American & European Prints & Photography | Skinner Auction 2727B

Fine Prints & Photography and Prints & Photography – Online

Sale 2727B

May 16, 2014

Sale 2732T

May 13–20, 2014

Boston www.skinnerinc.com

Fine Prints & Photography

Specialists

Robin S.R. Starr

Kathy Wong

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3297

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2727B

Preview

Absentee Bidding

Friday, May 16 12PM followed by 2728B Fine Paintings & Sculpture at 4PM

Wednesday, May 14 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, May 15 12 to 8PM Friday, May 16 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

Auction 2732T Tuesday, May 13, 10AM—Tuesday, May 20, 6PM www.skinnerinc.com

View all lots online at www.skinnerinc.com cover : 26 ; frontispiece : 63 ; back cover : 163

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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

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Sale 2727B - Fine Prints & Photgraphy Lots 1–185

123

Sale 2723T - Prints & Photography­—Online

137

Artist Index

138

Conditions of Sale

139

Absentee Bid Form

140

Company Directors & Specialty Departments

141

Administrative Staff & Client Services

142

Map & Driving Directions

143

Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 138 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2014 All rights reserved MA/Lic. #2304

Glossary of Terms All items in this catalogue are described according to the following table of terminology.

Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Fine Prints & Multiples Lots 1–85

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1 Josef Albers (German/American, 18881976) WLS X from WHITE LINE SQUARES (SERIES II), 1966, edition of 125, published

by Gemini G.E.L., Los Angeles (Danilowitz, 172.2). Monogrammed and dated “JA ‘66” in pencil l.r., titled and numbered “...34 - 125” in pencil l.l. Color screenprint on paper, image size 15 3/4 x 15 3/4 in. (39.9 x 39.9 cm), framed.

Condition: Possible subtle toning to sheet, not examined out of frame. $2,000-3,000

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2 Josef Albers (German/American, 18881976) Gray Instrumentation II e from GRAY INSTRUMENTATION II, 1974-75, edition of 36, published by Tyler Graphics, Bedford Village, New York (Danilowitz, 228.5). Signed “JAlbers” in pencil l.r., titled and numbered “...20/36” in pencil l.l., artist’s and publisher’s dry stamps l.r., identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 11 x 11 in. (27.8 x 27.8 cm), framed.

Condition: Subtle bleed-out at edge of image, not examined out of frame. $2,000-3,000

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3 Ivan Le Lorraine Albright (American, 18971983) Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 1980” in pencil l.c., signed within the matrix, titled in pencil l.l.

Lithograph on BFK Rives paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed.

Condition: Deckled edges, very minor handling creases to deckles.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $200-300 4 Peggy Bacon (American, 1895-1987) The Rival Ragman, 1936, published by Associated American Artists in 1938, edition of 139 (Flint, 130; AAA/Czestochowski, 1938.001). Signed “Peggy Bacon.” in pencil l.r., titled in pencil l.l., identified on a label from AAA affixed to the mat. Etching on wove paper, plate size 6 x 8 7/8 in. (15.0 x 22.5 cm), matted, unframed.

Condition: Margins over 1 7/8 inches with deckled edges, minor soiling to upper margin. $500-700

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5 Romare Bearden (American, 1911-1988) Louisiana Serenade from the JAZZ Series, 1979, outside of the edition of 175, published

by London Arts, Inc., Detroit. Numbered and signed “HC 5/10 RomareBearden� in pencil within the image l.l. Color lithograph on paper, image/sheet size 24 3/8 x 34 in. (61.9 x 86.1 cm), framed.

Condition: Minute crease to corners of sheet l.l. and u.l., floated within the mat, not examined out of frame. $1,500-2,000

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6 Fred Becker (American, 1913-2004) Five John Henry Subjects: Birth of John Henry; John Henry Building a Railroad, 1936; John Henry + the Witch Woman; John Henry’s Death; and John Henry’s Funeral. Each signed “...Becker” in pencil l.r. and titled in pencil l.c. Wood engravings on Basingwerk Parchment with watermarks, image sizes to 6 x 4 1/2 in. (15.2 x 11.4 cm), unmatted, unframed.

Condition: Margins over 1/2 inch with some deckled edges, tear to left margin of Death.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $600-800 7 Max Beckmann (German, 1884-1950) Toilette, alternatively titled vorm Spiegel, 1923, edition of 35 (Hofmaier, 258 III Bb). Signed “Max Beckmann” in pencil l.r.

Woodcut on heavy paper, image size 8 7/8 x 6 in. (22.4 x 15.1 cm), framed.

Condition: Floated within the mat. $5,000-7,000 7

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8 Frank Weston Benson (American, 18621951) The Canceled Zinc Plate for the Etching Fish Hawk, 1913 (Paff, 18). 11 15/16 x 9 15/16 in. (30.2 x 25.2 cm).

Condition: Wear.

Provenance: Descended within the family of the artist.

N.B. Paff lists this plate as “destroyed.” $1,000-1,500 9 Frank Weston Benson (American, 18621951) Second Island Outlet, 1916, published state of 85 (Paff, 108). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “F.J. Head & Co” watermark, plate size 8 7/8 x 13 3/4 in. (22.4 x 35.0 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges to all but the left side, pencil annotations l.l., unobtrusive soiling to margins, minor hinge residue near upper corners.

Provenance: Descended within the family of the artist. $600-800

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10 Frank Weston Benson (American, 18621951)

11 Frank Weston Benson (American, 18621951)

Harbor, 1918, published state of 150 (Paff, 148). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Etching on paper, plate size 4 x 6 in. (9.9 x 15.2 cm), unmatted, unframed.

Condition: Margins over 2 1/2 inches with deckled edges, pencil annotations l.l., subtle soiling, minor losses and hinge residue to upper corners verso.

Wide Marshes, 1920, published state of 150 (Paff, 173). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 7 x 10 7/8 in.

(17.6 x 27.5 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches with deckled edges, pencil annotations l.l., subtle soiling, loss to tip of corner u.l.

Provenance: Descended within the family of the artist. $500-700

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Provenance: Descended within the family of the artist. $500-700

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12 Frank Weston Benson (American, 18621951)

13 Frank Weston Benson (American, 18621951)

Early Gunners, 1920, published state of 150 (Paff, 177). Signed “FrankWBenson.” in pencil l.l., inscribed indistinctly l.c. Etching on paper, plate size 1 5/8 x 5 in. (4.0 x 12.5 cm), framed.

Condition: Not examined out of frame.

Dark Pool, 1920, published state of 150 (Paff, 189). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on paper, plate size 8 x 11 7/8 in. (20.3 x 30.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, pencil annotations l.l., subtle toning and soiling, thinned spot and hinge residue to upper corners verso.

Provenance: Descended within the family of the artist. $1,000-1,500

Provenance: Descended within the family of the artist. $800-1,000

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14 Frank Weston Benson (American, 18621951)

15 Frank Weston Benson (American, 18621951)

Riverman, 1920, published state of 150 (Paff, 195). Signed “FrankWBenson.” in pencil l.l.

Etching on vellum paper, plate size 6 1/8 x 4 in. (15.4 x 10.0 cm), unmatted, unframed.

Condition: Margins 2 3/4 inches or more with deckled edges, pencil annotations l.l.

A Cup of Water, 1920, published state of 150 (Paff, 196). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with partial watermark, plate size 6 7/8 x 4 7/8 in. (17.4 x 12.4 cm), unmatted, unframed.

Condition: Margins 2 inches or more with deckled edges, pencil annotations l.c., very pale soiling, hinge and glue residue to upper corners verso.

Provenance: Descended within the family of the artist. $1,200-1,800

Provenance: Descended within the family of the artist. $1,200-1,800

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16 Thomas Hart Benton (American, 18891975) Homestead, alternatively titled In the Ozarks, 1938, published by Associated American Artists, edition of 250 (Fath, 20). Signed “Benton” in pencil l.r. and within the matrix.

Lithograph on paper, image size 10 1/4 x 13 1/8 in. (26.0 x 33.2 cm), framed.

Condition: Margins 1/2 inch or more with gentle rippling, not examined out of frame. $1,500-2,000

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17 Thomas Hart Benton (American, 18891975) Planting, alternatively titled Spring Plowing, 1939, published by Associated American Artists, edition of 250 (Fath, 28). Signed “Benton” in pencil l.r. and within the matrix.

Lithograph on paper, image size 9 7/8 x 12 5/8 in. (24.8 x 31.9 cm), framed.

Condition: Margins 1/2 inch or more with gentle rippling, not examined out of frame. $1,500-2,000

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18 Thomas Hart Benton (American, 18891975) Spring Tryout, 1943, published by Associated American Artists, edition of 250 (Fath, 61).

Signed “Benton� in pencil l.r., identified on a label and a certificate, both from AAA, accompanying the lot. Lithograph on paper, image size 9 3/8 x 13 5/8 in. (23.7 x 34.5 cm), unmatted, unframed.

Condition: Margins approximately 3/4 inches, pale staining and annotations to verso. $3,000-5,000

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19 Thomas Hart Benton (American, 18891975) Loading Corn, alternatively titled Shucking Corn, 1945, published by Associated American Artists, edition of 250 (Fath, 65).

Signed “Benton� in pencil l.r., identified on a label and a certificate, both from AAA, accompanying the lot. Lithograph on paper, image size 9 5/8 x 12 3/4 in. (24.3 x 32.5 cm), unmatted, unframed.

Condition: Margins approximately 3/4 inches, annotations to verso. $1,000-1,500

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20 Natvar Prahladji Bhavsar (Indian/American, b. 1934) Untitled, 1967. Dated and signed “1967 NATVAR BHAVSAR” in pencil l.r., inscribed “artist’s proof” in pencil l.c. Color screenprint on paper, image size 27 3/8 x 25 1/4 in. (69.4 x 64.0 cm), framed.

Condition: Not examined out of frame. $400-600 21 Louis Breslow (American, fl. circa 1938) Two Winter Scenes: Cutting Ice and The Race. Both signed “Louis Breslow” in pencil l.r. and titled in pencil l.c. Wood engravings on Basingwerk Parchment with watermarks, images sizes 8 1/8 x 6 1/8 in. (20.5 x 15.4 cm), unmatted, unframed.

Condition: Minor soiling and annotations to margins, The Race is horizontal.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-500

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22 Félix Hilaire Buhot (French, 1847-1898) L’Hiver à Paris, 1879, final state of nine (Bourcard/Goodfriend, 128). Signed, dated, and identified within the plate. Etching with aquatint on paper, plate size 9 1/4 x 13 5/8 in.

(23.3 x 34.5 cm), framed.

Condition: Not examined out of frame. $700-900

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23 David Burke (American, fl. 1935-1942) Two Scenes: Back Bay and Jitterbug Swing. Both signed “David Burke� in pencil l.r. and titled in pencil l.c. Color woodcuts on Japan, image sizes approximately 15 1/2 x 11 1/4 in. (39.3 x 28.4 cm), unmatted, unframed.

Condition: Toning, soiling and/or staining to margins, creases to margins (prevalent to Jitterbug).

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Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600

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24 Sir Anthony Caro (British, b. 1924) Book of Eden, 1999-2000, signed edition of 50 plus 20 artist’s proofs. Signed, dated, and numbered “ACaro/1999/48/50” on the second sheet l.l., Tyler Graphics Ltd. (TGL) blindstamp l.r. Lithograph on two sheets of handmade (okaware) paper, mounted to two panels of four layer TGL plaster paper, plaster book size approx. 10 x 13 3/8 x 2 in. (25.2 x 34.0 x 5.0 cm), set within a Plexiglas box.

Condition: TGL plaster paper velcroed to backing mat, not examined out of frame.

Literature: Dieter Blume, Anthony Caro: A Catalogue Raisonné [complete record of sculptures 1942-2005], Vol. XIV (Koln: Verlag Galerie Wentzel, 1981-2007), B2653, p. 142.

N.B. In a letter to Dieter Blume, Caro notes, “Book of Eden emerged as I attempted to make a print. It ended up being threedimensional, like a book...” We wish to thank Barford Sculptures for their kind assistance with cataloging the lot. $1,500-2,000

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25 Mary Cassatt (American, 1844-1926) Margot Wearing a Bonnet (No. 5), c. 1902 (Breeskin, 183 ii/ii). Signed “Mary Cassatt� in pencil l.r. Drypoint on laid paper with figural shield watermark, plate size 7 x 5 1/2 in. (17.7 x 14.0 cm), framed.

Condition: Margins over 1 1/4 inches with three edges deckled, cockling, subtle toning and light striking, two thinned spots to verso, masking tape residue to upper margin.

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Provenance: Descended from the sitter to her grandniece Ellen Meigs; gift from Meigs to the family of present owner.

N.B. Margot Lux was from a small village outside of Paris, and was the subject of nearly fifty compositions by Cassatt. $15,000-25,000

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26 Paul CĂŠzanne (French, 1839-1906) Les baigneurs - petite planche, alternatively titled Les Petits Baigneurs 1897, second state of two (Venturi, 1156; Cherpin, 6).

Unsigned. Color lithograph on chine volant, image size 9 3/8 x 11 1/2 in. (23.6 x 29.1 cm), matted, unframed.

Condition: Margins over 1/2 inch with deckled edges, foxing (primarily to margins and verso), thinned spots to verso at corners and to lower margin, registration pinholes, pencil annotations to verso.

Provenance: Purchased from E. Weyhe Booksellers, New York, 1926; private Rhode Island collection. $8,000-12,000

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27 Marc Chagall (French/Russian, 1887-1985) Sacrifice aux Nymphs from DAPHNIS AND CHLOÉ, 1961, from the edition of 60, published by Tériade Éditeur, Paris (Mourlot, 330; Cramer, 46). Signed “Marc Chagall” in pencil l.r., numbered “38/60” in pencil l.l., identified on a label from the Far Gallery, New York, affixed to the backing. Color lithograph on wove paper, image size 16 5/8 x 12 5/8 in.

(42.2 x 32.0 cm), framed.

Condition: Margins 1 inch or more with three deckled edges, toning, cellophane tape/ residue to upper edge verso, white cloth tape hinges to upper corners verso. $6,000-8,000

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28 Marc Chagall (Russian/French, 1887-1985) Frontispiece from THE STORY OF EXODUS, 1966, from the edition of 20 (Mourlot, 444). Signed “Marc Chagall” in pencil l.r. Color lithograph on Japan paper, image size 17 1/2 x 12 5/8 in. (44.3 x 32.0 cm), framed.

Condition: Crease to corner of margin l.r., not examined out of frame. $400-600 29 Jean Charlot (French/American, 1898-1979) The Offering, 1934, edition of 35, printed

by Lynton Kistler, Los Angeles (Morse, 239).

Signed and numbered “Jean Charlot 16/35” in pencil l.r., signed and dated within the matrix, monogrammed by the printer in pencil l.l.

Lithograph on paper, image size 12 5/8 x 10 1/2 in. (32.0 x 26.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500

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30 Asa Cheffetz (American, 1897-1965)

31 Eric de Coulon (Swiss, 1888-1956)

Monday (Holyoke, Mass.). Signed “Asa Cheffetz imp.” in pencil l.r., titled in pencil l.l.

Wood engraving on paper, image size 7 x 10 in. (17.7 x 25.4 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $300-350

La Terre Française...Renault Billancourt (Seine). Identified within the matrix. Color lithographic poster, image size 44 3/4 x 60 3/8 in. (113.7 x 153.4 cm), framed.

Condition: Prevalent handling creases, other pressed creases, tears to the edges of the image, toning, not examined out of frame. $1,000-1,500

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32 Salvador Dalí (Spanish, 1904-1989) L’Ange de la melancolie from AURÉLIA, 1972, from the edition of 175 (Michler & Löpsinger, 564). Signed “Dalí” in pencil l.r., numbered “3/175” in pencil l.l. Color drypoint with aquatint on Arches cream paper with watermark, plate size 14 7/8 x 22 3/4 in. (37.7 x 57.6 cm), unmatted, unframed.

Condition: Deckled edges. $400-600 33 Salvador Dalí (Spanish, 1904-1989) Liquid and Gaseous Television from IMAGINATIONS AND OBJECTS OF THE FUTURE, 1975-76, from the “international” edition of 250 (Michler & Löpsinger, 824).

Signed “Dalí” in pencil l.r., numbered “I94/250” in pencil l.l. Drypoint with lithography, screenprinting, and collage on wove paper, plate size 27 3/8 x 20 7/8 in. (69.4 x 53.0 cm), unmatted, unframed.

Condition: Deckled right and lower edges, presented in its original folder (with French text). $700-900 33

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34 Salvador Dalí (Spanish, 1904-1989) Intra-Uterine Paradesiac Locomotion from IMAGINATIONS AND OBJECTS OF THE FUTURE, 1975-76, from the “international” edition of 250 (Michler & Löpsinger, 825).

Signed “Dalí” in pencil l.r., numbered “I 60/250” in pencil l.l. Drypoint with lithography and screenprinting on wove paper, plate size 27 3/8 x 20 7/8 in. (69.4 x 53.0 cm), unmatted, unframed.

Condition: Deckled right and lower edges, presented in its original folder (with French text). $700-900 35 Salvador Dalí (Spanish, 1904-1989) Cyclopean Make-Up from IMAGINATIONS AND OBJECTS OF THE FUTURE, 1975-76, from the “English” edition of 250 (Michler & Löpsinger, 827). Signed “Dalí” in pencil l.r., numbered “134/250” in pencil l.l. Drypoint with lithography, screenprinting, and collage on wove paper, plate size 27 1/4 x 20 7/8 in.

(69.0 x 53.0 cm), unmatted, unframed.

Condition: Deckled right and lower edges, presented in its original folder (with English text). $700-900 35

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36 Salvador Dalí (Spanish, 1904-1989)

37 Salvador Dalí (Spanish, 1904-1989)

Pirueta de plátano from LES CAPRICES DE GOYA DE DALÍ, 1977, edition of 200 plus proofs (Michler & Löpsinger, 927). Signed “Dalí” in pencil l.r., inscribed “E.A.” in pencil l.l., signed and stamped by Frank Hunter of the Salvador Dali Archives on the reverse.

Drypoint and stencil coloring over heliogravure on Rives paper with watermark, plate size 9 1/4 x 7 in. (23.4 x 17.6 cm), framed.

Condition: Deckled right edge, floated within the mat, not examined out of frame. $500-700

Restaurateur from THE PROFESSIONS, 1979-80, from the “international” edition of 350 (Michler & Löpsinger, 1578). Signed “Dalí” in pencil l.r., numbered “I 77/350” in pencil l.l., dry stamps from Atelier Dumas, New York, and “Dalart, N.V. Copyright 1980,” l.l. Color lithograph on wove paper, image size 22 5/8 x 18 in. (57.3 x 45.7 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more. $700-900

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38 Harold Faye (American, 1910-1980) Two Industrial Views: Going West and Stacks. Both signed “H. Faye” in pencil l.r. and titled in pencil l.c. Lithographs on paper, image sizes approximately 10 1/2 x 14 3/8 in.

(26.5 x 36.4 cm), unmatted, unframed.

Condition: Margins 1/2 inch or more, both with several fox marks and subtle toning.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600

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39 Wanda Gag (American, 1893-1946) Evening, 1928, edition of 100 (Winnan, 62).

Signed and dated “WANDA GAG - ‘28” in pencil l.r. Lithograph on paper, image size 8 1/8 x 12 in. (20.5 x 30.5 cm), framed.

Condition: Not examined out of frame. $600-800 40 Harry Gottlieb (American, 1895-1993) Street Near a Steel Mill. Signed “Harry Gottlieb” in pencil l.r., titled in pencil l.c.

Lithograph in black and tan on cream Rives paper with watermark, image size 13 x 18 3/4 in. (32.9 x 47.3 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges, tear to the left margin, minor soiling, nicks, and tears to edges.

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Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-500

41 Dmitri Hadzi (American, 1921-2006) Two Compositions Printed at the Garner Tullis Workshop, New York: W8, 1991, proof impression, and W13, 1991, edition of 4.

Both signed and dated “Hadzi, 91� in pencil l.r., and numbered/inscribed in pencil l.l. and on verso. Woodcuts on heavy handmade paper, sheet sizes approximately 11 5/8 x 10 1/2 in. (29.4 x 26.6 cm), unmatted, unframed.

Condition: Very subtle soiling. $400-600

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42 Stanley William Hayter (British, 1901-1988)

43 Barbara Hepworth (British, 1903-1975)

Grolier, 1944, edition of 20 (Black & Moorhead, 161). Signed and dated “SWHayter 44” in pencil l.r., numbered “14/20” in pencil l.l. Engraving on paper, plate size 5 7/8 x 4 7/8 in. (14.8 x 12.2 cm), framed.

Condition: Breaks to paper fibers at plate mark with some soiling, not examined out of frame. $300-500

Untitled, c. 1969, edition of 60. Signed “Barbara Hepworth” in pencil l.r., numbered “48/60” in pencil l.l. Color lithograph on paper, image size 28 1/2 x 21 in. (72.3 x 53.2 cm), framed.

Condition: Toning, not examined out of frame. $1,000-1,500

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44 Louis Icart (French, 1888-1950) Joie de vivre, 1929 (Holland et al., 359).

Signed “Louis Icart” in pencil l.r., numbered “255” in pencil l.l., artist’s dry stamp l.l., identified within the plate. Color etching and aquatint with stencil coloring on paper, plate size 24 3/4 x 16 in. (62.8 x 40.6 cm), framed (unglazed).

Condition: Toning, fox marks. $800-1,200 45 Luigi Kasimir (Austrian, 1881-1962) Melk on the Danube, 1916 (Kasimir, 74).

Signed “Luigi Kasimir” in pencil l.r., dated within the plate. Color etching with aquatint on paper, plate size 17 x 22 5/8 in. (43.2 x 57.4 cm), framed.

Condition: Very subtle toning, not examined out of frame. $500-700

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46 Rockwell Kent (American, 1882-1971) Masthead, 1926, edition of 150 (Jones, 7).

Signed “Rockwell Kent� in pencil l.r., identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Wood engraving on paper, image size 8 x 5 1/2 in.

(20.3 x 13.9 cm), framed.

Condition: Toning, not examined out of frame. $1,000-1,500

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47 Rockwell Kent (American, 1882-1971) Pinnacle, 1928, edition of 100 (Jones, 20).

Signed “Rockwell Kent� in pencil l.r., identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Lithograph on paper, image size 12 x 7 1/4 in. (30.4 x 18.4 cm), framed.

Condition: Toning, not examined out of frame. $600-800

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48 Marguerite Kirmse (American, 1885-1954)

49 Marguerite Kirmse (American, 1885-1954)

Scat! Signed “Marguerite Kirmse” in pencil l.r.

Etching on paper, plate size 6 3/8 x 10 1/4 in.

(16.1 x 25.9 cm), framed.

Condition: Not examined out of frame. $500-700

Three Terrier Scenes: A Full House; Three’s a Crowd; and Train Time. Each signed “Marguerite Kirmse” in pencil l.r. and titled in pencil l.l., Crowd identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etchings on paper, plate sizes to 6 1/2 x 10 in. (16.4 x 25.4 cm), framed.

Condition: House with toning and pale mat burn, not examined out of frames. $600-800

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50 Marguerite Kirmse (American, 1885-1954) Two Scenes with Puppies: Gangway! and Let’s Eat! Both signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., and monogrammed within the plate, Gangway identified on a label from Harlow, McDonald & Co., New York, affixed to the backing.

Etchings on paper, plate sizes approximately 10 3/8 x 7 1/2 in. (26.3 x 19.0 cm), framed.

Condition: Subtle toning, not examined out of frames. $400-600

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51 Yasuo Kuniyoshi (Japanese/American, 1893-1953) South Berwick, Maine, 1934, edition of 250, published for the Cleveland Print Makers (Davis, L-66). Signed “Yasuo Kuniyoshi” in pencil l.r., identified in information affixed to the backing. Lithograph on paper, image size 9 1/4 x 12 1/2 in. (23.4 x 31.5 cm), framed.

Condition: Subtle toning, several pinpoint fox marks, not examined out of frame. $300-500 52 Richard Lindner (German/American, 19011978) Miss American Indian from AFTER NOON Portfolio, 1974, outside of the edition of 250.

Dedicated and signed “To Carol [Mallory] & Claude [Picasso]/Richard Lindner” in blue ballpoint pen l.r. Color lithograph on paper, sheet size 28 x 22 in. (71.2 x 55.9 cm), framed.

Condition: Toning, staining.

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Provenance: Collection of Carole Mallory (see Skinner, Fine Jewelry, March 18, 2014, Sale 2711B, Lots 184 to 186, on her relationship to Claude Picasso). $600-800

53

53 Nat Lowell (American, 1880-1956) Three New York Views: New York Harbor, alternatively titled Manhattan Harbor, 1909, published in 1936 by Associated American Artists, edition of 125 (AAA/Czestochowski, 1936.047); Manhattan Towers, 1937, published by AAA, edition of 100 (AAA/ Czestochowski, 1937.067); and Central Park, 1937, published by AAA, edition of 250 (AAA/ Czestochowski, 1937.065). Each signed “Nat Lowell” in pencil l.r., Harbor titled and dated l.l., Towers with AAA label to mat, identifying the print as Tip of Manhattan. Etchings on paper, plate sizes to 9 1/2 x 12 3/8 in. (24.0 x 31.3 cm), matted, unframed.

Condition: Margins over 1 inch, Towers and Park with gentle toning. $600-800 54 Nan Lurie (American, b. 1910)

54

Promised Land. Signed “Nan Lurie” in pencil l.r., titled in pencil l.c. Lithograph on Rives paper with watermark, image size 11 1/2 x 15 in. (29.2 x 37.9 cm), unmatted, unframed.

Condition: Margins 2 1/4 inches or more with deckled edges, soiling and handling creases to margins.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $200-250

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55

56

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57

55 Robert Peter Mangold (American, b. 1937)

56 Robert Peter Mangold (American, b. 1937)

57 Robert Peter Mangold (American, b. 1937)

Distorted Square within a Circle 2, 1973, edition of 75, published by Max Protech, Inc., New York. Signed and dated “R. Mangold 1973” in pencil l.r., titled in pencil l.c., numbered “40/75” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on heavy wove paper, image size 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm), unmatted, unframed.

Condition: Deckle to all but the left edge, old hinges to edges.

Semi-Circle I from the SEMI-CIRCLE Series, 1995, edition of 47, published by Brooke Alexander, Inc., New York. Signed “R. Mangold” in pencil l.r., inscribed and numbered “I 2/47” in pencil l.l. Color lithograph on paper, image size 19 x 37 3/4 in.

(48.2 x 95.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $2,000-3,000

Semi-Circle II from the SEMI-CIRCLE Series, 1995, edition of 47, published by Brooke Alexander, Inc., New York. Signed “R. Mangold” in pencil l.r., inscribed and numbered “II 2/47” in pencil l.l. Color lithograph on paper, image size 19 x 37 3/4 in.

(48.2 x 95.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $2,000-3,000

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $250-300

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58

58 Conrad Marca-Relli (American, 1913-2000) Composition 10, 1976-77, from outside of the edition of 75. Signed and dated “MARCA-RELLI/76” in pencil l.r., numbered “A/P 8/10” in pencil l.l. Etching and aquatint in black and tan on paper, plate size 17 x 24 1/2 in. (43.0 x 62.1 cm), framed.

Condition: Margins 1 inch or more, not examined out of frame. $500-700

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59

59 Marino Marini (Italian, 1901-1980) From Color to Form 9 from FROM COLOR TO FORM, 1969, edition of 50, published by Société Internationale d’Art XXe Siècle, Paris (Guastalla, L100). Signed “MARINO” in pencil l.r., numbered “11/50” in pencil l.l. Color lithograph on paper, image size 15 1/2 x 20 1/2 in. (39.4 x 52.0 cm), framed.

Condition: Gentle toning to sheet, not examined out of frame. $400-600 60 Kyra Markham (American, 1891-1967) Building “Twelfth Night,” 1934, edition of 20. Numbered, signed, and dated “1 - 20 Kyra Markham ‘34” in pencil l.r. Lithograph on paper, image size 12 3/4 x 9 7/8 in. (32.3 x 25.0 cm), matted, unframed.

Condition: Margins 1 3/4 inches or more with deckled edges, gentle toning. $600-800

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60A

60A Reginald Marsh (American, 1898-1954) Merry-Go-Round, 1940, from the edition of 100 published by the Whitney Museum (Sasowsky, 210). Unsigned, numbered “26/100” in pencil l.l., Whitney Museum dry stamp l.r. Engraving on heavy wove paper, plate size 7 7/8 x 12 in. (20.0 x 30.3 cm), matted, unframed.

Condition: Margins over 1 1/2 inches with a deckled lower edge. $350-550 61 Joan Miró (Spanish, 1893-1983) Poster for the Ballet “Lucifer,” 1975, from the edition before lettering of 75, published by the Martha Graham Dance Company, New York, printed by Maeght, Paris (Mourlot, 1050). Signed “Miró” in pencil within the image l.r., numbered “51/75” in pencil within the image l.l. Color lithograph on paper, image/sheet size 30 3/4 x 22 1/4 in. (78.0 x 56.4 cm), unmatted, shrink-wrapped.

Condition: Deckled edges, not examined out of wrap.

Provenance: Through the family of former Rhode Island governor and United States senator John Orlando Pastore (1907-2000). $1,000-1,500 61

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62 Robert Von Neumann (German/American, 1888-1976) Plowing Along the Shore, c. 1940, edition of 50. Signed “Robert von Neumann” in pencil l.r., numbered “18/50” in pencil l.c., titled in pencil l.l. Lithograph on wove paper, image size 12 3/4 x 9 3/4 in. (32.3 x 24.5 cm), matted, unframed.

Condition: Margins 1 inch or more with two deckled edges, gently light-struck. $400-600 62A Margaret Jordan Patterson (American, 1867-1950) Garden Flowers, 1921. Signed “Margaret Patterson” in pencil in the image l.r. Color woodcut on fine paper, 10 1/2 x 7 1/4 in. (26.7 x 18.5 cm), framed.

Condition: Trimmed to image, bleed-through to verso, hinged at top. $800-1,200

62

62A

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63

64

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63 Pablo Picasso (Spanish, 1881-1973)

64 Pablo Picasso (Spanish, 1881-1973)

Dove at the Dormer, 1949, edition of 200 (Ramie, 78). Inscribed and numbered “EDITION PICASSO 72/200” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. White clay earthenware platter decorated with engobes, knife engraving, and glazes, 12 3/4 x 14 3/4 in. (32.3 x 37.3 cm).

Condition: Very minor surface grime to interstices. $5,000-7,000

Fish Subject, 1952, edition of 500 (Ramie, 139). Inscribed “EDITION PICASSO MADOURA” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned red clay earthenware pitcher with white and black engobes, height 5 in. (12.5 cm).

Condition: Minor soiling, small drying crack at spout. $4,000-6,000

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65

65 Pablo Picasso (Spanish, 1881-1973) Face, 1955, edition of 500 (Ramie, 288). Inscribed “EDITION PICASSO” and “MADOURA” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned white clay earthenware pitcher with red and black engobes and glazed interior, height 12 1/4 in. (31.3 cm).

Condition: Minor soiling. $5,000-7,000

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66 Leonard Pytlak (American, b. 1910) Stage Hands. Signed “L. Pytlak” in pencil l.r., titled in pencil l.c. Color woodcut on Japan paper, image size 11 7/8 x 14 in. (30.0 x 35.5 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more, soiling, tears, and pencil annotations to margins.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $150-200 67 Harry Rein (American, 1908-1969)

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Race Track. Signed “Harry Rein” in pencil l.r., titled in pencil l.c. Woodcut in brown and black on Japan paper, image size 14 3/4 x 18 in. (37.2 x 45.7 cm), unmatted, unframed.

Condition: Margins 1/2 inch or more, staining to margins (especially on the left), creases and folds to margins plus one to corner of image u.r.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $200-250

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68

68 Pierre-Auguste Renoir (French, 1841-1919) Baigneuse debout, Ă mi-jambes, c. 1910, possibly from the 1923 printing (Stella, 23).

Unsigned. Etching on paper, plate size 6 1/2 x 4 3/8 in. (16.4 x 11.0 cm), framed.

Condition: Margin 1 1/4 inches or more, not examined out of frame. $700-900

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69

69 Aiden Lassell Ripley (American, 1896-1969) Two Fowling Subjects: Flight Woodcock and Grouse on a Pine Bough. Both signed “A. Lassell Ripley” in pencil l.r. and titled in pencil l.l. Etchings (the former with aquatint) on paper, plate sizes approximately 9 x 12 in.

(22.7 x 30.4 cm), framed.

Condition: Very subtle toning, not examined out of frames. $800-1,000 70 Aiden Lassell Ripley (American, 1896-1969) Two Shooting Scenes: After Woodcock and Shooting Woodcock. Both signed “A. Lassell Ripley” in pencil l.r. and titled in pencil l.l., the latter identified on a label from Abercrombie & Fitch Co., New York, affixed to the backing. Etchings on paper, plate sizes to 9 x 14 in. (22.8 x 35.4 cm), framed.

Condition: Unobtrusive toning, not examined out of frames. $800-1,000

70

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71

71 József Rippl-Rónai (Hungarian, 1861-1927) Femme lisant, 1894. Monogrammed within the matrix. Color lithograph on paper, image size 7 5/8 x 5 7/8 in. (19.3 x 14.8 cm), framed.

Condition: Toning, losses to corners of upper margin, pencil annotations to upper margin and verso.

Provenance: A private Massachusetts collection. $400-600 72 Rosa Rush (American, 20th Century) Seamstress. Signed “Rosa Rush” in pencil l.r., titled in pencil l.c. Color woodcut on Japan paper, image size 14 x 10 1/4 in. (35.4 x 25.6 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches, pinholes to left margins, creasing to margins (almost exclusively to the left margin).

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $150-200 72

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73

73 Louis Schanker (American, 1903-1981) Aerial Act, 1940, edition of 55 plus trial proofs, published by the Federal Art Project (Brooklyn Museum, 36). Signed “Schanker” in pencil l.r., titled in pencil l.c., monogrammed within the block. Color woodcut on Japan paper, image size 12 x 14 in. (30.4 x 35.5 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches, unobtrusive creases and soiling to margins.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600 74 Louis Schanker (American, 1903-1981)

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Football, c. 1940, edition of 55 plus trial proofs, published by the Federal Art Project (Brooklyn Museum, 39). Signed “Schanker” in pencil l.r., titled in pencil l.c., monogrammed within the block. Color woodcut on Japan paper, image size 9 7/8 x 13 3/4 in. (25.0 x 34.8 cm), unmatted, unframed.

Condition: Margins over 1/2 inch, minor creases and soiling to margins, white paper tape to edge of upper margin on recto.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $500-700

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75 Gino Severini (Italian, 1883-1966) Manifesto della personale dell’artista alla Galerie Lucie Weill di Paigi, 1963, edition before letters of 50 (Meloni, 216). Signed “GinoSeverini” in pencil l.r., numbered “28/50” in pencil l.l. Color lithograph on paper, image size 19 1/2 x 12 1/2 in. (49.5 x 31.6 cm), framed.

Condition: Pale foxing, not examined out of frame. $1,500-2,000 76 Morgan Stinemetz (American, b. 1890) Play Ball. Signed “Morgan Stinemetz” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 8 7/8 x 12 in. (22.4 x 30.2 cm), framed.

Condition: Not examined out of frame. $600-800

75

76

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77

77 Rufino Tamayo (Mexican, 1899-1991) Hombre en la Ventana from RUFINO TAMAYO - 15 AGUAFUERTES, 1980, edition of 99, printed and published by Ediciones Polígrafa, Barcelona (Pereda, 272). Signed “R. Tamayo” in pencil within the image l.r., numbered “56/99” in pencil within the image l.l.

Color etching and aquatint on Guarro paper, plate/ sheet size 29 3/4 x 22 in. (75.4 x 55.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $2,500-3,000

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78

78 Antoni Tàpies (Spanish, 1923-2012) Untitled (Coup de pinceau), 1969, edition of 150, published by Maeght Éditeur, Paris (Galfetti, 207). Signed “tapies” in pencil l.r., numbered “102/150” in pencil l.l. Lithograph in red on paper, image size 11 x 1 in. (27.8 x 2.5 cm), framed.

Condition: Not examined out of frame. $700-900 79 Edmund Charles Tarbell (American, 18621938) Portrait of Mary Tarbell, c. 1900. Signed “Edmund Tarbell” in pencil l.l., signed within the matrix. Lithograph on paper, image size 13 1/2 x 10 3/4 in. (34.2 x 27.2 cm), framed.

Condition: Not examined out of frame. $700-900 79

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80 Victor Vasarely (French/Hungarian, 19061997) Untitled, edition of 275. Signed “Vasarely-” in pencil l.r., numbered “17/275” in pencil l.l.

Color screenprint on paper, image size 23 7/8 x 23 7/8 in. (60.5 x 60.5 cm), unmatted, unframed.

Condition: Margins 3 1/2 inches or more, gently pressed creases to margins, pale toning to upper margin. $300-500 80A Maria Elena Vieira da Silva (French, 19081992) Labyrinthe, 1959, proof outside of the edition of 95. Signed “...Vieira da Silva” in pencil l.r., inscribed “epr d’artiste” in pencil l.l. Color screenprint on paper, image size 13 1/4 x 16 3/4 in. (33.5 x 42.4 cm), framed.

Condition: Not examined out of frame. $500-700

80

80A

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81

81 Andy Warhol (American, 1928-1987) Campbell’s Soup Can on Shopping Bag, 1966, printed by the Institute of Contemporary Art, Boston, October 1966 (Feldman & Schellmann, II.4A). Unsigned, identified within the matrix. Color silkscreen on a shopping bag, total size of bag 19 1/2 x 16 15/16 in.

(49.5 x 42.9 cm), unframed, shrink-wrapped.

Condition: Minor handling creases, possible subtle toning, folded as issued. $1,200-1,800

82 Andy Warhol (American, 1928-1987) Committee 2000, 1982, edition of 2,000 plus proofs, printed by Rupert Jasen Smith, New York (Feldman & Schellmann, II.289).

Numbered and signed “1967/2000 Andy Warhol” in pencil l.r., printer’s dry stamp l.l.

Color screenprint on paperboard, sheet size 30 x 20 in. (76.2 x 50.7 cm), framed.

Condition: Good, floated within the mat, not examined out of frame. $3,500-5,500

82

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83

83 After Andy Warhol (American, 1928-1987) Marilyn (Announcement), 1981, published

by Castelli Graphics, New York, printed by Colour Editions, Inc. Signed “Andy Warhol� in marker or similar within image along the right edge, identified in publication text to verso.

Color screenprint on smooth paperboard, image/sheet size 12 1/8 x 12 in. (30.6 x 30.4 cm), framed.

Condition: Possible extremely subtle fading, bleed-through from signature to verso. $4,000-6,000

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84

84 James Abbott McNeill Whistler (American, 1834-1903) Annie Seated, second state of two (Kennedy, 30). Signed and titled within the plate, label from The Vincent Price Collection affixed to the backing. Etching on paper, plate size 5 1/8 x 3 5/8 in. (13.1 x 9.3 cm), framed.

Condition: Pale mat burn, not examined out of frame. $700-900 85 Adja Yunkers (American/Latvian, 19001983) Las Lolitas, 1952, edition of 225. Signed and dated “Yunkers -- 52” in pencil l.r., titled and numbered “...165/225” in pencil l.l. Color woodcut on paper, 18 7/8 x 13 3/8 in. (48.0 x 34.0 cm), framed.

Condition: Foxing, gently light-struck, not examined out of frame. $300-500 85

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A Private New England Collection of Daguerreotypes Lots 86–150

86 American School, 19th Century Sixth-plate Daguerreotype of a Girl with a Dog, in an embossed leather case.

Condition: Tarnish, several faint spots at center and around edges, case worn and abraded, cover missing, velvet liner faded, not examined out of case. $400-600 87 William Edward Kilburn (British, 1818-1891) Hand-tinted Quarter-plate Daguerreotype of a Girl, in a leather case stamped “BY APPOINTMENT MR. KILBURN 234 REGENT STREET� in gold.

Condition: Minor tarnish, case is abraded and worn, especially at corners, cover is slightly warped, white sealing tape visible at very edges of package, not examined out of case. $1,000-1,500

86

87

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88 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Mother and Child, in an embossed leather case.

Condition: Minor tarnish, case is worn, especially at corners and location of clasps, detached cover with leather lifting at l.r., minor abrasions to brass mat at corners and around opening, velvet pad faded, velvet liner slightly worn, not examined out of case. $300-500 89 Two Daguerreotypes:

88

American School, 19th Century, Sixth-plate Daguerreotype of a Woman Wearing a Bonnet, in an embossed leather case, and Boston School, 19th Century, Sixth-plate Daguerreotype of a Man, in a black leather push-button case.

Condition: The first has minor brown accretions, minor wear at corners and lightly abraded on embossed surface of case, partially split spine, scattered accretions on brass mat, velvet liner slightly abraded; the second has minor tarnish, dust, minor wear to case, corrosion on brass mat; not examined out of cases. $300-500

89

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90 Joseph Weekes (American, 1829-1917) Hand-tinted Ninth-plate Daguerreotype of Two Children, in an embossed leather case with brass mat stamped “WEEKES� l.c.

Condition: Minor tarnish, split case, abraded with minor losses at corners, several accretions along left side of brass mat, velvet pad lightly faded, velvet liner slightly crushed at l.r. corner and l.l. edge, not examined out of case. $300-500 91 American School, 19th Century Hand-tinted Quarter-plate Daguerreotype of a Child Holding a Photographic Case, in an embossed leather case.

Condition: Minor tarnish, several accretions at u.l. and on garment, split case opening at upper corners, abrasions and wear especially at u.r. of spine, accretions on brass mat, velvet pad discolored in several places, velvet liner faded and broken at u.l. corner, not examined out of case. $700-900 90

91

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92

92 Two 19th Century American School Daguerreotypes: Sixth-plate Daguerreotype of a Sister and Brother, and Hand-tinted Sixth-plate Daguerreotype of a Girl Holding a Bouquet, both in embossed leather cases.

Condition: The first is tarnished at edges, split case, worn and abraded, especially along spine and clasps, with leather lifting at spine, small loss at l.c. of bottom of case, velvet pad faded and discolored in areas, velvet liner lightly worn; the second has tarnish and minor accretions on glass, case worn and abraded, split case, silk pad faded and stained; not examined out of cases. $400-600 93 American School, 19th Century Hand-tinted Quarter-plate Daguerreotype of Joseph Webster as a Boy, in an embossed leather case. Inscribed “Joseph M. [?] Webster born July 31st 1842. miniature taken June 7th 1847” in ink on a piece of paper pinned to inside of case, another piece of paper folded in thirds contains a lock of hair and is inscribed “Joseph Hair” in graphite.

Condition: Lightly tarnished at edges, split case worn and abraded with losses of leather around edges, case opening at u.r. and l.r. corners, not examined out of case. $500-700 93

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94 Two Daguerreotypes: School of John Adams Whipple (American, 1822-1891), Sixth-plate Daguerreotype of a Woman and Child, in a black leather push-button case, and American School, 19th Century, Sixth-plate Daguerreotype of a Three Young Siblings, in an embossed leather case.

Condition: The first is tarnished, lightly worn case with minor lifting of leather at inside of spine, accretions and corrosion on brass mat especially in l.r. quadrant; the second with minor tarnish and brown accretions, split case with old spine repair, gently worn, velvet pad and liner faded; not examined out of cases. $300-500

94

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95 Two Daguerreotypes: American School, 19th Century, Ninthplate Vignetted Daguerreotype of a Young Woman, in a Union case, and Tyler & Company (American, fl. Boston 1854-1855), Ninth-plate Daguerreotype of a Young Man, in an embossed leather case with velvet pad stamped “TYLER & CO. DAGUERREOTYPE WASHINGTON COR OF WINTER ST.�

Condition: The first tarnished and with minor accretions, small chips at top center front and bottom center back of case; the second with minor tarnish, dust, case gently worn with leather lifting in u.r. corner of cover, repaired spine, scattered accretions on brass mat; not examined out of cases. $300-500

95

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96 American School, 19th Century Quarter-plate Daguerreotype of a Boy Standing on a Chair, in an embossed leather case.

Condition: Minor tarnish, subtle bends in plate at u.c. and c.r., faint scratches, gently worn case, opening at corners, repaired spine, missing clasps, not examined out of case. $300-500 97 American School, 19th Century Two Quarter-plate Daguerreotypes: A Boy and Girl and A Baby in a Carriage, in a black leather push-button case.

Condition: Minor tarnishing and subtle accretions, case is opening at interior corners and gently worn especially at corners, part of clasp is missing (case still closes), minor accretions on brass mats, velvet liner slightly worn, not examined out of case. $400-600

96

97

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98

98 American School, 19th Century Sixth-plate Vignetted Daguerreotype of a Girl, in an embossed leather case.

Condition: Minor tarnish, split and worn case, minor accretions on brass mat, small piece of tape or paper visible in l.r. corner, not examined out of case. $300-500 99 American School, 19th Century Sixth-plate Daguerreotype of Two Young Brothers, in an embossed leather case with a decorative paper mat.

Condition: Minor tarnish, several very small accretions, uneven tones in several areas of sitter’s clothing, split and worn case, especially at spine, sticker affixed to front l.l., silk pad faded and stained, not examined out of case. $200-300

99

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100 American School, 19th Century Sixth-plate Daguerreotype of Two Girls, in an embossed leather case.

Condition: Minor tarnish, partially split spine, worn case, especially at spine and clasps, not examined out of case.

N.B. The sitter on the left holds a strand of pearls or beads that have been highlighted with gold paint. $300-500 101 Two 19th Century American School Daguerreotypes: Sixth-plate Daguerreotype of a Child, and Sixth-plate Daguerreotype of a Mother and Child, both in embossed leather cases.

Condition: The first has a slight bend in plate c.l., brown accretions, worn and abraded case, velvet pad and liner faded; the second has minor tarnish, light scratches u.c. and c.l., partially detached case, worn at corners and edges, case opening at u.l. corner, scattered areas of corrosion on brass mat; not examined out of cases. $300-500 100

101

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102 Two Daguerreotypes: Boston School, 19th Century, Sixth-plate Daguerreotype of a Boy Leaning on a Table, in a black leather push-button case, and American School, 19th Century, Sixthplate Daguerreotype of Three Young Boys, in an embossed leather case.

Condition: The first with minor tarnishing, brown accretions, minor wear to case especially along spine, several spots of corrosion on brass mat; the second lightly scratched, case worn with loss at u.r. corner of cover, repaired spine, case opening at u.l. corner, silk pad faded and worn, velvet liner faded and lightly abraded; not examined out of cases. $300-500

102

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103

103 Two Daguerreotypes: American School, 19th Century, Handtinted Sixth-plate Daguerreotype of a Seated Woman, in an embossed leather case, and Boston School, 19th Century, Sixth-plate Daguerreotype of a Man Standing Beside a Chair, in a black leather push-button case.

Condition: The first with very minor tarnish, partially detached spine with repair, case abraded and worn; the second with minor tarnish, case abraded, scratched, and opening at top corners, minor corrosion on brass mat, velvet pad slightly discolored, velvet liner worn; not examined out of cases. $200-300 104 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Girl Leaning on a Table, in an embossed leather case.

Condition: Minor tarnish, split case, opening up at corners, worn with leather lifting in areas of spine and edge of cover, minor spots of corrosion on brass preserver, not examined out of case. $300-500

104

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105

105 Two Daguerreotypes: Boston School, 19th Century, Sixth-plate Daguerreotype of a Man in Three-quarter View, in an embossed leather case, and School of Southworth & Hawes (American, fl. 1843-1863), Sixth-plate Daguerreotype of a Man, possibly from the Norcross Family, in a black leather push-button case.

Condition: The first is tarnished, split case, worn and abraded, cover faded, case opening up at l.l. corner, missing clasp, minor accretions on brass mat, silk pad and velvet liner faded and worn; the second has minor tarnish, chemical inconsistencies in left side of background, case gently worn; not examined out of cases. $300-500 106 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Child Standing Beside a Chair, in an embossed leather case.

Condition: Light scratches, case gently worn, repaired spine, minor areas of corrosion on brass mat, not examined out of case. $200-300

106

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107

107 School of Southworth & Hawes (American, fl. 1843-1863) Quarter-plate Daguerreotype of a Woman with Lace Collar, in a sealed package with an oversize quarter-plate brass mat.

Condition: Uncased, back of plate is silvered, scattered spots of corrosion on brass mat, sealed with black and silver tapes. $500-700 108 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of Two Girls, in a leather push-button case.

Condition: Light tarnish, dust, minor accretions on glass, split case with old repair, case worn and abraded and splitting at corners, area where clasp engages with cover is damaged, velvet pad faded, not examined out of case. $300-500

108

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109 American School, 19th Century Sixth-plate Daguerreotype of a Young Woman Wearing a Bonnet and Gloves, in an embossed leather case.

Condition: Minor tarnish and dust, minor accretions on glass, partially detached case with wear and abrasions especially at corners, front cover faded, scattered spots of corrosion on brass mat, not examined out of case. $200-300 110 American School, 19th Century Half-plate Daguerreotype of a WellDressed Young Woman, in an embossed leather case.

Condition: Tarnish, several minor brown accretions, split case, worn and abraded with cracks in leather on bottom and missing leather along spine and adjacent corners, case opening at l.l. and u.l. corners, several areas of corrosion on brass mat, velvet pad and liner faded and frayed, not examined out of case. $400-600 109

110

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77

111 McClees & Germon (American, fl. 18461855) Sixth-plate Daguerreotype of a Boy in a Plaid Shirt, stamped “McCLEES & GERMON” and “PHILA” on brass mat l.l. and l.r., respectively, in an embossed leather case.

Condition: Minor tarnish, repaired spine, case is worn and abraded, scattered spots of corrosion on brass mat, velvet pad lightly abraded, not examined out of case. $300-500 112 American School, 19th Century Hand-tinted Quarter-plate Daguerreotype of a Mother and Child, in an embossed leather case.

Condition: Minor tarnish, slight horizontal bend at bottom, split case worn and abraded, leather losses at corners, velvet pad lightly faded, not examined out of case. $400-600

111

112

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113

113 School of Southworth & Hawes (American, fl. 1843-1863) Sixth-plate Daguerreotype of a Girl, in a black leather push-button case.

Condition: Minor tarnish, subtle small brown spots across surface, four small white spots on subject’s face; case gently worn, not examined out of case. $300-500 114 Attributed to Southworth & Hawes (American, fl. 1843-1863) Sixth-plate Daguerreotype of a Man Holding an Infant, in a brown Southworth & Hawes case.

Condition: Tarnish, minor accretions on glass; case gently worn at edges, repaired spine, case opening at u.r. corner, brass preserver slightly crushed at u.r., minor spots of corrosion on brass mat, not examined out of case. $300-500

114

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79

115 American School, 19th Century Sixth-plate Daguerreotype of a Young Man Wearing a Top Hat, in an embossed leather case.

Condition: Minor tarnish, light scratches, case worn and gently abraded, split case held together by black cotton tape, velvet liner slightly worn, not examined out of case. $200-300 116 American School, 19th Century Sixth-plate Daguerreotype of a Girl in a Fur-trimmed Coat, in a brown Union case.

Condition: Minor tarnish, some surface accretions and spotting, subtle accretions or grime on brass mat, not examined out of case. $300-500

115

116

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117

117 American School, 19th Century Sixth-plate Daguerreotype of a Young Girl Standing Beside a Table, in a black Union case.

Condition: Several brown accretions l.r. quadrant, light horizontal scratches, slight chipping to case, several spots of corrosion on brass mat, not examined out of case. $300-500 118 School of Southworth & Hawes (American, fl. 1843-1863) Sixth-plate Daguerreotype of a Young Girl Holding on to a Chair, in a black leather push-button case.

Condition: Minor tarnish, several accretions, case gently worn with several abraded areas, adhesive residue from an old label on the bottom, not examined out of case. $300-500

118

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119

119 Washington Lafayette Germon (American, 1822-1877) Hand-tinted Ninth-plate Daguerreotype of a Woman with a Floral Hair Decoration, stamped “W.L. GERMON” and “168 CHEST ST PHILA” on brass mat l.l. and l.r., respectively, in an embossed leather case.

Condition: Minor tarnish and surface accretions, possible dust or accretions in glass, split case with repaired spine, case gently worn, cover slightly warped, velvet pad faded, not examined out of case. $200-300 120 Boston School, 19th Century

120

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Oval Vignetted Daguerreotype of a Woman, in a black wooden frame. Plate size 3 1/4 x 2 11/16 in. (8.3 x 6.8 cm).

Condition: Tarnish, velvet liner faded, frame split at top and bottom, not examined out of frame. $200-300

121 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Young Woman Wearing a Bonnet and Gloves, in an embossed leather case resembling a book.

Condition: Minor tarnish, case worn and warped, missing clasp, leather lifting from cover, velvet liner faded, not examined out of case. $300-500 122 Two Daguerreotypes: American School, 19th Century, Sixthplate Daguerreotype of Two Girls with Bonnets, and Andrew J. Simpson (American, fl. 1850s), Hand-tinted Sixthplate Daguerreotype of a Woman, stamped “SIMPSON” and “LOWELL” on brass mat, l.l. and l.r., respectively, both in embossed leather cases.

Condition: The first with tarnish, dust, split spine with repair, case worn and abraded especially at edges and corners, several areas of corrosion along right side of package, velvet pad lightly faded; the second with minor tarnish, light dust, case worn with some abraded areas, velvet liner faded and worn; not examined out of cases. $400-600

121

122

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123 American School, 19th Century Sixth-plate Vignetted Daguerreotype of a Young Woman, in an embossed leather case.

Condition: Tarnish, several accretions, lightly scratched, case is worn and abraded, especially at corners, repaired spine, velvet pad lightly faded, velvet liner faded, not examined out of case. $300-500 124 Attributed to Samuel Broadbent (American, 1810-1881) Sixth-plate Daguerreotype of a Young Woman, in a sealed package.

Condition: Minor tarnish, accretions on brass mat, resealed with modern tape and glass.

N.B. The attribution to the New York-based daguerreotypist Samuel Broadbent is based on the grape leaves in the background as identified in another cased image with a similar background with “S. Broadbent� stamped on the brass mat. $200-300 123

124

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125

126

125 American School, 19th Century

126 American School, 19th Century

Sixth-plate Daguerreotype of Two Young Girls, in a sealed package.

Condition: Minor tarnish, light scratches, retaped, minor accretions on brass mat. $200-300

Three-quarter-plate Daguerreotype of a Man in Profile, in an embossed leather case.

Condition: Tarnished, accretions, dust, small scratches u.r., split case, worn and scratched, both sides slightly warped, accretions and debris between glass and brass mat, not examined out of case. $800-1,200

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127

127 American School, 19th Century Sixth-plate Vignetted Daguerreotype of a Woman, in an embossed leather case.

Condition: Tarnish, some spotting around edges; case gently worn, minor accretions on brass mat, velvet liner faded, not examined out of case. $300-500 128 School of Southworth & Hawes (American, fl. 1843-1863) Sixth-plate Daguerreotype of an Infant, in a leather case.

Condition: Minor tarnish, scattered tiny brown spots at left; case worn and pitted, opening at u.r. and l.r. corners with vertical splitting of a piece of the case visible on verso, velvet liner abraded, not examined out of case.

N.B. In this image, the person holding the infant remains outside of the composition. $300-500 128

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129

130

129 American School, 19th Century

130 American School, 19th Century

Hand-tinted Sixth-plate Daguerreotype of a Girl Reading, in an embossed leather case.

Condition: Minor tarnish, brown accretions u.l. and across middle, light scratches, slight bend in plate at l.l.; split spine, case worn and faded, cover is warped, silk pad faded and discolored, not examined out of case. $300-500

Hand-tinted Sixth-plate Daguerreotype of a Young Girl, in an embossed leather case.

Condition: Minor tarnish and accretions on glass; split case worn and abraded, especially along spine, not examined out of case. $500-700

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87

131 American School, 19th Century Sixth-plate Daguerreotype of a Seated Child, in an embossed leather case.

Condition: Minor tarnish, horizontal scratch at top, case worn and abraded, repaired spine, case opening up at u.r., spots of corrosion on brass mat u.r., silk pad gently worn, not examined out of case. $300-500 132 McClees & Germon (American, fl. 18461855) Hand-tinted Half-plate Daguerreotype of a Young Girl in a Plaid Dress, stamped “McCLEES & GERMON” and “PHILA” on brass mat l.l. and l.r., respectively, in an embossed leather case.

Condition: Very subtle horizontal scratches, split case, case worn and abraded with losses at corners and spine, minor scattered spots on brass mat, velvet pad lightly worn, not examined out of case. $1,000-1,500

131

132

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133

133 Two 19th Century American School Daguerreotypes: Sixth-plate Daguerreotype of a Seated Child, and Sixth-plate Daguerreotype of Two Girls in Matching Dresses, both in embossed leather cases.

Condition: The first with minor tarnish, several brown accretions along left edge, case worn and abraded, especially at edges, repaired spine; the second has several brown spots, one on head of girl on right, case worn and abraded, cover missing, case opening up at l.r. corner, small area of corrosion at top of brass mat, velvet liner faded and worn; not examined out of cases. $200-300 134 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Young Girl Standing on a Chair, in an embossed leather case.

Condition: Minor tarnish, several brown spots and accretions; case gently worn and opening up at l.l. corner, not examined out of case. $300-500 134

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89

135

135 American School, 19th Century Quarter-plate Daguerreotype Portrait of a Man and Woman, in an embossed leather case.

Condition: Minor tarnish and light scratches, case has worn cover, especially at corners, replacement spine, missing clasps, velvet pad faded, not examined out of case. $400-600 136 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Girl (Catherine Wright), in an embossed leather case. Piece of paper accompanying object inscribed “Catherine Wright (Read)” in graphite on one side and “Taken 1845 ‘Katie’ 6 yrs old--” in ink on the other.

Condition: Minor tarnish, several small accretions, very light scratches, case gently worn and abraded, not examined out of case.

N.B. Visible in the lower right corner of the daguerreotype is part of a piece of paper inscribed “184” that may have been used to indicate the year the portrait was taken. $500-700 136

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137 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Girl Holding Flowers, in an embossed leather case.

Condition: Minor tarnish, brown spot at right edge, minor accretion on glass, case very lightly worn, not examined out of case. $200-300 138 American School, 19th Century Quarter-plate Daguerreotype of a Boy in a High Chair, in a wooden case that may have originally held a second daguerreotype.

Condition: Minor tarnish, several brown accretions, faint scratches, cover missing, opening in back is missing two sides, velvet liner is faded and worn, not examined out of case. $300-500

137

138

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139

139 Two Daguerreotypes: Boston School, 19th Century, Sixth-plate Daguerreotype of a Woman Seated in an Acorn-Tipped Chair, and American School, 19th Century, Hand-tinted Quarter-plate Daguerreotype of a Man in a Stovepipe Hat, both in embossed leather cases.

Condition: The first has tarnish, dust, split case, worn and abraded, leather cracking horizontally in two lines across top and bottom of case, silk pad faded and stained; the second with minor tarnish, brown spots in l.r. quadrant, white spots in u.l. quadrant, case worn and abraded, cover missing, case opening up at u.l. and l.l. corners, velvet liner faded and worn; not examined out of cases. $200-300 140 American School, 19th Century Hand-tinted Quarter-plate Daguerreotype of a Mother and Young Son, in an embossed leather case.

Condition: Minor tarnish, split case, worn and abraded with leather lifting at several corners and edges, minor accretions on brass mat l.l., velvet pad fading at edges, not examined out of case. $300-500

140

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141 Jeremiah Gurney (American, 1812-1886) Quarter-plate Daguerreotype of a Young Woman, stamped “J GURNEY” AND “349 BROADWAY” on brass mat l.l. and l.r., respectively, scratched indistinctly “James L ...” in the plate l.c.

Condition: Tarnish with some spotting, case worn and abraded at edges, cover missing, not examined out of case.

N.B. To have a daguerreotype signed by the operator who made the portrait is very unusual. The name inscribed in the plate may be that of James Forbes, who worked for Gurney at his New York studio around 1855. $500-700 142 American School, 19th Century

141

Hand-tinted Quarter-plate Daguerreotype of Two Young Brothers, in an embossed leather case. Inscribed “George and Charles T. Thomas C. is the youngest” in blue ink on piece of paper pinned to inside of cover.

Condition: Tarnish, minor accretions, possible subtle emulsion flaking in two spots along top of mat opening, split and worn case with leather losses especially on bottom, case opening at corners, detached clasp, red discoloration on left edge of bronze mat, silk pad faded and stained, velvet liner worn, not examined out of case. $500-700

142

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93

143

143 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Seated Boy, in an embossed leather case.

Condition: Tarnish, small accretion at u.c., split case, worn and abraded, opening at u.l. and l.l. corners, small spots of corrosion along left edge of brass mat, silk pad lightly discolored at center, not examined out of case. $300-500 144 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Boy (Wallace F. Averill), in an embossed leather case. Sitter identified on a piece of paper accompanying the daguerreotype.

Condition: Faint horizontal scratches, possibly from polishing, missing cover, case worn and abraded, especially at edges, opening up at three of four corners, scattered areas of corrosion on brass mat, velvet liner faded and worn, not examined out of case. $200-300 144

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145 Jeremiah Gurney (American, 1812-1895) Sixth-plate Daguerreotype of a Young Girl, stamped “J. GURNEY” and “349 BROADWAY” on brass mat l.l. and l.r., respectively, in an embossed leather case.

Condition: Tarnish, case worn and abraded, cover missing, case opening up at l.l. and l.r. corners, velvet liner worn, not examined out of case. $300-500 146 American School, 19th Century Sixth-plate Daguerreotype of Two Young Women Holding a Book, in an embossed leather case.

Condition: Minor tarnish, faint scratches, slight bend in plate at u.r. edge, case worn especially along edges, cover missing, velvet liner faded and worn, not examined out of case. $200-300

145

146

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147

147 American School, 19th Century Hand-tinted Sixth-plate Daguerreotype of a Woman Wearing a Bonnet, in an embossed leather case.

Condition: Minor tarnish, several small brown spots, bend in plate at c.r., resealed with white tape; case worn and abraded, cover missing, velvet liner faded, not examined out of case. $300-500

148 Lawrence (American, fl. Late 1840s-Early 1850s) Sixth-plate Daguerreotype of a Seated Boy, stamped “LAWRENCE� on brass mat l.l., in an embossed leather case.

Condition: Minor tarnish, two U-shaped scratches in u.l. quadrant, brown spot at center, case worn and abraded, opening up at u.l. corner, cover missing, velvet liner slightly faded, not examined out of case. $300-500

148

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149

149 American School, 19th Century Hand-tinted Quarter-plate Daguerreotype of Two Girls, in an embossed leather case.

Condition: Minor tarnish, golden tone except in 1 1/4 x 1 in. area at center, white spotting in area of faces, white tape from resealing visible, case worn and abraded, cover missing, velvet liner slightly faded, not examined out of case. $500-700

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97

150

150 William Edward Kilburn (British, 1818-1891) Hand-tinted Quarter-plate Daguerreotype of a Young Woman, in a leather case stamped “BY APPOINTMENT MR. KILBURN 234 REGENT STREET” in gold.

Condition: Minor tarnish, slight bend in plate at c.r., case gently abraded and worn, scattered spots of corrosion on brass mat, white sealing tape visible at very edges of package, not examined out of case.

N.B. In addition to gold paint applied to accentuate the sitter’s jewelry, silver paint is used to draw attention to her choker. $1,000-1,500

98

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Fine Photography Lots 151–185

151

151 Ansel Adams (American, 1902-1984) Winter Morning, Yosemite Valley, California, c. 1940, printed 1969. Unsigned. Photo mechanical reproduction on tin, sight size 6 7/8 x 17 5/8 in. (17.5 x 44.8 cm), framed.

Condition: Scattered surface scratches, not examined out of frame.

Provenance: Heritage Auctions, Sale 5015, Lot 75166, December 12, 2008; to a private New York collector.

N.B. Adams’s photograph was used to illustrate the 1969 Hills Brothers coffee can, which was made in Emeryville, California, by the American Can Company. This work represents the original reproduction on metal before it was formed into a can. $500-700

100

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152

152 Manuel Alvarez Bravo (Mexican, 19022002) Retrato Postumo (Posthumous Portrait), Guanajuato, 1939, printed later. Signed and titled “M. Alvarez Bravo...� in pencil on verso.

Gelatin silver print, sheet size 11 x 13 7/8 in.

(27.8 x 35.3 cm), matted, unframed.

Condition: Unmounted. $1,200-1,800

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101

153

153 Manuel Alvarez Bravo (Mexican, 19022002) Cruce de Chalma (The Crossing of Chalma), 1942, printed later. Signed and titled “M. Alvarez Bravo...� in pencil on verso.

Gelatin silver print, sheet size 15 7/8 x 12 in.

(40.3 x 30.4 cm), matted, unframed.

Condition: Subtle handling creases, wear at very corners, unmounted. $2,000-3,000

102

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154 Manuel Alvarez Bravo (Mexican, 19022002) Adorno de tumba (Grave Ornament), 1971. Titled and signed “M Alvarez Bravo” in pencil on verso l.r., inscribed “Tele Rollei c. 1967” in pencil on verso l.c. Gelatin silver print, image size 12 1/8 x 11 1/2 in. (21.2 x 29.3 cm), matted, unframed.

Condition: Unmounted, scattered spot toning, several small accretions below image l.l. $1,200-1,800 155 Manuel Alvarez Bravo (Mexican, 19022002) El maíz (Corn), 1970s. Titled, dated, and signed “M Alvarez Bravo” in pencil on verso l.r. Gelatin silver print, 7 1/8 x 9 1/2 in. (18.2 x 24.2 cm), matted, unframed.

Condition: Unmounted, good. $1,200-1,800

154

155

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103

156

156 Manuel Alvarez Bravo (Mexican, 19022002) Casa de Lava (House of Lava), n.d. Signed and titled “M. Alvarez Bravo...� in pencil on verso. Gelatin silver print, sheet size 11 x 14 in. (27.7 x 35.5 cm), matted, unframed.

Condition: Unmounted. $1,500-2,500

104

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157

157 Walker Evans (American, 1903-1975) Belle Grove Plantation with Tree Stump in Foreground, White Castle, Louisiana, 1935, printed before 1950. Stamped “Walker Evans” in ink and inscribed “II” and “60” in pencil on verso l.r., stamped “Walker Evans” in ink on verso center, and “WALKER EVANS/163 EAST 94th ST./NEW YORK 28, N.Y.” in ink l.c., inscribed “1388” in pencil on verso l.l. Gelatin silver print, 7 9/16 x 9 5/8 in.

(19.2 x 24.5 cm), unmatted, unframed.

Condition: Unmounted, minor wear and emulsion loss to corners and edges, plate holder marks at corners, minor soiling to verso. $2,000-3,000

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105

158 Walker Evans (American, 1903-1975) Negro House, New Orleans, Louisiana, 1936, printed before 1950. Stamped “Walker Evans” in ink and inscribed “111” and “83” in pencil on verso l.r., inscribed “#1983” and “NEG. 63.127” in pencil on verso along bottom edge. Gelatin silver print, 7 9/16 x 5 11/16 in. (19.2 x 14.5 cm), unmatted, unframed.

Condition: Unmounted, minor wear and emulsion loss to corners and along right edge, several small convex circles outside image u.l., plate holder marks at corners, minor soiling to verso. $2,000-3,000 159 Walker Evans (American, 1903-1975) Barber Shop, Vicksburg, Mississippi, 1936, printed before 1950. Stamped “Walker Evans” in ink and inscribed “11” and “125” in pencil on verso l.r., inscribed “1345” and “BOX 14” in pencil on verso l.l. Gelatin silver print, 7 3/4 x 9 5/8 in. (19.7 x 24.5 cm), unmatted, unframed.

Condition: Unmounted, minor wear and emulsion loss to corners and edges, plate holder marks at corners, minor soiling to verso.

158

N.B. It is interesting to note that in comparison to other prints made from this negative and other negatives taken at the same time, the text on the signs at left and right is not visible. $1,500-2,000

159

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160

160 Walker Evans (American, 1903-1975) Two Photographs: Painted Fish Store Sign, Savannah Vicinity, Georgia, 1934-35, printed later, stamped “WALKER EVANS/ RIGHTS RESERVED” in ink below image l.r. and on verso l.r., stamped “Walker Evans” in ink and inscribed “XXV” and “3” in pencil on verso center; and Shopfront Facade of Star Pressing Club, Vicksburg, Mississippi, 1936, printed later, stamped “Walker Evans” in ink and inscribed “II” and “130” in pencil on verso l.c. Gelatin silver prints, sizes to 7 1/2 x 7 1/2 in. (19.0 x 19.0 cm), Fish Store matted, Star Pressing unmatted, both unframed.

Condition: Both unmounted, minor handling creases, plate holder marks at corners. $2,500-3,500 161 Walker Evans (American, 1903-1975) Two Photographs: Facade of House with Large Numbers, Denver, Colorado, 1967, signed “Walker Evans” in pencil verso l.r., stamped “Walker Evans” in ink and inscribed “XXIII” and “100” in pencil on verso l.l.; and Kitchen Interior, signed “Walker Evans” in pencil verso l.r., stamped “Walker Evans” in ink and inscribed “XXIII” and “51” in pencil on verso l.l. Gelatin silver prints, sizes to 7 1/4 x 7 5/16 in. (18.5 x 18.6 cm), unmatted, unframed.

Condition: Unmounted, good, Colorado with plate holder marks at corners. $2,000-3,000 161

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107

162

162 Louis Faurer (American, 1916-2001) New York, N.Y., 1971. Titled, dated, and signed “Louis Faurer...� in pencil on verso at bottom. Gelatin silver print, 13 3/4 x 9 13/16 in. (35.0 x 25.0 cm), matted, unframed.

Condition: Unmounted, minor handling crimps, worn corners, u.l. corner is folded over, light surface scratches, area of spot toning at l.l. $1,000-1,500

108

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163

163 Andreas Feininger (American, 1906-1999) The Gyro, Coney Island, 1949. Titled in pencil and stamped “LIFE PHOTO/BY/ ANDREAS FEININGER/JUN 12 1949” in ink on verso. Glossy gelatin silver print, 10 5/8 x 13 1/2 in. (27.0 x 34.3 cm), matted, unframed.

Condition: Unmounted, handling creases and cracks in emulsion at corners, one handling crimp in u.l. quadrant and three crimps in u.r. quadrant.

Provenance: From the private collection of György Kepes.

N.B. Andreas Feininger is perhaps best known for his photographs of New York City made in the 1940s and 1950s. Like his father, the artist Lyonel Feininger, Andreas also used photography as a tool for capturing the effects of light as this series of three images of Coney Island rides at night demonstrates (Lots 163165). $3,000-5,000

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164

164 Andreas Feininger (American, 1906-1999) Merry-Go-Round, Coney Island, 1949.

Titled in pencil and stamped “ANDREAS FEININGER” on verso. Glossy gelatin silver print, 12 5/8 x 10 5/8 in. (32.1 x 27.0 cm), unmatted, unframed.

Condition: Unmounted, prominent cracks in emulsion across surface, crease and small losses at u.l. with another small loss at c.l.

Provenance: From the private collection of György Kepes. $1,000-1,500 165 Andreas Feininger (American, 1906-1999) Sunmobil, 1949. Titled in pencil and stamped “PHOTO/ANDREAS FEININGER” on verso. Glossy gelatin silver print, 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm), unmatted, unframed.

Condition: Unmounted, cracks in emulsion at corners, c.l., and l.l. quadrant, minor surface scratches.

Provenance: From the private collection of György Kepes. $700-900 165

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166

166 Robert Frank (Swiss, b. 1924) Near Alicante, Spain, 1950, printed 1978.

Titled and signed “R. Frank� in ink below the image l.r., dated in ink below the image l.l.

Gelatin silver print, image size 8 1/2 x 12 7/8 in. (21.6 x 32.8 cm), unmatted, unframed.

Condition: Unmounted, minor wear to corners of sheet with light creases u.r. and l.r., light rippling, subtle handling crease c.r. $1,500-2,000

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111

167

167 Lotte Jacobi (American, 1896-1990) Albert Einstein, 1938. Signed “Lotte Jacobi” in pencil l.l. Gelatin silver print, 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm), matted, unframed.

Condition: Unmounted, handling crimp in sheet l.r.

Provenance: A private collection, New York.

112

N.B. After meeting Einstein at the family business—the fashionable Jacobi Studio in Berlin—Lotte Jacobi began a life-long friendship with the celebrated physicist, photographing him on five separate occasions, including this sitting at his home in Princeton, New Jersey, while on assignment for Life magazine. $1,500-2,000

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168

168 Lotte Jacobi (American, 1896-1990) The Turn, Claire Bauroff, Berlin, 1929, printed later. Signed “Lotte Jacobi” in pencil l.r., stamped “PLEASE CREDIT/PHOTO BY LOTTE JACOBI/HILLSBORO, N.H.” in ink verso l.r. Gelatin silver print, 9 1/8 x 6 3/4 in.

(23.3 x 17.2 cm), matted, unframed.

Condition: Unmounted, corners slightly worn, scattered spot toning.

Provenance: A private collection, New York. $1,000-1,500 169 Lotte Jacobi (American, 1896-1990) Paul and Hazel Strand, Orgeval, France, 1963. Signed “Lotte Jacobi” in pencil l.r., inscribed “Paul + Hazel Strand” in pencil on verso l.c. Gelatin silver print, 9 3/4 x 7 7/8 in.

(24.8 x 20.0 cm), matted, unframed.

Condition: Unmounted, minor handling crimps, small emulsion losses l.l.

Provenance: A private collection, New York. $700-900

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170

170 O. Winston Link (American, 1914-2001) Hawksbill Creek Swimming Hole, Luray, Virginia, 1956, printed 1997. Signed and dated “O. Winston Link/6-97” in pencil on verso at center, reproduction limitation stamp and copyright credit numbered “NW1126” in ink on verso l.r. Gelatin silver print, 19 1/4 x 15 1/2 in. (49.0 x 39.5 cm), framed.

Condition: Unmounted, minor handling crimp at l.c. $4,000-6,000

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171 O. Winston Link (American, 1914-2001) Main Line on Main Street, Norfolk, West Virginia, 1958, printed 1987. Inscribed, signed, and dated “Printed by/O. Winston Link/9-87” in pencil on verso at center, reproduction limitation stamp and copyright credit numbered “NW1966” in ink and pencil on verso l.r. Gelatin silver print, 15 1/4 x 19 1/4 in. (18.8 x 49.0 cm), framed.

Condition: Unmounted, good. $4,000-6,000

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172 Joel Meyerowitz (American, b. 1938) Provincetown Fence Roses, 1977. Titled, dated, and signed “Joel Meyerowitz” in ink on verso l.l., inscribed “JM 4553-2” in ink l.r.

Chromogenic print, 7 1/2 x 9 5/8 in. (19.0 x 24.5 cm), unmatted, unframed.

Condition: Unmounted, faded, minor handling crimps.

Provenance: A private collection, New York. $500-700 173 Joel Meyerowitz (American, b. 1938) The Table, 1977, printed 1985. Titled, dated, and signed “...Joel Meyerowitz...” in ink on verso l.l. Chromogenic print, sight size 22 7/8 x 18 1/4 in. (58.2 x 46.4 cm), framed.

Condition: Unmounted, gently faded, handling crimps at u.r. edge, crease in u.r. corner of sheet. $1,200-1,800

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174 Joel Meyerowitz (American, b. 1938)

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Two Photographs: Porch, Provincetown and Porch, Provincetown, both 1977, printed 1990. Signed on verso. Chromogenic prints, sight sizes to 7 3/8 x 9 1/4 in. (18.8 x 23.5 cm), framed.

Condition: Faded, two small spots at c.l. of Porch, Provincetown, slight rippling to Porch, Provincetown [nighttime scene], UV filtering Plexiglas and mat edged together with tape, not examined out of housing.

Provenance: Acquired from James Danziger Gallery, New York.

N.B. The daytime view was the cover image on the 2002 expanded edition of Meyerowitz’s Cape Light, originally published in 1979. Both images are reproduced in the book. $800-1,200

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175 Barbara Morgan (American, 1900-1992) Pearl Primus—Speak to Me of Rivers, 1944, printed later. Titled and dated in ink below the image, copyright stamp in ink on verso l.c., inscribed “BM7166” in pencil on verso l.r. Gelatin silver print, 13 1/4 x 17 1/2 in. (33.7 x 44.5 cm), unmatted, unframed.

Condition: Unmounted, scattered handling crimps.

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Provenance: A private collection, New York.

N.B. Pearl Primus (1919-1994) was a dancer, choreographer, and anthropologist who promoted the study and performance of African dance. In 1944, she choreographed a work to Langston Hughes’s famous poem “The Negro Speaks of Rivers.” $1,000-1,500 176 Arnold Newman (American, 1918-2006) Three Portraits of György Kepes, c. 1965.

Each signed “© Arnold Newman” in pencil below the print l.r., copyright and reproduction limitation stamp in ink on verso of mount.

Gelatin silver prints, sizes to 6 1/8 x 9 5/8 in.

(15.6 x 24.5 cm), unmatted, unframed.

Condition: Mounted, one print has minor emulsion losses at c.l. and l.r. and a small accretion at l.l.

Provenance: From the private collection of György Kepes.

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N.B. A renowned artist and educator, the Hungarian-born György Kepes studied in Budapest, Berlin, and London before coming to the United States in 1937 to work with Laszlo Molohy-Nagy at the New Bauhaus in Chicago. Throughout his career he explored the relationship between art, science, and technology, and experimented widely with film and photographic abstraction. In 1945 Kepes was invited to teach visual design in the School of Architecture and Planning at the Massachusetts Institute of Technology, and went on to found its Center for Advanced Visual Studies. $1,500-2,000

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177 Albert Renger-Patzsch (German, 18971966) Schubert & Salzer Factory, Ingolstadt, Germany, 1950s. Stamped “RENGERPATZSCH WAMEL-DORF ÜBER SOEST I.W.” in blue ink on verso u.r., inscribed “D 104” in pencil on verso u.l. Gelatin silver print on Agfa-Brovira paper, 6 1/2 x 8 7/8 in. (16.5 x 20.0 cm), matted, unframed.

Condition: Unmounted, clear tape on verso at both sides.

Provenance: A private collection, New York. $800-1,200

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178 Arthur Fellig, called Weegee (Austrian/ American, 1899–1968) Man Walking a Tightrope (Multiple Exposure), 1950s. Stamped “CREDIT PHOTO BY/WEEGEE/THE FAMOUS” in ink on verso u.r. with additional credit requirement notification at center. Glossy gelatin silver print, 8 7/8 x 7 5/8 in. (22.6 x 19.4 cm), unmatted, unframed.

Condition: Unmounted, surface scratches, breaks in emulsion at c.l., top right, and at corners, small loss at l.r. corner. $800-1,200 179 Arthur Fellig, called Weegee (Austrian/ American, 1899–1968) At a Jazz Club, 1948. Stamped “CREDIT PHOTO BY/WEEGEE/THE FAMOUS” in ink on verso u.c. with additional credit requirement notification l.l., inscribed “L - Wee - 24/W 5147 - Z” in pencil u.l. Gelatin silver print, 13 1/2 x 10 1/2 in. (34.3 x 26.8 cm), unmatted, unframed.

Condition: Unmounted, 4 inch crease and 1 inch handling crimp u.r., breaks in emulsion at corners, especially l.r., creases, crimps, and twelve small holes/punctures l.l.

Provenance: A private collection, New York. $1,000-1,500

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180 Garry Winogrand (American, 1928-1984) Untitled (London), from the Portfolio Women Are Beautiful, 1969, printed 1981.

Signed and numbered “Garry Winogrand 69/80” in pencil on verso l.l. Gelatin silver print, 8 3/4 x 13 1/8 in. (22.3 x 33.3 cm), unmatted, unframed.

Condition: Unmounted, subtle creases at u.l. and l.l. corners.

N.B. A retrospective of Winogrand’s work was jointly organized by the San Francisco Museum of Modern Art and the National Gallery of Art, Washington, DC, and will travel to the Metropolitan Museum of Art, New York, Jeu de Paume, Paris, and Fundación MAPFRE, Madrid, through 2015. $1,200-1,800

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181

182

181 Garry Winogrand (American, 1928-1984)

182 Garry Winogrand (American, 1928-1984)

Untitled (Central Park, New York City), from the Portfolio Women Are Beautiful, 1969, printed 1981. Signed and numbered “Garry Winogrand 69/80” in pencil on verso l.l.

Gelatin silver print, 8 3/4 x 13 1/8 in. (22.3 x 33.3 cm), unmatted, unframed.

Condition: Unmounted, good. $1,200-1,800

Untitled (New York City), from the Portfolio Women Are Beautiful, c. 1970, printed 1981.

Signed “Garry Winogrand 69/80” in pencil on verso l.l. Gelatin silver print, 8 3/4 x 13 1/8 in.

(22.3 x 33.3 cm), unmatted, unframed.

Condition: Unmounted, good. $1,200-1,800

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183 Garry Winogrand (American, 1928-1984) Untitled, from the Portfolio Women Are Beautiful, 1970-71, printed 1981. Signed and numbered “Garry Winogrand 69/80� in pencil on verso l.l. Gelatin silver print, 8 3/4 x 13 1/8 in. (22.3 x 33.3 cm), unmatted, unframed.

Condition: Unmounted, good. $1,200-1,800

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184 Huang Yan (Chinese, b. 1966) Venus - Landscape, 2004, edition of 12.

Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...” in silver ink within the image l.r. Chromogenic print, image/sheet size 23 3/4 x 19 3/4 in. (60.3 x 50.0 cm), unmatted, unframed.

Condition: Good. $2,000-2,500 185 Huang Yan (Chinese, b. 1966) Venus - Landscape No. 1.2, 2004, edition of 12. Signed, numbered, dated, and inscribed (in characters) “...5/12 2004...” in silver ink within the image l.r. Chromogenic print, image/sheet size 19 3/4 x 23 3/4 in. (50.0 x 60.3 cm), unmatted, unframed.

Condition: Good.

N.B. The lot is accompanied by the volume

by Karen Smith et al., Huang Yan 1990-2006 (Xin Dong Cheng Publishing House; Beijing), 2006. $2,000-2,500

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End of Fine Prints and Photography

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Prints & Photography – Online Sale 2732T May 13, 10AM–May 20, 6PM Lots 190–309 www.skinnerinc.com

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194 Ernst Barlach (German, 1870-1938)

Lillian Adelman (American, 18991985), Abandoned Factory; M. Lucille Haynes (American, fl. 19351939), Rural Plant (For Mac); and Riva Helfond (American, 1910-2002), No. 6 Colliery. Each signed in pencil l.r. and titled or inscribed in pencil l.c.

Lithographs on wove paper, images sizes to 13 1/2 x 19 1/4 in. (34.1 x 48.8 cm), unmatted, unframed.

Condition: Toning and soiling, minor nicks and handling creases to margins, Factory with tears and losses to margins.

Der Müde, plate 4 from DER BILDERMANN, 1916 (Schult, 76).

Signed within the matrix. Lithograph on paper, image size 11 5/8 x 8 1/2 in.

(29.4 x 21.4 cm), matted, unframed.

Condition: Unobtrusive toning, mat burn.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $500-700 191 Yaacov Agam (Israeli, b. 1928) Four Rainbow Designs. Each signed “Agam” in pencil l.r. and inscribed “H.C.” in pencil l.l. Color lithographs on paper, sheet sizes 10 5/8 x 13 1/2 in.

(26.5 x 34.2 cm), unmatted, unframed.

Condition: Deckled edges. $300-500 192 Yaacov Agam (Israeli, b. 1928) Two Op Art Compositions. Both signed “...Agam” (one in pencil, one in gouache) and numbered as artist’s editions. Color screenprints on paper, image sizes to 29 1/2 x 29 1/2 in. (74.8 x 74.8 cm), unmatted, unframed.

Condition: Minor handling creases, one with stabilized tears to edges. $400-600 193 Carlos Anderson (American, b. 1905) Two Scenes: Sunshine Canyon and Fisherman. Both signed “Carlos Anderson” in pencil l.r. and titled in pencil l.c. Lithographs on paper, image sizes to 12 7/8 x 17 1/8 in. (32.5 x 43.4 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more, toning, nicks and tears to edges of sheets.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-500

N.B. On reverse of the sheet is a lithograph by Max Slevogt (German, 1868-1932), Symbole der Zeit III. $250-300 195 Leonard Baskin (American, 19222000) Hung, 1968, edition of 95 (Fern & O’Sullivan, 508). Titled, numbered, and signed “...62/95 Baskin” in pencil in the lower margin, signed and dated within the plate. Etching on paper, plate size 7 3/4 x 3 in. (19.5 x 7.5 cm), framed.

Condition: Not examined out of frame. $200-250 196 Leonard Baskin (American, 19222000) Leader, 1971, edition of 160 (Fern & O’Sullivan, 602). Signed “Baskin” in pencil l.r., monogrammed and dated within the matrix, numbered “19/160” in pencil l.l. Lithograph on wove paper, image size 27 3/4 x 19 1/2 in. (70.4 x 49.4 cm), unmatted, unframed.

Condition: Minor handling creases. $200-250 197 Leonard Baskin (American, 19222000) Two Native American Portraits: Chief Wets It Assinnboine [sic], 1972, edition of 160 (Fern & O’Sullivan, 609); and White Horse, 1972, edition of 160 (Fern & O’Sullivan, 616). Both signed “Baskin” in pencil l.r., signed and identified within the matrix, and numbered in pencil l.l. Lithographs on wove paper, sheet sizes 35 x 25 in.

(88.8 x 63.4 cm), unmatted, unframed.

Condition: Minor handling crease to Chief at u.r. corner. $300-500

198 Leonard Baskin (American, 19222000) Two Self Portraits: Leonard Baskin at 51, 1973, edition of 100 (Fern & O’Sullivan, 618); and Leonard Baskin at 56, 1978, edition of 150. Both signed “Baskin” in pencil l.r., identified within the block, and numbered in pencil l.l. Woodcuts in green and black on paper, sheet sizes approximately 35 1/2 x 24 in. (90.0 x 61.0 cm), unmatted, unframed.

Condition: Handling creases to edges. $300-350 199 Leonard Baskin (American, 19222000) Short Bull, 1972-73, edition of 85 (Fern & O’Sullivan, 623). Signed “Baskin” in pencil l.r., signed and identified within the matrix, inscribed “A.P.” in pencil l.l. Color lithographs on wove paper, image size 22 1/2 x 20 7/8 in. (57.0 x 52.9 cm), unmatted, unframed.

Condition: Margins over 3 inches with deckled edges. $250-300 200 Leonard Baskin (American, 19222000) Leonard Baskin, 1977, edition of 200.

Signed “...62/95 Baskin” in pencil l.r., signed and identified within the matrix, numbered “103/200” in pencil l.l.

Lithograph on paper, image size 14 x 12 in. (35.5 x 30.4 cm), framed.

Condition: Not examined out of frame. $250-300

Prints & Photography– Online

190 Three WPA Industrial Views:

201 Jean-Michel Basquiat (American, 1960-1988) Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published

by Tartown Record Co., New York.

Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed.

Condition: Minor wear to spine and corners of jacket, the record has not been played to confirm its condition.

N.B. The lot is accompanied by a copy of the album Emotions in Motion

by Billy Squier, cover by Andy Warhol; Emanon’s The Baby Beat Box, cover

by Keith Haring, 1986; and David Bowie’s 45/single Without You/Criminal World, with cover sleeve by Keith Haring, 1983. $400-600

Online bidding at www.skinnerinc.com/auctions/2732T

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202 Frank Weston Benson (American, 1862-1951)

206 Frank Weston Benson (American, 1862-1951)

209 Frank Weston Benson (American, 1862-1951)

Old Maine Fisherman, 1913, unpublished, 10 proofs (Paff, 17).

Unsigned. Etching on paper, plate size 3 1/2 x 2 1/2 in. (8.8 x 6.3 cm), framed.

Condition: Not examined out of frame.

Yellowlegs Alighting, 1920, published state of 100 (Paff, 187). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate Drypoint on laid paper, plate size 8 7/8 x 14 7/8 in.

(22.5 x 37.8 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, creases to side margins, diagonal crease through the image, soiling and staining to margins, pencil annotations l.c., thinned spots and glue residue to upper corners verso.

Ducks Alighting, 1921, published state of 369 (Paff, 207). Signed “FrankWBenson.” in pencil l.l., dedicated “To Tiny -1943-” in pencil l.c. Etching on wove paper, plate size 6 x 4 1/2 in. (15.1 x 11.3 cm), matted, unframed.

Condition: Margins over 2 inch with deckled edges to two sides, pencil annotations l.l., subtle toning, brown paper tape hinges to upper corners recto.

Provenance: Descended within the family of the artist. $700-900 203 Frank Weston Benson (American, 1862-1951)

Prints & Photography– Online

Canada Goose, 1917, published state of 150 (Paff, 115). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with partial “F.J. Head & Co” watermark, plate size 4 x 5 in.

(10.0 x 12.4 cm), unmatted, unframed.

Condition: Margins over 2 1/4 inches with deckled edges, pencil annotations l.l.

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Provenance: Descended within the family of the artist. $300-500 204 Frank Weston Benson (American, 1862-1951) Scaling Down, 1917, published state of 150 (Paff, 120). Signed “FrankWBenson.” in pencil l.l., numbered “105” in pencil l.r. Etching on Japan paper, plate size 4 x 3 in.

(10.0 x 7.5 cm), unmatted, unframed.

Condition: Margins 2 1/2 inches or more with deckled upper and right edges, pencil annotations l.r., subtle toning.

Provenance: Descended within the family of the artist. $300-500 205 Frank Weston Benson (American, 1862-1951) Two Crows, 1920, published state of 150 (Paff, 175). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on paper, plate size 2 x 3 in. (5.0 x 7.5 cm), framed.

Condition: Not examined out of frame.

Provenance: Descended within the family of the artist. $700-900 207 Frank Weston Benson (American, 1862-1951) Dark Pool, 1920, published state of 150 (Paff, 189). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on Japanese vellum, plate size 8 x 11 7/8 in. (20.3 x 30.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, pencil annotations to lower margin, subtle light-striking and soiling, hinge residue and thinned spots to upper corners verso.

Provenance: Descended within the family of the artist. $800-1,200 208 Frank Weston Benson (American, 1862-1951) Off Pea Island, 1921, proof impression B-7 (Paff, 206). Signed “FrankWBenson.” in pencil l.l. Etching on Japanese vellum, plate size 7 x 10 7/8 in. (17.6 x 27.5 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more with deckled edges to two sides, pencil annotations l.l., ink fingerprints at corners.

Provenance: Descended within the family of the artist. $700-900

Provenance: Descended within the family of the artist. $400-600

Online bidding at www.skinnerinc.com/auctions/2732T

Provenance: Descended within the family of the artist. $300-500 210 Frank Weston Benson (American, 1862-1951) Nascaupée Indian, 1921, published state of approximately 150 (Paff, 210).

Signed “FrankWBenson.” in pencil l.l.

Etching on laid paper, plate size 7 7/8 x 5 7/8 in. (19.9 x 15.0 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches with deckled edges, pencil annotations l.l.

Provenance: Descended within the family of the artist. $600-800 211 Frank Weston Benson (American, 1862-1951) Soaring Fish Hawk, 1923, published state of 150 (Paff, 225). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in.

(14.8 x 20.0 cm), unmatted, unframed.

Condition: Margins 1 3/4 inches or more with deckled edges to two sides.

Provenance: Descended within the family of the artist. $700-900

215 Frank Weston Benson (American, 1862-1951)

Flying Widgeon, 1924, published state of 150 (Paff, 231). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 9 3/4 x 14 7/8 in.

(24.6 x 37.5 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges to two sides, minor handling creases.

Waders, 1930, published state of 150 (Paff, 298). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, plate size 7 x 12 in. (17.6 x 30.4 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled left and lower edges, pencil annotations l.l. and verso, pale staining and fox marks.

Provenance: Descended within the family of the artist. $500-700

Provenance: Descended within the family of the artist. $400-600

213 Frank Weston Benson (American, 1862-1951)

216 Frank Weston Benson (American, 1862-1951)

Two Etching Plates: Zinc Plate for Flying Widgeon, 1924 (Paff, 231) and Canceled Copper Plate for Two Mallards, 1933 (Paff, 331). Sizes to 11 x 14 3/16 in. (27.8 x 35.9 cm).

Condition: Wear.

November Moon, 1931, published state of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on wove paper, plate size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed.

Condition: Margins 2 inches or more with deckled left and lower edges, crease to margin at l.r. corner, very pale soiling to margins and verso, pencil annotations l.l. and verso, thin spots to upper edge verso (probably from previous hinges).

Provenance: Descended within the family of the artist.

N.B. Paff lists both of these plates as “destroyed.” $800-1,200 214 Frank Weston Benson (American, 1862-1951) Canvasbacks, 1926, published state of 150 (Paff, 261). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 5 7/8 x 11 3/4 in.

(14.8 x 29.7 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled left and lower edges, several small fox marks, pencil annotations l.l., remains of brown paper hinges near upper corners.

Provenance: Descended within the family of the artist. $700-900

Provenance: Descended within the family of the artist. $800-1,200

218 Joseph Beuys (German, 1921-1986) and Henning Christiansen (Danish, 1932-2008) Celtic + ~~~~, 1971, edition of 100, edition Joerg Schellmann, Munich.

Signed and numbered “Joseph Beuys 53/100” in pencil on a label affixed to the inside top of box-cover. Film in tin and corked bottle within one box, 4 3/4 x 16 1/2 x 21 in. (12.0 x 41.8 x 53.4 cm), presented in the original cardboard box.

Condition: Wear/staining to box, box containing bottle detached from the rest of the packaging, the ten photographs from the set are not included with the lot.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.

Literature: Beuys, The Multiples, no.

37. $4,000-5,000 219 Pierre Bonnard (French, 1867-1947) Untitled (Femme au chien) from DINGO, 1924, edition of 350 plus proofs (Bouvet, 90/p162). Signed within the plate. Etching on wove paper, plate size 10 5/8 x 8 1/8 in.

(26.8 x 20.5 cm), framed.

Condition: Margins approximately 3/4 inches, mat burn to edge of image, unobtrusive toning, brown paper tape to upper edge on verso. $300-500

Prints & Photography– Online

212 Frank Weston Benson (American, 1862-1951)

217 Five Volume Set: Etchings and Drypoints by Frank W. Benson, compiled and arranged

by Adam E.M. Paff (Houghton Mifflin: Boston and New York) 1927-1929.

Four of the volumes inscribed by Benson in ink, all five containing an original etching as published; each with original paper dust jackets (wear and tears).

Condition: Minor wear and toning to edges. $2,000-2,500

220 Dayton Brandfield (American, 19111993) Two Genre Scenes: Summer Cabin and Aerial Artiste. Both signed “...Brandfield” in pencil l.r. and titled in pencil l.c. Lithographs on wove paper, image sizes to 16 1/8 x 11 1/2 in. (40.8 x 29.0 cm), unmatted, unframed.

Condition: Deckled edges, minor soiling to margins, handling creases to Aerial (primarily to the margins).

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-350

Online bidding at www.skinnerinc.com/auctions/2732T

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221 Two German Landscape Vistas:

225 Five Etchings:

229 James Coignard (French, 1925-2008)

Carl Alexander Brendel (German, b. 1877), Spring, color woodcut; and Lotte Geidel-Liebing (German, 1891-1963), Hellenthal, color linocut.

Both signed in pencil l.r. and titled or inscribed in pencil l.l. Image sizes to 13 x 10 in. (32.8 x 25.2 cm), matted, unframed.

Condition: Unobtrusive toning, Spring laid down and gently light-struck, Hellenthal with pale foxing and staining. $300-400

Samuel Chamberlain (American, 1895-1975), Early Morning Market, Senlis, 1939, edition of 300 plus proofs (Chamberlain & Kingsland, 273); John Henry Clifford (American, b.

1879), Tulips; Arthur W. Heintzelman (American, 1890-1965), Le Vigneron; Ernest Steven Lumsden (English, 1883-1948), The Cenotaph, 1921, edition of 36; and Aiden Lassell Ripley (American, 1896-1969), Grouse and Grapes. Each signed in pencil or ink within the lower margin, two dedicated to Frank Benson. Plate sizes to 9 3/8 x 13 3/4 in. (23.6 x 35.0 cm), one matted, all unframed.

Condition: Minor soiling to margins, folds to margins of Cenotaph.

Deux rouges et blocage, 1984, edition of 125 (Bergström et al., 605). Signed “J. Coignard” in pencil l.r., numbered “4/125” in pencil l.l., dedicated l.c. Color etching with carborundum on handmade paper, image/sheet size 26 7/8 x 20 1/2 in.

(68.0 x 52.0 cm), framed.

Condition: Floated within the frame, not examined out of frame. $400-600

Prints & Photography– Online

222 Alexander Calder (American, 18981976)

130

Untitled, edition of 75. Signed “Calder” in pencil l.r. and numbered “28/75” in pencil l.l. Color lithograph on wove paper, image size 41 1/2 x 28 1/2 in. (105.4 x 72.2 cm), unmatted, unframed.

Condition: Tear l.r., subtle toning, discoloration at c.l. edge, minor creases along top, wear and two abrasions u.l. corner. $300-500 223 Paul Cézanne (French, 1839-1906) Portrait du peintre Armand Guillaumin au pendu, 1873, a posthumous edition (Cherpin, 2).

Unsigned. Etching on paper, plate size 6 3/8 x 4 5/8 in. (16.1 x 11.5 cm), framed.

Condition: Mat burn, unobtrusive lightstriking, not examined out of frame. $400-600 224 After Marc Chagall (French/Russian, 1887-1985) Metropolitan Opera Lincoln Center, 1966, published by Charles Sorlier, Paris, printed by Mourlot, Paris.

Identified within the matrix. Color lithograph on paper, image/sheet size 39 3/8 x 25 1/2 in. (99.8 x 64.6 cm), framed.

Condition: Series of creases to image c.l. to center, floated within the mat, not examined out of frame. $700-900

230 George Constant (American, 18921978)

N.B. A fragmentary poster from a Benson & Tarbell exhibition held at the Museum of Fine Arts, Boston, in 1938 accompanies the lot. $400-600

Lobster, 1940. Signed “G. CONSTANT” in pencil l.r., titled in pencil l.c., signed and dated within the plate. Etching on wove paper, plate size 11 7/8 x 14 3/4 in. (30.0 x 37.4 cm), unmatted, unframed.

Condition: Margins approximately 1 inch with deckled edges to two sides, creases to margins, subtle soiling. $200-250

226 Asa Cheffetz (American, 1897-1965)

231 Lovis Corinth (German, 1858-1925)

Three Framed Wood Engravings: Break of Day (Vermont), Peaceful Valley (Colebrook, Conn.), and Glass (Study). Each signed “Asa Cheffetz -imp.” in pencil l.r. and titled l.l. Wood engravings on paper, image sizes to 7 x 10 in. (17.8 x 25.2 cm), framed.

Condition: Mild toning, not examined out of frames. $200-300

Burg am See from SCHWEIZER LANDSCHAFTEN, 1923, edition of 100 (Muller, 793). Signed “Lovis Corinth” in pencil l.r. Lithograph on cream laid paper, image size 5 1/4 x 7 in. (13.3 x 17.7 cm), matted, unframed.

Condition: Margins over 2 inches with deckled edges. $200-300

Provenance: Descended within the family of artist Frank Weston Benson.

227 Minna Wright Citron (American, 1896-1991) The Painter, 1933, edition of 10.

Signed and dated “Minna Citron ‘33” in pencil l.r., inscribed “ed 10” in pencil l.l. Lithograph on paper, image size 12 3/4 x 9 in. (32.3 x 22.7 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more with all but the lower edge deckled, toning, brown paper tape to corner u.r. $500-700 228 Christo (American, b. 1935) Running Fence, c. 1975. Signed “Christo” in marker u.l. Color offset print on paper, image size 25 x 39 in.

(63.4 x 98.9 cm), framed.

Condition: Not examined out of frame. $200-250

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232 Cloyd Criswell (American, 20th Century) Nine Prints, eight of nine in an edition of 25. All signed “Cloyd Criswell” in pencil l.r., titled and numbered in pencil l.l. as follows: “Boarded Up 8/25,” “Covered Bridge 3/25,” “Family Plot 4/25,” “Negro Shanty 3/25,” Seacrist’s Mill 3/25,” “The Sm. Lane 6/26,” “Tobacco Sheds 3/25,” “River Hill Barns 2/25,” Covered Bridge dated “74-37” l.r. Wood engravings on paper, sizes to 6 5/8 x 4 in. (16.8 x 10.2 cm), unmatted, unframed.

Condition: Some with deckled edges, subtle toning.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-500

237 Edwin L. Fulwider (American, b.

1913)

241 Francisco de Goya (Spanish, 17461828)

Circling Doves, 1921, first (black and white) state of two, edition of 25 or less (Czestochowski, 189). Signed “Arthur B. Davies” in pencil l.r. Transfer lithograph on chine collé, image size 15 3/8 x 12 1/4 in. (39.0 x 31.0 cm), matted, unframed.

Condition: Subtle soiling, several fox marks, minor losses to edges. $200-250

The Senator Arrives, 1948, edition of 50. Signed “Edwin Fulwider” in pencil l.r., inscribed “50” in pencil l.c. Color screenprint on paper, image size 9 x 11 1/4 in. (22.8 x 28.5 cm), framed.

Condition: Not examined out of frame. $200-250

Los Chinchillas, plate 50 from LOS CAPRICHOS, 1799, from the (posthumous) ninth edition (Harris, 85.III). Titled within the plate. Etching and aquatint on heavy wove paper, plate size 8 x 6 in. (20.3 x 15.3 cm), matted, unframed.

Condition: Margins over 1 inch, pinholes, nicks and staining to upper edge. $200-250

234 After Raoul Dufy (French, 18771953)

Boris Gorelick (American, 19121984), Circus; and Jacob Kainen (American, 1909-2001), Wood-block Printer. Both signed in pencil l.r., monogrammed within the matrix, and titled in pencil l.c. Lithographs on Rives paper, images sizes to 13 1/8 x 16 3/4 in. (33.2 x 42.4 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, handling marks and creases to margins, Circus with staining to margins, Printer unobtrusively toned. $400-600

Two Horse Racing Scenes, each an edition of 200. Both indistinctly signed in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes approximately 19 1/2 x 25 3/4 in.

(49.4 x 65.3 cm), framed.

Condition: Unobtrusive toning or fading, not examined out of frames. $800-1,200 235 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Letter C from THE ALPHABET SUITE, 1977, edition of 350, published

by Circle Fine Arts, Inc., Chicago.

Signed “Erté” in pencil l.r., numbered “261/350” in pencil l.l. Color lithograph with silkscreen on paper, image size 15 1/2 x 10 1/2 in. (39.3 x 26.5 cm), framed.

Condition: Not examined out of frame. $200-300 236 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Resting, 1981, edition of 300, published by Circle Fine Arts, Inc., Chicago. Signed “Erté” in pencil l.r., numbered “289/300” in pencil l.l., identified in information affixed to the backing. Color serigraph on paper, image size 19 1/4 x 13 1/8 in. (48.8 x 33.2 cm), framed.

Condition: Not examined out of frame. $200-300

238 Two WPA Genre Scenes:

242 Red Grooms (American, b. 1937) Wheeler Opera House, 1984 (Knestrick, 101). Unsigned, identified within the matrix. Color lithographic cut-out construction, 16 3/4 x 19 3/4 x 4 1/4 in. (42.4 x 50.0 x 10.5 cm), presented in the original Plexiglas box.

Condition: Unobtrusive fading, not examined out of box. $400-600 243 Peter Halley (American, b. 1953)

239 Harry Gottlieb (American, 18951993) Two Genre Scenes: Fisherman’s Wharf and Catskill Winter. Both signed “Harry Gottlieb” in pencil l.r. and titled in pencil l.c. Lithographs on Rives paper with watermark, image sizes to 13 1/4 x 18 1/2 in. (33.5 x 46.8 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges, pale handling marks and creases, unobtrusive toning, scattered fox marks.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-350 240 Francisco de Goya (Spanish, 17461828) Yesele quema la Casa, 1799, plate 18 from LOS CAPRICHOS, probably from the (posthumous) fourth or fifth editions (Harris, 53.III). Unsigned, titled within the plate. Etching and aquatint on paper, plate size 8 1/2 x 6 1/8 in. (21.4 x 15.3 cm), framed.

Condition: Foxing, staining and/or soiling, not examined out of frame. $300-500

Zone, 1992, edition of 125, printed

by Alexander Heinrici. Signed and dated “Peter Halley 1992” in pencil l.r., numbered “44/125” in pencil l.l. Color silkscreen on paper, image size 20 5/8 x 28 1/2 in. (52.3 x 72.3 cm), framed.

Condition: Handling creases (some affecting the ink), not examined out of frame. $400-600

Prints & Photography– Online

233 Arthur Bowen Davies (American, 1862-1928)

244 Riva Helfond (American, 1910-2002) Two Impressions of Curtain Factory.

Both signed “Riva Helfond” in pencil l.r. and titled in pencil l.c. Lithographs on Rives paper, image size 12 1/4 x 16 1/4 in. (31.0 x 41.2 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges, minor soiling, one impression with staining and tears to margins.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-350

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131

245 Bernard Hoffman (American, 20th Century)

249 Julius Katzief (Lithuanian/American, 1892-1957)

Injured Miner. Signed “Bernard Hoffman” in pencil l.r., titled in pencil l.c. Lithograph on Rives paper with watermark, image size 12 1/4 x 9 in.

(31.1 x 23.0 cm), unmatted, unframed.

Condition: Margins 1 inch or more with three deckled edges, tear to right margin.

The Cabinet Maker. Identified in an inscription on the verso. Color monotype on laid paper, image size 17 5/8 x 15 1/4 in. (44.7 x 38.6 cm), unmatted, unframed.

Condition: Margins approximately 3/8 inches with deckled edges, tape and residue to the edges on the reverse, pale staining and scattered foxing.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-350

Prints & Photography– Online

246 After Jasper Johns (American, b.

1930)

132

(Savarin) Whitney Museum of American Art, 1977, published by Telamon Editions Limited, West Islip, New York. Identified within the matrix.

Color offset poster, sheet size 45 1/2 x 29 3/4 in. (115.4 x 75.4 cm), unmatted, unframed.

Condition: Handling creases near upper edge (some into image). $300-350 247 Shiro Kasamatsu (Japanese, 18981991) Rooftops. Signed “Shiro Kasamatsu” in pencil l.r., various chops to left margin. Color woodcut on wove paper, image size 14 1/2 x 9 3/4 in.

(36.7 x 24.7 cm), matted, unframed.

Condition: Margins 1/2 inch or more with two deckled edges, ink to right margin, toning to upper edge, small loss to corner of margin l.r. $200-250 248 Luigi Kasimir (Austrian, 1881-1962) Two Views: Minoritenkirche, Vienna (Kasimir, 37); and Zoll Canal, Hamburg (Kasimir, 229). Both signed “Luigi Kasimir” in pencil in the lower margin. Color etchings with aquatint on paper, plate size to 22 1/4 x 18 in.

(56.4 x 45.5 cm), framed.

Condition: Not examined out of frames, Vienna with toning and with narrow margins. $500-700

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $200-250 250 After Gustav Klimt (Austrian, 18621918) Unterach on Lake Atter, plate 8 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image/ sheet size 11 7/8 x 11 7/8 in. (30.1 x 30.1 cm), framed.

Condition: Not examined out of frame. $500-700 251 Käthe Kollwitz (German, 1867-1945) Four Interior Scenes: Vier Männer in der Kneipe, 1892-97, printed in 1963 or later (Knesebeck, 15IIIc or d); An der Kirchenmauer, 1893, printed in 1963 or later (Knesebeck, 17VIIb); Ende, 1893-97, plate 6 from EIN WEBERAUFSTAND, printed in 1963 or later (Knesebeck, 38Vc); and Inspiration, 1904-05, printed in 1963 or later (Knesebeck, 86Xb). Each with publisher’s dry stamp l.r. Etchings with drypoint and/or aquatint in brown or black on paper, plate sizes to 22 1/4 x 11 5/8 in. (56.4 x 29.4 cm), framed.

Condition: Not examined out of frames. $1,200-1,800 252 Charles Wheeler Locke (American, 1899-1983) Two Genre Scenes: Christmas Shopping/Drawing for the Print, graphite; and À la carte, c. 1925, edition of about 30, lithograph. Both signed “Charles Locke” in pencil l.r., the former dedicated “To Mr. Chandler” l.l. Image sizes to 10 3/8 x 8 1/4 in.

(26.2 x 20.8 cm), matted, unframed.

Condition: Unobtrusive toning, several scattered fox marks. $600-800

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253 Elyse Ashe Lord (British, 1900-1971) The Musicians, edition of 100. Signed “Elyse Lord” in pencil l.r., numbered “51/100” in pencil l.l., identified on a label from Arthur Ackermann & Sons, Inc., London, affixed to the backing.

Etching with stencil coloring on paper, plate size 7 5/8 x 6 7/8 in. (19.3 x 17.4 cm), framed.

Condition: Not examined out of frame. $300-350 254 Nan Lurie (American, b. 1910) Two Genre Scenes: Sand Yard and Women’s House of Detention. Both signed “Nan Lurie” in pencil l.r. and titled in pencil l.c. Lithographs on Rives paper with watermark, image sizes to 19 1/4 x 13 in. (48.8 x 32.9 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges to three sides, nicks and creases to edges of sheet, Detention with tears and crease to margins, toning, and staining.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600 255 Nan Lurie (American, b. 1910) Two Genre Scenes: Subway Bootblack and Technological Improvements. Both signed “Nan Lurie” in pencil l.r. and titled in pencil l.c. Lithographs on Rives paper with watermark, image sizes to 13 3/4 x 17 3/4 in. (34.8 x 45.1 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges to three sides, toning, nicks and creases to edges of sheet, Subway with tear to right margin, Improvements with tear to lower margin and creases to upper margin.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600

259 Samuel Margolies (American, 18971974)

263 Zoran Antonio Music (Italian, 19092005)

Nan Lurie (American, b. 1910), Ice House; and Moses Oley (American, 1896-1978), Quarry. Both signed in pencil l.r. and titled in pencil l.c.

Lithographs on Rives paper, image sizes to 13 5/8 x 18 3/8 in. (34.5 x 46.5 cm), unmatted, unframed.

Condition: Margins over 1 inch with deckled edges, nicks and toning to edges, Ice with unobtrusive toning and staining.

Eaton’s Landing, c. 1937. Signed “S.L. Margolies” in pencil l.r., titled in pencil l.c. Color mezzotint on Rives paper with “BFK” watermark, plate size 11 1/4 x 14 1/4 in. (28.5 x 36.0 cm), unmatted, unframed.

Condition: Margins approximately 1 1/4 inches with deckled edges, minute nicks to edges, handling creases and pencil annotations to margins.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $300-350

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $200-250

Paysage siennois, 1953, published by the Guilde de la Gravure, Paris, edition of 220 plus proofs (Schmucking, 39).

Signed “Music” in pencil l.r., inscribed “Epreuve d’artiste” in pencil l.l. Color lithograph on paper, image size 13 x 19 1/4 in. (32.8 x 48.8 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, glued to backing board at edges, toning, fading. $600-800

257 Mané-Katz (French/Ukrainian, 18941962)

260 Joan Miró (Spanish, 1893-1983)

Five Images from DOUZE LITHOGRAPHIES POUR STEMPENIOU DE CHOLEM ALEIKHEM: Portrait de l’auteur; Orchestra de Stempeniou au village; Freidl et sa mère; and two impressions of Ancêtres de Stempeniou, 1966, edition of 300, printed by Mourlot, Paris, published

by André Sauret, Monte Carlo. Each signed within the matrix, identified on the colophon. Color lithographs on wove paper, sheet sizes 27 1/2 x 21 1/4 in. (69.6 x 53.8 cm), presented in the original portfolio.

Condition: Toning, some with staining and/or minor soiling. $400-600 258 Robert Peter Mangold (American, b. 1937) Distorted Square within a Circle 2, 1973, edition of 75, published by Max Protech, Inc., New York. Signed and dated “R. Mangold 1973” in pencil l.r., titled in pencil l.c., numbered “36/75” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on heavy wove paper, image size 20 1/4 x 20 1/4 in.

(51.3 x 51.3 cm), unmatted, unframed.

Condition: Deckled edges to all but the left side, very subtle soiling near edges, old hinges to edges.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $250-300

Galerie Maeght Peintures Murales, 1961 (Mourlot, 227). Identified within the matrix. Color lithographic poster, sight size 26 1/2 x 19 1/4 in. (67.2 x 48.5 cm), framed.

Condition: Pale foxing, not examined out of frame. $300-350

264 Yutaka Ohashi (Japanese/American, b. 1923) The Night, 1954. Signed “Ohashi” and with characters in pencil l.r., titled and dated “...’54” in pencil l.l.

Woodcut in blue with gold leaf on paper, image size 9 3/4 x 16 in. (24.5 x 40.5 cm), framed.

Condition: Rippling, not examined out of frame. $300-350

261 Joan Miró (Spanish, 1893-1983)

265 Elizabeth Olds (American, 18971991)

Plate from MIRÓ. OBRA INÈDITA RECENT, 1964, from the edition of 100 (Mourlot, 356b). Initialed “M.” in pencil l.r., numbered “55/100” in pencil l.l. Color lithograph on paper, image/ sheet size 12 x 17 1/8 in. (30.4 x 43.2 cm), framed.

Condition: With vertical crease as published, not examined out of frame. $400-600

Bicycle Race. Signed “Elizabeth Olds.” in pencil l.r., titled in pencil l.c.

Lithograph on paper, image size 10 1/2 x 17 in. (26.5 x 43.1 cm), unmatted, unframed.

Condition: Margins 2 3/4 inches or more with deckled edges, nicks, handling marks and creases to margins. $400-600

262 Roger Mühl (French, 1929-2008)

266 Emil Orlik (Czech, 1870-1932)

Untitled, edition of 12. Signed “Mühl” in pencil l.r., numbered “5/12” in pencil l.l. Color lithograph on paper, sight size 10 5/8 x 7 1/8 in. (26.8 x 18.0 cm), framed.

Condition: Not examined out of frame. $150-200

Dämmerung II, 1902. Signed “Orlik” in pencil l.r. Etching with roulette on laid paper with partial watermark, plate size 6 1/2 x 4 5/8 in. (16.4 x 11.5 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges, unobtrusive toning, glue/residue and losses to upper edge, nicks to right edge, pencil annotation to lower margin. $300-350

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Prints & Photography– Online

256 Two WPA Scenes:

133

267 Pepper O’Shaughnessy (American, 20th/21st Century) Tired - Wanna Go Home, 1993, edition of 20. Signed, dated, and numbered “pepper © 1993 1/20” under the horse’s stomach. Bronze with brown patina, height 15 in. (38.1 cm), presented on a rotating marble and wood plinth.

Condition: Very minor soiling to interstices. $1,000-1,500

Prints & Photography– Online

268 Joseph Pennell (American, 18601926)

134

Two Views of Classical Monuments: Temple of Jupiter, Evening, 1913, edition of 50 (Wuerth, 335), and The Base of the Temple of Eleusis, alternatively titled Eleusis: The Pavement of the Temple, 1913, edition of 50 (Wuerth, 339). Both signed “JoPennell” in pencil l.r. and titled in pencil l.l. Lithographs on paper, sheet sizes approximately 19 x 24 3/4 in. (48.2 x 62.7 cm), unmatted, unframed.

Condition: Toning, soiling, Eleusis with nicks and tears to edges, Jupiter with staining and cockling.

Provenance: Collection of Charles H. Deetz, Washington, DC, Cartographer at U.S. Coast and Geographic Survey. $200-250 269 Gabor F. Peterdi (American, 19152001) Flowering, 1965, from GENESIS, published in 1967 by Touchstone Publishers Ltd., New York (Johnson, 256). Signed and dated “Peterdi’65” in pencil l.r., numbered “VII - L” in pencil l.l. Color etching with aquatint on Arches paper with watermark, plate size 13 3/4 x 11 in. (34.8 x 27.8 cm), matted, unframed.

Condition: Margins over 1 1/2 inches with two deckled edges. $250-300 270 Pablo Picasso (Spanish, 1881-1973) Vieillard & Jeune Nue from the SUITE DE 180 DESSINS, published in 1954

by Verve (volume vii, no. 29 & 30).

Unsigned, dated within the matrix.

Color lithograph on paper, sight size 9 1/4 x 12 1/2 in. (23.4 x 31.5 cm), framed.

Condition: Not examined out of frame. $500-700

271 Pablo Picasso (Spanish, 1881-1973) L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed.

Condition: Not examined out of frame. $200-300 272 Andre Racz (American, b. 1916) Three Versions of Perseus Beheading Medusa: two different colorways of Perseus Beheading Medusa VII, 1945, edition of 15 and one of Perseus Beheading Medusa VIII, 1945, edition of 25. Each signed and dated “Andre Racz 1945.” in pencil l.r., titled in pencil l.c., and numbered in pencil l.l. Color etchings with aquatint on wove paper, plate sizes 21 5/8 x 14 7/8 in. (54.8 x 37.7 cm), unmatted, unframed.

Condition: Margins over 2 inches, prevalent soiling, nicks, tears, and creases (almost exclusively to the margins). $600-800 273 Pierre-Auguste Renoir (French, 1841-1919) Two Framed Etchings: Le chapeau épinglé (La fille de Berthe Morisot et sa cousin), 1894, posthumous impression (Stella, 8); and Sur la plage à Berneval, c. 1892 (Stella, 5). Both signed within the plate. Plate sizes to 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm), framed.

Condition: Not examined out of frames. $500-700 274 Louis Schanker (American, 19031981) Indian Dance, 1941, edition of 55 plus trial proofs (Brooklyn Museum, 49).

Unsigned, monogrammed within the block. Color woodcut on fine Japan paper, image size 12 1/8 x 16 1/8 in.

(30.5 x 40.8 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more with creases, small tears, pinholes, and losses to edges.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $400-600

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275 Anton Schutz (German/American, 1894-1977) Three Architectural Views: U.S. Chamber of Commerce, c. 1925, trial proof of the first state; St. Patrick’s Cathedral; and Baltimore - Financial Center, c. 1925. Each signed “A. Schutz” in pencil l.r. Etchings on paper, plate sizes to 14 x 10 in. (35.4 x 25.4 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more with many deckled edges, toning, pencil annotations to lower margins. $700-900 276 Ben Shahn (American, 1898-1969), Stefan Martin, engraver (American, b. 1936) Skowhegan, 1965, edition probably of 200 (Prescott, 62). Signed “Ben Shahn” in pencil l.r. and with red chop l.r., signed “Stefan Martin sc.” in pencil l.l., numbered “138/200” in pencil l.c.

Woodcut on paper, image size 9 1/4 x 8 in. (23.4 x 20.3 cm), framed.

Condition: Pale foxing, not examined out of frame. $200-250 277 Tamami Shima (Japanese, 19371999) Peacock, 1961. Signed “Tamami Shima” in pencil l.r., inscribed and dated “...1961” in pencil l.l. Color woodcut on paper, image size 9 7/8 x 15 3/8 in. (25.0 x 38.8 cm), framed.

Condition: Unobtrusive mat burn, pale toning and foxing to sheet, not examined out of frame. $250-300 278 Lawrence Beall Smith (American, 19009-1995) Solitude, 1940, published by Associated American Artists, edition of 250 (AAA/Czestochowski, 1940.046).

Signed and dated “Lawrence Beall Smith ‘40” in pencil l.r., titled in pencil l.l., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 3/4 x 11 1/2 in.

(24.6 x 29.1 cm), framed.

Condition: Foxing to margin u.l., not examined out of frame. $200-250

The Boat Swing, 1924, edition of 270.

Signed “Eileen A. Soper” in pencil l.r.

Etching on paper, plate size 11 x 7 1/2 in. (27.2 x 19.0 cm), framed.

Condition: Subtle toning, not examined out of frame. $200-250 280 Isaac Soyer (American, 1902-1981) The Letter. Signed “Isaac Soyer” in pencil l.r. and within the matrix, titled in pencil l.l. Lithograph on Rives paper with “BFK” watermark, image size 12 1/2 x 10 1/4 in. (31.6 x 26.0 cm), unmatted, unframed.

Condition: Margins 1/2 inch or more with deckled edges to two sides, pencil annotations to lower margins, tape/ residue to upper edge.

Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $200-250 281 Raphael Soyer (American, 18991987) Two WPA Interior Views: Furnished Room, 1937, edition of about 25 (Gettings, 39); and Backstage, c.

1937, edition of about 25 (Gettings, 43). Both signed “Raphael Soyer” in pencil l.r., titled in pencil l.c., and stamped l.l. Etchings on wove paper, plate sizes to 7 x 8 7/8 in. (17.7 x 22.4 cm), unmatted, unframed.

Condition: Margins over 2 inches with deckled edges, unobtrusive toning, tape/residue to upper edge. $500-700 282 Anselm Stalder (Swiss, b. 1956) DER UMFANG DES FASSUNGSVERMÖGENS (THE LIMITS OF PERCEPTION)/A Portfolio of Five Works Plus the Illustrated Book of Poems, which includes one original monotype, 1983/84, edition of 35 plus 10 proofs, published by Peter Blum Editions.

Each signed and dated “Stalder 1984” in pencil l.r. and numbered “27/35” in pencil l.l. Color woodcuts on Rives paper with watermarks, sheet sizes 30 x 22 1/2 in. (76.2 x 57.0 cm), presented in the original clamshell box.

Condition: Very minor wear to box.

283 Pat Steir (American, b. 1938) Untitled (Waterfall), 1991, edition of 125 published by Crown Point Press, San Francisco. Numbered, initialed, and dated “58/125 PS 91” in pencil l.r., publisher’s dry stamp l.r. Drypoint on Somerset wove paper with watermark, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.2 cm), unmatted, unframed.

Condition: Margins 3 inches or more with deckled edges, minor creases to corner l.r., annotations and soiling to verso. $200-250 284 David Sullivan (American, b. 1941) Emily Dickinson Series #5, edition of 37. Signed “David Sullivan” in pencil l.r., titled in pencil l.l., numbered “18/37” in pencil l.c., dry stamp l.r.

Color screenprint on paper, image size 22 1/4 x 33 in. (56.4 x 83.7 cm), framed.

Condition: Not examined out of frame. $200-300 285 Carl Theodor Thiemann (Austrian, 1881-1966) Kloster in Pappenheim, 1908 (Merx, 91F). Signed “C. Thiemann” in pencil l.r., inscribed and titled in pencil l.l.

Color woodcut on paper, image size 11 3/4 x 9 3/4 in. (29.8 x 24.6 cm), framed.

Condition: Deckled edges, unobtrusive toning and rippling, glued to support along upper and left edges. $300-350 286 Jack Tworkov (American, 1900-1982) The Dartmouth Print, 1973. Signed and dated “Tworkov/73” in pencil l.r., dedicated “For Mat/Hanover 3.12.73” in pencil l.l. Screenprint in grays on paper, image size 24 x 17 in. (60.8 x 43.0 cm), framed.

Condition: Margins over 3 inches.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut. $400-600

287 Jacobus Gerardus Veldheer (Dutch, 1866-1954) Modderman Volendam. Signed “J.G. Veldheer” in pencil l.r., inscribed “No XII” in pencil l.l., titled within the block.

Color woodcut on paper, image size 12 1/8 x 10 in. (30.7 x 25.4 cm), framed.

Condition: Not examined out of frame. $300-350 288 Andy Warhol (American, 1928-1987) America, first edition (Harper & Row, Publishers: New York), 1985. Signed

by Warhol on the cover and on the table of contents in marker.

Condition: Cover disadhered from volume, handling creases to cover, minor wear to pages. $250-300 289 After Andy Warhol (American, 19281987) Campbell’s Cream of Mushroom Soup Kitchen Apron. Inscribed and dated “© CAMPBELL SOUP COMPANY 1983” l.l. Printed oil cloth or similar, 30 1/2 x 20 in. (77.5 x 51.5 cm), framed.

Condition: Creases, not examined out of frame. $250-300

Prints & Photography– Online

279 Eileen Alice Soper (British, 19051990)

289A Andy Warhol (American, 1928-1987) Signed Campbell’s Tomato Soup Can. Signed “Andy Warhol” in marker on the label. Can manufactured by Campbell’s, presented in a Plexiglas lidded box.

Condition: Gentle fading to label. $1,000-1,500 290 After Andy Warhol (American, 19281987) Marilyn Monroe, 1998, edition of 5,000. Identified and numbered “Block/China/Marilyn Monroe/©Copyright Licensed by AWF. TM 1998 The Estate/of Marilyn Monroe by CMG Indpls., IN/All Rights Reserved. Made in China/Limited Edition Plate No. 830/5000” on the reverse. Transfer-printed porcelain plate, diameter 10 5/8 in. (26.9 cm).

Condition: Good. $500-700

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $350-450

Online bidding at www.skinnerinc.com/auctions/2732T

135

291 Stow Wengenroth (American, 19061978) The Sally Islands, Corea, Maine, 1954, edition of 25 (Stuckey, 217).

Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/25” l.l. Lithograph on paper, image size 10 7/8 x 15 7/8 in.

(27.5 x 40.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

Prints & Photography– Online

292 Levon West (American, 1900-1968)

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Two Scenes with Horsemen: Iceberg Lake, 1927, edition of 100 (only 56 printed); and English Bay Plate 1, 1927, unpublished edition of 8 proofs.

Both signed “Levon West imp.” in pencil l.r., numbered or inscribed in pencil l.l. Etchings with drypoint on paper, plate sizes to 8 1/4 x 11 7/8 in.

(20.8 x 30.0 cm), matted, unframed.

Condition: Margins 1 inch or more, some with deckled edges, subtle toning. $500-700 293 Levon West (American, 1900-1968) Two Sporting Scenes: Duck Hunters Paddling and Waiting for a Shot.

Both signed “Levon West imp.” in pencil l.r. and inscribed “Trial...” l.l.

Etchings with drypoint on paper, plate sizes approximately 10 x 13 1/2 in.

(25.4 x 34.2 cm), matted, unframed.

Condition: Margins between 1/2 and 1 inch, some with deckled edges, subtle toning, fine foxing to Paddling. $500-700 294 Harry Herman Wickey (American, 1892-1968) Two River Views: Hudson River View, c. 1929, edition of 75; and Snow on the Mountain, edition of about 75. Both signed “Harry Wickey” in pencil l.r. and signed within the plate, Hudson numbered l.l. and with label from Frederick Keppel & Co., Inc., New York, affixed to the mat. Etchings on paper, plate sizes to 7 7/8 x 12 1/4 in.

(19.8 x 31.0 cm), matted, unframed.

Condition: Margins 1 inch or more, gentle toning. $350-550

295 Robin Winters (American, b. 1950)

299 Carol Beckwith (American, b. 1945)

BOTTLE BRIGADE/A Suite of Three Prints, 1992, published by the Tamarind Institute, Albuquerque (Tamarind, 92-317, 92-318, and 92320). Each titled, dated, and signed in pencil on the verso, publisher’s and two other dry stamps l.r. Color lithographs on cream laid Bodelian paper with watermark, image sizes 18 1/8 x 24 3/8 in. (46.0 x 61.8 cm), unmatted, unframed.

Condition: Deckled edges.

Four Color Photographs: African Houses, #1, #2, #3, #4, 1975. Each dated and signed “Carol Beckwith” in pencil below the image l.r., titled “Niamey, Niger” in pencil below the image l.l., and identified on an Obelisk Gallery, Boston, label on the backing.

Chromogenic prints, sight sizes to 9 x 13 1/2 in. (22.9 x 34.4 cm), framed.

Condition: Faded, not examined out of frames.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $300-350 296 Chizuko Yoshida (Japanese, b. 1924) Untitled, 1958. Signed and dated “Chizuko Yoshida 1958” in pencil l.r.

Color woodcut on paper, image size 20 1/2 x 15 in. (52.0 x 38.0 cm), framed.

Condition: Not examined out of frame. $200-300

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $200-300 300 Edward Sheriff Curtis (American, 1868-1952) Tewa Girls, 1921. Identified within the plate at the bottom. Photogravure on paper, image size 11 1/4 x 15 3/8 in.

(28.6 x 39.0 cm), matted.

Condition: Unmounted, deckled edges, unobtrusive toning, lightly soiled, small tear at bottom right edge. $300-500

297 Alfredo Zalce (Mexican, 1908-2003) Tejedor de Sombreros de Bécal, Yucatán, 1945. Signed and dated “ALFREDO ZALCE 1945” in pencil l.r.

Lithograph on paper, image size 11 3/8 x 13 1/4 in. (28.7 x 33.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $100-150 298 American School, 20th Century Cattle and Cowboy with Edison Plant and Schrafft’s Building, Everett/Charlestown Line, Massachusetts. Unsigned.

Chromogenic print, 10 7/8 x 13 7/8 in.

(27.8 x 32.8 cm), framed.

Condition: Indentation in u.l. corner, hinged with transparent tape. $200-300

301 Harold E. “Doc” Edgerton (American, 1903-1990) No. 8 Dynamite Cap Explodes, 1961. Identified, dated, and inscribed “...M.I.T. CAMBRIDGE MASS...” in pencil on verso along with inscriptions indicating that the print was used as a book illustration. Gelatin silver print, 9 7/16 x 7 5/8 in. (24.0 x 19.4 cm), unmatted, unframed.

Condition: Mounted, disadhering from mount at u.r., loss and crack in emulsion at u.r. corner, creases along top, two areas of accretion at center.

Provenance: From the private collection of György Kepes. $300-500 302 Stephen Frank (American, b. 1947) Palace of Fine Arts, San Francisco, 1979, edition of 80. Signed, inscribed, titled, and numbered “© Stephen Frank...2/80” in pencil on the reverse.

Gelatin silver print on paper, image size 8 1/4 x 12 1/4 in. (20.8 x 31.0 cm), matted, unframed.

Condition: Unmounted.

Provenance: From the collection of Austin Lamont, by family descent. $200-250

Online bidding at www.skinnerinc.com/auctions/2732T

306 Heather Lin (American, 20th/21st Century)

309 Bradford Washburn (American, 1910-2007)

Light Abstraction, Park Central Hotel, New York, c. 1945. Stamped “CREDIT MUST BE GIVEN/Fritz Henle” in ink on verso. Glossy gelatin silver print, 13 1/8 x 11 in. (33.3 x 28.0 cm), unmatted, unframed.

Condition: Mounted, breaks in emulsion with losses at corners and c.l., surface scratches, minor soiling on verso with breaks in mount corners, adhesive residue on verso along top edge.

Two Black-and-white Photographs: Arms and Legs, c. 2005. Unsigned.

Inkjet prints on paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed.

Condition: Not examined out of frames. $300-500

Clouds Pouring Over Kahiltna Pass Just West of Mt. McKinley, Late Afternoon. Titled on a label affixed to verso, credit and reproduction limitation stamp inscribed “Neg. No. 6003” on verso l.l. Gelatin silver print, 10 3/8 x 13 3/8 in. (26.4 x 34.0 cm), unmatted, unframed.

Condition: Unmounted, breaks in emulsion and small losses at u.l., u.r., and l.r. corners, handling crimps at sides and l.c.

Provenance: From the private collection of György Kepes. $300-500 304 Lotte Jacobi (American, 1896-1990) Girl from Peru. Signed “LotteJacobi” in pencil within the image l.l., titled in pencil on verso. Platinum print, sheet size 11 x 14 1/8 in. (27.8 x 35.8 cm), framed.

Condition: Unmounted. $500-700

307 Wolfgang Suschitzky (Austrian/ American, b. 1912) Two Photographs: The Parthenon and The Taj Mahal. Both stamped “PHOTOGRAPHS BY/w. suschitzky/28 WILLIFIELD WAY LONDON NW11” on verso, along with additional inscriptions. Gelatin silver prints, sizes to 11 x 9 5/8 in. (28.0 x 24.5 cm), unmatted, unframed.

Condition: Unmounted, very minor wear at corners.

308 Edmund Teske (American, 19111996)

Light Tapestry, 1939. Titled, dated, and signed “Lerner” in ink below the image, inscribed “For Juliet and Guri--Nathan” in pencil on recto at the bottom. Gelatin silver print, 9 x 9 in.

(22.8 x 22.8 cm), unmatted, unframed.

Condition: Unmounted, minor wear at corners, handling crimps at l.r., c.l., and u.l. above image, vertical creases in image l.r.

Two Photographs: Women’s Clothing Store Interior and Storefront, late 1930s/early 1940s. Both signed “Edmund Teske” in blue pencil on verso. Gelatin silver prints, sizes to 6 5/8 x 6 1/4 in. (16.8 x 15.9 cm), unmatted, unframed.

Condition: Unmounted, crease in u.r. corner of Interior, Storefront has minor handling creases in corners, crease in u.r. quadrant, and several spatters of blue paint across surface, minor soiling on verso of both.

N.B. Lerner studied at the New Bauhaus (renamed the Institute of Design in 1944) in Chicago in the second half of the 1930s and was assistant to Kepes, who headed the school’s Light and Color Workshop, and with whom he co-wrote The Creative Use of Light published in 1941. $700-900

End of Prints & Photography— Online

Provenance: From the private collection of György Kepes. $500-700

305 Nathan Lerner (American, 19131997)

Provenance: From the private collection of György Kepes.

Provenance: From the private collection of György Kepes. $500-700

Prints & Photography– Online

303 Fritz Henle (German/American, 1909-1993)

Provenance: From the private collection of György Kepes.

N.B. In the late 1930s, Edmund Teske taught at the New Bauhaus (renamed the Institute of Design in 1944) in Chicago alongside Laszlo Molohy-Nagy and György Kepes. $200-250

Online bidding at www.skinnerinc.com/auctions/2732T

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Artist Index Adams, Ansel.................................................151 Adelman, Lillian..............................................190 Agam, Yaacov.......................................191, 192 Albers, Josef .................................................1, 2 Albright, Ivan Le Lorraine...................................3 American School, 19th Century ......... 86, 88, 89 91-104, 106, 108-110, 112, 115-117, 121-123 125-127, 129-131, 133-140, 142-144, 146-148 American School, 20th Century ....................298 Anderson, Carlos...........................................193 Bacon, Peggy....................................................4 Barlach, Ernst................................................194 Baskin, Leonard .................................... 195-200 Basquiat, Jean-Michel ...................................201 Bearden, Romare ..............................................5 Becker, Fred......................................................6 Beckmann, Max ................................................7 Beckwith, Carol ............................................299 Benson, Frank Weston..................8-15, 202-217 Benton, Thomas Hart ............................... 16-19 Beuys, Joseph ..............................................218 Bhavsar, Natvar Prahladji ................................20 Bonnard, Pierre .............................................219 Boston School, 19th Century ......... 89, 102, 103 ..................................................... 105, 120, 139 Brandfield, Dayton.........................................220 Bravo, Manuel Alvarez .......................... 152-156 Brendel, Carl Alexander ................................221 Breslow, Louis.................................................21 Broadbent, Samuel (Attributed to)..................124 Buhot, Félix Hilaire...........................................22 Burke, David....................................................23 Calder, Alexander .........................................222 Caro, Sir Anthony ...........................................24 Cassatt, Mary .................................................25 Cézanne, Paul .........................................26, 223 Chagall, Marc ............................................27, 28 Chagall, Marc (After) .....................................224 Chamberlain, Samuel ....................................225 Charlot, Jean ..................................................29 Cheffetz, Asa ..........................................30, 226 Christiansen, Henning....................................218 Christo ..........................................................228 Citron, Minna Wright......................................227 Clifford, John Henry.......................................225 Coignard, James ..........................................229 Constant, George..........................................230 Corinth, Lovis.................................................231 de Coulon, Eric ...............................................31 Criswell, Cloyd ..............................................232 Curtis, Edward Sheriff....................................300 Dalí, Salvador............................................. 32-37 Davies, Arthur Bowen....................................233 Dufy, Raoul (After) .........................................234 Edgerton, Harold E. “Doc” ............................301 Erté........................................................235, 236 Evans, Walker ....................................... 157-161 Faurer, Louis .................................................162 Faye, Harold....................................................38 Feininger, Andreas................................. 163-165 Fellig, Arthur...........................................178, 179 Frank, Robert ................................................166 Frank, Stephen..............................................302 Fulwider, Edwin L...........................................237

Gag, Wanda....................................................39 Geidel-Liebing, Lotte .....................................221 Germon, Washington Lafayette......................119 Gorelick, Boris ..............................................238 Gottlieb, Harry .........................................40, 239 Goya, Francisco de................................240, 241 Grooms, Red ................................................242 Gurney, Jeremiah...................................141, 145 Hadzi, Dmitri ...................................................41 Halley, Peter .................................................243 Haynes, M. Lucille..........................................190 Hayter, Stanley William ....................................42 Heintzelman, Arthur W...................................225 Helfond, Riva ........................................190, 244 Henle, Fritz.....................................................303 Hepworth, Barbara .........................................43 Hoffman, Bernard..........................................245 Huang Yan ............................................184, 185 Icart, Louis.......................................................44 Jacobi, Lotte ................................. 167-169, 304 Johns, Jasper (After) .....................................246 Kainen, Jacob ...............................................238 Kasamatsu, Shiro...........................................247 Kasimir, Luigi...........................................45, 248 Katzief, Julius ................................................249 Kent, Rockwell...........................................46, 47 Kilburn, William Edward ..........................87, 150 Kirmse, Marguerite..................................... 48-50 Klimt, Gustav (After) ......................................250 Kollwitz, Käthe ..............................................251 Kuniyoshi, Yasuo.............................................51 Lawrence.......................................................149 Lerner, Nathan...............................................305 Lin, Heather...................................................306 Lindner, Richard...............................................52 Link, O. Winston....................................170, 171 Locke, Charles Wheeler.................................252 Lord, Elyse Ashe............................................253 Lowell, Nat ......................................................53 Lumsden, Ernest Steven................................225 Lurie, Nan........................................ 54, 254-256 Mané-Katz ....................................................257 Mangold, Robert Peter ...................... 55-57, 258 Marca-Relli, Conrad ........................................58 Margolies, Samuel ........................................259 Marini, Marino..................................................59 Markham, Kyra ...............................................60 Marsh, Reginald ........................................... 60A Martin, Stefan................................................276 McClees & Germon................................111, 132 Meyerowitz, Joel.................................... 172-174 Miró, Joan....................................... 61, 260, 261 Morgan, Barbara ...........................................175 Mühl, Roger ..................................................262 Music, Zoran Antonio.....................................263 Von Neumann, Robert ....................................62 Newman, Arnold............................................176

O’Shaughnessy, Pepper ...............................267 Patterson, Margaret Jordan.......................... 62A Pennell, Joseph ............................................268 Peterdi, Gabor F. ..........................................269 Picasso, Pablo........................... 63-65, 270, 271 Pytlak, Leonard ...............................................66 Racz, Andre ..................................................272 Rein, Harry ......................................................67 Renger-Patzsch, Albert..................................177 Renoir, Pierre-Auguste.............................68, 273 Ripley, Aiden Lassell ........................ 69, 70, 225 Rippl-Rónai, József .........................................71 Rush, Rosa......................................................72 Schanker, Louis ............................... 73, 74, 274 Schutz, Anton ...............................................275 Severini, Gino...................................................75 Shahn, Ben....................................................276 Shima, Tamami .............................................277 da Silva, Maria Elena Vieira........................... 80A Simpson, Andrew J........................................122 Smith, Lawrence Beall ..................................278 Soper, Eileen Alice ........................................279 Southworth & Hawes (Attributed to) ..............114 Southworth & Hawes (School of)...........105, 107 .....................................................113, 118, 128 Soyer, Isaac...................................................280 Soyer, Raphael..............................................281 Stalder, Anselm .............................................282 Steir, Pat........................................................283 Stinemetz, Morgan ..........................................76 Sullivan, David ...............................................284 Suschitzky, Wolfgang.....................................307 Tamayo, Rufino................................................77 Tàpies, Antoni..................................................78 Tarbell, Edmund Charles .................................79 Teske, Edmund .............................................308 Thiemann, Carl Theodor.................................285 de Tirtoff, Romain..................................235, 236 Tworkov, Jack ..............................................286 Tyler & Company ............................................95 Vasarely, Victor................................................80 Veldheer, Jacobus Gerardus..........................287 Warhol, Andy.................................... 81, 82, 288 Warhol, Andy (After)......................... 83, 289-290 Washburn, Bradford.......................................309 Weegee.................................................178, 179 Weekes, Joseph..............................................90 Wengenroth, Stow.........................................291 West, Levon ..........................................292, 293 Whipple, John Adams (School of) ...................94 Whistler, James Abbott McNeill.......................84 Wickey, Harry Herman...................................294 Winogrand, Garry................................... 180-183 Winters, Robin...............................................295 Yoshida, Chizuko...........................................296 Yunkers, Adja .................................................85 Zalce, Afredo ................................................297

Ohashi, Yutaka..............................................264 Olds, Elizabeth ..............................................265 Oley, Moses ..................................................256 Orlik, Emil ......................................................266

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 8, 2014

138

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

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FOR OFFICE USE Marlborough

Boston

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63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

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Chairman of the Board - Stephen L. Fletcher Richard Albright John Deighton Barnet Fain Karen M. Keane Andrew Payne Chairman Emerita - Nancy R. Skinner

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Expert Departments

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Helen Eagles, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling Couture - Anne Fallon Discovery Auctions - Anne Fallon Assistants: Melissa Riebe, Kyle Johnson European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historic Arms & Militaria - Joel Bohy

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 2332 Galiano Street Coral Gables, FL 33134 305.503.4423

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142

Jewelry - Victoria Bratberg Assistants: John Colasacco, Katie Simonetti Judaica - Kerry Shrives Musical Instruments - Director Pro Tem: Jill Arbetter Assistant: Horst Kloss Oriental Rugs & Carpets - Lawrence Kearney Assistant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Anne Fallon Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

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Auction Coordinators - Jessica R. Lincoln, 617.874.4308,

Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

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Jessica Turner, 508.970.3240

Advertising/Production Manager - Pamela Van de Houten Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Ryan O’Hara Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Image Editor - John Cornelius Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Lead Designer - Kristina Harrison Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Jessica Turner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Katie Fitzgerald Boston: Bridget Spears Regional Director—Florida - April L. Matteini, G.G. Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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Catalog Subscription Form Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

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American Furniture & Decorative Arts

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European Furniture & Decorative Arts

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$143

American & European Paintings & Prints (two books)

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$158

American & European Fine Prints & Photogrpahy

$60

$73

American & European Fine Paintings & Sculpture

$110

$133

Fine Jewelry

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$143

20th Century Design

$60

$73

Asian Works of Art

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Fine Oriental Rugs & Carpets

$18

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American Indian & Ethnographic Art

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Fine Books & Manuscripts

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$36

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Fine Musical Instruments

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MA residents 6.25% sales tax

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Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Upcoming Auction Fine Prints & Photography

Chuck Close (American, b.

1940), Phil I (White), 1982, auctioned for $60,000

September 19, 2014, Boston, MA Consignment Deadline: June 27, 2014 For more information, please contact the American & European Works of Art department at 508.970.3206, or email prints@skinnerinc.com