Fine Prints & Photographs | Skinner Auction 2778B

Fine Prints & Photographs

Sale 2778B

January 23, 2015

Boston

Fine Prints & Photographs

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2778B

Preview

Absentee Bidding

Friday, January 23 12PM

Wednesday, January 21 12 to 5PM

T: 617.874.4318 F: 617.350.5429

followed by 2779B Fine Paintings & Sculpture at 4PM

Thursday, January 22 12 to 8PM

63 Park Plaza Boston, MA

Friday, January 23 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 88 ; frontispiece : 98 ; back cover : 163

American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse

M Y AC T IVIT Y AU C T IO N LO G O U T

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SK2148

$40,000 - $60,000 $110,000

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$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder

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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

5

Provenance

6

Glossary of Terms

7

Lots 1–193

122

Artist Index

123

Conditions of Sale

124

Company Directors & Specialty Departments

125

Administrative Staff & Client Services

126

Map & Driving Directions

127

Absentee Bid Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 123 of this catalog for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2015 All rights reserved MA/Lic. #2304

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Provenance Ex-collection of Mina Boehm Metzger, New York. Metzger was an artist, and studied with Arshille Gorky. She exhibited her work in the 1940s and 1950s at Betty Parsons Gallery and other New York locations.

Ex-collection of Frank Weston Benson (Massachusetts, 1862-1951) Ex-collection of the Baron Adrien Évrard François Joseph Wittert (Liège, 1824-1903) Property of Ann and Graham Gund, Massachusetts. The Gunds are major collectors of contemporary art and avid supporters of the visual and performing arts in the Boston area. The Gund Partnership, the architectural firm founded by Graham Gund in 1971, is noted for its building and historic redevelopment projects.

Private collections in Vermont, New York, Massachusetts, and Rhode Island A New York City Estate A Massachusetts Estate The Estate of Leonard Freed Property sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

Fine Prints & Multiples Lots 1–129

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1 Yaacov Agam (Israeli, b. 1928) Untitled, edition of 300. Signed “Agam” in pencil l.r., numbered “33/300” in pencil l.l.

Color screenprint on cream paper, image size 35 3/8 x 29 5/8 in. (89.7 x 75.2 cm), framed.

Condition: Gentle rippling, not examined out of frame. $600-800

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2 Josef Albers (German/American, 18881976) Untitled, from HOMMAGE AU CARRÉ, 1965, edition of 125, published by Éditions Denise René, Paris (Danilowitz, 160.12).

Monogrammed and dated “JA 64” in pencil l.r., numbered “63/125” in pencil l.l. Color screenprint on paper, image size 10 7/8 x 10 7/8 in. (27.7 x 27.7 cm), framed.

Condition: Subtle toning visible to margins, not examined out of frame.

Provenance: A New York City estate. $800-1,200 3 Josef Albers (German/American, 18881976)

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WLS I, from WHITE LINE SQUARES (SERIES I), 1966, edition of 125, published

by Gemini, G.E.L., Los Angeles (Danilowitz, 171.1). Monogrammed and dated “JA ‘66” in pencil l.r., titled and numbered “...52 - 125” in pencil l.l. Color lithograph on paper, image size 15 3/4 x 15 3/4 in. (40.0 x 40.0 cm), framed.

Condition: Toning to sheet, pale staining to upper margin, gentle rippling, not examined out of frame.

Provenance: A private Vermont collection. $600-800

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4 Josef Albers (German/American, 18881976) EK If, from HOMAGE TO THE SQUARE: EDITION KELLER, 1970, edition of 125 (Danilowitz, 203.6). Monogrammed and dated “JA ‘70” in pencil l.r., titled and numbered “E K I f 92/125” in pencil l.l. Color screenprint on paper, image size 13 13/16 x 13 13/16 in.

(35.0 x 35.0 cm), framed.

Condition: Margins 3/4 inches or more, not examined out of frame. $800-1,200 5 Karel Appel (Dutch, 1921-2006) Abstract Owl. Signed and inscribed “Appel EA” in pencil within the image l.r., identified in information affixed to the backing. Color screenprint on paper, image/sheet size 30 x 19 5/8 in. (76.2 x 49.6 cm), framed.

Condition: Floated within the mat, not examined out of frame.

Provenance: A private Vermont collection. $500-700

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6 John Taylor Arms (American, 1887-1953) Two Shipyard Views: Battle Wagon U.S.S. Alabama Outfitting at Norfolk Navy Yard, Crane Ship Kearsarge Alongside - 1942, 1943, final state of six, edition of 872 (Fletcher, 376); and Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company, South Kearney, N.J. U.S.S. Radford, Quick, Mervine - 1942, 1943, final state of three, edition of 875 (Fletcher, 377).

Both signed and dated “John Taylor Arms 1943” in pencil l.r. and annotated with state number l.l. Etchings (the former with aquatint) on paper, plate sizes to 12 x 17 7/8 in. (30.4 x 45.2 cm), framed.

Condition: Both with pale mat burn and rippling, not examined out of frames. $300-500 7 Will Barnet (American, 1911-2012) Way to the Sea, 1981, edition of 300. Signed and dated “©Will Barnet 1981” in pencil l.r., titled in pencil l.l., numbered “90/300” in pencil l.c., identified on an Associated American Artists label affixed to the backing. Color lithograph on paper, 40 x 30 in. (101.6 x 76.2 cm), framed.

Condition: Margins 1/2 inch or more, not examined out of frame.

Provenance: A New York City estate. $500-700 7

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8 After Otto Baumberger (Swiss, 1889-1961) Baumann, 1952, published by Indicolordruck Bollman, Zürich. Identified within the matrix.

Color lithographic poster, sight size 50 x 35 1/4 in. (126.8 x 89.4 cm), framed.

Condition: Minor creases, toning, and rippling, not examined out of frame. $1,000-1,500 8A Romare Bearden (American, 1911-1988) Bopping at Birdland (Stomp Time), from the series JAZZ, 1979, proof aside from the edition of 175, published by London Arts, Inc., Detroit (Gelburd & Rosenberg, 25). Signed and numbered “AP/17/Rom/are/Bear/den” in pencil l.l. Color lithograph on paper, image/ sheet size 23 3/4 x 33 1/8 in. (60.2 x 84.1 cm), framed.

Condition: Not examined out of frame. $1,500-2,000

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9 Frank Weston Benson (American, 18621951) Boats at Dawn, 1920, published state of 150 (Paff, 190). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.r. Etching in brown/black ink on vellum paper, plate size 7 3/4 x 10 7/8 in. (19.6 x 27.5 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more with deckled edges.

Provenance: Descended within the family of the artist. $800-1,200 10 Frank Weston Benson (American, 18621951) The Gunner’s Blind, 1921, trial proof A-3 with the foreground and figures added in pencil (Paff, 204). Signed “FrankWBenson.” in pencil l.l., pencil annotations to lower margin.

Etching on vellum paper, plate size 8 x 9 7/8 in. (20.1 x 25.1 cm), unmatted, unframed.

Condition: Margins 3/4 inches or more with deckled edges to two sides, old hinges and residue at upper corners, unobtrusive finger prints and other soiling to margins, ghost impression of the plate on the sheet about 1/2 inch to the right of the main impression.

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Provenance: Descended within the family of the artist. $1,200-1,800

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11 Frank Weston Benson (American, 18621951) Nascaupée Indian, 1921, published state of approximately 150 (Paff, 210). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Etching on laid paper with “ENGLAND” watermark, plate size 7 7/8 x 5 7/8 in. (19.9 x 15.0 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges.

Provenance: Descended within the family of the artist. $600-800 12 Frank Weston Benson (American, 18621951) Soaring Fish Hawk, 1923, published state of 150 (Paff, 225). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges to two sides, several pale pinpoint fox marks to margins.

Provenance: Descended within the family of the artist. $700-900

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13 Frank Weston Benson (American, 18621951) Deer Hunter, 1924, published state of 150 (Paff, 229). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Etching on laid vellum paper with “F.G. Head & Co.” watermark, plate size 7 7/8 x 10 7/8 in. (19.8 x 27.4 cm), unmatted, unframed.

Condition: Margins approximately 1 1/4 inches with deckled lower edge.

Provenance: Descended within the family of the artist. $800-1,200 14 Frank Weston Benson (American, 18621951) Man with a Gaff, 1925, published state of 150 (Paff, 247). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 11 7/8 x 9 7/8 in. (30.0 x 25.1 cm), framed.

Condition: Not examined out of frame. $700-900

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15 Frank Weston Benson (American, 18621951) Pointer Dog, 1925, published state of 150 (Paff, 251). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Etching on laid paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 19.8 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more, deckled edges to two sides.

Provenance: Descended within the family of the artist. $700-900 16 Frank Weston Benson (American, 18621951) Two Impressions of Two Canoes, 1927, trial proof A-5 and impression from the published edition of 150 (Paff, 266). Both signed “FrankWBenson.” in pencil l.l. and with pencil annotations l.l. Etchings on various papers, plate sizes 5 7/8 x 7 3/4 in. (14.8 x 19.5 cm), unmatted, unframed.

Condition: Margins 1 1/2 inches or more with most edges deckled, ink and fingerprints to the margins of the proof.

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Provenance: Descended within the family of the artist. $2,000-2,500

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17 Frank Weston Benson (American, 18621951) Running the Rapids, 1927, published edition of 150 (Paff, 269). Signed “FrankWBenson.” in pencil l.l., pencil annotations l.l. Etching on laid paper, plate size 5 15/16 x 7 7/8 in. (15.0 x 19.8 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more, deckled edges to two sides.

Provenance: Descended within the family of the artist. $800-1,200 18 Frank Weston Benson (American, 18621951) Black Ducks Towering, 1930, published state of 150 (Paff, 305). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed.

Condition: Pale mat burn, not examined out of frame. $300-350

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19 Thomas Hart Benton (American, 18891975) Instruction, 1940, edition of 250, published

by Associated American Artists, New York (Fath, 41). Signed “Benton� in pencil l.r. and within the matrix. Lithograph on paper, image size 10 1/2 x 12 3/8 in. (26.5 x 31.3 cm), framed.

Condition: Subtle rippling, not examined out of frame.

Provenance: A private Vermont collection. $1,500-2,000 20 Paul Berthon (French, 1872-1909) 20

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Les Eglantines, 1900, final state of two, edition probably of 200, published by Chaix, Paris (Arwas, 54). Signed and identified within the matrix. Color lithograph on paper, image size 17 5/8 x 21 1/8 in. (44.7 x 53.5 cm), framed.

Condition: Toning, not examined out of frame. $500-700

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21 Georges Braque (French, 1882-1963) Untitled (Profile), page 37 from LE TIR À L’ARC, 1960, printed by Desjobert, Paris, published by Louis Broder, Paris (Vallier, 153).

Signed “G Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Lithograph in brown/black on paper, image size 8 1/4 x 5 3/4 in. (20.8 x 14.5 cm), framed.

Condition: Deckled edges, sheet with gentle rippling, floated within the frame, not examined out of frame.

Provenance: A Massachusetts estate. $700-900 21A After Georges Braque (French, 1882-1963) Marine (Maeght, 1013). Initialed “G.B.” in pencil l.r., signed within the matrix. Color lithograph on paper, image size 10 3/4 x 13 7/8 in. (27.3 x 35.0 cm), framed.

Condition: Vertical crease, not examined out of frame.

Provenance: A private Massachusetts collection.

N.B. The lot is accompanied by an offset reproduction of a work by Braque. $300-500

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22 Bernard Buffet (French, 1928-1999) Tournesols et melon, 1955, from the color edition of 125, published by Galerie Beyeler, Basel (Mourlot, 11). Signed “Bernard Buffet” in pencil l.r., numbered “94/125” in pencil l.l.

Color lithograph on paper, image size 19 x 25 3/4 in. (48.2 x 65.3 cm), framed.

Condition: Unobtrusive toning and mat burn, not examined out of frame. $1,500-2,000 23 Félix Hilaire Buhot (French, 1847-1898) Les Petites Chaumières, 1878, probably the final state of four (Bourcard/Goodfriend, 149).

Artist’s red ink stamp (Lugt, 977) l.c., signed and dated within the plate, identified on a label from Frederick Keppel and Co., New York, affixed to the backing. Etching with aquatint and drypoint on paper, plate size 4 x 5 3/8 in.

(10.2 x 13.5 cm), framed.

Condition: Margins 1/2 inch or more, subtle toning, several fox marks to margins, gentle rippling, not examined out of frame.

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Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners. $600-800

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24 Félix Hilaire Buhot (French, 1847-1898) Westminster Palace, 1884, sixth state of seven (Bourcard/Goodfriend, 155). Signed “Felix Buhot...” in pencil l.c., with the artist’s red ink stamp (Lugt, 977) l.c., identified on a label from Frederick Keppel and Co., New York, affixed to the backing. Etching and drypoint on paper, plate size 11 1/2 x 15 13/16 in. (29.3 x 39.4 cm), framed.

Condition: Margins 1/2 inch or more, gentle toning, not examined out of frame.

Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners. $1,000-1,500 25 Paul Cadmus (American, 1904-1999) Mobile, 1953, edition of 75 (Davenport, 50).

Signed and numbered “Cadmus 29 LXXV” in ochre pencil within the image l.l. Color screenprint on brown paper, image size 15 7/8 x 18 3/8 in. (40.3 x 46.5 cm), matted, unframed.

Condition: Margins over 1 1/4 inches with deckled upper edge, brown paper tape at upper corners of margin.

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Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. $700-900

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26 Alexander Calder (American, 1898-1976) Galerie Maeght 13 Rue de Teheran - VIII Mobiles de Calder, 1954. Identified within the matrix. Color lithographic poster, image size 23 7/8 x 16 3/4 in. (60.4 x 42.5 cm), framed.

Condition: Subtle toning and water (or similar) spots, not examined out of frame. $500-700 27 Alexander Calder (American, 1898-1976) Untitled (Balloons). Unsigned. Color lithograph on paper, image size 12 7/16 x 9 11/16 in. (31.4 x 24.5 cm), matted, unframed.

Condition: Mat burn, gently light-struck.

Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. $500-700

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28 Leonetto Cappiello (French, 1875-1942) Paris 1937 Arts et Techniques Exposition Internationale, 1937. Signed and identified in the matrix. Color lithographic poster, sight size 45 1/2 x 30 1/4 in. (115.5 x 76.7 cm), framed.

Condition: Folds (as originally presented), several fox marks, not examined out of frame. $1,500-2,000 29 (Adolphe Mouron) Cassandre (French, 1901-1968) Bonal, 1933, published by Alliance Graphique, Paris. Signed, dated, and identified within the matrix. Color lithographic poster, sight size 60 1/4 x 45 1/2 in. (153.0 x 115.4 cm), framed.

Condition: Surface creases with resulting breaks to ink, possible repairs u.r., not examined out of frame. $1,200-1,800

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30 Mary Cassatt (American, 1844-1926) Margot Wearing a Bonnet (No. 5), c. 1902 (Breeskin, 183 ii/ii). Signed “Mary Cassatt� in pencil l.r. Drypoint on laid paper with figural shield watermark, plate size 7 x 5 1/2 in. (17.7 x 14.0 cm), framed.

Condition: Margins over 1 1/4 inches with three edges deckled, cockling, subtle toning and light-striking, two thinned spots to verso, masking tape residue to upper margin.

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Provenance: Descended from the sitter to her grandniece Ellen Meigs; gift from Meigs to the family of the present owner.

N.B. Margot Lux was from a small village outside of Paris, and was the subject of nearly fifty compositions by Cassatt. $7,000-9,000

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30A After Lang Shining, called Giuseppe Castiglione (Italian, 1688-1766) Palaces Pavilions and Gardens Created

by Giuseppe Castiglione in the Imperial Grounds of Yuan Ming Yuan at the Summer Palace in Pekin/Sixteen of the Twenty Plates, published in 1977 by Jardin de Flore, Paris, total edition of 275. Identified and numbered “88” on the colophon. Engravings on Rives paper, sheet sizes 23 3/4 x 37 3/8 in.

(59.5 x 94.8 cm), all sheets loose in publisher’s gold-stamped cloth case, four preliminary leaves and sixteen of twenty full-page plates.

Condition: Deckled edges, several with minor handling creases. $2,000-3,000 31 Marc Chagall (Russian/French, 1887-1985) The Passover Feast, plate 32 from BIBLE, 1956, total edition of 295 (Cramer, 29).

Signed within the plate. Etching on paper, plate size 11 5/8 x 9 1/8 in. (29.4 x 23.1 cm), framed.

Condition: Pale mat burn, gentle rippling, not examined out of frame. $400-600

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32 Marc Chagall (Russian/French, 1887-1985)

33 Marc Chagall (French/Russian, 1887-1985)

The Exhortation of Joshua, plate 50 from BIBLE, 1956, total edition of 295 (Cramer, 29).

Unsigned. Etching on paper, plate size 13 3/8 x 9 in. (33.8 x 23.0 cm), framed.

Condition: Pale mat burn, gentle rippling, not examined out of frame. $400-600

The Creation of Man, plate 1 from BIBLE, edition of 100, published in 1958 (Cramer, 30). Initialed “M. Ch.” in pencil l.r., numbered “50/100” in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Etching with hand-coloring on paper, plate size 12 1/8 x 9 1/8 in. (30.7 x 23.2 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $1,000-1,500

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34 Marc Chagall (French/Russian, 1887-1985) Jacob’s Ladder, plate 14 from BIBLE, edition of 100, published in 1958 (Cramer, 30). Initialed “M. Ch.” in pencil l.r., numbered “50/100” in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Etching with hand-coloring on paper, plate size 11 5/8 x 9 5/8 in. (29.4 x 24.3 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $1,000-1,500 35 Marc Chagall (French/Russian, 1887-1985) Solomon on his Throne, plate 81 from BIBLE, edition of 100, published in 1958 (Cramer, 30). Initialed “M. Ch.” in pencil l.r., numbered “50/100” in pencil l.l., signed within the plate, identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Etching with hand-coloring on paper, plate size 12 1/2 x 9 7/16 in. (31.6 x 23.8 cm), framed.

Condition: Subtle toning and rippling, not examined out of frame. $1,000-1,500 34

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36 Marc Chagall (French/Russian, 1887-1985) Moses Looked Upon his Brethren’s Burdens, plate 3 from THE STORY OF EXODUS, total edition of 285, published in 1966 (Mourlot, 446; Cramer, 64). Unsigned, identified in information affixed to the backing.

Color lithograph on paper, image size 17 3/4 x 13 1/4 in. (45.0 x 33.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $800-1,200

36A After Marc Chagall (Russian/French, 18871985) Le Cantique des Cantiques, 1975, edition of 8,500 printed by Charles Sorlier, published

by Mourlot, Paris, for the Société des Amis du Musée National Message Biblique Marc Chagall, Nice (Sorlier Posters, 142-3). Signed and dated “Marc Chagall 1976.” in blue felt-tip pen l.r., dry stamp u.c. Color lithographic poster, sight size 29 x 19 1/2 in. (73.5 x 49.4 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Rhode Island collection. $700-900

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37 Mihail Chemiakin (Russian, b. 1943) Fleur Metaphysique, c. 1975-1980, total edition of 350. Signed “M Chemiakin” in pencil l.r., inscribed “EA.” in pencil l.l. Color lithograph on paper, image size 26 1/2 x 22 7/8 in. (67.2 x 57.8 cm), framed.

Condition: Deckled edges to two sides, floated within the mat, not examined out of frame. $600-800 38 Javacheff Christo (Bulgarian/American, b.

1935) Wrapped Painting (Museum of Contemporary Art, Chicago), 1969, edition of 100 plus proofs, published by Contemporary Art Lithographers, Minneapolis (Schellmann & Benecke, 25). Signed and numbered “Christo 32/100” in ink on the reverse. Color offset lithograph on cut paper, image/sheet size 32 5/8 x 22 3/4 in. (82.8 x 57.6 cm), unmatted, unframed.

Condition: Minor creases to edges. $800-1,200

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39 Robert Courtright (American, 1926-2012) Untitled, 1968, edition of 30. Signed, dated, and numbered “Courtright 68 © 24/30” in marker on the reverse. Mixed media (including wood and sand), 16 5/16 x 16 5/16 in. (41.3 x 41.3 cm).

Condition: Minor wear to exterior. $500-700 40 Edgar Degas (French, 1834-1917) 40

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Loges d’actrices, c. 1875, impression from the canceled plate, final state of six (Delteil, 28). Unsigned. Etching and aquatint on paper, plate size 6 3/8 x 8 3/8 in. (16.1 x 21.2 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $600-800

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41 Edgar Degas (French, 1834-1917) Danseuses dans les coulisses, c. 1877, impression from the canceled plate, final state of nine (Delteil, 26). Unsigned. Etching and aquatint on paper, plate size 5 1/2 x 4 1/8 in.

(13.9 x 10.3 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $600-800

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42 Sonia Delaunay-Terk (Ukrainian, 18851979) Untitled, edition of 25. Signed “Sonia Delaunay” in pencil l.r., numbered “XIII/XXV” in pencil l.l. Color lithograph on paper, image size 24 3/4 x 17 in. (62.7 x 43.2 cm), framed.

Condition: Not examined out of frame. $250-300

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43 Jim Dine (American, b. 1935)

43A Jim Dine (American, b. 1935)

Art in Science, 1965, edition of 100, published by Chiron Press, New York. Signed, dated, and inscribed “Jim Dine 1965 Ed. 100” in pencil l.c. Color lithograph on paper, sheet size 40 x 25 in. (101.4 x 63.4 cm), unmatted, unframed.

Condition: Minor creases to corners, edges reinforced with Japan paper to verso, gentle cockling, unobtrusive soiling/staining. $500-700

Museum of Fine Arts Boston Celebration 1981, 1981, edition of 150, published by Talemon Editions, Ltd., West Islip, New York.

Signed and numbered “Jim Dine 35/150” in pencil l.r., identified within the matrix. Color lithograph on paper, image size 35 x 23 1/2 in.

(88.8 x 59.5 cm), framed.

Condition: Pale mat burn, not examined out of frame.

Provenance: A private Massachusetts collection. $300-500

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44

44 Werner Drewes (German/American, 18991985) Still Life with Blue Fish, 1955, edition of 30 (Rose, III.168). Signed and dated “Drewes -55-” in pencil l.r., numbered “3/XXX St II.” in pencil l.l. Color woodcut on paper, image size 9 5/8 x 21 1/4 in. (24.3 x 53.8 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame. $700-900 45 Maurice Dufrène (French, 1876-1955) Rayon des Soieries: Opéra Bouffe En Un Acte, c. 1930, printed by Chaix, Paris.

Identified within the matrix. Lithographic poster in black and yellow, image size 44 1/2 x 28 3/4 in. (113.0 x 73.0 cm), framed.

Condition: Unobtrusive cockling and toning, not examined out of frame. $500-700

45

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33

45A Albrecht D端rer (German, 1471-1528) The Elevation of Saint Mary Magdalen, 1501-04 (Bartsch, 121; Hollstein, 237; Meder, 237 d/f). Monogrammed within the block.

Woodcut on paper, image size 8 3/8 x 5 3/4 in. (21.2 x 14.4 cm), framed.

Condition: Trimmed to outer edge of borderline, irregular crease to corner u.l., toning, not examined out of frame.

Provenance: A New York City estate. $1,000-1,500 46 Albrecht D端rer (German, 1471-1528) St. Christopher, 1511, a Meder A impression (Meder, 223 a/e; Bartsch, 103; Hollstein, 223).

Dated within the block. Woodcut on paper with a bear watermark (Meder, 89), image size 8 3/8 x 8 5/16 in. (21.2 x 21.0 cm), framed.

Condition: Thread margins, thin spots near corners.

Provenance: A private Massachusetts collection. $7,000-9,000 45A

46

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47

47 Albrecht D端rer (German, 1471-1528) Cardinal Albrecht of Brandenburg (The Large Cardinal), 1523, a Meder C or D impression (Meder, 101 c or d/f; Hollstein, 101; Bartsch, 103). Monogrammed and identified within the plate. Engraving on laid paper, image size 6 7/16 x 5 in. (16.3 x 12.7 cm), matted, unframed.

Condition: Trimmed just outside of the borderline, gentle toning, thinned spots to upper corners.

Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. $800-1,200

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35

48 Shepard Fairey (American, b. 1970) VOTE, edition of 5,000. Identified within the matrix, numbered “1983/5000” in pencil l.l.

Offset lithographic poster, sheet size 38 1/2 x 25 in. (97.7 x 63.4 cm), unmatted, unframed.

Condition: Minor handling creases. $300-500 49 Shepard Fairey (American, b. 1970) Two Prints: Legislative Influence for Sale, 2011, edition of 450; and American Flag, 2011. Both signed and dated “Shepard Fairey 11” in pencil l.r., Influence numbered “442/450” in pencil l.l. Offset lithographic posters, sheet sizes to 24 1/8 x 36 1/8 in.

(61.2 x 91.5 cm), unmatted, unframed.

Condition: Very minor handling creases. $500-700 50 Sam Francis (American, 1923-1994)

48

49

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Untitled (SFM83-325), 1983. Artist’s estate stamp to verso. Mixed media, including color woodcut and monotype on embossed paper, sheet size 29 x 24 3/4 in. (73.5 x 62.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $10,000-15,000

50

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37

51

51 Elisabeth Frink (British, 1930-1993) Snowy Owl, from SIX OWLS, 1977, edition of 75, published by Leslie Waddington Ltd., London (Wiseman, 116). Signed “Frink” in pencil l.r., numbered “23/75” in pencil l.l., publisher’s dry stamp l.r. Color etching and aquatint on BFK Rives paper, plate size 21 1/8 x 18 in. (53.5 x 45.7 cm), unmatted, unframed.

Condition: Deckled edges, handling creases. $1,200-1,800 52 Eliza Draper Gardiner (American, 18711955) Athenaeum, edition of 50. Signed “Eliza D. Gardiner” in pencil l.l., titled in pencil l.c., numbered “No 5 of 50 proofs” in pencil l.r.

Color woodcut on paper, image size 7 1/8 x 5 in. (18.0 x 12.5 cm), framed.

Condition: Unobtrusive toning, pale foxing, not examined out of frame.

N.B. The view depicted is the Providence Athenaeum. The building was designed by William Strickland, and was built in 1838. $500-700 52

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53

53 Paul Gauguin (French, 1848-1903) La femme aux figues, 1894, final (canceled) state of three, probably printed c.1963 (Kornfeld et al., 25 III). Inscribed within the plate. Etching on Ingres laid paper with watermark, plate size 10 1/2 x 16 1/2 in. (26.5 x 41.8 cm), unmatted, unframed.

Condition: Margins over 3 1/4 inches with deckled edges, handling and unpressed creases (primarily to margins), pale toning, hinges affixed to upper edge verso.

Provenance: A New York City estate. $300-350 54 German School, 20th Century Under the Moon. Unsigned. Color woodcut on Japan paper, image size 12 3/8 x 11 1/2 in. (31.3 x 29.2 cm), framed.

Condition: Toning, masking tape along upper edge. $200-250 54

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39

55 R.C. (Rudolph Carl) Gorman (American, 1932-2005) Carolina (State I), 1986, edition of 150.

Signed and dated “R.C. Gorman 1986” in pencil l.l., numbered “62/150” in pencil l.r., dry stamp l.r., identified on a label from the Martin Lawrence Galleries affixed to the backing.

Color lithograph on paper, image size 34 1/2 x 26 in. (87.4 x 66.0 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $700-900 56 Douglas Warner Gorsline (American, 19131985) Brooklyn Local, 1945, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1945.021).

Signed “Douglas W. Gorsline” in pencil l.r., monogrammed within the plate. Engraving on wove paper, plate size 8 3/8 x 7 in. (21.2 x 17.7 cm), matted, unframed.

Condition: Margins 1 inch with deckled lower edge.

Provenance: A New York City estate. $200-250 55

56

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57 Frederick Landseer Maur Griggs (British, 1876-1938) St. Botolph’s, Boston, 1924, second state of five, 1925, edition of 15 proofs (Comstock, 32). Signed “F.L. Griggs” in pencil l.r., identified within the plate, artist’s stamp on the reverse (Lugt, 760a). Etching on laid paper, plate size 10 5/8 x 7 3/8 in. (26.8 x 18.5 cm), matted, unframed.

Condition: Margins over 1/2 inch, toning, staining, pale foxing, pencil annotations to lower margin. $700-900 58 George Grosz (German, 1893-1959) Selbstbildnis mit Hund vor der Staffelei, from DIE SCHAFFENDEN (volume 5; number 2), 1926 (Dückers, E 101). Signed “GROSZ” in pencil l.r. Lithograph on laid paper, image size 15 3/4 x 12 1/8 in. (39.8 x 30.8 cm), framed.

Condition: Unpressed crease u.c. (plus additional minor creases near edges), pale foxing and toning, not examined out of frame.

57

Provenance: A Massachusetts estate. $400-600

58

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41

59 George Grosz (German, 1893-1959) The Hero, from THE AMERICAN SCENE NO 1, 1933, edition of 300 (Dückers, E 107).

Signed “GROSZ” in pencil l.r. Lithograph on Rives paper with watermark, image size 12 3/4 x 8 7/8 in. (32.3 x 22.5 cm), matted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges, foxing, toning, mat burn.

Provenance: A New York City estate. $250-300 60 Keith Haring (American, 1958-1990) Poster for Nuclear Disarmament, 1982.

Signed “K Haring ‘82” in pencil l.r. Offset lithographic poster, image size 17 3/8 x 23 3/8 in. (44.0 x 59.3 cm), framed.

Condition: Pale foxing, not examined out of frame. $2,000-2,500

59

60

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61

61 Frederick Hart (American, 1943-1999) Cross of the Millennium, 1995, first version with clear base, total edition of 2,250. Dated, initialed, and numbered “©1995 FH 889/2000 ED” on base. Clear Lucite, height 12 1/4 in.

(31.0 cm), presented in the original box (wear to surface) and with illuminated base.

Condition: Lucite base detached. $600-800 62 Hans Hartung (German, 1904-1989) L 36, 1957, edition of 100 (Schmücking, 99).

Signed “Hartung” in pencil l.r., numbered “4/100” in pencil l.l., identified on a label affixed to the backing. Lithograph in blue and black on paper, image size 19 7/8 x 12 3/4 in.

(50.4 x 32.3 cm), framed.

Condition: Subtle toning, not examined out of frame. $400-600

62

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63

63 Childe Hassam (American, 1859-1935) Independence Hall, 1926 (Cortissoz et al., 260). Monogrammed and inscribed “...imp.” in pencil l.r., dated and inscribed within the plate. Drypoint on paper, plate size 7 x 8 7/8 in. (17.6 x 22.5 cm), framed.

Condition: Toning, mat burn, not examined out of frame.

N.B. Independence Hall in Philadelphia is where both the Declaration of Independence and the U.S. Constitution were signed. It is also the home of the famous Liberty Bell. $700-900 64 Bruno Heroux (German, 1868-1944) Two Prints: Schmerz, c. 1909-1914; and Ex libris Dr. Max Frank. Both signed “B. Heroux” in pencil in the lower margin.

Etchings on paper, plate sizes to 17 1/4 x 10 1/8 in. (43.7 x 25.5 cm), the latter matted, both unframed.

Condition: Gentle toning, creases and soiling to margins of Schmerz. $250-300

64

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64A

65

64A Ivon Hitchens (British, 1893-1979) For John Constable, 1976, outside of the edition of 100, printed and published by Advanced Graphics, London. Signed “Ivon Hitchens” in pencil l.r., titled and inscribed “...A/P” in pencil l.c., inscribed “Betambeau” in pencil l.l. Color screenprint on wove paper, image size 14 3/4 x 33 1/4 in. (37.4 x 84.3 cm), unmatted, unframed.

Condition: Margins over 3 inches with two deckled edges, crease to corner of margin l.l. (plus additional minor handling creases), several thinned spots near corners on verso. $500-700

65 Jacques Hnizdovsky (Ukrainian/American, 1915-1985) Bronx Express, 1960, edition of 100. Signed, titled, and dated “Hnizdovsky; ...1960” in pencil l.l., numbered “59/100” in pencil l.r., identified on a label from Associated American Artists affixed to the back mat. Woodcut on Japan paper, image size 13 15/16 x 20 1/8 in.

(35.3 x 51.0 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more, minor soiling to margins.

Provenance: A New York City estate. $250-300

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66

66A

66 Louis Icart (French, 1888-1950)

66A Wolf Kahn (German/American, b. 1927)

Coursing II, 1929 (Holland et al., 371).

Signed “Louis Icart” in pencil l.r., inscribed “A/377.” in pencil l.l., artist’s and a second dry stamp l.l., dated within the plate. Color etching with aquatint on paper, plate size 16 x 25 5/8 in. (40.5 x 65.0 cm), framed.

Condition: Unobtrusive toning, mat burn, not examined out of frame. $800-1,200

Barns in Autumn, 1978, edition of 150.

Signed and dated “W Kahn 1978” in pencil l.r., numbered “91/150” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 18 3/4 in. (29.0 x 47.5 cm), framed.

Condition: Not examined out of frame. $400-600

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67

68

69

67 John Melville Kelly (American, 1879-1962)

68 Käthe Kollwitz (German, 1867-1945)

69 Käthe Kollwitz (German, 1867-1945)

Kanani, Hawaii. Signed “John Kelly” in pencil l.r. and within the plate, titled “.KANANI . HAWAII.” in pencil l.l., inscribed “NO 26” in pencil l.c., artist’s dry stamp l.c. Etching on paper, plate size 11 3/8 x 8 7/8 in. (28.7 x 22.4 cm), unmatted, unframed.

Condition: Margins over 2 1/4 inches. $400-600

Two Figural Works: Sitzender männlicher Akt, 1891, printed between 1963-1972 (Knesebeck, 4 f), with A. von der Becke dry stamp l.r.; and Zertretene - Leichnam und Frauenakt am Pfahl, 1901, printed between 1946-1965 (Knesebeck, 49ter b), stamped signature and with A. von der Becke dry stamp l.r. Etchings (the latter with aquatint) on paper, plate sizes to 9 1/4 x 24 7/8 in. (23.4 x 63.0 cm), matted, unframed.

Condition: Toning and surface rubs (primarily to Zertretene), pencil annotations to lower margins.

Arbeiterfrau mit schlafendem Jungen, 1927, outside of the edition of 70 (Knesebeck, 234 Ic). Signed “Kathe Kollwitz” in pencil l.r., identified on a label from the ACA Galleries, New York, affixed to the backing. Lithograph on vellum paper, image size 15 3/8 x 13 3/8 in. (38.8 x 33.8 cm), framed.

Condition: Margins over 2 1/2 inches with deckled upper edge, creases to left edge, loss to corner of margin u.r., toning, light struck, tape/residue to edges on verso, pencil annotations to lower margin and verso. $500-700

Provenance: A New York City estate. $300-350

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70

70 Armin Landeck (American, 1905-1984) Sunset Palace Lodge, 1938, edition of 100 (Kraeft, K.69). Signed and dated “Landeck 1938” in pencil l.r., numbered “Ed 100” in pencil l.l., dry stamp l.r. Drypoint on wove paper, plate size 6 1/8 x 7 3/4 in. (15.4 x 19.5 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges. $300-500 71 Julio Le Parc (Argentine, b. 1928) Four Plates from LA LONGUE MARCHE, 1974, edition of 200, published by Denise René Éditeur, Paris. Each signed “Le Parc” in pencil l.r. and numbered “130/200” in pencil l.l., publisher’s dry stamp l.l. Color screenprints on cream wove paper, sheet sizes 29 1/2 x 29 1/2 in. (74.8 x 74.8 cm), unmatted, unframed.

Condition: Unobtrusive water staining near edges, gentle cockling, several subtle rubs to surfaces. $700-900

71

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72

73

72 Martin Lewis (American, 1881-1962)

73 Lucas van Leyden (Dutch, 1494-1533)

Boss of the Block, c. 1939, edition of about 212 (McCarron, 128). Signed “Martin Lewis” in pencil l.r., initialed within the plate. Etching and aquatint on wove paper, plate size 11 x 7 5/8 in. (27.8 x 19.3 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled right edge, mat burn, unobtrusive toning, several fox marks (almost exclusively to margins), hinge residue at upper corners. $1,000-1,500

Two Images from THE PASSION, 1521: The Mocking of Christ (Bartsch, 45); and Christ Crowned with Thorns (Bartsch, 49). Both monogrammed and dated within the plate, both with collector’s stamp l.c. (see below).

Engravings on paper, plate sizes 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), framed.

Condition: Trimmed to plate marks, gentle toning and rippling.

Provenance: From the collection of Baron Adrien Évrard François Joseph Wittert (Liège, 1824-1903) by bequest to the Library of the University of Liège (Lugt, 205); through to a New York City estate. $300-500

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74

74 Sol LeWitt (American, 1928-2007) ARCS FROM CORNERS AND SIDES/Suite of Two Works, 1972, trial proofs outside of the edition of 50, published by Westfallischer Kuntsverein, Münster, Germany (Krakow, 1972.04). Both signed and inscribed “LEWITT TP” in pencil l.r. Color screenprints on paper, image sizes 13 7/8 x 13 7/8 in. (35.2 x 35.2 cm), framed.

Condition: Floated within the frames, not examined out of frames.

Provenance: Christie’s, New York, October 31, 2007, Sale 1897, Lot 615. $1,500-2,000

50

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75

75 Sol LeWitt (American, 1928-2007) Plate Three from DOUBLES IN BLACK AND GRAY, 1983, edition of 10 plus proofs, published by Multiples Inc., New York (Krakow, 1983.01). Signed and numbered “LeWitt 9/10” in pencil l.r. Aquatint on paper, plate size 17 1/2 x 34 3/4 in. (44.4 x 88.1 cm), framed.

Condition: Margins over 1 inch, gentle rippling, not examined out of frame.

Provenance: A private Vermont collection. $1,200-1,800 76 Sol LeWitt (American, 1928-2007) Brushstrokes in Different Colors in Two Directions, Plate 3, 1993, edition of 35 plus proofs, published by Riverhouse Editions, Chicago (Krakow, 1993.08). Signed “LeWitt” in pencil within the image l.r., numbered “22/35” in pencil within the image l.l., identified on a label from the Barbara Krakow Gallery, Boston, affixed to the backing. Color aquatint on paper, image/sheet size 46 3/4 x 29 1/2 in.

(118.5 x 74.8 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $1,000-1,500

76

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51

77

78

77 After Roy Lichtenstein (American, 19231997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.

Condition: Subtle toning, very minor handling creases at edges. $700-900

52

78 Max Liebermann (German, 1847-1935) Simson und Delila, 1906 (Schiefler, 55b).

Signed “M Liebermann� in pencil l.r. Etching with drypoint on laid paper, plate size 8 1/2 x 11 3/16 in. (21.5 x 28.3 cm), matted, unframed.

Condition: Margins 1 3/4 inches or more, gentle toning and light striking, masking tape to edges on verso.

Provenance: A Massachusetts estate. $600-800

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79

79 Bertha Boynton Lum (American, 18691954) The Piper, 1916, edition of at least 91 (Gravalos & Pulin, 43). Dated and signed “copyright 1916 by Bertha Lum” in pencil within the image l.c., numbered “no 61” in pencil within the image l.r. Color woodcut on fine Japan paper, image size 9 9/16 x 13 3/4 in. (24.2 x 34.8 cm), unmatted, unframed.

Condition: Margins approximately 1/4 inch, gentle toning/fading, minor crease to corner (just into borderline) u.r., adhered to a backing sheet at corners of margins on verso. $400-600 80 Marino Marini (Italian 1901-1980) Giocolieri, 1955, edition of 50 (Guastalla & Schulz-Hoffman, L48). Signed “MARINO” in pencil l.r., inscribed “prova d’artista” in pencil l.l. Color lithograph on paper, image size 24 3/4 x 17 1/4 in. (62.7 x 43.7 cm), framed.

Condition: Not examined out of frame.

Provenance: A Massachusetts estate. $1,000-1,500

80

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53

81

81 Marino Marini (Italian 1901-1980) Plate Ten from COLOR TO FORM, 1969, edition of 50 (Guastalla & Schulz-Hoffman, L101). Signed “MARINO” in pencil l.r., inscribed “HC IV/VI” in pencil l.l. Color lithograph on paper, image size 15 1/2 x 20 3/4 in. (39.4 x 52.6 cm), framed.

Condition: Not examined out of frame.

Provenance: A Massachusetts estate. $1,800-2,200 82 Albert Marquet (French, 1875-1947) Le lac Leman vu d’Ouchy, 1947. Signed within the plate. Color etching with aquatint on paper, plate size 13 1/8 x 16 1/8 in. (33.3 x 40.9 cm), framed.

Condition: Fading, not examined out of frame. $800-1,200 82

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83

83 John McCrady (American, 1911-1968) Swing Low, Sweet Chariot, 1941, edition of 200, published by Associated American Artists, New York (Czestochowski, 1941.048).

Signed “John McCrady” in pencil l.r., titled in pencil l.l., label from AAA affixed to the backing. Lithograph on paper, image size 11 x 14 7/8 in. (27.8 x 37.7 cm), framed.

Condition: Gentle toning and mat burn, not examined out of frame. $800-1,200 84 Jean François Millet (French, 1814-1875)

84

Les Glaneuses, 1855-56, third state of three (Delteil, 12; Melot, 12). Unsigned (with text from second state barely visible), identified on a label from Frederick Keppel and Co., New York, affixed to the backing. Etching on paper, plate size 7 5/8 x 10 in. (19.3 x 25.5 cm), framed.

Condition: Margins 1/2 inch or more, gentle toning, not examined out of frame.

Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners. $2,000-3,000

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55

85

85 Henry Moore (British, 1898-1986) Head of Girl, 1981, edition of 50, printed

by Michael Rand, London, published by the Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, 1982 (Cramer, 597). Signed “Moore” in pencil l.r., numbered “5/50” in pencil l.l. Soft ground etching on Barcham Green Crisbrook wove paper with Crisbrook and artist’s watermarks, plate size 11 1/2 x 12 1/8 in. (29.1 x 30.4 cm), unmatted, unframed.

Condition: Deckled edges, subtle toning and soiling (primarily to verso), gentle cockling. $400-600 86 Carton Moore-Park (Scottish, 1877-1956) These Yellow Sands, 1908. Signed and dated “Moorepark/08” in pencil l.l., titled in pencil l.r., monogrammed within the matrix.

Color monotype on laid paper, image size 8 1/8 x 8 in. (20.5 x 20.3 cm), matted, unframed.

Condition: Margins approximately 1/4 inch, staining to upper margin. $700-900

86

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87

87 Robert Morris (American, b. 1931) Untitled, from TEN FROM LEO CASTELLI, 1967, published by Tanglewood Press, New York. Numbered, signed, and dated “140/200 R Morris ‘67” on lip of verso. Molded green plastic, 23 1/8 x 19 7/16 in. (58.5 x 49.2 cm), unframed.

Condition: Subtle surface rubs. $800-1,200

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88

88 Robert Motherwell (American, 1915-1991) On The Wing, 1984, edition of 70 plus proofs, published by Tyler Graphics, Ltd., Bedford Village, New York (Engberg/Banach, 340).

Signed and numbered “Motherwell/54/70” in pencil within the image l.r., publisher’s dry stamp within the image l.r. Color lithograph with embossing and collage on paper, image/ sheet size 46 7/8 x 30 1/2 in. (118.8 x 77.5 cm), framed.

Condition: Floated within the frame, not examined out of frame.

58

Provenance: Purchased through Deborah R. Helvarg, Oakland, California, 1984.

N.B. The lot is accompanied by paperwork from Deborah Helvarg as well as by a copy of the pamphlet Robert Motherwell: Collage Prints, 1984, published by Tyler Graphics, Ltd. $5,000-7,000

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89

89 Joseph Pennell (American, 1860-1926) San Georgio, Venice, 1883 (Wuerth, 71).

Signed and inscribed “J Pennell imp” in pencil l.r. Drypoint on fine laid paper, plate size 7 7/8 x 10 3/16 in. (20.0 x 25.8 cm), unmatted, unframed.

Condition: Narrow margins with deckled upper and lower edges, pale foxing and toning. $300-350 90 Pablo Picasso (Spanish, 1881-1973)

90

Composition en trois couleurs, 1947, from DANS L’ATELIER DE PICASSO, 1957, total edition of 275 (Bloch, 428; Cramer, 88).

Signed “Picasso” in pencil l.r., dated within the matrix. Color lithograph on paper, image size 8 1/2 x 11 1/16 in. (21.5 x 28.0 cm), framed.

Condition: Deckled edges to two sides, scattered fox marks, floating within the mat, not examined out of frame. $800-1,200

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59

91

91 Pablo Picasso (Spanish, 1881-1973) Untitled, plate 3 from ELÉGIE D’IHPÉTONGA, 1949, total edition of 220 (Bloch, 607; Cramer, 53). Unsigned, dated within the matrix. Transfer lithograph on BFK Rives paper with partial watermark, image size 12 1/4 x 8 5/8 in. (31.1 x 21.8 cm), unmatted, unframed.

Condition: Deckled edges to three sides, subtle toning, pale soiling near edges (possibly from a previous mat), thin spots to corners on verso. $700-900 92 Pablo Picasso (Spanish, 1881-1973) Plantes Tropicales, 1949, edition of 50 plus proofs (Bloch, 611). Signed “Picasso” in pencil l.l., numbered “16/50” in pencil l.r., dated within the matrix. Lithograph on paper, image size 25 1/8 x 18 3/4 in. (63.7 x 47.5 cm), framed.

Condition: Unobtrusive toning, several scattered fox marks, not examined out of frame. $2,500-3,500 92

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93

93 Pablo Picasso (Spanish, 1881-1973) Au cirque - l’écuyère blonde, 1967, edition of 50 (Baer, 1486 Ba). Stamped signature l.r., numbered “15/50” in pencil l.l., dated “15.4.67 II” in the plate. Etching with plate tone on paper, plate size 8 7/8 x 12 5/8 in. (22.5 x 32.0 cm), framed.

Condition: Gentle rippling, not examined out of frame. $2,500-3,000 93A After Pablo Picasso (Spanish, 1881-1973) Nature morte au citron et aux oranges, 1950, published by Guy Spitzer, Paris. Signed “Picasso” in pencil l.r., numbered “235/325” in pencil l.l. Color collotype and pochoir on paper, sheet size 25 5/8 x 28 5/8 in. (65.0 x 72.5 cm), unmatted, unframed.

Condition: Toning, staining to margin l.r., brown paper tape to upper and right margins, corrugation stains verso. $2,500-3,500 93A

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94 After Pablo Picasso (Spanish, 1881-1973) Dove on Straw Bed, 1949, edition of 300 (Ramié, 79). Inscribed “MADOURA d’après Picasso” on the underside. Rectangular white earthenware platter with engobes, knife decoration, and white, black, red, yellow, and white glazes, 12 5/8 x 15 1/4 in. (32.0 x 38.5 cm).

Condition: Surface grime, rubs/wear to underside. $2,000-2,500 95 Pablo Picasso (Spanish, 1881-1973) Picador, 1952, edition of 500 (Ramié, 162). Inscribed “EDITION PICASSO” on the underside. Turned red earthenware pitcher with black glaze, height 5 1/4 in. (13.3 cm).

Condition: Surface grime and rubs. $1,000-1,500

94

95

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96 with reverse view

96 Pablo Picasso (Spanish, 1881-1973) Face and Owl, 1958, edition of 200 (Ramié, 407). Inscribed “60/200” and “EDITION PICASSO” and stamped “MADOURA” and “EDITION PICASSO” on the underside.

Turned white earthenware vase with engobes, knife decoration, and white, black, and red glazes, height 10 1/8 in. (25.5 cm).

Condition: Surface grime, minor rubs/wear. $10,000-15,000

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63

97 Marcantonio Raimondi (Italian, c. 14801527), After Andrea Mantegna (Italian, 1431-1506) Mars, Venus, and Eros, 1508 (Bartsch, 345 II/II). Monogrammed and dated within the plate. Engraving on paper, plate size 11 11/16 x 8 3/8 in. (29.5 x 21.2 cm), framed.

Condition: Trimmed unevenly just to or within the plate mark, subtle staining, not examined out of frame.

Provenance: A New York City estate. $800-1,200 98 Mel Ramos (American, b. 1935) Oakland: Ode to Moe, 1981, published by the Tamarind Institute, Albuquerque (Tamarind, 81-105). Signed and dated “MelRamos 81” in pencil l.r., numbered “37/45” in pencil l.l., publisher’s dry stamp l.l., printer’s dry stamp l.r. Color lithograph on paper, image size 20 x 28 in. (50.7 x 70.9 cm), framed.

Condition: Margins over 1/2 inch, not examined out of frame.

Provenance: Purchased from the publisher in 1992; to Fletcher Priest Gallery, Worcester; to the current collector.

N.B. Information from the publisher accompanies the lot. $1,000-1,500 97

98

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99

99 Rembrandt van Rijn (Dutch, 1606-1669) Clement De Jonghe, Printseller, 1651 (Bartsch, 272; Hollstein, 272 vi/vi). Signed and dated within the plate, identified in an inscription and on a label from Frederick Keppel & Co., New York, on the backing.

Etching on paper, plate size 8 1/4 x 6 3/8 in.

(20.8 x 16.1 cm), framed.

Condition: Trimmed along the plate mark, pale staining and fox marks, not examined out of frame.

Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners. $3,500-5,500

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65

100

100 Rembrandt van Rijn (Dutch, 1606-1669) Christ Seated Disputing with the Doctors, 1654, only state, an 18th-century impression (Bartsch/Hollstein, 64). Signed and dated within the plate. Etching on laid paper, image/ sheet size 3 3/4 x 5 5/8 in. (9.4 x 14.3 cm), unmatted, unframed.

Condition: Trimmed (slightly unevenly) along or just within the plate mark, subtle toning, pencil annotations verso. $500-700 101 Pierre-Auguste Renoir (French, 1841-1919) Femme nue couchĂŠe (tournee Ă droite), 2e planche, c. 1906, possibly from the Duret edition of 1906 (Stella, 14). Unsigned.

Etching printed in sanguine on heavy Japan paper, plate size 5 1/2 x 7 7/8 in. (13.9 x 19.8 cm), framed.

Condition: Margins over 3/4 inches with two deckled edges, the sheet is unobtrusively light-struck, pencil annotations to verso. $1,000-1,500

101

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102

102 Jusepe de Ribera (Spanish, 1588-1652) Saint Jerome Hearing the Trumpeting Angel, 1621 (Bartsch, 4; Brown, 5 v/v).

Monogrammed within the plate. Etching on paper, plate size 12 5/16 x 9 1/4 in. (31.2 x 23.4 cm), framed.

Condition: Trimmed to the plate mark, pale staining, not examined out of frame. $300-500 103 Bridget Riley (British, b. 1931) Dedication Visual Arts Building Albion College, 1966, edition of 100, published by List Art Poster Program, New York. Signed, numbered, and dated “Bridget Riley 23/100 ‘66” in pencil c.l., publisher’s dry stamp l.l.

Lithograph in gray and black on wove paper, sheet size 36 x 24 7/8 in. (91.4 x 63.0 cm), unmatted, unframed.

Condition: Handling creases, edges reinforced with Japan paper to verso, several pale fox marks, pale staining to verso. $400-600

103

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67

104

104 Georges Rouault (French, 1871-1958) La Parade, from CIRQUE, c. 1930, edition of 270 (Wofsy, 211). Unsigned. Color etching with aquatint on paper, plate size 12 x 10 1/2 in. (30.4 x 26.5 cm), framed.

Condition: Pale mat burn, not examined out of frame.

Provenance: A Massachusetts estate. $800-1,200 104A Georges Rouault (French, 1871-1958) Homme conduisant un autre, 1936, from PASSION, published in 1939, from the edition of 270 (Wofsy, 340). Initialed and dated within the plate. Color aquatint on paper, plate size 13 1/4 x 9 3/8 in. (33.5 x 23.7 cm), framed.

Condition: Gentle rippling, not examined out of frame.

Provenance: A private Massachusetts collection. $1,000-1,500

104A

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105

105 Edward Joseph Ruscha, known as Ed Ruscha (American, b. 1937) Every Building on Sunset Strip/A Leporello Book, 1966, from the first edition of 1,000, printed by Dick de Ruscha, Los Angeles, published by the artist (Engberg Ruscha Editions, B4, illustrated on p. 84/89).

Identified on the title page. Offset lithograph in a continuous run, “page” sizes 7 1/16 x 5 1/2 in. (17.8 x 13.9 cm), presented in the original slipcase (wear/losses).

Condition: Toning to cover, very minor wear.

Provenance: A New York City estate.

N.B. A receipt for the purchase of the book dated October 30, 1970, from Wittenborn and Company, Scarsdale, New York, accompanies the lot. $300-350 106 Anne Ryan (American, 1889-1954) Prostrating Figure, c. 1945. Signed “A Ryan” in pencil l.r., monogrammed within the plate. Etching on cream wove paper, plate size 3 3/4 x 2 1/4 in. (9.4 x 5.6 cm), matted, unframed.

Condition: Margins approximately 3/4 inches with deckled edges to three sides. $300-500

106

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69

107

107 Birger Sandzén (American, 1871-1954) Arroyo in the Foothills, c. 1920. Signed “Birger Sandzén” in pencil l.l. and within the matrix, titled in pencil l.r. Lithograph on paper, image size 11 7/8 x 18 in. (30.0 x 45.7 cm), framed.

Condition: Not examined out of frame. $500-700 108

108 George Segal (American, 1924-2000) Hand on Chair Back, 1979, from a proof edition of 6. Signed and dated “G. Segal 79” in pencil l.l., inscribed “AP#3/6” in pencil l.r.

Cast paper, 8 x 14 1/4 in. (20.3 x 36.1 cm), presented in a Plexiglas box.

Condition: Not examined out of box. $400-600

70

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109

109 James David Smillie (American, 18331909), After Winslow Homer (American, 1836-1910)

110

A Voice from the Cliffs, 1886. Signed and dated within the plate. Etching in umber on heavy laid paper, plate size 8 3/8 x 11 3/8 in.

(21.2 x 28.8 cm), unmatted, unframed.

Condition: Margins 1 inch or more with unobtrusive soiling, subtle toning. $500-700 110 Albert Solon (French, 1897-1973) St. RaphaĂŤl Quinquina, 1935. Signed and identified within the matrix. Color lithographic poster, sight size 44 1/2 x 61 1/4 in. (113.0 x 155.8 cm), framed.

Condition: Unobtrusive folds with minute breaks to ink, not examined out of frame. $700-900

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71

111 Steven Sorman (American, b. 1948) Those From Away VI, 1989, edition of 29, published by Tyler Graphics, Ltd., Mount Kisco, New York. Signed, titled, and numbered “StevenSorman...1989 28/29” in pencil l.l., publisher’s dry stamp l.r., identified on a label from Galerie Maurice, Chestnut Hill, Massachusetts, affixed to the backing.

Color linocut with hand-coloring on partially overlapped and collaged papers, image size 29 1/2 x 29 in. (74.8 x 73.5 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $250-300 112 Theodoros Stamos (Greek/American, 19221997)

111

112

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West Side Artists - New York, 1964, edition of 100, prints by Universal Limited Art Editions, Batshore, New York, published by List Art Poster Program, New York. Signed and dated “Stamos 1964” in pencil l.r., numbered “31/100” in pencil l.l., identified in the matrix.

Color lithograph on Fabriano laid paper with partial watermark, image/sheet size 38 x 24 in.

(96.4 x 60.9 cm), unmatted, unframed.

Condition: Minor cockling and handling creases. $500-700

113 Rufino Tamayo (Mexican, 1899-1991) Hombre en Blanco, 1976, edition of 140 (Pereda, 222). Signed “R. Tamayo” in pencil within the image l.r., numbered “114/140” in pencil within the image l.l. Color mixograph on paper, image/sheet size 30 x 22 1/8 in.

(76.1 x 56.1 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $1,500-2,000 114 Antoni Tàpies (Spanish, 1923-2012) Untitled (...qui parle plus haut que nos lèvres...), with text by de Bouchet, 1974, edition of 500, published by Maeght Éditeur, Paris (Galfetti, 398). Signed “André du Bouchet” and “tàpies” in pencil within the image l.r., numbered “241/500” in pencil within the image l.l. Color lithograph on cream wove paper, image/sheet size 22 1/4 x 29 3/4 in.

(56.4 x 75.5 cm), unmatted, unframed.

Condition: Deckled edges. $500-700

113

114

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73

115

115 Esteban Vicente (American, 1903-2001)

116 No lot.

Untitled, edition of 150. Signed “Esteban Vicente” in pencil within the image l.r., numbered “140/150” in pencil within the image l.l. Color lithograph on paper, image/ sheet size 21 3/4 x 29 1/2 in. (55.2 x 74.9 cm), framed.

Condition: Not examined out of frame. $500-700

74

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117

117 Andy Warhol (American, 1928-1987) Plate Seven from FLASH - NOVEMBER 22, 1963, 1968, edition of 200 (Feldman & Schellmann, ii.38). Numbered and signed “186/200 Andy Warhol” in blue ballpoint pen on the reverse. Screenprint in creams and silver on paper, image/sheet size 21 x 21 in.

(53.3 x 53.3 cm), framed.

Condition: Minute wear to corners, sheet hinged near upper corners.

Provenance: Purchased at Graphics 1 and Graphics 2, Boston, in 1971. $4,000-6,000 118 Andy Warhol (American, 1928-1987) Campbell’s Soup Can on Shopping Bag, 1966 (Feldman & Schellmann, II.4A). Marked “Andy Warhol Institute of Contemporary Art, Boston October 1966” beneath the image.

Color screenprint on paper shopping bag, size (not including handles) 19 5/8 x 17 in. (49.8 x 43.1 cm), unmatted, unframed.

Condition: Minor soiling and toning, two horizontal folds with corresponding breaks to ink. $800-1,200 118

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75

119 Neil Welliver (American, 1929-2005) Canada Geese, 1978, published by Brooke Alexander, New York (Welliver, p. 50-1).

Signed “Welliver” in pencil l.r., numbered “43/75” in pencil l.l. Color lithograph on paper, image size 8 x 7 5/8 in. (20.3 x 19.3 cm), framed.

Condition: Not examined out of frame. $600-800 120 Neil Welliver (American, 1929-2005) Two Trout, 1981, proof outside of the edition of 130, published by Brooke Alexander, New York (Welliver, p. 58-9). Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color woodcut on paper, image size 11 3/8 x 8 7/8 in. (28.8 x 22.4 cm), framed.

Condition: Not examined out of frame. $600-800

119

120

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121 James Abbott McNeill Whistler (American, 1834-1903) The Rag Gatherers, 1858, final state of five (Kennedy, 23). Signed and dated within the plate. Etching on wove paper, plate size 6 1/8 x 3 5/8 in. (15.4 x 9.1 cm), matted, unframed.

Condition: Margins 1 inch or more, pale foxing, gentle toning. $800-1,200 122 James Abbott McNeill Whistler (American, 1834-1903) The Forge, 1866, final state of four (Kennedy, 68). Signed and dated within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing. Etching on fine laid paper, plate size 7 11/16 x 12 3/8 in. (19.4 x 31.4 cm), framed.

Condition: Creases and tears to upper margin, tape hinges at upper corners, scattered foxing, pencil annotations to lower margin and verso. $1,000-1,500

121

122

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77

123

123 James Abbott McNeill Whistler (American, 1834-1903) The Thames, 1896, final state of three (Chicago, 161). Butterfly monogram within the matrix. Lithograph on chine collĂŠ, image size 10 1/2 x 7 3/4 in. (26.5 x 19.5 cm), framed.

Condition: Gently toned, supporting sheet laid down, with mat burn, and with glue residue and pencil annotations to margins.

78

N.B. This is one of the final lithotints created

by Whistler. This particular technique creates an effect similar to that of his painted nocturnes. The view, though reversed, is from a balcony at London’s Savoy Hotel. $5,000-7,000

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124

124 Ossip Zadkine (French/Russian, 18901967) Two Figures, edition of 20. Signed “O.Zadkine” in ink l.r., numbered “3/20” in ink l.l., initialed within the plate. Etching on heavy wove paper with “Johannot” watermark, plate size 8 5/8 x 5 1/4 in. (21.8 x 13.3 cm), matted, unframed.

Condition: Margins over 3 3/4 inches with deckled edges.

Provenance: A Massachusetts estate. $500-700

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79

125

125 Zao Wou-Ki (Chinese/French, 1921-2013) Les Cerfs, 1952, edition of 250 plus proofs (Ågerup, 76). Signed “...Zao” in pencil l.l., numbered “211/250” in pencil l.r. Color lithograph on paper, image size 13 1/4 x 19 5/8 in. (33.5 x 49.7 cm), framed.

Condition: Laid down, toning, staining to upper edge.

Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners. $4,000-6,000

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126 Anders Zorn (Swedish, 1860-1920) Musique en famille, 1905, final state of four (Asplund, 191). Signed “Zorn” in pencil l.r., signed and dated within the plate, identified on a label from the Worcester Art Museum affixed to the back mat. Etching on laid paper, plate size 9 3/4 x 7 in. (24.6 x 17.8 cm), matted, unframed.

Condition: Margins 1 1/2 inches or more with deckled edges to three sides, subtle toning and staining. $800-1,200 127 Anders Zorn (Swedish, 1860-1920) Kesti, A Mora Peasant, 1906, second state of two (Asplund, 196). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on laid paper, plate size 6 1/4 x 4 3/4 in. (15.8 x 11.9 cm), matted, unframed.

Condition: Margins over 1 1/2 inches with deckled edges, thin spots/rubs to upper margin. $800-1,200

126

127

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81

128 Anders Zorn (Swedish, 1860-1920) Dance at Gopsmor, 1906, second state of two (Asplund, 197). Signed “Zorn” in pencil l.r., signed and dated within the plate, identified on a typed label affixed to the back mat. Etching on laid paper with ornate crest watermark, plate size 11 7/8 x 7 7/8 in. (30.0 x 19.8 cm), matted, unframed.

Condition: Margins over 1 1/2 inches, subtle toning and staining, minor glue/residue to upper margin, pencil annotations to lower margin and verso. $800-1,200 129 Francisco Zúñiga (Mexican, 1912-1998) Muchacha en una silla, 1982, edition of 135, published by Brewster Editions, New York (Brewster, 85). Numbered, signed, and dated “11/135 ZGA 1982” in pencil within the image u.l. Color lithograph on paper, image/sheet size 23 3/8 x 17 1/4 in. (59.4 x 43.6 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $600-800 128

129

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Fine Photographs Lots 130–193

130 American School, 19th Century Half-plate Daguerreotype Portrait of Eli Westcott Bailey (1809-1899), in an embossed leather case, mid to late 1840s.

Condition: Minor tarnish, accretion on subject’s right lapel and two small accretions at c.r. of the plate, cover detached, case with extensive insect damage.

Provenance: By family descent to the current owner.

130

N.B. While inscriptions on the case and an accompanying piece of paper attribute this daguerreotype to Louis-Jacques-Mandé Daguerre, it was more likely made in an American studio. Eli Westcott Bailey worked as a silversmith and jeweler in New York from c. 1830 to 1848 when he joined his brother Joseph Trowbridge Bailey in Philadelphia to form Bailey & Company (formerly Bailey & Kitchen and later Bailey, Banks & Biddle) with two additional partners. The firm, which manufactured silverware and jewelry, was located on Chestnut Street, the heart of Philadelphia’s very active daguerreotype production. Within a block of Bailey & Co. at 136 Chestnut Street, there were at least five daguerreotype businesses, including Samuel Broadbent’s daguerreotype studio Broadbent & Co. in the same building and Marcus Aurelius Root’s studio, which was located two doors down. $500-700 131 European/Japanese School, 19th Century Thirteen Hand-tinted Albumen Prints, 1880s-1890s. Subjects include geishas applying makeup, getting dressed, and playing instruments; portraits of sumo wrestlers, a tattooed man, basket vendor, and workers sewing; and exterior views of a dockyard, pleasure boat, and the Great Buddha of Kamakura. Unsigned, some with handwritten descriptive inscriptions on the verso. Albumen silver prints (eleven with hand-tinting), image/ sheet sizes to 3 3/4 x 5 3/8 in. (9.5 x 13.7 cm), unmatted, unframed.

Condition: All sheets are unmounted with fading, minor handling crimps, and wear at corners. $300-500

131

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132

132 Alfred Stieglitz (American, 1864-1946) The Steerage, 1907, printed 1915. Titled, dated, and signed “...1907 Alfred Stieglitz” in pencil l.l. Photogravure on vellum, image size 12 3/4 x 10 in. (32.4 x 25.4 cm), framed.

Condition: Small spots of adhesive residue or similar u.l., rippling, top edge of the sheet folded over horizontally with linen hinges affixed at upper corners and center, areas of discoloration in the margins and on the verso, especially along the right edge, with mount remnants at u.r., c.r., and l.r., subtle toning and light foxing evident on the verso.

Provenance: From the collection of Mina Boehm Metzger, New York, then by descent to the current owners.

N.B. As a founding member of the PhotoSecession and publisher of Camera Notes and Camera Work, Alfred Stieglitz was a major force in the promotion and elevation of photography as a fine art in America at the turn of the 20th century. While he first championed a Pictorial aesthetic—painterly, soft focus images with subtle tonal variation and unusual compositions—The Steerage marks his embrace of a more modernist, “straight” depiction of contemporary life.

Stieglitz first published the image in a 1911 issue of Camera Work devoted exclusively to his own photographs made in this new style.

In 1915, he lavishly reprinted the image as a large-scale photogravure on both vellum and Japanese paper. Stieglitz frequently used the photogravure process for his exhibition prints, considering it equal in quality to the platinum or carbon processes. $12,000-18,000

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85

133

133 Heinrich Zille (German, 1858-1929) StraĂ&#x;enzenen (Street Scenes)/Portfolio of Twelve Photographs, 1890s-1910s, printed 1975, number 1 from the edition of 100 and 10 artist’s proofs, published by Schirmer/ Mosel, Munich. Each stamped with the publisher’s seal and print date and numbered in pencil on the verso l.c. Gelatin silver prints, image sizes to 8 x 10 3/4 in. (20.2 x 27.3 cm), matted, housed in a blue portfolio case.

Condition: Good.

N.B. Heinrich Zille was acclaimed for his prints, drawings, and illustrations reflecting the everyday reality of Berliners at the turn of the 20th century. Because his photographs were intended as reference material for his work in other media, they are not as well known. Yet, they represent important social documents of life in Berlin during this period as suggested by the recent publication Heinrich Zille: Old-Time Berlin. Photographs 1880-1920 (Schirmer/ Mosel, 2014). The modern prints in this portfolio were hand-printed from the original glass negatives. $1,000-1,500 134

86

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135

134 Edward Steichen (American, 1879-1973)

135 Ansel Adams (American, 1902-1984)

The Front Page—Improvisation, 1928, printed later. Unsigned, stamped “PHOTOGRAPH BY EDWARD STEICHEN/ Printed from the original negative.” on the verso at center. Gelatin silver print, image size 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm), matted, unframed.

Condition: Good.

Taos Pueblo, c. 1929. Signed “Ansel Adams” in pencil below the image l.r., titled in pencil below the image l.l. Gelatin silver print, image size 5 1/2 x 7 11/16 in. (14.0 x 19.5 cm), matted, unframed.

Condition: Gently light-struck.

N.B. Published in the September 1928 issue of Vanity Fair, this image features Osgood Perkins and Lee Tracy in a production of Ben Hecht and Charles MacArthur’s The Front Page at the Times Square Theater in New York. $800-1,200

N.B. This image is a variant of North House (Hlauuma) and Taos Mountain included in Taos Pueblo, Adam’s collaboration with Mary Austin, published by Grabhorn Press, San Francisco, 1930. $2,000-3,000

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87

136 Berenice Abbott (American, 1898-1991) Daily News Building, 220 East 42nd Street, Manhattan, 1935, printed later. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH/BERENICE ABBOTT/ABBOTT, MAINE 04406” and signed “Berenice Abbott” in pencil on the reverse of the mount l.c. Gelatin silver print, image/sheet size 13 1/8 x 10 3/8 in. (33.6 x 26.3 cm), unmatted, unframed.

Condition: Mounted, minor adhesive residue or similar at c.l. $1,000-1,500 137 Berenice Abbott (American, 1898-1991) Lyric Theatre, 100 Third Avenue, Manhattan, 1936, printed later. Signed “BERENICE ABBOTT” in pencil on the mount l.r., stamped “PHOTOGRAPH/BERENICE ABBOTT/ABBOTT, MAINE 04406” on the reverse of the mount l.c. Gelatin silver print, image/sheet size 10 1/2 x 13 5/8 in. (26.7 x 34.6 cm), unmatted, unframed.

Condition: Mounted, good. $1,000-1,500

136

137

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138 Lotte Jacobi (American, 1896-1990) Albert Einstein, 1938, printed later. Signed “Lotte Jacobi” in pencil l.l. Gelatin silver print, 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm), matted, unframed.

Condition: Handling crimp in sheet l.r.

Provenance: A private collection, New York.

N.B. After meeting Einstein at the family business—the fashionable Jacobi Studio in Berlin—Lotte Jacobi began a life-long friendship with the celebrated physicist, photographing him on five separate occasions, including this sitting at his home in Princeton, New Jersey, while on assignment for Life magazine. $1,500-2,000 139 Arthur Rothstein (American, 1915-1985) Artelia Bendolph, Gee’s Bend, Alabama, 1937, printed later. Signed “Arthur Rothstein” in pencil below the image l.r., blindstamped “hp” below the image l.l., stamped “ARTHUR ROTHSTEIN/PHOTOGRAPHY/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.r. Gelatin silver print, image size 8 7/8 x 12 in. (22.5 x 30.5 cm), matted, unframed.

Condition: Good.

138

N.B. In 1936 at the young age of 21, Arthur Rothstein was the first photographer hired

by Roy Stryker of the federal government’s Resettlement Administration to document the effects of the Great Depression on struggling families, as well as that agency’s efforts to alleviate the economic problems facing the nation. He photographed Artelia Bendolph in Alabama in 1937, creating one of his most iconic images. Always conscious of photography as a vehicle for social commentary, Rothstein captures Bendolph’s economic circumstances by juxtaposing her with a bountiful food advertisement in a newspaper used to insulate the cabin from the cold. $1,500-2,500

139

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89

140

140 Arthur Rothstein (American, 1915-1985) Western Town, mid-late 1930s, printed later.

Unsigned, stamped “ARTHUR ROTHSTEIN/ PHOTOGRAPHY/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. Gelatin silver print, image size 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm), matted, unframed.

Condition: Good. $700-900 141 Walker Evans (American, 1903-1975)

141

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Wooden Houses, Possibly Vicksburg, Mississippi, c. 1936, printed before 1950.

Unsigned, with a Lunn Gallery stamp inscribed with “III 140” in pencil on the verso u.r. Gelatin silver contact print, sheet size 8 x 10 in. (20.4 x 25.5 cm), unmatted, unframed.

Condition: Minor wear and plate holder marks at corners. $2,000-3,000

142 Walker Evans (American, 1903-1975) Dock Workers, Havana, from the portfolio WALKER EVANS: SELECTED PHOTOGRAPHS, 1932, printed 1974, edition of 75 with 15 artist proofs, published by Double Elephant Press, New York. Signed “Walker Evans” in pencil on the mount below the image l.r., inscribed “A/P” in pencil on the mount below the image l.l. Gelatin silver print, image/sheet size 11 3/4 x 9 in. (29.6 x 22.8 cm), matted, unframed.

Condition: Mounted, good. $2,000-3,000 143 Walker Evans (American, 1903-1975)

142

Maine Pump, from the portfolio WALKER EVANS: SELECTED PHOTOGRAPHS, 1933, printed 1974, edition of 75 with 15 artist proofs, published by Double Elephant Press, New York. Signed “Walker Evans” in pencil on the mount below the image l.r., inscribed “A/P” in pencil on the mount below the image l.l.

Gelatin silver print, image/sheet size 11 1/8 x 8 7/16 in. (28.2 x 21.5 cm), matted, unframed.

Condition: Mounted, good. $1,500-2,500

143

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91

144

144 Walker Evans (American, 1903-1975) Minstrel Poster, Alabama, from the portfolio WALKER EVANS: SELECTED PHOTOGRAPHS, 1936, printed 1974, outside the edition of 75, published by Double Elephant Press, New York. Signed “Walker Evans” in pencil on the mount below the image l.r., inscribed “P” in pencil on the mount below the image l.l., inscribed “86.00082” in pencil on the verso l.l. Gelatin silver print, image/sheet size 15 1/2 x 11 7/8 in. (39.4 x 30.2 cm), unmatted, unframed.

Condition: Mounted, good. $2,000-3,000 145 Walker Evans (American, 1903-1975) Street Portrait, Chicago, 1946. Inscribed “STREET EXPLORATIONS” in pencil on the verso l.l. and with a Lunn Gallery stamp inscribed “XV” and “20” in pencil on the verso at center. Gelatin silver print, image size 7 1/4 x 6 5/16 in. (18.4 x 16.0 cm), matted, unframed.

Condition: Sheet gently discolored at edges, minor creases at u.l. and l.l. corners.

145

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N.B. Walker Evans was a staff photographer at Fortune magazine from 1945 to 1965.

This image was reproduced in Evans’s story “Chicago: A Camera Exploration” published in February 1947. $2,500-3,500

146

146 Walker Evans (American, 1903-1975) Two Photographs Taken for Fortune Magazine, 1961. Both unsigned, dated “3/61” in pencil on the verso, with Fortune stamps, related inscriptions, and reproduction notations, and with Lunn Gallery stamps with inscriptions on the versos. Gelatin silver prints, image sizes 9 x 13 5/8 in. (22.8 x 34.6 cm), matted, unframed.

Condition: Both with scattered handling crimps and wear at corners, the print of children in an interior with areas of spot toning, a half-inch tear in sheet l.r., and several breaks in the emulsion at l.l.

N.B. An inscription on the verso of each print indicates that these images were made for a March 1961 Fortune magazine story titled “Distressed.” The article was likely retitled and published as “People and Places in Trouble” (March 1961, pp. 110-117). While these images were not reproduced, they are likely part of Evans’s larger project for the magazine. $2,500-3,500

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93

147

147 Edward Weston (American, 1886-1958)

148 Edward Weston (American, 1886-1958)

149 Edward Weston (American, 1886-1958)

Nude, 1918, a later printing by Cole Weston.

Stamped “NEGATIVE/BY/EDWARD WESTON/ PRINT/BY” in black ink and signed “Cole Weston” in pencil on the reverse of the mount at center, titled and dated in pencil on the reverse of the mount u.r. Gelatin silver print, image/sheet size 9 7/16 x 7 1/2 in. (24.0 x 19.0 cm), framed.

Condition: Mounted, good. $3,000-4,000

Neil Asleep, 1925, a later printing by Cole Weston. Stamped “NEGATIVE/BY/EDWARD WESTON/PRINT/BY” in black ink and signed “Cole Weston” in pencil on the reverse of the mount at center, titled and dated in pencil on the reverse of the mount u.r. Gelatin silver print, image/sheet size 5 7/8 x 9 3/8 in. (14.8 x 23.8 cm), framed.

Condition: Mounted, good. $2,000-3,000

Church Door, Hornitos, 1940, a later printing

by Cole Weston. Inscribed and signed “NEGATIVE/BY/EDWARD WESTON/PRINT/ BY/Cole Weston” in pencil on the reverse of the mount at center, titled and dated in pencil on the reverse of the mount u.r. Gelatin silver print, image/sheet size 7 9/16 x 9 1/2 in.

(19.2 x 24.0 cm), framed.

Condition: Mounted, faint scratches l.r., paper remnants affixed to four corners of the front of the mount. $2,500-3,500

94

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148

149

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95

150

150 Manuel Álvarez Bravo (Mexican, 19022002) Juegos de papel (Paper Games), 19261927, printed later. Signed and titled “M. Alvarez Bravo...” in pencil on the verso l.r.

Gelatin silver print, image size 7 7/16 x 9 1/4 in. (18.8 x 23.5 cm), matted, unframed.

Condition: Handling crimps, u.r. and l.r. corners have been cut away. $1,200-1,800 151 Manuel Álvarez Bravo (Mexican, 19022002) La Señorita Juaré, 1934, printed later.

Signed and titled “M. Alvarez Bravo...” in pencil on the verso l.r. Gelatin silver print, image size 10 1/16 x 7 3/4 in. (25.5 x 19.7 cm), matted, unframed.

Condition: Minor wear at the corners. $1,200-1,800

151

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152 Manuel Álvarez Bravo (Mexican, 19022002) Sunlight on Weathered Wall with Star.

Signed “M. Alvarez Bravo” in pencil on the verso l.r. Gelatin silver print on Agfa paper, image size 9 3/4 x 6 3/4 in. (24.8 x 17.2 cm), matted, unframed.

Condition: Minor handling crimps, hinge remnants on the verso at upper corners. $1,200-1,800 153 Manuel Álvarez Bravo (Mexican, 19022002) La señal (The Sign), 1967. Signed and titled “M. Alvarez Bravo...” in pencil on the verso l.r.

Gelatin silver print, image size 7 5/8 x 9 1/2 in.

(19.4 x 24.1 cm), matted, unframed.

Condition: Handling crimp at c.l., small chemical stain or similar on the verso u.l. $1,200-1,800

152

153

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97

154

154 Manuel Álvarez Bravo (Mexican, 19022002) Ventana en la casa de usted (Window in Your House), c. 1975. Signed and dated “M Alvarez Bravo c. 1975” in pencil on the verso l.r., titled in pencil u.c. Gelatin silver print, 10 1/2 x 13 1/4 in. (26.7 x 33.7 cm), matted, unframed.

Condition: Hinged at upper corners, handling crimps/creases, especially in u.l. quadrant. $1,200-1,800 155 Bill Brandt (British, 1904-1983) Children in Sheffield, 1930, printed later.

Signed “Bill Brandt” in felt-tip pen on the mount below the image l.r. Gelatin silver print, image/sheet size 13 3/8 x 11 1/2 in. (33.9 x 29.2 cm), matted, unframed.

Condition: Mounted, good. $1,000-1,500

155

98

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156 Bill Brandt (British, 1904-1983)

156

Northumbrian Coal Miner Eating His Evening Meal, 1937, printed later. Signed “Bill Brandt” in felt-tip pen on the mount below the image l.r. Gelatin silver print, image/sheet size 13 3/8 x 11 1/2 in. (33.9 x 29.2 cm), matted, unframed.

Condition: Mounted, good.

N.B. British photographer and photojournalist Bill Brandt is known primarily for his images of British social classes and a later series of distorted nudes. This portrait of a miner at his evening meal was made in the North of England for a body of work documenting the effects of the Depression. Brandt began to experiment with contrast and grain in the 1950s, and this aesthetic is reflected in these later prints (Lots 155-158). $1,500-2,500 157 Bill Brandt (British, 1904-1983) Nude, Hampstead, 1952, printed later.

Signed “Bill Brandt” in felt-tip pen on the mount below the image l.r., identified on a Witkin Gallery, New York, label affixed to the backing. Gelatin silver print, image/sheet size 13 1/4 x 11 1/4 in. (33.6 x 28.5 cm), matted, framed.

Condition: Mounted, signature faded, linen tape hinge remnants on the mount u.l. and l.l., two pieces of Scotch tape on the mount u.c., scattered spot toning, minor crease l.r. $1,000-1,500

157

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99

158

159

158 Bill Brandt (British, 1904-1983) René Magritte, 1966, printed later. Signed “Bill Brandt” in felt-tip pen below the image l.r.

Gelatin silver print, image/sheet size 13 3/8 x 11 1/2 in. (33.9 x 29.2 cm), matted, unframed.

Condition: Mounted, good. $1,500-2,500

159 Konrad Cramer (German/American, 18881963) Cliché-verre Portrait of a Young Woman, 1940s. Signed “KONRAD CRAMER/ WOODSTOCK NY.” in pencil on the mount below the image l.r. Gelatin silver print, image/ sheet size 9 7/8 x 6 1/8 in. (25.0 x 15.5 cm), framed.

Condition: Mounted, silver mirroring at edges, not examined out of frame.

Provenance: Estate of the artist.

100

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N.B. One of America’s first modernist painters, Konrad Cramer developed an aesthetic that fused American ideologies with the European artistic movements of Modernism and Cubism. He worked in a variety of mediums and created compositions that incorporated abstraction with traditional formats such as the still life. In 1911, Cramer emigrated from Germany to New York City where he became involved with the American modernists and formed a close friendship with photographer Alfred Stieglitz. In the mid-1930s, he took up photography himself, embracing experimental techniques, including solarization. Cramer lived and worked in both Manhattan and the Catskill artists’ colony in Woodstock, New York. $500-700

160

160 Manuel Komroff (American, 1890-1974) Solarized Nude, 1930s-1940s. Unsigned, stamped “MANUEL KOMROFF” on the reverse of the mount l.r. Gelatin silver print, image/sheet size 13 1/2 x 10 3/8 in. (34.3 x 26.3 cm), framed.

Condition: Sheet mounted to Masonite and floated in frame, minor wear to corners with minor loss/lifting u.r., scratch l.l., not examined out of frame.

Provenance: Estate of the artist. $600-800 161 T. Lux Feininger (German/American, 19102011) Traffic in New York, c. 1946-1947. Signed “T. Lux Feininger” in pencil on the verso l.c.

Glossy gelatin silver print, image/sheet size 10 1/8 x 7 15/16 in. (25.8 x 20.1 cm), matted, unframed.

Condition: Emulsion losses and wear at corners, scattered handling crimps and spot toning. $800-1,200

161

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101

162 Aaron Siskind (American, 1903-1991)

162

Untitled, from THE MOST CROWDED BLOCK, c. 1939-1941, printed later, probably 1980-1981. Signed “Aaron Siskind” in black ink below the image l.r., inscribed and dated “From, Most Crowded Block 1939/(Harlem Document” below the image l.l. Gelatin silver print, image size 9 3/4 x 13 in. (24.8 x 33.0 cm), unmatted, unframed.

Condition: Minor wear to corners, minor emulsion loss along u.r. edge.

Provenance: From the artist to the current owner. $1,500-2,500 163 Aaron Siskind (American, 1903-1991) Gloucester 1H, 1944, printed later. Signed “Aaron Siskind” in black ink below the image l.r., titled and dated in black ink below the image l.l. Gelatin silver print, 18 1/4 x 13 1/2 in. (46.3 x 34.3 cm), matted, unframed.

Condition: Good, hinged at upper corners.

Provenance: From the artist to the current owner.

N.B. In the early 1940s, Aaron Siskind, who had been working in a social documentary mode represented by images such as the previous untitled work from The Most Crowded Block (Lot 162), began to make abstract, metaphorical images of found objects like driftwood and the glove depicted here. Gloucester 1H is a key work reflecting this shift and demonstrates what Siskind described as combining the intuitive impulse of surrealism with the formal rigor of composition and scale. $2,000-3,000 163

102

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164

165

164 Aaron Siskind (American, 1903-1991)

165 Aaron Siskind (American, 1903-1991)

New York I, 1951, printed later. Signed “Aaron Siskind” in black ink below the image l.r., titled and dated “N.Y. I...” in black ink below the image l.l. Gelatin silver print, image size 13 x 18 7/16 in. (33.0 x 46.8 cm), unmatted, unframed.

Condition: Good, minor wear to u.l. corner.

Rome 67, 1967. Titled, dated, and signed “...Aaron Siskind” in pencil on the verso u.c.

Gelatin silver print, image size 8 7/8 x 11 3/4 in. (20.0 x 29.8 cm), matted, unframed.

Condition: Slight rippling, minor bend in u.l. corner, faint chemical stain in the sheet at c.l. edge.

Provenance: From the artist to the current owner. $1,500-2,000

Provenance: From the artist to the current owner. $1,200-1,800

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103

166 Aaron Siskind (American, 1903-1991) Jalapa 14, 1973. Signed “Aaron Siskind” in black ink below the image l.r., titled, dated, and inscribed “...(Homage to F.K.)” in black ink below the image l.l. Gelatin silver print on Agfa paper, image size 14 5/8 x 14 1/2 in. (37.1 x 36.8 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the current owner. $1,200-1,800 167 Aaron Siskind (American, 1903-1991) Jalapa 47, 1974. Signed “Aaron Siskind” in black ink below the image l.r., titled, dated, and inscribed “...(Homage to F.K.)” in black ink below the image l.l. Gelatin silver print on Agfa paper, image size 15 1/8 x 15 3/16 in. (38.3 x 38.5 cm), unmatted, unframed.

Condition: Gentle rippling, slight wear at the corners.

166

167

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Provenance: From the artist to the current owner. $1,200-1,800

168 Aaron Siskind (American, 1903-1991) New York 91, 1989. Signed “Aaron Siskind” in black ink below the image l.r., titled and dated in black ink below the image l.l. Gelatin silver print, image size 14 7/8 x 15 1/8 in.

(37.8 x 38.4 cm), matted, framed.

Condition: Not examined out of frame.

168

Provenance: From the artist to the current owner. $1,200-1,800 169 Aaron Siskind (American, 1903-1991) Tar Abstracts/Portfolio of Six Photogravures, 1986-1988, printed c.

1989, edition of 32, printed by Renaissance Press, Ashuelot, New Hampshire. Each gravure is numbered, titled, dated, and signed “2/32...Aaron Siskind” below the image.

Photogravures on Rives BFK paper, image size 13 5/8 x 13 5/8 in. (34.5 x 34.5 cm), unmatted, housed in a black cloth-bound portfolio case.

Condition: Good, sheets deckled on three sides, margins 4 3/8 inches or more.

Provenance: From the artist to the current owner.

N.B. Aaron Siskind’s last body of work captures the dark curvilinear shapes of road tar against weathered and textured asphalt.

The story goes that he drove around with a companion to search for “poetic” tar to photograph. While he also made gelatin silver prints of this subject, Siskind appreciated the rich and painterly quality of the photogravure technique, a process with visual qualities similar to aquatint etching. $5,000-7,000

169

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105

170

170 Robert Frank (Swiss, b. 1924) Contact Sheet, Switzerland, 1945-1946, printed later. Signed “Frank” in ink on the verso l.r., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1980” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “Lines of My Hand 7” and “2711” in pencil on the verso l.r. Gelatin silver print on Kodak paper, image size 9 7/8 x 7 1/4 in. (25.0 x 18.4 cm), matted, unframed.

Condition: Slight rippling along the top edge, scattered handling crimps, especially along the left side, bend in l.l. corner, nick in paper at l.c. $2,500-3,500

106

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171

172

171 Robert Frank (Swiss, b. 1924)

172 Robert Frank (Swiss, b. 1924)

Group of Ladies, Possibly California, 1950s-1960s, printed later. Signed “R. Frank” in ink below the image l.r., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1979” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “2622” in pencil on the verso l.r. Gelatin silver print, image size 8 1/2 x 12 7/8 in. (21.6 x 32.8 cm), matted, unframed.

Condition: Minor wear to corners of the sheet with crease at u.r., handling crimp at c.l., slight pink discoloration at bottom edge of the sheet, soiling to the verso, including minor reddish abrasions at the bottom. $2,500-3,500

Street View with Wayman Hotel, California, 1950s-1960s, printed later. Signed “R. Frank” in black ink on the verso l.r., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1979” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “2649” in pencil on the verso l.r. Gelatin silver print, image size 8 3/16 x 12 7/16 in. (20.8 x 31.6 cm), unmatted, unframed.

Condition: Minor wear at u.l. and l.l. corners, minor handling crimps at right edge, slight yellowing on the verso at the corners. $2,500-3,500

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107

173

174

173 Harold E. “Doc” Edgerton (American, 19031990)

174 Harold E. “Doc” Edgerton (American, 19031990)

Moving Skip Rope, 1952, printed later.

Signed “HAROLD EDGERTON” in pencil on the verso l.r., inscribed “5201.2 A/P” in pencil on the verso l.l., and “81.0163” in pencil on the verso l.r. Gelatin silver print, image size 12 13/16 x 18 5/8 in. (32.5 x 47.3 cm), unmatted, unframed.

Condition: Slight rippling, creases in l.r. corner. $1,000-1,500

Two Photographs: Swirls and Eddies: Tennis and Twirling a Baton, 1939 and 1953, respectively, both printed later. Both signed “HAROLD EDGERTON” in pencil on the verso, Tennis inscribed “82.0300” in pencil on the verso l.r., Baton inscribed “81.0126” and “5301.A/P” in pencil on the verso l.r. Gelatin silver prints, image sizes to 17 3/8 x 14 1/2 in.

(44.1 x 36.8 cm), unmatted, unframed.

Condition: Slight rippling, minor wear to corners. $1,000-1,500

108

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175

175 Harold E. “Doc” Edgerton (American, 19031990) Bullet Passing Through Three Balloons, 1959, printed later. Signed “HAROLD EDGERTON” in pencil on the verso l.c., inscribed “81.0072” and “5901.A/P” in pencil on the verso l.r. Gelatin silver print, image size 11 1/2 x 19 in. (29.2 x 48.2 cm), unmatted, unframed.

Condition: Subtle handling crimps at c.l. and l.c. edges. $1,200-1,800 176 Harold E. “Doc” Edgerton (American, 19031990) Milk Drop Coronet, 1957, printed 1984.

Signed “HAROLD EDGERTON” in pencil on the verso l.c., inscribed “85.0433” in pencil on the verso l.r. Dye transfer print, image size 18 3/16 x 13 3/16 in. (46.3 x 33.5 cm), unmatted, unframed.

Condition: Handling crimp u.c. $2,000-3,000

176

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109

177

177 Harold E. “Doc” Edgerton (American, 19031990) Bullet Through Apple, 1964, printed 1984.

Signed “HAROLD EDGERTON” in pencil on the verso l.c., inscribed “85.0439” in pencil on the verso l.r. Dye transfer print, image size 13 15/16 x 17 7/8 in. (35.4 x 45.5 cm), unmatted, unframed.

Condition: Good. $2,000-3,000

110

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178

179

178 Leonard Freed (American, 1926-2006)

179 Leonard Freed (American, 1929-2006)

Wall Street, New York, 1956, printed 1990s.

Signed “Leonard Freed” in pencil on the verso l.r., dated, titled, and inscribed “...USA -562-3-20 MP” in pencil on the verso along the bottom, inscribed “Handprinted by LEONARD FREED/1990s” in pencil on the verso l.l., stamped “© Leonard Freed-Magnum LATER PRINT” in black ink on the verso along the bottom. Gelatin silver print, image size 9 1/4 x 6 1/8 in. (23.4 x 15.5 cm), unmatted, unframed.

Condition: Good.

Harlem, New York, 1963, printed later.

Signed “Leonard Freed” in ballpoint pen on the verso l.r., dated, titled, and inscribed “...USA 63-3-11-27” in ballpoint pen on the verso along the bottom, stamped “LATER PRINT © Leonard Freed-Magnum” in black ink on the verso l.r. Gelatin silver print on RC paper, image size 11 1/8 x 7 1/2 in. (28.2 x 19.0 cm), unmatted, unframed.

Condition: Minor handling crimp at c.r. of the sheet.

Provenance: The estate of Leonard Freed.

Provenance: The estate of Leonard Freed.

N.B. The lot is accompanied by a Certificate of Authenticity from the artist’s estate. $1,000-1,500

N.B. The lot is accompanied by a Certificate of Authenticity from the artist’s estate. $800-1,200

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111

180

180 Paul Caponigro (American, b. 1932) Nahant, Massachusetts, 1958. Signed “Caponigro� in pencil on the verso l.c. Gelatin silver print, image size 6 5/16 x 5 5/16 in.

(16.0 x 13.5 cm), matted, unframed.

Condition: Good. $800-1,200

112

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181

181 Minor White (American, 1908-1976) Floating Kelp, Point Lobos, California, 1950, possibly a later print. Titled, dated, and inscribed, probably in the artist’s hand, “...Minor White” in pencil on the verso l.l.

Gelatin silver print, image size 8 1/4 x 10 3/8 in. (21.0 x 26.3 cm), unmatted, unframed.

Condition: Paper curling slightly, scattered handling crimps, wear at corners, minor soiling on the verso.

Provenance: From the artist to the current owner. $700-900 182 Minor White (American, 1908-1976)

182

Ice in Light and Shadow, 1960. Titled, dated, and identified, possibly in the artist’s hand, in pencil on the verso u.c. Gelatin silver print, image size 9 1/4 x 11 11/16 in. (23.5 x 29.7 cm), unmatted, unframed.

Condition: Paper curling slightly, scattered handling crimps, small loss at edge of sheet l.l.

Provenance: From the artist to the current owner. $800-1,200

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113

183 Minor White (American, 1908-1976) Untitled (Elie Nadelman Sculpture on Display in the Home of James Sibley Watson, Rochester, New York), mid-1950s to mid-1960s. Unsigned, stamped “MINOR WHITE/72 NORTH UNION ST./ROCHESTER 7, N.Y.” in blue ink on the verso at center.

Gelatin silver print, image size 8 3/16 x 6 3/16 in. (20.8 x 15.7 cm), unmatted, unframed.

Condition: Good.

N.B. A medical doctor by training, James Sibley Watson was also a filmmaker and co-owner and editor of the modernist literary magazine The Dial. Active supporters of the arts, Watson and his wife Hildegarde held an exhibition of paintings and sculpture in their Rochester home. Minor White, who lived in the city from 1953 to 1965, photographed the installation and additional interior views. $1,000-1,500 184 Nicholas Nixon (American, b. 1947) The Brown Sisters, New Canaan, Connecticut, 1975. Inscribed, dated, and signed “Heather Brown McCann, Mimi Brown, Bebe Brown Nixon, & Laurie Brown New Canaan, Connecticut 1975 Nicholas Nixon” in pencil on the verso along the bottom edge.

Gelatin silver contact print, image/sheet size 8 x 9 15/16 in. (20.3 x 25.2 cm), matted, unframed.

Condition: Minor rippling, wear to u.l. corner.

183

N.B. In 1975, Nick Nixon photographed his wife and her three sisters, inaugurating an annual tradition that continues to this day.

One picture is released each year, regardless of how many negatives are exposed, and the four sisters appear in the same order and look directly at the camera. The project is celebrating its 40th year, and while as a group the images capture the complexities of family relations, aging, and identity, this image, the first in the series, shows the sisters at the very beginning of this process. $3,000-5,000

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184

185 Nicholas Nixon (American, b. 1947)

185

Marsh Hill, Pennsylvania, 1977. Titled, dated, and signed “...Nicholas Nixon� in graphite on the verso along the bottom.

Gelatin silver contact print, image/sheet size 8 x 9 15/16 in. (20.3 x 25.2 cm), matted, unframed.

Condition: Good, hinged at upper corners. $800-1,200

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115

186 Max Waldman (American, 1919-1981) Portrait of Judith Jamison in Cry, 1976.

Signed “Max Waldman” in gray ink or similar l.r., numbered “4/25” in gray ink or similar l.l.

Gelatin silver print, image size 17 3/4 x 13 3/4 in. (45.0 x 34.8 cm), framed.

Condition: Not examined out of frame.

N.B. The lot is accompanied by a bill of sale from the Max Waldman Archives dated September 9, 2005. $700-900 187 William Clift (American, b. 1944) La Mesita from Cerro Seguro, New Mexico, 1978. Signed “William Clift” on the overmat in pencil l.r., titled and dated in pencil below the sheet l.l., signed “William Clift” in pencil below the sheet l.r., inscribed “© William Clift 1978/ Reproduction Rights Remain with/William Clift or his Estate” in black ink on the verso of the mount at center, identified on a Gund Collection label affixed to the backing. Gelatin silver print, image size 13 3/8 x 19 in. (33.9 x 48.2 cm), framed.

Condition: Mounted, good.

Provenance: Property of Ann and Graham Gund. $3,000-5,000

186

187

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188

188 William Clift (American, b. 1944) Dike #1, New Mexico, 1991. Signed “William Clift” on the overmat in pencil l.r., titled, dated, and inscribed “Print #2, 16 x 20” in pencil below the sheet l.l., signed “William Clift” in pencil below the sheet l.r., inscribed “© William Clift 1991/Reproduction Rights Remain with/ William Clift or his Estate” in black ink on the verso of the mount at center, identified on a Gund Collection label affixed to the backing.

Gelatin silver print, image size 15 x 19 in. (38.0 x 48.2 cm), framed.

Condition: Mounted, good.

Provenance: Property of Ann and Graham Gund. $1,000-1,500

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117

189

189 Steve McCurry (American, b. 1950) Afghan Girl, Refugee Camp, Pakistan, 1984, printed before c. 1995. Signed “Steve McCurry” in pencil on the overmat l.r., numbered “5/10” in pencil on the overmat l.l., signed “Steve McCurry” in black ink below the image l.r., numbered “5/10” in black ink below the image l.l., identified on a label affixed to the backing. Chromogenic print on Agfa paper, image size 11 5/8 x 8 in. (29.5 x 20.3 cm), framed.

Condition: Minor handling crimps, hinged at the top edge in two places.

118

Provenance: The current owner acquired the print from a charity auction in the early 1990s.

N.B. This now iconic portrait was featured on the cover of the June 1985 issue of National Geographic. A copy of Portraits: Steve McCurry (Phaidon Press Limited, 1999) accompanies the lot. $5,000-7,000

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190

190 Andy Warhol (American, 1928-1987) I Want You Back, Signs, New York City, c. 1985. Unsigned, “The Estate of Andy Warhol” and “Andy Warhol Foundation for the Visual Arts” stamps on the verso l.r., initialed “T.J.H.” (for Timothy J. Hunt of the Andy Warhol Foundation) in pencil on the verso l.r., inscribed “FL18.00870” in pencil on the verso l.c. Gelatin silver print, image/sheet size 7 7/8 x 9 7/8 in. (20 x 25.1 cm), unmatted, unframed.

Condition: Minor handling crimps, slight break in the emulsion u.r., scattered spot toning, 3/8 x 1/8 inch area of spot toning or similar u.c., hinge remnants on the verso at upper corners.

N.B. Although best known for his iconic paintings of soup cans and celebrities, Pop artist Andy Warhol was also an avid photographer who made tens of thousands of images between 1970 and 1987. In addition to his many portraits and party subjects, Warhol was also intensely curious about his surroundings, and his gelatin silver prints reveal his eye for detail and design, as well as his compulsive desire to document the world around him. $3,000-5,000

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119

191 Joel-Peter Witkin (American, b. 1939) A Christ, 1987, edition of 60. Signed and dated “Joel-Peter Witkin 1987” in pencil l.l., numbered “15/60” in pencil l.r. Photogravure on chine collé, image size 17 5/8 x 17 5/8 in.

(44.7 x 44.7 cm), framed.

Condition: Stain or similar at edge of sheet l.r., not examined out of frame. $800-1,200 192 Doug and Mike Starn (American, b. 1961) Untitled (Diptych), 1988. Unsigned, identified on a gallery label affixed to the reverse. Toned gelatin silver prints, wood, Plexiglas, glue, nails, and tape, overall size 35 1/2 x 57 in.

(90.1 x 144.7 cm), unframed.

Condition: The print on the larger piece is affixed to the front of the Plexiglas and is not protected, prints have creases, folds, tears, losses, and abrasions typical of the artists’ work, discolored glue.

N.B. The imagery in this work is based on John Singleton Copley’s Watson and the Shark (1778) in the collection of the Museum of Fine Arts, Boston. $4,000-6,000 191

192

120

Additional information and photos at www.skinnerinc.com

193

193 McDermott and McGough (American, b.

1952 and b. 1958) Fountain of Apollo, Versailles, 1865, 1999.

Signed and numbered “Messers McDermott & McGough W.P. 2/2� in pencil on the verso l.r. Photogravure on paper, image size 22 7/8 x 19 7/16 in. (59.0 x 50.5 cm), unmatted, unframed.

Condition: Minor handling crimps in the sheet at the top and bottom. $1,000-1,500

End of Fine Prints & Photography Online bidding at www.skinnerinc.com

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Artist Index Abbott, Berenice......................................136, 137 Adams, Ansel...................................................135 Agam, Yaacov......................................................1 Albers, Josef ...................................................2–4 American School, 19th Century .......................130 Appel, Karel..........................................................5 Arms, John Taylor ...............................................6 Barnet, Will...........................................................7 Baumberger, Otto (After)......................................8 Bearden, Romare ............................................. 8A Benson, Frank Weston...................................9–18 Benton, Thomas Hart ........................................19 Berthon, Paul ....................................................20 Brandt, Bill................................................155–158 Braque, Georges ...............................................21 Braque, Georges (After) .................................. 21A Bravo, Manuel Álvarez .............................150–154 Buffet, Bernard ..................................................22 Buhot, Félix Hilaire........................................23, 24 Cadmus, Paul.....................................................25 Calder, Alexander ........................................26, 27 Caponigro, Paul ..............................................180 Cappiello, Leonetto ...........................................28 Cassandre (Adolphe Mouron).............................29 Cassatt, Mary ....................................................30 Chagall, Marc ..............................................31–36 Chagall, Marc (After) ....................................... 36A Chemiakin, Mihail ..............................................37 Christo, Javacheff...............................................38 Clift, William..............................................187, 188 Courtright, Robert..............................................39 Cramer, Konrad................................................159 Degas, Edgar...............................................40, 41 Delaunay-Terk, Sonia.........................................42 Dine, Jim .................................................. 43, 43A Drewes, Werner.................................................44 Dufrène, Maurice................................................45 Dürer, Albrecht ..........................................45A–47 Edgerton, Harold E. “Doc” .......................173–177 European/Japanese School, 19th Century.......131 Evans, Walker .........................................141–146 Fairey, Shepard ...........................................48, 49 Feininger, T. Lux ..............................................161 Francis, Sam......................................................50 Frank, Robert ..........................................170–172 Freed, Leonard.........................................178, 179 Frink, Elisabeth...................................................51 Gardiner, Eliza Draper........................................52 Gauguin, Paul ....................................................53 German School, 20th Century ...........................54 Gorman, R.C. (Rudolph Carl) .............................55 Gorsline, Douglas Warner...................................56 Griggs, Frederick Landseer Maur ......................57 Grosz, George .............................................58, 59 Haring, Keith .....................................................60 Hart, Frederick ..................................................61 Hartung, Hans ...................................................62 Hassam, Childe..................................................63 Heroux, Bruno ...................................................64 Hitchens, Ivon................................................. 64A Hnizdovsky, Jacques ........................................65 Homer, Winslow (After).....................................109

122

Icart, Louis.........................................................66

White, Minor.............................................181–183 Witkin, Joel-Peter.............................................191

Jacobi, Lotte ...................................................138 Kahn, Wolf...................................................... 66A Kelly, John Melville.............................................67 Kollwitz, Käthe .............................................68, 69 Komroff, Manuel ..............................................160 Landeck, Armin..................................................70 Lang Shining (Giuseppe Castiglione)............... 30A Le Parc, Julio.....................................................71 Lewis, Martin .....................................................72 LeWitt, Sol ...................................................74–76 van Leyden, Lucas ............................................73 Lichtenstein, Roy (After) .....................................77 Liebermann, Max ..............................................78 Lum, Bertha Boynton ........................................79 Mantegna, Andrea (After)....................................97 Marini, Marino...............................................80, 81 Marquet, Albert .................................................82 McCrady, John ..................................................83 McCurry, Steve................................................189 McDermott and McGough ..............................193 Millet, Jean François ..........................................84 Moore, Henry.....................................................85 Moore-Park, Carton...........................................86 Morris, Robert....................................................87 Motherwell, Robert.............................................88 Nixon, Nicholas .......................................184, 185 Pennell, Joseph .................................................89 Picasso, Pablo.................................90–93, 95, 96 Picasso, Pablo (After)................................ 93A, 94 Raimondi, Marcantonio......................................97 Ramos, Mel........................................................98 Rembrandt van Rijn....................................99, 100 Renoir, Pierre-Auguste.....................................101 de Ribera, Jusepe ...........................................102 Riley, Bridget....................................................103 Rothstein, Arthur .....................................139, 140 Rouault, Georges.................................. 104, 104A Ruscha, Edward Joseph .................................105 Ryan, Anne.......................................................106 Sandzén, Birger ...............................................107 Segal, George .................................................108 Siskind, Aaron..........................................162–169 Smillie, James David.........................................109 Solon, Albert ...................................................110 Sorman, Steven................................................111 Stamos, Theodoros .........................................112 Starn, Doug and Mike......................................192 Steichen, Edward.............................................134 Stieglitz, Alfred ................................................132 Tamayo, Rufino................................................113 Tàpies, Antoni..................................................114 Vicente, Esteban..............................................115 Waldman, Max.................................................186 Warhol, Andy................................... 117, 118, 190 Welliver, Neil.............................................119, 120 Weston, Edward.......................................147–149 Whistler, James Abbott McNeill................121–123

Zadkine, Ossip.................................................124 Zao Wou-Ki......................................................125 Zille, Heinrich ...................................................133 Zorn, Anders............................................126–128 Zúñiga, Francisco ............................................129

Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 8, 2014

123

Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Stephen L. Fletcher

Jane D. Prentiss

Kyle Johnson

20thcentury@skinnerinc.com

Melissa Riebe

508.970.3253

Melanie Trottier-Mitcheson

Richard Albright

discovery@skinnerinc.com

John Deighton Karen M. Keane Andrew Payne Nancy R. Skinner, Chairman Emerita

508.970.3202

American & European Paintings & Prints Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière paintings@skinnerinc.com 508.970.3206

European Furniture & Decorative Arts Stuart G. Slavid Stephanie Opolski european@skinnerinc.com 508.970.3203

Executive Management

American Furniture & Decorative Arts Stephen L. Fletcher Chris Barber Christopher D. Fox

President/Chief Executive Officer Karen M. Keane

Chief Financial Officer Don Kelly

americana@skinnerinc.com 508.970.3200

Wine, Whisky & Ale Marie Keep Joseph Hyman Michael J. Moser finewines@skinnerinc.com 508.970.3296

American Indian & Ethnographic Art Douglas Deihl indian@skinnerinc.com 508.970.3254

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

Executive Vice President Stephen L. Fletcher

Antique Motor Vehicles Jane D. Prentiss antiquemotorvehicles@skinnerinc.com

Managing Director

508.970.3253

Jewelry Victoria Bratberg John Colasacco jewelry@skinnerinc.com

Marie Keep

508.874.4313

Asian Works of Art Senior Vice Presidents Marie Keep Kerry Shrives Stuart G. Slavid

Vice Presidents Victoria Bratberg Eric Jones

Judith Dowling Helen Eagles Suhyung Kim asian@skinnerinc.com 508.970.3263

Books & Manuscripts Devon Gray

Robin S.R. Starr L. Emerson Tuttle

Kerry Shrives judaica@skinnerinc.com 508.970.3256

Musical Instruments Jill Arbetter

books@skinnerinc.com

music@skinnerinc.com

508.970.3293

508.970.3216

Ceramics

Oriental Rugs & Carpets

Gloria Lieberman Carol McCaffrey

Judaica

Stuart G. Slavid

Lawrence Kearney

ceramics@skinnerinc.com

Erika Jorjorian

508.970.3203

rugs@skinnerinc.com 508.970.3247

Regional Directors Western Massachusetts:

Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling

George Thomas Lewis

Paul Dumanowski

413.727.2721

clocks@skinnerinc.com

glewis@skinnerinc.com

508.970.3201

Florida: April L. Matteini, G.G. 508.970.3138 florida@skinnerinc.com

Maine: Bruce Buxton

124

Photographs Michelle Lamunière photographs@skinnerinc.com 508.970.3264

Silver Stuart G. Slavid silver@skinnerinc.com 508.970.3203

Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services

Exhibitions & Property Boston:

LaGina Austin

Marketing

Christine E. Finn

Laura V. Sweeney

L. Emerson Tuttle

Rachel Kingsley

Benjamin Evans

Jenna DeLuca

Olga Gerasymiv

Kathryn Gargolinski

Paige Lewellyn

Linsey MacDougall

Jessica R. Lincoln

Subscriptions

Receptionist

Linsey MacDougall

Olga Gerasymiv

508.970.3240

617.350.5400

Ava Pandiani Elizabeth Zwicker 508.970.3299

Institutional Relations L. Emerson Tuttle

Consignment Services

Advertising/Production

Patricia Walker King

Pamela Van de Houten

Marlborough:

Kealyn Garner

Jeffrey R. Antkowiak

Warehouse

Carol Zeigler

Stanley P. Bystrowski

508.970.3204

John Cornelius Kristina Harrison

Customer Relations/Human Resources

Kathleen Jones

Frederic Trottier 508.970.3209

Samatha Heighton

Cheryl Richards Photography

Carol McCaffrey

Receptionist

508.970.3252

Skinner Online Kerry Shrives

Katie Fitzgerald 508.970.3000

Daniel Bar

Accounting Kathleen Hayes

Judie Ochner

Transportation

Melissa Riebe

Eric Jones

online@skinnerinc.com

508.970.3229

508.970.3279

508.970.3268

Absentee & Telephone Bidding

Denise Johnson 508.970.3269

Boston: 617.874.4318

William Madden

Marlborough: 508.970.3211

508.970.3266

Discovery: 508.970.3208

Auctioneers Chris Barber, John Colasacco,

Kevin Rota

Stephen L. Fletcher, Karen M. Keane,

508.970.3283

Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

www.skinnerinc. com 125

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

126

Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

Bid Price

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

Mail

Person

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

128

Upcoming Auctions American & European Works of Art May 29, 2015, Boston, MA world record prices

competative rates

consignment deadline March 20

For more information, please call 508.970.3206, email prints@skinnerinc.com or paintings@skinnerinc.com