Studio Art online | Skinner Auction 3001T by Bonhams Skinner

Studio Art— online Lot Listing Sale 3001T 508.970.3202

April 6–14, 2017

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MA LIC. 2304

1000 Gaston Sebire (French, 1920-2001)

1005 Oliver Clare (British, 1853-1927)

1010 Dutch School, 19th/20th Century

Floral. Signed “G. Sebire” l.l., titled on a label from DeBruyn Fine Art, Naples, Florida, affixed to the frame backing. Oil on canvas, 58 x 39 in., framed. Condition: Good. $3,000-5,000

Still Life with Peaches and Grapes. Signed indistinctly l.l. Oil on board, 6 3/8 x 8 7/8 in., framed. Condition: Retouch, hinged with tape on the reverse to the frame at l.c. and c.r., frame abrasions, small abrasion to u.r., adhesive residue to the reverse. $700-1,200

Marsh with Buildings and Windmill. Unsigned. Oil on board, 13 x 18 3/4 in., framed. Condition: Minor surface grime. $600-800

1001 George Hand Wright (American, 1872-1951) The Bashful Suitor. Unsigned, inscribed “1902/George H. Wright” on the reverse, ascribed and titled on a label from The Charleston Renaissance Gallery, Charleston, South Carolina, affixed to the reverse. Oil on panel, 7 x 9 7/8 in., framed. Condition: Craquelure, scattered minor retouch, not examined out of frame. $800-1,800 1002 Frank Weston Benson (American, 1862-1951) Pintails Passing, 1930, published state, edition of 150 (Paff, 300). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 15 x 9 7/8 in., unmatted, unframed. Condition: Full margins with deckled edges to three sides, pencil annotations l.r.

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Provenance: Descended within the family of the artist. $800-1,200

1003 Bruce McKain (American, 19001990) House in Summer. Signed “McKain” l.r. Oil on pressed paperboard, 29 7/8 x 33 in., framed. Condition: Scattered paint losses, surface grime, with an unfinished sketch of a coal stove on the reverse. $1,000-1,500 1004 Adrien Joseph Verhoeven-Ball (Belgian, 1824-1882) The Love Letter. Signed and dated “A J VERHOEVEN-BALL/1872” l.l., titled on an unattributed label on the reverse. Oil on panel, sight size 25 x 19 in., framed. Condition: Craquelure, scattered retouch, not examined out of frame. $700-1,500

1006 Bruce Crane (American, 1857-1937) Pond in Autumn. Signed “BRUCE CRANE” l.l. Oil on canvas, 12 x 16 in., framed. Condition: Craquelure, minor surface grime. $800-1,200 1007 Eadweard Muybridge (British, 18301904) Two Plates from Animal Locomotion: Plate 47 (Nude Woman Walking and Turning) and Plate 92 (Nude Woman Turning and Ascending Stairs), 1887. Identified within the plates. Collotypes on paper, sheet sizes 19 x 24 in., unmatted, unframed. Condition: Minor discoloration and scattered losses at sheet edges. Provenance: Proceeds to benefit the Philadelphia Museum of Art. $800-1,200 1008 Anders Gustave Aldrin (American, 1889-1970) Shore Line, Rhode Island. Signed “Aldrin” l.r., inscribed, dated, and signed “Painted Wickford/Rhode Isl. 1945/A.G. Aldrin” on the reverse, titled on a gummed label and with the artist’s address label on the stretcher. Oil on canvas, 20 x 24 in., unframed. Condition: Craquelure, minor surface grime. $700-900 1009 Continental School, 20th Century Standing Figure. Unsigned. Bronze with red-brown patina mounted to a painted wood pedestal, height 25 in. Condition: Dust and dirt to interstices. $700-900

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1011 John (Giovanni) Califano (American/ Italian, 1864-1946) The Chicks. Signed “J. CALIFANO” l.l. Oil on canvas, 14 x 18 in., framed. Condition: Retouch u.l., not examined out of frame. $400-800 1012 David Schneuer (German, 19051988) Study for Comedienne. Signed “Schneuer” u.r., identified on a label from Har-El Printers & Publishers, North American Office, West Newton, Massachusetts, affixed to the frame backing paper. Mixed media possibly over intaglio, sight size 9 3/4 x 8 in., framed. Condition: Not examined out of frame. $600-800 1013 Frank Weston Benson (American, 1862-1951) Springing Teal, 1930, published state of 150 (Paff, 306). Signed “FrankWBenson.” in pencil l.l. Drypoint on Whatman paper, plate size 13 3/4 x 9 3/4 in., unmatted, unframed. Condition: Full margins with deckled edges on three sides, pencil annotations to lower margin, hinge remnants at top along top edge and l.l. Provenance: Descended within the family of the artist. $600-800 1014 Leonard Baskin (American, 19222000) Ars Anatomica, A Medical Fantasia. Folio with thirteen plates from drawings commissioned by Medicina Rara, Ltd. Signed “baskin” in pencil and numbered “63” in ink on the colophon page. Editions Medicina Rara, 1972, sheet sizes 22 x 15 1/4 in., in a clothbound boxed portfolio. Condition: Minor wear and fading to the slip case. $600-800

1020 Lloyd Kelly (American, b. 1946)

Children in a Winter Landscape. Signed and dated “C.S. Kasson 1869” l.l., with a label from Goupil’s, New York, on the stretcher. Oil on canvas, 9 x 12 in., framed. Condition: Craquelure, puncture u.l. repaired with tape on the reverse, surface grime. $600-800

Autumn Tree. Signed and dated “Lloyd Kelly 1987” l.l., signed, dated, and inscribed on the canvas tacking edge on the reverse, and with the artist’s label affixed to the back of the frame. Oil on canvas, 14 x 18 in., framed. Condition: Good.

1016 Adolf Sehring (American, 1930-2015)

Provenance: Skinner, Inc., American & European Paintings, November 22, 2002, Sale 2168, Lot 279. $700-900

Sisters. Signed “A. Sehring” l.l. Oil on canvas, 24 x 30 in., framed. Condition: Good. $700-900

1021 William McGregor Paxton (American, 1869-1941)

1017 Carle John Blenner (American, 18621952) Lilacs/Profile of a Woman. Unsigned, ascribed and titled on a label from the Salmagundi Club’s 1946 Special Annual Auction Sale Exhibition affixed to the frame on the reverse. Oil on canvas, 24 1/4 x 20 in., framed. Condition: Lined, craquelure, retouch, not examined out of frame. $700-900 1018 Stephen Bagnell (American, 19301996) Forrest Rider. Signed “Bagnell” u.l., titled, dated, and identified “...1966...” on the backing. Oil on Masonite, 48 x 31 3/4 in., framed. Condition: Minor surface grime. $800-1,000 1019 Boris Luban (Russian/American, 1881-1968) Industrial Port. Unsigned, ascribed and dated “...1935” on an unattributed label affixed to the reverse of the frame. Oil on panel, 11 1/2 x 17 3/4 in., framed. Condition: Heavy surface grime, vertical cracks to panel, small abrasions c.l., frame abrasions, pinholes to corners. $800-1,200

My Left Hand. Titled, signed, and dated “.../Wm.M. Paxton Dec. 1937” l.c., inscribed “Holmstad Cream” in ink u.l. corner (under the mat). Graphite and crayon on paper, 9 5/8 x 7 1/4 in., framed. Condition: Toning, minor rippling. N.B. Provenance inscribed on the frame backing “To F. Chester Durant from Frederick Garrison Hall, 1942.” $600-800 1022 David Schneuer (German, 19051988) Waiting. Signed “Schneuer” u.r., identified on a label from Har-El Printers & Publishers, North American Office, West Newton, Massachusetts, affixed to the frame backing paper. Mixed media possibly over intaglio, sight size 12 7/8 x 9 1/2 in., framed. Condition: Not examined out of frame. $600-800 1023 British School, 19th Century The Posey. Signed “James Johnson” l.r. Oil on canvas, 12 x 9 in., framed. Condition: Lined, retouch primarily to center and l.r., not examined out of frame. $400-800

1025 William Sommer (American, 18671949) Figures on a Beach. Signed “Wm Sommer” l.r., with a partial charcoal drawing of a female reclining nude on the reverse. Watercolor on paper, 9 1/4 x 15 in., unframed. Condition: Toning, pinholes to upper and lower edges, tape remnants to edges. $500-700 1026 Paul Cezanne (French, 1893-1906) Portrait du Peintre A. Guillaumin au Pendu, 1873, a posthumous impression. Unsigned. Etching on laid paper, plate size 6 1/8 x 4 1/2 in., matted, framed. Condition: Not examined out of frame. $500-700

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1015 Dutch School, 19th Century

1027 Richard Marshall Merkin (American, 1938-2009) Art and Perfume #3. Signed “Merkin” c.r., titled within the composition u.c., identified on a label from Obelisk Gallery, Boston, affixed to the frame backing. Collage and mixed media on paper, 28 1/2 x 32 1/2 in., framed. Condition: Toning, fading, and minor cockling, not examined out of frame. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $500-700 1028 Claes Oldenburg (American, b. 1929) Claes Oldenburg at Sidney Janis 1967, 1967. Signed and identified within the matrix. Color lithograph on paper, image size 22 1/8 x 27 1/4 in., framed. Condition: Minor pale staining, not examined out of frame. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $500-700 1029 Annie Leibovitz (American, b. 1949)

1024 Witman Etelka Vizkeleti (Hungarian, 1882-1962) Market Scene. Signed “Vizkeleti W.E.” l.r. Oil on canvas, 24 1/4 x 36 1/4 in., framed. Condition: Bulge and small paint loss to u.l., not examined out of frame. $400-800

Meryl Streep, New York. Titled, dated, numbered, and signed “...1986 25/40 Annie Leibovitz” in black ink on the recto below the image. Dye transfer print, image size 9 5/8 x 11 3/4 in., matted, framed. Condition: Not examined out of frame. Provenance: A private Maryland collection. $1,500-2,500

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1030 Mario Joseph Korbel (American, 1882-1954)

1035 Ida Bagus Made Pugug (Indonesian, 1919-2006)

1039 Kaarlo Armas Raunio (Finnish, 19111994)

Standing Female Nude. Inscribed, signed, and dated “MARIO KORBEL/1929 © No 11/R.B.W. N.Y.” in the bronze along the bottom edges, with a label from Graham Gallery, New York, taped to the underside of the plinth. Bronze with silver patina, height 5 1/2 in., on a stone plinth. Condition: Wear and discoloration to patina, dust and dirt to interstices. $800-1,200

Waterside Harvest and Celebration, Bali. Signed and inscribed “Id Bg Md Pugug/KETEWEL, BALI” l.r. Oil on canvasboard, 23 1/2 x 23 1/4 in., framed. Condition: Minor surface grime, scattered minor abrasions. $700-900

Urban Chaos, New York. Signed and dated “ARMAS RAUNIO/1970” l.l. Oil on canvas, 32 1/2 x 47 1/4 in., framed. Condition: Minor surface grime. $600-800

1031 Vladimir Lebedev (Russian/ American, 1910-1991) In the Night Garden. Unsigned, stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on artist board, 8 7/8 x 11 7/8 in., framed. Condition: Minor surface grime. $800-1,200 1032 European School, 19th Century Personification of Hope/Woman Holding an Anchor. Unsigned, inscribed faintly on a handwritten label on the stretcher. Oil on canvas, 54 x 40 in., in an elaborately carved frame. Condition: Craquelure, surface grime. $800-1,200

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1033 Harry Oliver Richardson (British, act. 1890-1897)

The Timber Wain. Signed and inscribed “H.O. Richardson/Rugby” l.l., titled on a label affixed to the stretcher. Oil on canvas, 24 x 36 in., framed. Condition: Lined, minor retouch, craquelure, surface grime. $500-1,000 1034 Eadweard Muybridge (British, 18301904) Two Plates from Animal Locomotion: Plate 77 (Nude Woman Walking Up a Ramp) and Plate 420 (Semi-Nude Woman Putting on Undergarments), 1887. Identified within the plates. Collotypes on paper, sheet sizes 19 x 24 in., unmatted, unframed. Condition: Minor losses at sheet edges. Provenance: Proceeds to benefit the Philadelphia Museum of Art. $700-900

1036 Charles O. Perry (American, 19292011) Regeneration, A Maquette/ Reproduction. Unsigned. Composite, height 1/2, width to 8 3/4 in. Condition: Two small chips/surface losses. N.B. In a 1998 letter to the family of the current owner from Charles O. Perry, the artist refers to this maquette as Allegro and says it is one of four copies. Perry’s original large-scale aluminum sculpture, Regeneration, dated 1999, stands 17 feet tall and is located at Zeimu University, Tokyo, Japan. (http:// www.charlesperry.com/sculpture/ regeneration). $600-800 1037 American School, 19th/20th Century Seascape. Signed “C.F.BAKER” l.l. Oil on canvas, 12 x 18 in., framed. Condition: Craquelure, stretcher marks, surface grime, not examined out of frame. $600-800 1038 Sandro Chia (Italian, b. 1946) Three Works: The Butcher, The Painter, and The Runner, 1981. Each signed “Sandro Chia/1981” in pencil l.r., The Painter and The Runner numbered “29/40” in pencil l.l., The Butcher numbered “26/40” in pencil l.l., identified on labels from the Obelisk Gallery, Boston, affixed to the backings. Etchings on paper, plate sizes 25 x 18 3/4 in., framed. Condition: Floated in frames, rippling to sheets at top and bottom, not examined out of frame. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $600-800

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1040 Robert MacPherson (Scottish, c. 1811-1872) Four Views of Rome, including the city from Monte Pincio, the Roman Forum, and the Old Protestant Cemetery with Pyramid of Caius Cestius, the English Burying Ground, and the Tomb of Shelley, 1850s. One with a “R. MACPHERSON” embossed stamp on the mount l.c., the other with inscribed locations. Albumen silver prints mounted to board, image/sheet sizes to 16 x 11 3/8 in., unmatted, unframed. Condition: Surface scuffs, scattered pinpoint fox marks on several, fading, mounts discolored and breaking at edges. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800 1041 Frank Weston Benson (American, 1862-1951) Morning Light, 1918, trial proof B-1 (Paff, 152). Signed “FrankWBenson.” in pencil l.l., with additional pencil annotations l.l. Etching on laid paper, plate size 7 7/8 x 9 7/8 in., unmatted, unframed. Condition: Hinge remnants on verso at upper corners, minor soiling. Provenance: Descended within the family of the artist. $600-800 1042 American School, 20th Century Seated Female Dancer. Initialed and numbered “WB 6/6” on the back of the sculpture. Bronze with brown patina, height 10 in., on a marble plinth. Condition: Dust and dirt to interstices, scattered oxidation. $600-800

1048 Auguste Rodin (French, 1840-1917)

Portrait of a Smiling Gentleman by a Stairway. Signed “L. Müller” l.r. Oil on canvas mounted to panel, 15 1/8 x 11 5/8 in., framed. Condition: Scattered minor dots of retouch, minor abrasion, signature possibly reinforced. $700-900

Henri Becque, 1883-87 (Delteil 9; Thorson 7). Dedicated and signed “en hommage a Madame Marchesi A. Rodin” in pencil in the lower margin, initialed within the plate, stamped “COLLECTION CROSS” on the verso. Drypoint on paper, plate size 6 1/4 x 8 in., matted, unframed. Condition: Deckled edges, holes/losses, foxing, rippling, affixed to window mat with masking tape.

1044 Attributed to Helen Pierson (American, d. 1998) City Waterway and Bridge. Signed “Pierson” l.r. Oil on canvas stretched over Masonite, 14 3/4 x 18 5/8 in., framed. Condition: Minor surface abrasions, surface grime. $700-900 1045 John Templeton Lucas (British, 1836-1880) The Shopkeeper. Signed and dated “J.T.Lucas. 1873.” l.l., with a label from Jays, Fine Art Dealers, Southport, United Kingdom, affixed to the reverse of the frame. Oil on canvas, 20 x 16 in., framed. Condition: Wax lined, fine craquelure, retouch, not examined out of frame. $500-900 1046 Continental School, 19th Century The Pink Shawl. Monogrammed indistinctly l.r. Oil on canvas, 8 x 6 in., framed. Condition: Craquelure to center, surface grime, not examined out of frame. $700-900 1047 Eadweard Muybridge (British, 18301904) Two Plates from Animal Locomotion: Plate 89 (Nude Male Ascending Stairs) and Plate 92 (Nude Female Ascending Stairs), 1887. Identified within the plates. Collotypes on paper, sheet sizes 19 x 24 in., unmatted, unframed. Condition: Minor discoloration and scattered minor losses at sheet edges. Provenance: Proceeds to benefit the Philadelphia Museum of Art. $700-900

1052 Noel Rockmore (American, 19281995) Four Framed Works on Paper: Study of Bill Russell from Life, Taffe’s Patio, Untitled Cafe View, and The World of Noel Rockmore. All signed “Rockmore” l.r. or l.l., all but Cafe titled and/or dedicated on the sheets. Patio and Cafe ink and watercolor, Russell watercolor, World lithograph. Sight sizes to 19 3/4 x 15 in. Condition: Not examined out of frames. $300-500

N.B. The name in the dedication may refer to Mathilde Marchesi, a German mezzo-soprano and famous voice instructor (1821-1913). $800-1,200

1053 Émile Sabouraud (French, 19001996)

1049 John Konstantin Hansegger (Swiss, 1908-1989)

Summer by the Sea. Signed “Sabouraud” l.c. Oil on canvas, 23 1/2 x 28 3/4 in., framed. Condition: Minor canvas rippling to corners.

Poésie. Signed “Hansegger” l.r., titled on the reverse and on a typed label affixed to the reverse. Oil on panel, 25 3/8 x 19 5/8 in., framed. Condition: Scattered retouch, surface grime.

Provenance: Skinner, Inc., American & European Paintings & Prints, March 17, 1995, Sale 1635, Lot 303. $300-500

N.B. The typed label on the reverse gives the artist’s address as Zurich, which would date the work to before 1948, the year that the artist settled permanently in the United States. After staring his career in Switzerland c. 1928, the artist lived abroad in Munich and Paris from 1933 to 1942, then returned to his native Switzerland in 1942. $800-1,200

1054 Dennis Ainsley (American, 18801952)

1050 Pierre-Auguste Renoir (French, 1841-1919) Baigneuse debout, a mi-jambes, c. 1910, possibly a posthumous impression (Stella, 23). Unsigned. Etching on paper, plate size 6 5/8 x 4 3/8 in., framed. Condition: Gentle toning, unobtrusive mat burn, not examined out of frame. $800-1,200

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1043 Austrian School, 19th/20th Century

Village Square Market. Signed “Dennis Ainsley” l.l. Oil on canvasboard, 8 x 10 in., framed. Condition: Surface grime. $300-500 1055 Leonard Edmondson (American, 1916-2002) Three Abstract Watercolors, 1998-99. Each signed and dated “Edmondson...” in ink l.r. or l.c. Watercolor and ink on paper, sight sizes to 8 3/4 x 13 5/8 in., matted, framed. Condition: Not examined out of frames. $200-400 1056 American School, 20th Century

1051 Mabel King (American, 20th Century) Two Prints: Hillside Patterns, Taxco and Moonlight Panorama, Taxco. Both signed “Mabel King” in pencil l.r. and titled in pencil l.l. Color pochoir on paper, sight sizes to 10 x 7 3/4 in., framed. Condition: Not examined out of frames. $200-250

Sailboat at Harbor. Signed indistinctly l.l. Oil on panel, 7 3/4 x 10 in., framed. Condition: Scattered retouch primarily to u.l. quadrant, minor abrasions to edges. $700-900

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1057 Albert Edouard Chazalviel (French, 19th/20th Century)

1062 Robert Ward Van Boskerck (American, 1855-1932)

1066 Manner of Giovanni Paolo Panini (Italian, 1691-1765)

Tree Trunk. Signed “a. Chazalviel” l.r. Gouache on paper, 13 3/4 x 10 7/8 in., framed. Condition: Sheet hinged to window mat at upper edge, right edge of sheet deckled, adhesive residue to upper edge on the reverse. $400-600

Near the Salt Pond, Wakefield, Rhode Island. Signed “R.W.vonBoskerck” l.l., ascribed and titled on a handwritten label and on a label from Joseph Sartor Galleries, Dallas, Texas, both affixed to the stretcher. Oil on canvas, 18 1/8 x 23 7/8 in., framed. Condition: Craquelure, surface grime, not examined out of frame. $800-1,200

Harbor Capriccio. Unsigned. Oil on canvas, 27 1/2 x 39 1/4 in., framed. Condition: Lined, retouch, craquelure, subtle canvas deformation, surface grime. $200-250

1058 Adolf (Adi) Adler (Israeli, 1917-1996) Klezmer Band. Signed in Hebrew l.r., with a partial label from S.B.H. Pucker Safrai on the stretcher. Oil on canvas, 11 x 14 in., framed. Condition: Varnish discoloration, minor surface grime. $200-300 1059 Alexander Raymond Katz (American, 1895-1974) Hasidic Dance. Signed “A.R.Katz” l.l., titled in an inscription on the frame backing. Oil on artist board, sight size 9 1/4 x 11 1/4 in., framed. Condition: Surface grime. $250-350

1063 Édouard Baldus (French, 1813-1889) Les Remparts à Avignon, 1856, printed 1860s. Signed “E. Baldus” in the negative l.r., titled in the negative l.l. Albumen silver print mounted to board, image size 5 7/8 x 8 1/4 in., unmatted, unframed. Condition: Faded, ink marks in the area of the sky, discolored mount with losses and tears along the u.l. edge. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800

1067 Charles Livingston Bull (American, 1874-1932) Porcupine and Rabbits. Signed “CHARLES LIVINGSToN BULL.” c.l. Charcoal and ink on paper, sight size 16 1/2 x 14 in., framed. Condition: Toning, not examined out of frame. $300-500 1068 American School, 20th Century Surrealist Composition. Signed indistinctly and dated “...low...61” l.r. Gouache on paper, sight size 37 1/8 x 25 3/4 in., framed. Condition: Not examined out of frame. $250-350 1069 Joel Meyerowitz (American, b. 1938)

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1060 David Evans (British, b. 1895)

One Day at Heslington. Signed or inscribed “David Evans” on the stretcher, titled on an envelope and note affixed to the backing board. Oil on canvas, 24 x 24 in., unframed. Condition: Craquelure with paint losses and flaking to c.l. edge, scattered areas of stable craquelure, minor surface grime. Provenance: Skinner, Inc., American & European Paintings & Prints, November 14, 2008, Sale 2432, Lot 187. $300-500 1061 Harold E. “Doc” Edgerton (American, 1903-1990) Swirls and Eddies of a Tennis Stroke, 1939, printed later. Signed “HAROLD EDGERTON” in pencil on the verso l.c., inscribed “82.0020” in pencil on the verso l.r. Gelatin silver print, image size 15 7/8 x 21 3/4 in., matted, framed. Condition: Crimp c.r. Provenance: Skinner, Inc., Sale 2309, February 16, 2006. $500-700

1064 Attributed to William M. Rittase (American, 1894-1968) Photomontage with Smokestack. Unsigned. Gelatin silver print, image size 9 1/2 x 7 5/8 in., matted, unframed. Condition: Minor creasing, an “X” inscribed in black ink in the image u.l. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $300-500 1065 John Delulio (American, 20th Century) Ten Abstract Works on Paper: Six Serigraphs and Four Mixed Media Works. Serigraphs all signed and dated “John Delulio ‘70” l.r., marked “artist proof” l.l., mixed media works all signed “John Delulio” u.r. or l.r., three dated “”75” and one dated “’78” after the signature, three titled on the back of the mats. Sizes to 18 x 14 in., mixed media works matted, serigraphs unmatted. Condition: Good. $400-600

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Cold Storage Beach, Cape Cod. Titled, dated, and signed “...1976 Joel Meyerowitz” in black ink on the verso l.l. Chromogenic print, image size 7 1/2 x 9 1/2 in., matted, unframed. Condition: Subtle fading. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800 1070 Achille Quinet (French, 1831-1900) Ruins of the Ministry of Finance, Paris Commune, 1871. Stamped “Achille Quinet” in red ink on the mount l.r., numbered “29” in the negative l.r. Albumen silver print mounted to paper, image/sheet size 7 5/8 x 9 3/4 in., matted, unframed. Condition: Faded, foxing and discoloration on the mount. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $100-200

Nude Figure. Signed “DUNSMORE 2/5” at the back of the base. Bronzed plaster, on wooden base, height 34 1/4 in. Condition: Dust to interstices. $300-500 1072 After Carl Kauba (Austrian, 18651922) Cavalryman and Horse on a Perilous Descent. Inscribed “C. Kauba” in the bronze l.c. Bronze with brown patina, height approximately 26 5/8 in., on a red stone plinth. Condition: Dust and dirt to interstices. Provenance: The collection of Dr. Howard P. Diamond, M.D., New York, a prominent nasal plastic surgeon. $400-600 1073 Leonard Baskin (American, 19222000) Four Bronze Bas-Reliefs: Andromache, Apollo, Icarus, and Minotaur. All signed “Baskin” and titled in the bronze l.c., Icarus dated “1968” l.c., all stamped with the edition number “40/25” followed by the individual title and “...-LEONARD BASKIN-1969” on the reverse. Bronze with light brown patina, diameters approximately 6 3/4 in., with hanging loop attached to the reverse. Condition: Minor color variation to surfaces. $400-600 1074 Anne Rogers Minor (American, 1864-1947) Coastal Landscape. Signed “Anne Rogers Minor” l.r. Oil on canvas, 22 x 30 in., framed. Condition: Craquelure, surface grime. $300-500 1075 William Edward Norton and Studio (American, 1843-1916) Maple Sugaring. Signed “W.E. Norton/Atelier” l.l., identified on a label from Corporate Curators, Washington, D.C., and Hartford, Connecticut, and on an unattributed computer label, both affixed to the frame backing. Oil on canvas, 16 x 20 in., framed. Condition: Lined, retouch, minor surface grime. $300-500

1076 Douglas Taylor (American, b. 1956) Morning Solitude. Signed “Douglas Taylor” l.l., identified on a label from Art Resources Associates, Inc., South Hamilton, Massachusetts, affixed to the frame backing and on an unattributed computer label on the frame. Oil on canvas, 16 x 20 in., framed. Condition: Varnish inconsistencies. $300-500 1077 Attributed to Edward Harrison May (British, 1824-1887) Young Italian Peasant in a Plumed Hat. Signed and dated indistinctly “MAY./61” l.r., inscribed “R.C. Vose/1929” on the reverse. Oil on canvas, 39 1/2 x 32 in., framed. Condition: Lined, retouch, craquelure, surface grime. $300-500 1078 Russian School, 21st Century Landscape with Pond. Signed and dated in Cyrillic “...2006” on the reverse. Oil on canvas, 13 3/4 x 19 1/2 in., framed. Condition: Minor craquelure and small loss u.l., not examined out of frame. $600-800 1079 Claude Venard (French, 1913-1999) Still Life with Guitar. Signed “C Venard” in pencil l.r., inscribed and numbered “.../70” in pencil l.l. Lithograph on paper, image size 20 1/2 x 16 1/2 in., framed. Condition: Minor toning, not examined out of frame. $250-350 1080 Eadweard Muybridge (British, 18301904) Plate 696 (Trotting Eland), from Animal Locomotion, 1887. Identified within the plate. Collotype on paper, sheet size 19 x 24 in., unmatted, unframed. Condition: Loss at l.r. corner, break at u.l. corner. Provenance: Proceeds to benefit the Philadelphia Museum of Art. $200-300

1081 Eadweard Muybridge (British, 18301904) Plate 759 (Flying Cockatoo), from Animal Locomotion, 1887. Identified within the plate. Collotype on paper, sheet size 19 x 24 in., unmatted, unframed. Condition: Foxing. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $600-800 1082 Eadweard Muybridge (British, 18301904) Plate 473 (Woman Putting on Boots), from Animal Locomotion, 1887. Identified within the plate. Collotype on paper, sheet size 19 x 24 in., unmatted, unframed. Condition: Foxing, minor discoloration at sheet edges, break in margin c.r.

Studio Art—online

1071 Lee Dunsmore (American, 20th/21st Century)

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $200-300 1083 Denny Moers (American, b. 1953) Wall #2, c. 1978. Signed “Denny Moers” in pencil on the mount l.r. Gelatin silver “monoprint” mounted to board, image/sheet size 13 7/8 x 12 3/8 in., matted, unframed. Condition: Good. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $300-500 1084 Aaron Fink (American, b. 1955) Two Small Paintings of Coffee Cups in Yellow and Black. Yellow dedicated, signed, and dated “For Joan + Roger, Love Aaron Fink ‘83” in pencil below the image, Black unsigned on the recto. Yellow watercolor and gouache on paper and Black acrylic on paper, sheet sizes to 5 1/2 x 8 in., framed. Condition: Both floated in frames, not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $100-200

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1085 Aaron Fink (American, b. 1955) Five Works Depicting Fruit and Vegetables, 1983-93. All initialed or signed and dated l.r. or on the verso, four dedicated to “Joan” or “JS” l.l. or on the verso, two identified on labels from the Obelisk Gallery, Boston, affixed to the backing. Four oil on paper, one woodblock print, sheet sizes to 11 3/4 x 9 7/8 in., framed. Condition: All floated in frames, not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $300-500 1086 Aaron Fink (American, b. 1955) Three Works on Paper, 1990-96. Signed or initialed and dated l.r., two dedicated “For Joan, With Love” or “For Joan + Roger, With Love” l.l. Watercolors and mixed media on paper, sheet sizes to 8 7/8 x 11 7/8 in., framed. Condition: All floated in frames, not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $200-300

Studio Art—online

1087 Aaron Fink (American, b. 1955)

Two Peanut Paintings, 1980. One signed and dated “Aaron Fink...” l.r., both identified on labels from the Obelisk Gallery, Boston, affixed to the backing. Paintstick and pigment on paper, sheet sizes 10 7/8 x 14 7/8 in., framed. Condition: Floated in frames, not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $150-250 1088 Reynolds Beal (American, 18661951) Governor’s Island, Boston Harbor 1885. Initialed “R.B.” l.r., identified on a label from Vose Galleries of Boston affixed to the frame backing paper. Watercolor on paper, 5 1/2 x 10 in., framed. Condition: Sheet is hinged to back mat with the edges visible, not examined out of frame. $300-500

1089 Leighton Cram (American, 18951981) Two Landscapes: Rolling Hills and Wharf Scene. Unsigned. Oil on canvasboard, sizes to 16 x 20 in., unframed. Condition: Both with surface grime, one with accretion u.r. $150-250 1090 Leighton Cram (American, 18951981)

1094 Françoise Deberdt (French, b. 1934) Seven Fanciful Prints. Each signed “Deberdt” in pencil l.r. and numbered “16/100” in pencil l.l. Color etchings on paper, plate sizes to 14 3/8 x 18 1/2 in., matted, framed. Condition: Not examined out of frames. $200-300 1095 Aaron Fink (American, b. 1955)

Two Landscapes: Rolling Hills and Boat at Dock. Unsigned. Oil on canvasboard, 16 x 20 in., unframed. Condition: Both with surface grime, one with substantial paint loss to lower half. $150-250

Two Works on Paper: Rose and Light Bulb, 2000 and 1998, respectively. Both signed and dated “Aaron Fink...” l.r., both dedicated “For Joan...” l.l. Watercolors on paper, sheet sizes to 7 7/8 x 5 5/8 in., framed. Condition: Floated in frames, not examined out of frames.

1091 Guy Charon (French, b. 1927)

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $150-250

Hillside Landscape. Signed “CHARON” l.r., with a label from Galerie Stiébel, Paris, France, affixed to the reverse. Oil on canvas, 18 1/2 x 22 in., framed. Condition: Drying cracks, cupping, surface grime, not examined out of frame. $500-700 1092 Robert Philipp (American, 18951981) Portrait of a Young Girl. Signed “Philipp” u.r., ascribed and dated “...1960” on the reverse. Oil on canvas, 9 x 10 in., framed. Condition: Scattered small abrasions, not examined out of frame. $600-800 1093 Adolf Arthur Dehn (American, 18951968) Hindu Bull and Beggars, 1962. Signed “Adolf Dehn” in pencil l.r., numbered “5/15” in pencil l.l. Lithograph on paper, sight size 14 1/8 x 18 3/8 in., matted, framed. Condition: Subtle mat burn, possible toning, not examined out of frame. $150-250

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1096 Aaron Fink (American, b. 1955) Three Works on Paper, c. 1987-94. Two signed and dated “Aaron Fink...” l.r. and dedicated “For Joan...” l.l., the third inscribed “Happy Birthday/Roger,/ Best Wishes,/Anne and Aaron” on the verso. Watercolor and mixed media on paper, sheet sizes to 7 x 10 1/8 in., framed. Condition: Floated in frames, not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $200-300 1097 Aaron Fink (American, b. 1955) Portrait of a Man in Orange. Signed, dated, and dedicated “AARON/ FINK/1986/FOR/JOAN +/ROGER” on the reverse. Oil on canvas, 12 x 10 in., unframed. Condition: Good. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $100-150 1098 Leighton Cram (American, 18951981) Two Works: Still Life and Landscape. One signed “CRAM” l.r. Oil on canvasboard, sizes to 14 x 18 in., unframed. Condition: Surface grime, minor abrasions to edges. $150-250

1103 Attributed to Samuel Haydon Sexton (American, 1813-1890)

Two Landscapes: Rolling Hills and Wharf Scene. Unsigned. Oil on canvasboard, sizes to 18 x 20 in., unframed. Condition: Surface grime, one with scattered paint losses. $150-250

View on the Mohawk River. Unsigned, identified, titled, and dated “...1842” on a handwritten card affixed to the backing. Oil on canvas, 24 x 28 in., framed. Condition: Craquelure. $2,000-3,000

1100 Don Johnson (American, 20th Century)

1104 Michael Sessions (American, b. 1948)

Out West Is a Place to Store Western Heroes. Signed “Don Johnson 1976” on the reverse, titled on a label from Ellie Blankfort Gallery, Los Angeles, California, affixed to the reverse. Mixed media, 17 x 24 x 9 in. Condition: Dust and dirt.

Torso of a Woman. Unsigned. Gouache on matboard, 24 1/4 x 22 3/8 in., unmatted, unframed. Condition: Good. $200-300

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $300-600 1101 Trompe L’Oeil Paintbrush Sculpture, possibly France, late 20th century, ceramic base glazed glossy white to replicate a spill of paint, with a brush with bristles carved from wood and painted yellow, the ferrule and handle multicolored, ferrule marked “INOX,” ht. 10 1/4, lg. 35 in. $300-500 1102 Stanley Wingate Woodward (American, 1890-1970) Clearing Storm #1. Signed “Stanley Woodward, A.W.S” l.r., identified on labels from Doll & Richards, Inc., Boston, and from the American Watercolor Society (see below), affixed to the frame backing paper. Watercolor on paper/board, sight size 21 x 29 in., framed. Condition: Not examined out of frame. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. The label on the frame backing paper suggests that this work was included in the American Watercolor Society Eighty-Eighth Annual Exhibition, National Academy Galleries, New York, 1955. $300-500

1105 Guy Salomon (Swiss, b. 1934) Two Figural Works on Paper: Figures Around a Table and Study of Three Nudes. Nudes initialed and dated “G-S/85” l.l., watercolor; Table signed “Guy Salomon” l.r., pastel. Sizes to 23 1/32 x 31 3/8 in., both matted, unframed. Condition: Table with toning and wear to edges, Nudes not examined out of mat. $300-500 1106 American School, 19th/20th Century Autumn Landscape with Quiet River. Unsigned. Oil on academy board, 8 x 10 in., framed. Condition: Fine craquelure. $200-300 1107 American School, 20th Century Landscape with Dirt Road and Toll House. Unsigned. Oil on canvas, 9 1/2 x 12 in., framed. Condition: Paint losses, craquelure with areas of flaking, minor surface grime. $200-400 1108 Will Hicok Low (American, 18531932) Pointe du Corbeau, Locquirec, Bretagne. Signed and dated “WILL H LOW 1909” l.l., titled, signed, and dated in an inscription on the reverse. Oil on panel, 8 1/2 x 10 3/4 in., framed. Condition: Slight varnish discoloration, surface grime, frame abrasions. $600-800

1109 American School, 20th Century Three Academic Male Nude Figure Studies. Each signed “E Rantz” l.r. Charcoal on laid paper with Lalanne watermark, sheet sizes to 24 3/4 x 18 3/4 in., framed. Condition: Minor soiling, rippling, tack holes to corners, one with tears along upper edge, one with creasing, sandwiched between glass without mats, not examined out of frames. $500-700 1110 Charles E. Hannaford (British, 18631955) Two Scottish Mountain and Stream Views. One signed, inscribed, and dated “Hannaford/.../Isle of Skye Scotland/1944” l.l. Watercolors on paper, sight sizes to 17 x 26 3/4 in., framed. Condition: Not examined out of frames. $300-400

Studio Art—online

1099 Leighton Cram (American, 18951981)

1111 Henri Delcambre (French, 19112003) Seated Nude. Signed “HDelcambre” l.r. Ink on paper, 12 5/8 x 9 7/8 in., framed. Condition: Sheet affixed to backing board at corners on the reverse, toning, small nick to edge l.l., small tear c.r., minor handling creases to corners. $300-500 1112 Nicholas Berger (American, b. 1949) Steadfast, Harrisonburg, VA. Titled, signed and dated “.../Nicholas Berger 88” l.l. Watercolor on paper, sight size 17 1/2 x 32 in., framed. Condition: Foxing, not examined out of frame. $600-800 1113 Howard Ellis (American, 1883-1962) Double-sided Painting on Board: Beached Dinghies and Landscape in Color. Dinghies signed “H. Ellis” l.r. Oil on board, 16 x 20 in., framed. Condition: Minor surface grime. $500-700

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1114 Al (Albert) Hirschfeld (American, 1903-2003)

1119 Pleasant Ray McIntosh (American, 1897-1985)

1124 Valerie Jesraly Seligsohn (American, 1942-2012)

Movieland, 1954. Signed “HIRSCHFELD” in pencil l.r., numbered “119/250” in pencil l.l., a certificate of authenticity from Allstate Art Inc. affixed to the backing. Lithograph on paper, image size 13 x 20 1/2 in., matted, framed. Condition: Not examined out of frame. $1,000-1,500

Construction Yard. Signed “PR Mc” l.r., titled on a label attached to the reverse. Acrylic and sawdust on canvas, 39 1/2 x 48 in., framed. Condition: Surface grime and dust, cracking u.r., small losses to impasto throughout, canvas fraying at l.l. corner. $800-1,200

Night Fall in Paget. Signed and dated “Valerie Seligsohn 1980” l.r., titled l.l., with a label from McCleaf Gallery, Philadelphia, Pennsylvania, affixed to the frame backing. Gouache on paper, sight size 17 1/4 x 22 3/4 in., framed. Condition: Not examined out of frame.

1115 Al (Albert) Hirschfeld (American, 1903-2003) Groucho, 1983. Signed “HIRSCHFELD” in pencil l.r., numbered “122/200” in pencil l.l., a certificate of authenticity from Allstate Art Inc. affixed to the backing. Etching on paper, plate size 12 1/2 x 9 3/4 in., matted, framed. Condition: Not examined out of frame. $500-700 1116 St. Julian Fishburne (American, 1927-2011) Reclining Nude. Signed and dated “St Julian Fishburne 79” l.r. Pencil and charcoal on paper, sight size 6 1/4 x 9 in., framed. Condition: Foxing to l.l. quadrant, not examined out of frame. $200-300

Studio Art—online

1117 Daniel Sabater y Salabert (Spanish, 1888-1951)

Hopeless Love. Signed “D. Sabater” l.r., inscribed “CE QUE VOUS M’AVEZ CONTÉ/DE L’HOMME C’EST RIGOLO” l.l., signed, inscribed, and dated “Daniel Sabater/de Valencia (Espana)/ Paris/1941/B... Montparnasse/52” on the reverse, titled on a modern auction label affixed to the stretcher and frame. Oil on canvas, 28 1/2 x 39 1/4 in., framed. Condition: Retouch, craquelure, surface grime. $800-1,200 1118 American School, 20th Century Study for Enigma & Variation II. Signed and dated “© 88/Romney/JAS” u.l., titled on the canvas tacking edge on the reverse. Oil on canvas, 41 x 30 in., framed. Condition: Minor water staining to the tacking edge of the reverse that does not appear to affect the painted surface. $300-400

1120 Continental School, 20th Century Beach Sunset. Unsigned. Oil on canvas, 11 3/4 x 17 5/8 in., framed. Condition: Surface grime. $500-700 1121 John Fulleylove (British, 1845-1908) The Village. Monogram signature and date “JFulleylove. 1885.” l.r., identified and titled on a label from The Fine Art Society, Ltd., London, affixed to the stretcher and frame. Oil on canvas, 13 1/2 x 19 1/2 in., framed. Condition: Scattered minor retouch, minor surface grime. $400-600 1122 American School, 20th Century Modernist Lakeshore View in Summer. Unsigned, with a label from Gil Golde Studio, Great Neck, New York, on the frame backing paper. Gouache on paper, sight size 8 x 12 3/8 in., framed. Condition: Framed directly against the glass, not examined out of frame. N.B. Gil Golde was a painter, sculptor, and photographer who trained at the National Academy of Design and the Art Students League. From the mid-1940s to the mid-1970s, he operated a store in Great Neck, Long Island, focusing on custom framing, art supplies, and the sale of original art, his own and that of other artists. $400-600 1123 Charles Herbert Woodbury (American, 1864-1940) Oil Sketch: Figures in the Dunes. Signed “Woodbury” l.l. Oil on canvas mounted to paperboard, 8 x 10 in., framed. Condition: Surface grime. $700-900

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Provenance: A private Florida collection. $300-500 1125 Stephen Bagnell (American, 19301996) Vase with Large Flowers. Signed “Bagnell” l.l., titled and dated “...1967” on the reverse. Oil on Masonite, 19 3/4 x 15 3/4 in., framed. Condition: Minor surface grime. $500-700 1126 Paul Heroux (American, 20th/21st Century) Untitled (For Joan and Roger), edition of 15. Dedicated, signed, numbered, and dated “...Paul Heroux 4/15 1991” in pencil l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Etching on paper, plate size 23 1/2 x 17 1/4 in., framed. Condition: Deckled at left and right edges, floated in frame, not examined out of frame. $75-100 1127 Claes Oldenburg (American, b. 1929) Claes Oldenburg Object into Monument, Art Institute of Chicago..., 1973. Dedicated and signed “To Joan + Roger Oldenburg” in pencil l.l., identified within the matrix. Offset lithographic poster, 38 x 24 3/4 in., framed. Condition: Floated in frame, subtle discoloration at edges, tear u.l. corner, not examined out of frame. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $200-400

Wilderness Rapids. Unsigned, identified on a typed label affixed to the frame backing. Oil on canvas, 26 x 36 in., framed (mounted with spandrels). Condition: Retouch, craquelure, surface grime. N.B. There is the suggestion of a single “A” located in the foreground water, just right of center. $400-600 1129 American School, 19th/20th Century White Mountains/View Near Conway Valley, New Hampshire. Signed or inscribed and titled “MEADE, J./WHT MOUNTAINS/...” on the stretcher, further identified on a typed label affixed to the frame backing. Oil on canvas, 24 x 36 in., framed. Condition: Strip lined, patch reinforcements, retouch, craquelure. $400-600

1134 Adolf Sehring (American, 1930-2015) Summer Day with Robins and Daisies. Signed “A. Sehring” l.r. Oil on board, 30 x 40 in., framed. Condition: Good. $500-700 1135 Albert Pierre Roberti (Belgian, 18111864) Between Customers. Monogram signature “...Roberti” l.r. Watercolor on paper, sight size 7 5/8 x 9 5/8 in., framed. Condition: Approx. 3/8 inch puncture to u.r. quadrant, not examined out of frame. $700-1,200 1136 Frederick Porter Vinton (American, 1846-1911) Moonlit Sail. Signed “Vinton” l.r. Pastel on paper, sight size 19 1/2 x 23 1/2 in., framed. Condition: Not examined out of frame. $400-800

1130 American School, 20th Century Yellow Interior with Standing Nude. Unsigned. Oil on wood panel, 19 3/4 x 23 7/8 in., framed. Condition: Good. $400-600 1131 French School, 19th Century The Peacocks. Signed “J. DuBois” l.r. Oil on canvas, 17 1/2 x 23 in., framed. Condition: Fine craquelure, small puncture u.r., not examined out of frame. $700-1,500 1132 Spanish School, 19th Century The Tryst. Signed “A.Perez” l.r. Watercolor on paper, sight size 12 1/2 x 7 7/8 in., framed. Condition: Foxing, toning, accretion u.r. (possibly adhesive residue), not examined out of frame. $800-1,500 1133 Moore Smith (American, 1890-?) Forest Stream in Winter. Signed “--MOORE--/--SMITH--” l.r. Oil on canvas, 36 x 44 in., framed. Condition: Minor surface grime, craquelure, scattered minor losses, two patch repairs on the reverse. $800-1,200

1137 Louis Orr (American, 1879-1961) Pont Royale, Paris. Signed “Louis Orr” l.r. Charcoal and pastel on paper, sight size 12 x 15 1/2 in., framed. Condition: Not examined out of frame. $200-300 1138 Bernard Chaet (American, 19242012) Radishes. Signed “CHAET” u.r., dated, titled, and signed “74...chaet” on the stretcher. Oil on canvas, 13 x 13 7/8 in., framed. Condition: Craquelure to l.l. quadrant. $400-600 1138A Fernand Pierre (Haitian, 1919-2002) Zebras. Signed l.r. Acrylic on Masonite, framed. Provenance: Gift from Mrs. Paul Mellon, through Hôpital Albert Schweitzer Haiti, founded by Larry Mellon, to the family of the current owner. $1,000-1,500

1139 John K. Wilson (American, 20th Century) Windy Fall Landscape. Signed and dated “John K. Wilson 1966” l.r. Acrylic on board, 19 3/4 x 29 3/4 in., framed. Condition: Good. $300-500 1140 Henry Martin Gasser (American, 1909-1981) Sailing Away. Signed “H. GASSER” l.r. Watercolor on paper, sight size 8 x 6 1/8 in., framed. Condition: Not examined out of frame. $400-600 1141 Everett S. Ward (American, 19111994)

Studio Art—online

1128 Attributed to Ambrose Andrews (American, 1805-1859)

Keeping Watch, Spanish Civil War. Signed “Everett S. Ward” l.l. Oil on canvas, 24 3/4 x 40 in., unframed. Condition: Scattered losses, possible varnish drops and discoloration, tear c.r. $500-700 1142 Denny Moers (American, b. 1953) Stairwell Descent. Signed and dated “Denny Moers 77” in graphite on the mount l.r. Gelatin silver print mounted to board, image/sheet size 13 3/8 x 13 1/2 in., framed. Condition: Not examined out of frame. Provenance: Acquired from the artist by the current owner. $300-500 1143 Moritz Stifter (Austrian, 1857-1905) The Suitor. Signed and dated “mStifter/1895” l.r. Oil on panel, 10 1/4 x 8 1/4 in., framed. Condition: Abrasions l.l., l.c., and l.r., frame abrasions, adhesive residue to the reverse, not examined out of frame. $700-1,500 1144 Hillary Osborn (American, b. 1965) The Frozen Inlet, Buzzards Bay, Massachusetts. Signed “osborn” l.r., titled and identified “...H. Osborn” in pencil on the stretcher bar u.r. Oil on canvas, 18 x 24 in., unframed. Condition: Good. $600-800

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1145 Peter Hutchinson (British, b. 1930)

1150 American School, 20th Century

1156 British School, 20th Century

Pyrenees Interrogative, Mountain Grammar Series. Signed and dated “Peter Hutchinson/1985” in black ink on the recto l.r. Photocollage with chromogenic prints and mixed media mounted to board, image size 13 1/2 x 11 1/2 in., framed. Condition: Not examined out of frame.

Red Abstraction. Signed “WOLFE” l.r. Oil on canvas, 37 3/4 x 31 1/2 in., framed. Condition: Surface grime. $400-600

Park Fountain. Signed indistinctly l.l., with a label from Hollywood Road Gallery, Chelsea, London, affixed to the reverse. Oil on canvasboard, 19 3/4 x 15 7/8 in., framed. Condition: Frame abrasions, small paint loss to u.r., warping to canvasboard. $700-900

Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $1,000-1,500 1146 Attributed to Edward Estlin (E.E.) Cummings (American, 1894-1962) Nude. Unsigned, titled on the reverse, with a stamp from La Grande Maison de Blanc, Paris, France, on the reverse. Oil on paperboard, 19 x 13 in., framed. Condition: Heavy surface grime, frame abrasions, horizontal crease to upper quadrant, tape and adhesive residue to the reverse. $400-600 1147 Charles Herbert Woodbury (American, 1864-1940)

Studio Art—online

Two Water Scenes. Each signed “Charles H. Woodbury” in pencil l.l., monogrammed “CHW” within the matrix. Etchings on paper, plate sizes 8 3/4 x 10 7/8 in., framed. Condition: Mat burn, possible toning, not examined out of frames. $200-300

1151 George Marinko (American, 19081989) Village Scene with Buildings and Figures. Signed “MARINKO” l.r. Watercolor on paper, sight size 10 3/4 x 14 5/8 in., framed. Condition: Not examined out of frame. $300-500 1152 Tracy W. Hambley (American, b. 1959) Study for Spring Break. Signed and dated “Tracy W. Hambley ‘89” l.r., titled l.l. Shadow box assemblage, 23 x 23 x 2 1/2 in., framed. Condition: Two pale stains to matboard surface, scuffing to the right side of the frame. $400-600 1153 Marc Chagall (Russian/French, 1887-1985) The Green Acrobat, from Derrière le Miroir, 1979. Signed in the matrix l.r. Color lithograph on paper, sight size 12 1/2 x 8 5/8 in., matted, framed. Condition: Not examined out of frame. $200-300

1148 Marie Paneth (Austrian/American, 1895-1986)

1154 Alexander Calder (American, 18981976)

#22. Jug. 1959. Monogram signature l.r., titled on a label from Albert Landry Galleries, New York, affixed to the reverse. Oil and gold leaf on canvasboard, 25 1/2 x 19 1/2 in., framed. Condition: Heavy surface grime, frame abrasions. $300-500

Stabile with White Foot, from Derriere le Miroir 141, 1963. Unsigned. Color lithograph on paper, sheet size 14 3/4 x 10 7/8 in., matted, framed. Condition: 1/2 inch tear in margin u.l., old masking tape repair and hinge on verso along top edge. $300-500

1149 Bela Bauer (American, 20th Century) Floral Still Life. Signed “Bauer” l.r. Oil on canvas, 14 x 11 in., framed. Condition: Minor surface grime. $250-350

1155 Continental School, Early 20th Century San Gimignano. Unsigned, inscribed and dated indistinctly “San Gimignano/14...” l.l. Oil on paper/ board, sight size 9 x 11 1/2 in., framed (under glass). Condition: Not examined out of frame. $400-600

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1157 Robert Watson (American, 19232004) Mystic Harbor. Signed and dated “RWATSON 69” l.r., titled in an inscription on the reverse. Oil on canvas, 12 x 20 in., framed. Condition: Minor surface grime, canvas bulge u.r., not examined out of frame. $500-700 1158 American School, 20th Century Southwestern Landscape. Unsigned. Oil on canvas, 20 x 24 in., framed. Condition: Craquelure, surface grime. $500-700 1159 Frank Weston Benson (American, 1862-1951) Calm, 1921, published state of 150 (Paff, 199). Signed “FrankWBenson” in pencil beneath the impression l.l. Etching on paper, plate size 4 7/8 x 6 3/4 in., matted, unframed. Condition: Toning, deckled edges. $300-500 1160 British School, 19th/20th Century Tower Bridge Nocturne. Signed faintly in red l.l. Oil on canvas, 27 x 34 in., framed. Condition: Broadly brushed retouch, surface grime. $500-700 1161 Bernard Corey (American, 19142000) Fall on the Farm. Signed “Bernard Corey” l.r., signed, titled, and inscribed “Bernard Corey/...” on the back of the frame. Oil on canvasboard, 10 x 15 7/8 in., framed. Condition: Minor surface grime. $500-700

1167 Louis Michel Eilshemius (American, 1864-1941)

Women and Children on the Beach. Signed “Charles Basing” l.l. Watercolor on paper, 13 x 16 1/4 in., framed. Condition: Minor rippling and toning, deckled edges, not examined out of frame. $600-800

Shoreline with Trees. Signed “Eilshemius” l.l., dated “1921” l.r. Oil on paper laid down on paperboard, 14 1/2 x 18 1/2 in., unframed. Condition: Losses u.l., repaired tear l.r., small tear u.c., small abrasions along lower edge.

1163 Cliffton Peacock (American, b. 1953) Untitled (Head of a Bird). Signed “Cliffton Peacock” on the reverse, identified and dated “...1989...” on a label from Obelisk Gallery, Boston, affixed to the reverse. Oil on Masonite, 23 7/8 x 23 7/8 in., framed. Condition: Good. $400-600 1164 Cliffton Peacock (American, b. 1953) Untitled (Head of a Fish). Signed and dated “Cliffton Peacock/1989” on the reverse, identified on a label from Obelisk Gallery, Boston, affixed to the reverse. Oil on Masonite, 23 7/8 x 23 7/8 in., framed. Condition: Good. $400-600 1165 Audrey Skaling (American, 19122009) Primitive Dream. Signed “Skaling” l.r., titled in an inscription on the reverse. Oil on canvas, 18 x 22 in., framed. Condition: Surface grime, craquelure. $600-800 1166 Rutledge Bate (American, 18911964) Wellesley College View. Signed “Rutledge Bate” l.l. Watercolor on paper, sight size 21 x 28 1/2 in. Condition: Minor foxing, not examined out of frame. $300-500

N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $300-500 1168 FIMA (Efraim Roeytenberg) (Israeli, 1916-2005) Two Framed Paintings: The Spring Rhythms and Untitled. Rhythms signed “Fima” above the artist’s seal l.r., signed, dated, and titled “Fima 1968/...” on the reverse; Untitled signed with the artist’s seal l.r., signed, dated, and inscribed “FIMA 1966/(E. Roeytenberg)...” on the reverse. Oil on canvas, sizes to 43 x 43 1/4 in. Condition: Surface grime. $400-600 1169 Norman Ives (American, 1923-1978) C-D: Ia, 1970, edition of 75. Signed “NORMAN IVES” in pencil l.r., titled, dated and numbered “...1970 2/75” in pencil l.l. Color screenprint on paper, images size 21 x 21 in., framed. Condition: Not examined out of frame. $150-250 1170 Two Alexander Gore (Russian/ American, b. 1958) Mixed Media Works and a Jacob Landau (New Jersey, 1917-2001) Figure Study. $200-300

1173 American School, 20th Century Still Life with Pink Flowers. Signed indistinctly l.r., with a label from J. Richards Gallery, Mamaroneck, New York, affixed to the reverse. Oil on canvasboard, 10 x 8 in., framed. Condition: Surface grime, small loss l.c. $250-350 1174 Frank Weston Benson (American, 1862-1951) Widgeon Rising, 1920, trial proof C-5 (Paff, 172). Signed “FrankWBenson.” in pencil l.l., with additional pencil annotations l.l. Etching on laid paper, plate size 11 1/4 x 7 3/8 in., unmatted, unframed. Condition: Deckled at top edge, minor stray ink marks in margins. Provenance: Descended within the family of the artist. $500-700 1175 Frank Weston Benson (American, 1862-1951) Nightfall (Second Plate), 1926, proof A-1 before the published state of 150 (Paff, 256). Signed “Frank W Benson” in pencil l.l. Drypoint on Whatman paper, plate size 3 7/8 x 5 7/8 in., unmatted, unframed. Condition: Margins 1 1/2 inches or more with deckled edges to top and bottom, with additional pencil annotations l.r. Provenance: Descended within the family of the artist. $600-800 1176 Frank Weston Benson (American, 1862-1951)

Abstract Horse and Rider. Signed “Richardson” l.r. Acrylic on canvas, 47 3/4 x 35 3/4 in., framed. Condition: Good. $200-400

Black Ducks Towering, 1930, proof J-4 before the published edition of 150 (Paff, 305). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 11 7/8 x 7 7/8 in., unmatted, unframed. Condition: Full margins with deckled left and bottom edges, pencil annotations to lower margin.

1172 Brad Holland (American, b. 1944)

Provenance: Descended within the family of the artist. $700-900

1171 Jean Richardson (American, b. 1940)

Studio Art—online

1162 Charles Basing (American, 18651933)

Man Jumping over the Crescent Moon. Signed “HOLLAND” l.r. Oil on paper, 20 1/4 x 16 1/4 in., framed (under glass). Condition: Paper laid down to Masonite. $600-800

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1177 Carroll Thayer Berry (American, 1886-1978) Between Forest and Sea, Maine Coast, c. 1946, edition of 200 to 300 (Dearborn, 57). Signed in the matrix l.r., signed in pencil l.r., titled in pencil below the image. Wood engraving on paper, image size 12 x 6 in., matted, unframed. Condition: Deckled edges, foxing, lightly toned. $200-300 1178 Jay Hutchinson (American, 20th Century) Two Framed Collages: Glenfiddich and Jewel and Glenfiddich & Two Jewels. No visible signature, identified and dated “1981-82” on labels from Obelisk Gallery, Boston, affixed to the frame backing. Paper collage, sizes to 9 x 7 1/2 in., framed. Condition: Not examined out of frames. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $300-600 1179 Charles Paul Gruppe (American, 1860-1940)

Studio Art—online

Unloading a Herring Fisher. Signed “Chas.P.Gruppè” l.r., titled on a presentation plaque. Watercolor and gouache on paper, sight size 17 x 21 in., framed. Condition: Rippling, not examined out of frame. $500-700

1180 Attributed to Jeff Bliumis (Russian/ American, b. 1958) Standing Figure. Unsigned. Bronze with golden brown patina, height 10 in., mounted to a wood pedestal. Condition: Minor wear to the patina. $300-500 1181 American School, 20th Century Bronze Sculpture of Rembrandt Holding His Palette and Brush. Initialed “B/M” on the back of the base. Bronze with brown patina, height 9 3/8 in., on a marble plinth. Condition: Dust and dirt to interstices. $700-900

1182 Kenneth Treister (American, b. 1930)

1187 Frank Weston Benson (American, 1862-1951)

Four Bronze Plaques: Warsaw Ghetto, Exodus, Auschwitz, and Victory. Each titled, attributed, and dated “...Kenneth Treister/...1969” in inscriptions on the reverse. Bronze with green-gold patina, sizes to 6 3/4 x 7 x 1 in. Condition: Dust and dirt to the interstices. $600-800

Nascaupée Indian, 1921, published state of approximately 150 (Paff, 210). Signed “FrankWBenson.” in pencil l.l., with additional pencil annotations l.l. Etching on laid Whatman paper, plate size 7 7/8 x 6 in., unmatted, unframed. Condition: Margins over 1 1/2 inches with deckled edges at left and bottom.

1183 American School, 20th Century

Provenance: Descended within the family of the artist. $600-800

Two Stone Sculptures. Each signed and dated “...Gomes/92.” Height to 11 in. Condition: Scattered small abrasions. $200-250 1184 Kenneth Treister (American, b. 1930) Head of a Man. Numbered, signed, and dated “11/250/KEN TREISTER/1980” on back of sculpture. Bronze with a gold-brown patina, height 6 1/4 in., mounted to a stone plinth. Condition: Dust and dirt to interstices. $200-250 1185 Frank Weston Benson (American, 1862-1951) November Moon, 1931, published state of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on wove paper, plate size 9 7/8 x 8 in., unmatted, unframed. Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin. Provenance: Descended within the family of the artist. $800-1,200 1186 Frank Weston Benson (American, 1862-1951) In Dropping Flight, 1926, published state, edition of 134 (Paff, 255). Signed “FrankWBenson-” in pencil l.l., with additional pencil annotations. Drypoint on paper, plate size 10 7/8 x 13 5/8 in., unmatted, unframed. Condition: Minor soiling, creasing. Provenance: Descended within the family of the artist. $600-800

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1188 Manuel Felguérez (Mexican, b. 1928) Homenaje a Lobachevsky. Signed “Felguerez” l.r., numbered “3/25” l.l. Serigraph on paper, image size approx. 19 1/4 x 23 1/2 in., framed. Condition: Not examined out of frame. $400-600 1189 Korean American School, 20th Century Still Life Interior Diptych with a Cat on a Chair. Each signed and dated “Myung Lee/86” u.l. Oil on canvas, each 30 x 24 in., framed individually. Condition: Good. $400-600 1190 Margaretha E. Albers (American, 1881-1977) Still Life with Fruit. Signed “ME Albers” l.l. Oil on board, 12 x 16 in., framed. Condition: Surface grime, scattered abrasions and losses, not examined out of frame. $600-800 1191 Attributed to William Small (British, 1843-1929) Stepping Out. Unsigned, attributed on a handwritten label affixed to the frame backing. Gouache on paper, 4 5/8 x 3 1/8 in., framed. Condition: Sheet hinged to mat with tape along upper edge on the reverse, adhesive residue to the reverse. $300-400

Soldier on Horseback. Signed and dated “Eugène Chigot.79” l.l. Watercolor on paper, 23 x 17 1/2 in., unframed. Condition: Sheet laid down on board, toning, foxing, staining, mat burn, small tears to u.c. and l.c., pinholes to corners, nick to u.r. corner. $300-500 1193 Dorothy McCray (American, b. 1915) Denizen, 1954. Signed and dated “Dorothy McCray...1954” in pencil l.r., numbered and titled “6/5...” in pencil l.l. Color lithograph on paper, image size 14 1/4 x 18 1/8 in., unframed. Condition: Staining to margins, adhesive residue to corner l.l., gentle rippling, sheet hinged to mat at upper corners on the reverse. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $200-250 1195 Harvey Dinnerstein (American, b. 1928) Blanche. Signed and dated “Dinnerstein/1968” c.r., titled on a label from Kenmore Galleries, Philadelphia, PA, affixed to the frame backing. Oil on canvas, 17 1/4 x 14 in., framed. Condition: Surface grime, not examined out of frame. $700-900 1196 Eugene Higgins (American, 18741958) Summertime. Signed “Eugene Higgins” l.l., titled on an unattributed label affixed to the reverse. Oil on canvas, 18 x 22 in., framed. Condition: Lined, drying cracks, possible retouch, not examined out of frame. $400-600 1197 Helen Nicolay (American, 1866-1954) Thistle and Bee. Signed “HN” l.r. Oil on canvas, sight size 19 3/4 x 11 3/4 in., framed. Condition: Scattered retouch, not examined out of frame. $400-600

1198 Joseph Dudley Downing (American, 1925-2007) Abstract Composition. Signed “DOWNING” l.l. Gouache on paper, 5 3/4 x 4 3/8 in., framed. Condition: Deckled edges, gentle rippling, toning to edges, not examined out of frame. $500-700 1199 Kenneth Hayes Miller (American, 1876-1952) The Fabric Store. Signed “Hayes Miller” in pencil l.r. Etching on paper, plate size 6 7/8 x 5 in., framed. Condition: Not examined out of frame. $300-500 1200 George Henry Hall (American, 18251913) Portrait of a Young Woman. Signed and dated “Hall/’60” l.r. Oil on canvas, 11 x 9 1/4 in., framed. Condition: Wax lined, retouch, fine craquelure, not examined out of frame. $600-800 1201 Henry Martin Gasser (American, 1909-1981) Rocky Coast. Signed “H.GASSER” l.l. Watercolor on paper, 6 3/4 x 10 1/4 in., framed. Condition: Sheet taped to window mat on the reverse. $200-400 1202 Four Framed Alexander Gore (Russian/American, b. 1958) Mixed Media Works. $200-300

1203 British School, 19th/20th Century Battersea Bridge Road at Night. Possible monogram l.l., inscribed “By J.M. Smith/A Ba...sea Bridge Road/ Exhibited at the Royal Academy/ NW London 1916” and “Property of/ Trustees of/Juliet P. Morgan” on the frame backing paper. Oil on artist board, 10 5/8 x 10 5/8 in., framed. Condition: Fine craquelure, surface grime. N.B. The above referenced inscription may refer to Juliet Pierpont Morgan (b. 1816), who was Mrs. Junius Spencer Morgan, the mother of J.P. Morgan Sr. (1837-1913). No specific biographical references were found for the artist J.M. Smith, and the Royal Academy, London, did not have a record for this work being exhibited in 1916. $400-600

Studio Art—online

1192 Eugène Chigot (French, 1860-1923)

1204 Tracy W. Hambley (American, b. 1959) Wish You Were Here. Signed and dated “Tracy W. Hambley/’91” l.r., titled l.l. Shadow box assemblage, 23 x 23 x 2 3/4 in. Condition: Not examined out of frame. $400-600 1205 Hillary Osborn (American, b. 1965) On Bassets Island, Bourne, Massachusetts. Signed “osborn” l.l., identified, titled, and dated “H. osborn...9/2001” on the stretcher bar u.r. Oil on canvas, 22 x 29 3/4 in., framed. Condition: Good. $500-700 1206 Hillary Osborn (American, b. 1965) Over The Dunes, Provincetown, Massachusetts. Signed “osborn” l.r., titled, dated, and identified “...2003 H. OSBORN” in pencil on the stretcher bar u.r. Oil on canvas, 24 x 31 3/4 in., framed. Condition: Good. $600-800 1207 Hillary Osborn (American, b. 1965) In The Clearing, Cataumet, Massachusetts. Signed “osborn” l.r., titled, signed, and dated “...H. Osborn 2002” in pencil on the stretcher bar u.r. Oil on canvas, 24 x 30 in., unframed. Condition: Good. $500-700

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1208 Yasuhiro Esaki (Japanese/American, b. 1941)

1213 Édouard Baldus (French, 1813-1889)

1216 Hillary Osborn (American, b. 1965)

February 16th. Signed and dated “y. esaki, 1989” in pencil l.r., titled in pencil l.c., numbered “1/20” in pencil l.l. Color aquatint and etching on paper, plate size 17 1/2 x 7 3/4 in., framed. Condition: Not examined out of frame. $200-300

Eleven Views of Paris, 1850s. Each stamped “E. Baldus” in black ink on the mount l.r. Albumen silver prints mounted to board, image/sheet sizes to 9 x 11 3/8 in., unmatted, unframed. Condition: Fading, breaking and minor losses to edges of mounts, two mounts have been cut down.

View to Little Island, West Falmouth. Signed “osborn” l.r., identified, titled, and dated “H. Osborn...2001” in pencil on the stretcher bar u.r. Oil on canvas, 24 x 32 in., unframed. Condition: Good. $500-700

1209 After Pablo Picasso (Spanish, 18811973)

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art.

1217 Hillary Osborn (American, b. 1965)

Two Reprints of Plates from Portraits Imaginaire, 1969. Both signed and dated within the matrix. Color lithographs on paper, image/ sheet size approximately 26 1/2 x 19 3/4 in., framed. Condition: Toning and/or fading, one not fully examined out of frame. $400-600 1210 Hilton Leech (American, 1906-1969) Clowns. Signed “HILTON LEECH” l.r. Watercolor on paper, sight size 21 x 17 in., framed. Condition: Toning, foxing, minor rippling, not examined out of frame. $800-1,200

Studio Art—online

1211 American School, 20th Century

Harbor View. Signed and dated “Sidney Katz ‘53” in ink l.r. Watercolor on paper, sight size 14 x 18 in., framed. Condition: Toning, rippling, mat burn, minor creasing and stains to l.l. corner, not examined out of frame. $300-500 1212 Samuel Bourne (British, 1834-1912) View on the Dal Canal, Srinagar, Kashmir, 1864. Unsigned, inscribed “825” in the negative l.c. Albumen silver print mounted to board, image/ sheet size 9 3/4 x 11 1/2 in., unmatted, unframed. Condition: Scattered minor scuffs, fox mark at center, chemical inconsistencies or similar across lower half, staining and discoloration on mount verso.

N.B. Includes views of the Richelieu and Turgot Pavilions, Louvre, La Madeleine, Notre Dame, Corps Législatif, a panoramic view of Paris, Palais de l’Industrie, Fontaine SaintMichel, La Bourse et Tribune de Commerce, Place de la Concorde, Hotel de Ville, and Palais de Luxembourg. $800-1,200 1214 Francis Frith (British, 1822-1898) Eleven Photographs of Egypt, including three plates from Lower Egypt and Thebes and eight from Upper Egypt and Ethiopia, both published by William Mackensie, London, c. 1863. The majority signed in the negative l.r. or l.l. and identified on pre-printed mounts. Albumen silver prints mounted to paper, image/sheet sizes to 6 5/8 x 8 3/4 in., unmatted, unframed. Condition: Fading, minor wear and scuffing to mounts. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. N.B. The lot includes title and contents pages for each volume. $700-900 1215 Hillary Osborn (American, b. 1965) The Boardwalk. Signed “osborn” l.r., identified on a Keogh and Riehlman Fine Art, New York, affixed to the backing. Oil on canvas, 24 x 30 in., unframed. Condition: Good. $600-800

Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art. $200-300

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January Snow. Signed “H.OSBORN” l.r., titled on a handwritten label affixed to the frame on the reverse. Oil on canvas, 18 x 24 in., framed. Condition: Not examined out of frame. $500-700 1218 American School, 20th Century Wharf and Village. Signed and dated “Hughes/’40” l.l. Conté crayon on paper, 9 1/2 x 12 1/2 in., framed. Condition: Sheet taped to window mat on the reverse, deckled edges, minor rippling. $300-400 1219 American School, 20th Century Modernist Still Life with Watermelon Slices. Signed indistinctly l.r. Gouache on paper, sight size 18 1/2 x 29 in., framed. Condition: Areas of craquelure with paint loss, wrinkling to the sheet, not examined out of frame. $300-500 1220 Eugene Gustavovitch Berman (Russian/American, 1899-1972) Figure with a Helmet in a Landscape. Initialed and dated “E.B./19 41” l.c. Ink and wash on paper, sight size 17 3/8 x 13 in., framed. Condition: Toning, minor rippling, with a faint inscription from the reverse visible l.c. with the date “1942” l.c., not examined out of frame. $300-500

1225 James (Jim) Cramer (American, b. 1948)

Living Bust. Signed and dated “E. Berman 1940” l.c., inscribed and dated “Pour Lisa Fonssagrives...E.B/ New York Juillet 1940” u.r. Watercolor, ink, and gouache on paper mounted to board, sheet size 12 3/4 x 9 3/4 in., unmatted, unframed. Condition: Toning, several breaks in paper along top edge, small loss u.r. corner.

Two Oil Landscapes: Urban Winter and Early Autumn Fields. Winter signed “James Cramer” l.r., Autumn signed and dated “Cramer 89” l.r. Sizes to 16 x 20 in., framed. Condition: Good. $500-700

Provenance: The estate of Irving Penn, New York. $400-600 1222 Louis Eilshemius (American, 18641941) Delaware River. Signed faintly “Eilsh...” l.l., titled “Deleware [sic] River” in pencil on the reverse, identified and dated “c. 1920” in a modern pencil inscription on the back mat. Watercolor on paper, 14 x 20 in., matted, unframed. Condition: Mat burn, toning, fading, brown paper tape remnants to the edges of the reverse. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $300-500 1223 William Dickey King (American, 1925-2015) “Birthday” 1971. Signed “William King.” l.r., signed with the artist’s monogram l.l. Mylar sewn onto paper, sight size 25 1/2 x 21 in., framed. Condition: Rippling, foxing, staining to u.r., c.l., and lower edge, not examined out of frame. $700-900 1224 Saul Tepper (American, 1899-1987) Two Elegant Women at Leisure. Signed and dated “SAUL/TEPPER/’38” l.r. Watercolor and gouache on paper, sight size 17 3/4 x 17 in., framed. Condition: Scattered foxing, not examined out of frame. Provenance: A private Florida collection. $300-500

1226 Luther L. Ryerson (American, Mid19th Century) Vessel with Sailor on the Lookout. Signed and dated indistinctly “L.L. Ryerson...” l.r., inscribed “Everett” on a label from Doll & Richards, Boston, affixed to the back of the frame. Oil on board, sight size 10 3/4 x 6 3/4 in., framed. Condition: Lined, craquelure, retouch primarily to fill areas of craquelure, surface grime. $200-300 1227 Émile Bernard (French, 1868-1941) Two Framed Works on Paper: Illustration for Les Cantilènes: Va tuer mon mari (Le Raffian) and La Vieille et Femme Nue. Cantilènes stamped with the artist’s initials l.r., signed or inscribed “Emile Bernard” in pencil on the supporting sheet, zincograph with hand coloring, 13 x 7 7/8 in.; Vieille signed “Emile Bernard” l.l., sepia, sight size 12 x 8 in. Condition: Cantilènes with small repair to l.l. edge, Vieille with tears with cellophane tape staining, mounting stains, rippling, not examined out of frames. N.B. The book in which the zincograph was published is Jean Moréas, Les Cantilènes, 1883-1886 (Paris: Bibliothèque artistique & littéraire, 1897). $200-400 1228 Émile Bernard (French, 1868-1941) Three Sepia Views of Buildings: Roman Colosseum, Castelfranco (Churchyard), and Carcassonne (Chateau Fort). Signed “Emile Bernard” l.l. or l.r., Colosseum identified within the composition, others identified on the frame backings. Sight sizes to 16 3/4 x 12 3/8 in. Condition: Toning, Colosseum with crease to u.l. corner, Castelfranco with surface losses to u.c., not examined out of frames. $400-600

1229 Anton B. Vizy (American, 1937-2016) Triptych in White. Unsigned, titled and dated “...Oct. ‘84” on the reverse of the center panel, titled on the reverse of each side panel. Canvas and wood wall construction with white textured pigment, three panels with overall dimensions 72 1/2 x 35 1/2 in. Condition: Staining to left panel, scattered surface rubs and dust. $400-600 1230 British School, 20th Century Gentleman in a Red 18th Centurystyle Coat. Initialed “W.E.R.” l.l. Oil on panel, 10 x 8 in., framed. Condition: Scattered abrasions. $400-600

Studio Art—online

1221 Eugene Berman (American, 18991972)

1231 Albertus Verhoesen (Dutch, 18061881) Barn Interior with Figure at the Door. Signed “A. Verhoesen” l.r. Oil on canvas, 17 3/4 x 23 5/8 in., framed. Condition: Lined, rippling and buckling of the canvas, with small breaks to the paint surface in the more extreme areas. $400-600 1232 American School, 19th Century Garden Roses. Unsigned, identified on a partial label on the reverse. Oil on canvas, 18 x 14 in., framed. Condition: Minor wear to surface, surface abrasion l.c., minor retouch to right edge, varnish inconsistencies, craquelure. Provenance: Skinner, Inc., American & European Paintings, November 22, 2002, Sale 2168, Lot 104. $200-300 1233 Adrien Joseph Verhoeven-Ball (Belgian, 1824-1882) The Love Letter. Signed and dated “VERHOEVEN-BALL 1868” l.l., titled in an inscription and on an unattributed label on the reverse of the frame. Watercolor on paper, 19 1/2 x 14 3/4 in., framed. Condition: Losses to lower corners, minor frame abrasions, small tear to c.l. edge, small abrasion to c.l., minor foxing, surface grime, toning and adhesive residue to the reverse of the sheet. $400-800

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1234 American School, 19th Century

1239 Rene Bolliger (Swiss, 1911-1971)

1242 Karl Zerbe (American, 1903-1972)

Leviathan. Signed indistinctly l.r., titled and inscribed on the reverse. Oil on canvas, 20 x 30 in., framed. Condition: Retouch, craquelure, varnish discoloration, surface grime. $400-600

Ink Drawing of a French Sailor. Signed and inscribed “Rene Bolliger/ francais de coeur, d’adoption, et de-tout” l.r., inscribed “avec la grande admiration de l’auteur” on the mat. Ink on paper, sight size 11 3/4 x 7 in., framed. Condition: Minor toning, not examined out of frame.

Portrait Head. Signed “Zerbe” in pencil beneath the image l.r., signed “Zerbe” in the block l.r., numbered “4/30” l.l., dedicated and inscribed “... Christmas 1951” l.c. Color woodcut mounted to Masonite, sight size 13 3/4 x 9 5/8 in., framed (without glass). Condition: Possible retouch over an abrasion c.l., minor surface scratches. $200-400

1235 Mario Avati (French, 1921-2009) T comme Turner. Titled and signed “...AVATI” l.c., dated “87” l.r., numbered “29/85” l.l. Mezzotint on paper, plate size 11 5/16 x 15 7/8 in., framed. Condition: Not examined out of frame. $150-200 1236 Robert Rauschenberg (American, 1925-2008) Shop Window with Dolls. Signed “RAUSCHENBERG” in black ink l.r., inscribed and dated “XMAS 82” in black ink l.l. Gelatin silver print, image size 4 1/2 x 6 3/4 in., framed. Condition: Not examined out of frame. Provenance: The estate of Joan Sonnabend, Boston, Massachusetts. $200-300

Studio Art—online

1237 Olivia Parker (American, b. 1941)

The Eastern Garden, from the series Under the Looking Glass. Signed and dated “Olivia Parker © 1980” in pencil on the verso l.c. Dye transfer print, image size 9 1/2 x 7 1/2 in., framed. Condition: Good. $700-900 1238 James Archibald Mitchell (American, b. 1932) Barque Rigged Yacht “Aloah,” Owned by A. Curtiss James, Newport. Signed “James A. Mitchell” l.r., titled l.l. Watercolor and ink on paper, sight size 21 1/2 x 27 1/2 in., framed. Condition: Not examined out of frame. $200-300

N.B. The consignor reports that this drawing may relate to an illustration for a book by Jean Genet (French, 1910-1986). $400-600 1240 Italian or Russian School, Mid-20th Century Expressionist-style Painting of a Fashionably Dressed Group. Unsigned, inscribed in Russian on the reverse. Oil on artist board, 15 5/8 x 19 5/8 in., unframed. Condition: Tack holes to each corner, wear to the edges of the board. N.B. The inscription on the reverse, beneath the numbers, appears to be inscribed in Russian: “Nana Maraneyi (or Marinelli?)/from the author M. Ma...” It has been suggested that the artist might be Mario Marinelli (Italian, b. 1906). $300-500 1241 French School, 20th Century Three Unframed Prints by Modern Masters from Limited Edition Publications: After Pablo Picasso (Spanish, 1881-1973), Illustration for Le Chef d’Oeuvre Inconnu,” Paris, 1932, double-sided wood engraving cut by Georges Aubert, unsigned, marked “N” or “O” l.l., identified on a typed label from Ferdinand Roten Galleries, Baltimore, Maryland, affixed to the mat, sheet size 13 x 10 in., with a accompanying descriptive sheet of the same size; After Maurice de Vlaminck (French, 1876-1958), Two Works from Haute Folie, p. 45 and p. 75, Paris, Scripta & Picta, 1964, unsigned, identified on labels from Ferdinand Roten Galleries, Baltimore, Maryland, affixed to the mats, color lithographs, image sizes approximately 8 x 8 in., sheet sizes 15 x 11 in., individually matted. Provenance: Property of a New England collector. $300-500

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1243 Joop Vegter (Dutch, b. 1931) Five Mezzotints: Red Currants, 1993, signed and dated “joopcvegtes...” in pencil l.r., numbered “93/100” in pencil l.c., titled in pencil l.l.; With a Prescription, 1996, signed and dated “joopcvegtes...” in pencil l.r., numbered “42/100” in pencil l.c., titled in pencil l.l.; Summer Night, 1992, signed and dated “joopcvegtes...” in pencil l.r., numbered “39/100” in pencil l.c., titled in pencil l.l.; Paprika’s, 1991, signed and dated “joopcvegtes...” in pencil l.r., numbered “40/100” in pencil l.c., titled in pencil l.l.; Watertower, 1994, signed and dated “joopcvegtes...” in pencil l.r., numbered “14/100” in pencil l.c., titled in pencil l.l. Plate sizes to 7 3/4 x 9 3/4 in., unframed. Condition: Sheets hinged to mats at upper corners, pale toning and staining. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $150-250 1244 Seventeen European and American Prints, including works by John Taylor Arms, Sir Francis Seymour Haden, and Emily Burling Waite, as well as an assortment of bookplates; engravings and etchings on paper, plate sizes to 9 1/2 x 7 7/8 in., matted and unmatted, unframed, (foxing, minor surface grime). N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $200-250

1249 J. Philip Richards (American, 19061991)

1253 J. Philip Richards (American, 19061991)

Rembrandt Glass. Titled, numbered, and signed “...Eugene Charov 7/20” in pencil below the image. Mezzotint on paper, plate size 8 3/4 x 5 7/8 in., matted, unframed. Condition: Sheet with deckled edges.

Whispering Pines. Signed “J.Philip. Richards.” l.l., titled on a business card affixed to the frame backing paper. Casein on yellow paper/board sight size 16 3/4 x 25 3/8 in., framed. Condition: Not examined out of frame.

N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $150-250

Provenance: By descent within the family of the artist. $1,000-1,500

Island Landing/A Stonington Harbor View. Signed “J.Philip.Richards.” l.l., titled on a label affixed to the back of the mat. Casein on illustration board, 20 x 30 in., matted, unframed. Condition: Minor surface abrasions to l.r. corner, board affixed to window mat with brown paper tape at intervals on the reverse.

1246 George Biddle (American, 18851973) Balaam and the Ass, 1952, printed by Rudolfo Bulla (Pennington, 178; Trotter, 148; Biddle, 148). Signed and dated “George Biddle, Rome...” in pencil l.r., titled and numbered “.../6/15No. 148.” in pencil l.l. Lithograph on paper, image size 14 3/4 x 12 1/2 in., unframed. Condition: Margins to 2 1/4 in., sheet hinged to mat at upper corners, tear to c.l., soiling to margins. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $200-400 1247 American School, 20th Century Palenque. Signed and dated “Hombein 74” in pencil l.r., titled l.l. Etching with aquatint, plate size 13 3/4 x 15 5/8 in., unmatted, unframed. Condition: Deckled edges at top and bottom, lightly toned. Provenance: Property of a New England collector. $200-300 1248 Leonard Baskin (American, 19222000) Two Prints: Portrait and Boar, the first published by Associated American Artists, New York, the second as an illustration for St. Julian the Hospitaller by Flaubert. Each signed “baskin” in pencil l.r., Boar identified on a label from Davidson Galleries, Seattle. Woodcut and wood engraving on paper, respectively, image sizes to 3 1/2 x 8 in., matted, unframed. Condition: Good. $200-300

Provenance: By descent within the family of the artist. 1250 American School, 20th Century Six Works on Paper Depicting Landscapes and Rustic Views. Each signed “C.M. Ward” l.r. Watercolors on paper, sight sizes to 13 1/8 x 9 1/8 in., matted, framed. Condition: Not examined out of frames. $300-500 1251 De Forrest F. Ribley (American, 1912-1975) Abstract in Black and White. Unsigned, ascribed on an unattributed label affixed to the reverse. Oil on canvas, 11 x 14 in., framed. Condition: Drying cracks, surface grime, not examined out of frame. $200-300 1252 Ralph M. Rosenborg (American, 1913-1992) Dancing Nude. Signed and dated “Rosen.../1953” l.r., titled on a label from Davis Galleries affixed to the reverse. Oil on panel, 9 x 6 in., framed. Condition: Fine craquelure, abrasions to u.l. and l.r., scattered paint losses, pinholes to edges, not examined out of frame. $200-300

N.B. The location of the scene was provided by the artist’s family. $1,200-1,800 1254 Anne Lyman Powers (American, b. 1922)

Studio Art—online

1245 Eugene Charov (Russian/American, 20th/21st Century)

Nero. Signed “LYMAN” on the reverse, titled and dated “...c. 1948” on a label from Childs Gallery, Boston, MA, affixed to the reverse. Oil on Masonite, 21 x 17 in., framed. Condition: Drying cracks, not examined out of frame. $250-350 1255 American School, 20th Century Ski Scene. Signed and dated “PARKER/1930” l.r. Oil on canvasboard, 8 1/2 x 10 1/2 in., framed. Condition: Not examined out of frame. $200-400 1256 Anglo/American School, 19th Century Two Paintings: Sheep Grazing and Shepherd with Sheep. No visible signatures. Oil on canvas, sizes to 10 x 14 in., framed. Condition: Stretcher marks, not examined out of frames. $300-500 1257 Haitian School, 20th Century Market Scene. Signed “J-Joseph” l.r. Acrylic on canvas, 32 x 24 in., in original frame. Condition: Minor surface grime, foxing or similar on the reverse. $200-400

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1258 Two Framed Collages:

1262 American School, 19th Century

Lewin Alcopley (American, 19101992), Abstract Collage, signed and dated “alcopley 1955” l.l., mixed media on paper, 10 1/2 x 8 in., (deckled edges, toning, pinholes to edges, not examined out of frame); Joseph H. Heil (American, 1916-1974), Moon and Earth Symbol, initialed and dated “JH 61” l.r., titled, dated, and signed “.../Sept. 5, 1961/JHeil” on the reverse, mixed media on board, 4 x 3 5/8 in., (not examined out of frame). $150-250

Seascape with Sailboats. Signed indistinctly and dated “.../1894” l.r., inscribed “Dr. Oliver Cope/Mass. Gen. Hospital/Fruit St. Boston, Mass.” on the reverse, with a canvas stencil from Wadsworth, Howland, and Co., Boston and Chicago, on the reverse. Oil on canvas, 15 x 25 in., framed. Condition: Tears to l.c. and l.l. reinforced with patches on the reverse, abrasions to u.r., c.r., and l.l., stretcher marks, surface grime, not examined out of frame. $200-300

Studio Art—online

1259 Continental School, 20th Century

1263 American School, 20th Century

17th Century-style Floral Still Life. Unsigned. Oil on canvas, 41 x 32 1/4 in., framed. Condition: Craquelure and lifting to the right side of the canvas, paint losses to c.l. and c.r., bloom, blistering, surface grime, not examined out of frame. $400-600

Sailors at Rest. Signed and dated “NHartwell JR./’22” l.r. Gouache on paper, sight size 12 1/4 x 6 3/4 in., framed. Condition: Pinholes to lower quadrant, gentle rippling, not examined out of frame. $300-500

1260 Elmer Ellsworth Spenner (American, 1894-1975)

1264 Nanno De Groot (Dutch/American, 1913-1963)

Portrait of Two Children. Signed “Spenner” u.r., with a partial label from the Hoosier Salon Exhibition, 1935, affixed to the reverse of the frame. Oil on canvas, 36 x 30 in., framed. Condition: Surface grime, paint losses to c.r. and l.l., not examined out of frame. $300-500

Two Figures. Unsigned, ascribed and titled on an unattributed label affixed to the reverse. Oil on panel, 11 1/2 x 8 1/2 in., framed. Condition: Not examined out of frame. $700-900

1261 Marcia Oakes Woodbury (American, 1865-1913) Dutch Girl Holding a Sunflower. Signed and dated “M.O. Woodbury/’94” l.l., with an old label from Doll & Richards, Boston, affixed to the frame backing paper. Watercolor on paper/board, sight size 20 3/8 x 13 1/2 in., framed. Condition: Not examined out of frame. $800-1,200

1265 Two Framed Works on Paper: Chaim Gross (American, 1904-1991), Acrobats, signed and dated “Chaim Gross/’68” l.r., watercolor and pencil, 12 x 19 in., (deckled edges, gentle rippling, pale toning, not examined out of frame); Elias Mandel Grossman (American, 1898-1947), Pipe Contentment, 1934, signed “Elias M. Grossman” in pencil l.r., signed, dated, and titled within the matrix. l.l., etching, plate size 5 3/4 x 7 7/8 in., (toning, scattered fox marks, not examined out of frame). $300-500

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1266 Alfred Burlini (American, 20th Century) Abstract Figure. Signed and dated “(A.P.) A BURLINI 1972” around the bottom edge, with a label from The Anita Gordon Art Collection, CôteSaint-Luc, Quebec Province, on the underside of the plinth. Polished bronze, height 11 1/2 in., on a wood and Plexiglas plinth. Condition: Fine scratches and minor wear to patina, dust and dirt to interstices. $300-500 1267 Christian Brieu (Canadian/French, b. 1948) It Was Raining Frogs. Signed and numbered “C. BRIEU 6/8” l.l., inscribed “CLEMENTI/FONDERIE” l.r. Bronze with green-brown patina, height 31 1/2 in. Condition: Dust and dirt to interstices. $400-600 1268 Manuel Felguérez (Mexican, b. 1928) Nursing Mother. Signed “Felguerez” l.l. Painted resin, height 15 3/4 in. Condition: Light abrasions, wear to surface, dust and dirt to interstices. $300-500 1269 Bert Schwartz (American, 18911993) The Judo Dancers, 1966. Depicting two bodies in motion created from fused metal wire, raised on a black marble plinth, signed and dated on the marble, height 17 in. $150-250 1270 American School, Mid-20th Century Fish Mobile. Unsigned. Ten-arm handing mobile, blue and green translucent plastic sheeting, wire, and monofilament, approximately 20 x 28 in. Condition: One arm detached, some out of balance, hanging filament in a separate envelope. $200-400

1276 Sandor Bernath (American, 18921984)

1281 Vladimir Lebedev (Russian/ American, 1910-1991)

Four Prints: Ram’s Skull, Bird, Stag, and Bearded Man. Each signed “Baskin” in pencil l.r., three identified as artist’s proof in pencil l.l. Three etchings and a wood engraving on paper, sight sizes to 5 7/8 x 8 3/4 in., matted, framed. Condition: Not examined out of frames. $300-500

Schooner. Signed “SANDOR BERNATH” in ink l.r. Watercolor on paper, sight size 17 x 17 1/4 in., matted, framed. Condition: Mat burn, fox mark c.r., not examined out of frame. $400-600

Boardwalk at Night. Unsigned, stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on Masonite, 9 x 11 3/4 in., framed. Condition: Subtle surface grime. $800-1,200

1272 Steven Nestler (American, 20th Century) Dried Grass Abstraction. Signed “Steven Nestler” in pencil on mat l.r., dated and inscribed “1972 For Sidney Throne November 10, 1974” in pencil on the mat l.l. Gelatin silver print, sight size 7 1/4 x 9 3/8 in., matted, framed. Condition: Not examined out of frame. $150-250 1273 American School, 20th Century Two Framed Works on Paper: Modigliani on the Street and Van Gogh in an Interior. Both signed and dated “HHarney/’84” l.r. Modigliani titled within the composition, watercolor, sight size 12 7/8 x 10 1/8 in.; Van Gogh gouache on paper, sheet size 14 7/8 x 12 3/8 in. Condition: Both with subtle rippling, Van Gogh with scattered small areas of craquelure and tack holes to corners, not examined out of frames. $100-200 1274 Charles Donker (Dutch, b. 1940) Trees in Snowy Landscape. Signed “Charles Donker” in pencil l.r., numbered “No. 17” in pencil l.l. Etching on paper, plates size 9 1/4 x 13 3/4 in., framed. Condition: Deckled edges, floated in frame, not examined out of frame. $400-600 1275 John Ferguson Weir (American, 1841-1926)

1277 Six Prints, four works by Frank Kleinholz (American, 1901-1987), one by Raphael Soyer (American, 1899-1987), and an unidentified work; all signed and numbered in pencil; lithographs and engravings on paper, image sizes to 17 1/2 x 17 1/2 in., three matted, three unmatted, all unframed, (not examined out of wrap). $200-400 1278 Two Framed Watercolors: Terri Priest (American, 19282014), Red Arch, signed and dated “T.PRIEST ‘82” l.l., titled in an inscription on the frame backing, sight size 6 x 4 3/8 in., (not examined out of frame); and American School, 21st Century, Seascape, signed indistinctly and dated “Marcia...1992” l.r., 15 1/4 x 11 1/4 in., (deckled edges, not examined out of frame). $75-125 1279 Paul Warren Zimmerman (American, 1921-2007) Floral Abstraction. Signed “P. Zimmerman” l.r. Oil on Masonite, 27 3/4 x 40 in., framed. Condition: Minor surface grime. $150-250 1280 Vladimir Lebedev (Russian/ American, 1910-1991) Portrait Head. Initialed “V.L.” u.r., stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on Masonite, 11 3/4 x 9 in., framed. Condition: Minor surface grime. $400-600

1282 Vladimir Lebedev (Russian/ American, 1910-1991) Autumn Hill. Unsigned, stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on Masonite, 11 7/8 x 15 3/4 in., framed. Condition: Minor surface grime. $800-1,200 1283 Vladimir Lebedev (Russian/ American, 1910-1991)

Studio Art—online

1271 Leonard Baskin (American, 19222000)

The Quiet Street. Unsigned, stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on artist board, 11 3/4 x 15 7/8 in., framed. Condition: Minor surface grime. $800-1,200 1284 Ken Gore (American, 1911-1990) Frozen Stream. Signed “KEN GORE” l.r., titled on an unattributed label affixed to the frame backing. Oil on canvasboard, sight size 23 1/2 x 29 1/2 in., framed. Condition: Not examined out of frame. $200-250 1285 James Brade Sword (American, 1839-1915) The Anglers. Signed “J.B. Sword” l.r., titled on a label affixed to the reverse of the frame. Oil on canvas, 19 3/4 x 23 3/4 in., framed in a gilt frame. Condition: Lined, craquelure, scattered retouch, small loss c.r. $300-500

The Matterhorn from Zermatt. Titled and signed or inscribed “.../J.F. Weir.” on the reverse, with a label from Academy Art Shop, New York, affixed to the stretcher. Oil on canvas, 14 3/4 x 12 3/8 in., framed. Condition: Lined, surface cracks and tears, old repairs, retouch, canvas deformation, surface grime. $600-800

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1286 Samuel Peter Rolt Triscott (American, 1846-1925)

1290 Stephen George Maniatty (American, 1910-1984)

Coastal Cliffs, Possibly Monhegan Island. Signed “S.P Rolt Triscott” l.l. Watercolor on paper, sight size 19 1/2 x 15 1/2 in., framed. Condition: Toning, not examined out of frame.

Bement School Library, Deerfield. Signed “S.G. Maniatty” l.r., titled and identified on the stretcher. Oil on canvas, 16 x 24 in., framed. Condition: Good. $150-250

N.B. Samuel Triscott was born in England and came to the United States in 1871, settling in Worcester, Massachusetts, where he worked as a civil engineer and surveyor. Triscott was active in the art world and showed regularly at the Boston Art Club, the American Watercolor Society in New York, The Pennsylvania Academy of Fine Arts, and the Gallery of J. Eastman Chase. In 1885, he was one of the founding members of the Boston Society of Water Color Painters. In the early 1890s he began visiting Monhegan Island and eventually moved there full time. $250-350 1287 Elizabeth Talbot Reynolds (American, 19th/20th Century)

Studio Art—online

September/A View of Mount Monadnock. Signed “E.T. Reynolds.” l.l., titled and identified on a label and a letter from the artist, dated “9-111944,” affixed to the frame backing paper. Watercolor on paper, sight size 20 x 27 in., framed. Condition: Toning, scattered minor foxing, not examined out of frame. $300-500

1288 Stephen Parrish (American, 18461938) Quiet Harbor. Signed “Stephen Parrish” in the plate l.l., numbered “123” in the plate l.r. Etching on paper, plate size approximately 18 3/4 x 23 1/2 in., framed. Condition: Toning, not examined out of frame. $100-150

1291 John Taylor Arms (American, 18871953) Crystal and Jade, 1939 (Fletcher, 301). Signed and dated “John Taylor Arms 1940” in pencil l.r., numbered “VI” and dedicated “To my friend Asa Cheffetz/ from John Taylor Arms” in pencil l.l. Etching and aquatint on paper, plate size 7 1/2 x 6 5/8 in., matted, framed. Condition: Subtle mat burn, not examined out of frame. $150-250

1294 Two Framed Prints: Philip Evergood (American, 19011973), Family, 1965, signed “Philip Evergood” in pencil l.r., identified and titled “Artist’s Proof (RR) 11/2...” in pencil l.l., color lithograph on paper, image size 20 3/4 x 15 in., (toning, not examined out of frame); and Isaac Friedlander (American, 1890-1968), Job and Friends, edition of 50, signed “Friedlander” in pencil l.r., numbered “7/50” in pencil l.c., titled in pencil l.l., woodcut on paper, image size 14 1/4 x 10 1/4 in., (toning, foxing, gentle rippling, not examined out of frame). $300-500 1295 Jack Frankfurter (American, b. 1929) Arrangement. Signed “FRANKVRTER” l.l., titled in an inscription on the reverse. Oil on canvas, 20 x 27 1/2 in., framed. Condition: Not examined out of frame. $200-400

1292 Alphonse Legros (French, 1837-1911) Two Works: Peasant Women of Boulogne and The Wayfarer. Both signed “A. Legros” within the matrix l.r. Etching on paper, plate sizes to 5 3/4 x 10 1/2 in., matted, framed. Condition: Not examined out of frames. $200-250 1293 Two Framed Prints: Pierre Louis Maurice Courtin (French, b. 1921), Geometric Abstraction, signed “courtin” in pencil l.r., numbered “63.200” in pencil l.l., engraving on paper, plate size 11 3/4 x 9 3/4 in., (toning, foxing, not examined out of frame); and Uli Pohl (German, b. 1935), Geometric Abstraction, signed “uli pohl” in pencil l.r., numbered “10/180” in pencil l.l., etching on paper, plate size 9 1/2 x 9 1/2 in., (foxing, not examined out of frame). $125-150

1289 Robert Hamblen (American, b. 1932) Light at Eventide. Signed “Hamblen” l.r., titled on the reverse. Signed “Hamblen” l.r., titled on the reverse. Oil on Masonite, 24 x 35 3/4 in., framed. Condition: Scattered minor surface scratches, minor surface grime. $200-300

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1296 Everett Shinn (American, 1876-1953) Two Cherubs. Unsigned, inscribed “Everett Shinn” l.c., ascribed and titled on labels affixed to the frame backing. Pencil on light brown paper, sight size 7 1/2 x 6 3/4 in., framed. Condition: Gentle rippling, staining to u.c., not examined out of frame. $150-250 1297 John Taylor Arms (American, 18871953) Two Framed Etchings: Léon, 1923, trial proof (Fletcher, 140), and Reflections at Finchingfield, England, 1938 (Fletcher, 311). Both signed and dated “John Taylor Arms-...” in pencil l.r., former annotated in pencil l.l., latter dedicated and titled “To my friend Asa Cheffetz, with deep appreciation...” in pencil l.l. and signed and dated within the matrix l.r. Plate sizes to 7 1/8 x 17 1/16 in. Condition: Rippling to latter, toning, not examined out of frames. $150-250

1302 Michael Jacques (American, b. 1945)

1307 Homer Gunn (American, 1899-1966)

Maine Coastline. Signed “SWPROBERT” l.r., with a letter from the artist in an envelope affixed to the frame backing. Oil on canvas, 19 3/4 x 23 1/2 in., framed. Condition: Stretcher marks, craquelure, not examined out of frame. $300-500

Two Framed Etchings: Over the Rooftops of Paris and Morning Delivery. Both signed and dated “M. Jacques/1979” l.r., titled l.c., Delivery inscribed “Proof” l.l. Plate sizes to 16 5/8 x 20 5/8 in. Condition: Delivery with scattered minor fox marks, not examined out of frame. $200-250

Abstract Horse Head. Stamped “HOMER GUNN” in the metal along the bottom edge at the back, inscribed “Surface to Surface” in marker in the interior. Welded bronze sheet metal, height 18 5/8 in., presented without a plinth. Condition: Surface grime.

1299 Three Works on Paper:

1303 Clare Leighton (American, 1898-1989)

William Sunny Weintraub (American/ Israeli, b. 1926), Portrait of a Man, signed and dated “Weintraub/’60” l.r., ink and gouache, sight size 8 7/8 x 6 7/8 in., framed, (not examined out of frame); Isabel Wolff Bishop (American, 1902-1988), Standing Male Figure, signed “Isabel Bishop” in pencil l.r., etching, plate size 5 7/8 x 4 15/16 in., unframed, (pale toning and staining, adhesive residue to edges of sheet, hinged to mat with tape on the reverse); and Berthe Morisot (French, 18411895), Nu de dos, 1889, impression from the cancelled plate, unsigned, drypoint on paper, plate size 5 3/8 x 3 15/16 in., framed, (toning, not examined out of frame). $150-250

The Net Menders. Signed and dated “Clare Leighton 1933” in pencil l.r., numbered and titled “140/200...” l.l. Wood engraving, plate size 6 x 7 1/2 in., matted, framed. Condition: Not examined out of frame. $200-400

1300 Raphael Soyer (American, 1899-1987) Two Framed Lithographs: Gorky and Self-Portrait with Studies. Gorky signed “Raphael Soyer” in pencil l.r., numbered “41/150” l.l.; Self-Portrait signed “RAPHAEL SOYER” in the matrix l.l., pencil signed or inscribed “...Raphael Soyer” l.l., both identified on labels from Thronja Gallery, Longmeadow, Massachusetts, affixed to the frame backings. Condition: Gorky with mat burn, Self-Portrait with toning and slightly slipped in its mat so that the signature is not fully visible, not examined out of frames. $200-300 1301 Wesley Elbridge Webber (American, 1841-1914) Rowing. Signed “W. Webber.” l.r. Oil on canvas, 12 x 20 in., unframed. Condition: Craquelure, frame abrasions, tear u.l. edge, two small punctures c.l., small paint loss to l.r. $800-1,200

1304 Anton B. Vizy (American, 1937-2016) Two Wall Constructions: The Seven Last Words on the Cross and Studie for “Little Cross.” Last Words signed, titled, and dated “...’84” on reverse and Studie signed, titled, and dated “...’82” on reverse. Wood and canvas with textured pigment, sizes to 57 x 28 1/2 in. Condition: Surface grime and scuffs. $400-600 1305 Hélène Zelezny-Scholz (Czech, 18821974) Seated Woman Wearing a Shawl and Holding a Rose. Signed “Helene Zelezny/Roma” in the bronze along the back edge. Bronze with green/brown patina, height 14 3/4 in. Condition: Dust to the interstices. $800-1,200 1306 Michael Shacham (American, b. 1938) Man and Destiny. Signed “Shacham” in the bronze globe l.c., numbered “2/25” l.r. Bronze with brown patina, height approximately 20 in., on a clear plastic plinth. Condition: Areas of wear to the patina, dust and dirt to the interstices.

N.B. Homer Gunn studied at RISD from 1938 to 1941, then at the Art Students League of New York. He later taught at Deerfield Academy. His public commissions include the War Memorial in Greenfield, Massachusetts, and sculptures for the Boston Symphony Orchestra at Tanglewood and the Basketball Hall of Fame. $300-500 1308 Attributed to Adelbert Ames, Jr. (American, 1880-1955)

Studio Art—online

1298 Sidney W. Probert (American, 18651919)

Bust of Sachem Obbatinewat, Symbol of Shamut Bank. Signed and dated “A. Ames Jr/1912” on the back, inscribed “ROMAN BRONZE WORKS, N.Y.” along the bottom of the base beneath the left shoulder. Bronze with copper/brown patina, height 29 in. Condition: Dust and dirt to interstices. $1,000-1,500 1309 Margrit van Nuffel (Dutch, b. 1943) Reclining Nude Torso. Signed “margrit” on the left leg, identified and dedicated on a label on the underside of the base. Bronze with rose gold patina, height 2 1/2 in., on a marble plinth. Condition: Minor discoloration to patina, minor dust to interstices. $200-400 1310 Attributed to Kenneth Treister (American, b. 1930) Shalom Candelabra. Unsigned. Bronze with a green-gold patina, height 9 3/4 in. Condition: Candlewax remnants, dust, and dirt to interstices. $250-350

N.B. We would like to thank the artist for providing the title for this sculpture. He describes the subject as a young man being drawn by his powerful destiny, symbolized by the eagle claw grasping the globe (his future world). $300-500

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1311 Percimer Rudolfi (German, 18841932)

1315 William Meyerowitz (American, 18871981)

1319 Richard Sheehan (American, 19532006)

Das Erwachen (The Awakening). Signed “Rudolfi” on the edge of the bronze base. Bronze with dark brown patina, height 10 3/4 in., on a marble plinth. Condition: Uneven color to patina, dust and dirt to interstices. $400-600

Discussions, edition of 10. Signed “Wm Meyerowitz” in pencil l.r., numbered “8/10” in pencil l.l., titled on a label from Thronja Original Art, Longmeadow, Massachusetts, affixed to the frame backing. Color etching and aquatint on paper, plate size 8 x 9 7/8 in., framed. Condition: Toning, rippling, not examined out of frame. $150-250

Attic Interior with Mirror and Chairs. Unsigned. Oil on canvas, 29 3/4 x 32 in., unframed. Condition: Surface grime and possible mold. $500-700

1312 Asa Cheffetz (American, 1897-1965) Two Drawings: Nude Female Torso and Male Nude. Each stamped and initialed in pencil “Asa Cheffetz/A.D.C.” l.r., titled on exhibition loan labels from the Museum of Fine Arts, Springfield, Massachusetts, affixed to the frame backings. Pencil and charcoal on paper, sight sizes 24 1/4 x 14 1/2 in., framed. Condition: Toning, staining, foxing, handling creases, small tears to edges, possible tape remnants to edges, not examined out of frames. $600-800 1313 Leonard Baskin (American, 19222000)

Studio Art—online

Tree, 1961. Signed and identified “Artist’s Proof Baskin” in pencil l.r., signed with the artist’s monogram and dated within the matrix l.r., titled on an exhibition loan label from the Museum of Fine Arts, Springfield, Massachusetts, affixed to the frame backing. Etching on paper, plate size 17 1/4 x 14 1/4 in., framed. Condition: Toning, not examined out of frame. $150-250

1314 Three Framed Etchings: Isabel Wolff Bishop (American, 19021988), Mending, titled, dedicated, and signed “...To Kate/Isabel Bishop” in pencil in lower margin, plate size 5 x 3 in., (toning, staining to margins, hinged to mat with tape at upper corners); Asa Cheffetz (American, 1897-1965), M. Stewart Simpson, 1919, signed and dated “Asa Cheffetz...” in pencil l.r., signed and dated “Cheffetz...” within the matrix l.r., plate size 6 7/8 x 4 7/8 in., (toning, gentle rippling, not examined out of frame); and Continental School, 20th Century, Standing Nude, unsigned, with a drystamp from Avd. Becke Kunsterverlag, Berlin and Halensee, l.r., plate size 7 x 5 1/2 in., (Toning, foxing, staining to margins, rippling, hinged to mat with tape at upper corners). $200-250

1316 Vivian Berman (American, 19282016) Cross Country, 1973, edition of 35. Signed and dated “V. Berman ‘73 imp.” in pencil l.r., numbered “30/35” in pencil l.l., titled in pencil l.c. Color collograph on paper, image size 22 1/4 x 13 3/4 in., framed. Condition: Not examined out of frame. $100-150 1317 Stanley Maltzman (American, b. 1921) Two Prints: Woodcock and Ruffed Grouse. Both signed “Stanley Maltzman” in pencil l.r., Woodcock titled and numbered “14/90” in pencil l.l., Grouse titled and numbered “13/90” in pencil l.l. Etching on paper, sight sizes to 13 1/4 x 15 1/2 in., matted, framed. Condition: Not examined out of frames. $100-150 1318 Charles Trentman (Trent) Burleson (American, b. 1952) Mills on the River. Signed “BURLESON” beneath the lip of the frame l.r., titled and dated “...c. 1987” on an unattributed label affixed to the framed. Oil on canvas, 25 3/4 x 31 3/4 in., framed. Condition: Frame abrasions. N.B. Charles Trentman “Trent” Burleson is a painter and professor at the Rhode Island School of Design. He served as Chief Critic of RISD’s European Honors Program in Rome in 1985. His paintings have been widely exhibited throughout the country and are part of many private, public, and corporate collections. $300-500

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1320 Richard Sheehan (American, 19532006) Still Life with Circus Doll and Mirror. Unsigned. Oil on canvas, 35 3/4 x 35 3/4 in., unframed. Condition: Surface grime and subtle mold or similar. $500-700 1321 Yutaka Ohashi (Japanese/American, 1923-1989) Abstraction. Signed and dated “ohashi - 68” l.l. Gouache on paper, sight size 23 3/4 x 16 7/8 in., matted, shrink-wrapped. Condition: Not examined out of wrapping. N.B. A 1960 Swetzoff Gallery, Boston, exhibition brochure of Yutaka Ohashi paintings accompanies the lot. $200-300 1322 Fanny Rabel (Mexican, 1922-2008) Visage. Signed “Fanny Rabel” l.r., numbered “93/275” l.l., titled in pencil on a label from The Collector’s Guild, New York, affixed to the frame backing. Lithograph on paper, sight size 23 1/2 x 17 1/2 in., framed. Condition: Not examined out of frame. $250-350

Clara Anna Hatton (1901-1991), including approx. twenty-five prints and one drawing, additionally one or more works by Avis Chitwood (1893-1994), Katherine Nickel (fl. 1940s), Herschel Logan (1901-1988), Luigi Lucioni (1900-1988), Albert R. Thayer (d. 1955), Charles Rogers (1911-1987), a small group of American School, Figure Studies, signed or inscribed Bud Holman and dated c. 1952, and a hand-colored botanical print by Franz Xaver Schmuzer (German, 17131775). Various print methods including some possible offset lithographs, plate sizes to 9 x 13 in. Condition: Figure Studies in poor condition, Nickel with holes and abrasions within the plate mark beneath the image, others with toning, mostly unmatted. $100-150 1324 Hugh Bolton Jones (American, 18481927) Copy after The Horse Fair by Rosa Bonheur. Signed and inscribed “H.B. Jones/New York” l.l. Oil on canvas, 30 x 49 3/4 in., framed. Condition: Small tear to l.l. corner beneath signature, dent to canvas surface l.r., craquelure, minor rippling, surface grime. $300-500 1325 Lebadang (Vietnamese, 1922-2015) Construction in Black, Blue, and Red. Signed and numbered “Lebadang/24/250” l.r. Cast paper with mixed media elements, 24 1/2 x 14 1/2 in., framed. Condition: Not examined out of frame. $300-500 1326 Alfred Gunnar Bjareby (American, 1899-1967)

1327 Alfred Gunnar Bjareby (American, 1899-1967)

1331 Albert Prentice Button (American, 1868-1931)

Sunset Over a Quiet Shore. Signed and dated “...Bjareby/1965” l.r. Oil on canvas stretched over Masonite, 29 x 52 1/2 in., framed. Condition: Minor surface grime. $400-600

Autumn Landscape. Signed “ALBERT PRENTICE BUTTON” l.l., inscribed “From...Button/to ADB/ Mar 21/1923” on the reverse. Oil on canvas mounted to Masonite, 14 x 12 in., unframed. Condition: Losses to l.r. and u.r. corners, Masonite attached to a Bay State stretcher. $300-500

1328 Reuven Rubin (Israeli, 1893-1974) Lithograph from the Stories of King David, 1971, from the edition of 250, printed at Penn Atelier Graphics, New York. Signed “Reuven Rubin” in pencil l.r., numbered “174/250” in pencil l.l. Color lithograph on Arches paper, sight size 24 5/8 x 18 7/8 in., framed. Condition: Not examined out of frame. $200-300 1329 Two Framed Works on Paper by Mid-Century American Artists: William Meyerowitz (1887-1981), The Cove, signed “Wm Meyerowitz” l.r., signed similarly in the plate l.r., identified on a label from Thronja Gallery, Longmeadow, Massachusetts, affixed to the frame backing, color etching, 5 3/4 x 7 1/4 in.; Chaim Gross (1904-1991), Standing Nude, signed and dated “Chaim Gross/’61...” l.l., pencil and watercolor on paper, 15 x 7 1/8 in. Condition: Not examined out of frames. $150-250 1330 Michael Jacques (American, b. 1945) Six Impressions of Turn of the Century Band. All signed “M. Jacques” in pencil l.r. and titled l.c., numbered 42, 68, 69, 71, 72, and 73 out of the edition of 100. Etchings on paper, plate size 13 7/8 x 16 7/8 in., #42 shrink-wrapped, the others unmatted, unframed. Condition: Some with minor soiling to the margins. $100-200

1332 Alice Kerr-Nelson Hirschberg (American, 1856-1913) Two Children with a Kitten in a Garden. Signed and dated “Alice Hirschberg/1891” l.r. Watercolor on paper/board, sight size 14 3/8 x 10 3/8 in., framed. Condition: Not examined out of frame. $300-400

Studio Art—online

1323 Group of Unframed Prints and Drawings, Primarily American Mid20th Century:

1333 Lajos Szalay (Hungarian/Argentinian, 1919-1995) Nude with Horse. Signed “Szalay” l.r. Ink on paper, 17 1/2 x 12 5/8 in., framed. Condition: Toning, staining, mat burn, tape remnants and adhesive residue to edges on the reverse. $400-600 1334 Spanish Colonial School, 19th Century Ecce Homo. Unsigned. Oil on metal, 14 x 10 in., unframed. Condition: Rippling to the metal, bends at the corners, hanging hole to u.c., abrasions, scattered paint losses, surface dirt and grime, rust to the reverse. $350-500

Windmills. Signed and dated “Gunnar Bjareby 1949” l.r. Oil on canvas, 28 1/2 x 30 1/4 in., framed. Condition: Surface grime, not examined out of frame. $300-600

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1335 British School, 19th/20th Century

1339 Dutch School, 19th/20th Century

1344 British School, 19th Century

Two Framed Landscape Etchings: Charles John Watson (British, 18461927), Le Moulin, Abbeville, signed “Charles J. Watson” in pencil l.l., signed and dated “...1904” in the plate l.r., titled on a label on the frame backing paper, plate size 7 7/8 x 8 7/8 in.; Edward Popple (British, 19th/20th Century), The South Foreland, signed “E Popple” in pencil l.r., signed and dated faintly in the plate l.r., titled and numbered “...70/150” in pencil l.l., plate size 6 1/2 x 10 5/16 in. Condition: Not examined out of frames.

Cows Resting in a Field. Signed indistinctly l.l. Oil on panel, 6 x 8 3/4 in., framed in a period frame. Condition: Surface grime, horizontal split running the length of the panel. $400-600

Book: A collection of Etchings, Etc. principally by the Old Masters, possibly London, 1851. Bound scrapbook consisting of title page and over fifty tipped-in etchings or engravings, mostly late impressions or copies. Sheets approximately 13 1/2 x 10 1/2 in. Condition: Missing cover, binding, and several interior pages, many blank pages missing their original prints, prints with toning, trimming, most tipped in, some laid down, supporting sheets with occasional tears and foxing, most interleaved with tissue. $800-1,200

Provenance: Le Moulin purchased in London, December 1925, then by descent to the current owner. $150-250 1336 Edward Henry Potthast (American, 1857-1927) The Century/The July Number, 1896, monogrammed in the matrix, with printed inscriptions “Designed by EDWARD POTTHAST” l.l. and “Printed from Aluminum by W.B. Orcutt Company, New York” l.r. Lithograph on paper, 21 x 15 1/4 in., framed. Condition: Not examined out of frame. $300-500

Studio Art—online

1337 Attributed to Pablo Picasso (Spanish, 1881-1973)

Chien. Signed “Picasso” in pencil l.l., stamped signature within the image, inscribed “Bon á tirer” in brown ink l.l. Etching on wove paper with “Johannot” watermark, plate size 12 3/4 x 10 1/4 in., framed. Condition: Deckled edges, toning, floated within the mat (using double-sided tape along upper and lower edges to verso). Provenance: The estate of Walter F. Goodman. $1,500-2,500 1338 Mersad Berber (Bosnian, 1940-2012)

1340 Thee Drawings: Attributed to Frank Vincent DuMond (American, 1865-1951), Figure Sketches, unsigned, stamped “ESTATE of FRANK VINCENT DU MOND” in several places on the mat and the frame backing, pencil on paper, two sheets, sight sizes to 5 3/4 x 4 3/8 in., framed, (toning, tear to u.r. edge of one sheet, not examined out of mat); Continental School, 19th/20th Century, Cathedral Interior, signed indistinctly u.r., pencil on paper, 9 1/4 x 6 1/8 in., framed, (hinged to mat with tape affixed to the reverse at upper corners, toning, staining). $300-500

1345 N. Henry Bingham (American, b. 1939) Standing Nude. Signed “N. Bingham” l.r. Signed l.r. Oil on panel, 15 3/4 x 11 7/8 in., framed. Condition: Minor surface grime. $300-400

1341 School of Edward Henry Potthast (American, 1857-1927)

1346 Emily Nichols Hatch (American, 1871-1959)

Beach Scene with Umbrellas. Unsigned. Oil on board, 4 3/4 x 6 1/2 in., framed. Condition: Surface grime. $500-700

Prout’s Neck Beach, Maine. Signed and dated “Emily Nichols Hatch 1920” l.r. Oil on board, sight size 5 1/4 x 8 in., framed. Condition: Surface grime, not examined out of frame. $600-800

1342 American School, 20th Century River and Rolling Hills. Unsigned. Oil on board, 15 3/4 x 19 3/4 in., framed. Condition: Minor craquelure. $300-500 1343 Group of Loose and Semi-bound Old Master Prints, approx. thirty loose prints, 17th through 20th century, with a small album of 18th century engravings, mostly illustrations to Ovid’s Metamorphoses; sizes to 8 1/2 x 13 3/4 in., (varying conditions, album with broken spine and loose sheets). $500-700

Portrait of a Woman. Signed “BERBER” l.r., signed “Berber/...” on the reverse. Oil and collage on canvas, 14 x 13 in., in a hand-embellished frame. Condition: Good. $400-600

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1347 Fannie Wallace Tewksbury (American, 1852-1934) Orchard in Full Bloom. Signed “Fanny W. Tewksbury” l.r. Watercolor on paper, sight size 16 1/4 x 20 1/4 in., framed. Condition: Not examined out of frame. $150-250 1348 Ronau William Woiceske (American, 1887-1953) Misty Moonlight. Signed “R.W. Woiceske” l.r., titled l.l., inscribed “Ec. 75” l.c., monogrammed in the plate l.r. Etching on paper, plate size 11 7/8 x 9 3/4 in., framed. Condition: Toning, not examined out of frame. $300-500

The Village Ford. Signed in pencil “Seymour Haden” l.l., signed and dated “Seymour Haden 1881” in the plate l.r., titled on two labels affixed to the frame backing and on a label affixed to the glass. Etching on paper, plate size 6 3/4 x 10 1/4 in., framed. Condition: Toning, not examined out of frame. $300-500 1350 Walt Disney Studios, 20th Century Jiminy Cricket from Pinocchio. Unsigned, inscribed “Jiminy” in pencil on the mat, identified on a label from Arthur Acekmann & Son, Inc., Chicago, affixed to the backing board. Animation cel, sight size 2 3/4 x 3 7/16 in., matted and framed in glass with taped edges. $300-500 1351 Charles Gruppe (American, b. 1928) Floral. Signed “C. Gruppe” l.r., titled and signed on the reverse. Oil on canvasboard, 24 x 18 in., framed. Condition: Minor bowing to the board. $200-300 1352 Frank Weston Benson (American, 1862-1951) In Island Pond, 1925, published state of 150 (Paff, 252). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 9 3/4 x 7 3/4 in., unmatted, unframed. Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin, adhesive residue to upper edge. $200-300

1354 David Alfaro Siqueiros (Mexican, 1896-1974) El Centauro de la Conquista. Signed “DA Siqueiros” in pencil l.r., numbered “E/7” in pencil l.l. Lithograph on paper, image size 21 5/8 x 18 3/8 in., unmatted, unframed. Condition: Lightly toned, minor soiling in margins. $150-250 1355 Jane E. Goldman (American, b. 1951) Sumac. Signed and dated “Jane E. Goldman 1993” in pencil l.r., titled in pencil l.c., numbered “58/75” in pencil l.l. Intaglio on paper, plate size 11 1/2 x 15 3/4 in., matted, framed. Condition: Not examined out of frame. $200-250 1356 Rutherford Boyd (American, 18841951) Head of a Saint Bernard/A Saturday Evening Post Cover. Signed “RUTHERFORD BOYD” l.l. Watercolor on paper, 16 x 12 3/8 in., framed. Condition: Rectangular shadow to u.r. corner, with a small slit in the paper along its upper edge, sheet laid down on cardboard, minor bowing to the cardboard support. N.B. The watercolor was featured on the cover of The Saturday Evening Post on March 6, 1943. $300-500 1357 Otis Pierce Cook (American, 19001980) Harbor Scene. Signed “Otis Cook” l.r. Oil on canvas, 20 x 24 in., framed. Condition: Not examined out of frame. $400-600

1359 Peggy Bacon (American, 1895-1987) The Sights of the Town, 1946 (Flint, 151). Signed “Peggy Bacon” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 1/4 x 10 1/4 in., matted, framed. Condition: Pale mat burn, not examined out of frame. $300-500 1360 Continental School, 19th/20th Century Shepherdess with Her Flock. Signed indistinctly l.l. Oil on canvas, 26 x 20 in., framed. Condition: Stretcher marks, tenting, not examined out of frame. $200-250 1361 Alfred Rogoway (American, 18991990)

Studio Art—online

1349 Seymour Haden (British, 1818-1910)

Horse and Rider. Signed “Rogoway” l.r. Oil on panel, 15 3/4 x 11 3/4 in., unframed. Condition: Minor paint losses, wear to the edges of the panel, surface grime. N.B. Rogoway found inspiration in the modern masters, in this case the abstract equestrian works of Marino Marini (Italian, 1901-1980). $300-500 1362 Arthur R. Safford (American, 19001992) Cape Ann Wharf. Signed “Arthur R Safford” l.r. Watercolor on paper, 21 1/2 x 29 1/2 in., framed. Condition: Gentle rippling, pinholes to u.c., not examined out of frame. $300-500 1363 Continental School, 19th Century

1353 Diane Burko (American, b. 1945) Ile au haut, 1989, edition of 178. Signed and numbered “Burko 78/178” in blue l.l., dry stamp l.l. Color lithograph on paper, image/sheet size 40 x 30 in., unmatted, unframed. Condition: Good. $500-700

1358 Henri de Toulouse-Lautrec (French, 1864-1901) Madame Réjane, 1898, probably from the 1951 edition (Adriani, 275; Wittrock, 266). Monogrammed within the matrix. Lithograph on paper, image size 11 5/8 x 9 3/8 in., matted, framed. Condition: Not examined out of frame. $500-700

Still Life with Flowers in a Vase. Unsigned. Oil on canvas, 24 x 20 in., framed. Condition: Lined, craquelure. $200-250 1364 Marie Laurencin (French, 1885-1956) Jeune fille à la guitare, 1946 (Marchesseau, 238). Signed within the plate. Colored etching, plate size 7 3/4 x 6 7/8 in., unmatted, unframed. Condition: Deckled edges, subtle fox mark in margin l.r. $300-500

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1365 Asa Cheffetz (American, 1897-1965) Three Wood Engravings: Peaceful Valley, 1944, Winter in Southhampton, 1949, and Winter Weather, 1951. Each signed “Asa Cheffetz” in pencil l.r. Wood engravings on paper, image sizes to 5 x 8 7/8 in., matted, framed. Condition: Not examined out of frames. $250-350

Studio Art—online

1366 Vincent Castellanet (American, b. 1935)

1370 Continental School, 18th Century Style Portrait of a Woman in an Ermine Cape. Unsigned, inscribed “Konigin von Schweden” along the upper edge, inscribed “Ano 1791” on the reverse. Oil on canvas, 30 1/2 x 25 1/4 in., framed. Condition: Puncture u.r., retouch, craquelure, surface grime. $1,000-1,500 1371 Cliffton Peacock (American, b. 1953)

1374 Peter Fink (American, 1907-1984) Two Photographs: View of Skyscraper from Below and Refractions, Park Avenue, New York, 1960s. Skyscraper signed “Peter fink” in ink in the image l.r., Refractions signed and numbered “Peter Fink ap/20” in ink in the image l.r., titled and with additional inscriptions in red and black ink on the reverse of the mount, stamped “Photograph By/PETER FINK” in red ink on the reverse of the mount l.r. Gelatin silver prints mounted to board, image/sheet sizes to 19 1/4 x 11 7/8 in., matted, unframed. Condition: Skyscraper with minor rippling/bubbling (from the mounting process) in lower half of the sheet, Refractions with subtle chemical stain or similar in the image u.r., minor wear to mount corners. $800-1,200

Schooner. Signed and dated “CASTELLANET 01” l.r., titled on a tag attached to the backing. Oil on canvas, 30 x 40 in., framed. Condition: Good. $300-500

Possessions. Signed and dated “Cliffton Peacock/1986” on the reverse, identified on a label from Obelisk Gallery, Boston, affixed to the stretcher. Oil on canvas, 92 x 72 in., unframed. Condition: Minor surface grime. $300-500

1367 Marvin Lowe (American, 1927-2010)

1372 Cliffton Peacock (American, b. 1953)

Oriental Girl with Red Hat, 1965. Signed “Marvin Lowe” in pencil l.r., numbered “11/30” in pencil l.c., titled in pencil l.l. Color intaglio on paper, plate size 23 5/8 x 17 5/8 in., matted, framed. Condition: Not examined out of frame. $200-400

Untitled (Horse). No visible signature, identified and dated “...1991...” on a label from Obelisk Gallery, Boston, affixed to the frame backing. Mixed media on paper, 19 3/4 x 23 1/2 in., framed. Condition: Not examined out of frame. $200-400

George Washington, 2009. Signed and numbered “SAK 19/100” on the reverse, identified on a label from Wentworth Gallery Ltd., Miami, on the backing. Screenprint on canvas with paint embellishments, 19 3/4 x 19 3/4 in., unframed. Condition: Good.

1368 Nan Faure Greacen (American, 19081999)

1373 Astrid Fitzgerald (American, b. 1938)

Provenance: Citizens Bank, Providence, Rhode Island. $200-400

The Porcelain Deer. Signed “Nan Greacen N.A.” u.l., labeled on the reverse. Oil on canvas, 24 1/2 x 32 in., framed. Condition: Good.

Two Paintings: No. 21 and No. 40. 21 signed “Astrid Fitzgerald” on frame; 40 unsigned. Acrylic on canvas, 21 44 x 48 in., unframed; 40 48 x 48 in., framed. Condition: Surface grime. $150-250

Exhibitions: 52nd Annual Exhibition, Allied Artists of America, National Academy Galleries, New York, 1965; Grand Central Galleries, New York. $800-1,200 1369 Christopher Scali (American, 20th Century) Harbor Scene with a Paddleboat. Signed and dated “Christopher M. Scali ‘86” l.r. Oil on canvas, 23 3/4 x 29 3/4 in., framed. $200-300

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1375 Steve Kaufman (American, 19602010)

1376 Attributed to Alexander Cooper (British, c. 1605-after 1660) Portrait of a Young Man in Armor with a Lace Collar. Unsigned, attributed on a label on the stretcher and on three modern labels on the stretcher and frame. Oil on canvas, 29 1/2 x 23 1/4 in., framed. Condition: Lined, retouch, abrasions, fine stable craquelure. $2,000-3,000 1377 American School, 19th/20th Century Foggy Landscape with Green Hills and River. Signed indistinctly l.l. Oil on canvas, 12 x 8 7/8 in., framed. Condition: Small patch reinforcement to l.r. corner beneath the stretcher bar corresponding to a small restored tear l.l. immediately below the signature, surface grime. $400-600

House on a Curving Path. Signed “W. LESTER STEVENS/N.A.” l.r. Watercolor on paper, 14 3/4 x 19 3/4 in., framed. Condition: Minor toning. $400-600 1379 John Clinton Spencer (American, 1861-1919) Still Life with Pink Roses. Signed and dated “J.C. Spencer/906” l.l. Oil on canvasboard, 7 x 9 in., framed. Condition: Possibly cut down, minor damage to edge l.c., subtle surface grime. Provenance: Skinner, Inc., September 7, 2001, American & European Paintings & Prints, Sale 2102, Lot 279. $300-500 1380 Les Griggs (Australian Aboriginal, 1958-1994) Untitled. Signed and dated “Les Griggs 87” l.r. Acrylic on canvas, 41 3/4 x 71 1/8 in., framed. Condition: Good. N.B. The lot is accompanied by two exhibition catalogs on Aboriginal art. $400-600 1381 Margaret Evelyn Whittemore (American, 1897-1983) Approximately Twenty-six Original Prints, including Screenprints and Linocuts, of Kansas Subjects. All signed in pencil, most titled, some marked “P.W.A.P., Region No. 7 Kansas” on the reverse. Sizes to 14 x 10 3/8 in., one matted, others unmatted, all unframed. Condition: Wear commensurate with age, minor soiling, minor toning, creases to corners, remnants of hinges to the reverse; P.W.A.P. prints on tissue paper with toning and creasing, some with foxing. N.B. The lot includes assorted ephemera related to the artist. $200-400

1382 Sandi Slone (American, b. 1939)

1387 Victor Kotov (Russian, b. 1927)

Raw Honey. Signed “Sandi Slone,” titled and dated “...1978” on the reverse. Oil, acrylic, and Rhoplex on canvas, 54 x 107 in., framed. Condition: Surface grime. Provenance: Danforth Art Museum auction, to the current owner. $1,000-1,500

Moscow Suburbs. Signed and inscribed in Cyrillic l.r., further inscribed in Cyrillic on the reverse, titled on a printed label affixed to the reverse. Oil on cardboard, sight size 11 1/2 x 15 1/2 in., framed. Condition: Loss to u.c. edge, minor retouch, tack holes in corners, rippling to the support. $1,000-1,500

1383 Ben Shahn (American, 1898-1969)

1388 Ivan Kozlov (Russian, b. 1920)

Two Partial Portfolios of For the Sake of a Single Verse by Rainer Maria Rilke, including plates I (2), III, V, IX, X, XI, XIII, XV, XIX (2), XX (2), XXI, XXII, XXIII (2), and assorted front and back matter, 1968, published by the Ben Shahn Trust, New York. Lithographs on Velin d’Arches paper, sheet sizes 22 1/2 x 17 1/2 in., unmatted, housed in clothbound portfolios. Condition: Some with subtle toning, wear to portfolios. $300-500

Portrait of the Artist’s Wife. Signed in Cyrillic and dated “50” l.r. Oil on canvas, 12 x 15 1/4 in., framed. Condition: Scattered paint losses, flaking, retouch. $500-700

1384 South American School, 20th Century Mexico. Signed “Don Olson” l.c., titled and dated “1956” in an inscription l.c. Gouache and ink on paper, 7 1/2 x 11 in., framed. Condition: Not examined out of frame. $100-150 1385 Harry Glaubach (American, b. 1939) King Kong’s Love Dies. Signed and dated “1986” on the reverse. Wooden panel relief, acrylic paint, and newspaper clipping, 62 x 27 x 4 in., unframed. Condition: Abrasions, paint discoloration, dust to interstices, surface grime. $200-300 1386 Alice Beach Winter (American, 18771970) Self Portrait. Unsigned, identified on a label from Bakker Gallery, Boston, on the frame backing paper. Oil on board, sight size 11 1/8 x 7 3/4 in., framed. Condition: Good.

Studio Art—online

1378 William Lester Stevens (American, 1888-1969)

1389 Francie Randolph (American, 20th/21st Century) Reproducta, from the series Dehiscence, 1998-99. Unsigned, identified on a label affixed to the reverse. Digital prints and mixed media mounted to wood panels, 34 1/2 x 34 1/2 in., unframed. Condition: Good. $200-400 1390 Marc Chagall (Russian/French, 1887-1985) Untitled, from Les âmes mortes, 1948, total edition of 368 (Cramer, 17). Unsigned. Etching on wove paper with “J PERRIGO” watermark, plate size 8 1/4 x 10 7/8 in., matted, unframed. Condition: Two edges deckled, loss and staining to corner of margin l.r., Scotch or similar tape to verso at corners and center of each edge, pale staining from typography to verso. $300-350 1391 American School, 20th Century Abstract Female Figure. Unsigned, inscribed “13./1992” on the underside. Brass with pink-brown patina, 5 1/4 x 8 3/4 x 3 1/2 in. Condition: Scattered oxidation and small abrasions, adhesive residue to the underside. $300-350

Provenance: Estate of the artist, to Roger Curtis, Gloucester; to a private Boston collection. $500-700

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1392 James Gale Tyler (American, 18551931)

1397 Anton B. Vizy (American, 1937-2016)

1402 Paolo Boni (Italian, b. 1926)

Schooner Under Way. Signed “JAMES G. TYLER” l.r. Oil on canvas, 20 x 16 in., framed. Condition: Lined, scattered minor retouch. $800-1,200

Secret Ceremony, No. II. Unsigned, titled on the reverse. Wood and canvas wall construction with blue pigment, 32 x 32 in. Condition: Minor scuffs, surface dust. $300-500

Boni Musee Grimaldi Antibes, 1965. Identified within the plate. Intaglio in brick and black on arches paper, sheet size 26 x 19 3/4 in., unmatted, unframed. Condition: Deckled edges, minor soiling. $300-500

1393 Adolf Sehring (American, b. 1930)

1398 Anton B. Vizy (American, 1937-2016)

Vanity. Signed “aSehring” l.r., stamped with a foundry mark and numbered “20/40” on the reverse. Bronze with brown patina on a metal and wood plinth, height 18 1/2 in. Condition: Oxidation to top of figure’s head. $600-800

Two Wall Constructions: The Witness and Passagcalia No. II. Witness signed, titled, and dated “...1982” on the reverse, Passagcalia titled and dated “...1984” on the reverse. Wood and canvas with textured pigment, sizes to 48 x 24 in. Condition: Surface grime and scuffs. $400-600

1394 Framed Ting Shao Kuang (Chinese, b. 1939) Lithograph of a Woman and Cranes, 1984, signed l.r., sight size 32 1/2 x 33 1/2 in., framed. $300-400 1395 After Edith Barretto Stevens Parsons (American, 1878-1956)

Studio Art—online

Duck Baby. Signed “PARSONS COPYRIGHT,” stamped “GORHAM CO/FOUNDERS,” and numbered “QAWF” on the base. Bronze with green-brown patina, 5 x 2 x 1 in. Condition: Dust and oxidation to the interstices. $500-700

1396 Louis Icart (French, 1888-1950) Paris Flowers (Fleurs de Paris). 1930. Signed “Louis Icart” l.r., numbered “262/500” and with an embossed stamp l.l., inscribed “Copyright 1930 by Louis Icart, Paris” in the plate u.l. Etching on paper, plate size approximately 15 1/2 x 19 1/2 in., framed. Condition: Minor toning, not examined out of frame. Literature: W.R. Holland et al., Louis Icart: The Complete Etchings (Atglen, PA: Schiffer, 1990) p. 188, fig. 400. $300-500

1403 Thomas Cornell (American, 19372012) Satyr. Signed “Cornell” l.l., numbered, titled, ascribed, and dated “17/300...1969” in an inscription on the reverse. Bronze plaque with a greenish brown patina, 7 x 7 x 1/4 in. Condition: Scattered abrasions. $100-125

1399 Claire Shuttleworth (American, 18671930)

1404 Donald De Lue (American, 19001988)

Summer Landscape with Farmyard and Cows. Signed “Claire Shuttleworth” l.l. Watercolor and pastel on paper, 9 1/2 x 12 1/2 in., framed. Condition: Small tear to l.c. edge stabilized with tape on the reverse, brown paper tape remnants and minor glue stains to the edges of the reverse, hinged on the reverse to the window mat in two places. $700-900

Bursting the Bounds. Signed “DeLue” on the recto l.l., stamped “DONALD DeLUE,” “SOM 111th ISSUE,” and “AUG 1985” around the outside edge. Bronze with gold patina, 2 3/4 x 2 3/4 in. Condition: Minor scratches to outside edge, minor surface grime. N.B. Cast by the Medallic Art Co., 1985, for the Society of Medalists, 111th issue. $300-500

1400 William T. Wiley (American, b. 1937) State I, 1983, edition of 10. Signed and dated “Wiley 83” in pencil l.r., numbered and titled “4/10...” in pencil l.l., identified on a label from Artcetera, Boston, affixed to the backing. Etching on paper, plate size 3 x 28 7/8 in., framed. Condition: Gentle rippling, not examined out of frame. $400-600 1401 Robert Revak Dublac (American, 1938-2012) Orange Passages. Signed “R. Revak Dublac” l.l., titled in an inscription on the reverse. Oil on canvas, 35 3/4 x 52 in., framed. Condition: Craquelure and abrasions to edges. $300-500

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1405 Charles Franklin Pierce (American, 1844-1920) Two Works: Head of a Cow and Cows in a Field. Monogrammed “C.F.P” l.l. and signed “C.F. Pierce,” l.l. and l.r. respectively. Oil on canvas, 12 x 16 in., unframed. Condition: Both with surface grime, Field lined, Head with areas of craquelure and minor rippling. $400-600

1411 Antonio Barone (American, 18891971)

Cottonwood and Sunlight, Canyonlands, Utah, 1987, printed 1990. Signed “Christopher Burkett” in pencil on the overmat l.r., titled, dated, signed, and numbered “...Christopher Burkett...#34” in pencil on the verso l.l., identified on a label from Photography West Gallery, Carmel, California, affixed to the backing. Dye destruction print, image size 18 5/8 x 23 1/8 in., matted, framed. Condition: Good. $300-500

Woman Ironing. Signed and dated “Antonio Barone/1905” l.r. Charcoal on paper, sight size 11 5/8 x 8 3/8 in., framed. Condition: Not examined out of frame.

Abstract in Black and Red. Signed “Lawrence” l.r. Oil on canvas, 79 x 45 in., framed. Condition: Surface grime, small abrasions and area of craquelure u.r. $300-500

Provenance: Property of a New England collector. $200-400

1416 Jonathan Trowell (British, b. 1938)

1407 David Landis Fick (American, b. 1950)

Landscape Sketch: River and Hills. Unsigned. Pencil on cardboard, 3 3/4 x 5 1/8 in., framed. Condition: Foxing, toning, hinged to window mat with masking tape along the top edge of the reverse.

Dream in a Gold Forest. Signed and titled “David Landis Fick...” on the stretcher, titled and dated “...19771979” on a label from Alexander F. Milliken Inc., New York, New York, affixed to the stretcher. Oil and gold leaf on canvas, 72 1/2 x 96 1/2 in., framed. Condition: Not examined out of frame. $1,000-1,500 1408 Christopher Scali (American, 20th Century) Nighttime Harbor Scene. Signed and dated “Christopher M. Scali 1988” l.r. Oil on canvas, 23 x 29 in., framed. $200-300 1409 Henry Pember Smith (American, 1854-1907) Tranquil Waters by a Rocky Shore. Signed “HENRY P. SMITH” l.r. Oil on canvas, 12 1/2 x 17 5/8 in., framed (under glass). Condition: Small tear with area of paint loss to canvas edge u.l. corner, small tack holes along edges of the canvas from mounting in frame, canvas slightly slack on the stretcher. $800-1,200 1410 Kendall Shaw (American, b. 1924) Thompson. Signed, dated, and inscribed “Kendall Shaw 1973/Sullivan (crossed out)/Thompson” in pencil on the reverse. Oil on canvas, 52 1/2 x 105 in., unframed. Condition: Faint scuff mark running intermittently along the top of the canvas 4 1/2 inches down from the upper edge, minor surface grime. $300-500

1412 American School, 20th Century

N.B. Although the work is inscribed “Grant Wood, American Painter/ acquired from Sixtina Gallery Fred Boxer in 1959/5 Ave. New York City” in pen on the frame backing, current scholarship does not support this attribution. $300-500 1413 Frederick Barnard (British, 18461896) Peasant Woman at Rest Feeding Birds. Initialed “F.B.” on the reverse. Oil on canvas, 9 x 5 3/4 in., framed. Condition: Retouch, fine craquelure, minor surface grime. $500-700 1414 Ida Eléonora de Schulzenheim (Swedish, 1859-1940) The Scrimmage. Signed and inscribed “Ida de Schulzenheim/ Paris” u.r., identified on a Pennsylvania Academy of Fine Art Sixty-Seventh Annual Exhibition label and another partial label affixed to the stretcher. Oil on canvas, 68 x 53 1/2 in., framed. Condition: Surface grime, craquelure, tear l.r., losses to frame. N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $1,000-1,500

1415 American School, 20th Century

Winter in Litcham, Norfolk. Signed “Trowell” l.l., signed or inscribed “TROWELL” on the reverse, titled on the back of the frame. Oil on Masonite, 5 x 7 in., framed. Condition: Good. N.B. The work is accompanied by an invoice from W.H. Patterson Gallery, London, dated May 26th, 1988, and a brief biography of the artist, both in an envelope affixed to the back of the frame. $150-250

Studio Art—online

1406 Christopher Burkett (American, b. 1951)

1417 Alexander Rosell (British, 1859-1922) Genre Scene: Feeding the Baby. Signed “ARosell” l.l. Oil on canvas, 19 3/4 x 29 in., framed. Condition: Minor paint losses to l.l., scattered minor retouch. $400-600 1418 Frank Liljegren (American, b. 1930) Still Life Composition with Books and Sheet Music. Signed “FRANK LILJEGREN” l.r. Oil on canvas, 26 x 30 in., framed. Condition: Minor surface grime, repair u.r. $800-1,200 1419 Salvador Dalí (Spanish, 1904-1989) Aliyah, from Aliyah (Elijah), 1968, edition of 275 plus proofs (Michler & Löpsinger, 1193; Field, 68-1-S). Signed “Dalí” in pencil l.r., numbered “223/250” in pencil l.l. Color lithograph on paper, image size 22 1/4 x 15 1/8 in., framed. Condition: Pinpoint fox marks, not examined out of frame. $300-500 1420 American School, 20th Century Floral Bouquet. Unsigned. Acrylic on canvas, 30 x 24 in., framed. Condition: Surface grime. $100-150

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1421 Otto J. Schneider (American, 18751946)

1425 Victor Vasarely (Hungarian/French, 1906-1997)

Portrait of a Gibson-style Girl. Signed “Schneider” in pencil l.r. Etching on paper laid on cardboard, 16 1/8 x 12 in., framed. Condition: Toning, acid burn, stain and crease to l.l. corner of margin. $100-150

Jatek. Signed “Vasarely” l.r., titled on a label affixed to the reverse. Screenprint, sight size 29 x 27 in., framed. Condition: Not examined out of frame. $200-300

1422 Kenneth Frazier (American, 18671949) Lady with a Flower on her Sleeve. Signed “Kenneth Frazier” u.r., identified on labels from Jeanne Frank, New York, and The Westmoreland County Museum of Art (see below), affixed to the frame backing. Oil on canvas, 30 x 25 in., framed. Condition: Lined, retouch, natural pigment fluorescence, fine craquelure. Exhibitions: The Westmoreland County Museum of Art, Greenburg, Pennsylvania, Kenneth Frazier 18671949 American Impressionist, October 5-28, 1975, as cat. no. 15, lent by FAR Gallery, New York. $1,000-1,500 1423 Janet D. Wheeler (American, 18661945)

Studio Art—online

Seated Girl in White. Signed and dated “JANET WHEELER 1901” l.r. Oil on canvas stretched over board, 26 x 16 in., framed. Condition: Retouch. $1,000-1,500

1424 Kuzma Vasilevic Nikolaev (Russian, 1890-1972) Milk Maid. Initialed in Cyrillic “KH” l.r., identified and dated “1950’s” in an inscription on the frame backing, with a label from Windsor Betts Fine Art Brokerage House, Santa Fe, affixed to the frame backing. Oil on canvas, 7 x 4 1/4 in., framed. Condition: Laid down to paperboard support, not examined out of frame. $1,000-1,500

1426 Juan Alcazar Mendez (Mexican, 1955-2013) Two Clay Paintings: House and Circle. Unsigned, a label from Galeria Blasini affixed to the reverse of House. Clay and pigment on wood, House 6 x 6 in.; Circle 8 x 8 in., framed. Condition: Surface grime. $100-200 1427 Stanley Anderson (British, 18841966) Market Scene. Signed “Stanley Anderson” in the plate l.l. and in ink beneath the image l.r. Etching on paper, plate size 6 1/2 x 8 in., framed. Condition: Mat burn, not examined out of frame. $300-500 1428 James Gale Tyler (American, 18551931) Sailing in a Stiff Breeze. Signed “JAMES G. TYLER” l.l. Oil on canvas, 20 x 16 in., framed. Condition: Retouch. $800-1,200 1429 Wesley Elbridge Webber (American, 1841-1914) Lake Shore with Canoe. Signed “W.Webber.” l.l. Oil on canvas, 12 x 24 in., unframed. Condition: Lined, scattered minor retouch, abrasions l.l. $1,000-1,500 1430 School of Hans Thoma (German, 1839-1924) Peasant Girl Holding a Basket and Doll. Inscribed “H THOMA” l.r. Oil on tin, 9 7/8 x 8 1/2 in., framed. Condition: Frame abrasions, varnish discoloration, surface grime, signature fluoresces under ultraviolet light. $200-250

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1431 Sandra Kraskin (American, b. 1944) Duke Errol. Signed and dated “Sandra Kraskin 1965” l.r., titled and numbered “...1/2” l.l. Woodcut on paper, image size 20 x 16 in., framed. Condition: Sheet laid down on paperboard support, areas of creasing and bubbling from mounting, toning, areas of uneven ink. Note: Duke Errol was a Trinidad and Tobago musician. He recorded calypso music as a solo artist and with his band, Duke Errol and The Lords. $100-150 1432 Leon Golub (American, 1922-2004) South Africa, 1985, edition of 90. Dated and titled “1985-...” in pencil l.l., numbered and signed “36/90 GOLUB” in pencil l.c. Color lithograph on paper, image size 21 x 30 1/8 in., framed. Condition: Foxing, not examined out of frame. $400-600 1433 Richard McDermott Miller (American, 1912-2004) Capture/Escape. Initialed “RM” on the recto l.r., titled front and back, inscribed “THE SOCIETY OF MEDALISTS 112th ISSUE NOV. 1985 RICHARD MCDERMOTT MILLER” across the top edge and “© 1985 MEDALLIC ART CO. DANBURY, CT” AND “CU.S/P” along the bottom edge. Bronze with silver patina, diameter 2 7/8 in. Condition: Minor wear to outside edges, minor surface grime. $100-150 1434 Attributed to or After Salvador Dalí (Spanish, 1904-1989) Mort de Cleopâtra (Death of Cléopatra), 1975-76, total edition of 500 (Michler & Löpsinger, 820; Field, p. 248). Signed or inscribed “Dalí” in pencil l.r., inscribed “E.A.” in pencil l.l. Color etching on paper, plate size 16 3/8 x 20 3/8 in., framed. Condition: Not examined out of frame. $500-700

Le Debut/Standing Nude Male Dancer. Signed and numbered “LEO 4/8” beneath his right heel. Bronze with gold patina, height 11 1/4 in., on a marble plinth. Condition: Wear to the patina particularly on the hands, dust and dirt to the interstices. $200-400 1436 Gary Bower (American, b. 1940) Change of Seasons: Laws of Chance. Signed and titled “BOWER...” on the reverse, titled and dated “...1981” on an exhibition loan label from The Ohio Foundation on the Arts, Columbus, OH, affixed to the stretcher. Oil and acrylic on canvas, 67 x 120 in., unframed. Condition: Good. Provenance: Purchased by the current owner from Max Protetch Gallery, New York, New York. $400-600

1439 Thomas Rowlandson (British, 17561827)

1443 Robert Goodnough (American, 19172010)

Two Prints: Duck Shooting and Snipe Shooting After George Morland (British, 1763-1804). Inscribed “Painted by G. Morland & Etch’d by T. Rowlandson” in the plates l.l., titled l.c., published “...Janry 1, 1790 by J. arris...& Tho. Merle...” l.r. Etching and aquatint with hand-coloring, sight sizes 16 3/4 x 21 1/2 in., framed. Condition: Minor toning and foxing, not examined out of frames. $400-600

Dinny. Titled, signed, and dated “.../ goodnough.’1998” on the body of the dinosaur, signed and titled on the underside of the base. Spray paint on aluminum with nuts and bolts, 9 x 13 x 4 3/4 in. Condition: Dust and dirt, small scratch to dinosaur’s neck, minor wear to underside of base. $600-800

End of Sale 3001T

1440 Augusto Burchi (Italian, 1853-1919) Three Watercolor Italian Scenes: Pompei-antica Panatteria, Pompeiantica Taverna, and Calabria. Signed “A. Burchi” l.l. or l.r., titled and inscribed “...dal Vero” on the reverse. Sheet sizes to 10 3/16 x 12 13/16 in., unframed. Condition: Minor toning and handling creases, Panatteria with small stain to u.r. quadrant. $200-300

Studio Art—online

1435 American School, 20th Century

1437 Peter Fink (American, 1907-1984) Two Photographs: Brooklyn Bridge, New York and Park Avenue, New York, 1960s. Brooklyn stamped “PHOTOGRAPH BY PETER FINK” in red ink and titled on a fragment from old housing affixed to the backing, Park stamped “Please Credit/Photograph/ Peter Fink/New York” on the verso l.r. Dye transfer prints, image/sheet sizes to 10 1/8 x 13 1/4 in., matted, unframed. Condition: Both removed from their mounts, drymount tissue affixed to the versos, Brooklyn with scattered minor dings to surface, Park with minor creases l.l. edge, several subtle scattered spots of adhesive or similar. $700-900 1438 David H. Dale (Nigerian, b. 1947) Emergence of Africa. Signed “David H. Dale” l.r., dated “Lagos 1995” l.c., titled l.l. Watercolor and graphite on paper, 10 x 12 in., framed. Condition: Good. $300-500

1441 John Hansegger (American, 19081989) The Lady with Umbrella. Signed “HANSEGGER” l.l., titled on the reverse. Gouache on paper, 20 x 16 in., framed. Condition: Not examined out of frame. $300-500 1442 Grace G. Gassette (American, 18711955) Portrait of a Woman with a Dog. Signed and possibly dated “Grace Gassette/...” l.l. Oil on canvas, 60 x 45 in., framed. Condition: Craquelure, varnish inconsistencies, paint losses to u.l. and l.l., surface grime. N.B. Chicago painter and sculptor Grace Gassette was a student of Mary Cassatt and was part of Gertrude Stein’s circle in Paris. She was best known for developing orthopedic surgical appliances for wounded soldiers in Paris during World War I, for which she was made a Chevalier of the Legion of Honor by the French government. $300-500

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