American & European Paintings & Prints | Skinner Auction 2493

SKINNER A American & European Paintings & Prints Sale 2493

January 29, 2010

Boston

American & European Paintings & Prints SPECIALISTS IN CHARGE

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff - 508.970.3258 American & European Paintings & Prints Department - 508.970.3206 General Inquiries: paintings@skinnerinc.com

AUCTION 2493 Friday, January 29, 2010 Prints & Photography at 12 noon Paintings & Sculpture at 4 p.m.

63 Park Plaza Boston, Massachusetts

PREVIEW Wednesday, January 27, 2010 Thursday, January 28, 2010 Friday, January 29, 2010

12 to 5 p.m.

12 to 7 p.m.

9 to 10:30 a.m.

ABSENTEE BIDDING Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com

GENERAL INQUIRIES 617.350.5400 COVER : 608 ; FRONTISPIECE : 605 ; BACK COVER : 620

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TABLE OF CONTENTS 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Provenance

6

Event Announcement

7

Prints & Photography - Lots 1-296

111

Paintings & Sculpture - Lots 301-698

390

Glossary of Terms

391

Artist Index

395

Conditions of Sale

396

Company Directors & Specialty Departments

397

Administrative Staff & Client Services

398

Absentee Bid Form

399

Map & Driving Directions

400

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 395 of this catalogue for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2010 All rights reserved

Provenance

Collection of Melvin B. Nessel, Boston, Massachusetts Lots: 76, 81, 168, 256, 265, 572, 574, 595, 603, 609, 612, 614-616, 618-620, 624, 626-631, 633, 636, 638, 645, 669, 673 Melvin B. Nessel was a longtime Boston resident and founder of the Fenton Shoe Corporation of Cambridge, Massachusetts. Nessel traveled to Europe extensively in the 1960s and 1970s, particularly Italy, to develop the company’s import trade. It was during this decade that he acquired many works by notable Italian modernists such as Arnaldo Pomodoro and Ettore Colla, frequenting galleries in Rome and Florence. In his lifetime, Nessel was a major supporter of several Boston institutions such as Brandeis University, Massachusetts General Hospital, the Museum of Fine Arts, Boston, and the Dana Farber Cancer Institute. Nessel also made a substantial gift of eighty-one works from his American modern and contemporary collection, including a Protractor series work by Frank Stella, to the Norton Museum of Art in Palm Beach, Florida.

Estate of Eleanor Kanegis Levin, East Gloucester, Massachusetts Lots: 1-3, 46, 123-126, 130, 165, 177-180, 203, 248, 249 Eleanor Kanegis Levin was the co-owner of the Kanegis Gallery in Boston with her first husband Sidney Kanegis from 1955 to the mid-1970s, which was influential in representing Boston modernists.1 She also managed Retina Gallery in Cambridge from 1968 to 1971, which specialized in optical and kinetic works by such artists as Anni and Josef Albers and Victor Vasarely.2 A practicing modernist artist herself, she studied at the School of the Museum of Fine Arts Boston and in her later years, maintained a studio and art gallery in East Gloucester called “The Guild/Sacred Cod”.

1. Lafo, Rachel Rosenfield, Painting in Boston, 1950-2000, Amherst: University of Massachusetts Press, 2002, p. 204.

2. Lawrence, J.M., “Eleanor K. Levin, 82, artist, gallery owner” [obituary], Boston Globe, June 10, 2008.

Estate of Anna Eleanor Braman Grasso, Essex, Connecticut Lots: 210, 269, 569, 571, 605, 611 Anna Eleanor Braman was raised on Long Island and Old Chatham in the Hudson River Valley, attended Vassar College in the late 1940s, and in 1951, married Dr. Thomas Arthur McGraw, a graduate of Yale and Cornell Universities. The newlyweds spent their first married year in North Carolina, but subsequently lived in New York City for over a decade, until Dr. McGraw’s passing in 1966. During this time, the McGraws were ardent gallery-goers, and Ms. Braman was active in the art scene as a reviewer for a Manhattan publication called “Park East.” Ms. Braman continued to collect with her second husband Mr. Graham H.R. Jenkins of Connecticut, and her last husband of eighteen years, Dr. Thomas A. Grasso of Connecticut, the widower of Connecticut’s first woman governor Ella Tambussi Grasso. In her middle to late age, she promoted the artistic and literary life of her community in Essex, Connecticut as the owner of the Clipper Ship Bookshop and member of the Connecticut River Museum.

Estate of N. David Scotti, Providence, Rhode Island Lots: 101-112, 320, 337, 338, 339, 341, 358, 374, 387, 391, 392, 394, 395, 397, 445, 492, 514, 526, 534-536, 550, 558, 562, 566, 581 N. David (Nino) Scotti was a lifelong antiques collector and enthusiast, as well as a Southern New England history aficionado. Scotti, born and raised in Providence, first began attending auctions with his mother in his teens. In his twenties, he co-founded a company in downtown Providence that became Associated Appraisers Inc., an estate auctioneer.1 In the company’s last thirty years, Scotti was the primary owner and manager as well as principal auctioneer. He was active in Providence’s cultural scene, and was an avid supporter of societies such as the Hope Club, the Turk’s Head Club, the Providence Art Club, and the Providence Athenaeum.

1. Providence Journal, “N. David Scotti” [obituary], August 26, 2008.

Session I

Prints & Photography Lots 1-296 to be sold Friday, January 29th, 2010 at 12 noon

SKINNER presents a

Fine Art Gallery Walk Presented by Robin Starr, Director of Skinner’s Paintings Department

Thursday, January 28, 2010 5:30 p.m. Reception/6:00 p.m. Gallery Walk 63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited Gallery Walk held in conjunction with a preview of Skinner’s January 29th auction of American & European Paintings & Prints

1.

Anni Albers (German, 1899-1994) Lot of Five Images: A, 1968, edition of 50; B, 1968, edition of 50; two impressions of Camino Real, 1967-69, edition of 90; and F, 1969, edition of 60. Each signed and dated “Anni Albers...” in pencil l.r. and titled and numbered in pencil l.l.

Color screenprints on paper, image sizes to 22 x 18 3/4 in.

(55.8 x 47.5 cm), unmatted, unframed.

Condition: Margins over 3 inches. $1,000-1,500

1

2.

Pierre Alechinsky (Belgian, b. 1927) Figure, 1953, edition of 15. Numbered, signed, dated, and dedicated “11/15 Alechinsky/’53 a Madame Franck...” in pencil beneath the image, identified on a label from the Nielsen Gallery, Boston, on the reverse. Aquatint and etching on paper, plate size 5 x 7 in. (12.5 x 17.5 cm), framed.

Condition: Toning, not examined out of frame. $200-300

2

3.

Pierre Alechinsky (Belgian, b. 1927) Facteur Rhésus, 1967, edition of 75 (Rivière 342).

Numbered and signed “43/75 Alechinsky” in pencil l.c. (within the image), annotated on the mat. Aquatint in red, green, and black on paper, plate size 20 3/4 x 27 1/8 in.

(52.5 x 68.8 cm), matted, unframed.

Condition: Narrow margins, minute nicks, creases and tears to corner l.r. (just affecting the plate mark). $700-900

3

4.

American School, 20th Century The White Slave, 1911. Identified within the matrix. Color lithographic poster on paper, sheet size 27 x 36 3/4 in. (68.5 x 93.3 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears, losses, and/or creases), minor handling creases. $300-500

4

5.

Niels Yde Andersen (Danish/American, 1888-1952) Lot of Four Harbor Scenes: Sailing with the Setting Sun, 1935, edition of 4; Ship at the Pier; Dock View with Tugs; and Near the Hold. The first signed and dated “NYAndersen 35” in pencil l.r. and numbered “2/4” in pencil l.l., the other three unsigned. Etchings on paper, plate sizes to 12 x 9 7/8 in. (30.4 x 25.0 cm), unmatted, unframed.

Condition: Most edges deckled, unobtrusive soiling, nicks, tears and creases to some edges, additional handling marks and/or creases. $250-350

5

6.

Niels Yde Andersen (Danish/American, 1888-1952) Lot of Four Images of Factory Workers: Smelting; Unloading the Cars; Masonry; and Working the Pulleys.

All unsigned. Etchings on paper, plate sizes to 8 3/8 x 7 5/8 in. (21.2 x 19.3 cm), unmatted, unframed.

Condition: Most edges deckled, unobtrusive soiling, unobtrusive handling marks and/or creases, losses to margins on Unloading. $300-500

6

7

8

7.

Niels Yde Andersen (Danish/American, 1888-1952)

8.

Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Four Genre Scenes: Horse Power and Industry; Sleigh Ride; Out of the Barn; and The Stone Breaker. All unsigned.

Etchings on paper, plate sizes to 9 7/8 x 7 in. (25.0 x 17.5 cm), unmatted, unframed.

Condition: Most edges deckled, unobtrusive soiling, minor handling marks and/or creases. $200-300

Lot of Three Images of Factory Workers: Charcoal Man, 1936, edition of 12; Valve Repair; and Construction According to Plan.

The first signed and dated “NYAndersen - 36” in pencil l.r. and titled and inscribed in pencil l.l., the other two unsigned. Etchings on paper, plate sizes approximately 10 x 12 in. (25.5 x 30.5 cm), unmatted, unframed.

Condition: Most edges deckled, unobtrusive soiling, nicks, tears and creases to some edges, additional handling marks and/or creases. $250-350

9.

Niels Yde Andersen (Danish/American, 1888-1952) Lot of Three Images of Factory Workers: All Together Now; Shift Workers; and At the Pits, 1935, edition of 12. The last signed and dated “NYAndersen, 35” in pencil l.r. and numbered “2/12” in pencil l.l., the other two unsigned. Etchings on paper, plate sizes to 14 x 9 3/4 in. (35.5 x 24.7 cm), unmatted, unframed.

Condition: Most edges deckled, unobtrusive soiling, nicks, tears and creases to some edges, additional handling marks and/or creases. $250-350

9

10

11

12

10.

Stanley Anderson (British, 1884-1966)

11.

Richard Anuszkiewicz (American, b. 1930)

The National Gallery, edition of 109. Signed “Stanley Anderson” in ink l.c., signed in the plate, titled in ink l.l., inscribed “Edition 109 proofs.” in ink l.r., identified on a label affixed inside the mat. Etching on paper, plate size 8 7/8 x 11 3/8 in. (22.4 x 28.7 cm), matted, unframed.

Condition: Margins over 2 inches, subtle staining to upper corners. $300-500

Triangulated Orange, 1977-78, edition of 50, printed by Editions Lassiter-Meisel, New York. Signed, numbered, and dated “ANUSZKIEWICZ 32/50 1977” in pencil (within the image) l.r., stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’s monogram) on the reverse, inscribed “23” on the reverse. Color screenprint on paper mounted onto board, image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.

Condition: Surface grime, rubs, and losses. $500-700

12.

John Taylor Arms (American, 1887-1953) Saint Paul Alpes Maritimes, 1927, final state of two, edition of 259 (Fletcher, 201). Signed and dated “John Taylor Arms - 1927” in pencil l.r., titled, signed, and dated in the plate. Etching on paper, plate size 7 1/2 x 11 1/2 in. (18.9 x 29.2 cm), framed.

Condition: Mat burn, unobtrusive toning, not examined out of frame. $300-500

13

14

13.

Milton Avery (American, 1885-1965) Hen, 1954, edition of 25 (Lunn, 57). Signed and dated “Milton Avery 1954” in pencil l.r., numbered “18/25” in pencil l.l. Identified on labels from The Alpha Gallery, Boston, and the David Barnett Gallery, Milwaukee, on the reverse. Woodcut on paper, image size 12 x 9 5/8 in. (30.2 x 24.3 cm), framed.

Condition: Rippling, not examined out of frame. $1,500-2,000

14.

Leonard Baskin (American, 1922-2000) View of Worcester, 1953, edition of 20 (Fern & O’Sullivan, 240).

Signed “Baskin” in pencil l.r., inscribed “artists proof” in pencil l.l.

Woodcut on paper, image size 9 7/8 x 8 5/8 in. (25.0 x 21.8 cm), framed.

Condition: Toning, mat burn, not examined out of frame. $300-500

15.

Leonard Baskin (American, 1922-2000) The Cry, 1960, edition of 300 issued by the New York Graphics Society. Signed Leonard Baskin” in pencil l.r., titled and numbered “...131/300” in pencil l.l. Woodcut on paper, image size 14 3/4 x 12 1/4 in. (37.3 x 31.0 cm), framed.

Condition: Not examined out of frame. $300-500

15

17 16

16.

Leonard Baskin (American, 1922-2000)

17.

Leonard Baskin (American, 1922-2000)

Lot of Three Portraits: William Morris, Camille Corot, and Jacques Gamelin, from LAUS PICTORUM, 1969, total edition of 525 (Fern & O’Sullivan; 416, 538 & 541). Each signed “Baskin” in pencil l.r. and numbered “123/175” in pencil l.l. Woodcuts on paper, image sizes to 7 1/4 x 4 5/8 in. (18.3 x 11.7 cm), unmatted, unframed.

Condition: Minor soiling, minor folds to several margins at corners. $200-250

The Moby Dick Suite, 1970, edition of 200 (Fern & O’Sullivan, 569577). Each signed “Baskin” in pencil l.r. and numbered “49/200” in pencil l.l. Lithographs (some in color) on paper, sheet sizes to 23 x 17 in. (58.2 x 43.0 cm), presented in the original portfolio, unmatted, unframed.

Condition: Good. $500-700

18.

Leonard Baskin (American, 1922-2000) Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan, 610). Signed “Baskin” in pencil l.r., numbered “124/160” in pencil l.l., titled and dated in the matrix, dry stamp l.l. Lithograph on paper, image size 32 1/4 x 22 1/2 in. (81.8 x 57.0 cm), unmatted, unframed.

Condition: Very minor handling creases. $500-700

18

19

20

19.

Leonard Baskin (American, 1922-2000)

20.

Leonard Baskin (American, 1922-2000)

Pedro Cajete, 1972, edition of 160 (Fern & O’Sullivan, 611). Signed “Baskin” in pencil l.r., numbered “146/160” in pencil l.l., titled and dated in the matrix, dry stamp l.l. Lithograph on paper, image size 30 1/2 x 22 1/2 in. (77.3 x 57.0 cm), unmatted, unframed.

Condition: Very minor handling creases. $500-700

Sharp Nose, 1972, edition of 160 (Fern & O’Sullivan, 612). Signed “Baskin” in pencil l.r., numbered “29/160” in pencil l.l., titled and dated in the matrix, dry stamp l.l. Lithograph on paper, image size 32 1/4 x 21 in. (81.8 x 53.2 cm), unmatted, unframed.

Condition: Minor handling creases. $500-700

21.

Leonard Baskin (American, 1922-2000) Sitting Bull, 1972, edition of 160 (Fern & O’Sullivan, 613). Signed “Baskin” in pencil l.r., numbered “69/160” in pencil l.l., dry stamp l.l.

Lithograph on paper, image size 29 1/4 x 21 1/2 in. (74.2 x 54.5 cm), unmatted, unframed.

Condition: Very minor handling creases. $500-700

21

22.

Leonard Baskin (American, 1922-2000) Swift Dog, 1972, edition of 160 (Fern & O’Sullivan, 615). Signed “Baskin” in pencil l.r., numbered “64/160” in pencil l.l., titled and dated in the matrix, dry stamp l.l. Lithograph on paper, image size 31 3/4 x 21 in. (80.5 x 53.4 cm), unmatted, unframed.

Condition: Very minor handling creases. $500-700

23.

George Wesley Bellows (American, 1882-1925) Study of Mary, 1923, edition of 50 (Mason, M.132). Signed “Geo. Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled in pencil l.c. Lithograph on paper, image size 11 3/8 x 10 in. (28.7 x 25.4 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

24.

George Wesley Bellows (American, 1882-1925)

22

Married Couple, 1923, edition of 44 (Mason, M.141). Signed “Geo. Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled in pencil l.c. Lithograph on paper, image size 9 3/4 x 7 1/4 in. (24.6 x 18.3 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

23 24

25

26

25.

Frank Weston Benson (American, 1862-1951)

26.

Frank Weston Benson (American, 1862-1951)

Wild Geese, 1917, published state, edition of 152 (Paff, 112).

Signed “FrankWBenson.” in pencil l.l., numbered “44” in pencil l.r.

Etching on laid paper with armorial watermark, plate size 6 3/4 x 10 3/4 in. (17.3 x 27.3 cm), matted, unframed.

Condition: Margins 2 1/4 inches or more with deckled edges, toning, pale foxing, annotations to lower edge. $400-600

Canoeman, 1919, published state, edition of 150 (Paff, 161). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8 x 6 in. (20.0 x 15.2 cm), matted, unframed.

Condition: Margins 1 3/4 inches or more with deckled edges, annotations to lower edge. $800-1,200

27.

Frank Weston Benson (American, 1862-1951) Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188).

Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 6 x 7 3/4 in. (15.1 x 19.5 cm), framed.

Condition: Gentle rippling, not examined out of frame. $300-500

27

28.

Frank Weston Benson (American, 1862-1951) Ducks at Play, 1923, published state, edition of 150 (Paff, 217).

Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.

Drypoint on paper, plate size 10 3/4 x 13 3/4 in. (27.3 x 34.8 cm), framed.

Condition: Unobtrusive mat burn, handling creases (some effecting the image), rippling, not examined out of frame. $1,000-1,500

28

29.

Frank Weston Benson (American, 1862-1951) Geese Over a Marsh, 1924, published state, edition of 150 (Paff, 233). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 7 7/8 x 9 3/4 in. (20.0 x 24.7 cm), matted, unframed.

Condition: Margins over 3/4 inches with two deckled edges, soiling to margins (primarily at corners), annotations to lower edge. $500-700

29

30.

Frank Weston Benson (American, 1862-1951) Flying Brant, 1925, published state, edition of 150 (Paff, 241).

Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, plate size 4 3/4 x 6 7/8 in. (12.0 x 17.3 cm), matted, unframed.

Condition: Margins 1 inch or more with two deckled edges, annotations to lower edge. $400-600

30

31

31.

Frank Weston Benson (American, 1862-1951)

33.

Thomas Hart Benton (American, 1889-1975)

Pointer Dog, 1925, published state, edition of 150 (Paff, 251).

Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.

Etching on paper, plate size 5 7/8 x 7 3/4 in. (14.8 x 19.5 cm), framed.

Condition: Subtle mat burn, gentle rippling, fox mark c.l., not examined out of frame. $800-1,200

Tom Keefer, from the SWAMP WATER Series, 1941, edition of 100 (Fath, 51). Dedicated and signed “To Charles E. McCarthy from Thomas H. Benton” in pencil beneath the image, signed in the matrix.

Lithograph on paper, image size 8 1/4 x 6 3/8 in. (20.8 x 16.0 cm), framed.

Condition: Margins over 1 1/2 inches, not examined out of frame. $1,000-1,500

32.

Frank Weston Benson (American, 1862-1951) In Dropping Flight, 1926, published state, edition of 134 (Paff, 255).

Signed “FrankWBenson-” in pencil l.l. Drypoint on paper, plate size 10 7/8 x 13 3/4 in. (27.5 x 34.8 cm), framed.

Condition: Scattered pale foxing/staining, pale mat staining, not examined out of frame. $500-700

32 33

35 34

34.

Thomas Hart Benton (American, 1889-1975)

35.

Thomas Hart Benton (American, 1889-1975)

Jessie Wick, from the SWAMP WATER Series, 1941, edition of 100 (Fath, 53). Dedicated and signed “To Charles E. McCarthy from Thomas H. Benton” in pencil beneath the image, signed in the matrix.

Lithograph on paper, image size 9 7/8 x 6 1/2 in. (25.0 x 16.3 cm), framed.

Condition: Margins over 1 1/2 inches, several small pale fox marks, not examined out of frame. $1,000-1,500

Island Hay, 1945, edition of 250, published by Associated American Artists (Fath, 68). Signed “Benton” in pencil l.r. and in the matrix.

Lithograph on paper, image size 10 x 12 1/2 in. (25.3 x 31.8 cm), matted, unframed.

Condition: Margins approximately 1 inch, toning. $1,000-1,500

36.

Edouard Alexandre Bernard (French, 1879-1950) Ascot Cycles. Signed and identified in the matrix. Color lithographic poster, image size 47 1/4 x 34 3/4 in. (119.8 x 88.2 cm), framed.

Condition: Vertical and horizontal creases, minor tears (most probably repaired), unobtrusive toning, not examined out of frame. $800-1,200

36

37 38

37.

Carroll Thayer Berry (American, 1886-1978)

38.

Isabel Bishop (American, 1902-1988)

White and Weatherworn - Maine Coast, 1960, edition possibly of 300 (Dearborn, 121). Signed “Carroll Thayer Berry imp” in pencil l.r., signed in the block, titled in pencil l.l. Chiaroscuro woodcut in black and tan on paper, image size 11 x 12 1/2 in. (27.7 x 31.5 cm), framed.

Condition: Unobtrusive toning, rippling, not examined out of frame.

Noon Hour, 1935, published by Associated American Artists 1946, edition of 250 (Teller, 18). Signed “Isabel Bishop” in pencil l.r., identified on a label from AAA accompanying the lot. Etching on paper, plate size 7 x 4 3/4 in. (17.5 x 11.9 cm), matted, unframed.

Condition: Margins 2 inches or more, toning. $400-600

N.B. A copy of Elwyn Dearborn’s The Down East Printmaker: Carroll Thayer Berry (Down East Books: Camden, Maine, 1983) accompanies the lot. $400-600

39.

Richard Evett Bishop (American, 1887-1975) Federal Duck Stamp Design, 1936. Signed “RichardEBishop” in pencil l.r., signed in the plate, titled in pencil l.l. Etching on paper, plate size 5 x 8 1/8 in. (12.5 x 20.4 cm), framed together with a duck stamp.

Condition: Toning, not examined out of frame. $300-500

39

40

42

41

42A

40.

Edmund Blampied (British, 1886-1966)

42.

After Georges Braque (French, 1882-1963)

The Weary Cart Horse, 1926, edition of 100. Signed “E.Blampied” in pencil l.c., numbered “90/100” in pencil l.l., signed and dated in the plate. Etching on paper, plate size 7 3/4 x 11 in. (19.8 x 27.9 cm), framed.

Condition: Mat burn, several fox marks, subtle rippling, not examined out of frame. $250-350

Lot of Two Still Lifes: Verre et pichet, color lithograph (Maeght, 1009); and Pommes, collotype. The former signed in pencil l.r., the latter signed in the matrix and numbered “58/300” in pencil l.l. Image sizes to 8 x 12 in. (20.3 x 30.5 cm), framed.

Condition: Toning, fading to former, not examined out of frames. $500-700

41.

Edmund Blampied (British, 1886-1966)

42A. After Georges Braque (French, 1882-1963)

Night in the Stable, edition of 100. Signed “E.Blampied” in pencil l.c., numbered “11/100” in pencil l.r. Etching and drypoint on paper, plate size 10 x 12 1/8 in. (25.4 x 30.5 cm), framed.

Condition: Subtle mat burn and rippling, not examined out of frame. $400-600

Le paquet de tabac, 1914, edition of 150 (Maeght, 1048). Color lithograph on paper, image size 13 1/2 17 5/8 in. (34.2 x 44.6 cm), framed.

Condition: Laid down, margins 3/8 inch, central vertical crease. $200-250

43

43.

Claude Buckle (British, 1905-c. 1973)

45.

Alois Carigiet (Swiss, 1902-1985)

New Brighton & Wallasey. Identified within the matrix. Color lithographic poster on paper, image size 37 1/8 x 47 1/4 in. (94.4 x 120.1 cm), framed.

Condition: Laid down or mounted (with areas of bubbling/disadhesion), margins just over 1 inch, minor nicks and tears to edges, subtle toning, not examined out of frame. $1,000-1,500

Lot of Two Horse Subjects: Beim Gaden, 1969, edition of 300; and Falkner zu Pferd, 1970, edition of 200. Both signed and dated “A. Carigiet...� in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 24 x 17 1/2 in. (61.0 x 44.4 cm), framed.

Condition: Subtle rippling and soiling, not examined out of frames. $200-300

44.

David Young Cameron (Scottish, 1865-1945) Lot of Six Landscape Views from the COMPLETE ANGLER, 1902 (Rinder 334, 335, 337, 338, 348 & 350). Four initialed in the plates.

Etchings on paper, plate sizes approximately 3 1/2 x 6 in. (9.0 x 15.0 cm), one matted, all unframed.

Condition: Most margins approximately 1/2 inch, some with staining, toning, and/or pinholes to margins. $300-350

44

45

46.

Marc Chagall (Russian/French, 1887-1985) Elijah and the Widow of Sarepta, from BIBLE, 1956, edition of 275 plus proofs (Cramer, 29). Signed in the plate, identified on a label from the Retina Gallery, Boston, on the reverse. Etching on paper, plate size 11 1/4 x 9 1/2 in. (28.4 x 24.0 cm), framed.

Condition: Margins over 1/2 inch, not examined out of frame. $500-700

47.

Marc Chagall (Russian/French, 1887-1985) David, portant la tĂŞte de Goliath, plate 64 from BIBLE, 1956, edition of 275 plus proofs (Cramer, 29). Unsigned. Etching and aquatint on paper, plate size 12 3/8 x 9 3/8 in. (31.3 x 23.7 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $400-600

48.

Marc Chagall (Russian/French, 1887-1985) Lot of Three Volumes: THE LITHOGRAPHS OF MARC CHAGALL, volumes II, III, and IV, by Fernand Mourlot et al., published by Andre Sauret, 1963, 1969, and 1974, respectively, each with the original color lithographs intact. 13 x 10 in. (33.0 x 25.4 cm), with jackets and slip covers, cloth bound.

Condition: Wear and ink annotations to slip covers. $3,000-5,000

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48 47

50

49.

Edgar Chahine (French, 1874-1947) Demoiselle au tennis, 1899, edition of approximately 70 (Tabanelli, 32). Signed “Edgar Chahine” in umber ink l.l., titled in pencil l.c., identified on an exhibition label (see below) on the reverse. Drypoint on paper, plate size 15 x 6 in. (38.1 x 15.2 cm), framed.

Condition: Margins 1/2 inch or more, rub to image l.l., subtle toning, not examined out of frame.

49

Exhibitions: Images of Women: 19th Century French Prints, at the Utah Museum of Fine Arts, University of Utah, January 8–February 19, 1978. $800-1,200

50.

Samuel V. Chamberlain (American, 1895-1975) The Blacksmith Shop, edition of 100 plus proofs (Chamberlain & Kingsland, 3). Signed “Samuel Chamberlain” in pencil l.r., numbered “21/100” in pencil l.l. Etching on paper, plate size 8 7/8 x 11 1/8 in.

(22.5 x 28.2 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more with deckled edges, subtle toning, annotations to lower margin, brown paper tape to side margins.

Provenance: Through the family of the artist. $150-200

51.

Samuel V. Chamberlain (American, 1895-1975) Amalfi, edition of 100 (Chamberlain & Kingsland, 8). Signed “Samuel Chamberlain” in pencil l.r., numbered “87/100” in pencil l.l. Etching on paper, plate size 7 x 7 in. (17.7 x 17.5 cm), matted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges, subtle toning, annotations to lower margin.

Provenance: Through the family of the artist.

51

$150-200

52

52.

Samuel V. Chamberlain (American, 1895-1975) Church of Saint Ayoul - Provins, 1924-28, edition of 68 plus proofs (Chamberlain & Kingsland, 11). Signed “Samuel Chamberlain” in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Etching on paper, plate size 5 7/8 x 7 3/4 in. (14.7 x 19.7 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more with two deckled edges, annotations to lower margin.

53

53.

Samuel V. Chamberlain (American, 1895-1975)

Provenance: Through the family of the artist. $150-200

The Church at Sezanne, c. 1925 (Chamberlain & Kingsland, 12).

Signed “Samuel Chamberlain” in pencil l.r., numbered “68/100” in pencil l.l. Etching on paper, plate size 7 3/4 x 3 7/8 in. (19.5 x 9.7 cm), matted, unframed.

Condition: Margins over 2 1/2 inches with deckled edges, subtle soiling or staining to margins, annotations to lower margin.

Provenance: Through the family of the artist. $150-200

54.

Samuel V. Chamberlain (American, 1895-1975) Soaring Steel, proof (Chamberlain & Kingsland, 79). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste - I/V” in pencil l.l. Etching on paper, plate size 12 1/2 x 9 5/8 in. (31.6 x 24.4 cm), matted, unframed.

Condition: Margins over 1/2 inch with two deckled edges, stain to margin along upper edge, annotations to lower margin.

Provenance: Through the family of the artist.

N.B. The view shows the construction of the Daily News Building in Chicago. $300-350

54

55.

Samuel V. Chamberlain (American, 1895-1975) Oil, c. 1930, edition of 100, but most destroyed, plus proofs (Chamberlain & Kingsland, 80). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste - Third State 1/2” in pencil l.l.

Etching on paper, plate size 9 5/8 x 6 3/4 in. (24.3 x 17.0 cm), matted, unframed.

Condition: Margins over 1 inch with deckled edges, annotations to lower margin.

Provenance: Through the family of the artist. $300-350

56.

Samuel V. Chamberlain (American, 1895-1975) Lower Manhattan - Old and New (Chamberlain & Kingsland, 81).

Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste 3rd State 1/2” in pencil l.l. Etching on paper, plate size 9 x 7 in. (22.8 x 17.7 cm), matted, unframed.

Condition: Margins 1 inch or more with deckled edges, subtle soiling, annotations to lower margin.

Provenance: Through the family of the artist. $300-350 55

57.

Samuel V. Chamberlain (American, 1895-1975) Boston Fish Pier (Chamberlain & Kingsland, 82). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste” in pencil l.l.

Etching on paper, plate size 5 5/8 x 8 5/8 in. (14.2 x 21.8 cm), matted, unframed.

Condition: Margins 1 inch or more, foxing, staining to edges of sheet, losses to both upper corners well within the margin, annotations to lower margin.

Provenance: Through the family of the artist. $150-200

57 56

58

59

58.

Samuel V. Chamberlain (American, 1895-1975)

59.

Samuel V. Chamberlain (American, 1895-1975)

Faneuil Hall - Boston (Chamberlain & Kingsland, 83). Signed “Samuel Chamberlain” in pencil l.r., numbered “44/100” in pencil l.l.

Etching on laid paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm), matted, unframed.

Condition: Margins 1/2 inch or more with deckled lower edge, staining to edges of sheet, foxing, losses and tears to upper corners within margins, annotations to lower margin.

Lot of Two Impressions of Mont-Saint-Michel, c. 1940, edition of 1500 plus proofs (Chamberlain & Kingsland, 261). Unsigned, one inscribed “Fourth State I/IV” in pencil l.l., the other inscribed “artist’s proof” in pencil l.l. Etchings on paper, plate size 5 3/8 x 4 5/8 in.

(13.5 x 11.7 cm), matted, unframed.

Condition: Margins approximately 1 inch, subtle toning, annotations to lower margins.

Provenance: Through the family of the artist.

Provenance: Through the family of the artist. $150-200

$200-250

60.

Samuel V. Chamberlain (American, 1895-1975) Lot of Two Impressions of The Steps of Ara Coeli, Rome, c.

1940, edition of 1500 plus proofs (Chamberlain & Kingsland, 264).

Unsigned, one inscribed “First State III/IV” in pencil l.l., the other inscribed “Artist’s Proof” in pencil l.l. Etchings on paper, plate size 6 3/4 x 4 1/2 in. (17.0 x 11.3 cm), matted, unframed.

Condition: Margins approximately 1 inch, subtle toning.

Provenance: Through the family of the artist. $200-250

60

61

61.

Samuel V. Chamberlain (American, 1895-1975)

63.

Giorgio de Chirico (Italian, 1888-1978)

Summer Shadows, 1940, edition of 300 plus proofs (Chamberlain & Kingsland, 275). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Ed. 300” in pencil l.l. Drypoint on paper, plate size 8 5/8 x 11 1/8 in.

(21.8 x 28.2 cm), matted, unframed.

Condition: Margins 1 inch or more, annotations to lower margin.

Castore, from I CAVALLI, 1948, edition of 94 (Vastano, 125).

Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l., signed in the matrix. Lithograph in black and cream on paper with Fabriano watermarks, image size 19 x 12 1/2 in. (48.2 x 31.6 cm), framed.

Condition: Margins over 3 inches, subtle toning or staining to edges, unobtrusive handling creases, not examined out of frame. $800-1,200

Provenance: Through the family of the artist.

N.B. The view depicts Bank Square in Marblehead, Massachusetts. $200-250 62.

Samuel V. Chamberlain (American, 1895-1975) Harborside, Friendship, Maine (Chamberlain & Kingsland, 276).

Signed “Samuel Chamberlain/N.G.C.” by Narcissa Gellatly Chamberlain in pencil l.r., inscribed “ed. 300” in pencil l.l. Drypoint on paper, plate size 8 1/2 x 12 3/4 in. (21.5 x 32.0 cm), matted, unframed.

Condition: Margins over 1 inch with deckled edges, annotations to lower and upper margins, stain to corner of margin l.l.

Provenance: Through the family of the artist. $150-200

62

63

64.

Giorgio de Chirico (Italian, 1888-1978) Narciso Ippofilo, from I CAVALLI, 1948, edition of 94 (Vastano, 131). Signed "G. de Chirico" in pencil l.r., numbered "5/94" in pencil l.l., signed in the matrix. Color lithograph on paper with Fabriano watermarks, image size 11 3/8 x 17 1/4 in. (28.8 x 43.7 cm), framed.

Condition: Margins over 3 inches, nicks/losses to upper edge, subtle toning or staining to edges, unobtrusive handling creases, not examined out of frame. $800-1,200

64

65.

Giorgio de Chirico (Italian, 1888-1978) I figli dell’Arconte, from I CAVALLI, 1948, edition of 94 (Vastano, 132). Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l., signed in the matrix.

Lithograph in black and cream on paper with Fabriano watermarks, image size 11 1/2 x 17 1/8 in. (29.2 x 43.3 cm), framed.

Condition: Margins over 3 inches, nicks/losses to upper edge, subtle toning or staining to edges, unobtrusive handling creases, not examined out of frame. $800-1,200

65

66.

Giorgio de Chirico (Italian, 1888-1978) Ippolito, from I CAVALLI, 1948, edition of 94 (Vastano, 133).

Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l., signed in the matrix. Lithograph in black and blue on paper with Fabriano watermarks, image size 11 3/8 x 17 1/4 in. (28.8 x 43.6 cm), framed.

Condition: Margins over 3 inches, unobtrusive toning, unobtrusive handling creases, not examined out of frame. $800-1,200

66

67 68

67.

Roland Clark (American, 1874-1957) Pintail. Signed “Roland Clark” in pencil l.r. Drypoint and etching on paper, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), framed.

Condition: Margins over 2 inches, laid down at edges, but with rippling to the image, annotations to lower edge. $150-200

68.

Antoni Clavé (Spanish, 1913-2005) Profile Head, edition of 50. Signed “Clavé” in pencil l.r., numbered “1/50” in pencil l.l. Lithograph in black and tan on paper, image size 28 x 20 in. (71.1 x 50.8 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame. $300-500

69.

James Coignard (French, 1925-2008) Presence, 1986, edition of 75. Signed “J. Coignard” in pencil l.r., numbered “25/75” in pencil l.l., identified on labels on the reverse.

Color aquatint with carborundum and collage on paper, image size 34 x 27 in. (86.3 x 68.5 cm), framed.

Condition: Subtle rippling, not examined out of frame. $300-500

69

70

70.

James Coignard (French, 1925-2008)

71

Espace dynamique bleu, 1989, edition of 95. Numbered and signed “6/95 J. Coignard” in pencil l.r., identified on labels on the reverse. Color carborundum on paper, image/sheet size 20 1/4 x 25 3/4 in. (51.5 x 65.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $300-350

71.

James Coignard (French, 1925-2008)

72.

Lovis Corinth (German, 1858-1925)

Architecture, 1991, edition of 85. Signed “J. Coignard” in pencil l.r., numbered “79/85” in pencil l.l., identified on labels on the reverse.

Color carborundum on paper, image size 28 x 23 3/4 in. (71.0 x 60.2 cm), framed.

Condition: Subtle rippling, creases to edge of lower margin, not examined out of frame. $300-500

Krönung Heinrich V, plate 30 from SHAKESPEARE VISIONEN, 1917-18, published in GANYMEDE (Schwarz, 390). Unsigned, Ganymede dry stamp l.l. Drypoint on laid paper with partial watermark, plate size 6 x 10 1/4 in. (15.3 x 26.0 cm), matted, unframed.

Condition: Margins over 1 inch with deckled edges. $250-350

72

73.

Alan Horton Crane (American, 1901-1969) Lot of Two Landscapes: Winter Memory, edition of 40; and Harbor Fog, edition of 50. Both signed “Alan Crane” in pencil l.r. and titled and inscribed in pencil l.l. Lithographs on paper, image sizes approximately 10 x 13 3/4 in. (25.4 x 34.8 cm), unmatted, unframed.

Condition: Margins approximately 1 inch, unobtrusive toning and staining. $200-250

73

74.

John Steuart Curry (American, 1897-1946) Stallion and Jack Fighting, 1943, edition of 250 (Czestochowski, C-39). Signed “John Steuart Curry” in pencil l.r., initialed and dated in the matrix. Lithograph on paper, image size 11 3/4 x 15 3/8 in. (29.8 x 39.0 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

74

75.

John Steuart Curry (American, 1897-1946) Sanctuary, alternatively titled Flood Relief, 1944, edition of 250, published by Associated American Artists (Czestochowski, C-41). Signed “John Steuart Curry” in pencil l.r., initialed and dated in the matrix. Lithograph on paper, image size 11 3/4 x 15 3/4 in. (29.8 x 40.0 cm), matted, unframed.

Condition: Margins 3/4 inches or more with deckled edges, toning. $700-900

75

77

77.

Salvador Dalí (Spanish, 1904-1989) L’Aéroplane, from HOMMAGE A LEONARDO DA VINCI (AMERICAN INVENTIONS), 1975, edition of 450 plus proofs (Löpsinger & Michler, 810). Signed “Dalí” in pencil l.r., numbered “75/450” in pencil l.l. Drypoint and pochoir on paper, plate size 14 1/4 x 19 7/8 in. (36.3 x 50.5 cm), framed.

Condition: Not examined out of frame. $300-500

76

76.

Salvador Dalí (Spanish, 1904-1989) Begonia, from FLORDALI, 1968, total edition of 400 plus proofs (Löpsinger & Michler, 233). Signed “Dali” in pencil l.r., numbered “XXIII/XXV” in pencil l.l., signed within the plate. Etching with drypoint and pochoir on paper, plate size 22 7/8 x 15 1/4 in. (55.2 x 38.8 cm), framed.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $500-700

78

78.

Adolf Arthur Dehn (American, 1895-1968) Circus, 1942, edition of 30 or more (Lumsdaine & O’Sullivan, 336).

Signed and dated “Adolf Dehn 1942” in pencil l.r., titled in pencil l.c., inscribed “30 prints” in pencil l.l. Lithograph on paper, image size 12 3/4 x 17 1/4 in. (32.0 x 43.5 cm), framed.

Condition: Toning, pale foxing, not examined out of frame. $300-500

80

79

79.

Jane Leone Dickson (American, b. 1952)

80.

Jim Dine (American, b. 1935)

Lot of Three Works: Globe Hotel Bar, Woman on Stairs, and Burlesque, all 1984, editions of 45. Each signed and dated “Jane Dickson ‘84” in pencil l.r. and numbered “10/45” in pencil l.l. Color aquatints on paper, plate sizes 29 1/2 x 16 7/8 in. (74.8 x 42.8 cm), all matted, the last framed.

Condition: Good, the last not examined out of frame. $1,000-1,500

Plate Four, from RACHEL COHEN’S FLAGS, STATE I, 1979 (D’Oench & Feinberg, 41) Inscribed, dated, and signed “Trial proof for Nardo from Jim 1979 Jim Dine” in pencil beneath the image.

Drypoint on paper, plate size 15 1/2 x 21 3/4 in. (39.3 x 55.2 cm), framed.

Condition: Margins over 2 3/4 inches with deckled edges, subtle cockling, not examined out of frame. $800-1,200

81.

Lazzaro Donati (Italian, b. 1926) Garden Sculpture, 1966, edition of 50. Signed and dated “LAZZARO DONATI 66” in pencil l.l., numbered “6/50” in pencil l.r.

Color lithograph on paper, image size 12 1/4 x 16 1/2 in. (31.1 x 41.9 cm), framed.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $150-250

81

82.

Otis Dozier (American, 1904-1987) Crows in Melon Patch, 1939, edition of 30. Signed and dated “Otis Dozier ‘39” in pencil l.r., titled and numbered “...6/30” in pencil l.l. Lithograph on paper, image size 9 3/4 x 12 in. (24.5 x 30.4 cm), framed.

Condition: Not examined out of frame. $200-250

82

83.

Otis Dozier (American, 1904-1987) Lot of Two Landscapes: Two Deer, 1942, edition of 20; and Morning Country, 1942, edition of 20. Both signed and dated “Otis Dozier ‘42” in pencil l.r., and titled and numbered in pencil l.l. Lithographs on paper, image sizes approximately 13 1/2 x 10 in. (34.0 x 25.5 cm), framed.

Condition: Not examined out of frames. $200-250

83

84.

Jean Dubuffet (French, 1901-1985) Banque de L’Hourloupe cartes à jouer et à tirer, 1967, edition of 350 plus proofs, published by Editions Alecto, London. Identified and numbered “210” on the interior of the box. Color screenprints on cardboard, 9 7/8 x 6 1/2 in.

(25.0 x 16.4 cm), presented in the original portfolio box.

Condition: Minor wear. $500-700

84

85

86

85.

Etienne Duperac (French, 1520-1604)

86.

Albrecht Dürer (German, 1471-1528)

Hunter in a Landscape. Signed in the plate. Etching on paper, plate size 7 1/2 x 12 3/4 in. (19.0 x 32.3 cm), framed.

Condition: Trimmed to or just within the plate mark, subtle rippling and toning, not examined out of frame. $300-350

The Last Judgment, from the SMALL PASSION, 1511 (Bartsch 52; Meder, 161; Hollstein 161b). Monogrammed in the block, with text on the reverse. Woodcut on paper, image size 5 x 3 3/4 in. (12.5 x 9.5 cm), framed.

Condition: Thread margins, rippling, small tear to corner (just effecting image) l.l., not examined out of frame. $300-500

87.

Max Ernst (German, 1891-1976) Sign for a School for Pirates, 1965, edition of 125 (Spies & Leppien, A12). Signed “max ernst” in pencil l.r., numbered “72/125” in pencil l.l., titled within the matrix. Color photo-lithograph on BFK Rives paper with partial watermark, image size 23 3/4 x 19 3/8 in.

(60.3 x 49.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with two deckled edges, subtle surface rubs to image, minor creases to margins near corners. $200-250

87

88

88.

Lyonel Feininger (German/American, 1871-1956)

90.

Ernest Fiene (American, 1894-1965)

Off the Coast, 1951, second state of two, edition of 250 plus proofs published for the Cleveland Print Club (Prasse L14). Signed “Lyonel Feininger” in pencil l.r. Lithograph on paper, image size 9 1/4 x 14 1/2 in. (23.5 x 36.8 cm), framed.

Condition: Not examined out of frame. $1,500-2,000

The Little Church Around the Corner. Signed “Ernest Fiene” in pencil l.r., identified on a label on the reverse. Lithograph on paper, image size 9 1/2 x 12 1/8 in. (24.0 x 30.6 cm), framed.

Condition: Subtle rippling, not examined out of frame. $300-500

89.

Erna Fenkohl (Belgian, 1882-1975) Lot of Four Still Lifes with Flowers and Insects. Each signed “Erna Fenkohl” in pencil l.r. and inscribed “Orig. Handdruck” in pencil l.l. Color woodcuts on paper, image sizes 5 1/2 x 5 1/2 in. (13.8 x 13.8 cm), framed.

Condition: Subtle toning, not examined out of frames. $600-800

90

89

91

91.

Sam Francis (American, 1923-1994) Senza Titolo I, 1987, edition of 58, published by 2RC Edizioni d’Arte, Rome (Lembark, I.87). Signed “Sam Francis” in pencil l.r., numbered “43/58” in pencil l.l. Color etching and aquatint on paper, plate size 34 5/8 x 39 1/8 in. (87.8 x 99.3 cm), framed.

Condition: Not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, 1988; to a private collector. $4,000-6,000

93

92

92.

Helen Frankenthaler (American, b. 1928) Broome Street at Night, 1987, edition of 68. Signed and dated “Frankenthaler ‘67” in pencil l.r., numbered “54/68” in pencil l.l. Color etching and aquatint on paper, plate size 27 x 28 1/4 in. (68.5 x 71.5 cm), framed.

Condition: Margins 2 1/2 inches or more, not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, 1987; to a private collector. $2,000-2,500

93.

French School, 19th/20th Century Apéritif Bacchus. Identified within the matrix. Color lithographic poster on paper, sheet size 62 x 46 3/8 in. (157.5 x 117.7 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears and creases), toning, minor surface rubs, handling creases. $400-600

94.

French School, 19th/20th Century

94

La Mora y Manzano. Identified within the matrix. Color lithographic poster on paper, sheet size 55 3/4 x 39 1/4 in. (141.5 x 99.5 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears and creases), minor rubs to image, subtle toning, minor handling creases. $500-700

95

96

95.

French School, 19th/20th Century Cycles Omnium. Signed “Emile Vidal” and identified within the matrix. Color lithographic poster on paper, sheet size 49 1/4 x 36 in.

(125.0 x 91.3 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair older tears and creases), creases and tears, toning, staining, handling creases. $400-600

96.

French School, 20th Century Remoncourt la Reine des Vosges. Identified “...J. Hirsch lith...” within the matrix. Color lithographic poster on paper, sheet size 48 x 35 1/2 in. (121.8 x 90.0 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears and/or creases), pale staining and foxing, minor handling creases. $500-700

97.

French School, 19th/20th Century Scala C’est Dégoutant!! Identified within the matrix. Color lithographic poster on paper, sheet size 44 1/8 x 33 3/4 in. (112.2 x 85.5.0 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair minor creases and minor tears), toning, minor handling creases. $500-700 97

98.

Wanda Gag (American, 1893-1946) Christmas Eve I, 1927 (Winnan, 53). Identified “GREETINGS FROM THE HOUSE OF WEYHE 1927...” in the text within the matrix. Lithograph on paper, image size 5 1/4 x 6 7/8 in. (13.3 x 17.3 cm), framed.

Condition: Subtle toning, not examined out of frame. $200-250

98

99.

Sears Gallagher (American, 1869-1955) Lot of Three Views: Rocks and Crashing Surf; The Old Mill; and Wild Cherry Elder. Each signed “Sears Gallagher” in pencil l.c., the last identified on a label from Doll & Richards, Inc., Boston, on the reverse. Etchings on paper, plate sizes to 5 7/8 x 8 7/8 in. (14.8 x 22.4 cm), matted, the last framed.

Condition: The last not examined out of frame. $300-500

99

100.

Sears Gallagher (American, 1869-1955) Lot of Three Views: Pickerel Pond; Grassy Dunes; and Across the Pond. Each signed “Sears Gallagher” in pencil l.l. Drypoints on paper, plate sizes to 6 3/4 x 8 3/4 in. (17.3 x 22.3 cm), matted, unframed.

Condition: Margins 1 inch or more. $250-350

100

101

102

101.

Eliza Draper Gardiner (American, 1871-1955)

102.

Eliza Draper Gardiner (American, 1871-1955)

On the Boat, edition of 30. Signed and numbered “Eliza D. Gardiner 1/30” in pencil l.l. (within the image) and l.r., titled in pencil l.c., identified on labels from the Print Club of Philadelphia and The Wichita Art Association on the reverse. Color woodcut on laid gray paper, image size 10 1/2 x 12 3/8 in. (26.5 x 31.3 cm), matted, unframed.

Condition: Margins 1 inch or more with two deckled edges, subtle toning, annotations in the artist’s hand verso.

Feeding the Geese. Unsigned. Color woodcut on paper, image size 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), unmatted, unframed.

Condition: Margins 1/2 inch or more, foxing (primarily to upper margin).

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

103.

Eliza Draper Gardiner (American, 1871-1955) Ginny + Lucky, edition of 50. Signed and numbered “Eliza D. Gardiner 5/50” in pencil l.l., titled in pencil l.c. Woodcut on laid paper, image size 8 x 6 1/2 in. (20.3 x 16.5 cm), matted, unframed.

Condition: Margins 1/4 inch or more.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

103

104

105

104.

Eliza Draper Gardiner (American, 1871-1955)

105.

Eliza Draper Gardiner (American, 1871-1955)

Arrangement in Gray and Black. Unsigned. Woodcut on paper, image size 8 1/2 x 7 1/2 in. (21.5 x 19.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with two deckled edges, subtle toning, annotations and pinholes to upper margin.

Boy with Cat, edition of 50. Signed and numbered “Eliza D. Gardiner 28/50” in pencil u.r. (within the image). Color woodcut on laid gray paper, image size 10 x 7 1/2 in. (25.4 x 19.1 cm), matted, unframed.

Condition: Upper and right margins trimmed to image, pale foxing (visible almost exclusively in remaining margins).

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

106.

Eliza Draper Gardiner (American, 1871-1955) Tansy, edition of approximately 20. Signed and numbered “Eliza D. Gardiner 3/19” in pencil l.l. (within the image), numbered “3/20” in pencil l.r. (within the image), titled on the mat. Color woodcut on paper, image size 8 x 10 3/4 in. (20.3 x 27.3 cm), matted, unframed.

Condition: Margins 1/4 inch or more, subtle toning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

106

108 107

107.

Eliza Draper Gardiner (American, 1871-1955) Baby and Mother, c. 1937, edition of 50. Signed and numbered “Eliza D. Gardiner 3/50” in pencil l.l., titled on the mat. Color woodcut on laid paper, image size 10 1/2 x 6 1/2 in. (26.5 x 16.5 cm), matted, unframed.

Condition: Margins 1 inch or more with deckled lower edge, subtle toning and/or soiling.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

108.

Eliza Draper Gardiner (American, 1871-1955) Candle Light, edition of 10. Signed and numbered “Eliza D. Gardiner-1/10” in pencil l.l., titled on the mat. Color woodcut on paper, image size 11 7/8 x 7 1/4 in. (30.0 x 18.3 cm), matted, unframed.

Condition: Margins approximately 1/4 inch, several tiny fox marks.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

109.

Eliza Draper Gardiner (American, 1871-1955) The Turtle, edition of 25. Signed “Eliza D. Gardiner” in pencil (within the image) l.l. and signed and numbered “Eliza D. Gardiner 9/25” in pencil l.r., titled in pencil l.c., identified on labels from the Print Club of Philadelphia and the New England Print Association on the reverse.

Color woodcut on paper, image size 12 1/2 x 9 1/2 in. (31.6 x 24.0 cm), matted, unframed.

Condition: Margins 1 inch or more with three deckled edges, subtle toning.

109

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

110

111

110.

Eliza Draper Gardiner (American, 1871-1955)

111.

Eliza Draper Gardiner (American, 1871-1955)

Lot of Eight Scenes: Provincetown, edition of 25; Apponaug, R.I., edition of 25; Boy with Goose; Dories at Low Tide; The Garden Shed; The Toy Boat; A Quiet Corner; and Waiting on the Dock.

The first two signed, titled, and numbered “Eliza D. Gardiner...1/25” in pencil beneath the image, the rest unsigned. Etchings on various papers, plate sizes to 8 x 5 in. (20.2 x 12.6 cm), unmatted, unframed.

Condition: Unobtrusive toning and/or soiling, some margins with pinholes to edges, some edges deckled.

The Forest Nunns, c. 1939, edition of 50. Signed and numbered “Eliza D. Gardiner 1/50” in pencil l.l., titled on the mat, identified on a label from the Armour Gallery, Providence, Rhode Island, on the reverse. Lithograph on Rives paper with watermark, image size 8 7/8 x 6 1/4 in. (22.4 x 15.6 cm), matted, unframed.

Condition: Deckled edges to three sides, several fox marks to margins.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $800-1,200

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250

112.

Eliza Draper Gardiner (American, 1871-1955) Gone Fishing, edition of 25. Unsigned, numbered “19/25” in pencil l.l. Woodcut on fine paper, image size 6 3/4 x 8 1/8 in. (17.0 x 20.5 cm), unmatted, unframed.

Condition: Subtle toning, crease to corner or margin u.l.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250

112

113

114

113.

Eliza Draper Gardiner (American, 1871-1955)

114.

Albert Gleizes (French, 1881-1953)

Waiting by the Window, c. 1937. Signed “Eliza D. Gardiner” in pencil l.l., dedicated “To E. Cook with love ‘37” in pencil l.r.

Lithograph on paper, image size 7 1/2 x 6 in. (19.0 x 15.2 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $300-500

Rue animée, 1914. Signed and dated “AGleizes 1914” in pencil l.r., signed and dated in the plate, inscribed “épreuve d’artist” in pencil l.l.

Etching on paper, plate size 8 7/8 x 6 3/4 in. (22.5 x 17.0 cm), matted, unframed.

Condition: Margins 1 3/4 inches or more, minor soiling. $5,000-7,000

115.

Albert Gold (American, 1916-1972) The Horse Cart, 1947. Signed and dated “Albert Gold ‘47” in pencil l.r. Color monotype on paper, image size 12 x 15 3/4 in. (30.5 x 40.0 cm), framed.

Condition: Not examined out of frame. $200-300

115

116 117

116.

Stephen Gooden (British, 1892-1955)

117.

R.C. Gorman (American, 1932-2005)

The Satyrs, 1937. Inscribed, signed, and dated “109 . 81 Stephen Gooden 1937” in pencil beneath the image, identified on label affixed inside the mat. Engraving on paper, circular format, plate diameter 6 1/4 in. (15.7 cm), matted, unframed.

Condition: Margins over 1 1/2 inches with two deckled edges, subtle toning. $200-250

Beauty Way, 1990, edition of 225 plus proofs. Signed and dated “R.C. Gorman 1990” in pencil (within the image) l.l., inscribed “A.P. 9” in pencil (within the image) l.r., artist’s dry stamp l.l., “HOUSTON” dry stamp l.r. Color screenprint on paper, image/sheet size 37 x 31 in.

(94.0 x 78.5 cm), framed.

Condition: Deckled edges, not examined out of frame. $800-1,200

118.

Gordon Hope Grant (American, 1875-1962) Lot of Four Views: First Snow; Shadow of the Dock; Return of the Fishing Boat; and The Salt Bark - Gloucester. Each signed “Gordon Grant” in pencil l.r. Lithographs on paper, image sizes approximately 9 x 12 in. (22.8 x 30.4 cm), three matted, all unframed.

Condition: Some with unobtrusive toning, margins 3/4 inches or more. $200-250

118

119

119.

Frederick Landseer Maur Griggs (British, 1876-1938)

121.

Yozo Hamaguchi (Japanese, 1909-2000)

Sellenger, 1917, fourth state of six (Comstock, 18). Signed “F.L. Griggs” in pencil l.r., signed and dated in the plate, titled in pencil l.l.

Etching on paper, plate size 5 x 6 3/4 in. (12.5 x 17.0 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $200-250

Mud Snails, 1960, edition of 50 (M. Gallery, 73). Signed “hamaguchi” in pencil l.r., numbered “9 50” in pencil l.l. Color mezzotint on paper, plate size 4 x 3 1/8 in. (10.1 x 7.8 cm), framed.

Condition: Unobtrusive mat burn and toning, not examined out of frame. $400-600

120.

Yozo Hamaguchi (Japanese, 1909-2000) Gypsy, 1954, edition of 50 (M. Gallery, 32). Signed “hamaguchi” in pencil l.r., numbered “31/50” in pencil l.l. Mezzotint and aquatint on paper, plate size 11 3/4 x 11 3/4 in. (29.7 x 29.7 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $800-1,200

120 121

122

122.

Yozo Hamaguchi (Japanese, 1909-2000)

124.

Hans Hartung (German, 1904-1989)

Black Cherries, 1964, edition of 50 (M. Gallery, 50). Signed “hamaguchi” in pencil l.r., numbered “36/50” in pencil l.l. Color mezzotint on paper, plate size 7 3/4 x 9 5/8 in. (19.5 x 24.4 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $400-600

L 100, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered “26/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l., annotated on the reverse. Lithograph on BFK Rives paper with watermark, image size 20 3/4 x 17 in. (52.6 x 43.0 cm), unmatted, unframed.

Condition: Margins 2 1/2 inches or more with deckled edges, subtle staining. $500-700

123.

Hans Hartung (German, 1904-1989) L 71, 1958, edition of 35. Signed “Hartung” in pencil l.r., numbered “11/35” in pencil l.l., annotated on the reverse. Lithograph on Arches paper with watermark, image size 20 3/4 x 29 in. (52.5 x 73.4 cm), unmatted, unframed.

Condition: Deckled edges, subtle staining and toning, unpressed creases to some corners. $500-700

123

124

126

125.

Hans Hartung (German, 1904-1989) L 109, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered “28/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l., annotated on the reverse. Lithograph in brown on BFK Rives paper with watermark, image size 22 5/8 x 14 3/4 in. (57.4 x 37.4 cm), unmatted, unframed.

Condition: Margins over 3 inches with deckled edges, subtle staining and/or soiling, thinning to corner u.r. on verso, minor nicks/creases to deckles. $500-700

125

126.

Hans Hartung (German, 1904-1989) L 124, 1967, edition of 75. Numbered and signed “28/75 Hartung” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l., annotated on the reverse. Lithograph on BFK Rives paper with watermark, image size 18 1/4 x 25 in. (46.3 x 63.4 cm), unmatted, unframed.

Condition: Margins over 2 inches with deckled edges, subtle staining, minor nicks/handling creases to edges (primarily at corners). $500-700

127.

Joseph Hecht (Polish/British, 1891-1951) Reclining Nude and Two Palms, edition of 30. Signed “Joseph Hecht” in pencil l.r., numbered “17=30” in pencil l.l. Etching and drypoint on paper, plate size 9 3/4 x 8 1/8 in. (24.6 x 20.5 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more, handling marks and creases to margins, hinged at upper corners, subtle soiling, ink annotations to l.r. corner. $150-200

128.

No lot.

127

129.

Erich Heckel (German, 1883-1970) Bildnis E. H., 1917 (Dube, 306). Signed and dated “Erich Heckel 17” in pencil l.r. Woodcut on paper, image size 14 1/4 x 11 3/4 in.

(36.2 x 29.8 cm), framed.

Condition: Margins 1 inch or more, horizontal crease into image (some with very subtle breaks to paper fibers), unobtrusive toning, pale staining to image. $1,000-1,500

129

130.

Dame Barbara Hepworth (British, 1903-1975) Two Marble Forms (Mykonos), 1969, edition of 30. Signed “Barbara Hepworth” in pencil l.r., numbered “...23/30” in pencil l.l., Curwen Studio dry stamp l.l., identified as “Blue Streak...” on information affixed to the reverse. Lithograph in blue, gray, and black on paper, image size 29 x 19 in. (73.5 x 48.2 cm), framed.

Condition: Minor soiling to margins, not examined out of frame. $500-700

130

132

131

133

131.

Irwin D. Hoffman (American, 1901-1989)

132.

Lester George Hornby (American, 1882-1956)

Cigarette Underground. Signed “Irwin D. Hoffman Imp.” in pencil l.r., titled and dedicated “...to Maestro Max Jacobs with best wishes” in pencil l.l. Etching on paper, plate size 10 7/8 x 7 7/8 in. (27.5 x 19.8 cm), framed (without glass).

Condition: Toning, subtle rippling, not examined out of frame. $400-600

Lot of Three European Landscapes: Le rond point, Paris; Seicheprey, 1918; and Bezaudun. Each initialed and titled within the plate, and with artist’s stamp l.l. Etchings on paper, plate sizes to 7 x 9 7/8 in. (17.8 x 25.2 cm), matted, unframed.

Condition: Margins 2 inches or more, scattered foxing (almost exclusively to margins). $250-300

133.

Lester George Hornby (American, 1882-1956) Lot of Three City Views: By the Bridge; Les beaux choux; and Fishing Along the Seine. The second initialed and titled within the plate, the last two with artist’s stamp l.l. Etchings on paper, plate sizes to 7 3/8 x 8 5/8 in. (18.8 x 21.9 cm), matted, unframed.

Condition: Margins 1/2 inch or more, toning to Bridge. $250-300

134.

Alfred Heber Hutty (American, 1877-1954) The Quiet Harbor. Signed “Alfred Hutty” in pencil l.r.

Etching on paper, plate size 6 3/8 x 7 3/8 in. (16.3 x 18.8 cm), framed.

Condition: Subtle toning, not examined out of frame. $200-250

134

135.

Philip Kappel (American, 1901-1981) Lot of Two Views: Lobsterman at Dawn and Chatham Bar - Cape Cod. Both signed “Philip Kappel” in pencil l.r. and titled in pencil l.l. Aquatints on paper, plate sizes to 7 3/4 x 9 7/8 in. (19.7 x 25.2 cm), the latter matted, both unframed.

Condition: Margins over 2 inches. $250-350

135

136.

Philip Kappel (American, 1901-1981) Lot of Three Connecticut Views: Winter Tracery - New Milford Green; Sugar Maples in Spring; and Sunday Morning - New Milford Green. Each signed “Philip Kappel” in pencil l.r. and titled in pencil l.l. Etchings with drypoint on paper, plate sizes to 9 1/8 x 12 1/8 in. (23.2 x 30.9 cm), unmatted, unframed.

Condition: Margins over 1 inch, minor handling creases. $250-350

136

137

137.

Philip Kappel (American, 1901-1981)

139.

Luigi Kasimir (Austrian, 1881-1962)

Lot of Three Seafaring Views: Lifting Fog - Down East; Shooting the Sun; and Marine Pathway. Each signed “Philip Kappel” in pencil l.r. and titled in pencil l.l. Etchings with drypoint on paper, plate sizes to 7 1/4 x 9 3/8 in. (18.4 x 23.8 cm), the last two matted, all unframed.

Condition: Margins over 1 inch, staining to edges of Pathway. $250-300

Lot of Two Views: Bad Gastein, Kirche (Main Street), 1943, possibly a later printing; and Bad Gastein, Winter (H. Weiss, 92 & 95). Signed “Luigi Kasimir” in pencil l.c. and l.r., respectively. Color etchings with aquatint on paper, plate sizes approximately 19 x 13 1/2 in. (48.5 x 34.3 cm), framed.

Condition: Staining (primarily to former), not examined out of frames. $400-600

138.

Luigi Kasimir (Austrian, 1881-1962) Klosterneuberg, 1912 (H. Weiss, 32). Signed “Luigi Kasimir” in pencil l.r., numbered “...4/100” in pencil l.l., remarque in the plate l.l.

Color etching with aquatint on paper, plate size 18 1/8 x 23 1/2 in.

(46.0 x 59.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

138 139

140

140.

Luigi Kasimir (Austrian, 1881-1962)

142.

Lot of Two Dog Prints:

Cortina d’Ampezzo, 1925, edition of 250 (Weiss, 414). Signed “Luigi Kasimir” in pencil l.r., identified and dated in the plate, numbered “220/250” in pencil l.l. Color etching and aquatint on paper, plate size 15 5/8 x 21 1/8 in. (39.5 x 53.4 cm), framed.

Condition: Subtle toning, gentle rippling, not examined out of frame. $300-500

Marguerite Kirmse (American, 1885-1954), Stymied; and Charles M. Weissman (American, fl. 1933-1934), When Do We Eat, edition of 50. Both signed in pencil l.r. and titled in pencil l.l., the latter identified on a label from the artist’s studio. Etchings on paper, plate sizes to 9 1/4 x 11 3/8 in. (23.4 x 28.8 cm), framed.

Condition: Mat burn, scattered foxing (primarily to Stymied), not examined out of frames. $400-600

141.

Marguerite Kirmse (American, 1885-1954) Down in Dixie/Two Pointers in a Landscape. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 7 x 10 3/4 in. (17.5 x 27.2 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame. $300-500

141

142

144

143

143.

Moïse Kisling (French, 1891-1953) Head of a Woman, edition of 100. Signed “Kisling” in pencil l.r., numbered “70/100” in pencil l.l. Lithograph on paper, image size 16 1/4 x 13 3/4 in. (41.2 x 34.8 cm), framed.

Condition: Staining, toning, foxing, not examined out of frame. $500-700

144.

Sacha Kolin (American, 1911-1981) Lots of Two Compositions: Untitled, 1954; and Untitled with Crescent Moon, 1955. Both signed and dated “KOLIN...” in pencil l.r. Woodcuts on Mulberry paper or similar, image sizes to 8 7/8 x 11 7/8 in. (22.4 x 30.0 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more. $500-700

145.

Kalman Kubinyi (American, 1906-1973) Canal Rotterdam. Signed “Kalman Kubinyi” in pencil l.r., titled in pencil l.l. Etching and aquatint on paper, plate size 8 7/8 x 6 3/4 in.

(22.4 x 17.0 cm), framed.

Condition: Subtle toning, rippling, not examined out of frame. $200-250

145

146

147

146.

Gustave Leheutre (French, 1861-1932)

147.

Leonard Lehrer (American, b. 1935)

Le pont de Bonnemort à La Rochelle (1re planche), c. 1910, first state of three (Delteil, 85). Signed “G. Leheutre” in pencil l.r., inscribed “8imp/no 8” and “1v etat” in pencil beneath the image, dry stamp from Sagot, Paris, l.r. Drypoint on paper, plate size 7 5/8 x 10 7/8 in. (19.4 x 27.5 cm), framed.

Condition: Subtle toning, several pinpoint fox marks, not examined out of frame. $150-200

Lot of Three Garden Views: Formal Garden; Formal Garden, 1966, edition of 15; and Vizcaya, 1969, edition of 50. Each signed, titled, and numbered or inscribed in pencil beneath the images.

Etchings on paper, plate sizes to 11 3/4 x 8 3/4 in. (29.8 x 22.3 cm), framed.

Condition: Toning/staining to the first, not examined out of frames. $250-300

148.

Leonard Lehrer (American, b. 1935) Tepotzotlan, 1973, edition of 25 plus proofs (Tamarind, 73-670).

Inscribed, titled, signed, and dated “Trial proof... Leonard Lehrer 1973” in pencil (within the image) l.c. Lithograph on paper, image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed.

Condition: Unobtrusive foxing and toning, not examined out of frame. $200-250

148

150 149

149.

Leonard Lehrer (American, b. 1935) Lazienki Park, 1973, edition of 25 plus proofs (Tamarind,73-727).

Signed and dated “Leonard Lehrer 1973” in pencil l.r., titled in pencil l.c., numbered “4/25” in pencil l.l., dry stamp from the Tamarind Institute, Albuquerque, l.l., dry stamp l.r. Lithograph on paper, image size 27 x 19 1/4 in. (68.5 x 48.8 cm), framed.

Condition: Not examined out of frame. $200-250

150.

Clare Veronica Hope Leighton (Anglo/American, 1901-1988) Landing, from the LUMBER CAMP SERIES, 1931, edition of 130 (BPL, 195). Unsigned, inscribed “P” in pencil l.l. Wood engraving on paper, image size 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches.

Provenance: Through printer Harold McGrath. $300-500

151.

Jack Levine (American, b. 1915) Judas Maccabeus, 1963-64, edition of 100 plus proofs (Prescott, 15). Signed “JLevine” in pencil l.r., numbered “18/100” in pencil l.l.

Etching on chine collé, plate size 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm), framed.

Condition: Unobtrusive toning, mat burn, not examined out of frame. $200-250

151

152

153

152.

Jack Levine (American, b. 1915) Self-Portrait with Muse, 1966, edition of 100 plus proofs (Prescott, 37). Signed “JLevine” in pencil l.r., inscribed “Trial Proof” in pencil l.l.

Mezzotint in green on Rives paper with watermark, plate size 10 x 12 3/4 in. (25.4 x 32.3 cm), matted, unframed.

Condition: Margins over 3 1/2 inches with deckled edges, gentle cockling, minor handling marks and creases to margins, annotations verso. $200-250

153.

Jack Levine (American, b. 1915) Image from the DREIGROSCHENFILM Suite, 1967, edition of 100 plus proofs. Signed “JLevine” in pencil l.r., numbered “92/100” in pencil l.l. Soft-ground etching in green on Rives paper with watermark, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), unmatted, unframed.

Condition: Margins over 2 1/2 inches with deckled edges to two sides, gentle soiling to margins, crease to corner of margin u.r. $150-200

154.

Jack Levine (American, b. 1915) The Art Lover, 1967, edition of 100 plus proofs (Prescott, 46).

Signed “JLevine” in pencil l.r., numbered “24/100” in pencil l.l. Color lithograph on Arches cream paper with watermark, image size 22 1/4 x 17 1/2 in. (56.4 x 44.4 cm), unmatted, unframed.

Condition: Margins approximately 1 inch with deckled edges to two sides, gentle rippling, annotations verso. $250-300 154

155.

Jack Levine (American, b. 1915) Sacrifice of Isaac, 1974, edition of 100 plus proofs (Prescott, 60).

Signed “JLevine” in pencil l.r., numbered “11/100” in pencil l.l., dry stamp l.r. Etching with drypoint and engraving on Arches cream paper with watermark, image size 13 3/4 x 10 3/4 in. (34.8 x 27.3 cm), unmatted, unframed.

Condition: Margins 2 inches or more with deckled edges, subtle toning. $200-250

156.

Jack Levine (American, b. 1915) Pygmalion, 1977, edition of 100 plus proofs (Prescott, 62). Signed “JLevine” in pencil l.r., numbered “14/100” in pencil l.l., dry stamp l.l.

Lithograph on BFK Rives paper with watermark, image size 19 5/8 x 12 3/4 in. (49.8 x 32.3 cm), unmatted, unframed.

Condition: Margins 4 inches or more with deckled edges. $200-250

157.

Martin Lewis (American, 1881-1962) Which Way?, 1932, edition of 50 plus 3 proof (McCarron, 99).

Signed “Martin Lewis-” in pencil l.r., inscribed “to Mister Edmund B. from Martin L./Mar 40 With better wishes than I can tell-” in pencil l.l.

Aquatint on paper, plate size 10 3/8 x 15 7/8 in. (26.3 x 40.2 cm), framed.

Condition: Margins over 1 1/2 inches, toning, staining, glue residue to margins, very subtle rubs to image u.r., white cloth tape to upper edge on verso, adhered to facing mat at corner l.l. $3,000-5,000

155

157

156

158

158.

Roy Lichtenstein (American, 1923-1997)

160.

Elyse Ashe Lord (British, 1900-1971)

As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix and on the reverse. Offset color lithographs on paper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.

Condition: Minor handling marks and creases. $700-900

Mother and Daughter Under the Blossoms, edition of 75. Signed “Elyse Ashe Lord” in pencil l.r., numbered “66/75” in pencil l.l.

Etching with stencil color on paper, plate size 12 7/8 x 11 1/8 in.

(32.5 x 28.2 cm), framed.

Condition: Toning, not examined out of frame. $300-500

159.

Elyse Ashe Lord (British, 1900-1971) Tiger Lily with Her Fan, edition of 75. Signed “Elyse Ashe Lord.” in pencil l.r., numbered “18/75” in pencil l.l. Etching with stencil color on paper, plate size 10 1/4 x 7 in. (25.9 x 17.5 cm), framed.

Condition: Toning, not examined out of frame. $200-300

160 159

161

162

161.

Elyse Ashe Lord (British, 1900-1971) The Dance, edition of 85. Signed “Elyse Lord” in pencil l.r., numbered “83/85” in pencil l.l., identified on a label from Arthur Ackermann & Son, Inc., New York, on the reverse. Etching and drypoint with stencil color on paper, plate size 11 x 8 1/4 in. (27.8 x 20.8 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $250-350

162.

Elyse Ashe Lord (British, 1900-1971) By the Berry Bush. Signed “Elyse Lord” in pencil l.r. Etching with drypoint and stencil color on paper, plate size 5 5/8 x 5 7/8 in. (14.3 x 14.9 cm), framed.

Condition: Not examined out of frame. $250-300

163.

Elyse Ashe Lord (British, 1900-1971) Two Figures in a Landscape, edition of 75. Signed “Elyse Lord” in pencil l.r., numbered “44/75” in pencil l.l. Etching with drypoint and stencil color on paper, plate size 18 1/4 x 13 7/8 in. (46.4 x 35.3 cm), framed.

Condition: Subtle toning, not examined out of frame. $350-550

163

164

165

164.

Galerie Maeght, editor (French, 20th Century)

165.

Galerie Maeght, editor (French, 20th Century)

Lot of Fifteen Issues of DERRIERE LE MIROIR, featuring Braque, Calder, Chagall, Giacometti, Kandinsky, Kelly, Miró, and others, spanning 1948 to 1965. Each measures 15 x 11 in. (38.1 x 27.9 cm).

Condition: Very minor wear, soiling and/or handling nicks. $1,000-1,500

Lot of Seven Issues of DERRIERE LE MIROIR, featuring Calder, Kelly, and Miró, spanning 1961 to 1968. Each measures 15 x 11 in.

(38.1 x 27.9 cm).

Condition: Minor wear, soiling and/or handling nicks. $700-900

166.

Boris Margo (American, b. 1902) Lot of Thirteen Prints: THE MONTHS Portfolio, 1949, edition of 20. Each signed and dated “Boris Margo 49” in pencil l.r., and titled and numbered “...16/20” in pencil l.l. Color cellocuts on paper, sheet sizes 20 5/8 x 25 5/8 in. (52.3 x 65.0 cm), matted, unframed.

Condition: Some with minor handling marks and/or creases. $2,000-3,000

166

167

168

167.

Boris Margo (American, b. 1902) Lot of Four Prints: She, 1962, proof edition; She #2, 1962, edition of 25; Comet, edition of 25; and Message, 1964, proof edition.

Each signed “Boris Margo...” in pencil l.r., and titled and numbered or inscribed in pencil l.l. Cellocuts with embossing on paper, sheet sizes to 22 1/4 x 30 in. (56.0 x 76.2 cm), unmatted, unframed.

Condition: Some with handling marks and/or creases. $700-900

168.

Marino Marini (Italian, 1901-1980) Acrobata, 1956, edition of 50 (Guastalla & Schulz-Hoffman, L65).

Signed “MARINO” in pencil l.r., numbered “4/50” in pencil l.l.

Lithograph in orange and black on paper, image size 24 x 18 5/8 in.

(61.0 x 47.4 cm), framed.

Condition: Deckled edges, subtle toning, not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $2,000-3,000

169.

John Stockton De Martelly (American, 1903-1980) Economic Discussion, 1937, edition of 200. Signed “John S. de Martelly” in pencil l.r. Lithograph on paper, image size 10 7/8 x 8 3/4 in. (27.5 x 32.3 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $300-500 169

171

170

170.

Henri Matisse (French, 1869-1954) Nu pour Cleveland, 1932, edition of 250 published for the Cleveland Print Club (Duthuit, 233). Signed and numbered “Henri Matisse 133/250” in pencil l.r., identified on a label from The Print Club, Cleveland, Ohio, on the reverse. Etching on chine collé, plate size 14 1/2 x 11 3/8 in. (36.8 x 28.9 cm), framed.

Condition: Subtle toning, minor disadhesion of chine at corner u.r., supporting sheet with deckled edges to three sides, glued to backing mat along upper edge. $3,000-5,000

171.

Naoko Matsubara (Japanese/Canadian, fl. 1960-present) Boston Public Library. Inscribed, titled, and signed “Artist’s Proof...Naoko Matsubara” in pencil beneath the image. Woodcut on mulberry paper, image size 12 1/4 x 17 3/8 in. (31.0 x 44.0 cm), unmatted, unframed.

Condition: Margins over 2 1/2 inches, several pale fox marks, minor creases to edges of sheet. $150-200

172.

L. Matthey (French, 19th/20th Century) Favor. Signed “L. Matthey” and identified within the matrix. Color lithographic poster on paper, sheet size 61 1/2 x 46 in. (156.2 x 116.6 x 100.8 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears and creases), unobtrusive toning and foxing, surface rubs, handling creases. $800-1,200 172

173

173.

James McBey (British, 1883-1959)

175.

Peter Winslow Milton (American, b. 1930)

Encampment in the Sinai, 1917-19. Signed “James McBey” in ink l.r., numbered “XXXIX” in ink l.l., signed, identified, and dated in the plate. Etching on paper, plate size 7 x 13 in. (17.6 x 32.8 cm), framed.

Condition: Subtle toning and staining, gentle rippling, not examine out of frame. $300-500

Child’s Play, 1966, edition of 75. Signed and dated “PWMilton ‘66” in pencil l.r., titled in pencil l.c., numbered “27/75” in pencil l.l.

Etching with engraving on paper, plate size 23 x 35 3/4 in. (58.3 x 90.6 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

174.

Davis Paul Meltzer (American, 20th Century) Lot of Three Prints: Icarus, edition of 25; Isaiah, edition of 50; and Jeremiah, edition of 50. Each signed “...Meltzer” in pencil l.r., titled in pencil l.c. or l.l., and numbered in pencil l.l. Lithographs on paper, image sizes to 17 3/8 x 12 1/4 in. (44.2 x 31.1 cm), framed.

Condition: Not examined out of frames. $700-900

175

174

176.

Joan Miró (Spanish, 1893-1983) Lot of Two Images from CAHIERS D’ART, 1934 (Dupin, 14 & 15).

Unsigned. Color pochoir on paper, image/sheet sizes 12 1/8 x 9 1/2 in. (30.6 x 24.0 cm), framed.

Condition: Not examined out of frames. $4,000-6,000

177.

Joan Miró (Spanish, 1893-1983) Image from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin 372).

Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l. Drypoint on paper, sight size 18 1/2 x 21 3/4 in. (47.0 x 55.0 cm), framed.

Condition: Scattered fox marks, not examined out of frame. $1,000-1,500

177

176

178

178.

Joan Miró (Spanish, 1893-1983)

179.

Joan Miró (Spanish, 1893-1983)

Lot of Four Images from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin 374, 375, 376, and 383). Each initialed “M.” in pencil l.r. and numbered “41/75” in pencil l.l. Drypoints (the last with color aquatint) on BFK Rives paper with watermark, sheet sizes 19 x 23 in. (48.2 x 58.3 cm), presented in the original portfolio together with the text and colophon.

Condition: Minor handling marks and/or creases. $2,000-3,000

Image from FLUX DE L’AIMANT, 1964, edition of 75. (Dupin 377).

Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l., identified on a label from Retina, Boston, Massachusetts, on the reverse. Drypoint in black with aquatint in yellow on paper, sight size 18 1/2 x 22 3/8 in. (47.0 x 56.7 cm), framed.

Condition: Subtle rippling, not examined out of frame. $1,500-2,500

179

180.

Joan Miró (Spanish, 1893-1983) Two Images from SANS LE SOLEIL, MALGRE LES AUTRES ASTRES, IL FERAIT NUIT, 1965, edition of 75 plus proofs (Dupin 400 & 401). Signed “Miró” in pencil on the accompanying colophon page. Aquatints (the framed one with color) on laid paper with “ORIGINAL a la MAIN” watermark, sheet sizes to 13 x 10 in. (33.0 x 25.5 cm), one framed.

Condition: Minor handling marks and/or creases, stains to some corners.

N.B. The lot is accompanied by the colophon page and some additional text from the portfolio. $300-500

180

181.

After Joan Miró (Spanish, 1893-1983) Composition sur fond vert, 1950, edition of 400, printed and published by Maeght, Paris (Maeght, 1703). Signed and dated “Miró. 1950” in pencil l.r., numbered “228/400” in pencil l.l. Color lithograph on Arches paper with watermark, image size 13 5/8 x 18 3/8 in. (46.4 x 34.6 cm), framed.

Condition: Margins over 2 1/2 inches with two deckled edges, toning, staining, tear to lower margin, loss to corner of margin u.l., not examined out of frame. $300-500

181

182.

Joan Miró (Spanish, 1893-1983) Ceramiques monumentales de Miró et Artigas, from DERRIERE LE MIROIR, deluxe hardcover edition, 13 Juin, 1963, number 88, edition of 150. Signed “Miró” in pencil on colophon page. 15 x 11 in. (38.1 x 27.9 cm), with slip cover.

Condition: Very minor wear to slip cover. $1,000-1,500

182

184

184.

Thomas Sidney Moran (American, 1837-1926), After Andrew Fisher Bunner (American, 1841-1897) 183

183.

Henry Moore (British, 1898-1986) Eight Reclining Figures with Architectural Background, 1963, edition of 65 (Cramer et al., 44). Signed and dated “Moore 63.” in pencil l.r., numbered 23/65” in pencil l.l., identified on an exhibition label (see below) on the reverse. Color lithograph on paper, image size 17 x 13 in. (43.2 x 33.0 cm), framed.

Condition: Toning, mat burn, not examined out of frame.

Exhibitions: Henry Moore, DeCordova Museum, Lincoln, Massachusetts, January 22–February 19, 1967. $1,000-1,500

185

Venice, 1887, published in 1889 by Radthe Lauckner & Co., New York, probably the final state of four (Morand & Friese, 64). Signed “T.Moran.” in pencil l.r. and “A.F. Bunner.” in pencil l.l., signed in the plate, remarque in the plate l.r., identified in publication text u.l.

Etching on paper, sight size 21 3/4 x 30 1/4 in. (55.3 x 76.8 cm), framed.

Condition: Rippling, subtle toning, not examined out of frame. $300-500

185.

Malcolm Morley (British, b. 1931) Wind Surfers, 1987, edition of 56, published by Gemini G.E.L. Numbered and signed “15/56 Malcolm Morley” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, on the reverse. Color lithograph on paper, image size 20 x 28 1/2 in. (50.8 x 72.0 cm), framed.

Condition: Not examined out of frame. $800-1,200

186

187

186.

John J. A. Murphy (American, 1888-1967)

187.

Elizabeth Murray (American, 1940-2007)

Sprinters, 1930. Signed “JohnJAMurphy” in pencil l.r. Woodcut on cream paper, image size 11 1/8 x 13 1/8 in. (218.2 x 33.2 cm), matted, unframed.

Condition: Margins 2 3/4 inches or more with deckled edges, tear to lower edge. $800-1,200

Blue Body, 1986-87, edition of 70 plus proofs, published by ULAE (Krakow, 16). Numbered, signed, and dated “12/70 Elizabeth Murray 86-87” in pencil l.l., publisher’s dry stamp l.c. Color lithograph with etching, drypoint, and aquatint on paper, image/sheet size 48 x 31 1/2 in. (121.8 x 79.9 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

188.

Elizabeth Murray (American, 1940-2007) Undoing, 1989-90, edition of 60 plus proofs, published by ULAE (Krakow, 24). Unsigned on the face, publisher’s dry stamp l.c. Color lithograph with etching, drypoint, and aquatint on shaped paper, image/sheet size 28 x 22 3/4 in. (71.0 x 57.7 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

188

190 189

189.

Louise Berliawsky Nevelson (American, 1899-1988)

190.

William Nicholson (British, 1872-1949)

Nightleaf, 1969, edition of 150 plus proofs, published by Pace Editions (Baro, 121). Identified and numbered “122/150� on labels from The Pace Gallery, New York, and identified on a label from Richard L. Eagan Fine Arts, New York, on the reverse. Opaque Plexiglas construction in shadow box, 13 1/4 x 13 1/4 in. (33.5 x 33.5 cm).

Condition: Minor soiling. $3,000-5,000

Lot of Eight Images: Lambs, Resting Ewes, and Six Images from AN ALPHABET: C is for Countess; E is for Earl; H for Huntsman; M for Milkmaid; T for Trumpeter; and W for Waitress. Most identified within the matrix. Color lithograph on paper, sight sizes to 9 3/4 x 7 1/2 in. (24.6 x 19.2 cm), framed.

Condition: Toning, not examined out of frames.

Provenance: From the collection of Frank Cook Adams, Boston, Massachusetts. $150-200

191.

William Nicholson (British, 1872-1949) Lot of Twelve Portraits of British Notable Politicians and Figures: Miss Fotheringay and Captain Costigan; Krishna Mulvaney; and Ten Images from TWELVE PORTRAITS: H.M. The Queen, H.R.H. The Prince of Wales, Prince Bismarck, The Archbishop of Canterbury, W.E. Gladstone, Sir Henry Hawkins, Sir Henry Irving, Rudyard Kipling, Cecil Rhodes, and Lord Roberts. Each identified within the matrix. Color lithograph on paper, image sizes to 13 1/2 x 10 3/4 in. (34.2 x 27.3 cm), all except Gladstone framed.

Condition: Toning, not examined out of frames.

Provenance: From the collection of Frank Cook Adams, Boston, Massachusetts. $150-200

191

192

193

192.

Ann Nooney (American, 1900-c. 1970)

193.

Eugène Ogé (French, 1861-1936)

Small Town. Signed “Ann Nooney” in pencil l.r., titled in pencil l.c., stamped “FEDERAL ART PROJECT NYC WPA” l.l. Color lithograph on paper, image size 11 7/8 x 14 1/4 in. (30.0 x 36.0 cm), framed.

Condition: Toning, mat burn, rippling, not examined out of frame. $400-600

L’Astrolin. Signed “Ogé” and identified within the matrix. Color lithographic poster on paper, sheet size 59 1/4 x 39 3/4 in. (151.8 x 100.8 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears and creases), minor toning, surface rubs, handling creases. $500-700

194.

Pablo Esteban O’Higgins (Mexican/American, 1904-1983) Mercado en Cuautla, 1946, edition of 250. Signed “Pablo Higgins” in pencil l.r. Color lithograph on paper, image size 11 1/2 x 14 in.

(29.2 x 35.6 cm), matted, unframed.

Condition: Margins 2 inches or more, unobtrusive toning, minor nicks and creases to very corners. $200-250

194

196

195

195.

Jean de Paléologue, known as Pal (American, 1855-1942) Grand Magasins Dufayel, c. 1900. Identified within the matrix.

Color lithographic poster on paper, sheet size 60 x 45 3/4 in. (152.4 x 116.2 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair tears, and creases), retouch, subtle toning, handling creases. $400-600

196.

Max Papart (French, 1911-1994) Oval Acrobat, 1986, edition of 125. Signed “Max Papart” in pencil (within the image) l.r., numbered “74/125” in pencil (within the image) l.l., identified on a label on the reverse. Color lithograph with embossing on paper, image/sheet size 30 x 42 in. (76.2 x 106.5 cm), framed.

Condition: Subtle rippling, not examined out of frame. $200-300

197.

Max Papart (French, 1911-1994) Le Voyageur, 1987, edition of 95. Signed “Max Papart” in pencil (within the image) l.r., numbered “64/95” in pencil (within the image) l.l., identified on a label on the reverse. Color aquatint with carborundum and embossing on paper, image/sheet size 30 1/4 x 23 in. (76.7 x 58.4 cm), framed.

Condition: Subtle rippling, not examined out of frame. $200-300

197

198

198.

Max Papart (French, 1911-1994)

200.

Judy Pfaff (British, b. 1946)

Japanese Birds, 1990, edition of 125. Numbered and signed “13/125 Max Papart-” in pencil (within the image) l.l., identified on a label on the reverse. Color lithograph on paper, image/sheet size 23 1/2 x 45 in. (59.5 x 114.2 cm), framed.

Condition: Subtle rippling, not examined out of frame. $200-300

Yoyogi II, 1985, edition of 75. Signed “J Pfaff” in pencil l.r., titled and numbered “...75/75” in pencil l.l. Color woodcut on paper, image size 30 1/2 x 34 3/4 in. (77.4 x 88.2 cm), framed.

Condition: Rippling, not examined out of frame.

199.

Philip Herschel Paradise (American, 1905-1997) Lot of Two Figure Studies: Tomas and Maria, both published by Associated American Artists. Both signed “Phil Paradise” in pencil l.c. and in the matrix, both with dry stamp l.l. and identified on AAA label on the reverse. Lithographs on paper, image sizes approximately 8 3/4 x 5 1/2 in. (22.0 x 14.0 cm), framed.

Condition: Unobtrusive toning, not examined out of frames. $250-350

200 199

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, 1988; to a private collector. $1,200-1,800

201

201.

Pablo Picasso (Spanish, 1881-1973)

203.

Odilon Redon (French, 1840-1916)

Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, 1017). Dated (twice) in the matrix. Color lithograph on paper, image size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed.

Condition: Mat burn, not examined out of frame. $300-500

Et partout ce sont des colonnes de basalte...La lumière tombe des voûtes, from TENTATION DE SAINT-ANTOINE (TROISÈME SERIE), 1896 (Mellerio, 136). Unsigned. Lithograph on paper, image size 9 1/2 x 7 3/8 in. (24.0 x 18.8 cm), framed.

Condition: Several fox marks, areas of staining or foxing around lower corners (into image, but visible primarily in the margins), rippling, not examined out of frame. $400-600

202.

Max Pollak (Czech/Austrian, 1886-c. 1970) New York, Devision [sic] Street, edition of 100. Signed “Max Pollak” in pencil l.r., titled in pencil l.l., numbered “30/100” in pencil l.c. Etching with drypoint on paper, plate size 8 7/8 x 8 in. (22.5 x 20.3 cm), framed.

Condition: Prevalent toning, not examined out of frame. $100-150

203 202

204

205

204.

Rembrandt van Rijn (Dutch, 1606-1669) Beggar Man and Woman Conversing, 1639, a later 18th century impression (Hind, 7; Bartsch/Hollstein, 164). Initialed and dated in the plate. Etching on paper, plate size 3 x 2 5/8 in. (7.6 x 6.7 cm), framed.

Condition: Margins approximately 1/4 inch, subtle rippling, not examined out of frame. $300-500

205.

Walter Dubois Richards (American, b. 1907) Lot of Six Views: Old Willow at Mead Park; God’s Acre; New Canaan, God’s Acre; New Canaan II; Christmas Eve, New Canaan, edition of 50; Greens Ledge As I Remember It; and Strawberry Festival. Each signed “Walter Dubois Richards” in pencil l.r. and titled in pencil l.l. Lithographs on paper, image sizes to 20 x 15 3/4 in. (50.8 x 40.0 cm), framed.

Condition: Subtle mat burn, not examined out of frames. $600-800

206.

Auguste Rodin (French, 1840-1917) Victor Hugo de face, 1885, published 1889 in the Gazette des Beaux Arts, fifth state of seven (Delteil, 7). Identified in the plate.

Drypoint on laid paper, plate size 8 7/8 x 6 1/8 in. (22.2 x 15.6 cm), matted, unframed.

Condition: Margins 1 inch or more with a deckled right edge, subtle toning. $200-250 206

207

207.

James Rosenquist (American, b. 1933)

209.

Susan Rothenberg (American, b. 1945)

Red Pyramid, 1978, edition of 41 plus proofs (Glenn, 155). Signed and dated “James Rosenquist 1978” in pencil l.r., inscribed and titled “presentation proof for Nardo...” in pencil l.l. Color lithograph on paper, image/sheet size 22 3/4 x 44 3/8 in. (57.8 x 112.5 cm), framed.

Condition: Deckled edges, not examined out of frame. $800-1,200

Untitled, 1983, edition of 35 plus proofs (Maxwell, 14). Signed and dated “S. Rothenberg 83” in pencil l.r., numbered “23/35” in pencil l.l.

Etching and aquatint on paper, plate size 25 1/2 x 21 5/8 in. (64.6 x 54.8 cm), framed.

Condition: Not examined out of frame. $300-500

208.

Susan Rothenberg (American, b. 1945) Untitled (Hartford), 1980, edition of 23 plus proofs, published by the artist and the Hartford Art School (Maxwell, 12). Signed and dated “S. Rothenberg 1980” in pencil l.r., inscribed “HAS I” in pencil l.l.

Lithograph on paper, image size 31 1/8 x 27 1/4 in. (79.0 x 69.0 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges, minor handling marks, several pinpoint fox marks and toning near edges. $300-500

208

209

210 211

210.

Georges Rouault (French, 1871-1958)

211.

Georges Rouault (French, 1871-1958)

Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color photolithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0 x 45.0 cm), framed.

Condition: Margins approximately 1 inch, toning, scattered mold growth.

Pédagogue, from RÉINCARNATIONS DU PÈRE UBU, published 1932 (Wofsy, 294). Initialed within the plate, stamped “VENTE DE PARAITRE” in red l.l. Etching and aquatint on paper, plate size 12 x 7 3/8 in. (30.5 x 18.5 cm), framed.

Condition: Rippling, not examined out of frame. $250-350

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. $500-700

212.

David Row (American, b. 1949) Untitled VI, 1992. Numbered, signed, and dated “1/1 David Row 92” in pencil l.r., identified on a label from Betsy Senior Contemporary Prints, New York, on the reverse. Monotype on paper, image size 6 1/4 x 8 5/8 in. (15.7 x 21.7 cm), framed.

Condition: Margins 3 1/2 inches or more with deckled edges, not examined out of frame. $400-600

212

214 213

213.

Bengt Rumert (Scandinavian, 20th Century)

214.

Anne Ryan (American, 1889-1954)

Tunneln, 1934. Identified in the matrix. Color lithographic poster on paper, image/sheet size 39 1/4 x 27 1/4 in. (99.5 x 69.0 cm), unmatted, unframed.

Condition: Mounted on paper backed with linen (to stabilize/repair creases and minor tears), minor handling creases. $500-700

New Bird, edition of 50. Titled, numbered, and signed “...17/50 A Ryan” in white chalk or similar beneath the image. Color lithograph on black paper, image size 4 1/4 x 3 1/8 in. (10.9 x 7.9 cm), framed.

Condition: Not examined out of frame. $250-350

215.

Kiyoshi Saito (Japanese, 1907-1992) Pagoda Beyond the Trees. Signed “Kiyoshi Saito” in white (within the image) l.l. and with chop mark. Color woodcut on paper, sight size 14 1/2 x 20 1/2 in. (36.7 x 52.0 cm), framed.

Condition: Not examined out of frame. $400-600

215

216 217

216.

Kiyoshi Saito (Japanese, 1907-1992)

218.

Richard Serra (American, b. 1939)

Village Road in Winter. Signed “Kiyoshi Saito” in pencil (within the image) l.l. and with chop mark. Color woodcut on paper, image size 10 1/8 x 15 5/8 in. (25.5 x 39.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $250-350

Hreppholar IV, 1991, edition of 35 plus proofs, published by Gemini G.E.L. (Berswordt-Wallrabe, 77). Numbered, signed, and dated “16/35 R Serra 91” in pencil u.r., dry stamped with copyright mark, artist's initials, date, and Gemini mark u.r. Lift ground and aquatint on paper, image/sheet size 31 1/4 x 39 5/8 in. (79.4 x 100.7 cm), framed (without glass).

Condition: Minute handling creases to points of the corners. $4,000-5,000

217.

Erhard Schön (German, 1491-1542) Portrait of Albrecht Dürer in Profile, 1527, third edition (Bartsch 156; Meder, p. 240; Hollstein (Dürer school), 32). Monogrammed and dated in the block. Woodcut of laid paper with double-headed eagle watermark, image size 11 5/8 x 10 1/8 in. (29.4 x 25.5 cm), framed.

Condition: Trimmed to or just into the border, several small repairs along top of sheet, three creases (visible almost exclusively on verso), rippling, small tear to corner. $400-600

218

219

220

219.

Gino Severini (Italian, 1883-1966) Nature mort du compas, edition of 125. Signed in the matrix, stamped “Kamberg Collection” on the reverse. Color pochoir on paper, image size 13 x 8 1/4 in. (33.0 x 21.0 cm), framed.

Condition: Margins over 1 1/2 inches, mat burn. $300-500

220.

José María Sicilia (Spanish, b. 1954) Lot of Two Works: Fleur rouge VI and Fleur rouge VII, both 1988, editions of 25. Both signed and dated “Sicilia 88” in pencil l.r., titled in pencil l.c., and numbered in pencil l.l. Color woodcuts on paper, image size 44 1/2 x 17 in. (112.8 x 43.2 cm), framed.

Condition: Not examined out of frames. $1,200-1,800

221.

Tavik Frantisek Simon (Czech, 1877-1942)

221

Lot of Two Views: The Market, 1912; and Rainy Day, Arc de Triomphe. Both signed “T.F. Simon” (the latter in pencil) l.r. Color etching with aquatint on paper, sight sizes to 15 1/2 x 11 1/2 in. (39.3 x 29.2 cm), framed.

Condition: Toning, not examined out of frames. $300-500

222

223

222.

David Alfaro Siqueiros (Mexican, 1896-1974) Portrait Head, 1941, edition of 50. Signed and dated in the matrix, inscribed “TRIAL PROOF - ED. 50” in pencil l.l. Lithograph on paper, image size 17 x 14 in. (43.0 x 35.5 cm), matted, unframed.

Condition: Mat burn, masking tape to edges on verso. $200-250

223.

Pierre Soulages (French, b. 1919) Eau-forte no. 7, 1957, edition of 100 (Rivière, VII). Signed “Soulages” in pencil l.r., numbered “13/100” in pencil l.l. Color etching with aquatint and carborundum on BFK Rives paper with watermark, plate size 21 1/4 x 15 1/4 in. (54.0 x 38.1 cm), framed.

Condition: Margins over 1 1/2 inches with deckled lower edge, mat burn, staining and toning, glue to facing mat in upper margin, nicks and tape to edges. $700-900

224.

Raphael Soyer (American, 1899-1987) Three Portraits: Standing Figure, The Hair Bow, and Self-portrait with Vignette, each editions of 150. Each signed “Raphael Soyer” in pencil l.r. and numbered “71/150” in pencil l.l. Color lithographs on paper with small figural watermark, image sizes to 20 x 15 1/2 in.

(50.8 x 39.3 cm), unmatted, unframed.

Condition: Margins over 2 inches with two deckled edges each, minor creases near some corners. $300-350 224

225

226

225.

Raphael Soyer (American, 1899-1987) Two Images of Motherhood: Mother and Child, 1967, total edition of 175 (Gettings, 102); and At the Pier, edition of 150. Both signed “Raphael Soyer” in pencil l.r. and numbered “71/150” in pencil l.l.

Color lithographs on paper with small figural watermark, image sizes to 16 1/2 x 10 1/2 in. (41.8 x 26.6 cm), unmatted, unframed.

Condition: Margins over 2 inches with two deckled edges each, minor creases near some corners. $250-300

226.

Raphael Soyer (American, 1899-1987) Temptation, edition of 150. Signed “Raphael Soyer” in pencil l.r., numbered “27/150” in pencil l.l., BSA dry stamp l.r. Color lithograph on paper, image size 22 1/2 x 16 3/4 in. (57.0 x 42.5 cm), unmatted, unframed.

Condition: Margins over 1 inch with two deckled edges, minor creases near some corners. $200-250

227.

Raphael Soyer (American, 1899-1987)

227

Dancing at the Social, edition of 150. Signed “Raphael Soyer” in pencil l.r. and numbered “71/150” in pencil l.l. Color lithograph on paper with small figural watermark, image size 19 5/8 x 15 7/8 in.

(49.8 x 40.3 cm), unmatted, unframed.

Condition: Margins over 2 inches with two deckled edges, minor creases near some corners. $200-250

228

229

228.

Pat Steir (American, b. 1938)

229.

Andrew Stevovich (American, b. 1948)

Sunflower, 1986, edition of 100. Numbered, signed, and dated “24/100 Pat Steir 1986” in pencil l.r., inscribed in pencil l.l., chop mark l.l. Color woodcut on paper, image size 23 1/2 x 36 in. (59.6 x 91.4 cm), framed.

Condition: Margins over 3/4 inches, not examined out of frame.

Lot of Three Images: Smokers #1, 1981, edition of 25; Susan, 1985, edition of 50; and Ardent Suitor, 1987, edition of 100. Each signed and dated “Andrew Stevovich 19...” in pencil l.r., titled in pencil l.c., numbered in pencil l.l. Etchings on paper, plate sizes to 8 x 9 1/2 in. (20.3 x 24.0 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges. $200-250

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, 1988; to a private collector. $1,500-2,500

230.

Andrew Stevovich (American, b. 1948) Carnival, 1985, edition of 70. Signed and dated “Andrew. Stevovich 1985” in pencil l.r., titled in pencil l.c., numbered “42/70” in pencil l.l., dry stamp l.r. Color woodcut on cream paper, image size 9 1/4 x 14 7/8 in. (23.4 x 37.5 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more with two deckled edges, minor handling creases to margins, nicks/creases to deckling. $250-300

230

231

232

231.

Andrew Stevovich (American, b. 1948)

232.

Andrew Stevovich (American, b. 1948)

Zig Zag, 1986, edition of 80. Signed and dated “Andrew. Stevovich 1986” in pencil l.r., titled in pencil l.c., numbered “39/80” in pencil l.l., dry stamp l.r. Color woodcut on cream paper, image size 11 1/2 x 17 in. (29.2 x 43.0 cm), unmatted, unframed.

Condition: Margins 2 inches or more with deckled edges, unobtrusive handling creases to margins, nicks/creases to deckling. $250-300

Lot of Two Images: Fortune Teller, 1987, edition of 50; and Handsome Eddie, 1990, edition of 75. Both signed and dated “Andrew Stevovich 19...” in pencil l.r., titled in pencil l.c., numbered in pencil l.l. Etchings with aquatint on paper (Fortune on chine collé, Eddie on BFK Rives), plate sizes to 7 x 5 3/8 in. (17.7 x 13.5 cm), unmatted, unframed.

Condition: Margins 3 inches or more, both with two deckled edges, stain to upper margin of Eddie. $200-250

233.

Andrew Stevovich (American, b. 1948) The Recital, 1989, edition of 100. Signed and dated “Andrew Stevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/100” in pencil l.l. Aquatint on paper, plate size 12 1/2 x 12 1/2 in. (31.6 x 31.6 cm), unmatted, unframed.

Condition: Margins approximately 2 1/2 inches with deckled edges, minor handling creases to margins (primarily at l.l. corner). $200-250

233

234

234.

Andrew Stevovich (American, b. 1948) Lucky Linda, 1989, edition of 80. Signed and dated “Andrew Stevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/80” in pencil l.l. Aquatint on BFK Rives paper with watermark, plate size 9 x 12 in. (22.8 x 30.2 cm), unmatted, unframed.

Condition: Margins approximately 3 inches with two deckled edges, minor handling creases to margins (primarily at u.l. corner). $200-250

235

235.

Carol Summers (American, b. 1925) Lot of Four Works: Arab’s Tent, 1963 edition of 200 plus proofs (Summers, 54); Sonoma, 1977, edition of 100 plus proofs (Summers, 143); Delta, 1982, edition of 150 (Summers, 174); and Summer Pasture, 1987, edition of 150 (Summers, 199). Each signed “Carol Summers” in pencil within the image and titled and numbered in pencil within the image. Color woodcuts on paper, image/sheet sizes to 29 3/4 x 23 3/4 in. (75.5 x 60.3 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks to edges (primarily to corners), unobtrusive staining to some near corners. $700-900

236.

Carol Summers (American, b. 1925) Lot of Three Works: Strbske Pleso, alternatively titled High Tatras, 1969, edition of 100 plus proofs (Summers, 96); Tantric Landscape, 1971, edition of 75 (Summers, 106); and India, edition of 75. Each signed “Carol Summers” in pencil within the image and titled and numbered or inscribed in pencil within the image. Color woodcuts on paper, image/sheet sizes approximately 37 1/2 x 24 1/2 in. (95.0 x 62.0 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks to edges (all of these primarily to corners). $800-1,200

236

237

237.

Carol Summers (American, b. 1925)

239.

Carol Summers (American, b. 1925)

Lot of Two Works: High Tatras, 1969, edition of 100 (Summers, 96); and Ravenna’s Palace Burning, 1984, edition of 125 (Summers, 183). Both signed “Carol Summers” in pencil within the image and titled and numbered in pencil within the image. Color woodcuts on paper, image/sheet sizes approximately 24 1/2 x 37 1/2 in. (62.0 x 95.0 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks to edges (all of these primarily to corners). $600-800

Lot of Three Works: Narrows, proof outside of the edition of 75 (Summers, 136); and two impressions of Flowering Landscape, 1988, edition of 100. Each signed “Carol Summers” in pencil within the image and titled and numbered or inscribed in pencil within the image. Color woodcuts on paper, image/sheet sizes approximately 37 x 37 in. (94.0 x 94.0 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks to edges, subtle staining. $800-1,200

238.

Carol Summers (American, b. 1925) Lot of Two Works: Nightfall, 1974, edition of 75 (Summers, 119); and Narrows, proof outside of the edition of 75 (Summers, 136).

Both signed “Carol Summers” in pencil within the image and titled and numbered or inscribed in pencil within the image. Color woodcuts on paper, image/sheet sizes approximately 37 x 37 in.

(94.0 x 94.0 cm), unmatted, unframed.

Condition: Minor handling marks and creases (creases more prevalent to Nightfall), nicks to edges, subtle staining. $700-900

239 238

240

240.

Carol Summers (American, b. 1925)

242.

Chin Sung (Taiwanese, b. 1932)

Sunset at Sea, edition of 75. Signed “Carol Summers” in pencil within the image u.r., titled and numbered “72/75...” in pencil within the image u.l. Color woodcut on paper, image/sheet size 36 x 49 in.

(91.4 x 124.5 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges (the latter primarily to corners), hinging/residue on the reverse. $500-700

Lot of Two Images: Les oiseaux #2, 1969, edition of 100; and Infinity IIe, 1969, edition of 100. Both signed and dated “CHIN SUNG ‘69” in pencil l.r., numbered in pencil beneath the image, both titled in pencil. Woodcuts in red and black on paper, image sizes to 17 1/2 x 9 1/2 in. (44.3 x 24.0 cm), matted, unframed.

Condition: Margins 2 inches or more, tape to edge on verso of Infinity. $400-600

241.

Carol Summers (American, b. 1925) Storm Over Mt. Meru, edition of 75. Signed “Carol Summers” in pencil within the image l.r., titled and numbered “32/75...” in pencil within the image l.l. Color woodcut on paper, image/sheet size 37 1/4 x 47 3/4 in. (94.4 x 121.2 cm), unmatted, unframed.

Condition: Minor handling marks and creases, nicks and creases to edges. $400-600

241 242

243

244

243.

Théo Tobiasse (Israeli/French, b. 1927) Fleur de Cantique, 1980. Signed “Theo Tobiasse” in pencil l.r., numbered “CIV/CXXXV” in pencil l.l. Color lithograph on paper, image size 37 x 26 3/4 in. (93.8 x 67.8 cm), framed.

Condition: Not examined out of frame. $300-500

244.

Théo Tobiasse (Israeli/French, b. 1927) Rebecca, from LES MERES BIBLIQUE, 1984, edition of 125.

Signed “Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l.

Color lithograph on paper, image size 39 1/2 x 27 in. (100.3 x 68.5 cm), framed.

Condition: Not examined out of frame. $300-500

245.

Théo Tobiasse (Israeli/French, b. 1927) Rachel, from LES MERES BIBLIQUE, 1984, edition of 125. Signed “Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l. Color lithograph on paper, image size 39 x 27 in. (99.0 x 68.5 cm), framed.

Condition: Not examined out of frame. $300-500

245

247 246

246.

Théo Tobiasse (Israeli/French, b. 1927) La bas vers Canaan, 1991, edition of 200. Signed “Theo Tobiasse” in pencil l.r., numbered “54/200” in pencil l.l. Color lithograph on paper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed.

Condition: Not examined out of frame. $300-500

247.

Henri de Toulouse-Lautrec (French, 1864-1901) Yvette Guilbert, from LE CAFE CONCERT, 1893, total edition of 550 (Adriani, 17). Monogrammed within the matrix. Lithograph in olive on paper, image size 10 x 8 1/8 in. (25.4 x 20.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $700-900

248.

Jacques Villon (French, 1875-1963) Le cheval, 1921, from a later (1947) edition (Ginestet-Pouillon, E295).

Signed and dated in the plate, identified on a fragmentary label from the Retina Gallery, Boston, on the reverse. Etching on paper, plate size 3 x 5 in. (7.5 x 12.7 cm), framed.

Condition: Margins 1 inch or more, foxing, not examined out of frame. $500-700

248

250

249

249.

Edouard Vuillard (French, 1868-1940) Album d’estampes originales, 1899, the first state of three (RogerMarx, 47). Titled within the matrix. Lithograph in brown, ochre, and green on paper, image size 23 1/2 x 18 in. (59.5 x 45.7 cm), matted, unframed.

Condition: Thread margins, scattered foxing and staining. $1,000-1,500

250.

Lynd Kendall Ward (American, 1905-1985) American Petroleum Institute, c. 1945. Unsigned, identified in information affixed to the reverse. Wood engraving on paper, image size 8 x 9 3/8 in. (20.3 x 23.7 cm), matted, unframed.

Condition: Margins approximately 1/4 inch. $600-800

251.

Andy Warhol (American, 1928-1987) Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix.

Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed.

Condition: Minor handling mark and creases. $1,500-2,000

251

252.

Stow Wengenroth (American, 1906-1978) Old Ships, 1937, edition of 65 (Stuckey, 71). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/65” in pencil l.l. Lithograph on paper, image size 8 3/4 x 15 3/4 in. (22.2 x 40.0 cm), framed.

Condition: Toning, not examined out of frame. $300-500

252

253.

Stow Wengenroth (American, 1906-1978) Sunnyside - Tarrytown, New York, 1959, edition of 50 (Stuckey, 253). Signed “Stow Wengenroth” in pencil l.r.

Lithograph on paper, image size 8 5/8 x 15 7/8 in. (21.8 x 40.3 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame.

N.B. Sunnyside was the home of writer Washington Irving. $300-500 253

254.

Stow Wengenroth (American, 1906-1978) Forest Ferns, 1969, edition of 60 (Stuckey, 323).

Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 9 x 15 3/8 in. (22.7 x 39.0 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $300-500

254

255.

Stow Wengenroth (American, 1906-1978) Inner Harbor, 1970, edition of 50 (Stuckey, 329). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on paper, image size 14 3/4 x 11 in. (37.5 x 27.9 cm), framed.

Condition: Not examined out of frame. $400-600

256.

Tom Wesselmann (American, 1931-2004) Cut Out Nude, from 11 POP ARTISTS, 1965, edition of 200.

Signed “Wesselmann” in pencil (on the over-mount) l.r., numbered “133/200” in pencil (on the over-mount) l.l. Color screenprint on vinyl, image size approximately 8 x 16 1/8 in. (20.3 x 41.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $5,000-7,000 255

256

257

258

257.

James Abbott McNeill Whistler (American, 1834-1903) Fumette, final state of four (Kennedy, 13). Signed and with publisher in the plate. Etching on chine collĂŠ, plate size 6 3/8 x 4 1/4 in. (16.2 x 10.8 cm), matted, unframed.

Condition: Margins 1 inch or more, thin spots to margins (primarily to the upper margin and all away from the image), subtle toning. $400-600

258.

James Abbott McNeill Whistler (American, 1834-1903) Street at Saverne, fourth state of five (Kennedy, 19). Signed and with publisher in the plate. Etching on paper, plate size 8 1/8 x 6 1/4 in. (20.7 x 15.9 cm), matted, unframed.

Condition: Margins over 1 inch, foxing (more visible to verso), gentle rippling, subtle toning. $600-800

259.

James Abbott McNeill Whistler (American, 1834-1903) La vieille aux loques, 1858, final state of three, possibly a later impression (Kennedy, 21). Signed and dated in the plate, identified on a label from the Vincent Price Collection on the reverse. Etching on laid paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed.

Condition: Subtle toning, margins over 1 inch. $700-900

259

260

260.

James Abbott McNeill Whistler (American, 1834-1903)

262.

James Abbott McNeill Whistler (American, 1834-1903)

The Title to the French Set (Whistler Sketching), 1858 (Kennedy, 25). Signed and identified in the plate, collector’s stamp l.l. Etching on chine collÊ, plate size 4 1/2 x 5 3/4 in. (11.4 x 14.5 cm), matted, unframed.

Condition: Annotation to supporting sheet along lower edge, chine disadhering along left edge. $300-500

Reading, 1879 and 1887, the final state of four, probably from the published edition for NOTES (Chicago, 17). Monogrammed in the matrix. Lithograph on gray chine collĂŠ, image size 6 1/8 x 5 in. (15.6 x 12.7 cm), matted, unframed.

Condition: Margins over 3 inches, pale stain to image l.l., unobtrusive soiling to supporting sheet. $500-700

261.

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, probably the final state of eight (Kennedy, 47).

Signed and dated in the plate. Etching on laid paper with partial watermark, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted, unframed.

Condition: Margins over 1 inch with deckled edges, unobtrusively light struck, stain prevalent to edges and verso, pinpoint fox marks, nicks and tiny deformations to upper margin. $800-1,200

261

262

263.

James Abbott McNeill Whistler (American, 1834-1903) The Doctor, 1894, the “small sheet” edition of approximately 3,000, published in THE PAGEANT (Chicago, 110). Unsigned. Lithograph on paper, image size 7 x 5 1/8 in. (17.8 x 13.0 cm), matted, unframed.

Condition: Margins over 1 inch, subtle soiling. $400-600

264.

Robert Wilson (American, b. 1941) Medea, Plate 20, 1984, edition of 18. Signed and dated “Ro... ‘84” in pencil l.r., numbered “17/18” in pencil l.l., identified on a label from the Alpha Gallery, Boston, on the reverse. Lithograph in colors on paper, image size 25 1/4 x 33 3/4 in. (64.0 x 85.5 cm), framed.

Condition: Not examined out of frame. $300-500 263

264

265.

Jack Youngerman (American, b. 1926) Untitled, 1966, edition of 30. Initialed and dated “JY 66” in pencil l.r., numbered “10/30” in pencil l.l. Embossing on paper, plate size 32 1/4 x 24 in. (82.0 x 61.0 cm), framed.

Condition: Pale staining to image l.r., handling creases, not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $300-500

265

266.

Ossip Zadkine (Russian/French, 1890-1967) La conversation, edition of 120. Signed “O. Zadkine” in pencil l.r., numbered “55/120” in pencil l.l. Color lithograph on paper, image size 23 3/4 x 16 in. (60.3 x 40.5 cm), framed.

Condition: Subtle toning and mat burn, not examine out of frame. $400-600

267.-268.

No lots.

266

270

269

271.

Harold Eugene Edgerton (American, 1903-1990)

Photography

Left Handed Drive. Titled and signed”...H. Edgerton” in pencil verso, stamped verso. Gelatin silver print, image size 7 x 10 1/2 in.

(17.8 x 26.6 cm), unframed.

Condition: Minute loss c.r., minor scattered craquelure l.r.

269.

Henri Cartier-Bresson (French, 1908-2004)

Provenance: From the artist to the family of the present owner. $1,000-1,500

The Decisive Moment, published by Simon and Schuster, New York, 1952, first edition. Pictorial boards designed by Henri Matisse, containing reproductions of 126 photographs, with separate pamphlet of captions inserted, folio.

Condition: Spine sunned and toned, hinges slightly weak, smudging.

272.

Harold Eugene Edgerton (American, 1903-1990)

Provenance: Estate of Anna Eleanor Roosevelt (neé Braman) Grasso, Essex, Connecticut. $400-600

Milk Drop Coronet. Signed and inscribed “For Jean Harold Edgerton 1975” in ink (within the image) l.r. Color photograph, image/sheet size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the family of the present owner. $3,000-5,000

270.

Harold Eugene Edgerton (American, 1903-1990) Dove in Flight. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 6 3/8 x 8 3/8 in. (16.2 x 21.2 cm), unframed.

Condition: Subtle toning.

Provenance: From the artist to the family of the present owner. $1,000-1,500

271

272

274 273

273.

Harold Eugene Edgerton (American, 1903-1990)

274.

Harold Eugene Edgerton (American, 1903-1990)

Bullethole. Unsigned, stamped “H.E. EDGERTON APR 18 1963 M.I.T. CAMBRIDGE - MASS” on the reverse. Gelatin silver print, image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed.

Condition: Good.

Portrait of Edward Kennedy and Harold Edgerton. Unsigned.

Gelatin silver print, image size 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the family of the present owner. $1,000-1,500

Provenance: From the artist to the family of the present owner. $800-1,200

275.

Harold Eugene Edgerton (American, 1903-1990) Lot of Two Images of Golf Balls Hit by Drivers. One signed and inscribed “HAROLD EDGERTON” and “The golf ball elongates as it leaves the club.” in pencil on the reverse. Gelatin silver print, image sizes 7 3/8 x 9 1/2 in. (18.7 x 24.0 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the family of the present owner. $1,000-1,500

275

276

277

276.

Harold Eugene Edgerton (American, 1903-1990)

277.

Harold Eugene Edgerton (American, 1903-1990)

Gussie Moran Serves, c. 1939. Titled, inscribed, and signed “...HAROLD EDGERTON” in ink within the image. Photographic poster, sheet size 45 x 34 3/4 in. (114.3 x 88.2 cm), unmatted, unframed.

Condition: Folded (with some paper losses and/or holes), staining, nicks to edges.

Golf Ball and Iron. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 12 1/8 x 9 5/8 in. (30.6 x 24.4 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the family of the present owner. $400-600

Provenance: From the artist to the family of the present owner. $400-600 278.

Harold Eugene Edgerton (American, 1903-1990) Card Cut by Bullet. Signed “HAROLD EDGERTON MIT” in pencil on the reverse. Gelatin silver print, image size 9 1/8 x 12 7/8 in. (23.0 x 32.5 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the family of the present owner. $1,000-1,500

278

280

279

279.

Walker Evans (American, 1903-1975) Minstrel Showbill, 1936, probably a later impression. Signed “Walker Evans” in pencil (on mount) l.r., inscribed “P” in pencil (on mount) l.l. Gelatin silver print, image/sheet size 15 1/2 x 11 7/8 in.

(39.0 x 30.0 cm), unmatted, unframed.

Condition: Minor soiling to mount. $5,000-7,000

280.

Frank Jay Haynes (American, 1853-1921) Grand Canyon. Unsigned, identified on artist’s label affixed to the backing. Albumen print, sheet size 17 1/8 x 22 in. (43.5 x 55.9 cm), framed.

Condition: Mounted, subtle fading, gentle surface rubs, nick/loss to lower edge (not effecting the image). $600-800

281.

Lewis Wickes Hine (American, 1874-1940)

281

A Madonna of the Tenement, 1904. Artist’s stamp on the reverse, titled and dated in pencil on the reverse. Gelatin silver print, sheet size 7 x 5 in. (17.8 x 12.7 cm), framed.

Condition: Subtle toning, not examined out of frame. $1,000-1,500

282.

John S. Johnston (British/American, born c. 1839-1899) Lot of Five Yachting Images: Columbia, 1899; Columbia, 1899; Shamrock; 21-Footers at Start, 1894; and Norota.

Unsigned, identified within the matrix. Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, subtle toning, mild rippling. $600-800

282

283.

John S. Johnston (British/American, born c. 1839-1899) Lot of Five Yachting Images: Columbia & Shamrock, 1899; Shamrock, 1899; Columbia, 1899; El Heirie, 1896; and Fidelio. Unsigned, each identified within the matrix.

Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.

(16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, subtle toning, mild rippling. $700-900

283

284.

John S. Johnston (British/American, born c. 1839-1899) Lot of Five Yachting Images: Columbia & Shamrock, 1899; Columbia & Shamrock, 1899; Columbia, 1899; Fidelio; and Kit. Unsigned, each identified within the matrix.

Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.

(16.5 x 21.0 cm), unframed.

Condition: Minor wear/nicks to edges, subtle toning, mild rippling. $800-1,200

284

286

285

285.

George Platt Lynes (American, 1907-1955)

286.

Duane Michals (American, b. 1932)

Lot of Two Images of Dance, Probably from Ballet Errante or Orpheus. Unsigned, both inscribed on the reverse. Gelatin silver prints, sheet sizes to 10 x 8 in. (25.4 x 20.3 cm), matted, unframed.

Condition: Minor wear to corners. $800-1,200

A Letter From My Father, 1960-75, edition of 25. Inscribed, signed, and numbered “...Duane Michals 4/25” in ink surrounding the image.

Gelatin silver print annotated with ink, sheet size 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Subtle curling or rippling, not examined out of frame. $200-300

287.

Nicholas Nixon (American, b. 1947) Still Life with Apples, 1987, edition of 50. Signed “NICHOLAS NIXON” in pencil on the reverse, inscribed, dated, and numbered “Cambridge 1987 8/50” in pencil on the reverse. Gelatin silver print, image/sheet size 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.

Condition: Good. $600-800

287

288.

Aaron Siskind (American, 1903-1991) Lafayette Theater, Harlem, c. 1937, probably a later printing. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 11 3/4 x 8 1/2 in. (29.8 x 21.5 cm), unmatted, unframed.

Condition: Good. $1,500-2,500

288

289.

Aaron Siskind (American, 1903-1991) Louise 28, 1974. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 10 1/8 x 9 7/8 in. (25.5 x 25.0 cm), unmatted, unframed.

Condition: Good. $2,000-3,000

289

290.

Aaron Siskind (American, 1903-1991) Morocco 328, 1982. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 8 3/4 x 9 1/8 in. (22.0 x 23.0 cm), unmatted, unframed.

Condition: Good. $1,500-2,500

290

291.

Aaron Siskind (American, 1903-1991) Morocco 167, 1982. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 9 3/8 x 9 in. (23.7 x 22.7 cm), unmatted, unframed.

Condition: Good. $1,500-2,500

291

292.

Bradford Washburn (American, 1900-2007) After The Storm: Climbers on the East Ridge. Signed “Bradford Washburn” in pencil on the reverse. Gelatin silver print, image size 17 3/4 x 22 1/8 in. (45.0 x 56.2 cm), unmatted, unframed.

Condition: Good. $1,500-2,000

292

293.

Bradford Washburn (American, 1900-2007) Mt. Huntington, North Face, Alaska. Signed “Bradford Washburn” in pencil on the reverse. Gelatin silver print, image size 17 1/2 x 22 5/8 in. (44.4 x 57.4 cm), unmatted, unframed.

Condition: Good. $1,500-2,000

293

294.

Bradford Washburn (American, 1900-2007) Barnard Glacier, Mt. Natazhat, Alaska Yukon Frontier.

Signed “Bradford Washburn” in pencil on the reverse.

Gelatin silver print, image size 17 1/4 x 22 1/4 in. (43.7 x 56.3 cm), unmatted, unframed.

Condition: Good. $1,500-2,000

294

295

295.

Bradford Washburn (American, 1900-2007)

296.

Bradford Washburn (American, 1900-2007)

Snow Drifts. Signed “Bradford Washburn” in pencil on the reverse.

Gelatin silver print, image size 17 1/2 x 22 3/4 in. (44.4 x 57.5 cm), unmatted, unframed.

Condition: Good. $1,500-2,000

Summit of the Matterhorn, 1958. Signed “Bradford Washburn” in pencil on the reverse. Gelatin silver print, image size 17 5/8 x 22 1/4 in. (44.5 x 56.4 cm), unmatted, unframed.

Condition: Good. $1,500-2,000

End of Session I

296

Session II

Paintings & Sculpture Lots 301-698 to be sold Friday, January 29th, 2010 at 4 p.m.

300

300.

Manner of Jan Breughel the Younger (Flemish, 1601-1678) Jacob Wrestling the Angel Unsigned, inscribed “O.../Breughel/N...i� on the reverse of the panel.

Oil on panel, 6 9/16 x 8 in. (16.7 x 20.4 cm), framed.

Condition: Surface irregularities, abrasions and losses, discolored varnish, panel bowed, craquelure. $1,000-1,500

301.

School of Abraham van Beyeren (Dutch, 1620-1690) Still Life with Crab, Fruit, Bread, and Wine Glass on a Draped Table Unsigned, inscribed "ABRAHAM VAN BEYEREN" on a modern label on the reverse.

Oil on cradled panel, 21 1/2 x 16 5/8 in. (55.2 x 42.2 cm), framed.

Condition: Varnish inconsistencies, surface irregularities, retouch, vertical crack to center of panel, pentimenti in u.r. quadrant. $400-600

302.

Italian School, 18th Century Flora with an Abundance of Fruit and Game Unsigned.

Oil on canvas, 21 3/4 x 15 1/2 in. (55.2 x 39.4 cm), unframed.

Condition: Trimmed tacking margins, punctures, lined, punctures, scattered retouch, losses, craquelure. $1,000-1,500

301

302

303

303.

Attributed to Melchior d’Hondecoeter (Dutch, 1636-1695) A Mallard, Two Cockerels, and Ducklings in a Landscape Signed or inscribed “M d hondecoeter” l.c.

Oil on canvas, 30 x 28 1/4 in. (76.2 x 71.8 cm), framed.

Condition: Lined, retouch, patch reinforcements, varnish inconsistencies, craquelure. $8,000-10,000

304

304.

Italian School, 18th/19th Century Style View of Figures in a Classical Landscape Unsigned, inscribed indistinctly on a partial label and with a label from Eben Smith, Boston, on the reverse.

Oil on board, 11 1/2 x 19 in. (29.2 x 48.3 cm), framed.

Condition: Craquelure, lifting, surface grime, minor losses/abrasions, skinning, subtle varnish inconsistencies, subtle bowing to board. $1,000-1,500

305.

Manner of David Teniers the Younger (Flemish, 1610-1690) Lot of Two Tavern Scenes One with indistinct monogram signature and date “...1784� l.r.

Oil on canvas, 10 1/2 x 12 3/4 in. (26.6 x 32.4 cm), framed.

Condition: Retouch, craquelure with lifting, abrasions, surface grime. $2,200-2,800

305

306

306.

Dutch School, 17th Century Style Peasant Dance Before a Tavern Unsigned.

Oil on canvas, 28 5/8 x 26 3/16 in. (72.8 x 66.5 cm), framed.

Condition: Lined, retouch, surface grime.

Provenance: Through the estate of Norton Asner, Baltimore, Maryland. $800-1,200

307.

Italian School, 18th/19th Century Style Figure Study of Male Nude with Staff Unsigned.

Sepia ink on paper, sheet size 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm), framed.

Condition: Trimmed sheet, foxing, losses. $400-600

307

308.

German School, 18th Century Style Mary Magdalene in the Wilderness Unsigned.

Oil on copper, 3 7/8 x 2 7/8 in. (9.8 x 7.3 cm), framed.

Condition: Mounted to linen-covered mat, losses, retouch, surface abrasions. $800-1,200

308

309.

Manner of Francesco Bianchi Bonavita (Italian, 1593-1658) The Sacrifice of Isaac Unsigned, inscribed “Allori (Cristofano), Ecole Florentine, 1577-1621� on the reverse.

Oil on canvas, 32 3/4 x 25 1/2 in. (83.2 x 64.8 cm), framed.

Condition: Lined, retouch, craquelure with cupping, losses, surface grime.

N.B. This composition is related to a work of the same subject in the former Scuole Leopoldine, in Florence. $2,000-4,000

309

310.

Neopolitan School, 17th Century Style Christ Crowned with Thorns Unsigned.

Oil on canvas, 29 1/2 x 24 1/4 in. (74.9 x 61.6 cm), framed.

Condition: Lined, retouch, varnish inconsistencies, surface grime, craquelure. $1,000-1,500

310

312

311

311.

Continental School, 17th/18th Century

312.

Spanish or Spanish Colonial School, 18th Century Style

Figure Studies Initialed u.r., ink sketch of a horse verso.

Ink, washes, and varnishes on laid paper, with single fleur-de-lis watermark, 12 1/2 x 7 5/8 in. (31.6 x 19.3 cm), framed.

Condition: Scattered foxing, toning, creasing, worn along edges, nicked along bottom edge. $700-900

Portrait of the Virgin of Guadalupe Inscribed “VERA EFFIGIES/B.[Beatae]V.[Virginis] MARIAE QUAM S. [Sanctus] LUCAS PINXT...� l.c.

Oil on canvas mounted to board, 10 3/4 x 7 1/4 in. (27.3 x 18.4 cm), framed.

Condition: Abrasions/losses, retouch, craquelure. $700-900

313.

Spanish School, 16th Century Style Ecco Homo Unsigned.

Oil on panel, 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm), framed.

Condition: Restored vertical split to panel, fine craquelure.

Provenance: Purportedly acquired in Spain, then by descent to the present owner. $2,000-3,000

313

314.

Italian School, 18th/19th Century Madonna and Child Seated on a Cloud Unsigned, indistinctly inscribed u.l., stamped “RESIDENTIA...� on the reverse.

Sepia ink on laid paper, sheet size 8 1/4 x 6 3/4 in. (21.0 x 17.1 cm), framed.

Condition: Taped to window mat, trimmed sheet, foxing, losses. $400-600

314

314A

314A. Joseph Blackburn (Anglo/American, c. 1700-1780) Portrait of Colonel Benjamin Pollard (1696-1756) Unsigned, identified on a partial label affixed to the reverse.

Oil on canvas, 33 1/2 x 26 in. (85.1 x 66.0 cm), framed.

Condition: Craquelure, lined, retouch.

N.B. The sitter descended from a Boston military family. Following in the footsteps of his grandfather William Pollard, who was a 17thcentury member of the Ancient and Honorable Artillery Company of Massachusetts, Benjamin Pollard became the fourth sergeant of the Artillery Company in 1726. His uncle Edward Winslow was a sheriff of Suffolk County, and Pollard assumed his position for thirteen years, until 1756.1 1. Oliver Ayer Roberts, History of the Military Company of the Massachusetts, now called the Ancient and Honorable Artillery Company of Massachusetts: 1637-1888, (New York: A. Mudge & Son), 1895, p. 424.

$12,000-15,000

315.

British School, 18th/19th Century Portrait of a Gentleman Unsigned.

Oil on canvas, 29 1/4 x 22 3/4 in. (74.3 x 57.8 cm), framed.

Condition: Lined, losses, surface grime, varnish inconsistencies, with possible retouch and craquelure. $1,200-1,800

315

316.

British School, 18th Century Portrait of a Gentleman in a Red Cloak, Decorated with an Order of Nobility Unsigned, partial label “Venable’s/...Washington 9, D.C.” on the reverse of the frame.

Oil on canvas, 22 3/8 x 16 1/2 in. (56.8 x 42.0 cm), framed.

Condition: Retouch, craquelure, paint loss. $1,000-2,000

316

317.

Continental School, 18th Century Style Portrait of a Woman in Brocade Unsigned.

Oil on canvas, 28 1/2 x 23 1/2 in. (72.4 x 59.7 cm), in an oval frame.

Condition: Lined, retouch, varnish inconsistencies, craquelure. $1,500-2,000

317

318.

John Watson Gordon (Scottish, 1788-1864) Portrait of Miss Elizabeth Mack, also known as Mrs. Thomas Henderson of Press Castle, Edinburgh Signed or inscribed “Mrs. Thomas Henderson/Painted by Watson Gordon Edinburgh� and identified on a label on the reverse.

Oil on canvas, 50 1/4 x 40 1/4 in. (127.6 x 102.2 cm), in a period frame.

Condition: Retouch, surface grime, retouch, canvas deformations, craquelure. $5,000-7,000

318

318A

318A. Attributed to Bernardo Strozzi (Italian, 1581-1644) Kopf einer Frau in mittleren Jahren Unsigned, wax seal on the stretcher.

Oil on canvas, 21 1/2 x 16 1/2 in. (54.6 x 41.9 cm), framed.

Condition: Lined, craquelure, retouch, losses/abrasions.

Provenance: Collection Eugen Platky, Leipzig, Germany, c. 1918, then by descent to the present owner.

Literature: Hermann Voss, “Die Samnlung Platky in Leipzig” in Zeitschrift für bildende Kunst, October-November, 1918, p. 28. $10,000-15,000

318B

318B. Alex de Andreis (British, 1880-1929) Portrait of a Cavalier Signed “A. de Andreis� l.r., identified on a presentation plaque.

Oil on canvas, 28 3/4 x 24 in. (73.0 x 61.0 cm), framed.

Condition: Craquelure, minor surface grime. $800-1,200

318C. Continental School, 17th Century Style Portrait of a Man Holding Lorgnette Unsigned, inscribed “Kneller� on the reverse.

Oil on panel, 20 1/4 x 15 1/2 in. (51.5 x 40.0 cm), framed.

Condition: Scattered retouch, minor losses (primarily near edges), areas of possible skinning, fine craquelure. $600-800

319.

Continental School, 18th Century Lot of Two Drawings for Punchinello Unsigned.

Ink and wash on laid paper, approximate sizes to 7 x 4 3/4 in. (17.7 x 12.0 cm), in a common frame.

Condition: One with tiny hole, both with foxing and toning, both affixed to window mat with tape. $500-700

318C

319

319A. James Wells Champney (American, 1843-1903) Dreams of Love Signed “J Wells Champney” l.r.

Pastel on paper, sight size 23 1/2 x 19 1/2 in. (59.7 x 49.5 cm), framed.

Condition: Not examined out of frame. $800-1,200

320.

Sydney Richmond Burleigh (American, 1853-1931) Portrait of a Seated Odalisque Signed “S.R. Burleigh” l.l.

Watercolor on paper, sight size 4 3/4 x 2 3/4 in. (12.1 x 7.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

321.

School of Narcisse Virgile Diaz de la Peña (French, 1807-1876) 319A

320

Woman with Cupid in a Woodland Clearing Indistinctly monogrammed l.l., identified on a presentation plaque.

Oil on canvas mounted to paper/board, 10 1/2 x 8 in. (26.7 x 20.3 cm), framed.

Condition: Surface grime, craquelure. $1,200-1,800

321

322

322.

After Mark Matveevich Antokolsky (Russian, 1843-1902) Nathan the Wise (Natan Mudryi)/A Posthumous Casting Signed or inscribed “M.M. ANTOKOLSKY” in Cyrillic l.r. and “L.A © 1927” l.l.

Bronze with a brown patina, height 9 1/4 in. (23.5 cm), on a green stone base.

Condition: Felt adhered to the bottom, surface inconsistencies/ surface grime.

Provenance: By family descent from the artist to his nephew Louis Antoville, Queens, New York, thence to Sol [Solomon] W. Antoville and Sylvia Hepner Antoville, Manhattan, New York, thence by family descent to private collection, Massachusetts. $8,000-12,000

322A. Nathaniel Sichel (Germany, 1843-1907) Portrait of an Oriental Beauty Signed “N. Sichel.” u.r.

Oil on canvas, 25 1/2 x 19 3/4 in. (49.5 x 50.2 cm), framed.

Condition: Craquelure, patch reinforcements, surface grime, retouch. $2,000-4,000

322A

323

323.

Adolphe Charles Edouard Steinheil (French, 1850-1908) The Connoisseurs Signed “A. STEINHEIL� l.l., identified on a presentation plaque.

Oil on canvas, 21 3/4 x 18 in. (55.2 x 45.7 cm), framed.

Condition: Lined, retouch, skinning, subtle varnish inconsistencies, craquelure.

Provenance: Purchased from Comenos Fine Art, Boston. $10,000-15,000

324

324.

Franz (Francis H.) Heinrich (Austrian/American, 1802-1890) Interior View of the Colonna Palace, Rome Signed “F. Heinrich.� l.r.

Watercolor and graphite on paper, sight size 26 1/2 x 39 3/4 in. (67.3 x 101.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Purchased from Comenos Fine Art, Boston.

N.B. Franz (Francis H.) Heinrich was a painter of genre scenes, architecture, and interiors, born in Nachod, Bohemia, in 1802. He studied at the Academy of Vienna from 1819 to 1830. Heinrich traveled to Italy, Holland, Germany, Switzerland, Belgium, and the United States, before establishing himself in Vienna. He was a gifted watercolorist, and is best known for his elaborate interiors of palaces and churches and for his street views of European cities. The Museum of Vienna holds several of his watercolors, including his portrait and views of Rome and Venice. $10,000-15,000

325

325A

325.

Heinrich Breling (German, 1849-1914)

325A. Italian School, 19th Century

Quiet Pursuits Signed and dated “H. Breling/1891� u.r.

Oil on panel, 9 1/2 x 7 in. (24.1 x 17.8 cm), framed (under glass).

Condition: Alligatoring, abrasions, varnish inconsistencies. $800-1,200

Portrait of a Restorer Signed indistinctly l.r.

Watercolor and ink on paperboard, 17 x 13 in. (43.2 x 33.0 cm), framed.

Condition: Subtle toning. $800-1,200

325B

325B. Oreste Cortazzo (Italian, 1836-1889) A Corner at the Opera...

Signed “Cortazzo� l.l., titled in an inscription on the reverse.

Oil on paper/board, 10 x 7 1/4 in. (25.4 x 18.4 cm), framed (under glass).

Condition: Minor surface grime, subtle bowing to board, minor abrasions. $3,000-5,000

326

326.

Continental School, 17th/18th Century Style

327.

Sir Frank Dicksee, P.R.A. (British, 1853-1928)

An Intimate Concert Unsigned.

Oil on canvas, 44 1/4 x 55 in. (112.4 x 139.7 cm), framed.

Condition: Strip lined with patch reinforcement, retouch, scattered abrasions, losses, craquelure, surface grime. $1,500-3,500

The Duet Signed and dated “F. Dicksee. 1897� l.l., with a label from M. Grindley, Liverpool, England, on the stretcher.

Oil on canvas, 24 x 33 1/4 in. (61.1 x 84.3 cm), framed.

Condition: Retouch, craquelure, small punctures/canvas deformations, abrasions, surface grime, varnish inconsistencies. $1,500-2,000

327

328

328.

Fr. de Leub (Continental, 19th Century) The Love Letter Signed and dated “fr De Leub./1866” l.r.

Oil on panel, 10 1/4 x 13 5/8 in. (26.0 x 34.6 cm), framed.

Condition: Surface grime, craquelure, abrasions, alligatoring. $2,000-3,000

329A

329.

Continental School, 19th Century

329A. Virgilio Tojetti (Italian/American, 1851-1901)

Her New Love Monogram signature “JBach” l.l., identified on a presentation plaque.

Oil on canvas, 25 x 37 in. (63.5 x 94.0 cm), framed.

Condition: Lined, craquelure, retouch. $1,800-2,220

The Swing Signed and dated “V. Tojetti 96” l.l.

Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.

Condition: Surface grime, minor loss in the u.r. quadrant.

329

$800-1,200

329B

329B. Attributed to Robert Farrier (British, 1796-1879) Possibly a Study for The Recruit or Who’ll Serve the King Unsigned, a print of this image after Farrier affixed to the reverse, labels including one from Walker’s Galleries Ltd., London, affixed to the reverse.

Oil on board, 11 3/4 x 15 in. (29.8 x 38.1 cm), framed.

Condition: Retouch, craquelure. $5,000-7,000

330

330.

Fabio Cipolla (Italian, 1852-1935) A Surprise Encounter Signed “F. Cipolla� l.r.

Oil on canvas, 17 1/4 x 25 1/2 in. (43.8 x 64.8 cm), framed.

Condition: Lined, retouch, abrasions beneath frame liner, craquelure.

Provenance: Purchased from Comenos Fine Art, Boston. $12,000-18,000

331.

Henry James Johnstone (British, 1835-1907) Old Rover Signed “H.J. Johnstone” l.l., titled in a later hand on the reverse, inscribed “Rover Johnstone” on the back of the window mat, a label from Thomas Agnew & Sons, London, Manchester, and Liverpool, affixed to the reverse.

Watercolor on paper mounted onto board, sight size 7 1/2 x 5 1/2 in.

(19.1 x 14.0 cm), framed.

Condition: Subtle rippling/mounting bubbles, supporting board adhered to window mat at edges. $1,500-2,000

331

331A. George Henry Boughton (Anglo/American, 1833-1905) The Little Dutch Girls Initialed “GHB.” l.l.

Conté crayon on paper, sight size 9 7/8 x 8 1/4 in. (25.1 x 21.0 cm), framed.

Condition: Toning, not examined out of frame. $800-1,200

331A

332

332.

Felix Schlesinger (German, 1833-1910) The Pets Signed “F. Schlesinger.� l.l., identified on a presentation plaque.

Oil on panel, 11 1/2 x 12 3/4 in. (29.2 x 32.4 cm), framed (within a liner).

Condition: Craquelure, subtle varnish inconsistencies. $8,000-12,000

334 333

333.

Continental School, 19th Century Night Scene with Street Musicians Unsigned.

Oil on canvas, 16 x 11 in. (40.6 x 27.9 cm), framed in an oblong lunette format.

Condition: Lined, retouch, varnish inconsistencies, abrasions, surface grime, craquelure. $3,000-5,000

334.

Attributed to Adolphe Piot (French, 1850-1910) Portrait of a Young Girl with Cherries Unsigned.

Oil on canvas, 21 3/8 x 18 in. (54.3 x 45.7 cm), framed in an oval format.

Condition: Retouch, varnish inconsistencies, surface grime, craquelure. $1,500-2,000

334A. Continental School, 19th Century The Boys’ Choir Signed indistinctly l.r., with a label from the Museum of Fine Arts, Boston, on the reverse.

Oil on canvas, 34 1/2 x 24 in. (87.6 x 61.0 cm), framed.

Condition: Lined, craquelure, retouch. $800-1,500 334A

335.

Jan Walraven (Dutch, 1827-1863) Girl with Rabbits Signed “J. Walraven” l.l. signed, dated, and identified in a painted label “Je suis...est original et peint par moi...Bruxelles 1878 J. Walraven” on the reverse.

Oil on panel, 13 3/8 x 10 7/8 in. (34.0 x 27.7 cm), framed.

Condition: Patches of craquelure, surface grime. $1,000-1,500

335

336.

Charles Paul Gruppe (Canadian/American, 1860-1940) Woman Polishing a Kettle Signed “Chas. P. Gruppe” l.l.

Oil on canvas, 16 5/8 x 13 3/8 in. (42.2 x 34.2 cm), framed.

Condition: Craquelure, surface grime. $800-1,200

336

337.

Ernest Guillemer (French, 1839-1913) The Road Home Signed “E. Guillemer” l.r., Paris canvas stencil on the reverse.

Oil on canvas, 16 1/4 x 13 in. (41.3 x 33.0 cm), in a period frame.

Condition: Retouch, craquelure, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $4,000-6,000

337A. Henry Müller (American, fl. 1850-1852) Return to the Mountain Village in Winter Signed, dated, and inscribed “H. Müller N.Y. 51.” l.l.

Oil on canvas, 25 1/4 x 30 1/4 in. (64.1 x 76.8 cm), framed.

Condition: Lined, retouch, craquelure. $2,500-3,500

337

337A

338.

Alexandre Gabriel Decamps (French, 1803-1860) Peasant Shacks with Clothesline Signed “D. C.” l.l., identified on a presentation plaque.

Oil on canvas, 11 7/8 x 15 1/2 in. (30.5 x 39.2 cm), framed.

Condition: Minor paint loss, abrasions, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

N.B. Alexandre-Gabriel Decamps, an Orientalist, genre, and history painter, as well as a sometime caricaturist, was one of the first French painters of the 19th century to turn from Neoclassicism to Romanticism. Born in Paris in 1803, Decamps spent time in the countryside as a youth, and there he developed a love of drawing. His art training was uneven, studying briefly with Etienne Bouhot and Alexandre-Denis Abel de Pujol, but he admired the works of Rembrandt and Chardin and learned extensively by studying their palette and use of glazes. Decamps’ travels as a young man in the Near East and Asia Minor, as well as Italy, inspired his painting. As a result of his visit to the Middle East, he was among the first European artists to represent Biblical scenes with natural, local backgrounds. While at Smyrna it is said that he made sketches enough to provide subject matter throughout his career as an Orientalist painter. Decamps also produced a number of genre scenes from France and Algeria. His exhibition record is extensive, beginning at the Paris Salon of 1827, including many prizes, and he was elected an Officer of the French Legion of Honor in 1851. $1,500-2,500

338

339.

Attributed to George William Whitaker (American, 1840-1916) View with a Figure in a Cobbled Alley Unsigned, with a partial label inscribed “Near.../Geo. W...er/65 W...ster St. ...” on the reverse.

Oil on artist board, 12 5/8 x 9 in. (32.1 x 22.9 cm), framed.

Condition: Abrasions, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

339

N.B. Whitaker, who maintained a studio at 65 Westminster Street in Providence, was the first painting instructor at the Rhode Island School of Design and a founder of the Providence Art Club along with Sydney R. Burleigh, Edward M. Bannister, and Charles W. Stetson. $1,500-2,000

340.

Paulus Adriaan Gildemeester (Dutch, 1858-1930) Cottages on the Riverbank Signed “P. A. Gildemeester” l.r.

Oil on canvas, 14 x 20 1/2 in. (35.6 x 52.1 cm), unframed.

Condition: Scattered retouch, extremely fine craquelure, mild surface grime. $1,200-1,800

340

341

341.

Nicolas Toussaint Charlet (French, 1792-1845) Napoleon’s Return from Elba Signed “Charlet” l.l., inscribed on the stretcher.

Oil on canvas, 9 1/4 x 12 1/2 in. (23.5 x 31.8 cm), framed.

Condition: Craquelure, surface grime, retouch.

Provenance: Sotheby’s London, Wednesday, November 16, 1994, lot 171; through to the estate of N. David Scotti, Providence, Rhode Island. $800-1,200

342.

Italian School, 19th Century Arcadian Landscape with Figures by a Fountain Unsigned.

Oil on panel, 19 x 16 in. (48.3 x 40.6 cm), framed.

Condition: Vertical splits to panel, losses/abrasion, varnish inconsistencies. $800-1,200

342

343

343.

Robert Léopold Leprince (French, 1800-1847)

343A. Jacques Willem van Blarenberghe (Dutch, 1679-1742)

Le Retour du Troupeau Signed “Leopold Leprince 183-...,” identified on a presentation plaque and on a label from Kurt Schon, New Orleans, on the stretcher.

Oil on canvas, 15 x 18 1/4 in. (38.1 x 46.4 cm), framed.

Condition: Lined, craquelure, retouch. $2,000-3,000

Lot of Two Works of Campaigns of Louis XIV: An Encampment with Troops and Camp Scene Beside a Stream Unsigned, identified on labels affixed to the backing.

Gouache on paper mounted to paper/board, sheet sizes to 7 x 8 15/16 in. (17.8 x 22.7 cm), framed.

Condition: Possibly trimmed sheets, minor surface grime, abrasions.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $3,000-5,000

343A

343B

344

343B. Michelangelo Meucci (Italian, 1840-1890)

344.

William Cruickshank (British, 1848-1922)

Lot of Three Trompe l’Oeil Bird Studies Each signed and inscribed “-M. Meucci- Firenze-...” and dated “-1875-” or “-1876-” l.c.

Oil on panel, oval formats, 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), two framed, one unframed.

Condition: Surface grime. $1,500-2,500

Still Life with Bird and Nest Signed “W. Cruickshank” l.r.

Watercolor with gouache on paper, sight size 9 x 12 in. (22.9 x 30.5 cm), matted, unframed.

Condition: Sandwiched between mats, subtle rippling to paper, light scattered staining/soiling. $300-500 345.

Continental School, 19th Century Chickens and Ducklings in a Landscape Signed “A-Franchin” l.l.

Oil on canvas, 31 1/4 x 58 1/4 in. (79.4 x 148.0 cm), framed.

Condition: Minor retouch, subtle surface grime, fine scattered craquelure. $3,000-5,000

345

346

346.

Alexis Kreyder (French, 1839-1912) Landscape with Grapes on the Vine Signed and dated “A. Kreyder 83.” l.l., inscribed “Maison Merlin/Paul Denis Succr/Paris...” in a canvas stencil on the reverse.

Oil on canvas, 38 1/4 x 30 1/2 in. (97.2 x 77.5 cm), framed.

Condition: Craquelure, minor surface grime. $4,000-6,000

347.

William Weekes (British, 1856-1909) Darby and Joan Monogram signature “WWeekes.” l.l., titled and inscribed “...WWeekes” in pencil on the reverse.

Oil on artist board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.

Condition: Subtle varnish inconsistencies, abrasions beneath the frame liner. $2,500-3,500

348.

Attributed to Benjamin Barker (British, 1776-1838) Cattle in a Mountainous Landscape Signed “B Barker” l.l.

Oil on canvas, 11 1/2 x 16 in. (29.2 x 40.6 cm), framed.

Condition: Tear in l.r. quadrant, craquelure, retouch, varnish inconsistencies. $1,200-1,800

347

348

349

349.

John Frederick Herring, Jr. (British, 1815-1907)

349A. James Lees Bilbie (British, d. 1945)

Horses in a Farmyard Signed “J.F. Herring” l.l., identified on a label from Richard Green Fine Paintings, London, on the reverse.

Oil on panel, 6 5/8 x 8 1/2 in. (16.8 x 21.6 cm), framed.

Condition: Minor surface grime.

Figures by a Country Cottage Signed “Jas. L. Bilbie” l.l.

Oil on canvas mounted to fiberboard, 14 1/4 x 21 1/4 in. (36.2 x 54.2 cm), framed.

Condition: Retouch, surface grime, craquelure. $800-1,200

Provenance: Purchased from Richard Green, London, 1975, then through to the present collector.

Literature: Richard Green, Annual Exhibition of Sporting Paintings, 1975, no. 41 (illus.), p. 86. $3,000-5,000

349A

350

350.

William R.C. Watson (British, d. 1921)

350A. Alice Blair Thomas (American, 1857-1945)

By Loch Tay-Perthshire Signed and dated “W. Watson 1916” l.r., titled and signed “...Wm Watson” on the reverse, a label from Wunderly Bros. Fine Art, Pittsburgh, affixed to the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), in a period frame (under glass).

Condition: Retouch, varnish inconsistencies, possible areas of bloom in the varnish layer, not examined out of frame. $3,000-5,000

Shepherd Leading His Flock Through the Pass Signed and dated “Alice Blair Thomas 1901.” l.r.

Oil on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Losses, flaking, surface grime, abrasions, craquelure. $1,000-1,500

350A

351

351.

Bryant Chapin (American, 1859-1927)

352.

Alfred Fontville de Breanski (British, 1877-1955)

Loch Lomond/A View of Scotland Signed, titled, and dated “BRYANT CHAPIN...1915.” l.l., identified on a label affixed to the reverse.

Oil on canvas, 18 x 28 in. (45.7 x 71.1 cm), framed.

Condition: Extremely mild scattered craquelure.

Snowden from Pen-y Gwryd, N. Wales Signed “A de Breanski Jun.” l.r., titled and signed “...A de Breanski Jun” on the reverse, identified on a presentation plaque.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Scattered retouch, craquelure with lifting, minor scattered losses. $1,200-1,800

Provenance: From the collection of the Fuller Museum of Art, Brockton, Massachusetts. $1,500-2,000

352

353

353.

Robert Salmon (Anglo/American, 1775-1844) Ailsa Craig/A Firth of Clyde, Scotland, View Signed, inscribed, and dated “No. 818/Painted by R. Salmon/1835” on the reverse.

Oil on panel, 10 x 12 1/2 in. (25.4 x 31.7 cm), framed.

Condition: Fine craquelure, minor retouch.

Provenance: Mr. Henry Channing Rivers, Northeast Harbor, Maine, by family descent to a private New England collection.

Literature: John Wilmerding, Robert Salmon: Painter of Ship & Shore, Boston: Peabody Museum of Salem and Boston Public Library, 1971, p. 95.

N.B. Robert Salmon, an English-born marine artist, spent his early years painting in England and Scotland, including the ports and shipbuilding centers of Liverpool and Greenock. His style was based on the older English marine artists, themselves influenced by the

353A

Dutch. In 1828 Salmon immigrated to the U.S., settling in Boston where he established a successful career painting ship portraits and coastal views. Salmon had a great impact on the direction of American marine painting. Using precise foreground detail and devoting a large area of the composition to the atmospheric effects of the light-filled sky, Salmon’s works foreshadowed the Luminist style of Fitz Henry Lane. Salmon left Boston in 1842, returning to Britain, perhaps to the Scottish coast. In a catalogue of Robert Salmon’s Pictures 1828-1840, which is reproduced as Appendix A of John Wilmerding’s monograph on Salmon, the artist lists two paintings he made of Ailsa Craig in March of 1840. The Craig is listed as the subject of three other earlier paintings from his inventory, and was a favored subject, whether painted on location or from the artist’s memory. Ailsa Craig, rising some 1,100 feet high, is a well known landmark in the Firth of Clyde where it joins the Irish Channel. $8,000-12,000

354

353A. William Trost Richards (American, 1833-1905)

354.

Alfred Thompson Bricher (American, 1837-1908)

Coastal View, Possibly a Rhode Island Landscape Signed “Wm T Richards” l.r.

Watercolor on paper, sight size 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), framed.

Condition: Repaired tear c.r., subtle toning, broad rippling, not examined out of frame. $3,000-5,000

Sailing off the Maine Coast Monogram signature “ATBRICHER:” l.l., a label from the Vose Galleries, Boston, on the backing.

Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.

Condition: Retouch, varnish inconsistencies, craquelure.

Provenance: Purchased from Vose Galleries, Boston.

N.B. Born in 1837, Alfred Thompson Bricher grew up in Newburyport, Massachusetts. He was largely self-taught until 1851, when he enrolled in art lessons at the Lowell Institute in Boston.

Bricher painted in both oil and watercolor. He began his career sketching and painting in the White Mountains and Maine. In 1868 the artist moved to New York, but summers found him on painting excursions along the Maine coast, on Cape Ann, as well as in other coastal regions of Rhode Island and Long Island. Bricher was a member of the American Water Color Society and the Boston Art Club, and he was elected an Associate of the National Academy in 1879. His paintings were exhibited at the Boston Athenaeum, the National Academy, the Art Institute of Chicago, and the Pennsylvania Academy of Fine Art, and they are held in major museum collections.

His work is associated with the second generation of Hudson River School painters and with Luminism. $15,000-25,000

355

355.

Wesley Elbridge Webber (American, 1841-1914)

356.

Addison Thomas Millar (American, 1860-1913)

Paddle Steamer Signed “W. Webber” l.r.

Oil on canvas, 16 x 25 in. (40.6 x 63.5 cm), framed.

Condition: Punctures with losses, retouch, varnish inconsistencies, damage to tacking edge, wear to corners, mild canvas deformations, scattered surface abrasions, craquelure, surface grime. $3,000-5,000

Moonlight Sail/A New England Coastal View Signed “A.T. Millar” l.l., identified on a presentation plaque.

Oil on canvas, 18 x 30 in. (46.0 x 76.5 cm), framed.

Condition: Lined, scattered retouch, craquelure, subtle varnish inconsistencies.

356

N.B. Millar was a student of noted artist William Merritt Chase. $5,000-7,000

357

357.

Mauritz Frederik Hendrick De Haas (Dutch, 1832-1895)

357A. American School, 19th Century

Coastal View with Craft Signed and dated “MFH de Haas./1868� l.l.

Oil on canvas, 12 1/8 x 20 in. (30.8 x 50.8 cm), framed.

Condition: Craquelure, lined, retouch.

Luminist Coastal View Unsigned, inscribed indistinctly on the reverse.

Oil on canvas mounted to board, 5 x 9 in. (12.7 x 22.9 cm), framed.

Condition: Surface grime, varnish inconsistencies, craquelure, trimmed board. $800-1,200

Provenance: Purchased from Vose Galleries, Boston. $8,000-12,000

357A

358.

Charles Henry Gifford (American, 1839-1904) Fishermen at Work by Moonlight Signed and dated “C.H. Gifford 86” l.r.

Oil on canvas, 18 x 13 in. (45.7 x 33.0 cm), framed.

Condition: Craquelure.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $1,000-1,500

359.

George Wattles Waters (American, 1832-1912) Moonlit Harbor Signed “G. W. Waters” l.r.

Oil on board, 7 1/2 x 10 1/2 in. (19.0 x 26.5 cm), framed.

Condition: Minor abrasions along frame liner, subtle craquelure. $1,800-2,200

358

359

360

360.

William Edward Norton (American, 1843-1916) Night/A Boston Harbor View Signed and dated “William E. Norton 90.” l.l., identified on a label, probably in the artist’s hand, and with a label from J. Eastman Chase, Boston, on the reverse.

Oil on canvas, 23 x 30 in. (58.4 x 76.2 cm), framed.

Condition: Surface grime, abrasions/losses, minor retouch.

N.B. Noted marine painter William Edward Norton was born in Boston and discovered his love of the sea and sailing as a young man aboard family-owned ships. He studied at the Lowell Institute and with George Inness, before establishing a studio in Boston, where he was a member of the Boston Art Club, exhibiting there from 1873 to 1909. In the early 1870s Norton left for Europe, living in Paris and then in London, building his reputation on views of the Thames and coastal and marine paintings. Returning to the United States around 1901, Norton settled in New York City and also spent time painting on Monhegan Island.

“Norton’s Ledge” on the south side of the island is named for him. Norton exhibited at the Royal Academy, the Paris Salon, the 1893 Chicago Exposition, the Pennsylvania Academy, and the Art Institute of Chicago.1 A label on the stretcher of this nocturnal painting gives the artist’s address as 23 Camden Road NW, No. 4, suggesting that it may have been painted or exhibited during the artist’s time in London. A similar but smaller nocturnal view by the artist (possibly a study for the present work) was sold at a Skinner auction on September 11, 2009, lot 385.

1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. II, p. 2441.

$10,000-15,000

361

361.

Fritz Sigfried Georg Melbye (Danish, 1826-1896)

362.

Robert Arthur (American, 1850-1914)

Junk Signed, inscribed, and dated “Fritz.G.Melbye Junk/Peking 1869” l.l.

Oil on canvas, 16 1/8 x 27 1/4 in. (41.0 x 69.3 cm), framed.

Condition: Strip lined, retouch, craquelure, surface grime. $2,500-3,000

Crashing Waves at Dusk Signed and dated “Robert Arthur-1907” in pencil l.l.

Gouache on paper/board, 21 x 28 in. (53.3 x 71.1 cm), framed.

Condition: Subtle toning, abrasions, not examined out of frame. $800-1,200

362

363

363.

Earl E. Collins (American, 1925-1992)

364.

James Gale Tyler (American, 1855-1931)

View of a Clipper Ship Signed “Earl Collins” l.r.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Craquelure, surface grime.

Off Grand Manan/A Canadian Coastal View Signed “JAMES G. TYLER” l.r., titled in pencil on the stretcher.

Oil on canvas, 10 x 19 3/4 in. (25.4 x 50.2 cm), framed.

Condition: Surface grime, craquelure. $1,000-1,500

$800-1,200

364

365

365.

Johann Hendrick van Mastenbroek (Dutch, 1875-1945) Vessels in the Harbor Signed “J.H. van. Mastenbroek� l.r., identified on a presentation plaque, and with a label from J.H. Miller Co., Inc., Springfield, Massachusetts, on the reverse.

Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.

Condition: Foxing, toning, not examined out of frame. $700-900

366.

Walter Lofthouse Dean (American, 1854-1912) View of a Boat by a Dock Signed and dated “W.L. DEAN./1889” l.l., also signed and dated “W.L. DEAN./18889.” [sic] with a label from Frost & Adams, Boston, on the reverse.

Oil on canvas, 16 x 10 in. (40.6 x 25.4 cm), framed.

Condition: Surface grime, craquelure. $1,000-2,000

367.

No lot.

368.

Charles Augustus C. Lasar (American, 1856-1936) Ship at Harbor Signed “C. LASAR” l.r. and l.l., with a signature pentimento l.l.

Oil on canvas mounted to board, 10 3/4 x 13 3/4 in. (27.3 x 34.9 cm), framed.

Condition: Subtle bowing to board, scattered retouch. $1,000-1,500

366

368

369

369.

Attributed to Thomas Hewes Hinckley (American, 1813-1896) Traders Surprised on the Yellow Stone River Unsigned, titled or inscribed and identified “...From Coopers novel Thos. H. Hinckley/the Artist” on the reverse.

Oil on panel, 15 x 17 in. (38.1 x 43.2 cm), framed.

Condition: Retouch, craquelure, surface grime, mild warping of panel. $2,500-3,500

370.

John White Allen Scott (American, 1815-1907) View in Conway, New Hampshire, 1868 Initialed “S” l.r., titled, dated, and monogrammed “...68 J.W.A.S” in pencil on the reverse.

Oil on artist board, 7 1/4 x 5 1/2 in. (18.4 x 14.0 cm), framed in an oval format (under glass).

Condition: Surface grime, losses/punctures to support, abrasions, varnish inconsistencies, craquelure, alligatoring, minor retouch. $700-900

370

371

371.

Wesley Elbridge Webber (American, 1841-1914)

371A. William Ferdinand Macy (American, 1852-1901)

Maine View with Hunters Signed and dated “W. Webber 1870” l.r.

Oil on canvas, 20 x 36 in. (50.8 x 91.4 cm), framed.

Condition: Scattered retouch/varnish inconsistencies, surface rubs, scattered craquelure, surface grime.

Sunset on the Marsh Signed “W. Ferdinand Macy” l.r.

Oil on canvas, 18 x 34 in. (45.7 x 86.3 cm), framed.

Condition: Strip lined, retouch, craquelure, surface grime. $4,000-6,000

Provenance: Skinner, November 3, 1988 (sale no. 1224), lot 31.

Exhibitions: Nineteenth and Early Twentieth Century New England Painters, Boston Athenaeum, Boston, February 7 to 28, 1983; The Art of Collecting, The Danforth Museum of Art, Framingham, Massachusetts, September 13 to November 29, 1981. $4,000-6,000

371A

372

372.

Jeremiah Wilson (American, 1824-1899) Children Gathering by the Woods Signed “J Wilson� l.r., G. R. Dodge & Co., Baltimore, stencil on the reverse.

Oil on panel, 6 1/2 x 10 in. (16.5 x 25.4 cm), framed.

Condition: Retouch, varnish inconsistencies. $2,500-3,500

373

373.

Edward B. Gay (Irish/American, 1837-1928)

374.

George Henry Smillie (American, 1840-1921)

Fête Champêtre Signed and dated “E. GAY. 56” l.r.

Oil on canvas, 15 x 21 in. (38.1 x 53.3 cm), framed.

Condition: Craquelure, surface grime.

A Recollection of Susquehanna Co. Pa. Signed and dated “Geo. H. Smillie. ‘66” l.l., titled and inscribed “...Painted by Geo H. Smillie. ‘66” on the reverse.

Oil on canvas, 7 x 12 3/8 in. (17.8 x 31.4 cm), unframed.

Condition: Surface grime.

$1,000-1,500

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $800-1,200

374

375

375.

George Arthur Hays (American, 1854-1945)

376.

Joseph Foxcroft Cole (American, 1837-1892)

Lot of Two Works: Under the Oak and Mt. Tobie Signed “G A Hays” l.l. and l.r., respectively, titled on labels on the paper backing.

Watercolor and gouache on paper/board, sight size to 8 3/8 x 10 in.

(21.3 x 25.4 cm), framed.

Condition: One with small tear in l.r. corner, toning, not examined out of frames. $700-900

Cows by the Pasture Gate Signed “J. Foxcroft Cole” l.r.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Retouch, lined, craquelure.

376

$800-1,200

377

377.

Charles Paul Gruppe (Canadian/American, 1860-1940) Under the Willows Signed “Chas. P. Gruppe� l.r., identified on a label from the Salmagundi Club Thumb Box Exhibition on the reverse.

Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), a Newcomb-Macklin frame.

Condition: Minor surface grime, minor loss to l.r. quadrant. $800-1,200

378

378.

Charles Wilson Knapp (American, 1823-1900) Cattle Grazing on a Riverbank Signed “C. W. Knapp� l.l.

Oil on canvas, 20 x 36 in. (50.8 x 91.4 cm), framed.

Condition: Craquelure with minute scattered losses, surface grime. $4,000-6,000

378A. David Birdsey Walkley (American, 1849-1934) Cows in a Landscape Signed “D B Walkley” l.l.

Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed.

Condition: Mounted onto Masonite, scattered retouch, fine craquelure, surface grime. $2,500-3,500

379.

John William Casilear (American, 1811-1893) Cows in the Water Monogrammed and dated “JWC 75” l.r., inscribed and titled “JohnEster Gallery/Casilear John W./.../oil 0.49” on a label affixed to the reverse.

Oil on canvas, 8 7/8 x 13 1/4 in. (22.5 x 33.7 cm), framed.

Condition: Repair/patch reinforcement c.r., retouch, varnish inconsistencies. $2,500-3,500

378A

379

379A

379A. Samuel Lancaster Gerry (American, 1813-1891)

380.

William A. McIlvaine, Jr. (American, 1813-1867)

Haying Signed “S. L. Gerry” l.r.

Oil on board, sight size 5 3/8 x 9 1/4 in. (13.7 x 23.5 cm), framed.

Condition: Small scratch in sky u.r., surface grime. $300-500

Landscape Vista, Possibly Pennsylvania Signed and dated “McILvaine./1860-” l.r.

Watercolor and graphite on paper, sight size 8 x 16 3/4 in. (20.3 x 42.5 cm), framed.

Condition: Not examined out of frame. $700-900

380

380A

380A. Albert Thompson (American, b. 1853) The Hay Wain Signed and dated “Albert Thompson 1877” l.r.

Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), framed.

Condition: Retouch, surface grime, craquelure. $800-1,200

381.

Melbourne Havelock Hardwick (American, 1857-1916) Autumn Landscape Signed “MELBOURNE H. HARDWICK” l.r.

Oil on canvas, 36 1/2 x 29 in. (92.7 x 73.6 cm), framed.

Condition: Retouch, flaking with losses, scattered craquelure. $1,200-1,800

381

382.

Benjamin Osro Eggleston (American, 1867-1937) The Wood’s Edge Signed “BENJAMIN EGGLESTON” l.r.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Extremely fine scattered craquelure, surface grime. $1,200-1,800

382

382A

382A. Ernest Christian Rost (American, 1867-1940) A Glimpse of the Connecticut Signed “E C Rost-� l.r., titled and identified on a label affixed to the reverse.

Oil on canvas, 30 x 45 in. (76.2 x 114.3 cm), framed.

Condition: Craquelure, scattered retouch. $1,000-1,500

383

383.

Richard Pauli (American, 1855-1892) Cottage by the Water’s Edge Signed “Richard Pauli” l.r.

Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.

Condition: Craquelure, retouch, losses, flaking, reinforced signature. $1,000-1,500

384

384.

Julian Walbridge Rix (American, 1850-1903) Landscape Study Signed “RIX” l.r., stamped “From the JUL...SALE, MA...1913” on the reverse.

Oil on board, 3 1/2 x 4 1/2 in. (8.9 x 11.4 cm), framed.

Condition: Scattered retouch, surface grime.

N.B. There was a two-day estate auction of Rix’s work at the American Galleries, New York, on March 10th and 11th, 1913.1 The partial stamp on the back indicates that is work was included in this sale.

1. New York Times, “$12,402 for Rix Pictures,” March 11, 1913.

$1,200-1,800

385

385.

American School, 19th Century Portrait of John Foster Williams Lane as a Boy Unsigned.

Oil on canvas mounted on board, sight size 22 1/2 x 16 1/2 in. (57.2 x 41.9 cm), framed.

Condition: Retouch, craquelure, surface grime, backing board lined with muslin.

N.B. The subject of this portrait, John Foster Williams Lane (1817-1861), son of Frederick and Eliza (Bonner) Lane, was born in Boston. He was descended from (and named for) John Foster Williams (1743-1814), a Boston-born Naval officer in the Revolutionary War. As a youngster, Lane attended the Boston Latin School. In 1831, his parents, having thought him too young to enter college at the age of 13, sent him to Italy and France for further studies. Lane graduated from Harvard University in 1837, where he was elected to the Alpha Chapter of Phi Beta Kappa, and he earned his medical degree in 1840. He was awarded the Boylston premium in 1841 for his dissertation on the relationship between the chemical properties of blood and disease.

He became a noted physician, who published on human anatomy and physiology and also translated medical treatises.1 1. Memorials of The Class of 1837 of Harvard University, prepared for the Fiftieth Anniversary of their Graduation by the Class Secretary, Henry Williams, pp. 36-37.

$2,500-3,500

386.

Anglo/American School, 19th Century Portrait of a Boy with Book Unsigned.

Oil on canvas mounted to Masonite, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Retouch, varnish inconsistencies. $1,200-1,800

386

387.

American School, 19th Century Still Life with Fish and Clams Unsigned.

Oil on canvas, 27 1/4 x 22 1/4 in. (69.2 x 56.5 cm), framed.

Condition: Lined, craquelure, varnish inconsistencies.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $800-1,200

387

387A

387A. Harry Smith (American, 19th Century) Trout and Rod in a Landscape Signed “Harry Smith� l.l.

Oil on board, 14 x 22 in. (35.7 x 55.7 cm), unframed.

Condition: Retouch, varnish inconsistencies. $2,200-2,800

388

388.

Charles Alfred Meurer (American, 1865-1955) Trompe l’Oeil Still Life with Currency, Pipe, and Pistol Signed and inscribed “CA Meurer Esq./Cincinnati Ohio” within the composition l.c., identified on a presentation plaque, and with a label from J.H. Strauss Art Gallery, New York, on the reverse.

Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.

Condition: Craquelure, subtle varnish inconsistencies.

Provenance: Sotheby’s New York, September 14, 1995, lot 24.

N.B. Cincinnati-based artist Charles Meurer painted in the tradition of the American trompe l’oeil masters William Michael Harnett and John Frederick Peto. The artist traced his fascination with trompe l’oeil painting to seeing Harnett’s still lifes at the Cincinnati Industrial Exposition of 1886, and other works by Peto in Cincinnati art galleries in the 1890s. Born in Germany in 1865 to American parents, Meurer was raised in Tennessee. As a young artist he received a pivotal commission from Adolph Ochs, editor of the Chattanooga Times, to paint a still life incorporating the front page of the paper along with books and other objects relating to the newspaper industry.

Successful with the commission, Meurer continued to elaborate on this theme. The artist included paper currency in many of his still lifes.1 1. Frankenstein, Alfred Victor, After the Hunt; William Harnett and other American still life painters, 1870-1900 [by] Alfred Frankenstein, Rev. ed., Berkeley, University of California Press, 1969.

$12,000-18,000

389

389.

William Preston Phelps (American, 1848-1923) Headed for the Field Signed “W. P. Phelps� l.l.

Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), in a period frame.

Condition: Scattered retouch, mild varnish inconsistencies, surface rubs, craquelure, surface grime. $3,000-5,000

390

390.

James Crawford Thom (American, 1835-1898) The Knife Grinder Partial signature “J.C. Tho...� l.r., identified on a presentation plaque.

Oil on canvas, 29 x 23 in. (73.7 x 58.4 cm), framed.

Condition: Lined, trimmed canvas (through signature), retouch. $800-1,200

391

391.

Hugo Breul (American, 1854-1910) Leisure Hour Signed “Hugo Breul� twice l.l., identified on a label affixed to the reverse.

Oil on canvas, 47 1/4 x 33 in. (120.0 x 83.8 cm), framed.

Condition: Craquelure, losses/abrasions, skinning l.l., canvas deformations.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $3,000-5,000

392

392.

Henry Bacon (American, 1839-1912) Outward Bound/A Sketch Signed “Bacon” l.r., inscribed and dated “Colorado May 19/71” l.l.

Oil on panel, 5 1/4 x 8 1/8 in. (13.3 x 20.6 cm), framed.

Condition: Surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $1,000-1,500

392A. William Verplanck Birney (American, 1858-1909) A Break from Child’s Play Signed and dated “W. Verplanck Birney...” l.r.

Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Surface grime, varnish inconsistencies, craquelure. $800-1,200

392A

393

393.

American School, 19th Century Still Life with Ginger Jar Signed and dated “L.E. Foote. 1895” l.l.

Oil on canvas, 10 x 14 in. (26.7 x 35.6 cm), framed.

Condition: Lined, retouch, varnish inconsistencies. $1,000-1,500

393A. John William Hill (American, 1812–1879) Lot of Five Bird Studies for Zoology of New York, Part 2, Birds, including The Magpie (pl. 24, fig. 53), The Barn Swallow (pl. 29, fig.

64), The Great-crested Kingbird (pl. 32, fig. 70), The Hermit Thrush (pl. 37, fig. 80), and The Green-winged Teal (pl. 112, fig. 249) Each signed “J.W. Hill” l.l., each numbered u.r., and annotated l.c. and on supporting boards.

Watercolor and ink on paper laid down onto board, image sizes approximately 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm), two framed, three unframed.

Condition: Toning, scattered soiling/staining, two not examined out of frames. $1,800-2,200

393A

394

394.

Sydney Richmond Burleigh (American, 1853-1931) Interior of a Country Store Signed or inscribed “S. R. Burleigh.” l.l., stray watercolor marks and inscription, possibly in the artist’s hand, on the reverse.

Watercolor on paper, sight size 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm), framed.

Condition: Broad rippling, pale foxing, affixed to window mat with paper tape verso.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250 395.

Emma Levinia Swan (American, 1853-1927) Still Life with Peach and Grapes Signed “·E L SWAN·” l.r., inscribed “...Nino Scotti” and with a label from Charles G. Calder, Providence, Rhode Island, on the reverse.

Oil on canvas, 6 x 8 in. (15.2 x 20.3 cm), framed.

Condition: Craquelure, surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $600-800

395

395A

395A. Burr H. Nicholls (American, 1848-1915) Chickens in the Barn Signed “Burr H. Nicholls” l.l.

Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Lined, craquelure, retouch. $1,000-1,500

396

396.

Frank Henry Shapleigh (American, 1842-1906)

397.

Walter J. Sherwood (American, b. 1865)

Old Kitchen in Scituate Mass./A Cottage Interior Signed and dated “F. H. Shapleigh 1885” l.r., inscribed “Old Kitchen in Scituate Mass. by F H Shapleigh” on the lining canvas and “SHAPLEIGH, F.H. ‘OLD KITCHEN IN SCITUATE MASS.’...” on the stretcher.

Oil on canvas, 10 1/4 x 16 1/8 in. (26.0 x 41.0 cm), framed.

Condition: Lined with tape to tacking edge, retouch, varnish inconsistencies, craquelure (small area of lifting c.r.). $3,000-5,000

The Workroom of the Henri Dore Studio, Cheapside Building, Providence, Rhode Island, c. 1927 Signed “W. Sherwood” l.l., identified on a note affixed to the reverse.

Oil on canvas, 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm), framed.

Condition: Surface grime, craquelure, canvas deformations, abrasions, losses.

397

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

397A

397A. Walter Gay (American, 1856-1937) La Porte Ouverte, Chateau du Breau Signed “Walter Gay� l.r., titled on a label affixed to the backing.

Watercolor and graphite on paper, sight size 21 x 17 1/2 in. (53.3 x 44.4 cm), framed.

Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $4,000-6,000

397B

397B. Walter Gay (American, 1856-1937) Antichambre, Chateau du Saussay Signed “Walter Gay” l.r., titled and inscribed “...appartenant a la Comtesse de Bourbon-Busse [sic] nee de Colbert” and “...Mrs. Walter Gay May 10th 1980- at 180 Marlboro St...,” on labels in later hands affixed to the backing.

Watercolor and graphite on paper, sight size 10 x 12 3/4 in. (25.4 x 32.4 cm), framed.

Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $4,000-6,000

398

398.

Walter Gay (American, 1856-1937) View of a French Interior Signed “Walter Gay� l.r., with labels from R. Lerondelle and E. Bourdier, Paris, affixed to the backing.

Watercolor on paper, sight size 18 x 22 in. (45.7 x 55.9 cm), framed.

Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $7,000-9,000

398A

398A. Abbott Fuller Graves (American, 1859-1936) Still Life with Roses Signed “Graves” l.r., inscribed “THIS FLOWER PIECE WAS PRESENTED BY THE ARTIST ABBOTT GRAVES TO MR AND MRS EDWARD J. EGAN ABOUT 1891” on the stretcher.

Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), framed.

Condition: Craquelure, patch reinforcement, retouch, varnish inconsistencies. $12,000-18,000

399

399.

William Merritt Chase (American, 1849-1916) Still Life: Fruit, alternatively titled Fruit and Porcelain, c. 1908 Signed “Wm M Chase.” l.l., identified on labels from the Corcoran Gallery of Art, Bernard and S. Dean Levy, New York, and Maxwell Galleries, San Francisco, affixed to the backing.

Oil on canvas, 29 x 36 in. (73.6 x 91.4 cm), framed.

Condition: Lined, retouch, fine craquelure.

Exhibitions: Summer’s Lease, Corcoran Gallery of Art, June 13 to August 31, 1972, Ex-collection of Mr. and Mrs. Joseph H. Hennage; William Merritt Chase Memorial Exhibition, The Metropolitan Museum of Art, New York, February 19 to March 18, 1917, No. 30 (lent by Content Johnson); Exhibition of Paintings by William Merritt Chase, National Arts Club, New York, January 5 to 13, 1910, No. 86 (lent by Content Johnson).

N.B. We wish to thank D. Frederick Baker for confirming the authenticity of the present work, and for his assistance with cataloguing the lot. The work is included in Ronald G. Pisano’s The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916), Vol. 4 (Yale University Press, 2010, SL.127).

According to Baker, “the work was either purchased by Content Aline Johnson from Chase, or more likely given by the artist to Johnson, a student of Chase’s and close friend of the Chase family. Chase’s youngest daughter, Mary Content Johnson, born 1903, was named after Content Johnson. The painting is one of several by Chase that were owned by Miss Johnson, whose portrait was painted by Chase, ca. 1902.” $30,000-50,000

400

400.

Ciro Mazini (Italian, 19th/20th Century) The Cloth Merchant/An Oriental Interior Signed and inscribed “Mazini Cairo� l.l.

Watercolor and graphite on paper/board, sight size 12 1/2 x 19 in.

(31.8 x 48.3 cm), framed.

Condition: Not examined out of frame. $800-1,200

401

401.

Adolf Schreyer (German, 1828-1899) Arab Horsemen Signed “Ad. Schreyer” l.r.

Oil on canvas, 23 1/2 x 33 in. (59.7 x 83.8 cm), framed.

Condition: Lined, subtle canvas deformations, subtle retouch.

N.B. We wish to thank Dr. Christoph Andreas, who has kindly confirmed the authenticity of the lot.

Noted Orientalist and genre painter Adolf Schreyer (also referred to as Christian Adolf Schreyer) was born in Frankfurt, Germany, in 1828. After early education at the Institut Staedel in Frankfurt, he studied at the Academy in Düsseldorf, then settled in Vienna in 1849. During the Crimean War (1853-1856) Schreyer followed the Austrian Army through the Wallachian frontier as a sketch artist.1 Schreyer went on to study in Paris and North Africa. In 1859 he traveled extensively in Egypt and Syria, learning Arabic and immersing himself in the culture, and in 1861 he visited Algiers. From 1862 to 1870, Schreyer lived in Paris. He returned to Frankfurt in 1871. He was a member of the Academies in Amsterdam and Rotterdam. His works were awarded medals in Paris in 1864, 1865 and 1867, and in Munich in 1876.

Schreyer died in Kronberg in 1899.

Schreyer painted the landscape and culture of foreign lands, from Russia to North Africa. His travels brought him inspiration and also gave his work authenticity. He is regarded as a great painter of horses in all their aspects.2 His works, well-conceived compositions, brilliantly colored and vigorously painted, were very popular in his time, and were found in European and American private collections. Schreyer’s paintings are found today in major museums in Europe and the United States, including museums in Frankfurt, Cologne, Hamburg, Paris, Boston, and San Francisco.

1. E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Librairie Grund, 1976., Vol. IX, p. 439-440.

2. http://encyclopedia.jrank.org/SAR_SCY/SCHREYER_ADOLF_1828_1899_.html, originally appearing in Volume V24, p. 378 of the 1911 Encyclopedia Britannica.

$20,000-30,000

402

402.

Marco Grubas (Italian, 1839-1910)

403.

Paul Vernon (French, 1796-1875)

Lot of Two Venetian Views of San Giorgio Maggiore, Saint Mark’s Square and Palazzo Santa Sofia, c. 1890 Signed “M. Grubas” l.l., identified on labels and export stamped “...zum Ausfuhr freigegeben” on the reverse.

Oil on panel, 5 1/2 x 10 1/4 in. (14.0 x 26.0 cm), framed.

Condition: Surface grime. $1,500-2,500

Coastal Scene with Fishing Boats Signed “Paul Vernon” l.r., with a partial label from H. L. Ross of Philadelphia on the stretcher.

Oil on canvas mounted to rigid support, 14 x 24 in. (35.5 x 61.0 cm), framed.

Condition: Lined support, retouch, craquelure. $2,000-3,000

403

404

404.

Martin Rico y Ortega (Spanish, 1833-1908)

405.

Charles Rowbotham (British, 1856-1921)

Calle Dietro il Campanile Signed “RICO” l.l., identified within the composition.

Watercolor and graphite on paper, sight size 13 1/4 x 20 3/4 in. (33.6 x 52.5 cm), framed.

Condition: Unobtrusive toning, staining, not examined out of frame. $4,000-6,000

Italian Coastal View Signed “Chas Rowbotham.” l.r.

Gouache on paper/board, sight size 9 x 19 3/4 in. (22.8 x 50.1 cm), framed.

Condition: Toning, not examined out of frame. $1,800-2,200

405

406

406.

Arthur J. Hammond (American, 1875-1947)

406A. Sheldon Parsons (American, 1866-1943)

North Dome, Yosemite Signed “AJHammond” l.r., inscribed “North Dome...” and identified on a label from Vose Galleries, Boston, on the reverse.

Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime, craquelure, retouch. $1,500-2,000

Desert Bloom Signed “-SHELDON PARSONS-” l.l., dated “Sept. 14” on the reverse.

Oil on artist board, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Surface grime, subtle bowing to board. $1,000-1,500

406A

407

407.

Charles Furneaux (American, 1835-1913) View of a Volcanic Eruption, Purportedly Kilauea Caldera on Mauna Loa, c. 1886 Signed and dated “C. Furn.../188...” l.r.

Mixed media on paper mounted to Masonite, 22 3/8 x 50 1/2 in. (56.8 x 128.3 cm), framed (without glass).

Condition: Surface dust.

Provenance: Purportedly given as a gift from the artist to King David Kalakaua and displayed at the Iolani Palace; to the collection of Albert Solomon, Jr. and Harriet Solomon, former owners of the Kamuela Museum, Waimea, Hawaii, by descent in the Solomon family, and through to the present owners.

N.B. Although Furneaux was born and raised in Greater Boston, he is best known for his work in Hawaii. In 1880, Furneuax traveled to Hawaii on the advice of, and as a companion to William T. Bingham. The artist was immediately struck by the grandeur of the volcanoes, and made numerous sketches on site of lava flows and eruptions, again encouraged by Bingham who was a gentleman scientist and devoted student of volcanoes. Furneaux’s success garnered him commissions from King Kalakaua. While some of these were landscapes, many were portraits. Furneaux spent the rest of his life in Hawaii as a painter, teacher and coffee farmer. $25,000-35,000

409A

408

408.

Tim Solliday (American, b. 1952) Two Native Americans in a Canoe Signed “Tim Solliday” l.l.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Good.

N.B. We wish to thank the artist for his assistance with cataloguing this lot. $1,000-1,500

409.

Ila Mae McAfee (American, 1897-1995) Portrait of a Taos Pueblo Woman on Horseback Signed and dated “Ila McAfee 1933” l.l.

Oil on Masonite, 9 1/2 x 6 in. (24.1 x 15.2 cm), framed.

Condition: Surface grime. $1,000-1,500 409A. Paul Surber (American, b. 1942) Indian Encampment Signed “PAUL SURBER” l.r., with a label from Glacier Gallery, Kalispell, Montana, on the backing.

Gouache on paper, sight size 7 3/8 x 11 1/2 in. (18.7 x 29.2 cm), framed (without glass).

Condition: Very minor surface grime and abrasions, not examined out of the frame. $800-1,200 409

410

410.

Elling William (Bill) Gollings (American, 1878-1932) Squaw/Landscape with Native American on Horseback Signed "Gollings..." l.l., titled and inscribed "...M.H." on the reverse.

Oil on canvas, 7 x 10 in. (17.8 x 25.4 cm), framed.

Condition: Surface grime, minor craquelure, pigment fluorescence.

Provenance: Private collection, New Mexico.

N.B. By Golling’s account, his most vivid childhood memories recalled ranch life, either on his grandmother's farm near St. Johns, Michigan, or his father’s homestead in Lewiston, Idaho.1 Though his interest in drawing Western subjects had been sparked as a child by his older brother Oliver, he did not attempt it until junior high when he began to follow the work of Frederick Remington.2 At the age of eighteen, along with a friend who also had the “western fever,” Gollings boarded a railcar from Chicago to the Great Plains state of South Dakota, under an assumed name and misuse of a “drover's pass” (which allowed livestock caretakers to a free return fare).3 Gollings and his friend traveled through South Dakota and Nebraska where they worked seasonal jobs as ranch hands, and eventually Gollings settled on his own in Montana, near the Northern Cheyenne Indian Reservation.4 Gollings began painting in 1903 when he acquired some oil paints through the Montgomery Ward & Company

catalogue.5 Golling's brother DeWitt acted as his promoter, first pitching his works locally and then in Chicago. After some successful sales and favorable press, on the encouragement of his brother, Gollings attended The Chicago Academy of Fine Arts (now the School of the Art Institute of Chicago). After his schooling, Gollings returned to Sheridan, Wyoming, where he continued to work as a cowhand, painting intermittently. By 1909, Gollings devoted himself to art in earnest, building a studio, marketing his own works, and attending art exhibits.6 1. Scherger, R.H. (Bob), “Paint Bill: Elling W. Gollings, Working Cowboy and Unsung Artist, Finally Emerges From Some Self-Imposed Shadows,” Montana: The Magazine of Western History, Volume 15, No. 2, (Spring 1965), Montana Historical Society, pp.

72-75.

2. Ibid., 76.

3. Ibid.

4. Ibid., 71, 79.

5. Ibid.

6. Ibid., 81-84.

$30,000-50,000

411.

Earl Wesley Bascom (American, 1906-1995) Rodeo’s First Hornless Bronc Saddle Signed, titled, and dated “...DESIGNED AND MADE BY EARL W. BASCOM/IN 1922/© 1982 EARL W. BASCOM.” and numbered “23-100” within the cast on the base.

Bronze, 11 1/2 x 9 3/4 x 7 1/4 in. (29.2 x 24.8 x 18.4 cm), mounted to a wooden plinth.

Condition: Surface dust.

N.B. A certificate from John A. Bascom, son and trustee for the Estate of Earl W. Bascom, accompanies the lot. $2,000-3,000

411

412.

Tim Solliday (American, b. 1952) Through the Snow, alternatively titled The Mountainman Signed “Tim Solliday” l.r., titled, inscribed, and dated “...UOG70...1983” on the reverse.

Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Good.

N.B. We wish to thank the artist for his assistance with cataloguing this lot. $1,000-1,500

412

413

413.

Earl Wesley Bascom (American, 1906-1995) Five Minutes to Midnight Signed, numbered, and dated “AMIII... EARL W. BASCOM/© 1982” in the cast on the base.

Bronze with dark brown patina, approximately 18 x 19 x 9 1/2 in.

(45.7 x 48.3 x 24.1 cm), mounted to a wooden plinth.

Condition: Surface dust.

N.B. A certificate from John A. Bascom, son and trustee for the Estate of Earl W. Bascom, accompanies the lot. $5,000-7,000

414.

Aiden Lassell Ripley (American, 1896-1969) Timberdoodles Unsigned, graphite sketch of a hunting scene on the reverse, artist identified on a label from The Guild of Boston Artists affixed to the reverse.

Watercolor with graphite on board, sight size 8 3/8 x 6 3/8 in. (21.3 x 16.2 cm), framed.

Condition: Toning, soiling/staining, mild wear to edges. $1,000-2,000

415.

Aiden Lassell Ripley (American, 1896-1969) The Hunt Unsigned, pencil sketch of hunting scene on the reverse, artist identified on a label from The Guild of Boston Artists affixed to the reverse.

Watercolor with gouache and graphite on paper, sight size 5 7/8 x 9 3/4 in. (14.9 x 24.8 cm), framed.

Condition: Extremely subtle toning, pinholes, possibly adhered or hinged to back mat along the top edge. $2,000-3,000 414

415

416

416.

Aiden Lassell Ripley (American, 1896-1969)

417.

Frank Vining Smith (American, 1879-1967)

View with Ruffled Grouse Signed and inscribed “Sketch A. Lassell Ripley” on the reverse, identified on a label affixed to the backing.

Gouache, charcoal, and graphite on paper/board, 12 1/8 x 17 1/8 in.

(30.8 x 43.5 cm), framed.

Condition: Brown gum taped to window mat, gridded composition. $1,000-1,500

White Tipped Coots, alternatively titled Sea Fowl Signed “Frank Vining Smith” l.l. and l.r., titled and inscribed “Property of/Mildred L. Justice/June 1963” on the reverse.

Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Surface grime, varnish inconsistencies.

417

Provenance: Ex-collection of Mildred L. Justice, Hingham, Massachusetts. $5,000-7,000

418

418.

Charles Albert Burlingame (American, 1860-1930)

419.

Ferenc Olgyai (Hungarian, 1872-1939)

View of a Pond on a Breezy Day Signed and dated “CA Burlingame 02” l.r.

Oil on panel, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Minor skinning, retouch, varnish inconsistencies, signature reinforced. $1,200-1,800

Rose Trees by the Lake Signed “Olgyai F.” l.r., identified on a label on the reverse.

Oil on canvas, 23 3/4 x 21 1/2 in. (60.3 x 54.6 cm), framed.

Condition: Craquelure, subtle canvas deformations, surface grime, alligatoring. $800-1,200

419

420

420.

Hubert Vos (Dutch/American, 1855-1935) Wooded Pond Signed and dated “Hubert/VOS 1913” l.l.

Oil on canvas, sight size 20 7/8 x 28 1/4 in. (53.0 x 72.0 cm), framed.

Condition: Good. $1,500-2,000

421

421.

Elizabeth Boardman Warren (American, 1886-1980)

422.

Wayne Beam Morrell (American, b. 1923)

Lot of Two Landscapes: Landscape with Stream and Beach at Dusk Stream signed and dated “E B Warren 1903” l.l., Beach signed “E.B. Warren” l.l.

Watercolor and gouache on paper/board, sight sizes to 8 3/4 x 13 1/2 in. (22.2 x 34.3 cm), framed.

Condition: Beach with rippling, toning, foxing, both not examined out of frames. $1,800-2,200

Spring Meadows Weathersfield [sic], Conn., alternatively titled Marshes in the Spring, 1963 Signed and dated “1963 WAYNE MORRELL” l.l., inscribed, titled, and signed “...by Wayne Morrell...” on the backing.

Watercolor and pastel on paper, sight size 17 x 23 in. (43.2 x 58.4 cm), framed.

Condition: Subtle rippling, not examined out of frame.

422

N.B. A copy of the monograph The Morrell Sketches: Quick...the Speed of Light is Faster than my Pen! by Wayne and Lisa Morrell, published by the Wayne Morrell Gallery, Rockport, accompanies the lot. $300-500

423

423.

Hugh Bolton Jones (American, 1848-1927)

424.

Thomas Jefferson Willison (American, 1864-1940)

Landscape with Stream Signed “H. BOLTON JONES” l.r. identified on two labels from the Dawson Gallery, Annapolis, Maryland, affixed to the reverse.

Oil on board, 9 x 14 in. (22.9 x 35.6 cm), framed.

Condition: Support mounted onto Masonite, retouch (including repairs to corners), varnish inconsistencies, surface grime. $2,500-3,000

Fields and Stream Monogram signature “TJWillison” l.l.

Oil on board, 6 x 9 1/4 in. (15.2 x 23.4 cm), framed (under glass).

Condition: Scattered retouch, mild surface grime. $300-500

424

425

425.

Harold Broadfield Warren (American, 1859-1934)

426.

Eric L. (Frederic) Pape (American, 1870-1938)

View of the Homestead in Westminster, Possibly Vermont Signed and dated “H.B. WARREN 1903” l.r.

Watercolor on paper, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed.

Condition: Not examined out of frame.

Lot of Three Views of The Plains, Manchester-by-the-Sea, Home of Eric Pape Two signed and dated “Eric Pape 1925” and one signed and dated “Eric Pape 25” in pencil l.r., each stamped “ESTATE OF Eric Pape 1870-1938” and identified on the backing.

Graphite on paper, sight sizes to 17 3/4 x 12 in. (45.1 x 30.5 cm), framed.

Condition: Not examined out of frames. $800-1,200

N.B. A handwritten letter dated July 2, 1903, from the artist in Dorset, Vermont, to his cousin Henry, regarding the present work, accompanies the lot. $1,000-1,500

426 (2 of 3)

427

427.

Attributed to Paul Cornoyer (American, 1864-1923) Landscape with Sheep by a River Incised “PAU...� l.l., a plaque from Foster Brothers, Boston, affixed to the reverse.

Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Surface grime, varnish inconsistencies.

Provenance: Through the family of Mr. and Mrs. Francis J. Oakes, Jr., Brookline, Massachusetts, by family descent. $1,000-1,500

428

428.

Carl Gordon Cutler (American, 1873-1945)

429.

Carl Gordon Cutler (American, 1873-1945)

Scrub Pines with Boulder Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on the backing.

Watercolor and conté crayon on paper, sight size 16 5/8 x 24 1/2 in.

(42.2 x 62.2 cm), framed.

Condition: Subtle rippling, not examined out of frame. $700-900

Lily Pads Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on the backing.

Watercolor and conté crayon on paper, sight size 18 5/8 x 24 in.

(47.3 x 61.0 cm), framed.

Condition: Subtle rippling, not examined out of frame. $700-900

429

430.

Carl Gordon Cutler (American, 1873-1945) Dead Pines Signed “Carl G. Cutler” l.l., titled in a later hand on the backing.

Watercolor and graphite on paper, sight size 20 3/4 x 14 in. (52.7 x 35.6 cm), framed.

Condition: Subtle rippling, not examined out of frame. $600-800

431.

Carl Gordon Cutler (American, 1873-1945) Quarry Stones, #2 Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on backing.

Watercolor and conté crayon on paper, sight size 16 1/2 x 25 in.

(41.9 x 63.5 cm), framed.

Condition: Subtle rippling, not examined out of frame. $800-1,200

430

431

432

432.

Wayne Beam Morrell (American, b. 1923)

433.

Wayne Beam Morrell (American, b. 1923)

Cape Ann Lou-Striffe [sic] Pond Signed and dated “-1987 WAYNE MORRELL-” l.r., dedicated, titled, inscribed, and signed “...Aug. 1987/One of my very finest oils by Wayne Morrell” on the reverse.

Oil on Masonite, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Pigment fluorescence. $3,000-5,000

The Apple Tree Incised signature “WAYNE MORRELL” l.l.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Good.

433

$1,000-1,500

434

434.

John Joseph Enneking (American, 1841-1916)

435.

Wayne Beam Morrell (American, b. 1923)

The Summer Forest Signed and dated “Enneking 90” l.r.

Oil on artist board, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Minor losses/abrasions to margins.

Tital [sic] Marsh Morning Mist, 1972 Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...JUNE 1972” on the reverse.

Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed.

Condition: Good. $1,800-2,200

N.B. The work is registered in the Catalogue Raisonné of John J. Enneking by Patricia Jobe Pierce as number IV-A-255. $1,500-2,500

435

436

436.

Emile Albert Gruppé (American, 1896-1978) Rainy Day, Vermont Signed “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A. Gruppé” on the stretcher.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Minor surface grime. $7,000-9,000

437

437.

Aldro Thompson Hibbard (American, 1886-1972) Vermont Valley/An Autumn Landscape Signed “A.T. Hibbard” l.l., inscribed and titled “4X-56...” on the reverse.

Oil on canvas, 20 x 23 3/4 in. (50.8 x 60.3 cm), framed.

Condition: Minor abrasions and surface grime, craquelure, pigment fluorescence. $8,000-12,000

438.

Ludwig Munninger (German, 20th Century) Sunset on the Lake Incised signature “L. Munninger” l.l.

Oil on canvas, 31 3/4 x 23 3/4 in. (61.0 x 60.3 cm), framed.

Condition: Good. $1,000-1,500

439.

George Gardner Symons (American, 1863-1930) View by a Lake Initialed “G.S.” l.r.

Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Retouch. $1,500-2,500

438

439

440

440.

Wayne Beam Morrell (American, b. 1923)

441.

Stanley Wingate Woodward (American, 1890-1970)

La Haska [sic] Pond, Pa., 1978 Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...Spring 1978” on the reverse, inscribed “Pond in Ipswich, Mass 1979 by Wayne Morrell” in a later hand on the backing.

Oil on artist board, 22 x 30 in. (55.9 x 76.2 cm), framed.

Condition: Minor surface grime. $1,200-1,800

Landscape with Barn Signed “St. Woodward” l.l.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime.

441

$800-1,200

442

442.

Thomas R. Curtin (American, 1899-1977) Autumn Birches Signed “Thos. R. Curtin” l.r.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Craquelure, surface grime. $1,000-1,500

443.

Stanislaw Clastrier (French, 19th/20th Century) Morning Mist Signed “S. CLASTRIER·” l.r.

Oil on canvas, 24 x 19 1/2 in. (61.0 x 49.5 cm), framed.

Condition: Lined, retouch, craquelure. $800-1,200

443

443A

443A. Paul Strisik (American, 1918-1998) Autumn Mantle Signed “P. Strisik” l.r., inscribed and titled “...#0-338” and stamped “PAUL STRISIK/10 MAIN STREET/ROCKPORT, MASS. 01966” and “REPRODUCTION RIGHTS RESERVED BY THE ARTIST” on the reverse.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Good. $1,000-1,500

444

444.

Eric Sloane (American, 1905-1985) The Old Covered Bridge in Autumn Signed “Eric Sloane” l.r.

Oil on Masonite, 24 x 35 3/4 in. (61.0 x 90.8 cm), framed.

Condition: Minor losses/abrasions along margins, surface grime, pigment fluorescence.

Provenance: From the artist to a member of the Rolls-Royce Owner’s Club (RROC), Connecticut; by family descent to a private New England collection. $10,000-15,000

445

445.

Sydney Richmond Burleigh (American, 1853-1931)

446.

Pierre Emmanuel Damoye (French, 1847-1916)

Autumn Landscape Signed “S. R. Burleigh” l.r., a label from John W. Auty, Providence, Rhode Island, affixed to the reverse.

Watercolor on paper/board, sight size 9 7/8 x 14 1/8 in. (25.0 x 35.9 cm), framed.

Condition: Mild foxing and toning, some subtle fading, not examined out of frame.

Marais à Arleaux Signed, inscribed, and dated “Damoye Paris 93” l.l., identified on labels on the reverse.

Oil on canvas, 25 1/2 x 15 3/4 in. (64.8 x 40.0 cm), framed.

Condition: Lined, retouch, craquelure. $1,200-1,800

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250

446

447

447.

Aldro Thompson Hibbard (American, 1886-1972) Vermont Mountains at Dusk Signed “A.T. Hibbard” l.r., stamped “REPRODUCTION RIGHTS RESERVED” on the reverse and inscribed, probably in a later hand, on the reverse.

Oil on canvas mounted onto board, 17 x 19 3/4 in. (43.2 x 50.2 cm), framed.

Condition: Mild surface grime. $6,000-8,000

448

448.

Aldro Thompson Hibbard (American, 1886-1972) Vermont Valley/A Winter Landscape Signed “A.T. Hibbard.” l.r., inscribed, titled, and stamped “#9...REPRODUCTION RIGHTS RESERVED” on the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Craquelure.

N.B. Aldro Hibbard was born in Falmouth, Massachusetts, in 1886, and grew up in Dorchester. A gifted artist, he discovered his love of painting at an early age. He attended the Massachusetts Normal Art School and then the School of the Museum of Fine Arts where he studied with Edmund Tarbell, Frank Benson, and Joseph DeCamp, and was awarded the prestigious Paige Traveling Scholarship (1913-15) for study in Europe. With the onset of World War I, Hibbard returned to the United States, settling for a time in Provincetown. He relocated to Rockport in 1920, where he became very active in the art community. He and a group of other artists founded The Rockport Art Association at a meeting in his studio in 1921. Hibbard was also a Founding Member and Director of the Rockport Art Association (MA) Summer School of Drawing and Painting (1921-1928). Especially well regarded for his snow scenes, Hibbard spent a great deal of time Vermont, where he painted out-of-doors throughout the winter. $12,000-18,000

449

449.

John Fabian Carlson (American, 1874-1945) Winter... the Wood Signed “John F. Carlson� l.l., identified on a label from Henry M. Toch affixed to the reverse.

Oil on canvas mounted onto board, 8 1/4 x 10 1/2 in. (21.0 x 26.7 cm), framed (under glass).

Condition: Supporting board mounted onto Masonite, mild surface grime. $2,500-3,500

450

450.

Aldro Thompson Hibbard (American, 1886-1972) Winter Stream Signed “A.T. Hibbard” l.l., inscribed “8X26” in marker and with a label from the A.T. Hibbard Collection, Ledgendsea Gallery, Rockport, Massachusetts, on the reverse.

Oil on canvas mounted to Masonite, 16 3/4 x 21 in. (42.5 x 53.3 cm), framed.

Condition: Very minor surface grime. $5,000-7,000

451

451.

Carroll Leja Nichols (American, b. 1882) Stream in Winter Signed “C.L. NICHOLS” l.l.

Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.

Condition: Retouch, patch reinforcements. $3,000-5,000

452

452.

Churchill Ettinger (American, 1903-1984)

453.

Frank Townsend Hutchens (American, 1869-1937)

Out of the Chute-Stratton Signed “Churchill Ettinger” l.l., titled and with a label from Alice and Win Dibble, Shoreham, Vermont, on the backing.

Watercolor and graphite on paper, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

An Ice Bound Brook Signed “Frank T. Hutchens” l.r., titled and inscribed “...Frank Townsend Hutchens/for...Elizabeth” on a label affixed to the stretcher.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Surface grime, retouch, lined, craquelure. $1,200-1,800

453

454

454.

Robert Shaw Wesson (American, 1902-1967)

455.

Paul Starrett Sample (American, 1896-1974)

Winter Village at Tunbridge V.T. Signed “Robert Wesson” l.r., titled, signed, and dated “...Robert Wesson 51” on the reverse.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Craquelure, varnish inconsistencies, surface grime. $1,200-1,800

Farm in Snow Signed “PAUL SAMPLE” l.r.

Watercolor on paper/board, sight size 13 1/8 x 20 1/4 in. (33.3 x 51.4 cm), framed.

Condition: Not examined out of frame. $2,500-3,500

455

456

456.

Robert Strong Woodward (American, 1885-1957) Red Farm in Winter, alternatively titled Under the Hill Signed and dated “Robert Strong Woodward...” l.l., identified on a presentation plaque.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Lined, retouch, craquelure.

N.B. Robert Strong Woodward was born in Northampton, Massachusetts, and lived in the area of Shelburne Falls and Buckland, where this landscape was painted. Red Barn in Winter is also known by an alternate title, Under the Hill. Woodward kept a diary of his artwork and a scrapbook of newspaper and magazine clippings. He described this painting in his diary, “Painted circa 1925. Winter view of the present Peltier house (next to the ‘Lightning Splitter’) where the S.F.- -Buckland Road crosses the Clessons River (about halfway between S.F. and Buckland). Little dark red farm house under a tall slender elm, backed by the rounded mountain dome and shoulder of the hill back of Leon Goodnow’s. This canvas was bought from one of my early Boston exhibitions by Miss Eugenia B. Frothingham of Marlboro St. Boston.”1 There is a second, slightly later version of this painting, whereabouts unknown. Dr. Mark L. Purington, Jr., a lifelong friend of the artist, created a website in 2002 to catalog, document, and preserve information about the life and work of Robert Strong Woodward.

1. From the artist’s diary, as transcribed on the Web site http://www.robertstrongwoodward.com/Gallery/u/1u.htm

$4,000-6,000

457

457.

Carl Frederick Gaertner (American, 1898-1952) October Snow Signed and dated “CARL GAERTNER/1945” l.r., inscribed “...104...” and identified on labels, including one from the Ohio Water Color Society Twenty-second Annual Circuit Exhibition, on the reverse.

Watercolor and gouache on Masonite, sight size 22 x 30 in. (55.9 x 76.2 cm), framed (under glass).

Condition: Not examined out of frame. $1,000-1,500

458

458.

Svend Rasmussen Svendsen (Norwegian/American, 1864-1945)

459.

Otto Bierhals (American, 1879-1944)

Country Road in Winter Signed “SVEND SVENDSEN.” l.r.

Oil on canvas, 15 3/4 x 20 in. (40.0 x 50.8 cm), framed.

Condition: Surface grime. $1,000-1,500

Winter View Through the Grove Signed “OTTO BIERHALS” l.r.

Oil on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.

Condition: Surface grime.

459

$800-1,200

460

460.

Wayne Beam Morrell (American, b. 1923)

461.

Bernard Corey (American, 1914-2000)

Vermont Mts. Near Middlebury Vermont, April 6 - 1987 Signed “WAYNE MORRELL” l.l., dedicated, titled, signed, dated, and inscribed “To Our Good Friends EDITH & HENRY ROCK...by WAYNE MORRELL, 1987, ‘One of my Finer Vermont Snow Scenes’” on the reverse, identified on a label affixed to the reverse.

Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Pigment fluorescence, surface grime. $1,200-1,800

Winter Landscape Unsigned, identified on a label from Royka’s Fine Art “From the Estate of Bernard Corey... This is an original work by Bernard Corey/Certified

by Paul A. Royka/Paul A. Royka R525“ verso, estate stamps on the reverse.

Oil on canvas, 12 x 16 in. (30.4 x 40.5 cm), framed.

Condition: Good. $700-900

461

462

462.

Emile Albert Gruppé (American, 1896-1978) First Snow Vermont Signed “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A. Gruppé” on the stretcher.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime, craquelure. $7,000-9,000

463

463.

Lawrence Nelson Wilbur (American, 1897-1988)

464.

Paul Lauritz (Norwegian/American, 1889-1975)

Rocky Coastal View with Gulls Signed “LAWRENCE WILBUR” l.l.

Oil on canvas, 27 x 36 in. (68.6 x 91.4 cm), framed.

Condition: Craquelure, surface grime, pigment fluorescence. $1,000-1,500

After the Storm, Carmel Signed “PAUL LAURITZ” l.r., titled on a label on the back of the frame and on the stretcher.

Oil on canvas, 26 x 39 in. (66.0 x 99.0 cm), framed.

Condition: Surface grime, craquelure, stain on back of canvas.

N.B. A brochure about the artist is tacked to the back of the frame.

Provenance: Bonhams & Butterfields, San Francisco, December 8, 2004, Lot 242. $2,000-3,000

464

465

465.

John Whorf (American, 1903-1959)

466.

Roger William Curtis (American, 1910-2000)

Rolling Surf on a Rocky Shoal Signed “John Whorf.” in pen l.r.

Watercolor on paper, 14 1/2 x 21 1/4 in. (36.8 x 54.0 cm), framed.

Condition: Not examined out of frame.

Cape Ann Shore Signed “Roger Curtis” l.r., identified on a label from North Shore Arts Association Silent Auction affixed to the reverse.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime. $800-1,200

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $3,000-5,000

466

467

467.

Harry A. Neyland (American, 1877-1958)

468.

Don Stone (American, b. 1929)

The Lone Gate, Appledore Island, Isles of Shoals, New Hampshire Signed and dated “Harry Neyland. 07” l.r., titled “the loan [sic] gate...” on the reverse.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Lined, craquelure. $3,000-5,000

Rocky Coastal View with Sailboats Signed “Don Stone” l.l.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime, subtle varnish inconsistencies. $1,000-1,500

468

469

469.

Edmund Elisha Case (American, 1844-1919) Coastal View Signed “EDMUND E. CASE.” l.r.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), in a period frame.

Condition: Retouch. $4,000-6,000

470

470.

Jay Hall Connaway (American, 1893-1970)

471.

Charles Herbert Woodbury (American, 1864-1940)

Rocks and Surf at Monhegan Signed and dated “Connaway/48” twice l.r., inscribed “Monhegan” l.l., identified on labels from The English Gallery, Boston, Doll & Richards, Inc., Boston, and Vose Galleries of Boston on the backing.

Tempera and oil on artist board, sight size 15 x 19 1/2 in. (38.1 x 49.5 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

Sea Spray Signed “Charles H. Woodbury” l.r.

Oil on canvasboard, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Very minor surface grime.

471

$800-1,200

472

472.

Lillian Mathilde Genth (American, 1876-1953) River Torrent Signed “L Genth” l.r., identified on a label from The New Britain Museum of American Art on the backing.

Oil on canvas, sight size 8 13/16 x 11 3/4 in. (22.3 x 30.0 cm), framed.

Condition: Good.

Provenance: Mrs. Sanford Low to The New Britain Museum of American Art, New Britain, Connecticut.

Exhibitions: Lillian Mathilde Genth, 1876-1953, A Retrospective, Hickory Museum of Art, Hickory, North Carolina, March 17 to May 27, 1990; St. John’s Museum of Art, Wilmington, North Carolina, June 8 to August 26, 1990; Fine Arts Center at Cheekwood, Nashville, Tennessee, October 21 to December 30, 1990. $1,800-2,200

473

473.

Yong Mun Sen (Malaysian, 1896-1962)

474.

Fred Pye (American, 1882-1964)

View of Fisherman with a Catamaran Signed and dated “MUN SEN 52” l.l.

Watercolor and graphite on paper, sheet size 10 1/2 x 14 1/2 in.

(26.7 x 36.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

Calm Sea, Ogunquit Signed and inscribed “FRED PYE, OGUNQUIT, MAINE” in ink l.r., inscribed “FRED PYE, 1931 BROADWAY, STUDIO 607, ...TRAF 7139” in the artist’s hand on the reverse, titled on the artist’s invoice affixed to the backing.

Oil on canvas mounted onto board, 12 1/4 x 16 1/4 in. (31.1 x 41.3 cm), in a Newcomb-Macklin frame (under glass).

Condition: Scattered retouch, mild surface grime, not examined out of frame. $1,200-1,800

474

475

475.

Henry Curtis Ahl (American, 1905-1996)

476.

Yong Mun Sen (Malaysian, 1896-1962)

Rocky Coastal Surf Signed “Ahl” l.r.

Oil on canvas, 7 1/8 x 10 in. (18.1 x 25.4 cm), framed.

Condition: Surface grime, retouch.

Sailing Vessels on the Beach Signed and dated “MUN SEN 1952” l.l.

Watercolor and graphite on paper, sight size 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

$1,000-1,500

476

477

477.

John Whorf (American, 1903-1959)

478.

Carlos Vierra (American, 1876-1937)

Hurricane Signed “John Whorf” l.r., indistinctly inscribed in pencil l.l., inscribed and titled “13...” verso.

Watercolor with gouache on paper, sight size 14 1/2 x 21 1/2 in.

(36.8 x 54.6 cm), framed.

Condition: Subtle rippling, mild toning, pinholes to corners. $4,000-6,000

View of the Clipper Ship Shenandoah Assisted by the Kitty Murphy Signed “Carlos Vierra” l.l.

Oil (en grisaille) on canvas mounted to panel, 19 1/2 x 27 1/4 in.

(49.5 x 69.2 cm), framed.

Condition: Tack holes to corners and tacks to margins, surface grime, minor abrasions to tacking margin, craquelure. $2,000-2,500

478

479

479.

John Whorf (American, 1903-1959)

480.

Vladimir Pavlosky (American, 1884-1944)

A Mackerel Smack Signed “John Whorf.” l.r., identified on a label from Grace Horne Galleries, Boston, affixed to the backing.

Watercolor on paper, sight size 15 x 21 1/4 in. (38.1 x 54.0 cm), framed.

Condition: Not examined out of frame.

Boats at Rest Signed “V. Pavlosky” l.l., identified on a label from Doll & Richards, Inc., Boston, on the reverse.

Watercolor and graphite on paper, sight size 14 1/2 x 20 1/4 in. (36.8 x 51.4 cm), framed.

Condition: Not examined out of frame. $800-1,200

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family. $5,000-7,000

480

481

481.

Ernest Lee Major (American, 1864-1950)

482.

Julian Walbridge Rix (American, 1850-1903)

A Breezy Day Signed “Ernest L. Major.” l.l.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.

Condition: Small tears, surface grime, losses, flaking.

On the Path to the Water Signed “Julian Rix” l.r.

Oil on board, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), framed.

Condition: Highly varnished, retouch, surface grime, bowing to board. $2,500-3,500

$1,000-1,500

482

483

483.

Kate Leah Cotharin (American, b. 1866)

484.

Margaret Baker (American, b. 1899)

Day at the Beach Unsigned, identified on the backing.

Pastel on paper/board, sheet size 4 1/2 x 10 1/2 in. (11.4 x 26.7 cm), framed.

Condition: Surface imperfections. $500-700

Wharf Road Monogram signature “MBaker� in ink l.r., identified on a label affixed to the reverse.

Oil on artist board, 10 x 10 1/4 in. (25.4 x 26.0 cm), framed.

Condition: Craquelure. $1,200-1,800

484

485

485.

Don Stone (American, b. 1929)

486.

Otis Pierce Cook, Jr. (American, 1900-1980)

From Wharf Hill, Monhegan Island, Me. Signed “Don Stone-” l.l., titled and inscribed “...by Don Stone A.N.A./A.W.S./All reproduction rights reserved by the artist” on the reverse.

Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Good. $1,000-1,500

Motif #1 Signed “Otis Cook” l.l., identified on an invoice from the artist dated 1975 affixed to the reverse.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Good. $2,000-3,000

486

487

487.

Harry Aiken Vincent (American, 1864-1931) Harbor View, Probably Cape Ann Signed “H.A. VINCENT” l.r.

Oil on canvas, 20 1/2 x 24 in. (52.1 x 61.0 cm), framed.

Condition: Lined, retouch, craquelure. $6,000-8,000

488

488.

Wayne Beam Morrell (American, b. 1923)

489.

Florence Leif (American, 1913-1968)

Rockport Cove Sailboats, alternatively titled Off a Rockport Ma. Cove, 2008 Signed “WAYNE MORRELL” l.l., titled and signed “...by Wayne Morrell...” on the backing.

Oil and graphite on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Good. $1,000-1,500

Still Life with Shells Signed and dated “F. Leif ‘53” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Mild surface grime.

489

$1,200-1,800

490

490.

Wayne Beam Morrell (American, b. 1923) A Rockport Beach, alternatively titled A Rockport Low-Tide Beach Signed “WAYNE MORRELL” l.l., titled in the artist’s hand on the backing.

Oil and graphite on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Subtle bowing. $1,000-1,500

491

491.

Robert Strong Woodward (American, 1885-1957) The Farm Yard, North Hadley Signed “Robert Strong Woodward” in pencil l.l., titled l.r., identified on a label affixed to the backing.

Pastel and conté crayon on paper, sight size 22 1/2 x 29 1/2 in. (57.2 x 74.9 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

492.

Stacy Tolman (American, 1860-1935) Yard View, Purportedly Providence, Rhode Island Signed “Stacy Tolman” l.r.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), unframed.

Condition: Craquelure, lined, subtle skinning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $1,000-1,500

492

493

493.

Samuel Peter Rolt Triscott (American, 1846-1925) Fishing Shacks, Probably Monhegan, Maine Signed “S.P. Rolt Triscott� l.l.

Watercolor and graphite on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.

Condition: Foxing, not examined out of frame. $1,000-1,500

494

494.

Henry Martin Gasser (American, 1909-1981)

495.

Marshall Woodside Joyce (American, 1912-1998)

View from the Quarry House (Rockport) Signed “HGASSER/” in pencil l.r., titled and signed “...HENRY GASSER/NA.” on the backing.

Watercolor, ink, and graphite on paper, sight size 8 3/4 x 11 1/4 in.

(22.2 x 28.6 cm), framed.

Condition: Not examined out of frame. $500-700

Motif #1/A Rockport Harbor View Signed and dated “MARSHALL W. JOYCE 78” in pen l.r.

Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Surface grime.

495

$800-1,200

496

496.

William Lester Stevens (American, 1888-1969)

497.

Wayne Beam Morrell (American, b. 1923)

Harbor at Vinalhaven, Maine Signed “W. LESTER STEVENS, N.A.” l.l., titled on the reverse.

Watercolor and graphite on paper, sheet size 15 x 22 in. (38.1 x 55.9 cm), unframed.

Condition: Handling creases, tape residue on the reverse, cloth tape hinged to backing mat, toning, surface abrasions. $1,000-1,500

View of a Dory on the Beach Signed “WAYNE MORRELL” l.l.

Oil on Masonite, 20 1/2 x 26 1/2 in. (52.1 x 67.3 cm), framed.

Condition: Good. $1,000-1,500

497

498

498.

Will Low Bacher (American, 1898-1982)

499.

Lionel S. Reiss (American, 1894-1988)

New Paltz S.T.C. Signed “Will Low Bacher” l.r., titled on the stretcher.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime.

Pigeon Cove Harbor Signed “Lionel S. Reiss” in pen l.l., identified on a label affixed to the backing.

Watercolor and graphite on paper, sight size 18 1/4 x 23 1/4 in. (46.4 x 59.1 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

$1,000-1,500

499

500

500.

Hazel (Mrs. William C.) Finck (American, 1894-1977)

500A. Lee M. Loeb (American, 20th Century)

Harbor View, Possibly Wellfleet, Massachusetts Signed “FiNCK” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Craquelure, surface grime.

Rockport Harbor Signed “LEE LOEB” l.r., identified on a label from the Salmagundi Club Fall 1966 Auction Sale and Exhibition affixed to the reverse.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Surface grime, retouch. $1,000-1,500

$1,000-1,500

500A

501.

Laurence Philip Sisson (American, b. 1928) Lot of Two Harbor Views: Low Moon and Moon Fog Both signed “L. Sisson” l.l., both titled and numbered verso.

Watercolor on paper, sheet sizes to 22 5/8 x 30 5/8 in. (57.5 x 77.8 cm), unframed.

Condition: Minor tack holes in corners or along one margin. $1,000-1,500

502.

Laurence Philip Sisson (American, b. 1928) Lot of Two Coastal Views: Seining and Fiddleheads and Fiddlehead Sun Both signed “L. Sisson” l.r., both titled and numbered verso.

Watercolor on paper, sheet sizes to 30 1/4 x 22 1/2 in. (76.8 x 57.2 cm), unframed.

Condition: Tack holes along edges. $1,200-1,800

501

502

503

503.

John Cuthbert Hare (American, 1908-1978)

504.

Laurence Philip Sisson (American, b. 1928)

New Harbor, Maine Signed “John Hare” l.r., titled and inscribed “...John Hare paid July 1965...” on the stretcher.

Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.

Condition: Surface grime, craquelure. $1,500-2,000

Lot of Two Shore Views: Dance with Purple Moon and The Inlet Both signed "L. Sisson" l.l., one signed "L Sisson" c.r., both titled and numbered verso.

Watercolor on paper, sheet sizes to 30 3/4 x 22 5/8 in. (78.2 x 57.5 cm), unframed.

Condition: Tack holes in corners or along edges, two small tears (to 3/4 inch) l.c. along edge in The Inlet. $1,200-1,800

504

505

505.

Attributed to Arthur Franklyn Musgrave (American, 1878-1969)

506.

Continental School, 20th Century

Coastal Cliffs Unsigned.

Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Abrasion with loss in u.r. quadrant, scattered craquelure, surface grime. $1,500-2,000

View of the French Riviera Signed indistinctly l.r., with a label from Haley and Steele, Boston, on the reverse.

Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.

Condition: Subtle canvas deformations. $3,000-5,000

506

507

507.

Maxime Maufra (French, 1863-1918) Marine par temps de pluie Signed and dated “Maufra 94.� l.r., identified on a presentation plaque and on labels from Durand-Ruel, Paris & New York, on the reverse, also with a label from Doll & Richards, Boston, affixed to the frame.

Oil on canvas, 23 1/2 x 29 in. (59.7 x 73.7 cm), framed.

Condition: Craquelure, surface grime, retouch. $8,000-12,000

508

508.

Eastern European School, 20th Century Summer Landscape with Poppies Unsigned, stamped “...ZETI GALERIA/BUDAVARI PALOTA/...D épület...,” probably from the Magyar Nemzeti Galéria [Hungarian National Gallery], on the stretcher bar.

Oil on canvas, 23 1/4 x 31 1/2 in. (59.1 x 80.0 cm), framed.

Condition: Lined, retouch, restored tear, craquelure, surface grime. $1,500-2,000

509.

Yarnall Abbott (American, 1870-1938) View of a Sun-dappled Road Signed and dated “Yarnall Abbott 1...” l.r.

Oil on canvas, 17 x 14 in. (43.2 x 35.6 cm), framed.

Condition: Surface grime, craquelure. $800-1,200

510.

Attributed to Dawson Dawson-Watson (British/American, 18641939) Giverny Field Unsigned, stamped “Toiles et Couleurs F.../L.AUBE.../Rue Brea...” on the reverse.

Oil on canvas, 15 x 25 in. (38.1 x 63.3 cm), framed.

Condition: Strip lined, retouch, surface grime. $2,000-3,000

509

510

511

511.

Frank Cohen Kirk (American, 1889-1963)

512.

Stanley Huber Wood (American, 1894-1949)

Desert Hot Springs/A Southern California Landscape Signed “F.C. KIRK” l.l., titled and inscribed “...Mrs. Kirk” on the reverse.

Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Surface grime, craquelure, tack holes. $500-700

View of a Village in Taxco, Mexico Signed, dated, and inscribed “Stanley Wood/38/TAXCO- 723” l.l.

Watercolor and graphite on paper, sight size 14 1/4 x 20 in. (36.2 x 50.8 cm), framed.

Condition: Not examined out of frame. $800-1,200

512

513

513.

Samuel Colman (American, 1832-1920) Distant Town, Possibly a View of Mexico Signed and dated “Sam. Colman 08� l.r.

Watercolor on paper, sight size 7 x 14 in. (17.8 x 35.6 cm), framed.

Condition: Toning, pale staining/foxing, pinholes along edges, taped along edge verso to window mat. $1,500-2,000

514

514.

Attributed to Hezekiah Anthony Dyer (American, 1872-1943)

515.

Raymond Quence (French/American, b. 1932)

View with a Woman on a Path by a Country House Unsigned, with a label from Tilden-Thurber Co. Art Gallery, Providence, Rhode Island, on the backing.

Gouache on paper/board, sight size 6 1/2 x 9 1/4 in. (16.5 x 23.5 cm), framed.

Condition: Toning.

A Paimpol Signed “Quence� l.l., with a label from Wally Findlay Galleries affixed to the backing.

Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.

Condition: Good.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

515

N.B. A guarantee from Wally Findlay Galleries, Inc. identifiying the present work accompanies the lot. $1,000-1,500

516

516.

Louis Gustave Cambier (Belgian, 1874-1949)

517.

Wayne Beam Morrell (American, b. 1923)

Country Landscape Signed and dated “Cambier 1930” l.r., canvas stamped “Louis G. CAMBIER....BRUXELLES” on the reverse, identified on a label on the back of the frame.

Oil on canvas, 19 1/2 x 23 1/2 in. (50.0 x 49.5 cm), framed.

Condition: Old repairs, paint loss, craquelure, surface grime. $2,000-3,000

Apple Orchards Near Giverny, France, 1988 Signed “WAYNE MORRELL” l.l., titled, inscribed, and signed “(Near Monet’s Garden)... Spring-...by Wayne Morrell” on the reverse.

Oil on Masonite, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Good. $1,000-1,500

517

518.

Roger Casse (French, 1880-1944) Jardin du Luxembourg Signed and dated “Roger Casse 1911” l.r., identified on a label on the reverse.

Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.2 cm), framed.

Condition: Craquelure, minor abrasions, retouch, surface grime. $1,000-1,500

519.

Vladimir Lazarev (Russian/American, b. 1904) Parisian Street View, Probably Le Boulevard des Capucines Signed “V. LAZAREV.” l.l.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Craquelure, subtle surface grime. $800-1,200

518

519

520

520.

François Gall (French, 1912-1987)

521.

Andre Hambourg (French, 1905-1999)

Le Pont St. Michel a Paris Signed “F. Gall” l.r., titled and signed “...F. GALL” with stamps from Carel Gallery, Miami Beach, Florida, on the reverse, identified on a presentation plaque.

Oil on canvas, 21 1/4 x 25 1/2 in. (53.9 x 64.8 cm), framed.

Condition: Minor surface grime. $1,000-2,000

Les Petits Anes de Champs Elysee or Les Petits Anes sur le Champs Elysee, Paris Signed “a. hambourg” l.r., titled l.l., inscribed and titled “a. hambourg 39 rue Boissonade Paris XIV...7777...,” probably in the artist’s hand, on the backing, a label from Karnig Gallery, New York, affixed to the reverse.

Ink and gouache on paper, sight size 17 5/8 x 23 3/4 in. (44.7 x 60.3 cm), framed.

Condition: Rippling, toning, not examined out of frame. $4,000-6,000

521

522 (2)

522.

French School, 20th Century

523.

Marcel Mettenhoven (French, 1891-1979)

Lot of Two Views of the Canal de la Giudecca, Venice Signed “Maurice B...z” l.l., inscribed “Venise” l.r., titled on labels on the reverse.

Oil on panel, 10 1/4 x 13 1/2 in. (26.0 x 34.3 cm), framed.

Condition: Partial split to panel, surface grime, craquelure. $1,000-1,500

Les Régates de l’Ile aux Moines Signed, titled, and dated “...Marcel Mettenhoven- 1910.” l.l.

Gouache on laid paper, 21 x 15 in. (53.3 x 38.1 cm), framed.

Condition: Not examined out of frame. $700-900

523

524

524.

William Lee-Hankey (British, 1869-1950) View of Sailboats by a Rampart Signed “W LEE-HANKEY.” l.l.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Minor surface grime. $5,000-7,000

525.

Maurice Grün (French, 1869-1947) Quai de la Gare, Paris Signed “M. Grün” l.l., titled on the stretcher and with stamps from Carel Gallery, Miami Beach, Florida, on the reverse, identified on a presentation plaque on the backing.

Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), framed.

Condition: Surface grime. $1,500-2,500

526.

Hope Smith (American, b. 1879) Lot of Four Genre Scene Sketches All unsigned, artist identified on a label affixed to the reverse of each.

Two oil on panel, two oil on canvasboard, approximate sizes to 5 1/2 x 7 1/8 in. (14.0 x 18.2 cm), unframed.

Condition: One with pigment fluorescence, surface grime, mild wear to edges.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250 525

526

527

527.

Reginald Marsh (American, 1898-1954) Hoboken Pier Signed, dated, and inscribed “REGINALD MARSH ‘37/HOBOKEN PIER” in pen l.r.

Watercolor and graphite on paper, sheet size 11 1/2 x 15 5/16 in.

(29.2 x 38.9 cm), framed.

Condition: Laid down to mat board, tape residue to margins.

N.B. Correspondence from Dr. Norman Sasowsky accompanies the lot. $7,000-9,000

528

528.

Jean Lareuse (French, b. 1925)

529.

Alfred Conway Peyton (American, 1875-1936)

Au Paddock Signed and dated “Jean Lareuse 73” l.r., identified on a presentation plaque, titled and inscribed “J. LAREUSE...,” with a label from Findlay Galleries, Paris, on the reverse.

Oil on canvas, 14 x 16 in. (35.6 x 40.6 cm), framed.

Condition: Minor surface grime. $300-500

The Thoroughbred Signed “A Conway Peyton” l.r.

Gouache, watercolor, and graphite on paper, sight size 14 x 19 1/4 in. (35.6 x 48.9 cm), framed.

Condition: Not examined out of frame. $800-1,200

529

530

530.

Jean Lareuse (French, b. 1925) Equitation Signed “Jean Lareuse” l.r., identified on a presentation plaque, inscribed and titled “...J. laReuse...,” with a label from Wally Findlay Galleries International, on the reverse.

Oil on canvas, 28 1/2 x 21 in. (72.4 x 53.3 cm), framed.

Condition: Minor surface grime. $300-500

531

532

531.

Nikolay Evgenyevich Lansere (Russian, 1879-1942)

532.

Continental School, 20th Century

Bell Tower of the Church of Vasiliy the Blessed in Moscow Signed, dated, and inscribed “N. Lansere/1906/Moscow” in pen and “Bell tower of Vas. the Bl./June 11, 1906” in pencil, both in Cyrillic l.r., titled and inscribed “...Property of the author, E.K. Lansere...Nicholas Lanceray/Old Church at Moscow.” in Cyrillic and Roman alphabet on the reverse.

Watercolor and graphite on paper/board, 17 3/4 x 12 1/8 in. (45.1 x 30.8 cm), framed.

Condition: Toning, acid burn. $1,000-2,000

Balinese Scene Unsigned.

Oil on canvas mounted to Masonite, 22 x 17 1/2 in. (55.9 x 44.4 cm), framed.

Condition: Minor surface grime. $600-800

533

533.

Jane Peterson (American, 1876-1965) Market Scene Signed “JANE PETERSON� l.l.

Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed (under glass).

Condition: Possible pentimento l.l. (in area of signature), varnish inconsistencies, scattered craquelure, soiling/surface grime. $5,000-7,000

534

534.

Sydney Richmond Burleigh (American, 1853-1931) Cleaning the Shop Windows/A Street Scene Signed “S. R. Burleigh” l.r., indistinctly inscribed “George...Apl 2...” l.l., inscribed “1902” on the reverse, partial gallery label affixed to the frame.

Watercolor, gouache, and charcoal on paper mounted to board, 7 x 10 1/4 in. (17.8 x 26.0 cm), framed.

Condition: Subtle fading.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $300-500

535.

Angela O’Leary (American, 1879-1921) Lot of Three Homestead Views Signed “Angela O’Leary” in pencil l.l. or l.r., one titled or inscribed “A Winters Day” in pencil on the reverse.

Watercolor on paper, sight sizes to 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm), framed.

Condition: Not examined out of frames.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

535

536

536.

Mabel May Woodward (American, 1877-1945) The Marketplace Signed “M.M. Woodward� l.r.

Oil on artist board, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), framed.

Condition: Sandwiched between beveled mat and backing foamcore.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $1,500-2,500

537

537.

Kenneth Frazier (French/American, 1867-1949) Winter Dreams Unsigned, inscribed “Kenneth Frazier...” in pen and with partial labels on the backing.

Oil on canvas, 13 3/4 x 15 3/4 in. (34.9 x 40.0 cm), framed.

Condition: Lined, cut down, scattered retouch, craquelure. $4,000-6,000

538.

Daniel Chester French (American, 1850-1931) Portrait Bust of a Woman Initialed “D.C.F” within the cast l.r.

Bronze with green patina, approximately 8 x 3 1/2 in. (20.3 x 8.9 cm).

Condition: Minor surface grime.

Provenance: Gift from the artist’s daughter; Margaret French Cresson (1889-1973) to Dr. and Mrs. D.J. MacPherson, Brookline, Massachusetts; private New England collection. $500-700

538

539

539.

George Henry (Scottish, 1858-1943) Portrait of an Elegant Woman Signed and dated “GEORGE HENRY 1901” l.r.

Oil on canvas, 52 x 39 5/8 in. (132.1 x 100.6 cm), framed.

Condition: Retouch, varnish inconsistencies, losses to tacking margin, restretched, craquelure.

N.B. George Henry was born in Irvine (North Ayrshire), Scotland, in 1858. He trained at the Glasgow School of Art, and studied life drawing with William MacGregor, one of the “Glasgow Boys,” a circle of painters with whom Henry would soon join. Working at roughly the same time as the architect and designer, Charles Rennie Mackintosh, the “Glasgow Boys” revolutionized Scottish painting from 1880 to about 1895, rebelling against Victorian sentimentality and painting everyday subjects in a fresh, new way, often working outdoors. Henry’s painting, A Galloway Landscape (1889), now in the collection of the Kelvington Art Gallery and Museum in Glasgow, has been described as “the nearest to a masterpiece ever painted by any of the Glasgow Boys.”1 While Henry is known primarily as a landscape painter, he was also an able portraitist and figure painter. Using deft brushwork, he excelled at creating rich surfaces and sparkling highlights. Henry shared a studio with Edward A. Hornel and together the artists traveled to Japan, staying 18 months in 1893-94. Many of Henry’s works were unfortunately destroyed on the voyage back to Britain, but the experience of visiting Japan provided a font for future paintings created in Scotland.

Henry was an associate member of the Royal Scottish Academy. He was elected an associate of the Royal Academy (London) in 1907, and a full member in 1920. He also exhibited with the Royal Scottish Painters of Watercolours in Scotland, the Aberdeen Artists’ Society, the Royal Society of British Artists, the Royal Institute of Oil Painters, and at the Royal Glasgow Institute of Fine Arts.

1. www.artistsfootsteps.co.uk/artists_a_z.asp

$20,000-30,000

540.

Wilton Robert Lockwood (American, 1861-1914) The Lady in White Unsigned, identified on labels including one from the Museum of Fine Arts, Boston, on the reverse.

Oil on canvas, 39 x 31 1/4 in. (99.1 x 79.4 cm), framed.

Condition: Lined, craquelure.

Provenance: Ex-collection of artist Charles Hovey Pepper. $5,000-7,000

540

541.

Philip Leslie Hale (American, 1865-1931) Fashionable Woman Signed “Philip L Hale” in pencil l.r., dated “1921” in pencil l.r., identified on a presentation plaque, with labels from Pierce Galleries, Inc., Hingham, Massachusetts, affixed to the reverse.

Graphite, colored pencil, and chalk on paper, sight size 17 x 13 in.

(43.2 x 33.0 cm), framed.

Condition: Toning, foxing, not examined out of frame.

Literature: Paintings and Drawings by Philip Leslie Hale, 1865-1931: from the Folts Collection at the Vose Galleries of Boston..., Vose Galleries of Boston, November 1 to December 2, 1966, no. 51 (illus.). $1,000-2,000

541

542.

Clement Rollins Grant (American, 1848-1893) Portrait of a Young Woman in Profile Signed “C.R. Grant.” l.l., with a label from Goupil’s, New York, on the backing.

Watercolor on paper, sight size 7 3/4 x 7 in. (19.7 x 17.8 cm), framed.

Condition: Not examined out of frame. $800-1,000

542

543.

Claudio Castelucho (American, 1870-1927) Portrait of a Seated Woman Signed “C. Castelucho” l.r., also identified on a label on the reverse.

Oil on canvas, 45 3/4 x 35 in. (116.2 x 88.9 cm), framed.

Condition: Craquelure, surface grime, losses/abrasions along frame liner, weak tacking edges, subtle canvas deformations, minor losses, retouch, subtle bloom. $4,000-6,000

543

544.

Edward Chalmers Leavitt (American, 1842-1904) Yellow Roses à Plein Air Signed and dated “E. C. Leavitt. 1886.” l.l., with a label from Charles G. Calder, Providence, Rhode Island, on the stretcher.

Oil on canvas, circular format, 10 in. diameter (25.4 cm), framed.

Condition: Retouch, surface grime, craquelure. $900-1,200

544

545.

Attributed to Karl Storch (German, 1864-1954) Interior Signed or inscribed and dated “K Storch 1914” l.r., inscribed, possibly in a later hand, on the reverse.

Oil on panel mounted onto a supporting panel, 24 5/8 x 19 1/2 in. (62.5 x 49.5 cm), framed.

Condition: Retouch (including reinforced signature), varnish inconsistencies, small splits to panel, surface grime. $1,500-2,000

545

546

546.

Laura Coombs Hills (American, 1859-1952) Yellow Zinnias and Larkspur Signed “Laura Hills” in pencil u.l., identified on a label from Doll & Richards, Boston, on the reverse.

Pastel on paper/board, sight size 17 1/2 x 13 1/2 in. (44.5 x 34.3 cm), in original black frame.

Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then by descent within the family.

N.B. Laura Coombs Hills’ favored mediums were watercolor and pastel. Born in Newburyport, Massachusetts, in 1859, Hills studied at the Art Students League and later established her studio in Boston. Her first solo exhibition featured 16 pastels at the J. Eastman Chase Gallery in Boston in 1889. After visiting England in 1893, Hills became fascinated with miniature painting on ivory, which was enjoying a renaissance during the Arts & Crafts movement. Always gifted at working in tiny scale, Hills entered a successful period of painting miniature portraits on commission that would last almost 30 years. She returned her focus to rendering flowers in pastel after 1920. Using bouquets picked from the garden of her summer home in Newburyport, Hills painted floral still life arrangements set against textured backdrops based on scarves and fabrics she had collected on her travels. These works earned for her the critical distinction of Boston’s leading pastelist of the early 20th century.

Literature: Laura Coombs Hills, A Retrospective, Historical Society of Old Newbury, 1996, with essays by Erica E. Hirshler, Sandra B. Lapore, and Martha D. Hamilton. $6,000-8,000

547.

Elmer Wesley Greene (American, 1907-1964) Portrait of Sara Athrop Thayer of Dedham, Massachusetts Signed “ELMER W. GREENE” l.r.

Oil on canvas, 12 x 10 in. (30.5 x 25.4 cm), framed (under glass).

Condition: Minor abrasions and surface grime.

Provenance: Gift from the sitter to the family of the present owner.

N.B. The depicted pair of gemstone chandelier drop earrings accompanies the lot. $1,500-2,000

547

548.

George Frederick Kaber (American, 1860-c. 1951) Portrait of Nellie Robie Kaber, the Artist’s Wife, in Elegant Dress Signed “G.F. Kaber” l.r., inscribed “Christmas 1933” on the reverse.

Oil on canvas, 60 x 40 in. (152.4 x 101.6 cm), framed.

Condition: Losses/abrasions, surface grime, water staining to the reverse, craquelure.

Provenance: By family descent to the grandson of the artist. $400-600

548

549

549.

Albert Braitou-Sala (French, 1885-1972) Standing Portrait of Young Woman with Red Shoes Signed, inscribed, and dated “Braitou-Sala/Paris 1926” l.r., inscribed “Braitou Sala” in pen on a partial label from Ch. Pottier, Paris, on the stretcher.

Oil on canvas, 76 3/4 x 38 1/4 in. (194.9 x 96.7 cm), framed.

Condition: Patch reinforcement, retouch, craquelure, surface grime. $2,500-3,500

550

550.

Frank Convers Mathewson (American, 1862-1941)

551.

Lynn Nelsen Aylsworth (American, 20th/21st Century)

The Parakeet, 1928 Signed “F.C. Mathewson.” l.r., identified on labels including one from the Providence Art Club, on the reverse.

Oil on artist board, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm), framed (under glass).

Condition: Craquelure, subtle bowing to board.

Still Life with Vase and Teapot Signed “Lynn Nelson Aylsworth” in pen l.l.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Good.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

N.B. A photograph of the artist and a letter concerning the artist accompany the lot. $400-600

551

$1,000-1,500

552

552.

Frank Cohen Kirk (American, 1889-1963) Still Life with Jar Signed “F. C. KIRK.” l.r.

Oil on canvas, 30 x 30 in. (76.3 x 76.3 cm), framed.

Condition: Good. $2,000-2,500

553

553.

Marguerite Stuber Pearson (American, 1898-1978)

554.

Mae Bennett Brown (American, 1887-1973)

Lilies Signed “M S PEARSON” l.l.

Oil on canvasboard, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Retouch (including signature), varnish inconsistencies, rubs/losses at edges, surface grime. $1,200-1,800

Bouquet of Pink Roses Signed “M. BENNETT BROWN” l.r.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime.

554

$800-1,200

555

555.

Eric L. (Frederic) Pape (American, 1870-1938) Portrait of a Clown Signed and dated “Eric Pape/1930� l.r., estate stamped on the paper backing.

Oil on canvas mounted to mat board, 20 1/8 x 16 in. (51.1 x 40.6 cm), framed.

Condition: Minor abrasion u.r., wear at corners, surface grime.

Provenance: Sharon Boccelli and Co., March 12, 1995, Lot 198. $2,500-3,000

556

556.

Adelaide Cole Chase (American, 1868-1944) Portrait of a Young Girl Seated with a Book Signed “Adelaide Chase� u.l.

Oil on canvas, 43 x 33 1/2 in. (109.2 x 85.1 cm), framed.

Condition: Paint and canvas losses/abrasions to the tacking edge, craquelure, subtle canvas deformations. $4,000-6,000

557.

Sarah De St. Prix Wyman Whitman (American, 1842-1904) Portrait of a Young Girl with a Doll Signed and dated “SW WHITMAN MDCCCLXXXIII [1883]” u.l., with a label from J. Eastman Chase, Boston, on the reverse.

Oil on canvas, 17 x 13 3/4 in. (43.2 x 34.9 cm), framed.

Condition: Patch reinforcement, losses, retouch, surface grime.

Provenance: Private Massachusetts collection. $3,000-5,000

557

558.

Marie Louise Chapin (American, 1843-1898) Portrait of a Young Girl with a Muff Signed “Marie Louise Chapin.” l.c., inscribed “N.H.G. Temple” on the reverse.

Oil on board, 7 1/2 x 4 in. (19.1 x 10.2 cm), framed.

Condition: Minor surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $400-600

558

559

559.

Cecilia Beaux (American, 1855-1942) Portrait of Joseph B. Thomas IV as an Infant, 1917 Dedicated and initialed “To Joseph Thomas and/his mother/from...C.B.� l.l.

Charcoal on paper/board, 17 5/8 x 12 3/4 in. (44.8 x 32.4 cm), framed.

Condition: Staining, foxing, toning.

Provenance: Through the estate of Joseph B. Thomas IV, Bar Harbor, Maine. $3,000-5,000

560

560.

Cecilia Beaux (American, 1855-1942) Francesca with a Kitten, 1897 Monogram signature “CB� l.l.

Charcoal on paper, sheet size 14 5/8 x 9 1/4 in. (37.2 x 23.5 cm), framed.

Condition: Mended tears to the corners, cloth tape hinged to backing mat recto, unobtrusive toning and acid burn.

N.B. Francesca Gilder Palmer was the daughter of Richard Watson Gilder, an editor of The Century Magazine, as well as a friend and patron of Beaux. Francesca is perhaps best known by her portrait with her older sister Dorothea in The Dancing Lesson, 1898, held in The Art Institute of Chicago permanent collection.

Provenance: By descent through the family of the sitter.

Literature: Tara Leigh Tappert, Cecilia Beaux and the Art of Portraiture, Washington, D.C.: Smithsonian Institution Press, 1995, pp. 50-51 (illus. pl. 22).

Exhibitions: Cecilia Beaux and the Art of Portraiture, The National Portrait Gallery, Smithsonian Institution, October 6, 1995 to January 28, 1996, exh. no. 69. $10,000-15,000

561

562

561.

Charles Allen Winter (American, 1869-1942)

562.

Charles Constantine Hoffbauer (American, 1875-1957)

Allegory of Victory over Struggle Monogram signature “CAW” l.l.

Oil, graphite, and ink on canvasboard, 22 1/2 x 15 3/4 in. (57.2 x 40.0 cm), framed.

Condition: Surface grime, minor abrasions, trimmed board, varnish inconsistencies. $800-1,200

Christmas Eve, 1914 Unsigned, inscribed “plus a...” in pencil l.r., identified on a label from Exeter Art Gallery, Marblehead, Massachusetts, affixed to the backing.

Gouache and graphite on paper, sight size 11 7/8 x 8 7/8 in. (30.2 x 22.5 cm), framed.

Condition: Not examined out of frame.

Provenance: Ex-collection of Mrs. George T. Metcalf; Estate of N. David Scotti, Providence, Rhode Island.

N.B. An exhibition pamphlet, Charles Hoffbauer: 1875-1957, August 29 to September 26, 1964, Exeter Art Gallery, Marblehead, accompanies the lot. $300-500

563

563.

Cecilia Beaux (American, 1855-1942) Portrait of Joseph B. Thomas III Signed and dedicated “To my friend/J.B. Thomas/Cecilia Beaux” l.l.

Charcoal on paper, sight size 21 x 13 1/2 in. (53.3 x 34.3 cm), framed.

Condition: Toning.

N.B. Cecilia Beaux was one of the most admired portrait painters of the turn of the 20th century.

Educated in Philadelphia and in Paris, she was the first full-time female instructor at the Pennsylvania Academy of Fine Art. She had a very active career and was among the celebrated members of the national and international artistic community of her time.1 In a letter from Cecilia Beaux that accompanies this lot (dated Feb. 1914 and written on stationery bearing the address 20 Gramercy Park), the artist addressed the sitter as “Dear Neighbor.” She wrote that she had signed the drawing and left it for him to find when he got back. Beaux goes on to say that she may “…sometime bother you to lend me the drawing to appease the Exhibition Wolf, which is always growling about my door…”

The artist compared the sitter to “the daring son of the Captain of the Bucentaure,” (the French flagship at the Battle of Trafalgar). The letter is signed, “Your long-winded but true friend and neighbor, C.B.” 1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. I, p. 252.

$2,000-2,500

564.

Amleto Cataldi (Italian, 1882-1930) Portrait of a Female Nude with Trident Signed “A. CATALDI.” within the cast on the reverse.

Bronze with dark brown patina, approximately 44 1/2 x 13 x 13 in.

(113.0 x 33.0 x 33.0 cm).

Condition: Minor surface abrasions. $3,000-5,000

564

565.

Charles Allen Winter (American, 1869-1942) The Making of a Potion Monogram signature “CAW” l.r.

Oil on canvasboard, 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm), framed.

Condition: Surface grime, punctures, abrasions, trimmed board, varnish inconsistencies. $600-800

565

566

566.

Mariano Alonso Pérez (Spanish, 1857-1930) Allegorical View of a Bastille Day Parade Signed “Alonso-PEREZ” l.l., inscribed “A450” on the reverse.

Oil on canvas, 40 1/8 x 30 in. (101.9 x 76.2 cm), unframed.

Condition: Craquelure, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $8,000-12,000

567

567.

Vladimir Rozmainski (Russian, 1885-1943) The Masquerade Signed, inscribed, and dated “V. Rozmainski/Paris/1925� l.l.

Oil on canvas, 61 x 36 in. (154.9 x 91.4 cm), unframed.

Condition: Surface abrasions, craquelure, surface grime, subtle varnish inconsistencies, tear to l.r. quadrant. $8,000-12,000

568

568.

Sir William Russell Flint, RA (British, 1880-1969) The Old Mill Studio Signed “W. RUSSELL FLINT” l.r., titled, signed, and inscribed “The Old Mill Studio/W. Russell Flint/This very old tidal mill was mentioned in Doomsday Book shortly after 1066...Birdham Mill Interior Studio” in pencil on the reverse, a label from Arthur Ackermann & Sons, Inc., of London, New York, and Chicago, affixed to the paper backing.

Watercolor on paper, sheet size 13 3/4 x 22 1/2 in. (34.9 x 57.2 cm), framed.

Condition: Adhered to window mat with paper tape.

N.B. Noted British watercolorist William Russell Flint was elected a full member of the Royal Academy in 1933.1 He became President of the Royal Society of Painters in Watercolour in 1936 and was knighted in 1947 by George VI. A retrospective of his work was held in the Diploma Gallery of the Royal Academy in 1962 and was attended by more than 21,000 visitors.2 William Russell Flint was born in Edinburgh, Scotland, and attended the Royal Institution School of Art in Edinburgh. He began his career as an illustrator and designer, joining the staff of the Illustrated London News in 1903. In 1907 the artist also began illustrating limited editions of classic books, such as Mallory’s Morte D’Arthur and Chaucer’s Canterbury Tales. After service in World War I, Russell Flint dedicated himself full time to painting. He is best known for his skills as a watercolorist and as a painter of the female form.

1. www.racollection.org.uk 2. www.sirwilliamrussellflint.co.uk

$22,000-28,000

569

569.

Henri de Toulouse-Lautrec (French, 1864-1901) L’Amazone/An Illustration for Chasseur de Chevelures Monogram signature “TL” l.r., inscribed “...Amazone...” in pencil on the reverse, identified on a label affixed to the backing.

Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm), framed.

Condition: Cloth taped to backing mat, masking tape residue along top margin, fold along left edge.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: Catalogue des Tableaux modernes, aquarelles, pastels, dessins, lithographies...composant la collection Alexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10 Reunies, May 16, 1929, no. 39; Tristan Bernard, “Chasseur de Chevelures,” Revue Blanche, no. 32, June 1894 (illus.) $8,000-12,000

570

570.

Oronzio Maldarelli (American, 1892-1963) Portrait of a Dancer with Maracas Signed “O. MALDARELLI.� within the cast on the reverse.

Bronze with dark brown patina, 9 x 4 x 2 1/2 in. (22.9 x 10.2 x 6.4 cm).

Condition: Minor surface grime. $3,000-5,000

571

571.

Andre Dunoyer de Segonzac (French, 1884-1974) Etude pour le Georgiques de “Virgile” Signed and inscribed “...A. Dunoyer de Segonzac” l.c.

Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed.

Condition: Acid burn to four corners from tape verso, not examined out of frame.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.

N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud. $1,000-1,500

572

572.

George Ehrenfried Grosz (German/American, 1893-1959) Stille Nacht Heilige Nacht, c. 1922 Signed “Grosz” in pen l.r., inscribed and titled “...ca. 1922...Eltern...” with a stamp from the George Grosz Nachlass on the reverse.

Ink on paper, sheet size 23 1/8 x 15 3/4 in. (58.7 x 40.0 cm), framed.

Condition: Center crease, subtle rippling and foxing, mat burn, subtle toning, cloth tape hinged to backing mat, tape residue to the reverse.

N.B. We wish to thank Ralph Jentsch who kindly confirmed the authenticity of the lot and assisted with its cataloguing. The work is registered as no. 3-10-2 with the George Grosz Estate, and will be included in Ralph Jentsch’s forthcoming catalogue raisonné of the artist.

The present work is a preliminary drawing related to a published work of the same year, which has been reproduced under the titles, “Gottes sichtbarer Segen ist bei mir.,” from Friedrich Schiller, Die Raüber (Act II, Scene 3), Plate 6, Der Malik-Verlag, Berlin, 1922; “Ein trautes Weib, ein herzig Kind, das ist mein Himmel auf der Erde.,” from George Grosz, Abrechnung folgt!, Der Malik-Verlag, Berlin, 1923, p. 31; and “Gottes sichtbarer Segen ruht auf uns,” from George Grosz, Die Gezeichneten, Der Malik-Verlag, Berlin, 1930, p. 43. A single plate from the portfolio Die Raüber has appeared annotated by Grosz with the same title of the present work.

Provenance: Purchased from Galleria dell’Obelisco Rome, Italy; collection of Melvin B. Nessel, Boston, Massachusetts. $10,000-15,000

573

573.

François Gall (French, 1912-1987) Woman in a Cafe Signed and inscribed “F. Gall/Paris” l.r.

Oil on canvas, 25 5/8 x 32 in. (65.0 x 81.0 cm), framed.

Condition: Minor retouch. $1,500-2,500

574.

Lazzaro Donati (Italian, 1926-1977) Figura in Grigio Porpora Signed, inscribed, dated, and titled “LAZZARO DONATI FIRENZE 1960...” on the reverse.

Oil and graphite on panel, 27 5/8 x 19 7/8 in. (70.2 x 50.5 cm), framed.

Condition: Craquelure, surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $400-600

574

575

575.

Jean Pierre Cassigneul (French, b. 1935) Au Parc Signed “CASSIGNEUL.” l.l., identified on a presentation plaque, inscribed and titled “WF-NY 61231...” on the stretchers, with a label from the Wally Findlay Galleries, Palm Beach, Florida, on the backing.

Oil on canvas, 18 1/4 x 15 in. (46.4 x 38.1 cm), framed.

Condition: Good.

N.B. We wish to thank the artist for kindly confirming the authenticity of the lot.

Jean-Pierre Cassigneul’s favorite subjects are women, often portraying them wearing large hats in garden settings.

He is a painter and a lithographer, and since 1980, his works have also been woven into tapestries. Born in Paris in 1935, Cassigneul began the study of art at the Academie Charpentier in 1954. He had already had his first private show at Galerie Lucy Krogh at the age of 17. Seeking more thorough training, Cassigneul took and passed the entrance exam for the Ecole des Beaux Arts de Paris and worked in the studio of Roger Chapelain-Midy from 195560. Cassigneul’s style has also been influenced by the expressionist painter Kees van Dongen.

In the 1960s and 70s, Cassigneul met two dealers who would be central in his career: Kiyoshi Tamenaga, who would promote his work in Japan, and Wally Findlay, who would become his dealer in the United States. Since that time the artist has had numerous exhibitions in the United States and Japan, as well as in France. In 2005 a major show of Cassigneul’s paintings, lithographs, and tapestries celebrated 50 years of work. $15,000-25,000

576

576.

Charles Haslewood Shannon (British, 1863-1937)

577.

Allan Albert Davidson (American, 1908-1988)

Lot of Two Figure Studies of Bathers, Possibly Fan Designs Unsigned.

Watercolor on silk, sight sizes to 5 3/4 x 15 1/2 in. (14.6 x 39.4 cm), framed.

Condition: Subtle rippling, taped to window mat.

Corps de Ballet-Back Stage Signed “Allan A. Davidson” l.l., titled and stamped “...ALLAN A. DAVIDSON, A.W.S....ROCKPORT, MASS.” on the stretcher.

Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Good. $1,000-1,500

Provenance: By descent within a family collection, New England. $1,500-2,500

577

578.

Jacques Wely (French, 1873-1910) The Dancer Signed twice and dated “J. Wely/05/J. Wely” l.r.

Pastel on paper laid down onto canvas, sight size 21 x 17 in.

(53.3 x 43.2 cm), framed.

Condition: Tear/loss u.r., broad rippling, toning, not examined out of frame. $2,500-3,500

578

579.

Joseph Gary Sheahan (American, 1893-1978) The Soloist Signed and dated “Gary Sheahan Dec. 1945” in pencil l.r.

Graphite, whiting, and acrylic on paper, sight size 33 x 26 in.

(83.0 x 66.0 cm), framed.

Condition: Tears and restored tears, retouch, not examined out of frame.

N.B. Joseph “Gary” Sheahan studied at the University of Notre Dame and the School of the Art Institute of Chicago. He was a staff artist for the Chicago Tribune where he worked for 33 years until his retirement in 1958.1 1. New York Times, “Rites Set for Gary Sheahan, 84, Retired Tribune Artist,” Jan. 17, 1978, p. B8.

$800-1,200

579

580

580.

William Baxter Palmer Closson (American, 1848-1926)

581.

Elijah Baxter (American, 1849-1939)

At the Wood Signed “Closson” l.l.

Oil on board, 8 x 8 in. (20.4 x 20.4 cm), framed.

Condition: Minor paint loss, surface grime.

Springtime/Bacchantes with Floral Garlands and Herm Signed “E. Baxter...” l.r., inscribed and titled “No. 73...” on a label, possibly period, on the stretcher.

Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed (in a liner).

Condition: Surface grime.

$700-900

Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250

581

582

582.

William Baxter Palmer Closson (American, 1848-1926) Lafayette Square Signed “...losson” l.r., identified on a presentation plaque.

Oil on copper sheet, 9 15/16 x 8 in. (25.2 x 20.4 cm), framed.

Condition: Paint losses, one obscuring the “C” in the signature. $1,000-1,500

583

583.

Allan Rohan Crite (American, 1910-2007) Busy Street/A Study for a Mural Signed, inscribed, and dated “Study for pencil sketch “Busy Street”/Allan R. Crite ARC/Feb. 8, 1933” in pencil l.l.

Graphite on paper, sheet size 18 x 12 in. (45.7 x 30.5 cm), unframed.

Condition: Toning, cloth tape hinged to backing mat, minor tears to the margins.

N.B. A photographic reproduction of the mural cartoon accompanies the lot. $800-1,200

310

584

584

584.

Donald Carlisle Greason (American, b. 1897) Lot of Three Boxing Views of Al McCoy, Né Florian LeBrasseur, Shadow Boxing at Sharkey’s Gym, 1936 One signed and dated “Greason 36” l.r., two signed, inscribed, and dated “...November 1936/Greason” on the reverse.

Oil on Masonite, 7 1/2 x 9 3/8 in. (19.1 x 23.8 cm), framed.

Condition: Minor retouch, subtle varnish inconsistencies. $1,800-2,200

584

311

585

585.

Harrison Cady (American, 1877-1970) Letting Yourself...As a Hanging Lamp Signed “HARRISON·CADY” l.l., titled or inscribed “longlegs...” on a label on the reverse.

Watercolor and ink on paper, sight size 17 x 12 3/4 in. (43.2 x 60.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $1,500-2,000

312

586

586.

Ethel Blanchard Collver (American, 1875-1955) Central Park Signed “Ethel Blanchard Collver� l.r.

Oil on canvas, 40 x 50 in. (101.6 x 127.0 cm), framed.

Condition: Scattered flaking and losses, light scattered surface rubs/abrasions, surface grime. $2,000-3,000

313

587

587.

Rosebee (American, 20th/21st Century) After the Snow Signed “©Rosebee” l.r., dedicated and signed “...May I always bring you love and joy through my miracle of painting./Love- Rosebee” on the backing.

Oil on Masonite, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Good. $800-1,200

314

588

588.

Ralph Eugene Cahoon, Jr. (American, 1910-1982) Harbor View with Mermaids Signed “R. CAHOON” l.r.

Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good. $5,000-7,000

315

591 589

589.

Isabel Bishop (American, 1902-1988) Lot of Three Studies of Figures at a Drinking Fountain Each initialed “IB.” l.l. or l.r.

Ink, graphite, and wash on paper, sheet sizes to 3 1/2 x 3 5/8 in. (8.9 x 9.2 cm), unframed.

Condition: Cloth tape hinged to backing mat, subtle handling creases, former tape residue to margins, trimmed sheet, subtle soiling.

Provenance: Ex-collection of the artist James Whitney Fosburgh, New York. $800-1,200

590.

Moses Soyer (American, 1899-1974) Portrait of Lady Bird Johnson Signed “M SOYER” u.r.

Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed.

Condition: Minor surface grime. $1,000-1,500

591.

Isabel Bishop (American, 1902-1988) Lot of Five Studies of Figures at a Drinking Fountain Each initialed “IB.” l.l. or l.r., two works double-sided.

Ink, graphite, and wash on paper, sheet sizes to 5 1/4 x 6 1/4 in.

(13.3 x 15.9 cm), unframed.

Condition: Cloth tape hinged to backing mat, subtle handling creases, former tape residue and tack holes to margins, trimmed sheet, subtle soiling.

Provenance: Ex-collection of the artist James Whitney Fosburgh, New York. $800-1,200 590

316

592.

Continental School, 20th/21st Century Piccadilly Circus Signed “E. del Arroyo” l.l., inscribed “PICCADILLY CIRCUS” l.r.

Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.

Condition: Good. $1,000-1,500

592

593.

David Burliuk (Ukrainian/American, 1882-1967) Portrait of Frank Banker Signed “BuRLiuK” l.l.

Oil on canvas, 8 x 8 in. (20.3 x 20.3 cm), framed.

Condition: Surface grime, craquelure, varnish inconsistencies.

N.B. The sitter, a hobbyist painter and antiques dealer, was a friend of the Burliuk family in Quogue, Long Island. $1,500-2,000

593

317

594.

David Aronson (American, b. 1923) Ishmaelite, 1955 Signed “Aronson” u.l., identified on labels including those from The American Federation of the Arts, New York, and the Rose Art Museum, Brandeis University, Waltham, Massachusetts, on the backing.

Graphite and charcoal on paper, sight size 17 1/4 x 11 3/4 in. (43.8 x 29.8 cm), framed.

Condition: Mat burn, not examined out of frame.

Provenance: Ex-collection of Daniel Weisberg, Boston, Massachusetts.

Exhibitions: David Aronson: A Retrospective, Rose Art Museum, Brandeis University, February 4 to March 18, 1979; The Jewish Museum, June 5 to September 4, 1979, catalogue no. 63. $800-1,200

595.

Lazzaro Donati (Italian, b. 1926) Portrait of a Woman Seated Signed “DONATI” within cast l.r.

Bronze, approximately 12 1/2 x 14 1/2 x 9 in. (31.8 x 36.8 x 22.9 cm).

Condition: Surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $400-600

594

596.

Conger A. Metcalf (American, 1914-1998) Portrait of a Boy Signed “Metcalf” u.l.

Mixed media on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), framed.

Condition: Not examined out of frame. $300-500

595

318

596

598

597

597.

Cabot Lyford (American, b. 1925)

598.

Pavel Tchelitchew (Russian/American, 1898-1957)

Standing Nude Unsigned.

Carved granite, approximately 32 x 7 x 5 in. (81.3 x 17.8 x 12.7 cm), mounted to a wooden plinth.

Condition: Minor surface grime. $800-1,200

Portrait of a Seated Figure Signed and dated “P. Tchelitchew 54” l.r., inscribed “...KELLER” on the reverse.

Oil on canvas, 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm), framed.

Condition: Trimmed canvas, craquelure. $1,500-2,000

319

599

599.

Henri Matisse (French, 1869-1954) Femme nue allongée, 1928 Signed “Henri Matisse” in pencil l.r., inscribed “...TR 955 1145.64...” in pencil on the reverse.

Graphite on paper, sheet size 13 1/2 x 19 1/8 in. (34.3 x 48.6 cm), framed.

Condition: Restored tears, cloth tape hinged to backing mat, subtle mat burn, tack holes to corners, deckled edges.

Provenance: Heinz Berggruen, Paris (by 1973), acquired by the family of the present owner c. 1975.

N.B. We wish to thank Wanda de Guébriant for kindly confirming the authenticity of the lot. $40,000-60,000

320

600

600.

Aaron Ashkenazi (Bulgarian/Israeli, 1912-1993) Portrait of a Reclining Nude Signed “ASHKENAZI� within cast l.r.

Bronze with dark brown patina, 12 x 14 3/4 x 9 1/2 in. (30.5 x 37.5 x 24.1 cm), mounted to a travertine plinth.

Condition: Minor surface grime. $1,500-2,000

321

601

601.

Cabot Lyford (American, b. 1925)

602.

Irving Petlin (American, b. 1934)

Kneeling Horse Incised signature “Lyford” l.l.

Carved marble, approximately 13 x 19 x 10 in. (33.0 x 48.3 x 25.4 cm).

Condition: Minor surface grime. $800-1,200

Study for the Clay Fountain... Morning, 1973 Signed and dated “Petlin 73” l.r., identified on a label from Galleria Odyssia, New York, on the backing.

Pastel on paper, 19 x 25 1/4 in. (48.3 x 64.1 cm), framed.

Condition: Not examined out of frame. $800-1,200

602

322

603

603.

Antonio Bueno (Italian, 1918-1984) Girl and White Pipe Incised signature “A. Bueno� l.l., identified on a partial label from Monede Gallery, New York, on the reverse.

Oil on canvas, 27 3/4 x 21 3/4 in. (70.5 x 55.3 cm), framed.

Condition: Subtle craquelure and surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Isabella Bueno, daughter of the artist, for kindly confirming the authenticity of the lot; a photo-certificate from Isabella Bueno accompanies the lot. $8,000-12,000

323

604

604.

David Burliuk (Ukrainian/American, 1882-1967) Still Life with Flowers by the Shore Signed and dated “BuRLiuK./1957.� l.r.

Oil on panel, 10 x 8 in. (25.4 x 20.3 cm), framed.

Condition: Surface grime. $2,000-4,000

324

605

605.

Bernard Buffet (French, 1928-1999) Flowers, alternatively titled Fleur dans un Journal Signed and dated “Bernard Buffet 59” c.r., identified on a label from Schoneman Galleries, Inc., New York, stamped “DAVID ET GARNIER” and inscribed “57.B” and “McGraw” on the reverse.

Oil on canvas, 25 1/2 x 20 in. (64.8 x 50.8 cm), framed.

Condition: Mild surface grime.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

N.B. We wish to thank Mr. Maurice Garnier for kindly confirming the authenticity of this lot; a certificate of authenticity from Mr. Garnier accompanies the lot. $30,000-50,000

325

606

606.

Sol Wilson (American, 1896-1974) Boats on the Shore Signed “Sol Wilson� l.r.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime. $1,000-1,500

326

607

607.

Bonnie Whittingham (American, 20th Century) Fishermen by the Shore Signed “Whittingham� l.l.

Oil on Masonite, 12 x 42 1/2 in. (30.5 x 108.0 cm), framed.

Condition: Minor surface grime. $700-900

327

608

328

608.

Georgia O’Keeffe (American, 1887-1986) Alligator Pear in White Dish, 1921 Initialed, titled, and inscribed “OK...O’Keeffe...” on the backing.

Oil on canvas-covered board, 12 x 9 in. (30.5 x 22.9 cm), framed.

Condition: Very minor surface grime.

Provenance: From the artist to The Downtown Gallery, New York; thence to The Mayo Hill Galleries, Wellfleet, Massachusetts, thence to Katrina Grullemans, Chatham, Massachusetts; by family descent to present owners.

Literature: Barbara Buhler Lynes, Georgia O’Keeffe: Catalogue Raisonné, Volume Two, New Haven: Yale University, 1999, no. 35, pp. 1102 and 1115 (illustrated).

Exhibitions: The Anderson Galleries, 1924; The Downtown Gallery, New York; The Mayo Hill Galleries, Inc., Wellfleet, Massachusetts, July 1954.

N.B. In the forward to a 1936 exhibit at Alfred Stieglitz’s American Place gallery, Marsden Hartley described the works of O’Keeffe’s earlier period—specifically her diminutive compositions of flowers and vegetables—as contending with “the border-line between finity and infinity” and describing “nature in her simplest appearance.”1 The present work illustrates these qualities recognized by Hartley, which explores the relationship between the organic and inorganic, as well as the sculptural and twodimensional. The white dish is presented as full-bodied in its meticulously-worked modeling and yet ethereal in its luminosity. The alligator pear, with its thin, reductive surface, is placidly poised both in and on the dish. Through the illusion of symmetry, the viewer is led to see the objects as ideal forms, and yet, as subtle irregularities reveal themselves, the materiality of the objects comes forth.

According to the stock book of The Downtown Gallery, as well as a letter from Georgia O’Keeffe to Edith Halpert dated December 2, 1953, the present work is dated 1921.2 The stock book and sales invoice also indicates that the work was lent and exhibited at The Mayo Hill Galleries in Wellfleet in July 1954, retained and sold to The Mayo Hill Galleries on September 7, 1954, and paid in full on October 5, 1954.3 The work was purchased by Ms. Grullemans, a resident of Chatham in the 1950s, presumably around this time.

1. Hartley, Marsden, Georgia O’Keeffe: Exhibition of Recent Paintings, 1935 [January 7-February 27, 1936], New York: An American Place, 1936.

2. Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4: Business Records: Gallery Stock. Stock Books, Stock, C-R (6 of 7), 1941-1960s. 4.2: Gallery Stock, 1926-1974, undated (Box 62, reel 5606, frame 1017-1018). http://www.aaa.si.edu/collectionsonline/downgall/container197812.htm 3. Ibid.; Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4: Business Records: Sales Records, Artwork. Sales Slips (2 of 2), 1954, 4.3: Sales Records, Artwork, 1928-1972, undated (Box, 72, reel 5627, frame 970). http://www.aaa.si.edu/collectionsonline/downgall/container198008.htm

$100,000-150,000

329

609

330

609.

Alexander Calder (American, 1898-1976) Germination, 1962 Signed and dated “Calder 62” l.r., inscribed and titled “331 Germination” in pencil and “coquelicots” in pen on the reverse.

Gouache on paper, sheet size 29 3/8 x 43 1/8 in. (74.6 x 109.5 cm), framed.

Condition: Tape hinged to linen-backed mat board, minor creases and losses to corners.

Provenance: Acquired from the artist by Nicholas Guppy, London; thence to Obelisk Gallery, Boston; thence to the collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. This work is registered with the Calder Foundation, application number A14124. $40,000-60,000

331

610

610.

Alexander Calder (American, 1898-1976) Untitled, 1950 Signed and dated “Calder 50� l.r.

Ink, gouache, and graphite on BFK Rives paper, sheet size 29 5/8 x 41 1/2 in. (74.9 x 105.4 cm), framed.

Condition: Subtle mat burn, tape hinged to backing mat.

Provenance: Collection of Selma H. and Irving M. Sobin, Boston; private New England collection by family descent.

N.B. This work is registered with the Calder Foundation, application number A24737. $10,000-15,000

332

611

611.

Yves Tanguy (French/American, 1900-1955) Sans Titre, 1943 Signed and dated “YVES TANGUY 43” l.r.

Gouache on paper, sheet size 2 7/8 x 13 7/8 in. (7.3 x 35.3 cm), framed.

Condition: Trimmed sheet (probably by the artist) along top margin, glued along several points on the margins’ verso to backing mat.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

N.B. The work is registered as no. 871-167 by the Yves Tanguy Committee of the Pierre and Tana Matisse Foundation, and the work will be included in the forthcoming revised edition of the Yves Tanguy catalogue raisonné.

Paris-born Tanguy immigrated to the United States at the onset of war in 1939 and settled in New England with his American wife, painter Kay Sage. When Tanguy was asked in 1946 about how his American work differed from his European work, he pointed to an intensification of his color palette and “a feeling of greater space here—more ‘room’.”1 Roland Penrose elaborated on Tanguy’s comment, nothing that “his palette changed in the sense that the earth colors began to give place to more strident reds and blues and the sea mists cleared in the intense sparkling light of New England.”2 Penrose also noted a change in style from Tanguy’s animated biomorphism of the 1930s to more rigid and stark forms. The present work is punctuated with the bold colors noted, as well sharply-outlined, ossified forms which suggest that the viewer is looking at cast-offs instead of living inhabitants of the space.

1. Sweeney, James Johnson, “Eleven Europeans in America,” The Bulletin of the Museum of Modern Art, Vol. 13, No. 4/5, New York: The Museum of Modern Art, 1946, p. 23.

2. Penrose, Roland, Yves Tanguy: A Retrospective, New York: The Solomon R. Guggenheim Foundation, 1983, p. 13.

$40,000-60,000

333

612

612.

Frank Stella (American, b. 1936) Untitled [Study for a Painting], 1970-71 Signed “F. Stella� in pencil l.r., identified on a label from Lawrence Rubin Gallery, New York, on the reverse.

Crayon and graphite on paper, sheet size 17 x 22 in. (43.2 x 55.9 cm), framed.

Condition: Affixed to backing mat at four corners, not examined out of frame.

Provenance: Purchased from Parker Street 470 Gallery Auction, Boston; collection of Melvin B. Nessel, Boston, Massachusetts. $15,000-25,000

334

613

613.

Saul Steinberg (American, 1914-1999)

614.

Kenneth Noland (American, b. 1924)

Art Lovers Signed and dated “STEINBERG 63” l.r., identified on a label from Obelisk Gallery, Boston, affixed to the reverse.

Ink and colored pencil on paper, sheet size 9 1/2 x 10 3/8 in. (24.1 x 26.4 cm), framed.

Condition: Subtle acid burn to u.r. and u.l. corners, glued to backing mat at u.r. and u.l. corners. $3,000-5,000

Sailing, 1969 Signed, titled, and dated “...Kenneth Noland 1969” in pencil and with a label from Solomon & Co., New York, on the reverse.

Oil on canvas, 6 x 54 in. (15.2 x 137.2 cm), framed.

Condition: Minor surface grime.

Provenance: Purchased from Thomas Segal Gallery, Boston; collection of Melvin B. Nessel, Boston, Massachusetts. $20,000-30,000

614

335

615

615.

Beverly Stoll Pepper (American, b. 1924 ) Untitled/A Sculpture Maquette Incised signature, date, and inscription “Beverly Pepper ‘70...II” l.l.

Welded and brushed steel, approximately 25 x 78 1/2 x 8 in. (63.5 x 199.4 x 20.3 cm).

Condition: Minor surface dust, minor abrasions.

Provenance: Purchased from Obelisk Gallery, Boston; Collection of Melvin B. Nessel, Boston, Massachusetts. $5,000-7,000

336

616

616.

Allan M. D’Arcangelo (American, 1930-1998) Constellation #7 Signed, inscribed, dated, and titled “© A. D. Arcangelo NYC 1970...” on the reverse, identified on labels including one from Obelisk Gallery, Boston, on the reverse.

Acrylic on canvas, 60 x 60 in. (152.4 x 152.4 cm), unframed.

Condition: Surface grime and abrasions.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $5,000-7,000

337

617

617.

Igael Tumarkin (Israeli, b. 1933)

618.

Yaacov Agam (Israeli, b. 1928)

Untitled/A Sculpture Maquette, c. 1973 Signed and dated “TUMARKIN...3� l.r.

Mixed media (welded steel and acrylic), 3 x 13 3/4 x 6 7/8 in. (7.6 x 34.9 x 17.5 cm), mounted to an acrylic plinth.

Condition: Minor surface dust.

Hundred Gates/A Kinetic Sculpture Unsigned.

Nickel-chromed steel, 15 15/16 x 12 1/8 in. (40.5 x 30.8 cm), set in a chromed base.

Condition: Minor surface abrasions.

N.B. A copy of the exhibition booklet Made in U.S.A.: I. Tumarkin 1974-1976, printed by Peli Printing Works, Ltd. accompanies the lot. $1,500-2,500

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $4,000-6,000

618

338

619

619.

Victor Vasarely (French, 1908-1997) TY-NEU, 1959 Signed “vasarely-” in pen l.c. and r.c.

Tempera on paper/board mounted to wooden panel, 25 x 17 1/4 in.

(63.5 x 43.8 cm), framed.

Condition: Minor losses, retouch, craquelure, mounting separation.

Provenance: Purchased from Obelisk Gallery, Boston, collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Madame Michèle Vasarely who will be including the present work in the upcoming catalogue raisonné of the artist, and a photo-certificate accompanies the lot. $40,000-60,000

339

620

340

620.

Arnaldo Pomodoro (Italian, b. 1926) Rotante primo sezionale n. 1 [Rotating First Section No. 1], 1966 Incised signature and number “Arnaldo Pomodoro -02 p.a.” on the plinth l.r., incised title and date “...1966-” on the plinth l.l.

Bronze, 31 1/2 in. (80.0 cm) diameter, set on a cast acrylic plinth.

Condition: Minor surface abrasions to bronze and acrylic surfaces.

Provenance: Purchased from Marlborough Galleria d’Arte, Rome; collection of Melvin B. Nessel, Boston, Massachusetts.

Literature: Flaminio Gualdoni and Arnaldo Pomodoro, Arnaldo Pomodoro: Catalogo ragionato della scultura, Milan: Skira, 2007, p. 524, no. 396 (illustrated); Sam Hunter, Arnaldo Pomodoro, New York: Abbeville Press, 1982, no. 76 (final edition illustrated).

N.B. The present work is one of two artist proofs outside the edition of two, and is registered with the Archivio Arnaldo Pomodoro, Milan, Italy, as AP 263. We wish to thank the Arnaldo Pomodoro Studio for their assistance with cataloguing the lot.

Pomodoro began his experiments with “sculpture in the round” in the mid-1950s, moving away from his carved bas-relief “tablets” toward penetrable, free-standing geometric volumes. This development for Pomodoro was less a result of technical innovation than it was a search for “a more dialectical process of both constructing and destroying geometric forms.”1 Pomodoro considered his bas-relief carving to represent a form of abstract “writing,” and his search into the limit of this kind of symbolic representation resulted in experiments with depth and surface.

By 1963, Pomodoro created his first sphere, which allowed him to express his “glyphs” in terms of an interior and exterior dynamic. Inspired by Brancusi’s use of polished surfaces to unify a form, Pomodoro appropriated the highly polished exterior to underscore the sphere’s built-up and torn-down interior—and thus its disintegration of form. As in the present work, plaster debris from the casting process left deliberately on the interior points to its own genesis, and yet, its crumbling texture alludes to its demise. Pomodoro saw his “surface erosions and irregularities as symbols of the destructive impulse” in a technological age where the “drama of erosion captures the sense of foreboding, of a certain anxiety about the course of events at that time in our history.”2 1. Hunter, Sam, Pomodoro, New York: Abbeville Press, 1982, p. 194.

2. Ibid., 52, 57.

$100,000-150,000

341

621

621.

Ernest Tino Trova (American, 1927-2009)

622.

Ernest Tino Trova (American, 1927-2009)

ALL UMANO E IL MIO SOLO RIMOR UNANO E IL MIO SOLO RIMORSO E’SONO UMANO LUOMO E SOLO UNA MEMORIA Unsigned.

Mixed media (metal, porcelain, glass, linen, and wood) installation, 24 1/2 x 23 1/2 x 8 in. (62.2 x 59.7 x 20.3 cm), in a glass case.

Condition: Good. $1,500-2,500

Hinged Falling Man Unsigned, monogram stamped, and numbered “...3673” beneath the bust.

Brass, 3 x 12 x 2 1/8 in. (7.6 x 30.5 x 5.4 cm), on a brass cradle.

Condition: Uneven patina, surface imperfections, oxidation. $2,000-3,000

622

342

623

623.

Ernest Tino Trova (American, 1927-2009) Falling Man [Suspended Relief], 1969 Monogram stamped “et” and numbered “102/175” at the center.

Brass mounted to an acrylic panel, 11 3/4 x 11 x 3 1/8 in. (29.8 x 7.9 cm), set within a recessed acrylic plinth.

Condition: Surface abrasions to acrylic panel, oxidation to brass. $1,500-2,500

343

624

624.

Peter Anthony Chinni (American, b. 1928) Hortus Naturae Signed, numbered, and dated “CHINNI 1/8 1969� on the reverse.

Chrome metal, approximately 43 x 14 x 13 1/2 in. (109.2 x 35.6 x 34.3 cm), mounted to a plaster base.

Condition: Chips to the base, minor rust/corrosion.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank the artist and Christine Chinni, daughter of the artist, for their assistance with cataloguing the lot. $2,000-3,000

344

625

625.

Friedel Dzubas (American, 1915-1994) Untitled, 1981 Unsigned.

Acrylic on canvas, 60 1/8 x 27 5/8 in. (152.7 x 70.2 cm), unframed.

Condition: Very minor surface grime.

Provenance: Gift from the artist to the family of the present owner.

N.B. A limited edition silkscreen was produced of this painting to benefit the Museum of Fine Arts, Boston. $8,000-12,000

345

626.

Antoine Poncet (Swiss, b. 1928) Arcturus, 1975 Signed and numbered “1/8 Poncet” l.l.

Carved white Carrara marble bas-relief, 12 1/2 x 6 1/2 x 2 1/4 in. (31.8 x 16.5 x 5.8 cm), mounted to a black marble plaque.

Condition: Minor surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Armelle Le Gendre, archivist to Antoine Poncet, for her assistance with cataloguing the lot. $1,000-2,000

626

627.

Jack Youngerman (American, b. 1926) Aug 4 1969 Initialed and dated “JY 69” in pencil l.r., inscribed “...Aug 4 Youngerman” and identified on a label from Obelisk Gallery, Boston, on the backing.

Acrylic on paper, sheet size 28 7/8 x 23 in. (73.3 x 58.4 cm), framed.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $1,500-2,500

627

346

628

628.

Peter Anthony Chinni (American, b. 1928) Trio Signed, numbered, and dated “CHINNI 1/8 1968� in the cast.

Brass, 6 3/4 x 7 1/2 x 12 1/2 in. (17.1 x 19.1 x 31.8 cm), mounted to a stone plinth.

Condition: Subtle surface impurities.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank the artist and Christine Chinni, daughter of the artist, for their assistance with cataloguing the lot. $3,000-5,000

347

629

348

629.

Jesus Rafael Soto (Venezuelan, 1923-2005) Struttura, 1968 Signed and dated “Soto 1968” on the reverse, identified on a label from Marlborough Galleria d’Arte, Rome, affixed to the reverse.

Painted wood, steel, and nylon construction, 30 1/2 x 12 3/4 x 12 5/8 in. (77.5 x 32.4 x 32.1 cm).

Condition: Replaced strings to sixteen rods.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $30,000-40,000

349

630

630.

Ettore Colla (Italian, 1896-1968) Senza Titolo [Meridiana quadrata], 1968 Unsigned, inscribed “E. COLLA” in marker beneath the base.

Iron, 28 1/2 x 20 x 8 1/2 in. (72.4 x 50.8 x 21.6 cm), on a white painted wooden plinth.

Condition: Good.

to be a contradiction in both classicism and “primitive directness.”

His works showed “restraint and discipline” and “dedication to order and form” but his technique and materials—which consisted of reclaiming and reconfiguring industrial materials—were handled with the “respect a cave artist gave the casual materials of his day.”1

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

The raw innovation and balance that Sweeney spoke of can be seen in the present work, where the surfaces have been exposed to the elements, and the basic geometric forms of circle and square are repeated, rotated, and suspended in space. It was completed at the artist's home and studio at Viale Parioli, and is a larger version based on a prototype created in 1967.2

Literature: Giorgio De Marchis and Sandra Pinto, Colla, Roma: Bulzoni, 1972, no. 224 (illustrated).

Exhibitions: 24 Presenze, Artisti romani non figurativi, Roma, Istituto Italo-Latino-Americano (IILA), March 26 to April 9, 1969.

1. Giorgio De Marchis and Sandra Pinto, Colla, Roma: Bulzoni, 1972, p. 9.

N.B. Colla’s abstract work was considered by James Johnson Sweeney, the late director of the Solomon R. Guggenheim Museum,

350

2. Ibid., 106.

$30,000-40,000

631.

Louise Berliawsky Nevelson (American, 1900-1988) Young Tree XXVII, 1971 Unsigned, marked “WEYCO� on one end.

Black painted wood, 27 1/2 x 6 x 5 3/4 in. (69.8 x 15.2 x 14.6 cm), mounted to a wooden laminate plinth.

Condition: Minor chips.

Provenance: From the artist to Pace Gallery, New York (Pace Inv. #3084); purchased from Harcus/Krakow Gallery, Boston; collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Mike Nevelson for his assistance with cataloguing the lot. $15,000-25,000

631

351

632

632.

William Walton (American, 1909-1994) Courthouse Signed “Walton” l.r., also titled, signed, and dated “...-WALTON-1961” on the stretcher.

Oil on canvas, 33 1/4 x 50 1/4 in. (84.4 x 127.6 cm), framed.

Condition: Surface grime. $1,000-1,500

633.

Joel Leonard Perlman (American, b. 1943) Untitled/A Sculpture Maquette Initialed and dated “JP 80” l.r.

Welded and brushed steel, 15 7/8 x 10 1/2 x 4 1/2 in. (40.3 x 26.7 x 11.4 cm).

Condition: Surface dust.

Provenance: Purchased from Emmerich Gallery, New York; collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. The work is a study for an outdoor sculpture at 180 Beacon Street, Boston, Massachusetts. $400-600

633

352

634.

Beverly Stoll Pepper (American, b. 1924) Untitled Stamped “BP” on base l.r.

Iron, 35 x 13 7/8 x 11 7/8 in. (88.9 x 35.2 x 30.2 cm), mounted to an iron base.

Condition: Surface dust. $6,000-8,000

635.

Max Günther (Swiss, 1934-1974) Lot of Two Works: Tableautin and Some November Day, 1961 Both signed “Max Gunther” l.r., and signed, titled, dated, and inscribed “...MAX GUNTHER...” on the reverse.

Oil on canvasboard, sizes to 5 3/4 x 7 7/8 in. (15.0 x 20.0 cm), framed.

Condition: Surface grime. $1,000-1,500

634

635

353

636.

Gregory Kavalec (American, b. 1945) Untitled Signed “KAVALEC� in pencil l.r.

Acrylic and graphite on paper, sheet size 30 x 22 in. (76.2 x 55.9 cm), within a Plexiglas frame.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $300-500

636

637.

Christopher Macdonald (American, b. 1957) Untitled, 1988 Unsigned, identified on a label from David Betzel Gallery, Inc., New York, on the reverse.

Mixed media with pastel and graphite on paper, 10 x 6 3/8 in. (25.4 x 16.0 cm), framed.

Condition: Not examined out of frame. $300-500

637

354

638

638.

Robert Arthur Goodnough (American, b. 1917) K-7 Signed and dated “Goodnough ‘86” l.r., also titled, inscribed, signed, and dated “...Goodnough 86...” in pen on the reverse.

Oil and acrylic on canvas, 46 x 68 in. (116.8 x 172.7 cm), framed.

Condition: Minor surface grime.

Provenance: Purchased from the artist; Collection of Melvin B. Nessel, Boston, Massachusetts. $6,000-8,000

355

639

639.

Hannes Beckmann (German/American, 1909-1976)

640.

Michiel Theobald Gloeckner (American, 1915-1989)

RADIANT Monogrammed and dated “h.b. 63.” l.l., inscribed “‘RADIANT’ oil 1963 Hannes Beckmann” on the reverse and on the stretcher, identified on a label from Kanegis Gallery, Boston, affixed to the stretcher.

Oil on canvas, 18 x 18 in. (45.8 x 45.8 cm), framed.

Condition: Minor abrasion to center, surface grime. $2,000-4,000

Pale Flower Monogrammed “MG” l.r., titled, initialed, signed, and dated “...MG/Michiel Gloeckner 1971” on the stretcher.

Oil on canvas, 20 x 18 in. (50.8 x 45.7 cm), framed.

Condition: Surface grime. $1,000-1,500

640

356

641.

Michiel Theobald Gloeckner (American, 1915-1989) Of Forms and Sunlight Monogrammed “MG” l.r., titled, signed, and dated “...Michiel Gloeckner 1971” on the stretcher.

Oil on canvas, 20 x 18 in. (50.8 x 45.7 cm), framed.

Condition: Surface grime. $800-1,200

642.

Alvin Demar Loving, Jr. (African/American, 1935-2005) Untitled, 1981 Signed and dated “July 11 81 Al Loving” in pencil on the reverse.

Acrylic on canvas, 40 x 40 in. (101.6 x 101.6 cm), framed.

Condition: Good. $4,000-6,000 641

642

357

643

643.

Cleve Gray (American, 1918-2004)

644.

Yutaka Ohashi (Japanese/American, b. 1923)

Untitled Signed and dated “Gray ‘56” l.r.

Oil on canvas, 8 x 13 in. (20.3 x 33.0 cm), framed.

Condition: Surface grime, minor losses/abrasions.

Flight #6 Signed “Ohashi” u.l., also signed, dated, and inscribed “YUTAKA OHASHI/1979...” in English and Japanese on the reverse.

Oil, gold leaf, and paper collage on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Minor surface grime. $800-1,200

$400-600

644

358

645

645.

Peter Busa (American, 1914-1985)

646.

Sylvia Miller (Ukrainian/American, 1910-1991)

Yellow Effussion [sic] Signed “Busa” l.r., titled or inscribed on the reverse.

Oil on illustration board, 15 x 20 in. (38.1 x 50.8 cm), framed.

Condition: Bowing to support, craquelure.

Flatlands Signed and dated “S. MILLER ‘64” l.r., titled on the stretcher.

Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm), framed.

Condition: Craquelure, surface grime. $1,000-1,500

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $300-500

646

359

647.

Jack Roth (American, 1927-2004) Untitled [1201] Signed and dated “Roth 61” l.l.

Oil on linen, 51 1/2 x 40 in. (130.8 x 101.6 cm), framed.

Condition: Surface grime. $1,000-2,000

647

648.

Ronaldo de Juan (American, 1931-1989) Untitled, 1985 Signed, dated, and inscribed “R. DE JUAN/ NY. 1985” in pen l.r., inscribed “RONALDO/DE JUAN/N.Y. 1985...” and identified on a label affixed to the backing.

Acrylic on paper/board, 60 x 40 in. (152.4 x 101.6 cm), framed.

Condition: Minor flaking/losses, tack/staple holes to margins. $2,000-3,000

648

360

649

649.

John G. Walker (British, b. 1939) Untitled, 1992 Signed, dated, and inscribed “Walker 92 OIL� with labels from Knoedler & Company, New York, and Nielsen Gallery, Boston, on the reverse.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), unframed.

Condition: Good. $3,000-5,000

650.

No lot.

361

651

651.

Anne Ryan (American, 1889-1954) Untitled Signed “A Ryan� l.r.

Mixed media (paper and fabric) collage, 6 3/4 x 6 1/2 in. (17.1 x 16.5 cm), framed.

Condition: Not examined out of frame. $1,500-2,000

362

652.

Robert G. Hamilton (American, 1916-2004) Neanderthal Embrace, 1974 Signed “R...” in pencil l.l., titled on the stretcher.

Oil on canvas, 45 x 45 in. (114.3 x 114.3 cm), framed.

Condition: Minor surface grime.

N.B. Hamilton attended the Rhode Island School of Design, where he was also a painting and drawing instructor for thirty-four years. $4,000-6,000

653.

No lot.

652

654.

Peter Sobin (American, 20th/21st Century) Untitled, c. 1983 Signed “Sobi...” l.r.

Acrylic and mixed-media collage, sheet size 40 x 25 3/4 in. (101.6 x 65.4 cm), framed.

Condition: Not examined out of frame. $300-500

654

363

655.

Donald Castell Kelley (American, b. 1928) Untitled Signed and dated “D.C. Kelley July 20, 08” in pencil l.l., signature and date pentimento u.r.

Ink and pastel on paper, sheet size 29 1/2 x 22 in. (74.9 x 55.9 cm), framed.

Condition: Not examined out of frame.

N.B. Donald C. Kelley trained at the School of the Museum of Fine Arts, Boston, from 1952 to 1957. During a two-year period abroad, he met fellow Museum School alum Cy Twombly in Mykonos, Greece. Kelley attended Yale School of Art and Architecture in 1960 where he received his Bachelors and Masters degrees. He has had a number of one-man and group exhibits in New England, and several art residencies at the Wurlitzer Foundation and The MacDowell Colony.

Based on the signatures, the present work is both figurative and abstract from either vertical orientation. $300-500

656.

Faiq Hussain (Iraqi, 20th Century) My Wilderness Open for Others Signed in Arabic l.r., signed or inscribed and dated “No. 178/BAGHDAD-IRAQ...FAIK HA HUSSAIN/1965” on the reverse.

Oil on canvas, 18 1/2 x 41 1/4 in. (47.0 x 104.8 cm), framed.

Condition: Mildewing.

655

Provenance: From the collection of Louis Albert McMillen. $5,000-7,000

657.

No lot.

656

364

658

658.

Sylvia Miller (Ukrainian/American, 1910-1991) Bantu Signed “SYLVIA MILLER” l.r., titled on the stretcher.

Oil on canvas, 42 x 33 in. (106.7 x 83.8 cm), framed.

Condition: Patch reinforcement, surface grime, retouch. $1,500-2,500

365

659.

Reba Stewart (American, 1930-1971) River at Baños de Coamo/A Puerto Rico Landscape Signed and inscribed “Reba Stewart San Juan. P.R.” in pencil l.r., titled and dated “...Jan. 24, 1971” l.l.

Ink and graphite on paper, sight size 19 1/4 x 27 in.

(48.9 x 68.6 cm), framed.

Condition: Not examined out of frame.

N.B. The beaches of San Juan, Puerto Rico, left a lasting impression on Reba Stewart, who vacationed there regularly between 1963 and her untimely death in 1971. Reba was fascinated by the local driftwood, which she would assemble into mobiles and ship back to her studio in Baltimore, Maryland.1 The present work relates to a series of works inspired by Puerto Rico which explore the fluctuating boundaries between land, sky, and sea.

1. LaFleur, Helen Myrick, “Reminiscences of Reba Stewart,” Reba Stewart: A Legacy, Massachusetts College of Art, October 9 to November 20, 2006 (exh. cat.), pp. 13-14, 22, 26.

659

$700-900

660.

Elof Wedin (American, 1901-1983) View of a Modernist House Signed and dated “Elof Wedin 1955” l.l.

Pastel and charcoal on paper, sight size 19 1/4 x 23 1/4 in. (48.9 x 59.1 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

660

366

661

661.

David Pearce (British, fl. 1987-present) Plantlife Signed and dated “David Pearce ‘94” on the reverse.

Acrylic on stitched canvas patches, 48 x 48 in. (121.9 x 121.9 cm), unframed.

Condition: Very mild wear to edges.

Provenance: Purchased directly from the artist. $1,500-2,000

367

662.

Laurence Philip Sisson (American, b. 1928) Lot of Two Landscapes: Cloud Shapes and Cold Sun Both signed “L. Sisson” l.l., titled and numbered on the reverse.

Watercolor on paper, sheet size to 30 1/4 x 22 1/4 in. (76.9 x 56.5 cm), unframed.

Condition: Tack holes in corners. $1,000-1,500

663.

Laurence Philip Sisson (American, b. 1928) Lot of Two Evening Views: January Blue and Moonlit Pilings One signed “L. Sisson” l.r., the other signed “Laurence Sisson” l.l., both titled and numbered verso.

Watercolor on paper, size to 22 1/8 x 30 1/4 in. (56.3 x 76.5 cm), unframed.

Condition: Minor wear along edges, tack holes in corners. $1,000-1,500

662

663

368

664

664.

Leonardo M. Nierman (American, b. 1932) Prehistoric Fire Signed “Nierman� l.l., titled on the reverse.

Oil on Masonite, 23 1/2 x 31 1/2 in. (59.7 x 80.0 cm), framed.

Condition: Craquelure, minor surface abrasions. $800-1,200

369

665

665.

Irene Rice Pereira (American, 1902-1971) Reclining Nude in a Landscape Incised signature, inscription, and date “I. RICE PEREIRA/WILTSHIRE/50” l.l.

Oil on cardstock, 10 1/2 x 13 5/8 in. (26.7 x 34.6 cm), framed.

Condition: Craquelure.

800-1,200

666.

Karl Zerbe (American, 1903-1972) Sitting Woman Variation #I, 1961 Signed or inscribed “Zerbe” l.r., titled in pen on the stretcher and identified on a label from Nordness Gallery, New York, on the reverse.

Acrylic and collage on linen, 21 x 14 in. (53.3 x 35.6 cm), framed.

Condition: Surface grime. $800-1,200

666

370

667

667.

Romeo Villalva Tabuena (Filipino, b. 1921) Nocturne Signed and dated "TABUENA 1961" l.r., titled on the reverse.

Oil on Masonite, 15 3/4 x 12 1/4 in. (40.0 x 31.1 cm), framed.

Condition: Surface grime. $800-1,200

371

668

668.

Joseph Piccillo (American, b. 1941)

669.

Walter (Sidney) Feldman (American, b. 1925)

Lot of Three Portraits: Witness #I, Witness #III, and Witness #IV, 1968 Signed, titled, and dated “...FEB 68 joseph piccillo” u.r., l.l., and l.r., respectively, one with a signed and dedicated exhibition notice affixed to the reverse.

Graphite on paper, sight sizes to 10 x 8 3/4 in. (25.4 x 22.2 cm), framed.

Condition: Not examined out of frames. $1,200-1,800

Untitled [Heart-Shaped Lock] Signed and dated “Walter Feldman 1966” in pencil l.l.

Mixed media on paper/board, sight size 10 3/4 x 10 3/4 in. (27.3 x 27.3 cm), framed.

Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $300-500

669

372

670

670.

Bonnie Whittingham (American, 20th Century)

671.

Francisco Toledo (American, b. 1940)

Figures in Profile Signed “Whittingham” l.l.

Oil and tissue collage on canvas, 34 x 72 in. (86.4 x 182.9 cm), unframed.

Condition: Minor surface grime. $1,500-2,500

Lot of Two Works: Abstract Creatures and Interior Scene Both signed “Toledo” l.r.

Creatures gouache and ink on paper mounted onto board, sheet size 8 3/4 x 12 in. (22.2 x 30.5 cm); Interior ink and watercolor on the back of lithograph portfolio cover sheet, 12 3/4 x 15 7/8 in. (32.4 x 40.3 cm); both unframed.

Condition: Creatures with bowing to support, Interior with deckled edges, both with soiling/surface grime. $1,500-2,000

671

373

672.

Peter Busa (American, 1914-1985) Figure in Profile Unsigned.

Oil on Masonite, 17 3/4 x 12 in. (45.1 x 30.5 cm), framed.

Condition: Surface grime, craquelure, losses/abrasions, retouch. $2,000-3,000

673.

June Bellamy (Burmese/Italian, 20th Century) Natura Morta Con Uva Signed “Bellamy” l.l., also signed, inscribed, dated, and titled “JUNE BELLAMY/FIRENZE/1968...” on the reverse.

Oil on panel, 14 x 16 in. (35.6 x 40.6 cm), framed.

Condition: Alligatoring, minor abrasions along frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. $300-500

672

673

374

674

674.

Vito Acconci (American, b. 1940) Mobius Bench/An Installation Study for the Shops at Lake Avenue, 401 Lake Avenue, Pasadena, California Inscribed, signed, and dated “Acconci Studio Vito Acconci ‘03” in pencil l.r.

Ink and graphite on paper, sheet size 7 x 17 in. (17.8 x 43.2 cm), framed.

Condition: Not examined out of frame.

Provenance: Acquired from the artist by commission, private New England collection. $1,500-2,000

375

675.

Gregory Amenoff (American, b. 1948) Study for The Heart of the Matter II, 1982 Signed, dated, titled, and dedicated “for Dan & Marlene...Gregory Amenoff 8/82...” in crayon on the reverse and identified on a label from Nielsen Gallery, Boston, on the stretcher.

Oil on canvas, 18 x 18 in. (45.7 x 45.7 cm), unframed.

Condition: Good. $1,000-1,500

675

676.

Carl Sprinchorn (American, 1887-1971) Red Maple Signed “CARL SPRINCHORN” l.r., identified on a label from the New Bertha Schaefer Gallery, New York, on the backing.

Watercolor on paper, sight size 22 1/2 x 18 in.

(57.1 x 45.7 cm), framed.

Condition: Toning, foxing, not examined out of frame. $1,000-1,500

676

376

677

677.

Karl Knaths (American, 1891-1971) Abstract Garden Signed “K. Knaths” and with a profile portrait sketch on the reverse, stamped “B. BEAMSDERFER GALLERY, HIGHLAND PARK, NEW JERSEY” on the backing.

Oil on canvas, sight size 38 3/4 x 31 1/2 in. (98.4 x 80.0 cm), framed.

Condition: Craquelure with lifting. $1,500-2,000

377

678

678.

Chen Chi-Kwan (Chinese, 1921-2007)

679.

Liu Tian Wei (Chinese, b. 1954)

Mother and Sons Signed “Chen Qi Kuan bi” in Chinese l.r. and titled “Muzi” in Chinese u.l.

Ink on paper, sight size 11 3/4 x 19 1/4 in. (29.8 x 48.9 cm), framed.

Condition: Subtle rippling.

Abstract Composition Sealed and dated “...1983” in Chinese l.l.

Ink wash on paper, sheet size 37 3/4 x 70 1/2 in. (95.9 x 179.1 cm), framed.

Condition: Not examined out of frame.

Provenance: From the collection of Louis Albert McMillen. $1,500-2,500

Provenance: From the collection of Louis Albert McMillen. $1,500-2,500

679

378

680

680.

Chen Chi-Kwan (Chinese, 1921-2007)

681.

John Way [Wei Letang] (Chinese/American, b. 1921)

Cockfight Signed and inscribed in Chinese l.l. and u.r.

Ink wash on paper, sight size 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), framed.

Condition: Toning, not examined out of frame.

Untitled [Abstract] Signed and dated “John Way ‘75” l.r.

Oil on paper, 19 1/8 x 24 in. (48.6 x 61.0 cm), unframed.

Condition: Good.

Provenance: Through the family of the artist.

Provenance: From the collection of Louis Albert McMillen. $1,500-2,500

$4,000-6,000

681

379

682

682.

Walasse Ting (Chinese/American, b. 1929) Grasshopper with Watermelon Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.l.

Acrylic and ink on rice paper, sheet size 13 3/4 x 19 in. (34.9 x 48.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $2,200-2,800

683.

Noe Canjura (French, 1925-1973) Éventaire au marché Signed “CANJURA” l.l., titled and signed “...CANJURA” on the reverse, identified on a presentation plaque, with a label from Findlay Galleries, Inc., Chicago, on the backing.

Oil on canvas, 60 x 50 in. (152.4 x 127.0 cm), framed.

Condition: Craquelure, surface grime, minor losses/abrasions. $2,000-2,500

683

380

684.

Noe Canjura (French, 1925-1973) La composition du bouquet Signed “CANJURA” l.l., titled and signed “...CANJURA” on the reverse, with a label from Findlay Galleries, Inc., Chicago, on the backing.

Oil on canvas, 29 x 24 in. (73.7 x 61.0 cm), framed.

Condition: Surface grime. $1,000-1,500

685.

Walasse Ting (Chinese/American, b. 1929) Portrait of Two Beauties with a Red Horse Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.r.

Acrylic and ink on rice paper, sheet size 14 1/4 x 19 in. (36.2 x 48.3 cm), framed.

Condition: Subtle rippling, not examined out of frame. $2,500-3,500

684

685

381

686

686.

Walasse Ting (Chinese/American, b. 1929) Portrait of Two Beauties with Parrots Sealed “Cai Hua Da Dao� [thief who steals flowers] in Chinese u.l., with a label from Lefebre Gallery, New York, on the reverse.

Acrylic and ink on rice paper, sheet size 70 x 38 in. (177.8 x 96.5 cm), framed.

Condition: Tape hinged to backing mat, subtle rippling, not examined out of frame. $15,000-25,000

382

687

687.

Walasse Ting (Chinese/American, b. 1929) Portrait of a Reclining Woman with Parrot Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese within the composition.

Acrylic and ink on rice paper, sheet size 38 x 70 in. (96.5 x 177.8 cm), framed.

Condition: Tape hinged to linen-covered mat, subtle rippling, not examined out of frame.

N.B. Ting, whose first name is the Westernized version of his Chinese given name “Hua La Si,” adopted the moniker “thief who steals flowers” to express his love of women and depicting the female form.1 The present work relates to Ting’s Jolies Dames series of spring 1987 when he spent two months in Amsterdam photographing and sketching sixty-six female models as the basis for full-scale studio compositions (replete with cats, parrots, grasshoppers, and melons) created in New York later that year.

1. Walasse Ting, Jolies Dames, Paris: Yves Riviere Editeur, 1988.

$15,000-25,000

383

688

688.

Lincoln Perry (American, b. 1949) Work: Late Afternoon in the City Initialed and dated “LP84� l.l., identified on a label on the backing.

Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.

Condition: Good.

Provenance: Commissioned by John Hancock Mutual Life Insurance Company, purchased from the John Hancock Corporate Art Collection, Boston. $5,000-7,000

384

689

689.

Lincoln Perry (American, b. 1949) Leisure: Summer Afternoon, The Esplanade Initialed and dated “LP84� l.r., identified on a label on the backing.

Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.

Condition: Good.

Provenance: Commissioned by John Hancock Mutual Life Insurance Company, purchased from the John Hancock Corporate Art Collection, Boston. $7,000-9,000

385

690

690.

Richard Sheehan (American, 1953-2006)

691.

Richard Sheehan (American, 1953-2006)

New 100 Merit Ultra Lights, 1988 Unsigned, identified on a label affixed to the stretcher.

Oil on canvas, 22 1/4 x 28 in. (56.5 x 71.1 cm), unframed.

Condition: Minor abrasions along the tacking margin.

New Bridge, 1985 Signed and dated “Sheehan 85” l.l., titled l.r., also signed and titled “...Sheehan” and identified on a label from Alpha Gallery, Boston, on the reverse.

Oil on canvas, 13 x 15 in. (33.0 x 38.1 cm), framed.

Condition: Craquelure.

Provenance: From the collection of Maria Christina Rago. $800-1,200

Provenance: From the collection of Maria Christina Rago. $800-1,000

691

386

692

692.

Richard Sheehan (American, 1953-2006) Elevated Unsigned, titled and dated “...198...� on the reverse.

Oil on canvas, 32 x 40 in. (81.3 x 101.6 cm), framed.

Condition: Craquelure, flaking.

Provenance: From the collection of Maria Christina Rago. $1,000-1,500

387

693

693.

Reed Kay (American, b. 1925)

694.

Richard Sheehan (American, 1953-2006)

View of Boston Common, 1981-2 Signed and dated “Kay 82” l.r., identified on labels from the Alpha Gallery, Boston, on the reverse.

Oil on Masonite, 18 x 22 in. (45.7 x 55.9 cm), framed.

Condition: Good.

Arlington St., Hyde Park, 1978 Incised signature “Richard Sheehan” l.r., dated, titled, and signed “1978...Richard S. Sheehan” in pencil on the reverse.

Oil on canvas, 28 x 28 in. (71.1 x 71.1 cm), framed.

Condition: Losses/flaking in the u.l. quadrant.

Provenance: From the collection of Maria Christina Rago.

Provenance: From the collection of Maria Christina Rago. $1,000-1,500

$600-800

694

388

695

695.

Reed Kay (American, b. 1925) Boston Buildings I, 1983 Signed and dated “R. Kay- ‘83” l.r., identified on a label from Alpha Gallery, Boston, on the backing.

Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.

Condition: Good.

Provenance: From the collection of Maria Christina Rago. $500-700

389

696

696.

John Stuart Ingle (American, b. 1933)

697.

Lowell Blair Nesbitt (American, 1933-1993)

Still Life with Cookies Signed, dated, and inscribed “John S Ingle 9/.../#6” in pencil l.r.

Watercolor with gouache on paper, image size 14 x 19 1/2 in. (35.6 x 49.5 cm), framed.

Condition: Deckled edges, broad rippling, not examined out of frame.

Kilim Rug with Fruit Titled, dated, inscribed, and signed “’77-’78... L. NESBITT” on the reverse.

Oil on canvas, 32 x 40 in. (81.3 x 101.5 cm), framed.

Condition: Surface grime. $2,000-2,500

Provenance: Purchased from Tatistcheff Gallery, New York. $6,000-8,000

697

390

698

698.

Raymond Han (American, b. 1931) The Pain Surprise Unsigned.

Oil on canvas, 32 x 36 in. (81.3 x 91.4 cm), framed.

Condition: Minor surface grime.

Provenance: Purchased from Menconi & Schoelkopf Fine Art, New York. $8,000-12,000

END OF SALE

391

Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

392

Artist Index Abbott, Yarnall ..............................................................................509 Acconci, Vito ................................................................................674 Agam, Yaacov ..............................................................................618 Ahl, Henry Curtis ..........................................................................475 Albers, Anni ......................................................................................1 Alechinsky, Pierre ..........................................................................2, 3 Amenoff, Gregory ........................................................................675 American School, 19th Century ..........................357A, 385, 387, 393 American School, 20th Century ........................................................4 Andersen, Niels Yde ......................................................................5-9 Anderson, Stanley ..........................................................................10 de Andreis, Alex ..........................................................................318B Anglo/American School, 19th Century ..........................................386 Antokolsky, Mark Matveevich (After) ..............................................322 Anuszkiewicz, Richard ....................................................................11 D’Arcangelo, Allan M. ..................................................................616 Arms, John Taylor............................................................................12 Aronson, David ............................................................................594 Arthur, Robert ..............................................................................362 Ashkenazi, Aaron ........................................................................600 Avery, Milton ....................................................................................13 Aylsworth, Lynn Nelsen ................................................................551 Bacher, Will Low ..........................................................................498 Bacon, Henry ..............................................................................392 Baker, Margaret ............................................................................484 Barker, Benjamin (Attributed to) ....................................................348 Bascom, Earl Wesley ..........................................................411, 413 Baskin, Leonard ........................................................................14-23 Baxter, Elijah ................................................................................581 Beaux, Cecilia ..............................................................559, 560, 563 Beckmann, Hannes ......................................................................639 Bellamy, June ..............................................................................673 Bellows, George Wesley............................................................23, 24 Benson, Frank Weston ..............................................................25-32 Benton, Thomas Hart ................................................................33-35 Bernard, Edouard Alexandre ..........................................................36 Berry, Carroll Thayer ........................................................................37 van Beyeren, Abraham (School of) ................................................301 Bierhals, Otto ..............................................................................459 Bilbie, James Lees ....................................................................349A Birney, William Verplanck ............................................................392A Bishop, Isabel ................................................................38, 589, 591 Bishop, Richard Evett ......................................................................39 Blackburn, Joseph ....................................................................314A Blampied, Edmund....................................................................40, 41 van Blarenberghe, Jacques Willem ............................................343A Bonavita, Francesco Bianchi (Manner of) ......................................309 Boughton, George Henry ..........................................................331A Braitou-Sala, Albert ......................................................................549 Braque, Georges (After) ..........................................................42, 42A de Breanski, Alfred Fontville ..........................................................352 Breling, Heinrich ..........................................................................325 Breughel, Jan, the Younger (Manner of) ........................................300 Breul, Hugo ..................................................................................391 Bricher, Alfred Thompson ............................................................354 British School, 18th Century..........................................................316 British School, 18th/19th Century..................................................315 Brown, Mae Bennett ....................................................................554 Buckle, Claude ................................................................................43 Bueno, Antonio ............................................................................603 Buffet, Bernard ............................................................................605 Burleigh, Sydney Richmond ................................320, 394, 445, 534 Burlingame, Charles Albert ..........................................................418 Burliuk, David ......................................................................593, 604 Busa, Peter ..........................................................................645, 672 Cady, Harrison ..............................................................................585 Cahoon, Jr., Ralph Eugene ..........................................................588 Calder, Alexander ................................................................609, 610

Cambier, Louis Gustave ..............................................................516 Cameron, David Young....................................................................44 Canjura, Noe ........................................................................683, 684 Carigiet, Alois ..................................................................................45 Carlson, John Fabian ..................................................................449 Cartier-Bresson, Henri ..................................................................269 Case, Edmund Elisha ..................................................................469 Casilear, John William ..................................................................379 Casse, Roger ..............................................................................518 Cassigneul, Jean Pierre ................................................................575 Castelucho, Claudio ....................................................................543 Cataldi, Amleto ............................................................................564 Chagall, Marc ............................................................................46-48 Chahine, Edgar................................................................................49 Chamberlain, Samuel V. ............................................................50-62 Champney, James Wells ............................................................319A Chapin, Bryant ............................................................................351 Chapin, Marie Louise ....................................................................558 Charlet, Nicolas Toussaint ............................................................341 Chase, Adelaide Cole ..................................................................556 Chase, William Merritt ..................................................................399 Chen, Chi-Kwan ..................................................................678, 680 Chinni, Peter Anthony ..........................................................624, 628 de Chirico, Giorgio ....................................................................63-66 Cipolla, Fabio ..............................................................................330 Clark, Roland ..................................................................................67 Clastrier, Stanislaw ......................................................................443 Clavé, Antoni ..................................................................................68 Closson, William Baxter Palmer ............................................580, 582 Coignard, James........................................................................69-71 Cole, Joseph Foxcroft ..................................................................376 Colla, Ettore ................................................................................630 Collins, Earl E. ..............................................................................363 Collver, Ethel Blanchard ................................................................586 Colman, Samuel ..........................................................................513 Connaway, Jay Hall ......................................................................470 Continental School, 17th Century Style ......................................318C Continental School, 17th/18th Century..................................311, 326 Continental School, 18th Century..........................................317, 319 Continental School, 19th Century ......................329, 333, 334A, 345 Continental School, 20th Century..........................................506, 532 Continental School, 20th/21st Century..........................................592 Cook, Jr., Otis Pierce ..................................................................486 Corey, Bernard ............................................................................461 Corinth, Lovis ..................................................................................72 Cornoyer, Paul (Attributed to) ........................................................427 Cortazzo, Oreste ........................................................................325B Cotharin, Kate Leah ....................................................................483 Crane, Alan Horton..........................................................................73 Crite, Allan Rohan ........................................................................583 Cruickshank, William ....................................................................344 Curry, John Steuart ..................................................................74, 75 Curtin, Thomas R. ........................................................................442 Curtis, Roger William ....................................................................466 Cutler, Carl Gordon ..............................................................428-431 Dalí, Salvador ............................................................................76, 77 Damoye, Pierre Emmanuel ..........................................................446 Davidson, Allan Albert ..................................................................577 Dawson-Watson, Dawson (Attributed to) ......................................510 Dean, Walter Lofthouse ................................................................366 Decamps, Alexandre Gabriel ........................................................338 Dehn, Adolf Arthur ..........................................................................78 Dicksee, P.R.A., Sir Frank ............................................................327 Dickson, Jane Leone ......................................................................79 Dine, Jim ........................................................................................80 Donati, Lazzaro ..............................................................81, 574, 595 Dozier, Otis................................................................................82, 83 Dubuffet, Jean ................................................................................84 Duperac, Etienne ............................................................................85

393

Dürer, Albrecht ................................................................................86 Dutch School, 17th Century Style ................................................306 Dyer, Hezekiah Anthony (Attributed to) ..........................................514 Dzubas, Friedel ............................................................................625 Eastern European School, 20th Century........................................508 Edgerton, Harold Eugene ......................................................270-278 Eggleston, Benjamin Osro ............................................................382 Enneking, John Joseph ................................................................434 Ernst, Max ......................................................................................87 Ettinger, Churchill ..........................................................................452 Evans, Walker................................................................................279 Farrier, Robert (Attributed to) ......................................................329B Feininger, Lyonel..............................................................................88 Feldman, Walter (Sidney) ..............................................................669 Fenkohl, Erna ..................................................................................89 Fiene, Ernest ..................................................................................90 Finck, Hazel (Mrs. William C.) ......................................................500 Flint, RA, Sir William Russell ........................................................568 Francis, Sam ..................................................................................91 Frankenthaler, Helen ........................................................................92 Frazier, Kenneth ..........................................................................537 French School, 19th/20th Century ......................................93-95, 97 French School, 20th Century ..................................................96, 522 French, Daniel Chester ................................................................538 Furneaux, Charles ........................................................................407 Gaertner, Carl Frederick ................................................................457 Gag, Wanda ....................................................................................98 Galerie Maeght, editor ..........................................................164, 165 Gall, François ......................................................................520, 573 Gallagher, Sears ......................................................................99, 100 Gardiner, Eliza Draper ............................................................101-113 Gasser, Henry Martin ....................................................................494 Gay, Edward B. ............................................................................373 Gay, Walter ........................................................................397A-398 Genth, Lillian Mathilde ..................................................................472 German School, 18th Century Style ..............................................308 Gerry, Samuel Lancaster ............................................................379A Gifford, Charles Henry ..................................................................358 Gildemeester, Paulus Adriaan ......................................................340 Gleizes, Albert ..............................................................................114 Gloeckner, Michiel Theobald ................................................640, 641 Gold, Albert ..................................................................................115 Gollings, Elling William (Bill) ..........................................................410 Gooden, Stephen ..........................................................................116 Goodnough, Robert Arthur ..........................................................638 Gordon, John Watson ..................................................................318 Gorman, R.C. ................................................................................117 Grant, Clement Rollins ..................................................................542 Grant, Gordon Hope ....................................................................118 Graves, Abbott Fuller ................................................................398A Gray, Cleve ..................................................................................643 Greason, Donald Carlisle ..............................................................584 Greene, Elmer Wesley ..................................................................547 Griggs, Frederick Landseer Maur ..................................................119 Grosz, George Ehrenfried ............................................................572 Grubas, Marco ............................................................................402 Grün, Maurice ..............................................................................525 Gruppe, Charles Paul ..........................................................336, 377 Gruppé, Emile Albert ............................................................436, 462 Guillemer, Ernest ..........................................................................337 Günther, Max ................................................................................635 De Haas, Mauritz Frederik Hendrick ............................................357 Hale, Philip Leslie ........................................................................541 Hamaguchi, Yozo ..................................................................120-122 Hambourg, Andre ........................................................................521 Hamilton, Robert G. ....................................................................652 Hammond, Arthur J. ....................................................................406 Han, Raymond ............................................................................698

394

Hardwick, Melbourne Havelock ....................................................381 Hare, John Cuthbert ....................................................................503 Hartung, Hans........................................................................123-126 Haynes, Frank Jay ........................................................................280 Hays, George Arthur ....................................................................375 Hecht, Joseph ..............................................................................127 Heckel, Erich ................................................................................129 Heinrich, Franz (Francis H.) ..........................................................324 Henry, George ..............................................................................539 Hepworth, Dame Barbara..............................................................130 Herring Jr., John Frederick ..........................................................349 Hibbard, Aldro Thompson ....................................437, 447, 448, 450 Hill, John William ........................................................................393A Hills, Laura Coombs ....................................................................546 Hinckley, Thomas Hewes (Attributed to) ........................................369 Hine, Lewis Wickes ......................................................................281 Hoffbauer, Charles Constantine ....................................................562 Hoffman, Irwin D. ..........................................................................131 d’Hondecoeter, Melchior (Attributed to) ........................................303 Hornby, Lester George ..........................................................132, 133 Hussain, Faiq ..............................................................................656 Hutchens, Frank Townsend ..........................................................453 Hutty, Alfred Heber ........................................................................134 Ingle, John Stuart ........................................................................696 Italian School, 18th Century ..........................................................302 Italian School, 18th/19th Century ..................................304, 307, 314 Italian School, 19th Century ................................................325A, 342 Johnston, John S...................................................................282-284 Johnstone, Henry James ..............................................................331 Jones, Hugh Bolton ....................................................................423 Joyce, Marshall Woodside ............................................................495 de Juan, Ronaldo ........................................................................648 Kaber, George Frederick ..............................................................548 Kappel, Philip ........................................................................135-137 Kasimir, Luigi..........................................................................138-140 Kavalec, Gregory ..........................................................................636 Kay, Reed ............................................................................693, 695 Kelley, Donald Castell ..................................................................655 Kirk, Frank Cohen ................................................................511, 552 Kirmse, Marguerite ................................................................141, 142 Kisling, Moïse ................................................................................143 Knapp, Charles Wilson ................................................................378 Knaths, Karl ................................................................................677 Kolin, Sacha ..................................................................................144 Kreyder, Alexis ..............................................................................346 Kubinyi, Kalman ............................................................................145 Lansere, Nikolay Evgenyevich ......................................................531 Lareuse, Jean ......................................................................528, 530 Lasar, Charles Augustus C. ..........................................................368 Lauritz, Paul ................................................................................464 Lazarev, Vladimir ..........................................................................519 Leavitt, Edward Chalmers ............................................................544 Lee-Hankey, William ....................................................................524 Leheutre, Gustave ........................................................................146 Lehrer, Leonard ......................................................................147-149 Leif, Florence ................................................................................489 Leighton, Clare Veronica Hope ......................................................150 Leprince, Robert Léopold ............................................................343 de Leub, Fr. ..................................................................................328 Levine, Jack ..........................................................................151-156 Lewis, Martin ................................................................................157 Lichtenstein, Roy ..........................................................................158 Lockwood, Wilton Robert ............................................................540 Loeb, Lee M. ............................................................................500A Lord, Elyse Ashe ....................................................................159-163 Loving, Jr., Alvin Demar ................................................................642 Lyford, Cabot ......................................................................597, 601 Lynes, George Platt ......................................................................285

Macdonald, Christopher ..............................................................637 Macy, William Ferdinand ............................................................371A Major, Ernest Lee ........................................................................481 Maldarelli, Oronzio ........................................................................570 Margo, Boris ........................................................................166, 167 Marini, Marino................................................................................168 Marsh, Reginald ..........................................................................527 De Martelly, John Stockton............................................................169 van Mastenbroek, Johann Hendrick ............................................365 Mathewson, Frank Convers ..........................................................550 Matisse, Henri ......................................................................170, 599 Matsubara, Naoko ........................................................................171 Matthey, L. ..................................................................................172 Maufra, Maxime ..........................................................................507 Mazini, Ciro ..................................................................................400 McAfee, Ila Mae ..........................................................................409 McBey, James ..............................................................................173 McIlvaine, Jr., William A. ..............................................................380 Melbye, Fritz Sigfried Georg ........................................................361 Meltzer, Davis Paul ........................................................................174 Metcalf, Conger A. ......................................................................596 Mettenhoven, Marcel ....................................................................523 Meucci, Michelangelo ................................................................343B Meurer, Charles Alfred ..................................................................388 Michals, Duane..............................................................................286 Millar, Addison Thomas ................................................................356 Miller, Sylvia ..........................................................................646, 658 Milton, Peter Winslow....................................................................175 Miró, Joan..............................................................................176-182 Moore, Henry ................................................................................183 Morley, Malcolm ............................................................................185 Morrell, Wayne Beam ..................................422, 432, 433, 435, 440 ................................................................460, 488, 490, 497, 517 Müller, Henry ..............................................................................337A Munninger, Ludwig ......................................................................438 Murphy, John J. A. ........................................................................186 Murray, Elizabeth ..................................................................187, 188 Musgrave, Arthur Franklyn (Attributed to) ......................................505 Neopolitan School, 17th Century Style ..........................................310 Nesbitt, Lowell Blair ......................................................................697 Nevelson, Louise Berliawsky ................................................189, 631 Neyland, Harry A. ........................................................................467 Nicholls, Burr H. ........................................................................395A Nichols, Carroll Leja ......................................................................451 Nicholson, William ................................................................190, 191 Nierman, Leonardo M. ..................................................................664 Nixon, Nicholas ............................................................................287 Noland, Kenneth ..........................................................................614 Nooney, Ann..................................................................................192 Norton, William Edward ................................................................360 O’Higgins, Pablo Esteban..............................................................194 O’Keeffe, Georgia ........................................................................608 O’Leary, Angela ............................................................................535 Ogé, Eugène ................................................................................193 Ohashi, Yutaka ............................................................................644 Olgyai, Ferenc ..............................................................................419 de Paléologue, Jean, known as Pal ..............................................195 Papart, Max ..........................................................................196-198 Pape, Eric L. (Frederic) ........................................................426, 555 Paradise, Philip Herschel ..............................................................199 Parsons, Sheldon ......................................................................406A Pauli, Richard ..............................................................................383 Pavlosky, Vladimir ........................................................................480 Pearce, David ..............................................................................661 Pearson, Marguerite Stuber ..........................................................553 de la Peña, Narcisse Virgile Diaz (School of) ..................................321 Pepper, Beverly Stoll ............................................................615, 634 Pereira, Irene Rice ........................................................................665 Pérez, Mariano Alonso ................................................................566

Perlman, Joel Leonard ................................................................633 Perry, Lincoln ......................................................................688, 689 Peterson, Jane ............................................................................533 Petlin, Irving ..................................................................................602 Peyton, Alfred Conway ................................................................529 Pfaff, Judy ....................................................................................200 Phelps, William Preston ................................................................389 Picasso, Pablo ..............................................................................201 Piccillo, Joseph ............................................................................668 Piot, Adolphe (Attributed to) ..........................................................334 Pollak, Max....................................................................................202 Pomodoro, Arnaldo ......................................................................620 Poncet, Antoine ............................................................................626 Pye, Fred ......................................................................................474 Quence, Raymond ......................................................................515 Redon, Odilon ..............................................................................203 Reiss, Lionel S. ............................................................................499 Richards, Walter Dubois ................................................................205 Richards, William Trost ..............................................................353A Rico y Ortega, Martin ..................................................................404 van Rijn, Rembrandt......................................................................204 Ripley, Aiden Lassell ..............................................................414-416 Rix, Julian Walbridge ............................................................384, 482 Rodin, Auguste..............................................................................206 Rosebee........................................................................................587 Rosenquist, James........................................................................207 Rost, Ernest Christian ................................................................382A Roth, Jack ....................................................................................647 Rothenberg, Susan ..............................................................208, 209 Rouault, Georges ..................................................................210, 211 Row, David....................................................................................212 Rowbotham, Charles ....................................................................405 Rozmainski, Vladimir ....................................................................567 Rumert, Bengt ..............................................................................213 Ryan, Anne ..........................................................................214, 651 Saito, Kiyoshi ........................................................................215, 216 Salmon, Robert ............................................................................353 Sample, Paul Starrett ..................................................................455 Schlesinger, Felix ..........................................................................332 Schön, Erhard ..............................................................................217 Schreyer, Adolf ............................................................................401 Scott, John White Allen ................................................................370 de Segonzac, Andre Dunoyer........................................................571 Sen, Yong Mun......................................................................473, 476 Serra, Richard ..............................................................................218 Severini, Gino ................................................................................219 Shannon, Charles Haslewood ......................................................576 Shapleigh, Frank Henry ................................................................396 Sheahan, Joseph Gary ................................................................579 Sheehan, Richard ........................................................690-692, 694 Sherwood, Walter J. ....................................................................397 Sichel, Nathaniel ........................................................................322A Sicilia, José María..........................................................................220 Sidney, Andrew Fisher Bunner, Thomas (After) ..............................184 Simon, Tavik Frantisek ..................................................................221 Siqueiros, David Alfaro ..................................................................222 Siskind, Aaron........................................................................288-291 Sisson, Laurence Philip ................................501, 502, 504, 662, 663 Sloane, Eric ..................................................................................444 Smillie, George Henry ..................................................................374 Smith, Frank Vining ......................................................................417 Smith, Harry ..............................................................................387A Smith, Hope ................................................................................526 Sobin, Peter ................................................................................654 Solliday, Tim ........................................................................408, 412 Soto, Jesus Rafael ......................................................................629 Soulages, Pierre ............................................................................223 Soyer, Moses ..............................................................................590 Soyer, Raphael ......................................................................224-227

395

Spanish or Spanish Colonial School, 18th Century Style ..............312 Spanish School, 16th Century/Style ..............................................313 Sprinchorn, Carl ..........................................................................676 Steinberg, Saul ............................................................................613 Steinheil, Adolphe Charles Edouard ............................................323 Steir, Pat........................................................................................228 Stella, Frank ................................................................................612 Stevens, William Lester ................................................................496 Stevovich, Andrew ................................................................229-234 Stewart, Reba ..............................................................................659 Stone, Don ..........................................................................468, 485 Storch, Karl (Attributed to) ............................................................545 Strisik, Paul ................................................................................443A Strozzi, Bernardo (Attributed to) ..................................................318A Summers, Carol ....................................................................235-241 Sung, Chin ....................................................................................242 Surber, Paul ..............................................................................409A Svendsen, Svend Rasmussen ......................................................458 Swan, Emma Levinia ....................................................................395 Symons, George Gardner ............................................................439 Tabuena, Romeo Villalva ..............................................................667 Tanguy, Yves ................................................................................611 Tchelitchew, Pavel ........................................................................598 Teniers, David, the Younger (Manner of) ........................................305 Thom, James Crawford ................................................................390 Thomas, Alice Blair ....................................................................350A Thompson, Albert ......................................................................380A Ting, Walasse ..............................................................682, 685-687 Tobiasse, ThĂŠo ......................................................................243-246 Tojetti, Virgilio ............................................................................329A Toledo, Francisco ........................................................................671 Tolman, Stacy ..............................................................................492 de Toulouse-Lautrec, Henri....................................................247, 569 Triscott, Samuel Peter Rolt ..........................................................493 Trova, Ernest Tino ................................................................621-623 Tumarkin, Igael ............................................................................617 Tyler, James Gale ........................................................................364 Vasarely, Victor ............................................................................619 Vernon, Paul ................................................................................403 Vierra, Carlos ................................................................................478 Villon, Jacques ............................................................................248 Vincent, Harry Aiken ....................................................................487 Vos, Hubert ..................................................................................420 Vuillard, Edouard ..........................................................................249 Walker, John G. ............................................................................649 Walkley, David Birdsey ..............................................................378A Walraven, Jan ..............................................................................335 Walton, William ............................................................................632 Ward, Lynd Kendall ......................................................................250 Warhol, Andy ................................................................................251 Warren, Elizabeth Boardman ........................................................421 Warren, Harold Broadfield ............................................................425 Washburn, Bradford ..............................................................292-296 Waters, George Wattles ................................................................359 Watson, William R.C. ....................................................................350 Way [Wei Letang], John ................................................................681 Webber, Wesley Elbridge ......................................................355, 371 Wedin, Elof ..................................................................................660 Weekes, William ..........................................................................347 Wei, Liu Tian ................................................................................679 Wely, Jacques ..............................................................................578 Weissman, Charles M. ..................................................................142 Wengenroth, Stow ................................................................252-255 Wesselmann, Tom ........................................................................256 Wesson, Robert Shaw ..................................................................454 Whistler, James Abbott McNeill..............................................257-263 Whitaker, George William (Attributed to) ........................................339 Whitman, Sarah De St. Prix Wyman ............................................557 Whittingham, Bonnie ............................................................607, 670

396

Whorf, John ................................................................465, 477, 479 Wilbur, Lawrence Nelson ..............................................................463 Willison, Thomas Jefferson ..........................................................424 Wilson, Jeremiah ..........................................................................372 Wilson, Robert ..............................................................................264 Wilson, Sol ..................................................................................606 Winter, Charles Allen ............................................................561, 565 Wood, Stanley Huber ..................................................................512 Woodbury, Charles Herbert ..........................................................471 Woodward, Mabel May ................................................................536 Woodward, Robert Strong ..................................................456, 491 Woodward, Stanley Wingate ........................................................441 Youngerman, Jack ................................................................265, 627 Zadkine, Ossip ..............................................................................266 Zerbe, Karl ..................................................................................666

Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.

Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised September 29, 2009

397

Board of Directors

Chairman of the Board - Nancy R. Skinner Richard Albright Barnet Fain Stephen L. Fletcher Karen M. Keane

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Stuart P. Whitehurst

Expert Departments

American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan Zacharias American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - James F. Callahan Assistant: Tianyue Jiang Books & Manuscripts - Stuart P. Whitehurst Assistant: Sara C. Wishart Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Kerry Shrives Discovery Sales - Kerry Shrives Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Stuart P. Whitehurst, Sara C. Wishart Fine Wines - Marie Keep Jewelry - Gloria Lieberman Assistants: Sheila Barron Smithie, F.G.A., G.G.; John Colasacco Judaica - Kerry Shrives Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture Jane D. Prentiss Museum & Collections Services - Martha Hamilton Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Chris Barber Silver - Stuart G. Slavid Assistant: Sara C. Wishart Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney, Stuart P. Whitehurst

SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

Exhibitions and Property Distribution

Marlborough:

Warehouse Manager - Jonathan Dowling, ext. 3280 Property Manager - Samuel Combs, ext. 3262 508.970.3000

Boston:

Elisabeth Benson-Allott, ext. 4312; Kerryn Murphy, ext. 4329 Property Distribution Manager - Jessica R. Lincoln, ext. 4308 617.350.5400

Finance Department

Marlborough:

Subscriptions

Marlborough:

Accounts Receivable - Denise Johnson, ext. 3269 Accounts Payable - Kathleen Hayes, ext. 3268 Credit Supervisor - Joe Monteyro, ext. 3266

Karen Skinner, ext. 3240 508.970.3000

Service Departments

Appraisal & Auction Services - Patricia Walker King, Beth Zwicker, Katharine Holtman, Leah Skowron Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Katharine E. Hampson Catalogue Production - Pamela Van de Houten, Kristina Harrison Assistant: Cheryl Freeman Customer Relations - Carol McCaffrey Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Consignment Services - Deanna Williams, Megan J. Blomgren, Carol Zeigler Managing Director - Marie C. Keep Marketing & Public Relations - Catherine Riedel, Anne M. Trodella, Karen Skinner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Elizabeth H. Wilson, Judy McLeod Boston: Erica Boccard Transportation - Eric Jones Assistants: Mark McCaffrey, John Williams

Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address

check if change in address

City

State

Phone #

Zip Code

Alternate #

e-mail

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Signature (Required)

Date

Lot #

Description

Bid Price

FOR OFFICE USE Marlborough

Boston

Phone

Fax

Mail

Person

Employee:

SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m

Directions to Skinner's Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.

Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

SKINNER

C ATA L O G U E S U B S C R I P T I O N F O R M

PRICES EFFECTIVE JANUARY 1, 2008. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

P L E A S E C H E C K T H E A P P R O P R I AT E B O X E S :

U.S./Canada No charge

Quarterly Brochure

Foreign (payable in U.S. dollars only) No charge

Included with catalogue subscription American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints

$120

$143

Fine Jewelry

$120

$143

20th Century Furniture & Decorative Arts

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Toys, Dolls & Collectibles

$60

$73

Fine Ceramics

$60

$73

Fine Musical Instruments

$60

$73

Science & Technology

$60

$73

Fine Wines

$60

$73

All Above Departments

$800

$975

S U B T O TA L MA RESIDENTS

6.25%

S A L E S TA X T O TA L

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Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752

508.970.3100

DOMESTICATED photographs by AMY STEIN

Š Amy Stein

January 22 through April 18, 2010

Harvard Museum of Natural History 26 Oxford Street Cambridge, MA 02138 617.495.3045 www.hmnh.harvard.edu