Paintings & Sculpture | Skinner Auction 2598B

SKINNER American & European Works of Art Fine Paintings & Sculpture Sale 2598B

May 18, 2012

Boston

517

American & European Works of Art Fine Paintings & Sculpture specialists in charge

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff 508.970.3258

American & European Paintings & Prints Department - 508.970.3206 General Inquiries: paintings@skinnerinc.com

auction 2598B Friday, May 18, 2012 at 4 p.m.

Lots 200-544, preceded by Fine Prints & Photography at 12 noon 63 Park Plaza Boston, Massachusetts preview

Wednesday, May 16, 2012 Thursday, May 17, 2012 Friday, May 18, 2012

12 to 5 p.m.

12 to 8 p.m.

9 to 10:30 a.m.

absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com

general inquiries View all lots online at www.skinnerinc.com

617.350.5400 cover : 530 ; frontispiece : 517 ; inside back cover : 501 ; back cover : 528 ( detail )

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table of contents

1

Auction & Specialist Information

2

Web Site & Online Bidding

4-5 6

Event Announcements Lots 200-544

238

Artist Index

241

Glossary of Terms

242

Conditions of Sale

243

Absentee Bid Form

244

Company Directors & Specialty Departments

245

Administrative Staff & Client Services

246

Map & Driving Directions

247

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 242 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2012

Proudly printed by

All rights reserved IT’S

MA/Lic. #2304

OUR

COMMITMENT

5 Almeida Avenue, East Providence, R.I., USA Toll Free: 866-229-7752

SKINNER presents a Fine Art Gallery Walk Presented by Robin Starr, Director of Skinner’s American & European Works of Art Department

Thursday, May 17, 2012 5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinner’s May 18th auction of American & European Works of Art

Upcoming Auction Fine Paintings & Sculpture September 7th, 2012

Boston, MA

Sir Anthony Caro (British, b. 1924), Paper Sculpture No. 22-Speckle, 1993

Consignment Deadline: June 22nd, 2012 For more information please contact our American & European Works of Art department at 508.970.3206 or email paintings@skinnerinc.com

www.skinnerinc.com

200.

After Giovanni Battista Moroni (Italian, 1546/7-1578) Il Tagliapanni (The Tailor) Unsigned.

Oil on canvas, 39 x 30 1/4 in. (99.0 x 76.8 cm), framed.

Condition: Lined, retouch, craquelure, surface grime.

N.B. The painting at hand is a faithful copy of The Tailor by Giovanni Battista Moroni in the National Gallery, London. The original was purchased by the National Gallery in 1862 from a collector in Bergamo, who bought it from a painter called Schiavone, who had acquired the picture around 1845. It had been in the Casa Grimani in Venice since before 1660. The measurements of the original are 97 x 74 cm, quite close to the copy at hand. The date of the copy is not known, but estimated to be 19th century.

$2,500-3,500

200

201.

Italian School, 16th Century Style Portrait of a Cardinal Unsigned.

Oil on canvas, 28 7/8 x 24 1/16 in. (73.5 x 61.1 cm), framed.

Condition: Lined, retouch, craquelure, scattered minor paint losses.

$1,000-1,500

201

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202.

Italian School, 16th Century Style Portrait of a Bearded Man in a Fur Collar Unsigned, stamped “...NA INTERNAZIONALE CHASSO...” on the stretcher.

Oil on canvas, 29 3/4 x 25 in. (75.5 x 63.5 cm), framed.

Condition: Lined, retouch, surface imperfections, probable masking varnish.

Provenance: Purchased by the current owner from Harris & Holt Antiques, West Yorkshire, England.

$2,000-3,000

202

203.

Raffaello Spano (Italian, 1817-1863) Study from Life Signed “Raf. Spano” l.r., inscribed “Studio dal vero./Raffaele Spano dipinse/Napoli” on the reverse, inscribed “Atelier de pinture Strada S. Pasquale...Napoli” in pencil on the stretcher, with a label from Conca Giuseppe, Doratore, Milano, affixed to the frame.

Oil on canvas, 18 1/2 x 15 in. (47.0 x 38.1 cm), framed.

Condition: Retouch, surface grime, minor canvas deformations.

$1,000-1,500

203

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204

204.

Attributed to Hendrick Cornelisz van der Vliet (Dutch, 1611-1675) Portrait of a Woman in a White Ruff Signed or inscribed indistinctly l.l.

Oil on cradled panel, 39 x 28 5/8 in. (99.0 x 72.8 cm), framed.

Condition: Retouch and old restoration, vertical cracks to panel, possible skinning, fine craquelure, mild surface grime.

Provenance: A private Hingham, Massachusetts, collection, by family descent.

N.B. An appraisal of the painting that accompanies the lot states that the painting is inscribed, dated, and signed “Etaris [sic] 56 an 1639/H. van der Vliet” l.l. However, this inscription is not currently legible. There is also a suggestion of a signature on the edge of the sitter’s bonnet, perhaps “Wliet,” probably added at a later date.

$3,000-5,000

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205.

Dutch School, 18th Century Portrait of a Young Woman in a White Bonnet Unsigned, with a label from William Macbeth Gallery, New York, on the reverse, inscribed “Van Stry� in pencil on the back of the frame.

Oil on beveled panel (oval), 3 1/2 x 2 7/8 in. (9.0 x 7.5 cm), framed.

Condition: Craquelure, minor retouch, surface grime.

$1,000-1,500

205

206.

British School, 18th Century Portrait of a Bewigged Gentleman in a White Lace Stock Unsigned.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Canvas trimmed and lined, scattered minor retouch, possible masking varnish.

$1,800-2,200

206

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207

207.

Anglo/American School, 18th Century Style Portrait of a Gentleman Unsigned.

Oil on canvas, 41 1/8 x 33 in. (104.5 x 84.0 cm), framed.

Condition: Lined, retouch, stable craquelure.

$1,200-1,800

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208

208.

Attributed to Allan Ramsay (Scottish, 1713-1784) Portrait of a Lady Holding a Book of Verse Unsigned, identified on a presentation plaque.

Oil on canvas, 30 3/16 x 25 in. (76.7 x 63.2 cm), framed.

Condition: Lined, retouch, craquelure, surface grime.

N.B. The sitter holds The Seasons, a volume of four poems on the seasons of the year by James Thompson (1700-1748), a Scottish poet and playwright.

This portrait is sold for the benefit of the collections of the Smith College Museum of Art. $10,000-15,000

online bidding at www.skinnerinc.com

11

209

209.

British School, 18th/19th Century Running Horse and Dog Unsigned.

Oil on panel, 6 1/8 x 8 1/2 in. (15.5 x 21.5 cm), framed.

Condition: Fine craquelure, surface imperfections and grime.

$1,200-1,800

12

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210

210.

Eugène Louis Lami (French, 1800-1890) Equestrian Portrait of Louis Philippe, King of the French, 1830 Unsigned, inscribed “Samuel Powel” on the reverse.

Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), framed.

Condition: Retouch, patch reinforcements, craquelure, minor surface grime.

Provenance: Samuel Hare Powel (1818-1885) of Powelton, Philadelphia, and 25 Bowery Street, Newport, Rhode Island; by descent to his son John Hare Powel Jr. (1837-1890), by descent to his son Pemberton Hare Powel (b.

1869); by descent to his daughter Annie Hare Powel Brayton (b. 1891); estate of Elinor Truesdale Marvell, Cliff Farm, Tiverton, Rhode Island.

N.B. Samuel Hare Powel was an attaché at the French and English courts, c. 1840-1842, and later a Rhode Island state senator from 1870 to 1876.

$18,000-22,000

online bidding at www.skinnerinc.com

13

211

211.

Manner of Philip van Dijk (Dutch, 1680-1753), After Tiziano Vecelli, called Titian (Italian, c. 1485-1576) The Holy Family with Cherubs Unsigned, identified on a presentation plaque and on a hand-inscribed label affixed to the stretcher, inscribed “E. E. Heath Husken Esq.” and with a red wax seal on the stretcher.

Oil on canvas, 40 1/4 x 50 1/4 in. (102.0 x 127.5 cm), framed.

Condition: Lined, patch reinforcement, retouch, craquelure, surface grime.

$3,000-5,000

212

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212.

Central European School, 19th Century Ave Maria Gratia Titled and inscribed “...ANTONI POZZI” l.c.

Oil on canvas, 14 1/8 x 18 1/8 in. (35.7 x 35.6 cm), framed.

Condition: Lined, retouch, craquelure.

$1,000-1,500

213.

Spanish Colonial School, 18th/19th Century Madonna and Child Unsigned.

Oil on canvas, 20 1/2 x 14 1/4 in. (52.0 x 36.2 cm), framed.

Condition: Lined, retouch, scattered craquelure. $800-1,200

213

214.

School of Lorenzo Sabatini (Italian, c. 1520-1576) Madonna Unsigned.

Oil on canvas, 16 9/16 x 13 5/16 in. (42.0 x 33.8 cm), unframed.

Condition: Tears, punctures, abrasions, retouch, craquelure, weakened and missing tacking edges, stretcher bar marks, surface grime. $2,500-3,500

214

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15

215

215.

School of Nicolaes Berchem (Dutch, 1620-1683) Landscape with Peasants and Travelers Fording a Stream Unsigned, with a label from St. Anna-Galerie, Zurich, on the back of the frame.

Oil on canvas, 17 1/4 x 22 1/4 in. (43.7 x 56.5 cm), framed.

Condition: Retouch, craquelure, possible masking varnish, surface grime.

$3,000-5,000

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216

216.

French School, 19th Century Peasants with Livestock Amidst Classical Ruins Unsigned.

Oil on canvas, 15 1/2 x 13 3/8 in. (39.3 x 33.9 cm), framed in a liner.

Condition: Paint losses, abrasions, craquelure, discolored varnish, surface grime.

$1,200-1,800

online bidding at www.skinnerinc.com

17

217

217.

Manner of Jacob Cats (Dutch, 1741-1799)

218.

Dutch School, 19th Century

Skaters on a River Beside a Brick House Unsigned, inscribed “Cats” on the mat l.c. and in pencil on the reverse, with a label from Georges Mayer, Paris, on the frame backing.

Ink and watercolor on paper, 10 1/2 x 13 1/8 in. (26.5 x 33.3 cm), framed.

Condition: Small holes l.r. corner, foxing, handling creases, toning, paper remnants and glue residue to the reverse, hinged at top reverse to a hand-painted French mat.

$1,500-2,000

Twilight Winter Landscape with Skaters Signed “P Op de Brouwer” l.l.

Oil on canvas, 14 x 18 3/4 in. (35.4 x 47.5 cm), framed.

Condition: Canvas trimmed and lined, retouch, scattered abrasions, craquelure.

218

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Provenance: A Massachusetts estate.

$1,200-1,800

219

219.

Jan Jacob Spohler (Dutch, 1811-1866) Skaters on a Frozen Pond Signed and dated “J.J. Spohler f 1842” l.l., inscribed “KRAUSHAAR” on the reverse.

Oil on beveled panel, 18 x 24 1/2 in. (45.7 x 62.2 cm), framed.

Condition: Minor abrasions beneath frame liner and to u.l. quadrant, craquelure, surface grime.

$5,000-7,000

online bidding at www.skinnerinc.com

19

220

220.

Friedrich Josef Nicolai Heydendahl (German, 1844-1906)

221.

Attributed to Jan Jacob Coenraad Spohler (Dutch, 1837-1923)

Kapelle am Winterabend Signed “J. Heydendahl, D...” l.r., identified on a handwritten label affixed to the stretcher.

Oil on canvas, 8 1/2 x 12 1/4 in. (21.5 x 31.0 cm), framed.

Condition: Retouch.

Winter Day Signed “J.C. Spohler” l.l.

Oil on canvas, 11 7/8 x 18 in. (30.0 x 46.0 cm), framed.

Condition: Patch reinforcements, retouch, craquelure, mild surface grime.

Provenance: A Massachusetts estate.

Provenance: A Massachusetts estate.

$1,200-1,800

221

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$2,000-3,000

222

223

222.

Johannes Frederik Hulk the Elder (Netherlandish, 1829-1911)

223.

Heinz Flockenhaus (German, 1856-1919)

Going into Church, Antwerp Signed “F. Hulk” l.l., and inscribed “...that this picture has been painted by himself to the order of A. d’Huyvelin... of Antwerp/F. Hulk” on the reverse.

Oil on panel, 14 x 10 1/4 in. (35.6 x 26.0 cm), unframed.

Condition: Prevalent but stable craquelure, mild surface grime, frame abrasions.

$1,500-2,000

Abendsonne Signed “H. Flockenhaus Dus.” l.r., identified on a presentation plaque and on a printed label affixed to the reverse.

Oil on panel, 10 1/8 x 7 1/2 in. (25.5 x 19.0 cm), framed.

Condition: Retouch.

Provenance: A Massachusetts estate.

$800-1,200

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224

224.

John (Old Crome) Crome (British, 1768-1821)

225.

George Augustus Williams (British, 1814-1901)

The Windmill Unsigned.

Oil on canvas, 34 1/2 x 42 in. (87.6 x 106.7 cm), framed.

Condition: Lined, retouch, craquelure, surface grime.

Evening, View Near Some Oaks. Kent.

Initialed and dated “GAW 1842.” l.l., titled and inscribed “No. 3...Barnes Surrey” on a label affixed to the stretcher, with a canvas stencil from Charles Roberson, London, on the reverse.

Oil on canvas, 14 1/4 x 24 1/4 in. (36.2 x 61.6 cm), framed.

Condition: Varnish inconsistencies, craquelure, surface grime.

Provenance: Acquired from T.J. Blakeslee, Blakeslee Galleries, New York, 1907.

N.B. A copy of the gallery invoice accompanies the lot.

$2,000-3,000

225

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Provenance: A Massachusetts estate.

$2,000-3,000

226

226.

John Frederick Tennant (British, 1796-1872) Wyndcliffe-on-Wye Signed and dated “J. Tennant 1847� l.l., identified on a partial label from Robert C. Vose Galleries, Boston, affixed to the stretcher.

Oil on canvas, 33 x 60 in. (83.8 x 152.4 cm), framed.

Condition: Lined, minor retouch, craquelure. $12,000-18,000

online bidding at www.skinnerinc.com

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227

227.

Hermann Baisch (German, 1846-1894) Cattle Watering Signed “H. Baisch” l.r., inscribed “Vieh...Hermann Baisch” on the stretcher.

Oil on canvas, 27 5/8 x 43 3/8 in. (70.3 x 110.2 cm), unframed.

Condition: Patch reinforcement, minor retouch, minor paint losses, craquelure, surface grime.

Provenance: A Massachusetts estate. $2,000-3,000

228.

Nellie Pairpoint (American, act. 1897-1914) Sheep Foraging in Snow Signed “N.M. Pairpoint” l.r., identified on a presentation plaque.

Oil on board or paper/board, sight size 11 3/4 x 11 3/8 in. (30.0 x 28.8 cm), framed (under glass).

Condition: Not examined out of frame. $800-1,200

228

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229

229.

Hermann Baisch (German, 1846-1894) Cows Grazing in the Dunes Signed “Hermann Baisch� l.r.

Oil on canvas, 39 1/2 x 28 3/4 in. (100.5 x 73.0 cm), framed.

Condition: Canvas mounted to Masonite support, scattered abrasions, surface grime.

Provenance: A Massachusetts estate.

$5,000-7,000

online bidding at www.skinnerinc.com

25

230.

Continental School, 19th Century Fish Hawk Soaring over an Alpine Torrent Unsigned.

Oil on canvas, 39 1/2 x 29 in. (100.3 x 73.7 cm), framed.

Condition: Retouch, abrasions beneath frame liner, minor lifting, craquelure, surface grime.

Provenance: A Massachusetts estate. $1,500-2,500

231.

Heinrich Karl Brückner (German, 1805-1892) Fishing in the Northern Alps Monogram signature “HBrückner, sen.” l.l., inscribed “...Heinrich Bruckner” on the reverse.

Oil on canvas, 12 3/4 x 16 1/2 in. (32.4 x 41.9 cm), framed.

Condition: Retouch, craquelure, surface grime. $800-1,200

230

231

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232

232.

Richard Zimmermann (German, 1820-1875) The Old Bridge/A Mountain Torrent Scene with Livestock Signed, inscribed, and dated “Richard Zimerman München 185...” l.l.

Oil on canvas, 43 1/2 x 67 3/4 in. (110.5 x 172.0 cm), framed.

Condition: Patch reinforcement, repaired tear l.l., paint losses, scattered minor retouch, craquelure, surface grime.

Provenance: A Massachusetts estate.

$5,000-7,000

online bidding at www.skinnerinc.com

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233

233.

Ludvig Skramstad (Norwegian, 1855-1912)

234.

Walther Wünnenberg (German, 1818-c. 1900)

From Nordmarken, Norway Signed “Ludv... Skramstad” l.l., identified on a presentation plaque.

Oil on canvas, 24 1/2 x 38 in. (62.0 x 96.3 cm), framed.

Condition: Scattered minor abrasions, craquelure with small area of lifting l.r., surface grime.

Mountain Landscape with Hunter Stalking Deer Signed “W. Wünnenberg” l.r.

Oil on canvas, 18 3/8 x 25 3/4 in. (46.5 x 65.5 cm), framed.

Condition: Minor spot of retouch, craquelure.

Provenance: A Massachusetts estate.

Provenance: A Massachusetts estate.

$2,000-3,000

234

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$1,000-1,500

235

235.

Hermann Ottomar Herzog (German/American, 1832-1932) Fisherman on a Mountain Lake Signed “H. Herzog� l.l.

Oil on canvas, 19 x 24 in. (48.0 x 60.7 cm), framed.

Condition: Lined, scattered retouch, fine stable craquelure. $12,000-18,000

online bidding at www.skinnerinc.com

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236

236.

British School, 19th Century On the Yealm, Devon Indistinctly signed and dated l.r., titled on the reverse.

Oil on canvas, 7 x 10 in. (17.8 x 25.5 cm), framed.

Condition: Fine stable craquelure, mild surface grime.

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additional information and photos at www.skinnerinc.com

$1,500-2,000

237

237.

Johann Christoph Frisch (Dutch, 1738-1815) Dutch City View with Bustling Harbor Signed “J.C. Frisch� l.r., identified on a presentation plaque.

Oil on canvas, 16 x 24 in. (40.5 x 61.0 cm), framed.

Condition: Punctures, craquelure, surface grime.

$800-1,200

online bidding at www.skinnerinc.com

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238

238.

William Barr (Anglo/American, 1867-1933) Evening in the Trossachs/A Scottish View Titled and signed or inscribed “...Wm. Barr” on the reverse.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), in an Art Nouveau frame.

Condition: Surface grime, craquelure. $2,000-2,500

239.

Henri Joseph Pieron (Belgian, 1856-1912) Landscape with River Bend Signed, dated, and inscribed indistinctly “Henri Pieron/1874...” l.r.

Oil on canvas, 19 1/2 x 13 1/4 in. (49.0 x 33.5 cm), framed.

Condition: Scattered pinhole-sized punctures and small abrasions with paint losses, discolored varnish, surface grime.

Provenance: Neumeister Kunstauktionen: Wednesday, December 1, 2004, Lot 691, auktion 326, through to a Massachusetts estate. $1,200-1,800

239

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240

240.

Attributed to Adolf Kaufmann (Austrian, 1848-1916)

241.

Franz Reder-Broili (German, 1854-1918)

Meadow with Birches and Figures by a Pond Unsigned, identified on labels affixed to the stretcher and frame.

Oil on canvas, 21 3/8 x 25 9/16 in. (54.2 x 65.0 cm), framed.

Condition: Patch reinforcement, retouch, craquelure, surface grime.

Marsh View at Sunset Signed “Reder Broili� l.r.

Oil on canvas, 23 5/8 x 39 3/8 in. (60.0 x 100.0 cm), framed.

Condition: Split to canvas in u.r. quadrant (stabilized with tape to the reverse), surface grime.

Provenance: Dorotheum: Wednesday, December 10, 2003, Lot 256, through to a Massachusetts estate.

$1,000-1,500

Provenance: A Massachusetts estate.

$2,500-3,500

241

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242.

Robert Alexander Hillingford (British, 1828-1904) Important News Monogrammed “RH” l.r., identified on a handwritten gummed label affixed to the stretcher.

Oil on canvas, 17 x 12 in. (43.3 x 30.8 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $3,000-3,500

243.

Léon Moran (American, 1864-1941) The End of the Game Signed and dated “Léon Moran ‘94” l.r., identified on a presentation plaque and on a label affixed to the reverse.

Oil on canvas, 9 1/8 x 13 1/8 in. (23.2 x 33.3 cm), framed in a shadow box.

Condition: Not examined out of box.

Provenance: Acquired from the Charles Hotel, Springfield, Massachusetts, c. 1960. $2,500-3,500

242

243

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244

244.

Wouterus Verschuur I (Dutch, 1812-1874) Awaiting the Master Signed “WVerschuur f� within the composition c.l., identified on a presentation plaque, auction catalogue entry and a label from Feigen & Co., New York, affixed to the reverse.

Oil on panel, 10 1/8 x 8 1/2 in. (25.7 x 21.6 cm), framed.

Condition: Fine craquelure, surface grime. $12,000-18,000

online bidding at www.skinnerinc.com

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245

246

245.

Anton Hoffmann (German, 1863-1938)

246.

Alfred Ritter von Malheim Friedländer (Austrian, 1860-1927)

Around the Cooking Fire/Encampment with Covered Wagons Signed and inscribed “Anton Hoffmann/Muenchen” l.r.

Oil on canvas, 19 3/4 x 23 5/8 in. (50.0 x 60.0 cm), framed.

Condition: Lined, scattered minor abrasions, dots of retouch.

$1,200-1,800

Cavaliers and Horses at a Smithy Signed “A. Friedlaender” l.r.

Oil on panel, 5 1/16 x 8 7/16 in. (12.8 x 21.4 cm), framed.

Condition: Scattered retouch, craquelure, surface grime.

$1,000-1,500

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247

247.

Jean-François Demay (French, 1798-1850) Travellers on a Country Road Signed “J.Demay” l.r.

Oil on canvas, 12 1/4 x 15 3/8 in. (31.0 x 39.0 cm), unframed.

Condition: Canvas trimmed and lined, paint losses, abrasions, surface imperfections, craquelure, surface grime. $1,500-2,000

248.

Wojciech Kossak (Polish, 1856-1942) Two Military Scenes: Reconnaissance and A Cold Winter March Both signed “Wojciech Kossak” and dated “...1919” or “...1921” l.r. and l.l., respectively.

Oil on board or panel, sizes to 18 x 14 1/4 in. (45.5 x 36.0 cm), framed.

Condition: Wear to edges, surface grime, March with slight bowing to support. $4,000-6,000

248

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249

249.

Gyula Zorkoczy (Hungarian, 1873-1932) Rest on a Walk in the Woods Signed “Zorkoczy� l.r., identified on a shipping label stapled to the back of the frame.

Oil on canvas, 15 7/8 x 19 3/4 in. (40.2 x 50.4 cm), framed (under glass).

Condition: Good.

Provenance: A Massachusetts estate. $4,000-6,000

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250

250.

Francisco Miralles y Galup (Spanish, 1848-1901) Portrait of an Elegant Lady Reading in a Park Signed “F. MiRALLES” l.l.

Oil on canvas, 16 1/4 x 13 1/4 in. (41.3 x 33.7 cm), framed (under glass).

Condition: Craquelure. $20,000-25,000

online bidding at www.skinnerinc.com

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251

251.

Angelo Comte de Courten (Italian, 1848-1925) Two Portraits of Young Women: The Flower Seller and Posadera Espagnole [The Spanish Hostess] Both signed “de Courten” l.l., Posadera titled l.r.

Watercolor on paper, sight sizes 14 x 10 1/4 in. (35.5 x 26.0 cm), framed.

Condition: Toning, not examined out of frames. $1,500-2,000

252.

Publio Tommasi (Italian, 1849-1914) Portrait of a Woman Feeding Chickens Signed, inscribed, and dated “P. De Tommasi/Roma 82” l.l.

Watercolor and graphite on paper, sight size 19 1/2 x 11 in. (49.5 x 27.9 cm), framed.

Condition: Subtle rippling, toning, not examined out of frame. $3,000-5,000

252

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253

253.

Teodora Reyman (Italian, fl. 1887) View of a Monk Threading a Needle Signed and inscribed “T. Reyman Roma� l.r.

Watercolor and graphite on paper, sight size 26 1/8 x 17 11/16 in.

(66.4 x 44.9 cm), framed.

Condition: Laid onto paper/board.

$1,000-1,500

online bidding at www.skinnerinc.com

41

254.

No lot.

255.

Eugène François de Block (Belgian, 1812-1893) Woman Seated Beside a Spinning Wheel Signed and dated “Eug. de Block/1867” u.r.

Oil on panel, 8 7/8 x 6 3/4 in. (22.6 x 17.3 cm), framed.

Condition: Scattered minor abrasions, fine craquelure, surface grime. $1,000-1,500

255

256.

Fanny Laurent Fleury (French, 1848-1905) Head of a Young Woman Signed “F. FLEURY” l.r., with a stamp from Cluzel, Paris, on the stretcher.

Oil on canvas, 10 3/4 x 8 3/4 in. (27.2 x 22.2 cm), framed.

Condition: Minor frame abrasions, surface grime. $1,000-1,500

256

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257

257.

Augustus Leopold Egg (British, 1816-1863) The New Pupil Signed “Aug. Egg.� l.l., identified on a presentation plaque and labels affixed to the reverse.

Oil on canvas, 22 3/4 x 19 1/4 in. (57.8 x 48.9 cm), framed.

Condition: Lined, retouch, craquelure, surface grime.

$4,000-6,000

online bidding at www.skinnerinc.com

43

258

258.

Rudolph Geudtner (German, 1811-1892) Two Children with a Picture Book Inscribed “aquarel: v. R. Geudtner” l.r.

Watercolor on paper/board, 8 x 10 1/4 in. (20.4 x 26.1 cm), framed.

Condition: Scattered foxing, discoloration along top edge, hinged at top edge of the reverse with masking tape, tape remnants to the reverse. $800-1,200

259.

Hugo Kotschenreiter (German, 1854-1908) Gent with a Pipe and Feathered Cap Signed and dated “...HKotschenreiter/99” u.l.

Oil on canvas, 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), framed (under glass).

Condition: Tape residue along left edge, very fine craquelure. $1,000-1,500

259

44

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260

260.

Aldo Affortunati (Italian, b. 1906) Preparing for the Hunt Signed “Affortunati Aldo� l.l., identified on a presentation plaque.

Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.

Condition: Craquelure, minor surface grime.

$1,000-1,500

online bidding at www.skinnerinc.com

45

261

261.

Anglo/American School, 19th/20th Century Shepherd with His Flock Signed “Edward Frederic Dryden” l.l.

Oil on canvas, 30 3/4 x 40 in. (78.1 x 101.6 cm), framed.

Condition: Patch reinforcement, retouch, tear, craquelure, surface grime. $800-1,200

262.

Henri van Seben (Belgian, 1825-1913) Children with a Lamb Monogram signature and date “HvSeben 63” u.c.

Oil on panel, 6 x 4 1/2 in. (15.3 x 11.5 cm), framed.

Condition: Fine craquelure, discolored varnish, surface grime. $600-800

262

46

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262A

262A. Isidore Jules Bonheur (French, 1827-1901)

263.

Joseph Rummelspacher (German, 1852-1921)

La laitière, alternatively titled Milkmaid and Grazing Cow, 1887 Signed “I. BONHEUR.” l.r., foundry stamped “PEYROL ÉDTEUR” [sic] on the reverse of the base.

Bronze with dark brown patina, 12 7/8 x 6 3/4 x 17 in. (32.7 x 17.1 x 43.2 cm).

Condition: Loss to the milkmaid’s knitting needle.

Quiet Shore Signed “Rumelspacher” l.r., inscribed “Jos. Rummelspacher...” on a handwritten label affixed to the stretcher.

Oil on canvas, 23 1/8 x 30 3/8 in. (58.8 x 77.0 cm), framed.

Condition: Patch reinforcements, small repaired tear to u.l. quadrant, mild canvas deformation, surface grime.

Provenance: Collection of Mr. and Mrs. Thomas Leighton McCready, Pelham Manor, New York, and West Reading, Connecticut; by family descent to his son Rear Admiral Lauren Strong McCready (1915-2007); by descent to a private New England collection.

$7,000-9,000

Provenance: A Massachusetts estate.

$2,500-3,500

263

online bidding at www.skinnerinc.com

47

264

264.

Walter (Walther) Firle (German, 1859-1929) The Song Signed “Walther.Firle.� l.l.

Oil on canvas, 37 5/8 x 28 7/8 in. (95.5 x 73.3 cm), framed.

Condition: Scattered retouch, stable craquelure.

$2,000-3,000

48

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265

265.

Albert Neuhuys (Dutch, 1844-1914) A Mother’s Love Signed “Albert Neuhuys” l.r., with a label from Dr. A.M. DeWild, Gravenhage, Netherlands, affixed to the frame.

Oil on canvas, 17 x 12 1/2 in. (43.2 x 31.8 cm), framed.

Condition: Surface grime, craquelure.

$3,000-5,000

online bidding at www.skinnerinc.com

49

266

267

266.

Melbourne Havelock Hardwick (American, 1857-1916)

267.

Henry Orne Ryder (American, 1860-1943)

Washerwomen by a Well Signed “MELBOURNE H. HARDWICK” with a signature pentimento l.l.

Watercolor and graphite on paper, sight size 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Not examined out of frame.

$800-1,200

In the Orchard, Brittany Signed and dated “Henry-Orne-Ryder-/1890” l.l., titled and inscribed “...H-Orne-Rider [sic]-Artist-” on the reverse.

Oil on canvas, 12 7/8 x 16 1/8 in. (32.5 x 40.7 cm), framed.

Condition: Scattered retouch, craquelure, surface grime.

$1,000-1,500

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268

269

268.

Harold C. Dunbar (American, 1882-1953)

269.

Ludwig Sckell (German, 1833-1912)

Dutch Town View Signed “H.C. Dunbar” l.l.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Flaking to l.r. and u.l. quadrant, surface grime, craquelure.

$1,000-1,500

Feeding the Ducks Initialed and dated “LS M 80” l.r.

Oil on canvas, 20 3/4 x 34 3/4 in. (52.7 x 88.3 cm), framed.

Condition: Minor retouch, craquelure, surface grime.

Provenance: Christie’s, Vienna, The Mauerbach Benefit Sale, October 29, 1996, Lot 255.

$7,000-9,000

online bidding at www.skinnerinc.com

51

270

270.

Francis Hustwick (British, 1797-1865) The Bark Respigadera of Liverpool, Calling for a Pilot off the South Stack, Holyhead, North Wales Unsigned, with a partial label from an Edinburgh gallery on the stretcher.

Oil on canvas, 24 3/16 x 36 in. (61.5 x 91.7 cm), framed.

Condition: Lined, retouch, craquelure, surface grime.

N.B. We wish to thank Eleanor Moffat, Curator of Maritime Collections, National Museum of Liverpool, and Sam Davidson for their assistance cataloguing this lot.

$8,000-12,000

52

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271

271.

Attributed to James Edward Buttersworth (Anglo/American, 18171894) Yachts Rounding the Mark Unsigned.

Oil on canvas, 20 1/4 x 30 in. (51.5 x 76.0 cm), framed.

Condition: Lined, retouch, craquelure, areas of thin paint application.

Provenance: Purchased from Port ‘N Starboard Gallery, Falmouth, Maine, 1992.

$30,000-50,000

online bidding at www.skinnerinc.com

53

272

272.

Arthur Wilde Parsons (British, 1854-1931) Two Maritime Scenes: After the Storm and Abandoned Storm signed “A. Wilde Parsons” l.l., Abandoned signed and titled “A. WILDE PARSONS....” l.l.; both identified on decorative mats and on labels from Young Fine Arts Gallery, Inc., Portsmouth, New Hampshire, affixed to their paper backings.

Gouache, conté crayon, and graphite on paper/board, both 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), both framed.

Condition: Not examined out of frames.

$1,500-2,500

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273

274

273.

John Westall (British, fl. 1840-1880)

274.

Franklin Dullin Briscoe (American, 1844-1903)

Ships in Port, c. 1860 Signed “J. Westall” l.l., identified on a label from Le Blanc’s Art Gallery, Londonderry, New Hampshire, affixed to the frame.

Oil on canvas, 11 7/8 x 15 7/8 in. (30.2 x 40.3 cm), framed.

Condition: Lined, minor retouch, craquelure.

$1,000-1,500

Two Marine Paintings: On the Fishing Banks and Breezy Weather Both signed “F. D. Briscoe” l.r. and titled, signed, and dated “...1885” on the reverse, identified on labels from The Crane Collection, Boston, affixed to the back of the frames.

Oil on paper/board, 4 7/8 x 6 7/8 in. (12.5 x 17.4 cm), in period frames.

Condition: Retouch, minor abrasions, Breezy with duplicate overlapping signatures and abrasion l.r.

$800-1,200

online bidding at www.skinnerinc.com

55

275.

Wesley Elbridge Webber (American, 18411914) Moonlight on the Sea Signed “Wesley Webber” l.l.

Oil on canvas, 26 x 35 3/4 in. (66.2 x 91.0 cm), framed in a liner.

Condition: Lined, retouch, craquelure, mild surface grime. $1,000-1,500

275

276.

George M. Hathaway (American, 18521903) View off Owl’s Head, Maine Signed “G.M. Hathaway” l.r.

Watercolor on paper, sight size 8 3/4 x 17 in.

(22.2 x 43.2 cm), framed.

Condition: Minor toning, minor foxing, not examined out of frame. $1,500-2,000

276

277.

Benjamin Franklin De Haven (American, 1856-1934) Cresting Surf Signed “F.DeHaven.” l.l.

Oil on canvas, 19 x 35 in. (48.0 x 89.0 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $1,000-1,500

277

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278

279

278.

Bryant Chapin (American, 1859-1927)

279.

Robert William Wood (American, 1889-1979)

Rocky Coastal View Signed and dated “BRYANT CHAPIN ‘90” l.l.

Oil on canvas, 12 1/4 x 20 in. (31.1 x 50.8 cm), framed.

Condition: Patch reinforcement, retouch, varnish inconsistencies, craquelure with gentle lifting/cupping, minute scattered losses.

Sunset Cove Signed “Robert Wood” l.r., titled on the stretcher, with the artist’s copyright stamp on the reverse.

Oil on canvas, 20 x 40 in. (50.8 x 101.5 cm), framed.

Condition: Good.

$4,000-6,000

Provenance: Estate of Elinor Truesdale Marvell, Cliff Farm, Tiverton, Rhode Island. Ms. Truesdale Marvell was daughter of the late Dr. Philemon Edwards Truesdale (1874-1945), who founded the Truesdale Hospital (now Truesdale Clinic), Fall River, Massachusetts, in 1905.

$1,800-2,200

online bidding at www.skinnerinc.com

57

280.

George Herbert McCord (American, 1848-1909) Old Mill, Berkshire County Signed “G.H.McCord� l.r., titled in pencil on the reverse.

Oil on academy board, 8 1/8 x 6 1/8 in. (20.8 x 15.6 cm), framed.

Condition: Good.

$800-1,200

280

281.

American School, 19th Century The Footbridge in Autumn/A Hudson River School Landscape Unsigned, with a partial label from Anderson (Chicago) on the back of the frame.

Oil on canvas, 6 1/2 x 5 in. (16.5 x 12.8 cm), framed (under glass).

Condition: Canvas trimmed and laid on paper/board, paper residue to margins where mat was adhered, surface grime. $1,000-1,500

281

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282

282.

Jasper Francis Cropsey (American, 1823-1900) The Old Mill Signed and dated “J.F. Cropsey/Aug. 1847” l.r.

Oil on canvas, 16 x 22 1/2 in. (40.6 x 57.2 cm), framed.

Condition: Canvas trimmed of tacking edge and lined, small area of retouch l.r.

Provenance: Possibly, William S. Chanley, 1848, as Mountain Stream, “about 21 x 30 inches”; Chapellier Galleries, New York; Private Collection, Beloit Wisconsin; Sotheby’s New York, September 26, 1990, Lot 16, as The Old Mill; Sotheby’s New York, March 22, 1992, Lot 25; A.J. Kollar, Fine Painting, Seattle, Washington by 2005; Shannon’s Fine Art Auctioneers, Greenwich, Connecticut, October 20, 2005, Lot 29.

Literature: William S. Talbot, Jasper F. Cropsey, 1823-1900 (New York and London: Garland Publishing, Inc., 1977), pp. 48-49; no. 19, pp. 338-339, illustrated as Highland Streams.

This painting will be included in the forthcoming catalogue raisonné of the work of Jasper F. Cropsey, in preparation by the Newington-Cropsey Foundation, Hastings on Hudson, New York.

According to Kenneth Maddox, this work is the only extant painting made by Cropsey in Scotland during his monthlong stay there. Later, in Rome, the artist developed a number of his Scottish sketches into paintings.

$40,000-60,000

online bidding at www.skinnerinc.com

59

283

283.

Thomas Bigelow Craig (American, 1849-1924)

284.

Alexander Helwig Wyant (American, 1836-1892)

A Day in Midsummer Signed “THOS. B. CRAIG. A.N.A.” l.l., identified on a presentation plaque, titled and inscribed “...Painted by THOS. B. CRAIG. A.N.A.” on the reverse.

Oil on canvas, 10 1/8 x 14 in. (25.7 x 35.6 cm), framed in a liner.

Condition: Craquelure, surface grime.

$1,200-1,800

Meadow with Clouds and Sun Signed “A H Wyant” l.r., inscribed indistinctly “...Wyant/...” in pencil on the reverse, identified on a presentation plaque.

Oil on academy board, 9 x 12 in. (22.7 x 30.5 cm), framed.

Condition: Fine stable craquelure, mild surface grime.

$2,000-3,000

284

60

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285

285.

James Desvarreux-Larpenteur (American, 1847-1937) A Shepherd and His Flock Beneath Oak Trees Signed “J. DESVARREUX.” l.r.

Oil on canvas, 28 5/8 x 36 3/4 in. (73.0 x 93.0 cm), framed.

Condition: Good.

$2,000-3,000

online bidding at www.skinnerinc.com

61

286.

William Merritt Post (American, 1856-1935) The Parasol Signed “W. Merritt Post” l.r.

Oil on canvas, 16 x 12 in. (40.7 x 30.7 cm), framed.

Condition: Lined, scattered retouch, craquelure. $4,000-6,000

287.

William Merritt Post (American, 1856-1935) Country Stream in Autumn Signed “W.Merritt Post” l.r.

Oil on canvas, 34 1/2 x 38 5/8 in. (87.5 x 98.0 cm), framed.

Condition: Lined, retouch. $7,000-9,000

286

287

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287A

287A. William Merritt Post (American, 1856-1935) A Cloudy Day Signed “W. Merritt Post” l.r., identified on labels from Vose Galleries, Boston, and Freeman’s, Philadelphia, on the frame backing.

Oil on canvas, 25 x 30 in. (64.0 x 76.5 cm), framed.

Condition: Scattered retouch.

Provenance: Vose Galleries, Boston, Massachusetts; Samuel T. Freeman & Co., Philadelphia, Pennsylvania, Fine American & European Paintings & Sculpture, Including Works from the Lehman Brothers Collection, December 6, 2009, Lot 70.

$8,000-12,000

online bidding at www.skinnerinc.com

63

288

288.

American School, 19th Century

289.

Olive Parker Black (American, 1868-1948)

Niagara Falls Seen from Goat Island Unsigned, identified on a presentation plaque and on two labels affixed to the frame backing.

Oil on canvas, 20 x 24 in. (51.0 x 61.0 cm), framed.

Condition: Lined, scattered retouch, craquelure.

$2,000-3,000

Summer Landscape Signed “Olive P. Black� l.l.

Oil on paper/board, 12 x 14 in. (30.5 x 35.6 cm), framed.

Condition: Retouch to tree in u.l. quadrant, surface grime.

289

64

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$700-900

290

290.

Ambrose Andrews (American, 1805-1859) Figures by a Mountain Lake Signed “A Andrews� l.r., identified on a presentation plaque and on a label from Vose Galleries, Boston, on the frame backing.

Oil on canvas, 25 3/4 x 36 in. (65.5 x 91.5 cm), framed.

Condition: Patch reinforcements, scattered retouch.

$3,000-5,000

online bidding at www.skinnerinc.com

65

291

291.

Ambrose Andrews (American, 1805-1859) Landscape with Fishermen Signed and dated “A Andrews/1850� l.r., identified on a label from Vose Galleries, Boston, affixed to the frame backing.

Oil on canvas, 20 x 29 3/4 in. (51.0 x 76.0 cm), framed.

Condition: Patch reinforcement, retouch, fine craquelure.

$3,000-5,000

66

additional information and photos at www.skinnerinc.com

292

292.

David Johnson (American, 1827-1908) ...New Rochelle. N-Y. Inscribed and signed “...David Johnson...� on the reverse.

Oil on panel, 12 x 16 in. (30.5 x 40.7 cm), framed.

Condition: Scattered minor retouch, craquelure, surface grime, backed with Masonite. $10,000-15,000

online bidding at www.skinnerinc.com

67

293

293.

Percy (Edward Percy) Moran (American, 1862-1935) The Interrupted Sitting Monogram signature “EPercy Moran.” l.r., identified on a presentation plaque, titled and signed or inscribed “...Percy Moran...” on the reverse.

Oil on canvas, 10 1/4 x 8 1/2 in. (26.0 x 21.6 cm), framed.

Condition: Craquelure, minor surface grime.

$3,000-5,000

68

additional information and photos at www.skinnerinc.com

294

294.

Louis Henry Charles Moeller (American, 1855-1930) Game of Chess Unsigned, titled, and inscribed “...By Louis Muller [sic], N.A.� on the stretcher.

Oil on canvas, 8 x 10 in. (20.4 x 25.4 cm), framed.

Condition: Lined, possibly trimmed, scattered retouch.

$5,000-7,000

online bidding at www.skinnerinc.com

69

295

295.

William Baptiste Baird (American, 1847-1917) Two Paintings Depicting Roosters: Barnyard Encounter and Cockfight Signed and inscribed “BAIRD/PARIS� u.r. and u.l., respectively.

Both oil on panel, 6 1/8 x 8 3/8 in. (15.5 x 21.2 cm), framed.

Condition: Retouch, minor abrasions.

Provenance: A Massachusetts estate.

70

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$2,000-3,000

296

296.

Charles Henry Turner (American, 1848-1908) Change Avenue Signed and dated “C.H. Turner. 1889.” l.l., identified on a label from Jordan Art Gallery, Jordan Marsh & Co., Boston, affixed to the reverse.

Oil on canvas, 22 x 14 in. (55.9 x 35.6 cm), framed.

Condition: Craquelure.

Provenance: Grogan & Company, The September Auction, September 23, 2007, Lot 71.

N.B. Change Avenue, also previously known as “Pierce’s Alley” and “Damnation Alley,” was the first one-way street in Boston. The seven-foot-wide street connected Quincy Market to State Street. It was named “Change Alley” in the 18th century because business frequently spilled over into the street from the adjacent Royal Exchange Tavern. The avenue existed until the 1970s when it was demolished to accommodate the 60 State Street skyscraper.

$1,800-2,200

online bidding at www.skinnerinc.com

71

297.

Attributed to Thomas Sully (American, 1783-1872) Portrait of a Woman, Probably Fanny Kimball, c.

1840s Unsigned.

Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.

Condition: Lined, retouch, patch reinforcement, craquelure. $4,000-6,000

297

298.

French School, 19th Century Seated Woman Making Lace Unsigned, Parisian preparatory stencil on the reverse, portrait sketches in watercolor and pencil on the reverse.

Oil on board, 13 3/4 x 10 5/8 in. (34.9 x 27.0 cm), framed.

Condition: Retouch, losses to corners, frame abrasions, surface grime.

Provenance: A Massachusetts estate. $3,000-5,000

298

72

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299

300

299.

David Lawson (American, 1847-1911)

300.

Frank Henry Shapleigh (American, 1842-1906)

In the Orchard Monogrammed “DL” l.r., identified in an inscription on the front of the frame.

Oil on academy board, 13 x 8 in. (32.7 x 20.0 cm), framed.

Condition: Scattered retouch.

$1,000-1,500

Washerwomen Signed and dated “F.H. Shapleigh 1874” l.r., titled, inscribed indistinctly, and signed on the reverse.

Oil on canvas (stretched with Boston tabs), 12 1/2 x 7 1/2 in. (32.0 x 19.0 cm), framed.

Condition: Patch reinforcements, retouch, surface grime.

$800-1,200

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73

301

301.

Charles John Dickman (American, 1863-1943) View of the Bohemian Grove, Monte Rio, California Dedicated and signed “TO MY FRIEND J. ALLEN PARSONS/C.J. DICKMAN” l.r.

Oil on canvas, 40 x 22 in. (101.6 x 55.9 cm), in a period frame.

Condition: Retouch, surface grime.

N.B. Dickman was a member of the Bohemian Club, established in 1872 as a salon for men interested in the arts. The founding members were all journalists for the San Francisco Chronicle, but membership quickly included artists such as fellow Tonalist painters William Keith, Xavier Martinez, Gottardo Piazzoni, and Giuseppe Cadenasso.

The Bohemian Grove, located in Sonoma County, was established six years after the club’s founding to hold its annual meetings. Artistic performances have been central to the Grove and given it the character of a summer retreat. The present work depicts the Campfire Circle, which is one of six performance venues on site.

Both the club and grove continue to operate today, and membership includes such prominent political and business leaders as Jimmy Carter, George W. Bush, Colin Powell, and Charles R. Schwab.

$3,000-5,000

74

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302

302.

Charles Furneaux (American, 1835-1913) View of a Volcanic Eruption, Probably Kilauea Caldera on Mauna Loa, c. 1886 Signed and dated “C. Furn.../188...” l.r.

Mixed media on paper mounted to Masonite, 22 3/8 x 50 1/2 in. (56.8 x 128.3 cm), framed (without glass).

Condition: Surface dust.

Provenance: Purportedly given as a gift from the artist to King David Kalakaua and displayed at the Iolani Palace; to the collection of Albert Solomon, Jr. and Harriet Solomon, former owners of the Kamuela Museum, Waimea, Hawaii, by descent in the Solomon family, and through to the present owners.

N.B. Although Furneaux was born and raised in Greater Boston, he is best known for his work in Hawaii.

In 1880, Furneaux traveled to Hawaii on the advice of, and as a companion to William T. Bingham. The artist was immediately struck by the grandeur of the volcanoes and made numerous sketches on site of lava flows and eruptions, again encouraged by Bingham who was a gentleman scientist and devoted student of volcanoes. Furneaux’s success garnered him commissions from King Kalakaua. While some of these were landscapes, many were portraits. Furneaux spent the rest of his life in Hawaii as a painter, teacher, and coffee farmer.

$8,000-12,000

online bidding at www.skinnerinc.com

75

303

303.

Charles Herbert Woodbury (American, 1864-1940)

304.

Marion Huse (American, 1896-1967)

Dominica Signed and dated “Charles H. Woodbury 27” l.r., titled and dated “.../1927/Mar 16 to Apr. 8th” on the reverse.

Oil on canvasboard, 12 x 17 in. (30.5 x 43.0 cm), framed.

Condition: Area of craquelure, surface grime.

$4,000-6,000

Two Works on Paper: In Vaditos and Farm in New Mexico Signed “Marion Huse” l.l. and l.r., respectively, identified on the back of both mats.

Both oil on paper, sizes to 16 x 21 in. (40.6 x 53.5 cm), unframed.

Condition: Both with gentle toning, tape residue to reverse, Vaditos with small stain l.r. corner.

Provenance: By descent in the artist’s family to the Fuller Museum of Art (Gift of the artist’s husband, Dr. Robert Barstow), Brockton, Massachusetts, to the New Britain Museum of American Art. Literature: Marion Huse, An Artist’s Evolution, Exhibition Catalogue (Brockton, MA: Brockton Art Museum/Fuller Memorial, 1985), cat. 30 and 31, respectively, p. 48 (Illus. b&w).

Exhibitions: Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts, Marion Huse, An Artist’s Evolution, June 2–August 25, 1985.

N.B. Marion Huse is associated primarily with New England, but in the fall of 1937 she made an excursion to New Mexico, driving cross-country to spend several weeks in Taos. During the trip Huse worked on paper, finding it more practical and portable than canvas.

Huse would later revisit the composition of Farm in New Mexico for a serigraph in 1942 (Marion Huse, An Artist’s Evolution [cited above], p.

14).

$600-800

304

76

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305

305.

Attributed to Samuel Colman (American, 1832-1920) Rsaitan Bay, 1877 Signed or inscribed “S. Colman/Hawaii” l.r., titled and dated l.l., identified with an alternate title “View off Kona” on a label affixed to the frame backing paper.

Watercolor on paper, sight size 8 7/8 x 12 1/8 in. (22.6 x 31.0 cm), framed.

Condition: Scattered foxing, not examined out of frame.

Provenance: Christie’s East, New York, September 25, 1990, Lot 28.

$2,000-3,000

online bidding at www.skinnerinc.com

77

306

306.

Lionel Walden (American, 1861-1933) Rocky Shore Signed or inscribed and dated “Lionel Walden, Le Pulda 1907� l.l., inscribed in a later hand on the reverse.

Oil on panel, 10 x 14 in. (25.4 x 35.5 cm), framed.

Condition: Surface grime, signature and inscription reinforced.

Provenance: Skinner Inc., Boston, Massachusetts, American & European Paintings & Prints, March 3, 2006, Sale 2310, Lot 517.

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additional information and photos at www.skinnerinc.com

$3,500-5,500

307

307.

Arthur Shilstone (American, b. 1922) View of Mesa Verde, Colorado Dedicated, signed, and inscribed “for the Houghtalings/with best wishes/Arthur Shilstone/Mesa Verde, Colorado� in pen l.r.

Watercolor and graphite on paper, sight size 14 x 18 3/4 in. (35.6 x 47.6 cm), framed (under glass).

Condition: Not examined out of frame.

$800-1,200

online bidding at www.skinnerinc.com

79

308

309

308.

John William Hilton (American, 1904-1983)

309.

Henry Bernahl (American, 1900-1984)

Two Desert Views: Warm Afternoon and Desert Verbena Both signed “John W. Hilton” l.r., Warm inscribed and titled “#59-26...” on the reverse.

Warm oil on Masonite, Verbena oil on canvasboard; sizes to 16 x 20 in.

(40.6 x 50.8 cm), framed.

Condition: Minor surface grime.

Buttes and Cliffs Signed “HENRY BERNAHL” l.r.

Oil on Masonite, 21 x 36 in. (53.3 x 91.4 cm), framed.

Condition: Surface grime.

N.B. Exhibition pamphlets for John W. Hilton: Accent on Arizona, Grand Central Art Galleries, Inc., New York, April 19 to 30, 1960, accompany the lot.

$700-900

80

additional information and photos at www.skinnerinc.com

$800-1,200

310

310.

Robert William Wood (American, 1889-1979) Mountains Signed “Robt. Wood� l.l., titled on the stretcher.

Oil on canvas, 28 x 36 1/4 in. (71.3 x 92.0 cm), framed.

Condition: Minor areas of craquelure, varnish inconsistencies.

Provenance: Heritage Auctions, Dallas, Texas, December 16, 2009, Lot 75176.

$4,000-6,000

online bidding at www.skinnerinc.com

81

311

311.

Cyrus Bates Currier (American, 1868-1946) Southern California Landscape at Dusk Signed and dated “Cyrus Bates Currier 1922” l.r.

Oil on canvas, 12 x 15 5/8 in. (30.5 x 39.7 cm), in a period Arts & Crafts frame.

Condition: Minor retouch, minor losses, craquelure, surface grime. $1,500-2,000

312.

George Loftus Noyes (American, 1864-1954) Trees, California Coast Signed “G. L. Noyes” l.l.

Watercolor on paper, 21 1/2 x 15 in. (54.8 x 38.2 cm), framed.

Condition: Crease along u.r. edge, creases to corners, small paper loss to u.l. corner, small tear to l.c. edge, paint losses, subtle toning. $800-1,200

312

82

additional information and photos at www.skinnerinc.com

313

313.

Julian (Robert Julian) Onderdonk (American, 1882-1922) Blue Bonnets and Cactus Signed “Julian Onderdonk� l.l., titled in a later hand on masking tape affixed to the stretcher.

Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Craquelure, surface grime. $20,000-30,000

online bidding at www.skinnerinc.com

83

314

315

314.

Harry Andrew Jackson (American, 1924-2011)

315.

American School, 20th Century

Sacagawea II Signed and dated “© Harry Jackson 1980” in ink on the base, signed, dated, and inscribed “© Harry Jackson 1980 SAIIP 178” within the cast on the base, and foundry stamped “WFS Italia” on the base.

Polychrome painted bronze, 17 1/2 x 7 3/4 x 6 1/2 in. (44.4 x 19.7 x 16.5 cm), mounted on a black marble plinth.

Condition: Dust to interstices.

$3,000-5,000

Eagle Perched with Outstretched Wings Unsigned, inscribed indistinctly on the underside of the base.

Bronze with a brown patina, 34 x 34 x 18 in. (86.4 x 86.4 x 45.7 cm), on an integral round plinth.

Condition: Areas of dirt and corrosion to the interstices, patina with varying degrees of polish, bronze plinth with slightly irregular circumference and depth.

$3,000-5,000

84

additional information and photos at www.skinnerinc.com

316

316.

Harry Andrew Jackson (American, 1924-2011) A Lack of Slack Signed and dated “© Harry Jackson 1973” in the cast on the base, identified on a plaque on the base.

Dark brown patinated bronze, 14 1/2 x 22 1/2 x 13 1/2 in. (36.8 x 57.2 x 34.3 cm), mounted on a brown marble plinth.

Condition: Dust to interstices.

$6,000-8,000

online bidding at www.skinnerinc.com

85

317

317.

Warren W. Sheppard (American, 1858-1937) View of Venice Signed “Warren Sheppard� l.l.

Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.

Condition: Craquelure with flaking, patch reinforcement, minor retouch, surface grime.

$1,500-2,000

86

additional information and photos at www.skinnerinc.com

318

318.

Joaquin Luque Rosello (Spanish, 1866-1932) Venice View Signed and inscribed “J. Luque Rosello/Venezia� l.l.

Oil on canvas, 14 x 18 3/8 in. (35.5 x 47.0 cm), framed.

Condition: Surface grime.

Provenance: From the Larz Anderson Estate, Brookline, Massachusetts.

$1,500-2,000

online bidding at www.skinnerinc.com

87

319

319.

Attributed to Georges Washington (French, 1827-1910) View of an Arab Falconer on Horseback Inscribed “G. Washington” in pen l.r. and “1731” on the reverse.

Watercolor and ink on paper, sheet size 10 3/4 x 8 1/2 in. (27.3 x 21.6 cm), framed.

Condition: Mounted to card, retouch, mat burn, toning, minor abrasions.

$7,000-9,000

88

additional information and photos at www.skinnerinc.com

320

320.

Giulio Rosati (Italian, 1858-1917) Arab Horseman Pausing to Quench His Thirst Signed “G. Rosati� l.r.

Watercolor on paper, 21 1/8 x 14 1/8 in. (53.8 x 36.1 cm), unframed.

Condition: Minor paint losses, small crease to u.l. corner, accretions, soiling.

$8,000-12,000

online bidding at www.skinnerinc.com

89

321

321.

Augustus Osborne Lamplough (British, 1877-1930) Two Views of Sailing Along the Nile: Loading at a Cliffside Quay and The Quiet Sail Both signed “A Lamplough” l.l., one inscribed “A.R.A.” l.l.

Watercolor on paper, Loading 20 7/8 x 14 1/2 in. (53.0 x 36.8 cm) and Quiet 9 5/8 x 24 3/8 in. (24.5 x 61.7 cm), both framed.

Condition: Scattered foxing and/or staining and mild staining to the reverse, Loading with sheet hinged to backing mat in two places along top edge, Quiet with sheet lined with a very fine paper support, scattered minute paint losses.

$1,500-2,000

90

additional information and photos at www.skinnerinc.com

322

322.

Noel Harry Leaver (British, 1889-1951) Figures by a Mosque Signed “NOEL. H. LEAVER.” l.l., with a label from Mrs. Caroline L. Baker, Glen Falls, New York, affixed to the backing.

Watercolor on paper/board, sight size 14 1/4 x 20 3/8 in. (36.2 x 51.8 cm), framed.

Condition: Not examined out of frame.

$1,500-2,500

online bidding at www.skinnerinc.com

91

323

323.

Harold Broadfield Warren (American, 1859-1934)

324.

Gustav Paul Closs (German, 1840-1870)

View of the Acropolis Signed and dated “H.B. WARREN 1895” l.r.

Watercolor on paper, sight size 10 1/4 x 14 1/4 in. (26.0 x 36.2 cm), framed.

Condition: Not examined out of frame.

$400-600

Villagers in the Italian Countryside Signed “G. Closs.” l.r.

Watercolor and graphite on paper laid onto paper/board, sight size 11 3/4 x 18 1/8 in. (29.8 x 46.0 cm), in a Foster Brothers frame.

Condition: Toning.

$800-1,200

324

92

additional information and photos at www.skinnerinc.com

325

325.

Ross Sterling Turner (American, 1847-1915) A Garden in Mexico Signed, inscribed, and dated “Ross Turner Mexico 1909� l.l.

Watercolor and gouache on paper, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Staining in u.r. and u.l. quadrants, possible toning.

$800-1,200

online bidding at www.skinnerinc.com

93

326

326.

Giacomo Delcroix (Italian, 1894-1972)

327.

Donald Allen Mosher (American, b. 1945)

Hillside View of Florence Monogram signature “GDelcroix” l.r.

Oil on canvas, 12 1/4 x 17 1/2 in. (31.1 x 44.4 cm), in a possible Foster Brothers frame.

Condition: Minor surface grime.

Venice at Dusk Signed “Donald Allen Mosher” l.l.

Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), framed.

Condition: Good.

N.B. Business cards from the Galleria d’Arte Associazione Nazionale degli Artisti, Florence, Italy, accompany the lot.

$600-800

327

94

additional information and photos at www.skinnerinc.com

$1,000-1,500

328

328.

German School, 19th Century La Venezia Inscribed, signed, and dated “München/Jos. Albrecht. 97.” l.r.

Oil on canvas, 24 x 34 in. (61.0 x 86.5 cm), framed.

Condition: Tear to u.r. quadrant, scattered abrasions and paint losses, minor retouch, surface grime.

$2,000-3,000

online bidding at www.skinnerinc.com

95

329

329.

John Joseph Enneking (American, 1841-1916) Autumn Pasture Under a Full Moon Signed and dated “Enneking 77� l.l.

Oil on canvas, 18 1/8 x 25 7/8 in. (46.0 x 65.7 cm), framed.

Condition: Strip lined along tacking edges, retouch, stable craquelure.

$6,000-8,000

96

additional information and photos at www.skinnerinc.com

330

330.

Dwight William Tryon (American, 1849-1925) Landscape at Dusk Signed and dated “D.W. Tryon. 1887� l.l., with a stamp from Studio 2, Santa Barbara, California, on the backing.

Oil on plywood, 16 x 24 in. (40.6 x 61.0 cm), framed in a liner.

Condition: Retouch, craquelure, cradled panel.

Provenance: Descended from a Connecticut family to a Santa Barbara private collection; through Studio 2, Santa Barbara. $10,000-15,000

online bidding at www.skinnerinc.com

97

331

331.

Marion P. Howard (American, 1883-1953)

331A. Joseph H. Greenwood (American, 1857-1927)

Autumn Colors Signed and dated “M. Howard ‘09” l.l., identified on labels from R.H. Love Galleries, Chicago, and Holby Gallery, Chicago, affixed to the backing.

Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.

Condition: Lined, minor retouch, craquelure.

$1,500-2,000

Two Landscapes: Spring and Fall Both signed “JHGreenwood” l.l. and dated “‘24” and “‘25” respectively.

Oil on canvas laid on paper/board, 9 x 12 1/2 in. (22.8 x 31.5 cm), framed.

Condition: Both with minor retouch, minor surface grime.

$1,800-2,200

331A

98

additional information and photos at www.skinnerinc.com

332

332.

John Joseph Enneking (American, 1841-1916) Early Autumn Trees Signed and dated “Enneking 95� l.r., with a label from Frank J. Pope, Boston, on the stretcher.

Oil on canvas (stretched with Boston tabs), 22 x 30 in. (56.0 x 76.3 cm), framed in a liner.

Condition: Craquelure, surface grime.

$7,000-9,000

online bidding at www.skinnerinc.com

99

333

333.

Robert Emmett Owen (American, 1878-1957) Wooded Landscape, Autumn Signed “R. Emmett Owen� l.l.

Oil on canvas, 28 x 46 1/4 in. (71.0 x 117.2 cm), framed.

Condition: Minor retouch, craquelure.

Provenance: Samuel T. Freeman & Co., Philadelphia, Pennsylvania, Sale 1354, December 6, 2009, Lot 69.

$8,000-12,000

100

additional information and photos at www.skinnerinc.com

334

334.

Konrad Alexander Müller-Kurzwelly (German, 1855-1914)

335.

William Bliss Baker (American, 1859-1886)

Autumn Landscape with Brook and Moss-covered Rocks Signed “Müller-Kurzwelly” l.r.

Oil on canvas, 39 1/4 x 59 in. (100.0 x 150.0 cm), frame accompanies the lot.

Condition: Minor retouch, scattered abrasions and paint losses, wear to tacking edges at lower corners, varnish inconsistencies, surface grime.

Woodland Brook Signed or inscribed “William Bliss Baker” on the stretcher, identified on a presentation plaque.

Oil on canvas, 26 x 40 in. (66.0 x 101.6 cm), in an Arts & Crafts frame.

Condition: Craquelure.

Provenance: A Massachusetts estate.

Provenance: Skinner Inc., Boston, Massachusetts, American & European Paintings & Prints, November 12, 1999, Sale 1958, Lot 116.

$1,200-1,800

$2,000-3,000

335

online bidding at www.skinnerinc.com

101

336

336.

Robert Shaw Wesson (American, 1902-1967)

337.

R. Burton Keeler (American, b. 1886)

Fall Fishing Signed “Robert Wesson” l.c., identified on a label from the Rockport Art Association affixed to the reverse.

Oil on canvasboard, 18 x 24 in. (45.7 x 60.9 cm), framed.

Condition: Good.

Landscape with Barn Signed “BURTON KEELER” l.l.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), in a Guido frame.

Condition: Craquelure, subtle rippling.

$800-1,200

Provenance: Rockport Art Association Annual Auction, Rockport, Massachusetts, May 8, 2010, Lot 105.

$1,000-1,500

337

102

additional information and photos at www.skinnerinc.com

338

338.

John C. Traynor (American, b. 1961)

339.

Robert Shaw Wesson (American, 1902-1967)

Two New England Landscapes: Mt. Mansfield, Vermont and Farm View, Probably Vermont Mansfield signed and dated “John C. Traynor 93” l.r., identified on a label from The Copley Society of Boston on the reverse, oil on canvas; Farm signed and dated “John C. Traynor 94” l.r., oil on Masonite; sizes to 24 x 30 in. (61.0 x 76.2 cm), both framed.

Condition: Minor surface grime.

$1,000-1,500

Cambridge Valley Brook Signed “Robert Wesson” l.r., titled and signed on the reverse.

Oil on canvas, 24 x 30 in. (60.5 x 76.3 cm), framed.

Condition: Mild surface grime.

$1,500-2,500

339

online bidding at www.skinnerinc.com

103

340

340.

Marion Huse (American, 1896-1967)

341.

Ray G. Ellis (American, b. 1921)

The Pasture’s Edge Unsigned, identified on a label from the Brockton Art Museum, Brockton, Massachusetts, affixed to the backing paper.

Oil on paper, 16 1/2 x 21 in. (42.0 x 53.3 cm), framed.

Condition: Small stains to upper corners, not examined out of frame.

Rail Cars Signed “Ray G. Ellis AWS.” l.r.

Watercolor on paper, 18 x 28 1/2 in. (45.7 x 72.4 cm), framed.

Condition: Not examined out of frame.

$800-1,200

Provenance: By descent in the artist’s family to the Brockton Art Museum/Fuller Memorial (Gift of the artist’s husband, Dr. Robert Barstow), Brockton, Massachusetts; to the New Britain Museum of American Art. Literature: Marion Huse, An Artist’s Evolution, Exhibition Catalogue (Brockton, MA: Brockton Art Museum/Fuller Memorial, 1985), 58, cat.

48, illus. (color).

Exhibitions: Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts, Marion Huse, An Artist’s Evolution, June 2–August 25, 1985.

$300-500

341

104

additional information and photos at www.skinnerinc.com

342

342.

Henry Varnum Poor (American, 1888-1970) Landscape with Larch Trees Signed “HV Poor� l.r.

Mixed media (ink, watercolor, and pastel) on paper, sight size 19 x 25 in. (48.3 x 63.5 cm), framed.

Condition: Not examined out of frame.

$800-1,200

online bidding at www.skinnerinc.com

105

343

344

343.

Paul Strisik (American, 1918-1998)

344.

A. Hale Johnson (American, 20th/21st Century)

Fog Signed and dated “P. Strisik ©80” l.r., identified on the artist’s label affixed to the reverse.

Oil on canvas mounted to Masonite, 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Good.

$800-1,200

Gray Barn in Fall Signed “A. Hale Johnson” l.r.

Oil on Masonite, 12 x 26 in. (30.5 x 66.1 cm), framed.

Condition: Mild surface grime.

106

additional information and photos at www.skinnerinc.com

$1,200-1,800

345

346

345.

A. Hale Johnson (American, 20th/21st Century)

346.

Paul Strisik (American, 1918-1998)

Wrens Signed “A. Hale Johnson” l.r., titled, signed, and dated “...A. Hale Johnson ‘89” on the reverse.

Oil on Masonite, 10 x 24 in. (25.4 x 64.5 cm), framed.

Condition: Good.

$400-600

Evening, Maine Coast Incised signature “P. Strisik” l.l., signed and dated “© Paul Strisik 1975” and identified on the artist’s label on the reverse.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Good.

$800-1,200

online bidding at www.skinnerinc.com

107

347

347.

Anne Laverne Power Hardenbergh (American, 1915-1999)

348.

Anne Laverne Power Hardenbergh (American, 1915-1999)

Casting on the Waterway/A Florida View Signed “ANNE POWER HARDENBERGH” l.l., identified on a label from Walker-Cunningham Fine Art, Boston, affixed to the backing.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

$1,000-1,500

At the Myakka/A Florida View Signed “ANNE POWER HARDENBERGH” l.l., titled on the reverse.

Oil on Masonite, 24 x 30 in. (61.0 x 76.2 cm), in a Guido frame.

Condition: Good.

$1,000-1,500

348

108

additional information and photos at www.skinnerinc.com

349

349.

Ben Berns (American, 1936-2007) Tybee Island, Georgia Signed and dated “Ben Berns 1/01� l.r.

Oil on paper, sight size 39 3/4 x 27 1/2 in. (101.1 x 69.9 cm), framed.

Condition: Not examined out of frame. $10,000-15,000

online bidding at www.skinnerinc.com

109

350.

William Jurian Kaula (American, 1871-1953) Landscape #28 Estate stamped “W.J. KAULA” l.r., identified on labels from Barridoff Galleries, Portland, Maine, affixed to the reverse.

Oil on artist board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Minor surface grime.

Provenance: Estate of the artist to his greatniece Minnette H. Cummings.

Exhibitions: William J. Kaula: The Collection of Minnette H. Cummings, Barridoff Galleries, June 24 to August 8, 1982. $800-1,200

350

351.

Arthur Clifton Goodwin (American, 18641929) Summer Landscape, alternately titled Cloud Race Signed “A.C. Goodwin” l.l., identified on a label on the stretcher, titled “Summer Landscape” and inscribed “Cloud Race” in pencil on the stretcher.

Oil on canvas, 25 1/4 x 30 in. (63.8 x 76.3 cm), framed.

Condition: Surface grime.

Provenance: A private East Coast collection since c. 1947. $1,500-2,500

351

110

additional information and photos at www.skinnerinc.com

352

352.

William Jurian Kaula (American, 1871-1953) Clouds from the West (New Ipswich, New Hampshire) Signed “WILLIAM J. KAULA.” l.r., identified on the artist’s label affixed to the reverse.

Oil on canvas, 18 1/4 x 22 in. (46.4 x 55.9 cm), in a period frame.

Condition: Minor retouch, surface grime.

$3,000-5,000

online bidding at www.skinnerinc.com

111

353

353.

Paul Strisik (American, 1918-1998)

354.

John F. Enser (American, 1898-1968)

Marsh Birches Signed “P. Strisik” l.l., identified on the artist’s label and inscribed “0-642” in marker on the reverse.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Good.

$1,000-1,500

Landscape with Fields and Barn Signed “John F. Enser” l.r.

Oil on Masonite, 8 x 10 in. (20.4 x 25.2 cm), unframed.

Condition: Mild frame abrasions and surface grime.

354

112

additional information and photos at www.skinnerinc.com

N.B. Sold for the benefit of the collections of the Smith College Museum of Art.

$300-500

355

355.

Caleb Arnold Slade (American, 1882-1961)

356.

Ken Gore (American, 1911-1990)

Old Country Road, South Truro Signed and dated “C.A. Slade/1928” l.l., inscribed “Truro on the north side of the Pamet River/by C. Arnold Slade” in pencil on the reverse.

Oil on board, 12 3/4 x 15 3/4 in. (32.5 x 40.5 cm), in a Paul Goodnow frame.

Condition: Mild surface grime.

$1,000-1,500

Riders on the Bridge Signed “KEN GORE” l.l., titled on the reverse.

Oil on canvas mounted to Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

Provenance: Purchased from Alice Gore, July 9, 1989.

$800-1,200

356

online bidding at www.skinnerinc.com

113

357

357.

French School, 19th/20th Century

358.

American School, 20th Century

Impressionistic Landscape Signed indistinctly l.r.

Pastel on paper/board, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Tape residue to the reverse.

$800-1,200

Country Path with Laurel in Bloom Signed indistinctly “C E...� l.r.

Oil on canvas, 16 1/8 x 20 1/8 in. (41.0 x 51.0 cm), framed.

Condition: Craquelure, mild surface grime.

$800-1,200

358

114

additional information and photos at www.skinnerinc.com

359

359.

David Davidovich Burliuk (Russian/American, 1882-1967) Lake Scene with Boat, Probably a Connecticut View Signed “BuRLiuK” l.l., inscribed “948 ...Conn.” in pencil on the stretcher.

Oil on canvas, 13 x 18 in. (33.0 x 45.7 cm), framed.

Condition: Surface grime, minor retouch to l.r. and l.l. quadrants.

$7,000-9,000

online bidding at www.skinnerinc.com

115

360.

James Montgomery Flagg (American, 1877-1960) The Portico/A House View Signed “JAMES MONTGOMERY FLAGG� l.r.

Mixed media (gouache and graphite) on paper/board, 21 3/4 x 14 7/8 in. (55.2 x 37.8 cm), framed.

Condition: Brown paper taped to window mat.

$1,500-2,000

361.

American School, 20th Century A House in Maine Unsigned.

Oil on paper/board, 6 x 6 3/4 in. (15.5 x 17.6 cm), framed.

Condition: Good, paper/board is mounted to a secondary paper/board support, affixed to the window mat with brown paper tape.

$800-1,200

360

361

116

additional information and photos at www.skinnerinc.com

362

362.

William Henriksen (Danish, 1880-1964) A Sunlit Garden Room Signed “Wm. Henriksen-” l.r.

Oil on canvas, 15 x 12 5/8 in. (38.1 x 32.1 cm), framed.

Condition: Good.

$2,500-3,500

online bidding at www.skinnerinc.com

117

363

363.

Emile Albert Gruppé (American, 1896-1978) Winter Thaw Signed “Emile A. Gruppé” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Minor surface grime.

118

additional information and photos at www.skinnerinc.com

$10,000-15,000

364

364.

Aldro Thompson Hibbard (American, 1886-1972) River and Mountains Unsigned, estate stamped twice on the reverse and twice on the stretcher.

Oil on canvas, 40 x 50 in. (102.0 x 127.0 cm), framed.

Condition: Minor abrasions, surface grime. $10,000-15,000

online bidding at www.skinnerinc.com

119

365

365.

Winfield Scott Clime (American, 1881-1958)

366.

Robert Emmett Owen (American, 1878-1957)

Sketch from Nature, Georgetown Heights Signed and dated “CLIME/1914” l.l., inscribed, dated, and signed “...near Foxhall Road/Feb. 22nd 1914...Winfield Scott Clime/ Washington, D.C.” on the reverse.

Oil on canvasboard, 10 3/4 x 13 3/4 in. (27.5 x 34.9 cm), framed.

Condition: Minor frame abrasions, slight bowing to support, minor surface grime.

$800-1,200

The Golden Hour Signed “REmmettOwen” l.r.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Craquelure, minor surface grime.

366

120

additional information and photos at www.skinnerinc.com

$700-900

367

367.

Robert Emmett Owen (American, 1878-1957)

368.

Attributed to Josef Pitters (German, 1877-1957)

A Country Road in Winter Signed “R. Emmett Owen” l.r.

Oil on canvas, 20 x 24 in. (50.6 x 61.0 cm), framed.

Condition: Craquelure.

Snowy Landscape Monogram signed and dated “...Pitters/1924.” l.r.

Oil on board, 13 1/2 x 16 in. (34.2 x 40.5 cm), framed.

Condition: Surface grime.

$3,000-5,000

$500-700

368

online bidding at www.skinnerinc.com

121

369

369.

Aldro Thompson Hibbard (American, 1886-1972) Landscape with Patches of Snow Signed “A.T. Hibbard” l.l.

Oil on canvasboard, 8 x 10 in. (20.4 x 25.4 cm), unframed.

Condition: Mild surface grime.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,000-1,500

370.

Mark Kremer (Russian, b. 1928) Early Spring Titled, signed, and dated “...M. Kremer 1965” on the reverse.

Oil on Masonite, 25 1/4 x 18 in. (64.1 x 45.7 cm), framed.

Condition: Good.

Provenance: A Massachusetts estate. $1,000-1,500

370

122

additional information and photos at www.skinnerinc.com

371

371.

John Nichols Haapanen (American, 1891-1968) Maine Inlet in Winter Signed and dated “Haapanen 42� l.l.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good.

$2,000-3,000

online bidding at www.skinnerinc.com

123

372.

Stow Wengenroth (American, 1906-1978) Lighthouse Tapestry Signed “Stow Wengenroth” u.l., titled on the reverse.

Watercolor and graphite on illustration board, 19 1/2 x 13 7/8 in. (49.5 x 35.3 cm), framed.

Condition: Hinged in two places along top edge.

N.B. Although the specific location of the lighthouse is not indicated on the work, the building’s distinctive color and placement suggest that it may be Nauset Beach Light in Eastham, Massachusetts. $2,000-3,000

372

373.

Paul Strisik (American, 1918-1998) The Pine Signed “P. Strisik” l.r., identified on the artist’s label affixed to the stretcher.

Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Good. $800-1,200

373

124

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374

374.

Aiden Lassell Ripley (American, 1896-1969) Middle Dam/On the Rapid River, Western Maine Signed and inscribed “A. Lassell Ripley ©” l.l., identified on two labels from the Vose Galleries of Boston and on a detached paper in the artist’s hand, all affixed to the backing.

Watercolor on paper, sheet size 15 x 21 1/2 in. (38.0 x 54.7 cm), framed.

Condition: Gentle toning to edges, tack holes to each corner and to l.c. edge, hinged at top edge in two places to backing mat, and lightly secured at lower corners with archival tape. $15,000-25,000

online bidding at www.skinnerinc.com

125

375

375.

Carl Ivan Gilbert (American, 1882-1959)

376.

Andrew George Winter (American, 1893-1958)

Harbor in Winter Signed “C. Ivan Gilbert” l.r., titled on the reverse.

Watercolor on paper, 15 x 22 in. (38.0 x 56.0 cm), framed.

Condition: Mended tears, rippling, subtle handling creases, brown paper tape to perimeter of the reverse, mounted to window mat along all four sides.

$800-1,200

Fishing Shack on Monhegan Signed “A WINTER” l.r.

Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Surface grime, craquelure.

376

126

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$800-1,200

377

377.

Andrew George Winter (American, 1893-1958)

378.

Andrew George Winter (American, 1893-1958)

Houses Monhegan Signed “A WINTER” l.r., identified on a label from the Salmagundi Club, Thumb Box Exhibition, affixed to the reverse.

Oil on canvasboard, 8 1/4 x 10 in. (21.0 x 25.4 cm), framed.

Condition: Surface grime.

$800-1,200

Monhegan Fishermen Signed and dated “AWINTER -48” l.r.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Minor surface grime.

$5,000-7,000

378

online bidding at www.skinnerinc.com

127

379

379.

Clyde Eugene Scott (American, 1884-1959)

380.

Stanley Wingate Woodward (American, 1890-1970)

Coastal Rocks Signed “CLYDE SCOTT-” l.l.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Pigment fluorescence.

Crashing Waves Signed “Stanley Woodward” l.r.

Oil on Masonite, 12 x 16 in. (30.3 x 40.5 cm), unframed.

Condition: Varnish inconsistencies, surface grime. $800-1,200 N.B. Sold for the benefit of the collections of the Smith College Museum of Art.

$300-500

380

128

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381

381.

George Frederick Muendel (American, 1871-1948) Bailey’s Beach, Rowayton, Connecticut Unsigned.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed in a liner.

Condition: Losses, craquelure, rippling, surface grime.

Provenance: Gift from the artist’s stepson, Lewis Hopps (1899-1999), to his stepdaughter; collection of a Virginia educational institution.

N.B. A notarized copy of the provenance accompanies the lot.

$2,500-3,500

online bidding at www.skinnerinc.com

129

382

382.

George Loftus Noyes (American, 1864-1954)

383.

Joseph Hughes Clayton (British, 1870-1930)

Bass Rocks Signed “G.L. Noyes” l.r., inscribed “Bass Rocks, Gloucester” on the reverse.

Watercolor and gouache on paper laid on paper/board, 15 1/2 x 22 1/2 in. (39.4 x 57.0 cm), framed.

Condition: Toning, pale staining, affixed to window mat with linen tape hinges.

$1,500-2,500

Sailboats Under a Pink Sky Signed “J Hughes Clayton” l.l.

Oil on canvas, 10 x 16 in. (25.5 x 40.6 cm), framed.

Condition: Lined, surface grime.

383

130

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$800-1,200

384

384.

John Whorf (American, 1903-1959) The Vessel Northern Sword Signed “John Whorf� l.r.

Watercolor on paper mounted to paper/board, 22 1/4 x 30 3/4 in. (56.5 x 78.2 cm), framed.

Condition: Paper/board support lightly mounted to foamcore backing.

$6,000-8,000

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131

385

385.

David Thimgan (American, 1955-2003)

386.

MacIvor Reddie (American, 1864-1931)

Galatea Entering Mendocino Bay, 1998 Signed and dated “© D. Thimgan F/ASMA 1998” l.r., identified on a label affixed to the reverse.

Oil on Masonite, 11 x 14 in. (27.9 x 35.6 cm), framed.

Condition: Very minor surface grime.

$2,000-3,000

Schooner and Buoy Signed faintly “MAC IVOR Reddie” l.l.

Oil on canvas, 16 1/8 x 20 1/8 in. (41.0 x 51.0 cm), framed.

Condition: Scattered retouch, craquelure, surface grime.

386

132

additional information and photos at www.skinnerinc.com

Provenance: Samuel T. Freeman & Co., Philadelphia, Pennsylvania, Lehman Brothers Collection, Part II, February 19, 2010, Sale 1360, Lot 78, (as American School).

$1,500-2,000

387

387.

Anthony Thieme (American, 1888-1954) Ship at Sea Signed “A. Thieme� l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Retouch, minor losses, lifting, cupping, craquelure.

$8,000-12,000

online bidding at www.skinnerinc.com

133

388

388.

William Lester Stevens (American, 1888-1969)

389.

Kenneth Stubbs (American, 1907-1967)

Fish House, Vinalhaven, Maine Signed “W. LESTER STEVENS, N.A.” l.r., titled on the reverse.

Watercolor on paper, 22 x 30 in. (55.8 x 76.2 cm), unframed.

Condition: Toning, mat burn, tape residue to reverse, frame abrasions, areas of possible staining.

$1,200-1,800

Two Provincetown Views: Bulkheads and Alwalman Wharf Bulkheads signed and dated “Kenneth Stubbs/1960” l.r., Japanese ink and brush on wood paper; Alwalman signed, inscribed, and dated “Kenneth Stubbs...1948” l.l., watercolor on paper; sheet sizes to 11 7/8 x 15 7/8 in. (30.2 x 40.3 cm), both framed.

Condition: Bulkheads not examined out of frame, Alwalman mounted to backing mat, mat burn, subtle toning.

N.B. We wish to thank Keith Stubbs, son of the artist, for his kind assistance cataloging the lot.

$200-300

389

134

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390

390.

Paul Strisik (American, 1918-1998) Maine Coast, Wharf Signed “P Strisik” l.l., identified on the artist’s label, and inscribed “0-669” on the stretcher.

Oil on canvas, 16 x 24 in. (40.6 x 60.9 cm), framed.

Condition: Minor surface grime.

$1,500-2,000

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135

391

391.

Emile Albert Gruppé (American, 1896-1978) Morning on the Bay Signed “Emile A. Gruppé” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Very minor surface grime.

136

additional information and photos at www.skinnerinc.com

$4,000-6,000

392

392.

Emile Albert Gruppé (American, 1896-1978) Gloucester Dock Signed “Emile A. Gruppé” l.r.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Good.

Provenance: Purchased from Dorothy R. Gruppé, Emile A. Gruppé Gallery, East Gloucester, Massachusetts, July 10, 1981.

N.B. A copy of the original invoice accompanies the lot.

$5,000-7,000

online bidding at www.skinnerinc.com

137

393

393.

Malcolm (M.C.) Waite (American, 20th Century) Crashing Waves Signed “M. WAITE” l.l., inscribed “With Bill E...M. Waite Original-1954...

MCW” on the reverse and tacking edge.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), in an Arts & Crafts frame.

Condition: Surface grime, subtle rippling.

$800-1,200

138

additional information and photos at www.skinnerinc.com

394

394.

Alexander A. Dzigurski (American, 1911-1995) Ocean Vista Signed “A. Dzigurski” l.r.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Lined. $800-1,200

395.

Continental School, 20th Century Crashing Waves Signed “G...” l.l., with a label from Stephen Philibosian, Inc., affixed to the reverse.

Oil on canvas, 26 x 19 in. (66.0 x 48.3 cm), in an Arts & Crafts frame.

Condition: Minor tears, surface grime. $800-1,200

395

online bidding at www.skinnerinc.com

139

396

396.

Sandor Bernath (American, 1892-1984)

397.

Wolf Kahn (American, b. 1927)

Three Nautical Views of Seagulls and Racing Yachts Each signed “Sandor Bernath” in pen l.l. or l.r.

Watercolors with graphite on paper, sight sizes to 12 3/4 x 15 1/4 in.

(32.4 x 38.7 cm), framed.

Condition: Not examined out of frames.

$800-1,200

Untitled (Keys II) Signed and dated “W Kahn 81” l.r., identified on a label affixed to the reverse.

Pastel on paper, sheet size 12 x 17 in. (30.5 x 43.2 cm), framed.

Condition: Not examined out of frame.

$1,000-1,500

397

140

additional information and photos at www.skinnerinc.com

398

398.

Stow Wengenroth (American, 1906-1978) Two Works: Exploring, c. 1964, and Coastal Scene Both signed “Stow Wengenroth� in pen l.r., Exploring titled within the margin l.l.

Mixed media (ink, crayon, and graphite en grisaille) on Strathmore illustration board, sizes to 19 1/8 x 25 1/8 in., both framed.

Condition: Tack holes to margins, subtle rippling to support, toning, mat burn.

N.B. Exploring relates to a lithograph of the same title, created in 1964 (see Stucky, 296). $1,200-1,800

399.

Van Dearing Perrine (American, 1869-1955) Light on the Ocean Unsigned.

Oil on canvas, 35 x 26 in. (89.0 x 66.0 cm), framed.

Condition: Scattered paint losses, craquelure with areas of lifting, retouch, pigment fluorescence. $2,000-3,000

399

online bidding at www.skinnerinc.com

141

400

400.

Carl Sprinchorn (American, 1887-1971) A Sunny Beach Signed “Carl Sprinchorn� l.r., estate stamped and identified on a label from Tom Veilleux Gallery, Farmington, Maine, on the frame backing.

Watercolor on laid paper, sight size 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), framed.

Condition: Subtle rippling, not examined out of frame.

$1,200-1,800

142

additional information and photos at www.skinnerinc.com

401

401.

Stanley Wingate Woodward (American, 1890-1970) The Wild Grape/Florida Nude Signed “Stanley Woodward/A.W.S.” l.r., with an Audubon Artists Annual label, and biographical inscription dated “Nov. 1, 1958” on the reverse.

Watercolor on paper, 19 1/2 x 15 1/2 in. (49.5 x 39.4 cm), framed (without glass).

Condition: Mat burn, foxing, paper rippling.

$1,000-1,500

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143

402

402.

Edmund Franklin Ward (American, 1892-1991)

403.

Eliot Candee Clark (American, 1883-1980)

Log Cutters Signed “Edm. F. Ward” l.r., stamped “The estate of/EDMUND F. WARD” on the reverse.

Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Minor surface grime.

Long Island Sound Signed “Eliot Clark” l.r., identified and dated “1920” on the reverse.

Oil on canvasboard, 12 x 15 3/4 in. (30.5 x 40.0 cm), framed.

Condition: Surface grime.

$800-1,200

Provenance: Through the artist’s estate.

$800-1,200

403

144

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404

404.

Sydney Lee (British, 1866-1949) The Harbour Signed and dated “SYDNEY LEE 34” l.r., titled, signed “...Sydney Lee,” and identified on a label affixed to the reverse.

Oil on board, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed.

Condition: Surface grime, bowing, craquelure.

$1,000-1,500

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145

405

405.

Ferdinand Joseph Gueldry (French, 1858-1945) Cows at Pasture on a Summer Day Signed “F. Gueldry.� l.r.

Oil on canvas, 21 1/4 x 25 3/4 in. (54.0 x 65.4 cm), framed.

Condition: Retouch, abrasions, surface grime.

$1,000-1,500

146

additional information and photos at www.skinnerinc.com

406

406.

Russian School, 20th Century Above the River Signed “M. Ivanov” l.r., also signed, inscribed, and titled “M.U. Ivanov...

Tver, Russia” with a Ministry of Culture of USSR export stamp on the reverse.

Oil and graphite on paper/board, 16 1/2 x 24 3/16 in. (42.0 x 62.0 cm), framed.

Condition: Subtle rippling.

$1,200-1,800

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147

407

407.

Anthony Thieme (American, 1888-1954) Morning Light Along the Canal Signed “AThieme� l.r., titled and numbered indistinctly on the reverse.

Oil on canvas, 25 x 30 in. (63.5 x 76.5 cm), framed.

Condition: Craquelure, discolored varnish, surface grime.

$4,000-6,000

148

additional information and photos at www.skinnerinc.com

408

408.

Jane Peterson (American, 1876-1965) Church Procession in Brittany Signed “JANE PETERSON” l.r.

Oil on canvas, 37 5/8 x 27 5/8 in. (95.5 x 70.2 cm), in an Arts & Crafts frame.

Condition: Lined, retouch, craquelure.

N.B. The present work likely dates to around 1906, prior to Peterson’s studies with Joaquin Sorolla, and exemplifies her early work and progressing style.

We wish to thank J. Jonathan Joseph for his kind assistance cataloging the lot. $10,000-15,000

online bidding at www.skinnerinc.com

149

409

410

409.

Hayley Lever (American, 1876-1958)

410.

Arnold Graboné (German, 1898-1981)

St. Ives, Cornwall, England Signed “Hayley Lever” l.l., titled and dated “...1903” on the stretcher.

Oil on canvas, 6 1/4 x 9 1/4 in. (16.0 x 23.5 cm), framed.

Condition: Lined, minor craquelure, surface grime.

$1,200-1,800

Rottensteinweg, Brixtental/A Tyrolean Alps View Signed “Arnold Graboné” l.l., titled and signed “...Org. Arnold Graboné” on the stretcher.

Oil on canvas, 32 1/4 x 42 1/4 in. (81.9 x 107.3 cm), framed.

Condition: Craquelure, surface grime.

Provenance: A Massachusetts estate.

150

additional information and photos at www.skinnerinc.com

$1,200-1,800

411

411.

Constantine Kluge (French, 1912-2003) Château d’Ermenonville Signed “C. Kluge” l.l., identified on a presentation plaque.

Oil on canvas, 29 x 39 3/4 in. (74.0 x 101.0 cm), framed.

Condition: Varnish inconsistencies, craquelure, surface grime.

$3,000-5,000

online bidding at www.skinnerinc.com

151

412

412.

Glenn Moore Shaw (American, 1891-1981)

413.

George Loftus Noyes (American, 1864-1954)

View from a Hillside, Probably Taormina, Sicily Signed “Glenn Shaw” l.r.

Oil on canvas, 38 1/4 x 24 in. (97.2 x 61.6 cm), framed.

Condition: Minor retouch, abrasions, surface grime, subtle varnish inconsistencies.

Cuernavaca Gateway Signed “G. L. Noyes” l.r.

Oil on canvas, 17 3/4 x 21 7/8 in. (45.2 x 55.3 cm), framed.

Condition: Retouch, canvas trimmed and laid on board.

$1,500-2,000

Provenance: A Massachusetts estate.

$1,000-1,500

413

152

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414

414.

Guy Charon (French, b. 1927) Pont-Rouen Signed “CHARON� l.r., identified on a label from Frost & Reed, London, affixed to the stretcher.

Oil on canvas, 19 3/4 x 25 1/2 in. (50.2 x 64.8 cm), framed.

Condition: Alligatoring, minor surface grime, and surface accretions.

$1,000-1,500

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153

415.

Arthur Bowen Davies (American, 1862-1928) Shepherdess Signed “A.B. Davies” l.r., inscribed faintly on the reverse, titled on a presentation plaque.

Oil on canvas, 24 x 20 in. (61.0 x 51.0 cm), framed.

Condition: Minor craquelure, surface grime.

Provenance: Christie’s, Rockefeller Center, New York, December 20–21, 2006, Lot 105. $3,000-5,000

415

416.

Girard Van Barkaloo Hale (American, 1886-1958) Une Femme Dans Un Parc Signed and dated “Girard Hale 1913” l.r., identified on a label affixed to the stretcher, with a canvas stencil from Lucien Lefebvre-Foinet, Paris, on the reverse.

Oil on canvas, 39 1/2 x 32 in. (100.3 x 81.3 cm), unframed.

Condition: Retouch, patch reinforcements, craquelure, very minor losses. $1,200-1,800

416

154

additional information and photos at www.skinnerinc.com

417

417.

George [Æ] Russell (Irish, 1867-1935) Woods at Raheen Monogrammed “Æ” l.r., inscribed and titled “...George Russell...” in a later hand on the stretcher.

Oil on canvas, 21 x 32 in. (53.3 x 81.3 cm), framed.

Condition: Lined, minor retouch, varnish inconsistencies.

Provenance: Through a private Connecticut collection.

$8,000-12,000

online bidding at www.skinnerinc.com

155

418.

Salvatore L. Aucello (American, b. 1903) Chicago Street Corner Signed and dated “S. Aucello 1943” l.r., identified on a partial label affixed to the paper backing.

Watercolor on paper/board, sight size 15 5/8 x 19 3/4 in. (40.0 x 50.5 cm), framed.

Condition: Gentle toning, not examined out of frame.

N.B. Salvatore Aucello studied at the National Academy of Design and was a project planner for the Public Works of Art Project. A label on the back of this work identifies the scene as the corner of 14th Street (Chicago), but the name of the cross street, while specified on the label, is no longer legible. Aucello is best known for his public murals in New York City, including one at the Chrysler Building. $400-600

418

419.

Richard H. Bassett (American, 1900-1995) Jonathan Edwards Church, Northampton Unsigned, stamped “Certified Original by Richard H. Bassett/(1900-1995)/The Estate of Richard Bassett” on the reverse and titled on the stretcher.

Oil on canvas, 24 x 25 in. (61.0 x 63.5 cm), framed.

Condition: Craquelure, surface grime. $500-700

419

156

additional information and photos at www.skinnerinc.com

420

420.

Marion Huse (American, 1896-1967) Autumn Evening Signed and dated “Marion Huse 1943” l.r., titled in pencil on the stretcher.

Oil on canvas, 24 x 30 in. (61.0 x 76.0 cm), framed.

Condition: Stable craquelure.

$1,500-2,000 421.

Morgan Dennis (American, 1892-1960) Two Works: I Hear You Calling Me!/An Illustration and Color Guide for the Boston Post Sunday Magazine Illustration signed “MORGAN DENNIS” in pen l.l., titled on a label affixed l.c., Guide inscribed “MORGAN DENNIS” in reverse within the matrix.

Illustration ink on paper, Guide offset photo-lithograph with watercolor, sight sizes to 14 1/2 x 11 3/4 in. (36.2 x 29.8 cm), both framed.

Condition: Not examined out of frames.

Provenance: Skinner Inc., Boston, Massachusetts, American & European Paintings & Prints, March 13, 1998, Sale 1832, Lot 425.

$1,000-1,500

421

online bidding at www.skinnerinc.com

157

422

422.

Cornelis Vreedenburgh (Dutch, 1880-1946) Unloading a Barge on a Canal, Leiden Signed and dated “C. Vreedenburgh 1910” l.r., inscribed “Leiden” l.l., with Sotheby’s labels affixed to the backing.

Graphite and watercolor on paper, sheet size 11 1/2 x 15 1/4 in. (29.2 x 38.7 cm), framed.

Condition: Toning, acid burn, crop marks to margins. $1,500-2,500

423.

Jane Peterson (American, 1876-1965) Selection of Ephemera, Including Two Sketchbooks and Five Personal Letters, Exhibition Leaflets and Newspaper Clippings Condition: Small sketchbook with toning, scattered staining and paper losses; large sketchbook with toning, paper losses, weakened binding; letters with minor toning and losses; newspaper clipping with toning. $1,500-2,500

423

158

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424

424.

Johann Berthelsen (American, 1883-1972) Snowy Street, Times Square Signed “Johann Berthelsen” l.r.

Oil on canvasboard, 20 x 16 in. (50.5 x 40.5 cm), framed (under glass).

Condition: Minor frame abrasion.

N.B. The painting at hand, with the snow depicted using heavy impasto applied with a palette knife, would suggest a date in the 1940s. The scene shows Times Square, with the New York Times building in the center and the Astor Hotel on the right.

We wish to thank Lee Berthelsen, the artist’s son, for his kind help cataloging the lot.

$3,000-5,000

online bidding at www.skinnerinc.com

159

425

425.

Karl Schrag (American, 1912-1995)

426.

Ethel Magafan (American, 1916-1993)

Forms of Trees and Clouds Signed “Karl Schrag” l.r., identified on a label from Kraushaar Galleries, New York, affixed to the backing.

Mixed media (gouache and ink) on paper, 18 1/2 x 26 in. (47.0 x 66.0 cm), framed.

Condition: Not examined out of frame.

$1,800-2,200

October Light Signed “ETHEL MAGAFAN” l.l., titled and signed “...ETHEL MAGAFAN” on the reverse, identified on a label from Jacques Seligmann Galleries, New York, affixed to the reverse.

Tempera on Masonite, 28 1/4 x 40 in. (71.8 x 101.6 cm), framed.

Condition: Abrasion, surface grime.

$800-1,200

426

160

additional information and photos at www.skinnerinc.com

427

427.

Quita Brodhead (American, 1901-2002) Swamp Willows Unsigned, identified on a submission label to the One Hundred and Fortieth Annual Exhibition of Painting and Sculpture, Pennsylvania Academy of the Fine Arts, January 21 to February 25, 1945, affixed to the stretcher.

Oil on canvas, 32 x 36 in. (81.3 x 91.4 cm), framed.

Condition: Tear at center, surface dust/grime.

$2,000-3,000

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161

428

429

428.

Carl Sprinchorn (American, 1887-1971)

429.

Leon Dabo (American, 1865-1960)

Autumn Landscape Signed “C. Sp.” l.r., stamped “FROM THE ESTATE OF CARL SPRINCHORN (1887-1971)” on the reverse.

Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime.

$2,000-3,000

Encampment Signed “[cipher] LEON DABO,” l.r.

Oil on canvas, 22 3/4 x 29 3/4 in. (58.0 x 75.6 cm), framed.

Condition: Small puncture l.r., retouch, scattered small paint losses, minor craquelure.

$800-1,200

162

additional information and photos at www.skinnerinc.com

430

430.

Karl Schrag (American, 1912-1995) Sea Breeze in the Woods Signed “Karl Schrag� l.r., identified on a label from Kraushaar Galleries, New York, affixed to the backing.

Gouache on paper/board, sight size 25 1/2 x 37 1/2 in. (64.8 x 95.3 cm), framed.

Condition: Not examined out of frame.

$2,200-2,800

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163

431

431.

French School, 20th Century Spring Garden with Allium Signed “Louis...” l.r., with a canvas stencil from Societe Anonyme Des Etablissements LeFranc [LF], Paris, on the stretcher.

Oil and graphite on canvas, 14 7/8 x 21 5/8 in. (37.8 x 54.9 cm), framed.

Condition: Minor surface grime.

$800-1,200

432.

Mary Dawson Elwell (British, 1874-1952) View of a Summer Garden with Shed Signed and dated “M.D. ELWELL 1914.” l.r.

Oil on panel, 16 x 12 in. (40.6 x 30.5 cm), framed.

Condition: Surface grime.

$1,000-1,500

432

164

additional information and photos at www.skinnerinc.com

433

433.

Roger Wilson Dennis (American, 1902-1996) Garden (with Lilies) Signed “Dennis� l.r., studio and estate stamped and titled on the stretcher, titled on the canvas edge.

Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.

Condition: Mild surface grime.

$1,000-1,500

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165

434

434.

George Loftus Noyes (American, 1864-1954) Hollyhock Garden Signed “G L Noyes� l.l.

Watercolor on paper/board, 17 3/4 x 15 in. (45.2 x 37.8 cm), framed.

Condition: Toning, pale staining.

$800-1,200

166

additional information and photos at www.skinnerinc.com

435

435.

Alice Kent Stoddard (American, 1883-1976) A Companionable Read in the Garden Stamped “Alice Kent Stoddard� l.r., with an estate stamp from David David Gallery, Philadelphia, on the stretcher.

Oil on canvas, 25 x 35 in. (63.5 x 89.0 cm), framed.

Condition: Surface grime.

$3,000-5,000

online bidding at www.skinnerinc.com

167

436

436.

Marguerite Davis (American, b. 1889)

437.

Richard Allan George (American, 1935-1990)

Two Christmas Designs for the Liberty Greeting Card Company: One Horse Open Sleigh and The Red Coach Both initialed “M.D.” in pencil l.l. and inscribed “Liberty Greeting Card Company, Canton, Pa.” in pencil on the reverse.

Gouache and ink on paper, sizes to 8 3/4 x 12 5/8 in. (22.2 x 32.1 cm), framed.

Condition: Both with glue stains to reverse.

Coach & Fours Signed “R. GEORGE” l.l., titled and inscribed on the stretcher.

Oil on canvas, 48 x 85 in. (122.0 x 216.0 cm), framed.

Condition: Good.

$2,500-3,500

N.B. In 1926, the Belmar Manufacturing Company in Canton, Pennsylvania, established the Liberty Greeting Card Company and operated the enterprise until 1934.

$800-1,200

437

168

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438

438.

Attributed to Arthur Rackham (British, 1867-1939) The South-west Wind Esquire, design for The King of the Golden River Signed or inscribed in pencil “Arthur Rackham� on the reverse, titled l.c.

Ink and wash on paper, 7 1/2 x 11 1/4 in. (19.0 x 29.0 cm), framed.

Condition: Scattered foxing, small mended tears to margins, handling creases, subtle toning.

$5,000-7,000

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169

439.

Florence Julia Bach (American, 1887-1978) Portrait of My Mother Signed and dated “F. Julia Bach 1916” u.r., identified on a partial paper/board backing.

Pastel on paper mounted to canvas, 40 x 28 in. (101.6 x 71.1 cm), in a period frame (under glass).

Condition: Not examined out of frame. $1,000-1,500

439

440.

Edmund Franklin Ward (American, 1892-1991) Caught in the Act Unsigned, stamped “The estate of/EDMUND F. WARD” on the stretcher, with a partial composition on the reverse.

Oil on canvas, 28 x 27 in. (71.1 x 68.6 cm), framed.

Condition: Retouch.

Provenance: Through the artist’s estate. $1,000-1,500

440

170

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441

441.

Norman Rockwell (American, 1894-1978) The Gossips (Vignette I) Initialed “N.R.” l.r., inscribed “Nancy Rockwell From her son Norman Rockwell” on the reverse.

Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.

Condition: Minor surface grime, scattered craquelure.

Provenance: Collection of Robert Fuoss, former editor at The Saturday Evening Post, then by descent within the family.

Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Volume I (Hanover: University Press of New England, 1986), p. 685, no. S381a.

N.B. The present work was one of seven vignettes of various parings (one adult to another) that were created as story illustrations for the Ladies’ Home Journal (November 1936) for a picture editorial called “Gossips” by Norman Rockwell.

This image is related in subject to the Saturday Evening Post cover illustration published on March 6, 1948 called “The Gossips,” (Moffatt C441).

We wish to thank the Norman Rockwell Museum for their kind assistance cataloging the lot.

$30,000-50,000

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171

442.

Irving Ramsay Wiles (American, 1861-1948) A Society Matron, c. 1895-99 Signed “Irving R. Wiles” u.r.

Oil on canvas, 26 x 22 in. (66.0 x 55.9 cm), framed.

Condition: Lined, craquelure.

N.B. We wish to thank Geoffrey K. Fleming, author of Irving Ramsay Wiles, N.A., 1861-1948: Portraits and Pictures, 1899-1948, for his kind assistance cataloging the lot.

The work is no. 9D640111 in the Smithsonian Institution Research Information System (SIRIS) Art Inventories Catalogue of American Paintings. $2,500-3,500

443.

Edward Barnard Lintott (American, 1875-1951) Onions Signed “Lintott” l.r., inscribed “LINTOTT M.S./Marie Sterner Collection/Gift...1941” and identified on a Lawrence Rill Schumann Art Foundation, Boston, label on the reverse.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), in a period frame.

Condition: Surface grime, stretcher bar marks, slight losses. $800-1,200 442

443

172

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444

444.

Robert Brackman (American, 1898-1980) Fruit Signed “R. Brackman” u.r., initialed “RB” l.l., titled and signed on the reverse.

Oil on canvasboard, 10 x 11 3/4 in. (25.3 x 29.8 cm), framed.

Condition: Craquelure in areas of heaviest impasto, surface grime, canvasboard trimmed along right edge. $1,000-1,500

445.

Eric L. (Frederic) Pape (American, 1870-1938) Portrait of Alice (Alice Byrne-Pape) Signed and dated “E...Pape 1938” l.r., estate stamped on the back of the frame.

Oil on canvasboard, 16 x 12 in. (40.0 x 30.0 cm), framed.

Condition: Minor surface grime.

N.B. Alice Byrne, an actress, lyricist, and author, married Eric Pape in September of 1920 at the Little Church Around the Corner in lower Manhattan. Pape’s first wife, Alice MonroePape, died in 1911. A photograph of Alice Byrne-Pape and a copy of a newspaper announcement of the couple’s quiet wedding accompany the lot. $1,500-2,000

445

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173

446 447

446.

Anglo/American School, 19th Century

447.

Esther Mabel Baldwin Williams (American, 1867-1964)

Portrait of a Woman Initialed “J.H.R.” l.l., inscribed “Mrs. A Pike/1732 Pea St...” on the backing.

Watercolor and graphite on paper/board, sight size 11 1/2 x 8 7/8 in.

(29.2 x 22.5 cm), framed.

Condition: Margins glued to window mat recto.

$800-1,200

Portrait of Ruth and Hazel Smart of Winchester, Massachusetts, with Their Dog, 1898 Signed and dated “E.M. Baldwin 1898” u.l., with a label from the Boston Art Club affixed to the stretcher.

Oil on canvas, 35 x 19 1/2 in. (88.9 x 49.5 cm), framed.

Condition: Craquelure, surface grime.

$1,200-1,800

174

additional information and photos at www.skinnerinc.com

448

448.

Robert Lewis Reid (American, 1862-1929) Portrait of a Girl with a Blue Headband Signed “Robert Reid� l.r.

Pastel on paper/board, 23 7/8 x 18 1/8 in. (60.7 x 47.0 cm), framed.

Condition: Repair c.l., toning.

$3,000-5,000

online bidding at www.skinnerinc.com

175

449

450

449.

Stow Wengenroth (American, 1906-1978)

450.

Charles Emile Heil (American, 1870-1950)

Still Life with Baltimore Oriole on a Flowering Branch Signed “Stow Wengenroth” l.l.

Watercolor and graphite on paper, sight size 16 1/4 x 11 3/4 in. (41.3 x 29.8 cm), framed.

Condition: Not examined out of frame.

$2,000-3,000

Blackburnian Warbler Signed “CEHeil.” l.l., identified on a label from Doll & Richards Inc., Boston, affixed to the backing.

Watercolor and graphite on paper, sight size 14 5/8 x 8 1/4 in. (37.2 x 21.0 cm), framed.

Condition: Not examined out of frame.

$800-1,200

176

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451

451.

American School, 20th Century Decorative Panel Featuring Two Mythological Birds Unsigned.

Mixed media on Masonite, 84 x 48 in. (231.4 x 121.9 cm), framed.

Condition: Minor paint losses, surface grime.

$1,000-1,500

online bidding at www.skinnerinc.com

177

452.

Pierre Brune (French, 1887-1956) Anemones Signed “P. Brune” l.r.

Oil on paper mounted to board, 17 x 14 3/16 in. (43.0 x 36.0 cm), framed.

Condition: Surface grime. $700-900

452

453.

Bertram Hartman (American, 1882-1960) Winter Bouquet Signed and dated “Bertram Hartman 1928” l.l., identified on a label affixed to the stretcher.

Oil on canvas, 28 x 22 in. (71.0 x 55.7 cm), framed.

Condition: Abrasion and punctures in l.r. quadrant, mild canvas deformation, surface grime. $1,000-1,500

453

178

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454

454.

Jean Francis Laglenne (French, 1899-1962)

455.

Carl Sprinchorn (American, 1887-1971)

Still Life with Quill and Ink Bottle Signed “Laglenne” l.r., reverse with a pencil sketch of a man in Bavarian costume signed “Laglenne” l.r.

Oil on paper/board, 21 1/2 x 15 in. (54.7 x 38.2 cm), framed.

Condition: Surface grime, minor wear to corners and edges of support.

$800-1,200

Flowers in Round White Bowl Unsigned, stamped “FROM THE ESTATE OF CARL SPRINCHORN (1887-1971)” on the stretcher, titled in pen on the reverse.

Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Craquelure.

$2,000-3,000

455

online bidding at www.skinnerinc.com

179

456.

Ivan Gregorewitch Olinsky (American, 1878-1962) Seated Female Nude in a Chartreuse Skirt Signed “Ivan G. Olinsky” l.c.

Pastel on paper, sight size 23 1/2 x 17 1/2 in. (59.5 x 44.5 cm), framed.

Condition: Subtle handling creases, not examined out of frame. $1,000-1,500

457.

Pal Fried (Hungarian/American, 1893-1976) Sleeping Beauty Signed “FRIED PAL” l.l., titled on the reverse.

Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), unframed.

Condition: Stretcher bar marks, minor surface grime. $1,200-1,800

456

457

180

additional information and photos at www.skinnerinc.com

458

458.

George Reiter Brill (American, 1867-1918)

459.

Ulises Rodriguez (Colombian/American, b. 1962)

The Coppersmith Signed “G.R. Brill” l.r.

Oil on canvas, 30 x 40 in. (76.0 x 101.7 cm), framed.

Condition: Lined, scattered retouch, craquelure,

The Last Letter Signed “Ulises Rodriguez” on the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.

Condition: Good.

$1,500-2,000

$1,000-1,500

459

online bidding at www.skinnerinc.com

181

460

460.

Elena Khmeleva (Russian, 20th Century) Child’s Play, 2005 Signed “E. Khmeleva” l.r., signed, dated, and titled “...2005” in Cyrillic on the reverse.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Good.

Provenance: A Massachusetts estate.

182

additional information and photos at www.skinnerinc.com

$1,000-1,500

461

461.

Simka Simkhovitch (Russian/American, 1893-1949) Family Group Unsigned.

Oil on canvas, 24 x 24 in. (61.0 x 61.0 cm), framed.

Condition: Lined, retouch, craquelure.

Provenance: Through the collection of Sonya Simkhovitch, daughter of the artist.

N.B. This group is thought to be the artist’s family, children Sonya (left) and Naomi, with his wife, Elsa Fornel.

$2,000-3,000

online bidding at www.skinnerinc.com

183

462

463

462.

Eric L. (Frederic) Pape (American, 1870-1938)

463.

Thure Thulstrup (American, 1848-1930)

Illustration from The Scarlet Letter Signed and dated “Eric Pape/1900” l.l., estate stamped on the frame backing paper.

Oil on (en grisaille) canvas, 19 1/2 x 13 1/4 in. (49.8 x 33.4 cm), framed.

Condition: Retouch, scattered small abrasions and surface imperfections, canvas trimmed and laid on paper/board support with a small area of nonadhesion u.c.

A Brandishing of Swords Signed “Thulstrup” l.c.

Gouache (en grisaille) on paper/board, 25 3/8 x 16 1/8 in. (64.5 x 41.0 cm), framed.

Condition: Minor pigment losses at lower corners, paper residue and acid burn to the reverse.

$800-1,200

Literature: Nathaniel Hawthorne, The Scarlet Letter (Boston and New York: Houghton, Mifflin and Company, 1900), p. 135.

$800-1,200

184

additional information and photos at www.skinnerinc.com

464.

Eric L. (Frederic) Pape (American, 1870-1938) Scene from The Scarlet Letter Signed and dated “Eric Pape/1900” l.r., estate stamped on the frame backing paper.

Oil (en grisaille) on canvas, 28 3/4 x 19 1/2 in. (73.0 x 49.5 cm), framed.

Condition: Canvas trimmed and mounted to mat board, retouch and craquelure to u.r. corner.

Literature: Nathaniel Hawthorne, The Scarlet Letter (Boston and New York: Houghton, Mifflin and Company, 1900), p.

370. $3,000-3,500

465.

James Montgomery Flagg (American, 1877-1960) What Happened to You at Altoona Won’t be a Beauty Spot on an Elephant’s Hide...”

Signed “JAMES MONTGOMERY FLAGG” l.l., titled l.r.

Mixed media (watercolor, graphite, and gouache) on paper, sight size 22 x 28 in. (55.9 x 71.1 cm), framed.

Condition: Not examined out of frame.

Literature: Everett Rhodes Castle, “Mrs. Tupper...Mother of a Hero,” The Spokesman Review, October 23, 1938, p. 3 (illus.). $1,500-2,000 464

465

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185

466

466.

Harriette Bowdoin (American, 1880-1947) Still Life with Flowers and Porcelain Jar Signed “Harriette Bowdoin” l.l.

Oil on canvas, 20 x 24 in. (50.7 x 61.3 cm), framed.

Condition: Patch reinforcements, minor retouch to u.l. and l.r. corners. $1,000-1,500

467.

Russell Cheney (American, 1881-1945) Hotei Signed and dated “Russell Cheney...” l.r., identified on a label affixed to the reverse.

Oil on canvas, 36 1/8 x 29 1/8 in. (91.8 x 74.0 cm), framed in a liner.

Condition: Lined, retouch, craquelure. $1,000-1,500

467

186

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468.

Simka Simkhovitch (Russian/American, 1893-1949) Flowers and Peaches Signed “Simka Simkhovitch” l.r., titled and signed on the stretcher.

Oil on canvas, 22 1/4 x 18 in. (56.4 x 45.9 cm), framed.

Condition: Craquelure, surface grime.

Provenance: Through the collection of Sonya Simkhovitch, daughter of the artist. $1,200-1,800

469.

Georges Anatolievich Pogedaieff (Russian, 1897-1971) Still Life with Melons Signed and dated “Georges A. de Pogedaieff 61” l.r., signed and identified on the artist’s label affixed to the stretcher.

Oil on canvas, 18 x 25 3/4 in. (45.8 x 65.4 cm), framed.

Condition: Craquelure. $1,200-1,500

468

469

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187

470

470.

Maxwell Ashby Armfield (British, 1881-1972) The Shells Remain Signed and inscribed “MAXWELL ARMFIELD” l.l., inscribed “OP316” probably in a later hand l.l., titled, inscribed, and signed “...7th mi on e ©/TRANSITION TO THE UNIVERSAL/Maxwell Armfield R.W.S.” in the artist’s hand on the reverse.

Egg tempera on panel, 14 7/8 x 11 1/2 in. (37.8 x 29.2 cm), matted, unframed.

Condition: Craquelure, minor surface grime.

$2,500-3,500

188

additional information and photos at www.skinnerinc.com

471

471.

Le Pho (Vietnamese, 1907-2001) Les Roses Star Signed “Le Pho” l.r., inscribed and titled “8M...538/N.Y. 43” on the reverse.

Oil on silk mounted to Masonite, 18 x 10 5/8 in. (45.7 x 27.0 cm), framed.

Condition: Surface grime. $10,000-15,000

online bidding at www.skinnerinc.com

189

472

472.

Donald Grant (British, 1930-2001)

473.

Donald Grant (British, 1930-2001)

The Saluki Signed “Donald Grant” l.r., identified on a presentation plaque, with a label from MacConnal-Mason and Son, Ltd., London, affixed to the reverse.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Surface grime.

$800-1,200

View of a Bedouin Tribe and Two Salukis Signed “Donald Grant” l.r., identified on a presentation plaque, with a label from MacConnal-Mason and Son, Ltd., London, affixed to the reverse.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Surface grime/dust.

$1,000-1,500

473

190

additional information and photos at www.skinnerinc.com

474

474.

Donald Grant (British, 1930-2001) Portrait Studies of Salukis Signed “Donald Grant” l.r., identified on a presentation plaque, with a label from MacConnal-Mason and Son, Ltd., London, affixed to the reverse.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Surface grime/dust. $800-1,200

475.

Adam Styka (Polish/American, 1890-1959) The Happy Couple Signed “Adam Styka” l.l.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Surface grime. $1,000-1,500

475

online bidding at www.skinnerinc.com

191

476 477

476.

Addison Buswell Burbank (American, 1895-1961)

477.

Jean Lambert-Rucki (French, 1888-1967)

Two Works: Portrait of Two Women Making Tortillas and At the Market Tortilla signed “ADDISON BURBANK” l.r., Market unsigned.

Gouache and graphite on paper, sheet sizes to 22 x 15 in. (55.9 x 38.1 cm), both framed, including one Taos-style.

Condition: Tortilla with subtle toning, not examined out of frame, Market with tape residue verso, minor tear to bottom edge, toning, rippling.

$1,500-2,000

Saint Francois d’Assise Signed “L-Rucki” within the cast on the reverse.

Bronze with light brown patina, 16 3/4 x 4 x 4 in. (42.5 x 10.2 x 10.2 cm), mounted to a wooden plinth.

Condition: Minor surface grime to the interstices.

$1,000-1,500

192

additional information and photos at www.skinnerinc.com

478

478.

Francisco Zúñiga (Mexican, 1912-1998) Mother and Child Signed and dated “Zga 1968” l.l.

Watercolor, conté crayon, and colored pencil on paper, sight size 25 1/4 x 19 in. (64.1 x 48.3 cm), framed.

Condition: Subtle rippling, masking taped to window mat, tack holes to corners.

Provenance: A private Massachusetts collection by family descent.

N.B. We wish to thank Ariel Zúñiga of the Fundación Zúñiga Laborde A.C. for his kind assistance cataloging the lot. The work will be included in Francisco Zúñiga: Catálogo Razonado, Volume V, to be published in 2013.

$4,000-6,000

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193

479

479.

Antonio Bueno (Italian, 1918-1984) Portrait of a Brunette Woman Signed “A. Bueno” u.r., inscribed “John Rae” in pen on the reverse.

Oil on canvas, 17 3/4 x 13 5/8 in. (45.1 x 34.6 cm), framed.

Condition: Minor retouch, craquelure.

$8,000-12,000

194

additional information and photos at www.skinnerinc.com

480

480.

Antonio Bueno (Italian, 1918-1984) Portrait of a Blonde Woman in Profile Signed “A. Bueno” u.r., inscribed “John Rae” in pen on the reverse.

Oil on canvas, 19 3/4 x 16 in. (50.2 x 40.6 cm), framed.

Condition: Minor retouch, craquelure. $10,000-15,000

online bidding at www.skinnerinc.com

195

481.

George Manuel Aarons (American, 1896-1980) Nude Signed, dated, and numbered “George M. Aarons 1929 IV” in the cast on the base.

Bronze with dark brown patina, 8 1/2 x 6 1/8 x 4 in. (21.6 x 15.6 x 10.2 cm), mounted to a travertine plinth.

Condition: Dust to interstices. $800-1,200

482.

Stephen S. Pace (American, 1918-2010) Two Nudes in a Green Interior Signed and dated “PACE 66” l.l.

Watercolor on paper, sight size 21 x 29 in. (53.3 x 73.6 cm), framed.

Condition: Not examined out of frame.

$700-900

481

482

196

additional information and photos at www.skinnerinc.com

483

484

483.

Abraham Walkowitz (American, 1878-1965)

484.

José De Creeft (Spanish, 1884-1982)

Portrait of a Dancer, Probably Isadora Duncan Dedicated and signed “To my old friend Albert Sterner/A. Walkowitz” within the composition l.c.

Ink, watercolor, and graphite on paper, sight size 13 1/2 x 8 1/2 in.

(34.3 x 21.6 cm), framed.

Condition: Rippling, not examined out of frame.

Mour Unsigned.

Pink granite, approximately 15 x 9 1/2 x 7 in. (38.1 x 24.1 x 17.8 cm), set on a stone plinth.

Condition: Minor surface grime and abrasions.

Provenance: Winter Associates Inc., Contemporary Art, Furniture, Jewelry, Textiles, December 6, 2010, Lot 61.

$1,500-2,000

Provenance: Estate of an arts benefactor, New York.

$2,000-3,000

online bidding at www.skinnerinc.com

197

485.

Simka Simkhovitch (Russian/American, 1893-1949) Circus Study Unsigned.

Gouache and charcoal on paper, 18 1/2 x 15 in. (47.0 x 38.2 cm), framed.

Condition: Paper loss and small tear to l.l. corner, small repaired tears to upper corners, pinhole u.l., nicks, wear, and minor tape remnants to edges of paper, toning, tape remnants/ repairs to the reverse.

Provenance: Through the collection of Sonya Simkhovitch, daughter of the artist. $1,000-1,500

486.

Mischa Richter (American, 1910-2001) Three New Yorker Illustrations: How’s It Goin?, Yours is a Vanishing Breed, Doctor, 1972, and I’ve Come a Full Circle, Dear. It’s Now my Strong Belief That Things Are What They Seem, 1980 Each signed “Richter” in pen l.r., Doctor and Circle with stamps from The New Yorker editorial department on the reverse.

Ink and graphite on paper, sight sizes to 13 5/8 x 23 1/4 in.

(34.6 x 59.1 cm), unframed, shrink-wrapped.

Condition: Not examined out of wrap. $1,000-1,500

485

486

198

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487

487.

Ludwig Bemelmans (American, 1898-1962) I’m Sorry the Horse Must Go Signed “Bemelmans” l.r., inscribed “A little sunshine-A little rain/and your garden will be the same again--/”Quite so--Quite so--/but I’m sorry the horse must go” within the composition.

Tempera and graphite on Whatman drawing board, 28 1/4 x 23 1/4 in. (71.8 x 59.1 cm), framed.

Condition: Very subtle bowing to board.

Provenance: Acquired from the artist in 1962 by Hammer Galleries, New York (No. 18743-25); Sotheby Parke Bernet, American, French & Other Modern Paintings, Drawings & Sculptures, November 30, 1966, Sale 2487, Lot 62; through to the family of the present owner, purchased in Union, New Jersey, c. 1970, then by descent.

N.B. We wish to thank Laura McKenzie, Hammer Galleries, for her kind assistance cataloging the lot. The present work relates to a version published in Madeline in London, 1961.

$25,000-35,000

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199

488.

Lado Gudiashvili (Georgian, 1896-1980) Fairytale, 1972 Signed “Gudiashvili” in Georgian l.l., signed, titled, dated, inscribed, and dedicated “Lado Gudiashvili...1972...

Tbilisi/Lado Gudiashvili/To Mr. William Campbell with a feeling of great respect/27 November 1973 Lado Goudiachvili” in Georgian, Russian, and English on the backing.

Mixed media (gouache, colored pencil, and graphite) on paper, sight size 11 1/4 x 9 in. (28.5 x 22.7 cm), framed.

Condition: Small tear, not examined out of frame.

Provenance: Gift from the artist and the Soviet and American Friendship Society to William P. Campbell (curator of American Art at the National Gallery, Washington, D.C., 1951-76); by family descent to a private New England collection.

N.B. William P. Campbell was one of four representatives of American museums invited on a twoweek tour of Soviet Union museums and art-related programs in 1973. The present work was given as an ambassadorial gift to Mr. Campbell on his visit to the Republic of Georgia, after having been introduced to the artist.

We wish to thank the State Tretyakov Gallery, Moscow, Russia, for their kind assistance cataloging the lot.

$800-1,200

488

489.

Russian School, 20th Century Set Design, Possibly for a Cabaret Unsigned, inscribed “Mrs. H. Jernberg/6836 St. Laurence...” on the reverse.

Gouache on illustration board, 13 1/4 x 17 in. (33.7 x 43.2 cm), unframed.

Condition: Minor tears/abrasions to corners.

$500-700

489

200

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490

490.

Attributed to Sergei Yur’evich Sudeikin [Yurievich Soudeikine] (Russian, 1883-1946) Maquette pour Jouets Russes Signed “Soudeikine” l.l., inscribed “SOUDEIKINE/SERGE/1882-1946/ Maquette pour les ‘Jouets Russes’-dans le Chauve Souris de Nikita Balieff- Reproduit dans le deuxieme programme/Fevrier 1921.” on the backing.

Gouache on paper, 10 3/4 x 17 7/8 in. (27.3 x 45.4 cm), framed.

Condition: Laid onto paper/board.

N.B. The present work relates to the color illustrated plate identified as Maquette pour “JOUETS RUSSES” in Art et Décoration: Revue Mensuelle d’Art Moderne, Juillet-Decembre 1921, Tome XL (Volume 40), Albert Levy, Editeur, Librairie Centrale des Beaux Arts, Paris, pp.

84-85 (color) for the article “Un Groupe de Peintres Russes.” The source of the illustrated plate is cited as “Cliché Comoedia Illustré.”

$3,000-5,000 491.

Jules Cheret (French, 1836-1932) Portrait of a Couple Signed “JCheret” l.r.

Pastel on canvas, 17 3/4 x 10 3/4 in. (45.1 x 27.3 cm), framed (under glass).

Condition: Minor abrasions along edges.

Provenance: Purchased from Masters Gallery, Greenwood Village, Colorado, in the spring of 1999.

N.B. We wish to thank Maéva Sablé of Blanchet & Associes, Paris, for kindly confirming the authenticity of the lot.

$2,000-3,000

491

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201

492

492.

Byron (George Byron) Browne (American, 1907-1961) Three Greek Figures Signed, dated, and inscribed “Byron Browne/1948/Provincetown/Cape Cod” l.r.

Mixed media (ink, watercolor, and gouache) on paper, sheet size approximately 20 x 26 in. (50.8 x 66.0 cm), framed.

Condition: Subtle rippling, sheet irregularly trimmed by the artist, not examined out of frame.

$1,200-1,800 493.

Clive Barker (British, b. 1952) Two Portrait Studies: Prophetic, 1992, and Exile, 1985 Both signed “Clive Barker” in pen l.r., Prophetic identified on a label from Bess Cutler Gallery, New York, affixed to the backing, Exile titled and dated “...1985...” on the reverse.

Prophetic ink and graphite on paper, Exile conté crayon on paper; sheet sizes to 14 x 10 1/2 in. (35.6 x 26.7 cm), both framed.

Condition: Not examined out of frames.

Literature: Prophetic Clive Barker, Fred Burke, and Amacker Bullwinkle, Illustrator II: The Art of Clive Barker (Forestville: Eclipse Books, 1993) (as “Mesmer”); Exile Stephen Jones, ed., Clive Barker’s Shadows in Eden (Lancaster: Underwood Miller, 1991).

Exhibitions: Bess Cutler Gallery, New York, 1993; American Horror Museum, Clive Barker Gallery of Art, Spooky World (Berlin, Massachusetts and Gillette Stadium, Foxboro, Massachusetts), 1993– 2006; private Massachusetts collection.

N.B. As an author, producer, director, and illustrator, Barker is known for his multi-faceted work in the horror genre. He is perhaps most famous for creating the Hellraiser and Candyman series, which were adapted from a novella and short story for the big screen.

493

202

We wish to thank Phil and Sarah Stokes of The Official Clive Barker Resource for their kind assistance cataloging the lot.

$1,500-2,000

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494.

Clive Barker (British, b. 1952) One-Eyed Boy, 1991 Signed “Clive Barker” in pen l.r.

Oil pastel and charcoal on paper, sheet size 24 x 18 in. (61.0 x 45.7 cm), framed.

Condition: Subtle rippling, not examined out of frame.

Literature: Clive Barker, Fred Burke, and Amacker Bullwinkle, Illustrator II: The Art of Clive Barker (Forestville: Eclipse Books, 1993); Marvel Age Magazine, Vol. 1, No. 107, December 1991 (reversed cover image).

Exhibitions: Bess Cutler Gallery, New York, 1993; American Horror Museum, Clive Barker Gallery of Art, Spooky World (Berlin, Massachusetts, and Gillette Stadium, Foxboro, Massachusetts), 1993– 2006; private Massachusetts collection.

N.B. We wish to thank Phil and Sarah Stokes of The Official Clive Barker Resource for their kind assistance cataloging the lot.

$1,500-2,000

494

495.

Eugene Gustavovitch Berman (American, 1899-1972) Etruscan Head Initialed and dated “EB 1959” within the composition l.c., identified on labels from Larcada Gallery, New York, and The Galleries of Frank J. Oehlschlaeger, Sarasota, Florida, affixed to the backing.

Ink and watercolor on paper, 12 3/4 x 9 in. (32.4 x 22.9 cm), framed.

Condition: Toning, not examined out of frame.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art.

$800-1,200

495

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203

496 497

496.

Hugó Scheiber (Hungarian, 1873-1950)

497.

Liss Eriksson (Swedish, 1919-2000)

Head of a Woman Signed “Scheiber/H” l.r.

Oil on paper/board, 23 1/2 x 19 5/8 in. (59.8 x 49.9 cm), framed.

Condition: Surface imperfections and grime, frame abrasions, bowing to support with subtle bend to u.r. corner and rippling to the reverse.

$1,500-2,500

Duo, c. 1993 Signed and numbered “Liss Eriksson E.A. II/II” within the cast on base, foundry stamped “E. GODARD CIRE PERDUE” on the base.

Bronze with light brown patina, 14 3/4 x 3 1/4 x 3 1/4 in. (37.5 x 8.3 x 8.3 cm).

Condition: Good.

Provenance: Purchased from the family of the artist.

N.B. The present work relates to a large-scale sculpture created in 1993 of the same title in Hällefors, Västmanland, Sweden. A copy of an exhibition catalogue for Liss Erickson, February 23 to March 13, 1985, Konstnarhuset, Stockholm, accompanies the lot.

$800-1,200

204

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498

498.

Leo Roth (Israeli, 1914-2002) Morning Prayer Signed in Hebrew u.r.

Oil on canvas, 24 x 15 in. (61.0 x 38.2 cm), framed.

Condition: Minor surface grime.

N.B. We wish to thank Zally Roth, daughter of the artist, for her kind assistance cataloging the lot.

$1,000-1,500

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205

500 499

499.

Chaim Gross (Austrian/American, 1904-1991)

500.

Aly Ben Salem (Tunisian/Swedish, 1910-2001)

Kneeling Female Nude Signed and numbered “Chaim Gross 1/7” over a monogram in the cast on the base.

Bronze with brown patina, 12 3/4 x 4 1/2 x 4 1/4 in. (32.4 x 11.5 x 10.8 cm), mounted on a wood plinth.

Condition: Areas of patination discoloration.

$700-900

Portrait of a Woman in Profile Signed “Aly Ben Salem” l.r.

Gouache and graphite on paper, sheet size 30 1/2 x 22 1/2 in. (77.5 x 57.2 cm), framed.

Condition: Subtle rippling, deckled edges.

$1,000-1,500

206

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501

501.

Georg Kolbe (German, 1877-1947) Skizze zu Wolkenfahrt, 1925 Monogrammed “GK” within the cast on base, foundry stamped “H. NOACK/BERLIN FRIEDENAU” on the base, identified on a label from the DeCordova Museum (see below) and with a label fragment from the Busch-Reisinger Museum, Cambridge, Massachusetts, underneath the plinth.

Bronze with dark brown patina, 12 x 6 1/2 x 6 1/2 in. (30.5 x 16.5 x 16.5 cm), mounted to a granite plinth.

Condition: Surface dust.

Provenance: Acquired by Hyman Swetzoff in Germany c. January 19, 1952; purchased from Swetzoff on March 18, 1952; private Massachusetts collection.

Literature: Ursel Berger, Georg Kolbe—Leben und Werk mit dem Katalog der Kolbe-Plastiken im Georg-Kolbe-Museum (Berlin: Ger. Mann Verlag, 1990), Kat. 73, p. 278.

Exhibitions: XXth-Century Germanic Art from Private Collections of Greater Boston, March 23 to May 1, 1961, BuschReisinger Museum, Cambridge, Massachusetts; Art from Lexington Homes, May 14 to May 22, 1966, DeCordova Museum, Lincoln, Massachusetts, no. S.E. 292.

N.B. Kolbe devoted himself to figurative sculpture, and is perhaps best-known for his classical female nude Alba (Dawn) which was commissioned for the German Pavilion of the 1929 International Exposition in Barcelona by Mies van der Rohe.

The present work is one of four known casts in bronze of this study for Wolkenfahrt; the couple depicted is based on Dante’s tragic lovers, Paolo and Francesca.

We wish to thank Dr. Ursel Berger of the Georg Kolbe Museum for his kind assistance cataloging the lot.

$40,000-50,000

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207

503 502

502.

Kenneth Armitage (British, 1916-2002)

503.

Sir Anthony Caro (British, b. 1924)

Standing Girl with Arms Crossed, 1954 Initialed and dated “KA 1954” l.l., identified on labels, including one from the British Council Fine Arts Department, affixed to the backing.

Black chalk and wash on paper, sight size 21 1/4 x 11 1/2 in. (54.0 x 29.2 cm), framed.

Condition: Toning, subtle rippling, not examined out of frame.

$800-1,200

Untitled [Nude Stepping into Tub] Signed and dated “Anthony Caro 1984” l.l., identified on a label from Harcus Gallery, Boston, on the reverse.

Charcoal on Tablet paper, 24 x 17 3/4 in. (60.9 x 45.1 cm), framed.

Condition: Toning, several pale foxing marks, soiling to paper probably by the artist’s hand.

N.B. We wish to thank the Anthony Caro Studio for their kind assistance cataloging the lot.

$300-500

208

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504

504.

Hubert Dalwood (British, 1924-1976) Lucca, 1958 Unsigned, with a label from James Bourlet and Sons, London, affixed underneath the plinth.

Cast aluminum, 25 x 25 × 9 1/2 in. (63.5 x 63.5 × 24.0 cm), mounted to a stone plinth.

Condition: Minor surface grime.

Provenance: Property of the Fogg Art Museum, Harvard Art Museums, sold to benefit the acquisition fund.

Literature: Chris Stephens, The Sculpture of Hubert Dalwood (Much Hadham: Henry Moore Foundation, 1999), pp. 43, 119; fig. 17 (illus.); cat. 100.

N.B. The present work shows the influence of Kenneth Armitage, who mentored Dalwood between 1946 and 1949, at the Bath Academy of Art in Corsham, England. The work’s title was inspired by Dalwood’s tour of Tuscany in 1958, where he visited the town as well as Piacenza, Pisa, Lerici, Florence, and Volterra.1 This work is one of a projected edition of six, with one cast in the Tate Collection and two known casts in private collections.2 1. Chris Stephens, The Sculpture of Hubert Dalwood (Much Hadham: Henry Moore Foundation, 1999), p. 19.

2. Ibid., 119.

$4,000-6,000

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209

505

505.

Juliet Kepes (American, 1919-1999) Six Bird Studies, c. 1964-81 One signed “Juliet Kepes,” two initialed “J.K.,” three dated, and four dedicated l.r., u.r., or l.l.

Ink and watercolor wash on paper, sheet sizes to 22 x 16 in. (55.9 x 40.6 cm), framed.

Condition: Not examined out of frames.

Provenance: Gift from the artist and her husband, Gyorgy Kepes, to the parents of the present owner. $1,200-1,800

506.

Dong Moy Chu Kingman (American, 1911-2000) Trinity College Chapel, Hartford, Connecticut Signed “Kingman” in English and Chinese l.r., dedicated “...Greetings from Dong, Eddie & Don Kingman” u.r.

Ink on drafting paper, sight size 17 x 14 in. (43.2 x 35.6 cm), framed.

Condition: Creases, not examined out of frame. $800-1,200

506

210

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507

507.

Morris Cole Graves (American, 1910-2001)

507A. Lyonel Feininger (American, 1871-1956)

Bird Yelling at Mole Signed and dated “M. Graves 50” l.r., titled l.l.

Ink and conté crayon on paper, sheet size 13 5/8 x 18 3/4 in. (34.6 x 47.6 cm), framed.

Condition: Minor toning, not examined out of frame.

$2,500-3,500

Sailing Vessels and Rainbow, 1934 Signed and inscribed “Feininger/XXX ‘Muttertag’ 13. v. 34 L.F.” in ink and pencil l.l., dated “2 ii 34” l.r., identified on a label from Kanegis Gallery, Boston, affixed to the backing.

Ink on paper, sheet size 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm), framed.

Condition: Tacked to u.l. and u.r. corners.

Provenance: Collection of Sidney Kanegis, Boston, Massachusetts; private Massachusetts collection.

N.B. We wish to thank Achim Moeller for confirming the authenticity of this work, registered in the archives of the Lyonel Feininger Project LLC, New York–Berlin as no. 1141-04-10-12; a photo-certificate accompanies the lot. $10,000-15,000

507A

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211

508.

Paul Henry Brach (American, 1924-2007) Veronica #2 Signed and dated “Brach ‘56” l.r., signed or inscribed and titled “Paul Brach...11-55” on the stretcher, identified on an effaced label from Leo Castelli Gallery, New York, affixed to the reverse.

Oil on canvas, 81 x 48 in. (205.7 x 121.9 cm), framed.

Condition: Minor surface grime. $7,000-9,000

508

509.

Sam Gilliam (American, b. 1933) Untitled (Abstract), 1995 Signed and dated “Sam Gilliam 95” in pen l.l.

Mixed media (oil and acrylic) on synthetic fiber, 9 x 10 in. (22.9 x 25.4 cm), in a shadow box frame.

Condition: Not examined out of frame.

Provenance: Purchased from the artist at his studio by the present owner, Boston, Massachusetts, and Washington, D.C. $2,000-3,000

509

212

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510

510.

Sam Gilliam (American, b. 1933) Iceland I, 1993 Titled, dated, inscribed, and signed “...93...Composed 79/Sam Gilliam� on the reverse.

Acrylic and pastel on canvas, 40 1/4 x 50 in. (102.2 x 127.0 cm), unframed.

Condition: Craquelure, very minor surface grime.

Provenance: Purchased from the artist at his studio by the present owner, Boston, Massachusetts, and Washington, D.C. $20,000-30,000

online bidding at www.skinnerinc.com

213

511

511.

John Atherton (American, 1900-1952)

512.

Kwong Yeu Ting [Kuang Yaoding] (Chinese, 1922-2011)

Ghost Town - New York Signed “Atherton” l.l., dated, titled, and inscribed “1952...John Atherton...” on the stretcher, identified on a partial label from The Associated American Artists, New York, affixed to the back of the frame.

Oil and mixed media on canvas, 20 x 27 in. (50.6 x 68.8 cm), framed.

Condition: Paint losses, craquelure, deformation to canvas u.c., surface grime.

$2,000-3,000

Boats on a Beach Signed “Kwong Yeu Ting” l.r., with a label from Mi Chou Gallery, New York, affixed to the reverse.

Oil on panel, 20 3/4 x 54 1/2 in. (52.7 x 138.4 cm), framed.

Condition: Surface grime.

N.B. Kwong Yeu Ting was born in Macau and came to America in 1949 to attend graduate school in Landscape Architecture at Kansas State University.1 After continued study in Europe, he returned east to Hong Kong in 1957 where he was appointed adjunct teaching positions at Hong Kong University and the Chinese University of Hong Kong. In 1978, he became a full-time lecturer at the Chinese University of Hong Kong. From 1957 to 1997, he participated in many international solo exhibitions, including one at the Hong Kong Museum of Art. 1. Michael Sullivan, Modern Chinese Artists: A Biographical Dictionary (Berkeley: University of California Press, 2006), p. 74.

512

214

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$1,000-1,500

513

514

513.

Kwong Yeu Ting [Kuang Yaoding] (Chinese, 1922-2011)

514.

Charlotte Whinston (American, 1894-1976)

Boats Signed “Kwong Yeu Ting” l.r., with a label from Mi Chou Gallery, New York, affixed to the reverse.

Oil on panel, 21 1/4 x 49 1/4 in. (54.0 x 125.1 cm), framed.

Condition: Surface grime.

$1,000-1,500

Fishing Nets and Gondolas Signed “Whinston” l.r., identified on a label from the Smith College Museum of Art affixed to the reverse.

Casein, ink, and graphite on paper, sight size 29 1/2 x 39 in. (74.9 x 99.1 cm), framed.

Condition: Minor surface grime.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art.

$1,000-1,500

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215

515

516

515.

Eliane Rosso (French, 1928-1994)

516.

Eliane Rosso (French, 1928-1994)

Provence Signed “ROSSO” l.l., identified on a label affixed to the stretcher, titled and dated “...1962” on the reverse.

Oil on canvas, 23 3/4 x 32 in. (60.3 x 81.3 cm), framed.

Condition: Minor surface grime.

$800-1,200

Nature Morte Fuschias Signed “ROSSO” l.l., identified on a label affixed to the stretcher, inscribed and titled “No. 326...” on the reverse.

Oil on canvas, 25 3/4 x 32 in. (65.4 x 81.3 cm), framed.

Condition: Minor surface grime.

$800-1,200

216

additional information and photos at www.skinnerinc.com

517

517.

Karel Appel (Dutch, 1921-2006) Presque Une Joie Dated and signed “1960 AppeL” l.l., identified on a presentation plaque, also signed, dated, titled, and inscribed “Appel 1960 Jan./…Venise” in the artist’s hand on the stretchers, stamped “RACCOLTA ALDO VENEZIA” on the reverse, with a shipping label from Delamare & Cie., Paris, on the reverse.

Oil on canvas, 38 x 57 1/2 in. (96.5 x 146.1 cm), framed.

Condition: Minor craquelure, surface grime.

Provenance: Purchased from Aldo Seno (Raccolta Aldo), Venice, 1969, by present owner, Providence, Rhode Island.

N.B. We wish to thank the Karel Appel Foundation for kindly confirming the authenticity of the lot. The work is no. 1203X60; a photo-certificate from the Karel Appel Foundation accompanies the lot.

Like his compatriot Willem DeKooning, Appel never abandoned figuration as a subject. Unlike DeKooning, however, he explored figuration by privileging color over line. From 1953 onward, Appel applied paint with a heavy impasto—sometimes directly from their tubes—using color as texture to approximate form. By 1960, Appel had completely developed his signature style, moving away from “static layers of painted planes that are positioned on top of, or next to, each other” into unrestrained gesture, exuberant color and sensuous surface.1 While the present work is not explicitly figurative, its title [“Almost a Joy”] refers to the human condition in terms of melancholy. For Appel, despair was always a counterpart to joy, but the speed in which it could change from one extreme to the other was paradigmatic of the modern world. In a journal entry from 1959, Appel muses on the mania of modern life: “After two world wars, living between old and new systems, atomic explosions, space rockets, the howl of Ray Charles, the barbaric rupturing of human values, man moves over the earth like boiling lava, destroying himself, procreating, with a spatial thinking apart from the earth. This crazy joyful scream, full of vitality, far above the infinite fantasy bordering on insanity, this explosive overwhelming love for life before the doom of the great master, culture overcomes the pupils.”2 1. Florian Steininger, “Karel Appel in His Period of Time,” Karel Appel Retrospective 1945-2005 (Bratislava: Danubiana Meulensteen Art Museum, 2005), p. 39.

2. Alfred Frankenstein, ed., Karel Appel (New York: Harry N. Abrams, Inc., 1980), p. 57.

$80,000-100,000

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217

518.

Anton Heyboer (Dutch, 1924-2005) Untitled [Abstract] Signed and dated “Anton Heyboer...1970...” within the composition l.r.

Mixed media (collage and etching) on paper, 39 x 25 3/4 in.

(99.1 x 65.4 cm), framed (under glass).

Condition: Intentional smudges to sheet.

N.B. A copy of Panorama magazine, Issue 29, July 15-21, 1972, with an article on Heyboer, accompanies the lot. $500-700

519.

Tetsuo (Bob) Ochikubo (Japanese/American, 1923-1975) Untitled Signed “T. Ochikubo” l.r.

Gouache on paper, sheet size 11 3/8 x 15 5/8 in. (28.9 x 39.7 cm), framed.

Condition: Deckled edges, not examined out of frame.

Provenance: Estate of a New York arts benefactor. $400-600

518

519

218

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520

520.

Miroslav Antic (Yugoslavian/American, 20th/21st Century) Untitled Signed and dated “Miroslav Antic 1985-86� on the reverse.

Oil on canvas, 72 x 62 in. (182.9 x 157.5 cm), unframed.

Condition: Good.

$1,000-1,500

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219

521.

Beverly Stoll Pepper (American, b. 1922) Oedipus Wedge, 1979 Unsigned.

Cor-Ten steel, 17 3/4 x 8 3/8 x 6 5/8 in. (45.1 x 21.2 x 16.8 cm).

Condition: Stable surface corrosion.

Provenance: Purchased from the Makler Gallery, Philadelphia, Pennsylvania, March 10, 1980.

Literature: Rosalind E. Krauss, Beverly Pepper: Sculpture in Place (Buffalo: Albright-Knox Art Gallery, 1986), p. 110.

N.B. A copy of the original invoice accompanies the lot. The work is no. IAS 87480071 in the Art Inventories Catalog of the Smithsonian American Art Museums.

$2,000-3,000

522.

Louis Schanker (American, 1903-1981) Four Abstract Works Two signed “Schanker” l.r., two signed and dated “Schanker 49” l.r.

Mixed media on paper, sheet sizes to 18 x 24 in. (45.7 x 61.0 cm), unframed.

Condition: Two tape hinged to backing mat.

$1,500-2,000

521

522

220

additional information and photos at www.skinnerinc.com

523

523.

Conrad Marca-Relli (American, 1913-2000) S-I-SCP-66, 1966 Unsigned.

Brass, copper, and resin, 11 1/2 x 10 x 4 in. (29.2 x 25.4 x 10.2 cm), set on a wooden plinth.

Condition: Very minor surface abrasions.

Provenance: Purchased from Marlborough-Gerson Gallery, Inc., New York, October 25, 1967.

N.B. We wish to thank Cecilia Dealessi of the Archivio Marca-Relli for her kind assistance cataloging the lot. This work is registered with the Archivio Marca-Relli, Parma, as archive number MARE06088/Š Archivio Marca-Relli, Parma. A copy of the original invoice accompanies the lot.

$3,000-5,000

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221

524

524.

Hannes Beckmann (German/American, 1909-1976) Gentle Glow, 1968 Titled, inscribed, dated, and signed “...canvas on Masonite oil 1968 Hannes Beckmann� on the reverse.

Oil on canvas mounted to Masonite, 21 1/2 x 21 1/2 in. (54.6 x 54.6 cm), framed.

Condition: Minor bloom and surface accretions.

$3,000-5,000

222

additional information and photos at www.skinnerinc.com

525

525.

Hannes Beckmann (German/American, 1909-1976) T’ai-chi Tu Titled, inscribed, dated, and signed “...1968 Hannes Beckmann” on the reverse, identified on a label from Kanegis Gallery, Boston, affixed to the stretcher.

Oil on canvas mounted to Masonite, 38 x 38 in. (96.5 x 96.5 cm), framed.

Condition: Minor surface abrasions.

$4,000-6,000

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223

526.

Hannes Beckmann (German/American, 19091976) Icon, 1968 Initialed and dated “h.b. 1968” l.l., titled, inscribed, dated, and signed “...oil 1968 Hannes Beckmann” in the artist’s hand and identified on a label from Kanegis Gallery, Boston, on the backing mat.

Oil on canvas, 20 x 20 in. (50.8 x 50.8 cm), in a Kulicke frame.

Condition: Good. $2,500-3,500

526

527.

American School, 20th Century Untitled [Orange, Blue, Pink, Green]/An Op-Art Composition Unsigned.

Mixed media (DayGlo acrylic on fiberboard and trimmed adhesive sheet on Plexiglas), 15 x 15 x 1 1/2 in. (38.1 x 38.1 x 3.8 cm), enclosed in a Plexiglas box.

Condition: Joint separation to box.

Provenance: Estate of an arts benefactor, New York. $300-350

527

224

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528

528.

Victor Vasarely (French/Hungarian, 1906-1997) Halph, 1974 Signed “vasarely-” in pen l.c., inscribed, titled, dated, and signed “...1974 Vasarely-” in felt-tip pen, with a stamp from the Vasarely Center, New York, on the reverse.

Acrylic and ink on board, 20 x 20 in. (50.8 x 50.8 cm), framed.

Condition: Very minor craquelure.

Provenance: From the artist to the Vasarely Center; purchased from the Vasarely Center by the present owner.

N.B. The work is no. 2806 in the artist’s archives. A copy of an appraisal from the Vasarely Center, April 28, 1986, accompanies the lot.

We wish to thank Pierre Vasarely for his kind assistance; the work will be presented in the catalogue raisonné of the artist prepared by the Fondation Vasarely in Aix-en-Provence.

$25,000-35,000

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225

529

529.

Victor Vasarely (French/Hungarian, 1906-1997) Ezus, 1965 Signed “vasarely-” l.c., titled, dated, inscribed, and signed “...1965...

Vasarely” in pen in the artist’s hand, identified on a label from Kanegis Gallery, Boston, affixed to the reverse.

Tempera on panel, 9 x 8 1/2 in. (22.9 x 21.6 cm), framed (under glass).

Condition: Not examined out of frame.

Provenance: Collection of Sidney Kanegis, Boston, Massachusetts; private Massachusetts collection.

N.B. We wish to thank Pierre Vasarely for his kind assistance; the work will be presented in the catalogue raisonné of the artist prepared by the Fondation Vasarely in Aix-en-Provence. A photo-certificate issued by Pierre Vasarely accompanies the lot. $25,000-35,000

226

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530

530.

Pol Bury (Belgian, 1922-2005) 15 billes d’acier sur un cube Title, number, and signature “...2/8 Pol Bury” engraved beneath the cube.

Graduated stainless steel balls, chromed steel cube, electric motor, magnets, cube size 11 13/16 x 11 13/16 x 11 13/16 in. (30.0 x 30.0 x 30.0 cm), ball sizes from 2 1/4 to 1 in. (5.7 to 2.5 cm) diameter, set upon a laminated chipboard plinth.

Condition: Missing one ball, minor surface abrasions.

Provenance: Purchased from the Makler Gallery, Philadelphia, Pennsylvania, February 4, 1970, invoice no. 2202.

N.B. A copy of the original invoice accompanies the lot.

$10,000-15,000

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227

531.

Rolph Scarlett (American, 1891-1984) Abstract in Yellow and Orange on Green Signed “SCARLETT” l.l.

Gouache on paper, 11 5/8 x 9 in. (29.5 x 22.6 cm), framed.

Condition: Subtle creases to corners, rippling, possible abrasion in u.r. quadrant. $1,500-2,000

532.

Theo (Theodore) Hios (Greek/American, 19101998) Untitled [Chromatic Landscape] Signed and dated “Hios 63” on the reverse.

Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.

Condition: Minor surface abrasions, surface grime. $600-800

531

532

228

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533

533.

Rolph Scarlett (American, 1891-1984) Abstraction Signed “SCARLETT” l.l.

Gouache on paper, 10 1/2 x 9 in. (26.5 x 22.6 cm), framed.

Condition: Gentle soiling and creasing to edges, not examined out of frame.

$1,800-2,200

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229

534

535

534.

Ronald A. Leax (American, 20th/21st Century)

535.

Yolande Fievre (French, 1907-1983)

Two Constructions: The Zodiac, from The Laboratories Series and Untitled [Bone, Wood, Slate], c. 1970 Untitled dated, inscribed, and initialed “1.2.70...ral” on the reverse.

Both mixed media (Zodiac photocopy, glass, mica, aluminum, and wood; Untitled bone, wood, and slate), sizes to 12 1/2 x 16 1/2 x 3 in.

(31.8 x 41.9 x 7.6 cm), in wooden cases, Zodiac under glass.

Condition: Minor surface grime.

$800-1,200

Mystery Story, 1967 Signed, dated, and titled “Fievre Juillet 1967...” in pen and identified on a label from the Makler Gallery (see below) on the reverse.

Mixed media (found wood, tin, seeds, and stone) assemblage, 9 1/2 x 9 1/2 x 3 in. (24.0 x 24.0 x 7.0 cm), in a shadow box.

Condition: Two loose stones.

Provenance: Purchased from the Makler Gallery, Philadelphia, Pennsylvania, February 21, 1969.

N.B. A copy of the original invoice accompanies the lot.

$2,000-3,000

230

additional information and photos at www.skinnerinc.com

536

536.

Julius Schmidt (American, b. 1923) Untitled [Abstract] Signed and dated “SCHMIDT 66� within the cast on the underside.

Bronze with light brown patina, 9 1/4 x 15 3/4 x 3 1/8 in. (23.5 x 40.0 x 7.9 cm).

Condition: Surface dust/grime.

Provenance: Purchased from the Makler Gallery, Philadelphia, Pennsylvania, November 23, 1966.

$3,000-5,000

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231

537

538

537.

Dahlov Ipcar (American, b. 1917)

538.

Michael Smollin (American, 1925-2010)

All Eyes Signed and dated “Dahlov Ipcar 2005” l.r., identified on a label from the artist affixed to the reverse.

Oil on linen, 17 x 24 in. (43.0 x 60.5 cm), framed.

Condition: Good.

$1,500-2,500

Two Illustrations from Sesame Street: Hickory Dickery Dock, from The Sesame Street 1981 Mother Goose Calendar (November) and The Sesame Street Gang as Tourists Both signed “Michael J Smollin” l.r.

Watercolors on illustration board, sizes to 15 x 19 1/4 in. (38.2 x 48.9 cm), unframed.

Condition: Tape residue to edges.

$600-800

232

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539

539.

John Raimondi (American, b. 1948) Tigris, 1955 Signed “Raimondi” and stamped “AP” in the base.

Bronze with golden patina, 36 x 8 1/2 x 9 in. (91.4 x 21.6 x 22.8 cm).

Condition: Areas of oxidation, dust to interstices.

Provenance: From the artist to a private collection, Cape Elizabeth, Maine.

N.B. This sculpture is from Raimondi’s Endangered Species series, edition of 10. The tiger and its stretching movement replicate the actual movement of the animal, designed to the exact scale of 1 inch = 1 foot.

$3,000-5,000

online bidding at www.skinnerinc.com

233

540

540.

Aaron Fink (American, b. 1955) Yellow Cup Signed and dated “Aaron F 84� l.r., identified on a label from Obelisk Gallery, Boston, affixed to the backing.

Mixed media on paper, sheet size 36 x 48 in. (91.4 x 121.9 cm), framed.

Condition: Minor rippling, not examined out of frame.

$500-700

234

additional information and photos at www.skinnerinc.com

541

541.

Jane Leone Dickson (American, b. 1952) Jailai, All Bets Unsigned, identified on a label from Brooke Alexander Gallery, New York, affixed to the paper backing.

Oilstick on paper, sheet size 59 x 31 in. (149.9 x 78.7 cm), framed.

Condition: Tack holes to corners, not examined out of frame.

Provenance: Estate of Jonas Aarons, New York.

$2,500-3,500

online bidding at www.skinnerinc.com

235

543 542

542.

American School, 21st Century

543.

Brad Holland (American, b. 1944)

Untitled, c. 2004/A Double-sided Composition Unsigned.

Mixed media (oil on aluminum disc, sleigh bell, wire), construction approximately 5 1/4 x 5 1/4 x 15 1/4 in. (13.3 x 13.3 x 38.7 cm).

Condition: Minor surface grime.

$300-500

Man Jumping over the Crescent Moon Signed “HOLLAND� l.r.

Oil on paper, 20 1/4 x 16 1/4 in. (51.4 x 41.2 cm), framed (under glass).

Condition: Paper laid down to Masonite.

$600-800

236

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544

544.

Ulises Rodriguez (Colombian/American, b. 1962) Torso, 1999 Unsigned.

Carved marble, 18 1/2 x 6 1/2 x 8 in. (47.0 x 16.5 x 20.3 cm), mounted to a granite plinth.

Condition: Minor surface grime.

$1,000-1,500

END OF SALE

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237

Artist Index Aarons, George Manuel ................................................................481 Affortunati, Aldo ..........................................................................260 American School, 19th Century ............................................281, 288 American School, 20th Century ................... 315, 358, 361, 451, 527 American School, 21st Century ....................................................542 Andrews, Ambrose ...............................................................290, 291 Anglo/American School, 18th Century Style ................................207 Anglo/American School, 19th Century ........................................446 Anglo/American School, 19th/20th Century ...............................261 Antic, Miroslav .............................................................................520 Appel, Karel ..................................................................................517 Armfield, Maxwell Ashby ..............................................................470 Armitage, Kenneth .......................................................................502 Atherton, John .............................................................................511 Aucello, Salvatore L. .....................................................................418 Bach, Florence Julia ......................................................................439 Baird, William Baptiste .................................................................295 Baisch, Hermann ..................................................................227, 229 Baker, William Bliss ......................................................................335 Barker, Clive .........................................................................493, 494 Barr, William ................................................................................238 Bassett, Richard H. .......................................................................419 Beckmann, Hannes ............................................................... 524-526 Bemelmans, Ludwig .....................................................................487 Berchem, Nicolaes (School of) ......................................................215 Berman, Eugene Gustavovitch ......................................................495 Bernahl, Henry .............................................................................309 Bernath, Sandor ............................................................................396 Berns, Ben ....................................................................................349 Berthelsen, Johann .......................................................................424 Black, Olive Parker .......................................................................289 de Block, Eugène François ............................................................255 Bonheur, Isidore Jules ............................................................... 262A Bowdoin, Harriette .......................................................................466 Brach, Paul Henry ........................................................................508 Brackman, Robert .........................................................................444 Brill, George Reiter ......................................................................458 Briscoe, Franklin Dullin ................................................................274 British School, 18th Century ........................................................206 British School, 18th/19th Century ...............................................209 British School, 19th Century ........................................................236 Brodhead, Quita ...........................................................................427 Browne, Byron (George Byron) ....................................................492 Brune, Pierre ................................................................................452 Brückner, Heinrich Karl ...............................................................231 Bueno, Antonio ....................................................................479, 480 Burbank, Addison Buswell ............................................................476 Burliuk, David Davidovich ............................................................359 Bury, Pol ......................................................................................530 Buttersworth, James Edward (Attributed to) ................................271 Caro, Sir Anthony ........................................................................503 Cats, Jacob (Manner of) ...............................................................217 Central European School, 19th Century .......................................212 Chapin, Bryant .............................................................................278 Charon, Guy ................................................................................414 Cheney, Russell ............................................................................467 Cheret, Jules .................................................................................491 Clark, Eliot Candee ......................................................................403 Clayton, Joseph Hughes ...............................................................383 Clime, Winfield Scott ...................................................................365 Closs, Gustav Paul ........................................................................324 Colman, Samuel (Attributed to)....................................................305 Continental School, 19th Century ................................................230 Continental School, 20th Century ................................................395 de Courten, Angelo Comte ..........................................................251

238

Craig, Thomas Bigelow ................................................................283 De Creeft, José .............................................................................484 Crome, John (Old Crome) ...........................................................224 Cropsey, Jasper Francis .................................................................282 Currier, Cyrus Bates .....................................................................311 Dabo, Leon ..................................................................................429 Dalwood, Hubert .........................................................................504 Davies, Arthur Bowen ..................................................................415 Davis, Marguerite .........................................................................436 Delcroix, Giacomo .......................................................................326 Demay, Jean-François ...................................................................247 Dennis, Morgan ...........................................................................421 Dennis, Roger Wilson ...................................................................433 Desvarreux-Larpenteur, James ......................................................285 Dickman, Charles John .................................................................301 Dickson, Jane ...............................................................................541 van Dijk, Philip (Manner of) .........................................................211 Dunbar, Harold C. .......................................................................268 Dutch School, 18th Century ........................................................205 Dutch School, 19th Century ........................................................218 Dzigurski, Alexander A. ................................................................394 Egg, Augustus Leopold ................................................................257 Ellis, Ray G. .................................................................................341 Elwell, Mary Dawson ....................................................................432 Enneking, John Joseph .........................................................329, 332 Enser, John F. ..............................................................................354 Eriksson, Liss ................................................................................497 Feininger, Lyonel ...................................................................... 507A Fievre, Yolande .............................................................................535 Fink, Aaron ..................................................................................540 Firle, Walter (Walther) ..................................................................264 Flagg, James Montgomery ....................................................360, 465 Fleury, Fanny Laurent ..................................................................256 Flockenhaus, Heinz ......................................................................223 French School, 19th Century ................................................216, 298 French School, 19th/20th Century ..............................................357 French School, 20th Century ........................................................431 Fried, Pal ......................................................................................457 Friedländer, Alfred Ritter von Malheim ........................................246 Frisch, Johann Christoph ..............................................................237 Furneaux, Charles .........................................................................302 George, Richard Allan ..................................................................437 German School, 19th Century ......................................................328 Geudtner, Rudolph ......................................................................258 Gilbert, Carl Ivan .........................................................................375 Gilliam, Sam .........................................................................509, 510 Goodwin, Arthur Clifton ..............................................................351 Gore, Ken ....................................................................................356 Graboné, Arnold ..........................................................................410 Grant, Donald ...................................................................... 472-474 Graves, Morris Cole ......................................................................507 Greenwood, Joseph H. .............................................................. 331A Gross, Chaim ................................................................................499 Gruppé, Emile Albert .................................................. 363, 391, 392 Gudiashvili, Lado .........................................................................488 Gueldry, Ferdinand Joseph ...........................................................405 Haapanen, John Nichols ...............................................................371 Hale, Girard Van Barkaloo ...........................................................416 Hardenbergh, Anne Laverne Power ......................................347, 348 Hardwick, Melbourne Havelock ...................................................266 Hartman, Bertram ........................................................................453 Hathaway, George M. ..................................................................276

De Haven, Benjamin Franklin .......................................................277 Heil, Charles Emil ........................................................................450 Henriksen, William .......................................................................362 Herzog, Hermann Ottomar ..........................................................235 Heyboer, Anton ...........................................................................518 Heydendahl, Friedrich Josef Nicolai ..............................................220 Hibbard, Aldro Thompson ...................................................364, 369 Hillingford, Robert Alexander ......................................................242 Hilton, John William ....................................................................308 Hios, Theo (Theodore) ................................................................532 Hoffmann, Anton .........................................................................245 Holland, Brad ...............................................................................543 Howard, Marion P. ......................................................................331 Hulk the Elder, Johannes Frederik ................................................222 Huse, Marion .............................................................. 304, 340, 420 Hustwick, Francis .........................................................................270

Olinsky, Ivan Gregorewitch ..........................................................456 Onderdonk, Julian (Robert Julian) ...............................................313 Owen, Robert Emmett ................................................ 333, 366, 367

Ipcar, Dahlov ...............................................................................537 Italian School, 16th Century Style ........................................201, 202

Rackham, Arthur (Attributed to) ..................................................438 Raimondi, John ............................................................................539 Ramsay, Allan (Attributed to) .......................................................208 Reddie, MacIvor ...........................................................................386 Reder-Broili, Franz .......................................................................241 Reid, Robert Lewis .......................................................................448 Reyman, Teodora .........................................................................253 Richter, Mischa ............................................................................486 Ripley, Aiden Lassell .....................................................................374 Rockwell, Norman ........................................................................441 Rodriguez, Ulises .................................................................459, 544 Rosati, Giulio ...............................................................................320 Rosello, Joaquin Luque ................................................................318 Rosso, Eliane ........................................................................515, 516 Roth, Leo .....................................................................................498 Rummelspacher, Joseph ................................................................263 Russell, George [Æ] .....................................................................417 Russian School, 20th Century ...............................................406, 489 Ryder, Henry Orne ......................................................................267

Jackson, Harry Andrew .........................................................314, 316 Johnson, A. Hale ..................................................................344, 345 Johnson, David .............................................................................292 Kahn, Wolf ...................................................................................397 Kaufmann, Adolf (Attributed to) ..................................................240 Kaula, William Jurian ............................................................350, 352 Keeler, R. Burton .........................................................................337 Kepes, Juliet .................................................................................505 Khmeleva, Elena ...........................................................................460 Kingman, Dong Moy Chu ............................................................506 Kluge, Constantine .......................................................................411 Kolbe, Georg ................................................................................501 Kossak, Wojciech ..........................................................................248 Kotschenreiter, Hugo ...................................................................259 Kremer, Mark ...............................................................................370 Kuang, Yaoding ....................................................................512, 513 Kwong, Yeu Ting .................................................................512, 513 Laglenne, Jean Francis ..................................................................454 Lambert-Rucki, Jean .....................................................................477 Lami, Eugène Louis .....................................................................210 Lamplough, Augustus Osborne ....................................................321 Lawson, David ..............................................................................299 Le, Pho ........................................................................................471 Leaver, Noel Harry .......................................................................322 Leax, Ronald A. ............................................................................534 Lee, Sydney ..................................................................................404 Lever, Hayley ...............................................................................409 Lintott, Edward Barnard ..............................................................443 Magafan, Ethel .............................................................................426 Marca-Relli, Conrad .....................................................................523 McCord, George Herbert .............................................................280 Miralles y Galup, Francisco ...........................................................250 Moeller, Louis Henry Charles .......................................................294 Moran, Léon ................................................................................243 Moran, Percy (Edward Percy) .......................................................293 Moroni, Giovanni Battista (After) .................................................200 Mosher, Donald Allen ..................................................................327 Muendel, George Frederick ..........................................................381 Müller-Kurzwelly, Konrad Alexander ............................................334 Neuhuys, Albert ...........................................................................265 Noyes, George Loftus .......................................... 312, 382, 413, 434 Ochikubo, Tetsuo (Bob) ..............................................................519

Pace, Stephen S. ...........................................................................482 Pairpoint, Nellie ...........................................................................228 Pape, Eric L. (Frederic) ............................................... 445, 462, 464 Parsons, Arthur Wilde ...................................................................272 Pepper, Beverly Stoll .....................................................................521 Perrine, Van Dearing ....................................................................399 Peterson, Jane ......................................................................408, 423 Pieron, Henri Joseph ....................................................................239 Pitters, Josef (Attributed to) .........................................................368 Pogedaieff, Georges Anatolievich ..................................................469 Poor, Henry Varnum ....................................................................342 Post, William Merritt .......................................................... 286-287A

Sabatini, Lorenzo (School of)........................................................214 Salem, Aly Ben .............................................................................500 Scarlett, Rolph ......................................................................531, 533 Schanker, Louis ............................................................................522 Scheiber, Hugó ............................................................................496 Schmidt, Julius .............................................................................536 Schrag, Karl ..........................................................................425, 430 Sckell, Ludwig ..............................................................................269 Scott, Clyde Eugene .....................................................................379 van Seben, Henri ..........................................................................262 Shapleigh, Frank Henry ................................................................300 Shaw, Glenn Moore .....................................................................412 Sheppard, Warren W. ...................................................................317 Shilstone, Arthur ..........................................................................307 Simkhovitch, Simka ..................................................... 461, 468, 485 Skramstad, Ludvig ........................................................................233 Slade, Caleb Arnold ......................................................................355 Smollin, Michael ...........................................................................538 Soudeikine, Sergei Yurievich .........................................................490 Spanish Colonial School, 18th/19th Century ...............................213 Spano, Raffaello ............................................................................203 Spohler, Jan Jacob ........................................................................219 Spohler, Jan Jacob Coenraad (Attributed to) ................................221 Sprinchorn, Carl .......................................................... 400, 428, 455 Stevens, William Lester .................................................................388 Stoddard, Alice Kent ....................................................................435 Strisik, Paul ................................................. 343, 346, 353, 373, 390 Stubbs, Kenneth ...........................................................................389 Styka, Adam .................................................................................475 Sudeikin, Sergei Yur’evich ............................................................490

239

Sully, Thomas (Attributed to) .......................................................297 Tennant, John Frederick ...............................................................226 Thieme, Anthony .................................................................387, 407 Thimgan, David ...........................................................................385 Thulstrup, Thure ..........................................................................463 Titian (After) ................................................................................211 Tiziano Vecelli (After) ..................................................................211 Tommasi, Publio ..........................................................................252 Traynor, John C. ..........................................................................338 Tryon, Dwight William .................................................................330 Turner, Charles Henry .................................................................296 Turner, Ross Sterling ....................................................................325 Vasarely, Victor ....................................................................528, 529 Verschuur I, Wouterus .................................................................244 van der Vliet, Hendrick C. (Attributed to) ....................................204 Vreedenburgh, Cornelis ................................................................422 Waite, Malcolm (M.C.) ................................................................393 Walden, Lionel .............................................................................306 Walkowitz, Abraham ....................................................................483 Ward, Edmund Franklin .......................................................402, 440 Warren, Harold Broadfield ...........................................................323 Washington, Georges (Attributed to) ...........................................319 Webber, Wesley Elbridge ..............................................................275 Wengenroth, Stow ....................................................... 372, 398, 449 Wesson, Robert Shaw ...........................................................336, 339 Westall, John ................................................................................273 Whinston, Charlotte .....................................................................514 Whorf, John .................................................................................384 Wiles, Irving Ramsay ....................................................................442 Williams, Ester Mabel Baldwin .....................................................447 Williams, George Augustus ...........................................................225 Winter, Andrew George ........................................................ 376-378 Wood, Robert William ..........................................................279, 310 Woodbury, Charles Herbert .........................................................303 Woodward, Stanley Wingate .................................................380, 401 Wyant, Alexander Helwig .............................................................284 Wünnenberg, Walther ..................................................................234 Zimmermann, Richard ..................................................................232 Zorkoczy, Gyula ...........................................................................249 Zúñiga, Francisco .........................................................................478

240

Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

241

Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.

Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

242

Revised April 17, 2012

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SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m

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SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

244

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Biying Zhang, Carol Tran Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

Exhibitions & Property Distribution

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Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261

Property Manager - Samuel Combs, 508.970.3262 Boston:

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley Bridgman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Jessica Bedenbaugh Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

245

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.

Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South:

Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:

Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the North:

Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

246

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Foreign (payable in U.S. dollars only) No charge

Included with catalogue subscription American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints

$120

$143

Fine Jewelry

$120

$143

20th Century Furniture & Decorative Arts

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Fine Ceramics

$60

$73

Fine Musical Instruments

$60

$73

Science, Technology & Clocks

$60

$73

Fine Wines

$60

$73

All Above Departments

$750

$915

subtotal ma residents

6.25%

sales tax

total

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Mailing Address _____________________________________________________ City_______________________________ State________ Zip______________ email address________________________________________________

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Please enclose payment with subscription form and mail or fa x to:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752

508.970.3100

Upcoming Auction Fine Prints & Photography September 7th, 2012

Boston, MA

Henri Cartier-Bresson (French, 1908-2004), Abruzzo, Aquila, 1951

Consignment Deadline: June 22nd, 2012 For more information please contact our American & European Works of Art department at 508.970.3206 or email prints@skinnerinc.com

www.skinnerinc.com

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