Fine Prints & Photography | Skinner Auction 2609B by Bonhams Skinner

SKINNER American & European Works of Art Fine Prints & Photography Sale 2609B

September 7, 2012

Boston

125

American & European Works of Art Fine Prints & Photography specialists in charge

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff 508.970.3258

American & European Works of Art Department - 508.970.3206 General Inquiries: prints@skinnerinc.com

auction 2609B Friday, September 7, 2012 at 12 noon Lots 1â&#x20AC;&#x201C;260, followed by Fine Paintings & Sculpture at 4 p.m. 63 Park Plaza Boston, Massachusetts preview

Wednesday, September 5, 2012 Thursday, September 6, 2012 Friday, September 7, 2012

12 to 5 p.m. 12 to 8 p.m. 9 to 10 a.m.

absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com

general inquiries View all lots online at www.skinnerinc.com

617.350.5400 cover : 147 ( detail ) ; frontispiece : 125 ; inside back cover : 257 ; back cover : 221

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table of contents 1

Auction & Specialist Information

Web Site & Online Bidding

4-5 7

Event Announcements Lots 1-260

145

Glossary of Terms

146

Artist Index

150

Conditions of Sale

151

Absentee Bid Form

152

Company Directors & Specialty Departments

153

Administrative Staff & Client Services

154

Map & Driving Directions

155

Parking & Accommodations

156 Dining 157

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 150 of this catalogue for the full terms and conditions governing your purchase.

Proudly printed by DS Graphics, Inc. 120 Stedman Street, Lowell, MA 01851 800-536-8283 • dsgraphics.com

SKINNER presents a Fine Art Gallery Walk Presented by Robin Starr, Director of Skinnerâ&#x20AC;&#x2122;s Paintings & Prints Department

Thursday, September 6, 2012 5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinnerâ&#x20AC;&#x2122;s September 7th auctions of Fine Paintings & Prints

Upcoming Auction Fine Prints & Photography February 1st, 2013

Boston, MA

Andy Warhol (American, 1928-1987), Northwest Coast Mask, from COWBOYS AND INDIANS, 1986

Consignment Deadline: November 16th, 2012 For more information please contact our Fine Prints & Photography department at 508.970.3206 or email prints@skinnerinc.com

www.skinnerinc.com 5

1. Yaacov Agam (Israeli, b. 1928) Two Images from the BIRTH OF THE STAR Series: Star of Chanukah and The Blessing Star, both editions of 99. Both signed “Agam” in ink l.r., numbered in ink l.l., and identified on a label affixed to the backing. Agamographs, sight sizes approximately 14 x 14 in. (35.5 x 35.5 cm), framed. Condition: Not examined out of frames. $800-1,200

2. Yaacov Agam (Israeli, b. 1928) Untitled, edition of 144. Signed “Agam” in dark blue ink l.r., numbered “57/144” in dark blue ink l.l. Color screenprint overlaid with Lucite (or similar) prisms, sight size 18 x 18 in. (45.5 x 45.5 cm), framed. Condition: Not examined out of frame. $400-600

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3. Anni Albers (German, 1899-1994)

4. Josef Albers (German/American, 1888-1976)

Fox II, 1972, edition of 150. Signed and dated “Anni Albers 1972” in pencil l.r., titled and numbered “...92/150” in pencil l.l. Screenprint in brown and gray on paper, image size 13 1/4 x 14 3/4 in. (33.7 x 37.4 cm), framed. Condition: Margins over 2 1/2 inches, not examined out of frame. $300-350

Three Images from DIE OBERFLÄCHE: Concord, Silent, and Opalescent, 1965, edition of 120, published by Ives-Stillman, Inc., New Haven (Danilowitz, 167.1-3). Each signed and dated “JAlbers ‘65” in pencil l.r. and titled and numbered “...88/120” in pencil l.l. Color screenprints on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed. Condition: Not examined out of frames. N.B. A copy of the book DIE OBERFLÄCHE by Josef Albers and R.G. Dienst accompanies the lot. $2,000-3,000

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5. Pierre Alechinsky (Belgian, b. 1927)

6. American School, 20th Century

Untitled, 1963 (see van de Loo, 103 & 104). Signed and dated “Alechinsky/63” in blue pencil l.r., numbered “ea 1/1” in blue pencil l.l. Color lithograph on gift wrap or similar, image size 16 x 21 1/2 in. (40.5 x 54.5 cm), matted, unframed. Condition: Minor creases to edges.

New Orleans Jazz. Indistinctly signed in pencil l.r. Etching and aquatint on laid paper with “F.J. Head” watermark, plate size 7 3/8 x 6 1/2 in. (18.5 x 16.4 cm), framed. Condition: Margins over 1 inch with deckled edges, several fox marks, unobtrusive toning. $150-200

Provenance: Ex-collection of Walasse Ting. N.B. This image appears to be a unique overprinting of the stones for Comme des Chiens, 1962, and En Société, 1962. $600-800

7. Karel Appel (Dutch, 1921-2006) Untitled (Animal). Signed “Appel” in pencil (within the image) l.r., inscribed “HC” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 1/2 x 29 3/8 in. (54.5 x 74.4 cm), framed. Condition: “Floating” within the mat, not examined out of frame. $400-600

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8. John Taylor Arms (American, 1887-1953) Through Wind and Weather, alternatively titled Notre Dame Gargoyle, Through Wind and Weather, 1922, edition of 75 (Fletcher, 118). Signed “John Taylor Arms” in pencil l.r. Etching on laid paper with “F.J. Head & CO” watermark, plate size 7 1/8 x 8 in. (17.7 x 20.3 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with two deckled edges, thinned area with break to paper in upper margin. $500-700

9. John Taylor Arms (American, 1887-1953) Two Architectural Views: Notre Dame de Laòn, 1929, third state of three, from the 1929 edition of 100 (Fletcher, 219), and The Piazza, Venzone, 1931, second state of two, edition of 127 (Fletcher, 239). Both signed and dated “John Taylor Arms-...” in pencil l.r. and annotated in pencil l.l. Etchings on laid papers, plate sizes to 14 1/8 x 9 5/8 in. (35.7 x 24.3 cm), matted, unframed. Condition: Pale soiling and fox marks, pinhole to upper margin of Laòn, crease to upper margin of Venzone. $250-300

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10. John Taylor Arms (American, 1887-1953) Four Village Views: Norwich (Sketch), 1938, edition of 21 from the Demonstration Series (Fletcher, 314), Lavenham, England, 1939, third (published) state, edition of 224 (Fletcher, 322), Ledbury, England (Sketch), 1939, edition of 36, from the Demonstration Series (Fletcher, 328), and Aspiration, La Madeleine, Verneuil-Sur-Avre, 1939, fifth (published) state, edition of 419 (Fletcher, 329). Each signed and dated â&#x20AC;&#x153;John Taylor Arms...â&#x20AC;? in pencil l.r., three dedicated to Proctor Houghton by the artist. Etchings on paper, plate sizes to 15 1/2 x 10 in. (39.3 x 25.4 cm), three framed, the fourth matted. Condition: Mat burn, not examined out of frames. $600-800

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11. Otto Henry Bacher (American, 1856-1909) Two Venetian Views: Laguna Venita, 1880, and In Port, 1880. Both signed and dated in the plate. Etchings on paper, plate sizes to 6 7/8 x 10 in. (17.4 x 25.4 cm), framed. Condition: Subtle toning to latter, not examined out of frames. $400-600

12. Peggy Bacon (American, 1895-1987) The Haunted House, 1939, edition of 250, published by Associated American Artists, New York (Flint, 134). Signed â&#x20AC;&#x153;Peggy Bacon.â&#x20AC;? in pencil l.r., titled in pencil l.l., identified on a label from AAA affixed to the mat. Etching on cream wove paper, plate size 7 x 5 in. (17.7 x 12.6 cm), matted, unframed. Condition: Margins over 1 1/4 inches with deckled edges, crease (probably from printing) to margin u.l., pale fox mark to upper margin. $400-600

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13. Will Barnet (American, b. 1911) Introspection - 5733, 1972, edition of 144 plus proofs (Cole, 147). Signed “Will Barnet” in pencil l.r., titled in pencil l.l., inscribed “Artist’s proof” in pencil l.c. Color screenprint on paper, image size 29 1/2 x 35 1/8 in. (74.8 x 89.1 cm), framed. Condition: Minor surface accretions, not examined out of frame. $400-600

14. Will Barnet (American, b. 1911) The Blue Bicycle, 1979. Signed and dated “© Will Barnet 1979” in pencil l.r., titled in pencil l.l., inscribed “Artist’s imp.” in pencil l.c. Color screenprint on paper, image size 26 3/8 x 25 1/2 in. (66.8 x 64.7 cm), framed. Condition: Not examined out of frame. $600-800

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15. Leonard Baskin (American, 1922-2000) Six Portraits: Blake, From Life Mask by Deville, 1956, edition of 90, wood engraving (Fern & O’Sullivan, 268); Samuel Palmer, After the Watercolor by Walter, 1956, edition of 50, wood engraving (F&O, 275); Jacques Callot, 1958, wood engraving (F&O, 724); Theodule Ribot, 1969, edition of 525, wood engraving (F&O, 548); Samuel Sewall, 1970, edition of 100, wood engraving (F&O, 558); and Goethe, 1970, edition of 100, etching (F&O, 563). Each signed “Baskin” in pencil l.r., some numbered in pencil l.l. Image/plate sizes to 5 1/2 x 3 7/8 in. (14.0 x 9.8 cm), five matted, all unframed. Condition: Wide margins. $600-800

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16. Leonard Baskin (American, 1922-2000) Six Images from OTHELLO, 1973: The Bard, Emilia, Grieving Othello, The Handkerchief, Iago (Profile), and Othello, an edition of 400 (Fern & O’Sullivan, 625, 627-630, 632). Unsigned. Woodcuts on paper, image sizes 12 5/8 x 6 3/4 in. (32.0 x 17.0 cm), presented in a single frame. Condition: Not examined out of frame. $700-900

17. Leonard Baskin (American, 1922-2000) Isaiah, 1976, edition of 100 (Fern & O’Sullivan, 664). Signed “Baskin” in pencil (within the image) l.r., numbered “90/100” in pencil (within the image) l.l., signed and dated in the matrix, identified on a label from Graphic 1 & Graphics 2, Boston, on the backing. Color lithograph on paper, image/sheet size 41 3/4 x 29 1/4 in. (106.0 x 74.2 cm), framed. Condition: Deckled edges to three sides, “floating” in the frame, not examined out of frame. Provenance: A private Massachusetts collection. $1,500-2,000

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18. Jean-Michel Basquiat (American, 1960-1988) Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed. Condition: Minor soiling and handling creases, wear to spine and corners of jacket, the record has not been played to confirm its condition. N.B. The lot is accompanied by a copy of the album The Painter by Paul Anka, with cover art after Andy Warhol (American, 1928-1987). $400-600

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19. Max Beckmann (German, 1884-1950) Mink, Frontal, with Elaborate Coiffure, 1913, total edition of 130 plus proofs (Hofmaier, 63). Signed “Beckmann” in pencil l.r. Drypoint on wove paper, plate size 6 3/4 x 5 in. (17.0 x 12.6 cm), matted, unframed. Condition: Margins 3 3/4 inches or more, mat burn, lightstruck, staining to upper edge (from tape hinging facing and backing mats). $1,500-2,500

20. William J. Behnken (American, b. 1943) Three Nocturnes: Bronx Icon, Opening Soon, and Radiance, each published in 1989 in an edition of 30. Each signed and dated “Behnken 1989” in pencil l.r., titled in pencil l.c., and numbered in pencil l.l. Aquatints on paper, plate sizes to 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm), framed. Condition: Not examined out of frames. $500-700

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21. Frank Weston Benson (American, 1862-1951) Goose and Teal, 1917, published state of 150 (Paff, 125). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), framed. Condition: Subtle toning and rippling, not examined out of frame. $500-700

22. Frank Weston Benson (American, 1862-1951) Two Waterfowl Subjects: Flying Brant, 1925, published state of 150 (Paff, 241), and Alert!, 1925, published state of 150 (Paff, 242). Both signed “FrankWBenson.” in pencil l.l. Drypoints on paper, plate sizes approximately 4 7/8 x 7 in. (12.3 x 17.5 cm), framed. Condition: Not examined out of frames. $500-700

23. Frank Weston Benson (American, 1862-1951) Bunch of Bluebills, 1931, published state of 300 (Paff, 312). Signed “FrankW.Benson.” in pencil l.l. Drypoint on paper, plate size 3 3/4 x 4 7/8 in. (9.4 x 12.2 cm), framed. Condition: Not examined out of frame. $400-600

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24. Thomas Hart Benton (American, 1889-1975)

25. Thomas Hart Benton (American, 1889-1975)

In the Ozarks, alternatively titled Homestead, 1938, edition of 250, published by Associated American Artists, New York (Fath, 20). Signed “Benton” in pencil l.r. and in the matrix, identified on a label from AAA affixed to the reverse. Lithograph on paper, image size 10 1/4 x 13 1/8 in. (26.0 x 33.3 cm), framed. Condition: Gently light-struck, not examined out of frame. $1,500-2,000

Loading Corn, alternatively titled Shucking Corn, 1945, edition of 250, published by Associated American Artists, New York (Fath, 65). Signed “Benton” in pencil l.r., signed within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 1/2 x 12 3/4 in. (24.0 x 32.3 cm), framed. Condition: Toning, not examined out of frame. $1,200-1,800

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26. Thomas Hart Benton (American, 1889-1975)

27. Thomas Hart Benton (American, 1889-1975)

Island Hay, 1945, edition of 250, published by Associated American Artists, New York (Fath, 68). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 10 x 12 5/8 in. (25.4 x 32.0 cm), matted, unframed. Condition: Margins 1 inch or more. $2,000-2,500

The Boy, 1948, edition of 250, published by Associated American Artists, New York (Fath, 72). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 9 1/2 x 13 3/4 in. (24.0 x 34.7 cm), matted, unframed. Condition: Margins 1 inch or more. $2,000-2,500

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28. Carroll Thayer Berry (American, 1886-1978) Two Maine Coast Views: Between Forest and Sea - Maine Coast, c. 1946, edition of 200 to 300 (Dearborn, 57), and Winter Morning - Deer Isle, c. 1960, first state of two, edition of approximately 50 (Dearborn, 127). Both signed “Carroll Thayer Berry...” in ink l.r. and titled in pencil l.l. Wood engravings on paper, image sizes to 10 1/8 x 12 in. (25.5 x 30.4 cm), framed. Condition: Not examined out of frames. $300-500

29. Guillaume Cornelis van Beverloo, known as Corneille (Dutch, 19222010) Two Works: Heure matinale, 1961, edition of 120 (DonkerslootVan de Berghe, 100), and Après midi de l’été, 1961, edition of 120 (D-VdB, 101). Both signed and dated “Corneille ‘61” in pencil l.r., numbered in pencil l.l., and with “L’OEUVRE GRAVEE” dry stamp l.l. Color lithograph on paper, image sizes approximately 18 1/4 x 22 in. (46.3 x 55.5 cm), framed. Condition: Deckled edges, gentle toning, not examined out of frames. $250-300

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30. William Blake (British, 1757-1827) My Son! My Son!, 1793, plate 8 from FOR CHILDREN, THE GATES OF PARADISE, 1793 (Russell, 8.xi). Identified within the plate, inscribed with provenance on the backing paper (see below). Etching on paper, plate size 4 3/4 x 3 1/2 in. (12.0 x 8.8 cm), framed. Condition: Toning, not examined out of frame. Provenance: Max Sands to Lucy M. Stanton to W. Stanton Forbes to Lucy Stanton Forbes through to the present owner. $1,200-1,800

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31. Mortimer Borne (American, 1902-1987)

32. Eugène Louis Boudin (French, 1824-1898)

Three New York Views: Stone Street, 1940, Hicks Street, So. B’klyn, 1940, and The Bathers, Coney Island, 1945. Each signed and inscribed “Mortimer Borne Imp.” in pencil l.r. and titled and dated within the lower margin. Color etchings on paper, plate sizes to 9 x 11 7/8 in. (22.7 x 30.0 cm), unmatted, unframed. Condition: Margins approximately 1 inch (some with minor creases), pale staining/striations to Bathers. $700-900

Mathurins (Jack Tars), 1897, total edition of 525 (Melot, 2). Signed within the matrix. Lithograph on paper, image size 4 3/8 x 6 1/8 in. (11.0 x 15.5 cm), framed. Condition: Evenly light-struck, subtle mat burn, not examined out of frame. $200-300

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33. Georges Braque (French, 1882-1963) Untitled (Oiseaux), 1955, edition of 200, probably published by Editions de la Revue Verve, Paris. Signed “G. Braque” in pencil l.r., numbered “41/200” in pencil l.l. Color lithograph on paper, image size 7 7/8 x 13 1/8 in. (19.9 x 33.2 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $1,000-1,500

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34. After Georges Braque (French, 1882-1963) Ciel gris I, edition of 275 (Maeght, no. 1032; Vallier, p. 295). Signed “G Braque” in pencil l.r., numbered “173/275” in pencil l.l. Color lithograph on paper, image size 9 x 2 3/4 in. (23.0 x 7.0 cm), framed. Condition: Margins over 4 1/2 inches, subtle toning, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500

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35. Bernard Buffet (French, 1928-1999) La Château de Culan, 1965, outside of the edition of 300, printed by Charles Sorlier, Paris. Signed “Bernard Buffet” in pencil l.r., inscribed “E A” in pencil l.l., signed, dated, and with printer identified in the matrix. Color lithograph on BFK Rives paper with watermark, image size 25 1/2 x 19 5/8 in. (64.6 x 49.7 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700

36. Bernard Buffet (French, 1928-1999) Brussele Town-Hall, 1966, outside of the edition of 150 (Mourlot, 66). Signed “Bernard Buffet” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 25 1/2 x 19 3/4 in. (64.7 x 50.0 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700 .

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37. George Elbert Burr (American, 1859-1939) Piñon Trees, New Mexico, 1920 (Seeber, 217). Signed and inscribed “George Elbert Burr Del. et Imp.” in pencil l.l., titled in pencil l.r., inscribed “Edition of 40 proofs Trial proof” in pencil l.r., monogrammed within the plate. Etching and aquatint on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.1 cm), matted, unframed. Condition: Margins over 1 inch with deckled right edge, unobtrusive toning, scattered fox marks, staining (primarily to margins). $400-600 38. George Elbert Burr (American, 1859-1939) Sketch on Apache Trail (Seeber, 298). Signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., monogrammed within the plate. Etching on tissue, plate size 6 7/8 x 4 3/4 in. (17.3 x 12.0 cm), matted, unframed. Condition: Margins over 1 inch with deckled right and lower edges, unobtrusive toning and foxing, pale staining near upper corners. $300-350 39. George Elbert Burr (American, 1859-1939) Giant Cactus - Tucson - Arizona (Seeber, 206). Signed and inscribed “© George Elbert Burr Del. et Imp.” in pencil l.l., inscribed “Trial Proof/40” in pencil l.r., titled in pencil l.c., monogrammed within the plate. Etching with drypoint on tissue, plate size 8 x 6 in. (20.3 x 15.2 cm), matted, unframed. Condition: Unobtrusive toning, several scattered fox marks, crease to upper margin, staining near upper corners. $300-350 39

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40. George Elbert Burr (American, 1859-1939) Desert Night, edition of 40 (Seeber, 187). Signed and inscribed “© George Elbert Burr” in pencil l.l., numbered “No 35/40” in pencil l.r. Etching with aquatint on paper, plate size 9 5/8 x 7 3/8 in. (24.4 x 18.6 cm), matted, unframed. Condition: Margins 1 inch or more with deckled right and lower edges, unobtrusive toning, several scattered fox marks, pale staining near upper corners. $400-600

41. Jack Bush (Canadian, 1909-1977) Untitled, 1971, edition of 100. Signed, dated, and numbered “Jack Bush 1971 100/100” in pencil l.r. Color screenprint on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed. Condition: Deckled edges, no longer attached to hinges, not examined out of frame. $200-300

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42. Alexander Calder (American, 1898-1976) Black Sun - Black Man, 1969, edition of 75. Signed “Calder” in pencil l.r., numbered “31/75” in pencil l.l. Color lithograph on paper, image size 29 x 41 1/4 in. (73.5 x 104.6 cm), framed. Condition: “Floating” in the frame, not examined out of frame. $1,500-2,000

43. Alexander Calder (American, 1898-1976) Image from the MAGIE EOLIENNE Suite, 1972, edition of 75. Signed “Calder” in pencil (within the image) l.r., numbered “2/75” in pencil (within the image) l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color lithograph on paper, image/sheet size 25 1/2 x 19 5/8 in. (64.5 x 49.7 cm), framed. Condition: Deckled edges, not examined out of frame. $400-600

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44. Alexander Calder (American, 1898-1976) McGovern, 1972, edition of 200, printed by Styria Studios Ltd., New York. Signed “Calder” in pencil l.r., numbered “54/200” in pencil l.l., printer’s dry stamp l.r. Color screenprint on paper, image size 28 x 21 3/4 in. (71.2 x 55.2 cm), framed. Condition: Rippling, not examined out of frame. Provenance: A private Massachusetts collection. $500-700

45. Alexander Calder (American, 1898-1976) Homage to the Sun, 1975, edition of 125. Signed “Calder” in pencil (within the image) l.r., numbered “100/125” in pencil (within the image) l.l. Color lithograph on paper, sight size 28 5/8 x 42 1/2 in. (72.5 x 107.8 cm), framed. Condition: Not examined out of frame. $800-1,200

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46. Alexander Calder (American, 1898-1976) For Young Artists. Signed “Calder” in pencil (within the image) l.r., inscribed “E.A.” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 29 3/4 x 22 in. (75.5 x 55.8 cm), framed. Condition: Two deckled edges, not examined out of frame. $800-1,200

47. Alexander Calder (American, 1898-1976) L’Acier, published by Galerie Lelong/Maeght. Signed “Calder” in pencil l.r., inscribed “H.C.” in pencil l.l., titled in pencil on the reverse. Color lithograph on Rives paper with partial watermark, image/sheet size 26 1/2 x 19 in. (67.3 x 48.2 cm), unmatted, unframed. Condition: Minute creasing to l.r. corner. Provenance: Purchased from Galerie Maeght, Paris, through to the present owner. $800-1,200

48. No lot.

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49. Alexander Calder (American, 1898-1976) Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “48/125” in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed. Condition: “Floating” within the mat, not examined out of frame. $250-300 50. No lot.

51. Alexander Calder (American, 1898-1976) Untitled (Pyramids, Ovals, and Stripes), edition of 175. Monogrammed “CA” in pencil l.r., numbered “112/175” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 11 5/8 in. (31.4 x 29.4 cm), framed. Condition: Not examined out of frame. $400-600

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52. Jean-Pierre Cassigneul (French, b. 1935) Promenade by the Sea. Signed “Cassigneul” in pencil l.r., inscribed “E.A” in pencil l.l. Color lithograph on paper, image size 13 1/4 x 19 1/2 in. (33.5 x 49.4 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $200-300

53. Jean-Pierre Cassigneul (French, b. 1935) Les Geraniums, from LES TEMPS PERDU, 1978, edition of 100 (Passeron, 196). Signed “Cassigneul” in pencil l.r., numbered “XX/C” in pencil l.l. Color lithograph on buff Japan paper, image size 25 1/4 x 18 1/2 in. (64.0 x 46.8 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $250-350

54. Jean-Pierre Cassigneul (French, b. 1935) L’Oiseau, 1984, edition of 200 plus proofs (Passeron, 283). Signed “Cassigneul” in pencil l.r., inscribed “E.A” in pencil l.l. Color lithograph on paper, image size 24 3/4 x 18 in. (62.8 x 45.8 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $500-700 54

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55. Jean-Pierre Cassigneul (French, b. 1935) Late Summer, 1985, edition of 200 plus proofs (Passeron, 314). Signed “Cassigneul” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed. Condition: Deckled right and lower edges, floating within the mat, not examined out of frame. $500-700 56. Jean-Pierre Cassigneul (French, b. 1935) Barbara, 1986, edition of 250 plus proofs (Passeron, 332). Signed “Cassigneul” in pencil l.r., numbered “232/250” in pencil l.l. Color lithograph on paper, image size 11 3/4 x 8 5/8 in. (29.8 x 21.8 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $200-300 57. Lynn Chadwick (British, 1914-2003)

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Composition Red and Black I, 1963, total edition of 75, published by Associated American Artists, New York, 1964 (AAA/Czestochowski, 1964.005). Signed and dated “Chadwick 63” in pencil l.r., numbered “14/30” in pencil l.l., titled on a label from AAA affixed to the backing. Color lithograph on paper, image size 21 x 15 3/4 in. (63.4 x 40.0 cm), framed. Condition: Subtle mat burn, not examined out of frame. $500-700

58. Marc Chagall (Russian/French, 1887-1985) L’acrobate au violon, 1924, final state of three, edition of approximately 150, published by Vollard, printed by Louis Fort (Kornfeld, 40). Signed “Marc Chagall” in pencil l.r. Etching with drypoint on paper, plate size 16 1/4 x 12 3/8 in. (41.2 x 31.3 cm), framed. Condition: Toning, staining, mat burn, gentle rippling, not examined out of frame. $800-1,200

59. Marc Chagall (Russian/French, 1887-1985) Le loup devenu berger, from FABLES by Jean de la Fontaine, 1952, total edition of 200 (Cramer, 22). Signed within the plate. Etching with aquatint and hand-coloring on paper, 11 1/2 x 9 3/8 in. (29.2 x 23.7 cm), unmatted, unframed. Condition: Margins 1 inch or more with two deckled edges, subtle toning. $800-1,200

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60. Marc Chagall (Russian/French, 1887-1985) Two Images from THE STORY OF EXODUS, 1966: Il lui donna deux tables de la Loi... and Il écrivit sur les tables les termes du pacte et même dix commandements, edition of 250 plus proofs (Mourlot, 459 & 462). Unsigned. Color lithographs on paper, image sizes 18 x 13 in. (45.7 x 33.0 cm), framed. Condition: Toning, not examined out of frames. $800-1,200

61. After Marc Chagall (Russian/French, 1887-1985) Paris l’Opera, 1964, edition of 5,000, printed by Mourlot, Paris (Sorlier, 97). Identified within the matrix. Color lithograph on paper, image/sheet size 25 x 39 in. (63.4 x 99.2 cm), unmatted, unframed. Condition: Creases to edges and corners. $600-800

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62. Christo (Bulgarian/American, b. 1935) and Jeanne-Claude (American, 1935-2009) The Pont Neuf Wrapped (Project for Paris), 1984. Signed â&#x20AC;&#x153;Christoâ&#x20AC;? in pencil l.r., identified within the matrix. Color offset lithograph on paper, image size 28 x 23 1/2 in. (71.0 x 59.1 cm), framed. Condition: Minor creases to image, not examined out of frame. $500-700

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63. Eduardo Chillida (Spanish, 1924-2002) Harvard III, 1977, edition of 50 (Van der Koelen, 77013). Signed “Chillida” and with cipher in pencil l.l., numbered “26/50” in pencil l.r. Woodcut on paper, image size 5 3/4 x 7 1/8 in. (14.5 x 18.0 cm), framed. Condition: Subtle toning, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500

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64. Antoni Clavé (Spanish, 1913-2005) Carmen, 1977, edition of 250, published by the Metropolitan Opera Company. Signed “Clavé” in pencil l.r., numbered “24/250” in pencil l.l., publisher’s dry stamp l.r. Color etching with aquatint, embossing, and carborundum on paper, sheet/plate size 30 1/4 x 22 1/4 in. (76.6 x 56.4 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500

65. Antoni Clavé (Spanish, 1913-2005) Untitled. Dedicated and signed “...Clavé” in pencil l.r. Color lithograph on BFK Rives paper with watermark, image size 21 x 28 in. (53.2 x 71.1 cm), unmatted, unframed. Condition: Margins approximately 3/4 inches with deckled left edge, very subtle toning. $200-250

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66. Enrique Climent (Spanish, d. 1980) Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed “Climent” in pencil l.r., identified and numbered “107” on the colophon page, dedicated “Al amigo Stanton Forbes...” in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover. Condition: Subtle toning, creasing to left edge of some sheets. $1,800-2,000

67. No lot.

68. Chuck Close (American, b. 1940) Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered “224” in pencil and identified in text on the reverse. Offset print, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), unmatted, unframed, presented in its original envelope. Condition: Good. $400-600

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69. Max Arthur Cohn (American, 1903-1998)

70. Max Arthur Cohn (American, 1903-1998)

Rainy Day (Victor Food Shop), 1940. Signed within the matrix. Color screenprint on paper, image size 8 3/4 x 13 1/4 in. (22.2 x 33.5 cm), framed. Condition: Several tiny pale fox marks, not examined out of frame. $300-500

Harvesting. Signed within the matrix. Color screenprint on paper, image size 13 5/8 x 20 in. (34.5 x 50.8 cm), framed. Condition: Not examined out of frame. $250-350

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71. Howard Norton Cook (American, 1901-1980)

72. Lovis Corinth (German, 1858-1925)

The Desert Tree, alternatively titled Mexican Landscape, 1933, from the edition of 250 published by Associated American Artists, New York, 1941 (Duffy, 177). Signed â&#x20AC;&#x153;Howard Cookâ&#x20AC;? in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 8 7/8 x 11 7/8 in. (22.4 x 30.1 cm), framed. Condition: Toning, not examined out of frame. $400-500

Two Images from DIE LIEBSCHAFTEN DES ZEUS, 1920: Frontispiece and Ganymed und der Adler (Schwartz, 401 & 401iv). The latter signed in pencil l.r. Lithographs (the latter in color) on paper, image sizes to 11 1/2 x 12 1/2 in. (29.0 x 31.6 cm), matted, unframed. Condition: Several minor fox marks. $500-700

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73. Joseph Cornell (American, 1903-1972) Hotel du Nord, 1972, edition of 125, published by Brooke Alexander Editions, New York. Signed “Joseph Cornell” in pencil l.r., numbered “121/125” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color screenprint on paper, image size 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), framed. Condition: Not examined out of frame. $1,000-1,500

74. José Luis Cuevas (Mexican/American, b. 1933) Three Images from CRIME, 1968: Dreams of Rasputin, Man in Jail, and Jack the Ripper, each from the proof edition of 25. Each signed and dated “Cuevas 68” in pencil (within the image) l.r. and numbered “VI - XXV” in pencil (within the image) l.l. Lithographs (two in color) on paper, image/sheet sizes 22 1/4 x 30 in. (56.4 x 76.2 cm), unmatted, unframed. Condition: Each with two deckled edges and minor handling creases. $250-300 73

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75. Adolf Arthur Dehn (American, 1895-1968) Three Landscapes Published by Associated American Artists, New York: The Lake, alternatively titled Lake in Minnesota, 1948, edition of 250 (Dehn, 440); Pennsylvania Farm, 1948, edition of 250 (Dehn 441); and Lake in the Garden of the Gods, 1949, edition of 250 (Dehn, 457). Each signed “Adolf Dehn” in pencil l.r. and identified on a label from AAA affixed to the mat. Lithographs on paper, image sizes approximately 9 x 13 1/2 in. (22.7 x 34.2 cm), matted, unframed. Condition: Most edges deckled. $500-700

76. Sonia Delaunay-Terk (Ukrainian, 1885-1979) Untitled, 1961, edition of 50. Signed and dated “Sonia Delaunay 1961” in pencil l.l., numbered “26/50” in pencil l.l. Color pochoir on paper, image size 25 3/8 x 19 3/4 in. (64.5 x 50.0 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500

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77. Raoul Dufy (French, 1877-1953)

78. Kerr Eby (American, 1889-1946)

Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed. Condition: Mat burn, not examined out of frame. $300-500

Two Shore Views: Foggy Morning, Brittany, 1930, edition of 90 (Giardina, 146), and Wet Sand, 1932, edition of 100, final state of two (Giardina, 173). Both signed â&#x20AC;&#x153;Kerr Eby imp.â&#x20AC;? in pencil l.r. and numbered in pencil l.l. Etchings on paper, plate sizes to 8 1/2 x 11 3/8 in. (21.5 x 28.7 cm), framed. Condition: Not examined out of frames. $300-500

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79. Shepard Fairey (American, b. 1970) Three Posters: AndrĂŠ the Giant, 2008; VOTE, 2008, edition of 5,000; and Flag. AndrĂŠ signed and dated in pencil l.r., VOTE numbered in pencil. Offset lithographic posters, sheet sizes to 36 x 24 in. (91.4 x 60.9 cm), unmatted, unframed. Condition: Very minor handling creases. $300-500

80. Shepard Fairey (American, b. 1970) Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Unused, extremely minute wear. $500-700

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81. Vadim Dmitrjewitsch Falilejeff (Russian, 1879-1950) Landscape on the Volga, 1927. Signed “W. Falilejeff” in pencil l.r., dated and monogrammed within the block, identified on a label affixed to the backing. Color woodcut on paper, image size 11 x 9 1/8 in. (27.9 x 23.1 cm), framed. Condition: Toning, unobtrusive staining, not examined out of frame. $200-250

82. No lot.

83. Léonard Tsuguharu Foujita (French/Japanese, 1886-1968) Linge, from LA MESANGER, 1963 (Buisson, II. 63. 40). Signed “L. Foujita” in pencil l.r., numbered “5/80” in pencil l.l., titled and signed within the matrix. Color lithograph on paper, image size 7 1/2 x 7 1/2 in. (19.0 x 19.0 cm), unmatted, unframed. Condition: Mat burn, thinned spots to corners on the reverse. $400-600

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84. Sam Francis (American, 1923-1994) and Walasse Ting (Chinese/American, 1929-2010) Blue Eye Over Red China - Ting Tong - Uncle Sam loves Marilyn - Red Eye - Sweet Beat, 1964 (see Lembark, L78-81). Signed “Sam Francis” in pencil (within the image) l.r., signed with chop (within the image) l.l., inscribed “(proof of Artist)” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 32 1/2 x 23 in. (82.5 x 58.3 cm), unmatted, unframed. Condition: Deckled edges to two sides, minor creases to edges. Provenance: Ex-collection of Walasse Ting. N.B. The composition is a varied arrangement of compositions for 1¢ Life. 85. No lot.

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$1,000-1,500

86. Erich Fuchs (German, 1890-1990) Model in Studio. Signed “Erich Fuchs imp” in pencil l.r. Etching on paper, plate size 6 3/4 x 4 7/8 in. (17.0 x 12.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $200-250

87. Edwin L. Fulwider (American, b. 1913) The Senator Arrives, 1948, edition of 50. Signed “Edwin Fulwider” in pencil l.r., inscribed “50” in pencil l.c. Color screenprint on paper, image size 9 x 11 1/4 in. (22.8 x 28.5 cm), framed. Condition: Not examined out of frame. $200-250

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88. R.C. Gorman (American, 1932-2005) Standing Figure, 1986. Signed and dated “R.C. Gorman 1986” in pencil (within the image) l.l., inscribed “presentation proof” in pencil (within the image) l.c., dry stamp l.r. Color lithograph on paper, image/sheet size 38 1/4 x 26 in. (86.9 x 66.0 cm), unmatted, unframed. Condition: Deckled edges. $800-1,200

89. Walter Gramatté (German, 1897-1929) Five Plates from FRAU, 1924: La Mujer; La Amable; La Confiada, a regular impression plus one with hand-coloring; and La Amante (Eckhardt, 177, 178, 180, & 181). Each signed and dated “Walter...24” in pencil l.r. and inscribed in pencil l.l. Etchings printed in umber on cream paper, plate sizes 12 5/8 x 10 5/8 in. (32.0 x 27.0 cm), matted, unframed. Condition: Margins 1 1/2 inches or more with deckled edges. $1,500-2,000

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90. Sir Francis Seymour Haden (British, 1818-1910) Greenwich, 1879, state seven of nine, edition probably of 125 (Schneiderman, 187vii). Signed “Seymour Haden” in pencil l.r., signed and dated within the plate. Etching on paper, plate size 13 1/4 x 20 1/2 in. (33.5 x 51.8 cm), framed. Condition: Loss to corner of margin u.r., gentle toning, not examined out of frame. $700-900

91. Dmitri Hadzi (American, 1921-2006) Two Compositions Printed at the Garner Tullis Workshop: W6, 1991, proof impression, and W12, 1991, edition of 4. Both signed and dated “Hadzi, 91” in pencil l.r. and numbered/inscribed in pencil l.l. Woodcuts on heavy handmade paper, image sizes to 11 1/4 x 10 in. (28.3 x 25.4 cm), unmatted, unframed. Condition: Good. $400-600

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92. Yozo Hamaguchi (Japanese, 1909-2000) Ball of Yarn, 1981, edition of 120 (Hamaguchi, 156). Signed “hamaguchi” in pencil l.r., numbered “27/120” in pencil l.l. Color mezzotint on paper, plate size 3 1/8 x 4 3/4 in. (7.8 x 11.8 cm), framed. Condition: Not examined out of frame. $300-500

93. Richard C. Harden (American, b. 1956) Brooklyn Bridge, 1984, edition of 35. Signed “Richard C. Harden” in pencil l.r., numbered “17/35” in pencil l.l. Mezzotint with drypoint on paper, plate size 35 1/8 x 23 3/4 in. (89.2 x 60.3 cm), framed. Condition: Not examined out of frame. $1,500-2,000

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94. Hans Hartung (German, 1904-1989) L 37, 1958, edition of 100 (Schmücking, 100). Signed “Hans Hartung” in pencil l.r., numbered “3/100” in pencil l.l. Lithograph on paper, image size 24 1/4 x 16 1/2 in. (61.5 x 41.7 cm), framed. Condition: Deckled edges, even toning, not examined out of frame. $300-500 95. Frederick Childe Hassam (American, 1859-1935) Portsmouth Doorways, 1916 (Cortissoz, 104). Monogrammed and inscribed “CH imp” in pencil l.r., monogrammed and dated within the plate, inscribed “Christmas Greetings” in ink (upside down) in the upper margin. Etching on paper, plate size 5 1/2 x 4 3/8 in. (13.9 x 11.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500 96.-97. No lots. 98. Paul César Helleu (French, 1859-1927) Ellen 11 ans 1/2, edition of 20. Signed “Helleu” in pencil l.l., inscribed “Tiree a 20” in pencil l.r., titled in the plate. Etching with drypoint on paper, plate size 15 1/2 x 9 1/2 in. (39.3 x 24.2 cm), unmatted, unframed. Condition: Margins 2 inches or more, prevalent toning and foxing.

N.B. Ellen is the artist’s daughter. $500-700

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101

99. David Hockney (British, b. 1937)

101. Friedensreich Hundertwasser (Austrian, 1928-2000)

Peter, 1969, edition of 75, published by Petersburg Press, London, 1970. Signed and dated “David Hockney 1969” in pencil l.r., numbered “34/75” in pencil l.l. Etching and aquatint on paper, plate size 27 x 21 3/8 in. (68.5 x 54.2 cm), unmatted, unframed. Condition: 3 inch margins with deckled edges. $3,000-5,000

Olympische Spiele München (Poster Version), 1972, edition of 3,999 (Koschatzky, 54). Identified within the matrix, stamped number “2002/3999” l.l. Screenprint in colors with metallic embossing on heavy brown paper, image/sheet size 40 1/4 x 25 1/4 in. (102.0 x 64.0 cm), framed. Condition: Not examined out of frame. $700-900

100. No lot.

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102. Louis Icart (French, 1888-1950) Coup de Vent, 1925 (Holland et al., 235). Signed “Louis Icart” in pencil l.r., numbered “300” in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed. Condition: Toning, foxing, not examined out of frame. $800-1,200

103. Louis Icart (French, 1888-1950) Vitese, 1927 (Holland et al., 311). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, artist’s dry stamp l.l. Etching with hand-coloring on paper, plate size 15 1/2 x 26 in. (39.3 x 65.8 cm), in a Deco-style frame. Condition: Not examined out of frame. $800-1,200

102

103

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104

104. Robert Indiana (American, b. 1928) The Neuberger Art, 1975, edition of 50, made for The Neuberger Museum, State University of New York, Purchase, New York. Signed “RobertIndiana” in pencil l.r., titled in pencil l.c., numbered “26/50” in pencil l.l., signed and dated in the matrix. Color screenprint on paper, image size 24 x 24 in. (60.8 x 60.8 cm), framed. Condition: Margins over 2 inches, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500

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105

105. Yvonne Jacquette (American, b. 1934) Northwest View from Empire State Building, 1982, edition of 60, published by Brooke Alexander Editions, New York. Numbered, dated, and signed â&#x20AC;&#x153;54/60 1982 Jacquetteâ&#x20AC;? in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 50 1/2 x 34 3/4 in. (128.2 x 88.2 cm), unmatted, unframed. Condition: Extremely minor handling creases. $1,000-1,500

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106

107

106. Paul Jacoulet (French, 1902-1960)

107. Wolf Kahn (German/American, b. 1927)

Two Genre Scenes: Les Paradisiers, Menado, Celebes, 1937, edition of 350, and Le Repas des Mendiants, Seoul, Coree, 1938, edition of 350. Both signed “Paul Jacoulet” in pencil (within the image) and with the Tea Jar seal. Color woodcuts on paper, image sizes approximately 11 3/4 x 15 3/8 in. (29.7 x 38.9 cm), framed. Condition: Not examined out of frames. $600-800

Santa Maria della Salute, Venice, 1989. Signed and dated “W. Kahn 1989” in pencil l.r. Color monotype on paper, plate size 18 x 23 1/2 in. (45.7 x 59.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $1,500-2,000

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108. Hubert Kim Kempshall (British, b. 1934) Crash Victim, 1968, edition of 20. Signed and dated “Kempshall 68” in pencil l.r., titled in pencil l.c., numbered “7/20” in pencil l.l. Color etching with aquatint on paper, plate size 23 1/2 x 19 5/8 in. (59.5 x 49.7 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500

109. Rockwell Kent (American, 1882-1971) Home Port, 1931, edition of 150 (Jones, 62). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on Shogun paper with partial watermark, image size 6 1/2 x 7 3/8 in. (16.4 x 18.5 cm), matted, unframed. Condition: Margins over 1 3/4 inches with deckled lower edge, hinged with brown paper tape along upper edge. $700-900

108

109

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110

111

110. Rockwell Kent (American, 1882-1971)

111. Max Klinger (German, 1857-1920)

Prometheus Unchained, alternatively titled Breaking the Shackles, 1938, edition size unknown (Jones, 119). Signed “Rockwell Kent” in pencil l.r. Lithograph on paper, image size 14 1/8 x 11 3/8 in. (35.8 x 28.7 cm), matted, unframed. Condition: Margins 2 inches or more with deckled right edge, hinged with brown paper tape along upper edge, minor soiling to margins. $500-700

Bär Mit Elfe, plate I from INTERMEZZI, 1881 (Singer, 52). Identified within the plate. Etching with aquatint on chine collé, plate size 16 3/8 x 11 in. (41.5 x 27.8 cm), matted, unframed. Condition: Pale foxing, staining and pencil annotations to supporting sheet. $400-600

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112

112. Jeff Koons (American, b. 1955) Balloon Dog (Blue), 2002, edition of 2,300, published by the Museum of Contemporary Art, Los Angeles. Identified and numbered “822” on a label on the reverse. Metallic porcelain multiple, diameter 10 1/4 in. (26.0 cm), presented in the original box with the artist’s name printed in metallic blue, foam interior, and plastic stand. Condition: Dust to interstices, several extremely subtle surface rubs, wear and tear to box. $4,500-5,500

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113

114

113. Lee Krasner (American, 1908-1984)

114. Lawrence Kupferman (American, 1909-1982)

Free Space, 1975, edition of 175, published by Alex Rosenberg, Transworld Art, New York. Signed and numbered “Lee Krasner 63/175” in pencil (within the image) l.l. Color screenprint on paper, image/sheet size 19 1/2 x 26 in. (49.4 x 66.0 cm), framed. Condition: Deckled edges, “floating” within the mat, several pale fox marks l.l., not examined out of frame. $1,000-1,500

Floating. Signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l., inscribed “unique print” in pencil l.c. Color monotype on paper, image size 19 1/4 x 25 1/2 in. (48.8 x 64.6 cm), framed. Condition: Not examined out of frame. $250-300

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115

117

115. Paul Landacre (American, 1893-1963)

117. After Marie Laurencin (French, 1885-1956)

Some Ingredients, 1954, edition of 250, published by The Woodcut Society, New York. Signed “Paul Landacre” in pencil l.r., numbered and titled “199/250...” in pencil l.l., identified in publication text accompanying the print. Wood engraving on paper, image size 5 1/4 x 7 1/2 in. (13.3 x 19.0 cm), matted, unframed. Condition: Margins over 3/4 inches. $500-700

Trois jeunes femmes en buste, edition of 200. Signed “Marie Laurencin” in pencil l.r., numbered “160/200” in pencil l.l. Color etching with aquatint on chine collé, plate size 13 5/8 x 22 1/4 in. (34.5 x 56.4 cm), framed. Condition: Staining c.r., scattered fox marks, not examined out of frame. $500-700

116. No lot.

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118. Le Corbusier (French/Swiss, 1887-1965) Unité V, from the UNITÉ Suite, 1953, edition of 130, published by Alain C. Mazo, Paris. Signed “Le Corbusier” in pencil l.r., numbered “124/130” in pencil l.l., monogrammed and dated within the plate. Color aquatint on paper, plate size 16 1/2 x 12 1/2 in. (41.8 x 31.6 cm), framed. Condition: Deckled edges to at least three sides, not examined out of frame. Provenance: A private Massachusetts collection. $500-700

119. Le Corbusier (French/Swiss, 1887-1965) Totem, 1963, possibly a later printing (Weber 2009, p. 74). Signed and dated within the matrix. Color lithograph on paper, image size 27 3/4 x 30 7/8 in. (70.3 x 78.3 cm), framed. Condition: Toning and soft creases near the upper edge, not examined out of frame. Provenance: A private Massachusetts collection. $500-700

118

119

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120

121

120. Sol LeWitt (American, 1928-2007)

121. Sol LeWitt (American, 1928-2007)

Plate 4 (Blue-gray), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 iv). Signed “S. LeWitt” in pencil (within the image) l.r., numbered “11/30” in pencil (within the image) l.l., publisher’s dry stamp l.l. Etching with aquatint in teal and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, “floating” within the mat, not examined out of frame. $2,500-3,000

Plate 6 (Ochre), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 vi). Signed “S. LeWitt” in pencil (within the image) l.r., numbered “11/30” in pencil (within the image) l.l., publisher’s dry stamp l.l. Etching with aquatint in ochre and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, “floating” within the mat, not examined out of frame. $2,500-3,000

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122

122. Roy Lichtenstein (American, 1923-1997) Shipboard Girl, 1965, edition of unknown size, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed â&#x20AC;&#x153;Roy Lichtensteinâ&#x20AC;? in pencil l.r. Color offset lithograph on paper, image size 26 x 19 1/4 in. (66.0 x 48.8 cm), framed. Condition: Laid down, fading. $7,000-9,000

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123

124

123. Roy Lichtenstein (American, 1923-1997)

124. Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes each 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed. Condition: Very minor handling marks and creases, possible subtle toning. $500-700

Pyramids, 1969, edition of 101 plus proofs, printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated “Roy Lichtenstein ‘69” in pencil l.r., numbered “7/101” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed. Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame. N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City. $7,000-9,000

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125

125. Roy Lichtenstein (American, 1923-1997) ...Huh?, 1976, printer’s proof outside of the edition of 100, published by the Jerusalem Museum, Israel, Castelli Graphics, New York, and Multiples, Inc., New York (Corlett, 149). Signed “Roy Lichtenstein” in pencil l.r., inscribed “PP” in pencil l.l. Color screenprint on BFK Rives paper with watermark, image size 39 3/4 x 28 in. (100.8 x 71.0 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases, surface rub l.r. $7,000-9,000

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126

126. Robert Longo (American, b. 1953)

127. Elyse Ashe Lord (British, 1900-1971)

The Wave, 2003, edition of 108. Signed and dated “RLongo. 2003” in pencil (within the image) l.r., numbered “10/108” in pencil (within the image) l.l. Screenprint on paper, image/sheet size 15 1/4 x 39 1/2 in. (38.5 x 100.3 cm), framed. Condition: Not examined out of frame. $700-900

Two Compositions: Pastoral Music, edition of 75, and K’ossu, edition of 75. Signed “Elyse...Lord” in pencil and in ink l.r., respectively, and numbered l.l. Etchings with hand-coloring on paper, plate sizes to 14 3/4 x 10 1/2 in. (37.3 x 26.5 cm), framed. Condition: Minor rubs or crease to K’ossu within image at l.r. corner, not examined out of frames. $500-700

128. Alexandre Lunois (French, 1863-1916) Danae. Signed “Alex. Lunois” in pencil l.r., inscribed “épr d’essai” in pencil l.r., titled in pencil l.l. Color lithograph on paper, image size 9 1/4 x 15 1/2 in. (23.4 x 39.3 cm), matted, unframed. Condition: Subtle toning. $300-350

127

128

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129. Man Ray (American, 1890-1976) Vivian, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60H). Signed “Man Ray” in pencil l.r., inscribed and numbered “H.C. IX/XXV” in pencil l.l. Color etching and aquatint on paper, plate size 19 1/2 x 15 1/2 in. (49.4 x 39.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600

130. Man Ray (American, 1890-1976) Concert, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60D). Signed “Man Ray” in pencil l.r., inscribed and numbered “H.C. IX/XXV” in pencil l.l. Color etching and aquatint on paper, plate size 15 1/2 x 19 1/2 in. (39.3 x 49.4 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600

129

130

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131 132

131. Conrad Marca-Relli (American, 1913-2000) Metal Repeat Collage - C, 1968, edition of 40. Incised signature and date “MARCA-RELLI/68” l.r., incised number “5/40” l.l. Stainless steel multiple, 17 3/4 x 17 3/4 in. (45.0 x 45.0 cm), framed. Condition: Surface abrasions. $600-800 132. Marino Marini (Italian, 1901-1980) Plate I from PERSONNAGES DU SACRE DU PRINTEMPS, 1974, edition of 75 plus proofs (Guastalla, L114). Signed “MARINO” in pencil l.r., numbered “17/75” in pencil l.l. Color lithograph on paper, image size 20 1/4 x 15 3/8 in. (51.4 x 39.1 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. Provenance: A private Massachusetts collection. $500-700 133. Marino Marini (Italian, 1901-1980) Miracolo, 1978, edition of 75 plus proofs (Guastalla, A210). Signed “MARINO” in pencil l.r., numbered “37/75” in pencil l.l. Color etching with aquatint on paper, plate size 22 x 17 1/4 in. (55.8 x 43.8 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. Provenance: A private Massachusetts collection. $500-700 133

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134. Reginald Marsh (American, 1898-1954) Subway - Three People, 1934, final state of three (Sasowsky, 149). Number, inscribed, dedicated, and signed â&#x20AC;&#x153;10/40 On the R.I.T. - Best wishes, Sue & Joe Walker Reginald Marsh sc. et imp.â&#x20AC;? in pencil beneath the image. Etching on paper, plate size 9 x 7 in. (22.8 x 17.5 cm), matted, unframed. Condition: Tear along plate mark at lower edge and lower part of the right edge, unobtrusive handling creases, brown paper tape to the edges of the reverse. $200-250

134

135. After Henri Matisse (French, 1869-1954) Four Images from THEMES ET VARIATIONS: F4, K6, L14, and N7, published in 1943, total edition of 950. Each signed and identified within the matrix. Lithographs on paper, sheet sizes 12 3/4 x 9 1/2 in. (32.3 x 24.0 cm), matted, unframed. Condition: Good. $1,800-2,200

135

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136

137

136. Michael Burton Mazur (American, 1935-2009)

137. Michael Burton Mazur (American, 1935-2009)

Storm Clouds, 1975. Signed “Mazur” in pencil l.r., titled in pencil l.l., inscribed and dated “monotype - Summer ‘75” in pencil l.c., identified on a label from the Barbara Krakow Gallery, Boston, affixed to the backing. Color monotype on paper, image size 17 7/8 x 35 1/4 in. (45.4 x 89.4 cm), framed. Condition: Not examined out of frame. $400-600

Ossabaw Study, c. 1975. Signed “Mazur” in pencil (within the image) l.r., titled in pencil (within the image) l.l. Color monotype heightened with pastel on paper, image size 22 3/4 x 31 3/4 in. (57.6 x 80.5 cm), framed. Condition: Not examined out of frame. $500-700

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138

140

138. Roberto Matta (Chilean, 1911-2002)

140. William Meyerowitz (American, 1887-1981)

Pan-Ton-Lo, 1968, edition of 190. Titled and signed “...Matta” in pencil (within the image) l.r. Color lithograph on Arches paper with watermark, image size 18 3/8 x 25 3/4 in. (46.5 x 60.3 cm), unmatted, unframed. Condition: Deckled edges, several pale fox marks, minor creasing to deckle on upper edge. $200-300

Gloucester Harbor. Signed “Wm Meyerowitz” in pencil l.r. Etching on paper, plate size 7 7/8 x 11 7/8 in. (19.9 x 30.0 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700

141-142. No lots.

139. No lot.

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143

143. Joan Miró (Spanish, 1893-1983) Plate from JOAN MIRÓ, by Jacques Prévert and Georges Ribemont-Dessaignes, published in 1956 (Mourlot, 168; Cramer, 39). Identified in the matrix. Color lithograph on paper, sight size 8 3/8 x 14 1/4 in. (21.0 x 36.0 cm), framed. Condition: Not examined out of frame. N.B. While the central image is by Miró, the figures were drawn by Prévert and the olive trees were created by Ribemont-Dessaignes. $200-250

144. Joan Miró (Spanish, 1893-1983) L’équarrisseur à l’ouvrage, 1968, edition of 75 (Mourlot, 516). Signed “Miró” in pencil l.r., numbered “63/75” in pencil l.l. Color lithograph on paper, image size 21 1/2 x 21 1/2 in. (54.5 x 54.5 cm), framed. Condition: Minor handling crease to lower margin, not examined out of frame. $3,500-5,500

144

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145. Joan Miró (Spanish, 1893-1983) Chevauchée - vert, violet, brun, 1969, edition of 75 (Mourlot, 543). Signed “Miró” in white pencil (within the image) l.r., numbered “60/75” in white pencil (within the image) l.l. Color lithograph on paper, 33 x 23 in. (83.7 x 58.3 cm), framed. Condition: Rippling, not examined out of frame. $2,500-3,000

146. Joan Miró (Spanish, 1893-1983) Les Coquillages, 1969, edition of 75, published and printed by Maeght, Paris (Mourlot, 641). Signed “Miró” in pencil l.r., numbered “58/75” in pencil l.l. Color lithograph on paper, image/sheet size 30 1/4 x 44 1/4 in. (76.7 x 112.3 cm), unmatted, unframed. Condition: Deckled edges to three sides, scattered staining, unobtrusive creases to edges/corners, thinned spots near edges on the reverse, annotated on the reverse. $5,000-7,000

145

146

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147

147. Joan Miró (Spanish, 1893-1983) La Fronde, 1969, edition of 75 plus proofs, published by Maeght éditeur, Paris (Dupin, 501). Signed “Miró” in pencil (within the image) l.r., inscribed “H.C.” in pencil (within the image) l.l. Color etching with aquatint and carborundum on paper, sheet size 41 3/4 x 27 1/2 in. (105.8 x 69.7 cm), framed. Condition: Deckled edges, “floating” within the mat, gentle rippling, not examined out of frame. Provenance: A private Massachusetts collection. $20,000-30,000

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148. Joan Miró (Spanish, 1893-1983) Untitled Image (Soleil Rouge), from MIRÓ LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed “Miró” in pencil l.r., numbered “V/LXXX” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed. Condition: Deckled right and lower edges, “floating” within the mat, not examined out of frame. $600-800

149. Joan Miró (Spanish, 1893-1983) Untitled, from the series BARCELONA 1972-1973, 1973, edition of 50, published by Sala Gaspar, Barcelona, printed by J.J. Torralba, Barcelona (Dupin, 602). Signed “Miró” in pencil l.r., numbered “21/50” in pencil l.l. Color etching, aquatint, and carborundum on paper, sight size 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $2,000-3,000 148

149

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150

150. Joan Miró (Spanish, 1893-1983) Poster for the Exhibition Josep Lluis Sert, 1978, from the edition before letters of 25, published by the Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts (Mourlot, 1168). Signed “Miró” in pencil l.r., numbered “11/25” in pencil l.l. Color lithograph on paper, image size 27 1/2 x 20 in. (69.7 x 50.6 cm), framed. Condition: Not examined out of frame. Provenance: A private Massachusetts collection. $1,200-1,800

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151. Joan Mitchell (American, 1925-1992) Sunflower VII, 1972, edition of 75 plus proofs, published by Maeght Editeur, Paris. Signed “Joan Mitchell” in pencil l.r., inscribed “EA” in pencil l.l. Color etching with aquatint on paper, plate size 26 3/4 x 17 1/4 in. (67.8 x 43.8 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $2,500-3,000

151

152. Benson Bond Moore (American, 1882-1974) Five Ornithological Subjects: Ring-necked Pheasant, edition of 40; Wood Ducks, edition of 40; Prince of Wales Pheasant, edition of 40; Red Jungle Fowl, edition of 50; and Yellow-breasted Chat, edition of 30. Each signed “Benson B Moore” in pencil l.l., numbered in pencil l.r., and titled in pencil within the lower margin. Etchings with aquatint and hand-coloring on paper, plate sizes approximately 9 x 6 3/4 in. (22.7 x 17.0 cm), unmatted, unframed. Condition: Margins approximately 1 inch, creases, nicks, and/or minor losses to some corners. $250-300

152

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153

154

153. Henry Moore (British, 1898-1986)

154. Henry Moore (British, 1898-1986)

Reclining Figure (Title Page), 1978, from THE RECLINING FIGURE Album, 1977-78, from the Louisiana Museum edition of 25 (Cramer, 471). Signed “Moore” in pencil l.r., numbered “L19/25” in pencil l.l. Etching on paper, plate size 7 1/2 x 9 7/8 in. (19.0 x 25.0 cm), framed. Condition: Margins 1/4 inch or more, gentle rippling, not examined out of frame.

Reclining Figure 6, from THE RECLINING FIGURE Album, 197778, from the Louisiana Museum edition of 25 (Cramer, 477). Signed “Moore” in pencil l.r., inscribed and numbered “Pl. 6 L19/25” in pencil l.l. Etching on paper, plate size 8 3/4 x 11 5/8 in. (22.2 x 29.5 cm), framed. Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame.

Provenance: A private Massachusetts collection. $600-800

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156

155

155. Robert Motherwell (American, 1915-1991)

156. Robert Motherwell (American, 1915-1991)

Capriccio, 1961, edition of 200 plus proofs, published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed “Robert Motherwell” in pencil l.r., numbered “33/200” in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed. Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet. $800-1,200

Plate 9 from THE BASQUE SUITE, 1970, edition of 150 (Terenzio & Belknap, 58). Initialed and numbered “RM 136/150” in pencil l.r., signed within the matrix. Screenprint in orange and black with embossed double plate marks on paper, image size 20 1/2 x 17 in. (52.0 x 43.1 cm), framed. Condition: Rippling, not examined out of frame.

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Provenance: A private Massachusetts collection. $1,800-2,200

157. Shiko Munakata (Japanese, 1903-1975) Untitled, cover for MUNAKATA NO SAKU, 1956, printed in 1985. Signed with chop and identified within the image. Woodcut on paper, image size 16 1/2 x 12 in. (41.8 x 30.4 cm), framed. Condition: Not examined out of frame. $600-800

157

158. Edvard Munch (Norwegian, 1863-1944) Porträt Dr. Max Linde, 1902 (Woll, 223). Signed “Edv. Munch” in pencil l.r. Lithograph in gray/green on paper, image size 11 1/2 x 8 in. (29.2 x 20.3 cm), framed. Condition: Toning, not examined out of frame. N.B. Munch executed a number of portraits of some of his more prominent patrons, such as Dr. Linde. Munch also created a drypoint of Linde in 1902. $2,500-3,500

158

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159. Louise Nevelson (American, 1899-1988) City-Sunscape, 1979, edition of 150, published by Pace Editions, Inc., New York. Incised signature and numbered “145” on plaque affixed to the verso. Polyester resin multiple painted black, 12 3/4 x 9 in. (32.3 x 22.8 cm), designed with its own shadow box. Condition: Dust to interstices. Provenance: A private Massachusetts collection. $400-600

160. Louise Nevelson (American, 1899-1988) Sun-Set, 1981, edition of 125, published by Pace Editions, Inc., New York. Incised signature and numbered “24” on a plaque affixed to the verso. Polyester resin multiple painted black, 12 3/8 x 18 in. (31.3 x 45.7 cm), designed with its own shadow box. Condition: Dust to interstices. Provenance: A private Massachusetts collection. $400-600

159

160

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161

161. Gabor F. Peterdi (American, 1915-2001) Suite of Six Works Created in Conjunction with the Publication of GABOR PETERDI: GRAPHICS 1934-1969 by Una Johnson: Hawaii, Maui, The Reef, Red Eclipse II, Mauna Loa II, and Blue Surf, 1969, edition of 200 (Johnson, 277-282). Each signed and dated “Peterdi ‘69” in pencil l.r. and numbered “26-200” in pencil l.l. Color relief prints on paper, image sizes 10 1/8 x 7 1/8 in. (25.5 x 18.0 cm), matted, unframed. Condition: Margins approximately 1 inch, each with one deckled edge. $700-900

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162

162. Pablo Picasso (Spanish, 1881-1973) Scène d’intérieur, 1926, aside from the edition of 100, published by Galerié Simon, Paris (Bloch, 74). Unsigned. Lithograph on cream laid paper, image size 8 5/8 x 10 7/8 in. (21.8 x 27.4 cm), framed. Condition: Margins 2 3/4 inches or more with deckled upper and lower edges. $1,000-1,500

163. Pablo Picasso (Spanish, 1881-1973) Trois acteurs, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch 145; Geiser 296 ). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 11 x 7 1/8 in. (28.0 x 18.0 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, minor breaks to surface fibers along areas on the plate mark, toning, staining, and soiling. $3,000-5,000

163

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164

164. Pablo Picasso (Spanish, 1881-1973) Le repose du sculpteur devant le petit torse, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 162; Geiser et al., 315). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining, and soiling. $3,000-5,000

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165

165. Pablo Picasso (Spanish, 1881-1973) Famille de saltimbanques, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 163; Geiser et al., 316). Signed or inscribed “Picasso” in pencil l.r., signed and dated within the plate. Etching on laid paper with “Picasso” and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining and soiling. $3,000-5,000

166. Pablo Picasso (Spanish, 1881-1973) L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed. Condition: Margins 1 inch or more, pale toning, not examined out of frame. $300-350

166

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167

167. Pablo Picasso (Spanish, 1881-1973)

168. Pablo Picasso (Spanish, 1881-1973)

Fish Subject, 1952, edition of 500 (Ramie, 139). Inscribed “EDITION PICASSO” and stamped “MADOURA PLEIN FEU” and “EDITION PICASSO” on the underside. Red earthenware pitcher painted in black and white, height 4 3/4 in. (12.0 cm). Condition: Minor soiling. $1,000-1,500

Dessins d’un Demi-Siècle, 1956, edition for the cover of the catalogue for L’exposition 1956 de Berggruen & Cie (Bloch, 792). Identified in the matrix and on the title page of the booklet. Color lithograph on paper, image size 8 3/8 x 9 3/8 in. (21.2 x 23.7 cm), unmatted, unframed. Condition: Toning, minor wear to corners. $300-500

168

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170

169

169. Pablo Picasso (Spanish, 1881-1973)

170. Pablo Picasso (Spanish, 1881-1973)

Maison de la Pensée Française...Exposition de Céramiques, 1958 (Bloch, 1280). Signed, dated, and identified within the matrix. Color lithograph on paper, image size 23 x 15 1/4 in. (58.4 x 38.6 cm), framed. Condition: Pale toning and mat burn, not examined out of frame. $500-700

Man’s Face, 1966, edition of 500 (Ramie, 539). Unsigned, dated within the matrix, stamped “MADOURA PLEIN FEU” and “EMPREINTE ORIGINALE DE PICASSO” and numbered “52/500” on the back. Red earthenware clay with engobe in black, 6 1/8 x 3 7/8 in. (15.5 x 9.8 cm), presented in a Plexiglas box. Condition: Not examined out of box. Provenance: A private Massachusetts collection. N.B. The image is based on a composition transfered from a linoleum printing block. $1,200-1,800

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171

171. Doel Reed (American, 1895-1985) Evening Music, 1946, edition of 100, published by Associated American Artists, New York (Cohen, 62; AAA/Czestochowski, 1946.084). Signed â&#x20AC;&#x153;Doel Reedâ&#x20AC;? in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 15 7/8 x 11 3/8 in. (40.3 x 28.8 cm), framed. Condition: Toning, not examined out of frame. $700-900

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172

172. Rembrandt van Rijn (Dutch, 1606-1669) Nude Man Seated on the Ground with One Leg Extended, 1646 (Hind, 221; Bartsch/Hollstein, 1966 II/II). Signed and dated within the plate, collector’s marks l.r. and to verso (see below). Etching on laid paper, plate/sheet size 3 3/4 x 6 in. (9.0 x 15.1 cm), matted, framed. Condition: Trimmed to plate mark, foxing, gentle toning. Provenance: Pierre Matiette, Paris, 1634-1716 (Lugt, 2096 - mark with date “1681”); through to Pierre Remy, Paris, second half of the 18th century (Lugt, 2173 - the mark with date “1749”); through to John Barnard, London, died 1784 (Lugt, 1419); through to Ugi Battenberg, German, 1879-1957; gifted by him to Oscar and Edna Stirling in 1946; gifted to the present owner by the Stirlings in 1987. $4,000-6,000

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172A

173

172A. Rembrandt van Rijn (Dutch, 1606-1669)

173. Ker Xavier Roussel (French, 1867-1944)

The Circumcision in the Stable, 1654, probably an early 18th century impression (Hind, 274; Bartsch/Hollstein, 47 I/II). Signed and dated within the plate, collectorâ&#x20AC;&#x2122;s marks (see below) and pencil annotations to the reverse. Etching on laid paper, plate/sheet size 3 7/8 x 5 3/4 in. (9.6 x 14.5 cm), matted, unframed. Condition: Trimmed to and/or within the plate mark, soft, gray impression, subtle surface rubbing, upper corners reinforced.

La Source, from Lâ&#x20AC;&#x2122;ALBUM DE PAYSAGE, c. 1900, edition of 100, printed by Auguste Clot, Paris, published by Vollard, Paris (Salomon, 20). Unsigned. Color lithograph on chine vollant, image size 12 1/2 x 16 1/4 in. (31.6 x 41.2 cm), matted, unframed. Condition: Margins over 3/4 inches, subtle toning to margins. $800-1,200

Provenance: Ex-collection of Herman Weber, Bonn, 1817-1854 (Lugt, 1383); through to August Artaria, Vienna, 1807-1893 (Lugt, 33); through to the present owner. $1,000-1,500

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174. Kiyoshi Saito (Japanese, 1907-1997) Stillness. Signed “Kiyoshi Saito” in ink (within the image) l.r. Color woodcut on paper, sight size 14 x 9 in. (35.5 x 22.8 cm), framed. Condition: Not examined out of frame. $400-600

175. David Salle (American, b. 1952) Plates 2 and 4 from the CANFIELD HATFIELD Suite, 1989, edition of 60 plus proofs, published by Waddington Graphics, London. Both signed and dated “David Salle 1989” in pencil l.r. and numbered “30/60” in pencil l.l. Color etchings with aquatint and photo-etching on paper, plate sizes 23 3/4 x 36 in. (60.2 x 91.4 cm), matted, unframed. Condition: Deckled edges. $1,200-1,800

174

175

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176

177

176. Giuseppe Santomaso (Italian, 1907-1990) Untitled, 1952, edition of 60. Signed and dated “Santomaso ‘52” in pencil l.r., numbered “39/60” in pencil l.l. Color lithograph on paper, image size 19 1/2 x 13 1/4 in. (49.5 x 33.5 cm), framed. Condition: Pinpoint foxing, not examined out of frame. $500-700 177. Fritz Scholder (American, 1937-2005) Red Indian, edition of 100. Signed “Scholder” in pencil l.r., numbered “20-100” in pencil l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed. Condition: Crinkling to u.r. corner, slight creasing, shrink-wrapped. $300-500 178. Gino Severini (Italian, 1883-1966) Composition, 1955, edition of 220, published by La Guilde de Grauvre, Paris (Meloni, 28). Signed “GinoSeverini” in pencil l.r., numbered “197/220” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on Rives paper with watermark, image size 19 3/8 x 12 5/8 in. (49.2 x 32.0 cm), unmatted, unframed. Condition: Margins 1 inch or more with two deckled edges. $800-1,200

178

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179

180

179. Joel Shapiro (American, b. 1941)

180. Joel Shapiro (American, b. 1941)

Untitled, 1992, edition of 60. Signed and dated “Joel Shapiro 92” in pencil l.r., numbered “27/60” in pencil l.l. Color etching with aquatint on paper, plate size 23 7/8 x 18 in. (60.6 x 45.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,500-3,000

Untitled, 1992, edition of 60. Signed and dated “Joel Shapiro 92” in pencil l.r., numbered “27/60” in pencil l.l. Color etching with aquatint on paper, plate size 23 3/4 x 18 in. (60.3 x 45.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,500-3,000

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181

182

181. Harry Shokler (American, 1896-1978)

182. Harry Shokler (American, 1896-1978)

Coney Island, 1942, edition of 100. Signed within the matrix. Color screenprint on paper, image size 12 5/8 x 16 in. (32.0 x 40.5 cm), framed. Condition: Not examined out of frame. $200-250

Vermont Landscape, 1947, edition of 100. Signed and dated within the matrix, signed â&#x20AC;&#x153;Harry Shokler/ed 100â&#x20AC;? in pencil l.r., titled in pencil l.l. Color screenprint on paper, image size 13 x 16 in. (33.0 x 40.5 cm), framed. Condition: Not examined out of frame. $300-500

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183. Pierre Soulages (French, b. 1919) Eau-forte No. 1, 1952, edition of 100, printed and published by Lacourière, Paris (Rivière, 1). Signed “Soulages” in pencil l.r., numbered “38/100” in pencil l.l. Color aquatint on paper, plate size 19 1/2 x 13 1/8 in. (49.4 x 33.3 cm), framed. Condition: Mat burn, not examined out of frame. $800-1,200

184. Pierre Soulages (French, b. 1919) Eau-forte No. 17, 1961, edition of 100, published by Berggruen & Cie, Paris (Rivière, XVII). Signed “Soulages” in pencil l.r., numbered “50/100” in pencil l.l. Color aquatint on paper, image size 18 1/4 x 22 3/4 in. (46.3 x 57.7 cm), framed. Condition: Deckled edges, subtle toning, not examined out of frame. $800-1,200

183

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185

186

185. Frank Stella (American, b. 1936)

186. David Sullivan (American, b. 1941)

Ifafa I, from the V SERIES, 1968, edition of 100 plus proofs (Axsom, 21). Numbered, signed, and dated “11/100 F. Stella ‘68/100” in pencil l.l., identified on a label from Pace Editions, Inc., New York, affixed to the backing. Color lithograph on paper, image size 11 1/8 x 19 1/4 in. (28.2 x 49.5 cm), framed. Condition: Staining to image l.l., not examined out of frame.

Monument II, edition of 70. Signed “David Sullivan” in pencil l.r., titled in pencil l.l., numbered “55/70” in pencil l.c. Color screenprint on paper, image size 20 x 30 in. (50.7 x 76.1 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500

Provenance: A private Massachusetts collection. $1,000-1,500

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187

187. George Tooker (American, 1920-2011) Voice, 1977, edition of 125, published by Editions Press, San Francisco (Garver, 3). Signed “George Tooker” in pencil l.r., inscribed “Artist’s proof” in pencil l.l. Lithograph on paper, image size 11 x 9 3/4 in. (27.9 x 24.6 cm), framed. Condition: Not examined out of frame. $1,000-1,500 188.-189. No lots.

100

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190

190. Victor Vasarely (Hungarian/French, 1906-1997)

191. Victor Vasarely (Hungarian/French, 1906-1997)

Two Images from the PERMUTATIONS Series, 1968, edition of 150, published by Denise René, editeur, Paris. Both signed “Vasarely-” in pencil l.r., numbered “13/150” in pencil l.l., with publisher’s dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Subtle water staining to lower margins, abrasion/surface loss to left margin and just into image of one, not examined out of frames. $600-800

Two Op Art Images: Diago CC, 1968, edition of 250, published by Denise René, editeur, Paris; and Diaf, 1968, edition of 200, published by Denise René, editeur, Paris. Both signed “Vasarely-” in pencil l.r., numbered in pencil l.l., with publisher’s dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Water staining to lower and side edges (just barely effecting the images), not examined out of frames. $600-800

191

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192

193

192. Victor Vasarely (Hungarian/French, 1906-1997) Untitled (Blue Sphere), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “231/250” in pencil l.l. Color screenprint on paper, image size 20 x 20 in. (50.6 x 50.6 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500 193. Victor Vasarely (Hungarian/French, 1906-1997) Untitled (Green, Blue, Orange Vertical), edition of 250. Signed “Vasarely” in pencil l.r., numbered “72/250” in pencil l.l. Color screenprint on paper, image size 32 1/4 x 16 1/4 in. (81.8 x 41.2 cm), framed. Condition: Not examined out of frame. $300-500 194. Victor Vasarely (Hungarian/French, 1906-1997)

194

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Untitled (Polygons), edition of 175. Signed “Vasarely-” in pencil l.r., numbered “76/175” in pencil l.l. Color screenprint on paper, image size 27 1/2 x 13 3/4 in. (69.8 x 34.8 cm), framed. Condition: Not examined out of frame. $300-500

195

195. Jacques Villon (French, 1875-1963) Two Portraits: Tête de fillette, 1929, edition of 50 (Ginestet/Pouillon, E324); and Le grand dessinateur assis, 1935, edition of 50 (Ginestet/ Pouillon, E385). Both signed “Jacques Villon” in pencil l.r. and numbered in pencil l.l., Tête dedicated in pencil l.c., Dessinateur with “H.M.P.” collector’s stamp on verso. Drypoints on laid paper, plate sizes to 10 7/8 x 8 3/8 in. (27.5 x 21.2 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges, annotations to lower margins, Tête with crease to right margin and old hinges tape to right edge on verso, Dessinateur with minor nicks and creases to upper and lower edges. $800-1,200

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196

196. Andy Warhol (American, 1928-1987) Edward Kennedy, 1980, edition of 300 plus proofs, published by the Kennedy for President Committee, Washington, D.C. (Feldman & Schellmann, II.240). Numbered and signed â&#x20AC;&#x153;AP 2/25 Andy Warholâ&#x20AC;? in pencil (within the image) l.r., dry stamp l.l. Screenprint with diamond dust on paperboard, image/sheet size 40 x 32 in. (101.5 x 8.3 cm), framed. Condition: Not examined out of frame. $5,000-7,000

104

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197. Andy Warhol (American, 1928-1987) Saint Apollonia, plate IV from SAINT APOLLONIA, 1984, edition of 250 plus proofs, published by Dr. Frank Braun, Dusseldorf, printed by Rupert Jasen Smith, New York (Feldman/Schellmann, II.330). Numbered and signed “3/250 Andy Warhol” in pencil (within the image) l.l., stamped “© ANDY WARHOL 1984” on the reverse. Color screenprint on paper, image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed. Condition: Tear to left edge (approximately 1/4 inch), minor unpressed creases near lower corner along right edge. Provenance: Purchased from Heern Horst-Wolfgang Haase, Berlin, 1984; then through to the present owner. $3,000-5,000

197

198. After Andy Warhol (American, 1928-1987) Three Skate Decks from the Alien Workshop. Identified within the matrix and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink wrap, containing original stickers. Condition: Not examined out of wrap. $600-800

198

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105

199. Everett Longley Warner (American, 1877-1963) Two Industrial Views: Speeding Locomotive and Tug Working near the Shoreline. Both signed “Everett Warner imp” in pencil l.r. Etchings on paper, plate sizes to 8 7/8 x 11 7/8 in. (22.4 x 30.0 cm), framed. Condition: Not examined out of frames. $500-700

199

200. Neil Welliver (American, 1929-2005) Briggs’ Meadow, from LANDSCAPES, 1973, edition of 144 (Welliver, 27). Signed “Welliver” in pencil l.r., numbered “63/144” in pencil l.l. Color screenprint on paper, image size 36 x 35 1/2 in. (91.4 x 90.0 cm), framed. Condition: Margins 3/4 inches or more, not examined out of frame. $1,500-2,000

200

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201. Stow Wengenroth (American, 1906-1978) Long Cove (Rockport, Massachusetts), 1935, edition of 30 (Stuckey, 51). Signed “Stow Wengenroth” in pencil l.r., dedicated “To Marjorie Mitchell - 1936” in pencil l.l. Lithograph on paper, image size 7 7/8 x 12 1/4 in. (19.8 x 31.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-350

201

202. Stow Wengenroth (American, 1906-1978) Kindred McLean Print (Rockport, Massachusetts), 1939, edition of 290 (Stuckey, 91). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 9 7/8 x 14 in. (25.0 x 35.5 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $400-800

202

203. Stow Wengenroth (American, 1906-1978) Maine Lobsterman (Port Clyde, Maine), 1945, edition of 210 (Stuckey, 144). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 8 3/16 x 12 in. (20.7 x 30.4 cm), matted, unframed. Condition: Margins over 1 1/2 inches with deckled right and lower edges, light-struck. $300-500

203

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204. Stow Wengenroth (American, 1906-1978) Two Images: The Chickadees (Corea, Maine), 1953, edition of 60 (Stuckey, 213), and Downy Woodpeckers (Greenport, New York), 1955, edition of 60 (Stuckey, 225). Both signed “Stow Wengenroth” in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes approximately 10 5/8 x 15 7/8 in. (26.8 x 40.2 cm), matted, unframed. Condition: Deckled edges, pale mat burn and toning to images. $400-600

204

205. Stow Wengenroth (American, 1906-1978) Three Images: Bufflehead (Greenport, New York), 1967, edition of 50 (Stuckey, 312), River Light (Stockton Springs, Maine), 1968, edition of 40 (Stuckey, 319), and Spring Visitors (Greenport, New York), 1970, edition of 75 (Stuckey, 330). Each signed “Stow Wengenroth” in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes to 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), matted, unframed. Condition: Deckled edges, pale mat burn and toning to images, scattered pale staining. $600-800

205

206. Stow Wengenroth (American, 1906-1978) Forest Ferns (Glenport, New York), 1969, edition of 60 (Stuckey, 323). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 9 x 15 1/2 in. (22.8 x 39.0 cm), framed. Condition: Not examined out of frame. $300-500

206

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207

208

207. Wilhelm Woelke (German, 19th/20th Century)

208. Grant Wood (American, 1891-1942)

Jahrehundertfeier der Freiheitsteiege Breslau, 1913. Signed, dated, and identified in the matrix. Color lithographic poster, image size 33 3/4 x 22 1/2 in. (85.6 x 57.0 cm), unmatted, unframed. Condition: Minor staining, minor tears to margins, shrink-wrapped. $300-500

Approaching Storm, 1940, edition of 250, published by Associated American Artists, New York (Czestochowski, W17). Signed â&#x20AC;&#x153;Grant Woodâ&#x20AC;? in pencil l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 11 3/4 x 8 7/8 in. (29.7 x 22.5 cm), framed. Condition: Scattered foxing, not examined out of frame. $1,200-1,800

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209

209. Lisa Yuskavage (American, b. 1962) Untitled (Profile), 1989, printed by the Garner Tullis Workshop, Santa Barbara, California. Signed and dated â&#x20AC;&#x153;Lisa Yuskavage 1989â&#x20AC;? in pencil l.r. Monotype on buff paper, image size 12 1/2 x 14 1/2 in. (31.5 x 36.7 cm), framed. Condition: Not examined out of frame. $2,000-3,000

110

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210

Photography 210. Ansel Adams (American, 1902-1984) Zabriskie Point, Death Valley National Monument, 1942, from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed “Ansel Adams” in pencil on the mount l.r., stamped and numbered “...12 of set no. 88” on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed. Condition: Soiling to mount. N.B. A cover for PORTFOLIO TWO accompanies the lot. $4,000-6,000

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211. Ansel Adams (American, 1902-1984) Dawn, Autumn, Great Smoky Mountains National Park, Tennessee, 1948, probably a later printing. Signed “Ansel Adams” in pencil on the mount l.r., titled and stamped with artist’s Carmel, California, stamp on the reverse of the mount. Gelatin silver print on paper, image/sheet size 19 1/8 x 13 5/8 in. (48.5 x 34.5 cm), framed. Condition: Minute nick to upper edge and to corners of image l.l. and u.r., mount very gently light-struck. $8,000-12,000

112

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212. Ansel Adams (American, 1902-1984) Oak Tree - Snowstorm, Yosemite National Park, California, 1948, a later printing from the special edition of prints Photographs of Yosemite. Signed “Ansel Adams” in ink on the mount l.r., stamped and with print number on the reverse. Gelatin silver print on paper, image/sheet size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed. Condition: Not examined out of frame. $3,000-5,000

212

213. Ansel Adams (American, 1902-1984) Dead Tree, Sunset Crater National Monument, Arizona, 1947, plate 11 from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed “Ansel Adams” in pencil on the mount l.r., stamped and numbered “...11 of set no. 81” on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 7 1/2 in. (24.3 x 19.0 cm), unmatted, unframed. Condition: Soiling to mount. $3,000-5,000

213

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214

214. Ansel Adams (American, 1902-1984) Related Ephemera: Including Four Architectural Renderings by Spencer & Lee, San Francisco, depicting the Adams StudioResidence in Carmel, California, 1961, together with a mailing tube addressed from Adams to Mrs. E.H. Land, Cambridge, Massachusetts; twelve half-tone reproductions of images shot by Adams in Yosemite (each stamped and inscribed on the reverse); five portraits (four of Ansel Adams), each with the original proof and presented in a folder marked “Custom print by Polaroid”; two menus for celebrations at The Ahwahnee, Yosemite National Park (Christmas and New Year’s Eve, 1960) featuring Adams’s images on the covers. Condition: Most works worn, especially at edges/corners. $600-800

215. Ansel Adams (American, 1902-1984) Forest Detail, Winter, Yosemite National Park, California, c. 1949, printed in the 1970s. Initialed “AA” in pencil on the mount, stamped on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed. Condition: Mount affixed to facing mat with masking tape on the reverse. $2,500-3,500 215

114

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217

216. Fratelli Alinari (Italian, established 1852)

218. John Benson (American, b. 1927)

View of the Acropolis. Photographer’s dry stamp l.r. Albumen print on paper, sight size 15 7/8 x 22 3/4 in. (40.3 x 57.7 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $150-200

Three Portraits: Woman in Chair, 1969, Family Portrait, 1969, and Couple, c. 1970. The last with the artist’s stamp on the mount. Gelatin silver prints on paper, image sizes to 9 x 11 in. (22.7 x 27.8 cm), matted, unframed. Condition: Each mounted with mounting film.

217. James Balog (American, b. 1952)

N.B. Benson was a student of Harry Callahan’s at the Rhode Island School of Design. A closely related image was included in the portfolio Photographs: Rhode Island School of Design, published in 1970, which contained twenty-three works by RISD students. $600-800

Giraffe Neck, 1979, printed 1992, edition of 30. Signed, dated, and numbered “James Balog 92/1979 4/30” in felt-tip pen (fading) l.r. Chromogenic print, image size 14 x 14 in. (35.5 x 35.5 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the Robert Klein Gallery, Boston. The original receipt accompanies the lot. $400-600

218

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218A. Erwin Blumenfeld (German, 1897-1969) Aubade, 1937-38, published in Coronet magazine. Annotated, titled, and signed “...Erwin Blumenfeld” in pencil beneath the image, Coronet stamp on the reverse. Gelatin silver print on paper, image size 9 1/4 x 7 3/8 in. (23.4 x 18.6 cm), matted, unframed. Condition: Subtle silvering-out to edges of image. Literature: Coronet, volume 3, 1938, p. 147. $2,500-3,500

218A

219. Harry Callahan (American, 1912-1999) Lake Michigan (Reeds), c. 1949, probably a later printing. Signed “Harry Callahan” in pencil l.r. Gelatin silver print on paper, image size 7 1/4 x 7 1/8 in. (18.3 x 18.0 cm), matted, unframed. Condition: Unmounted, rippling. $4,000-6,000

219

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220

220A

220. Henri Cartier-Bresson (French, 1908-2004)

220A. Henri Cartier-Bresson (French, 1908-2004)

Visite du Cardinal Pacelli, Montmarte (Later Pope Pius XII), 1938, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed. Condition: Gentle rippling, not examined out of frame.

La danse Alloeng Kotjok, Sayan, Bali, Indonésie, 1949, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed. Condition: Gentle rippling, not examined out of frame.

Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $6,000-8,000

Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000

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221. Henri Cartier-Bresson (French, 1908-2004) Abruzzo, Aquila, 1951, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $8,000-10,000

118

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222. Henri Cartier-Bresson (French, 1908-2004) Bougival, Yvelines, France, 1956, a later printing. Signed “Henri Cartier-Bresson” in ink l.r., artist’s copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000

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223. Harold Eugene Edgerton (American, 1903-1990) Wes Fesler Kicking a Football, 1934, probably a later printing. Signed “HAROLD EDGERTON...” in felt-tip pen or similar on the reverse. Gelatin silver print on paper, image/sheet size 11 x 9 in. (27.9 x 22.8 cm), unmatted, unframed. Condition: Unmounted, 1 inch crease to image l.r., minor wear to edges and corners. $800-1,200

224. Harold Eugene Edgerton (American, 1903-1990) Judy Garland and Mickey Rooney at MGM Studios, 1940, probably a later printing. Signed “HAROLD EDGERTON” in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 10 1/2 x 13 1/2 in. (26.5 x 34.2 cm), unmatted, unframed. Condition: Unmounted. N.B. The lot is accompanied by a photograph of Edgerton receiving the U.S. Medal of Science, awarded to him in 1973 by President Richard M. Nixon at the White House. $1,500-2,000 223

224

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225. Harold Eugene Edgerton (American, 1903-1990) Atomic Bomb Explosion, before 1952, probably a later printing. Signed “HAROLD EDGERTON...” in pencil on the reverse. Gelatin silver print on paper, image size 11 1/2 x 8 3/4 in. (29.2 x 22.0 cm), unmatted, unframed. Condition: Unmounted. $800-1,200

226. Harold Eugene Edgerton (American, 1903-1990) Apple Sauce Maker, 1964. Titled, signed, and dated “...Harold Edgerton - 1964” in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 7 5/8 x 9 1/2 in. (19.3 x 24.2 cm), unmatted, unframed. Condition: Unmounted, possible fading, small area of soiling/ color change along upper edge of image, handling creases to image resulting in color changes to surface. $1,000-1,500

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226

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227. Harold Eugene Edgerton (American, 1903-1990) Two Images: Antique Gun Firing and Bullet Through Jack. The former signed “HAROLD EDGERTON” in pencil on the reverse, the latter with the artist’s stamp twice on the reverse. Gelatin silver prints on paper, image sizes to 9 x 12 in. (22.8 x 30.4 cm), unmatted, unframed. Condition: Unmounted, minor handling creases to Jack. $1,000-1,500

122

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228. Rudolf Eickemeyer (American, 1862-1932) Three Landscapes: Summer Hillside, 1901; Woodland Stream, 1902; and Lone Tree, 1923. Each monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes to 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed. Condition: Subtle toning. $1,500-2,000

228

229. Rudolf Eickemeyer (American, 1862-1932) Two Landscapes: Snowy Field, 1902, and Country Road, 1906. Both monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes approximately 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed. Condition: Subtle surface rubs to sky in Road, discoloration to Field. $1,500-2,000

229

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230. Alfred Eisenstaedt (American, 1898-1995) Running Statues, c. 1928. Signed “Alfred Eisenstaedt” in pencil on the mount. Gelatin silver print on paper, sheet/image size 9 3/8 x 7 in. (23.7 x 17.7 cm), matted, unframed. Condition: Toning, unobtrusive silvering-out. $1,500-2,000

230A. Stephen Frank (American, b. 1947) Palace of Fine Arts, San Francisco, 1979, edition of 80. Signed, inscribed, titled, and numbered “© Stephen Frank...2/80” in pencil on the reverse. Gelatin silver print on paper, image size 8 1/4 x 12 1/4 in. (20.8 x 31.0 cm), matted, unframed. Condition: Unmounted. Provenance: From the collection of Austin Lamont, by family descent. $200-250

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230A

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232

231. Adam Fuss (Anglo/American, b. 1961)

232. Paul A. Greenberg (American, b. 1935)

Untitled, from the MY GHOST Series, 2000, edition of 40. Purportedly signed on the reverse of the mount. Gelatin silver print on paper after a photogram, 19 x 23 1/2 in. (48.9 x 50.0 cm), framed. Condition: Mount affixed at the edges to a supporting mount. $3,500-5,500

Duane Michals, Famous New York Photographer Visited Dallas.../A Diptych, 1976. Signed, dated, and titled “P. Greenberg ‘76...” in ink on the mount beneath the first image. Gelatin silver prints (one with collage) on paper, image sizes to 8 7/8 x 7 1/8 in. (22.8 x 18.0 cm), unmatted, unframed. Condition: Minute rub to edge of larger image, subtle silvering-out to left edge of smaller image. $700-900

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233. Danny Lyon (American, b. 1942) Uptown Chicago, 1965. Titled, dated, and signed “…1965 Danny Lyon” in felt-tip pen l.r. Gelatin silver print on paper, image size 9 1/8 x 13 1/2 in. (23.0 x 34.3 cm), matted, unframed. Condition: Unmounted, minor wear to corners, minute indentation into image u.l. $1,200-1,800 234. Stuart W. Melvin (American, 20th/21st Century)

234A. Joel Meyerowitz (American, b. 1938) Vivian’s Things, 1977, printed 1987. Titled, signed, and dated “…Joel Meyerowitz 1987” in ballpoint pen on the reverse. Chromogenic print on Kodak paper, image size 23 1/4 x 18 1/2 in. (59.0 x 47.0 cm), framed. Condition: Unmounted, held to facing mat with masking tape at lower corners and upper edge, subtle handling crease near u.l. corner, fine abrasion to image (from towels to the window shade). $1,800-2,200

Sandia Mountains, New Mexico, 1994, edition of 100. Signed and dated “Stuart W. Melvin ‘94” in pencil on the mount, numbered “8/100” in pencil on the mount, identified and with artist’s stamp on the backing. Gelatin silver print on paper, image/sheet size 15 3/8 x 19 1/2 in. (39.0 x 49.3 cm), framed. Condition: Not examined out of frame. $500-700

234

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234B. Duane Michals (American, b. 1932) The Young Girl’s Dream (in Five Parts), 1969, edition of 25. The first titled, signed, and numbered “…Duane Michals 7/25” in ink beneath the image. Gelatin silver prints, image sizes 3 3/8 x 5 in. (8.4 x 12.6 cm), framed. Condition: Not examined out of frames. $1,200-1,800

234B

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235

235. Duane Michals (American, b. 1932) It was the Happiest Momentâ&#x20AC;Ś, 1976, edition of 25. Titled, signed, and numbered â&#x20AC;&#x153;...Duane Michals 3/25â&#x20AC;? in ink beneath the image. Gelatin silver print on paper, image size 4 3/4 x 7 in. (12.0 x 17.5 cm), unmatted, unframed. Condition: Unmounted, unobtrusive soiling and unpressed minor creases to margins, annotated in pencil on the reverse. $500-700

128

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237

236. Eadweard Muybridge (British, 1830-1904)

237. Eadweard Muybridge (British, 1830-1904)

Two Images from ANIMAL LOCOMOTION: Plate 307 (Discus Throw) and Plate 536 (Hands Writing), 1887. Both identified within the image. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed. Condition: Creases, nicks, and soiling to margins. $1,000-1,500

Two Images from ANIMAL LOCOMOTION: Plate 698 (Gazelle) and Plate 750 (Tree Sloth), 1887. Both identified within the images. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed. Condition: Creases, nicks, and soiling. $1,000-1,500

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238

238. Arnold Newman (American, 1918-2006) Yasuo Kuniyoshi, 1941, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 3/4 in. (19.3 x 24.6 cm), framed. Condition: Mount gently bowed, not examined out of frame. $2,000-3,000

239. Arnold Newman (American, 1918-2006) Max Ernst New York City, 1942, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed. Condition: Not examined out of frame. Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $2,000-3,000

239

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240

240. Arnold Newman (American, 1918-2006) Alfred Stieglitz, 1944, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 /8 in. (19.3 x 24.3 cm), framed. Condition: Mount gently bowed, corners slightly disadhered from mount, not examined out of frame. $2,000-3,000

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241

241. Arnold Newman (American, 1918-2006) Igor Stravinsky, New York City, 1946, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 6 1/4 x 11 3/4 in. (15.7 x 29.6 cm), framed. Condition: Not examined out of frame. $3,000-5,000

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242. Arnold Newman (American, 1918-2006) Carl Sandberg, 1959, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 10 x 7 3/4 in. (25.4 x 19.6 cm), framed. Condition: Mount gently bowed, not examined out of frame. $1,800-2,200

242

243. Arnold Newman (American, 1918-2006) Alfred Krupp, 1963 Essen Germany, 1963, possibly a later printing. Signed “© Arnold Newman” in pencil on the mount l.r., titled in pencil on the mount l.l., artist’s copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 13 5/8 x 9 7/8 in. (34.6 x 25.0 cm), matted, unframed. Condition: Minute abrasions to lower and left edges. $1,800-2,200

243

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244

244. Eliot Porter (American, 1901-1990) CERTAIN PASSAGES/A Portfolio of Eight Landscapes, published 1989, edition of 300, published by Daniel Wolf Press, Inc., New York. Each signed “Eliot Porter” in pencil (on the mount) l.r., identified and numbered “139” on the colophon page. Dye transfer prints, mount sizes 24 x 20 in. (60.9 x 50.8 cm), presented in the original clamshell box. Condition: Good. Provenance: Through the family of the artist. N.B. Porter has a unique place in the history of photography. At twelve years old, his father gave him his first camera, a Kodak Brownie. Porter grew up to study medicine and became a research biologist, but constantly returned to photography and nature walks. An accidental meeting with Ansel Adams spurred his interest in a more serious direction, and when his brother, painter Fairfield Porter, introduced him to Alfred Stieglitz, Porter shifted careers. While he was successful with his black and white work in the 1930s, it was his dye transfer work that was both unique in the 1940s and pioneering. $2,000-3,000

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245

245. Aaron Siskind (American, 1903-1991) Badlands 56 (S.D.), 1970. Titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 8 x 9 7/8 in. (20.3 x 25.0 cm), unmatted, unframed. Condition: Unmounted, minute wear at corners, rippling and crease to upper edge. $1,000-1,500

246. Aaron Siskind (American, 1903-1991) Jalapa 31, 1973. Signed “Aaron Siskind” in ink l.r., titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 10 x 9 3/4 in. (25.4 x 24.6 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners. $1,000-1,500

246

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247. Aaron Siskind (American, 1903-1991) Jalapa 63 (Homage to Franz Kline), 1974. Signed “Aaron Siskind” in pen l.r., titled, dated, and inscribed “…(Homage to F.K.)” in pen l.l. Gelatin silver print on paper, sheet size 13 7/8 x 10 7/8 in. (35.2 x 27.6 cm), framed. Condition: Margins over 1/4 inch, subtle rippling. $1,000-1,500

247

248. Aaron Siskind (American, 1903-1991) Westport 87, 1988. Titled, dated, and signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print on paper, image size 14 x 14 in. (35.5 x 35.5 cm), unmatted, unframed. Condition: Unmounted. $1,200-1,800

248

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249

249. Chuck Stewart (American, b. 1927) John Coltrane, NYC, May 66, printed 1995, edition of 100. Signed “Chuck Stewart” in ink l.r., numbered “8/100” in ink l.l., titled, numbered, signed, and dated in pencil on the reverse. Gelatin silver print on paper, image size 18 1/2 x 15 in. (46.5 x 38.0 cm), unmatted, unframed. Condition: Unmounted, indentation and an unpressed crease to the image near the right edge, gentle cockling. $800-1,200

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250

250. Jerry Uelsmann (American, b. 1934) Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink and with the artist’s mailing label on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed. Condition: Good. $1,000-1,500

251. Jerry Uelsmann (American, b. 1934) Rock-Tree, 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., titled in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500

251

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252

252. Jerry Uelsmann (American, b. 1934) Untitled (Double-spired Stump), 1975. Inscribed, signed, and dated “ORIGINAL PRINT - PLEASE TREAT KINDLY JERRY N. UELSMANN 1975” in ink and with artist’s address label in the right margin. Gelatin silver print on paper, image size 13 1/2 x 9 in. (34.2 x 22.8 cm), framed. Condition: Unmounted, gentle rippling. $1,000-1,500

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253

253. Cole Weston (American, b. 1919) Palo Corona Ranch, Carmel, 1962. Signed and dated “Cole Weston 1962” in pencil on the mount l.r. Dye transfer print on paper, image/sheet size 10 3/4 x 13 7/8 in. (27.2 x 35.2 cm), framed. Condition: Possible subtle fading, toning to mat at edge of print, not examined out of frame. $600-800

254. Edward Weston (American, 1886-1958) Shell, 1927, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/8 x 7 1/4 in. (23.7 x 18.3 cm), framed. Condition: Abrasion to upper edge, 1/4 inch scratch to background visible only in raking light. $4,000-6,000

254

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255. Edward Weston (American, 1886-1958) Pepper, 1930, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/4 x 7 3/8 in. (23.4 x 18.5 cm), framed. Condition: Minor wear to mount corners. $4,000-6,000

256. Edward Weston (American, 1886-1958) Charis on Dunes/Nude, 1936, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.5 x 24.0 cm), framed. Condition: Abrasion to right edge of sheet, short rub to image by figure’s right heel. $3,000-5,000

255

256

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257

257. Edward Weston (American, 1886-1958) Charis, Santa Monica/Nude, 1936, a later printing made by Cole Weston. Stamped and signed â&#x20AC;&#x153;Cole Westonâ&#x20AC;? in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed. Condition: Minor wear to image at lower edge and at u.l. corner, subtle toning to mount. $4,000-6,000

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258

258. Edward Weston (American, 1886-1958)

259. Edward Weston (American, 1886-1958)

Civilian Defense, 1942, a later printing made by Cole Weston. Stamped and signed “Cole Weston” in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.7 x 24.2 cm), unmatted, unframed. Condition: Extremely subtle silvering-out (visible only in strong raking light). $3,500-5,500

Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated “E W 1944” in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed. Condition: Subtle toning, minor staining to mounts, not examined out of frames. N.B. The lot is accompanied by an undated letter from Weston to Frances Ison, in an envelope postmarked 1949. $2,500-3,500

259

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260

260. Edward Weston (American, 1886-1958) Point Lobos, 1946, a later printing made by Cole Weston. Stamped and signed â&#x20AC;&#x153;Cole Westonâ&#x20AC;? in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed. Condition: Subtle unpressed crease along right edge, staining to edge of mount l.l. $4,000-6,000

END OF SALE

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Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist. Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist. American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

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Artist Index Adams, Ansel............................................................................ 210-215 Agam, Yaacov.................................................................................. 1, 2 Albers, Anni.......................................................................................... 3 Albers, Josef........................................................................................ 4 Alechinsky, Pierre.................................................................................. 5 Alinari, Fratelli................................................................................... 216 American School, 20th Century............................................................ 6 Appel, Karel.......................................................................................... 7 Arms, John Taylor............................................................................ 8-10

Francis, Sam...................................................................................... 84 Frank, Stephen .............................................................................. 230A Fuchs, Erich....................................................................................... 86 Fulwider, Edwin L. .............................................................................. 87 Fuss, Adam .................................................................................... 231

Bacher, Otto Henry ............................................................................ 11 Bacon, Peggy..................................................................................... 12 Balog, James................................................................................... 217 Barnet, Will................................................................................... 13, 14 Baskin, Leonard............................................................................ 15-17 Basquiat, Jean-Michel ....................................................................... 18 Beckmann, Max ............................................................................... 19 Behnken, William J............................................................................. 20 Benson, Frank Weston.................................................................. 21-23 Benson, John................................................................................... 218 Benton, Thomas Hart.................................................................... 24-27 Berry, Carroll Thayer........................................................................... 28 van Beverloo, Guillaume Cornelis........................................................ 29 Blake, William .................................................................................... 30 Blumenfeld, Erwin........................................................................... 218A Borne, Mortimer................................................................................. 31 Boudin, Eugène Louis......................................................................... 32 Braque, Georges................................................................................ 33 Braque, Georges (After)...................................................................... 34 Buffet, Bernard............................................................................. 35, 36 Burr, George Elbert........................................................................ 37-40 Bush, Jack ....................................................................................... 41

Haden, Sir Francis Seymour............................................................... 90 Hadzi, Dmitri ..................................................................................... 91 Hamaguchi, Yozo............................................................................... 92 Harden, Richard C. ............................................................................ 93 Hartung, Hans .................................................................................. 94 Hassam, Frederick Childe................................................................... 95 Helleu, Paul César ............................................................................. 98 Hockney, David ................................................................................. 99 Hundertwasser, Friedensreich........................................................... 101

Calder, Alexander.............................................................. 42-47, 49, 51 Callahan, Harry................................................................................. 219 Cartier-Bresson, Henri............................................................... 220-222 Cassigneul, Jean-Pierre................................................................. 52-56 Chadwick, Lynn ................................................................................. 57 Chagall, Marc .............................................................................. 58-60 Chagall, Marc (After) .......................................................................... 61 Chillida, Eduardo................................................................................ 63 Christo and Jeanne-Claude................................................................ 62 Clavé, Antoni .............................................................................. 64, 65 Climent, Enrique................................................................................. 66 Close, Chuck...................................................................................... 68 Cohn, Max Arthur......................................................................... 69, 70 Cook, Howard Norton........................................................................ 71 Corinth, Lovis .................................................................................... 72 Corneille .......................................................................................... 29 Cornell, Joseph.................................................................................. 73 Cuevas, José Luis.............................................................................. 74 Dehn, Adolf Arthur ............................................................................. 75 Delaunay-Terk, Sonia.......................................................................... 76 Dufy, Raoul ........................................................................................ 77 Eby, Kerr .......................................................................................... 78 Edgerton, Harold Eugene.......................................................... 223-227 Eickemeyer, Rudolf .................................................................. 228, 229 Eisenstaedt, Alfred............................................................................ 230 Fairey, Shepard............................................................................. 79, 80 Falilejeff, Vadim Dmitrjewitsch............................................................. 81 Foujita, Léonard Tsuguharu................................................................. 83

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Gorman, R.C...................................................................................... 88 Gramatté, Walter................................................................................ 89 Greenberg, Paul A. .......................................................................... 232

Icart, Louis................................................................................ 102, 103 Indiana, Robert................................................................................. 104 Jacoulet, Paul .................................................................................. 106 Jacquette, Yvonne............................................................................ 105 Kahn, Wolf ...................................................................................... 107 Kempshall, Hubert Kim..................................................................... 108 Kent, Rockwell ........................................................................ 109, 110 Klinger, Max...................................................................................... 111 Koons, Jeff ...................................................................................... 112 Krasner, Lee..................................................................................... 113 Kupferman, Lawrence...................................................................... 114 Landacre, Paul ................................................................................ 115 Laurencin, Marie (After)..................................................................... 117 Le Corbusier............................................................................. 118, 119 LeWitt, Sol ............................................................................... 120, 121 Lichtenstein, Roy....................................................................... 122-125 Longo, Robert ................................................................................ 126 Lord, Elyse Ashe............................................................................... 127 Lunois, Alexandre............................................................................. 128 Lyon, Danny .................................................................................... 233 Man Ray .................................................................................. 129, 130 Marca-Relli, Conrad.......................................................................... 131 Marini, Marino .......................................................................... 132, 133 Marsh, Reginald............................................................................... 134 Matisse, Henri (After)........................................................................ 135 Matta, Roberto ................................................................................ 138 Mazur, Michael Burton.............................................................. 136, 137 Melvin, Stuart W............................................................................... 234 Meyerowitz, Joel............................................................................. 234A Meyerowitz, William.......................................................................... 140 Michals, Duane ...................................................................... 234B, 235 Miró, Joan ................................................................................ 143-150 Mitchell, Joan .................................................................................. 151 Moore, Benson Bond ...................................................................... 152 Moore, Henry........................................................................... 153, 154 Motherwell, Robert .................................................................. 155, 156 Munakata, Shiko............................................................................... 157 Munch, Edvard ............................................................................... 158 Muybridge, Eadweard............................................................... 236, 237

Nevelson, Louise...................................................................... 159, 160 Newman, Arnold ....................................................................... 238-243 Peterdi, Gabor F............................................................................... 161 Picasso, Pablo .......................................................................... 162-170 Porter, Eliot ..................................................................................... 244 Reed, Doel ..................................................................................... 171 van Rijn, Rembrandt............................................................... 172, 172A Roussel, Ker Xavier........................................................................... 173 Saito, Kiyoshi ................................................................................... 174 Salle, David...................................................................................... 175 Santomaso, Giuseppe...................................................................... 176 Scholder, Fritz................................................................................... 177 Severini, Gino .................................................................................. 178 Shapiro, Joel .......................................................................... 179, 180 Shokler, Harry .......................................................................... 181, 182 Siskind, Aaron .......................................................................... 245-248 Soulages, Pierre....................................................................... 183, 184 Stella, Frank ................................................................................... 185 Stewart, Chuck ................................................................................ 249 Sullivan, David.................................................................................. 186 Ting, Walasse ................................................................................... 84 Tooker, George ................................................................................ 187 Uelsmann, Jerry........................................................................ 250-252 Vasarely, Victor.......................................................................... 190-194 Villon, Jacques................................................................................. 195 Warhol, Andy............................................................................ 196, 197 Warhol, Andy (After).......................................................................... 198 Warner, Everett Longley.................................................................... 199 Welliver, Neil .................................................................................... 200 Wengenroth, Stow..................................................................... 201-206 Weston, Cole.................................................................................... 253 Weston, Edward ....................................................................... 254-260 Woelke, Wilhelm............................................................................... 207 Wood, Grant .................................................................................... 208 Yuskavage, Lisa................................................................................ 209

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148

Upcoming Auction Fine Paintings & Sculpture February 1st, 2013

Boston, MA

Karel Appel (Dutch, 1291-2006), Presque Une Joie, sold for $118,500

Consignment Deadline: November 16th, 2012 For more information please contact our American & European Paintings department at 508.970.3206 or email paintings@skinnerinc.com

www.skinnerinc.com

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Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold â&#x20AC;&#x153;as is,â&#x20AC;? and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaserâ&#x20AC;&#x2122;s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

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check if change in address

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required)

Lot #

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FOR OFFICE USE Marlborough

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SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m

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SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

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Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Biying Zhang, Karen Mak Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Deputy Director: Jill Arbetter Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

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Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261

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Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley Bridgman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Jessica Bedenbaugh Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

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Directions to Skinnerâ&#x20AC;&#x2122;s Boston Gallery/63 Park Plaza, Boston, MA 02116 Telephone: 617-350-5400 From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South:

Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:

Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:

Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.â&#x20AC;&#x201A; Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 154

PARKING INDOOR PARKING GARAGES City Place Parking Garage Transportation Building 12 Charles Street Located at the end of Park Plaza Underground multi-level garage All day–closes at 2:30am First hr/$5, after 2 hrs/$14 AllRight Parking Boston Common Garage Located on Charles Street, on the Common, two blocks from Skinner 1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10 The Four Seaons Hotel Parking Garage 200 Boylston Street Adjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage 2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-up Up to 24 hrs/$42 Back Bay Garage 222 Berkeley Street (entrance off St. James) One block from Skinner All day/$35, evening (5pm-7am)/$10 Radisson Hotel Parking Garage Stuart Street (near intersection of Charles) Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage 26 Park Plaza (Same building as Legal Sea Food) Up to 1 hr/$8, 1 to 2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8 OUTDOOR PARKING LOTS (recommended for trucks) Pin Stripe Parking Arlington Street 617-338-7984 All day/$14, after 6pm and weekends/$10, overnight/$15 Billy’s Parking 222 Stuart Street 617-423-7781 8am-5pm/$18, after 5pm/$20

BOSTON HOTELS

BOSTON HOTELS WITH SKINNER CORPORATE RATES

Boston Harbor Hotel 70 Rowe’s Wharf Boston, MA 02110 Tel: 800-654-2000 Fax: 617-345-6799

The Back Bay Hotel (formerly Jurys) 350 Stuart Street Boston, MA 02116 Tel: 617-532-3800

Eliot Hotel 370 Commonwealth Ave. Boston, MA 02215 Tel: 617-267-1607

Radisson Hotel 200 Stuart Street Boston, MA 01740 Tel: 617-482-1800 Fax: 617-451-2750

Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 Tel: 617-723-1133

The Park Plaza 64 Arlington Street Boston, MA 02116 Tel: 617-457-7488 Fax: 617-426-2000

Four Seasons 200 Boylston Street Boston, MA 02116 Tel: 617-351-2036

The Ritz-Carlton, Boston Common 10 Avery Street Boston, MA 02111 Tel: 617-912-3315 Fax: 617-912-3375

The Colonnade 120 Huntington Avenue Boston, MA 02116 Tel: 617-424-7000 Fax: 617-424-0968

The Liberty Hotel 215 Charles St. Boston, MA 02114 617-224-4000

Taj Boston 15 Arlington St. Boston, MA 02116 617-536-5700

Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 800-228-9290 Fax: 617-236-5885

Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 800-228-3000 Fax: 617-424-7483

Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617-267-5300 Fax: 617-375-9648

Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617-772-5800

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RESTAURANTS

FINE DINING Dante Royal Sonesta Hotel 5 Cambridge Parkway 617-806-4200 Mediterranean restaurant with great views of the Charles River and Boston skyline. Davio’s 75 Arlington St. 617-357-4810 Northern Italian steak house. Grill 23 & Bar 161 Berkley Street (Stuart Street) 617-542-2255 Great steak, seafood, wine list, and service. L’Espalier 774 Boylston St. 617-262-3023 Fine French dining and wines with a wonderful pre-fixe menu. No. 9 Park 9 Park St. 617-742-9991 Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill. Radius 85 High St. 617-426-1234 Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list. Scampo The Liberty Hotel 215 Charles St. 617-536-2100 Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

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Troquet 140 Boylston St. 617-695-9463 French restaurant and wine bar perched at the edge of the Boston Common and the theatre district. Via Matta 79 Park Plaza 617-422-0008 Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE Aquitaine 569 Tremont Street 617-424-8577 Parisian bistro style fare. The Bristol Lounge at Four Seasons Hotel 200 Boylston St. 617-338-4400 Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden. East Ocean City 25-29 Beach St. 617-542-2504 Outstanding Chinese food restaurant highlighting seafood dishes with a fullservice bar. Lala Rokh on Beacon Hill 97 Mt. Vernon Street 617-720-5511 Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff. McCormick and Schmick’s Seafood Restaurant 36 Columbus Ave 617-482-3999 Fresh seafood offerings that change daily.

Summer Shack 50 Dalton St. 617-867-9955 Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) 617-338-8948 Casual café offers quick service. Davio’s To Go 10 St. James Galleria Atrium 617-357-4810 Casual Italian take-out lunch spot with daily special pastas, soups, and salads. Flash’s 310 Stuart St. 617-574-8888 American comfort food served with classic cocktails in a casual setting. Parish Café 361 Boylston St. 617-247-4777 American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs. Piattini 226 Newbury Street 617-536-2020 Italian wine bar with an eclectic menu; specializes in Italian-style tapas. The Upper Crust 20 Charles Street 617-723-9600 Gourmet thin crust pizza.

SKINNER

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