Studio Art online | Skinner Auction 3038T by Bonhams Skinner

Studio Art online Lot Listing Sale 3081T | March 8â&#x20AC;&#x201C;16, 2018 | www.skinnerinc.com 508.970.3202 | discovery@skinnerinc.com |

MA LIC. 2304

1000 John L. Nesta (American, 1945-2017)

1005 Dave McGary (American, 1958-2013)

Hog Island and The Essex River: A Diptych. Each signed “John Nesta” l.l. or l.r. and on the reverse. Oil on canvas, each 24 x 40 in., framed individually. Condition: Good. $1,200-2,500

Indian Warrior. Signed, dated, and numbered “Dave McGary/© 1980 17/21” in the bronze base. Bronze with brown patina, height 31 1/2 in., on a pivoting wood plinth. Condition: Dust and dirt to interstices. $1,000-1,500

1001 Gerard L. Steenks (American, 18471926) Still Life with Onions and Chili Peppers. Signed “GERARD L. STEENKS” l.r. Oil on canvas, 12 1/4 x 15 3/4 in., framed. Condition: Lined, craquelure, retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200 1002 James Perry Wilson (American, 1889-1976) Summer Landscape, Pownal, Vermont. Signed and dated “J.P. WILSON 1938” l.r., inscribed and dated “POWNAL/3-4 JULY 1938” on the reverse. Oil on canvasboard, 12 x 16 in., framed. Condition: Good. $800-1,200

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1003 Xavier Gonzalez (American, 18981993)

Seascape with Yellow: Sailing Vessels in a Harbor. Signed and dated “Xavier Gonzalez/’53” l.r. Watercolor and gouache on paper, sight size 21 3/4 x 30 in., framed. Condition: Pale fox marks, rippling, not examined out of frame. $600-1,000 1004 Frederick Stone Batcheller (American, 1837-1889) Still Life with Fruit in a Footed Glass Bowl. Signed “Batcheller” l.l. Oil on canvas, 12 x 18 in., framed. Condition: Varnish inconsistencies. Provenance: Skinner, Inc., Studio Paintings, April 17, 2013, Sale 2646M, Lot 310; Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200

1006 American School, Late 19th Century Two Hudson River School/White Mountain-style Landscapes: Boater on a Lake and Cows Watering. Unsigned. Oil on academy board, 6 x 12 in., framed. Condition: Minor varnish discoloration and surface grime, Boater with small surface accretion u.c. N.B. Although pencil inscriptions on the frame backing paper attribute the paintings to J.F. Kensett, from the collection of Senator Charles Benjamin Farwell of Illinois, the John Frederick Kensett Catalogue Raisonné committee has determined these works are not by the hand of Kensett. $1,200-1,800 1007 Hazel Finck (American, 1894-1977) Sketching in the Sun. Signed “H. Finck” l.r. Oil on canvas, 20 x 24 in., unframed. Condition: Minor surface grime. $800-1,200 1008 Horace Burdick (American, 18441942) Traveler on a Road at Dusk. Signed and dated “H.R. Burdick.1911.” l.l. Oil on cardboard, 9 3/4 x 13 3/4 in., framed. Condition: Minor bowing to support. $700-900 1009 George Brodhead (American, 19th/20th Century) Marblehead. Signed “Geo. H. Brodhead” l.r., titled on a label from the Rochester Exposition Association affixed to the frame backing, with the artist’s studio label affixed to the frame backing. Oil on board, 11 x 14 in., framed. Condition: Small abrasion u.r., surface grime. $700-900

1010 Yngve Edward Soderberg (American, 1896-1971) Mystic River View, Medford, Massachusetts. Signed “Y.E. SODERBERG” l.l. Watercolor on paper, sight size 19 1/2 x 26 in., framed. Condition: Mat burn, not examined out of frame. $600-800 1011 Robert Paul Waddington (American, 20th/21st Century) Road Side. Signed and dated “ROBERT PAUL WADDINGTON 1999” l.r., titled on the reverse. Oil on canvas, 42 x 78 in., framed. Condition: Good. $700-800 1012 Théophile Alexandre Steinlen (French/Swiss, 1859-1923) Bal de barrière, c. 1898, published by L’Estampe Moderne, Paris. Signed within the matrix, publisher’s dry stamp l.r. Color collotype on smooth paper, image size 8 3/8 x 13 5/8 in., framed. Condition: Margins over 1 inch with toning and soiling. $500-700 1013 Aaron Fink (American, b. 1955) Three Ceramic Sculptures: Hotdog, Hamburger, and Apple. Each signed and dated “Aaron Fink ‘96” inside the cavity. Glazed bisqueware, sizes to 9 1/2 in. Condition: Minor dust to the interstices, two resting on wood plinths, one affixed to a ceramic base. $600-800 1014 Mabel May Woodward (American, 1877-1945) Thatched Cottages and Garden. Unsigned. Watercolor on paper, 8 x 10 in., unframed. Condition: Pinholes to upper edge, small loss to u.l. edge. $700-900 1015 Attributed to Andrew Shunney (American, 1916-1978) Woman in Pink with Flowered Hat and Veil. Signed “A. Shunney” l.l. Oil on canvas, 18 x 15 in., framed. Condition: Good. Provenance: A Massachusetts estate. $700-900

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1018 Julian Alden Weir (American, 18521919)

1022 Pat Andreotti (American, 20th/21st Century)

Autumn Landscape with Foreground Boulder and Distant Mountain. Unsigned. Oil on canvas, stretched with Boston tabs, 16 x 24 in., in a period frame. Condition: Minor surface grime.

The Old Bridge. Signed indistinctly “J...” l.r., identified on a label from The St. Louis Art Museum affixed to the frame backing. Oil on canvas, 14 x 18 in., framed. Condition: Retouch.

Zuni Pueblo. Signed “Andreotti” l.r., titled, signed, inscribed, and dated “...© Andreotti...Mesa...6/9/96” on the stretcher. Oil on canvas, 24 x 30 in., framed. Condition: Good. $700-900

N.B. Frame with a label from H.Q. Smith, Portrait and Picture Frame Manufacturer, Boston, affixed to the reverse; stretcher with label from Charles J. Edmands, Boston. $700-900 1017 Vyacheslav Lenkov (Russian, b. 1942) The Face of the Politician, 19871993: A Diptych Portrait of Boris Yeltsin. Boris, Son of Nicholas signed in Cyrillic and dated “1987” l.c. Oil on canvas, each part measuring approximately 32 x 26 in., both unframed. Condition: The 1993 portrait trimmed of tacking edges and laid on Masonite, with multiple paint losses and distressed areas, some of which appear to be by the artist’s hand in support of the portrait’s symbolism of decay. Literature: Boris Nikolayevich Yeltsin, Against the Grain, An Autobiography, translated by Michael Glenny (New York: Summit Books, 1990), the 1987 portrait is illustrated in the first section of photographs, pp. 83-84. N.B. In a description of the diptych, the artist explained that the first portrait, done in the form of an icon, presents Yeltsin before being elected Russian President in 1987. Titled Boris, Son of Nicholas, this painting shows the beginning of his path as a politician full of promises. The second portrait shows the transformed political face, leading to the collapse of Russia, the violation of the Constitution, and the dispersal and shooting of the Congress in 1993, described by the artist as “the apotheosis of lawlessness.” Several related documents accompany the work, including the artist’s description of the iconography and a bill of transfer of the works from the artist to the current owner. Included as well is a copy of relevant pages from Yeltsin’s 1990 autobiography referenced above, in which the 1987 portrait was reproduced without mention of the artist’s name and with the caption, “Some fans go to extreme lengths: an icon in my honor.” Sold to benefit the Marlborough Historical Society, Marlborough, Massachusetts. $1,000-2,000

Provenance: Property of the Saint Louis Art Museum, sold to benefit the acquisition fund. $1,500-2,000 1019 John Hultberg (American, 19222005) Terminal Sky. Signed with the artist’s monogram c.r., signed, dated, and titled “John Hultberg/1967/...” on the reverse. Oil on canvas, 50 x 68 in., framed. Condition: Abrasions to edges. $800-1,200 1020 Toshio Shibata (Japanese, b. 1949) Ichihara City, Chiba Prefecture, 1992. Signed “T. Shibata” in pencil on the verso at center, dated and numbered “1/25” in pencil on the verso l.c., artist’s copyright stamp in black ink on the verso l.r., identified on a label from Tepper Takayama Fine Arts, Boston, affixed to the backing. Gelatin silver print, image size 17 1/2 x 21 7/8 in., framed. Condition: Good. Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $800-1,200

1023 George Henry Bogert (American, 1864-1944) The Mussel Gatherer. Signed “Geo H Bogert” l.r., titled on a handwritten label affixed to the back of the frame. Oil on canvas, 28 x 36 in., framed. Condition: Lined, drying cracks, craquelure, possible minor retouch. $600-800

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1016 White Mountain School, 19th/20th Century

1024 Howard Finster (American, 19162001) Enstaine [sic] from a Postage Stamp. Titled, signed, and dated “.../By Howard Finster/Mar-20.1995” l.r. Mixed media including wood, paint, and paper, 10 1/2 x 7 x 3 1/4 in. Condition: Upper portion of the sculpture is loosely attached to the plinth with nails, scattered minor abrasions, dust. $500-700 1025 Lise Bécu (Canadian/American, 20th/21st Century) Frog. Signed “BECU” along the lower edge. Stone, height 7 7/8 in. Condition: Minor dust to interstices. $500-700

1021 Walter Hatke (American, b. 1948) Weaver. Signed “HATKE · 197980” l.r., titled on a label from Terry Dintenfass Gallery, New York, affixed to the stretcher and in an inscription on the stretcher, inscribed “Robert Schoelkopf Gallery/.../New York...” on the stretcher. Oil on canvas, 57 1/2 x 48 in., framed. Condition: Small abrasions with paint losses u.r., minor surface grime. Provenance: Robert Schoelkopf Gallery, New York; through to Terry Dintenfass Gallery, New York. $700-900

1026 Georges Braque (French, 1882-1963) La charrue, 1960, edition of 150 plus proofs, published and printed by Maeght, Paris (Vallier, 150). Signed “G Braque” in pencil l.r., numbered “65/150” in pencil l.l. Color lithograph on Japan paper, image size 12 x 19 in., unmatted, unframed. Condition: Deckled upper and lower edges, several pale fox marks to margins, unobtrusive creases near corners of margins, pencil annotations to verso. N.B. A photocopy of the purchase receipt from Maeght Éditeur, Paris, dated October 2, 1965, accompanies the lot. $500-700

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1027 Salvador Dalí (Spanish, 1904-1989)

1032 Lotte Jacobi (American, 1896-1990)

Faubourg Saint-Honoré, 1968, edition of 300, printed by Éditions de l’Oiselet, Bourgoin-Jallieu. Signed “Dalí” in pencil l.r., numbered “61/300” in pencil l.r. Screenprint on Arches Trait Fidelis MBM/Lavis watermarked paper, image/sheet size 25 x 19 1/4 in., framed. Condition: Sheet laid down on paper/board, rippling, minor staining to corners, very pale toning. $300-600

Four Photographs, including Lieselotte Felger, dancer, 1931, a portrait of Alfred Stieglitz, 1936, Photogenic, 1950s, and an undated portrait of the artist, all printed later. Each signed “Lotte Jacobi” in pencil below the image l.r., image sizes to 4 1/4 x 3 in., in a common frame. Condition: Not examined out of frame.

1028 Hely Augustus Morton Smith (British, 1862-1941) View of Lower Manhattan. Signed “HELY SMITH” l.r., titled on a label from Hirschl & Adler Galleries, New York, affixed to the frame backing. Watercolor on paper, sight size 5 x 7 in., framed. Condition: Not examined out of frame. $400-600

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1033 Kenneth L. Callahan (American, 1905-1986) Insect. Signed and dated “Kenneth/ Callahan ‘63” l.r. Watercolor on paper, sight size 19 1/2 x 23 1/2 in., framed. Condition: Rippling, not examined out of frame. $300-500

1029 After Lotte Jacobi (American, 18961990)

1034 Charles William Hudson (American, 1871-1943)

Albert Einstein at His Home in Princeton, New Jersey, 1938, printed later. Unsigned. Gelatin silver print, sight size 13 3/8 x 9 3/4 in., framed. Condition: Not examined out of frame. $400-600

Oak Tree, Misty Day. Signed “Hudson” l.l., titled, signed, and dated “.../by Charles W. Hudson/1914” and similarly inscribed but dated “...1915” on the reverse, identified on two exhibition labels (see below) affixed to the stretcher. Oil on canvas, 44 1/2 x 64 1/8 in., in a period frame. Condition: Minor surface grime, slightly slack on stretcher.

1030 Wassily Kandinsky (Russian, 18661944)

Provenance: A private Massachusetts collection. $400-600

Zu Anhang, 1935. Monogrammed within the matrix, identified on a label from The Collector’s Guild, Ltd., New York, affixed to the backing. Wood engraving on paper, image size 9 1/8 x 10 3/4 in., framed. Condition: Not examined out of frame. $400-600 1031 William P. Duffy (American, b. 1948) Sunday Morning News, The South End, Boston. Signed “WILLIAM P DUFFY” l.l., titled provided by the artist. Oil on canvas, 24 x 20 in., framed. Condition: Good. $400-600

Exhibitions: Panama-Pacific International Exposition, San Francisco, 1915; submitted to the Pennsylvania Academy of Fine Arts, One Hundred and Twelfth Annual Exhibition, February 4–March 25, 1917. $2,000-3,000 1035 George W. Waters (American, 18321912) Mountain Landscape, Thought to be Mount Washington, with Rushing River. Signed indistinctly and possibly dated “G.W. ...” l.l., with a partial label from Carson Pirie Scott & Co. affixed to the stretcher. Oil on canvas, 20 1/8 x 29 3/4 in., framed. Condition: Patch reinforcement, minor retouch, craquelure, surface grime. $1,500-2,500

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1036 Thomas Birch (American, 17791851) Brig in a Storm. Unsigned, identified on a label from the City Art Museum of St. Louis affixed to the frame backing. Oil on canvas, 16 1/2 x 23 1/4 in., framed. Condition: Lined, retouch, craquelure. Provenance: Property of the Saint Louis Art Museum, sold to benefit the acquisition fund. $1,200-1,800 1037 Harold Harrington Betts (American, 1881-1951) River Landscape with Trees. Signed “.H. Betts.” l.r. Oil on canvas laid down on paperboard, 19 1/2 x 13 1/2 in., framed. Condition: Minor surface grime. $1,000-1,500 1038 Anthony Thieme (American, 18881954) Charming Courtyard. Incised signature “AThieme” l.r., titled on a bill of sale from John H. Surovek Gallery, Palm Beach, Florida. Oil on canvas, 13 3/8 x 10 in., framed. Condition: Lined, minor craquelure, minor surface grime. Provenance: Purchased from John H. Surovek Gallery, Palm Beach, Florida, June 8, 2001 (a copy of the bill of sale accompanies the lot); the estate of Mrs. T.D. Welch, Florida. $1,000-1,500 1039 Joseph Henry Hatfield (American, 1863-1928) Spring Landscape. Signed “JHHatfield” l.r. Oil on canvas, 12 7/8 x 16 in., framed. Condition: Canvas rippling, punctures and tears c.l. and c.r. reinforced with patches on the reverse, surface grime. $800-1,200 1040 American School, 19th/20th Century Mother and Daughter Seated Beside a House. Unsigned. Oil on canvas, 18 x 26 in., framed. Condition: Patch reinforcements, scattered retouch, surface grime. $800-1,200

Building Abstraction in Red and Orange. Signed “P. Arapoff” l.r., inscribed “Richter” on the reverse. Oil on canvas, 37 1/4 x 30 1/4 in., framed. Condition: Surface grime. $800-1,200 1042 William Sidney Morrish (British, 1844-1917) Thatched Cottage. Signed and dated “W.S. Morrish/1874” l.r. Oil on canvas, 18 x 14 in., framed. Condition: Lined, craquelure, scattered retouch, frame abrasions, canvas deformation, varnish discoloration. $500-1,000 1043 George Marinko (American, 19081989) Dock Scene. Signed “MARINKO” u.r. Oil on canvasboard, 13 3/8 x 12 1/2 in., framed. Condition: Craquelure, frame abrasions, scattered small paint losses, surface grime. $700-900 1044 William Fisher (American, 18911985) Old Farmstand, Possibly Kennebunk. Signed “William Fisher” l.r. Oil on board, 21 3/4 x 27 5/8 in., framed. Condition: Minor surface grime. $700-900 1045 Natan Elkanovich (Israeli, b. 1966) Elvis. Signed “Natan Elkanovich” along the lower left outside edge; titled, dated, and signed “Elvis/D 2006/Natan Elkanovich” on the reverse, identified with a computer generated label affixed to the stretcher. Mixed media on canvas, 24 x 24 in., unframed. Condition: Minor scuffs. N.B. Although the painting is technically unframed, the painted canvas extends around the stretcher and the work is signed along the outside edge of the stretcher, suggesting that the work was not meant to have a conventional frame. $700-900

1046 American School, 19th Century Apples, 2 for 5. Signed and dated “Alvinsa Coles/’94” l.r., titled within the composition. Oil on canvas, 16 1/2 x 16 1/8 in., framed. Condition: Lined, retouch, craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $600-800 1047 Hendricks A. Hallett (American, 1847-1921) Schooners at Rocky Point. Signed “Hendricks A. Hallett” l.l. Watercolor on paper, sight size 19 3/4 x 27 1/2 in., framed. Condition: Scattered pale fox marks, toning, not examined out of frame. $600-800 1048 José Buscaglia (American, b. 1938) Pablo Casals. Signed “J. Buscaglia ‘73” and with a foundry stamp from Codina, Madrid, on the back of the base. Bronze with brown patina, height 12 1/4 in. Condition: Bend to the baton, surface dust and grime. Provenance: Gift from the artist to the family of the current owner. N.B. José Buscaglia Guillermety is an educator and sculptor. He is a Fellow of the National Sculptor Society and a founding member of the Academy of Arts and Sciences of Puerto Rico. $600-800

1051 Romain de Tirtoff, called Erté (French, 1892-1990) Fantaisie, 1976, edition of 300 (Lee, 73). Signed “Erté” in pencil l.r., numbered “230/300” l.l. Color screenprint on paper, image size 7 x 6 1/4 in., framed. Condition: Faint mat burn, not examined out of frame. $300-350 1052 Alexander Anufriev (Russian, b. 1940) Angel Near Window. Signed with initials and dated “A.A. 82” l.l., titled on a label from Pucker/Safrai Gallery, Boston, affixed to the frame backing. Graphite on paper, 14 x 11 in., framed. Condition: Creases to u.r and l.r. corners, floated in frame, not examined out of frame. $300-500

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1041 Alexis Paul Arapoff (Russian/ American, 1904-1948)

1053 Graham Moody (American, 20th/21st Century) Perennial Voyage. Signed and dated “Moody/1991” l.r. Mixed media on paper, 20 x 40 in., framed. Condition: Deckled edges, gentle rippling, floated in frame, not examined out of frame. $200-250 1054 American School, 20th Century Reclining Nude. Unsigned. Oil on paper laid down on Masonite, 30 x 20 in., framed. Condition: Stable craquelure. $600-800

1049 American School, 20th Century North Conway, New Hampshire. Unsigned, titled and inscribed indistinctly on the stretcher. Oil on canvas, 25 x 30 in., framed. Condition: Canvas rippling, craquelure, flaking, scattered paint losses. $600-800 1050 American School, 19th Century

1055 Joan Miró (Spanish, 1893-1983) Sculptures II, from the book Miró Sculptures, published by Maeght, Paris, 1974. Signed “Miró” within the matrix l.r. Color lithograph on paper, image/sheet size 11 x 22 in., framed. Condition: Sheet hinged to mat with tape to upper corners on the verso, center crease, creases to corners, pale toning. $200-400

Basket of Cherries. Signed indistinctly on the reverse and on the frame “Mary D. T...” Oil on canvas, 14 x 18 in., framed. Condition: Minor surface grime, craquelure. Provenance: The estate of Bruce A. Buxton, Portland, Maine. $600-800

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1056 After Joan Miró (Spanish, 18931983) Star Scene, published by The Collector’s Guild, New York. Signed “Miró” within the matrix l.r. Color lithograph on paper, image size 13 x 20 1/2 in., framed. Condition: Not examined out of frame. $300-500 1057 Salvador Dalí (Spanish, 1904-1989) The Creation of Angels, from the suite The Divine Comedy (Field p. 200, Michler & Löpsinger, 1134). Signed “Dalí” within the plate. Wood engraving on paper with “B.F.K. Rives” watermark, plate size 9 1/2 x 7 in., framed. Condition: Sheet hinged to window mat with brown tape to upper edge on the verso, deckled lower edge, toning, mat burn. $200-300 1058 Antoni Tàpies (Spanish, 1923-2012)

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Two Issues of Derrière le Miroir: Tàpies Objets et Grands Formats and Tàpies Monotypes, Nos. 200 and 210, November 1972 and June 1974, editions of about 2,500, published by Maeght Éditeur, Paris. Lithographs and text on paper, double-page spread sizes to 14 15/16 x 21 15/16 in. Condition: Each unbound, doublepage spread lithographs with center fold, scattered creases, scattered tears to covers, pale toning, foxing to Objets. $200-300

1061 Curtis Hooper (British, 20th Century) and Sarah Churchill (British, 19141982) Two Prints from the Sir Winston Suite. Signed “Curtis Hooper” on the stone and “Sarah Churchill” in pencil l.r., numbered “A/P” in pencil l.l. Lithographs with embossing on paper, sheet sizes 35 1/4 x 23 in., framed. Condition: Sheets deckled at left edge, floated in the frames, not examined out of frames. N.B. For more information on this series, see Curtis Hooper’s website: http://www.curtishooper.com/ Curtis_Hooper/Painting_of_Winston_ Churchill_Democracy_FDD_by_Curtis_ Hooper.html $100-200 1062 Barbara Grad (American, 20th/21st Century) Family Scene. Signed and dated “B GRAD “83” l.r., titled l.l. Oil on paper, image size 14 x 12 in., framed. Condition: Not examined out of frame. $150-250 1063 Paul Rotterdam (Austrian, b. 1939) Untitled. Signed and dated “Paul Z. Rotterdam 1980” l.r., numbered “I/ XV” l.l. Etching and aquatint on paper, plate size 17 3/4 x 12 in., framed. Condition: Handling creases, minor fox marks, soiling to the edges of the sheet, not examined out of frame. $200-400

1059 After Joan Miró (Spanish, 18931983)

1064 Bernard Buffet (French, 1928-1999)

Miró à l’Encre. Signed “Miró” within the matrix l.r. Color lithograph on paper, image size 13 3/4 x 10 in., framed. Condition: Toning, mat burn, adhesive residue to edges on the verso. $300-500

A Small Beach (La Petite Plage): Color Lithographic Book Jacket, 1966, from a probable edition of 1,000. Signed in the matrix u.r. Lithograph on paper, 12 1/4 x 20 1/8 in., framed. Condition: Two vertical folds at center, toning, not examined out of frame.

1060 Harry Leslie Hoffman (American, 1874-1966)

N.B. The book jacket is thought to be from Fernand Mourlot’s Bernard Buffet Lithographs 1952-1966 (New York: Tudor Publishing Company, 1968). $300-500

Bahamas Boats. Signed “Hoffman” l.c. Oil on canvas, 30 x 32 1/2 in., framed. Condition: Scattered minor craquelure, minor loss l.l., stretcher bar marks. $300-500

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1065 Joseph Ablow (American, 19282012) Drapery and Paper. Initialed “JA” l.r., identified on a label from Pucker/ Safrai Gallery, Boston, affixed to the backing. Oil on paper, 14 x 22 in., framed. Condition: Floated in frame, not examined out of frame. $200-300 1066 Charles Sorlier (French, 1921-1990) After Marc Chagall (Russian/French, 1887-1985) Two Framed Posters: le plafond de Chagall and Die Zauberflote/Mozart/ Metropolitan Opera. Both inscribed typographically in the stones “D’APRÈS MARC CHAGALL - CH. SORLIER GRAV.” l.l.; Paris l’Opera imprinted “COMMISSARIAT GÉNÉRALE AU TOURISME - PRINTED IN FRANCE - PUBLISHED BY AND FOR THE FRENCH GOVERNMENT: ED. 65/42 - IMP. MOURLOT - PARIS” l.r.; Die Zauberflote imprinted “PRINTED IN FRANCE_© MOURLOT” l.r.; Color lithographs, sizes to 25 1/2 x 39 1/4 in. Condition: Die Zauberflote with rippling, both with subtle toning, not examined out of frames. $300-500 1067 Michael Waterman (American, b. 1947) Three Framed Landscapes: Monastery on State Street, Lincoln Park, and House on Winter Street. House and Lincoln Park signed and dated “M. Waterman 86” l.r., Monastery signed and dated “Waterman 85” l.r. Oil on canvas or canvasboard, sizes to 15 x 18 in. Condition: Good. $150-250 1068 Two Prints: Fred Watson (American, 20th Century), Green Smear and Sonia Delaunay-Terk (Ukrainian, 18851979), Abstract Composition. Smear signed and numbered “Watson 5/33” in pencil l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing, color silkscreen on paper. Abstract signed “Sonia Delaunay” in pencil l.r., numbered “7/50” in pencil l.l., color lithograph on paper. Sight sizes to 23 5/8 x 18 5/8 in., each framed. Condition: Not examined out of frames. $150-250

Two Drawings: Angel in Cave and Angel. Initialed and dated “A.A. 82” and “A.A. 81,” respectively, l.r., Cave identified on a label from Pucker/ Safrai, Boston, affixed to the backing. Graphite on paper, sheet sizes 12 x 9 in., framed. Condition: Not examined out of frames. $300-500

1074 Robert Rohm (American, b. 1934)

1079 Continental School, 19th Century

Untitled. Signed and dated “Rohm ‘91” l.r., identified on a label from Nielsen Gallery, Boston, on the frame backing. Charcoal, wash, and pastel on paper, sheet size 22 3/4 x 15 1/4 in., framed. Condition: Not examined out of frame. $150-250

Misty Landscape with Stag and Animals Watering. Unsigned. Oil on canvas, 34 x 44 in., framed. Condition: Lined, minor dots of retouch, minor paint losses, varnish inconsistencies, fine craquelure. $500-700

1075 Jane Smaldone (American, b. 1953) 1070 American School, 20th Century Grace/Profile of a Little Girl in a Gold Coat. Inscribed and dated “GRACE/MAR 20th/10” u.l., inscribed “St. Louis/Little Girl” on the reverse. Oil on canvas, 17 x 13 in., framed. Condition: Weakened and torn tacking edge at bottom, minor paint losses and abrasions, surface grime. $150-250 1071 Christopher Huntington (American, b. 1938) Three Landscapes: Below the Falls, Shin Brook, Shin Pond, and Potato Field, Mt. Chase, Adams Farm, Waters Road, Patton, April 1992. Shin Pond initialed and dated “H...” l.l., Potato Field signed and dated “Huntington...” l.r., each titled, dated, and initialed “...CLH” on the reverse. Oil on board, 14 x 18 in., framed. Condition: Good. $150-250 1072 Paul Plante (American, 1943-2016) Two Framed Floral Watercolors. Both signed and dated “Paul Plante/ Nov. 1974” l.l. Sight sizes to 23 1/4 x 17 3/8 in. Condition: Not examined out of frames. $200-300

Two Works: Red Sky and Abstraction, 1968. Red Sky signed, dated, and titled “J. Smaldone...” on the reverse, each identified on a label from Nielsen Gallery, Boston, affixed to the frame backing. Red Sky, oil on canvas, 24 x 18 in., unframed; Abstraction, acrylic on paper, 29 x 21 1/2 in., framed. Condition: Red Sky with minor surface grime, Abstraction deckled at left and right edges, floated in frame, not examined out of frame. $200-250 1076 Frank Weston Benson (American, 1862-1951) Yellowlegs at Dusk, 1928, published state of 150 (Paff, 279). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 7 7/8 x 11 3/4 in., framed. Condition: Subtle rippling, minor handling crease, not examined out of frame. $300-500 1077 Frank Weston Benson (American, 1862-1951) High-Flying Ducks, 1917, edition of 150 from the published state (Paff, 128). Signed “FrankWBenson.” in pencil l.l., numbered “3” in pencil l.r. Etching on paper, plate size 7 15/16 x 5 7/8 in., framed. Condition: Not examined out of frame. $250-350

1073 American School, 20th Century Two Works: Argyles with Fish and Rembrandt’s Sawhorse. Titled, signed, and dated “...Martin ‘86” l.r. Mixed media on paper, sight sizes to 19 3/4 x 29 in., framed. Condition: Rippling, not examined out of frames. $150-250

1078 George Henry Bogert (American, 1864-1944)

1080 Anglo/American School, 19th Century Romantic Landscape with Soldiers and Travelers. Signed or inscribed and dated “S.F.M.../1892” in ink on a fragmentary label on the stretcher, inscribed “Miller” in pencil on brown paper tape affixed to the stretcher. Oil on canvas, 19 3/4 x 36 3/8 in., framed. Condition: Lined, patch reinforcement, scattered retouch, scattered minor paint losses and abrasions, varnish discoloration, fine craquelure. $300-500

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1069 Alexander Anufriev (Russian, b. 1940)

1081 Josef Schoyerer (German, 18441923) Der Altaussee... Signed and inscribed “J. Schoyerer/Munic.” l.r., inscribed indistinctly and signed “Der Alta... in Obers.../Jos. Schoyerer -Munchen/ fecit” on the reverse. Oil on panel, 10 3/8 x 17 5/8 in., framed. Condition: Minor retouch and losses along the top edge, minor frame abrasion, fine craquelure. $600-800 1082 Frederick Knecht Detwiller (American, 1882-1953) Quai de l’Hotel de Ville, Paris. Signed “F.K. Detwiller” l.r., titled and signed “.../F.K. Detwiller” on the verso, with additional inscriptions on the verso. Ink, wash, and pencil on paper, 12 7/8 x 9 3/8 in., framed. Condition: Toning, mat burn, foxing, staining, rippling, tears to l.l. and l.r. edges, crease l.c., pinholes and minor creasing to corners, tape remnants and adhesive residue to verso. $500-700

Sunset. Inscribed and signed “To My Friend Babcock/George H. Bogert” l.l., identified on a presentation plaque. Oil on canvas, 20 x 30 in., framed. Condition: Craquelure, canvas rippling, possible old retouch to l.c. edge. $500-700

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1083 Albrecht Dürer (German, 1471-1528) The Betrayal of Christ, from The Small Engraved Passion, 1507-12 (Bartsch, 5; Meder, 5 f/f). Monogrammed within the block. Engraving on laid paper, image size 4 9/16 x 2 15/16 in., unmatted, unframed. Condition: Trimmed irregularly along or just outside of the borderline, pinhole l.c., foxing, staining, tape remnants to upper corners on the verso, pencil inscriptions to verso. $300-500 1084 American School, 20th Century Portrait of a Young Woman. Unsigned. Oil on canvasboard, 16 x 12 in., framed. Condition: Minor surface grime. Provenance: A Massachusetts estate. $400-600 1085 American School, 20th Century Sun-drenched City Waterfront. Signed “Moryama” l.l. Oil on canvas, 7 1/2 x 9 1/2 in., framed. Condition: Good. $300-600

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1086 Carl E. Lindborg (American, 19031994)

Doll House. Signed and dated “LINDBORG/1931” l.r., identified on an exhibition label from The Fellowship of the Pennsylvania Academy of Fine Arts Exhibition 1932” affixed to the stretcher. Oil on canvas, 25 3/8 x 21 in., unframed. Condition: Surface grime. $300-500 1087 Marion Huse (American, 1896-1967) Tugboat in Harbor. Signed “Marion Huse” l.r., titled on a bill of sale from Antiques Collaborative Inc., Quechee, Vermont, affixed to the frame backing. Oil on Masonite, 9 1/2 x 10 1/2 in., framed. Condition: Scattered minor retouch. $400-600

1088 Attributed to Henri de ToulouseLautrec (French, 1864-1901)

1093 Christopher Huntington (American, b. 1938)

Rue Montsouri. Signed with monogram and titled l.l., attributed in an inscription on the mat. Mixed media including ink and wash on tissue paper or similar, 11 3/8 x 9 3/16 in., matted, framed. Condition: Rippling, toning, scattered stains, scattered handling creases, pinhole and small tear to u.l. corner, adhesive residue to upper corners, tape remnants to verso, hinges at upper corners on the reverse have come loose, pencil inscriptions to the verso. $250-350

Three Paintings: Autumn Landscape with Fallen Tree, Morning Sunrise Valley, and Moon + Moonlight. Autumn initialed and dated “CH 75” l.r., Morning signed and dated “Huntington 90” l.r., titled, dated, and initialed “.../ June 90/CLH” on the reverse, stamped “PROPERTY OF CHRISTOPHER HUNTINGTON” in two places on the reverse, and with a label from Tom Veilleux Gallery, Farmington, Maine, affixed to the reverse, Moon titled, signed, and dated “.../C.L. Huntington/ About Oct 24 91” on the reverse. Oil on board, sizes to 19 7/8 x 20 in., framed (Morning in a liner). Condition: Minor surface grime, Autumn with a second composition of a seated female figure on the reverse. $250-350

1089 Anglo/American School, 19th/20th Century River View with Cows. Unsigned. Oil on panel, 6 x 19 in., framed. Condition: Frame abrasions and small losses to edges, scattered minor abrasions. $300-500 1090 Ivan Abracheff (Bulgarian/American, 1903-1960) Circus Girl with Monkey. Signed “Iv. Abracheff” u.r. Oil on canvas, 21 1/8 x 16 in., framed. Condition: Canvas loose and brittle, several areas of tearing at the center, minor surface grime. $600-800 1091 Camille Bernard (American, 20th Century) Fishing Boats with Reflections and Beach. Signed “Camille Bernard” l.l. Oil on canvas, 19 3/4 x 24 in., framed. Condition: Minor surface grime, craquelure, subtle staining or similar on the reverse. $500-700 1092 Roger Mühl (French, 1929-2008) Neige. Signed “mühl” l.r., signed and titled “Roger Mühl/...” on the reverse, stamped “Findlay Galleries/New York” in two places on the stretcher. Oil on canvas, 10 3/4 x 13 3/4 in., framed. Condition: Horizontal line of craquelure l.r., surface grime. $700-900

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1094 Paul Plante (American, 1943-2016) Two Works on Paper: One American Goldfinch with Eight Fluorescent Mutants, 2000 and Painted Buntings (Mutants) 9, March 27 + 28, 2001. Each signed “Paul A. Plante” and titled on the frame backing. Pastel on paper, each work composed of nine drawings, each sight size 5 x 5 in., matted, framed. Condition: Not examined out of frames. $300-500 1095 William Thon (American, 1906-2000) Three Works on Paper: Greek Boat, Flight, and Boat at Sea, 1970s. Each signed “Thon” l.r., Greek Boat and Flight identified on labels from the Caldbeck Gallery, Rockland, Maine, affixed to the backing, Flight also identified on labels from Midtown Payson Galleries, Hobe Sound, Florida, and Frost Gully Gallery, Portland, Maine, affixed to the backing. Mixed media on paper, sight sizes to 13 3/8 x 16 1/2 in., framed. Condition: Not examined out of frames. $150-250

1101 Emilio Amero (Mexican/American, 1901-1976)

1104 John Cuthbert Hare (American, 1908-1978)

Square in Venice. Signed and dated “E.D. Roth/Venice - 1912 -” l.r., inscribed and signed “St. Marks Square/Venice 1912/Ernest D. Roth” in ink on the reverse, identified on a label from the Salmagundi Thumb-Box Exhibition (no date given) affixed to the reverse. Oil on panel, 6 x 8 3/4 in., framed. Condition: Surface grime. $400-600

Fiesta, 1951, published by The Society of Print Connoisseurs, Hicksville, New York. Signed, dated, and numbered “E. AMERO 1951/47” in pencil l.r., with publisher’s blindstamp l.l., identified on a publisher’s label affixed to the back mat. Color lithograph on paper, image size 9 3/4 x 12 in., matted, unframed. Condition: Deckled left edge, sheet affixed to mat with brown tape at upper corners, toning, mat burn, tears, creases, and losses to upper edge. $350-550

Two Watercolors: Summer on Cape Cod and Old Houses, Provincetown. Both signed “John Hare” l.r., titled on the mats. Sight sizes approximately 8 x 6 3/4 in., framed. Condition: Not examined out of frames. $200-400

1097 Georges Rouault (French, 18711958) Homme à la Moustache et aux Lunettes, from REINCARNATIONS DU PERE UBU, 1932 (Wofsy, 308). Initialed and dated “GR/1928” in the plate c.r., signed or inscribed “Georges Rouault” in ink beneath the image l.r., inscribed “M/O” in pencil l.l. Etching and aquatint on rice paper or similar, plate size 11 7/8 x 7 7/8 in., framed. Condition: Not examined out of frame. $100-150 1098 Anglo-American School, 19th Century The Lace Maker. Unsigned or signed indistinctly. Oil on canvas, 12 x 10 1/8 in., framed. Condition: Stretcher marks, craquelure, varnish inconsistencies, abrasion with paint loss l.r., possible retouch. $700-900 1099 American School, 19th/20th Century Beach Scene with Strolling Figures. Unsigned, initialed “GS” u.l. corner of the reverse. Oil on canvas laid down on paperboard, 5 1/2 x 9 in., framed. Condition: Minor craquelure, frame abrasion, bowing to paperboard support. $400-600 1100 American School, 20th Century The Print Collector. Unsigned. Oil on pressed paperboard, 4 1/4 x 6 in., framed. Condition: Frame abrasions. Provenance: A Massachusetts estate. $300-500

1102 Georges Rouault (French, 18711958) Three Plates from Miserere and Frontispiece from Réincarnations du Père Ubu: Femme affranchie, à quatorze heures, chante midi, plate XVII, 1923, Sunt lacrimae rerum..., plate XXVII, 1926, Chantez Matines, le jour renaît, plate XXIX, 1922, editions of 425, published by Editions de l’Etoile Filante, Paris (Wofsy, 124, 136, 134), Paysage au palmier, 1918, published by Ambroise Vollard, Paris, each signed or initialed and dated in the plate, aquatint and drypoint over heliogravure, Miserere plates on Arches laid paper with Ambroise Vollard watermark, Paysage on paper watermarked “La Tentation de Saint Antoine,” plate sizes to 22 x 17 in., matted, unframed. Condition: Each with full margins, Femme affranchie hinged to its title page wrapper, all others hinged to mat, with tape to upper corners on the verso, deckled edges, toning, mat burn, Femme affranchie with scattered fox marks, pencil annotations to lower margins and verso, rippling, adhesive residue to the reverse, Chantez Matines with small creases to lower edge. $1,000-1,500

1105 After Pablo Picasso (Spanish, 18811973) L’Age de Soleil (pour Roby). Signed and inscribed in reverse in the plate l.c., with a certificate of authentication from The Collector’s Guild, Ltd., New York, affixed to the frame backing. Etching on paper, plate size 9 1/8 x 7 in., framed. Condition: Toning, mat burn, not examined out of frame. $200-400

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1096 Ernest David Roth (American, 18791964)

1106 After Edmund Grasset (French, 1852-1880) Salon des Cent exhibition poster: Exposition...E. Grasset. Typographical inscription “AFFICHES ARTISTIQUES_G. DE MALHERBE... PARIS” c.l. edge. Lithograph on paper, sight size 12 3/4 x 8 3/8 in., framed. Condition: Pale staining, toning, not examined out of frame. $300-500 1107 American School, 20th Century New England Village and Orchard in Spring. Unsigned. Pastel on cardboard, 9 1/2 x 13 1/4 in., framed. Condition: Good. $200-300 1108 American School, 20th Century

1103 George Grosz (German/American, 1893-1959) Two Prints: Accordionist in a Paris Cafe and Paris Street Scene. Signed “Grosz” in the stone, numbered “IV/XX” in pencil l.l., identified on a label affixed to the backing. Offset lithographs on paper, sight sizes to 8 3/4 x 6 in., framed. Condition: Possible toning and gentle mat burn, not examined out of frames. $100-150

Seaside Grasses. Signed “HLBott” l.l. Oil on canvasboard, 12 1/2 x 14 1/2 in., framed. Condition: Craquelure with paint losses, surface grime. $500-700 1109 Charles Levier (French, 1920-2003) Vins du Pays. Signed “Levier” l.l., titled, signed, and dated “.../CH. LEVIER/1959” on the reverse., Oil on canvas, 24 x 20 in., unframed. Condition: Craquelure, flaking, scattered minor paint losses. $200-400

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1110 George Luks (American, 1867-1933) Henry. Unsigned. Oil on canvas, 36 x 30 in., framed. Condition: Lined and stretched on a new stretcher, minor retouch, drying cracks, surface grime. Provenance: The collection of Alvin and Annie Schlesinger. Literature: Paintings, Watercolors, and Drawings by George B. Luks, Property of His Estate Sold by Order of William D. Luks, Executor, Public Auction Sale, Parke-Bernet Galleries, Inc., New York, April 5, 1950, Lot 56, p. 16. Exhibitions: Rehn Gallery, New York, no date given; Eighth Exhibition of Contemporary American Painting, Cleveland Museum of Art, Cleveland Ohio, 1928. $1,000-1,500 1111 Ruth Horam (Israeli, b. 1932) Abstract in Red and Yellow. Dated and signed (partially in Hebrew) “94/...HORAM” l.l. Two mixed media prints on paper, each 30 x 22 1/4 in., presented in a single frame. Condition: Deckled edges, tear to u.l. edge of left sheet, right sheet has come loose from its hinge at u.l., floated in frame, not examined out of frame. $200-300

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1112 Mary Berkeley Sawtelle (American, 19th/20th Century)

Girl with a Blue Sash. Signed “M.B. Sawtelle” u.r. Oil on canvas, 33 x 24 in., framed. Condition: Lined, retouch, fine craquelure.

1114 Irving B. Haynes (American, 19272005)

1118 Leonard Baskin (American, 19222000)

Two Abstract Works on Paper: 1-2368 and 1-2246. The first initialed and dated “ih [within a circle]/82” l.r., the second initialed similarly and dated “.../’88” l.r., both signed on the reverse “HAYNES” and dated “AUG/SEPT 1982” and “SEPT. 1988” respectively l.r., and inscribed with archive numbers referenced above in pencil u.r., with the artist’s typed biography affixed to the reverse. Acrylic on Fabriano Artistico watermarked paper, 29 3/4 x 22 1/4 in., unframed. Condition: Good.

Cave Bird. Signed “Baskin” in pencil l.r., numbered “33/125” l.l., signed and dated “...1978” in the plate, identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the frame backing. Etching on paper, plate size 29 1/4 x 19 7/8 in., framed. Condition: Not examined out of frame. $200-300

N.B. A copy of a retrospective exhibition catalog, Irving B. Haynes: Abstractions, 1960-2005, Newport Art Museum, Newport, Rhode Island, 2009, with an essay by Judith Tolmick Champa, accompanied the lot. $200-400 1115 Andre Roth (French, 20th Century) Les Buissons Rouges. Signed “Andre/Roth” l.l., titled on the stretcher. Oil on canvas, 21 1/4 x 25 1/4 in., framed (in a liner). Condition: Surface grime. $800-1,200 1116 Don Riccardo Arciello (Italian, 20th Century) Girl Standing at a Brick Wall. Signed and dated “Don Riccardo 1969” l.l., with a label from Mario Oasi Galleria d’Arte, Rome, affixed to the back of the frame. Oil on canvas, 19 3/4 x 15 3/4 in., framed. Condition: Minor surface grime. $300-500

Provenance: A Massachusetts estate. $600-800 1113 Henry Bacon (American, 1839-1912) Village Scene. Signed and dated “Henry Bacon./1901” l.l. Watercolor on paper, sight size 13 x 19 3/4 in., framed. Condition: Not examined out of frame. $300-500

1117 Gian Rodolfo D’Accardi (Italian, 1906-1993) Three Works Including Riders on Horseback and a Musical Trio, 1970-71. Each signed “d’Accardi” l.r., two dated l.r., each signed and dated “d’Accardi...” on the reverse. One oil on canvas, two oil on board, sizes to 9 1/2 x 12 in., framed. Condition: Minor surface grime. $800-1,200

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1119 John Edward Costigan (American, 1888-1972) Two Watercolors on Paper: In the Woods and At the Park. Woods signed “J.E. Costigan” l.l., Park signed “COSTIGAN” l.l. Sight sizes to 17 3/4 x 19 3/4 in., framed. Condition: Not examined out of frames. $700-1,500 1120 Victor Vasarely (Hungarian/French, 1908-1997) Two Prints: Untitled (Blue Circles) and Untitled (Purple and Bronze Square). Each signed “Vasarely-” in pencil l.r., Blue numbered “50/250” and Purple numbered “FV 35/50” in pencil l.l. Color screenprints on paper, image sizes to 15 7/8 x 15 7/8 in., framed. Condition: Not examined out of frames. $150-200 1121 Alexander K. Bystrov (Russian, b. 1956) White Still Life. Monogrammed and dated “Ab/92” l.r., inscribed in Cyrillic and dated on the reverse. Oil on canvas, 39 1/2 x 35 5/8 in., strip framed. Condition: Minor surface grime, possible small area of retouch u.c. Provenance: The current owner received the painting as a gift from a friend who brought it from Russia. $600-800

1126 Richard Stalter (American, b. 1934)

Daydreams. Signed “MAX” u.l., titled on a label from Peter Max/Viamax Inc. affixed to the frame backing, inscribed, signed, and dated “for/BARBARA/love/ Peter/Max/99” on the framed backing, with a sketch of a face in profile on the frame backing. Mixed media including acrylic on paper, 30 x 40 in., framed. Condition: Floated in frame, not examined out of frame. $200-300

The Roberts Girl. Signed “STALTER” l.r., titled and dated “...1968” on the reverse. Oil on board, 20 x 16 in., framed. Condition: Good.

1123 American School, 20th Century

Pretty in Pink. Unsigned, artist’s estate stamp on the backing material. Oil on canvasboard, 8 5/8 x 6 1/4 in., framed. Condition: Good.

Lakeshore View with Steeples. Signed “C.M. THOMPSON” l.l. Oil on board, 8 1/8 x 10 1/8 in., framed. Condition: Fine stable craquelure. Provenance: A Massachusetts estate. $400-600 1124 L. Gerard Paine (American, b. 1905) Cove in Winter, Bucks Harbor, Maine. Signed “L. Gerard Paine” l.l., inscribed with the location on the frame backing. Watercolor on paper, sight size 14 1/2 x 22 in., framed. Condition: Tear (2 1/4 in.) to l.c. edge, not examined out of frame. N.B. The inscription on the frame backing gives specific information about the scene. “Pinky ‘Surprise’ owned by John Anderegg/in Betsy Widow Cove/South Brooksville/Bucks Harbor/Cousins Wharf Background/ where the ‘Diablesse’ died.” $100-200 1125 American School, 20th Century Three Framed Works on Paper: Roses, Delphinium, and Hollyhock. Roses signed and dated “Gladys Hayes/Monadnock/November 1905” l.r., Delphinium signed “B.B.T.Fisher” l.r., Hollyhock unsigned. Roses pastel on paper laid down on canvas, Delphinium and Hollyhock pastel on paper, sight sizes to 13 1/2 x 10 1/4 in. Condition: Staining to Delphinium and Hollyhock; not examined out of frames. $200-300

Provenance: A Massachusetts estate. $400-600 1127 Isabelle H. Ferry (American, 18651937)

Provenance: A Massachusetts estate. $400-600 1128 Maka Soulava (American, b. 1967) Half-length Seated Nude. Signed, inscribed, and dated in English and Armenian or similar “Maka/SouLava (1967)/1990” on the reverse. Oil on canvas, 33 3/16 x 23 1/2 in., framed. Condition: Craquelure, scattered small paint losses, surface grime. $200-400 1129 Janet Robson Kennedy (American, 1902-1974) Valley of Decision. Signed “JR Kennedy” l.l., titled in an inscription on the stretcher and on a label from Huber Gallery affixed to the stretcher. Oil on canvas, 32 x 31 in., framed (in a liner). Condition: Drying cracks, craquelure, flaking, scattered minor paint losses. $400-600 1130 Alexander Calder (American, 18981976) Composition, edition of 100. Signed and numbered “Calder 36/100” l.r., titled in an inscription on the verso, with additional pencil notations to verso, with a label from Neikrug Gallery, New York, affixed to the frame backing. Color lithograph on paper with Arches watermark, image/sheet size 19 3/4 x 25 3/4 in., matted, framed. Condition: Deckled lower edge, hinged to window mat at upper edge on the verso (hinges have come loose), rippling, crease and tear l.c., small abrasion l.r., tape remnants to upper edge on the verso. Provenance: The collection of Alvin and Annie Schlesinger. $600-800

1131 Andrès Segovia (Argentine/Spanish, 1929-1996) Melon and Stool. Signed and dated “Segovia 55” l.r., identified on a label from Ohana Gallery, London, affixed to the stretcher. Ink and watercolor on paper mounted to canvas, 39 x 31 3/4 in., framed. Condition: Surface grime, breaks/cracks in the paper l.c., u.r., and u.l. Provenance: The collection of Alvin and Annie Schlesinger. $400-600 1132 Fanny Wallace Tewksbury (American, 1852-1934) Children in a Boat. Signed “Fanny W. Tewksbury” l.l. Watercolor on paper, sight size 5 1/4 x 8 3/8 in., framed. Condition: Possible subtle toning, not examined out of frame.

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1122 Peter Max (American, b. 1937)

Provenance: A Massachusetts estate. $300-500 1133 J. Arnold (American, 20th Century) Sailboats. Signed “J. ARNOLD” l.r. and on a label affixed to the reverse. Oil on board, 8 x 10 in., framed. Condition: Minor surface grime. Provenance: A Massachusetts estate. $400-600 1134 Alexander Calder (American, 18981976) Untitled (City and Pyramids), edition of 100. Monogrammed within the matrix, numbered “78/100” in pencil l.r., dry stamp l.l. Screenprint in red, yellow, and black on cream wove paper, image size 23 1/4 x 17 1/2 in., framed. Condition: Rippling, probable creasing l.r. corner, minor soiling and fox marks, not examined out of frame. $300-500 1135 Harley Brown (Canadian, b. 1939) Bearlodge, Blackfoot, 1970. Signed and dated “HARLEY BROWN ‘70” l.l., titled in inscription on the backing. Pastel on paper, sight size 23 1/2 x 17 1/2 in., framed. Condition: Minor pigment displacement, not examined out of frame. $500-700

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1136 Dean Bradford (Canadian, 20th Century)

1141 Joseph Henry Hatfield (American, 1863-1928)

Landscape with Stream. Signed “Dean Bradford” l.l. Oil on canvas, 25 x 30 in., framed. Condition: Minor surface grime and craquelure. $600-800

Girl Reading in a Tree. Signed “JHHatfield” l.r., signed and inscribed “JHHatfield/25 Harcourt Studio” on the reverse, with two labels from J.H. Hatfield’s Hand Ground Artists’ Colors, Canton Junction, Massachusetts, affixed to the reverse. Oil on pressed paperboard, 15 x 12 in., unframed. Condition: Scattered abrasions with small paint losses, losses to edges, varnish discoloration and inconsistencies, minor surface grime. $800-1,200

1137 Xavier Gonzalez (American, 18981993) Seascape in Gray: Urban Waterfront. Signed and dated “Xavier Gonzalez/53” l.r. Watercolor and gouache on paper, sight size 21 x 29 3/8 in., framed. Condition: Rippling, not examined out of frame. $600-800 1138 Howard Chandler Christy (American, 1872-1952) Man with a Hat. Signed, inscribed, and dated “Howard Chandler Christy/ New York 1912” l.r. Pastel on paper, sight size 19 1/2 x 15 1/2 in., framed. Condition: Not examined out of frame. $500-700 1139 E. Winchester Kingsbury (American, 20th Century)

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Harbor Scene. Signed “E.W. KINGSBURY” l.r. Watercolor, gouache, and pencil on paper, sight size 9 1/2 x 14 in., framed. Condition: Not examined out of frame. $300-500

1140 Frank Drummond Allison (Canadian, 1883-1951) Two Framed Watercolors: Morocco and Untitled. Each signed “Frank Allison” l.l., titled on labels from Owens Art Gallery, Mount Allison University, Sackville, New Brunswick, affixed to the frame backings. Sight sizes to 12 1/2 x 15 3/4 in. Condition: Not examined out of frames. $400-600

1142 Arthur Bowen Davies (American, 1862-1928) Mirror of Illusion, 1916, second state of two (Czestochowski, 31). Signed “Arthur B. Davies Per V.M.D.” (by his wife, Virginia) in pencil l.r. Drypoint, soft ground etching and roulette on fine paper, plate size 6 1/2 x 8 3/8 in., framed. Condition: Light struck, soiling, handling creases, glue to backing mat in upper margin. $500-700 1143 Marc Chagall (French/Russian, 1887-1985) Coq à la Palette. Initialed “M. Ch.” in the matrix, titled and identified on a label from Galerie Adrien Maeght, Paris, affixed to the frame backing. Color lithograph, image size 4 1/2 x 6 in., framed. Condition: Sheet has slipped within the frame, mat burn, not examined out of frame. $100-150 1144 William Jacob Hays Jr. (American, 1872-1934) Fox Hunters Approaching a Fence. Signed “W.J. HAYS” l.l. Oil on panel, 8 x 11 3/8 in., framed (under glass). Condition: Minor surface accretions, fine craquelure, not examined out of frame. $600-800 1145 Joseph Henry Hatfield (American, 1863-1928) Grez. Signed, titled, and dated “Jo HHATFIELD/...July.10.90” l.r. Pencil on paper, sight size 9 3/4 x 13 1/2 in., framed. Condition: Not examined out of frame. $400-600

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1146 American School, 19th/20th Century Seascape with Rocky Shore. Unsigned. Oil on academy board with Frost & Adams label, 12 x 17 1/4 in., framed. Condition: Craquelure, abrasions l.l. $400-600 1147 American School, 20th Century Seascape. Unsigned. Oil on canvas, 15 x 24 in., framed. Condition: Canvas rippling, stretcher marks, craquelure with lifting and scattered small paint losses, surface grime. $200-400 1148 Stephen George Maniatty (American, 1910-1984) Still Life with Fruit and Figurine. Signed “S.G.MANIATTY” l.r., signed and dated “Stephen G. Maniatty/ Spring 1952” on the tacking edge. Oil on canvas, 27 x 22 in., framed. Condition: Surface grime, with a second composition of a street with houses in autumn painted over on the reverse. $1,000-1,500 1149 Aaron Fink (American, b. 1955) Cup and Saucer, printed by Fox Graphics, Merrimac, Massachusetts. Signed and dated “Aaron Fink ‘83” in pencil l.r., inscribed “F.G.I” in pencil l.l., printer’s blindstamp l.l. Woodcut on paper, sheet size 24 3/4 x 35 1/2 in., framed. Condition: Sheet deckled at edges, floated in frame, not examined out of frame. $200-300 1150 Harry William Scheuch (American, 1906-1978) The Puppets. Dated and signed “1968/H. Scheuch” l.l., titled, signed, and dated “.../H. Scheuch/...” on the reverse. Oil on Masonite, 52 x 20 in., framed. Condition: Craquelure with flaking and paint losses to some areas of impasto, surface grime. $400-600

1156 Isabel Bishop (American, 1902-1988)

1159 Peter Proksch (Austrian, 1935-2012)

Portrait of Three Children and Their Pet Canary. Unsigned. Pastel on paper laid onto canvas, 21 x 26 3/4 in., in an Empire-style giltwood frame. Condition: Minor losses and abrasions, slight evidence of moisture damage, not examined out of frame. $800-1,200

Two Ink Drawings: Two Girls Straphanging and Old Man Straphanging. Signed “Isabel Bishop” and “I. Bishop” l.l., respectively, identified on a label from Midtown Galleries, New York, affixed to the frame backing paper. Ink on paper, Girls with ink wash, sight sizes to 6 7/8 x 3 1/4 in., in a common frame. Condition: Minor mat burn, not examined out of frame. $700-900

Zauberinsel. Signed and dated “PROKSCH76” l.r., signed, titled, and dated “PROKSCH/.../...” on the reverse. Mixed media on canvas laid down on wood, sight size 23 1/2 x 23 1/2 in., framed. Condition: Surface grime.

1152 Italian School, 17th Century St. Augustine Distributing Alms to the Poor. Unsigned. Oil on canvas, 35 x 25 1/2 in., unframed. Condition: Lined, small vertical surface tear (2 1/2 inches) to recto u.c., retouch, heavy varnish layer, some canvas deformation. $300-500 1153 Spanish Colonial School, 19th Century Saint Holding Lilies and a Bowl. Unsigned. Oil on canvas, 19 3/4 x 14 in., framed. Condition: Lined, retouch, fine stable craquelure, minor canvas deformation. $200-400 1154 Paul Vernon (French, 1796-1875) Three Girls at the Edge of a Wood. Signed “Paul.Vernon” l.l., with a canvas stencil from Bernheim, Paris, on the reverse. Oil on canvas, 18 1/2 x 15 in., framed. Condition: Craquelure, subtle rippling, heavy varnish layer. $300-500 1155 Gertrude Jameson (Jenkins) Barnes (American, 1865-1939) At the Stile. Signed “GJ Barnes” l.r., titled on a presentation plaque, with a canvas stencil from Arthur Rayner, Tottenham Court Road, London, on the reverse. Oil on canvas, 36 x 28 in., framed. Condition: Paint loss with retouch at l.c., craquelure, varnish discoloration, surface grime. $200-400

1157 Jacques Callot (French, 1592-1635) Le Tour de Nesle. Signed in the plate “Callot fec.” l.r. Etching on paper (a posthumous, 18th or 19th century impression), plate size 6 3/8 x 13 1/4 in., framed. Condition: Two vertical creases or restored tears that divide the composition into thirds, staining, foxing, sheet laid down on paperboard support. $100-150 1158 Attributed to André Lhote (French, 1885-1962) Two Drawings: Le matelot, sous sa chemise... and Carmen, promptu au plaisir... Both signed “A. Lhote.” l.l., titled in passages of text l.l. and u.r., respectively, Le Matelot identified on a label from Papillon Gallery, Los Angeles, affixed to the frame backing paper. Mixed media with pen and ink on paper, sight sizes to 9 x 13 3/4 in., framed. Condition: Pale staining and toning, not examined out of frames. N.B. André Lhote and Jean Cocteau met when the author was looking for a painter for the decor of Songe d’une nuit d’été in 1914. Three years later, the two started on Escales, a collection of mildly erotic poems and illustrations for which these drawings were likely created. $2,000-3,000

Provenance: Purchased from Maison Bernard Galeria de Arte, Caracas, Venezuela, by the current owner. Literature: Peter Proksch: Mythen in Neuer Moderne (Vienna: Belvedere Verlag, 1979), p. 20, illustrated. Exhibitions: Peter Proksch: El Realista Fantastico de Viena, Maison Bernard Galeria de Arte, Caracas, Venezuela, November 15-November 30, 1979. $1,200-1,800

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1151 French School, Late 18th Century

1160 Peter Proksch (Austrian, 1935-2012) Terpsichore. Signed and dated “PROKSCH 79” l.l., signed, titled, and dated “PETER PROKSCH/.../...” on the reverse, with a label from Maison Bernard Galeria de Arte, Caracas, Venezuela, affixed to the reverse. Mixed media on wood, 19 1/2 x 17 3/4 in., framed. Condition: Frame abrasions, surface grime. Provenance: Purchased from Maison Bernard Galeria de Arte, Caracas, Venezuela, by the current owner. $1,200-1,800 1161 Mary Bero (American, 20th Century) Force II. Unsigned on the recto, identified and dated “...1999” on a label from Ann Nathan Gallery, Chicago, affixed to the frame backing paper. Fabric, tin, beads, and zipper, 20 x 20 in., framed. Condition: Not examined out of frame. $250-350

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1162 Alexandre Nikolaevich Benois (Russian, 1870-1960)

1165 Balthasar Paul Ommeganck (Flemish, 1755-1826)

1168 Edward Lamson Henry (American, 1841-1919)

Two Works: Peasant Woman with Basket and Three Young Men. Both initialed “AB” l.r., inscribed and stamped in Cyrillic on the reverse. Gouache, ink, and graphite on paper, sizes to 11 1/4 x 8 1/8 in., unframed. Condition: Pinholes, foxing, adhesive residue l.r. and to the reverse, stain u.r., scattered handling creases, small tears to edges, scattered abrasions.

Shepherdess with Sheep and Cows. Signed and dated “B.P. Ommeganck 1817” l.l. Oil on cradled panel, 17 1/8 x 23 1/4 in., framed. Condition: Pentimento of another cow l.r., fine craquelure, varnish discoloration, surface grime. $500-700

Descending the Staircase. Signed with initials “ELH” l.l., identified on an unattributed label affixed to the back of the frame. Oil on paper laid down on board, 8 x 5 7/8 in., framed. Condition: Rippling, tears l.l. and u.r. (repaired), abrasions to edges.

Provenance: The collection of artist Yuri Yurovsky. $500-700 1163 Shimon Okshteyn (Ukrainian/ American, b. 1951) Rooftop View. Signed and dated “Okshteyn 78” l.l., stamped several times in Russian on the reverse. Oil on paperboard, 15 5/8 x 19 3/4 in., framed. Condition: Lifting and small losses to edges. Provenance: The artist to Charlotte Belenky Gallery, Massachusetts; through to the current private collection. N.B. Okshteyn brought this early work with him when he immigrated to Springfield, Massachusetts, in 1980. $300-500

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1164 Shimon Okshteyn (Ukrainian/ American, b. 1951)

Village Scene. Signed “...Okshteyn...” l.r., stamped indistinctly on the reverse. Oil on canvas, 19 1/2 x 23 1/2 in., framed. Condition: Good. Provenance: The artist to Charlotte Belenky Gallery, Massachusetts; through to the current private collection.

1166 Attributed to Frederick Judd Waugh (American, 1861-1940) Stormy Coast/An Oil Sketch. Unsigned, attributed and titled on a presentation plaque. Oil on canvasboard, 10 x 14 in., framed. Condition: Minor surface grime. $300-500 1167 Richard Thompson (American, b. 1945) That Awful Moment at the Rainbow’s End Trailer Court, from the series Terrible Death Desert Storm. Signed, dated, and titled “...1980 RThompson...” on the reverse, with a label from the Whitney Museum of American Art, New York, affixed to the stretcher. Oil on canvas, 59 1/2 x 96 in., framed. Condition: Craquelure. Provenance: Purchased by the current owner from Monique Knowlton Gallery, New York. Literature: 1981 Biennial Exhibition, exhibition catalog (New York: Whitney Museum of American Art, 1981), illustrated p. 113. Exhibitions: Richard Thompson: Death Desert Storm, Space Gallery, Los Angeles, California, 1980; 1981 Biennial Exhibition, Whitney Museum of American Art, New York, January 20-April 19, 1981. $700-900

N.B. Okshteyn brought this early work with him when he immigrated to Springfield, Massachusetts, in 1980. $500-700

N.B. While a student at the Pennsylvania Academy of the Fine Arts, Edward Lamson Henry befriended antiquarian and preservationist William Kulp and through him developed a lifelong interest in antiques and architecture. The staircase Henry depicted here is the one in Kulp’s Philadelphia home at 616 Spruce Street. Henry owned a photograph of the Kulp stair landing, sketched its architectural details (these drawings are in the collection of the New York State Museum, Albany), and completed several other renderings of the interior of Kulp’s home (see Amy Kurtz Lansing, Historical Fictions: Edward Lamson Henry’s Paintings of Past and Present [New Haven: Yale University Press, 2005], pp. 9-11, 35). $1,200-1,800 1169 LeRoy Neiman (American, 19212012) Maher Twins Skiing, 1983, from an edition of 300. Signed “Steve Maher” l.l., “Phil Maher” l.c., and “LeRoy Neiman” l.r., and numbered “A.P.” l.l. in pencil below the image. Color screenprint on paper, 36 x 30 in., framed. Condition: Not examined out of frame. $600-800 1170 Continental School, 19th Century Portrait of a Lady in the 17th Century Flemish Style. Unsigned. Oil on canvas, 46 x 37 in., framed. Condition: Lined, retouch, craquelure, surface imperfections and scattered bulges. $1,000-1,500 1171 LeRoy Neiman (American, 19212012) Stock Exchange, 1972, from an edition of 300. Signed “LeRoy Neiman” in pencil l.r. and numbered “A/P” in pencil l.l. Color screenprint on paper, sight size 26 1/2 x 37 3/4 in., framed. Condition: Not examined out of frame. $400-600

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Four Works Depicting Fish Eyes: Red Sea Cleaner Wrasse, Blackcap Basslet, Bicolor Angelfish, and Common Squirrelfish, 2007. Each signed “Paul Plante” in pencil l.l. and dated l.r., each titled, dated, and signed “Paul A. Plante” on labels affixed to the backings. Oil pastel on paper, sight sizes to 4 1/4 x 4 3/8 in., framed. Condition: Not examined out of frames. $200-300 1173 Ernest Harrison Barnes (American, 1873-1955) Landscape with Trees. Signed “EHBarnes-” l.l. Oil on canvas, 24 x 20 in., framed. Condition: Fine craquelure, canvas deformation l.r., bulges to corners, minor surface grime. $300-500 1174 Lise Bécu (Canadian/American, 20th/21st Century) Alert Hen. Signed “BECU” on the base. Stone, height 21 in. Condition: Minor dust to interstices. $500-700 1175 Ralph Steiner (American, 1899-1986) Three Photographs: Always Camels, 1922, Two Men and the Ocean, 1921, and Monhegan Sunset, c. 1964, each printed later. Two signed “Ralph Steiner” in pencil l.r., Camels dated “1922” in pencil l.r., Two Men dated “1921/1980” in pencil l.r. Gelatin silver prints mounted to boards, image/ sheet sizes to 6 1/2 x 9 in., matted, framed. Condition: Camels with minor silvering, scattered subtle accretions on print surface, the mount lightly foxed, only Camels examined out of frame. N.B. The prints were treated at New England Conservation Studio. $1,000-1,500 1176 Joseph Trippetti (American, b. 1923) Vineyard. Three pictorial silver cloisonné enamel reliefs mounted on a mat and framed, signed “Trippetti” l.r., titled on the reverse, hanging mounts on reverse, tile ht. 15 3/4, frame ht. 21 1/4, wd. 21 1/4 in. $300-400

1177 Alfred Milton Duca (American, 19201997)

1182 Yetvart Tersian (Armenian, 20th Century)

Untitled (Tower). Unsigned. Bronze with green mottled patina, height 17 in. Condition: Wear to surface (some possibly created by the artist).

Orientalist Interior with Pool, Fountain, and White Peacock. Signed “Y. Tersian” in red l.r., dedicated “With best wishes/To my friend Seringhaus/Yetvart Tersian” on the mount l.r. Watercolor on paper, 12 5/8 x 17 in., framed. Condition: Not examined out of frame. $200-400

Provenance: Through the family of the artist. $400-600 1178 Rita Mount (Canadian, 1888-1967) Double-sided Portrait of Gertrude: Full-length Seated and Head and Shoulders. Head signed “Rita” l.r., identified on a label from Michel de Kerdour Galerie d’Art, Quebec, affixed to the glass on the reverse of the frame. Charcoal on watermarked Michallet paper, sight sizes to 11 1/4 x 8 5/8 in., in a double-sided frame. Condition: Staining, not examined out of frame. $200-300 1179 Franklin (Frank) Benjamin DeHaven (American, 1856-1934) Fiery Winter Sunset. Signed and dated “F. DeHaven 1903” l.r. Oil on panel, 9 1/2 x 13 in., framed. Condition: Tack holes or similar to the corners with surrounding paint losses, other minor losses, surface hole c.r. which may be original to the panel, retouch, craquelure, drying cracks, surface grime. $200-400 1180 Dutch/Flemish School Style, 20th Century Pair of Floral Still Life Paintings in Arched Decorative Frames. Unsigned. Oil on canvas on shaped stretchers, 39 x 31 in., framed. Condition: Craquelure, minor surface grime. $300-500 1181 American School, 19th Century Style Still Life with Fruit and Mushrooms. Unsigned. Oil on canvas, 31 1/2 x 47 in., framed. Condition: Craquelure with cupping, surface grime. $300-500

1183 Josephine Elizabeth Bradstreet (American, 1859-1920) Chrysanthemums Spilling from an Upturned Basket. Signed “J.E. Bradstreet.” l.r. Oil on canvas, 20 7/8 x 30 in., framed. Condition: Craquelure, surface grime. $400-600

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1172 Paul Plante (American, 1943-2016)

1184 American School, 20th Century Landscape with Pond, New York, Thought to be Central Park. Signed, inscribed, and dated “Matteson/New York/1918” in ink on the reverse. Oil on artist board (Upson Board), 18 x 23 7/8 in., framed. Condition: Surface grime, varnish inconsistencies, warping to the support. $400-600 1185 Joseph Peter Gualtieri (American, 1916-2015) Abstract City Waterfront Collage. Signed “gualtieri” in pencil l.l. Collage with watercolor on paper, sight size 5 1/2 x 8 1/2 in., framed. Condition: Not examined out of frame. $250-350 1186 Joseph Peter Gualtieri (American, 1916-2015) Abstract Coastal View Collage. Signed and dated “gualtieri 61” in pencil l.r. Collage with watercolor on paper, sight size 7 5/8 x 18 1/8 in., framed. Condition: Rippling, tiny surface abrasion to l.l. quadrant, not examined out of frame. $300-500

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1187 Reynolds Beal (American, 18661951)

1192 After Christian Rohlfs (German, 1849-1938)

Circus Wagons with Horses at Rest Beneath a Canopy of Trees. Signed and dated “Reynolds Beal 1926.” l.r. Watercolor and graphite on paper/ board, sight size 10 3/4 x 15 in., framed. Condition: Probable toning, not examined out of frame. $300-500

Little Man II, 1922, reprinted from original block in 1970 in an edition of 3,000. Unsigned, identified on a label affixed to the backing. Woodcut on paper, sight size 5 1/2 x 3 5/8 in., framed. Condition: Not examined out of frame. $200-250

1188 American School, 20th Century

1193 William Dennis Stille (American, 1947-1998)

Half-length Portrait of a Woman in Profile. Signed faintly “Rey...” l.r. Oil on canvas, 9 3/4 x 7 7/8 in., framed. Condition: Minor surface grime. $300-500 1189 Dale William Nichols (American, 1904-1995) Company for Supper, 1948, edition of 250, published by Associated American Artists, New York (AAA/ Czestochowski, 1948.062). Signed “-Dale Nichols” in pencil l.r. Lithograph on paper, image size 9 7/16 x 13 1/2 in., with facing mat, unframed. Condition: Margins over 3/4 inches, toning and foxing (both more prevalent to verso), brown paper tape to edges on verso. $300-500

Studio Art online

1190 Harry Mills Walcott (American, 18701944)

Profile Portrait of a Young Girl. Signed “H.M. WALCOTT” l.l. Oil on canvas, 16 x 11 in., framed. Condition: Possible small paint loss beneath the figure’s nose, minor craquelure. $1,000-1,500 1191 Paul Cezanne (French, 1893-1906) Portrait du Peintre A. Guillaumin au Pendu, 1873, a posthumous impression. Unsigned. Etching on laid paper, plate size 6 1/8 x 4 1/2 in., matted, framed. Condition: Not examined out of frame. $200-300

Ships at Sea. Signed l.l. Watercolor on paper, 16 3/4 x 25 in. (sight), matted, in a molded giltwood frame. Condition: Good. $500-700 1194 William Dennis Stille (American, 1947-1998) A Catboat Race. Signed l.l. Watercolor on paper, 13 x 19 in. (sight), matted and framed. Condition: Good. $400-600 1195 Sue May Wescott Gill (American, 1887-1989) Gloucester Harbor. Signed “SM. Gill” l.l., titled on the reverse. Oil on board, 7 7/8 x 10 in., framed. Condition: Minor surface grime. $400-600 1196 Mabel E. Dickinson Pond (American, 1869-1960) Winter Scene: A Study in Lavender. Signed and dated “M.E. Dickinson/1910” l.r. Oil on board, 10 x 12 in., framed. Condition: Minor surface grime. $400-600 1197 American School, 19th Century Still Life with Newspaper, Tobacco, and Ale. Unsigned. Oil on canvas, 13 5/8 x 19 7/8 in., unframed. Condition: Lined, craquelure, minor retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $600-800

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1198 American School, 19th Century Still Life with Wineglass and Fruit. Signed “L.J. SCHNEIDER” l.r. Oil on canvas, 12 1/4 x 18 1/4 in., framed. Condition: Lined, retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1199 Arthur Burdett Frost (American, 1851-1928) African American Hunter with Dog. Unsigned. Watercolor and gouache on paper, sheet size 13 7/8 x 10 in., framed. Condition: Mounted to board, toning, especially at sheet edges, gently light-struck. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1200 Käthe Kollwitz (German, 1867-1945) Two Works: Selbstbildnis and Frau Mit Ubereinandergelegten Handen. Selbstbildnis, 1912, Frau, 1898-99, both later printings. Both unsigned, Selbstbildnis with a blindstamp l.r. Etchings on paper, plate sizes to 11 1/8 x 9 in., unframed. Condition: Minor handling crimps to Frau, Selbstbildnis with several stains or similar in the margin l.c. $600-800 1201 Attributed to Walter Harrison Cady (American, 1877-1970) Squirrel Family’s Tea Party. Unsigned. Ink on card, image/sheet size 8 x 7 in., unmatted, unframed. Condition: Gently light-struck, old tape residue on the verso. $300-500 1202 György Kepes (Hungarian/American, 1906-2001) Photogram. Inscribed and dated “Kepes 1949” on the back of the frame. Toned gelatin silver print on paper mounted to foamcore, 24 x 20 in., framed. Condition: Small abrasions to the edges, slight toning. $150-250

Sudden Shower, After Hiroshige. Signed and dated “Knigin 78©” in pencil l.r., numbered and titled “153/175...” in pencil l.l., identified on a label from Gilbert Luber Gallery, Philadelphia, affixed to the backing. Color lithograph on paper, 18 1/4 x 14 in., framed. Condition: Not examined out of frame. $300-500 1204 Ernst Ludwig Kirchner (German, 1880-1938) Plate from Das Stiftsfräulein und der Tod, 1912, written by Alfred Döblin, published 1913 (Dube, H199-203). Monogrammed in the block. Woodcut on paper, image size 4 1/2 x 3 1/8 in., framed. Condition: Not examined out of frame. $400-600 1205 Karl Schmidt-Rottluff (German, 1884-1976) Frauenkopf, 1916, possibly a later impression (Schapire, H 189). Unsigned. Woodcut on paper, image size 6 7/8 x 9 1/2 in., framed. Condition: Toning, subtle mat burn, not examined out of frame. $300-500 1206 Gerard L. Steenks (American, 18471926) Still Life with Teapot and Fruit. Signed “GERARD L. STEENKS” l.r. Oil on canvas, 12 x 16 in., framed. Condition: Lined, craquelure, retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200

1208 American School, 19th/20th Century Corn and Fruit Still Life. Signed and dated “Ada Roberts ‘85” l.r. Oil on canvas, 11 x 14 in., framed. Condition: Lined, retouch, minor surface grime. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $600-800 1209 Elizabeth Vaughan Okie Paxton (American, 1877-1971)

1213 William Henry Clapp (American, 1879-1954) Monterey, California. Signed and dated “Clapp/39.” l.r., titled on a presentation plaque. Oil on Masonite, 14 7/8 x 18 in., framed. Condition: Good. $1,500-2,000 1214 William Lawson (British, fl. 18191864)

The Golden Slipper. Signed “Elizabeth Paxton” l.l., titled on an label from the Pennsylvania Academy of Fine Arts One Hundred Seventeenth Annual Exhibition affixed to the reverse. Oil on board, 8 1/2 x 10 1/8 in., framed. Condition: Minor surface grime. $400-600

Harvest Scene. Signed and dated “W Lawson/18...” c.l., titled and “.../by WLawson” on the reverse, titled on a handwritten label affixed to the stretcher. Oil on canvas, 13 7/8 x 18 in., framed. Condition: Punctures, retouch, craquelure, varnish discoloration, surface grime. $800-1,200

1210 Paul Zwietnig-Rotterdam (Austrian/ American, b. 1939)

1215 Horace Robbins Burdick (American, 1844-1942)

Blenheim, WN 1583. Signed and dated “Zwietnig-Rotterdam 84” l.l., identified on a label from Nielsen Gallery, Boston, affixed to the frame backing. Graphite on paper, 31 1/4 x 47 1/4 in., framed. Condition: Subtle abrasions to edges of the sheet, not examined out of frame. $800-1,200

Still Life with Cherries and Oriental Bowl. Signed and dated “H.R. Burdick 1879” l.l. Oil on canvas, 14 x 17 in., framed. Condition: Tears, varnish discoloration, surface grime. $800-1,200

1211 Samuel W. Griggs (American, 18271898) Still Life with Grapes, Oranges, and Bottle of Wine. Signed “S.W. Griggs” l.l., with a pentimento of a second signature by Griggs just above. Oil on canvas, 18 x 30 in., framed. Condition: Lined, retouch, craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200

1207 Adam Emory Albright (American, 1862-1957)

1212 American School, 19th Century

Still Life with Pickle Bottle, Tomato, and Peas. Signed “A.E. Albright” l.r. Oil on canvas, 16 x 20 in., framed. Condition: Lined, retouch.

Bough of Ripe Apples with a Wasp. Initialed and dated “F.J. ‘85” l.r. Oil on canvas, 13 1/2 x 17 in., framed. Condition: Lined, retouch, craquelure.

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. N.B. It has been suggested that the initials “F.J.” stand for Flora Johnson. $600-800

Studio Art online

1203 Michael Jay Knigin (American, b. 1942)

1216 Lise Bécu (Canadian/American, 20th/21st Century) Sleeping Water Bird. Signed “BECU” on the base. Stone, height 17 1/2 in. Condition: Minor dust to interstices. $500-700 1217 Lynne Golob Gelfman (American, b. 1946) Ripple 2. Signed, titled, and dated “Lynne Golob Gelfman/.../...05” on the reverse, with a label from Obelisk Gallery, Boston, Massachusetts, affixed to the reverse. Oil and acrylic on panel, 6 x 48 in., framed. Condition: Good. $200-300 1218 Renée Théobald (French, b. 1928) Marée basse au fond de la rivière. Signed “théobald” l.r., titled and inscribed “...30 F/B.5M3” on the reverse. Oil on canvas, 28 3/4 x 36 1/4 in., framed. Condition: Good. $300-500

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1219 Benjamin Kopman (Russian/ American, 1887-1965)

1224 Anthony G. Gennarelli (American, 1915-2001)

Village Nocturne. Signed “Kopman” l.r. Oil on canvas, 23 1/2 x 31 1/2 in., framed. Condition: Minor surface grime. $600-800

Female Nude Sculpture. Signed “A. Gennarelli” on the reverse. Stone affixed to marble plaque with stone base, height 18 in. Condition: Minor dust to interstices. $300-500

1220 Phil Bergerson (Canadian, b. 1947) Untitled (Independence, Missouri), 1997. Signed, dated, and numbered “Phil Bergerson...15/25” in black ink on the recto l.r., identified on a label from the Bernard Toale Gallery affixed to the backing. Chromogenic print, image size 15 1/2 x 15 1/2 in., framed. Condition: Subtle fading. Provenance: Purchased from the Bernard Toale Gallery, 2002, by the current owner. $150-200 1221 Enrico Henri Coleman (Italian, 18461911) Horsemen Driving a Wild Herd. Signed “HE Colman [sic]” l.r. Watercolor on cardboard, 18 1/16 x 28 in., framed. Condition: Minor toning, acid burn to the reverse from wood frame backing. $600-800

Studio Art online

1222 Anthony Thieme (American, 18881954)

Enchanting House. Incised signature “AThieme” l.l., titled on a bill of sale from John H. Surovek Gallery, Palm Beach, Florida. Oil on canvas, 13 1/4 x 10 1/8 in., framed. Condition: Lined, minor surface grime. Provenance: Purchased from John H. Surovek Gallery, Palm Beach, Florida, June 8, 2001 (a copy of the bill of sale accompanies the lot); the estate of Mrs. T.D. Welch, Florida. $1,200-1,800 1223 Josephine Elizabeth Bradstreet (American, 1859-1920) Two Still Lifes with Fruit. Each signed “J.E. Bradstreet” l.r., one dated “97” l.r. Oil on panel, sizes to 4 7/8 x 7 in., unframed. Condition: Minor surface grime. $400-600

1225 Attributed to Sir Frank Brangwyn (British, 1867-1956) Industrial Allegory. No visible signature. Ink on paper, sight size 14 x 11 7/8 in., framed. Condition: Staining or similar l.l., not examined out of frame. $300-500 1226 Continental School, 20th Century Shore with Beached Boat and Fisherman. Signed indistinctly l.l. Oil on canvas, 15 5/8 x 29 1/2 in., framed. Condition: Lined, retouch. $200-300 1227 Augustus Osborne Lamplough (British, 1877-1930) Deir el Bahari, At Noon. Signed “A. Lamplough” l.l., titled and dated on the front of the frame. Watercolor on paper, sight size 19 7/8 x 28 7/8 in., framed. Condition: Possible gentle toning, not examined out of frame. $300-500 1228 Ben Johnson (American, 1902-1967) Carnival. Signed and dated “Ben Johnson 58” u.r., titled on a label from Cober Gallery affixed to the stretcher. Oil on canvas, 24 x 30 in., unframed. Condition: Surface grime, canvas slightly loose in stretcher. $700-900 1229 Jack Rogers (American, 20th Century) Portrait of the Musicologist Palmer French. Signed and dated “Rogers ‘46” l.l., sitter identified on a handwritten card tacked to the back of the frame. Oil on Masonite, 35 3/4 x 17 1/2 in., framed. Condition: Varnish inconsistencies, minor surface grime. $200-400

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1230 American School, 20th Century Sailing Yacht in Rough Seas. Signed and dated “TL TURNBULL ‘67” l.l. Watercolor on paper/board, sight size 19 5/8 x 27 5/8 in., framed. Condition: Pale fox marks, not examined out of frame. $500-700 1231 David Rawnsley (British, 1909-1977) Fishing Boats, Nassau. Signed, dated, and inscribed “DAVID RAWNSLEY ‘61 NASSAU” l.r. Gouache on distressed paper, sight size 23 1/8 x 30 7/8 in., framed. Condition: Not examined out of frame. $200-400 1232 Attributed to Worthington Whittredge (American, 1820-1910) Hudson Valley Oil Sketch. Monogrammed “WW” in red l.r., inscribed “WORTHINGTON WHITTREDGE” in red on the reverse, with a label from John Castano Galleries affixed to the frame backing. Oil on canvas mounted to cardstock, 3 x 4 1/2 in., framed. Condition: Varnish discoloration, varnish inconsistency in the area of the initials, minor surface grime. $300-500 1233 Clara Maxfield Arnold (American, 1879-1959) Harvest Still Life. Signed and dated “Clara/Maxfield.Arnold/1919.” l.l. Watercolor on paper mounted to cardboard, 7 x 5 in., framed. Condition: Minor toning, slight wear to edges of the support. $250-350 1234 Anglo-American School, 20th Century Venice Lagoon at Dusk. Signed “H. Wildman” l.l. Watercolor on paper, 3 3/4 x 3 7/8 in., framed. Condition: Mounted to foamcore support. $200-300

1240 Richard Sumner Meryman (American, 1882-1963)

1245 Mabel May Woodward (American, 1877-1945)

Seated Nude, Back View. Signed and dated “Mazur 2000” l.r. Ink and watercolor on paper, sight size 16 3/4 x 13 1/4 in., framed. Condition: Not examined out of frame. $200-400

Mountain Landscape Study. Unsigned, with a gift tag inscribed “Study, given to/George Howe by/R. Meryman” and “To my friend/and neighbor/love from Anne” taped to the reverse. Oil on Masonite, 7 1/8 x 14 7/8 in., unframed. Condition: Craquelure, wear to the corners and some edges of the Masonite, surface grime. $300-500

Two Watercolors: The City Beyond the River and Pont Saint-Bénézet (Avignon). Unsigned, Pont titled on the reverse. 8 x 9 3/4 in., unframed. Condition: Toning to edges, staining, nicks and small losses to edges. $800-1,200

1236 Théo Tobiasse (French, 1927-2012) Syleily. Signed “Théo Tobiasse” in pencil l.r., numbered “192/200” l.l. Lithograph on paper, image size 25 1/2 x 19 1/4 in., framed. Condition: Toning, not examined out of frame. $200-400 1237 After Pablo Picasso (Spanish, 18811973) Exhibition Poster from Musée d’Art Moderne de Céret: Homage à René Char. Engraved by Henri Deschamps and printed on the presses of Mourlot Atelier, Paris, 1969. Color lithographic poster, sheet size 29 3/4 x 20 3/8 in., framed. Condition: Small stain to upper margin, minor toning and soiling, not examined out of frame. $200-400 1238 Amy Wentworth Cabot (American, 1871-1952) By the Canal. Signed “Amy W. Cabot” l.l. Watercolor on paper, sight size 14 3/4 x 20 5/8 in., framed. Condition: Scattered tears and small abrasions, not examined out of frame. $300-500 1239 Harry Fenn (American, 1837-1911) Shore View with Dock and Passing Schooner. Monogram signature “HF...” l.l. Watercolor on paper/ board, sight size 9 x 13 in., framed. Condition: Toning, not examined out of frame. $300-700

1241 After Will Barnet (American, 19112012) Woman Reading. Unsigned. Tempera or similar on paper, sight size 30 1/2 x 23 1/4 in., framed. Condition: Sheet laid down on foamcore mat, window mat affixed on all sides to back mat, rippling, scattered stains, abrasions, and handling creases. $400-600 1242 After Henri-Jean Guillaume Martin (French, 1860-1943) Woman Sewing in a Garden. Signed “Henri Martin” l.r. Mixed media tapestry, 29 1/2 x 33 1/2 in., framed. Condition: Scattered pinholes, possible fading. $500-700 1243 Heinie Hartwig (American, b. 1937) At Camp. Incised signature “HEINIE HARTWIG ©” l.l., biographical information affixed to the reverse. Oil on Masonite, sight size 4 1/4 x 6 1/4 in., framed (under glass). Condition: Not examined out of frame. $300-500 1244 Attributed to Lyonel Feininger (American, 1871-1956) Catboat. Signed “Feininger.” l.l., with pencil inscriptions to the verso. Ink and wash on paper, 3 3/4 x 5 1/4 in., matted, framed. Condition: Affixed to window mat with clear tape to upper edge on the verso, sheet trimmed unevenly and folded at upper edge, deckled right and lower edges, toning, rippling, scattered creases, small tears to right edge, tape remnants to upper edge on the verso, inscribed “398” and “840B” each within a circle in pencil on the verso, an additional sheet with pencil sketches is affixed to the window mat behind the primary composition. $300-500

1246 Mabel May Woodward (American, 1877-1945) Town with Twin Spires. Unsigned. Charcoal and pastel on paper, 10 1/2 x 9 1/2 in., unframed. Condition: Small nicks and losses to edges, pale toning. $600-800

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1235 Michael Burton Mazur (American, 1935-2009)

1247 Three Unframed Abstract Prints: Willi Baumeister (German, 18891955), Uns hat Schamasch geheissen zu streiten gegen Chumbab, plate 1 from Sumerische Legenden, edition of 100, printed by Eidos-Presse Alfred Eichhorn, Stuttgart, 1947, signed “Baumeister” in pencil l.r., numbered “57/100” in pencil l.l., lithograph on paper, image size 9 1/2 x 14 1/2 in., (rippling, scattered creases, staining [from tape remnants] u.r. and l.c., small tear l.c., tape remnants and adhesive residue to the verso, pencil annotations l.l.); Rolf Cavael (German, 1898-1979), Lithofa 61/44, edition of 200, 1961, signed and dated “rolf cavael/1961” in ink l.r., numbered “59/200” in ink l.l., monogrammed within the matrix, titled in ink l.c., color lithograph on paper, image size 17 x 12 in., (deckled lower edge, scattered handling creases, taped to window mat at upper corners, staining to the verso, pencil annotations to lower margin); and Gerhard Fietz (German, 19101997), Abstract in Black and Gray, edition of 65, published by Edition Rothe, Heidelberg, 1959, signed and dated “Gerhard Fietz 59” in pencil l.r., numbered “13/65” in pencil l.l., with publisher’s dry stamp l.l., color lithograph on paper, image size 15 1/2 x 20 in., (deckled edges, scattered creases, scattered fox marks and stains, adhesive residue and staining to the verso, abrasions from adhesive to the verso, pencil annotation to margin l.r.). $400-600

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1248 Warrington Colescott (American, b. 1921)

1251 After Raoul Dufy (French, 18771953)

1256 Marguerite Kirmse (American, 18851954)

Greeks and Amazons, 1964, edition of 28. Signed and dated “Warrington Colescott 1964” in pencil l.r., titled in pencil l.c., numbered “24/28” in pencil l.l., identified on a label from Lakeside Studio, Lakeside, Michigan, affixed to the window mat. Lithograph on paper, image size 12 3/4 x 18 3/4 in., unframed. Condition: Sheet with full margins and deckled edges, scattered creases, tape remnants to upper edge on the verso, pencil annotations to margins and verso. $200-300

Market Scene. Signed “Raoul Dufy” within the matrix. Screenprint on paper, image size 17 x 13 in., framed. Condition: Not examined out of frame. $200-300

Fuzzy Wuzzy. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., identified on a label from Harlow, McDonald & Co., New York, affixed to the frame backing. Etching on paper, plate size 7 x 5 in., framed. Condition: Not examined out of frame. $100-200

1252 Hendricks A. Hallett (American, 1847-1921) Rocky Coast. Signed “Hendricks A. Hallett” l.l. Watercolor on paper, sight size 11 3/4 x 18 in., framed. Condition: Not examined out of frame. $200-400

1249 Friedemann Hahn (German, b. 1949) Kopf nach van Gogh, 1985, edition of 78. Signed and dated “Hahn 85” in pencil l.r., numbered “13/78” in pencil l.l., titled in pencil on the verso. Etching with hand-coloring on paper with Hahnemühle watermark, plate size 19 1/2 x 15 1/2 in., unmatted, unframed. Condition: Sheet with full margins and deckled edges, horizontal creases l.l., scattered minor handling creases, pale stains to u.r. and l.r. corners, adhesive residue to upper edge on the verso, pencil annotations to the verso. $200-300

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1250 Two Unframed Abstract Prints:

Gérard Ernest Schneider (Swiss, 1896-1986), Abstract in Yellow and Black, edition of 75 published by Atelier Lacourière, Paris, signed “Schneider” in pencil l.r., numbered “61/75” in pencil l.l., with publisher’s dry stamp l.l., etching with aquatint on wove paper with Arches watermark, plate size 21 1/2 x 15 1/4 in., unmatted, (foxing, pale toning to upper edge, tape remnants to edges on the verso, pencil annotations to the verso); and André Lanskoy (Russian/French, 1902-1976), Abstract in Red and Purple, 1959, edition of 80, signed and dated “A. Lanskoy/59” in pencil l.r., numbered “20/80” in pencil l.l., color lithograph on wove paper with BFK Rives watermark, image size 13 x 21 in., unmatted, (deckled edges, foxing, staining and creases l.r., scattered handling creases). $300-500

1253 Maxfield Parrish Jr. (American, 19061983) Folio of Fifty-one Landscapes on Paper. Some signed or initialed, titled, and dated. Mixed media including watercolor, ink, and pencil, sizes to 9 x 12 in. Condition: Some sheets with pinholes, stains, minor creases, nicks to edges. Provenance: Through the artist’s family. $700-900 1254 Maxfield Parrish Jr. (American, 19061983) and Family Folder of Nineteen Works on Paper: Illustrations and Designs for Invitations, Christmas Cards, and Programs. Some signed, initialed, and dated. Mixed media including watercolor, ink, and pencil, sizes to 11 x 12 1/2 in. Condition: Staining, toning, rippling, scattered handling creases, pinholes, some sheets with tape remnants and tears. Provenance: Through the artist’s family. $800-1,200 1255 Maxfield Parrish Jr. (American, 19061983) and Family Folder of Twenty-two Works on Paper. Some signed, initialed, and dated. Mixed media including ink, pencil, and crayon, sizes to 11 x 12 1/2 in. Condition: Staining, toning, creases. Provenance: Through the artist’s family. $400-600

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1257 American School, 19th Century Oxen and Native American Settlement, Red River Area. Unsigned, identified on an unattributed hanging tag and on labels affixed to the frame backing. Watercolor on paper, sight size 8 x 13 in., framed. Condition: Creases, rippling, not examined out of frame. $300-500 1258 Adolf Arthur Dehn (American, 18951968) Market in Haiti, 1954, printed by George C. Miller & Son, published by Associated American Artists. Signed “Adolf Dehn” in pencil l.r. Lithograph on paper, image size 9 5/8 x 13 1/2 in., matted, framed. Condition: Not examined out of frame. $200-400 1259 Rosemarie Beck (American, 19232003) Study: Nudes IX. Signed “RBeck” l.l., titled on a label from Peridot Gallery, New York, affixed to the frame backing. Charcoal on green paper, sight size 9 1/2 x 12 1/2 in., framed. Condition: Scattered minor handling creases, not examined out of frame. $300-500 1260 David Bareford (American, b. 1947) Vermont 76. Signed “David Bareford” l.l., titled and signed “.../David Bareford” on the frame backing, with a label from The Bareford Gallery, Pittstown, New Jersey, affixed to the frame backing. Watercolor on paper, sight size 9 3/4 x 14 1/8 in., framed. Condition: Rippling, not examined out of frame. $300-500

1266 Arthur Polonsky (American, b. 1925)

Striped Tents. Signed and dated “Coelho/71” l.r., signed and inscribed “COELHO/BRAZIL” on the reverse, titled and identified on an unattributed label affixed to the reverse. Oil on Masonite, 16 1/4 x 14 1/8 in., framed. Condition: Pinhole u.c., scattered abrasions, surface grime. $300-500

Two Framed Lithographs: Face, signed “Arthur Polonsky” in pencil l.r. and numbered “12/75” in pencil l.l., and The Descent, 1983, printed by Fox Graphics, Boston, signed and dated “Polonsky 1983” l.l., inscribed “Artist’s proof” l.r., with the printer’s blindstamp l.c., image sizes to 10 x 6 1/4 in., framed. Condition: Each with deckled lower edge, pale toning to edges, floated in frames, not examined out of frames.

1262 Walt Kuhn (American, 1877-1949) Country Bridge. Unsigned, identified on a presentation plaque and in a letter from Gatehouse Gallery, Cape Neddick, Maine, affixed to the frame backing. Watercolor on paper, 22 x 14 1/2 in., framed. Condition: Rippling, possible tear l.r., not examined out of frame. Provenance: Through the estate of the artist. $300-500 1263 Luis Toro (Spanish, 20th Century) Profile Head of a Peasant. Signed “L. Toro” l.l. Oil on canvas, 14 1/8 x 18 in., framed. Condition: Lined, surface grime. $400-600 1264 Fritz Valcin (Haitian, 20th Century) Vodou Ceremony. Signed and dated “Fritz Valcin/(79)” l.r. Oil on canvas, 16 x 19 3/4 in., framed. Condition: Scattered minor abrasions, surface grime. $300-500 1265 Josep Coll Bardolet (Spanish, 19122007) Spanish Dancers. Signed “Coll Bardolet” l.r., titled in an inscription on the stretcher. Oil on canvas, 18 x 15 in., framed. Condition: Minor surface grime. $500-700

Provenance: Acquired from the artist. $100-150 1267 Ann Blechstein (American, 20th/21st Century) Kingfisher. Signed “Ann Blechstein” l.r. Opaque watercolor on paper, sight size 18 1/8 x 15 1/8 in., framed. Condition: Not examined out of frame. N.B. A photocopy of the original invoice from Blue Heron Gallery, Wellfleet, Massachusetts, accompanies the lot. $300-500 1268 Attributed to George Grosz (German/American, 1893-1959) Female Nude. Signed or inscribed “Grosz” l.r., dated “III/27” l.r., inscribed “L3 Nr 1324/1927” on the reverse, inscribed “5 53 6” within a George Grosz Nachlass ink stamp on the reverse. Pencil on paper, 17 5/16 x 12 7/8 in., matted, framed. Condition: Mat burn, toning, ink stain l.r., nicks and losses to edges, scattered minor handling creases, hinged to mat with tape at upper corners on the reverse. Provenance: Retina Gallery, Cambridge, Massachusetts; the estate of George Wald. $600-800

1269 Georges Rouault (French, 18711958) Saint Jean-Baptiste, 1933, edition of 175 (Chapon & Rouault, 363; Wofsy, 49). Signed “Georges Rouault” in blue ink l.r., titled, dated, and inscribed “...-1933-2e tirage” in blue ink l.l., initialed and dated within the matrix. Lithograph on paper, image size 12 1/2 x 15 7/8 in. (31.5 x 40.4 cm), framed. Condition: Margins 2 1/2 inches or more, gentle rippling, not examined out of frame. Provenance: The estate of George Wald. $200-300 1270 Arvid Claes William Johanson (Swedish, 1862-1923)

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1261 Brazilian School, 20th Century

Moonlight Sea with Sailing and Steam Vessels. Signed, inscribed, and dated “A Johanson./London. 83.” l.l. Oil on canvas, 30 x 25 in., framed. Condition: Small areas of craquelure in impasto in the sky, minor surface grime. $300-500 1271 Reynolds Beal (American, 18661951) Woman with Swordfish, Curaçao. Signed and dated “REYNOLDS BEAL/ CURASAO 1923” l.r., with a label from Susan Phillips Gallery, Englewood, New Jersey, affixed to the frame backing. Watercolor and pencil on paper, 15 1/4 x 20 in., framed. Condition: Sheet affixed to window mat with tape to upper edge on the reverse, deckled edges, pinholes to edges, toning, mat burn, scattered minor handling creases, gentle rippling, fox marks to the reverse, tape remnants to the reverse. $400-600 1272 James Crawford Thom (American, 1835-1898) Drowsing Off. Signed and dated “J.D. Thom/...87” l.l. Oil on canvas, 24 3/4 x 17 3/8 in., framed. Condition: Lined, abrasions l.l. and l.c., scattered retouch, fine craquelure. $500-700

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1273 Henry Martin Gasser (American, 1909-1981)

1276 Harry Brown Baker (American, 18681941)

1278 Willard Van Dyke (American, 19061986)

Western Vista. Signed “H.GASSER.” l.l., titled, signed, and dated “.../Henry Gasser/8/31/56” in inscriptions on the reverse. Watercolor on paper/ board, sight size 7 3/4 x 9 3/4 in., framed. Condition: Scattered creases, unobtrusive toning, not examined out of frame. $300-500

Cowboy with Horse and Pistol. Unsigned. Mixed media including gouache and charcoal on Rich Art Presentation Board, 27 1/2 x 20 in., framed. Condition: Losses, tears, and creases to edges, staining u.l.

Ireland, 1980. Signed and dated “Willard Van Dyke...” in ballpoint pen below the image l.r. Dye transfer print, image size 7 3/4 x 9 5/8 in., framed. Condition: Slight rippling to sheet, signature faded.

Provenance: Shane Newell, Baker Studio Collection.

Provenance: A private Massachusetts collection. $400-600

1274 Frederick Carl Frieseke (American, 1874-1939) Paesaggio. Incised signature “FCFrieseke” l.r., titled on a handwritten gummed label on the stretcher, identified and dated “circa 1901/...” on a label from Hollis Taggart Galleries, New York, affixed to the back of the frame. Oil on canvas, 15 1/8 x 21 3/4 in., framed. Condition: Patch reinforcement corresponding to a small vertical slit (3/8 inch) to l.r. side, minor retouch. Provenance: Christie’s New York, Rockefeller Center, American Art, March 2, 2006, Lot 60. $1,000-1,500 1275 John Ward Dunsmore (American, 1856-1945)

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A Plea for Mercy. Signed “John Ward Dunsmore” l.r., inscribed on the reverse “Frontispiece for/Smollet’s - Roderick Random - Vol. 1.” Oil on canvas, 14 x 24 in., framed. Condition: Lined, scattered minor retouch, fine craquelure, small paint loss l.c.

N.B. Despite the inscription on the reverse of this painting, the scene depicted does not correspond with any of the illustrations Dunsmore provided for a 1902 edition of Tobias Smollet’s novel The Adventures of Roderick Random. It seems more likely that this work is set during the American Revolution, a subject Dunsmore researched extensively and painted frequently. $300-500

N.B. Harry Brown Baker began his career by illustrating books about the American West before moving to Paris to study art. Upon returning to the United States, Baker continued working as an illustrator and painting scenes of the West, while also teaching at the New York School of Fine and Applied Art. Baker and his wife had no children, so his studio and all of its contents were bequeathed to their New Jersey landlord. A granddaughter of that landlord donated the documents and photographs from Baker’s estate to the New School in New York City, and sold the remaining items to Shane Newell as the Baker Studio Collection. $300-500 1277 Khalid Al-Jadir (Iraqi, 1924-1990) Mother and Children. Signed “K. Al-Jadir” l.r., with an unfinished composition of a standing figure on the reverse, inscribed “Breier” on the reverse, inscribed “.../Khalid Jadir/ Baghdad/1955” on the back of the frame, with several inscriptions in Arabic on the back of the frame. Oil on paperboard, 21 1/2 x 14 1/4 in., framed. Condition: Abrasions and losses to edges, accretions (possibly from frame) to edges, surface grime. N.B. A painter, scholar, and great advocate for the arts in Iraq, Khalid Al-Jadir first studied art and law in Baghdad before leaving Iraq for Paris in 1949. He spent five years in France studying, painting, and participating in exhibitions. He enrolled at the École des Beaux Arts in Paris and earned a doctorate in the History of Islamic Art from the Université de Lille. Upon returning to Baghdad, AlJadir continued to paint landscapes, cityscapes, scenes of contemporary life, and portraits of women and children, and he established himself as a leader in Iraqi academic and artistic communities. In 1980, he moved to Rabat, Morocco, where he continued to paint and to work as a university professor of art and history. According to Al-Jadir’s brother, architect and professor Saad Al-Jadir, the artist painted this work upon his return to Baghdad from France. $800-1,200

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1279 Edward Sheriff Curtis (American, 1868-1952) An Owens Valley Mono, 1924. Signed “Curtis” in black ink l.r., typewritten title “4110...” on the verso u.l., identified on a label from Marcy Burns, American Indian Arts, New York, New York, affixed to the backing. Glossy gelatin silver print, image size 7 1/2 x 6 in., framed. Condition: Minor staining in sheet margin at u.r. corner, unobtrusive emulsion losses at l.r. and l.l. corners, old hinge residue along top edge of the verso. Provenance: The Greentree Collection of Photography and Native American Antiques. $500-700 1280 Ross E. Moffett (American, 18881971) Fishing Shacks. Signed “MOFFETT” l.l. Oil on pressed paperboard, 8 3/16 x 12 1/2 in., framed. Condition: Minor transfer of gold from the frame to the edges of the composition. Provenance: A Massachusetts estate. $800-1,200 1281 Emil Fuchs (American, 1866-1929) Head of a Girl. Signed and dated “Emil Fuchs 1928” l.c., titled on a label from the Brooklyn Museum of Art affixed to the stretcher. Oil on canvas, 29 3/4 x 24 in., framed. Condition: Good. Provenance: Deaccessioned from the collection of the Brooklyn Museum of Art; through to the current private collection, Massachusetts. $400-600

Annunciation to the Young Mary in a Field of Lilies. Unsigned. Oil on panel, 11 x 5 1/2 in., framed. Condition: Minor surface grime.

1288 Richard Tucker (American, 19031979) Standing Nudes. Unsigned. Acrylic on canvas, 34 x 24 in., framed. Condition: Craquelure, surface grime. $200-300

Provenance: A Massachusetts estate. $500-700 1289 Fred Danziger (American, b. 1946) 1283 Roy Cross (British, b. 1924) State Yachts, c. 1660. Signed “ROY CROSS” l.l., titled in an inscription on the frame backing. Watercolor and gouache en grisaille on paper, sight size 15 1/4 x 19 in., framed. Condition: Not examined out of frame. $800-1,200 1284 British School, 19th Century Rustic Landscape with Family and Farmyard Animals. Unsigned. Oil on canvas, 36 1/2 x 50 1/2 in., framed. Condition: Canvas rippling with bulges and minor paint loss at the upper corners, paint losses to l.l. edge, craquelure, varnish discoloration, surface grime. $300-500

The Beginning of the End of Ice. Titled, dated, and signed “...1994 FRED DANZIGER” l.l. Acrylic on paper, 42 x 48 in., framed. Condition: Gentle rippling, not examined out of frame. $200-250 1290 Lucia Stern (American, 1895-1987) Abstract Composition. Signed and inscribed “Lucia Stern/Milwaukee” on the stretcher, inscribed “1003” on the reverse. Mixed media including oil and string on canvas, 19 x 14 in., framed. Condition: Craquelure, scattered small paint losses, some of the string elements have come loose, surface grime. $250-450 1291 Jacob Cooley (American, b. 1968)

1285 Joe Naujokas (American, b. 1958) Blue Chair/Green Floor. Signed “J NAUJOKAS ‘89” l.l., titled on an unattributed label affixed to the frame. Mixed media including pastel and pencil on paper, 44 1/2 x 40 1/2 in., framed. Condition: Rippling, floated in frame, not examined out of frame. $400-600 1286 Richard Tucker (American, 19031979) Reclining Nude. Signed “TUCKER ‘75” l.r. Acrylic on canvas, 24 x 40 in., framed. Condition: Flaking u.c. $300-500 1287 Richard Tucker (American, 19031979) Harbor Scene. Signed and dated “TUCKER ‘74” l.l. Acrylic on board, 24 x 30 in., framed. Condition: Surface grime. $250-350

Fading Dusk. Titled, dated, and signed “.../2000/Jacob Cooley” on the tacking edge. Oil on canvas, 36 x 36 in., unframed. Condition: Minor surface grime. $800-1,200 1292 George Daniell (American, 1911-2002) John Marin in His Studio, c. 1952. Signed “Daniell” in pencil on the mat l.r. Gelatin silver print, sight size 8 3/4 x 8 in., matted, unframed. Condition: Good. $500-700 1293 Rudolph Carl Gorman (American, 1932-2005) Woman Seated Beside Prickly Pear Cactus. Signed and dated “R.C. Gorman 1986” l.l., numbered “89/200” l.r. Color lithograph on paper, image/ sheet size 27 x 36 1/4 in., framed. Condition: Sheet deckled at right edge, floated in frame, not examined out of frame. $400-600

1294 Sabra Field (American, b. 1935) Coco, edition of 50. Signed “Sabra Field” in pencil l.r., titled in pencil l.l., numbered “19/50” in pencil l.c. Color woodcut on paper, image size 30 x 21 3/4 in., framed. $300-500 1295 Theodore Frederic Salmon (French, 1811-1876) Repose of the Ploughman. Signed “Th. Salmon” l.r., identified “Repose of the Lab../by Th. Salmon/...” on a handwritten label affixed to the reverse. Oil on panel, 14 5/8 x 18 in., framed. Condition: Craquelure, surface grime, bowing to support. $500-700

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1282 American School, 19th/20th Century

1296 Vilhelm Groth (Danish, 1842-1899) Woodland River. Signed and dated “...Groth 1895” l.l. Oil on canvas, 25 7/16 x 21 3/16 in., framed. Condition: Retouch, craquelure, canvas trimmed and mounted to Masonite. $800-1,200 1297 Florence White Williams (American, 1900-1953) Farm in Vermont. Signed and dated “FLORENCE WHITE WILLIAMS 1937” l.l. Gouache on pressed paperboard, 16 x 20 in., framed. Condition: Good. $500-700 1298 Walter Franklin Lansil (American, 1846-1933) Beached Dory. Signed “Walter F. Lansil” l.l. Oil on canvas, 12 x 18 in., framed. Condition: Lined, retouch. $700-900 1299 John Ellsworth Weis (American, 18921962) Village Rooftops, Possibly Provincetown. Signed “John E. Weis” in pencil l.r. Watercolor on paper, sight size 11 3/4 x 15 3/4 in., framed. Condition: Not examined out of frame. $500-700

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1300 Georges Redon (French, 1869-1943)

1303 Marija Pecaric Jug (Croatian, b. 1937)

1308 Two Framed Works on Paper:

Poster for Tango Performance at Café Riche. Signed and dated “Georges Redon 14” in the matrix. Color lithographic poster on paper, image size 47 1/4 x 63 in., framed. Condition: Scattered cracks and tears, minor losses u.c., not examined out of frame. $300-500

Woman with Rosary and Dove. Signed and dated “75/MP JUG” l.r. Watercolor and ink on paper, sight size 27 7/8 x 19 3/8 in., framed. Condition: Not examined out of frame. $200-300

Carl Sprinchorn (American, 18871971), Actor, c. 1910, initialed “C.S.” l.r., identified on a label from O’Farrell Gallery, Brunswick, Maine, affixed to the framed backing, graphite and watercolor on paper, sight size 5 1/8 x 4 1/2 in.; Terri Malo (American, b. 1954), Millpond, signed “© Malo” l.r., titled l.c., inscribed “State 4 3/10” l.l., identified on a label from Pucker/Safrai Gallery, Boston, affixed to the frame backing paper, linocut on paper, image size 7 7/8 x 5 7/8 in. Condition: Not examined out of frames. $150-250

1304 Marija Pecaric Jug (Croatian, b. 1937) 1301 John Leech (British, 1817-1864) Four Prints from Hunting-Incidents: A Capital Finish; Hold Tight Master George; Don’t Move There-We Shall Clear You; and Mr. Torrocks (log) “Come hup! I Say-You ugly brute!” Signed and titled in the plates, published by Thomas Agnew & Sons, London, 1865. Chromolithographs on paper, images sizes to 16 5/8 x 24 5/8 in., framed. Condition: Capital Finish with prominent foxing, all with toning, not examined out of frames.

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N.B. The four plates at hand were originally issued for the portfolio Hunting-Incidents of ‘The Noble Science’ by John Leech. The prints were after subjects included in Leech’s exhibition, Sketches in Oil, at the Egyptian Hall, Piccadilly, June 1862. The portfolio was published by Thomas Agnew & Sons in 1865. Each print was inscribed on the mount with a facsimile signature, and title or caption in facsimile, with “Published by Thos. Agnew & Sons/London Manchr. & L’pool, Jany. 2nd. 1865” at lower right.

The chromolithograph A Capital Finish, with an image size slightly larger than the other three, was embossed to simulate the texture of oil paint on canvas. $200-400 1302 After Robert Walker (British, 16071658) Portrait of Oliver Cromwell. Unsigned, sitter identified on a handwritten label affixed to the stretcher. Oil on canvas, 30 x 24 5/8 in., framed. Condition: Lined, retouch, small dent to l.c. edge, fine craquelure, surface grime. N.B. The copy and the label on the stretcher are thought to be 19th century. Robert Walker painted Cromwell several times, and these portraits were also popularized through engravings, so it is difficult to say precisely on which original this may be based. $200-400

Family with Black Cat. Signed and dated “MP Jug 75” l.r., possibly inscribed in Croatian l.r. Watercolor on paper, sight size 21 x 28 5/8 in., framed. Condition: Not examined out of frame. $200-300

1309 Steven Trefonides (American, b. 1926) 1305 Christopher Huntington (American, b. 1938) Two Works: Silence of Autumn, Shin Pond and Stream Near Cape North, Effie’s Brook. Silence signed l.l. and identified on a label from Tom Veilleux Gallery, Farmington, Maine, Stream signed and dated “Huntington 92” l.l., titled and signed “CL Huntington” on the reverse. Oil on panel, sizes to 14 x 18 in., framed. Condition: Minor surface grime, horizontal cracks in panels visible on the front. $200-400

The Artist and His Family at their Homestead. Signed and dated “Trefonides 82” in pencil l.r. Watercolor on paper, sight size 21 1/2 x 29 1/4 in., framed. Condition: Not examined out of frame. $300-500 1310 Edith Alice Scott (American, 18771978)

1306 John Laurent (American, 1921-2005)

Floral Still Life in a Yellow Bowl. Signed “Edith A. Scott” l.r. Pastel on canvas, sight size 18 x 22 1/4 in., framed. Condition: Not examined out of frame. $200-300

Skate. Initialed “JL” c.r. Oil on board, 11 7/8 x 16 1/8 in., framed. Condition: Minor surface grime. $200-400

1311 Gerald Davison Coulson (British, b. 1926)

1307 Frederick Lynch (American, 19352016)

The Stearman. Signed “Coulson” l.r., titled on the stretcher. Oil on canvas, 28 x 36 in., framed. Condition: Good. $400-600

Two Works on Paper: Stele 19 and Stele 23, 1986. Each signed and dated “LYNCH...” in pencil l.r., identified on the backing and on artist’s labels affixed to the backing, Stele 23 identified on a label from Barridoff Galleries, Portland, Maine, affixed to the backing. Gouache on paper, sight sizes 12 3/8 x 14 3/8 in., framed. Condition: Not examined out of frames. $150-250

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1312 Albert J. Dreher (American, 20th/21st Century) Nocturnal Vision. Dated and signed “©97 Dreher” c.l. Oil wash on paperboard, 21 3/4 x 16 7/8 in., framed. Condition: Good. N.B. The lot is accompanied by a copy of the original sales receipt from Preusser Gallery, Taos, New Mexico, dated 9/5/97. $200-400

1317 Two Framed Prints:

Lute Player. Inscribed, signed, and dated “.../Painted by/A. Hewins/ Boston/1837” on the reverse. Oil on panel, 18 x 14 3/4 in., framed. Condition: Surface grime, possible retouch. $200-400

Eugene Higgins (American, 18741958), Fisherman’s Family, signed “Eugene Higgins Imp” l.r., etching on paper, plate size 6 7/8 x 7 7/8 in.; After Honoré Daumier (French, 18081879), L’Avocat General (Affaire la Roncière) from Le Charivari, lithograph on newsprint, sight size 10 7/8 x 7 1/2 in. Condition: Toning, not examined out of frames.

1314 Brazilian School, 20th Century Rooftops. Signed and dated “Coelho/73” l.r., signed and inscribed “COELHO/BRAZIL” on the reverse, titled on an unattributed label affixed to the reverse. Oil on canvas, 27 1/2 x 19 1/2 in., framed. Condition: Scattered small paint losses, surface grime. $300-500 1315 Frieda Voelter Redmond (American, 1857-1939) Floral Still Life. Signed “Frieda Voelter Redmond” l.l. Watercolor on paper, sight size 21 1/4 x 15 in., framed. Condition: Possible toning, not examined out of frame. $200-300 1316 French School, Early 18th Century Portrait of Jacob Barge Weidman. Unsigned. Oil on canvas, 32 x 25 1/2 in., in a gilt gesso frame. Condition: Lined, scattered retouch. $1,000-1,500

N.B. The Daumier print refers to the famous “La Roncière Affair,” a court hearing which took place between June 29 and July 4, 1835, in Paris. Emile François Guillaume Clément de La Roncière (1804-1874) was accused of assaulting the daughter of General de Saumur. The proceedings were followed by all of Paris, causing Daumier to avoid caricature and do his drawings directly in the courtroom “d’après nature.” They were then immediately sent to the Le Charivari offices for transfer to a lithographic stone.1 1. http://bir.brandeis.edu/handle/10192/2914 accessed 2/26/18

$150-250 1318 Christopher Huntington (American, b. 1938) October Landscape. Signed “Huntington” l.l., titled, inscribed, dated, and initialed “.../CA Oct. 86 ID 91/C.LH/ Bog Road” on the reverse. Oil on panel, 20 x 20 in., framed. Condition: Fine horizontal craquelure. $150-250 1319 Michiel Gloeckner (American, 19151989) Untitled, 1974, edition of 125. Signed and dated “Michiel Gloeckner 1974” in pencil l.r., numbered “96/125” in pencil l.l. Color lithograph on paper, image size 28 1/2 x 20 1/2 in., unframed, shrink-wrapped (with foamcore). Condition: Puncture c.r., not examined out of wrap. $50-75

Pensive Girl. Signed “KRAMER” l.l., signed and titled “J. KRAMER “PENSIVE GIRL” on the tacking edge of the canvas on the reverse. Oil on canvas, 20 x 16 in., framed. Condition: Good. Provenance: Gift of Jeannette W. Sriberg to the Brockton Art Museum/ Fuller Memorial (now Fuller Craft Museum), Brockton, Massachusetts, 1975; Skinner, Inc., American & European Paintings & Prints, May 19, 2006, Lot 416; to the current private collection. $200-400 1321 Isaac Soyer (American, 1902-1981)

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1320 Jack N. Kramer (American, 19231983)

1313 Amasa Hewins (American, 1785-1855)

On the Couch. Signed “Isaac Soyer” in pencil l.r., titled l.c., inscribed “Artist’s Proof” l.l., signed “ISAAC SOYER” in the matrix l.r. Lithograph on paper, image size 15 x 24 in., framed. Condition: Not examined out of frame. $100-150 1322 Raphael Soyer (American, 1899-1987) Two Drawings of Female Figure Studies. One signed “RAPHAEL SOYER” in pencil l.r., one initialed “R.S.” in red pencil l.r., each with collector’s stamp l.r. Graphite on paper, sight sizes to 18 3/8 x 13 3/8 in., framed. Condition: Toning and rippling to one sheet, not examined out of frames. Provenance: Ex-collection Emil J. Arnold; Skinner, American & European Works of Art, May 15, 2009, Lot 349; to a private Massachusetts collection. $150-200 1323 Franklin (Frank) Benjamin DeHaven (American, 1856-1934) Autumn Landscape with Pond. Signed “DeHaven” l.r. Oil on canvas, 30 x 24 in., framed. Condition: Patch reinforcements, retouch, faint stretcher bar marks, minor surface grime. $600-800

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1324 Peter Hutchinson (British, b. 1930) Rose Bridge. Inscribed, signed, and dated “...Peter Hutchinson 1993” in brown ink c.l., titled in brown ink u.c., identified on a label from Obelisk Gallery, Boston, affixed to the backing. Chromogenic prints, glass bottles, paint, sight size 23 1/2 x 30 3/4 in., framed. Condition: Not examined out of frame. $300-500 1325 Margaret Miller Cooper (American, 1874-1965) Two Girls on Beach, Miami. Signed “M Cooper” l.r., titled, signed, and dated “...M Cooper 1940” on the reverse. Oil on panel, 12 x 16 in., framed. Condition: Surface grime, varnish discoloration. $400-600 1326 Margaret Miller Cooper (American, 1874-1965) Twins. Signed “MCooper” l.r., titled and signed “...Margaret Cooper” on a label from the Lyme Art Association affixed to the stretcher. Oil on canvas, 12 x 14 in., framed. Condition: Surface grime. $400-600 1327 European School, 20th Century

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Summer Landscape with Foreground Telephone Lines. Unsigned. Oil on artist board, 8 1/2 x 12 7/8 in., framed. Condition: Small abrasion to u.c. edge, surface grime. $300-600

1328 Joseph Eliot Enneking (American, 1881-1942) Seaside Meadows. Signed and dated “J. Eliot Enneking/1906” l.r. Oil on canvas, 10 x 14 in., framed. Condition: Surface grime, minor craquelure, small loss u.r. $500-700

1330 Frank A. Bourne (American, 19th/20th Century)

1334 After Andy Warhol (American, 19281987)

The New Bridge at Night. Signed, dated, and inscribed “FA Bourne/Sept. 1917/Charles River Br./Tower at Night” l.r., identified on an exhibition label from the Boston Architectural Club (see below) affixed to the back of the frame. Charcoal and gouache on gray paper, 19 1/4 x 13 1/2 in., framed. Condition: Not examined out of frame.

Galerie Borjeson, Sweden, Exhibition Poster Featuring Ingrid Bergman, 1983. Signed “Andy Warhol” in ink l.r. Offset color lithographic poster, sheet size 39 1/2 x 27 1/2 in., unmatted, unframed. Condition: Foxing along bottom quarter of sheet, minor wear to edges and corners. $500-700

Exhibitions: The Boston Architectural Club Exhibition, 1907, held at the Boston Public Library, October 14-26, 1907. $300-500

1335 After Roy Lichtenstein (American, 1923-1997)

1331 Thure Thulstrup (American, 18481930)

Exhibition Poster from the Leo Castelli Gallery, 1975. Signed “rf Lichtenstein” in ink. Color offset lithographic poster, sheet size 12 x 8 7/8 in., unmatted, unframed. Condition: Subtle toning. $300-500

Music on the Passenger Deck. Signed “Thulstrup” l.l., with a canvas stencil from P. Dechaux & Co., New York, on the reverse and a label from T. Gilbert Brouillette affixed to the stretcher. Oil en grisaille on canvas, 16 x 24 in., framed. Condition: Minor surface grime. Provenance: Property of T. Gilbert Brouillette, New York and Kansas City. $600-800 1332 Robert R. Bliss (American, 19251981) Shore House. Signed and dated “RBliss 65” l.r. Watercolor and gouache on paper, sight size 9 3/8 x 13 3/8 in., framed. Condition: Not examined out of frame. $500-700 1333 Francis Hopkinson Smith (American, 1838-1915) Boatyard. Signed “F. Hopkinson Smith” l.l. Pastel on paper, sight size 9 x 12 in., framed. Condition: Not examined out of frame. $300-500

1329 Kahlil Gibran (American, 1922-2008) Seated Nude at Her Toilette. Signed and dated “K. Gibran 1968” l.r. Charcoal on paper, sight size 28 x 24 in., framed. Condition: Not examined out of frame. $600-800

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1336 Ko Si-Chi (Taiwanese, b. 1929) Curves. Signed and dated “Si Chi Ko ‘81” in pencil on the mount l.r., titled on a label affixed to the backing. Dyetransfer print mounted to board, image/ sheet size 15 3/8 x 23 3/8 in., framed. Condition: Not examined out of frame. $500-700 1337 Ko Si-Chi (Taiwanese, b. 1929) Adobe Abstraction. Signed and dated “Si Chi Ko ‘90” in ink on the mount l.r., numbered “21/75” in ink on the mount l.l. Dye-transfer print on paper, image size 22 3/8 x 14 3/5 in., framed. Condition: Not examined out of frame. $500-700 1338 American School, 20th Century Abstract Mountain Landscape. Signed and dated “Marchi/1969” l.r. Watercolor on paper, sight size 14 x 19 7/8 in., framed. Condition: Not examined out of frame. $200-400

1344 Wally Ames (American, b. 1942)

1349 Robin Oliver (American, b. 1958)

Spring in Byfield. Unsigned, titled and ascribed to John J. Enneking in an inscription on the back of the frame (see below). Oil on academy board, 9 7/8 x 14 in., framed. Condition: Minor surface grime.

Grapes and Orange Still Life. Monogrammed “WA” l.r., signed “Wally Ames” on the reverse. Oil on board, 8 1/8 x 10 in., framed. Condition: Surface grime. $200-300

Wheelbarrow, James Garden. Signed and dated “Robin Oliver 92” l.r., titled on a gummed label affixed to the stretcher. Oil on canvas, 14 x 18 in., framed. Condition: Minor surface grime.

N.B. The inscription on the frame reads: “Spring in Byfield/Painted by John J. Enneking of Hyde Park.” Also inscribed “Mrs. Thornbberg” on the back of the frame, and “Framed/Copley Galleries” on the reverse. $300-500 1340 Dan Dunn (American, 20th Century) Ship and Channel Buoys Just off the Coast. Signed and dated “DanDunn/65” l.l., with the artist’s Pensacola, Florida, address stamped two places on the stretcher. Oil on canvas, 24 x 36 in., framed. Condition: Scattered small scuffs, surface accretions and grime. $200-400 1341 Samuel Roscoe Chaffee (American, 1850-1913) Marshland in Stillness. Signed “S.R. Chaffee” l.r. Watercolor on paper, sight size 11 3/8 x 23 1/8 in., framed. Condition: Subtle toning, not examined out of frame. $200-300 1342 Arthur Polonsky (American, b. 1925) Three Framed Portraits on Paper: Young Man in Jacket and Tie, Woman (Marianne) Wrapped in a Shawl, and Profile View of Mozart. Signed “Polonsky” l.r. or l.l., Young Man dated “December 22, 1951” l.l., Woman dated “1951” l.r. Charcoal or crayon on paper, sheet sizes to 30 1/2 x 22 1/8 in. Condition: Mozart with rippling, tack holes to corners, pale fox marks, soiling to the edges of the sheet, Woman with toning, stains to c.l. edge, not examined out of frames. $200-300 1343 Italian School, 19th/20th Century

1345 Enella Benedict (American, 18581942) Houses and Street. Signed “E BENEDICT” l.l., inscribed “Miss A.H. Pillsbury/Hull House/800 S. Halsted St” in pencil on the reverse. Oil on board, 9 1/4 x 9 5/8 in., framed (under glass). Condition: Not examined out of frame. $300-500 1346 German School, 20th Century Ready for Fishing. Unsigned, inscribed “Diffendale/Neubiberg” in pencil on the stretcher. Oil on canvas, 13 1/2 x 12 in., framed. Condition: Minor retouch, stretcher bar marks, surface grime. $300-500 1347 Gene Paletta (American, 20th/21st Century) Silver Monadnock. Signed “PALETTA” l.r., signed, titled, dated, and inscribed “Gene Paletta/Marlborough NH/...©1990/Painted near Silver Lake/ Chesham, NH” on the reverse. Oil on canvas panel, 5 x 7 in., framed. Condition: Minor accretions at horizon on left, minor surface grime. $200-400

N.B. The artist has kindly commented on this work: Regarding the painting of the James Garden, the garden belongs to the former home of the artist Alexander James. Alec and Freddie (as his wife was known) purchased the house while on a trip to Dublin, New Hampshire, to visit Abbott Thayer. The brick Georgian-style home had no gardens at the time, and the Jameses designed elaborate gardens around the house and added mortared stone walls with fashionable brick corners to provide privacy and to give the gardens a European look and feel, including a brick garden house. $200-400

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1339 American School, 20th Century

1350 Sue Callihan (American, b. 1946) Morning Mist, Walpole. Signed “Callihan” l.r., signed and dated “Sue Callihan 2003” on the reverse, titled on an unattributed sale label affixed to the stretcher. Oil on canvas, 8 x 10 in., framed. Condition: Good. $200-400 1351 David L. Dodge (American, b. 1954) Seaver, March. Signed “D. Dodge” l.r., signed and titled “D.L. Dodge” and “Seaver, March” on the reverse, with the artist’s contact information label also on the reverse. Oil on canvas panel, 11 x 14 in., framed. Condition: Good. $100-300

1348 Sandy Sherman (American, b. 1947) 3 Turnips ‘94. Signed “SHERMAN” l.r., signed, inscribed, and titled (including the date as part of the title) “SANDY SHERMAN/STUDIOS AT CRESCENT POND/STODDARD, N.H. 03464/...” on the reverse. Oil on canvas panel, 7 x 14 1/4 in., framed. Condition: Surface grime. $200-400

1352 Robert Collier (American, 20th/21st Century) Mount Monadnock Dublin Spring. Signed “Collier” l.l., titled, signed, and inscribed “.../Robert Collier/Rindge, N.H.” on the frame backing paper. Pastel on paper/board, sight size 10 1/2 x 13 3/8 in., framed. Condition: Not examined out of frame. $200-400

Costumed Woman on a Beach. Signed and inscribed “G. Minardi Roma” l.l. Watercolor on paper, sight size 19 x 13 1/8 in., framed. Condition: Not examined out of frame. $300-500

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1353 John Sirois (American, 20th/21st Century)

1359 Walter Franklin Lansil (American, 1846-1933)

Monadnock. Signed “J. Sirois” l.r., titled on a partial label affixed to the frame backing. Oil on paperboard mounted to double thickness foamcore, 14 x 20 in., framed. Condition: Good. $200-400

Venice Lagoon. Signed and dated “Walter F. Lansil 1890” l.l. Watercolor on paper, sight size 9 5/8 x 13 1/2 in., framed. Condition: Small tear (1/4 in. visible) and tiny abrasion at u.l. edge, minor toning, not examined out of frame.

1354 Tollef Runquist (American, 20th/21st Century)

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $400-600

Schaghticoke Road. Signed and dated “Runquist 99” l.l., signed, dated, and titled in pencil on the stretcher. Oil on canvas, 8 x 10 in., framed. Condition: Good. $200-400 1355 Continental School, 19th Century Net Fishing in a Swift River Below a Mill. Unsigned. Oil on canvas, 21 1/4 x 18 in., framed. Condition: Lined, retouch, craquelure, minor surface grime. $300-500 1356 Arthur Trevithan Nowell (British, 18621940) Valley Landscape with Cattle. Signed “AT Nowell” l.r. Watercolor on paper, sight size 11 1/2 x 18 in., framed. Condition: Not examined out of frame. $100-150

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1357 Continental School, 19th Century

Young Maid Lighting a Candle. Signed “R. Morin” l.l. Oil on panel, sight size 9 x 7 1/4 in., framed. Condition: Vertical split to panel, retouch, abrasion c.r., craquelure, surface grime. $100-150 1358 Claire Shuttleworth (American, 18671930) Summer Landscape with Farmyard and Cows. Signed “Claire Shuttleworth” l.l. Watercolor and pastel on paper, 9 1/2 x 12 1/2 in., framed. Condition: Small tear to l.c. edge stabilized with tape on the reverse, brown paper tape remnants and minor glue stains to the edges of the reverse, hinged on the reverse to the window mat in two places. $200-400

1360 Italian School, 17th/18th Century Two Ink Drawings: Bacchus and Study of Struggling Figures. Both unsigned, Struggle inscribed “Metamor. lib.9.” l.c. Sizes to 4 x 3 3/4 in., both framed. Condition: Toning, staining, Struggle with old tears and small losses, laid down on secondary paper support. $200-400 1361 Continental School, 19th Century Floral Bouquet En Plein Air. Signed “H Robie” l.r. Oil on panel, 87 1/4 x 10 in., framed. Condition: Drying cracks, craquelure, surface grime. $200-400 1362 Aiden Lassell Ripley (American, 18961969) Steep Sidewalk, Hibbard Street. Stamped “FROM THE ESTATE OF/A. LASSELL RIPLEY” on the reverse, inscribed and titled “R. sketch #57/ Steep Sidewalk/.../Hibbard St.” in pencil on the reverse. Watercolor and pencil on paper, 7 1/4 x 10 in., framed. Condition: Pale mat burn, tack holes to corners, hinged to the window mat with masking tape along the top edge of the reverse. Provenance: A Massachusetts collector and former neighbor of the artist. N.B. The work is faintly inscribed in some areas with brief color notes. $500-700

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1363 After Carlo Dolci (Italian, 1616-1686) Madonna of the Veil. Unsigned, with a label from Galleria Corsini and red wax seal on the reverse. Oil on canvas, 37 x 30 in., framed. Condition: Restored tears and abrasions, patch reinforcement, retouch, craquelure, surface grime. N.B. The original Dolci painting (c. 1630–1686) is in the collection of the Galleria Corsini in Rome. This copy is thought to be 19th century. $300-500 1364 Continental School, 19th Century Agony in the Garden/Jesus at Prayer at Gethsemane. Unsigned. Oil on canvas, 26 x 18 in., framed. Condition: Tears and small punctures with patch reinforcements to the reverse, abrasions, paint losses, craquelure, surface grime. $150-250 1365 Manner of Rembrandt van Rijn (Dutch, 1606-1669) Portrait Head of Man in White Collar and Black Hat. Unsigned, with a label from E.C. Babcock, New York, on the stretcher. Oil on canvas, 30 x 25 in., framed. Condition: Lined, retouch, craquelure. abrasions. $300-500 1366 Glenn MacNutt (American, 19051987) Sunset at Sea. Signed “Glenn MacNutt ANA” l.l., identified on an exhibition label from Jordan Marsh Company (see below) affixed to the frame backing, and with the artist’s address stamps on the frame backing and on the back of the frame. Watercolor on paper, 22 x 30 in., in the original frame. Condition: Scattered small surface spots, reverse with remnants of brown paper tape around the perimeter. Exhibitions: Jordan Marsh Company, Twenty-Ninth Annual Exhibition of Paintings, Spring 1958, Boston, Massachusetts. $300-500

1372 Jim Dine (American, b. 1935)

Two Boys at Rest in a Field. Signed indistinctly along the brim of the upturned hat l.r. Watercolor on paper mounted to cardboard, 12 3/4 x 17 3/8 in., framed. Condition: Toning, abrasions, foxing, bends and losses at corners, wear to edges, mat burn, area of fading or overcleaning at c.r. $100-150

Kenneth Koch Poem, 1966, edition of 31, published by Universal Limited Art Editions. Titled, dated, signed, and numbered “...1966 Jim Dine 9/31” in pencil in the lower margin, publisher’s dry stamp l.r., identified on a label from John Szoke Gallery, New York, affixed to the backing. Color lithograph on paper, sheet size 36 3/4 x 24 1/2 in., framed. Condition: Deckled edges, possible fading to paper, floated within the frame, not examined out of frame.

1368 American School, 19th Century Still Life with Peaches on a Tabletop. Monogram signature “TCo...” l.l. Oil on canvas, 14 x 18 in., in a Paul Carter Goodnow frame. Condition: Lined, minor retouch, craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200 1369 British School, Early 19th Century Portrait of a Gentleman. Unsigned, with a label from J.G. Moore, London, affixed to the back of the frame. Oil on canvas, 30 x 25 in., framed. Condition: Lined, retouch primarily to coat and background, minor varnish inconsistencies. $300-500 1370 David Deuchar (Scottish, 1743-1808) and After Rembrandt van Rijn (Dutch, 1606-1669) Two Late Impression Etchings: Beggar Leaning on a Stick and Beggar Woman Leaning on a Stick. Beggar inscribed “Rembrandt” and “D. Deuchar Fect.” in the plate l.l. and l.r., respectively, Woman inscribed and dated “Rembrandt f. 1646” in the plate l.c. Sight sizes to 3 1/4 x 2 1/4 in., framed. Condition: Not examined out of frames. $200-300 1371 Attributed to Franklin Harrison Miller (American, 1843-1911) Still Life with Grapes on the Vine. Signed “F. Miller.” l.r., inscribed “C.D. Hillman” on the reverse and on the stretcher. Oil on canvas (stretched with Boston tabs), 22 x 15 3/4 in., framed. Condition: Craquelure, minor retouch, minor surface grime. $700-900

N.B. Accompanied by an informational sheet from John Szoke Editions, New York. $700-900 1373 After Fernand Léger (French, 18811955) La Chaise et la Vache, 1952. Initialed and dated within the matrix. Collotype (or similar) and pochoir on paper, image size 15 1/8 x 19 5/8 in., matted, unframed. $200-300 1374 Jeanette Pasin Sloan (American, b. 1946) Two Prints: La Terrazza and Mercato Stripes. La Terrazza signed and dated “Jeanette Pasin Sloan 87” in pencil l.r., numbered “18/125” in pencil l.l., Mercato Stripes signed and dated “Jeanette Pasin Sloan 93” in pencil l.r., numbered “19/70” in pencil l.l., each titled in pencil l.c. Color lithographs on paper, image sizes to 29 3/4 x 33 1/8 in., framed. Condition: Not examined out of frames. $400-600 1375 Fredrick Prescott (American, b. 1949) Rock & Roll. Signed and dated “Prescott/96” and numbered “6/125” on the top of the base. Painted steel kinetic sculpture, 26 x 21 in., diameter of base 8 1/2 in. Condition: Minor abrasions and paint losses, more noticeable on the counterweight, original neon element removed. N.B. The original neon element from the sculpture was removed at some point and does not accompany the piece. $300-500

1376 Maxfield Parrish Jr. (American, 19061983) and Family Folder of Twenty-seven Works on Paper. Some signed, initialed, and dated (1950s-1970s). Mixed media including ink and pencil, sizes to 11 x 12 1/2 in. Condition: Staining, toning, rippling, creases, pinholes, some sheets with tape remnants and tears. Provenance: Through the artist’s family. $400-600 1377 Jack Callahan (American, 1911-1981) Portrait of President John F. Kennedy. Signed “Callahan” l.l. Oil on canvas, 60 x 40 in., framed. Condition: Surface grime, patch repair on the reverse u.c.

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1367 British School, 19th Century

Provenance: Christie’s, New York, December 13-14, 2007, Sale 1919, Lot 110; acquired from Douglas Auctioneers, Deerfield, Massachusetts, c. 2008-2009. $500-700 1378 Jules-Alfred Giess (French, b. 1901) La Rivière en crue (fin de février). Signed and dated “A Giess 58” l.r., titled on the stretcher. Oil on canvas, 18 x 21 1/2 in., framed. Condition: Minor surface grime. Provenance: A Connecticut estate. $700-900 1379 Michel Margueray (French, b. 1938) Honfleur. Signed “MMARGUERAY” l.r., signed, dated, and titled “MMARGUERAY 85/...” on the reverse. Oil on canvas, 9 1/2 x 13 3/4 in., framed. Condition: Minor abrasion l.l. $700-900 1380 Stephano Cusumano (American, 1912-1975) Double-sided Work: Seated Nude and The Bathers. Bathers signed “Stefano Cusumano” l.l., Seated Nude signed “S. Cusumano” u.l. Oil on board, 27 x 43 in., in the original frame hand-painted by the artist. Condition: Abrasions, surface grime. Provenance: Boston Art Club. Exhibitions: 1939 World’s Fair, New York, cat. no. 109. $1,200-1,800

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1381 George Ratkai (Hungarian/American, 1907-1999) Accordion Trio. Signed “G. Ratkai” u.r. Oil on canvas, 40 x 36 in., framed. Condition: Small paint losses to u.l. quadrant. $1,000-1,500 1382 American or Continental School, 20th Century Three Festive Spanish Women with a Parrot. Unsigned. Oil on canvas, 59 1/2 x 59 1/4 in., framed. Condition: Tear to c.l. edge, patch reinforcement, retouch, craquelure with scattered paint losses, surface grime. $1,000-2,000 1383 Gail Boyajian (American, b. 1948) Metamorphosis, 2001. Titled, signed, and dated “...Gail Boyajian...” on the reverse, identified on a label from Judy Ann Goldman Fine Art affixed to the reverse. Oil on panel, 23 3/4 x 60 in., unframed. Condition: Minor surface grime. $500-700 1384 Dutch School, 20th Century

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Aan de Bosrand (At the Edge of the Forest). Dated and signed “10/59 fran...” u.l., signed indistinctly, numbered, titled, and dated “...2256/...18 Oktober 1959-1” on the reverse. Gouache on paper, 16 3/4 x 19 5/8 in., framed. Condition: Good. $500-700

1385 Karl Zerbe (American, 1903-1972) Possum #2. Titled, signed, and dated “...Zerbe/1967” l.c. Watercolor and gouache on paper, sheet size 36 1/4 23 3/4 in., framed. Condition: Sheet with deckled edges, floated in frame, fox mark u.l., not examined out of frame. $500-700

1387 William Thon (American, 1906-2000)

1393 Wilson Bigaud (Haitian, 1931-2010)

Ponte San Angelo. Signed “Thon” l.r., identified on labels from Midtown Galleries, New York, on the stretcher and frame backing, and from the City Art Museum of Saint Louis on the frame backing. Oil on canvas, 20 x 29 3/4 in., framed. Condition: Canvas rippling.

Two Works Depicting Busy Market Scenes. Each signed “Wilson Bigaud” l.r. Oil on Masonite, sizes to 24 x 30 in., framed. Condition: Minor surface grime, one with scattered minor abrasions along upper edge. $500-700

Provenance: Property of the Saint Louis Art Museum, sold to benefit the acquisition fund. $400-600

1394 Wilson Bigaud (Haitian, 1931-2010)

1388 Adams Barland (British, fl. 1843-1875) Two Views of North Wales: On the Lledr and On the Mawddach. Both inscribed, titled, and dated “...1865” in pencil on the stretcher, and identified on a presentation plaque. Oil on canvas, 12 x 23 3/4 in., framed. Condition: Lledr with minor retouch to c.r. edge, both with stable craquelure, varnish discoloration, minor surface grime. $400-600

1395 T.J. Walton (American, b. 1965) Floral Still Life with Blue Vase. Signed “Walton” l.r. Oil on canvas, 20 x 16 in., framed. Condition: Minor surface grime, scattered stable fine craquelure. $300-500

1389 Adam Leontus (Haitian, 1928-1986) Chopping Wood/A Village Scene. Signed “ADAM LEONtUS” l.r. Oil on Masonite, 32 x 24 in., framed. Condition: Minor surface grime, scattered minor losses l.c. $200-400

1396 Janet Munro (American, b. 1949) Autumnal Country Landscape/A Story of Farm Life. Signed and dated “J. MUNRO 1985” l.l. Oil on canvas, 40 x 30 in., framed. Condition: Minor surface grime. $700-900

1390 Adam Leontus (Haitian, 1928-1986) Bathers. Signed “ADAM LEONtUS” l.r. Oil on Masonite, 16 x 48 in., framed (under glass). Condition: Not examined out of frame. $300-500

1391 Grace H. Hastie (British, 1839-1926) Pansies in a Basket. Signed and dated “Grace H. Hastie 1903” l.l. Watercolor on paper, 10 5/8 x 16 5/8 in., framed. Condition: Not examined out of frame. $400-600

1386 British School, 18th Century Portrait of a Gentleman in a Trompe l’Oeil Oval. Unsigned. Oil on canvas, 30 x 25 in., framed. Condition: Lined, minor retouch, craquelure. $400-600

Four Works: Two of Figures in Market Settings and Two Nudes Amidst Flowers. Each signed “Wilson Bigaud” l.r. Oil on Masonite, sizes to 16 x 12 in., framed. Condition: Minor surface grime. $500-700

1392 André Bouquet (French, 1897-1987) Le Pont de Gien. Signed “Bouquet” l.l., titled on the backing. Oil on canvas, 24 x 29 in., framed. Condition: Minor surface grime. $350-550

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1398 Michael Waterman (American, b. 1947) West End Cemetery. Signed and dated “Waterman 85” l.r., signed, dated, and titled on the reverse. Oil on canvas, 15 x 21 in., framed. Condition: Good. $200-300

1403 Michael Hill (British, b. 1956)

Jean Louis Forain (French, 18521931), Folies Bergeres II; Joseph Victor Roux Champion (French, 1871-1953), Maurice Denis; Pierre Bonnard (French, 1867-1947), Le Graveur; John Frederick Tayler (British, 1802-1889), Dogs and Wild Boar. Identified in inscriptions on the mats, Champion and Tayler signed and titled in the plates. Plate sizes to 6 7/8 x 9 1/8 in., matted, unframed. Condition: Minor toning, Tayler laid down on paper support, Champion with 1/4 in. tear to margin l.r. $200-250

Two Landscapes: Woodland Stream and Riverside. Signed “Michael Hill” l.r. and l.l., respectively, identified on labels affixed to the reverses. Oil on panel, sight sizes to 7 1/8 x 9 1/4 in., framed. Condition: Surface grime. $400-600

1400 James Abbott McNeill Whistler (American, 1834-1903)

1404 Attributed to Marijan Trepse (Croatian, 1897-1964) Figures at a Cafe Table. Signed “M. Treps...” u.r. Watercolor on paper, sight size 18 1/2 x 23 1/4 in., framed (without glass). Condition: Pale foxing, rippling, stain to l.l. quadrant. $100-200

Gants de suède, 1890, only state, published in 1894 by The Studio, London, edition of 3,000 (Chicago, 35). Monogrammed within the matrix. Transfer lithograph on paper, image size 8 1/2 x 4 in., framed. Condition: Subtle toning and mat burn, not examined out of frame. $400-600

1405 Eastern European School, 20th Century

1401 French School, Late 19th Century

1406 Continental School, 19th Century

Satirical “Menu” Sketch. Initialed and inscribed “P.C.C. Le Nègre Anatole” l.c. Ink and watercolor on paper, 11 11/16 x 9 1/8 in., unframed. Condition: Tears, creases, soiling.

Cattle in a Meadow Overlooking Mountains and a Distant Castle. Unsigned, inscribed “Redler” in a later hand on the stretcher. Oil on canvas, 11 7/8 x 14 1/2 in., unframed. Condition: Scattered paint losses, craquelure, varnish discoloration.

Provenance: Purchased from the Herslin Gallery, New York. N.B. Le Nègre Anatole may refer to a character in the novel Manette Salomon by Edmond de Goncourt and Jules de Goncourt, both of whom were also illustrators. The book was published by Georges Charpentier in 1902. $400-600 1402 John Clinton Spencer (American, 1861-1919) Still Life with Apples, Pears, and a Basket of Grapes. Signed and dated “J.C. Spencer/1899” l.l., signed and dated similarly on the reverse. Oil on canvas, 14 x 26 in., in a period frame. Condition: Small paint losses to u.r. quadrant with a corresponding to a small dent on the reverse, craquelure, surface grime. $700-900

Monastery on a Seaside Cliff. Signed in Cyrillic l.r. Oil on canvas, 22 5/8 x 31 in., framed. Condition: Varnish inconsistencies, surface grime. $300-400

1408 Garabed Der Hohannesian (American, 1908-1992) View from a Rooftop. Signed and dated “GARABED DER HOHANNESIAN 81” l.r. Ink and wash on paper, sight size 16 3/4 x 22 in., framed. Condition: Mat burn, not examined out of frame. Provenance: From the family of the artist. $200-250 1409 Garabed Der Hohannesian (American, 1908-1992) Abstract Building Cityscape. Signed and dated “GARABED DER HOHANNESIAN 56” l.r. Ink and wash on paper, sight size 11 3/4 x 16 in., framed. Condition: Not examined out of frame. Provenance: From the family of the artist. $200-250 1410 Georges Rouault (French, 1871-1958) Hindenburg. Initialed, dated, and titled in the stone, signed “Georges Rouault” in ink l.r., titled and dated “...1933” in ink l.l. Lithograph on paper, sight size 18 3/8 x 14 in., framed. Condition: Not examined out of frame. $250-350 1411 Georges Rouault (French, 1871-1958)

N.B. The inscription on the stretcher could refer to an artist or to an owner. The artist closest in period and style appears to be Jakob Roedler (Austrian, 1803-1862), although there was not sufficient evidence to make an attribution. $200-400

Solitaire, en cette vie d’embuches et de malices, 1922, from the suite Miserere, published 1948, total edition of 450 (Wofsy, 112). Etching with aquatint and roulette on paper, plate size 22 3/4 x 16 1/2 in., framed. Condition: Not examined out of frame. $250-350

1407 Bob Elgas (American, 20th Century)

1412 Charles Ayer Whipple (American, 1859-1928)

Still Life with Fruit and Bread. Signed “Bob Elgas” l.l. Oil on panel, 7 x 9 1/2 in., framed. Condition: Minor surface grime. $200-300

Studio Art online

1399 Four Drypoint Etchings:

Lady with Red Hat and Sash. Signed and dated “C. Ayer Whipple 1897” l.c. Oil on canvas, 24 x 16 in., framed. Condition: Scattered flaking and losses. $800-1,200

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1413 Charles Armor (American, 1844-1911)

1418 British School, Late 19th Century

Landscape with Man Fishing. Signed “C. Armor” l.r. Oil on canvas, 18 x 24 in., framed. Condition: Minor surface grime, minor retouch. $700-900

Still Life with Oranges and Grapes. Signed “F. Mutrie” l.l., with a Winsor & Newton canvas stencil on the reverse. Oil on canvas, 8 x 12 in., framed. Condition: Fine craquelure, surface grime.

1414 Peter Agrafiotis (American, 20th/21st Century)

N.B. There are two sisters with the surname Mutrie listed as still life painters in 19th-century Britain, Annie Feray Mutrie and Martha Darlay Mutrie. From the few examples of the sisters’ signatures that are available, the former tended to sign with her initials “AFM,” and the latter signed with her first two initials and last name. Since the signature on the painting at hand did not correspond to either sister, nor did it appear that there was another initial before the “F.,” the painting has been cataloged as British School. $200-400

Three Framed Townscapes: Lincoln Perry Painting Fort McCleary, Houses Silhouetted Against a Sunset, and Gazebo. All signed “Agrafiotis” l.l., Lincoln Perry titled on an unattributed label affixed to the frame backing paper. Oil on canvas, sight sizes 11 3/8 x 15 1/4 in. Condition: Minor surface grime. $150-250 1415 Franklin Dullin Briscoe (American, 1844-1903) Fishing Vessel Under Sail. Signed or inscribed “Briscoe” l.l. Oil on pressed paperboard, 13 7/8 x 10 7/8 in., framed. Condition: Retouch, varnish inconsistencies, minor wear to edges of the support. $300-500

Studio Art online

1416 Attributed to Sonya Terpening (American, b. 1953)

Ogleby Garage. Signed “Sonya” l.l. Watercolor on paper, sheet size 10 x 14 in., framed. Condition: Glue residue around the perimeter of the recto, small stain to u.l. corner, affixed to the window mat with masking tape on the reverse. $200-400

1419 Giovanni Boldini (Italian, 1842-1931) Study of a Standing Nude, Said to be the Model “Dora.” Signed “Boldini” l.r., described in a dedication on a cardboard folder that accompanies the lot. Chalk, wash, and watercolor on paper, 11 x 8 in., unmatted, unframed. Condition: Soiling, foxing, sheet laid down on mat board support. $800-1,200

End of Sale 3081T

1417 Attributed to Theresa Bernstein (American, 1891/95-2002) Still Life with Apples and Teapot. Signed indistinctly, possibly in ballpoint pen, l.r., identified on a presentation plaque. Oil on board, 15 x 19 in., framed. Condition: Slight bowing to support. Provenance: James D. Julia, Inc., Annual 2008 Samoset Auction, August 26, 2008, Lot 3171; through to a Massachusetts estate. $1,200-1,800

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