Hart Benton (American, 1889-1975) Gateside Conversation, 1946, edition of 250, published by Associated American Artists (Fath, 69). Signed “Benton” in pencil l.r. and in the matrix. Lithograph on paper, image size 9 7/8 x 13 7/8 in. (25.0 x 35.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $800-1,200

23

24.

Thomas Hart Benton (American, 1889-1975) Prayer Meeting, 1949, edition of 300 (Fath, 73). Signed “Benton” l.r., signed and inscribed in the matrix. Lithograph on paper, image size 9 x 12 1/4 in. (22.8 x 31.0 cm), unmatted, unframed.

Condition: Tape residue/staining to upper edge (both recto and verso). $2,000-2,500

24

25

25.

Thomas Hart Benton (American, 1889-1975) Photographing the Bull, 1950, edition of 500 (Fath, 75). Signed “Thomas H. Benton” l.r., signed in the matrix, inscribed “#78/500” in pencil l.l. Lithograph on paper, image size 11 7/8 x 16 in. (30.0 x 40.5 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches with deckled edges. $2,000-2,500

27.

Jolan Gross Bettelheim (Czechoslovakian/American, 19001972) Fascism, c. 1940. Signed “J-GROSS B.” in the matrix.

Lithograph on paper, image size 13 x 10 in. (33.0 x 25.4 cm), framed.

Condition: Not examined out of frame. $300-500

26.

Carol Thayer Berry (American, 1886-1978) Hillside Farm - Maine (No. 2), 1960, edition of up to 100 (Dearborn, 78). Signed “Carroll Thayer Berry” in pencil l.r., signed in the block, titled in pencil l.l. Wood engraving on paper, image size 7 3/8 x 9 5/8 in. (18.7 x 24.2 cm), framed.

Condition: Subtle mat burn and toning, not examined out of frame. $300-500

26

27

28

29

28.

Natvar Bhavsar (Indian, b. 1934) Blue Accent, 1967, edition of 20. Numbered, dated, and signed “1/20 1967 NATVAR BHAVSAR” in pencil l.r. and u.l., identified on a label from Obelisk Gallery, Boston, on the reverse.

Color screenprint on paper, image size 10 x 10 in. (25.4 x 25.4 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $300-500

29.

Natvar Bhavsar (Indian, b. 1934) Untitled, 1967. Inscribed, dated, and signed “artist’s proof.

1967 NATVAR BHAVSAR” in pencil l.r. Color screenprint on paper, image size 27 1/4 x 25 1/4 in. (69.1 x 64.0 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $400-600

30.

Bernard Buffet (French, 1928-1999) The Clown with the Green Background, 1960, edition of 175 (Mourlot, 24). Signed “Bernard Buffet” in pencil l.r., numbered “86/175” in pencil l.l. Color lithograph on paper, image size 26 1/4 x 20 1/4 in. (66.5 x 51.3 cm), framed.

Condition: Toning, not examined out of frame. $1,000-1,500 30

31

32

31.

After Bernard Buffet (French, 1928-1999)

32.

Félix Hilaire Buhot (French, 1847-1898)

Bread and Wine, from the poster edition of 2000, published by Sorlier (Mourlot, 63). Signed “Bernard Buffet” in pencil l.r., signed, dated, and with publisher in the matrix. Color lithograph on paper, image size 22 1/4 x 17 in. (56.5 x 43.2 cm), framed.

Condition: Margins over 1 1/2 inches, not examined out of frame. $700-900

La Petite Marine - Souvenir de Medway, 1879, probably the third state of six (Bourcard & Goodfriend, 153).

Monogrammed, dated, and inscribed in the plate, identified on a label from Frederick Keppel & Co., Inc., New York, on the reverse. Etching on paper, plate size 6 3/8 x 8 1/2 in. (16.0 x 21.5 cm), framed.

Condition: Margins 1/4 inch or more, subtle toning, not examined out of frame. $400-600

33.

Alexander Calder (American, 1898-1976) Untitled (Stabile), edition of 90. Signed “Calder” in pencil l.r., numbered “8/90” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 18 1/2 in. (36.7 x 47.0 cm), framed.

Condition: Deckled edges to three sides, subtle staining near upper edge, not examined out of frame. $400-600

33

34

35

34.

Alexander Calder (American, 1898-1976)

35.

Alexander Calder (American, 1898-1976)

Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “112/125” in pencil l.l. Color lithograph on paper, image size 25 x 18 1/2 in. (63.4 x 46.9 cm), framed.

Condition: Deckled edges to two sides, subtle toning, not examined out of frame. $500-700

Lot of Two Works: La Croix sur le soleil, edition of 90; and Untitled, edition of 100. Both signed “Calder” in pencil l.r. and numbered in pencil l.l., the former identified on a label from the Galerie Moderne at Brentano’s, New York, on the reverse. Color lithographs on paper, image sizes to 21 1/2 x 28 in. (54.5 x 71.0 cm), framed.

Condition: Unobtrusive toning, fading (almost exclusively to Croix), not examined out of frames. $500-700

36.

Alexander Calder (American, 1898-1976) Untitled (Yellow Spiral). Signed “Calder” in pencil l.r., inscribed “EA” in pencil l.l. Color lithograph on paper, image/sheet size 26 x 39 in. (66.0 x 98.8 cm), framed.

Condition: Unobtrusive toning, subtle rippling, not examined out of frame. $400-600

36

37

37.

Jacques Callot (French, 1592-1635) Lot of Two Scenes: Les troupes en marche, and Attaque des forts avancés de Bone from LA VIE DE FERDINAND Ier DE MÉDICIS, c. 1619, probably impressions before letters (Lieure, 153 & 159). Both inscribed beneath the image. Engravings on paper, plate sizes 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm), one framed, both matted.

Condition: Laid down, narrow margins, unobtrusive soiling. $400-600

38.

Eugène Carrière (French, 1849-1906) Lot of Two Portraits: Méditation, 1893, published by Ed Sagot, Paris, with dry stamp l.l. (Delteil, 14); and Maternité (petite planche), 1896 (Delteil, 23). Both signed “...Eugène Carrière” in the matrix and with collector’s stamp “SPB” l.r.

Lithographs on paper (latter on chine collé), image sizes to 9 1/2 x 5 7/8 in. (24.1 x 14.8 cm), matted, unframed.

Condition: Margins over 3 inches, subtle toning to former. $300-500

38

39

39.

Marc Chagall (Russian/French, 1887-1985) Green Tree with Lovers, 1980, edition of 50 (Mourlot, 959).

Signed “Marc Chagall” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on Arches paper with watermark, image size 19 3/4 x 15 in. (50.2 x 38.1 cm), framed.

Condition: Deckled edges to two sides, not examined out of frame. $3,000-5,000

40.

Samuel V. Chamberlain (American, 1895-1975) Valley of the Var, second state (Chamberlain & Kingsland, 132).

Signed “Samuel Chamberlain” in pencil l.r., inscribed “Second State II/II” in pencil in the artist’s hand l.l. Etching on paper, plate size 10 7/8 x 13 1/8 in. (27.5 x 33.2 cm), matted, unframed.

Condition: Margins approximately 1 inch, subtle toning.

Provenance: Through the family of the artist. $200-250

40

41.

Samuel V. Chamberlain (American, 1895-1975) A Chateau Farm Near Siena, c. 1925 (Chamberlain & Kingsland, 159). Signed “Samuel Chamberlain” in pencil l.r.

Etching on paper, plate size 5 5/8 x 8 7/8 in. (14.2 x 22.4 cm), matted, unframed.

Condition: Margins approximately 2 inches with two deckled edges, subtle toning, annotations to lower margin.

Provenance: Through the family of the artist. $150-200 41

42.

Samuel V. Chamberlain (American, 1895-1975) Lot of Two Impressions of The Fortress Carmona, c. 1925 (Chamberlain & Kingsland, 165 or 166). Unsigned, one inscribed “early proof” in pencil l.l. Etchings on paper, plate sizes 3 1/2 x 4 5/8 in. (8.8 x 11.5 cm), in a common mat, unframed.

Condition: Margins over 2 inches with most edges deckled, subtle toning, annotations to lower margins.

Provenance: Through the family of the artist. $200-250

42

43

44

43.

Samuel V. Chamberlain (American, 1895-1975)

44.

Samuel V. Chamberlain (American, 1895-1975)

The Market Place, Vernon, probably proof impression number three (Chamberlain & Kingsland, 167). Unsigned, annotated in the lower margin and on the mat. Etching on paper, plate size 9 1/2 x 13 3/8 in. (24.0 x 33.8 cm), matted, unframed.

Condition: Margins over 1/2 inch with several unpressed creases, subtle toning.

Farm Vista, Le Plessis - Luzarches, 1930, edition of approximately 20 (Chamberlain & Kingsland, 191). Unsigned.

Etching on paper, plate size 8 1/8 x 7 in. (20.5 x 17.7 cm), matted, unframed.

Condition: Margins over 1 inch, with crease to u.l. corner.

Provenance: Through the family of the artist.

Provenance: Through the family of the artist.

$200-250 $200-250

45.

Samuel V. Chamberlain (American, 1895-1975) New England Hill Town, proof impression (Chamberlain & Kingsland, 199). Signed “Samuel Chamberlain” in pencil l.r., inscribed “fifth state I/III” in pencil l.l. Etching on paper, plate size 10 1/8 x 13 1/8 in. (25.5 x 33.3 cm), matted, unframed.

Condition: Margins 3/4 inches or more, subtle toning.

Provenance: Through the family of the artist.

N.B. This work exists only as proofs; an edition was never published. $200-250

45

46

47

46.

Samuel V. Chamberlain (American, 1895-1975)

47.

Samuel V. Chamberlain (American, 1895-1975)

Harkness Memorial Tower, 1933, edition of 125 (Chamberlain & Kingsland, 231). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Ed. 125” in pencil l.l. Etching on paper, plate size 13 5/8 x 10 1/8 in. (34.5 x 25.6 cm), matted, unframed.

Condition: Margins 3/4 inches or more with deckled edges, subtle toning, annotations to lower margin.

The Harvard Yard, Cambridge, c. 1940, proof impression before the edition of 1500 (Chamberlain & Kingsland, 259).

Inscribed “first State II/III” in pencil in the artist’s hand l.l.

Etching on paper, plate size 6 3/4 x 4 1/2 in. (17.0 x 11.3 cm), matted, unframed.

Condition: Margins over 1 inch, subtle toning.

Provenance: Through the family of the artist.

Provenance: Through the family of the artist. $200-250

$150-200

48.

Samuel V. Chamberlain (American, 1895-1975) Summer Shadows, alternatively titled The King Hooper Mansion, 1940, edition of 300 (Chamberlain & Kingsland, 275). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Ed. 300” in pencil l.l. Etching on paper, plate size 8 1/2 x 11 in. (21.5 x 27.8 cm), framed.

Condition: Toning, not examined out of frame.

N.B. The view depicts a square in Marblehead, Massachusetts. $200-300

48

49

51

49.

Continental School, 20th Century

51.

Jack Davis Coughlin (American, b. 1932)

Nineteen Images from FROM THE WILD WEST IN AMERICA, A Suite of Twenty Works. Each signed “A.J.Alex” in pencil l.r., identified on the cover. Etchings with drypoint (several in color) on paper, plate sizes to 6 x 4 1/4 in. (15.1 x 10.6 cm), in the original hand-bound book (cover detached).

Condition: Laid down, subtle toning or soiling. $800-1,200

Dream of a Hyena, edition of 50. Signed “Jack Coughlin” in pencil l.r., numbered and titled “5/50...” in pencil l.l. Etching on paper, plate size 19 3/4 x 15 1/2 in. (50.0 x 39.4 cm), shrink-wrapped.

Condition: Not examined out of wrap.

50.

John Edward Costigan (American, 1888-1972) April. Signed “J.E. Costigan N.A.” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.0 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $200-250

50

N.B. This print earned Coughlin first prize for printmaking at the 60th Annual Exhibit for the Connecticut Academy of Fine Arts, held at the Wadsworth Atheneum in Hartford, Connecticut, in 1970. $250-300

52.

John Steuart Curry (American, 1897-1946) Summer Afternoon, 1939, edition of 250, published by Associated American Artists (Czestochowski, C-36). Signed “John Steuart Curry” in pencil l.r., initialed within the matrix, identified on an AAA label on the reverse. Lithograph on paper, image size 10 x 14 in. (25.4 x 35.5 cm), framed.

Condition: Mat burn, not examined out of frame. $1,000-1,500

52

52A. Salvador Dalí (Spanish, 1904-1989) Fleuve d’abondance from POEMES DE MAO TSE-TUNG, 1967, from the edition of 95 (Lopsinger & Michler, 213).

Signed “Dali” in pencil l.r., Dali dry stamp l.r., numbered “72/95” in pencil l.l. Heliogravure and drypoint with coloring on Japan paper, plate size 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm), framed.

Condition: Not examined out of frame $300-500

52A

52B. Salvador Dalí (Spanish, 1904-1989) 50 Secrets of Magic Craftsmanship/Book with an Original Drawing, 1948, published by New York: The Dial Press, translated by Haakon M. Chevalier, numbered 6 of 49 copies, containing a signed sepia watercolor drawing depicting classical figures before a European town dated 1948, the limitations page later inscribed by Dalí dated 1952, half vellum, pictorial boards and slipcase, folio.

Condition: Minor soiling, slipcase with minor wear and soiling and cracks to upper edge. $7,000-9,000

52B

53

53.

After Edgar Degas (French, 1834-1917)

54.

Adolf Arthur Dehn (American, 1895-1968)

Avant la course, 1910. Signed in the matrix. Color lithograph on paper, sight size 18 3/4 x 22 in. (47.5 x 55.7 cm), framed.

Condition: Toning, rippling, not examined out of frame.

Haitian Night, 1961, edition of 200 plus proofs (Lumsdaine & O’Sullivan, 553.ii). Signed “Adolf Dehn” in pencil l.r., numbered “79/210” in pencil l.l. Lithograph in black and tan on paper, image size 14 x 18 in. (35.4 x 45.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $3,000-5,000

54

55

56

55.

Morgan Dennis (American, 1892-1960)

56.

Lot of Two Dog Prints:

Lot of Three Views: The Four Courts - Dublin, 1923; The Sailmender; and Summer Afternoon. Each signed “MORGAN DENNIS” in pencil l.r. and titled in pencil or in the plate.

Etchings on paper, plate sizes to 7 x 5 5/8 in. (17.6 x 14.2 cm), framed.

Condition: Pale foxing, subtle toning, not examined out of frames. $400-600

Morgan Dennis (American, 1892-1960), The Pup, 1926, second plate; and Diana Thorne (American, b. 1895), Waiting.

Both signed in pencil l.r. Etchings on paper, plate sizes to 6 x 8 in. (15.2 x 20.3 cm), framed.

Condition: Subtle toning, not examined out of frames. $300-500

57.

Morgan Dennis (American, 1892-1960) Lot of Two Dog Scenes: A Bone of Contention and The Contented Companion. Both signed “MORGAN DENNIS” in pencil l.r. Etchings on paper, plate sizes approximately 3 1/2 x 5 in. (8.8 x 12.5 cm), framed.

Condition: Unobtrusive toning (more so to Companion), not examined out of frames. $250-350

57

58

58.

Werner Drewes (German/American, 1899-1985) 59

Reflections, 1960, from the second edition of 160, published by Associated American Artists (Jentsch, III.197). Signed “Drewes” in pencil l.r., inscribed “No. 63” in pencil l.l., label from AAA on the reverse. Woodcut in blue and black on paper, image size 11 1/4 x 20 7/8 in. (28.5 x 52.8 cm), framed.

Condition: Subtle toning, mat burn, pale pin-point fox marks, rippling, not examined out of frame. $400-600

59.

Jean Dubuffet (French, 1901-1985) Le vent et l’eau, from LES PHENOMENES X: EAUX, PIERRES, SABLE, 1959, total edition of 35 (Webel, 565).

Signed and dated “J. Dubuffet 59” in pencil l.r., titled in pencil l.c., numbered “6/10” in pencil l.l. Lithograph on Japan paper, image size 20 7/8 x 15 1/4 in. (52.8 x 38.6 cm), framed.

Condition: Not examined out of frame.

N.B. The lot is accompanied by a copy of Daniel Cordier’s book The Drawings of Jean Dubuffet (George Braziller; New York, 1960). $250-350

60.

Romain de Tirtoff, called Erté (Russian, 1892-1990) The Duel, 1981, edition of 300 (Lee, 202). Signed “Erté” in pencil l.r., numbered “155/300” in pencil l.l. Color screenprint on paper, image size 24 3/4 x 17 3/4 in. (62.7 x 45.0 cm), framed.

Condition: Not examined out of frame. $200-300

60

61

62

61.

Romain de Tirtoff, called Erté (Russian, 1892-1990) Oriental Tale, 1982, from a proof edition of 125. Signed “Erté” in pencil l.r., numbered “CII/CXXV” in pencil l.l. Color screenprint on paper, image size 23 5/8 x 17 3/4 in. (59.9 x 45.0 cm), framed.

Condition: Not examined out of frame. $800-1,200

62.

Romain de Tirtoff, called Erté (Russian, 1892-1990) Stolen Kisses, 1982, edition of 300. Signed “Erté” in pencil l.r., numbered “105/300” in pencil l.l. Color screenprint on cream paper, image size 22 1/2 x 17 7/8 in. (57.0 x 45.3 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

63.

Romain de Tirtoff, called Erté (Russian, 1892-1990) Sloth from THE SEVEN DEADLY SINS, 1983, from a proof edition of 90. Signed “Erté” in pencil l.r., numbered “V/XC” in pencil l.l. Color screenprint on paper, image size 19 1/4 x 14 5/8 in. (49.0 x 37.0 cm), framed.

Condition: Not examined out of frame. $800-1,200

63

65

64

64.

Romain de Tirtoff, called Erté (Russian, 1892-1990) Helen of Troy, 1987, edition of 300. Signed “Erté” in pencil l.r., numbered “16/300” in pencil l.l. Color screenprint on black paper, image size 28 1/8 x 24 1/4 in. (71.2 x 61.5 cm), framed.

Condition: Not examined out of frame. $1,200-1,800

65.

Aaron Fink (American, b. 1955) Cup, 1983. Signed and dated “Aaron Fink ‘83...” in pencil l.r., identified on a label from The Alpha Gallery, Boston, on the reverse. Hand-colored woodcut on paper, image size 23 1/2 x 31 1/2 in. (59.5 x 80.0 cm), framed.

Condition: Not examined out of frame. $300-500

66.

Eliza Draper Gardiner (American, 1871-1955) Fishing off the Dock, edition of 50. Signed and numbered “Eliza D. Gardiner 23/50” in pencil l.r. Color woodcut on paper, image size 10 7/8 x 8 in. (27.5 x 20.3 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $800-1,200

66

67

68

67.

Eliza Draper Gardiner (American, 1871-1955) On the Boat, edition of 50. Signed and numbered “Eliza D. Gardiner 42/50” in pencil l.r., titled in pencil l.c. Color woodcut on gray paper, image size 10 1/2 x 12 1/2 in. (26.5 x 31.7 cm), framed.

Condition: Margins 1/2 inch or more, subtle toning, several pale fox marks, not examined out of frame. $1,000-1,500

68.

Gerald Drexler Garston (American, 1925-1994) Burning Bright. Signed “Garston” in pencil l.r., inscribed “AP/II” in pencil l.l., identified on a label from Pucker/Safrai Gallery, Boston, on the reverse. Color screenprint on paper, image size 34 x 17 in. (86.3 x 43.2 cm), framed.

Condition: Margin 1/2 inch or more, subtle rippling, not examined out of frame. $400-600

69.

Ignaz Marcel Gaugengigl (American, 1855-1932) Self-Portrait of Artist, c. 1909 (R.ORG IMG, 23). Signed “I.M. Gaugengigl” in pencil l.r., monogrammed within the plate.

Drypoint on paper, plate size 11 1/4 x 7 3/4 in. (28.5 x 19.6 cm), framed.

Condition: Unobtrusive toning and mat burn, subtle rippling, not examined out of frame. $200-300

69

70.

Michiel Gloeckner (American, 1915-1989) Lot of Two Untitled Works, 1974. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 5/8 x 19 5/8 in. (67.5 x 49.8 cm), shrink-wrapped.

Condition: Not examined out of wrap. $500-700

71.

George Ehrenfried Grosz (German/American, 1893-1959) Feierabend (L’angelus à Munich) from GOTT MIT UNS, 192021, edition of 125 (Dückers, M III, 3). Signed and dated “GROSZ 1920” in pencil l.r., titled and identified in the matrix.

Photo-lithograph on paper, image size 16 x 11 7/8 in. (40.5 x 30.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled right edge, soiling, nicks to margins, creasing, annotations to lower margin and the reverse. $200-400

70

72.

Richard Haas (American, b. 1936) Grand Central Station, 1973. Signed “Richard Haas” in pencil l.r., titled in pencil l.l., inscribed “AP 2” in pencil l.c. Etching on cream paper, plate size 14 3/4 x 19 3/4 in. (37.4 x 50.2 cm), framed.

Condition: Several pale fox marks, not examined out of frame. $200-250

71

72

73

73.

Sir Francis Seymour Haden (British, 1818-1910)

75.

Ellen Day Hale (American, 1855-1940)

Mytton Hall, 1859, fourth state of five (Schneiderman, 19).

Signed “Seymour Haden” in pencil l.l., signed and dated in the plate, identified on a label from M. Knoedler & Co., Inc., New York, on the reverse. Etching on paper, plate size 4 7/8 x 10 3/8 in. (12.3 x 26.3 cm), framed.

Condition: Margins 1/4 inch or more, unobtrusive toning, not examined out of frame. $600-800

Willow Whistle, 1888-89. Signed “Ellen Day Hale” in pencil l.r., Signed, identified, and dated within the plate. Etching on paper, plate size 15 1/2 x 8 1/2 in. (39.3 x 21.5 cm), framed.

Condition: Toning, crease l.c. (almost exclusively to the margin), not examined out of frame. $600-800

74.

Sir Francis Seymour Haden (British, 1818-1910) Grayling Fishing, c. 1897 (Schneiderman, 227 ii/v). Signed “Seymour Haden” in pencil l.r. Mezzotint with drypoint on paper, plate size 7 1/2 x 12 in. (19.0 x 30.5 cm), matted, unframed.

Condition: Margins 2 inches or more, pale mat burn, tape/residue to upper edge. $700-900

74

75

76

76.

Frederick Childe Hassam (American, 1859-1935)

77.

Stanley William Hayter (British, 1901-1988)

Easthampton, 1917 (Cortissoz, 134). Monogrammed and inscribed “CH imp” in pencil l.r., monogrammed, inscribed, and dated in the plate, identified on a label from Frederick Keppel & Co., Inc., New York, on the reverse. Etching on paper, plate size 7 1/2 x 11 1/2 in. (19.0 x 29.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $2,000-3,000

Masques, alternatively titled Masques sur une plage, 1937, edition of 30 (Black & Moorhead, 107). Signed “SWHayter” in pencil l.r., titled in pencil l.c., numbered “13/30” in pencil l.l.

Engraving with etching on paper, plate size 4 1/8 x 7 7/8 in.

(10.4 x 20.0 cm), framed.

Condition: Toning, several fox marks, not examined out of frame. $400-600

77

78.

Ludwig Hohlwein (German, 1874-1949) Direct China Cotton Importers Wonalancet Company Nashua NH, 1909. Identified in the matrix. Color lithographic poster on paper, sheet size 32 1/2 x 23 1/4 in. (82.4 x 59.0 cm), shrink-wrapped.

Condition: Subtle toning, minor handling creases, creases and minute nicks to corners, not examined out of wrap. $3,000-4,000

78

79.

Lester George Hornby (American, 1882-1956) A Montrouge, Propriétaire et Chien, 1909, edition of 24 (Falk, 52). Signed “L.G. Hornby” in pencil l.r., signed and titled within the plate, dedicated and signed “A most humble appreciation of generous courtesy extended to me by the Yorick Club. L.G. Hornby June 1910” in ink on the mat. Etching on paper, plate size 10 x 7 in. (25.4 x 17.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $200-250

79

80.

Alfred Heber Hutty (American, 1877-1954) The Old Stand of Trees. Signed “Alfred Hutty...” in pencil l.r.

Etching on paper, plate size 9 x 15 in. (22.8 x 38.1 cm), framed.

Condition: Not examined out of frame.

Provenance: Sold to benefit the Bennington Museum, Vermont. $300-500

80

81.

Louis Icart (French, 1888-1950) La robe de chine, 1926 (Holland et al., 276). Signed “Louis Icart” in pencil l.r., numbered “6/394” in pencil l.l., dated in publication text within the plate, artist’s dry stamp l.l. Color etching and aquatint with stencil coloring on paper, plate size 15 1/4 x 18 3/8 in. (38.5 x 46.5 cm), framed.

Condition: Toning, mat burn, not examined out of frame. $500-700

81

82.

Louis Icart (French, 1888-1950) La dame aux camelias, 1927 (Holland et al., 321). Signed “Louis Icart” in pencil l.r., dated in publication text within the plate. Color etching and aquatint with stencil coloring on paper, oval format, plate size 16 3/4 x 21 in. (42.5 x 53.2 cm), framed.

Condition: Toning, breaks along plate mark, not examined out of frame. $600-800

82

83.

Louis Icart (French, 1888-1950) Conchita, 1929 (Holland et al., 361). Signed “Louis Icart” in pencil l.r., dated in the publication text within the plate, artist’s dry stamp l.l., numbered “183/500” in pencil l.l. etching with aquatint and stencil coloring on paper, plate size 21 1/8 x 14 1/8 in. (53.5 x 35.8 cm), framed.

Condition: Toning, minute abrasions to image l.r., not examined out of frame. $300-500

84.

Robert Indiana (American, b. 1928) LOVE, 1967, edition of 2,275 plus proofs (Sheehan, 39).

Unsigned, stamped “© 1967 by ROBERT INDIANA” in blue on the reverse. Color screenprint on paper, image/sheet size 34 x 34 in. (86.2 x 86.2 cm), framed.

Condition: Small area of soiling l.c., not examined out of frame. $1,000-1,500

85.

Eli Jacobi (Russian/American, 1898-1984) 83

Bathers by a Pool. Monogrammed in the block. Woodcut on thin paper, image size 10 1/8 x 8 1/4 in. (25.5 x 21.0 cm), framed.

Condition: Toning, margins approximately 1/2 inch, brown paper tape hinges to top edge. $200-250

85 84

86

87

86.

Bertha Evelyn Clausen Jaques (American, 1863-1941) Japanese Pine. Signed “Bertha E. Jaques� in pencil l.r., titled in pencil l.l. Etching with coloring on paper, plate size 9 7/8 x 7 7/8 in. (25.0 x 20.0 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame. $200-300

87.

Jasper Johns (American, b. 1930) Cup 2 Picasso, 1973, from the larger edition published for XXe Siecle. Signed and dated in the matrix. Color offset lithograph on paper, image size 11 3/4 x 10 1/4 in. (29.8 x 26.0 cm), matted, unframed.

Condition: Margins approximately 1/2 inch. $200-300

88.

Jasper Johns (American, b. 1930) Lot of Two Works: Silver Cicada, 1982, and Summer, c. 1991.

Both unsigned. Offset lithographs on paper, image sizes approximately 9 x 7 in. (22.8 x 17.7 cm), matted, unframed.

Condition: Hinged along upper edge. $400-600

88

89

90

89.

Lester F. Johnson (American, b. 1919) The Scene, 1979, edition of 175. Signed and dated “Lester Johnson 79” in pencil l.r., numbered “138/175” in pencil l.l.

Color screenprint on paper, image size 30 x 23 1/8 in. (76.2 x 58.7 cm), framed.

Condition: Not examined out of frame. $300-500

90.

Max Kaus (German, 1891-1977) Sinnendes Mädchen, c. 1923, edition of 8 (Moeller, 57). Signed “MKaus...” in pencil (within the image) l.l., numbered “3 - 8” in pencil l.r. Lithograph in black and tan on paper, image size 16 3/4 x 18 7/8 in. (42.5 x 47.8 cm), framed.

Condition: Foxing, toning, subtle fading, unobtrusive rippling, not examined out of frame. $300-500

91.

John Melville Kelly (American, 1879-1962)

91

Lot of Two Hawaiian Figure Studies: Kaipo Hawaii and Sahpan Fisherman, Hawaii. Both signed “John Kelly” in pencil l.r., signed in the plate, and titled in pencil l.l. Etchings on paper, plate sizes to 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frames. $800-1,200

92

93

92.

Harald Kihle (Norwegian, 1905-1997)

93.

Robert Kipniss (American, b. 1931)

A Passing Shower, 1952. Signed and dated “Harald Kihle rito 1952.” in pencil l.l., titled or inscribed “(Fricksemplar) Fra Telemarken.” in pencil l.l. Color lithograph on paper, image size 18 5/8 x 21 3/4 in. (47.2 x 55.2 cm), framed.

Condition: Unobtrusive toning and soiling, not examined out of frame. $400-600

Opening Road, 1985, edition of 120 plus proofs. Signed “Kipniss” in pencil l.r., numbered “12/120” in pencil l.l., identified in information affixed to the reverse. Color lithograph on paper, image size 13 1/2 x 10 in. (34.2 x 25.4 cm), framed.

Condition: Not examined out of frame. $300-500

94.

Robert Kipniss (American, b. 1931) Two Trees and Balustrade, edition of 120. Signed “Kipniss” in pencil l.r., numbered “74/120” in pencil l.l. Color lithograph on wove paper, image size 19 x 11 in. (48.2 x 27.8 cm), matted, unframed.

Condition: Margins approximately 2 inches. $250-350

94

95

95.

Marguerite Kirmse (American, 1885-1954)

97.

Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)

Lot of Two Prints: A Straight Flush and Tiny Tim. Both signed “Marguerite Kirmse” in pencil l.r. and titled in pencil l.l., Flush identified on a label from Arthur H. Harlow & Co., New York, on the reverse. Etchings on paper, plate sizes to 2 x 6 in.

(5.0 x 15.2 cm), framed.

Condition: Foxing, toning, not examined out of frames.

Pueblo Dancer. Signed “Gene Kloss” in pencil l.r., inscribed and titled “Artist’s Proof...” in pencil l.l. Drypoint on paper, plate size 8 x 5 3/4 in. (20.3 x 14.5 cm), matted, unframed.

Condition: Margins 2 inches or more. $400-600

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $400-600

96.

Marguerite Kirmse (American, 1885-1954) Point! Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., initialed within the plate. Etching on paper, plate size 7 5/8 x 9 5/8 in. (19.3 x 24.4 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

96 97

98

99

98.

Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)

99.

Gan Kolski (Polish/American, 1899-1932)

All Souls’ Day Pilgrimage. Signed “Gene Kloss” in pencil l.r., numbered and titled “42/50...” in pencil l.l. Etching and drypoint on paper, plate size 12 x 9 in. (30.4 x 22.7 cm), matted, unframed.

Condition: Margins 2 inches or more. $700-900

Head. Signed “Gan Kolski” in pencil l.r., monogrammed in the block, titled in pencil l.l. Woodcut on paper, image size 8 x 5 7/8 in. (20.3 x 14.8 cm), framed.

Condition: Unobtrusive toning, not examined out of frame.

N.B. Although the artist worked primarily in New York, Kolski created a number of woodcuts depicting Provincetown, Massachusetts. $150-200

100.

Irving G. Lehman (American, 1900-1982) Figure in Landscape. Initialed in the block. Woodcut on paper, image size 9 x 9 in. (22.8 x 22.8 cm), framed.

Condition: Margins over 1 inch with ink and soiling, rippling. $300-500

100

101

101.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Landing, from the LUMBER CAMP SERIES, 1931, edition of 130 (BPL, 195). Unsigned. Wood engraving on paper, image size 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches.

Provenance: Through printer Harold McGrath. $300-500

102.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Bread Line, New York, 1932, edition of 100 (BPL, 198).

Unsigned, inscribed “P� in pencil l.l. Wood engraving on paper, image size 11 3/4 x 7 7/8 in. (29.7 x 20.0 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

102

103.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Apple Picking: September, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 209). Unsigned. Wood engraving on paper, image size 8 5/8 x 11 in. (21.8 x 27.8 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

103

104.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Haymaking: June, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 212). Unsigned. Wood engraving on paper, image size 8 x 9 7/8 in. (20.2 x 25.0 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

104

105.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Stooking: August, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 213). Unsigned, inscribed “P” in pencil l.l. Wood engraving on paper, image size 8 x 10 5/8 in.

(20.3 x 26.8 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

105

106.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Sheepshearing: May, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 214). Unsigned. Wood engraving on paper, image size 8 x 10 3/8 in. (20.3 x 26.3 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

106

107.

Clare Veronica Hope Leighton (Anglo/American, 19011988) The Fat Stock Market: December, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 217). Unsigned, inscribed “P” in pencil l.l. Wood engraving on paper, image size 7 7/8 x 10 1/8 in. (20.0 x 25.6 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

107

108.

Clare Veronica Hope Leighton (Anglo/American, 19011988) Plowing: November, from THE FARMER’S YEAR, 1933, published edition of 60 (BPL, 220). Unsigned. Wood engraving on paper, image size 7 1/2 x 9 7/8 in. (19.0 x 25.9 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches.

Provenance: Through printer Harold McGrath. $300-500

108

111 109

109.

John Lennon (British, 1940-1980)

111.

Tod Lindenmuth (American, 1885-1976)

John and Yoko with Bananas, edition of 300. Dry stamp signature with chop l.r., printer and/or publisher’s dry stamps l.r., numbered “213/300 edition” in pencil l.l. Color screenprint on paper, image size 22 x 17 1/2 in. (55.7 x 44.4 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

The Net Menders. Signed “Tod Lindenmuth” in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 10 1/8 x 9 in. (25.5 x 22.7 cm), framed.

Condition: Margins 1 1/2 inches or more with two deckled edges, unobtrusive soiling, nicks and/or creases to edges, not examined out of frame. $250-300

110.

Roy Lichtenstein (American, 1923-1997) Lot of Two Impressions of the Triptych As I Opened Fire..., 1966 (Corlett, app. 5). Unsigned, identified in the matrix and on the reverse. Offset color lithographs on paper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.

Condition: Minor handling marks and creases. $1,200-1,800

110

114 112

114.

Elyse Ashe Lord (British, 1900-1971) 112.

Philip Little (American, 1857-1942) Harbor View, Possibly Salem, Massachusetts, 1927. Signed and dated “Philip Little 1927” in pencil l.r., signed and dated in the plate. Etching and drypoint on paper, plate size 7 7/8 x 9 7/8 in. (20.0 x 25.0 cm), framed.

Condition: Not examined out of frame. $200-250

Lot of Two Images of Women: Waiting, edition of 100; and Cymbals, edition of 100. Both signed “Elyse Lord-” in pencil l.r., numbered in pencil l.l., and identified on a label from W. Russell Button Gallery, Chicago, on the reverse. Etchings with stencil coloring on paper, plate sizes to 8 1/2 x 12 in. (21.5 x 30.4 cm), framed.

Condition: Subtle toning, not examined out of frames. $600-800

115.

Elyse Ashe Lord (British, 1900-1971)

113.

Elyse Ashe Lord (British, 1900-1971) Immortals, edition of 75. Signed “Elyse Lord-” in pencil l.r., numbered “24/75” in pencil l.l. Etching with stencil coloring on paper, plate size 17 x 21 3/4 in. (43.2 x 55.1 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

113

Lot of Three Images of a Dancer: Li-Si Dancer, trial proof; Before the Dance, edition of 85; and After the Dance, edition of 85. Each signed “Elyse Lord-” in pencil l.r., numbered or inscribed in pencil l.l., and identified on a label from Arthur Ackermann & Son, Inc., London, New York, and Chicago, on the reverse. Etchings with stencil coloring on paper, plate sizes to 10 3/8 x 8 1/2 in. (26.3 x 21.5 cm), framed.

Condition: Subtle toning, not examined out of frames. $600-800

115

117

116

116.

Bertha Boynton Lum (American, 1869-1954)

117.

Bertha Boynton Lum (American, 1869-1954)

Butterfly Dance, 1922 (Gravalos & Pulin, 66). Signed and inscribed “Bertha Lum copyright 1929 by” in pencil (within the image) l.c., identified (as Incense on a label from the Schwartz Galleries, Inc., New York, on the reverse. Raised line handcolored woodcut on paper, image size 14 3/4 x 10 1/4 in. (37.3 x 26.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

Promenade of the Marionettes, 1927 (Gravalos & Pulin, 92B).

Signed and inscribed “copyright by Bertha Lum” in pencil (within the image) l.c., identified on a label from the Schwartz Galleries, Inc., New York, on the reverse. Raised line handcolored woodcut on paper, image size 17 1/4 x 23 1/4 in. (43.7 x 59.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

118.

Bertha Boynton Lum (American, 1869-1954) Elephant Procession at Angkor Wat/A Triptych, 1930 (Gravalos & Pulin, 95). Unsigned. Raised line hand-colored woodcut on paper, total sight size 19 1/4 x 48 in. (49.0 x 121.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $500-700

118

119

120

119.

Bertha Boynton Lum (American, 1869-1954)

120.

Bertha Boynton Lum (American, 1869-1954)

Spinning Goddess, 1930-36 (Gravalos & Pulin, 98). Signed and dated “Bertha Lum ‘34” in pencil (within the image) l.c., identified on a label from the Schwartz Galleries, Inc., New York, on the reverse. Color woodcut on paper, image size 19 1/4 x 13 1/2 in. (48.9 x 34.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $500-700

Incense, 1932 (Gravalos & Pulin, 144). Signed and inscribed “Bertha Lum copyright 1929 by” in pencil (within the image) l.c., identified (as Butterfly Dance on a label from the Schwartz Galleries, Inc., New York, on the reverse. Raised line handcolored woodcut on paper, image size 14 3/4 x 10 3/4 in. (37.3 x 27.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

121.

Aristide Maillol (French, 1861-1944) Lot of Two Figural Works: Le sommeil sous les arbres, alternatively titled Faucheuse endormie, 1943 (Guerin, 208); and Reclining Nude in a Landscape. Both numbered “38/100” in pencil l.l. and stamped with artist’s monogram l.l. Woodcuts (the former in red) on paper, image sizes to 3 3/4 x 5 1/2 in. (9.5 x 13.8 cm), framed.

Condition: Margins over 1 1/2 inches with all but the left edges deckled, subtle rippling, not examined out of frames. $300-500

121

123 122

122.

John Marin (American, 1872-1953) Ponte Ghetto, Venezia, 1907, edition of approximately 30 (Zigrosser, 69). Signed “John Marin” in pencil l.r., signed and dated in the plate, titled in the plate. Etching on paper, plate size 9 1/4 x 7 3/8 in. (23.5 x 18.8 cm), framed.

Condition: Not examined out of frame. $400-600

123.

Marino Marini (Italian, 1901-1980) Chevaux et cavaliers 4, 1972 (Guastalla & Schulz-Hoffman, L107). Signed “MARINO” in pencil l.r., inscribed “EC.” in pencil l.l. Color lithograph on paper, image size 15 x 20 in. (38.2 x 50.7 cm), framed.

Condition: Mat burn, not examined out of frame. $200-300

124.

Marino Marini (Italian, 1901-1980) Le sacre du printemps, 1973, edition of 3000 plus proofs, published by XXe SIÈCLE (Guastalla & Schulz-Hoffman, LR).

Bears signature “MARINO” in pencil l.r. Color lithograph on paper, image size 12 1/2 x 9 3/4 in., framed.

Condition: Mat burn, not examined out of frame. $400-600

124

125.

John Stockton De Martelly (American, 1903-1980) Economic Discussion, 1936, edition probably of 200 (North, 17).

Signed “John S. De Martelly” in pencil l.r., identified in an inscription and information on the reverse. Lithograph on paper, image size 10 7/8 x 8 3/8 in. (27.5 x 21.2 cm), framed.

Condition: Not examined out of frame. $250-350

126.

Henri Matisse (French, 1869-1954) Le repos du modèle, 1922, second state, edition of 575 (Duthuit, 416). Signed in the matrix, dry stamp “GALERIE DES PEINTRES GRAVEURS PARIS” l.r. Lithograph on chine, image size 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), matted, unframed.

Condition: Margins over 1 inch with deckled edges, several fox marks, subtle staining just into image l.c. $1,500-2,000 125

126

127

127.

Henri Matisse (French, 1869-1954) Nu couché, jambe repliée (Étude de jambes), 1925, edition of 50 (Duthuit-Matisse, 461). Numbered and signed “22/50 Henri Matisse” in pencil u.r. Lithograph on paper, image size 10 1/4 x 18 3/4 in. (25.8 x 47.5 cm), framed.

Condition: Not examined out of frame. $3,000-5,000

128.

Henri Matisse (French, 1869-1954) Etudes pour Saint Dominique, 1950-51, edition of 200 (Duthuit, 658). Signed and numbered “125/200 H. Matisse” in pencil l.r. Lithograph on chine appliqué, image size 7 1/2 x 6 3/8 in. (19.0 x 16.2 cm), unmatted, unframed.

Condition: Two deckled edges to supporting sheet, toning (especially to margins), glue/residue to edges on the reverse. $1,500-2,000

128

130 129

129.

Valerie Maynard (American, b. 1937)

130.

Leo John Meissner (American, 1895-1977)

Lot of Two Images: Strange Fruit and Artist Trying to Get It All Done. Both signed “Valerie Maynard...” in pencil l.r., titled in pencil l.l., and inscribed “AP” in pencil l.l. Woodcuts on paper, image size 12 x 9 in. (30.4 x 22.8 cm), framed.

Condition: Not examined out of frames. $300-500

Adam, edition of 50. Signed “Leo Meissner” in pencil l.r., titled in pencil l.l., numbered “36/50” in pencil l.c., monogrammed in the block. Wood engraving on paper, image size 9 7/8 x 7 7/8 in. (25.0 x 20.0 cm), framed.

Condition: Subtle rippling, several pale fox marks, not examined out of frame. $300-500

130A. Charles Meryon (French, 1821-1868) Lot of Two Works: La morgue, 1854, fourth state of seven (Schneiderman, 42); and Le Ministère de la Marine, 1865, (Schneiderman, 94). Both identified within the plates. Etchings on paper, plate sizes to 9 x 8 in. (22.4 x 19.7 cm), unmatted, unframed.

Condition: Unobtrusive toning, Morgue laid down, trimmed just into image, and with staining, Ministère with staining to upper margin. $400-600

130A

131

131.

Joan Miró (Spanish, 1893-1983)

132.

Henry Moore (British, 1898-1986)

Image from SUITE: LA BAGUE D’AURORE, 1957, from the hand-colored edition of 12 (Dupin, 132). Signed “Miró.” in pencil l.r., numbered “III/XII” in pencil l.r., label from the Far Gallery, New York, on the reverse. Aquatint in black with drawing by the artist on Rives paper with watermark, plate size 4 1/2 x 5 1/2 in. (11.4 x 14.0 cm), framed.

Condition: Mat burn, staining from backing and transfer, deckled left and lower edges, lower margin folded over 4 3/4 inches beneath the plate mark.

Picture Book, 1967, edition of 50 (Cramer et al., 91). Signed “Moore” in pencil l.r., numbered “45/50” in pencil l.l. Etching on paper, plate size 3 7/8 x 5 1/8 in. (10.0 x 12.8 cm), matted, unframed.

Condition: Margins over 2 1/2 inches with all but the upper edge deckled. $400-600

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $3,000-5,000

132

133 134

133.

Henry Moore (British, 1898-1986) Resting Girl from NUDES, 1974, edition of 50, printed by Curwen Prints Ltd., London (Cramer, 405). Signed “Moore” in pencil l.r., numbered “35/50” in pencil l.l. Lithograph in tan and brown on paper, image size 6 1/8 x 6 3/4 in. (15.5 x 17.0 cm), framed.

Condition: Margins 1 inch or more, not examined out of frame. $800-1,200

134.

Thomas Sidney Moran (American, 1837-1926) A Tower in Cortez - Mexico, 1883 (Morand & Friese, 44).

Signed “T. Moran.” in pencil l.r., signed, dated, and titled within the plate. Etching with drypoint and roulette printed in umber on paper, plate size 12 x 9 3/4 in. (30.5 x 24.7 cm), framed.

Condition: Toning, not examined out of frame. $300-400

135.

Robert Motherwell (American, 1915-1991) Tricolor, 1973, published in XXe SIECLE, volume XL, number 40, June 1973 (Terenzio, appendix 24). Initialed and dated “RM/73” in the matrix. Offset lithograph in red, black, and blue on wove paper, sheet size 14 1/2 x 10 5/8 in. (36.8 x 27.0 cm), unmatted, unframed.

Condition: Minor handling creases. $300-500

135

136.

Robert Motherwell (American, 1915-1991) Gypsy Curse, 1983, edition of 98, separate from the edition for the book El Negro, published by Tyler Graphics (Terenzio, 286).

Signed and numbered “Motherwell 88/98” in pencil l.r., publisher’s dry stamp l.r. Lithograph on red chine collé, image size 8 3/4 x 5 3/4 in. (22.2 x 14.5 cm), framed.

Condition: Deckled edges. $400-600

137.

Louise Nevelson (American, 1899-1988) Untitled, 1984, edition of 105. Signed and dated “nevelson 84” in pencil l.r., numbered “33/105” in pencil l.l., “gg” dry stamp l.r. Color screenprint with lithography on paper, image size 34 x 24 in. (86.2 x 60.9 cm), framed.

Condition: Margins over 2 inches, subtle rippling, not examined out of frame. $400-600

138.

José Clemente Orozco (Mexican, 1883-1949) 136

137

La Familia, alternatively titled Three Generations, 1926, edition of 100 (Hopkins, 4). Signed “José Clemente Orozco” in pencil l.r., identified on a label from E. Weyhe, Inc., New York, on the reverse. Lithograph on paper, image size 10 1/4 x 14 3/4 in.

(26.0 x 37.4 cm), framed.

Condition: Margins 1/2 inch or more, rippling, subtle toning, not examined out of frame. $300-500

138

140 139

139.

Mimmo Paladino (Italian, b. 1948) Tra gli ulivi, 1984, edition of 35, published by Editions Schellmann, Munich. Signed and dated “M. Paladino 84” in pencil l.r., numbered “10/35” in pencil l.l., artist’s dry stamp l.c.

Color etching with aquatint and drypoint on paper, sheet size 52 1/4 x 38 in. (132.5 x 96.5 cm), framed.

Condition: Deckled edges, gentle rippling, not examined out of frame. $1,500-2,500

140.

Margaret Jordan Patterson (American, 1867-1950) Zinnias and Marigolds, edition of 100 (Bakker, 104). Signed “Margaret Patterson” in pencil (twice - once within the image) l.r., titled in pencil l.c., numbered “no 45/100” in pencil l.l.

Color woodcut on paper, image size 10 1/4 x 7 1/2 in. (26.0 x 19.0 cm), framed.

Condition: Unobtrusive toning to sheet, not examined out of frame. $700-900

141.

Edward Penfield (American, 1866-1925) Harper’s May, 1897. Signed and identified within the matrix.

Color lithographic poster on paper, sight size 18 1/8 x 13 in.

(46.0 x 33.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500 141

143

142

142.

Joseph Pennell (American, 1860-1926) Lot of Two City Views: St. Dunstan’s, Fleet Street, 1903, edition probably of 50 (Wuerth, 269); and Upper Fifth Ave, 1904, edition probably of 50 (Wuerth, 323). Both signed “JPennell...” in pencil l.c. Etchings on paper, plate size 11 1/2 x 8 in. (29.2 x 20.2 cm), framed.

Condition: Unobtrusive toning, mat burn, not examined out of frames. $600-800

143.

Joseph Pennell (American, 1860-1926) Thames From Richmond Hill, 1903, edition probably of 50 (Wuerth, 276). Signed “JoPennell” in pencil l.c. Etching on paper, plate size 8 3/4 x 11 in. (22.2 x 27.8 cm), matted, unframed.

Condition: Margins approximately 1 inch with deckled lower edge, annotations to lower margin, mat burn. $200-250

144.

Joseph Pennell (American, 1860-1926) The Foreign Office, 1904, edition probably of 25 (Wuerth, 297).

Signed “JPennell imp” in pencil l.c., identified on a label from Frederick Keppel & Co., New York, on the reverse. Etching on paper, plate size 11 x 8 1/2 in. (27.8 x 21.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

144

145

145.

Joseph Pennell (American, 1860-1926)

147.

Pablo Picasso (Spanish, 1881-1973)

Old and New Mills, 1910, edition probably of 50 (Wuerth, 602).

Signed “JPennell imp” in pencil l.c., signed and dated in the plate, identified on a label from Frederick Keppel & Co., New York, on the reverse. Etching on paper, plate size 9 1/2 x 12 5/8 in. (24.0 x 32.0 cm), framed.

Condition: Mat burn, subtle toning, not examined out of frame. $300-400

Sculpteur, modele et sculpture assise, plate 40 from LA SUITE VOLLARD, 1933 (Bloch, 146). Signed “Picasso” in pencil l.r.

Etching and drypoint on laid paper with Picasso and figural watermarks, plate size 12 1/2 x 7 1/4 in. (31.6 x 18.3 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges, annotations to lower margin. $3,000-5,000

146.

Joseph Pennell (American, 1860-1926) The City In 1915, 1915, edition probably of 75 (Wuerth, 679).

Signed “JosPennell” in pencil l.c., inscribed “Trial” in pencil l.l.

Etching on paper, plate size 8 3/8 x 11 in. (21.2 x 27.8 cm), matted, unframed.

Condition: Unobtrusive mat burn, not examined out of frame. $300-500

146 147

148

148.

Pablo Picasso (Spanish, 1881-1973)

149.

Pablo Picasso (Spanish, 1881-1973)

Sueño y mentira de Franco (Planche II), 1937, total edition of 1,000 (Cramer, 28). Stamped signature l.r., numbered “494/850” in pencil l.l., dated and identified within the plate, identified in text affixed to the reverse. Etching and aquatint on paper, plate size 12 3/8 x 16 5/8 in. (31.4 x 42.1 cm), framed.

Condition: Not examined out of frame. $3,000-4,000

Petite nue assis au miroir, 1947, edition of 50 (Bloch, 451).

Signed “Picasso” in pencil l.r., numbered “38/50” in pencil l.l., dated within the matrix, stamp from R. Dogana, Rome, on the reverse. Lithograph on cream Arches paper with partial watermark, image size 12 3/8 x 19 1/8 in. (31.3 x 48.8 cm), unmatted, unframed.

Condition: Deckled edges to all but the upper edge, edges and margins with minor nicks and creases, minor soiling to image, annotations and hinging residue (with minor thinned spots) to the reverse. $4,000-6,000

149

151 150

150.

Pablo Picasso (Spanish, 1881-1973)

151.

Pablo Picasso (Spanish, 1881-1973)

Lot of Two Portraits: L’Age de soleil, pour Roby, 1950 (Bloch 680) and After Picasso, Visage de femme, c. 1950. Both signed in the plate, the latter signed or inscribed “Picasso” in pencil l.r.

Etchings on cream paper, plate sizes approximately 9 1/4 x 7 in.

(23.3 x 17.7 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges, hinges to verso of latter. $600-800

Dessins d’un demi-siècle, 1956, edition for the cover of the catalogue for L’exposition 1956 de Berggruen & Cie (Bloch, 792). Signed in the matrix. Color lithograph on paper, sheet size 8 5/8 x 9 1/4 in. (21.8 x 23.5 cm), matted, unframed.

Condition: Two vertical central creases, very subtle toning. $400-600 152.

Pablo Picasso (Spanish, 1881-1973) La Pique I, 1959, edition of 50 (Bloch, 898). Signed “Picasso” in pencil l.r., numbered “33/50” in pencil l.l., dated within the matrix. Lithograph on cream Arches paper with watermark, image size 17 x 22 in. (43.2 x 55.8 cm), unmatted, unframed.

Condition: Deckled edges with minor nicks, tear to left edge (less than 1/2 inch), subtle toning, hinging residue to the reverse. $3,000-5,000

152

154

153

153.

After Pablo Picasso (Spanish, 1881-1973) Tête de femme, 1946. Unsigned, dated “29 Juin 46” u.l., numbered or inscribed “17/58” in yellow pencil l.r. Color offset lithograph on paper, image size 9 x 6 in. (22.8 x 15.2 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

154.

Scott Prior (American, b. 1949) Hadley Landscape, 1984. Signed and dated “Scott Prior 1984” in pencil l.r., titled in pencil l.l., identified on a label from the Alpha Gallery, Boston, on the reverse. Color monotype on paper, plate size 8 3/4 x 8 in. (22.0 x 20.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $700-900

155.

Mel Ramos (American, b. 1935)

155

Phantom Lady, 1963. Signed “Mel Ramos” in pencil l.r., numbered “HC 9/20” in pencil l.l., copyright, printer, and publisher noted within the matrix. Color screenprint on paper, sheet/image size 37 x 30 in. (94.0 x 76.2 cm), unmatted, unframed.

Condition: Minor handling marks and creases. $300-500

157

156

156.

Mel Ramos (American, b. 1935) Camilla, 1963, edition of 161. Signed “Mel Ramos” in pencil l.r., numbered “80/161” in pencil l.l., copyright, printer, and publisher noted in the matrix l.l. Color screenprint on paper, image size 37 x 32 in. (94.0 x 81.3 cm), unmatted, unframed.

Condition: Wide margins, unobtrusive handling marks and creases. $300-500

157.

Doel Reed (American, 1895-1985) Rest, 1941, edition of 25, published by Associated American Artists (Cohen & Rogers, 43). Signed “Doel Reed” in pencil l.r., identified on an AAA label on the reverse. Aquatint and etching on paper, plate size 9 x 15 in. (22.6 x 38.0 cm), framed.

Condition: Mat burn, subtle toning, not examined out of frame. $700-900

158.

James Rizzi (American, b. 1950) Baseball Like it Ought to Be, 1987, edition of 250. Signed, titled, numbered, and dated “RIZZI...51/250 87” in pencil beneath the image. Color screenprint with three-dimensional collage, image size 12 x 9 in. (30.4 x 22.8 cm), framed.

Condition: Not examined out of frame. $200-400

158

161 159

159.

James Rizzi (American, b. 1950)

161.

James Rizzi (American, b. 1950)

Sidewalk Cafe, 1987, edition of 175. Signed, titled, numbered, and dated “James RIZZI...14/175 1987” in pencil beneath the image. Color screenprint with three-dimensional collage, image size 8 1/2 x 12 1/8 in. (21.5 x 30.5 cm), framed.

Condition: Not examined out of frame. $300-500

People, 1988, edition of 250. Signed, titled, numbered, and dated “James RIZZI...101/250 1988” in pencil beneath the image. Color screenprint with three-dimensional collage, image size 16 x 26 in. (40.5 x 66.0 cm), framed.

Condition: Not examined out of frame. $300-500

160.

James Rizzi (American, b. 1950) Running Thru America, 1987, edition of 175. Signed, titled, numbered, and dated “James RIZZI...92/175 87” in pencil beneath the image. Color screenprint with three-dimensional collage, image size 5 1/2 x 19 3/4 in. (14.0 x 50.2 cm), framed.

Condition: Not examined out of frame. $300-500

160

162

163

162.

James Rizzi (American, b. 1950)

163.

James Rizzi (American, b. 1950)

Women Who Work Out, 1989, edition of 350. Signed, titled, numbered, and dated “RIZZI...12/350 89” in pencil beneath the image. Color screenprint with three-dimensional collage, image size 20 3/4 x 14 3/4 in. (52.7 x 37.4 cm), framed.

Condition: Not examined out of frame. $300-500

Which Way Is Up, 1989, edition of 350. Signed “RIZZI” in pencil l.l., numbered “171/350” in pencil l.r., titled and dated within the matrix. Color screenprint with three-dimensional collage, image size 11 7/8 x 7 1/2 in. (30.0 x 19.0 cm), framed.

Condition: Not examined out of frame. $200-400

164.

James Rizzi (American, b. 1950) It Ain’t Over Till It’s Over, 1992, edition of 350. Signed “RIZZI” in pencil l.l., numbered “32/350” in pencil l.r., titled and dated within the matrix. Color screenprint with threedimensional collage, image size 8 1/2 x 9 in. (21.5 x 22.8 cm), framed.

Condition: Not examined out of frame. $200-400

164

165

165.

James Rosenquist (American, b. 1933)

167.

Georges Rouault (French, 1871-1958)

Bottomless House, 1976, edition of 41 (Glenn, 99). Signed and dated “Rosenquist 1976” in pencil l.r., numbered and titled “23/41...” in pencil l.l., dry stamp l.c. Etching and aquatint in red with hand-coloring on paper, plate size 6 x 12 in. (15.2 x 30.4 cm), framed.

Condition: Margins over 2 1/2 inches with deckled edges, subtle rippling, not examined out of frame. $700-900

Ne sommes-vous pas forçats? from MISERERE, published 1948, edition of 425 plus proofs (Wofsy, 113). Signed and dated “...1926” in the plate. Etching and aquatint on laid paper with “Arches” and “Ambrose Vollard” watermarks, plate size 23 1/4 x 17 1/4 in. (59.0 x 43.7 cm), unmatted, unframed, presented in its original folder.

Condition: Margins approximately 1 inch with deckled edges, subtle toning. $400-600

166.

Georges Rouault (French, 1871-1958) Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color photo-lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0 x 45.0 cm), framed.

Condition: Margins approximately 1 inch, toning, scattered mold growth.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $1,000-2,000

166

167

168

169

168.

Georges Rouault (French, 1871-1958)

169.

Georges Rouault (French, 1871-1958)

Et Veronique au tendre lin, pass encore sur le chemin..., from MISERERE, published 1948, edition of 425 plus proofs (Wofsy, 140). Initialed and dated “...1922” in the plate. Etching and aquatint on paper, plate size 17 x 16 1/2 in. (43.0 x 41.7 cm), framed.

Condition: Toning, rippling, not examined out of frame.

Mon doux pays, où êtes-vous? from MISERERE, published 1948, edition of 425 plus proofs (Wofsy, 151). Signed and dated “...1927” in the plate. Etching and aquatint on laid paper with “Arches” and “Ambrose Vollard” watermarks, plate size 16 3/4 x 23 3/4 in. (42.5 x 60.3 cm), unmatted, unframed, presented in its original folder.

Condition: Margins approximately 1 inch with deckled edges, subtle toning. $400-600

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $1,000-2,000

170.

Georges Rouault (French, 1871-1958) Christ prenant congé da sa mère from PASSION, published in 1939 by Vollard (Wofsy, 341). Initialed and dated “...1936” in the plate. Etching and aquatint on laid paper with partial watermark, plate size 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm), matted, unframed.

Condition: Margins over 2 1/4 inches with deckled edges to three sides, unobtrusive toning, pale scattered fox marks. $500-700

170

171.

Georges Rouault (French, 1871-1958) Les Disciples from PASSION, published in 1939 by Vollard (Wofsy, 352). Initialed and dated “...1936” in the plate. Etching and aquatint on laid paper with partial watermark, plate size 12 x 8 5/8 in. (30.4 x 21.8 cm), matted, unframed.

Condition: Margins over 2 1/4 inches with deckled edges to three sides, unobtrusive toning, pale scattered fox marks. $500-700

172.

Margery Austen Ryerson (American, 1886-1989) Seated Child. Signed “Margery Ryerson” in pencil l.r., identified in information affixed to the reverse. Color etching on paper, plate size 6 x 4 in. (15.2 x 10.1 cm), framed.

Condition: Not examined out of frame. $300-500

171

173.

Kiyoshi Saito (Japanese, 1907-1992) Plowing. Signed “Kiyoshi Saito” in ink and with chop (within the image) l.l. Color woodcut on paper, sight size 9 7/8 x 15 in.

(25.0 x 37.8 cm), framed.

Condition: Not examined out of frame. $200-300

172

173

174

174.

Ferdinand Schmutzer (Austrian, 1870-1928) Violinist from the Joachim Quartet, c. 1904. Signed “F. Schmutzer” in pencil l.r. Etching on paper, plate size 8 1/2 x 8 7/8 in. (21.5 x 22.5 cm), unframed, mat accompanies the lot.

Condition: Margins over 1 1/2 inches, subtle toning, several pinpoint fox marks. $200-300

175.

Fritz Scholder (Native American, 1937-2005) War Cry, edition of 100. Signed “Scholder” in pencil l.r., numbered “77.100” in pencil l.l. Color lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrinkwrapped.

Condition: Not examined out of wrap. $300-500

176

175

176.

Karl Schrag (American, 1912-1995) Lot of Two Views: Storm at Sea and Trees and Wind, probably from the BY THE SEA Portfolio, 1965-1966, both from proof editions of 12. Both signed “Karl Schrag” in pencil l.r. and numbered “Artist’s Proof 5/12” in pencil l.l. Etchings with aquatint on paper, plate sizes 4 x 6 in. (10.2 x 15.2 cm), framed.

Condition: Margins over 4 inches, not examined out of frames.

Provenance: Through the family of the artist. $300-500

179

177

177.

Junichiro Sekino (Japanese, 1914-1988)

179.

Lot of Two Images Relating to Paul Signac:

Girl with Birds. Signed “Jun. Sekino” in pencil l.r., chop mark l.c. Color woodcut on paper, image size 13 3/4 x 9 1/8 in.

(34.8 x 23.1 cm), framed.

Condition: Not examined out of frame. $300-500

Joseph Victor Roux Champion (French, 1871-1953), Portrait of Paul Signac; and Paul Signac (French, 18631935), Paris: Le Pont des Arts avec remorqueurs, c. 1927, possibly a later impression (Kornfeld & Wick, 24). Both signed in the plate. Etchings with aquatint on paper, plate sizes approximately 7 1/2 x 5 in. (19.0 x 12.5 cm), matted, unframed.

Condition: Margins 2 inches or more with most edges deckled, foxing, unobtrusive toning. $500-700

178.

Junichiro Sekino (Japanese, 1914-1988) Lot of Three Portraits: Gentleman Seated and Seated Lady, two impressions; each an edition of 20. Each signed “Junichiro Sekino” in pencil l.r., numbered in pencil l.l., and with seal and stamped “Z. SEKINO” within the image. Color woodcuts on paper, image sizes approximately 23 1/2 x 18 3/4 in. (59.5 x 47.5 cm), unmatted, unframed.

Condition: Margins 1 inch or more, handling marks and creases, subtle water damage. $600-800

178

180.

Tavik Frantisek Simon (Czech, 1877-1942) Lot of Two Views of Paris: Barges on the Seine in Winter and Notre Dame Sous la Niege, 1909. Each signed “T.F. Simon...” in pencil l.r., the latter monogrammed and dated in the plate and identified on a label from Albert Roullier, Chicago, on the reverse. Color etchings with aquatint on paper, plate sizes to 14 x 15 1/2 in. (35.5 x 39.4 cm), framed.

Condition: Unobtrusive toning, not examined out of frames. $600-800

180

182

181

181.

Tavik Frantisek Simon (Czech, 1877-1942)

182.

Yngve Edward Soderberg (American, 1896-1971)

Lot of Three Views of Paris: Petit Pont en Hiver, Paris, Quai Voltaire, and Chiffoniers Sous le Pont Neuf, 1922. Each signed “T.F. Simon” in pencil l.r. and inscribed and/or titled in pencil l.l.

Color etchings with aquatint on paper, plate sizes to 13 x 15 in.

(33.0 x 38.0 cm), framed.

Condition: Subtle toning, not examined out of frames.

The Weather Rail. Signed “Yngve Edward Soderberg” in pencil l.r., identified on a label on the reverse. Etching on paper, plate size 7 x 8 3/4 in. (17.7 x 22.2 cm), framed.

Condition: Toning, not examined out of frame. $200-250

Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $400-600

183.

Joseph Constantine Stadler, engraver (British, 18th/19th Century), After Philipp Reinagle (British, 1749-1833) Large Flowering Sensitive Plant from Thornton’s TEMPLE OF FLORA, 1799. Identified within the plate. Color etching with aquatint on paper, plate size 18 1/2 x 14 in. (46.8 x 35.5 cm), framed.

Condition: Unobtrusive toning, break to paper along plate mark (primarily along the right side), pale fox marks, not examined out of frame. $300-350

183

184

186

185 (detail)

187

184.

Frank Stella (American, b. 1936)

186.

Carol Summers (American, b. 1925)

Sidi Ifni, 1973, edition of 90 plus proofs (Axsom, 91a).

Inscribed, signed, and dated “P.P. II F. Stella ‘73” in pencil l.r.

Color lithograph on paper, image size 19 x 19 in. (48.2 x 48.2 cm), framed.

Condition: Margins 1 inch or more, minor creases to very edges, not examined out of frame. $1,500-2,500

Navarro Ridge, 1973, proof outside of the edition of 75 (Summers et al., 112). Signed “Carol Summers” in pencil within the image c.r., titled and inscribed “AP...” in pencil within the image c.l. Color woodcut on paper, image/sheet size 48 3/4 x 37 in. (123.7 x 94.0 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges. $500-700

185.

David Sullivan (American, b. 1941)

187.

Carol Summers (American, b. 1925)

Musgrove/Andover, Massachusetts/A Five-Panel Suite.

Signed “David Sullivan” in pencil on the right panel, titled in pencil on the left panel. Color screenprints on paper, sight sizes to 40 x 24 in. (101.5 x 60.7 cm), each panel framed individually.

Condition: Not examined out of frames. $800-1,200

Lot of Three Landscapes: Esperanza, 1978, artist’s proof outside of the edition of 100 (Summers et al., 149); Primitive Landscape, 1983, artist’s proof outside of the edition of 50 (Summers et al., 181); and Gulf Stream, edition of 100. Each signed “Carol Summers” in pencil within the image and titled and numbered or inscribed in pencil within the image. Color woodcuts on paper, image/sheet sizes approximately 30 x 30 in.

(76.5 x 76.5 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks to edges, scattered fox marks (primarily to Primitive). $1,000-1,500

188.

Carol Summers (American, b. 1925) Family Portrait by the Sea, 1981, edition of 100 (Summers et al., 172). Signed, titled, and numbered “6/100...Carol Summers” in pencil within the image u.c. Color woodcut on paper, image/sheet size 36 1/2 x 37 1/4 in. (92.5 x 95.7 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges, thin spots from previous hinging to verso at edges. $300-500

189.

Carol Summers (American, b. 1925) Sunset at Sea, edition of 75. Signed “Carol Summers” in pencil within the image u.r., titled and numbered “9/75...” in pencil within the image u.l. Color woodcut on paper, image/sheet size 36 x 49 in. (91.4 x 124.5 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges (the latter primarily to corners), hinging/residue on the reverse. $500-700 188

190.

Carol Summers (American, b. 1925) Storm Over Mt. Meru, edition of 75. Signed “Carol Summers” in pencil within the image l.r., titled and numbered “33/75...” in pencil within the image l.l. Color woodcut on paper, image/sheet size 37 1/4 x 47 3/4 in. (94.4 x 121.2 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges. $400-600

191.

Carol Summers (American, b. 1925)

189

190

Spirit of Trees, edition of 75. Signed “Carol Summers” in pencil within the image l.r., titled and numbered “11/75...” in pencil within the image l.l. Color woodcut on paper, image/sheet size 37 1/2 x 48 in. (95.2 x 121.8 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges. $600-800

191

192.

Henri de Toulouse-Lautrec (French, 1864-1901) Portrait de Monsieur X, 1898, possibly a posthumous impression (Adriani, 248). Monogrammed in the plate.

Drypoint on paper with “...LBN Voiron” watermark, plate size 6 5/8 x 4 1/8 in. (16.6 x 10.5 cm), matted, unframed.

Condition: Margins 1 3/4 inches or more with a deckled upper edge. $250-300

192

193.

Henri de Toulouse-Lautrec (French, 1864-1901) Jane Avril, 1899, third state of three (Adriani, 354).

Monogrammed, dated, and titled in the matrix, identified on a label from Far Gallery, New York, on the reverse. Color lithographic poster on paper, sheet size 22 x 14 7/8 in. (55.8 x 37.7 cm), framed.

Condition: Toning, repair to corner l.r. (plus to minute nicks and tears to edges), handling creases, rippling, backed with chine or similar.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $50,000-70,000

193

194

194.

Victor Vasarely (French/Hungarian, 1908-1997)

195.

Victor Vasarely (French/Hungarian, 1908-1997)

Per Mutations, 1968, edition of 150. Signed “Vasarely” in pencil l.r., numbered “55/150” in pencil l.l., identified on a label from Retina Gallery, Boston, on the reverse. Color screenprint on paper, image size 23 1/2 x 23 1/2 in. (59.5 x 59.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $500-700

Untitled, edition of 250. Signed “Vasarely-” in pencil l.r., numbered “142/250” in pencil l.l. Color screenprint on paper, image size 26 x 25 3/4 in. (65.7 x 65.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $600-800

195

196

196.

Andy Warhol (American, 1928-1987) African Elephant from ENDANGERED SPECIES, 1983, total edition of 150 plus proofs (Feldman & Schellmann, II.293). Numbered and signed “II/X AndyWarhol” in pencil l.r., dry stamp l.l. Color screenprint on paperboard, sheet size 38 x 38 in. (96.4 x 96.4 cm), framed.

Condition: Not examined out of frame. $20,000-30,000

197.

Andy Warhol (American, 1928-1987) Giant Panda from ENDANGERED SPECIES, 1983, total edition of 150 plus proofs (Feldman & Schellmann, II.295).

Numbered and signed “II/X AndyWarhol” in pencil l.l., dry stamp l.l. Color screenprint on paperboard, sheet size 38 x 38 in. (96.4 x 96.4 cm), framed.

Condition: Minute creases to very tips of corners and l.l. and l.r., not examined out of frame. $15,000-25,000

197

198.

Andy Warhol (American, 1928-1987) Bighorn Ram from ENDANGERED SPECIES, 1983, total edition of 150 plus proofs (Feldman & Schellmann, II.302).

Numbered and signed “II/X AndyWarhol” in pencil l.c., dry stamp l.l. Color screenprint on paperboard, sheet size 38 x 38 in. (96.4 x 96.4 cm), framed.

Condition: Minor creases to corners u.l. and l.l., hinges broken, not examined out of frame. $15,000-25,000

198

200

199

199.

After Andy Warhol (American, 1928-1987) Lot of Two Posters: Vom Surrealismus Bis Zur Pop-Art...

Wurtt Kunstveren, Stuttgart, 1970, and Andy Warhol Galerie Kammer, Hamburg, 1982. Both signed “Andy Warhol” in ink within the image. Color lithographic posters on paper, image/sheet sizes 33 x 23 1/4 in. (83.7 x 59.0 cm), unmatted, unframed.

Condition: Unobtrusive surface rubs. $400-600

200.

After Andy Warhol (American, 1928-1987) ANDY WARHOL Colorado State University..., 1981. Signed “Andy Warhol” in ink within the image. Color offset lithographic poster on paper, sheet size 35 x 25 in. (88.8 x 63.5 cm), unmatted, unframed.

Condition: Subtle surface rubs, minor handling creases. $500-700

201.

After Andy Warhol (American, 1928-1987)

201

Williams College Museum of Art, 1986. Signed “Andy Warhol” in silver marker within the image l.l. Color offset lithographic poster on paper, image/sheet size 34 x 34 in. (86.2 x 86.2 cm), unmatted, unframed.

Condition: Minor handling marks and creases, subtle surface rubs. $800-1,200

202.

Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990) 20th Montreux Jazz Festival July 3rd - 19th 86, 1986. Signed “K. Haring...” in silver marker within the image. Color screenprint on paper, image/sheet size 39 1/2 x 27 in. (100.3 x 68.5 cm), unmatted, unframed.

Condition: Subtle surface rubs, minor handling creases. $500-700

203.

Stow Wengenroth (American, 1906-1978) Black Weather, 1932, edition of 53 (Stuckey, 25). Signed “Stow Wengenroth” in pencil l.r., identified on a label from The National Arts Club on the reverse. Lithograph on paper, image size 6 1/2 x 14 in. (16.4 x 35.5 cm), framed.

Condition: Not examined out of frame.

N.B. The view depicts Eastport, Maine. $800-1,200

204.

Stow Wengenroth (American, 1906-1978) Wharf at Wellfleet, 1938, edition of 135 (Stuckey, 73). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 7 5/8 x 13 1/8 in. (19.3 x 33.2 cm), framed.

Condition: Not examined out of frame. $200-300

202

203

204

205

205.

Stow Wengenroth (American, 1906-1978)

207.

James Abbott McNeill Whistler (American, 1834-1903)

Spring on Pleasant Street, 1958, edition of 40 (Stuckey, 250).

Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/40” in pencil l.l. Lithograph on paper, image size 11 3/4 x 15 7/8 in.

(29.8 x 40.3 cm), framed.

Condition: Toning, not examined out of frame.

Bibi Lalouette, 1859, second state of two (Kennedy, 51). Signed and dated in the plate, identified on a label from Frederick Keppel & Co., Inc., New York, on the reverse. Etching on paper, plate size 9 x 6 in. (22.8 x 15.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $2,000-3,000

N.B. The view depicts a house in Kennebunkport, Maine. $200-300 208.

James Abbott McNeill Whistler (American, 1834-1903) 206.

James Abbott McNeill Whistler (American, 1834-1903) La Vieille aux Loques, third state of three, possibly a later impression (Kennedy, 21). Unsigned, identified on a label from Frederick Keppel & Co., Inc., New York, on the reverse. Etching on paper, plate size 8 1/4 x 5 5/8 in. (21.0 x 14.0 cm), framed.

Condition: Margins 1/4 inch or more, not examined out of frame. $400-600

206

207

La robe rouge, 1894, second state of two, published in The Studio, 1895 (Spink, Stratis & Tedeschi, 107). Butterfly monogram within the matrix, dry stamp from The Studio l.l., identified in an inscription on the reverse. Lithograph on paper, image size 7 1/2 x 6 1/8 in. (19.0 x 15.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $1,000-1,500

208

210

209

209.

Henry E. Winzenreid (American, 1892-1971)

210.

Grant Wood (American, 1891-1942)

Field Work. Signed “Henry E. Winzenreid” in pencil l.r., numbered “1/20” in pencil l.l., stamped “Henry Winzenreid (Estate)” l.r. Lithograph on paper, image size 9 3/4 x 11 7/8 in.

(24.5 x 30.0 cm), matted.

Condition: Margins 1 inch or more, subtle toning. $200-250

Approaching Storm, 1940, edition of 250, published by Associated American Artists (Czestochowski, W-17). Signed “Grant Wood” in pencil l.r., identified on an AAA label on the reverse. Lithograph on paper, image size 11 3/4 x 8 7/8 in.

(29.8 x 22.5 cm), framed.

Condition: Mat burn, not examined out of frame. $3,000-5,000

211.

Jack Youngerman (American, b. 1926) Untitled Yellow, 1966, edition of 90. Initialed and dated “JY 66” in pencil (within the image) l.r., numbered “45/90” in pencil (within the image) l.l., identified on a label from Obelisk Gallery, Boston, on the reverse. Color lithograph on paper, image/sheet size 31 1/2 x 22 1/2 in. (79.9 x 57.0 cm), framed.

Condition: Not examined out of frame. $300-500

211

Photography 212.

Pierre Choumoff (Russian/French, 1872-1936) and Charles Berthelomier (French, 19th/20th Century) Seven Photographs of Auguste Rodin Sculptures. Five stamped “...Choumoff...5, Faubourg St-Jacques, PARIS” on the reverse, one stamped “Ch. BERTHELOMIER/15, Rue du Delta/PARIS” on the reverse, sheet sizes to 9 3/8 x 7 1/8 in.

(23.8 x 18.1 cm), unframed.

Condition: Toning, scattered soiling/staining, mild nicks/wear to edges. .

Provenance: Through the estate of the American painter, Antonio Cirino (American, 1889-1983).

212

N.B. Auguste Rodin believed photography was integral to the dissemination of his work. During his lifetime, photographs of Rodin’s sculptures were used to supplement exhibitions of his sculptures by providing the viewer with images of works that were not on display. They were also sold commercially in albums and used to illustrate articles on Rodin’s work. Rodin worked with a variety of photographers, each offering “his own vision, thus renewing and enriching the artist’s view of his sculptures.”

Eugene Duret collaborated with Rodin from 1896 until 1903, followed by Jacques-Ernest Bulloz and several others. Pierre Choumoff was the last photographer to collaborate with Rodin, and after the Rodin’s death in 1917 Choumoff became the first photographer for the Musee Rodin.1 1. http://www.musee-rodin.fr/images/cult.pdf/press_english.pdf, p. 19.

$300-500

213.

Harold Eugene Edgerton (American, 1903-1990)

213

Broken Glass of Milk. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm), unframed, matted.

Condition: Good. $1,500-2,000

214.

Harold Eugene Edgerton (American, 1903-1990 Gussie Moran. Unsigned, stamped “H.E. EDGERTON, M.I.T. 4-405, CAMBRIDGE - MASS.” on the reverse, titled on the reverse. Gelatin silver print, image size 7 5/8 x10 in. (19.4 x 25.4 cm), unframed.

Condition: Good.

Provenance: Directly from the artist to the family of the present owner. $1,000-1,500

214

215

216

215.

Harold Eugene Edgerton (American, 1903-1990)

216.

Harold Eugene Edgerton (American, 1903-1990)

Sprinkler, signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 8 x 12 in. (20.3 x 30.5 cm), unframed, matted.

Condition: Good. $1,000-1,500

Lot of Two Tennis Images. One signed “HAROLD EDGERTON” in ink on the reverse, one signed and dated “Regards HAROLD EDGERTON 1979” in pencil and stamped “H.E. EDGERTON, M.I.T. 4-405, CAMBRIDGE - MASS” on the reverse. Gelatin silver prints, image sizes to 7 5/8 x 10 in.

(19.4 x 25.4 cm), unframed.

Condition: Minor handling creases.

Provenance: Directly from the artist to the family of the present owner. $2,000-3,000

217.

Fritz Henle (German, 1909-1993) Magens Bay, St. Thomas seen from Mountain Top. Titled and signed “...by Fritz Henle” on mount verso, printed signature on photo paper attached. Gelatin silver print, mounted, image size 15 1/2 x 19 3/4 in. (39.4 x 50.2 cm), unframed, matted.

Condition: Very minor wear/creases to corners. $300-500

217

218.

Lotte Jacobi (American, 1896-1990) Albert Einstein/A 100th Anniversary Portfolio of 25 Images, 1979, published by Lotte Jacobi, Deering, New Hampshire. Title page of the portfolio dedicated, signed and dated “To Gordon and Clara for their 40th anniversary with good wishes, Lotte, Aug 26th,” each image signed “Lotte Jacobi” in the matrix l.r. or u.r.

Photogravures on paper, 5 x 7 in. (12.7 x 17.8 cm), presented in original cover.

Condition: Subtle toning, very mild wear to corners.

N.B. This lot also includes eight photographic postcards each signed and inscribed by Lotte Jacobi. “In addition to the public holdings of her work, private collectors benefited from her practice of making original, signed photographic postcards of her work. She used these prints as an expression of friendship and was perhaps inspired by the Stieglitz use of postcard prints for his series of cloud pictures, the Equivalents.”1 1. Jacobi, Lotte and Peter A. Moriarty, Lotte Jacobi: Photographs (Jaffrey, New Hampshire: David R. Godine, 2003), p. 74.

218

$300-500

219.

John S. Johnston (British/American, born c. 1839-1899) Lot of Five Yachting Images: Mischief, Pilgrim, Ariel and Lasca, Ventura, and Half-Raters in Trial Race. Unsigned, sailing vessels inscribed l.c., Pilgrim inscribed “COPYRIGHT 1893, BY J.S. JOHNSTON, N.Y.” l.r., Half-Raters inscribed “COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r.. Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, handling creases, toning, mild rippling. $700-900

219

220.

John S. Johnston (British/American, born c. 1839-1899) Lot of Five Yachting Images: Volunteer and Defender, Defender, Merlin, Norota, and Asthore. Unsigned, sailing vessels inscribed l.c., the former two inscribed “COPYRIGHT 1895, BY J.S. JOHNSTON, N.Y.” l.r., Merlin inscribed “WINNING GOBLET CUP RACE, 1890” l.r. Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, toning, mild rippling. $800-1,200

220

221

223

221.

John S. Johnston (British/American, born c. 1839-1899)

223.

B.A. King (Canadian/American, b. 1934)

Lot of Five Yachting Images: Columbia & Shamrock, Shamrock, Valkyrie III, Cicada, and Robin Hood. Unsigned, sailing vessels inscribed l.c., Columbia & Shamrock and Shamrock inscribed “COPYRIGHT 1899, BY J.S. JOHNSTON, N.Y.” l.r., Cicada inscribed “COPYRIGHT 1898, BY J.S. JOHNSTON, N.Y.” l.r.. Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, toning, mild rippling.

The Great Oak, 1978, edition of 100. Signed “B.A. King” in pencil on the mount verso. Gelatin silver print, image size 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unframed, mounted.

Condition: Rippling l.c.

N.B. This work was commissioned by the Worcester Art Museum in 1978. $200-300

Literature: The views of Cicada presented here (image no. 628) was published in Rudder magazine, August 1898, p. 292. $700-900

222.

John S. Johnston (British/American, born c. 1839-1899)

224.

Aaron Siskind (American, 1903-1991)

Lot of Five Yachting Images: Mayflower, Bedouin, Madrine, and two images of Glencairn. Unsigned, sailing vessels inscribed l.c., Mayflower inscribed “J.S.J.” l.r., both images of Glencairn inscribed “COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r.

Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.

(16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, Mayflower with small crease u.l., toning, mild rippling.

Chicago 56. Signed “Aaron Siskind” in pencil on the reverse.

Gelatin silver print, image size 14 x 17 1/2 in. (35.6 x 44.5 cm), unframed, matted.

Condition: Good. $1,000-1,500

Literature: One of the views of Glencairn presented here (image no. 402) was published in Forest and Stream magazine, July 25, 1896, p. 76. $700-900

222

224

225

225.

Michael A. Smith (American, b. 1942) Toledo. Signed “Michael A. Smith” in pencil on the mount l.r., dated “1980” in pencil on the mount l.l., titled and dated on the back of the mount. Gelatin silver print, mounted, 7 1/2 x 19 1/2 in. (19.1 x 49.5 cm), framed.

Condition: Good. $200-250

226.

Doug and Mike Starn (American, b. 1961)

226

Attracted to Light- K, 1996-2001, edition of 25. Signed “Doug Starn” and “Mark Starn” in pencil on the reverse, numbered “24/25” in pencil on the reverse. Toned silver print on Thai Mulberry paper, sheet size 10 x 10 in. (25.4 x 25.4 cm), unframed, unmatted.

Condition: Deckled edges, tape to corners verso. $700-900

227.

William Wegman (American, b. 1943) Image from Bird Dog Suite, 1990. Signed and dated “William Wegman 1990” l.r., inscribed and numbered “Colorized Series 8/16” l.l. Photolithograph on paper/board, image size 19 3/4 x 19 3/4 in. (50.2 x 50.2 cm), framed.

Condition: Toning, broad rippling, not examined out of frame.

N.B. Wegman completed a black and white version of the Bird Dog Suite in an edition of 50. $1,200-1,800

227

Session II

Paintings & Sculpture Lots 301-846 to be sold Friday, September 11th, 2009 at 4 p.m.

301.

After Pier Francesco Fiorentino (Italian, 1444-1497) The Mystic Marriage of Saint Catherine Label and wax seals on the reverse.

Tempera with oil, gold, and tooling on panel, lunette form, 20 x 13 1/2 in. (50.9 x 34.2 cm), with an applied molding.

Condition: Losses to surface and molding (primarily near lower edge), retouch, bloom, cracks and insect damage to panel, craquelure. $2,000-3,000

301

302.

Manner of Sebastiano Mazzoni (Italian, c. 1611-1678) Deposition Unsigned, inscribed “Veronese” and Lorenzo Lotto” in later hands on the reverse.

Oil on panel, 9 1/8 x 7 3/8 in. (23.0 x 18.5 cm), framed.

Condition: Subtle curve to panel, retouch, fine craquelure. $2,000-3,000

302

303

304

303.

Manner of Sir Joshua Reynolds (British, 1723-1792)

304.

Manner of Melchior de Hondecoeter (Dutch, 1636-1695)

Portrait of Sir Joshua Reynolds Unsigned.

Oil on canvas, 31 1/2 x 25 in. (80.0 x 63.5 cm), framed.

Condition: Lined, retouch and varnish inconsistencies throughout, craquelure, surface grime.

Birds in a Landscape Unsigned.

Oil on canvas, 12 x 14 in. (30.5 x 35.6 cm), framed.

Condition: Pinhole puncture c.l., minor scattered retouch, craquelure, surface grime. $1,800-2,200

N.B. This composition is related to several self-portraits executed by the master. $300-500

305.

Continental School, 17th Century Style Lot of Two Portraits of Gentlemen Unsigned.

Oil on canvas, sizes approximately 14 1/2 x 12 in. (26.8 x 30.5 cm), framed.

Condition: Lined, retouch, craquelure. $1,200-1,800

305

307

306

307.

Adriaen de Grÿef (Flemish, 1657-1715)

306.

After Gabriel Metsu (Dutch, 1629-1667) The Game Seller Unsigned.

Oil on canvas, 17 3/4 x 13 3/4 in. (45.1 x 34.9 cm), framed.

Condition: Lined, retouch, varnish inconsistencies. $1,000-2,000

308

Still Life with Game and Fruit Signed “A Grÿef f” l.r.

Oil on canvas, 25 3/4 x 32 3/4 in. (65.4 x 83.2 cm), framed.

Condition: Lined, retouch, surface grime, craquelure. $4,000-6,000

308.

School of David Teniers II (Flemish, 1610-1690) The Tric Trac Players Signed or inscribed “D. TENIERS...” l.l., identified on a label from the Dayton Art Institute affixed to the backing.

Oil on canvas, 18 x 26 1/2 in. (45.7 x 67.3 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, craquelure, surface grime. $2,000-4,000

309

310

309.

Charlotte Hay (Swedish, b. 1798) Mother’s Careful Advice Signed and dated “Carlte Hay nee Militz fecit, Janvier 1840” l.l., identified on a period label affixed to the reverse.

Oil on panel, 16 x 21 in. (40.6 x 53.3 cm), framed.

Condition: Retouch, varnish inconsistencies, craquelure. $2,000-3,000

310.

Albert Ernest Carrier-Belleuse (French, 1824-1887) Molière Signed “Carrier.” in the cast on the reverse l.l., titled on the plinth.

Bronze with light brown patina, approximately 10 x 5 x 5 in.

(25.4 x 12.7 x 12.7 cm), mounted to a stone plinth.

Condition: Surface dust/grime, loose washer beneath plinth. $3,000-5,000

311.

Moritz Stifter (Austrian, 1857-1905) Profile of a Young Lady Signed and dated “M. Stifter/1889” u.r., identified on a presentation plaque.

Oil on panel, 10 3/4 x 8 1/4 in. (27.3 x 21.0 cm), framed.

Condition: Minor retouch, fine craquelure, subtle varnish inconsistencies. $2,500-3,500 311

312

312A

312.

Adolphe Alexandre Lesrel (French, 1839-1929) The Huntsman Signed and dated “A. A. LESREL 1904” l.r., a partial label affixed to the reverse.

Oil on panel, 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm), framed.

Condition: Minor nicks/losses to edges, scattered craquelure.

Provenance: A New England institution. $5,000-7,000

312A. Christian Meyer Ross (Norwegian, 1843-1904) Portrait of a Lady Signed or inscribed “Fra....C M Ross...68 Capole Case Roma, C M Ross” on a period label affixed to the reverse.

Oil on canvas, 30 1/4 x 22 in. (76.8 x 55.9 cm), framed.

Condition: Laid down onto Masonite, bloom, craquelure, surface grime. $800-1,200

313.

Lajos Kolozsvary (Hungarian, 1871-1937) The Antiques Dealer Signed “L Kolozsvary” l.l.

Oil on canvas, 27 1/2 x 22 in. (69.8 x 55.9 cm), framed.

Condition: Scattered retouch, fine craquelure. $1,000-2,000 313

314.

Cuthbert Edmund Swan (British, 1870-1931) Lion Cubs Signed and dated “C.E. SWAN 1905” l.r., a label from Doll & Richards, Boston, affixed to the reverse.

Watercolor on paper/board, 9 x 14 in. (22.9 x 35.6 cm), framed.

Condition: Toning, not examined out of frame. $600-800

314

315.

Georges Gardet (French, 1863-1939) Lion et Lionne Signed “G. GARDET” on the base l.c., marked “SIOT DECAUVILLE, Fondeur, Paris” on the base.

Bronze with a brown patina, height 14 1/4 in. (36.2 cm).

Condition: Wear, oxidation, surface grime.

Provenance: Descended within the families of William Walters (1819-1894) and/or George Harold Edgell (1887-1954). $3,000-5,000

315

316.

Attributed to Gustave Doré (French, 1832-1883) Caricatures/A Group of Head Studies Signed or inscribed “G. Doré” in ink l.l.

Ink and watercolor on paper, sheet size 8 1/8 x 10 in. (20.6 x 25.4 cm), framed.

Condition: Tears/losses to the margins, subtle rippling, subtle acid burn, toning, glue residue on the reverse. $500-700

316

317.

François Flameng (French, 1856-1923) Le Grenadier Signed “FRANCOIS - FLAMENG” l.r.

Oil on panel, 16 1/4 x 10 3/4 in. (41.3 x 27.3 cm), framed.

Condition: Scattered retouch, varnish inconsistencies.

Provenance: A New England institution. $10,000-15,000

317

317A. Philippe Louis Parizeau (French, 1740-1801) Portrait of a Man Signed and dated “Ph L Parizeau 1775” l.r., inscribed “Bought

by J Lafowteur 1829.” on the backing.

Red chalk on paper, sheet size 17 1/4 x 14 in. (43.8 x 35.6 cm), unframed.

Condition: Laid down, strips of blue paper (losses) adhered to edges, toning, foxing, staining, creases, losses. $400-600

317A

318

318.

Willem Stad (Dutch, 1873-1959)

319.

Frans Schikkinger (Dutch, 1838-1902)

Lot of Two Works: De Vijgendam... and Het Rotterdammer...

The former signed “W Stad” l.r., identified on labels affixed to the reverse.

Watercolor and ink on paper, sight sizes to 10 3/4 x 15 in. (27.3 x 38.1 cm), framed.

Condition: Subtle toning, minor scattered foxing, not examined out of frames. $1,400-1,800

The Doelensluis, with the Hotel Het Rondeel to the Left and the Engelse Huizen and The Munt Tower and the Hotel De Munt on the Schapenplein Beyond Signed and inscribed “Frans J Schikkinger/nach J. Cats./1901” l.l.

Ink and wash on paper, sight size 14 1/4 x 21 in. (36.2 x 53.3 cm), framed.

Condition: Not examined out of frame.

Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 218. $400-600

319

320

320.

Frans Schikkinger (Dutch, 1838-1902)

321.

Frans Schikkinger (Dutch, 1838-1902)

The Binnen-Amstel with the Munt Tower and the Engelse Huizen Signed “Frans J. Schikkinger” l.l.

Watercolor, ink and graphite on paper, sight size 13 x 20 1/2 in.

(33.0 x 52.1 cm), framed.

Condition: Not examined out of frame.

Lot of Two Views: De Nieuwe Brug Met Het Paalhuis, Bjj Winter... [The New Bridge with the Pile House in Winter] and Achter ‘t Stadhuis... [Behind Town Hall...]

Each signed “Frans Schikkinger...” within the composition l.l. or l.r., identified on labels affixed to the reverse.

Watercolor with ink on paper, sight sizes to 15 x 20 1/4 in. (38.1 x 51.4 cm), framed.

Condition: Foxing, toning, not examined out of frames. $800-1,200

Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 211. $400-600

321

322

322.

Frans Schikkinger (Dutch, 1838-1902)

323.

Gustave Mascart (French, 1834-1914)

View of the House of Three Canals at the Confluence of the Oudezijds Voorburgwal, Oudezijds Achterburgwal and Grimburgwal, Amsterdam Signed and inscribed “Frans J Schikkinger... J. Cats 1793” l.r., identified on a label on the reverse.

Ink and wash on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.

Condition: Not examined out of frame.

Promenade Along the Canal Signed “G. Mascart” l.r.

Oil on canvas, 25 3/4 x 36 in. (65.4 x 91.4 cm), framed.

Condition: Surface grime, craquelure, retouch, lined. $300-500

Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 220. $400-600

323

323A. Dutch School, 20th Century View of the Oudezijks Kapel Unsigned, identified on a label on the reverse.

Watercolor and ink on paper, sight size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), framed.

Condition: Not examined out of frame. $800-1,200

323A

323B. Willem Stad (Dutch, 1873-1959) View of the Binnenamstel with the Hoogesluis Unsigned, identified on a label on the reverse.

Watercolor on paper, sight size 9 3/4 x 14 in. (24.8 x 35.6 cm), framed.

Condition: Not examined out of frame. $600-800

323B

323C. Dutch School, 20th Century View of the Singel Canal in Winter, with Skaters by the Luthersche Oude Kerk on the Spui Unsigned, identified on a label on the reverse.

Watercolor and ink on paper, sight size 8 5/8 x 13 in. (21.9 x 33.0 cm), framed.

Condition: Not examined out of the frame. $800-1,200

323C

324

324.

Charles Collins (British, 1851-1921)

325.

Charles Henry Turner (American, 1848-1908)

The Camel Ride Signed “CCollins RBA” l.r., identified on a label affixed to the reverse.

Watercolor with gouache on paper/board, sight size 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), framed.

Condition: Toning, not examined out of frame. $400-600

Market at Stathagen Signed and titled “...C.H. Turner-” l.l., stamped “Estate of/Charles Henry Turner//1848-1908” with a partial exhibition label from the Boston Art Club on the stretcher.

Oil on canvas, 34 x 42 in. (86.4 x 106.7 cm), framed.

Condition: Patch reinforcement, craquelure, retouch. $800-1,200

325

326.

Attributed to Jozef Israels (Dutch, 1824-1911) Homewards Signed “Jozef Israels” l.l., identified on a period label from French Gallery, London, affixed to the reverse.

Oil on panel, 11 x 7 3/4 in. (27.9 x 19.7 cm), framed.

Condition: Retouch, varnish inconsistencies, scattered craquelure.

Provenance: A New England institution. $4,000-6,000

326

327.

William F. Ashburner (British, fl. 1900-1932) Gathering Flowers in the Garden Signed “Wm F. ASHBURNER” l.r., identified on a presentation plaque.

Watercolor and graphite on paper, 19 1/2 x 10 5/8 in. (49.5 x 27.0 cm), framed.

Condition: Subtle acid burn, toning, not examined out of frame. $1,000-2,000

327

327A. Gerhard Peter Franz Vilhelm Munthe (Norwegian, 18491929) In the Cabin Signed and dated “G Munthe 73” l.r.

Oil on canvas mounted onto board, 16 x 12 1/4 in. (40.6 x 31.1 cm), unframed.

Condition: Surface rubs, light scattered surface abrasions, wear to edges/corners, varnish inconsistencies, scattered retouch, craquelure with separating, surface grime. $400-600

327A

327B. Continental School, 19th Century Coach Driving Through a Winter Landscape at Dusk Signed, dated and inscribed “C. Kehn/96/Nürnberg” l.r.

Oil on canvas, 21 1/2 x 16 1/2 in. (54.6 x 41.9 cm), framed.

Condition: Lined, retouch, tears. $400-600

327B

328

328.

Continental School, 19th Century

329.

François-Auguste Ravier (French, 1814-1895)

Lake Geneva and the Chateau de Chillon Signed “A George-” l.l., identified in an inscription on the reverse.

Oil on canvas, 30 x 43 1/2 in. (76.2 x 110.4 cm), framed.

Condition: Lined, retouch, surface grime, craquelure. $800-1,200

Woodland View Stamped “F A Ravier” l.r.

Oil on canvas, 12 1/4 x 16 in. (31.1 x 40.6 cm), framed.

Condition: Lined, tape to tacking edge, area of flaking and loss l.r., minor scattered retouch, surface grime. $1,500-2,000

329

330.

Joan Roig y Soler (Spanish, 1852-1909) The Shady Street/An Italian View Signed and inscribed “Roig y Soler/Atella� l.r.

Oil on canvas, 14 1/2 x 10 in. (36.8 x 25.4 cm), framed.

Condition: Surface grime, puncture to u.r. quadrant. $3,000-5,000

330A. School of Thomas Gainsborough (British, 1727-1788) Headed Home Unsigned.

Ink, charcoal, watercolor, and gouache on paper/board, sight size 18 1/4 x 26 1/2 in. (46.3 x 67.2 cm), framed.

Condition: Toning, rippling, not examined out of frame. $800-1,200

330

330A

331

331.

Attributed to Marinus Adrianus Koekkoek (Dutch, 18071870) Cleve on the Rhine Signed “MA Koekkoek” l.r., identified on a presentation plaque.

Oil on panel, 6 3/4 x 8 3/4 in. (17.2 x 22.2 cm), framed.

Condition: Very mild varnish inconsistencies, fine craquelure, surface grime.

Provenance. A New England institution. $2,500-3,500

332

332.

Jean Charles Cazin (French, 1841-1901) Landscape with Figures by a Tree and Cart Signed “J.C. Cazin” l.r.

Oil on panel, 16 3/4 x 21 5/8 in. (42.5 x 54.9 cm), framed.

Condition: Pigment fluorescence. $2,000-3,000

333

333.

Henry Enrico Coleman (Italian, 1846-1911)

334.

Attributed to Lawrence Carmichael Earle (American, 18451921)

Bullock Cart Conveying Stone from a Quarry Signed and inscribed “HE· Coleman· Roma·” l.r.

Watercolor and graphite on paper, 15 1/2 x 28 1/2 in. (39.4 x 72.4 cm), framed.

Condition: Not examined out of frame. $4,000-6,000

The Wood Carver’s Little Apprentices Unsigned.

Oil on canvas, 12 1/2 x 10 1/2 in. (30.5 x 26.6 cm), framed.

Condition: Lined, retouch, fine craquelure, bloom/surface grime u.r., light scattered surface abrasions. $600-800

335.

R. Maghelli (Italian, 19th/20th Century) Working the Fields Signed “R. Maghelli” l.r.

Watercolor, ink wash, and whiting on paper/board, sight size 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm), framed.

Condition: Toning, scattered foxing/staining, not examined out of frame. $1,200-1,800

335 334

336

336.

Aloysius C. O’Kelly (Irish/American, 1853-1926) A Breton Pilgrimage Signed “A. O’KELLY” l.l., with a label from Ben Kabatznick, Brookline, Massachusetts, on the stretcher.

Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), framed.

Condition: Surface grime. $8,000-12,000

337.

Francesco Pausas y Coll (Spanish, 1877-1944) Father and Child Signed “F. Pausas” l.r.

Oil on canvas, 41 1/2 x 30 1/2 in. (105.4 x 77.5 cm), framed.

Condition: Craquelure, subtle canvas deformations. $3,000-5,000

337

338

339

338.

Nazzarreno Cipriani (Italian, 1843-1923) The Gypsies’ Refreshment Signed and inscribed “N. Cipriani. Roma.” l.r.

Watercolor on paper, 21 1/2 x 16 in. (54.6 x 40.6 cm), framed.

Condition: Toning, light soiling/surface grime, not examined out of frame. $1,000-1,500

339.

Addison Thomas Millar (American, 1860-1913) Portrait of a Spanish Craftsman Signed and inscribed “A.T. MILLAR, MADRID” u.r.

Oil on canvas mounted onto board, 16 x 13 in. (40.6 x 33.0 cm), framed.

Condition: Scattered retouch, varnish inconsistencies, surface grime. $800-1,200

340.

Saverio Xavier della Gatta (Italian, fl. circa 1777-1829) Della Fraola Signed and dated “Xavr Gatta 1800” l.r., titled l.c.

Gouache on paper, 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed.

Condition: Flaking, creases and abrasions with losses, toning. $300-500 340

341

341.

Raffaele Resio (Italian, 1854-1927) Serenade on the Balcony Signed “R. RESIO.” l.l., Rome panel stamp on the reverse.

Oil on panel, 9 1/4 x 14 in. (23.4 x 35.5 cm), framed.

Condition: Minor scattered retouch, subtle surface grime, fine craquelure. $2,000-3,000

342.

Victor Schivert (Romanian, 1863-1926) A Good Story Signed and inscribed “V. Schivert MN” c.l., inscribed “MAX GAISSER” on the reverse.

Oil on canvas, 19 3/4 x 15 3/4 in. (50.2 x 40.0 cm), framed.

Condition: Retouch, varnish inconsistencies, scattered craquelure, mild surface grime. $2,000-3,000

342

344

343

343.

Herbert Dalziel (British, 1858-1941) Still Life with White Roses Signed and dated “HERBERT DALZIEL ‘86” l.l., identified on fragmentary label on the reverse.

Oil on panel, 10 1/8 x 5 3/4 in. (25.5 x 14.5 cm), framed.

Condition: Subtle surface grime and varnish inconsistencies. $300-500

344.

August Laux (American, 1847-1921) Cat and Playful Kittens Signed “A Laux” l.r.

Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.

Condition: Tape to tacking edges, light retouch, mild surface grime. $1,500-2,500

345.

Paul De Longpre (French/American, 1855-1911) Bouquet of Chrysanthemums Signed, inscribed, and dated “Paul de Longpre. Los Angeles.

1908” l.l.

Watercolor on paper/board, sight size 28 x 20 in. (71.1 x 50.8 cm), framed.

Condition: Subtle toning, not examined out of frame. $2,000-3,000

345

346

346.

Aurora Gilardelli (Italian, 19th Century)

348.

Attributed to Karl Christian Aubel (German, 1796-1880)

A Basket of Flowers Signed and inscribed “Aurora...Gilardelli, Milano” l.l., identified on a label affixed to the reverse.

Oil on canvas, 19 x 31 in. (48.3 x 78.7 cm), framed.

Condition: Lined, tape to tacking edge, retouch. $600-800

Bouquet of Flowers Unsigned, inscribed “...Aubel...” on the reverse.

Oil on canvas, 26 x 22 3/4 in. (66.0 x 57.8 cm), unframed.

Condition: Relined, retouch, minute scattered losses, surface rubs, craquelure. $1,500-2,000

347.

Clemence Nielssen (German, 1850-1911) Un Coin de Bonheur/A Portrait of a Mother Tabby Cat and Calico Kittens Signed and titled “...Clemence Nielssen” u.l.

Oil on canvas, 19 x 24 1/8 in. (48.3 x 61.3 cm), framed.

Condition: Craquelure, surface grime, retouch, patch reinforcement. $3,000-5,000

347 348

349

349.

Robert Watson (British, 1865-1916) Flock of Sheep on a Hillside Signed and dated “R. Watson 1901” l.r.

Oil on canvas, 19 3/4 x 29 1/4 in. (50.2 x 74.3 cm), framed.

Condition: Mounted onto panel, scattered losses, retouch, craquelure, surface rubs, surface grime. $4,000-6,000

350.

Henry Garland (British, 1834-1913) 350

Highland Cattle Signed and dated “H. GARLAND 1889” l.l.

Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Surface rubs, scattered retouch, varnish inconsistencies, lifting, fine craquelure. $1,000-2,000

350A. Attributed to John Frederick Herring, Jr. (British, 18151907) Horses Watering by the River Bend Unsigned.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Lined, tape to tacking edge, retouch, craquelure, surface grime. $1,000-1,500

350A

351

351.

School of Constant Troyon (French, 1810-1865)

352.

Henry Charles Bryant (British, 1812-1890)

Cows in a Landscape Unsigned.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Mounted onto board, scattered retouch, mild varnish inconsistencies, scattered abrasions, minor nicks/wear to edges, tear to l.l. edge, craquelure, surface grime. $400-600

Barnyard with Cows and Turkeys Signed “H.C. Bryant� l.l.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Lined, retouch. $3,000-5,000

352

355

353

353.

Friedrich Gauermann (Austrian, 1807-1862)

355.

Léon Joseph Florentin Bonnat (French, 1833-1922)

Boy at the River Bank Signed “F. Gauermann” on the reverse.

Oil on board, 3 1/2 x 4 1/4 in. (8.9 x 10.8 cm), framed.

Condition: Retouch, varnish inconsistencies, surface grime. $800-1,200

Young Girl at Rest Signed “L. Bonnat” l.r., canvas stencil on the reverse.

Oil on canvas, 9 3/4 x 13 in. (24.8 x 33.0 cm), framed.

Condition: Retouch, varnish inconsistencies, scattered craquelure, surface grime. $1,500-2,000

354.

Johan Nicolaas van Lokhorst (Dutch, 1837-1929) In the Pasture Signed and dated “Jan. v. Lokhorst 1872” l.l., artist identified in an inscription on the stretcher.

Oil on canvas, 18 x 25 1/2 in. (45.7 x 64.8 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, craquelure. $3,000-5,000

354

357

356.

Daniel Sherrin (British, 1868-1940)

356

The Evening Tour Signed “D. Sherrin” l.l., a label from Findlay Galleries Inc., Chicago, affixed to the reverse, identified on a label (see below) affixed to the reverse.

Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed.

Condition: Scattered retouch, surface grime.

N.B. A label on the reverse indicates that this work was exhibited as one of a pair of paintings, the other titled A Surrey Common. $800-1,200

357.

Emile Charles Lambinet (French, 1815-1877) Figures and Punts at a Quiet Landing Signed “Emile Lambinet” l.r.

Oil on panel, 11 x 16 in. (27.9 x 40.6 cm), framed.

Condition: Cradle to the reverse, retouch, varnish inconsistencies, craquelure. $1,000-1,500

358.

Adam Knight (British, fl. 1881-1931) Portrait of a Girl by a Wooded Path Signed and dated “Adam Knight-/1885” l.r., with a W.A. Smith, Nottingham, canvas stencil on the reverse.

Oil on canvas, 38 1/4 x 25 1/4 in. (87.2 x 64.1 cm), unframed.

Condition: Retouch, craquelure, surface grime, patch reinforcement. $2,000-3,000 358

360

359

359.

George Harvey (British/American, 1800-1878) The Parish Church of St. John the Baptist, Wickhamford, Worcestershire, England Signed “G. Harvey” l.l., inscribed “Wickhamford Church, Worcestershire/(contains Washington coat of arms)/”Penelope” buried under the pavement by alter [sic]” in pen on the reverse.

Watercolor on paper, sheet size 13 7/8 x 10 in. (35.2 x 25.4 cm), unframed.

Condition: Subtle toning. $700-900

360.

Ernest Procter (British, 1886-1935) Civilian Evacuation Section, alternatively titled A Battlefield in France Signed and dated “Ernest Procter 18” l.r., inscribed on two period labels (one in the artist’s hand) affixed to the backing.

Watercolor on paper, sheet size 5 x 8 in. (12.7 x 20.3 cm), framed.

Condition: Not examined out of frame. $300-500

361.

Rustom Vicaji (British, fl. 1918-1927)

361

On the Ramparts, Montreuil, France Signed “R.Vicaji” l.l., titled in an inscription on the stretcher.

Oil on canvas, 19 1/4 x 15 3/4 in., framed.

Condition: Surface grime, craquelure. $800-1,200

362 364

362.

Stuart William Lloyd (British, 1875-1929)

364.

Carl Maria Nicolaus Hummel (German, 1821-1907)

View of the Durham Cathedral from Across the River Wear Signed and dated “Stuart Lloyd 1902” l.r.

Watercolor with gouache on paper mounted onto board, 11 3/4 x 25 7/8 in. (29.8 x 65.8 cm), unframed.

Condition: Toning, loss u.r. $600-800

Winding Road Signed “C. Hummel” l.r.

Watercolor on paper/board, sight size 12 x 17 in. (30.5 x 43.2 cm), framed.

Condition: Toning, not examined out of frame. $500-700

363.

James Edwin Meadows (British, 1828-1888) Landscape with Children Gathering Wheat Signed and dated “Jas. E. Meadows: 1859.” l.l.

Oil on canvas, 28 x 48 in. (71.1 x 121.9 cm), framed.

Condition: Scattered flaking/losses, craquelure, retouch, lined. $8,000-12,000

363

365

365.

Hendrik Savry (Dutch, 1823-1907)

366.

William Currie (British, 19th/20th Century)

Ships at Harbor Signed “Savry” l.l.

Oil on canvas, 18 1/4 x 25 5/8 in. (45.7 x 65.1 cm), framed.

Condition: Tape-reinforced tear, minor surface grime.

Lot of Two Marine Scenes Each signed and dated “Wm Currie 1874” l.r. (one signed again l.l.).

Oil on paper/board, sight sizes 11 x 17 3/4 in. (27.9 x 45.1 cm), framed.

Condition: Surface grime, not examined out of frames. $1,800-2,200

Provenance: Christie’s East, Nineteenth Century Art, October 5, 1999, sale 8273, lot 135. $2,000-4,000

366

367

367.

Georges Jean Marie Haquette (French, 1854-1906)

368.

British/Dutch School, 19th Century

Fisherman in a Dory off the White Cliffs Signed “G- HAQUETTE” l.l.

Oil on canvas, 24 x 32 in. (61.0 x 81.3 cm), framed.

Condition: Surface grime, tear, craquelure. $1,500-2,500

Marine Scene Unsigned.

Oil on canvas, 8 x 16 in. (20.3 x 40.6 cm), in a frame with a Tilden-Thurber label affixed to the reverse.

Condition: Lined, surface grime. $800-1,200

368

369.

Attributed to Nelson Augustus Moore (American, 19241902) Along the Hudson Signed or inscribed “NA Moore” in pencil l.r.

Graphite on paper, sight size 9 1/4 x 15 1/4 in. (23.5 x 38.7 cm), framed.

Condition: Tape hinged to backing mat. $800-1,200

369

370.

Hartwell Leon Woodcock (American, 1853-1929) Crashing Surf Signed and dated “Hart L Woodcock. 1901 -” l.l.

Watercolor with graphite underdrawing on paper/board, sight size 13 x 19 in. (33.0 x 48.3 cm), framed.

Condition: Mild toning, not examined out of frame. $600-800

370

371.

George M. Hathaway (American, 1852-1903) Coastal View, Probably Portland, Maine Signed “G.M. Hathaway” l.l.

Oil on academy board, 6 x 10 1/4 in. (15.2 x 26.0 cm). framed.

Condition: Mild pigment fluorescence, surface grime. $250-350

371

372

372.

William Trost Richards (American, 1833-1905) Summer Clouds Signed “Wm. T. Richards.” l.l., purportedly titled, probably in a later hand, on the reverse.

Watercolor on paper, sight size 33 3/4 x 24 in. (85.7 x 61.0 cm), framed.

Condition: Toning, tear u.r., not examined out of frame.

Provenance: Private collection, Cambridge, Massachusetts.

N.B. William Trost Richards began working in watercolors by 1860 and frequently worked in that medium throughout the 1860s and 70s, at which time watercolor as a medium was experiencing a revival in American art. During this period, Richards also began to shift his subject matter away from highly detailed landscapes (often done in oil) that reflected the influence of the Pre-Raphaelites and John Ruskin, toward marine and coastal views. “Richards’s intensive work in watercolor coincided with a new stylistic direction for the artist and an emerging fascination with shoreline subjects that he would indulge regularly for the rest of his career.”1 He traveled throughout the northeast, studying the crashing surf of the coastal waters. In 1874, Richards bought a home in Newport and frequently painted the surrounding waters of Narragansett Bay. “Watercolor proved an ideal medium for expressing his preoccupation with surf and the moist, hazy atmosphere of the summer shore.”2 Although he did not totally abandon the highly detailed and technically precise renderings of his environment seen in his earlier landscape compositions, the medium of watercolor lent “a broad, airy quality” to his work.3 1. MacAdam, Barbara J., Hood Museum of Art et al., Marks of Distinction: 200 Years of American Drawings and Watercolors from the Hood Museum of Art, March 29–May 29, 2005 (Hanover, New Hampshire: Hood Museum of Art, Dartmouth College) 2005, p. 96.

2. Ibid.

3. Ibid.

$8,000-12,000

373

373.

American School, 19th Century

374.

Frederick Tordoff (American, b. 1939)

The Merrimac Sinking the Cumberland, March 8th, 1862 Unsigned, with a label from Kennedy Galleries, Inc., New York on the reverse.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Craquelure, surface grime, retouch.

Shipping in Boston Harbor Inscribed and signed “BOSTON HARBOR, F. TORDOFF” on the reverse, signed “FREDERICK TORDOFF” on the reverse, titled on a label in the artist’s hand on the reverse.

Oil on panel, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Mild surface grime. $300-500

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $4,000-6,000

374

375

375.

Clement Drew (American, 1806-1889)

375A. Richard K. Loud (American, b. 1942)

Ship in Stormy Seas Signed or inscribed and dated “C. DREW 1885” on the reverse.

Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Craquelure, surface grime. $1,000-1,500

The Yacht Race Signed “RKLOUD” l.l.

Oil on canvas, 27 x 39 in. (68.6 x 99.1 cm), framed.

Condition: Good. $4,000-6,000

375A

376

376.

Derek George Montague Gardner (British, 1914-2007)

377.

Robert F. Lie (American, 1899-1980)

Burford, Third Rate, 70 Guns. Built at Deptford 1722. Porto Bello 1739, Cartagena 1741, La Guayra 1743.

Signed “Derek G.M. GARDNER” l.l., titled on the mat l.c.

Watercolor with whiting on paper/board, sight size 10 x 14 1/2 in. (25.4 x 36.8 cm), framed.

Condition: Toning/mat burn, not examined out of frame. $800-1,200

The Dreadnought/A Three-Masted Medium Clipper Ship Signed, dated and inscribed “LiE -64 NY” l.l.

Oil on canvas with paper collage, 18 1/4 x 24 1/4 in. (46.4 x 61.6 cm), framed.

Condition: Surface grime, subtle canvas deformations, craquelure, subtle varnish inconsistencies. $2,500-3,500

377

378

378.

Jack Lorimer Gray (American, 1927-1981) Heavy Weather on Crossing to France, alternatively titled John Paul Jones’ “Ranger” Signed “Jack L. Gray” l.l., titled in pencil, stamped, and with a label from Kennedy Galleries, Inc., New York, on the stretcher bars.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Surface grime, minor craquelure, varnish inconsistencies.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $20,000-30,000

379.

Walter Lofthouse Dean (American, 1854-1912) Study of Sailboats off the Coast Signed and inscribed “W. L. DEAN...” l.l.

Oil on canvas mounted to board, 4 1/8 x 5 1/4 in. (10.4 x 13.3 cm), framed.

Condition: Surface grime, retouch.

Provenance: Private New England collection, by family descent. $500-700

379

380.

Daniel J. Strain (American, 1847-1925) Quiet Harbor Signed “Daniel Strain.” l.l.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Craquelure, surface grime. $1,800-2,200

380

381.

Walter Lofthouse Dean (American, 1854-1912) Pope’s Rock Signed and dated “W L DEAN/1880” l.l., titled and signed “...Walter Dean” on a period label affixed to the stretcher.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Mild surface grime, extremely mild scattered surface abrasions. $800-1,200

382

382.

George M. Hathaway (American, 1852-1903) Lot of Four Coastal Maine Views: Whitehead-Cushing’s Island, Near Portland, Me., Portland Head Light, Cape Elizabeth, Trefethen’s Landing, Casco Bay-nr. Portland, and Breakwater Light, Portland Harbor Whitehead, Portland, and Trefethen’s signed “G.M. Hathaway” l.r., Breakwater initialed “G M H” l.r., each with labels from Matthews Bros. & Co., Toronto, Ontario, on the backing.

Oil on artist board, each 6 x 10 in. (15.2 x 25.4 cm), framed.

Condition: Not examined out of frames. $3,000-5,000

383.

Marshall Johnson, Jr. (American, 1850-1921) 383

Fisherman in Tow Initialed “M.J.” l.r., identified on an exhibition label affixed to the reverse.

Oil on board, 8 1/8 x 10 in. (20.6 x 25.4 cm), framed.

Condition: Pigment fluorescence, surface grime. $800-1,200

384.

Stephen Salisbury Tuckerman (American, 1830-1904) Harbor View, Possibly Boston Signed “Tuckerman” l.r.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), unframed.

Condition: Tape-reinforced tear in the l.l. quadrant, surface grime, craquelure, minor losses/abrasions. $500-700

384

385

385.

William Edward Norton (Anglo/American, 1843-1916)

386.

Charles George Copeland (American, 1858-1945)

Boston Harbour, Moonlight Signed “W. E. Norton” l.l., identified on labels affixed to the reverse.

Oil on panel, 8 x 11 1/2 in. (20.3 x 29.2 cm), framed.

Condition: Scattered retouch. $2,000-2,500

Haying On the River Bank Signed “Chas. Copeland” l.l.

Watercolor with whiting on paper/board, sight size 7 1/4 x 26 in. (18.4 x 66.0 cm), framed.

Condition: Toning, not examined out of frame. $400-600

386

387

387.

Augustus W. Buhler (American, 1853-1920)

388.

Warren W. Sheppard (American, 1858-1937)

Light at Annisquam Signed, inscribed, and dated “-A.W. BUHLER-. -Annisquam1895-” l.l.

Watercolor with whiting on paper/board, 14 3/4 x 21 in. (37.5 x 53.3 cm), framed.

Condition: Toning, not examined out of frame. $400-600

Moonlit Sea Signed and dated “WARREN. SHEPPARD. 1888” l.r.

Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), in a period frame.

Condition: Retouch, craquelure, mild surface grime. $3,000-5,000

388

389

389.

Charles Harry Eaton (American, 1850-1901) Autumn Landscape Signed and dated “Charlie. H. Eaton 1878.” l.l.

Oil on canvas, 27 x 46 in. (68.6 x 116.8 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, craquelure, surface grime. $3,000-5,000

390.

Edward Hill (American, 1843-1923) Lot of Two Landscapes: Autumn Brook, Possibly the White Mountains, New Hampshire and Verdant Hills, Possibly Elephant Head, Crawford Notch, New Hampshire Brook signed “Edward Hill.” l.r., inscribed “Painted by Edward Hill/Oregon” on the stretcher, Verdant unsigned, with a label from Plymouth State College, Department of Art and Art Galleries, Plymouth, New Hampshire, affixed to the reverse.

Oil on canvas, sizes to 17 1/4 x 13 1/2 in. (43.8 x 34.3 cm), framed.

Condition: Brook with craquelure, Verdant lined, scattered retouch.

Exhibitions: Verdant in Edward Hill: A Man of His Time, Plymouth State College, March 8–April 16, 1985. $1,500-2,500

390

391

391.

Thomas Hill (American, 1829-1908) Approaching Storm Unsigned, identified on a label affixed to the reverse.

Oil on canvas, 34 1/4 x 27 in. (87.0 x 68.6 cm), framed.

Condition: Lined, retouch.

Provenance: The collection of John A. Faul, San Francisco, then by descent to the current owner.

N.B. Thomas Hill moved with his family from England to Taunton, Massachusetts, at the age of fifteen.

By 1847, Hill was in Boston, where he started his painting career before going on to study at the Pennsylvania Academy of Fine Arts in 1853. For the rest of the decade, he continued to paint images of New England scenery, in particular New Hampshire’s White Mountains. Hill first traveled to San Francisco in 1861 and made his first trip to Yosemite a year later. However, his career brought him to Paris in 1967, where his studied and exhibited at the Paris Universal Exposition (1867). Before returning to California, where he ultimately settled, Hill stopped again in Boston from 1867 until 1871. The work presented here most likely dates from that period. $6,000-8,000

393

392

392.

Benjamin Champney (American, 1817-1907)

393.

Daniel François Santry (American, 1858-1915)

View with Artists Sketching in a Forest Grove Signed and dated “...Champney ‘73” l.r.

Oil on canvas, 28 1/2 x 24 1/2 in. (72.4 x 62.2 cm), framed.

Condition: Minor surface grime. $3,000-5,000

Hiker in the Autumn Woods Signed “-Santry-” l.r.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Reinforcements, retouch, varnish inconsistencies, surface grime. $800-1,200

393A. William Samuel Horton (American, 1865-1936) Landscape with Stream Signed “Wm. S. Horton” l.r., a label from Alice & Win Dibble, Shoreham, Vermont, on the reverse.

Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), framed.

Condition: Lined, surface grime, craquelure.

Provenance: Sold to benefit the Bennington Museum, Vermont. $1,000-1,500

393A

394

394.

Benjamin Champney (American, 1817-1907)

395.

American School, 19th Century

The Lone Traveller Signed “B. Champney” l.l.

Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, craquelure. $2,500-3,500

Rocky Wooded Hillside Signed and dated “A Rossi 86” l.l., inscribed and signed “...A Rossi” l.r.

Oil on canvas, 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), framed.

Condition: Patch reinforcements, tears/losses at edges, surface grime. $800-1,200

395

396

396.

Samuel W. Griggs (American, 1827-1898) Panoramic Landscape with Hay Wagon Signed “S.W. Griggs” l.r.

Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), framed.

Condition: Lined, retouch, surface grime. $3,000-5,000

397.

American School, 19th Century

397

View with a Fisherman on a Lake Signed and dated “F.B. Clayton 1874” l.l.

Oil on canvas, 22 x 38 in. (55.9 x 96.5 cm), framed.

Condition: Lined, partially reinforced signature, retouch, varnish inconsistencies. $800-1,200

398.

John White Allen Scott (American, 1815-1907) Haying Signed and dated “JWA Scott ‘65” l.l., a tag from the Inventory of American Paintings, National Museum of American Art, Smithsonian Institution, affixed to the reverse.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, craquelure, surface grime. $700-900

398

399.

Sylvester Phelps Hodgdon (American, 1830-1906) Path Along the River Signed “S.P. Hodgdon” l.r., a period label from J. Eastman Chase, Boston, affixed to the reverse.

Oil on canvas, 16 x 26 in. (40.6 x 66.0 cm), framed.

Condition: Craquelure, surface grime. $2,000-3,000

399

400.

Joseph Morviller (American, 1800-1870) Figures on a River Bank Signed and dated “J morviller 1863” l.r.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Scattered retouch, varnish inconsistencies, scattered surface rubs, craquelure, surface grime. $1,000-1,500

401.

Jasper Francis Cropsey (American, 1823-1900) On the Lake Signed, inscribed, and dated “J F Cropsey xmas 1887” l.r.

Watercolor on paper, sight size 7 1/2 x 14 1/4 in. (19.1 x 36.2 cm), framed.

Condition: Toning, subtle rippling, adhered to supporting mat (with front mat glued along top).

N.B. This work will be included in a forthcoming catalogue raisonné of Cropsey’s works in watercolor by the NewingtonCropsey Foundation. We would like to thank the NewingtonCropsey Foundation for their kind assistance with cataloging this lot. $5,000-7,000

400

401

402.

Henry Ward Ranger (American, 1858-1916) Landscape near Old Lyme, Connecticut, c. 1899 Artist’s estate stamp l.l.

Oil on academy board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Retouch, wear to edges, surface grime. $2,000-4,000

402

403.

George E. Candee (American, 1837-1867) Connecticut Homestead Signed and dated “G E Candee 64” l.l., canvas stencil on the reverse.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Retouch, mild surface grime. $3,000-5,000

403

404.

James Rogers Rich (American, 1847-1910) Spring Landscape Signed and dated “JAMES ROGERS RICH ‘88” l.l.

Oil on panel, 10 1/2 x 13 3/4 in. (26.6 x 34.9 cm), framed.

Condition: Support slightly warped, surface grime. $250-350

404

405.

Ross Sterling Turner (American, 1847-1915) Cambridge House Initialed (twice) and dated “R.T. May 6th 1885 - R.T.-” l.r., identified on a note signed by the artist and other artists affixed to the reverse.

Watercolor on paper, 10 7/8 x 18 7/8 in. (27.5 x 47.8 cm), unframed.

Condition: Unobtrusive toning, minor nicks, losses, and tears to edges. $500-700 405

406.

Edwin Forsythe Porter (American, 19th/20th Century) Landscape at Dusk Signed “Edwin Forsythe Porter” l.l.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Craquelure, surface grime/abrasions. $800-1,200

406

407.

James Crawford Thom (American, 1835-1898) Seated Figure in a Field Signed and dated “J C Thom 9...” l.r.

Watercolor on paper, sight size 15 3/4 x 27 1/2 in. (40.0 x 69.8 cm), framed.

Condition: Not examined out of frame. $400-600

407

408.

George William Whitaker (American, 1840-1916) Our Geneva, R.I. Signed “G W WHITAKER.” l.r., dated and titled, possibly in the artist’s hand, along the tacking edge.

Oil on canvas, 6 1/4 x 9 in. (15.9 x 22.9 cm), framed.

Condition: Lined, repairs/retouch, scattered craquelure, surface grime. $600-800

408

409.

Alfred S. Mira (American, 1900-1980) The Lake at Twilight Signed “A. Mira” l.r.

Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Mild surface grime. $800-1,200

410.

Arthur Quartley (American, 1839-1886) Sunrise, New Jersey Marsh Signed and dated “Quartley 74” l.r.

Oil on canvas, 7 1/2 x 16 1/4 in. (19.1 x 41.3 cm), framed.

Condition: Lined, retouch, scattered craquelure. $1,500-2,500

409

410

411

411.

Nelson Augustus Moore (American, 1924-1902)

412.

William H. Thwaites (American, fl. 1854-1871)

Path to the Park Gazebo, Katonah Park, New York, 1897 Monogrammed signature “NAMoore 497” l.l., identified on a label from Spanierman Gallery LLC, New York, affixed to the backing.

Oil on canvas, 10 x 17 1/4 in. (25.4 x 43.8 cm), framed.

Condition: Lined, tape to tacking edge. $1,500-2,500

Westmoreland Titled and initialed “...W.H.T.” along lower margin on supporting sheet of paper.

Watercolor on paper adhered to a sheet of blue paper, sight size 4 1/8 x 6 1/2 in. (10.5 x 16.5 cm), framed.

Condition: Toning. $300-350

412

413

413.

George Albert Frost (American, 1843-1907) Sylvan Landscape with Cattle and Farmer Signed “G A. Frost.” l.r.

Oil on canvas, 25 1/2 x 39 3/4 in. (64.8 x 101.0 cm), framed.

Condition: Surface grime, minor scattered losses. $3,000-5,000

413A. Joseph Frank Currier (American, 1843-1909) 413A

Lot of Three Works: River Landscape with Stand of Trees, Landscape with Cypress Tree by a Path, and Landscape with Lone Tree Stand signed, inscribed, and dated “Currier...81” l.r., conté crayon on paper; Cypress unsigned, watercolor on paper; Lone signed and dated “Currier 81” within the matrix l.r., heliogravure.

Sight sizes to 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), framed.

Condition: Not examined out of frames.

Provenance: Through the estate of the artist. $600-800

414.

Scott (Nicholas Winfield) Leighton (American, 1849-1898) Plowing Signed and dated “Scott Leighton 71” l.r.

Oil on canvas, 8 x 9 in. (20.3 x 22.9 cm), in a frame with a Lewis & Son, New York, label affixed to the reverse.

Condition: Retouch, scattered craquelure with lifting. $1,000-1,500

414

416

416.

George William Whitaker (American, 1840-1916)

415

415.

William M. Hart (American, 1823-1894) Cows in a Woodland Landscape Signed and dated “Wm HART 1877.8.” l.r.

Oil on canvas, 15 x 12 1/2 in. (38.1 x 31.8 cm), framed.

Condition: Mounted onto Masonite, retouch, varnish inconsistencies. $3,000-5,000

417

Hay Wagon on a Bridge Signed and dated “G. W. WHITAKER 190...” l.l.

Oil on canvas, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Scattered retouch, craquelure, surface grime. $600-800

417.

Thomas Bigelow Craig (American, 1849-1924) Grazing Cows Signed “THOS. B. CRAIG” l.l.

Oil on canvas mounted onto board, 19 3/4 x 30 in. (50.2 x 76.2 cm), framed.

Condition: Retouch, varnish inconsistencies, craquelure, surface grime. $1,800-2,200

418

418.

Thomas Harris Robinson (American, 1834-1888) Sheep in a Field Signed “TRobinson” l.l.

Oil on canvas, 24 1/2 x 32 1/2 in. (62.2 x 82.6 cm), framed.

Condition: Tear u.c., scattered retouch, craquelure, surface grime. $1,800-2,200

418A. Elizabeth Foote Ferguson (American, 1884-1925) Cows in a Pasture Signed “E. Ferguson.” l.l., also signed and dated “-E. Ferguson 1916” in pencil on the reverse.

Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Surface grime. $300-350 418A

419.

Gaylord Sangston Truesdell (American, 1850-1899) Shepherd with his Flock Signed and dated “G.S. Truesdell 1896.” l.r., inscribed “W 531 L” on the reverse.

Oil on canvas, 15 x 27 1/2 in. (38.1 x 69.9 cm), within a frame liner.

Condition: Craquelure, retouch, patch reinforcements, surface grime, minor losses, subtle canvas deformations. $700-900

419

420

420.

Arthur Fitzwilliam Tait (Anglo/American, 1819-1905) Doe and Fawns in a Landscape Signed “A F Tait” l.r.

Oil on canvas, 20 1/4 x 24 1/2 in. (51.4 x 62.2 cm), framed.

Condition: Lined, tape to the tacking edge, slight wear to edges, retouch, signature reinforced, craquelure, surface grime.

Provenance: By family descent to the present owner.

N.B. Arthur Fitzwilliam Tait was born in Liverpool, but as a child moved to the English countryside near Lancaster where he first became interested in nature, animals, hunting, and fishing. By the 1840s Tait relocated to Manchester where he worked at Agnew’s Repository for the Arts, and discovered the work of Edwin Landseer and John Frederick Herring. Herring’s use of color, in particular, inspired the young artist.

In 1850, Tait, after viewing an exhibition of George Catlin’s paintings of the American West, decided to move to America. He settled in New York, where he painted views of the surrounding Adirondacks. He purchased a farm in Westchester County, which offered the opportunity to paint animals in their natural environment. Tait is best known for these realistic, narrative scenes, often featuring animals and huntsmen, using rich natural colors. $30,000-50,000

421.

William McGregor Paxton (American, 1869-1941) Portrait of a Seated Woman Signed and dated “Paxton Dec 1933” l.r.

Pencil on Strathmore drawing board, sight size 14 x 11 in. (35.6 x 27.9 cm), framed.

Condition: Toning, soiling, not examined out of frame. $800-1,200

421

422.

William Edward Norton and Studio (Anglo/American, 1843-1916) Lot of Three Figure Studies Each signed or inscribed “W.E. Norton Atelier.” l.l.

Oil on canvas, each 16 x 12 1/4 in. (40.6 x 31.1 cm), framed.

Condition: Mild surface grime. $2,400-3,000

422

422A. American School, 19th Century Portrait of Richard Varick Unsigned, sitter identified in information affixed to the reverse.

Oil on canvas stretched over panel, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Retouch, varnish inconsistencies, surface abrasions (predominately beneath the liner), fine craquelure, surface grime.

N.B. Richard Varick was born in 1753 in Hackensack, New Jersey. He served in the army during the Revolutionary War, first as the captain of the 1st New York Regiment, then under General Philip Schuyler and, after, at West Point, where he was aide to General Benedict Arnold. By the end of the war, Varick served as George Washington’s private secretary. Varick entered politics after the war; he worked to standardize the statutes of New York and then served as Mayor of New York from 1791 until 1801.

Varick was also a philanthropist, and founded the American Bible Society in 1816. $1,000-1,500

422A

422B. Harper Pennington (American, 1854-1920) Portrait of Officer Signed and dated “Harper Pennington 1894” l.r.

Oil on canvas mounted onto panel, 40 x 30 in. (101.6 x 76.2 cm), framed in a liner.

Condition: Warping and splits to support, retouch, surface rubs, bloom, surface grime. $1,000-1,500

422B

423

423A

423.

Thomas Nast (American, 1840-1902) Peace and Goodwill Ringing in the Air Signed “Th: Nast” l.c.

Ink with wash on paperboard, sight size 13 x 10 1/2 in. (33.0 x 26.6 cm), framed.

Condition: Adhered to front and back boards, soiling, surface grime. $500-700

423A. George Henry Hall (American, 1825-1913) Still Life Signed and dated “G. H. Hall ‘62” l.c., identified on a label from Grand Central Art Galleries, New York, affixed to the reverse.

Oil on canvas mounted onto board, 11 1/2 x 10 in. (29.2 x 25.4 cm), framed.

Condition: Scattered retouch, mild varnish inconsistencies, craquelure. $700-900

424.

Charles B. Russ (American, 1825-1920) Town View, Probably a Haverhill, Massachusetts, Landscape Signed and dated “C.B. Russ 1883” l.r.

Watercolor on paper/board, sight size 13 1/2 x 9 1/2 in. (34.3 x 24.1 cm), framed.

Condition: Toning, not examined out of frame. $300-500 424

426 425

425.

Benjamin Franklin Reinhart (American, 1829-1885)

426.

Charles Henry Turner (American, 1848-1908)

Playing Among the Daisies Signed and dated “BFReinhart. 1873.” l.l., inscribed “...Reinhart, N. York, Dec. 18 1872.” in the artist’s hand on the reverse.

Oil on canvas mounted onto panel, 15 x 12 in. (38.1 x 30.5 cm), framed.

Condition: Retouch, craquelure. $2,000-4,000

Maine Images Unsigned, inscribed “York Harbor. Aug. 81.” l.r.

Graphite on paper, 11 x 8 3/4 in. (27.9 x 22.2 cm), framed.

Condition: Hinged to back mat at u.r. and u.l. verso, toning, mild nicks/wear to edges. $200-300

427.

John Clinton Spencer (American, 1861-1919) Still Life with Basket of Fruit Signed and dated “-J. C. Spencer 1917-” l.l.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Patch reinforcement u.l., scattered retouch. $1,500-2,000

427

428

428.

Emily Harris McGary Selinger (American, 1848-1927)

429.

John Haberle (American, 1856-1933)

Chrysanthemums and a Vase Signed “Emily Selinger” l.l.

Oil on canvas, 14 1/4 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Mild varnish inconsistencies, surface grime. $400-600

Still Life with Pears and Pan Signed “Haberle” l.r.

Oil on canvas, 11 x 15 3/4 in. (27.9 x 40.0 cm), framed.

Condition: Lined, retouch, signature partially reinforced. $1,000-1,500

429

430

432

430.

Arnoud Wydeveld (American, 1823-1888)

432.

American School, 19th Century

Two Peaches Unsigned, artist inscribed on a label from Questroyal Fine Art LLC, New York, affixed to the reverse, inscribed “A.W.” on the reverse.

Oil on canvas mounted to board, 5 1/2 x 7 in. (14.0 x 17.8 cm), framed.

Condition: Scattered retouch, water damage to the supporting board, fine craquelure. $500-700

Plums in a Basket Unsigned.

Oil on board, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed.

Condition: Wear/losses to edges, minor scattered retouch, craquelure, surface grime. $400-600

431.

Evelyn Almond Withrow (American, 1858-1928) Blue Flowers Signed, inscribed, and dated “E. Withrow-. Paris. ‘92” l.r., identified on a label from Richard York Gallery, New York, affixed to the reverse.

Oil on paper/board, sight size 5 1/4 x 15 3/4 in. (13.3 x 40.0 cm), framed.

Condition: Mild scattered surface abrasions, mild surface grime. $500-700

431

433

434

433.

Attributed to Seth Eastman (American, 1808-1875)

434.

Frederic Remington (American, 1861-1909)

Ball Play of the Sioux on the St. Peters River in Winter Unsigned, identified on a label affixed to the backing.

Oil on board, 13 x 18 in. (32.5 x 45.5 cm), framed.

Condition: Curve to support, varnish inconsistencies, surface grime.

Seated Man Holding a Walking Stick Applied signature “Frederic Remington” in ink l.r., identified on a label on the reverse (see below).

Pencil on paper, 11 1/4 x 9 in. (28.5 x 22.8 cm), framed.

Condition: Nicks and tears to edges, unobtrusive abrasions, toning, not examined out of frame.

N.B. The work is nearly identical to Ballplay of the Dakota on the St. Peters River in Winter of 1848, presently in the collection of the Amon Carter Museum, Fort Worth, Texas. $2,000-4,000

Provenance: From the artist to his widow to Dr. Roland J. Mulford, then by descent within his family to the present owner.

N.B. This work is a preliminary sketch for Remington’s A Sketch on the Work from 1890-91, which was published as an illustration in Julian Ralph’s article, “Dan Dunn’s Outfit” in Harper’s Weekly (November 1891), p. 890. In this work, Mrs. Remington took a signature from one of her husband’s canceled checks and applied it to the unsigned drawing, a common practice after the artist’s death.

A copy of correspondence from the Buffalo Bill Historical Center’s Remington Examination Committee discussing the work accompanies the lot. $1,000-2,000

435.

Alice Price King (British, fl. 1907-1922) Lot of Three Chilean Views: Cerro San Francisco Pampa Terrapaca [sic], El Cerro de Arena, Iquique (The Sand Hill), and Rocky Coastal View Each signed “Price King” l.r. or l.r., respectively, two identified on labels affixed to the backing.

Watercolor on paper, sight sizes to 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm), framed.

Condition: Not examined out of frames. $700-900 435

436.

Cyrus Edwin Dallin (American, 1861-1944) Massasoit, Chief of the Wampanogas, c. 1920 Signed “Dallin ©” and inscribed “Massasoit” within the cast on the base.

Bronze with dark brown patina, 11 x 2 3/4 x 4 in. (27.9 x 7.0 x 10.2 cm).

Condition: Minor surface dust/grime.

N.B. This sculpture is after the large-scale version created in 1920, which was commissioned by the Improved Order of Red Men as a monument for the Plymouth Tercentenary. $7,000-9,000

436

437.

Attributed to Cornelius David Krieghoff (Canadian, 18151872) Indian Holding Moccasins Signed “K...hoff” l.l.

Oil on canvas, 12 x 10 in. (30.5 x 25.4 cm), framed.

Condition: Signature possibly partially reinforced, craquelure, surface grime. $2,000-4,000

437

439

438

438.

H.A. Driscole (American, 19th/20th Century) Small Mouth Bass Signed “H.A. Driscole” l.l.

Oil on canvas, 20 1/4 x 14 1/4 in. (51.4 x 36.2 cm), framed.

Condition: Minor surface grime.

N.B. A copy of an article on Driscole from The American Angler (May 1919) and picture light accompany the lot. $1,500-2,000

439.

Edwin Megargee (American, 1883-1958) Two Pointers Signed “Edwin Megargee” l.r.

Oil on canvas mounted onto board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Mild surface grime. $1,000-1,500

440.

Alexander Pope (American, 1849-1924)

440

Hanging Ducks Signed and dated “ALEXANDER POPE - 03” l.r.

Oil on canvas, 36 x 26 in. (91.4 x 66.0 cm), unframed.

Condition: Lined, scattered retouch, fine craquelure, surface grime. $2,000-2,500

441

441.

Percival Leonard Rosseau (American, 1859-1937) Stylish Mack/Portrait of a Pointer in a Landscape Signed and dated “Rosseau/1933� l.l., titled on the reverse, identified on a presentation plaque.

Oil on canvas, 34 x 27 in. (86.4 x 68.6 cm), framed.

Condition: Surface grime, retouch.

N.B. Percival Leonard Rosseau was born in Louisiana and had worked as a commodities broker, and cattle driver, and cowboy before moving to Paris at the age of 35 to study at the Academie Julian. While in Paris he discovered a talent for portraying animals. Rosseau returned to the U.S. in 1915, and enjoyed a successful career painting hunting dogs. He set up his studio in Old Lyme, Connecticut, but frequently traveled to North Carolina, where Percy Rockefeller set up a studio for him on his private hunting ground at Overhills Club in Fayetteville. $30,000-50,000

443

442

442.

John Whorf (American, 1903-1959) Duck Hunters Dated and signed “33. John Whorf.” l.r.

Watercolor on paper/board, sight size 24 1/2 x 18 1/2 in. (62.2 x 47.0 cm), framed.

Condition: Not examined out of frame. $7,000-9,000

443.

Phillip Brown Parsons (American, 1895-1977) Mallards in Flight, Probably a Duck Stamp Composition Signed “P.B. PARSONS” l.r.

Watercolor and gouache on paper, 5 x 4 in. (12.7 x 10.2 cm), framed.

Condition: Broad ripple/wave to support, not examined out of frame.

Provenance: Through the estate of the artist. $500-700

444.

Aiden Lassell Ripley (American, 1896-1969) Mr. + Mrs. Cunningham with Sam Baby on Point at Merry Go Round, Carver, Massachusetts Signed “A. Lassell Ripley” by the artist’s estate, identified in inscriptions on the backing.

Watercolor and graphite on paper, sight size 9 3/4 x 13 3/4 in.

(24.6 x 34.8 cm), framed.

Condition: Subtle toning, not examined out of frame.

N.B. Born in Wakefield, Massachusetts, the son of a musician with the Boston Symphony Orchestra, Ripley was an accomplished musician, however, he chose to establish his career in art. After serving in the Army during World War I, he attended the Boston Museum School where he studied with artists such as Philip Hale and Frank W. Benson. While there, he was awarded a Paige Traveling Fellowship to study in Europe and Africa. Upon his return to America, he focused his work on the New England countryside, as well as scenes of city life and the railroad. Ripley himself was a committed outdoorsman, hunter, and active conservationist. He also worked as a portraitist and muralist and, in 1939, completed a mural for the Lexington Post Office. $3,500-5,000

445

445.

Frank Weston Benson (American, 1862-1951) Canada Geese in the Snow Signed and dated “F. W. Benson ‘30” l.r.

Watercolor with graphite on paper, sight size 18 1/2 x 23 1/2 in. (47.0 x 59.7 cm), framed.

Condition: Ripping, subtle mat burn.

N.B. A member of “The Ten” and one of the leading American Impressionist artists, Frank Benson worked in a variety of media, including oil, watercolor, and etching, and produced portraits, landscapes, sporting scenes, and still lifes. Born in Salem, Massachusetts, Benson first studied at Boston’s Museum School before traveling to Paris, where he enrolled at the Academie Julian. After returning to the U.S. in 1885, he taught at Boston’s Museum School and enjoyed a successful career, gaining membership to the Society of American Artists and winning many awards, including the Hallgarten Prize at the National Academy in New York. At this time Benson was best known for his graceful plein-air oil portraits which incorporated elements of French Impressionism. However, as American artistic tastes began to change in the 1910s Benson’s focus began to shift too, towards landscapes and sporting subjects. Always an avid outdoorsman, it was at this time that he began depicting views of New England and Canada, and abandoned oil paint in favor of watercolors and etchings. $30,000-50,000

446.

Attributed to Gladys Thayer Reasoner (American, 18861945) Desert View Unsigned, artist’s name inscribed on the stretcher.

Oil on canvas, 18 x 20 in. (45.7 x 50.8 cm), framed.

Condition: Surface grime. $500-700

446

447.

Edward Willis Redfield (American, 1869-1965) Summer Scene Signed and dated “E Willis Redfield 40” l.r.

Oil on canvas, 29 x 46 in. (73.6 x 116.8 cm), framed.

Condition: Retouch and varnish inconsistencies, craquelure.

Literature: Fletcher, J.M.W., Edward Willis Redfield 1869-1965, An American Impressionist: His Paintings and the Man Behind the Palette: (Lahaska, Pennsylvania: JMWF Pub., 1996), p. 105 (illus.).

N.B. This work will be included in Dr. Tom Folk’s forthcoming catalogue raisonné on the artist. $4,000-6,000 447

448.

John L. O’Hagan (American, 1889-1932) Desert Landscape/A View of Southern California Signed “J L O’Hagan” l.r.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), unframed.

Condition: Craquelure, surface grime. $400-600

448

449

449.

Xiang Zhang (Chinese/American, b. 1954)

450.

Attributed to Arthur J. Hammond (American, 1875-1947)

The Cattle Drive Signed “XIANG ZHANG ©” l.r.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Small loss and craquelure to u.c. $7,000-9,000

Sonora Desert View with Saguaro Cactus/An Arizona Landscape Signed or inscribed “A.J. HAMMOND” l.l.

Oil on artist board, 10 7/8 x 13 7/8 in. (27.6 x 35.2 cm), framed.

Condition: Surface grime/abrasions. $700-900

450

451

452

451.

Willi (Wilhelm) Lorenz (German, 1901-1981)

452.

Olive Rush (American, 1873-1966)

Lion at Rest Signed “Willi Lorenz.” l.r.

Oil on canvas, 23 x 39 in. (58.4 x 99.1 cm), framed.

Condition: Craquelure, subtle retouch.

Three Deer Three Aspens Signed “Olive Rush” l.l., signed, inscribed, and titled “Olive Rush...22...” on the backing.

Watercolor and ink wash on paper/board, sight size 21 x 14 1/2 in. (53.3 x 36.8 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

Provenance: Ex-collection of the Catskill Game Farm, Catskill, New York. $1,200-1,800

452A. Jean Jacques Pfister (American, 1878-1949) High Mountain Landscape, Possibly the Rocky Mountains, Lander’s Peak Signed “Jean J. Pfister” l.r., inscribed “Property of F. RAEGEBEHN...” on the reverse.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Craquelure, pigment fluorescence. $1,500-2,500

452A

452B

452B. Kathryn Woodman Leighton (American, 1875-1952) The High Scierras [sic] near Mammoth, Lake George in the Foreground Signed “K. Leighton” l.l., titled on a label affixed to the reverse.

Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.

Condition: Lined, retouch.

N.B. This work is possibly Lake George, mentioned in Patricia Trenton’s Woman Painters of the American West 1890-1945, which is included “on an artist index card dated June 1925 and deposited in the California State Library in Sacramento, on which Leighton lists the titles of her principle works...”1 1. Trenton, p. 279, note 60.

$3,000-5,000

453

453.

Anne Lyman Powers (American, b. 1922) The Osprey’s Nest on a Daybeam Signed and dated “POWERS 79 ©” l.l., artist and title inscribed on the backing.

Gouache on paper/board, sight size 17 1/2 x 23 3/4 in. (44.5 x 60.3 cm), framed.

Condition: Not examined out of frame. $500-700

454.

Richard Evans Younger (American, 1928-2008) Big Horn Sheep, Grandfather Mountain Signed and dated “© RICHARD EVANS YOUNGER ‘90” l.r.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Good. $2,000-2,500

454

456

455

455.

Gino De Colle (Italian, b. 1899) Venetian Street Scene Signed and dated “G. de Colle 96” l.r., a label from Robert C. Vose, Boston, affixed to the backing.

Watercolor on paper/board, sight size 13 1/2 x 8 in. (34.3 x 20.3 cm), framed.

Condition: Toning, subtle fading.

Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $800-1,200

456.

Virgilio Ripari (Italian, 1843-1902) View Along the Grand Canal, Venice Signed “Ripari” l.r.

Oil on canvas, 14 x 26 in. (35.6 x 66.0 cm), framed.

Condition: Retouch, minor surface grime. $3,000-5,000

457.

Isabel (Belle) M. Ross (American, 19th/20th Century) Santa Maria della Salute from the Guidecca Venice, c. 1910 Signed “B. Ross” l.r. and identified on a presentation plaque and on a label affixed to the stretcher bar.

Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.

Condition: Craquelure, surface grime. $2,000-3,000 457

458.

Walter F. Lansil (American, 1846-1925) Repose/A View of Venetian Sailboats Signed “Walter F. Lansil” l.l., titled, signed, and indistinctly dated “...Walter F. Lansil...” on the reverse.

Oil on canvas, 9 x 12 1/4 in. (22.9 x 31.1 cm), framed.

Condition: Scattered surface abrasions, mild surface grime. $1,000-1,500

458

459.

J. Pavlikevitch (Russian, 19th/20th Century) Constantinople Street Indistinctly inscribed and signed “...J. Pavlikevitch...” l.l.

Watercolor on paper, 11 3/4 x 17 3/4 in. (29.8 x 45.1 cm), framed.

Condition: Toning, mild scattered staining/foxing, not examined out of frame. $200-250

459

460.

Leopold Ziller (German, 19th Century) View Along the Bosphorus Signed “Ziller” l.l.

Oil on canvas, 9 1/2 x 13 3/4 in. (24.0 x 34.9 cm), framed.

Condition: Several small patch reinforcements, retouched, surface grime, craquelure. $800-1,200

460

462

461.

Henry Roderick Newman (American, 1833-1918) Queen Nefertiti, c. 1896-1899 Signed “HR Newman” l.r., and inscribed “...The figure to the right of the door of the Temple of Abu Simbel near the 2nd Cataract...Fuller/22 Feby 1945” in pencil on the reverse, with a label from Alexander Reeves Fine Art, Richmond, Virginia, on the paper backing.

Watercolor on linen-backed paper, 18 x 9 3/4 in. (45.7 x 24.8 cm), framed.

Condition: Trimmed sheet, cloth tape hinged, small restored tear u.l. $3,000-5,000

461

462.

Attributed to Hughson Hawley (American, 1850-1936) Interior of an Egyptian Revival Hall Monogram signed and dated “HHawley 30” l.r.

Gouache on paper, sight size 11 3/4 x 23 1/2 in. (29.8 x 59.7 cm), framed.

Condition: Partially reinforced signature, not examined out of frame. $800-1,200

463.

Albert Herter (American, 1871-1950) Mohamed Ben Hadge Abdeslam Djedidi/A Tunisian Portrait, c.

1925 Bears signature “...ALBERT HERTER” l.l., identified on a presentation plaque, inscribed “Mohamet” and with a stamp from Lucien Lefebvre Foinet, Paris, on the stretcher.

Oil on canvas, 45 1/2 x 26 in. (115.6 x 66.0 cm), framed.

Condition: Surface grime.

Provenance: Sold to benefit the Bennington Museum, Vermont. $800-1,200

463

464.

Charles Zacharie Landelle (French, 1812-1908) Jeune Fille Orientale Signed “Landelle” l.l., partial canvas stencil on the reverse.

Oil on canvas, 18 x 13 3/4 in. (45.7 x 34.9 cm), framed.

Condition: Minor scattered losses, retouch, varnish inconsistencies, craquelure with lifting, mild surface grime. $5,000-7,000

464

465.

Charles Bourdon (French, 19th Century) Venetian Belle Signed “Ch. Bourdon” l.r., identified on a presentation plaque.

Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), in a shadowbox frame.

Condition: Craquelure, surface grime. $3,000-5,000

465

466.

Leota Williams Loop (American, 1893-1961) Beech Woods Signed “Leota-Williams-Loop-” l.l., inscribed and titled “#588...” on the stretcher bars.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Minor surface grime. $2,000-4,000

466

467.

John C. Terelak (American, b. 1942) Autumn Birches Signed and dated “J C TERELAK © 77” l.r.

Oil on Masonite, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Varnish inconsistencies. $2,000-4,000

467

468.

Louis F. Mueller (American, 1886-1958) Hillside Farm with Haystacks Signed “Louis Mueller.” l.r.

Oil on board, 21 1/2 x 31 1/4 in. (54.6 x 79.4 cm), framed.

Condition: Retouch, varnish inconsistencies. $600-800

468

469

470

469.

Ernest David Roth (American, 1879-1964)

470.

William Mouncey (Scottish, 1852-1901)

Green and Gold Signed “E.D. Roth” l.r., title depicted on a photograph affixed to the reverse.

Oil on canvas, 24 1/4 x 20 in. (61.6 x 50.8 cm), framed.

Condition: Craquelure, lined. $1,500-2,500

On the Banks of the River Signed “W. Mouncey” l.l., inscribed “I, Joan Mouncey, eldest daughter of the late William Mouncey of Kirkcudbright, Scotland, know that this picture was the work of the said William Mouncey/dated May 22nd 1911...” on the reverse.

Oil on canvas, 20 1/4 x 24 1/4 in. (51.4 x 61.6 cm), framed.

Condition: Craquelure. $2,000-4,000

471.

Ralph Davison Miller (American, 1858-1945) Brother Oaks Incised signature “Ralph Davison Miller” l.r., titled on the reverse.

Oil on canvas, 21 1/4 x 27 1/4 in. (54.0 x 69.2 cm), framed.

Condition: Craquelure, minor surface grime. $1,500-2,500

471

472.

Antonio Cirino (American, 1889-1983) Late Day in Autumn Signed “A. CIRINO” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Retouch, craquelure.

Provenance: Through the artist’s estate. $3,000-5,000

473.

Cecil Chichester (American, 1891-1963) Autumn Landscape Signed “Cecil Chichester” l.r., a partial gallery label affixed to the reverse.

Oil on board, 8 1/4 x 10 1/2 in. (21.0 x 26.6 cm), framed.

Condition: Slight bowing to the support, scattered retouch. $400-600 472

474.

Bernard Corey (American, 1914-2000) Auburn Signed “BERNARD COREY” l.r., also signed and titled “BERNARD COREY...” on the reverse.

Oil on canvas mounted to board, 8 3/4 x 13 in. (22.2 x 33.0 cm), unframed.

Condition: Minor surface grime. $700-900

474A. Beatrice J. Humphreys Jackson (American, b. 1905) Hathaways Farm Signed “B. Jackson” l.l., identified on a period label from Grand Central Art Galleries, New York, and a partial label from C.W. Kraushaar Art Galleries affixed to the reverse.

Oil on canvas, 22 3/4 x 30 3/4 in. (57.8 x 78.1 cm), framed.

Condition: Mild surface grime. $300-500 473

474

474A

475.

Robert Shaw Wesson (American, 1902-1967) Cambridge Valley Brook Signed “Robert Wesson” l.r., also signed and titled “...Robert Wesson” on the reverse.

Oil on canvas, 23 3/4 x 30 in. (60.3 x 76.2 cm), framed.

Condition: Abrasion/loss l.l., varnish inconsistencies. $1,500-2,000

475

476.

Annabelle E. Williams (American, 20th Century) October Sunlight Signed “Annabelle E. Williams” l.r., titled and signed “...Annabelle E. Williams” on the reverse.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), in a frame signed “ANNABELLE E. WILLIAMS FRAME.” u.c.

Condition: Good. $800-1,200

476

477.

Anders Daniel Johansen (Danish, 1882-1967) Autumn Trees Nestled within the Hills Signed “ANDERS D. JOHANSEN” l.l.

Oil on artist board, 8 x 11 in. (20.3 x 27.9 cm), framed.

Condition: Minor abrasions along liner. $200-300

477

478

479

478.

Charles Gordon Harris (American, 1891-1963)

479.

Frank Townsend Hutchens (American, 1869-1937)

Autumn Hills Signed “C. GORDON HARRIS” l.r.

Oil on artist board, 9 3/4 x 12 in. (24.8 x 30.5 cm), framed.

Condition: Surface grime. $300-350

River Reflections Signed “F.T. HUTCHENS” in ink l.r.

Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.

Condition: Surface grime, subtle varnish inconsistencies. $2,000-4,000

480.

Joseph Eliot Enneking (American, 1881-1942) Autumn Trees Signed or inscribed “J. E. Enneking” in pencil on the reverse.

Oil on board, 8 1/4 x 14 in. (21.0 x 35.6 cm), framed.

Condition: Flaking/losses l.c., retouch, extremely fine craquelure, mild surface grime. $600-800

480

481.

Louis H. Richardson (American, 1853-1923) Autumn View with Stream Signed and dated “LHRICHARDSON 1911” l.r.

Oil on canvas, 14 x 11 in. (35.6 x 27.9 cm), framed.

Condition: Scattered retouch, signature partially reinforced, surface grime. $1,000-1,500

482.

David Cunningham Lithgow (American, 1868-1958) Woods Behind David Lithgow’s Cottage in the Adirondacks, 1922 Unsigned, inscribed, and titled “Painted by David Lithgow...” on the stretchers.

Oil on canvas, 19 3/4 x 15 1/4 in. (50.2 x 38.7 cm), framed.

Condition: Minor surface grime. $500-700

481

483.

Mariquita Gill (American, 1861-1915) Lakeview in Autumn Signed “Mariquita Gill” l.l., inscribed indistinctly on the stretcher.

Oil on canvas, 15 x 22 in. (38.1 x 55.9 cm), framed.

Condition: Surface grime, retouch, craquelure. $1,000-1,500

483

482

484.

Antonio Cirino (American, 1889-1983) The Lullaby of the Leaves, alternatively titled Obliging Autumn Signed “A. CIRINO” l.r., titled on the stretcher bars.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.

Condition: Losses along tacking margin, craquelure, pigment fluorescence.

Provenance: Through the artist’s estate. $3,000-5,000

484

485.

George Glenn Newell (American, 1870-1947) Landscape with Cattle Signed and dated “G Glenn Newell 1931” l.l., identified on a presentation plaque.

Oil on canvas, 36 x 42 1/4 in. (91.4 x 107.3 cm), framed.

Condition: Surface grime, craquelure. $3,000-5,000

485

486.

James Goodwin McManus (American, 1882-1958) Lot of Two Landscapes: The Hatt Farm House at Salem Connecticut and Captain Jim’s Meadow Salem signed and dated “James Goodwin McManus 1953” l.l., identified in the artist’s hand on the reverse, Meadow signed “James Goodwin McManus” l.r., identified on a partial label from the Lyme Art Association, Old Lyme, Connecticut, affixed to the reverse.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime. $325-500

486

487

487.

Antonio Cirino (American, 1889-1983)

488.

Antonio Cirino (American, 1889-1983)

Old Livery Stable Signed “A. CIRINO” l.r., identified on a label from the Salmagundi Club, New York, on the reverse.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.

Condition: Losses along tacking margin, craquelure, minor surface grime.

New England, Autumn, 1932 Signed “ACIRINO” l.l., also signed “ACIRINO” on the stretcher, identified on labels on the reverse.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Craquelure, retouch, pigment fluorescence.

Provenance: Through the artist’s estate.

Provenance: Through the artist’s estate.

$3,000-5,000 $3,000-5,000

488

489

489.

William Lester Stevens (American, 1888-1969)

490.

Ethel M. Lomasney (American, 1887-1959)

Winter Field Signed “W. LESTER STEVENS N.A.” l.c., titled in the artist’s hand on the reverse.

Oil on canvas mounted to Masonite, 24 x 48 in. (61.0 x 121.9 cm), framed.

Condition: Varnish inconsistencies, surface grime, partially reinforced signature. $7,000-9,000

Blue Valley Signed “Ethel Lomasney.” l.r., identified on a presentation plaque.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Subtle varnish inconsistencies, pigment fluorescence. $400-600

490

491

491.

Carl Wuermer (American, 1900-1982)

492.

Stowell B. Sherman (American, b. 1886)

December Afternoon Signed “Carl Wuermer” l.r., identified on a period label affixed to the backing.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime, minor surface abrasions. $10,000-15,000

Winter Shadows Signed “STOWELL SHERMAN” l.r., identified on an exhibition label from South County Art Association affixed to the stretcher.

Oil on canvas, 26 1/4 x 30 in. (66.7 x 76.2 cm), framed.

Condition: Fine scattered craquelure, surface grime. $800-1,200

492

493.

Gene (Charles Eugene) Klebe (American, b. 1907) Maine Harbor in Winter Signed “Gene Klebe AWS” l.r.

Watercolor on paper/board, sight size 17 x 26 1/2 in. (43.2 x 67.3 cm), framed.

Condition: Not examined out of frame. $400-600

493

493A. Ernest David Roth (American, 1879-1964) Winter Landscape with Houses Signed “E.D. Roth” l.l.

Oil on board, 10 1/8 x 14 1/8 in. (25.7 x 35.9 cm), framed.

Condition: Surface grime. $800-1,200

493A

494.

Boris Ivanovich Gorbunov (Russian, b. 1922) Blue Snow Initialed and dated “G49” l.r., inscribed and stamped “B. Gorbunov. 1949...USSR City of Podolsk Cardboard...Dimensions...” and titled in Cyrillic on the reverse.

Oil on paper/board, 11 x 14 in. (27.9 x 35.6 cm), framed.

Condition: Losses and flaking u.r., trimmed board.

Provenance: Private New England collection. $200-300

494

495.

Thomas Andrew Nicholas (American, b. 1934) Along the River, Vermont Signed “-TOM NICHOLAS- N.A.” l.r. identified on labels affixed to the reverse.

Oil on canvas, 30 1/4 x 36 1/4 in. (76.8 x 92.1 cm), framed.

Condition: Good. $3,500-5,500

495

496.

Marian Williams Steele (American, 1912-2001) Winter at Annisquam Signed “Marian Williams Steele” l.l. and on the reverse.

Oil on board, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Pigment fluorescence, surface grime. $1,200-1,800

496

496A. Elisabeth Roberta “Betty” Galbraith-Cornell (Canadian, b.

1916/17) “Spring Melting” - The Glen Signed “B. Galbraith-Cornell” l.r.

Oil on Masonite, 12 3/4 x 26 in. (32.4 x 66.0 cm), framed.

Condition: Surface grime. $300-500

496A

497

497.

Ellen Day Hale (American, 1855-1940)

498.

Arthur Bowen Davies (American, 1862-1928)

Almond Blossoms Signed and dated “E.D. Hale/ 91� in pencil l.l.

Pastel on paper, sight size 11 1/2 x 19 3/8 in. (29.2 x 49.2 cm), framed.

Condition: Tack holes to margins, pentimento l.l. $2,000-4,000

Houses Beyond the Trees Unsigned.

Oil on panel, 5 3/8 x 9 3/8 in. (13.7 x 23.8 cm), framed.

Condition: Minor splits to edges, losses/wear to edges, surface grime. $400-600

498

499

499.

Eric L. (Frederic) Pape (American, 1870-1938)

500A. Dana Ripley Pond (American, 1881-1962)

View of an Egyptian Farm Signed, dated, and inscribed “·PAPE· 91·/·EGYPT·” l.r., stamped “ESTATE OF Eric Pape 1870-1938” on the backing.

Oil on canvas, 11 x 13 1/2 in. (27.9 x 34.3 cm), framed.

Condition: Lined, retouch.

Scene from Family House Signed “Dana Pond.” l.l., titled and inscribed “...10 Cambridge Street, Winchester, Mass. Given to his Brother Shepard + His Wife June T. Pond” on the reverse.

Oil on canvas, 30 1/4 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Surface grime.

Provenance: Through the estate of the artist. $2,500-3,500

Provenance: Through the family of the artist. $1,000-1,500

500.

Helen M. Goodwin (American, 1865-1955) California Landscape Initialed “H.M.G.” l.r., a label from Pasadena Artists’ Supply affixed to the frame.

Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.

Condition: Surface grime. $400-600

500

500A

501

501.

Isabelle H. Ferry (American, 1865-1937)

503.

American School, 20th Century

Garden Steps Unsigned, artist’s estate stamp on the reverse.

Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Pigment fluorescence, mild surface grime. $600-800

Garden View Unsigned, partial oil on canvas figure study of a male nude on the reverse.

Oil on canvas mounted onto board, 19 x 13 1/2 in. (48.3 x 34.3 cm), unframed.

Condition: Mild surface grime, losses, tears and adhesive residue to the reverse. $300-500

502.

Freda Churchwell MacAdam (American, 1907-1998) White Columns Signed “FREDA MACADAM” l.r., signed, titled, and inscribed “FREDA MACADAM...Virginia 1935” on the reverse, inscribed “Rehoboth Annual Show” on the reverse.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Retouch. $400-600

502

503

504.

Anthony Thieme (American, 1888-1954) Southern Doorway Signed “A. Thieme” l.r., titled and inscribed “Southern Doorway...290/500” in the artist’s hand on the reverse, identified on a label from the Boston Art Club affixed to the reverse.

Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed (under glass).

Condition: Pigment fluorescence, area of lifting l.r. $4,000-6,000

504

505.

Abbott Fuller Graves (American, 1859-1936) Portrait of a Young Breton Girl in a Summer Garden Signed “-Abbott Graves-” l.l.

Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed.

Condition: Craquelure, scattered retouch. $15,000-20,000

505

506.

Waldo Peirce (American, 1884-1970) A Walk in the Park Dated, dedicated, and signed “15 feb 53 All the best, for Sally & Peter...Waldo Peirce.” l.l., indistinctly inscribed, signed, and dated “...W Peirce ‘53” l.r.

Watercolor, ink, and pencil on paper/board, sight size 10 3/4 x 15 1/2 in. (27.3 x 38.1 cm), framed.

Condition: Toning, creases, staining, not examined out of frame. $300-500

506

507.

Virginia Cuthbert (American, 1908-2001) Spring Landscape Signed “Virginia Cuthbert” l.l., titled and signed or inscribed “...VIRGINIA CUTHBERT ELLIOTT” on the stretcher.

Oil on canvas, 20 1/4 x 24 in. (51.4 x 61.0 cm), framed.

Condition: Minor surface grime/abrasions. $800-1,200

507

508.

Everett Lloyd Bryant (American, 1864-1945) Lot of Two Works: Path Along the River and A Studio Still Life with Flowers and Sculpture Each signed “E L Bryant” l.l. or l.r.

Oil on canvas, sizes to 26 x 32 in. (66.0 x 81.3 cm), unframed, unstretched.

Condition: Creases, scattered abrasions with losses, surface grime. $200-300

508

509

509.

William Johnson Bixbee (American, 1850-1921)

510.

Frank Swift Chase (American, 1886-1958)

Along the Charles River, Perkins School Signed “Bixbee” l.l., identified on a label affixed the reverse.

Oil on canvas, 14 1/4 x 20 in. (36.2 x 50.8 cm), framed.

Condition: Craquelure, pigment fluorescence.

Bare Trees Signed “FS CHASE” l.r., information regarding the artist affixed to the reverse.

Oil on paper mounted onto board, 8 1/8 x 10 1/8 in. (20.6 x 25.7 cm), framed.

Condition: Craquelure. $2,500-3,500

Exhibitions: Artists of the Boston Art Club, 1854-1950, Fuller Museum of Art, July 3–September 19, 1993, exh. no. 5. $2,000-3,000

510

511

513

511.

Joseph Randolph Brown (American, 1861-1953)

513.

Katherine Adams Lovell (American, 1877-1965)

Marsh View in Spring Signed and dated “J. Randolph Brown 1937” l.l.

Oil on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Retouch, surface grime. $1,000-1,500

Waterfall, Ogunquit, Maine Signed “K. LOVELL” l.l., also identified, titled, and inscribed “...K. Lovell/Brooklyn 26...” on the reverse.

Oil on canvasboard, 18 x 22 in. (45.7 x 55.9 cm), framed.

Condition: Retouch, pigment fluorescence, surface grime, subtle bowing to board. $800-1,200

512.

Margaret Jordan Patterson (American, 1867-1950) Low Tide Unsigned, artist’s estate stamp on the reverse.

Watercolor and gouache on paper, sight size 8 x 17 1/4 in. (20.3 x 43.8 cm), framed.

Condition: Tear l.r., not examined out of frame. $400-600

512

513A

513A. Wolf Kahn (American, b. 1927)

514.

Henry W. Rice (American, 1854-1922)

Barn in Summer, 1971-2 Signed “W. Kahn” l.r., signed, dated, and titled “Wolf Kahn 1972...” and identified on a label from Parker Street 470, Boston, on the stretcher.

Oil on canvas, 50 x 50 in. (127.0 x 12.7.0 cm), framed.

Condition: Fine craquelure. $12,000-18,000

Shoreside Cottage Unsigned.

Watercolor on paper, sight size 13 3/4 x 19 3/4 in. (35.2 x 50 cm), framed.

Condition: Tears, foxing, not examined out of frame. $600-800

514

515.

Eugene Henry Bischoff (American, 1880-1954) Franconia Notch/A New Hampshire View Signed and dated “E.H. Bischoff 1936” l.r., identified on a presentation plaque.

Oil on canvas, 34 x 42 in. (86.4 x 106.7 cm), framed.

Condition: Minor surface grime.

Provenance: Sold to benefit the Bennington Museum, Vermont. $300-500

515

516.

Bernard Corey (American, 1914-2000) Trees in the Woods Signed “BERNARD COREY” l.r., identified on labels, including one from the artist’s estate, affixed to the reverse.

Watercolor with ink on paper/board, sight size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), framed.

Condition: Not examined out of frame. $500-700

516

517.

David Bareford (American, b. 1947) Spring Run-Off, Belfast, Maine Signed “David Bareford” l.l., identified on a label from Quester Gallery, Stonington, Connecticut, on the reverse.

Oil on canvas mounted to board, 11 x 14 in. (27.9 x 35.6 cm), framed.

Condition: Good. $1,000-1,500

517

518

518.

Charles Warren Eaton (American, 1857-1937)

519.

Ernest Lawson (Canadian/American, 1873-1939)

The Heart of New England Signed and dated “CHAS. WARREN EATON - 1905” l.l., titled, signed, and dated “...Chas. Warren Eaton. 1905.” on the reverse.

Oil on canvas, 30 1/4 x 36 in. (76.8 x 91.4 cm), framed.

Condition: Scattered retouch, scattered craquelure, mild surface grime. $10,000-15,000

Along the Riverbank Signed “E. L...” l.r.

Oil on canvas mounted to artist board, 12 x 14 3/4 in. (30.5 x 37.5 cm), framed.

Condition: Surface grime, retouch.

519

Provenance: William Doyle Galleries, American Paintings, October 21, 1987, lot 133; private collection, Montecito, California; private New England collection. $8,000-12,000

520.

Carl Gordon Cutler (American, 1873-1945) Umbrella Pine Signed “Carl G Cutler” l.l., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 16 3/4 x 24 1/2 in. (42.5 x 61.6 cm), framed.

Condition: Not examined out of frame. $800-1,200

520

521.

Carl Gordon Cutler (American, 1873-1945) Stone Piles Signed “Carl G Cutler” l.r., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 17 1/4 x 24 1/4 in. (43.8 x 61.6 cm), framed.

Condition: Not examined out of frame. $800-1,200

521

522.

Carl Gordon Cutler (American, 1873-1945) View Across Eggen Moy in Beach Signed “Carl G Cutler” l.l., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 17 1/2 x 23 3/4 in. (44.5 x 60.3 cm), framed.

Condition: Not examined out of frame. $800-1,200

522

523.

Carl Gordon Cutler (American, 1873-1945) Forgotten Quarry Signed “Carl G Cutler” l.r., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 19 1/2 x 24 1/2 in. (49.5 x 62.2 cm), framed.

Condition: Not examined out of frame. $700-900

523

524.

Carl Gordon Cutler (American, 1873-1945) Walker Pond Signed “Carl G Cutler” l.c., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 18 3/4 x 24 1/2 in. (47.6 x 62.2 cm), framed.

Condition: Not examined out of frame. $800-1,200

524

525.

Carl Gordon Cutler (American, 1873-1945) After the Rain Signed “Carl G Cutler” l.r., titled in a later hand on the backing.

Watercolor with charcoal on paper/board, sight size 17 x 24 3/4 in. (43.2 x 62.9 cm), framed.

Condition: Not examined out of frame. $700-900

525

526.

Elizabeth Galbraith Jewell (American, 1874-1956) Hampton Marshes, Hampton, New Hampshire Signed “E.G. Jewell” l.r., artist and title inscribed, probably in the artist’s hand, on the reverse, artist’s estate stamp on the reverse.

Oil on canvasboard, 14 x 18 in. (35.6 x 45.7 cm), framed.

Condition: Scattered retouch, surface grime. $600-800

526

527.

Theodore Frederick Hussa (American, 1909-1939) Grey Barns Signed and dated “Hussa ‘39” l.r., titled on a presentation plaque, inscribed and titled “Bennington Museum + Art Gallery...Hussa” on a period label affixed to the reverse.

Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Minor retouch, mild surface grime.

Provenance: Sold to benefit the Bennington Museum, Vermont. $200-250

527

528.

MacIvor Reddie (American, 1864-1931) Ploughing the Fields Signed “MacIvor Reddie” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Minor surface losses u.l., surface grime. $2,200-2,800

528

531

529

529.

Mabel May Woodward (American, 1877-1945)

531.

Harold Broadfield Warren (American, 1859-1934)

The Hills of New England, Autumn Signed “M. Woodward” l.r.

Oil on Masonite, 10 x 13 in. (25.4 x 33.0 cm), framed.

Condition: Good. $800-1,200

Landscape with Distant Mountains Signed “H.B. WARREN” l.l.

Watercolor on paper/board, sight size 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Toning, scattered foxing, not examined out of frame. $200-300

530.

Paul Starrett Sample (American, 1896-1974) Island Pond Meadows Signed “PAUL SAMPLE” l.l., titled and inscribed, possibly by the artist, copyright stamped and identified on labels on the reverse.

Oil on canvasboard, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Surface grime, minor abrasions along frame liner. $7,000-9,000

530

532

532.

Hayley Lever (American, 1876-1958)

534.

Morris Hall Pancoast (American, 1877-1963)

Moore’s Farm, Kensington, Connecticut Signed “Hayley Lever” l.r., titled and dated “...1935” in pencil on the reverse.

Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Minor surface grime. $3,000-5,000

A Warm Day in January Signed “Morris Hall Pancoast” l.r., identified on a label from the Salmagundi Club (see below) affixed to the reverse.

Oil on board, 14 x 13 3/4 in. (35.6 x 34.9 cm), framed.

Condition: Surface grime.

533.

Dexter B. Dawes (American, b. 1872)

Exhibitions: Annual Exhibition and Auction Sale of Pictures, Salmagundi Club, no 86. $800-1,200

Green House at Bridge Tower Signed “D.B. DAWES” l.l., titled on the reverse, identified on a label affixed to the backing.

Gouache, charcoal, and graphite on paper, sight size 12 1/2 x 15 1/4 in. (31.8 x 38.7 cm), framed.

Condition: Paper strip backed along bottom margin, glued at center to cardboard. $300-350

533

534

535.

Minna Walker Smith (American, b. 1883) Road Up the Mountain, Probably a View of Crawford Notch, New Hampshire Signed and dated “Minna Walker Smith ‘46” l.l.

Watercolor on paper, sight size 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Toning, not examined out of frame. $500-700

535

536.

Dexter B. Dawes (American, b. 1872) The White House, Piermont/A New Hampshire View Signed “D.B. DAWES” l.r., titled in pencil on the reverse.

Gouache, charcoal, and graphite on paper, sheet size 11 5/8 x 14 1/2 in. (29.5 x 36.8 cm), framed.

Condition: Paper strip backed along bottom margin. $300-500

536

537.

Richard LaBarre Goodwin (American, 1840-1910) Port View with Railroad Trestle Bridge Signed “R. LaBarre Goodwin” l.l.

Watercolor on paper, sheet size 5 3/4 x 8 3/4 in. (14.6 x 22.2 cm), unframed.

Condition: Toning, paper backed, acid burn, tape hinged to backing mat. $500-700

537

538.

Antonio Cirino (American, 1889-1983) New England Harbor View Signed “A. CIRINO” l.r.

Oil on Masonite, 10 x 12 in. (25.4 x 30.5 cm), unframed.

Condition: Minor surface grime, pigment fluorescence.

Provenance: Through the artist’s estate. $1,000-1,500

538

539.

Attributed to MacIvor Reddie (American, 1864-1931) Lobster Dories/A Cohasset View Unsigned, artist identified in two later inscriptions on the reverse.

Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Mild scattered retouch, mild surface grime. $600-800

539

540.

Arthur Sarnoff (American, 1912-2000) House and Dock, Peggy’s Cove Signed “Arthur Sarnoff” l.l.

Ink and gouache on paper, sight size 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm), framed.

Condition: Not examined out of frame. $800-1,200

540

541

541.

Antonio Cirino (American, 1889-1983)

542.

Bernard Corey (American, 1914-2000)

Fishermen on the Coast Signed “A CIRINO” l.l.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.

Condition: Craquelure, minor surface grime.

The Dry-Docked Boat Signed “BERNARD COREY” l.r. and on the reverse.

Oil on Masonite, 8 x 12 in. (20.3 x 30.5 cm), framed.

Condition: Retouch and/or pigment fluorescence. $700-900

Provenance: Through the artist’s estate. $4,000-6,000

542

543.

Francis Isabel Neill (American, b. 1871) Maine Coast in Summer Signed “Francis Isabel Neill” l.l., a stamp from Trisdonn Gallery, Ltd., New York, on the reverse.

Oil on canvas mounted to board, 19 1/2 x 23 1/2 in. (49.5 x 59.6 cm), framed.

Condition: Craquelure, minor retouch, minor losses. $800-1,200

543

544.

Franz Arthur Bischoff (American, 1864-1929) Crashing Waves/A Southern California View Signed “Franz A. Bischoff” l.l.

Watercolor on paper, sheet size 19 1/8 x 28 7/8 in. (48.6 x 73.3 cm), framed.

Condition: Masking taped to beveled mat, subtle toning, subtle acid burn, old glue residue on the reverse. $2,000-4,000

544

545.

Helen Lincoln Sorenson (American, c. 1870-1929) Coastal View Signed “Helen L. Sorenson” l.r., information affixed to the reverse (see below).

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Canvas deformations, scattered craquelure, mild surface grime.

N.B. According to the information affixed to the reverse, this work was possibly exhibited at Vose Galleries of Boston under the title Rocks & Surf at Ogunquit, Maine. $600-800

545

546

546.

Emile Albert Gruppé (American, 1896-1978)

547.

Cecil Crosley Bell (American, 1906-1970)

Fishermen on the Coast Signed “Emile A. Gruppé” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Craquelure, subtle varnish inconsistencies. $6,000-8,000

Ambrose Light House Signed “C. BELL” l.r., identified on a label affixed to the reverse, a label from Associated American Artists affixed to the reverse.

Watercolor and gouache with pencil on a partial envelope, sight size 6 3/4 x 11 1/2 in. (17.2 x 29.2 cm), framed.

Condition: Toning, broad rippling, not examined out of frame. $500-700

547

548.

John Michael Buckley (American, 1891-1958) Moonlit Signed “JM Buckley” l.r., titled, signed, dated, and inscribed “W.P.A. Fed. Art Project...J.M. Buckley/ 1939...” on the reverse.

Oil on canvas, 25 x 30 in. (63.5 x 76.5 cm), framed.

Condition: Craquelure, surface grime, puncture l.c. $800-1,200

548

549.

James Milton Sessions (American, 1882-1962) The Fish Cannery Signed “SESSIONS” l.r., titled and initialed “...JMS” on the reverse.

Watercolor with graphite on paperboard, sight size 13 3/4 x 17 1/2 in. (34.9 x 44.5 cm), framed.

Condition: Taped to the front mat verso, mat burn. $1,000-1,500

549

550.

Antonio Cirino (American, 1889-1983) Cape Ann Harbor View Signed “ACIRINO” within the composition c.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Subtle surface grime and craquelure, retouch and/or pigment fluorescence.

Provenance: Through the artist’s estate. $4,000-6,000

550

551

551.

Mabel May Woodward (American, 1877-1945) Harbor Stamped “M. Woodward” l.r.

Oil on canvas mounted onto board, 10 x 13 in. (25.4 x 33.0 cm), framed.

Condition: Pinholes at corners, mild surface grime. $1,000-1,500

552.

Emile Albert Gruppé (American, 1896-1978) Harbor View Signed “Emile A. Gruppé“ l.r.

Oil on canvas mounted onto board, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Retouch, mild surface grime. $3,000-5,000

552

553.

Robert Tolman (American, b. 1886) Seascape Signed “Robert Tolman” l.r.

Oil on panel, 18 x 21 3/4 in. (45.7 x 55.2 cm), framed.

Condition: Mounted onto board, wear to edges, scattered craquelure, surface grime. $400-600

553

554.

Robert S. Bacon (American, 20th Century) View of a Lighthouse Signed and dated “R.S. Bacon ‘49” l.c., signature pentimento l.r.

Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed.

Condition: Minor surface grime. $600-800

554

555.

William Holland Drury (American, 1888-1960) Rhode Island Coastal View Signed “W.H. DRURY” l.l., artist identified on information affixed to the reverse.

Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime. $500-700

555

556.

Harland A. Riker (American, 20th Century) November Seas Signed and dated “Harland A. Riker/11 50” l.r., titled on a label on the stretcher.

Oil on canvas, 32 x 32 in. (81.3 x 81.3 cm), framed.

Condition: Surface grime. $400-600

556

557.

Don Stone (American, b. 1929) Surf and Fog Signed “Don Stone N.A.” l.r., identified and titled, possibly in a later hand, on the backing.

Oil on canvasboard, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Good. $800-1,200

557

558.

George Forest Payne (American, 20th Century) Crashing Surf Signed “GEO F PAYNE” l.l., inscribed on the reverse.

Oil on board, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Wear/losses to edges, slight bowing to support, scattered retouch, varnish inconsistencies, scattered craquelure, minor scattered losses, mild surface grime. $400-600

558

559

559.

John Whorf (American, 1903-1959)

560.

Hayley Lever (American, 1876-1958)

Mediterranean Port Signed “John Whorf.” l.r., identified on an exhibition label (see below) affixed to the backing.

Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.

Condition: Very subtle toning, not examined out of frame.

Yachting Centre Signed “Hayley Lever” l.r., also titled, signed, inscribed, and dated “...Haley Lever/Larchmont N.Y./Aug. 1947” with a label and stamp from the Clayton-Liberatore Art Gallery, Bridgehampton, New York, on the reverse.

Oil on board, 13 3/4 x 18 in. (34.9 x 45.7 cm), framed.

Condition: Minor surface grime, craquelure, scattered retouch. $4,000-6,000

Exhibitions: 9th International Exhibition of Watercolor Paintings, The Art Institute of Chicago, 1929, no. 303 $7,000-9,000

560

561

561.

Anthony Thieme (American, 1888-1954) Bahama Industry Signed (incised) “A. Thieme” l.r., titled in the artist’s hand on the reverse, identified on a period label from Grand Central Art Galleries, New York, affixed to the reverse.

Oil on canvas, 30 1/2 x 36 1/4 in. (77.5 x 92.1 cm), framed.

Condition: Scattered craquelure (and very slight canvas deformation along stretcher bar), surface grime.

N.B. Anthony Thieme, best known for his Impressionistic plein-air coastal views and seascapes, was born in Rotterdam, Holland, but came to the U.S. as a young artist, setting up a studio in Cape Ann, Massachusetts. Although Thieme was attracted to the colorful surroundings and sparkling waters of Rockport and Gloucester, he continued to travel throughout his career. He spent the winter months in St. Augustine, Florida (where he set up a studio in 1947) but also traveled to Mexico, Guatemala, and the Bahamas. He was “seeking new challenges to capture on canvas”1 and his paintings reflected the warm sunlight, vibrant colors, rich textures, and varied cultures of these places.

1. Curtis, Judith A., Anthony Thieme 1888-1954, (Rockport, Massachusetts: Rockport Art Association, 1999), p. 12.

$15,000-25,000

562.

John Whorf (American, 1903-1959) Derelict Signed “John Whorf” in pen twice l.r., titled in an inscription on the reverse.

Watercolor on paper, sheet size 22 1/4 x 28 in. (56.5 x 71.1 cm), framed.

Condition: Masking and gum paper taped to window mat, trimmed sheet, toning. $2,000-3,000

562

563.

Anton Otto Fischer (American, 1882-1962) Out of the Fog Signed and dated “1940/ANTON OTTO FISCHER” l.r., identified on a presentation plaque.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Craquelure. $1,500-2,000

563

564.

Anton Otto Fischer (American, 1882-1962) USS Brazley in Convoy Signed “Anton Otto Fischer” l.l.

Oil on canvas, 22 x 32 in. (55.9 x 81.3 cm), framed.

Condition: Lined, craquelure, retouch. $2,000-3,000

564

565

565.

Henry McDaniel (American, 1906-2008)

566.

Charles Wellington Furlong (American, 1874-1967)

Canoers on the Bay Signed “Henry McDaniel” l.r.

Watercolor on paper, sight size 11 1/4 x 15 1/2 in. (28.6 x 39.4 cm), framed.

Condition: Not examined out of frame. $500-700

Yahgans in a Beech-log Canoe Signed and dated “Charles W Furlong 09” l.l.

Oil on canvas, 24 x 16 in. (61.0 x 40.6 cm), framed.

Condition: Patch reinforcement, retouch, signature reinforced.

Literature: Charles Wellington Furlong, F.R.G.S., “The Southernmost People of the World,” Harper’s New Monthly Magazine, June 1909, no. 709, p. 128 (illus.).

N.B. Charles Wellington Furlong, the son of artist Atherton B. Furlong, was born in Cambridge, Massachusetts, and began his artistic career at the Massachusetts Normal Art School. Furlong continued his studies at the École des Beaux Arts in France, and later became the head of the art department at Cornell University.

Furlong’s success, however, extended beyond his career as an artist. He was an explorer, scientist, and author. Furlong, funded

by Harper’s magazine, traveled to Tierra del Fuego in 1907-08 where he mapped the region and collected data and ethnological artifacts.1 This work appeared as an illustration for an article authored by Furlong titled “The Southernmost People of the World.” In it he writes, “So the Yahgan constructs his canoe of a heavy beech log and seeks the paths of least resistance …often venturing into the broad reaches of the sounds and the very oceans in search of stranded whales, seals, sea-otters, birds, and fish...”2 The lot is accompanied by a copy of the 1909 issue of Harper’s Monthly magazine featuring “The Southernmost People of the World.”

1. University of Oregon Libraries, Historic Photograph Collections: The Pendleton Group, Charles W. Furlong photographs (http://libweb.uoregon.edu/speccoll/photo/Pendleton/ffurlong.html) 2. Harper’s Monthly, June 1909, no. 709, p. 126.

$1,500-2,000

566

567.

Marion P. Howard (American, 1883-1953) Rocky Coastal View Signed “M. Howard” l.r.

Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), framed.

Condition: Canvas deformations, craquelure, retouch, losses, abrasions. $1,500-2,000

567

567A. Jacob Dutweiler Wagner (American, 1852-1898) Coastal View Signed “J. Wagner” l.r., a period label from Bigelow & Jordan, Boston, affixed to the reverse.

Watercolor on paper/board, sight size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), framed.

Condition: Toning, subtle fading, not examined out of frame. $300-500

567A

568.

Charles Chase Emerson (American, 1874-1922) Off Magnolia Signed “Chase Emerson” l.r., identified on a label from Vose Galleries of Boston affixed to the reverse, title inscribed on the reverse.

Oil on board, 9 3/4 x 13 7/8 in. (24.8 x 35.3 cm), framed.

Condition: Scattered retouch, craquelure. $2,500-3,500

568

569

569.

Charles Herbert Woodbury (American, 1864-1940)

570.

Philip Little (American, 1857-1942)

Spindrift Signed “Charles H Woodbury” l.r., identified on an exhibition label from Springvine High School and a partial period label from the Museum of Fine Arts, Boston, affixed to the reverse.

Oil on canvas, 20 x 27 in. (50.8 x 68.6 cm), in a frame signed “19...22, Thulin, 955” l.c.

Condition: Oil paint on the reverse. $8,000-12,000

Coastal View/Possibly Swampscott, Massachusetts Signed “PHILIP LITTLE” l.l., stamped “PHILIP LITTLE, SALEM MASS” on the reverse.

Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.

Condition: Surface grime. $800-1,200

570

571

571.

Robert Remsen Vickrey (American, b. 1926)

572.

Robert Remsen Vickrey (American, b. 1926)

The Vigil Signed “Robert Vickrey” l.l., identified on a partial label from The Harmon Gallery, Naples, Florida, and a label from the Roanoke Museum of Fine Arts, Roanoke, Virginia, attached to the backing.

Egg tempera on fiberboard, 15 1/2 x 24 in. (39.4 x 61.0 cm), framed.

Condition: Minor surface abrasions.

Low Tide, 1985 Signed “Robert Vickrey” l.l., identified on a label from The Harmon Gallery, Naples, Florida, affixed to the backing.

Egg tempera on fiberboard, 15 1/2 x 23 1/2 in. (39.4 x 59.7 cm), framed.

Condition: Good. $4,000-6,000

Exhibitions: Robert Vickrey, Roanoke Museum of Fine Arts, July 5–August 26, 1984; Images of Robert Vickrey, Midwest Museum of American Art, Elkhart, Indiana, September 7–October 6, 1984. $4,000-6,000

572

573

573.

Robert Remsen Vickrey (American, b. 1926) Sea View, 1984-85 Signed “Robert Vickrey� l.r., identified on a label from The Harmon Gallery, Naples, Florida, on the reverse.

Egg tempera on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.

Condition: Minor surface abrasions along frame liner. $4,000-6,000

574.

Bernard V. Carpenter (American, 1872-1936) Nantucket Houses Unsigned.

Watercolor on paper, 7 3/4 x 10 1/4 in. (19.7 x 26.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $200-300

574

575.

George Oberteuffer (American, 1878-1940) Coastal Landscape/Probably Boothbay Harbor, Maine Signed “Oberteuffer” l.r.

Watercolor on Arches paper, sheet size 15 x 22 5/8 in. (38.1 x 57.5 cm), framed.

Condition: Tape hinged to window mat, deckled edges, subtle mat burn. $800-1,200

575

576.

James King Bonnar (American, 1883-1961) Road to the Beach Signed “JAMES K BONNAR” l.l.

Watercolor with gouache on paper/board, image size 6 7/8 x 8 7/8 in. (17.5 x 22.6 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

577.

Charlotte Harrington Scott (American, 1905-1963) Christopher Wren Church, Provincetown Signed and dated “Charlotte Scott ‘33” l.r., titled on the reverse.

Watercolor on paper, sight size 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm), framed.

Condition: Subtle toning, mild rippling, not examined out of frame. $400-600

577

578.

Julius Lars Hoftrup (American, 1874-1954) Monterey Coast, California Signed “LARS HOFTRUP” l.r., dedicated and signed “TO NORMAN MY DELIGHTFUL FRIEND From Lars Hoftrup” on the reverse.

Oil on canvas mounted onto board, 8 3/4 x 10 1/2 in. (22.2 x 26.6 cm), framed.

Condition: Bowing to supporting board, canvas lifting off of supporting board, surface grime. $400-600

578

579.

Olga Itasca Sears (American, 1906-1990) Pigeon Cove/A Massachusetts View Signed “O. Sears” l.l., titled and dated, possibly in the artist’s hand, “...Summer 1953” on the reverse.

Oil on canvasboard, 13 3/4 x 17 3/4 in. (34.9 x 45.1 cm), framed.

Condition: Mild surface grime. $800-1,200

579

581.

Robertson Kirtland Mygatt (American, 1862-1919) Spring Days Signed and dated “Robertson K Mygatt 1916” l.l., titled and identified with labels from the Salmagundi Club and Folman Gallery, Bronxville, New York, on the reverse.

Oil on panel, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Minor surface grime.

Literature: Alexander W. Katlan, The Salmagundi Club Painting Exhibition Records 1889 to 1939, Alexander Katlan Conservator, Inc.: New York, 2008, pp. 56, 62, 341-2.

580

Exhibitions: Salmagundi Club Special Exhibition for the Benefit of the New Club House Fund, April 4-April 14, 1917, entry no.

154. $1,500-2,500

580.

Attributed to Charles Muller (German/American, 19th Century)

582.

Russian School, 20th Century Forest Glade Monogram initialed in Cyrillic l.r.

Oil on paper/board, 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Trimmed board, minor surface grime.

Woodland Stream Signed “C Muller” l.l.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Retouch, craquelure, surface grime. $800-1,200

Provenance: Private New England collection. $200-400

581

582

583

584

583.

Clarence Clark Rosenkranz (American, 1871-1959)

584.

Russian School, 20th Century

Early Autumn Signed and dated “C.C. Rosenkranz 1920” l.r.

Oil on canvas, 21 1/4 x 29 in. (54.0 x 73.6 cm), unframed.

Condition: Restretched and possibly trimmed, craquelure with lifting and separating, scattered retouch, scattered losses (predominately at the edges), surface grime. $600-800

Birch Grove Monogram signed in Cyrillic l.r., titled, inscribed, and signed “A...Po...ov” in Cyrillic on the reverse.

Oil on artist board, 18 x 14 in. (45.7 x 35.6 cm), framed.

Condition: Minor surface grime.

Provenance: Private New England collection. $300-500

585.

Wayne Beam Morrell (American, b. 1923) The River Alde Near Aldeburgh/A Suffolk, England, Landscape Signed “WAYNE MORRELL” l.r., inscribed and identified on the reverse.

Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Minor surface grime, pigment fluorescence. $1,500-2,500

585

588

586

586.

Aiden Lassell Ripley (American, 1896-1969)

588.

Igor Vladimirovich Pchelnikov (Russian, b. 1931)

The Bell, alternatively titled Red Tiled Rooftop Unsigned, artist’s estate stamp on the reverse, identified on a label from Alfred J. Walker Fine Art, Boston, affixed to the reverse.

Watercolor on paper, sight size 11 1/2 x 9 in. (29.2 x 22.9 cm), framed.

Condition: Subtle toning, not examined out of frame. $600-800

River Landscape Signed and dated “I. PCH. 1952” in Cyrillic l.r.

Oil on paper/board, 7 3/16 x 9 in. (18.3 x 22.9 cm), framed.

Condition: Mounted to cardstock.

587.

Andre Gisson (French, 1921-2003)

588A. Maxim Bugzester (American, 1910-1978)

French Countryside View Signed “GiSSON” l.r.

Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Minor surface grime.

Street View with Figure Signed “M. BUGZESTER” l.r.

Oil on Masonite, 14 x 11 in. (35.6 x 27.9 cm), framed.

Condition: Subtle varnish inconsistencies. $1,000-1,500

$800-1,200

Provenance: Private New England collection. $300-500

587 588A

589.

Joseph Paul Louis Berges (French, 1878-1956) Landscape Study Unsigned, stamped “EXPOSITION JOSEPH BERGES, DECEMBRE 1984” on the reverse, information on the artist affixed to the reverse.

Oil on panel, 9 7/8 x 13 3/4 in. (25.1 x 34.9 cm), framed.

Condition: Mild surface grime. $400-600

589

590.

Russian School, 20th Century Russian Field Signed and titled “Mironova...E. Mironova...” in Cyrillic on the reverse.

Oil on paper/board, 11 1/4 x 18 in. (28.6 x 45.7 cm), framed.

Condition: Craquelure, minor surface grime.

Provenance: Private New England collection. $200-400

590

591.

Joseph Henry Boston (American, 1860-1954) River Vista Signed “JOSEPH H. BOSTON.” l.l., identified on a presentation plaque.

Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed within a shadow box.

Condition: Not examined out of shadow box.

Provenance: Sold to benefit the Bennington Museum, Vermont. $1,000-1,500

591

592

593

592.

Albert Worcester (American, 1878-1935)

593.

Eleanor Parke Custis (American, 1897-1983)

Almond Trees/A Balearic Island, Spain, Landscape Signed and dated “Worcester ‘35” l.r., identified on the reverse.

Oil on canvas, 20 1/8 x 26 1/8 in. (51.1 x 66.4 cm), framed.

Condition: Retouch, pigment fluorescence, minor surface grime, craquelure. $2,000-3,000

Leaving the Mosque Signed “ELEANOR PARKE CUSTIS-” l.r.

Gouache and charcoal on paper/board, sight size 21 1/2 x 17 1/4 in. (54.6 x 43.8 cm), framed.

Condition: Subtle toning, subtle rippling, not examined out of frame. $1,000-1,500

594.

Arthur Bowen Davies (American, 1862-1928) View of Toledo Signed “A.B. Davies” l.l.

Watercolor, charcoal and gouache on paper, sight size 12 x 8 1/2 in. (30.5 x 21.6 cm), framed.

Condition: Toning, not examined out of frame. $300-500

594

595.

Lillian Mathilde Genth (American, 1876-1953) Tarifa Signed “L. Genth” l.r. and “Genth” l.l., identified on a presentation plaque.

Oil on canvas, 29 1/4 x 35 in. (74.3 x 88.9 cm), framed.

Condition: Loss in l.r. quadrant, minor surface grime, retouch, pigment fluorescence.

N.B. Tarifa is in Spain’s southern-most province of Cadiz. $2,000-3,000

595

596.

Robert Remsen Vickrey (American, b. 1926) The Red Window Signed “Robert Vickrey” l.r., identified on a label from HarmonMeek Gallery, Naples, Florida, on the reverse.

Egg tempera on fiberboard, 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm), framed.

Condition: Good. $3,000-5,000

596

597.

Ernest David Roth (American, 1879-1964) Segovia, Spain Signed “E.D.Roth” l.r., titled and signed “...E.D. Roth” on the reverse, a partial label from the Mattatuck Historical Society identifying this work as a sketch for a larger painting affixed to the reverse.

Oil on panel, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Extremely mild surface grime. $800-1,200

597

598

598.

Lucien Adrion (French, 1889-1953)

600.

Konstantin Alexeevitch Korovin (Russian, 1861-1939)

Day at the Races Signed “Adrion” l.l., with a canvas stencil from Lucien Lefebvre Foinet, Paris, on the reverse.

Oil on canvas, 19 3/4 x 28 3/4 in. (50.2 x 73.0 cm), framed.

Condition: Surface grime, minor patch reinforcement and retouch to u.r. quadrant. $7,000-9,000

Study of a Café in Paris Signed in Cyrillic “K...K...” l.r.

Gouache and watercolor on paper, sheet size 12 7/8 x 11 1/8 in.

(32.7 x 28.3 cm), framed.

Condition: Good. $5,000-7,000

599.

Andre Gisson (French, 1921-2003) Paris View, Probably La Place Vendôme Signed “ANDRE GiSSON” l.r.

Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Minor surface grime. $800-1,200

599

600

601.

Robert Henri (American, 1865-1929) Au Bois de Vincennes (At the Forest Vincennes) Signed and dated “Robert Henri 1899” l.r., identified on a label from Vose Galleries of Boston and a partial exhibition label (see below) affixed to the reverse.

Oil on canvas mounted on board, 28 x 24 in. (71.1 x 61.0 cm), framed.

Condition: Retouch, varnish inconsistencies, craquelure.

Exhibitions: The Eight: A New Spirit in American Art, The Danforth Museum, Framingham, Massachusetts, October 26, 1986–January 4, 1987.

N.B. An Ohio native, Robert Henri moved to New York and then New Jersey before beginning his artistic studies at the Pennsylvania Academy of Fine Arts in Philadelphia in 1886. In 1888, Henri, like many young artists at the time, ventured to Paris to attend the Academie Julian and Ecole des Beaux Arts.

While in France, Henri studied with such artists as Jean Leon Gerome and Leon Bonnat. He also traveled extensively and was exposed to the Impressionist movement and artistic styles that broke with the academic tradition. Henri returned to the U.S. in 1891, later becoming a prominent teacher and leading member of The Eight (later called the Ash Can School). $10,000-15,000

601

602.

Continental School, 20th Century View of Notre Dame and Book Stalls Along the Seine Signed “Haefflinger” l.r.

Oil on canvas, 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm), framed.

Condition: Surface grime, craquelure. $500-700

602

603

605A

603.

Pierre Thibault (French, 20th Century)

605.

Anthony Klitz (Irish, 1917-2000)

City View with Cathedral Signed “PIERRE THIBAULT” l.r.

Oil on canvasboard, 18 x 21 1/4 in. (45.7 x 54.0 cm), framed.

Condition: Scattered retouch, subtle surface grime. $400-600

Figures Along a Promenade Signed “KLITZ” l.r.

Oil on burlap, 15 x 30 in. (38.1 x 76.2 cm), framed.

Condition: Surface grime.

604.

Igor Vladimirovich Pchelnikov (Russian, b. 1931)

605A. Willem Welters (Continental, 1881-1972)

Black Sea Shore Initialed and dated “I. PCH.1953” in Cyrillic l.r., signed, titled, and dated “Igor Pchelnikov...1953” on the reverse.

Oil on artist board, 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm), framed.

Condition: Creases/tears to the u.r. and l.l. quadrants.

Rocky Coastline Signed “W. Welters” l.l., a label from N.M. Vose Gallery, Providence, affixed to the reverse.

Oil on board, 11 x 14 1/4 in. (27.9 x 36.2 cm), framed.

Condition: Scattered surface losses, pigment fluorescence. $300-500

Provenance: Private New England collection. $200-400

605

604

$800-1,200

608

606

606.

American School, 20th Century

608.

Andre Gisson (French, 1921-2003)

Vue du Quai Signed and dated “Selden ‘59” l.r.

Oil on Masonite, 36 x 36 in. (91.4 x 91.4 cm), framed.

Condition: Surface grime, craquelure.

Paris View, La Place Du Châtelet Signed “GiSSON” l.l.

Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Minor surface grime. $800-1,200

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $400-600

607.

Konstantin Alexeevitch Korovin (Russian, 1861-1939) Harbor View Signed in Cyrillic and dated “K...K...191...” l.r.

Gouache on paper/board, sheet size 12 x 14 1/2 in. (30.5 x 36.8 cm), framed.

Condition: Subtle creases. $5,000-7,000

607

610

609

609.

Edward Bright Bruce (American, 1879-1943) The Pear Tree Signed “Edward Brice” l.r., a letter from the artist discussing the work, dated 1928, is affixed to the reverse.

Oil on panel, 29 x 25 in. (73.6 x 63.5 cm), framed.

Condition: Cradle to the reverse, mild retouch and varnish inconsistencies. $800-1,200

610.

Nelly Littlehale Murphy (American, 1867-1941) Morrow Swimming Pool Unsigned, titled l.l.

Watercolor with graphite on paperboard, 5 x 7 in. (12.7 x 17.8 cm), unframed.

Condition: Toning, small tear u.l.

Provenance: John F. Enser (American, 1898-1962), then gifted to the current owner circa 1950.

N.B. A letter from Hermann Dudley Murphy to John F. Enser, written from Calle Dwight Morrow, which mentions Nelly Murphy’s watercolors, accompanies the lot. $250-350

611.

Frank Carson (American, 1881-1968)

611

Into the Garden Signed “Frank Carson” l.r.

Watercolor with graphite on paper/board, sight size 23 x 18 in.

(58.4 x 45.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $500-700

612

613

612.

Alfred James Daplyn (Australian, 1844-1926) Farmyard in Normandy Signed “A. J. Daplyn” l.r., identified on a label affixed to the stretcher.

Oil on canvas, 18 1/2 x 13 3/4 in. (47.0 x 34.9 cm), framed.

Condition: Retouch, surface grime. $1,200-1,800

613.

Margaret Jordan Patterson (American, 1867-1950) An Italian View Unsigned, artist’s estate stamp on the reverse.

Watercolor and gouache on paper, sight size 13 1/2 x 10 1/4 in.

(34.3 x 26.0 cm), framed.

Condition: Toning, staining, creases, not examined out of frame. $400-600

614.

Michele Cascella (Italian, 1892-1989) Piccola Pianta in Fiore [Little Blossoming Tree], 1970 Signed “M. Cascella” l.r., identified on a label from Galerie Juarez Inc., Los Angeles and Palm Beach, on the reverse.

Oil on canvas, 22 x 11 in. (55.9 x 27.9 cm), framed.

Condition: Minor surface grime.

N.B. The work is no. 70-79/219 in the Archivio Generale dell’Opera di Michele Cascella, compiled by Galleria Torcular, Milan, and a photo-certificate accompanies the lot. $6,000-8,000 614

616

615

615.

American School, 20th Century City View at Night Signed “C KIENZLE KURTZ” l.r.

Watercolor on paper, sheet size 19 1/8 x 13 1/8 in. (48.6 x 33.3 cm), framed.

Condition: Taped to backing mat, glue residue to the reverse. $300-500

616.

Olga Itasca Sears (American, 1906-1990) Rooftops, Winter Unsigned, artist’s estate stamp on the reverse.

Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Bowing to support, mild surface grime. $800-1,200

617.

Lester David Boronda (American, 1886-1953) The Townhouse Signed “Lester D Boronda 47” l.r.

Oil on board, 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Mild surface grime. $300-500

617

618

618.

Lester David Boronda (American, 1886-1953)

620.

Clara Fargo Thomas (American, 1891-1970)

City Street Signed “Lester Boronda” l.r.

Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Mild surface grime.

Metropolis Unsigned, stamped “ESTATE OF/CLARA FARGO THOMAS...” on the reverse.

Oil on vellum mounted to Masonite, 26 1/4 x 22 in. (66.7 x 55.9 cm), framed.

Condition: Subtle rippling to sheet, tacks to margins. $1,000-1,500

$300-500

619.

Inna Garsoian (American, 1896-1984) Rooftops Signed “I. Garsoian” l.l.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Surface grime.

Provenance: Gift from the artist; by family descent to the present owner. $1,000-1,500

619 620

621

621.

Jack Lorimer Gray (American, 1927-1981)

622.

Paul Cornoyer (American, 1864-1923)

Lot of Two New York City Views of the Brooklyn and Manhattan Bridges One initialed “J.L.G-” l.l., the other unsigned, both with labels from F.A.R. Gallery, New York, on the backing.

Watercolor, ink, and graphite on paper, sight sizes to 7 x 11 1/2 in. (17.8 x 29.2 cm), each framed.

Condition: Not examined out of frames.

Rainy Day, New York City Incised signature “PAUL CORNOYER” l.r.

Oil on panel, 6 x 8 in. (15.2 x 20.3 cm), framed.

Condition: Minor surface grime.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $1,500-2,500

622

Provenance: Private New England collection, by family descent. $1,200-1,800

623

623.

Paul Cornoyer (American, 1864-1923) New England Street View, Possibly Cape Ann Signed “PAUL CORNOYER” beneath frame l.l.

Oil on panel, 5 x 6 5/8 in. (12.7 x 16.8 cm), in a frame signed “19...23, Carrig-Rohane Shop, RCQ N.M. Vose, Boston #3592” on ther reverse.

Condition: Surface grime.

Provenance: Private New England collection, by family descent. $1,200-1,800

624.

Arthur Clifton Goodwin (American, 1864-1929) Philadelphia City Hall at Night Signed and inscribed “A C Goodwin...” l.l.

Pastel on board, sight size 23 x 18 in. (58.4 x 45.7 cm), framed.

Condition: Small tear l.l., not examined out of frame. $4,000-6,000

624

625 626

625.

Hazel (Mrs. William C.) Finck (American, 1894-1977)

626.

Flaville G. Kyle (American, fl. 1930-1940s)

Main Street, Essex, 1937 Signed “h. finck” l.r., identified on a label affixed to the reverse.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime. $3,000-5,000

Game Today at 3 PM/A View of Fenway Park Signed “Kyle” l.l., titled incised l.r.

Oil on board, 10 x 8 1/8 in. (25.4 x 21.0 cm), framed.

Condition: Wear to corners, possibly trimmed along right edge, mild surface grime. $500-700

627.

Mary Callahan (American, 20th/21st Century) The Duck House/A View of the Boston Public Garden Signed “Mary Callahan” l.r., titled and dated “...(Swa)May 2005” in the artist’s hand on the backing, signed “Mary Callahan C.M.” on the backing.

Watercolor on paper/board, sight size 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Not examined out of frame. $400-600

627

628 629

628.

Alice Marion Sutton Bacon (American, b. 1907)

629.

Marie (Bruner) Haines Burt (American, 1881-1979)

Along the Charles Signed “Alice Bacon” l.l.

Watercolor with graphite on paper/board, sight size 15 1/4 x 19 1/2 in. (38.7 x 49.5 cm), framed.

Condition: Mat burn, toning, scattered staining, not examined out of frame. $400-600

Fountain Park Signed “Marie Haines Burt” l.l., identified on a label on the reverse.

Oil on artist board, 30 x 22 in. (76.2 x 55.9 cm), framed.

Condition: Minor surface grime.

Provenance: Sold to benefit the Bennington Museum, Vermont. $200-250

630.

Thomas Adrian Fransioli (American, 1906-1997) Late Afternoon Light/A View of the South End, Boston Initialed and dated “T.F., 1947” l.r., figure study in oil on the reverse.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Subtle surface grime. $1,000-1,500

630

633

632.

Karl Eugene Fortess (American, 1907-1993)

631

Old Apple Tree Signed “K. Fortess” l.l., titled and signed “...K.E. Fortess” in pencil with a New York State WPA Art Program presentation plaque on the stretcher.

Oil on canvas, 15 1/8 x 28 1/8 in. (38.4 x 71.4 cm), framed.

Condition: Surface grime, craquelure, flaking, losses, retouch, pigment fluorescence. $300-500

631.

Gary Ernest Smith (American, b. 1942)

633.

Marston Dean Hodgin (American, 1903-2003)

Potato Season Signed “GARY ERNEST SMITH ©” l.r., also signed, titled, and inscribed “...GARY E. SMITH/© COPYRIGHT RETAINED” on the stretcher.

Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm), framed.

Condition: Retouch.

February Business Signed “Marston Hodgin” l.r., titled, inscribed, and signed “...Oxford, Ohio/Marston Hodgin” with a label from the Ogunquit Art Center on the reverse.

Oil on canvas, 22 1/4 x 36 in. (56.5 x 91.4 cm), framed.

Condition: Craquelure, canvas deformations, surface grime.

N.B. Utah artist Gary Ernest Smith is best known for his heroic regionalist style, drawing on everyday scenes of the agricultural Northwest. The present work shares a spirit with Jean-Francois Millet’s The Angelus, in its humble and pious tone. The potato picker’s anonymous face is soft and ageless, in contrast to the hard lines of his hands, pick, and crate. His relaxed, upright posture belies the hours he has just spent kneeling, bending, and squatting in the early morning, expressing endurance and resiliency. The work is at once a dignified portrait of a man and his livelihood, and a valorization of a simpler way of life. $5,000-7,000

Provenance: Acquired from the son of the artist. $1,000-1,500 634.

Jon S. Legere (American, 1944-1996) New England Landscape with Church on a Hill Signed and dated “JON S. LEGERE-63-” within the composition l.l., identified on a label affixed to the backing.

Watercolor on paper, sight size 13 1/4 x 20 3/4 in. (33.7 x 52.7 cm), framed.

Condition: Subtle rippling, not examined out of frame. $400-600

632 634

635

636

635.

Marie (Bruner) Haines Burt (American, 1881-1979)

636.

Robert M. Rucker (American, 1932-2001)

House in the Hills Signed “MARIE HAINES BURT” l.l., identified on labels on the reverse.

Oil on canvas, 29 1/4 x 24 in. (74.3 x 61.0 cm), framed.

Condition: Surface grime, canvas deformations.

Lot of Two Southern Homestead Views One signed “Rucker” l.l., the other signed “Robert Rucker” l.l.

Watercolor on paper, sight sizes to 7 3/8 x 10 in. (18.7 x 25.4 cm), framed.

Condition: Not examined out of frames. $400-600

Provenance: Sold to benefit the Bennington Museum, Vermont. $200-250

637.

Marie (Bruner) Haines Burt (American, 1881-1979) Fig Tree in the Garden Signed “MARIE HAINES BURT” l.r., titled on a label affixed to the reverse.

Oil on artist board, 29 x 25 1/2 in. (73.7 x 64.8 cm), framed.

Condition: Subtle bowing to board, surface grime.

Provenance: Sold to benefit the Bennington Museum, Vermont. $200-250

637

638 639

638.

Jessie Burns Parke (American, 1889-1964) Portrait of a Woman in Profile Signed or inscribed on a period label from the School of the Museum of Fine Arts, Boston, affixed to the l.r.

Oil on canvas, 21 x 17 in. (53.3 x 43.2 cm), unframed, unstretched.

Condition: Scattered abrasions/losses, retouch, varnish inconsistencies, craquelure, surface grime. $300-350

639.

Edward Francis McCartan (American, 1879-1947) Adrian Signed “E. McCARTAN” l.r.

Bronze relief with golden brown patina, 8 3/4 x 5 1/4 in. (22.2 x 13.3 cm), framed.

Condition: Scattered surface abrasions, inconsistencies to patina, surface grime. $300-500

640.

Harrington Mann (Scottish/American, 1865-1937)

640

Portrait of Amelia Herrick Pond Signed and dated “HARRINGTON MANN 1916” l.l.

Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.

Condition: Surface grime. $1,500-2,000

641.

Eric L. (Frederic) Pape (American, 1870-1938) Profile Portrait of Alice Monroe Pape Signed and dated “.FREDERIC. L. M. PAPE. 92” within the cast l.l., stamped “ESTATE OF Eric Pape 1870-1938” on the backing.

Bronze bas-relief, approximately 10 x 8 x 1 in. (25.4 x 20.3 x 2.5 cm), in a shadow box frame.

Condition: Not examined out of frame.

Provenance: Through the artist’s estate.

Literature: “Frederick [sic] L. M. Pape The California Artist is Here,” San Francisco Chronicle, Sunday, September 10, 1893 (illus.).

Exhibitions: Les Deux Grandes Eres, Société Nationale des Beaux-Arts, Salon de Champs-de-Mars, 1893. $3,500-5,500 641

642.

Eric L. (Frederic) Pape (American, 1870-1938)

643.

American School, 20th Century

Portrait of Natalie Harris Hammond Unsigned, stamped “ESTATE OF Eric Pape 1870-1938” on the backing.

Oil on canvas, 21 1/2 x 17 1/4 in. (54.6 x 43.8 cm), framed.

Condition: Lined, retouch, surface grime.

Freda De Knoop Monogrammed “DP...BC” l.r.

Bronze relief plaque with brown patina, 10 1/2 x 7 1/2 in. (26.6 x 19.1 cm).

Condition: Light scattered surface abrasions. $400-600

Provenance: Through the artist’s estate. $4,000-6,000

642

643

644 645

644.

Fanny Marc (French, 19th/20th Century) The Expulsion of Adam and Eve from the Garden of Eden Signed, dated, and inscribed “Fanny Marc 1906 3me ébauche” within the cast on the base.

Bronze with dark brown patina, 12 x 6 x 7 1/2 in. (30.5 x 15.2 x 19.1 cm).

Condition: Minor surface dust/grime. $1,000-1,500

645.

Dana Ripley Pond (American, 1881-1962) Portrait of Shepard Pond, the Artist’s Brother, in Hunting Dress Signed and dated “Dana R. Pond...” l.r.

Oil on canvas, 80 x 47 in. (203.2 x 119.4 cm), framed.

Condition: Patch reinforcement, craquelure, surface grime.

Provenance: Through the family of the artist. $3,000-5,000

646.

Madeleine Fish Park (American, 1891-1960)

646

Torch Glitter Signed and dated “MADELEINE PARK 1931” l.r. and titled l.c.

Bronze with a brown patina, height 10 3/4 in., on a wooden base.

Condition: Surface grime to the interstices, felt adhered to the underside of the base. $800-1,200

648 647

647.

Harper Pennington (American, 1855-1920) Portrait of a Young Man, Nude Monogrammed, dated and dedicated “...1903, to Ogden Codman-” l.l.

Pastel on paperboard, sight size 17 x 9 1/2 in. (43.2 x 24.1 cm), framed.

Condition: Toning, not examined out of frame.

Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $800-1,200

648.

Adolphe Yvon (French, 1817-1893) Portrait of a Man, Possibly a Napoleonic Emissary Signed “Ad. Yvon” c.r., with a label from the Museum of Fine Arts, Boston, affixed to the reverse.

Oil on oval board, 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), framed.

Condition: Minor abrasions beneath frame liner.

Provenance: Mr. Lyman Delano (1883-1944), chairman of Atlantic Coast Lines and first cousin of President Franklin Delano Roosevelt; descended within the families of William Walters (1819-1894), and/or George Harold Edgell (1887-1954). $1,500-2,000

649.

Raffaello Romanelli (Italian, 1856-1928)

649

Portrait of a Man Signed and inscribed “Raffaello Romanelli” and “Fond. G. Vignali Firenze” within the cast on the base.

Bronze with dark brown patina, 22 x 7 x 7 in. (55.9 x 17.8 x 17.8 cm).

Condition: Surface dust/grime, plaster filled. $800-1,200

650

651

650.

Dana Ripley Pond (American, 1881-1962) Portrait of a Woman Signed and dated “Dana Pond 1913” l.r.

Oil on canvas, 25 1/2 x 21 1/2 in. (64.8 x 54.6 cm), framed.

Condition: Surface grime.

Provenance: Through the family of the artist. $1,000-1,500

651.

John A. Ruthven (American, b. 1924) Indian Summer Signed “John A. Ruthven” in pencil l.r., identified on a label from Closson’s Art Gallery, Cincinnati, and with a label from Thompson House Gallery, Georgetown, Ohio, on the backing.

Watercolor and graphite on paper, sight size 11 3/4 x 5 in. (29.8 x 12.7 cm), framed.

Condition: Not examined out of frame. $1,500-2,500

652.

George Frederick Kaber (American, 1860-c. 1945) Miss Kaber/Possibly Nellie Robie Kaber, the Artist’s Wife Signed “Frederick Kaber” l.l., identified on a label affixed to the reverse.

Oil on artist board, 21 1/2 x 17 in. (54.6 x 43.2 cm), framed.

Condition: Minor surface grime, pigment fluorescence.

Provenance: Through the family of the artist. $300-500

652

653.

Francis Coates Jones (American, 1857-1932) At the Garden Fountain Signed “FRANCIS C. JONES” twice l.r.

Oil on canvas, 23 x 19 in. (58.4 x 48.3 cm), framed.

Condition: Restretched, puncture (u.l. quadrant with tape reinforced on the reverse), light retouch/varnish inconsistencies, craquelure, surface grime.

Provenance: A private New Jersey collection.

N.B. Francis Coates Jones was born in Baltimore, but received the majority of his artistic training abroad. He first traveled to the artist’s colony in Pont-Aven, Brittany, along with his brother and fellow artist, Hugh Bolton Jones. In 1877 Francis enrolled in the École des Beaux Arts in Paris, eventually studying with Adolphe Bouguereau and Jules Joseph Lefebvre. He spent several years traveling and painting throughout France and Europe.

Jones returned to the U.S., where he worked as an illustrator and taught at the National Academy of Design. Best known for figurative works and genre scenes, Jones’ highly detailed and naturalistic compositions incorporate elements of both Impressionism and his French Academic training. $10,000-15,000

654.

Marion Louise Pooke (American, 1883-1975) Profile Portrait of a Woman in Black Signed or inscribed “Marion L. Pooke” on a period label from the Museum of Fine Arts, Boston, affixed to the front of the canvas l.r.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Scattered retouch and varnish inconsistencies, craquelure. $1,000-1,800

653

655.

Frederick B. Williams (American, 1871-1956) The Swing Signed “-FredK Ballard Williams-” l.r., identified on a presentation plaque.

Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.

Condition: Craquelure. $2,000-4,000

654

655

656

657

656.

Marion Louise Pooke (American, 1883-1975) Portrait of a Woman in Blue Signed or inscribed “M L Pooke” on the reverse.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Scattered retouch, craquelure. $1,000-1,800

657.

Florence Julia Bach (American, 1887-1978) Still Life with Roses Unsigned.

Oil on panel, 23 1/2 x 17 3/4 in. (59.7 x 45.1 cm), framed.

Condition: Cracks to panel, loss l.c., retouch, varnish inconsistencies, surface grime.

Provenance: From the artist to the family of the present owner. $800-1,200

658.

Marion Louise Pooke (American, 1883-1975) Portrait of a Woman Signed or inscribed “M. POOKE” in pencil on the reverse.

Oil on canvas, 18 x 16 in. (45.7 x 40.6 cm), framed.

Condition: Craquelure, retouch. $400-600 658

659 660

659.

Douglas Volk (American, 1856-1935)

660.

Augustus Saint-Gaudens (American, 1848-1907)

Portrait of a Young Lady, Purportedly the Artist’s Daughter Signed “Douglas Volk” l.r.

Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed.

Condition: Retouch, craquelure, patch reinforcement. $800-1,200

Commemorative Medal of the Cornish Celebration June 23, 1905 Unsigned, inscribed “[Names of Participants] AMOR VINCIT [on altar] ...IN AFFECTIONATE REMEMBRANCE OF THE CELEBRATION OF JUNE XXIII. MCMV AUGUSTA AND AUGUSTUS SAINT GAUDENS...” within the cast l.c., stamped “ESTATE OF Eric Pape 1870-1938” on the backing.

Silvered bronze, approx. 3 1/8 x 1 3/4 in. (7.9 x 4.4 cm), in a presentation frame.

Condition: Not examined out of frame.

Provenance: Through the estate of Eric Pape.

N.B. This medal is after a plaque occasioned by the “Masque of the Golden Bowl” held at Cornish, New Hampshire, to celebrate the twentieth anniversary of Saint-Gaudens’ founding of the Cornish art colony. The Masque was held on the summer solstice of 1905 at Saint-Gaudens’ estate of Aspet, and was written by playwright Louis Evans Shipman. There were over seventy participants, including Eric Pape, Maxfield Parrish (his masks decorate the trees in the medal), Kenyon Cox, and Percy MacKaye. As part of the festivities, Saint-Gaudens was honored with a golden cup. $700-900

661.

Leon Karp (American, 1903-1951) Peonies in a Glass Signed “Leon Karp” l.r.

Oil on canvas, 12 x 9 in. (30.5 x 22.9 cm), framed.

Condition: Surface grime, craquelure, pigment fluorescence. $600-800

661

662.

Edith Widing Yaffee (American, 1895-1961) Portrait of a Woman Signed, inscribed, and dated “Edith L. Widing...1915” l.r.

Graphite on board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.

Condition: Staining, toning.

Provenance: The property of Samuel E. Codman, Charles G. Loring House, Prides Crossing, Massachusetts. $300-500

662

663.

George Frederick Kaber (American, 1860-c. 1945) Portrait of a Reclining Woman Amid Roses Signed “Frederick Kaber” l.l.

Gouache on paper/board, sight size 20 x 14 7/8 in. (50.8 x 37.8 cm), framed.

Condition: Not examined out of frame.

Provenance: Through the family of the artist. $300-500

663

664

664.

George Frederick Kaber (American, 1860-c. 1945)

665.

William P. Bodwell (American, 1852-1940)

Lot of Four Genre and Allegorical Scenes Two signed “G.F. Kaber” l.r., one signed “G.F. KABER” l.l.

Watercolor and graphite on paper, sight sizes to 27 3/4 x 21 1/4 in. (70.5 x 54.0 cm), framed.

Condition: Staining, subtle rippling, not examined out of frames.

Lot of Two Illustrations: Manhattan Bay Oyster and Chophouse and Capture of the Java by the Constitution Oyster and Chophouse monogrammed, signed, and dated “WPB WmP... Bodwell-1894” l.l., ink on paper mounted onto board, Capture monogrammed, signed, and dated “WPB Wm P Bodwell - 1897” l.l., ink, wash, and whiting on board, both inscribed in the margins, 11 1/2 x 15 in. (29.2 x 38.1 cm), unframed.

Condition: Toning, soiling, Capture with staining and foxing. $400-600

Provenance: Through the family of the artist. $500-700

665

666

666.

American School, 20th Century 667

Portrait of a Woman Unsigned, inscribed in a later hand on the frame.

Oil on canvas mounted onto board, oval format 12 x 10 in. (30.5 x 25.4 cm), framed.

Condition: Scattered retouch, minute losses at edges, surface grime. $300-500

667.

Hermon Atkins MacNeil (American, 1866-1947) Survival of the Fittest Signed, dated, and titled “© H.A. MacNeil 27...” within the cast on the base.

Plaster maquette, 36 1/2 x 8 1/2 x 16 in. (92.7 x 21.6 x 40.6 cm).

Condition: Loss to figure’s right arm, surface grime, scattered losses to base. $300-500

668.

Christine S. Bredin (American, 1860-1934) Lady with a Pink Signed “CSBredin” l.r.

Oil on canvas, 19 1/2 x 15 3/4 in. (49.5 x 40.0 cm), framed.

Condition: Small puncture u.l., retouch, varnish inconsistencies, craquelure, surface grime. $700-900

668

669

669.

Robert Tolman (American, b. 1886) Woman Reading/A Portrait of the Artist’s Wife, Lynn Tolman Signed, titled, and inscribed “...from R. Tolman/ Vinalhaven, Maine” on the reverse.

Oil and graphite on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Subtle bowing to board.

Provenance: Gifted from the artist, private collection; then by descent to the present owner. $800-1,000

670.

Aristide Maillol (French, 1861-1944) Baigneuse debout à la draperie Initialed, numbered and foundry stamped “M 6/6...·Alexis Rudier·/·Fondeur·Paris” in the cast on the base.

Bronze with brown patina, approximately 12 x 4 1/4 x 3 1/2 in.

(30.5 x 10.8 x 8.9 cm).

Condition: Minor surface dust.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $20,000-40,000

670

671

672

671.

Joseph Lindon Smith (American, 1863-1950) Lot of Two Portraits: Breton Boy, c. 1885, and Portrait of a Boy in Profile Each unsigned.

Oil on canvas, sizes to 14 5/8 x 11 5/8 in. (37.1 x 29.5 cm), framed.

Condition: Craquelure, pigment fluorescence.

Provenance: Through the artist’s estate.

Exhibitions: Artists of the Boston Art Club, 1854-1950, Fuller Museum of Art, July 3 to September 19, 1993. $1,500-2,500

672.

Italian School, 20th Century La Bambina Russa, c. 1935 Unsigned, attribution and title “Zago, Enrichetta/Asolo (Treviso) 1887-1976...” on a label affixed to the reverse.

Oil on board, 12 3/4 x 8 in. (32.4 x 20.3 cm), framed.

Condition: Surface grime, craquelure.

Provenance: Private New England collection. $300-500

673.

Dana Ripley Pond (American, 1881-1962) Balinese Girl Unsigned, titled and inscribed “...by Dana Pond who lived in Bali in 1930s- June T. Pond” on the stretchers.

Oil on canvas, 21 x 17 in. (53.3 x 43.2 cm), framed.

Condition: Surface grime.

673

Provenance: Through the family of the artist. $600-800

675

674.

Janet D. Wheeler (American, 1866-1945)

674

Seated Girl in White Signed and dated “JANET WHEELER 1901” l.r.

Oil on canvas mounted to panel, 26 1/4 x 16 in. (66.7 x 40.6 cm), framed.

Condition: Retouch, varnish inconsistencies. $2,000-4,000

675.

Kate Greenaway (British, 1846-1901) Portrait of Three Girls with Bouquets Initialed and dated “KG. Dec 1890.” in pencil l.l.

Graphite and watercolor on paper, sheet size 5 9/16 x 7 1/8 in.

(14.1 x 18.1 cm), framed.

Condition: Toning, tape hinged to backing mat. $200-300

676.

Eva Dora Cowdery (American, 19th/20th Century) Portrait of Shepard Pond at Age 3 Signed “EVA D. COWDERY” l.r., titled in an inscription on the backing.

Pastel on paper, sight size 26 1/2 x 21 1/2 in. (67.3 x 54.6 cm), framed.

Condition: Not examined out of frame.

Provenance: Through the family of the artist Dana Ripley Pond (American, 1881-1962). $500-700

676

677.

Amy Jones (American, 1899-1968) Still Life with Flowers Signed and dated “Amy Jones ‘30” l.r., information regarding the artist affixed to the backing.

Oil on canvas, 16 1/4 x 20 in. (41.3 x 50.8 cm), framed.

Condition: Scattered retouch, fine scattered craquelure. $800-1,200

677

678.

Frederic Luce (French, 1896-1974) Une Corbeille des Fruits Signed “frederic luce” l.l., Paris canvas stencil on the stretcher.

Oil on canvas, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed.

Condition: Losses, surface grime, staining to the reverse, pigment fluorescence. $600-800

678

679.

Katherine Allmond Hulbert (American, 1859-1937) Still Life with Mountain Laurel Signed “K. Allmond Hulbert” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Abrasion u.r., scattered craquelure, surface grime. $400-600

679

681

680

680.

Charles Henry Miller (American, 1842-1922) Still Life with Flowers Initialed and dated “C.H.M / Sept. 2nd 1889” l.r.

Oil on canvas, 26 x 17 1/2 in. (66.0 x 44.5 cm), framed.

Condition: Lined, retouch. $400-600

681.

Carle John Blenner (American, 1862-1952) Mixed Glads and Asters Signed “Carle J. Blenner” u.r., inscribed and titled “#271...by CARLE J. BLENNER...” on the reverse.

Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), in a NewcombMacklin frame.

Condition: Light retouch, craquelure, surface grime. $4,000-6,000

682.

Maude Drein Bryant (American, 1880-1946) Vermillion, Blue and Gold Signed and dated “Maude Drein 1915-” l.r., identified on period labels affixed to the reverse.

Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.

Condition: Puncture l.r. quadrant, mild surface grime.

Exhibitions: This may be the work exhibited at the Pennsylvania Academy of Fine Arts, Annual Exhibition, 1916, under the title Vermillion, Rose and Blue (no. 269). $1,500-2,000

682

683

683.

Gino Emilio Cesara Conti (American, 1900-1983)

684.

Louis Frederick Berneker (American, 1876-1937)

OH-SLUMBERING-SOUL-ARISETH-FEELETH-NOT-THYMATE-WHO-FAITHFUL-ONTO-DEATH-CAMEST-TOREDEEM-THEE Signed and dated “GINO E. CONTI Anno MCMXXVI” l.l., also signed and inscribed “Gino E. Conti/50 Rue rue Vercingetorix Paris France” on the reverse and “Painting Mrs. Giguere” on the stretchers.

Oil on canvas, 60 x 85 1/2 in. (152.4 x 217.2 cm), framed.

Condition: Canvas deformations, losses. $1,500-2,000

Dancing Nymphs Signed “LOUIS F. BERNEKER A.N.A” l.r.

Oil on canvas, 40 x 50 in. (101.6 x 127 cm), framed.

Condition: Surface grime, craquelure. $4,000-6,000

684

685

685.

Aubrey Beardsley (British, 1872-1898) Chapter Heading from Le Morte Darthur, 1892 Unsigned.

Pen, brush, and India ink over graphite on paper, sheet size 3 3/8 x 2 3/4 in. (8.3 x 7.0 cm), sandwiched between two sheets of Plexiglas.

Condition: Subtle soiling/surface grime, not examined out of Plexiglas.

Provenance: Collection of Mark Samuels Lasner, Delaware, then to a private East Coast collection.

Exhibitions: Beautiful Decadence, The Museum of Fine Arts, Gifu, Japan (as well as other venues), April 3–May 10, 1998, no. 11 (illus.).

Literature: Gillon Jr., Edmund V., Beardsley’s Illustrations for La Morte Darthur (New York; Dover Publications, Inc., 1972) pp. 80, 154; Malory, Sir Thomas, The Birth, Life, and Acts of King Arthur, of His Noble Knights of the Round Table, Their Marvelous Enquests and Adventures, The Achieving of the San Greal, and in the End, Le Morte Darthur with the Dolourous Death and Departing Out of This World of Them All, (London: J.M. Dent, 1893-1894).

N.B. London publisher J.M. Dent approached Aubrey Beardsley in 1892 to illustrate an edition of Sir Thomas Malory’s Le Morte Darthur. Beardsley, at age 20, was an unknown insurance office clerk. Dent first came across his work through photographer Frederick H. Evans, who owned the book shop Jones & Evans, frequented by Beardsley. Beardsley was paid 250 pounds for his work for Le Morte Darthur, which would be issued in twelve separate parts, and he produced a total of approximately 585 illustrations for the book. A very productive period for Beardsley, during this time he also was working on his illustrations for Salomé and The Yellow Book. Le Morte Darthur is not only “a superb example of the illustrated book, but it is also the work that launched the ‘Beardsley look’ which was to change the appearance of the fin de siècle and influence succeeding generations...”1 1. Gillon Jr., Edmund V., Bearsley's Illustrations for Le Morte Darthur (New York: Dover Publications Inc., 1972, Publishers Note, pp. v-vi.

$15,000-20,000

686.

Andre Dunoyer de Segonzac (French, 1884-1974) Etude pour le Georgiques de “Virgile” Signed and inscribed “...A. Dunoyer de Segonzac” l.c.

Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed.

Condition: Acid burn to four corners from tape verso, not examined out of frame.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138.

N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for two letters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift). $2,000-4,000

686

687.

Ker-Xavier Roussel (French, 1867-1944) Portrait of Vaslav Nijinsky Initialed and inscribed “K.X.R./étude pour l’Apres midi/d’un Faune” l.l.

Graphite on paper, sheet size 6 7/8 x 4 7/8 in., framed.

Condition: Paper backed, tape hinged, minor acid burn, minor handling creases.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. See lot 686. $300-500 687

688.

Emile Bernard (French, 1868-1941) Portrait of a Seated Nude Signed “Emile Bernard” l.r.

Ink wash and graphite on paper, sheet size 8 1/4 x 5 1/8 in.

(21.0 x 13.0 cm), framed.

Condition: Subtle toning, not examined out of frame.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. See lot 686. $1,500-3,000

688

689.

Henri de Toulouse-Lautrec (French, 1864-1901) L’Amazone/An Illustration for Chasseur de Chevelures Monogram signed “TL” l.r., inscribed “...Amazone...” in pencil on the reverse, identified on a label affixed to the backing.

Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm), framed.

Condition: Cloth taped to backing mat, masking tape residue along top margin, fold along left edge.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: Catalogue des Tableaux modernes, aquarelles, pastels, dessins, lithographies... composant la collection Alexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10 Reunies, May 16, 1929, no. 39; Tristan Bernard, “Chasseur de Chevelures,” Revue Blanche, no. 32, June 1894 (illus.). $20,000-40,000

689

691

690.

Robert Henri (American, 1865-1929)

690

Portrait of a Woman Unsigned, stamped “RH” l.r., stamped “Estate of ROBERT HENRI, Hirschl & Adler, NYC” and inscribed “APG: 11070D” in pencil u.l. verso, stamped “Harbor Gallery...New York...” on the backing.

Charcoal on notebook paper, sight size 9 x 7 in. (22.9 x 17.8 cm), framed.

Condition: Hinged to supporting mat, toning, scattered foxing, $400-600

691.

Georgi Alexandrovich Lapchine (Russian, 1885-1951) Still Life with Fruit and Wine Jug Signed “G. Lapchine” l.l.

Oil on panel, 14 1/2 x 17 in. (36.8 x 43.2 cm), framed.

Condition: Craquelure, surface grime.

Provenance: Private New England collection. $2,000-3,000

692.

Conger A. Metcalf (American, 1914-1998) A Portrait of Pan Signed “Metcalf” in pencil l.r.

Graphite and conté crayon on paper, sight size 17 1/4 x 13 in.

(43.8 x 33.0 cm), framed.

Condition: Not examined out of frame.

692

N.B. A hardbound, dedicated, and inscribed copy of the book Conger Metcalf: A Retrospective, published by The Boston Athenaeum, accompanies the lot. $400-600

693

694

693.

John Whorf (American, 1903-1959)

694.

Charles R. Knapp (American, fl. circa 1929-1930)

By the Docks Signed “John Whorf.” l.r.

Watercolor on paper, sheet size 19 x 22 3/4 in. (48.3 x 55.9 cm), framed.

Condition: Taped to front mat at top edge verso, toning, mild scattered foxing. $1,500-2,000

Church Procession, Czechoslovakia Signed and dated “C.R. Knapp 1936” l.r., inscribed “Presented to Robert C. Vose March 1938 by Charles R Knapp Boston Mass” in a period hand, and identified in an inscription in a later hand on a label affixed to the reverse.

Watercolor, ink and gouache on paper/board, sight size 11 x 8 1/2 in. (27.9 x 21.6 cm), framed.

Condition: Toning, not examined out of frame. $400-600

694A. George Ehrenfried Grosz (German, 1893-1959) Nude, c. 1929 Signed “Grosz” l.l., identified on a lable from Greer Gallery, Inc., New York, on the reverse.

Watercolor and ink on paper, sheet size 18 7/8 x 16 in. (47.9 x 40.6 cm), framed.

Condition: Masking tape hinged to beveled mat.

N.B. We wish to thank Ralph Jentsch who has kindly confirmed the authenticity of the lot. The work will be included in Ralph Jentsch’s forthcoming catalogue raisonné of the artist. $5,000-7,000

694A

695.

Yamada Baske (Japanese/American, 1871-1934) Woman in the Garden Signed “...Baske� with Japanese character l.r.

Watercolor with gouache on paper/board, sight size 17 1/4 x 11 1/4 in. (43.8 x 28.6 cm), framed.

Condition: Toning, not examined out of frame. $500-700

695

696.

American School, 20th Century Carved Wood Picture Frame Unsigned, a period label from J.H. Miller Co., Inc., Springfield, Massachusetts, affixed to the reverse.

Giltwood, outside dimensions 40 3/4 x 35 1/2 in. (103.5 x 90.2 cm), inside dimensions 29 1/2 x 24 1/4 in. (74.9 x 61.6 cm).

Condition: Minor nicks/losses, scattered craquelure, surface grime. $400-600

696

697

697.

Ernest W. Longfellow (American, 1845-1921) Shobo Temple, Tokyo, Japan Signed and dated “Ernest Longfellow ‘03” l.r., identified on a presentation plaque.

Oil on canvas, 12 1/2 x 19 in. (31.8 x 48.3 cm), framed.

Condition: Lined. $8,000-10,000

698.

Grant Tyson Reynard (American, 1887-1967) The Dark Shawl Signed “Reynard” l.r., a partial Salmagundi Club label affixed to the reverse.

Oil on canvasboard, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Retouch, craquelure, surface grime. $250-350

699.

Robert Tolman (American, b. 1886) Woman Painting/A Portrait of the Artist’s Wife, Lynn Tolman Unsigned, identified on a label affixed to the stretcher.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Craquelure.

Provenance: Gift from the artist to a private collection; then by descent to the present owner. $700-900 698

699

700.

Attributed to Georges d’Espagnat (French, 1870-1950) Reading the Paper Unsigned.

Oil on canvas mounted onto board, 11 x 8 1/4 in. (27.9 x 21.0 cm), framed.

Condition: Mild surface grime. $1,000-1,500

700

701.

Louis Kronberg (American, 1872-1965) Mlle. Mireille Signed “LOUIS KRONBERG-” l.l. and initialed “L✡K.” l.r., identified on labels including the Museum of Modern Art, New York, and Lucien Lefebvre-Foinet, Paris, and stamped “The Chinese Women’s Relief Association of New York...” on the reverse.

Pastel on paper mounted to canvas, 24 x 18 1/4 in. (61.0 x 46.4 cm), framed.

Condition: Not examined out of frame. $1,200-1,800

701

702

702.

René-Xavier Prinet (French, 1861-1946) 704

L’Elephant Signed “R.X. Prinet” l.l., identified on a label from Galeries Georges Petit, Paris, and with a Blanchet, Paris, stencil on the reverse.

Oil on panel, 12 11/16 x 16 1/8 in. (32.2 x 40.9 cm), framed.

Condition: Surface grime.

704.

Gifford Beal (American, 1879-1956)

Provenance: Sold to benefit the Bennington Museum, Vermont. $300-500

Interior View, Purportedly William Merritt Chase’s Tenth Street Studio Unsigned.

Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.

Condition: Craquelure, varnish inconsistencies.

703.

George Augusta (American, 20th Century)

Provenance: Through the estate of the artist, by family descent to a granddaughter. $1,500-2,500

Man Reading Signed “Augusta” l.r.

Oil on board, 27 1/2 x 16 in. (69.8 x 40.6 cm), framed.

Condition: Surface abrasions (predominately along the left side), surface grime. $300-500

703

704A. Richard Maguet (French, c. 1896-1944) Interieur Signed “Maguet” l.r., signed, titled, and dated “Richard Maguet...1931” on the reverse.

Oil on canvas, 21 3/4 x 18 1/4 in. (55.2 x 46.4 cm), framed.

Condition: Retouch, surface grime. $300-500

704A

705

705.

Arthur Clifton Goodwin (American, 1864-1929)

706.

Marguerite Stuber Pearson (American, 1898-1978)

Night at the Theater Signed “A.C. GOODWIN” l.l.

Oil on canvas, 20 1/4 x 26 in. (51.4 x 66.0 cm), framed.

Condition: Lined, craquelure, surface grime. $2,500-3,500

Tone Poem Signed “MARGUERITE S. PEARSON” l.r., identified on a partial exhibition label affixed to the reverse, a copy of a letter dated 1962 from the artist, discussing the work, affixed to the reverse.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Scattered retouch, varnish inconsistencies, mild surface grime. $3,000-5,000

706

707

708

707.

Sigmund Joseph Menkes (Polish/American, 1896-1986) Figures on a Bed Signed “Menkes” l.r.

Felt pen and oil on paper, sight size 13 1/2 x 16 1/4 in. (34.3 x 41.3 cm), framed (without glass).

Condition: Toning, not examined out of frame. $300-500

708.

Russian School, 20th Century Leisure Signed “I. Kulik” in Cyrillic l.r., titled, dated and inscribed “...’90 canvas, oil” in Cyrillic on the reverse.

Oil on canvas, 31 1/2 x 23 5/8 in. (80.0 x 60.0 cm), framed.

Condition: Surface grime. $400-600

709.

French/American School, 20th Century Figure Study Initialed “JAC” l.r.

Ink and wash on paper, sheet size 12 x 4 1/2 in. (30.5 x 11.4 cm), framed.

Condition: Toning, not examined out of frame. $300-500

709

711 710

710.

Jessica Rice (American, b. 1941)

711.

Isabel Bishop (American, 1902-1988)

Figures at the Beach Signed and dated “Jessica Rice 90” l.l. and “© Jessica Rice 89” on the reverse.

Oil on canvas, 22 x 20 in. (55.9 x 50.8 cm), framed.

Condition: Good. $600-800

Two Figure Studies: Nude and Seated Man Signed “Isabel Bishop” l.r. and l.l., respectively, Nude titled and dated “...1950” on the reverse, Man titled, signed, and inscribed “...-’A’ by I/Bishop...c. 1932” on the reverse.

Ink on paper/board, sight sizes to 6 1/8 x 4 3/8 in. (15.5 x 11.1 cm), framed.

Condition: Scattered staining, not examined out of frames. $400-600

712.

Patrick M. Webb (American, 20th/21st Century) Bathers on the Beach Signed “P. WEBB” l.l.

Oil on canvas, 33 x 48 in. (83.8 x 121.9 cm), framed.

Condition: Surface grime, minor abrasions. $1,000-1,500

712

713

714

713.

Frank H. Redelius (American, 20th Century) Remembrance of Flanders Signed “F.H. REDELIUS” within the composition c.l., figure study on the reverse, identified on a period label from Grand Central Art Galleries, Inc., New York, affixed to the reverse.

Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.

Condition: Repair u.r. with additional scattered retouch, fine craquelure, wear/losses to edges, surface grime. $600-800

714.

Harold F. Lindergreen (American, 1902-1988) Floral Study Signed “HAROLD F. LINDERGREEN” l.l., monogrammed and dated “...37” l.r.

Gouache on paper/board, sight size 14 x 8 3/4 in. (35.6 x 22.2 cm), framed.

Condition: Mild scattered surface abrasions, not examined out of frame. $300-600

715.

American School, 20th Century

715

Sherlock Holmes Trompe L’oeil Indistinctly signed l.r.

Oil with collage on board, 19 x 9 1/2 in. (48.3 x 24.1 cm), framed.

Condition: Mild surface grime. $400-600

716

716.

Robert Remsen Vickrey (American, b. 1926)

717.

Robert Remsen Vickrey (American, b. 1926)

Poppies, 1991 Signed “Robert Vickrey” l.l., identified on a label from HarmonMeek Gallery, Naples, Florida, on the reverse.

Egg tempera on fiberboard, 12 x 18 1/4 in. (30.5 x 46.4 cm), framed.

Condition: Good. $4,000-6,000

As the World Turns Signed “Robert Vickrey” l.r., identified on a label from HarmonMeek Gallery, Naples, Florida, on the reverse.

Oil on fiberboard, 12 3/4 x 16 1/2 in. (32.4 x 41.9 cm), framed.

Condition: Good. $4,000-6,000

717

718 719

718.

William Sommer (American, 1867-1949)

719.

Kay Mollison (American, b. 1896)

June with Strudel/A Portrait of the Artist’s Granddaughter and Her Dog Signed “William Sommer” in pencil l.l., inscribed “William Sommer...his granddaughter...” on the backing.

Watercolor and graphite on paper, sight size 20 1/2 x 28 in.

(52.1 x 71.1 cm), framed.

Condition: Subtle foxing, not examined out of frame.

Gentleman Cat Portrait Signed “Kay Mollison” l.r.

Oil on canvas, 30 1/2 x 25 in. (77.5 x 63.5 cm), framed.

Condition: Retouch, varnish inconsistencies, scattered flaking/losses, surface grime.

Provenance: Ex-collection of Henry Francis, former curator at the Cleveland Museum of Art, then by descent. $2,200-2,800

N.B. Mollison was married to artist Harry Russell Ballinger (American, 1892-1993). $400-600

720.

Conger A. Metcalf (American, 1914-1998) Seated Boy Signed “Metcalf” in pencil l.r., identified on a label from Swetzoff Gallery, Boston, on the reverse.

Watercolor and graphite on paper, 17 x 12 in. (43.2 x 30.5 cm), framed.

Condition: Not examined out of frame. $500-700

720

722

721

721.

American School, 20th Century

722.

John Wesley Carroll (American, 1892-1959)

The Sad Clown Unsigned.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Small puncture l.c. (reinforced with tape on the reverse), scattered retouch, mild varnish inconsistencies, surface grime. $300-500

Portrait of a Cat Signed and dated “John Carroll 33” l.r.

Oil on canvas, 20 x 29 in. (50.8 x 73.7 cm), framed.

Condition: Canvas deformations, surface grime, minor varnish inconsistencies.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $1,000-2,000

723.

Ernest Fiene (American, 1894-1965) White Clown Signed “E. Fiene” l.r., artist and title inscribed on the stretcher.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), unframed.

Condition: Minor scattered losses, surface grime. $400-600

723

724 725

724.

Guy Arnoux (French, 1886-1951)

725.

Ludwig Bemelmans (American, 1898-1962)

Regiment du Dauphin Signed “GUY ARNOUX” l.l.

Ink and watercolor on paper/board, sight size 11 x 13 1/2 in.

(27.9 x 34.3 cm), framed.

Condition: Toning, not examined out of frame. $500-700

Portrait of a Man Signed “Bemelmans” l.r., three figural studies on the reverse, a label from Kulicke & Chambers, Inc., New York, on the backing.

Graphite and wash on paper, sheet size 9 x 6 in. (22.9 x 15.2 cm), framed.

Condition: Subtle handling creases.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $800-1,200

726.

Maurice Day (American, 1892-1983) Wake Up It’s Christmas!

Signed “MAURICE DAY” l.r.

Charcoal, crayon, watercolor and gouache on paper, sight size 8 1/2 x 7 in. (21.6 x 17.8 cm), framed.

Condition: Mat burn, toning, tape c.l., not examined out of frame.

N.B. This image was used for the Ranger Rick Christmas Card Assortment published by the National Wildlife Federation, copyright 1967. A copy of the printed Christmas card accompanies the lot. $300-500

726

728 727

727.

Ludwig Bemelmans (American, 1898-1962)

728.

Walt Disney Studios (American, 20th Century)

The Doctor Signed “Bemelmans” l.l., a label from Kennedy Galleries, Inc., New York, affixed to the backing.

Ink and watercolor on paper, sight size 6 5/8 x 4 3/8 in. (16.8 x 11.1 cm), framed.

Condition: Toning, mat burn, acid burn from tape verso to u.l. and u.r. corners, not examined out of frame.

Doc from Snow White and the Seven Dwarfs, 1937 Identified on a label affixed to the reverse.

Gouache on celluloid over a wood-grained background, sight size 7 1/4 x 6 7/8 in. (18.4 x 17.5 cm), framed.

Condition: Not examined out of frame. $600-800

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $800-1,200

729.

Conger A. Metcalf (American, 1914-1998) Portrait of a Young Schoolboy Signed “Metcalf” in pencil l.r.

Gouache, watercolor, and ink on canvas mounted to Masonite, 15 x 18 in. (38.1 x 45.7 cm), framed.

Condition: Minor surface grime. $500-700

729

730

731

730.

Raymond Breinin (American, 1910-2000)

731.

Conger A. Metcalf (American, 1914-1998)

Table Top Still Life with Fruit Signed and dated “Breinin 36” l.l., information regarding the artist affixed to the reverse.

Gouache on paper/board, sight size 15 1/2 x 27 in. (39.4 x 68.6 cm), framed.

Condition: Scattered bloom, not examined out of frame. $500-700

Portrait of a Young Girl Signed “Metcalf” in pencil l.r.

Graphite and conté crayon on paper, sight size 10 1/4 x 7 1/4 in. (25.4 x 18.4 cm), framed.

Condition: Not examined out of frame. $500-700

732.

Bertram Hartman (American, 1882-1960) Still Life with Sunflowers and Fruit Signed and dated “Bertram Hartman Nov. 1946” l.r.

Watercolor on paper, sight size 20 3/4 x 29 in. (52.7 x 73.7 cm), framed.

Condition: Subtle rippling, not examined out of frame. $400-600

732

734 733

733.

Rifka Angel (American, 1899-1986) Bouquet of Flowers Signed and dated “Rifka Angel 1964” l.r., identified on a label affixed to the reverse.

Oil and encaustic on panel, 15 1/2 x 10 in. (39.4 x 25.4 cm), framed.

Condition: Splits to panels, scattered losses, craquelure, surface grime. $400-600

734.

Conger A. Metcalf (American, 1914-1998) Portrait of a Boy with Cherries Signed “Metcalf” u.l.

Gouache, watercolor, and ink on paper, sight size 23 1/4 x 17 1/4 in. (59.1 x 43.8 cm), framed.

Condition: Not examined out of the frame. $300-500

735.

Paul Strisik (American, 1918-1998) Bouquet of Black Eyed Susans Signed “P. STRISIK” l.l.

Oil on Masonite, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Varnish inconsistencies. $1,000-1,500 735

736

736.

(Samuel) Marshall Frantz (American, b. 1890)

737.

(Samuel) Marshall Frantz (American, b. 1890)

A Surprising Announcement Signed “Frantz” l.r Ink and gouache on illustration board, 13 1/4 x 14 1/2 in. (33.7 x 36.8 cm), framed.

Condition: Toning, soiling/residue (predominately l.r and l.l. corners), not examined out of frame. $400-600

Windy Day by the Beach Signed “Frantz” l.r.

Watercolor and gouache on paper/board, sight size 8 1/2 x 11 1/4 in. (21.6 x 28.6 cm), framed.

Condition: Toning, not examined out of frame. $300-500

737

738

738.

Paul Rouwette (Dutch, b. 1955)

739.

Anton Otto Fischer (American, 1882-1962)

Young Couple on a Grassy Knoll Signed “Paul Rouwette” l.l.

Oil on canvas, 31 1/2 x 39 in. (80.0 x 99.1 cm), unframed.

Condition: Good. $800-1,200

The Boarding Party/Possibly an Illustration for a Jack London Tale Signed and dated “1930/ ANTON OTTO FISCHER” l.r.

Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.

Condition: Retouch, minor losses, patch reinforcements. $3,000-5,000

739

740.

Sarah Supplee (American, 1941-1997) Ryder Sky (Route 2 to Fitchburg, Massachusetts) Signed and dated “Sarah Supplee 1976” in graphite l.l., identified on the reverse.

Pastel on paper, sight size 32 1/2 x 21 3/4 in. (82.6 x 55.2 cm), framed.

Condition: Not examined out of frame. $1,500-2,500

740

741.

Sarah Supplee (American, 1941-1997) New York, Route 28, North of Utica with Cloudbank Signed and dated “SUPPLEE 1975” l.l., also identified, titled, and inscribed “Sarah Supplee...June, 1975,” probably in the artist’s hand, on the stretcher bars.

Oil on canvas, 66 x 44 in. (167.6 x 111.7 cm), framed.

Condition: Good.

N.B. Sarah Supplee was born in Maryland, but worked extensively in Massachusetts. Known as Sally by her friends, she was married to Fred Faudie.An exhibition catalogue for Sarah Supplee: Recent Work in Oil and Pastel, November 4–30, 1989, Tatistcheff & Company, Inc., New York, accompanies the lot. $6,000-8,000

741

742

742.

Sarah Supplee (American, 1941-1997) Route 93, New Hampshire Signed and dated “SARAH SUPPLEE 1978” l.r.

Oil on canvas, 78 x 46 in. (198.1 x 116.8 cm), framed.

Condition: Good. $6,000-8,000

743

744

743.

Moses Soyer (American, 1899-1974)

744.

Charlot Bowman (American, 20th Century)

Nude Front View Signed “M Soyer” u.r., identified on a label from ACA Galleries, Inc., New York, on the reverse.

Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Minor surface grime. $800-1,200

Mother and Child Signed “CHARLOT·BOWMAN” l.l., with a stamp from H.H. Sullivan Inc., Rochester, New York, on the reverse.

Oil on canvasboard, 20 x 16 in. (50./8 x 40.6 cm), framed.

Condition: Surface grime/abrasions. $800-1,200

745.

Harold Knight (American, 20th Century) Healing Waters Signed “Harold Knight” l.l., titled, signed and inscribed on the reverse.

Oil on canvasboard, 12 1/2 x 14 1/2 in. (30.5 x 36.8 cm), framed.

Condition: Surface grime. $800-1,200

745

746 747

746.

Elsie Caron Ives (American, 1864-1915)

747.

Rico Lebrun (American, 1900-1964)

Still Life with Fruit and Decanter Signed “Elise [sic] Ives” u.l.

Oil on canvas, 16 x 18 in. (40.6 x 45.7 cm), unframed.

Condition: Mounted onto Masonite, tears/abrasions, surface rubs, damage to tacking edges, retouch, scattered craquelure, surface grime. $200-300

Portrait of a Veiled Female Figure Unsigned.

Ink and conté crayon on paper, sheet size 25 3/8 x 19 in. (64.5 x 48.3 cm), framed.

Condition: Mounted to paperboard.

Provenance: Gift from the artist; by family descent to the present owner. $300-500

748.

Irina Igorevna Lavrova (Russian, 1931-1999) Flowers Signed and dated “1949 I. Lavrova” in Cyrillic l.r., also signed, titled, and dated “Irina Lavrova....K.M. [Karton. Maslo (cardboard, oil)] 1949” in Cyrillic on the reverse.

Oil on artist board, 13 1/4 x 16 1/2 in. (33.7 x 41.9 cm), framed.

Condition: Creases/tears and pinholes to the u.r. and l.r. quadrants.

Provenance: Private New England collection. $300-500

748

749

749.

Gary Ernest Smith (American, b. 1942)

750.

Norman Millet Thomas (American, b. 1915)

Cornfield in Snow Signed “GARY ERNEST SMITH ©” l.r., titled, signed and inscribed “...Gary E. Smith/© OPYRIGHT [sic] RETAINED” on the stretcher.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Mild surface grime, subtle pigment fluorescence. $2,000-4,000

The Sculptor’s Studio Unsigned, inscribed “Painted by Norman Thomas/ Certified by sisister [sic]-in-law Marie Thomas” on the stretcher.

Oil on Masonite, 48 x 30 1/4 in. (121.9 x 76.8 cm), unframed.

Condition: Surface grime/abrasions, tack holes to the margins. $600-800

751.

Henry A. (Hank) Walker (American, 1919-1995) Two Hunters Signed “HANK WALKER” l.r.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Good.

N.B. An artist biography and the photograph on which this composition is based accompanies the lot. $800-1,200

751 750

752

752.

Cecil Crosley Bell (American, 1906-1970) Lot of Nine Drawings: Including Figural Studies, Factory Scene, and Possible Studies for Team at Auction Many stamped “Cecil C. Bell” l.r., some initialed, signed or inscribed.

Charcoal, watercolor and ink on paper, approximate sheet sizes to 9 x 12 in. (22.9 x 30.5 cm), unframed.

Condition: Toning, tears, some with tape at edges. $800-1,200

753

753.

Julian Edwin Levi (American, 1900-1982)

754.

George Manuel Aarons (American, 1896-1980)

Dock Worker/A Maquette Probably for a WPA Mural Signed and dated “JULIAN LEVY 1938” l.l., titled and identified, probably in a later hand, on the reverse.

Egg tempera and graphite on fiberboard, 15 3/8 x 9 3/8 in.

(39.1 x 23.8 cm), framed.

Condition: Surface grime. $700-900

Lot of Two Maquettes for a Large Scale Installation One signed and dated “Georg...Aarons/1964” l.l., the other unsigned.

Carved plaster bas-reliefs, sizes to 11 x 22 3/4 x 5 3/4 in. (27.9 x 57.8 x 14.6 cm).

Condition: Small chips and losses, surface grime. $1,200-1,800

754

755

755.

George Rodrigue (American, b. 1944)

756.

George Rodrigue (American, b. 1944)

The Secret of the Hollow, alternatively titled The Secret of Pirate Lafitte’s Gold Signed and dated “Rodrigue 74” l.l., also signed and inscribed “© G. Rodrigue...” on the reverse, signed or inscribed and titled “#7422 George Rodrigue ©...” on the stretcher bar.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Good.

Prayer Under the Oaks Signed “Rodrigue” l.l. and “© Rodrigue” on the reverse, titled and inscribed “#7520...” and stamped from George Rodrigue Gallery, Lafayette, Louisiana, on the stretcher bars.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

Provenance: Purchased at Arvest Galleries, Inc., Boston, 1975.

Provenance: Purchased at Arvest Galleries, Inc., Boston, 1993.

Literature: Rodrigue, George, The Cajuns of George Rodrigue, Birmingham: Oxmoor House, 1976, pp. 18-19 (illus.); George Rodrigue: Cajun Artist, Lafayette: Rodrigue Gallery & Studio, 1975, p. 17 (illus.).

N.B. The alternative title was issued by Oxmoor House for publication. A copy of George Rodrigue: Cajun Artist, and a photocopy of a letter from the artist accompany the lot. $20,000-30,000

756

Literature: Rodrigue, George, The Cajuns of George Rodrigue, Birmingham: Oxmoor House, 1976, p. 22 (illus.).

N.B. An autographed copy of Rodrigue [The Newspaper and Magazine Articles of Louisiana’s International Folklore Artist], Lafayette: George Rodrigue Gallery & Studio, 1975, and an autographed poster accompany the lot. $15,000-20,000

757

757.

George Rodrigue (American, b. 1944) Cajun Farmer’s Daughters, alternatively titled The Daughters of Francis Robert Signed “Rodrigue” l.l. and “© Rodrigue” on the reverse, titled and numbered “...#7525” and with stamps from the George Rodrigue Gallery, Lafayette, Louisiana, on the stretcher bars.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

Literature: Rodrigue, George. The Cajuns of George Rodriguez, Birmingham: Oxmoor House, Inc., 1976, p. 40 (illus.).

Provenance: Purchased at Arvest Galleries, Inc., Boston, 1993.

N.B. The alternative title was issued by Oxmoor House for publication. A copy of the book from the limited Louisiana edition (#2239/8000) and a photocopy of a letter from the artist accompany the lot. $20,000-30,000

758

758.

Miguel Covarrubias (Mexican, 1904-1957)

759.

Balinese School, 19th/20th Century

Tropical Landscape Signed “COVARRUBIAS” l.r., a label from Forty-Seventh Street Gallery, New York, affixed to the reverse.

Gouache, watercolor and ink on paper/board, 10 1/2 x 13 3/4 in. (26.7 x 34.9 cm), framed.

Condition: Glued to window mat. $2,000-4,000

At the River Signed and inscribed “KT. MANGGI – BALI.” l.r., stamped on the reverse.

Watercolor and gouache on paper, sight size 12 1/2 x 8 1/2 in.

(31.8 x 21.6 cm), framed.

Condition: Taped along bottom edge to front mat, tear u.l., rippling, light creases, soiling/staining. $400-600

760.

Clementine Hunter (American, 1886-1988) Church Procession Monogram initialed “CH” l.r.

Oil on Masonite, 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm), unframed.

Condition: Craquelure, minor losses at center, nail holes in the u.r. and u.l. quadrants. $300-500

760

761

761.

Audrey May Hatfield (American, fl. 1984-present) 762

Indigenous Figures Receiving Nourishment from a Cow Signed and dated “Audrey Hatfield 1991” l.r.

Pastel on paper, sheet size 15 x 22 1/2 in. (38.1 x 57.2 cm), framed.

Condition: Not examined out of frame. $400-600

762.

Jay Thurston Robinson (American, b. 1915) Jungle Clearing, alternatively titled Village Clearing/An Image Based on the Bakuba Tribe of the Bulape Group, Kasai District, Belgian Congo Signed “Jay Robinson” l.l., identified in inscriptions on the reverse.

Mixed media relief on panel, 18 x 11 3/4 in. (45.7 x 29.8 cm), framed.

Condition: Surface grime. $400-600

763

763.

William Sommer (American, 1867-1949) The Purple Goat Signed and dated “William Sommer. 1942” l.r., identified on a label affixed to the backing.

Ink and watercolor on paper, sight size 11 3/4 x 17 in. (29.8 x 43.2 cm), in a Prendergast-style frame.

Condition: Not examined out of frame.

Provenance: Ex-collection of Henry Francis, former curator at the Cleveland Museum of Art, then by descent.

Exhibitions: The William Sommer Memorial Exhibition: Catalogue of an Exhibition of Works by William Sommer, Cleveland Museum of Art, November 1–December 10, 1950, no.

179. $2,500-3,500

764.

Miguel Covarrubias (Mexican, 1904-1957) Retrato de Mujer Tehuana Signed and dedicated “For Sam with apologies/COVARRUBIAS” l.r.

Gouache and watercolor on paper/board, sight size 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), framed.

Condition: Cloth tape hinged to backing mat, tack holes. $2,000-3,000

765.

Margaret D. H. Keane (American, b. 1927) Lot of Two Figural Studies Each signed and dated “© MDH Keane 1968” l.l. or l.r.

Charcoal on paper, sight sizes to 4 1/2 x 5 1/2 in. (11.4 x 14.0 cm), framed.

Condition: Subtle toning, mild foxing/staining, not examined out of frames. $300-500

766.

American School, 20th Century

764

Hiker Signed “Myriam Pistor” l.r.

Watercolor on paper/board, sight size 11 1/4 x 6 in. (28.6 x 15.2 cm), framed.

Condition: Toning, mat burn, not examined out of frame. $300-500

765

766

767

767.

Diego Rivera (Mexican, 1886-1957) Vendedora de Pozole Signed and dated “Diego Rivera 38” l.r.

Ink and watercolor on Japan paper, sheet size 15 x 10 3/4 in.

(31.1 x 27.3 cm), framed.

Condition: Mounted to linen-covered mat, tack holes to corners.

Provenance: Gift of the artist to Frida Kahlo de Rivera, Mexico City; Private collection, Los Angeles, California; Private collection, Florida, 1984.

Literature: Diego Rivera Acuarelas [1935-1945] - Colección Frieda [sic] Kahlo, text by Dr. Samuel Ramos, Mexico, Editorial Atlante, S.A., 1948, Plate 18 (illus.).

N.B. This work appears to be a finished composition based on the drawing in the collection of Rafael Coronel, which is illustrated in Diego Rivera: Catalogo General de Obra de Caballete, no. 1194. $40,000-80,000

768.

Henry Schwartz (American, 1927-2009) After the Flood, alternatively titled The Crossing Signed and dated “Henry Schwartz 1961” u.l., titled, dated and signed “...1961 Henry Schwartz” on the reverse, identified on a period label from Boris Mirski Gallery, Boston, affixed to the reverse.

Oil on canvas (and frame liner), 28 3/4 x 26 1/2 in. (73.0 x 67.3 cm), framed.

Condition: Loss u.r., pigment fluorescence, surface grime. $400-600

768

769.

Maurice de Vlaminck (French, 1876-1958) Village Street View Signed “Vlaminck” in pen l.r.

Ink and graphite on paper, sheet size 5 1/8 x 8 1/8 in. (13.0 x 20.6 cm), framed.

Condition: Subtle toning, acid burn from tape hinges at four corners verso.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

769

N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for two letters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift). $2,000-4,000

770.

Florence Henri (Swiss, 1893-1982) View of a Dutch Landscape Signed and dated “Florence Henri 1956” in pen l.r.

Gouache on paper, sight size 14 x 17 1/2 in. (35.6 x 44.5 cm), framed.

Condition: Subtle acid burn, not examined out of frame. $800-1,200

770

771

771.

Giorgio De Chirico (Italian, 1888-1978)

772.

Diego Rivera (Mexican, 1886-1957)

Untitled Landscape with Petrified Boat and Figures [The Dioscuri], c. 1925 and Untitled Portrait of Gala Dali, c. 192425/A Double-sided Work Landscape signed “G. de Chirico” in pencil l.r., Portrait signed and inscribed “Le retour a une suite...G. de Chirico” l.r. and inscribed “Madame Gala Dali” in a later hand l.c.

Graphite on paper, sight size 12 x 9 in. (30.5 x 22.9 cm), framed.

Condition: Subtle foxing, pinhole u.c.

Skyline, Florence, Italy Signed and dated “Diego Rivera. 21” in pencil l.r.

Graphite on paper, sheet size 8 3/8 x 10 5/8 in. (21.3 x 27.0 cm), unframed.

Condition: Acid burn to l.l. quadrant, tear to u.l. and l.l. quadrants, glued to backing sheet at corners.

Provenance: From the Hillman Family Collection by descent to Alex Hillman; private collection c. 1990s.

Literature: Emily Braun, Manet to Matissse: The Hillman Family Collection, Seattle: University of Washington Press, 1994, pp. 5457, (illus.).

N.B. In Emily Braun’s analysis of the landscape composition of the present work, she notes that the two figures depicted in the foreground may allude to the twin sons of Zeus Castro and Polydeuces—also known as the Dioscuri—but may also represent the artist and his brother, Alberto Savinio.1 Supporting this interpretation, Braun cites the depiction of eyes in the lower left, which commonly represented for De Chirico “the visionary powers of the artist” or “the omnipotence of the gods.”2 Of the portrait composition on the reverse, Braun contextualizes the work within the Parisian surrealist circle of Paul Eluard, Gala Dali’s first husband. She notes that Eluard was a patron of De Chirico circa 1923, and that De Chirico associated with the couple through 1926.3

Provenance: Collection of Caroline Johnston (née Ramsay) Chandler of Wilmington, Delaware (b. 1893-?), by family descent to private collection, Maine. Caroline Ramsay Chandler was the eldest daughter of William Gouverneur Ramsay, a civil engineer and vice president of E.I. du Pont de Nemours & Company. She was a student of the Woodstock Art Colony, an artist in watercolors and oils, as well as an art collector. She traveled to Mexico in the 1930s, and is believed by her family to have acquired art on this trip, including the present work. $8,000-12,000

1. Emily Braun, Manet to Matisse: The Hillman Family Collection, Seattle: University of Washington Press, 1994, p. 54.

2. Ibid., 54.

3. Ibid., 55.

$15,000-25,000

772

773.

Paul Delvaux (Belgian, 1897-1994) Portrait of Two Women Embracing Signed and dated “P. DELVAUX/1945” in pencil l.r., watermark c.l.

Graphite and ink on Antique de Luxe laid paper, sheet size 8 1/4 x 6 3/4 in. (15.9 x 17.1 cm), framed.

Condition: Slight toning, paper tape hinged to backing mat.

Provenance: Gift from the artist to the present owner, c. 1946.

N.B. The present work is characteristic of Delvaux’s female nude studies, where he explores the relationship between the idealized female body and naturalistic representation. The work echoes Gustave Courbet’s Le Sommeil (1866), but without the languorous surrender. The alert gaze directed at the viewer and the ambiguous indoor-outdoor background decontextualizes it from an academic “odalisque,” and creates a tension over the propriety of the scene for the spectator.

773

His works have been said to both “entice and demystify, allowing the viewer the fullest sensual and emotional satisfaction the visual image can offer, yet alerting him or her to the artificiality, even absurdity, of the principles that produce such pleasure.”1 1. Scott, David, Paul Delvaux: Surrealizing the Nude, London: Reaktion Books, 1992, p. 13.

$3,000-5,000

774.

Georges Rouault (French, 1871-1958) La Sainte Face (esquisse), 1921 Unsigned, identified on a label from Hammer Galleries, New York, on the backing.

Ink wash on paper, sheet size 4 3/4 x 4 in. (12.1 x 10.2 cm), framed.

Condition: Tape hinged along top edge to backing mat, subtle rippling.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

774

Literature: Dorival, Bernard and Isabelle Rouault, Rouault l’Oeuvre Peint, Monte Carlo: Andre Sauret, 1988, no. 864, (illus.).

N.B. We wish to thank Jean-Yves Rouault and Anne-Marie Agulhon of the Fondation Georges Rouault for their assistance with cataloguing the lot. $3,000-5,000

775.

Oja Kodar (Croatian, b. 1941) Dancing Figures Monogram initialed and numbered “O.. 1/6.” on the reverse l.r.

Bronze, 14 x 11 x 5 in. (35.6 x 27.9 x 12.7 cm), mounted to a wooden plinth.

Condition: Minor surface grime.

Provenance: Purchased from Rolly-Michaux Gallery, Boston. $300-500

775

776

776.

Marc Chagall (French/Russian, 1887-1985) Two Lovers on a Rooster Signed “Marc Chagall” l.r.

Ink, graphite, and crayon on laid paper, sheet size 7 1/2 x 5 1/8 in. (19.1 x 13.0 cm), framed.

Condition: Paper-backed, taped along margins verso to backing linen-covered mat, acid burn.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for two letters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift). $40,000-60,000

777

777.

Henri Matisse (French, 1869-1954) Tête de Femme, 1942 Inscribed, signed and dated “A Monsieur Marcel Z. Méraud/Cordialement/Henri Matisse 17...42” in pencil l.l.

Ink and graphite on paper, sheet size 8 1/8 x 5 in. (20.6 x 12.7 cm), framed.

Condition: Taped to silk covered mat at four corners verso, acid burn to corners, deckled edges.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. We wish to thank Wanda de Guebriant of the Archives Matisse for her kind assistance with cataloguing the lot. The work is no.

K296 in the Archives Matisse and a photo-certificate accompanies the lot.

The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud.

In a letter at the Archive Matisse dated February 16, 1942, Méraud shares his enthusiasm for the gift from Vollard, and requests a work from Matisse to add to the book. He writes: “Mr. Fabiani had to tell you about the book that Mr. Ambroise Vollard dedicated to me; among other things, it is the first book out of the printing press that Mr. Vollard gave to me, saying, “Marcel, the first is for you!”

Within this book are [works by] Mr. Vollard’s art colleagues and friends-one made me a drawing, another a watercolor, another a drawing with watercolor, etc. … Would you allow me to ask a remembrance of you? I would be very grateful.” (translated from French) In a second letter, also at the Archive Matisse dated September 23, 1942, Méraud acknowledges receipt of a drawing and expresses his pleasure with the work: “I received your magnificent drawing that I quickly put it in my book of the recollections of Mr. Ambroise Vollard, which is for me, the best souvenir, with the nice dedication of Mr. Vollard and fine drawings by artists that I had the pleasure of seeing regularly without knowing more intimately, I thank you even more, because your beautiful gesture allows me to enrich my book with a beautiful memory of a great master.” (translated from French) $20,000-40,000 778.

No lot.

779

779.

Raoul Dufy (French, 1877-1953) Grand Orchestre, 1948 Signed “Raoul Dufy” in pencil l.r., inscribed “Expo. Galerie Motte Geneve/1957 No. 36...” in pencil and with labels on the reverse, also identified on a label from Hirschl & Adler Galleries, Inc., New York, on the backing.

Watercolor and ink on paper, sheet size 19 3/4 x 25 3/4 in.

(50.2 x 65.4 cm), framed.

Condition: Taped to beveled mat.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Exhibitions: Exposition Raoul Dufy 1877–1953 Dessins Gouaches, Galerie Motte, March 15–April 14, 1957, exh. no. 36 (illus.); Raoul Dufy 1877-1953, Hirschl & Adler Galleries, Inc., November 3–December 4, 1965, exh. cat. no. 76.

N.B. We are grateful to Fanny Guillon-Laffaille for confirming the authenticity of this work. $75,000-125,000

780.

Peter Robert Keil (German, b. 1942) Lake Wannsee Near Berlin Signed and dated “Keil 68” l.l., titled, signed and dated “...P Robert Keil Berlin 68” on the reverse.

Acrylic on Masonite, 22 x 28 in. (55.9 x 71.1 cm), framed (under glass).

Condition: Minor retouch. $400-600

780

781.

Jean Liberte (American, 1896-1965) Farm View in the Evening Signed “LiBERTE” l.r.

Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Surface grime. $600-800

782.

Regis de Bouvier De Cachard (French, b. 1929) Birds at Piazza San Marco, Venice Signed and dated “BOUVIER de CACHARD 65” l.r.

Oil on canvas, 27 3/4 x 31 3/4 in. (70.5 x 80.6 cm), framed.

Condition: Surface grime. $500-700

782

783

785

783.

Lawrence Edward Kupferman (American, 1909-1982)

785.

Peter Robert Keil (German, b. 1942)

Old Streets, Boston Signed “Kupferman” l.r., inscribed, titled, signed and dated “#1746...JANUARY 22, 1946/LAWRENCE KUPFERMAN” on the reverse.

Oil on Masonite, 16 1/4 x 23 in. (41.3 x 58.4 cm), framed.

Condition: Surface grime, pigment fluorescence, varnish inconsistencies. $400-600

On the Lake Starnberger, Munich Signed and dated “Keil 63” l.r., titled, signed, and dated “...P. Robert Keil Berlin 63” on the reverse.

Acrylic on Masonite, 25 1/2 x 29 3/4 in. (64.8 x 75.6 cm), framed.

Condition: Minor surface grime. $400-600

784.

Peter Busa (American, 1914-1985) Cottages by a Bay Incised signature “Busa” l.r.

Oil on Masonite, 8 1/4 x 18 in. (21.0 x 45.7 cm), framed.

Condition: Good. $700-900

784

786

787

786.

Eugene G. Berman (American, 1899-1972)

787.

Oja Kodar (Croatian, b. 1941)

Head of a Satyr with Dark Visage Monogram signed and dated “EB 1942” l.c.

Mixed media (watercolor, ink, and collage) on blue/gray paper, sheet size 15 1/8 x 11 7/8 in. (38.4 x 30.2 cm), framed.

Condition: Tape hinged to backing glass, not examined out of frame.

Running Figure Monogram initialed and numbered “1/4...O....” on the reverse l.r.

Bronze with brown-black patina, 10 1/2 x 4 x 3 1/2 in. (26.7 x 10.2 x 8.9 cm), mounted on a wooden plinth.

Condition: Minor surface grime.

Provenance: Gift from the artist; by family descent to the present owner. $800-1,200

Provenance: Purchased from Rolly-Michaux Gallery, Boston, Massachusetts. $300-500

788.

Eugene G. Berman (American, 1899-1972) Head of a Satyr Monogram signed and dated “19 EB 42” l.c.

Mixed media (watercolor, ink, and collage) on paper, sheet size 15 1/4 x 12 in. (38.7 x 30.5 cm), framed.

Condition: Tape hinged to backing glass, not examined out of frame.

Provenance: Gift from the artist; by family descent to the present owner. $800-1,200

788

789

789.

Henry Moore (British, 1898-1986) Studies for Sculpture, 1950 Signed and dated “Moore 50” in ink l.r., identified on labels from Marlborough Gallery, London, and M. Knoedler & Co., Inc., New York, affixed to the backing.

Charcoal, wax crayon, watercolor wash, ink, and gouache on paper, sheet size 15 3/4 x 11 1/2 in. (40.0 x 29.2 cm), framed.

Condition: Tape hinged to backing mat along left edge, subtle rippling.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: Ann Garrould (ed.), Henry Moore Complete Drawings 1950-1976 Volume 4, London: Lund Humphries, 2003, pp. 2223, AG. 50.50, HMF no. 2611 (illus.).

Exhibitions: Marlborough Fine Art, London, September 1962 (cat. 52). $30,000-50,000

790

791

790.

Peter Robert Keil (German, b. 1942) Nude in Green Signed and inscribed “Keil New-York” l.r., titles along top tacking edge.

Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.

(100.3 x 69.8 cm), unframed.

Condition: Minor surface grime, craquelure, lifting, abrasions. $400-600

791.

Robert Beauchamp (American, 1923-1995) Self-Portrait with Yellow Hair Incised signature and date “Beauchamp 75” l.r.

Oil on canvas, 27 x 20 in. (68.6 x 50.8 cm), framed.

Condition: Good.

Provenance: Through the artist’s estate. $2,000-3,000

792.

Peter Robert Keil (German, b. 1942) Untitled [Portrait] Signed and inscribed “Keil New-York” l.l.

Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.

(100.3 x 69.85 cm), unframed.

Condition: Minor surface grime, craquelure, lifting, abrasions. $500-700

793.

Pavel Tchelitchew (Russian/American, 1898-1957) Tête de jeune homme Signed and dated “P. Tchelitchew 31” l.l., titled and inscribed “...P. Tchelitchew” on the stretcher, stamped “DOUANES/PARIS/EXHIBITION” on the reverse.

Oil on canvas, 25 1/2 x 19 3/4 in. (64.8 x 50.2 cm), framed.

Condition: Surface grime, craquelure.

Provenance: Gift from the artist; by family descent to the present owner.

N.B. We wish to thank Erik La Prade for his kind assistance with cataloguing the lot. $15,000-25,000

794.

Manfred Schwartz (American, 1909-1970) Portrait of a Man with Fruit Signed and dated “Manfred Schwartz 46” l.l.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Minor surface grime and canvas deformations. $2,000-4,000 793

794

795

795.

Howard Mandel (American, 1917-1999)

797.

María Jesús de Solà (Spanish, 20th Century)

Les Halles-Autrefois (Pied de Porc) Signed “HOWARD MANDEL” l.r., identified on stamps and labels on the reverse.

Acrylic on Masonite, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Minor flaking, minor surface grime.

Harlequin Signed and dated “Mª Jesús de Sola IX-LIV” l.r.

Oil on canvas, 45 x 28 in. (114.3 x 58.4 cm), framed.

Condition: Minor surface grime. $700-900

Exhibitions: Audubon Artists 54th Annual, 1996. $1,800-2,200

796.

Felix (Varlamishvili) Varla (Georgian/French, 1903-1986) Les Pecheurs Signed “Varla” l.l., identified on a partial label from Monede Gallery, New York, affixed to the reverse.

Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.

Condition: Minor surface grime, craquelure, minor losses. $400-600

796

797

798.

Andre Derain (French, 1880-1954) The Juggler Signed “a derain” l.r.

Gouache and graphite on paper, sheet size 8 1/8 x 5 1/8 in.

(20.6 x 13.0 cm), framed.

Condition: Toning, acid burn from tape verso on all four corners, not examined out of frame.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for two letters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift). $2,000-4,000 798

799.

Japanese School, 20th Century Lot of Two Works: A Mask Engraver and A Bird Signed “Fujiyama” l.r. and u.r., respectively.

Ink and watercolor on mulberry paper, sheet sizes to 15 1/2 x 10 1/2 in. (39.4 x 26.7 cm), unframed.

Condition: Glued along right margin to backing cardstock, subtle rippling to sheet. $300-500

800.

Howard Mandel (American, 1917-1999) Pure and Simple, 1991 Signed “HOWARD MANDEL” l.r., identified on stamps and labels on the reverse.

Acrylic and graphite on Masonite, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Surface grime.

Exhibitions: National Society of Painters in Casein and Acrylic 39th Annual Exhibition, 1992. $1,800-2,200

799

800

803 801

803A

802

801.

Doris Klein (American, b. 1918)

803.

American School, 20th Century

Portrait of a Female Nude Signed “Doris Klein” in pen l.r., a partial label from Revel Gallery, New York, on the reverse.

Oil on canvas, 48 x 37 3/4 in. (121.9 x 95.9 cm), framed.

Condition: Patch reinforcement, small tear in the u.l. quadrant, minor surface grime. $800-1,200

The Sunbathers Signed “...Kamps” l.r.

Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.

Condition: Surface grime.

802.

Akira Tanaka (Japanese, 1918-1982) Four Figures Signed “Akira · Tanaka” l.l.

Oil on canvas, 39 1/2 x 29 in. (100.3 x 73.7 cm), framed.

Condition: Good. $2,500-3,500

$400-600

803A. Cavit Atmaca (Turkish, b. 1933) Three Figural Scenes Two signed and dated “C.ATMACA 64” l.r. or l.l., one signed “C. ATMACA” u.l.

Gouache and ink on paper/board, approximate sight sizes to 3 3/4 x 6 3/4 in. (9.5 x 17.2 cm), framed.

Condition: Toning, not examined out of frames. $500-700

804.

Xavier Bueno (Italian, 1915-1979) Portrait of a Young Girl Signed “Xavier Bueno” u.l., canvas stamp from Fratelli Rigacci, Florence, on the reverse.

Oil on canvasboard, 19 5/8 x 15 3/4 in. (40.0 x 50.0 cm), framed.

Condition: Good.

N.B. A copy of Xavier Bueno by Salvatore Quasimodo, and Xavier Bueno exhibition pamphlets including Galleria Santacroce, Florence, and Sagittarius Gallery, New York, accompany the lot. $10,000-15,000

805.

J. Sultan Ali (Indian, 1920-1990) The First Sin Signed and dated “...SULTAN ALI ‘65” l.l., titled, inscribed, and identified on a label from Lalit Kala Akademi, New Delhi, on the reverse.

Oil on canvas, 31 3/4 x 54 1/4 in. (81.0 x 137.0 cm), framed.

Condition: Surface grime, mildew, craquelure.

Provenance: Purchased from the artist c. 1965; gift to the present owner.

Exhibitions: Lalit Kala Akademi, National Exhibition of Art, 1965.

804

N.B. J. Sultan Ali was born in Mumbai and studied painting at the venerable Government School of Arts and Crafts, now called the Government College of Fine Arts, in the South Indian city of Chennai. He exhibited in a number of national and international art exhibitions, including shows at the Lalit Kala Academy, Venice Biennale, São Paulo Biennial, and India Triennale New Delhi. $5,000-7,000

805

806

807

806.

Harold C. Wolcott (American, 1898-1977)

807.

Hazel Burnham Slaughter (American, 1888-1979)

Still Life with Fruit and Pitcher Signed or inscribed “H.C. WOLCOTT” l.r., inscribed “...H.C. WOLCOTT/ SOUTHPORT/CONN. -06490-” on the reverse.

Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good.

Abstract Composition Signed and dated “HAZEL SLAUGHTER 1944-” l.l., inscribed “HAZEL BURNHAM SLAUGHTER...” in a later hand on the reverse.

Oil on canvas mounted to panel, 26 x 19 1/2 in. (66.0 x 49.5 cm), framed.

Condition: Surface grime, craquelure. $2,000-2,500

Provenance: Through the estate of Harold C. Wolcott, Westport, Connecticut, 1980. $600-800

808.

Josef Scharl (German/American, 1896-1954) Still Life with Apples Signed and dated “Jos. Scharl 1943” l.r.

Oil on canvas, 17 x 25 in. (43.2 x 63.5 cm), framed.

Condition: Craquelure, cupping, scattered losses/abrasions. $300-500

808

809

810

809.

Antonio Dattorro (American, 1918-2001)

810.

Florence Henri (Swiss, 1893-1982)

Fire and Ice Signed “Dattorro” l.l., titled on a label affixed to the stretcher, artist identified on information affixed to the reverse.

Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.

Condition: Pigment fluorescence, scattered losses, craquelure, surface grime. $300-500

Abstract Composition Signed “Florence Henri” l.r.

Gouache on paper, sight size 10 1/8 x 7 3/4 in. (25.7 x 19.7 cm), framed.

Condition: Not examined out of frame. $600-800

811.

Billy Al Bengston (American, b. 1934) Untitled, 1979 Identified on labels from Tobey C. Moss Gallery, Los Angeles, and Thomas Segal Gallery, Boston, on the reverse.

Collage with watercolor on handmade paper, circular format, 14 in. diameter (35.6 cm), framed.

Condition: Not examined out of frame. $400-600

811

812

813

812.

Budd Hopkins (American, b. 1931)

813.

Tim Rollins + K.O.S. (American, b. 1955)

Black Abstract Signed and dated “Hopkins 65” l.r.

Ink on paper, sheet size 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm), framed.

Condition: Not examined out of frame. $200-300

Study for Amerika, 1988 Identified on a label from Barbara Krakow Gallery, Boston, on the reverse.

Watercolor and graphite on typeset sheet, sheet size 7 7/8 x 5 1/8 in. (20.0 x 13.0 cm), framed.

Condition: Not examined out of frame. $400-600

814.

John G.F. Von Wicht (American, 1888-1970) Abstract Composition Signed “V. Wicht” in pencil l.r.

Oil and mixed media on paper, sight size 16 1/2 x 21 in. (41.9 x 53.3 cm), framed.

Condition: Losses, subtle creases to u.r., not examined out of frame. $800-1,200

814

815

815.

Gianni Frassati (Italian, b. 1924)

816.

Lucy Stelle Brown L’Engle (American, 1889-1978)

Le Maitre Coordonnateur Signed and dated “GIANNI FRASSATI 1960” l.r., also signed and titled “GIANNI FRASSATI...” on the reverse.

Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.

Condition: Subtle varnish inconsistencies. $1,500-2,500

Collage I Signed and inscribed “Lucy L’Engle/Truro...” on the cardboard backing.

Mixed media collage on paper, sight size 15 x 25 in. (38.1 x 63.5 cm), framed.

Condition: Not examined out of frame.

Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $800-1,200

816

817.

Virginia Berresford (American, 1902-1995) Fire in the Jungle Unsigned.

Ink, watercolor, and gouache on paper, 15 1/2 x 11 1/4 in.

(39.4 x 28.6 cm), framed.

Condition: Subtle toning, pale fox marks visible on the reverse.

Provenance: Through the artist. $250-300

818.

Donald Hugo Stoltenberg (American, b. 1927) Healing Boats Signed and dated “Stoltenberg ‘66” l.l., identified on a label from Kanegis Gallery, Boston, affixed to the reverse.

Mixed media with gouache on paper/board, sight size 12 1/2 x 9 3/4 in. (31.8 x 24.8 cm), framed.

Condition: Mat burn, not examined out of frame. $300-500

819.

William Johnson L’Engle (American, 1884-1957) 817

Weather Map Signed and dated “7.5.50/L’ENGLE” l.r.

Gouache, ink, watercolor, and graphite, sight size 18 x 24 1/4 in.

(45.7 x 61.6 cm), unframed.

Condition: Not examined out of wrap.

Provenance: Through the estate of William and Lucy L’Engle, Massachusetts. $400-600

819

818

820

820.

Leonardo M. Nierman (American, b. 1932) Untitled [Caverns] Signed and dated “nierman 67” l.r.

Oil on Masonite, 23 1/2 x 30 5/8 in. (59.7 x 77.8 cm), framed.

Condition: Nails through composition to corners, minor abrasions along edges. $2,000-2,500

821.

Leonardo M. Nierman (American, b. 1932) 821

Untitled Signed and dated “nierman 68” l.l.

Oil on Masonite, 15 3/4 x 23 5/8 in. (40.0 x 60.0 cm), framed.

Condition: Subtle surface abrasions in the u.l. quadrant, minor surface grime. $1,500-2,500

822.

Masatoyo Kishi (Japanese/American, b. 1924) Opus No. 151 Signed, titled, dated, and inscribed “...September 5, 1960/ Kishi...” on the reverse.

Oil on canvas, 50 x 75 in. (127.0 x 190.5 cm), framed.

Condition: Surface grime. $300-500

822

823.

Reba Stewart (American, 1930-1971) Riverscape Signed “Reba Stewart” on the stretcher.

Oil on canvas, 36 x 24 in. (91.4 x 61.0 cm), framed.

Condition: Mild varnish inconsistencies.

Provenance: Through the collection of Genevieve McMillan to a private New England collection.

N.B. Characterized by her peers and mentors as “independent,” “a very vivacious person, with a strong sense of humor,” and having “an intuitive genius in creating beauty…”

Reba Stewart had an energetic artistic output until her tragic death by malaria at the age of 41.1 At the age of 18, Stewart moved on her own to Boston, where she attended the New England School of Art and Design in the evenings. The following year she enrolled full-time at the School of the Museum of Fine Arts, attending from 1949 to 1955. It was while she was a student at the Museum School that she met Genevieve McMillan, then the wife of TAC architect Robert S. McMillan, who would become her lifelong friend and patron.2 Upon receiving her diploma, Stewart received a scholarship to study printmaking in Japan for a year.

She received critical acclaim for her Japanese-inspired prints, which were exhibited at the Swetzoff Gallery and the De Cordova Museum. She received her B.F.A. and M.F.A. from Yale University, and held teaching positions at the Museum School and Maryland Institute College of Art until her passing in 1971.

1. Pierce, Sally, “Notes on Reba Stewart,” Reba Stewart: A Legacy, Massachusetts College of Art, October 9 to November 20, 2006 (exh. cat.), pp.

8-12.

2. Ibid., 2.

823

$800-1,200

824.

Ilya Bolotowsky (Russian/American, 1907-1981) Golden Diamond Unsigned, titled and dated “...1975” and identified on a label from Andrew Crispo Gallery, Inc., New York, on the reverse.

Acrylic on canvas, 51 x 51 in. (129.5 x 129.5 cm), unframed.

Condition: Minor surface grime. $1,500-2,500

824

825

825.

Jack Hamilton Bush (Canadian, 1909-1977)

826.

Jack Wolfe (American, 1924-2007)

Centre 3 Signed, inscribed, and dated “...Jack Bush-Toronto... Jan 1/68” in pencil on the reverse, identified on labels from Harcus-Krakow Gallery, Boston, and Janie C. Lee Gallery, Dallas, with a stamp from Andre Emmerich Gallery, New York, on the stretchers.

Acrylic polymer on canvas, 31 1/4 x 26 1/2 in. (79.4 x 67.3 cm), framed.

Condition: Minor surface grime. $7,000-9,000

Soft Boeing Signed and dated “J. Wolfe ‘64” l.r., also signed, titled, and inscribed “Jack Wolfe STOUGHTON MASS USA...” on the stretchers.

Oil on canvas, 34 x 50 in. (86.4 x 127 cm), framed.

Condition: Surface grime. $600-800

826

827

828

827.

Doug Anderson (American, b. 1954)

828.

Erle Loran (American, 1905-1999)

Too Smart Signed, titled, and dated “DOUG ANDERSON/ 1985...” on the reverse.

Oil on canvas, 30 x 46 in. (76.2 x 116.8 cm), unframed.

Condition: Surface grime. $600-800

The Inner Door Signed and dated “Loran ‘63” l.r., titled, inscribed and signed “...Erle Loran” on the strainer, identified on labels from the San Francisco Museum of Art Rental Gallery and The Arleigh Gallery, San Francisco, affixed to the reverse.

Oil and acrylic on Arches paper mounted to Masonite, 29 x 22 7/8 in. (73.7 x 58.1 cm), framed.

Condition: Mounting bubble in the u.l. quadrant. $1,200-1,800

829.

John McNamara (American, b. 1950) Untitled Signed and dated “John McNamara 81” on the reverse.

Oil on canvas, 50 x 50 in. (127 x 127 cm), framed.

Condition: Surface grime.

N.B. A native of Boston, John McNamara is presently a professor of Art Practice at the University of California, Berkeley. He received his B.F.A. in Painting in 1971 and his M.F.A. in Painting in 1977 from the Massachusetts College of Art, and his works are in university museum collections on the East and West coasts. $500-700

829

831 830

830.

Carl Liner (Swiss, 1914-1997) #3 Signed and dated “Liner 70” l.r., identified on a label from Smith College Museum of Art, Northampton, Massachusetts, affixed to the reverse.

Oil on canvas, 45 1/2 x 35 in. (115.6 x 88.9 cm), framed.

Condition: Retouch, surface grime.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $500-700

831.

Pierre Clerk (Canadian, b. 1928) Painting. July 1955 Unsigned, identified on a label from Margaret Brown Gallery, Boston, on the reverse.

Oil on canvas, 23 x 28 in. (58.4 x 71.1 cm), framed.

Condition: Minor surface grime. $600-800

832.

Edward Avedisian (American, b. 1936) Untitled (Abstract), 1969 Signed and inscribed “Avedisian/Bless its pointed little head” l.c., identified on a label from Robert Elkon Gallery, New York, on the reverse.

Acrylic on paper, sheet size 31 3/8 x 22 1/4 in. (79.7 x 56.5 cm), framed.

Condition: Not examined out of frame.

Provenance: Through the estate of William S. Paley.

832

$800-1,200

833

833.

Marcella Rodange Comès (American, b. 1905)

834.

Georges Spiro (French, 1909-1994)

Still Life with Playing Cards and Giovanni Bellini’s Portrait of a Youth Signed “Comès” l.r.

Oil on panel, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Craquelure, retouch, subtle varnish inconsistencies. $600-800

Vue de la Ville de Cagnes-sur-Mer/A Surreal Landscape Signed “Spiro” l.l., inscribed “A Monsieur Rudolph Schein avec toute mon amitié/Spiro...17.3.1956” on the reverse.

Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.

Condition: Minor surface grime, minor retouch. $600-800

834

835

835.

Jules Kirschenbaum (American, 1930-2000) Conjurer Monogrammed and dated “19 K 55� l.r., identified on an exhibition label (see below) and a label from Harry Salpeter Gallery Inc., New York, affixed to the reverse.

Tempera on Masonite, 40 x 24 1/2 in. (101.5 x 62.2 cm), framed.

Condition: Minor scattered flaking and losses. $1,500-2,000

836

837

836.

Pierre Le Tan (French, b. 1950) Interior View of a Bedroom Initialed “L.-T.” l.r.

Watercolor and ink on paper, sight size 7 7/8 x 6 3/4 in. (20.0 x 17.2 cm), framed.

Condition: Not examined out of the frame. $800-1,200

837.

Gayle B. Tate (American, b. 1944) Hindenburg Explodes, 1996/A Trompe L’oeil Still Life Signed and dated “g.b.tate...” l.l., initialed within the composition u.r., and identified on a presentation plaque, and on a label from Spanierman Gallery, LLC, New York, on the reverse.

Oil on panel, 15 3/4 x 12 1/2 in. (40.0 x 31.8 cm), framed.

Condition: Good. $800-1,200

838.

Richard Dennison Taylor (American, 1902-1970) Lot of Two Editorial Cartoons: It’ll come to you after a few more trips... and Portrait of an Art Student Copying a Master Trips signed “R.TAYLOR” l.r., titled and inscribed “...Richard Taylor” on a label affixed to the mat, gouache, ink, and graphite on illustration board; Portrait signed “R.TAYLOR” l.l. and signed “Richard Taylor” on the mat l.r., watercolor, ink, and graphite on paper.

Sight sizes to 9 7/8 x 7 7/8 in. (25.1 x 20.0 cm), unframed.

Condition: Taped to beveled mats. $500-700

839

840

839.

Harry Aaron Kernoff (Irish, 1900-1974)

841.

Mary Good (American, b. 1931)

Darby and Joan, St. Stephen’s Gn Dublin Signed “KERNOFF” l.l., titled and inscribed “...GO41771” on the reverse, identified on a label from The Vincent Price Collection affixed to the backing.

Oil on artist board, 6 1/16 x 7 15/16 in. (15.4 x 20.2 cm), framed.

Condition: Surface dust/grime, minor abrasions beneath frame liner, very minor retouch.

Portrait of Pat, 1981 Unsigned, identified on labels affixed to the reverse.

Charcoal on paper, sheet size approximately 45 x 52 in. (114.3 x 132.1 cm), in a Plexiglas frame.

Condition: Not examined out of frame, sheet is wrapped around foamcore along top and bottom edges.

Provenance: Private New England collection.

Provenance: From the collection of the Fuller Museum of Art, Brockton, Massachusetts. $400-600

N.B. Harry Kernoff, best known for his sympathetic scenes of everyday life, was raised in Dublin from the age of fourteen and remained there until his death. He attended the Metropolitan School of Art in Dublin in the early 1920s, first taking night classes and then studying full-time on scholarship. By 1926, he began exhibiting at the Royal Hibernian Academy and nearly a decade later, was elected an Academician.

The present work is a portrayal of a couple in St. Stephen’s Green, a popular central park in Dublin. Kernoff makes their devotion to each other apparent in such details as their monogrammed bag, interlocking arms, and tightly-cropped composition. $3,000-5,000

840.

Agnes Weinrich (American, 1873-1946) Tree by the River Signed “A. Weinrich” in pencil l.r.

Pastel on paper, sheet size 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm), framed.

Condition: Minor tear in the margin l.r., not examined out of frame. $700-900 841

842

842.

Robert R. Bliss (American, 1925-1981)

843.

Jon S. Legere (American, 1944-1996)

Sunset & Estuary Signed and dated “Bliss 65” l.l., titled and signed “...Bliss” on the reverse.

Oil on Masonite, 24 x 32 in. (61.0 x 81.3 cm), framed.

Condition: Surface grime. $200-300

Dory at Low Tide Signed “Jon S. Legere” l.r.

Gouache on Masonite, sight size 17 1/2 x 23 in. (44.5 x 58.4 cm), framed.

Condition: Minor surface grime. $400-600

843

844

846

844.

Laura Anderson (American, b. 1943)

846.

William Ciccariello (American, b. 1954)

Porch Tribute Signed “L. ANDERSON” l.r., also signed and titled “L. ANDERSON...” on the reverse.

Acrylic on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Good.

Chair in Garden Identified on a label from Obelisk Gallery, Boston, affixed to the reverse.

Pastel on paper, sheet size 20 x 15 in. (50.8 x 38.1 cm), framed.

Condition: Not examined out of frame. $500-700

Provenance: From the collection of the Fuller Museum of Art, Brockton, Massachusetts. $200-300

845.

Grant Collier (American, 20th/21st Century) Trees in Griffith Park, Los Angeles, Joshua Tree National Park, and Pasadena, California/A Triptych Each signed “Grant Collier” in pen on the reverse.

Oil on canvas, 12 x 8 7/8 in. (30.5 x 22.5 cm), unframed.

Condition: Good. $700-900

845

END OF SALE

Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Artist Index Aarons, George Manuel ..........................................................754 van den Abbeel, Jan ..................................................................1 Abel-Truchet, Louis ..................................................................2 Adams, Clinton ..........................................................................3 Adrion, Lucien ......................................................................598 Albright, Ivan Le Lorraine ..........................................................4 Ali (Cann-Clift, Alison) ..........................................................5, 6 Ali, J. Sultan ..........................................................................805 American School, 19th Century ..........373, 395, 397, 422A, 432 American School, 20th Century ......10, 503, 606, 615, 643, 666 ..............................................................696, 715, 721, 766, 803 Anderson, Doug ....................................................................827 Anderson, Laura ....................................................................844 Angel, Rifka............................................................................733 Anuszkiewicz, Richard ............................................................7, 8 Arms, John Taylor ......................................................................9 Arnoux, Guy ..........................................................................724 Ashburner, William F. ............................................................327 Atmaca, Cavit ......................................................................803A Aubel, Karl Christian (Attributed to) ......................................348 Augusta, George ....................................................................703 Avedisian, Edward ..................................................................832 Bach, Florence Julia ................................................................657 Bacon, Alice Marion Sutton ....................................................628 Bacon, Robert S. ....................................................................554 Baker, Helen ............................................................................10 Balinese School, 19th/20th Century ......................................759 Bareford, David ......................................................................517 Barnet, Will ..............................................................................11 Baske, Yamada ........................................................................695 Baskin, Leonard ..................................................................12-15 Beal, Gifford ..........................................................................704 Bearden, Romare ......................................................................16 Beardsley, Aubrey ..................................................................685 Beauchamp, Robert ................................................................791 Beckaert, Piet ............................................................................1 Bell, Cecil Crosley ....................................................17, 547, 752 Bemelmans, Ludwig ......................................................725, 727 Bengston, Billy Al ..................................................................811 Benson, Frank Weston ................................................18-20, 445 Benton, Thomas Hart ........................................................21-25 Berges, Joseph Paul Louis ......................................................589 Berman, Eugene G. ........................................................786, 788 Bernard, Emile........................................................................688 Berneker, Louis Frederick ......................................................684 Berresford, Virginia ................................................................817 Berry, Carol Thayer ..................................................................26 Berthelomier, Charles ............................................................212 Bettelheim, Jolan Gross ............................................................27 Bhavsar, Natvar ..................................................................28, 29 Bischoff, Eugene Henry..........................................................515 Bischoff, Franz Arthur ............................................................544 Bishop, Isabel ........................................................................711 Bixbee, William Johnson ........................................................509 Blenner, Carle John ................................................................681 Bliss, Robert R. ......................................................................842 Bodwell, William P. ................................................................665 Bolotowsky, Ilya......................................................................824 Bonnar, James King ................................................................576 Bonnat, Léon Joseph Florentin ..............................................355 Boronda, Lester David....................................................617, 618 Boston, Joseph Henry ............................................................591 Bourdon, Charles....................................................................465 Bowman, Charlot ..................................................................744 Bredin, Christine S. ................................................................668 Breinin, Raymond ..................................................................730 British/Dutch School, 19th Century ......................................368

Brown, Joseph Randolph ........................................................511 Bruce, Edward Bright ............................................................609 Bryant, Everett Lloyd ............................................................508 Bryant, Henry Charles ............................................................352 Bryant, Maude Drein..............................................................682 Buckley, John Michael ............................................................548 Bueno, Xavier ........................................................................804 Buffet, Bernard ..................................................................30, 31 Bugzester, Maxim ................................................................588A Buhler, Augustus W. ..............................................................387 Buhot, Félix Hilaire ..................................................................32 Burt, Marie (Bruner) Haines ..................................629, 635, 637 Busa, Peter ............................................................................784 Bush, Jack Hamilton ..............................................................825 Calder, Alexander ..............................................................33-36 Callahan, Mary ......................................................................627 Callot, Jacques ........................................................................37 Candee, George E. ................................................................403 Cann-Clift, Alison, called Ali ..................................................5, 6 Carpenter, Bernard V. ............................................................574 Carrier-Belleuse, Albert Ernest ..............................................310 Carrière, Eugène ......................................................................38 Carroll, John Wesley ..............................................................722 Carson, Frank ........................................................................611 Cascella, Michele ..................................................................614 Cazin, Jean Charles ................................................................332 Chagall, Marc ..................................................................39, 776 Chamberlain, Samuel V. ....................................................40-48 Champion, Joseph Victor Roux ..............................................179 Champney, Benjamin ......................................................392, 394 Chase, Frank Swift ..................................................................510 Chichester, Cecil ....................................................................473 Choumoff, Pierre....................................................................212 Ciccariello, William ................................................................846 Cipriani, Nazzarreno ..............................................................338 Cirino, Antonio......................472, 484, 487, 488, 538, 541, 550 de Clercq, Hugo ........................................................................1 Clerk, Pierre ..........................................................................831 Coleman, Henry Enrico..........................................................333 Collier, Grant ........................................................................845 Collins, Charles ......................................................................324 Comès, Marcella Rodange ....................................................833 Conti, Gino Emilio Cesara ....................................................683 Continental School, 17th Century Style..................................305 Continental School, 19th Century................................327B, 328 Continental School, 20th Century ....................................49, 602 Copeland, Charles George ......................................................386 Corey, Bernard ......................................................474, 516, 542 Cornoyer, Paul ..............................................................622, 623 Cortier, Amédée ........................................................................1 Costigan, John Edward ............................................................50 Coughlin, Jack Davis ..............................................................51 Covarrubias, Miguel ......................................................758, 764 Cowdery, Eva Dora ..............................................................676 Craig, Thomas Bigelow ..........................................................417 Cropsey, Jasper Francis ..........................................................401 Currie, William ......................................................................366 Currier, Joseph Frank ..........................................................413A Curry, John Steuart ................................................................52 Custis, Eleanor Parke ..............................................................593 Cuthbert, Virginia ..................................................................507 Cutler, Carl Gordon ........................................................520-525 Dalí, Salvador ..............................................................52A, 52B Dallin, Cyrus Edwin ..............................................................436 Dalziel, Herbert ....................................................................343 Daplyn, Alfred James ............................................................612

Dattorro, Antonio ................................................................809 Davies, Arthur Bowen ..................................................498, 594 Dawes, Dexter B. ..........................................................533, 536 Day, Maurice ........................................................................726 De Cachard, Regis de Bouvier ..............................................782 De Chirico, Giorgio ..............................................................771 De Colle, Gino ......................................................................455 De Longpre, Paul ..................................................................345 De Martelly, John Stockton ..................................................125 Dean, Walter Lofthouse ................................................379, 381 Degas, After Edgar ..................................................................53 Dehn, Adolf Arthur ................................................................54 Delvaux, Paul ........................................................................773 Dennis, Morgan ................................................................55-57 Derain, Andre ........................................................................798 Walt Disney Studios ................................................................728 Doré, Gustave (Attributed to) ................................................316 Drew, Clement ......................................................................375 Drewes, Werner ......................................................................58 Driscole, H.A. ......................................................................438 Drury, William Holland ........................................................555 Dubuffet, Jean ........................................................................59 Dufy, Raoul ..........................................................................779 Dutch School, 20th Century ....................................323A, 323C Earle, Lawrence Carmichael (Attributed to)............................334 Eastman, Seth (Attributed to) ................................................433 Eaton, Charles Harry ............................................................389 Eaton, Charles Warren ..........................................................518 Edgerton, Harold Eugene ..............................................213-216 Emerson, Charles Chase ........................................................568 L’Engle, Lucy Stelle Brown ..................................................816 L’Engle, William Johnson ......................................................819 Enneking, Joseph Eliot ..........................................................480 Erté (de Tirtoff, Romain) ....................................................60-64 d’Espagnat, Georges (Attributed to) ......................................700 Ferguson, Elizabeth Foote ..................................................418A Ferry, Isabelle H. ..................................................................501 Fiene, Ernest ........................................................................723 Finck, Hazel (Mrs. William C.) ..............................................625 Fink, Aaron ............................................................................65 Fiorentino, Pier Francesco (After) ..........................................301 Fischer, Anton Otto ..............................................563, 564, 739 Flameng, François ..................................................................317 Fortess, Karl Eugene ..............................................................632 Fransioli, Thomas Adrian ......................................................630 Frantz, (Samuel) Marshall ..............................................736, 737 Frassati, Gianni ......................................................................815 French/American School, 20th Century ................................709 Frost, George Albert ..............................................................413 Furlong, Charles Wellington ..................................................566 Gainsborough, Thomas (School of)......................................330A Galbraith-Cornell, Elisabeth Roberta “Betty” ......................496A Gardet, Georges ....................................................................315 Gardiner, Eliza Draper ......................................................66, 67 Gardner, Derek George Montague ........................................376 Garland, Henry ....................................................................350 Garsoian, Inna ......................................................................619 Garston, Gerald Drexler ..........................................................68 della Gatta, Saverio Xavier ......................................................340 Gauermann, Friedrich ............................................................353 Gaugengigl, Ignaz Marcel ........................................................69 Genth, Lillian Mathilde ........................................................595 Gilardelli, Aurora ..................................................................346 Gill, Mariquita ......................................................................483 Gisson, Andre ........................................................587, 599, 608 Gloeckner, Michiel ..................................................................70 Good, Mary ..........................................................................841

Goodwin, Arthur Clifton ..............................................624, 705 Goodwin, Helen M. ..............................................................500 Goodwin, Richard LaBarre ....................................................537 Gorbunov, Boris Ivanovich ....................................................494 Graves, Abbott Fuller ............................................................505 Gray, Jack Lorimer ........................................................378, 621 Greenaway, Kate ....................................................................675 Griggs, Samuel W. ..................................................................396 Grosz, George Ehrenfried ............................................71, 694A Gruppé, Emile Albert ....................................................546, 552 de Grÿef, Adriaen ..................................................................307 Haas, Richard ..........................................................................72 Haberle, John ........................................................................429 Haden, Sir Francis Seymour ..............................................73, 74 Hale, Ellen Day ..............................................................75, 497 Hall, George Henry ............................................................423A Hammond, Arthur J. (Attributed to) ......................................450 Haquette, Georges Jean Marie ..............................................367 Haring, Keith ........................................................................202 Harris, Charles Gordon ........................................................478 Hart, William M. ..................................................................415 Hartman, Bertram ................................................................732 Harvey, George ....................................................................359 Hassam, Frederick Childe ........................................................76 Hatfield, Audrey May ............................................................761 Hathaway, George M. ....................................................371, 382 Hawley, Hughson (Attributed to) ..........................................462 Hay, Charlotte ......................................................................309 Hayter, Stanley William ..........................................................77 Henle, Fritz ..........................................................................217 Henri, Florence ............................................................770, 810 Henri, Robert ................................................................601, 690 Herring, Jr., John Frederick (Attributed to) ........................350A Herter, Albert ........................................................................463 Hill, Edward ..........................................................................390 Hill, Thomas ........................................................................391 Hodgdon, Sylvester Phelps ....................................................399 Hodgin, Marston Dean ........................................................633 Hoftrup, Julius Lars ..............................................................578 Hohlwein, Ludwig ..................................................................78 de Hondecoeter, Melchior (Manner of) ..................................304 Hopkins, Budd ......................................................................812 Hornby, Lester George ............................................................79 Horton, William Samuel ......................................................393A Howard, Marion P. ................................................................567 Hulbert, Katherine Allmond ..................................................679 Hummel, Carl Maria Nicolaus ..............................................364 Hunter, Clementine ..............................................................760 Hussa, Theodore Frederick ....................................................527 Hutchens, Frank Townsend ..................................................479 Hutty, Alfred Heber ................................................................80 Icart, Louis ........................................................................81-83 Indiana, Robert ......................................................................84 Israels, Jozef (Attributed to) ..................................................326 Italian School, 20th Century ..................................................672 Ives, Elsie Caron ....................................................................746 Jackson, Beatrice J. Humphreys ..........................................474A Jacobi, Eli ................................................................................85 Jacobi, Lotte ..........................................................................218 Japanese School, 20th Century ..............................................799 Jaques, Bertha Evelyn Clausen ................................................86 Jewell, Elizabeth Galbraith ....................................................526 Johansen, Anders Daniel ........................................................477 Johns, Jasper ......................................................................87, 88 Johnson, Jr., Marshall ............................................................383 Johnson, Lester F. ..................................................................89 Johnston, John S. ..........................................................219-222

Jones, Amy ............................................................................677 Jones, Francis Coates ............................................................653 Kaber, George Frederick ........................................652, 663, 664 Kahn, Wolf ..........................................................................513A Karp, Leon ............................................................................661 Kaus, Max ..............................................................................90 Keane, Margaret D. H. ..........................................................765 Keil, Peter Robert ........................................780, 785, 790, 792 Kelly, John Melville ..................................................................91 Kernoff, Harry Aaron ............................................................839 Kihle, Harald ..........................................................................92 King, Alice Price ....................................................................435 King, B.A. ............................................................................223 Kipniss, Robert ..................................................................93, 94 Kirmse, Marguerite ............................................................95, 96 Kirschenbaum, Jules ..............................................................835 Kishi, Masatoyo ....................................................................822 Klebe, Gene (Charles Eugene) ..............................................493 Klein, Doris ..........................................................................801 Klitz, Anthony ......................................................................605 Kloss, Gene (Alice Geneva Glasier) ....................................97, 98 Knapp, Charles R. ..................................................................694 Knight, Adam ........................................................................358 Knight, Harold ......................................................................745 Kodar, Oja ....................................................................775, 787 Koekkoek, Marinus Adrianus (Attributed to) ..........................331 Kolozsvary, Lajos ..................................................................313 Kolski, Gan ..............................................................................99 Korovin, Konstantin Alexeevitch ....................................600, 607 Krieghoff, Cornelius David (Attributed to) ............................437 Kronberg, Louis ....................................................................701 Kupferman, Lawrence Edward ..............................................783 Kyle, Flaville G. ....................................................................626 Lambinet, Emile Charles ........................................................357 Landelle, Charles Zacharie ....................................................464 Lansil, Walter F. ....................................................................458 Lapchine, Georgi Alexandrovich ............................................691 Laux, August ........................................................................344 Lavrova, Irina Igorevna ..........................................................748 Lawson, Ernest ......................................................................519 Le Tan, Pierre ........................................................................836 Lebrun, Rico ........................................................................747 Legere, Jon S. ................................................................634, 843 Lehman, Irving G. ................................................................100 Leighton, Clare Veronica Hope ......................................101-108 Leighton, Kathryn Woodman ..............................................452B Leighton, Scott (Nicholas Winfield) ......................................414 Lennon, John ........................................................................109 Lesrel, Adolphe Alexandre ....................................................312 Lever, Hayley ................................................................532, 560 Levi, Julian Edwin ................................................................753 Liberte, Jean ..........................................................................781 Lichtenstein, Roy ..................................................................110 Lie, Robert F. ........................................................................377 Lindenmuth, Tod ..................................................................111 Lindergreen, Harold F. ..........................................................714 Liner, Carl ............................................................................830 Lithgow, David Cunningham ................................................482 Little, Philip ..................................................................112, 570 Lloyd, Stuart William ............................................................362 van Lokhorst, Johan Nicolaas ................................................354 Lomasney, Ethel M. ..............................................................490 Longfellow, Ernest W. ..........................................................697 Loop, Leota Williams ............................................................466 Loran, Erle ............................................................................828 Lord, Elyse Ashe ............................................................113-115 Lorenz, Willi (Wilhelm) ........................................................451 Loud, Richard K. ................................................................375A Lovell, Katherine Adams ........................................................513

Luce, Frederic ........................................................................678 Lum, Bertha Boynton ....................................................116-120 MacAdam, Freda Churchwell ................................................502 MacNeil, Hermon Atkins ......................................................667 Maghelli, R. ..........................................................................335 Maguet, Richard ................................................................704A Maillol, Aristide ............................................................121, 670 Mandel, Howard ..........................................................795, 800 Mann, Harrington ................................................................640 Marc, Fanny ..........................................................................644 Marin, John ..........................................................................122 Marini, Marino ..............................................................123, 124 Mascart, Gustave ..................................................................323 Matisse, Henri ........................................................126-128, 777 Maynard, Valerie ....................................................................129 Mazzoni, Sebastiano (Manner of) ..........................................302 McCartan, Edward Francis ....................................................639 McDaniel, Henry ..................................................................565 McManus, James Goodwin ....................................................486 McNamara, John ..................................................................829 Meadows, James Edwin ........................................................363 Megargee, Edwin ..................................................................439 Meissner, Leo John ................................................................130 Menkes, Sigmund Joseph ......................................................707 Meryon, Charles ..................................................................130A Metcalf, Conger A. ................................692, 720, 729, 731, 734 Metsu, Gabriel (After) ............................................................306 Millar, Addison Thomas ........................................................339 Miller, Charles Henry ............................................................680 Miller, Ralph Davison ............................................................471 Mira, Alfred S. ......................................................................409 Miró, Joan ............................................................................131 Mollison, Kay ........................................................................719 Moore, Henry ......................................................132, 133, 789 Moore, Nelson Augustus ..............................................369, 411 Moran, Thomas Sidney ..........................................................134 Morrell, Wayne Beam ............................................................585 Morviller, Joseph ..................................................................400 Motherwell, Robert ......................................................135, 136 Mouncey, William ..................................................................470 Mueller, Louis F. ..................................................................468 Muller, Charles (Attributed to) ..............................................580 Munthe, Gerhard Peter Franz Vilhelm ................................327A Murphy, Nelly Littlehale ........................................................610 Mygatt, Robertson Kirtland ..................................................581 Nast, Thomas ........................................................................423 Neill, Francis Isabel ..............................................................543 Nevelson, Louise ..................................................................137 Newell, George Glenn ..........................................................485 Newman, Henry Roderick ....................................................461 Nicholas, Thomas Andrew ....................................................495 Nielssen, Clemence ................................................................347 Nierman, Leonardo M. ..................................................820, 821 Norton, William Edward ..............................................385, 422 O’Hagan, John L. ................................................................448 O’Kelly, Aloysius C. ..............................................................336 Oberteuffer, George ..............................................................575 Orozco, José Clemente ..........................................................138 Paladino, Mimmo ..................................................................139 Pancoast, Morris Hall ............................................................534 Pape, Eric L. (Frederic) ........................................499, 641, 642 Parizeau, Philippe Louis ......................................................317A Park, Madeleine Fish ..............................................................646 Parke, Jessie Burns ................................................................638 Parsons, Phillip Brown ..........................................................443 Patterson, Margaret Jordan ....................................140, 512, 613

Pausas y Coll, Francesco ........................................................337 Pavlikevitch, J. ......................................................................459 Paxton, William McGregor ....................................................421 Payne, George Forest ............................................................558 Pchelnikov, Igor Vladimirovich ......................................588, 604 Pearson, Marguerite Stuber ....................................................706 Peirce, Waldo ........................................................................506 Penfield, Edward ..................................................................141 Pennell, Joseph ..............................................................142-146 Pennington, Harper ....................................................422B, 647 Pfister, Jean Jacques ............................................................452A Picasso, Pablo ................................................................147-153 Plompen, Willy ..........................................................................1 Pond, Dana Ripley ......................................500A, 645, 650, 673 Pooke, Marion Louise ..........................................654, 656, 658 Pope, Alexander ....................................................................440 Porter, Edwin Forsythe ..........................................................406 Powers, Anne Lyman ............................................................453 Prinet, René-Xavier ................................................................702 Prior, Scott ............................................................................154 Procter, Ernest ......................................................................360 Quartley, Arthur ....................................................................410 Ramos, Mel ..................................................................155, 156 Ranger, Henry Ward ..............................................................402 Ravier, François-Auguste ........................................................329 Reasoner, Gladys Thayer (Attributed to) ................................446 Reddie, MacIvor ............................................................528, 539 Redelius, Frank H. ................................................................713 Redfield, Edward Willis ........................................................447 Reed, Doel ............................................................................157 Reinagle, Philipp (After) ........................................................183 Reinhart, Benjamin Franklin ..................................................425 Remington, Frederic ..............................................................434 Resio, Raffaele ......................................................................341 Reynard, Grant Tyson ............................................................698 Reynolds, Sir Joshua (Manner of) ..........................................303 Rice, Henry W. ......................................................................514 Rice, Jessica ..........................................................................710 Rich, James Rogers ................................................................404 Richards, William Trost ........................................................372 Richardson, Louis H. ............................................................481 Riker, Harland A. ..................................................................556 Ripari, Virgilio ......................................................................456 Ripley, Aiden Lassell ......................................................444, 586 Rivera, Diego ................................................................767, 772 Rizzi, James ..................................................................158-164 Robinson, Jay Thurston ........................................................762 Robinson, Thomas Harris ......................................................418 Rodrigue, George............................................................755-757 Roig y Soler, Joan ..................................................................330 Rollins, Tim (and K.O.S.) ......................................................813 Romanelli, Raffaello ..............................................................649 Rosenkranz, Clarence Clark ..................................................583 Rosenquist, James ..................................................................165 Ross, Christian Meyer ........................................................312A Ross, Isabel (Belle) M. ..........................................................457 Rosseau, Percival Leonard ......................................................441 Roth, Ernest David ............................................469, 493A, 597 Rouault, Georges ..................................................166-171, 774 Roussel, Ker-Xavier ................................................................687 Rouwette, Paul ......................................................................738 Rucker, Robert M. ................................................................636 Rush, Olive ............................................................................452 Russ, Charles B. ....................................................................424 Russian School, 20th Century ........................582, 584, 590, 708 Ruthven, John A. ..................................................................651 Ryerson, Margery Austen ......................................................172

Saint-Gaudens, Augustus ......................................................660 Saito, Kiyoshi ........................................................................173 Sample, Paul Starrett ............................................................530 Santry, Daniel François ..........................................................393 Sarnoff, Arthur ......................................................................540 Savry, Hendrik ......................................................................365 Scharl, Josef ..........................................................................808 Schikkinger, Frans ..........................................................319-322 Schivert, Victor ......................................................................342 Schmutzer, Ferdinand ............................................................174 Scholder, Fritz ......................................................................175 Schrag, Karl ..........................................................................176 Schwartz, Henry ....................................................................768 Schwartz, Manfred ................................................................794 Scott, Charlotte Harrington ..................................................577 Scott, John White Allen ........................................................398 Sears, Olga Itasca ..........................................................579, 616 de Segonzac, Andre Dunoyer ................................................686 Sekino, Junichiro ..........................................................177, 178 Selinger, Emily Harris McGary ..............................................428 Sessions, James Milton ..........................................................549 Sheppard, Warren W. ............................................................388 Sherman, Stowell B. ..............................................................492 Sherrin, Daniel ......................................................................356 Signac, Paul ..........................................................................179 Simon, Tavik Frantisek ..................................................180, 181 Siskind, Aaron ......................................................................224 Slaughter, Hazel Burnham ....................................................807 de Smet, Yves ............................................................................1 Smith, Gary Ernest ........................................................631, 749 Smith, Joseph Lindon ............................................................671 Smith, Michael A. ..................................................................225 Smith, Minna Walker ............................................................535 Soderberg, Yngve Edward ......................................................182 de Solà, María Jesús ..............................................................797 Sommer, William ..........................................................718, 763 Sorenson, Helen Lincoln ......................................................545 Soyer, Moses ..........................................................................743 Spencer, John Clinton ..........................................................427 Spiro, Georges ......................................................................834 Stad, Willem ................................................................318, 323B Stadler, Joseph Constantine ..................................................183 Starn, Doug and Mike ..........................................................226 Steele, Marian Williams ..........................................................496 Stella, Frank ..........................................................................184 Stevens, William Lester ..........................................................489 Stewart, Reba ........................................................................823 Stifter, Moritz ........................................................................311 Stoltenberg, Donald Hugo ....................................................818 Stone, Don ............................................................................557 Strain, Daniel J. ....................................................................380 Strisik, Paul ............................................................................735 Sullivan, David ......................................................................185 Summers, Carol ..............................................................186-191 Supplee, Sarah ................................................................740-742 Swan, Cuthbert Edmund ......................................................314 Tait, Arthur Fitzwilliam ........................................................420 Tanaka, Akira ........................................................................802 Tate, Gayle B. ........................................................................837 Taylor, Richard Dennison ......................................................838 Tchelitchew, Pavel ..................................................................793 Teniers II, David (School of) ..................................................308 Terelak, John C. ....................................................................467 Thibault, Pierre ....................................................................603 Thieme, Anthony ..........................................................504, 561 Thom, James Crawford ..........................................................407 Thomas, Clara Fargo ............................................................620 Thomas, Norman Millet ........................................................750 Thorne, Diana ........................................................................56 Thwaites, William H. ............................................................412

de Tirtoff, Romain, called ErtĂŠ............................................60-64 Tolman, Robert ......................................................553, 669, 699 Tordoff, Frederick ................................................................374 de Toulouse-Lautrec, Henri ..................................192, 193, 689 Troyon, Constant (School of) ................................................351 Truesdell, Gaylord Sangston ..................................................419 Tuckerman, Stephen Salisbury ..............................................384 Turner, Charles Henry ..................................................325, 426 Turner, Ross Sterling ............................................................405 Varla, Felix (Varlamishvili) ......................................................796 Vasarely, Victor ..............................................................194, 195 Vicaji, Rustom ......................................................................361 Vickrey, Robert Remsen ..........................571-573, 596, 716, 717 de Vlaminck, Maurice ............................................................769 Volk, Douglas ........................................................................659 Von Wicht, John G.F. ............................................................814 Wagner, Jacob Dutweiler ....................................................567A Walker, Henry A. (Hank) ......................................................751 Warhol, Andy ................................................................196-202 Warren, Harold Broadfield ....................................................531 Watson, Robert ....................................................................349 Webb, Patrick M. ..................................................................712 Wegman, William ..................................................................227 Weinrich, Agnes ....................................................................840 Welters, Willem ..................................................................605A Wengenroth, Stow ..........................................................203-205 Wesson, Robert Shaw ............................................................475 Wheeler, Janet D. ..................................................................674 Whistler, James Abbott McNeill ....................................206-208 Whitaker, George William ..............................................408, 416 Whorf, John ..................................................442, 559, 562, 693 Williams, Annabelle E. ..........................................................476 Williams, Frederick B. ............................................................655 Winzenreid, Henry E. ............................................................209 Withrow, Evelyn Almond ......................................................431 Wolcott, Harold C. ................................................................806 Wolfe, Jack ............................................................................826 Wood, Grant ..........................................................................210 Woodbury, Charles Herbert ..................................................569 Woodcock, Hartwell Leon ....................................................370 Woodward, Mabel May ..................................................529, 551 Worcester, Albert ..................................................................592 Wuermer, Carl ......................................................................491 Wydeveld, Arnoud ................................................................430 Yaffee, Edith Widing ..............................................................662 Younger, Richard Evans ........................................................454 Youngerman, Jack ..................................................................211 Yvon, Adolphe ......................................................................648 Zhang, Xiang ........................................................................449 Ziller, Leopold ......................................................................460

Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed by the purchaser within three (3) business days after the date of sale. Skinner, Inc. shall have no liability for any damage to property left on its premises for more than three (3) days after the date of sale. At the option of Skinner, Inc., the merchandise may be transferred to and stored at a bonded warehouse and the purchaser agrees to pay all transfer and storage expenses. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item not paid by the purchaser within thirty-five (35) days of the date of sale.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner, Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) cancelling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has failed to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.

Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

320

Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address

check if change in address

City

State

Phone #

Zip Code

Alternate #

e-mail

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Signature (Required)

Date

Lot #

Description

Bid Price

FOR OFFICE USE Marlborough

Boston

Phone

Fax

Mail

Person

Employee:

SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m

Board of Directors

Chairman of the Board - Nancy R. Skinner Richard Albright Barnet Fain Stephen L. Fletcher Karen M. Keane

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Stuart P. Whitehurst

Expert Departments

SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

American & European Paintings & Prints - Robin S.R. Starr, Director Pro Tem; Assistants: Laura Conover, Kathy Wong American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton; Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan Zacharias American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - James F. Callahan Books & Manuscripts - Stuart P. Whitehurst Assistant: Sara C. Wishart Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Jane D. Prentiss Discovery Sales - Kerry Shrives; Assistants: Garrett J. Sheahan, Nicole Nicas Rovner, Harry B. McNabb European Furniture & Decorative Arts - Stuart G. Slavid; Assistants: Stuart P. Whitehurst, Sara C. Wishart Fine Wines - Marie Keep Jewelry - Gloria Lieberman; Assistants: Sheila Barron Smithie, F.G.A., G.G.; John Colasacco Judaica - Kerry Shrives Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture Jane D. Prentiss Museum & Collections Services - Martha Hamilton Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant - Chris Barber Silver - Stuart G. Slavid; Assistant: Sara C. Wishart Toys & Dolls - Robert C. Cheney Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney, Stuart P. Whitehurst

Exhibitions and Property Distribution

Marlborough:

Warehouse Manager - Jonathan Dowling, ext. 3280 Property Manager - Samuel Combs, ext. 3262 508.970.3000

Boston:

Elisabeth Benson-Allott, ext. 4312 Property Distribution Manager - Jessica R. Lincoln, ext. 4308 617.350.5400

Finance Department

Marlborough:

Accounts Receivable - Denise Johnson, ext. 3269 Accounts Payable - Kathleen Hayes, ext. 3268 Credit Supervisor - Denise Ubaldino, ext. 3266

Subscriptions

Marlborough:

Karen Skinner, ext. 3240 508.970.3000

Service Departments

Appraisal & Auction Services - Patricia Walker King, Beth Zwicker, Katharine Holtman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney; Assistant Gallery Director: Paige Lewellyn; Gallery Assistant: Sarah McDermott Catalogue Production - Pamela Van de Houten, Kristina Harrison; Assistant: Cheryl Freeman Customer Relations - Carol McCaffrey Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistant: Timothy Shaughnessey Consignment Services - Deanna Williams, Megan J. Blomgren, Carol Zeigler Managing Director - Marie C. Keep Marketing & Public Relations - Catherine Riedel, Anne M. Trodella, Karen Skinner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, Stephanie Paulus Receptionists - Marlborough: Elizabeth H. Wilson, Judy McLeod Boston: Erica Boccard Transportation - Eric Jones; Assistants: Mark McCaffrey, John Williams

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.

Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.