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Studio Art online featuring Japanese Prints

Lot Listing Sale 3039T | November 9–17, 2017 | www.skinnerinc.com 508.970.3202 | discovery@skinnerinc.com |

MA LIC. 2304

1000 Attributed to William Lester Stevens (American, 1888-1969)

1005 Sandra Slone Barkell (American, 20th Century)

1010 Mabel May Woodward (American, 1877-1945)

Fishing Vessels at a Wharf. Signed or inscribed “W. LESTER STEVENS” l.r. Oil on canvas, 24 1/4 x 29 3/8 in., framed. Condition: Lined, retouch, areas of possible skinning or thinly applied paint to u.c., signature may be reinforced or added later. $2,500-3,500

Insight. Incised “© SANDRA SLONE 1979 2/9” on the base. Bronze sculpture of a dancer on a tall copper pedestal, with a miniature polished bronze sculpture of the dancer on a fall-flap door within the pedestal.

Condition: Scratches to top of copper pedestal, dust and dirt to the interstices of the bronze. $1,200-1,800

European Village with Mountains and Lake. Unsigned. Watercolor on paper, 7 7/8 x 9 7/8 in., unframed.

Condition: Toning to edges, crease c.r.

1001 Attributed to Worthington Whittredge (American, 1820-1910) Forest View. Signed “W. Whittredge” l.l. Oil on canvas mounted to pressed paperboard, 14 x 9 1/2 in., framed.

Condition: Minor losses. $2,500-3,500 1002 Continental School, 19th Century River Landscape. Signed indistinctly “G. W...” l.l., with a partial label from Carson Pirie Scott & Co. affixed to the stretcher. Oil on canvas, 20 1/8 x 29 3/4 in., framed. Condition: Craquelure, retouch. $1,500-3,000 1003 Michal Chelbin (Israeli, b. 1974)

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Alona in the Bedroom, Ukraine, 2005. Mounted chromogenic print, image/sheet size 36 1/4 x 36 1/2 in., framed. Condition: The edges of print are visible, not examined out of frame.

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Provenance: The estate of Catherine England. $2,000-3,000 1004 Robert Swain Gifford (American, 1840-1905) Coastal View with Cliff and Sailboat. Signed and dated “R. Swain Gifford/69” l.l. Watercolor on paper, sight size 12 x 17 3/8 in., framed.

Condition: Not examined out of frame.

Provenance: Purchased from Marine Arts Gallery, October 1, 1981 (copy of receipt accompanies the lot); to the estate of Richard L. Elia, Winchester, Massachusetts. $1,000-2,000

1006 Edgar Degas (French, 1834-1917) Two Prints: Manet en buste and Manet assis, tourné à gauche. Both impressions from the cancelled plates.

Etchings on paper, plate sizes to 6 5/8 x 4 3/4 in., matted, unframed.

Condition: Pale toning, Manet assis with rippling. $1,200-1,800

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $700-900 1011 Harry Brown Baker (American, 18681941) Time for a Smoke. Unsigned. Mixed media including gouache and charcoal on paper, sight size 27 1/2 x 20 in., framed. Condition: Losses, tears, and creases to edges, staining u.l.

Provenance: Shane Newell, Baker Studio Collection.

1007 Jennie Augusta Brownscombe (American, 1850-1936) Portrait of Ethel Whitmore Harway (1886-1973). Signed “Jennie Brownscombe” l.l., sitter identified on a handwritten note affixed to the stretcher. Oil on canvas, 24 x 18 in., framed. Condition: Scattered paint losses, retouch.

N.B. A copy of a brief biographical note on the artist accompanies the lot. $1,000-1,500 1008 Bob Nally (American, 1938-1990) Brace’s Cove, Cape Ann, Mass.

Signed “BOB NALLY” l.l., titled, signed, and dated “...Bob Nally 9/3/66” on the reverse. Oil on Masonite, 20 x 24 in., framed. Condition: Minor surface grime, natural pigment fluorescence. $800-1,200 1009 Laura McPhee (American, b. 1958) Smoke Above Fisher Creek, Valley Road Wildfire, 40,838 Acres Burned, Custer Country, Idaho, 2005, from the series River of No Return, edition of 5. Archival pigment print, sight size 14 3/4 x 18 3/4 in., matted, framed.

Condition: Not examined out of frame.

Provenance: The estate of Catherine England. $800-1,200

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N.B. Harry Brown Baker began his career by illustrating images for books about the American West before moving to Paris to study art. Upon returning to the United States, Baker continued working as an illustrator and painting scenes of the West, while also teaching at the New York School of Fine and Applied Art. Baker and his wife had no children, so his studio and all of its contents were bequeathed to their New Jersey landlord. A granddaughter of that landlord donated the documents and photographs from Baker’s estate to the New School in New York City, and sold the remaining items to Shane Newell as the Baker Studio Collection. $600-800 1012 Philip Little (American, 1857-1942) Spring Landscape. Signed and dated “PHILIP LITTLE 1905” l.l. Watercolor on paper, sight size 19 x 13 in., framed. Condition: Not examined out of frame. $600-800 1013 Attributed to John Joseph Enneking (American, 1841-1916) The Woods at Hyde Park. Unsigned, titled in an inscription on the reverse.

Oil on canvas, 12 3/8 x 17 in., framed.

Condition: Lined, craquelure, minor retouch to l.l. edge, surface grime. $500-700

Sailboats in Fog. Signed “H. Cyrus Farnum” l.l. Oil on canvas, 15 1/4 x 15 1/4 in., framed. Condition: Surface grime. $500-700 1015 Johannes Frederick (John II) Hulk (Dutch, 1855-1913) Fishing Ketches in Rough Seas.

Signed “FHulk” l.r. Oil on canvas, 11 3/4 x 19 3/4 in., framed. Condition: Retouch, craquelure, varnish discoloration. $400-600 1016 Edward Darley Boit (American, 1842-1916) Hillside Landscape. Signed and dated “Boit -C- 18 Aug ‘05” l.l.

Watercolor on paper, sight size 11 1/8 x 13 1/2 in., framed. Condition: Not examined out of frame.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $400-600 1017 Bob Nally (American, 1938-1990) Birches in Winter. Signed faintly “BOB NALLY” l.r., signed “Bob Nally” on the reverse. Oil on Masonite, 20 x 16 in, framed. Condition: Small areas of drying cracks, surface accretion to l.c., natural pigment fluorescence. $400-600 1018 Arturo Souto Feijoo (SpanishAmerican, 1901-1964) Notre Dame. Signed and dated “SOUTO/1938” l.r., identified on a label from the Carroll Carstairs Gallery, New York, affixed to the backing.

Watercolor on paper, sight size 11 5/8 x 17 5/8 in., framed. Condition: Toning, not examined out of frame. $400-600

1019 Italian School, 19th Century Landscape with Ruins and Figures.

Unsigned, with a canvas stencil from Edward Dechaux, New York, on the reverse. Oil on canvas, 36 x 42 in., framed. Condition: Patch reinforcement, minor retouch, paint losses l.r., craquelure with area of lifting, surface grime. $1,000-1,500 1020 Attributed to Francesco Hayez (Italian, 1791-1881) The Observer. Initialed “F.H.” l.l. Oil on canvas, 44 1/8 x 34 in., framed.

Condition: Lined, losses to u.r. corner, retouch, craquelure, surface grime.

Provenance: Christie’s New York, Nineteenth Century Art, March 28, 2000, Lot 12 (with full attribution), to the collection of Professor and Mrs. Jonathan Brown, Princeton. $800-1,200 1021 Henry Hammond Ahl (American, 1869-1953) Field at Dusk. Signed “Ahl” l.r. Oil on canvas, 16 x 20 in., in a period frame with a label from Foster Brothers, Boston. Condition: Drying cracks, craquelure, scattered retouch, scattered small abrasions with paint loss, surface grime. $800-1,200 1022 American School, 20th Century Coastal View Oil Sketch. Signed indistinctly, possibly “...Holm Gren” l.l. Oil on artist board, 10 x 11 3/8 in., framed. Condition: Minor frame abrasion, minor surface grime. $700-900 1023 Attributed to Alfred Wordsworth Thompson (American, 1840-1896) Berry Picking. Unsigned, inscribed “Thompson” in pencil on the stretcher.

Oil on canvas, 12 x 19 7/8 in., framed.

Condition: Scattered retouch, fine craquelure, stretcher bar marks, surface grime. $600-800

1024 Pasquale (Pat) Masiello (American, 1912-1987) Rocky Coast with Calm Waters.

Signed “P. Masiello” l.r. Oil on canvas, 25 x 36 in., framed. Condition: Varnish discoloration, surface grime. $600-800 1025 American School, 20th Century Morgan Is Sad Today; Sadder than Yesterday. Titled and signed indistinctly “.../Anthony Le...” in pencil on the reverse. Watercolor on paper, 19 1/8 x 23 in., framed. Condition: Hinge remnants and soiling on the reverse. $600-800

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1014 Herbert Cyrus Farnum (American, 1866-1925)

1026 Robert Kelly (American, b. 1956) Aperture 1. Titled, dated, and signed “.../1991/Robert Kelly” on the reverse.

Oil on canvas, 30 x 25 in., unframed.

Condition: Soiling along the top, small paint loss l.l.

Provenance: Clark Gallery, Lincoln, Massachusetts, 1991, to the estate of Catherine England. $1,500-2,500 1027 John White Alexander (American, 1856-1915) Portrait of Henry Martin Alexander Jr. Signed and dated “J.W. Alexander/89” l.r., identified on a handwritten label and on a printed label from James Graham & Sons, New York, both affixed to the frame backing.

Oil on canvas, 45 x 30 in., framed.

Condition: Lined, retouch.

Provenance: Sotheby’s New York, Wednesday, March 13, 2002, American Paintings, Drawings and Sculpture, Lot 45. $1,200-1,800 1028 Carl Sprinchorn (American, 18871971) Two Works with Scenes of Fishermen with Nets. Each signed “Carl Sprinchorn.” l.r. Oil on board and mixed media on paper, sizes to 23 3/4 x 13 1/2 in., framed (one under glass).

Condition: Minor surface grime, one not examined out of frame. $1,000-1,500

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1029 Marshall Johnson Jr. (American, 1850-1921) Sailing Vessels Underway. Signed “MARSHALL JOHNSON.” l.l. Oil on canvas, 18 x 24 1/4 in., framed.

Condition: Craquelure, minor surface grime.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $1,000-1,500 1030 Ko Si-Chi (Taiwanese, b. 1929) Untitled (Waterfalls and Trees).

Signed and dated “Si Chi Ko ‘86” in ink on the mount l.r., numbered “3/75” in ink on the mount l.l. Dye-transfer print mounted to board, image size 22 3/8 x 14 3/5 in., framed. Condition: The full sheet is mounted. $800-1,200 1031 Mané-Katz (French/Ukrainian, 18941962) Three Musicians. Signed “ManéKatz” l.r. Gouache on paperboard, 10 1/2 x 11 3/4 in., framed.

Condition: Hinged to window mat with tape to upper edge on the reverse, fine craquelure. $700-1,000

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1032 Pablo Picasso (Spanish, 1881-1973)

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La petite colombe, 1949, edition of 2500 (Bloch, 600). Unsigned.

Lithograph on paper, image size 10 3/8 x 8 1/8 in. framed. Condition: Not examined out of frame.

Provenance: The estate of Lee and Grace Hasenbush of Brookline, Massachusetts. $700-900 1033 John Clinton Spencer (American, 1861-1919)

1034 L. Prerette (French, 19th Century) Copenhagen Harbor. Signed “L. Prerette” l.l. Oil on canvas mounted to pressed paperboard, 24 x 36 in., framed. Condition: Restored tears, retouch, tack holes to lower corners, surface grime. $500-700 1035 Lewis Wickes Hine (American, 18741940) Five National Child Labor Committee Photographs, 190812. All with inventory numbers on the verso, several with inscriptions, one with the National Child Labor Committee address stamp and another with a “HINE PHOTO COMPANY,” Yonkers, stamp on the verso. Gelatin silver prints, image/sheet sizes to 4 5/8 x 6 5/8 in., unmatted, unframed.

Condition: Losses, tears, and handling crimps on the majority.

1038 Josephine Paddock (American, 1885-1964) Two New York Ladies’ Portraits: Mrs. Fred Wiemann (English Girl) and Miss Annette Decker. Wiemann titled, dated, and signed “...’49/J. Paddock” on the reverse, Decker titled, dated, and inscribed “.../43/ Property of J.P.” on the reverse and signed and inscribed “By Miss J. Paddock/115 E 86/N.Y. 28” on the stretcher. Oil on canvasboard and canvas respectively, sizes approximately 24 x 18 in., in the artist’s hand-painted frames.

Condition: Varnish discoloration, surface grime. $300-500 1039 American School, 21st Century

Provenance: A private Massachusetts collection. $500-700

Eleven Hats Looking for Some Good Heads. Titled within the composition, signed indistinctly l.r., signed indistinctly and dated “©2008” on the reverse. Oil and graphite on canvas, 20 x 20 in., unframed. Condition: Minor surface grime. $300-500

1036 Kees Verkade (Dutch, b. 1941)

1040 Cape Ann School, 20th Century

Man with Glasses. Numbered, initialed, dated “2/3 KV71” on the base. Bronze with a reddish brown patina, height 9 3/4 in. Condition: Inconsistencies to the patina, scattered small abrasions, scattered small spots of oxidation, dust and dirt to the interstices. $500-700

Schooner at Dock. Unsigned. Oil on canvas laid on paperboard, 16 x 20 in., framed. Condition: Slight bowing to the support. $1,000-1,500

1037 Hyde Solomon (American, 19111982) Untitled Abstraction. Signed and dated “Hyde Solomon 1953” in pencil l.c. Watercolor on paper, sight size 21 5/8 x 14 in., framed. Condition: Possible toning, not examined out of frame. $500-700

Still Life with Melons, Grapes, and Peaches. Signed and dated “J.C. Spencer/1916” l.l. Oil on canvas, 15 x 30 in., framed. Condition: Scattered surface accretions, minor surface grime. $700-900

1041 Brett Weston (American, 1911-1993) Palms, Bronx Botanical Garden, 1944, printed 1989. Signed “Brett Weston” in pencil on the mount l.r., numbered “20/25” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 18 3/4 x 23 1/2 in., unmatted, unframed.

Condition: Good. $1,000-1,500 1042 Marshall Johnson Jr. (American, 1850-1921) Clipper Ship and Fishing Vessels at Sea. Signed “MARSHALL JOHNSON JR.” l.l. Oil on canvas, 16 x 20 in., framed. Condition: Craquelure, minor surface grime.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $800-1,200

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1048 Eugenie Gershoy (American, 19011983)

1052 Georges Rouault (French, 18711958)

Farm in Autumn. Signed “Bernard Corey” l.l., signed “Bernard Corey” on the reverse. Oil on canvas stretched over wood panel, 9 x 14 in., framed.

Condition: Minor surface grime. $700-900

Two Bronze Figures of Artists at Work: Sculptor and Potter. Sculptor signed “EUGENIE GERSHOY” twice on the top and on the edge of the base, inscribed “Modern Art FdRy N.Y.” in script on the edge of the base; Potter signed “EUGENIE GERSHOY” on the top of the base and stamped “MODERN ART FDRY N.Y.” on the edge of the base. Bronze with dark brown patina, heights to 18 5/8 in.

Condition: Dust and dirt to interstices. $500-800

Plate 19 from Miserere: Son avocat, en phrases creuses, clame sa totale inconscience, (Francois Chapon & Isabelle Rouault, 72d). Unsigned, identified on a label from K Gallery, Brooklyn and Woodstock, New York, affixed to the frame backing paper. Etching and aquatint on paper, plate size 21 1/8 x 16 in., framed.

Condition: Toning, not examined out of frame. $300-500

1044 Donald H. Stoltenberg (American, 1927-2016) Jersey Shore. Signed and dated “Stoltenberg ‘58” l.r., identified and titled on a label from Kanegis Gallery, Boston, affixed to the backing.

Gouache on paper, sight size 11 1/8 x 15 in., framed (under glass). Condition: Not examined out of frame. $700-900 1045 Pierre-Auguste Renoir (French, 1841-1919) Baigneuse debout, a mi-jambes, c. 1910, possibly a posthumous impression (Stella, 23). Unsigned.

Etching on paper, plate size 6 5/8 x 4 3/8 in., framed. Condition: Gentle toning, unobtrusive mat burn, not examined out of frame. $600-900 1046 Mabel May Woodward (American, 1877-1945) Mountainous Coast. Unsigned.

Watercolor on paper, 10 5/8 x 8 5/8 in., unframed. Condition: Toning to edges, small nicks and tears to edges, small creases to corners, adhesive residue to edges on the reverse.

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $600-800 1047 French School, 19th Century Meeting by the Shore. Signed “J. GASPAR” l.r. Oil on canvas, 12 x 17 1/8 in., framed. Condition: Mounted to Masonite, retouch, mounting bubbles, craquelure, surface grime. $600-800

1049 Leo B. Blake (American, 1887-1976) Autumn in the Berkshires. Signed “Leo B. Blake” l.l. Oil on Masonite, 20 x 22 1/4 in., in a hand-carved frame.

Condition: Small abrasion to u.l. quadrant, scattered minor paint losses. $600-800 1050 Ross Sterling Turner (American, 1847-1915)

1053 H. Leo Gould (American, 20th Century) The Mender. Signed and dated “H. Leo Gould ‘37” and titled in pencil on the window mat; titled, inscribed, and stamped “...H. LEO GOULD/.../ NEW YORK CITY” and with a label from the St. Petersburg Camera Club (see below) on the back of the mat.

Chlorobromide print made from a paper negative, sight size 10 1/8 x 12 1/2 in., framed. Condition: Not examined out of frame.

Still Life with White Hyacinths and Asian Bowl. Signed “Ross Turner” l.l., dated “1902” l.r. Watercolor on paper, sight size 15 3/4 x 8 5/8 in., framed.

Condition: Toning, not examined out of frame.

Exhibitions: Fifth Annual National Salon of Pictorial Photography, 1940 (dates not specified), St. Petersburg Camera Club, St. Petersburg, Florida. $50-75

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $400-800

1054 Karl Zerbe (American, 1903-1972)

1051 Edmund Aubrey Hunt (American, 1855-1922) Orientalist Landscape with Figures Outside a Town. Signed “E Aubrey Hunt” l.l. Watercolor on paper/ board, sight size 20 x 27 in., framed.

Condition: Toning, foxing, surface accretions, not examined out of frame.

Provenance: By descent within the family of the artist. $500-700

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1043 Bernard Corey (American, 19142000)

Possum #2. Titled, signed, and dated “...Zerbe/1967” l.c. Watercolor and gouache on paper, sheet size 36 1/4 23 3/4 in., framed. Condition: Sheet with deckled edges, floated in frame, fox mark u.l., not examined out of frame. $500-700 1055 Stephen Hannock (American, b.

1951) Leo Smith - Marion Brown, 1972.

Signed and dated “Hannock 10/72” in pencil l.r., numbered “9/75” in pencil l.c. Woodcut on paper, image size 31 x 23 5/8 in., framed. Condition: Toning, fox marks, soft creasing, not examined out of frame.

N.B. Hannock attended art classes at Smith College in the early 1970s where he worked with Leonard Baskin. $200-400

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1056 Anglo-American School, 20th Century

1060 Thomas Willoughby Nason (American, 1889-1971)

1065 Alexander Anufriev (Russian, b.

1940)

The Conversation. Signed and dated “Weiss.64.” l.r., with a label from the Art Centre, Colchester, affixed to the frame. Oil on canvas, 30 x 40 in., framed. Condition: Minor surface grime. $200-400

Snowstorm on Beacon Hill. Signed “TW NASON” l.r. Oil on canvas, 18 x 14 1/4 in., framed. Condition: Craquelure, paint loss u.c., minor surface grime. $400-600

The Garden of Eden. Initialed and dated “A.A. 85” l.r., ascribed and titled on a label from Pucker/Safrai Gallery, Boston, Massachusetts, affixed to the frame backing. Oil on board, sight size 13 1/2 x 10 1/2 in., framed (in a liner).

Condition: Surface grime. $800-1,200

1057 Man Ray (American, 1890-1976) Electro Magie Electro Image, 1972, edition of 150 (Anselmino, 40D). Signed “Man Ray” in pencil l.r., numbered “124/150” in pencil l.l.

Color etching with aquatint on paper, plate size 7 1/4 x 5 1/2 in., framed.

Condition: Not examined out of frame. $250-350

The Tide No. 1, Monhegan. Initialed and dated “CH 71” l.l., titled, dated, and signed “.../June/1971/CL Huntington” on the reverse, with a label from Frost Gully Gallery, Portland, Maine, affixed to the reverse. Oil on board, 13 3/4 x 20 in., framed (in a liner). Condition: Surface grime. $200-250

1058 Heorhiy (Georgii) Narbut (Ukrainian, 1886-1920)

1062 American School, 20th Century

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Portrait of a Man. Signed in Cyrillic and dated “...·1907·” l.r. Oil on canvas, 15 x 6 1/8 in., framed. Condition: Lined, stretcher marks, scattered small abrasions, surface grime.

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1061 Christopher Huntington (American, b. 1938)

N.B. Heorhiy Narbut was a seminal figure in the renaissance of graphic and folk arts that occurred in Ukraine in the first half of the 20th century.

He illustrated books of fairy tales and fables, he painted and drew silhouette portraits of his friends as well as landscapes and still lifes, and he made toys and designed furniture. Narbut painted this portrait during his art student days in Saint Petersburg. He returned to Ukraine after the February 1917 revolution and contributed graphic designs to the currency, postage stamps, seals, and charters of the Ukrainian People’s Republic. $800-1,200 1059 Teri Malo (American, 20th/21st Century) Three Framed Linocuts: October, Anticipating Spring #5, and Rain and Fog. Signed “Malo” or “© Malo” in pencil l.r., titled l.c., numbered l.l., Anticipating Spring and October identified on labels from Pucker/Safrai Gallery, Boston, affixed to the frame backings. Image sizes to 20 x 15 in. Condition: Not examined out of frames. $150-250

Two Pastels: Winter Orchards and Mountains and Road Through Autumn Landscape. Unsigned on rectos, each with a label from Far Gallery, New York, affixed to the backing. Sight sizes to 10 1/2 x 12 1/4 in., framed. Condition: Winter with water damage or similar along bottom and right edges, not examined out of frames. $250-450 1063 Christopher Huntington (American, b. 1938) Ode to J.F. Murphy. Signed and inscribed “Huntington/OctoberNewfoundland” l.l., dated “89” l.r., titled, inscribed, dated, and signed “.../Near Corner Brook NFLD/CL Huntington” on the reverse, with a label from Tom Veilleux Gallery, Farmington, Maine, affixed to the frame. Oil on board, 13 1/2 x 20 in., framed (in a liner). Condition: Minor surface grime. $200-250 1064 Zvi Mairovich (Israeli, 1911-1974) Haifa Harbor. Signed in Hebrew l.r., titled and dated “...1958” in an inscription on the reverse. Oil on board, 13 1/4 x 16 1/4 in., framed.

Condition: Minor surface grime.

Provenance: The estate of Lee and Grace Hasenbush, Brookline, Massachusetts. $1,000-1,500

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1066 Alfred Gwynne Morang (American, 1901-1958) Woman in Red, Portrait of Rigmor Nielsen. Dedicated and signed “TO RIGMOR/A. MORANG” l.c. Oil on academy board, 23 7/8 x 17 3/4 in., framed. Condition: Scattered paint losses, wear to the edges of the academy board with losses to the corners, surface grime.

Provenance: From the artist to Rigmor Nielsen, by descent to the current owner.

N.B. Rigmor Nielsen was the aunt of the consignor and a personal friend of Alfred Morang and of the novelist and short story writer Erskine Caldwell.

It is said that Caldwell wrote her into his book, God’s Little Acre. Caldwell shared some of the proceeds from the publishing of God’s Little Acre with Morang, making it possible for Morang to move from Maine to Santa Fe in 1938. Letters between Caldwell and Morang are held in the collection of the Houghton Library at Harvard University. $1,500-2,000 1067 Greg Copeland (American, 20th Century) Abstraction. Unsigned, with a label from the artist’s studio dated “1978” affixed to the reverse.

Chromolithograph on panel, 26 x 17 3/4 in., framed. Condition: Surface grime, scattered accretions, floated in frame, not examined out of frame. $200-300

1072 Claude Lorrain (French, 1600-1682)

Arums, plate 9 from Herbier, 1966, total edition of 230 (Sorlier, 81).

Inscribed “99-163-9” in pencil l.c., with a label from Ferdinand Roten Galleries affixed to the frame. Color lithograph on paper with BFK Rives watermark (a folded sheet, the second half bearing text), image size 14 1/4 x 11 1/4 in., framed. Condition: Sheet with two deckled edges, toning, mat burn, small tear to edge l.r., hinged to mat at upper corners on the reverse (hinges have come loose). $300-500

The Flight into Egypt. Signed in the plate l.r. Intaglio or related process on wove paper, a 19th century printing, image size 4 x 6 3/4 in., matted, unframed. Condition: Trimmed inside any plate mark, minor toning, subtle handling creases, hinged to back mat at two places on the top edge of the reverse.

1069 Continental/American School, 20th Century

1073 Giulio Carpioni (Italian, 1613-1679)

Weeping Woman. Signed “J LaTour” l.r. Oil on cardboard, 17 3/4 x 14 1/2 in., framed (under glass). Condition: Scattered abrasions and small paint losses, scattered pinholes. $200-300 1070 John Newton Howitt (American, 1885-1958) Winter Landscape. Signed “John Newton Howitt” l.l., inscribed “Jan 22 ‘38” on the reverse. Oil on canvasboard, 12 x 16 in., framed.

Condition: Good. $500-700 1071 Two Scrapbooks with Prints by or After Stefano della Bella (Italian, 1610-1664) Book One: Stefano della Bella, A Set of Six Fanciful Designs for Vases, signed “Stef. de la Bella Jnuent. fecit” in the plates l.l., with the publisher’s line “F. L’Angois...” l.r., each print 3 3/4 x 8 3/8 sheet size, mounted to scrapbook pages; Book Two: After Stefano della Bella, Desseins de Quelques Conduites..., title and eleven plates, published and probably etched by Israël Silvestre the Younger (French, 1621-1691), thought to be an 18th century printing, most signed “SDBella Jn.” in the plates, two unsigned, each print 2 3/4 x 4 7/8 in., mounted to scrapbook pages. Condition: Toning, scrapbook pages with areas of foxing, wear to the covers.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $200-400

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $50-100

The Holy Family. Signed and inscribed in the plate “Carpioni Veneto/ fe.” l.l. and “Matio Cadorin Forma” l.c.

Etching on laid paper, 8 1/4 x 5 5/8 in., unframed. Condition: Trimmed to the edges of the image, toning, foxing, hinged to back mat at two places on the reverse, minor brown paper tape remnants to the edges of the reverse.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton.

N.B. This print is a later edition with the publisher’s address of Matteo Cadorin, a print publisher active in Padua in 1640s or later, known from his excudit on works by Bernardino Curti and especially Giulio Carpioni. $200-300

1074 Giovanni Benedetto Castiglione (Italian, 1609-1664) Two Etchings: Fête du Pan and The Philosopher Diogenes Searching for an Honest Man. Pan signed in the plate “G. Béned.to CAS.” l.r., inscribed “Jo.Jac. Rossi form. Romae 1642 alla Pace” l.c., titled and inscribed “.../ Benedetto Castiglione” in ink on the reverse, plate size 9 1/8 x 7 1/4 in., unmatted, unframed; Philosopher signed “C. Bened. Castglio.../in. P” l.l., with the publisher’s inscription “...Gio Domenico Rossi alla Pace...” l.r., plate size 8 5/8 x 12 in., matted, unframed.

Condition: Trimmed to edges of the plates, toning and minor foxing, Philosopher with creases, laid down on paper support.

N.B. The prints are later impressions with the publisher’s names of Giovanni Giacomo de Rossi and Giandomenico de Rossi, Italian engravers and printers active in Rome in the mid to late 17th century.

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1068 Bernard Buffet (French, 1928-1999)

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $200-300 1075 Alfred Stieglitz (American, 18641946) Six Photogravures, The Old Mill, 1894; Scurrying Home, 1897; and four prints of On the Seine--Near Paris, 1897. Photogravures on paper, image sizes to 11 x 8 in., unmatted, unframed. Condition: Discoloration, scattered minor tears at edges, and subtle foxing to several sheets. $200-300 1076 Francisco de Goya (Spanish, 17461828) Unos à ostros, Plate 77 of Los Caprichos (1799), Harris 112, III (Edition Impressions), a later impression, probably from the 11th or 12th edition. Etching on laid paper, plate size 8 3/8 x 5 3/4 in., unframed.

Condition: Mild toning, rippling, hinged to back mat at two places on the reverse, with small brown paper tape remnants at center edges of the reverse, and off white tape applied to left side edge of the reverse.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $150-250

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1077 Louis Auguste Mathieu Legrand (French, 1863-1951)

1082 Ross Sterling Turner (American, 1847-1915)

1087 Harald Lindberg (Swedish, 19011976)

Two Etchings: Woman and Dog Studies and Woman Drying Off Lakeside. Each signed within the matrix, Studies inscribed “Epreuve d’artiste” in pencil l.l. and dated “1905” within the matrix, each with the red stamp of the publisher, Gustave Pellet (Lugt, 1193). Etchings on paper, plate sizes to 8 5/8 x 6 1/4 in., framed.

Condition: Not examined out of frames. $400-600

Beach with Distant Rocks at Low Tide. Signed and dated “Ross Turner 94.” l.l. Watercolor on paper/board, 14 x 20 1/4 in., framed. Condition: Subtle toning and mat burn, not examined out of frame. $600-800

Samtel vid midsommar- Stången (Conversation at MidsummerStången). Signed, inscribed indistinctly, and dated “Harald Lindberg/...1947” l.r., identified on an unattributed exhibition label affixed to the reverse of the frame backing, and with a commemorative label addressed to Stig Sylvan in celebration of a 50th anniversary with assorted signatures affixed to the frame backing.

Watercolor on paper mounted to paperboard, 17 7/8 x 22 5/8 in., framed. Condition: Break to paper surface at l.l. corner (old tear now laid down), soiling, tape, and glue residue to the margins, subtle toning. $300-500

1078 Lawrence Anderson (American, 1906-1994) Three Watercolors of Harbor and Architectural Views. Each signed “LAWRENCE ANDERSON” l.r.

Watercolor on paper, sizes to 22 1/2 x 29 7/8 in., framed. Condition: Not examined out of frames.

N.B. Anderson was an architect and former dean of the School of Architecture and Planning at the Massachusetts Institute of Technology. $250-350 1079 Sir Frank Brangwyn (British, 18671956)

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Women in Cloaks and Bonnets Standing in Line. Signed “Frank Brangwyn” l.r. Etching on paper, plate size 18 7/8 x 20 3/4 in., framed.

Condition: Toning, not examined out of frame. $250-350

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1080 James McBey (Scottish, 1883-1959) The Hudson River. Signed, inscribed, and dated “McBey New York, December 1930.” in ink l.l. Watercolor on paper, sight size 11 5/8 x 18 1/2 in., framed. Condition: Not examined out of frame. $300-500

1083 Manner of Rembrandt van Rijn (Dutch, 1606-1669) Portrait Head of Man in White Collar and Black Hat. Unsigned, with a label from E.C. Babcock, New York, on the stretcher. Oil on canvas, 30 x 25 in., framed. Condition: Lined, retouch, craquelure. abrasions. $300-500

1088 American School, 20th Century 1084 After Raphael (Italian, 1483-1520) Copy of Madona della Sedia (Madonna of the Chair). Unsigned.

Oil on canvas, 24 1/2 x 19 5/8 in., framed. Condition: Trimmed of tacking edges and lined, surface accretions and grime, abrasions beneath the frame liner, craquelure. $200-400 1085 Continental School, 19th Century An Unexpected Shower. Unsigned.

Oil on canvas, 10 x 8 3/4 in., framed.

Condition: Small L-shaped tear to l.r. quadrant stabilized on the reverse with tape, paint loss to u.r. corner, craquelure, possible old retouch, heavy varnish layer. $200-400 1086 Allen Tucker (American, 1866-1939) New York Tenements. Signed “A. TUCKER” l.r. Oil on academy board, 12 x 13 1/4 in., framed. Condition: Minor surface grime. $400-600

1081 Bethia Brehmer (American, b. 1942) Heron. Signed and dated “Bethia Brehmer 1977” in pencil l.r., titled l.l., numbered “10/150” l.c. Etching on paper, plate size 22 5/8 x 17 3/4 in., framed. Condition: Not examined out of frame. $200-250

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Young Girl in a Porch Hammock.

Unsigned. Oil on canvas, 12 x 18 in., framed. Condition: Lined onto Masonite support. $400-600 1089 Joseph Fontaine (American, 19302004) Boston in Winter. Signed “Fontaine” l.l., titled and signed “.../E Joseph Fontaine/...” on the frame backing.

Oil on canvas, 28 x 24 in., framed.

Condition: Good.

Exhibitions: Joe Fontaine Retrospective Exhibition, The Copley Society of Boston, Massachusetts, April 1989.

N.B. The lot is accompanied by seven exhibition posters hand signed by the artist, with water damage to the lower edges. $600-800 1090 Charles Hovey Pepper (American, 1864-1950) Four Woodcuts: Dyn-ko Looks at the Garden, Fleur-de-Lys (Ikebana), Geisha (The Japanese Dance), and Adjusting the Scroll, 1903. Each signed in the block. Color woodblock prints on paper, image sizes to 12 1/4 x 9 1/4 in., unmatted, unframed.

Condition: Tears and losses at edges, Adjusting with tear into image l.l., Dyn-ko with horizontal tear along lower edge of image. $800-1,200

1094 Richard Hayley Lever (American, 1876-1958)

1099 Delapoer Downing (British, 18851912)

November Moon, 1931, published state of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on wove paper, plate size 9 7/8 x 8 in., unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin. $300-500

Eight Matted Drawings and Seven Loose Sketchbook Pages, primarily scenes of Brittany including Concarneau, Douarnenez, and Île-Tudy. Unsigned, some inscribed with place and year, many identified on the mats, sizes to 12 1/4 x 15 in.

Condition: Minor toning, minor stains, some sheets with wear to the edges and handling creases. $300-400

Figures in a Tavern. Signed and dated “Delapoer Downing ‘88” l.l.

Oil on canvas, 24 x 36 in., framed.

Condition: Small puncture with paint loss l.r., minor retouch, canvas rippling to u.r. corner, craquelure, surface grime. $300-500

1095 Levon West (American, 1900-1968)

Two Nudes in a Cityscape. Signed “Karl Knaths” l.r. Oil on board, 24 x 18 in., framed. Condition: Good. $700-900

1092 Fred Marcellino (American, 19392001) Illustration for Pipe Dreams.

Unsigned, with a label from Fred & Jean Marcellino, New York, on the outer cover. Colored pencil on paper, 11 1/2 x 8 3/4 in., unframed.

Condition: Laid down on mat board, presented under glassine with an outer paper cover.

Trudging Through Snowy Mountains.

Dated and signed “1934 Levon West” l.r. Watercolor on paper, sight size 14 x 22 in., framed. Condition: Not examined out of frame. $200-400

Provenance: Acquired by the current owner as a gift from a publishing house employee.

1096 Manuel J. Sylvia (American, 20th Century)

N.B. This work appeared in the July, 1972, National Lampoon Science Fiction Issue as an illustration for “Pipe Dreams” by Chris Miller. The sculpture represented in the illustration is probably Alamo, aka The Astor Cube,

by Tony Rosenthal installed on Astor Place in the Village. $800-1,200

Whale Bark “Wandere” Fitting Out. Signed “Manuel J. Sylvia” l.r., titled l.l. Oil on canvas, 24 x 30 in., framed.

Condition: Minor retouch to edges of the canvas, varnish discoloration, craquelure. $400-600

1093 Richard Hayley Lever (American, 1876-1958) Eight Matted Drawings and Three Loose Sketches of Sloops, primarily scenes of Brittany including Concarneau and Île-Tudy. Unsigned, some inscribed with place and year (1896), many identified on the mats, sizes to 14 1/4 x 22 1/2 in. Condition: Minor toning, minor stains, some sheets with tears and wear to the edges and handling creases. $300-400

1097 H. Silva Fernandes (American, 20th Century) Clipper Ship at Sea. Signed “H SILVA FERNANDES” l.r. Oil on canvas, 24 x 30 in., framed. Condition: Good. $200-300 1098 Vladan Stiha (American, 1908-1992) Cityscape. Signed “V. Stiha” l.r., signed and inscribed indistinctly “Rio.../ Buenos Aires/.../Vladan Stiha” on the reverse. Oil on canvas, 22 3/4 x 39 3/8 in., framed. Condition: Tear to u.l. corner stabilized on the reverse with tape, retouch, varnish discoloration, stray pencil marks, scattered shallow surface abrasions, surface grime. $300-500

1100 Karl Knaths (American, 1891-1971)

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1091 Frank Weston Benson (American, 1862-1951)

1101 British School, 19th Century Cottage by a Stream. Unsigned. Oil on canvas, 16 x 21 1/4 in., framed.

Condition: Lined, retouch, craquelure, surface grime. $300-500 1102 Peter Hutchinson (British, b. 1930) Three Mixed-media Works: Colorless Winter; Sky Writing; and Color Test. Each signed and dated “Peter Hutchison 1993” l.r. and titled u.c., each identified on a label from Obelisk Gallery, Boston, affixed to the backings. Photographs, glass vials, and pencils in shadow boxes, sizes to 24 x 19 3/4 in., framed. Condition: Not examined out of frames. $800-1,200 1103 Jurrien Marinus Beek (Dutch, 18791965) Ships at Low Tide. Signed “Jan M Beek” l.r. Oil on panel, 7 5/8 x 10 5/8 in., framed. Condition: Minor surface grime. $200-300 1104 Ellen Robbins (American, 1828-1905) Overturned Basket of Grapes.

Signed and dated “E. Robbins 1888” l.r. Watercolor on paper, sight size 13 x 19 in., framed. Condition: Not examined out of frame. $400-600

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1105 Attributed to Jose Mauri (Spanish, b. 1931)

1111 Escalante Diaz (Mexican-Cuban, 1865-1939)

1116 Justin Canha (American, 20th-21st Century)

Girl with a Cat Seated by a Window.

Signed “Mauri” u.r. Oil on pressed paperboard, 28 3/4 x 20 in., framed.

Condition: Cracks in paper/board c.l. and l.c., minor surface grime. $400-600

Cuban Landscape with Woman Wading. Signed “Escalante” l.l. Oil on board, 8 x 12 in., framed. Condition: Minor surface grime. $500-700

Untitled (Two Wolves Head to Head).

Signed “Justin” l.r., identified and dated “2011” on a label from Ricco/Maresca, New York, on the backing. Charcoal and pastel on paper, 28 7/8 x 20 7/8 in., framed. Condition: Floated in the frame, not examined out of frame. $300-500

1106 American School, 20th Century Bored Carnival Worker. Unsigned.

Watercolor on paper, image/sheet size 18 1/8 x 24 in., framed. Condition: Scattered subtle foxing on the verso. $300-500 1107 George Vaughan Curtis (Anglo/ American, 1859-1943) A Bouquet for Mother/An En Plein Air Portrait of Two Siblings. Signed “George Curtis” l.r. Oil on canvas, 36 x 31 3/8 in., framed (in a liner).

Condition: Lined, retouch (primarily to dress of taller girl and right sleeve of the other child), craquelure. $300-500 1108 John Nelson (American, b. 1956)

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Success, At Last. Unsigned, identified on artist’s label affixed to the backing. Mixed media drawing on paper, sight size 4 5/8 x 6 3/4 in., framed. Condition: Not examined out of frame. $400-600

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1109 Continental School, 20th Century Portrait Head of a Man Smoking a Pipe. Signed, inscribed, and dated “Hecht/Paris 1927” in the plate l.r.

Drypoint on paper, plate size 5 x 4 3/8 in., framed. Condition: Not examined out of frame. $100-150 1110 Frank Weston Benson (American, 1862-1951) Morning, 1915, published state, edition of 35 plus 4 trial proofs (Paff, 58). Initialed “F.W.B. 15” in the plate.

Drypoint on paper, plate size 7 7/8 x 9 7/8 in., unmatted, framed. Condition: Toning, not examined out of frame. $100-150

1112 Raymond C. Brehaut (American, 20th Century) Afternoon of a Quiet Sea, Virginia Beach. Signed and dated “Raymond C. Brehaut 47” l.l., titled on the reverse.

Oil on board, 8 x 10 in., framed.

Condition: Minor surface grime. $200-300 1113 Frank Weston Benson (American, 1862-1951) Salem Harbor, 1882, edition of about 1,500 (Paff, 1). Signed and dated within the plate. Etching on laid paper, image/sheet size 4 3/8 x 7 5/16 in., framed. Condition: Trimmed to/ within the border line, staining, pencil annotations and a printed “1” to verso.

N.B. This was Benson’s first etching, and he would not return to the medium for 30 years. It was published as a frontispiece for the second number of the magazine The Art Student.

The publication was created by the students of the Boston Museum of Fine Arts School, and Benson was one of the editors. $300-500 1114 Lucia Dodge Leffingwell (American, 1879-1944) Gloucester Dock and Pylons. Signed “Leffingwell” l.r. Oil on board, 10 x 8 in., framed. Condition: Good. $200-300 1115 Wayne Morrell (American, 19232013) Two Summer Pond Views. Each signed or incised “WAYNE MORRELL” l.l. Oil on board, sizes to 10 x 15 in., framed. Condition: Minor surface grime. $400-600

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1117 Sandu Liberman (Romanian, 19231977) Two Lithographs: Mother and Child and Woman in Red. Each signed “Sandu Liberman” in pencil l.r. and numbered “45/90” and “190/250,” respectively, in pencil l.l. Color lithographs on paper, image sizes to 20 5/8 x 15 3/8 in., matted, framed.

Condition: Mother with gentle toning, not examined out of frames. $200-300 1118 Louis Icart (French, 1888-1950) The Dreamer. Signed “Louis Icart” l.r., numbered “215” in pencil l.l. Drypoint etching on paper, sight size 16 x 20 in., framed. Condition: Not examined out of frame. $300-500 1119 Emily Brown (American, b. 1943) View South from Captain Boutelle’s Grave. Unsigned, identified on a label from David Findlay Jr. Inc. affixed to the stretcher. Oil on canvas, 16 x 20 in., framed. Condition: Minor surface grime. $500-700 1120 Charles Hoffbauer (French/ American, 1875-1957) In The Trenches. Signed “C.Hoffbauer” u.r. Watercolor with gouache on paper, sight size 6 3/4 x 10 1/4 in., framed. Condition: Not examined out of frame. $100-150

Profile of Young Woman in Black.

Signed and dated “Julia Bacon-/1898.” l.l., with a label from Jordan Marsh Company made out to Mr. Eben Bacon, Price Street, Jamaica Plain on the reverse. Pastel on paper, 19 x 24 3/4 in., framed. Condition: Breaks to paper surface at u.r. and l.l. corners, scattered areas of white accretions particularly over the first name of the signature, wear to the edges of the sheet, sheet affixed to a cardboard support which may be original. $1,000-1,500 1122 Walter Lofthouse Dean (American, 1854-1912) Under Repair—Boat on the Beach.

Signed and dated “W.L. DEAN June 28/83” l.c. Oil on canvas, 15 1/8 x 19 in., framed. Condition: Lined. $600-800 1123 American School, 20th Century Getting Goosed. Signed indistinctly l.r. Oil on canvas, 30 x 20 in., framed (under glass). Condition: Several minor losses, subtle accretion or similar l.c. $100-150 1124 Charles Emile Heil (American, 18701950) Two Sketchbooks, one bound, one with loose pages and detached cover, including pencil drawings of animals and birds, various figure and drapery studies, and ink wash and watercolor European views. Bound sketchbook signed “Charles D. Heil” in pencil inside the front cover, several drawings initialed or monogrammed, cover monogrammed and dated “18 CEH [overlapping] 96” inside the front cover and inscribed with a Parisian address, European views occasionally annotated with location, month, and year, sizes to 7 x 10 in., loose works unmatted, unframed, (minor wear, loose pages have been interleaved in a modern marker pad). $400-600

1125 Manner of Jacob Salomonsz van Ruysdael (Dutch, c. 1629-1681)

1130 Marshall Johnson Jr. (American, 1850-1921)

Landscape with Saw Mill. Unsigned, attributed on a gummed label affixed to the reverse. Oil on panel, 9 5/8 x 7 in., unframed. Condition: Horizontal surface cracks to panel, skinning, probable old retouch, heavily varnished. $400-600

Taking on a Pilot-Boston Harbor.

Signed “M. Johnson Jr.” l.l., titled on a presentation plaque. Watercolor on paper, sight size 15 1/4 x 10 in., framed. Condition: Not examined out of frame.

1126 Sir Frank Brangwyn (British, 18671956) Two Etchings: Figures by a Church and Hay Harvesters. Both signed “Frank Brangwyn” in pencil beneath the plate l.r. Plate sizes to 11 7/8 x 14 3/4 in., one framed, one unframed.

Condition: Toning, foxing. $100-150 1127 George J. Marinko (American, 19081989) Laughing Clown. Signed “MARINKO” l.r. Oil on Masonite, 10 x 8 1/2 in., framed. Condition: Surface grime. $400-600 1128 American School, 20th Century Industrial Landscape in Shades of Blue. Unsigned. Oil on pressed paperboard, 9 7/8 x 8 1/8 in., framed.

Condition: Craquelure in areas of heaviest impasto, surface grime. $150-250 1129 Edmund Aubrey Hunt (American, 1855-1922) Vessels in Choppy Waters. Signed “E. Aubrey Hunt” l.l. Watercolor on paper, sight size 13 5/8 x 20 3/4 in., framed. Condition: Toning, not examined out of frame.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $600-800

Provenance: Purchased from Marine Arts Gallery, July 1, 1978 (copy of receipt accompanies the lot). through to the estate of Richard L. Elia, Winchester, Massachusetts. $800-1,200 1131 Judy Dater (American, b. 1941) Cheri, 1972. Signed “Judy Dater” in pencil l.r. Gelatin silver print mounted to board, 9 7/8 x 12 1/2 in., matted, framed. Condition: Not examined out of frame.

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1121 Julia Bacon (American, 1861-1901)

Provenance: A private Massachusetts collection. $500-700 1132 Walter Franklin Lansil (American, 1846-1933) Venice Lagoon. Signed and dated “Walter F. Lansil 1890” l.l. Watercolor on paper, sight size 9 5/8 x 13 1/2 in., framed. Condition: Small tear (1/4 in. visible) and tiny abrasion at u.l. edge, minor toning, not examined out of frame.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $400-600 1133 American School, 20th Century Rock Harbor, Orleans. Signed illegibly l.r., titled and inscribed “...2010” on the reverse. Watercolor and gouache on paperboard, 20 x 30 in., framed. Condition: Taped to window mat at edges on the reverse, scattered abrasions, pale toning. $300-500

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1134 Quang Minh Nguyen (Vietnamese, b. 1970) Thinking. Signed and dated “Ng Minh 1999” u.l. Gouache on Do paper, sheet size 32 1/4 x 24 3/4 in., framed.

Condition: Sheet with deckled edges, floated in frame, not examined out of frame. $300-500 1135 Lucien Clergue (French, 1934-2014) Beach Nude. Signed “Lucien Clergue” in black ink l.r. Gelatin silver print, image size 10 7/8 x 10 3/8 in., matted, framed. Condition: Not examined out of frame.

Provenance: A private Massachusetts collection. $600-800 1136 Richard Tepe (Dutch, 1864-1952) Blackberry Study. Stamped “Foto R. Tepe ESTATE PRINT” on the verso.

Gelatin silver print, image/sheet size 6 1/2 x 8 7/8 in., matted, framed.

Condition: Scattered subtle foxing or similar on the verso.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $200-300

Studio Art online

1137 Horace Greeley Hewes (American, 1849-1927)

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Beach Beneath a Cloudy Sky. Signed “H.G. Hewes” l.r. Oil on canvas, 9 x 12 in., framed. Condition: Craquelure, surface grime. $300-500 1138 Will Hicok Low (American, 18531932) Target Shooting. Dated and signed “78 Will H Low” l.l., with instructions from the artist to the engraver on the reverse. Gouache en grisaille on paper, sight size 5 3/4 x 7 7/8 in., framed.

Condition: Not examined out of frame. $400-600

1139 Rosa Wallis (British, 1857-c. 1930) Path through a Summer Garden.

Signed “Rosa Wallis” l.l. Watercolor on paper, sight size 10 3/8 x 7 1/8 in., framed. Condition: Not examined out of frame.

1143 Thomas Frederick McKnight (American, b. 1941)

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $200-400

Allegorical Scene with Winged Figures Accosting Men Beneath a Rainbow. Signed “McKnight” l.l.

Oil on canvas, 30 x 36 in., framed.

Condition: Surface imperfections, scattered paint losses, varnish discoloration, surface grime. $150-250

1140 Milton Clark Avery (American, 18851965)

1144 Richard Marshall Merkin (American, 1938-2009)

Two Studies. Signed “Milton Avery” in blue ink l.r., titled, signed, dated, and inscribed “’Two Studies’ by Milton Avery Flobrush 1954” in black ink on the reverse, identified on a label from Ink River Frame Gallery, Flemington, New Jersey, affixed to the backing.

Flobrush on paper, sheet size 13 9/16 x 16 3/4 in., framed. Condition: Hinged to backing mat with paper tape, toning/fading, minor mat burn, light handling creases. $1,000-1,500

A Night in (the Cafe) Casablanca.

Numbered and signed “131/600 Merkin” in pencil l.c. Color silkscreen on paper, image size 23 x 36 in., framed. Condition: Not examined out of frame. $200-300

1141 Franklin Moody (American, b. 1924) A Seminole Chickee on the Shores of Lake Okeechobee, Florida.

Signed and dated “F. Moody ‘75” l.r., titled, signed, and dated “.../Franklin Moody/March 12, 1975” on the reverse. Oil on canvas, 20 x 16 in., framed. Condition: Fine craquelure, surface grime. $300-500 1142 Carl Hyatt (American, 20th/21st Century) Rocks and Tidepool, New Hampshire, 1995, printed 2002.

Signed “Hyatt” in pencil l.r., signed, dated, titled, and numbered “...2/25...” in pencil on the verso, identified on a label from Joy Kant Fine Art, Newton, Massachusetts, affixed to the backing. Iris print, image size 20 x 16 in., matted, framed. Condition: Not examined out of frame.

N.B. Printed by Singer Editions with Pinnacle Gold archival inks. $300-500

1145 Gerald van de Wiele (American, b.

1932) Maud’s Woods. Signed “van de wiele” and dated “SEPT. 19. 68” on the reverse, titled on the stretcher and on a label from Peridot Gallery, New York City, affixed to the stretcher. Oil on canvas, 40 x 44 in., framed. Condition: Varnish discoloration. $200-400 1146 American School, 20th Century Two Framed Landscapes: Spring Sunlight through Trees. Unsigned.

Oil on pressed paperboard, sizes to 10 x 12 3/4 in. Condition: Minor surface grime. $200-250 1147 American School, 20th Century Kittens Asleep in a Basket. Initialed “T.E.M.” on the edge of the basket l.r. Ink and watercolor on paper, 4 1/4 x 5 in., framed. Condition: Toning, abrasion to u.l., hinged to window mat with cellophane tape at upper corners. $100-150 1148 Jonathan Lewis (British, b. 1970) Dr. Tom’s Eucalyptus, 2001. Signed and dated in pencil on the verso l.r., titled and numbered “...2/20” in pencil on the verso l.l. Iris print, image size 19 x 19 in., unmatted, unframed.

Condition: Good. $200-300

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1154 American School, Late 19th Century

1160 American School, 20th Century

Optic Exploration: Iris Kaempferi (Japanese Iris), 2001. Titled, numbered, signed, and dated “...8/25...” in pencil on the verso.

Toned gelatin silver print, image size 9 x 7 in., matted, unframed. Condition: Slight bend to u.l. corner. $300-500

Bust-length Portrait of a Woman in Red and Black. Unsigned. Oil on canvas, 30 x 20 in, framed. Condition: Lined, two vertical tears to c.l. edge, surface grime. $600-800

Fleurs au velours bleu. Signed and dated “CONRAD 1961” l.l., titled on the reverse. Oil on Masonite, 18 x 15 in., framed. Condition: Flaking with losses c.l., surface grime. $400-600

1155 William Preston Phelps (American, 1848-1923)

1161 Bernard Karfiol (American, 18861952)

Sheep at the Edge of an Autumn Field. Signed “WP Phelps” l.l. Oil on canvas, 10 x 14 in, framed. Condition: Surface grime. $400-600

Kitchen Interior with Apples and Fruit. Signed “B. Karfiol” l.l., dated “1949” on a label from the Downtown Gallery, New York, affixed to the backing. Oil on canvasboard, 12 x 16 in., framed. Condition: Minor surface grime. $700-900

1150 Brigitte Carnochon (GermanAmerican, b. 1941) Two Pears, 1998. Signed and dated “Brigitte Carnochon 2003” in pencil l.r., titled and numbered “...12/50” in pencil l.l. Hand-colored selenium toned gelatin silver print, image size 9 1/4 x 9 1/2 in., matted, unframed. Condition: Good.

N.B. Please note that 2003 is the copyright date. $300-500 1151 Vettor Pisani (Italian, 1934-2011) Hermes, 2000. Signed “V. Pisani” in pencil at center, numbered “1/99” in pencil l.l., with “GJ” blindstamp l.l., inscribed “30” on the reverse. Color lithograph on paper, sheet size 19 3/4 x 27 9/16 in., unmatted, unframed.

Condition: Deckled edges, small stain to l.l. edge, handling creases to u.c. and u.r., staining to the reverse. $300-500 1152 Marco Cingolani (Italian, b. 1961) Wilde e Nietzsche nel ‘900, 2000.

Signed and dated “Cingolani...” in pencil l.r., numbered “27/99” in pencil l.l., inscribed “62” on the reverse.

Color lithograph on paper, sheet size 19 3/4 x 27 1/2 in., unmatted, unframed. Condition: Handling creases l.r., gentle rippling, staining to the reverse. $200-300 1153 Giulio Paolini (Italian, b. 1940) L’Exil du Cygne, from the portfolio by the same name, 1984, printed and published by Fratelli Alinari, Stamperia d’Arte, Florence. Unsigned. Collotype on cut heavy paper, image size 17 x 26 1/2 in., unmatted, unframed.

Condition: Minor soiling, with vertical central fold as originally produced. $400-600

1156 Daniel Schwartz (American, b. 1929) Third Avenue El. Initialed “DS” l.r., identified and titled on a label affixed to the stretcher. Oil on panel, 9 x 11 7/8 in., framed. Condition: Minor surface grime. $300-500 1157 Charles Herbert Woodbury (American, 1864-1940) Fishing Vessels on the Beach, Holland. Inscribed and signed “Early sketch - Holland/by C.H. Woodbury-” in pencil l.l., with a label from Jordan Marsh Company on the frame backing paper. Watercolor on paper, sight size 10 x 14 1/4 in., framed. Condition: Mat burn, minor toning, scattered fox marks, not examined out of frame. $400-600 1158 Spanish School, 19th/20th Century Head of an Arab Man. Signed “...

Sevilla” l.l. Oil on panel, 9 3/4 x 5 1/8 in., framed (under glass). Condition: Scattered minor paint losses, pinholes to corners. $200-300 1159 Miguel Angel Vidal (Argentinian, 1928-2009)

Studio Art online

1149 Judith McMillan (American, b. 1945)

1162 Louis Icart (French, 1888-1950) Fair Model, 1937. Signed “Louis Icart” in pencil l.r., artist’s dry stamp l.l.

Color etching and aquatint on paper, plate size 19 x 11 1/4 in., framed.

Condition: Subtle mat burn, not examined out of frame. $350-550 1163 Kenneth L. Callahan (American, 1905-1986) Composition with Figures in a Landscape. Signed “Kenneth Callahan” l.r. Tempera on board, 17 x 24 in., framed. Condition: Scattered areas of fine craquelure, flaking, paint losses, surface grime. $600-800 1164 Mae Bennett Brown (American, 1887-1973) Floral Still Life with Roses and Delphinium. Signed “M. BennettBrown” l.l. Pastel on paper/board, 24 x 19 7/8 in., framed. Condition: Not examined out of frame. $300-500

Two Unframed Works on Paper: Abstract in Blue and Red and Abstract in Red, Blue, and Black.

Each signed and dated “AVidal 60” l.r.

Ink, gouache, and collage on paper, sizes to 8 x 8 in. Condition: Creases, small tears, and abrasions to edges, scattered paint losses, affixed to backing papers at corners. $800-1,200

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1165 Attributed to William Lester Stevens (American, 1888-1969)

1169 William McGregor Paxton (American, 1869-1941)

1173 Carroll Thayer Berry (American, 1886-1978)

Pownal Valley. Unsigned, titled on the verso. Watercolor on paper, sheet size 22 1/8 x 29 3/4 in., framed. Condition: Brown paper tape remnants on the verso at edges, minor soiling on the verso, the overmat is adhered to the edges of the sheet recto. $700-900

Head Study of James Howell Cummings. Signed “PAXTON” l.r.

Oil on canvas, 25 x 21 in., unframed.

Condition: Uneven coloration presenting as darkened brushwork in areas of shadow, minor paint losses.

Four Maine Coastal Scenes: The Cove, Maine Coast; Spurwink Church; Waterfront-Rockport; and Penobscot Bay. Signed in the blocks l.l. or l.r., pencil signed l.r., titled l.l.

Woodblock prints on paper, sizes to 10 x 12 1/8 in., framed. Condition: Not examined out of frames. $400-600

1166 Lawrence R. McCoy (American, b.

1888) Kilmarnock. Signed “LR McCoy” l.r., titled and inscribed “.../R.S. Goudie Johnny Walker Scotch/L.R. McCoy/ Sarasota Fla./Manchester Vermont” on the reverse. Oil on canvas, 30 x 25 in., framed. Condition: Minor surface grime. $300-500 1167 Marion Huse (American, 1896-1967) Night Flowers. Signed and dated “Marion Huse ‘46” l.l. Oil on canvas, 20 x 24 in., framed. Condition: Minor surface grime.

Exhibitions: Marion Huse, An Artist’s Evolution, Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts, June 2–August 25, 1985, cat. no. 54 (color illus.), pp. 61-62. $300-500

Studio Art online

1168 Jan Cybis (Polish, 1897-1972)

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Mountain Village. Signed “Jan Cybis” l.r. Oil on paperboard, 14 1/2 x 19 1/2 in., framed. Condition: Bowing and bulging to board, possible water damage, wear to corners, craquelure, varnish inconsistencies and discoloration, surface grime, accretions. $600-800 1168A Marguerite Neuhauser Shafer (American, 1888-1976) Two Floral Still Lifes: Blue Flowers in Green Vase and Mixed Bouquet with Red Necklace. Flowers unsigned, Bouquet signed “Marguerite Neuhauser Shafer” l.r. Oil on canvasboard and canvas respectively, sizes to 28 x 22 in., Flowers framed, Bouquet unframed. Condition: Both with surface grime, Mixed Bouquet with paint losses along the bottom edge and water staining to that area on the reverse. $200-400

Provenance: A New Jersey estate.

N.B. James Howell Cummings was the chairman of the Stetson Hat Company, a position he assumed 1906 upon the death of company founder John Stetson. The lot is accompanied by a photo of the finished Paxton portrait of Cummings and ephemera related to Cummings including a page from the John B. Stetson Company employee magazine The Hat Box. $400-600 1170 Arthur Bowen Davies (American, 1863-1928) Seated Nude. Initialed “ABD” l.l., titled and identified on a label from Campanile Galleries, Chicago, Illinois, affixed to the frame backing. Charcoal and chalk on paper, 16 x 12 in., framed. Condition: Scattered handling creases, rippling, not examined out of frame. $500-700 1171 Roberto Sebastian Matta (Chilean, 1911-2002) Plate from Les Voix, 1964. Unsigned.

Color etching and aquatint with embossing, plate size 11 1/8 x 8 3/4 in., framed. Condition: Not examined out of frame.

N.B. Les Voix is a portfolio of eleven color etchings with aquatint and embossing with text by Michel Fardoulis-Lagrange published in 1964. $300-500 1172 Eduard Bauer-Bredt (Austrian, 18781939) Hochfelln in Winter. Signed and dated “E Bauer-Bredt 1923” l.r., identified on the reverse. Oil on board, 22 3/4 x 17 1/8 in., framed. Condition: Scattered minor losses, minor surface grime. $600-800

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1174 Aiden Lassell Ripley (American, 1896-1969) Steep Sidewalk, Hibbard Street.

Stamped “FROM THE ESTATE OF/A. LASSELL RIPLEY” on the reverse, inscribed and titled “R. sketch #57/ Steep Sidewalk/.../Hibbard St.” in pencil on the reverse. Watercolor and pencil on paper, 7 1/4 x 10 in., framed.

Condition: Pale mat burn, tack holes to corners, hinged to the window mat with masking tape along the top edge of the reverse.

Provenance: A Massachusetts collector and former neighbor of the artist.

N.B. The work is faintly inscribed in some areas with brief color notes. $500-700 1175 Édouard Manet (French, 1832-1883) Le Chat et Les Fleurs, Guérin 53; Harris 65. Signed “Manet” in the plate l.l. Etching and aquatint on wove paper, image size 6 5/8 x 5 1/8 in., framed. Condition: Rippling, not examined out of frame. $400-600 1176 Donald (Don) Stanley Bloom (American, b. 1932) Figures in Conversation. Signed “Don Bloom” l.r. Oil on canvas, 29 x 30 in., framed. Condition: Minor surface abrasions, drying cracks, minor surface grime. $200-300

Dictating a Letter. Signed indistinctly “Miriam ...aker” l.r. Oil on canvas, 18 x 24 in., framed. Condition: Minor retouch and craquelure, minor surface grime. $600-800 1178 Martin Mower (American, 18701960) Portrait of a Girl in a Wide-brimmed Hat (Joanne Shaw). Signed “Martin Mower” l.r., identified on an unattributed gummed label affixed to the frame backing paper. pastel on paper, sight size 21 x 15 1/4 in., framed. Condition: Not examined out of frame. $200-400 1179 Peter Agrafiotis (American, 20th/21st Century) Ivy and Salt Marsh, Indian Summer.

Signed “Agrafiotis” l.l., titled and signed or inscribed on the reverse and on the stretcher. Oil on canvas, 30 x 24 in., framed. Condition: Good. $150-250 1180 Dennis Pinette (American, b. 1951) Two Works: Brush Fires. Both signed “D. Pinette” l.r. Oil on rag paper, sheets sizes 14 x 14 in., framed. Condition: One with a small loss or adhesion to l.r. quadrant, not examined out of frames. $150-250 1181 Alexander Anufriev (Russian, b.

1940) Surreal Landscape with Angels.

Signed “A. Anufriev” in pencil l.r., numbered “19/25” l.r., initialed and dated “A.A.81.” in the matrix l.l.

Lithograph on paper, image size 15 1/8 x 22 1/8 in., framed. Condition: Not examined out of frame. $400-600

1182 Käthe Kollwitz (German, 1867-1945)

1186 After Jim Dine (American, B. 1935)

Two Framed Etchings. Frau an der Wiege, 1896 (Knesebeck, 40), signed “Kathe Kollwitz” in pencil l.r., identified within the plate, plate size 10 7/8 x 5 3/4 in.; Sturm, from Ein Weberaufstand 1893-97, final state, posthumous printing (Knesebeck, 37v). Unsigned, publisher’s dry stamp (von der Becke, Munchen) l.r., plate size 9 5/8 x 11 3/4 in. Condition: Frau with toning and staining, not examined out of frames. $200-400

Look at Dine/Galerie Thomas Exhibition Poster. Signed and dated in the matrix “Jim Dine 1970” l.c. Color lithograph with printed signature l.c., image size 24 7/8 x 29 3/4 in., framed.

Condition: Not examined out of frame. $200-400

1183 Three Etchings of Charleston: Elizabeth O’Neill Verner (American, 1883-1979), St. Michael’s Gate and St. Michael’s Alley (Looking West); Gabrielle de Veaux Clements (American, 1858-1948), Rooftops and Spires. Verner works signed in pencil l.r., titled l.l., Clements signed “G. DeV. Clements” in the plate l.l.

Plate sizes to 6 3/4 x 9 7/8 in., Verner works framed, Clements unmatted, unframed. Condition: Verners not examined out of frames, Clements with soiling and foxing to the margins. $700-900 1184 Joan Freiman (American, b. 1950) Two Modern Landscapes, Probably Maine Views. Both signed “J. Freiman” l.r., one dated “’75” l.l. Acrylic on paper, sheet sizes 18 x 24 in., unframed, presented in shrink wrap over foamcore. Condition: One with bend to u.l. corner. $100-200 1185 William Irvine (Scottish American, b. 1931) Horse Grazing Among Rolling Hills.

Signed “Irvine” l.r. Oil on paper, 22 x 29 3/4 in., framed. Condition: Hinged to window mat in three places across the top edge of the reverse, tack holes to lower corners, small corner abrasions to the reverse from a former mounting. $300-500

1187 Two Framed 20th Century American Lithographs: Ben Shahn (1898-1969), The First Word of Verse Arises, from the Rilke portfolio, signed “Ben Shahn” in the matrix l.r., sight size 20 7/8 x 17 in.; Leonard Baskin (19222000), Abraham, signed and dated “Baskin/1970” in the matrix l.r., with a label from the Collector’s Guild, Ltd. affixed to the frame backing, sight size 20 1/4 x 15 in. Condition: First Word with toning, Abraham with mat burn, not examined out of frames. $200-250

Studio Art online

1177 After Harry Herman Roseland (American, 1866-1950)

1188 American School, 20th Century Beached Fishing Vessel Beside a Wharf. Unsigned, inscribed faintly “To Lois and Bob/with all good wishes” l.c. Watercolor and pencil on paper, 14 7/8 x 21 3/4 in., framed. Condition: Minor toning, small loss to u.l. corner, adhesive residue from a former mounting around the perimeter of the reverse, hinged to foamcore at three places on the top edge of the reverse. $300-500 1189 Manner of John Martin (British, 1789-1854) Final Farewell. Unsigned. Oil on pressed paperboard, 7 3/4 x 10 1/4 in., framed. Condition: Craquelure, minor surface grime. $400-600

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1190 Frank Weston Benson (American, 1862-1951)

1194 Carmelo Iglesias Gonzalez (Cuban, 1920-1990)

1198 Richard Marshall Merkin (American, 1938-2009)

Canvasbacks, 1926, published edition of 150 (Paff, 261). Signed “FrankWBenson.” in pencil l.l. and with pencil annotations l.l. Etching on paper, plate size 5 7/8 x 11 3/4 in., unmatted, unframed. Condition: Full margins with deckled edges, minor soiling, rippling and soft creases to margins.

Guajiros Descansando. Signed and dated “CabanE/. 1949” l.r., signed, dated, and titled on the reverse. Oil on canvas, 29 1/2 x 41 1/2 in., framed.

Condition: Surface grime.

Sur la Plage, Cancun. Signed and dated “Merkin 80” l.r., titled on a label from Terry Dintenfass, Inc., New York, New York, affixed to the frame backing.

Pastel and charcoal on paper, 32 1/4 x 23 in., framed. Condition: Rippling, pinholes to corners, floated in frame, not examined out of frame. $400-600

Provenance: Descended within the family of the artist. $250-450 1191 American School, 20th Century Summer Lake with View to a Mountain. Signed and dated “...

Foster/1944” l.r. Oil on canvas mounted to panel, 14 x 18 in., framed.

Condition: Minor surface grime, small transfer of gold from frame along top edge.

N.B. The work has an information sheet on the artist “R. John Foster” affixed to the backing. However, the signature style does not seem to match examples of R. John Foster’s signature available online. The first initial of the signature appears to be an “A” or an “H,” or possibly two letters closely elided, such as “FF.” $250-350

Studio Art online

1192 American School, 19th/20th Century

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Farm Scene with Sheep and Hens in a Meadow. Unsigned. Oil on canvas, 20 x 30 in., framed. Condition: Lined, repaired/stabilized tears, surface grime. $200-300 1193 German School, 20th Century Ostseeküste. Signed “E. Foerster” l.r., identified on a German receipt dated “...10.VI.47” affixed to the reverse.

Oil on canvas, 17 x 20 in., unframed.

Condition: Varnish discoloration, surface grime. $300-500

N.B. Accompanied by a certificate of authenticity issued by Aldo Menendez in 2011. $1,500-2,500 1195 Federico Carosio III (American, b.

1955)

1199 Richard Gangel or Attributed to (American, 1918-2002)

Coconut Grove, Miami. Signed and dated “Carosio 86.” l.r. Acrylic on canvas, 12 x 18 in., framed. Condition: Good. $500-700

Approximately Twenty-eight Works on Paper. Many signed and dated to the early 1980s. Various media including pastel, sizes to 22 x 30 in., all unmatted and unframed. Condition: Good.

1196 Antonio Guadalupe (Dominican, b.

1942)

N.B. Richard Gangel was an art director at Sports Illustrated from 1960 to 1981. $200-400

Peces en Vuelo (Fish in Flight).

Signed and dated, “aguadalupe/91” l.l., dated, signed, titled, and inscribed “.../ Antonio GUADALUPE S/D/91/...Santo Dgo, Rep. Dom./...” on the reverse.

Mixed media including paint on canvas, 16 x 13 in., framed. Condition: Minor surface grime. $700-900 1197 Jane Dimond (American, 20th Century) Girl Reading Newspaper. Signed “Jane Dimond” l.l., identified on a presentation plaque and on a label from the National Association of Women Artists tacked to the back of the frame. Mixed media on paper, sight size 23 3/8 x 20 in., framed.

Condition: Toning, not examined out of frame.

N.B. According to the presentation plaque, this work was awarded the Mary Ann Payne Prize by the National Association of Women Artists, presumably from the 50th Annual Exhibition (1942) referenced on the label on the back of the frame. $500-700

.

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1200 Richard Gangel or Attributed to (American, 1918-2002) Approximately Twenty-four Works on Paper. Many signed and dated from the 1980s to 1990. Sheet sizes to 31 1/2 x 23 1/2 in., unmatted, unframed. Condition: A few with foxing and soiling.

N.B. Richard Gangel was an art director at Sports Illustrated from 1960 to 1981. $200-400 1201 Continental/American School, 20th Century Kastell in Baja. Signed indistinctly l.r., titled on the reverse, inscribed “...

Schwarz” u.r. on the reverse, inscribed “8” in two places on the reverse.

Pastel on brown paper with Canson Montgolfier watermark, 17 1/2 x 20 in., framed. Condition: Sheet affixed to window mat with tape on the reverse, pinholes to corners, minor rippling. $200-300 1202 Abstract Face Cast Glass Sculpture, United States, geometric motifs form the central eye with protruding conical nose and rectangular mouth on a thick circular form with textured surface, dia.

12 1/2, thickness 4 1/2 in. $100-200

Note: Purchased at Lacoste Gallery in Concord, Massachusetts; accompanied by the original receipt and artist biography. $500-700 1204 Rebecca Kinkead (American, b.

1968) Traveler #2. Signed and dated “Rebecca Kinkead 2002” l.r., titled on a label from Clark Gallery, Lincoln, Massachusetts, affixed to the reverse.

Acrylic and mixed media on tar paper laid down on board, 36 x 36 in., unframed. Condition: Pinholes to upper corners, tear to u.l. corner, surface grime. $100-200 1205 Ellen Rich Abstract Mixed Media Wall Hanging, Boston, Massachusetts, c. 1995, square foam mounted on wood frame over round Styrofoam ball with thirteen plastic egg shapes hanging from metal wire in a mottled green paint, ht. 20, wd. 8 in. $200-300 1206 American School, 20th Century Still Life with Wine Bottle and Fish.

Unsigned, inscribed “GORSON” on the reverse. Oil on canvas, 24 x 30 in., framed. Condition: Craquelure, scattered small paint losses, surface grime. $700-900 1207 Jean Louis Marcel Cosson (French, 1878-1956) Backstage at the Circus. Signed “COSSON” l.r. Oil on canvas, 21 1/4 x 25 1/2 in., unframed. Condition: Lined, patched repairs to the reverse, canvas deformation, puncture l.l., scattered abrasions and small paint losses, surface grime. $700-900

1208 Mario Miguel Mollari (Argentinian, 1930-2010) Girl with Fruit. Signed “mollari” u.r. Screenprint on paper laid down on board, 31 x 27 1/2 in., framed.

Condition: Tears and losses to edges, scattered abrasions. $400-600 1209 American School, 19th/20th Century Lake Scene with Foreground Birch Trees. Unsigned, canvasboard with a label from E.H. & A.C. Friedrichs Co., New York City, on the reverse.

Oil on canvasboard, 12 x 9 in., framed. Condition: Surface grime, canvasboard with water staining or similar to the reverse. $300-500 1210 Fernando Gerassi (American, 18991974) Untitled Abstract Painting. Signed and dated “Gerassi/1963” on the reverse. Oil on canvas, 40 x 50 in., framed. Condition: Craquelure with lifting and flaking, surface grime. $150-250 1211 Attributed to George Thomas Taylor (Canadian, 1838-1913) Mountain Landscape. Signed and dated “G.T. Taylor/1884” l.l. Oil on canvas, 20 1/2 x 30 in. Condition: Lined, craquelure, stretcher marks, scattered minor retouch, surface grime. $300-500 1212 Two Framed Prints: Philip Evergood (American, 19011973), Family, 1965, signed “Philip Evergood” in pencil l.r., identified and titled “Artist’s Proof (RR) 11/2...” in pencil l.l., color lithograph on paper, image size 20 3/4 x 15 in., (toning, not examined out of frame); and Isaac Friedlander (American, 1890-1968), Job and Friends, edition of 50, signed “Friedlander” in pencil l.r., numbered “7/50” in pencil l.c., titled in pencil l.l., woodcut on paper, image size 14 1/4 x 10 1/4 in., (toning, foxing, gentle rippling, not examined out of frame). $300-500

1213 Marie Laurencin (French, 1885-1956) Jeune fille à la guitare, 1946 (Marchesseau, 238). Signed within the plate, inscribed “LAU 7 or 8” in pencil on the reverse. Etching with coloring on wove paper with Arches watermark, plate size 7 3/4 x 6 7/8 in., unmatted, unframed. Condition: Deckled edges, adhesive residue and handling crease to l.r. corner of sheet, tape remnants and adhesive residue to left edge on the reverse, minor soiling to upper margin at center, scattered minor fox marks. $300-500 1214 Peter Robert Keil (German, b. 1942) Trocadero, Berlin. Signed and dated “Keil 59” l.r., titled, signed, inscribed, and dated “.../P. Robert/Keil/Berlin 59” on the reverse. Acrylic on Masonite, 27 1/4 x 19 1/2 in., framed. Condition: Scattered areas with drying cracks. $100-150

Studio Art online

1203 Annabeth Rosen Contemporary Ceramic Sculpture, United States, c.

1986, two parts composed of multiple joined segments, some re-attached as part of the process, approx. ht. 16, wd.

12 1/2, dp. 9 in.

1215 Scott Bell (American, 20th Century) Another Tyranny. Signed, dated, and titled “Scott Bell/1989/...” on the reverse. Oil on canvas, 63 x 97 in., unframed. Condition: Small punctures u.l. and l.l.

Provenance: Purchased by the current owner from Gallery Paule Anglim, San Francisco. $300-400 1216 Attributed to Hermann Herzog (American/German, 1832-1932) Landscape Study with Rocks.

Unsigned, identified on a presentation plaque. Watercolor and gouache on paper, sight size 6 7/8 x 9 1/4 in., framed. Condition: Losses, nicks, and tears to edges, toning. $300-500 1217 Attributed to Richard Filipowski (American, 1923-2008) Abstract Sculpture. Unsigned.

Phosphor, bronze, and silver with a golden-brown patina, height 41 1/2 in.

Condition: Dust and dirt, accretions to underside, wear to the patina. $600-800

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17

1218 Attributed to Charles Sidney Hopkinson (American, 1869-1962) Study of a Mother and Child on a Garden Stair. Unsigned. Oil on canvas, 18 x 12 in., framed. Condition: Scattered retouch, minor surface grime. $800-1,200 1219 Leonard Sussman (American, b.

1947) Olive Tree with Sheep. Unsigned.

Inkjet print on paper, sight size 29 1/2 x 29 1/2 in., framed. Condition: Not examined out of frame. $100-200 1220 Eugène Girardet (French, 1853-1907) General Jean-Baptiste Kléber.

Initialed “EG” l.r., inscribed “KleberGirardet” in pencil on the reverse, identified on a painted presentation plaque on the mount. Pencil on wove paper, 8 3/16 x 5 9/16 in., framed.

Condition: Scattered fox marks, toning, handling creases, affixed to French mat mount along the top edge of the reverse, with pale adhesive spots on the l.r. and u.r. corners of the reverse and cellophane tape at the c.l. edge of the reverse. $300-500

Studio Art online

1221 Jusepe de Ribera (Spanish, 15911652)

18

Saint Jerome Hearing the Trumpet of the Last Judgment, 1621, only state (Bartsch, 5; Brown, 4).

Monogrammed and dated within the plate. Etching on laid paper with watermark of a fleur-de-lis in a circle, sheet size 12 11/16 x 9 7/16 in., matted, unframed. Condition: Trimmed just within the plate mark, thinned spots to verso, minor rubs to image u.r.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $800-1,200

1222 Maurice Denis (French, 1870-1943) Lithograph Illustration from Francis Thompson, Poèmes. Unsigned.

Lithograph on paper, image size 9 3/4 x 6 3/4 in., framed. Condition: Toning, not examined out of frame.

Provenance: From the estate of Richard G. Canott to W.H. Boardman, Jr. (September 1991), through to the current owner (as recorded on the frame backing paper).

N.B. Francis Thompson, Poèmes, with original lithographs by Maurice Denis, was published by Ambroise Vollard in Paris in 1936. $200-300 1223 Julius Delbos (American, 1879-1970) Vase of Flowers. Signed “JULIUS DELBOS.” l.l. Watercolor on paper, sight size 16 x 13 3/4 in., framed.

Condition: Gentle rippling, not examined out of frame. $250-350 1224 Scottie (Robert) Wilson (British, 1888-1972) Two Works: Firescreen and Composition. Each signed “SCOTTIE” l.r. and identified on labels from Brook Street Gallery, London, affixed to the backing. Pen, ink, and colored crayon on paper, sight sizes to 19 1/4 x 14 3/4 in., each framed (Composition without glass).

Condition: Not examined out of frames.

Provenance: Estate of an arts benefactor, New York. $500-700 1225 August Werner (American, 18931980) Memorial Plaque. Signed “A. Werner” l.r. Bronze plaque in high relief, 15 1/2 x 11 1/2 in., unframed. Condition: Dust to interstices. $600-1,200

1226 Elena Varnavovna Nagaevskaya (Russian, 1900-1989) Three Abstract Geometric Compositions. Signed in Cyrillic l.r. Watercolor on paper, each 15 3/4 x 15 3/4 in., unmatted, unframed.

Condition: Toning, staining, handling creases, creases to some corners. $600-900 1227 Konstantin Alexseyevitch Korovin (Russian, 1861-1939) Flowers. Signed in Cyrillic l.r.

Gouache on paper, 13 3/4 x 11 in., framed. Condition: Minor rippling. $600-900 1228 Rudolph Carl Gorman (American, 1932-2005) Carmen and Child. Signed and dated “R.C. Gorman 1988” l.l., numbered “211/225” l.r., artist’s dry stamp l.l. corner. Color lithograph on paper, 27 x 36 in., in a Plexiglas box frame.

Condition: Some color modulation on the recto where the sheet is hinged on the reverse, subtle rippling, not examined out of frame. $300-400 1229 Bohdan Osyczka (American, 19321985) Section M. Signed “Osyczka” l.r.

Watercolor on paper, 18 x 26 in., framed. Condition: Not examined out of frame. $500-700 1230 American School, 20th Century Approximately Thirty-five Works, including prints, drawings, photographs reproductions, and erotica, sold with a brochure from the International Museum of Erotic Art. $100-200 1231 Luciano Mereghetti (Italian, b. 1951) Playtime. Signed “LMereghetti” l.l. and l.r., signed, dated, inscribed, and titled “L Mereghetti - ‘94/MilanoITALY/...” on the reverse. Acrylic on canvas, 47 x 31 1/2 in., unframed.

Condition: Staining to lower half of canvas, minor abrasions to upper edge. $400-600

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1237 Paul Kutscha (Czech, 1872-1935)

1243 Michael Morgner (German, b. 1942)

Street Scene. Signed “P. Kutscha” l.l. Oil on canvas, 15 3/4 x 19 3/4 in., framed. Condition: Fine craquelure to areas of impasto, patch repair to u.c. on the reverse. $150-250

1233 Belisario Gioja (Italian, 1829-1906)

1238 Asian/American School, Late 20th Century

Untitled (Schreitender). Signed with the artist’s monogram and dated “.../87” l.r., with an inventory label from the Joseph and Celia Ascher collection affixed to the frame backing. Mixed media including ink and asphalt on paper, 26 1/4 x 17 1/2 in., framed.

Condition: Sheet affixed to mat with tape, deckled edges.

The Bargain. Signed “B. GIOJA/ ROMA” l.r. Watercolor on paper, 13 3/4 x 19 11/16 in., framed. Condition: Sheet affixed to paperboard with tape to edges, foxing, tear u.l. $400-600 1234 Jennifer K. Moses (American, 20th/21st Century) Two Paintings: Ascend and Curl.

Ascend unsigned; ascribed and titled on a label from ARTcetera 2000 affixed to the reverse, egg tempera on panel, 12 x 9 in., framed; Curl signed, titled, and dated “© Jennifer Moses/...2004” on the reverse, oil on panel, 11 x 11 in., framed. Condition: Minor surface grime. $200-300 1235 George W. Drew (American, 18751968) House by a Pond in Spring. Signed “GEORGE W. DREW” l.l. and on the stretcher. Oil on canvas, 25 x 36 in., framed. Condition: Craquelure, scattered minor retouch, varnish discoloration. $1,200-2,200 1236 Pal Udvary (Hungarian, 1900-1987) Pulling in the Fishing Net. Signed “Udvary” l.r. Oil on canvasboard, 15 1/2 x 18 3/4 in., framed. Condition: Minor surface grime.

Provenance: Arthur James Galleries, Delray Beach, Florida, March 19, 1997, Lot 237. $500-700

Two Decorative Asian-style Paintings: Swan and Horseman Pulling a Recalcitrant Horse Signed faintly in Asian-type characters l.l. and l.r. respectively. Mixed media on board, sizes to 43 1/2 x 63 7/8 in., framed.

Condition: Good. $300-500 1239 Thomas Cornell (American, 19372012) Satyr. Signed “Cornell” l.l., numbered, titled, ascribed, and dated “17/300...1969” in an inscription on the reverse. Bronze plaque with a greenish brown patina, 7 x 7 x 1/4 in.

Condition: Scattered abrasions. $100-125 1240 Edolo Masci (Italian, 1938-2008) The Metamorphoses of Apuleius.

Signed and dated “masci” l.r., titled on the stretcher. Oil on canvas, 19 1/2 x 23 3/4 in., framed. Condition: Craquelure with lifting and flaking u.l., surface grime. $300-500 1241 William Merritt Post (American, 1856-1935) Meandering Stream in Autumn.

Signed “W.MERRITT POST” l.r., with a stamp from artists’ supplier Victor Claessens, Waereghem, Belgium, on the reverse. Oil on canvas, 24 1/4 x 36 1/4 in., framed. Condition: Scattered retouch, frame abrasions, surface grime. $800-1,200

Provenance: Ex collection Joseph and Celia Ascher, New York; to the estate of Celia Ascher, New York. $600-800 1244 Edward Clarke Cabot (American, 1818-1901)

Studio Art online

1232 Large George Alexander Ceramic Architectural Element, New Orleans, 2000, fruits, vegetables, and floriforms in relief on green and blue glazed ground with eggplant border, mounted in metal frame, signed in the ceramic, ht. 24 3/4, wd. 24 3/4 in. $400-600

Two Framed Watercolor Landscapes: Noon Hill, Medfield and Quiet Cove. Both unsigned, Medfield titled and dated “...Oct. 9, ‘98” l.r., both with typed labels identifying the artist on the frame backing paper. Sheet sizes 9 1/4 x 13 1/4 in. Condition: Cove with crease to l.r. corner, not examined out of frames.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $300-500 1245 Edward Clarke Cabot (American, 1818-1901) Fallen Column at Karnak. Titled, initialed, and dated “.../E.C.C. 1880” l.r. Watercolor on paper, sight size 15 x 9 1/4 in., framed. Condition: Not examined out of frame.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $200-300 1245A American School, 19th Century Sweet Pea Blossoms in a White Pitcher. Unsigned. Oil on canvas, 8 x 6 in., framed. Condition: Minor retouch, fine craquelure. $600-800

1242 John Richen Bronze Abstract Wall Sculpture, circular form with cutouts and textured surfaces, signed “John Richen copyright 1988 7/10,” dia. 36 1/2 in. $200-300

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1246 George Elbert Burr (American, 18591939)

1251 Henry Raschen (American, 18541937)

View of Venice. Signed “GEORGE ELBERT BURR” l.r. Watercolor on paper, sight size 9 7/8 x 14 1/8 in., framed. Condition: Not examined out of frame.

Plains Indian Lookout at Sunset.

Signed “H. RASCHEN” l.r. Oil on canvas, 26 x 46 in., framed. Condition: Large puncture/tears with surrounding paint losses to l.r. corner measuring 5 1/2 x 4 inches overall, patch reinforcements, retouch, craquelure, surface grime. $2,000-3,000

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $300-500 1247 Brett Weston (American, 1911-1993) Monastery, Portugal , 1960, printed 1989. Signed “Brett Weston” in pencil on the mount l.r., numbered “20/25” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 23 1/2 x 18 3/4 in., unmatted, unframed. Condition: Good. $1,000-1,500 1248 Mel Ramos (American, b. 1935) I Still Get a Thrill When I see Bill I, 1979, edition of 500. Signed and dated “Mel Ramos 79” in pencil l.r., numbered “47/500” in pencil l.l.

Color lithograph with offset on paper, image size 27 1/4 x 17 in., unmatted, unframed. Condition: Good. $200-300

Studio Art online

1249 Peter Robert Keil (German, b. 1942)

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Face, Blue and Orange. Signed and dated “P. Kiel 63” l.r. Acrylic on canvas, 24 x 19 3/4 in., framed.

Condition: Areas of craquelure, flaking to center. $100-200 1250 Scott Brodie (American, 20th/21st Century) Out on a Financial Limb. Signed and dated “Scott Brodie/1981” on the reverse, titled on a label from Cutler/ Stavaridis Gallery, Boston, affixed to the reverse. Oil, wax, and linoleum on canvas, 84 x 54 in., unframed.

Condition: Scattered minor paint losses and accretions. $400-500

1252 Joan Miró (Spanish, 1893-1983) Miró Sculptures II, 1974-1980, 1974 (Mourlot, 949). Signed within the matrix. Color lithograph on paper, sight size 10 5/8 x 21 3/4 in., framed.

Condition: Vertical central crease as published, not examined out of frame. $200-400 1253 Nicolai S. Cikovsky (American, 18941987) Portrait of a Young Woman with Folded Hands. Signed “Nicolai Cikovsky” l.r. Oil on canvas, 24 3/8 x 18 1/8 in., framed. Condition: Retouch to the edges of the canvas, craquelure. $600-800 1254 Allen Gilbert Cram (American, 18861947) Rural Landscape with Figures and Distant House. Signed “A.G. Cram” l.r. Oil on canvas, 16 1/4 x 20 1/8 in., framed. Condition: Minor craquelure. $400-600 1255 Shimon Okshteyn (Ukrainian/ American, b. 1951) Rural Landscape with Village Houses. Signed and dated “Okshteyn 65” l.l. Oil on canvasboard, 10 x 13 3/4 in., framed. Condition: Minor surface grime.

N.B. Okshteyn likely brought this early student work with him to the United States when he immigrated to Springfield, Massachusetts, in 1980. $400-600 1256 H. Gray Park IV (American, b. 1972) Barn Island. Signed “H. Gray Park IV” l.c. Oil on canvas, 24 x 68 in., framed.

Condition: Minor surface grime. $400-600

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1257 American School, 19th/20th Century Half-length Portrait of a Seated Man in Formal Attire. Unsigned. Oil on canvas on an oval stretcher, 31 5/8 x 25 3/8 in., unframed. Condition: Retouch, small area of blistering, minor paint losses, fine craquelure, surface grime.

Provenance: Dr. Norman and Romaine Jacobs Collection. $200-400 1258 Gretty Rubinstein (Israeli, 19452001) Rooftops. Signed “Gretty R” l.l.

Pastel on paper, 7 1/2 x 9 3/4 in., framed. Condition: Sheet affixed to window mat with tape to edges on the reverse. $100-200 1259 Johnny Bulunbulun (Aboriginal Australian, 1946-2010) Untitled (Turtle Abstraction).

Unsigned. Pigment on bark, 46 3/4 x 31 in., unframed. Condition: Surface grime, minor pigment losses.

Provenance: The estate of George Wald. $300-500 1260 American School, 20th Century Abstract in Orange and Red. Signed and dated “E. Rosenfeld ‘64” l.r. Oil on board, sight size 21 1/2 x 16 1/2 in., framed (under glass). Condition: Not examined out of frame. $200-400 1261 Ewa Frysztak (Polish, 20th Century) Fanciful City with Approaching Knights within an Ornamental Border. Signed “E. Frysztak” l.r., identified on a label affixed to the reverse. Oil with applied beads on wooden cabinet door, 13 5/8 x 10 in., unframed. Condition: Good.

N.B. Although the work is technically unframed, the edges of the front of the panel are ornamented with glass “jewels,” beads, and golden chains, creating the effect of a frame. $700-900

Sunset. Signed “C.P. Appel.” l.l., identified on a partial label from the Salmagundi Club Thumb-box Exhibition affixed to the reverse. Oil on canvasboard, 8 x 9 7/8 in., framed.

Condition: Drying cracks, minor surface grime. $600-800 1263 Gustave Cimiotti Jr. (American, 1875-1969) Mission, California. Signed “·Cimiott·” l.r., titled or inscribed “Mission/Calif” in pencil on the reverse, numbered “G2-A47” in marker on the reverse. Oil on canvasboard, 16 x 20 in., framed.

Condition: Good.

N.B. This scene has been identified as the Pala Mission, likely painted in the 1940s. $800-1,200 1264 Robert James MacLeod (American, 1889-1977) California Coast in Sun. Signed “Robert J. MacLeod” l.l. Oil on canvasboard, 8 x 10 in., framed.

Condition: Minor surface grime. $500-700 1265 Italian School, 17th Century

1266 Continental School, 20th Century

1270 Continental School, 20th Century

Fox Hunters Clearing a Fence.

Signed “Scott” l.r. Oil on canvas, 24 x 36 in., framed. Condition: Good. $300-500

Thirteen Primarily European Family Photograph Albums. Gelatin silver and chromogenic prints in bound albums. Condition: General wear to albums and prints, some of which are no longer attached to album pages.

1267 Continental School, 17th/18th Century Study of Male Figures. Inscribed indistinctly “B...” l.l., inscribed “... di Angelo Bancheri,” “Ecole F...,” and “très beau dessin ancien/études d’hommes” in pencil in various hands on the reverse. Pencil on paper, 6 11/16 x 9 1/4 in., unmatted, unframed.

Condition: Creasing, toning, soiling, pale staining, foxing, remnants of former mountings on the reverse.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $300-500

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts.

N.B. One album includes photographs from the 1936 Olympics in Berlin. $300-500 1271 American School, 20th Century Twenty-two Family Photograph Albums. Gelatin silver prints in bound albums. Condition: General wear to albums and prints, some of which are no longer attached to album pages.

Studio Art online

1262 Charles P. Appel (American, 18571928)

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $300-500

1268 Two Framed Drawings: Francis Luis Mora (American, 18741940), Toddler Feeding Herself, signed “R. Luis Mora” l.c., pencil on paper; William Samuel Horton (American, 1865-1936), Saw Mill Gstaad, stamped “Horton” l.r., titled and dated “...c. 1920” on the frame backing, charcoal on paper, sight sizes to 7 x 9 5/8 in. Condition: Horton with minor toning, not examined out of frames.

A Bishop Saint in Glory. Inscribed “64.)” in pencil l.l., inscribed “Daniele Crespi/1590-1630” in pencil on the reverse, and with collector’s stamps (see below) on the reverse. Ink heightened with white on buff paper, 10 3/8 x 8 in., framed. Condition: Creasing, foxing, staining, sheet slightly irregularly trimmed.

Provenance: The Horton is inscribed “From the artist/son W. Gray Horton” on the frame backing. $300-500

N.B. Collector’s stamps from Ludwig Pollak, PhD, (1868-1943) (Lugt, L.788b) and “GV,” an unidentified mark (Lugt, L.1222a) thought to be Italian. There is a possible third stamp at the top of the reverse, but it is not legible. Although the drawing was once attributed to Daniele Crespi (Italian, 1590-1630), current scholarship does not support that attribution. $400-600

Still Life with Fruit and Abstract in Pink and Orange. Each initialed with the artist’s monogram l.r., Still Life dated “’88” l.r. and signed and dated “HAYNES/AUG. 1988” and inscribed “1-2243” on the reverse, Abstract dated “’89” l.r. and inscribed “1-2168” on the reverse. Acrylic on Fabriano Artistico watermarked paper, sizes to 30 x 30 in., unframed. Condition: Each sheet with two deckled edges, pinholes to corners, scattered minor paint losses to edges.

1269 Irving B. Haynes (American, 19272005)

1272 American and European Schools, 19th/20th Century Eleven Framed Vernacular Photographs, Including Several Aerial Views and Portraits, and the Lion of Lucerne by Giorgio Sommer. Albumen and gelatin silver prints, image sizes to 10 x 20 in., framed. Condition: Not examined out of frames.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $200-300 1273 Robert Indiana (American, b. 1928) 6, Eternal Hexagon. Initialed and dated “RI ‘64” l.r. Color screenprint, image size 4 x 4 3/8 in, unmatted, unframed. Condition: Very minor dogear creases at lower corners. $300-500

N.B. The exhibition catalog, Irving B. Haynes: Abstractions, 1960-2005, Newport Art Museum, Newport, Rhode Island, 2009, accompanies the lot. $200-400

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1274 After Bartolomé Esteban Murillo (Spanish, 1618-1682) Old Man and Child Drinking from a Cup. Inscribed “Sebastiano Murillo/ Galleria/di/S.E. Il Principe Scilla Ruffo/...

Vomero” and with a list of names also inscribed in ink on the reverse. Oil on canvas, 26 x 21 1/2 in., framed.

Condition: Paint losses, craquelure, varnish discoloration, surface grime. $800-1,200 1275 Richard Seewald (German, 18891976) 10 Holzschnitte. Munich: Bachmair, 1913. Seven woodcuts and title page (two signed) from the original group of ten, printed on Japanese paper, in the original manila paper wrappers, the two signed woodcuts cut down from the original size and matted, with an additional title from a later imprint. Sheet sizes to 16 1/4 x 12 in.

Condition: Many with foxing, toning, corners folded, other signs of handling and wear. $200-250 1276 Carl Johan Nordell (American, 18851957)

Studio Art online

Nymph. Signed “Nordell” l.r., identified on an handwritten label affixed to the stretcher. Oil on canvas, 11 x 7 in., framed. Condition: Scattered minor paint losses, surface grime. $300-500

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1277 Stephen Sacklarian (American, 18891983) Crossed Space. Signed “SACKLARIAN” l.r. Oil on canvas, 42 1/2 x 55 1/2 in., unframed. Condition: Good. $500-700 1278 Stephen Bagnell (American, 19301996) Barn, Plow, and Crows Under Stormy Skies. Signed “Bagnell” l.r. Oil on board, 48 x 60 in., framed. Condition: Minor surface grime. $400-600

1279 Demetre Chiparus Art Deco Terracotta Olympian Bust, depicting an athletic male, signed, ht. 20, wd. 16 in. $800-1,200 1280 Glenn Ligon (American, b. 1960) Negro Sunshine, 2016, edition of 1000, published by Rat Hole Galleries, Tokyo.

Hardcover monograph, 14 5/8 x 11 5/8 in., in a slipcase. Condition: Good. $300-500 1281 Jean le Guennec (French, 1924-1986) Train Yard. Signed “le Guennec” l.r.

Watercolor on Arches paper, 15 x 20 1/4 in., framed. Condition: Hinged to window mat in two places on the top edge of the reverse. $300-500 1282 Nicola Simbari (Italian, 1927-2012) Two Prints: Jennifer and Sorrento, Italy. Each signed “Simbari” in pencil l.r., Jennifer numbered “240/300” in pencil l.l., Sorrento numbered “E.E. 1/3” in pencil l.l. Serigraphs on paper, image sizes to 31 7/8 x 31 7/8 in., framed.

Condition: Not examined out of frames. $200-400 1283 Frederic A. Chapman (American, 1818-1891) Fireside Industry. Signed “F.A. Chapman” l.l., title and signed “.../F.A. Chapman” in pencil on the reverse of the mount, identified as Interior & figure on a handwritten label affixed to the wood frame backing. Oil on paper mounted to paperboard, 7 x 5 in., in a period frame.

Condition: Fine craquelure, possible varnish discoloration.

Provenance: Purchased November 1870 by D.W. Watrous from F.C. Mannis, who acquired it from the artist (as recorded on the frame backing). $700-900 1284 German School, 19th Century Mountain Village Scene. Signed and dated “KMaerz . Müncen [sic] 75” l.l.

Oil on canvas, 27 1/2 x 25 in., framed.

Condition: Wax lined, retouch, varnish inconsistencies, craquelure, scattered small paint losses, canvas rippling at lower edge. $300-500

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1285 Rita Mount (Canadian, 1888-1967) Double-sided Portrait of Gertrude: Full-length Seated and Head and Shoulders. Head signed “Rita” l.r., identified on a label from Michel de Kerdour Galerie d’Art, Quebec, affixed to the glass on the reverse of the frame. Charcoal on watermarked Michallet paper, sight sizes to 11 1/4 x 8 5/8 in., in a doublesided frame. Condition: Staining, not examined out of frame. $200-300 1286 Marguerite Neuhauser Shafer (American, 1888-1976) Sailboat at Dock. Signed “Marguerite Neuhauser Shafer” l.r., signed and inscribed with the artist’s address on the reverse. Oil on canvasboard, 13 7/8 x 17 7/8 in., framed. Condition: Surface grime, reverse with surface loss to the board which does not impact the recto. $400-600 1287 Marguerite Neuhauser Shafer (American, 1888-1976) Two Framed Paintings: Looking Toward the Harbor and Fishermen’s Houses. Harbor signed “Marguerite Shafer” l.r., Houses unsigned. Oil on canvasboard, sizes to 20 x 16 in.

Condition: Harbor with minor surface abrasions and minute paint loss along bottom edge. $600-800 1288 Dennis Ainsley (American, 1880-1952) Village Square. Signed “Dennis Ainsley” l.r. Oil on canvasboard, 12 x 16 in., framed. Condition: Minor surface grime. $300-500 1289 European School, 19th/20th Century Landscape with Village. Signed indistinctly l.r. Oil on canvas, 7 3/4 x 6 1/8 in., framed. Condition: Craquelure, varnish inconsistencies, canvas rippling, surface grime. $500-700

1294 David Prifti (American, 1961-2011)

Provenance: Gallery Naga, Boston, through to the estate of Catherine England. $800-1,200

Four Portraits: Heather and Elliot X, Harry #2, Ishonni, and Chitara, 2007-2008. Each incised and dated “PRIFTI” on the reverse l.r., branded “PRIFTI” on the wooden mounts, and titled and dated on labels affixed to the verso; Ishonni with a label from Gallery Naga, Boston, affixed to the mount.

Tintype (unique wet plate collodion on metal), image sizes 10 x 8 in., unframed.

Condition: Good.

1291 David Ortins (American, b. 1957)

Provenance: Gallery Naga, Boston, to the estate of Catherine England. $600-800

Gargoyle. Identified and dated “.../1992...” on a label from Gallery Naga, Boston, affixed to the backing.

Reflection hologram, 16 x 12 in., framed. Condition: Good.

Stain. Identified, titled, and dated “David Ortins 1988...” on the reverse.

Oil and beeswax on linen, 13 x 9 1/2 in., unframed. Condition: Several subtle cracks in the wax.

Provenance: The estate of Catherine England. $300-500 1292 Various Artists (American, 20th Century) Nine of Ten Prints from the Portfolio New Works by 10 Massachusetts Photographers, published 1982.

Eight gelatin silver prints and one chromogenic print in a gray clothbound portfolio case, image sizes to 18 x 13 7/8 in., most matted, unframed.

Condition: Good.

Provenance: The estate of Catherine England.

N.B. Represented photographers include Roswell Angier, Karl Baden, William Burke, Steven Halpern, Olivia Parker, Daniel Ranalli, Eugene Richards, Sage Sohier, and Jane Tuckerman. $1,000-1,500 1293 Leslie Wilcox (American 20th/21st Century) Dress. Unsigned. Aluminum screen with staples, 16 x 4 x 9 in. Condition: Minor dust to interstices.

Provenance: The estate of Catherine England. $200-400

1295 Adolf Arthur Dehn (American, 18951968) Hindu Bull and Beggars, 1962.

Signed “Adolf Dehn” in pencil l.r., numbered “5/15” in pencil l.l.

Lithograph on paper, sight size 14 1/8 x 18 3/8 in., matted, framed. Condition: Subtle mat burn, possible toning, not examined out of frame. $150-250 1296 Paul Heroux (American, 20th/21st Century) Untitled (For Joan and Roger), edition of 15. Dedicated, signed, numbered, and dated “...Paul Heroux 4/15 1991” in pencil l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Etching on paper, plate size 23 1/2 x 17 1/4 in., framed. Condition: Deckled at left and right edges, floated in frame, not examined out of frame. $75-100 1297 Cliffton Peacock (American, b. 1953) Untitled (Head of a Fish). Signed and dated “Cliffton Peacock/1989” on the reverse, identified on a label from Obelisk Gallery, Boston, affixed to the reverse. Oil on Masonite, 23 7/8 x 23 7/8 in., framed. Condition: Good. $400-600

1299 Jacqueline Bishop (American, b.

1955) Dark Organisms #20. Titled, signed, and dated “...jBishop/2002” on a label affixed to the frame backing. Ink and collage on Brazilian newsprint, 9 x 5 3/4 in., framed. Condition: Floated in frame, not examined out of frame.

N.B. The original bill of sale and biographical material on the artist accompany the lot. $300-500 1300 Diane Cooper (American, 20th/21st Century) Genten Series #322. Signed “Diane Cooper” on the reverse, titled and dated “...2002” on a label from Jean Albano Gallery, Chicago, affixed to the reverse.

Mixed media on wood, 12 x 12 in., unframed. Condition: Good.

Studio Art online

1290 Harriet Casdin-Silver (American, 1925-2008)

N.B. The original bill of sale, exhibition brochures, and articles accompany the lot. $150-250 1301 Dana Salvo (American, b. 1952) Hanoi, Vietnam, Cobbler’s Wall.

Titled, signed, and numbered “...Dana Salvo 1/5” on the reverse. Chromogenic print on Kodak Professional Endura paper, 40 x 30 in., unmatted, unframed.

Condition: Good. $200-300 1302 Lodewijk Karel Bruckman (Dutch/ American, 1913-1980) Still Life with Wood Block, Flowers, and Purple Yarn. Initialed and dated “L.B./f 54” l.l., signed, inscribed, and dated “.../N TRURO/CAPE COD/ MASS/1954” on the reverse. Oil on canvas, 15 x 9 in., framed. Condition: Retouch or revarnish along the left edge, surface grime. $400-600

1298 European School, 20th Century

1303 Diana T. Rousseau (American, 20th/21st Century)

Violinist. Signed “DiVenere” l.r. Pastel on paper, 24 3/4 x 22 3/8 in., framed.

Condition: Sheet with deckled edges, hinged to backing with tape to upper corners on the reverse, tape remnants to lower corners on the reverse. $100-150

Walking at World’s End II. Unsigned, identified on an unattributed label affixed to the frame backing.

Pastel on paper, sight size 10 1/2 x 13 1/2 in., framed. Condition: Not examined out of frame. $100-150

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1304 Steven Assael (American, b. 1957) Portrait Head. Signed “Assael” l.r.

Graphite with mixed media on Arches paper, 11 5/16 x 8 1/2 in., framed.

Condition: Affixed to the backing board at u.c. of the reverse.

Provenance: The estate of Elaine Sargent. $300-500 1305 Manner of Luca Giordano (Italian, 1634-1705) Portrait Head of a Man. Unsigned. Oil on canvas, 15 3/8 x 13 3/4 in., framed.

Condition: Lined, retouch, skinning, minor paint losses, fine craquelure.

Provenance: Property of Carol J. Ferranti. $700-900 1306 Robert Jessup (American, b. 1952) Open Window-White Light. Signed “RJ” l.r., inscribed “...Robert Jessup 1994” on the stretcher. Oil on canvas, 66 x 62 in., unframed. Condition: Surface grime, tears at u.r. and l.l. corners, scratch l.r., scattered paint losses and abrasions. $1,000-2,000

Studio Art online

1307 Marino Marini (Italian, 1901-1980)

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Devastazione e ricostruzione, plate V from Idea e Spazio, 1963, edition of 50, printed by Atelier Crommelynck, Paris, published by Les Cent Bibliophiles de France et d’Amérique, Paris (Guastalla 1976, A75). Signed “MARINO” in pencil l.r., numbered “44/50” in pencil l.l. Color etching on paper, plate size 15 9/16 x 11 3/4 in., framed. Condition: Full sheet with deckled edges, toning, floated within the mat, not examined out of frame. $200-300 1308 Edolo Masci (Italian, 1938-2008) Gabriella. Signed and dated “masci 1964” l.r., titled, signed, and dated “...

Edolo Masci/1964” on the reverse, with a partial label from ACA Gallery, Rome, affixed to the stretcher. Oil on canvas, 15 x 18 in., framed. Condition: Craquelure, flaking u.l., tear with small losses u.l., surface grime. $300-500

1309 Two Wood and Iron Sculptures Designed by Jane Schneider, New York, fourth quarter 20th century, shaped and mounted to iron bases, ht.

38 1/2, 12, wd. 27, 14 in.

Provenance: From the artist’s family. $300-500 1310 Leon Polk Smith (American, 19061996) Torn Drawings/A Portfolio of Ten Works, 1965, total edition of 500, published by Galerie Chalette, New York. Signed and numbered “Leon Polk Smith 103” in blue ink on the colophon.

Color lithographs on paper and affixed to mounts, mount sizes 15 x 11 in., in the original folder. Condition: Gentle toning to mounts, staining to some lower edges.

Provenance: The estate of Celia Ascher, New York. $200-400 1311 Michael Morgner (German, b. 1942) Two Plates from Hommage à Edvard Munch, 1998-99, from the edition of 10 (Morgner, 2|98 & 3|98). Both signed and dated “Morgner 99” in pencil l.r., numbered “.../X” in pencil l.l., dedicated “für Celia” in pencil l.c. Etchings with aquatint and carborundum on cream wove paper with figural watermark, plate sizes 19 1/2 x 12 5/8 in., unmatted, unframed. Condition: Full sheets with deckled edges, minor handling creases and minor wear to edges to 3|98, 2|98 is horizontal.

Provenance: The estate of Celia Ascher, New York. $200-400 1312 Michael Morgner (German, b. 1942) Zwänger, 1978, edition of 75 (Morgner, 8|78). Signed and dated “Morgner 78” in pencil l.r., titled and numbered “...75/75” in pencil l.l., dedicated “für Celia...Michael” in pencil l.c. Lithograph on cream wove paper, image size 13 7/8 x 17 3/8 in., unmatted, unframed.

Condition: Subtle toning to edges and handling creases.

Provenance: The estate of Celia Ascher, New York. $100-150

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1313 Sears Gallagher (American, 18691955) Calm Sea on a Rocky Shore. Signed “Sears Gallagher” l.l. Watercolor on paper, sight size 13 3/4 x 19 3/8 in., framed. Condition: Minor fox marks, not examined out of frame.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $600-800 1314 Edward Clarke Cabot (American, 1818-1901) Three English Views: East Dean, Sussex; River Dee Llangollen; and The Ouse, York. All monogrammed “ECC” in red, titled and/or dated l.l. or l.r. Watercolor on paper, sheet sizes approximately 5 3/8 x 8 in., framed.

Condition: Not examined out of frames.

Provenance: Purchased from Marine Arts Gallery, Salem, Massachusetts, through to the estate of Richard L. Elia, Winchester, Massachusetts. $300-500 1315 Reynolds Beal (American, 1867-1951) Leaving Key West. Signed and dated “Reynolds Beal 1941” l.l., titled in an inscription on the frame backing paper.

Watercolor and charcoal on paper, 7 3/8 x 10 3/8 in., framed. Condition: Subtle rippling, minor toning, not examined out of frame.

Provenance: Purchased from Marine Arts Gallery, August 18, 1978 (copy of receipt accompanies the lot); to the estate of Richard L. Elia, Winchester, Massachusetts. $200-400 1316 Edward Clarke Cabot (American, 1818-1901) Three Rhode Island Scenes: Barney’s Joy, Smith’s Neck, and Near Round Hill. Smith’s Neck and Round Hill monogrammed in the plates, Barney’s Joy unsigned, all titled and dated “...’91” in the plates. Etchings on paper, plate sizes to 6 3/4 x 9 5/8 in., all framed.

Condition: Toning, foxing, not examined out of frames.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $75-150

Glen Lyon. Monogrammed “ECC” in red l.r., titled and dated “Glenlyon July 13/89” l.r. Watercolor on paper, 10 5/8 x 14 in., framed. Condition: Minor mat burn to u.r. corner, not examined out of frame.

Provenance: Purchased from Marine Arts Gallery, Salem, Massachusetts, through to the estate of Richard L. Elia, Winchester, Massachusetts. $200-400 1318 Luigi Cagliani (Italian, 20th Century) Summer Landscape with Women by a Lake. Signed “L. CAGLIANI-” l.l., numbered “H 5751” on the stretcher.

Oil on canvas, 24 x 30 1/8 in., framed.

Condition: Minute paint loss to l.c., minor surface grime. $700-900 1319 American School, 20th Century Abstract Figure in a Rocking Chair.

Signed and dated “RM 12/54” l.l., inscribed “#40-50” on the reverse.

Mixed media including gouache on paper, 15 x 10 in., framed. Condition: Sheet affixed to window mat with tape on the reverse, mat burn, pinholes to edges, craquelure, scattered flaking and paint losses. $600-800 1320 Walter Stuempfig (American, 19141970) Still Life with Draped Clothing.

Signed “stuempfig” l.l., stretcher with stamps from The Little Gallery, East Newark, New Jersey. Oil on canvas, 24 1/8 x 20 in., framed. Condition: Drying cracks, minor canvas deformation to l.l. and u.r. corners, surface grime. $700-900 1321 Southern Pine Torso Sculpture, mid-20th century, stylized female torso, the wood grain used to highlight the contours, raised on a natural wood plinth, Jeanne Gibson label on base, ht.

17 5/8 in. $100-200

1322 Nadine Hurst Pottery Sculpture Torso 4, Arlington, Massachusetts, stoneware female torso wall plaque, unsigned, ht.

11 1/2, wd. 10 1/4 in. $100-200 1323 Jacqueline Bishop (American, b.

1955) Pastoral. Signed and dated “jBishop 2003” l.r., titled on a label from Arthur Roger Gallery, New Orleans, affixed to the frame backing. Oil on panel, sight size 7 1/4 x 9 1/4 in., framed.

Condition: Scattered fine craquelure.

N.B. The original bill of sale, exhibition catalogs, and articles accompany the lot. $300-500 1324 Lin Dunbrack Assemblages Sculpture, 1993-present, rectangular stylized tabletop cupboard, ht. 28 3/4, wd. 12 1/4 in.

Provenance: Purchased from Clark Gallery, Lincoln, Massachusetts. $100-200 1325 Nicolai S. Cikovsky (American, 18941987) Female Nude. Signed “N. Cikovksy” l.r., identified on a label from the Museum of Fine Arts, Springfield, Massachusetts, affixed to the frame backing paper. Red and brown chalk or pastel on paper, sight size 24 x 12 7/8 in., framed. Condition: Not examined out of frame. $300-400 1326 Frank Kleinholz (American, 19011987) Proud Father. Signed “F. Kleinholz” u.r., titled in pencil on the reverse, identified on labels from Charlotte Anne Belenky Gallery, Longmeadow, Massachusetts, and the Museum of Fine Arts, Springfield, Massachusetts, affixed to the reverse. Oil on Masonite, 15 x 21 3/4 in., framed. Condition: Tiny paint loss u.c., minor surface grime. $400-600

1327 Emil Ganso (American, 1895-1941) After the Bath/Seated Nude with Towel. Signed “Ganso” l.l. Oil on canvas, 18 x 15 in., framed. Condition: Natural pigment fluorescence, varnish inconsistencies, reverse with a painted still life with root vegetables. $300-400 1328 Greg Le Feure Mixed Media Artwork, United States, 1990, rectangular wood panel with surface assemblage, fitted on reverse with mounting hardware, signed, dated and copyright mark, ht. 64, wd.

15 1/8 in. $100-200 1329 John M. Gaska (American, 20th/21st Century)

Studio Art online

1317 Edward Clarke Cabot (American, 1818-1901)

Two Sculptures: Abstract Constructions. Unsigned. Mixed media including metal, wood, and paint, heights to 38 in. Condition: Dust and dirt to interstices, separation at joint on one. $200-300 1330 Abraham Hulk II (British, 1851-1922) Landscape with Figures Beneath Tall Trees. Signed “A. Hulk” l.l. Oil on canvas, 41 x 34 3/8 in., framed.

Condition: Repaired tear l.c., retouch, scattered paint losses, craquelure, surface grime. $1,500-3,000 1331 Wayne Beam Morrell (American, 1923-2013) Winter Mountains in Stowe, Vermont.

Signed “Wayne Morrell” l.l., titled, dated, signed, and inscribed “.../March 1991/ by/Wayne Morrell/’One of my finer sunlit snow paintings’/... “ on the reverse, identified on a label from Young Fine Arts, North Berwick, Maine, affixed to the back of the frame. Oil on Masonite, 22 x 30 in., framed. Condition: Minor surface accretions to l.l. corner. $1,000-1,500

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1332 Continental School, 19th Century Study of Heads and Hands.

Unsigned, initialed “PWB” and “W...” in pencil on the reverse, attributed to D. Francisco Bayeu y Subias (Spanish, 1734-1795) in an inscription on the back of the mat. Black and white chalk on gray laid paper (no watermark), 10 3/4 x 8 5/8 in., framed. Condition: Mat burn, foxing, creasing, hinged to back mat in two places along the top of the reverse.

N.B. Although the drawing was attributed to Bayeu y Subias in an inscription on the mat, the age of the paper suggests this work dates from the 19th century. $400-600 1333 British School, 19th Century Two Framed Watercolor Landscapes: Woman Crossing a Stone Bridge and Figures on a Path with Distant Cathedral Ruins. Unsigned. Sight sizes to 11 x 15 in. Condition: Toning, foxing, not examined out of frames.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $200-400

Studio Art online

1334 French School, 19th Century

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Drawing of a Standing Male Figure Wearing a Cape. Unsigned. Charcoal on laid paper with “Ingres 1860” watermark, 12 1/4 x 9 5/8 in., matted, unframed. Condition: Toning, small stabilized tear to bottom edge, creasing, foxing, staining, soiling, hinged in three places along the top edge of the reverse.

Provenance: The collection of Professor and Mrs. Jonathan Brown, Princeton. $400-600 1335 Adriaen Jansz van Ostade (Dutch, 1610-1685) The Wandering Musicians. Signed “A ostade.” in the plate l.l. Etching on paper, plate size approximately 4 x 3 3/8 in., framed (without glass). Condition: Not examined out of frame. $300-400

1336 Marc Chagall (Russian/French, 18871985)

1341 Karen Petersen (American, b. 1942)

Elijah on Mount Carmel, plate 86 from The Bible, 1956, edition of 275 plus proofs (Cramer, Books, 29). Signed within the plate. Etching on paper, plate size 11 1/2 x 9 3/4 in., framed.

Condition: Not examined out of frame. $200-300

Reclining Female Nude. Signed and dated “K. PETERSEN 1984,” stamped with the edition number “3/7” and RAF foundry stamp, all on the underside.

Bronze with dark brown patina, 3 1/2 x 8 x 3 in. Condition: Dust and dirt to interstices. $200-400

1337 Robert Franklin Gates (American, 1906-1982)

1342 Jeannette McMullin (American, 19th/20th Century)

Mosul. Signed “R. Gates/’67” l.r., titled on an unattributed label affixed to the back of the frame and in an inscription on the back of the frame. Oil on canvas laid down on board, 12 3/4 x 25 in., framed. Condition: Surface grime. $400-600

Coastal Scene with Foreground Apple Tree. Signed and dated “Jeannette W. McMullin/1921” l.l. Gouache on paper, 16 1/4 x 13 3/8 in., framed. Condition: Not examined out of frame. $1,000-1,500

1338 Bernard Badura (American, 18961986) Hand-carved Picture Frame. Incised “BB [overlapping],” inscribed “Frame by ‘Badura’ New Hope Pa Aug. 76,” and with the maker’s address label, all on the reverse. Carved wood with silver patina, outer dimensions 22 x 19 in., rabbet dimensions 18 5/8 x 15 3/4 x 1 in. Condition: Good. $800-1,200 1339 After Anna Vaughn Hyatt Huntington (American, 1876-1973) Seated Bear and Cub. Signed and dated in the cast “Anna H. Huntington/1954” and with an indistinct incised mark “...M.P.I” on the back corner of the base. Composite material with bronze-colored patina, height 10 3/4 in. Condition: Losses to the patina including chips to the bear’s back and to the base, dust and dirt to interstices. $600-800 1340 Henry Hitchings (American, 18241902) Valley Path with Figures. Signed and dated “H. Hitchings/1861” l.r. Oil on canvas, 12 1/8 x 20 in., framed.

Condition: Lined. $1,000-1,500

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1343 American School, 20th Century Eight Photograph Albums from the Dufresne Family of Shrewsbury, Massachusetts. Gelatin silver and chromogenic prints in bound albums.

Condition: General wear to albums and prints, some of which are no longer attached to album pages.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $200-300 1344 American School, 20th Century Twelve Travel and Other Photograph Albums. Gelatin silver prints in bound albums. Condition: General wear to albums and prints, some of which are no longer attached to album pages.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts.

N.B. Included in the group is an album commemorating the building and launch of the Indian Reliance and Indian Renown cruise liners built for the Indian Steamship Company, Calcutta, in the mid-1950s. $300-500

1349 American School, 19th/20th Century

Nineteen Family Photograph Albums.

Gelatin silver prints in bound albums.

Condition: General wear to albums and prints, some of which are no longer attached to album pages.

Twenty Framed Photographs of Individuals and Groups. Albumen and gelatin silver prints, image sizes to 11 x 12 in., framed. Condition: Not examined out of frames.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $400-600

N.B. Included are several class picture albums from the 1920s and 1930s. $300-500 1346 American School, 19th Century Four Photo Albums Containing Tintypes, Carte-de-Visites, and Cabinet Cards. Albumen silver prints and tintypes in bound albums.

Condition: Fading and wear.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $200-300 1347 American School, 20th Century Sixty-three Communion Portraits, from the first half of the 20th century.

Gelatin silver prints, images ranging from 3 x 2 to 27 1/2 x 13 1/2 in., some in presentation folders, one framed.

Condition: Some with minor fading and silvering.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts. $300-500 1348 American School, 19th/20th Century Box of Approximately 500 Vernacular Photographs, Including Portraits, Niagara Views, Sports Activities, and Travel Subjects. Tintypes, cyanotypes, albumen and gelatin silver prints, many mounted to cards/boards. Condition: Overall wear, fading, and creases.

Provenance: Collection of John O’Reilly and James Tellin, Worcester, Massachusetts.

1350 American School, 20th Century Young Woman Sewing by a Window.

Unsigned. Oil on canvas, 15 x 17 in., framed. Condition: Minor retouch to the edges of the canvas. $800-1,200 1351 E. Winchester Kingsbury (American, Early 20th Century) Two Framed Landscapes: Winter Hills and Stream in the Woods. Winter Hills signed “E.W. Kingsbury” in pencil l.r., Stream unsigned. Watercolor and gouache on paper/board, sizes to 10 1/8 x 16 7/8 in. Condition: Stream with an unfinished watercolor snowy landscape on the reverse, not examined out of frames. $200-250 1352 Hermann Baumeister (German, 18671942) Canal Ferry near Karlsruhe, Germany.

Signed “H.Baumeister” l.r., identified on an unattributed label affixed to the reverse. Oil on canvas, 38 1/2 x 28 1/2 in., framed. Condition: Varnish inconsistencies, possible retouch. $200-400 1353 Josef Floch (Austrian/American, 1894-1977) Atelierszene, 1950. Signed “J Floch” in pencil l.r., inscribed «Epreuve d›artiste» in pencil l.r. Color lithograph, image size 21 1/2 x 16 in., framed. Condition: Not examined out of frame. $200-400

1354 Spanish School or American School, 20th Century Picador and Bull. Unsigned. Coiled wire sculptures, height to 15 1/2 in.

Condition: Minor dust and dirt, possible minor fading to the black wire forming the picador. $200-400 1355 Marguerite Neuhauser Shafer (American, 1888-1976) Two Framed Landscapes: Field Flowers and Poplars and Sunny Beach. Flowers signed “Marguerite Neuhauser” l.l., Beach unsigned. Oil on canvasboard, sight sizes to 5 5/8 x 7 5/8 in. Condition: Minor surface grime. $300-500

Studio Art online

1345 American School, 20th Century

1356 Michael B. Wilson (American, b. 1955) The Absence of Ritual. Signed “WILSON” l.c., dated, signed, and titled “©1997/Michael B. Wilson...” on the reverse. Oil and acrylic on canvas, 64 x 48 in., unframed. Condition: Good. $800-1,000 1357 Lisa Houck (American, 20th/21st Century) Measuring Annual Rainfall in Several Southern California Locations Turns Up Some Surprising Data. Signed and dated “LISA HOUCK 1986” l.r., titled l.l. Watercolor on paper, sight size 16 3/4 x 22 3/4 in., framed. Condition: Not examined out of frame. $150-250 1358 Julie Graham Strata Black Stars Sculpture and Two Pieces of THill Pottery and a Wood Assemblage, United States, c. 2003, mixed media sculpture from Museum of Fine Arts faculty member Julie Graham; a wood assemblage; and an oblong footed ceramic vessel and a plate in white with black linear decoration signed tHill, ht.

10 1/2, Strata, ht. 3, wd. 12; vessel ht. 6 1/2, wd. 17, plate dia. 14 in. $200-300

N.B. The artist John O’Reilly collected these photographs as source material for his own work, which was recently shown at the Worcester Art Museum in an exhibition entitled John O’Reilly: A Studio Odyssey. $200-300

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1359 Gregory Grenon (American, b. 1948) My Music Teacher. Signed and dated “G.M. GRENON 2001” l.l., titled, dated, and signed “...GMGrenon” on the reverse, with a label from Clark Gallery, Lincoln, Massachusetts, affixed to the reverse. Mixed media including oil, Plexiglas, and wood, 22 1/2 x 18 1/2 in. including the frame which is part of the composition. Condition: Good. $150-250 1360 Constantin Terechkovitch (Russian, 1902-1978) Woman with Hat, printed by R. Guillard, Paris. Signed and inscribed “C. Terechkovitch/2/10 entourage aquarelle par moi/C. Terech...” in pencil l.r., numbered “191/200” in pencil l.l., with printer’s stamp l.l. Hand-colored lithograph on paper, sight size 28 3/4 x 20 1/2 in., framed. Condition: Foxing, not examined out of frame. $200-300 1361 Edward Clarke Cabot (American, 1818-1901)

Studio Art online

Three Framed Watercolors: Isis below Oxford, Andover from the Intervale, and Woodland Waterfall.

Isis and Waterfall with monogram signature, Andover unsigned, all titled and dated l.r. or l.l. Sheet sizes to 5 1/4 x 8 1/2 in. Condition: Andover with corners trimmed partially obscuring the inscription, Waterfall trimmed at edges obscuring inscription at l.l. corner, not examined out of frames.

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Provenance: Purchased from Marine Arts Gallery, Salem, Massachusetts, through to the estate of Richard L. Elia, Winchester, Massachusetts. $400-600 1362 Edward Darley Boit (American, 18401915) Villa, San Remo. Signed “BOIT” l.l., inscribed and dated “San Remo May 10, 90.” l.r. Watercolor on paper, sight size 9 3/4 x 13 3/8 in., framed.

Condition: Subtle toning, not examined out of frame.

Provenance: Purchased from Marine Arts Gallery, Salem, Massachusetts, through to the estate of Richard L. Elia, Winchester, Massachusetts. $600-800

1363 Two Framed 19th/20th Century American Watercolors: Hendricks A. Hallett (1847-1921), Barge and Tug in an Urban Harbor, signed “Hendricks A. Hallett” l.l.; Grisaille Coastal View with Beached Boats and Cottages, signed and dated “Lincoln ‘87” l.r. Sight sizes to 9 5/8 x 24 1/2 in. Condition: Coastal View with small loss and abrasion to u.l. quadrant and possible abrasions to sky, not examined out of frames.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $200-400 1364 Edward Clarke Cabot (American, 1818-1901) Three English Views: Near Hawkhurst; Courtyard Kennelworth Castle: and From Ga... Crown. All monogrammed “ECC” in red and titled and dated “...89” l.r. Watercolor on paper, sheet sizes to 6 5/8 x 9 3/8 in., framed. Condition: Not examined out of frames.

Provenance: The estate of Richard L. Elia, Winchester, Massachusetts. $400-600 1365 Edward Clarke Cabot (American, 1818-1901) Skelwith Bridge. Monogrammed “ECC” in red l.r., titled and dated “Skelwithbridge June 6/89” l.r.

Watercolor on paper, 9 3/8 x 13 5/16 in., framed. Condition: Minor toning and foxing, not examined out of frame.

Provenance: Purchased from Marine Arts Gallery, Salem, Massachusetts, through to the estate of Richard L. Elia, Winchester, Massachusetts. $100-200 1366 Peter Robert Keil (German, b. 1942) Two Works: Purple Face and Blue and Red Face. Both signed and dated “PWKeil 85” l.r. Both acrylic on Masonite, 24 x 24 in., framed.

Condition: Both with minor varnish inconsistencies, Blue and Red Face with area of drying cracks. $200-300

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1367 Three Small Figural Sculptures: Rudolf Svoboda (1924-1994), Standing Nude, unsigned, identified on a label affixed to the base, tin; Sterett-Gittings Kelsey (American, b.

1941), Dancer, unsigned, bronze; and Continental School, 20th Century, Female Nude Lying on Her Side, unsigned, bronze. Heights to 10 in.

Condition: Svoboda with fine scratches, abrasions, and pitting, all with dust and dirt to interstices.

N.B. It has been suggested that the creator of the third sculpture (Nude on Her Side) may be Kees Verkade (Dutch, b. 1941). $200-400 1368 Barney Tolk Acrylic Sculpture, San Francisco, spiral pedestal-form composition of angled and stacked acrylic, artist signed and dated “1981,” ht. 24, dia. 9 1/2 in. $200-300 1369 Constantin Terechkovitch (Russian, 1902-1978) Elegant Ladies, artist’s proof. Signed and dated “C. Terechkovitch 63” in pencil l.r., inscribed “Epreuve d’artiste” in pencil l.l., inscribed “pour Madame Naomi Stein/meilleur pensée en souvenir de” in pencil l.c. Color lithograph on paper, image size 24 3/4 x 17 1/2 in., framed. Condition: Pinhole to u.c., not examined out of frame. $300-400 1370 Rosalind Salzman (American, 20th Century) #2. Signed “Rosalind I. Salzman” l.r., identified on a label from the Smith College Museum of Art, Northampton, Massachusetts, affixed to the frame backing. Oil and sand or similar on canvas, 27 3/4 x 36 in., framed.

Condition: Minor surface grime. $200-300 1371 Peter Robert Keil (German, b. 1942) A Yunky Girl From Miami. Signed and dated “PR Kiel 86” l.r., titled, signed, and dated “.../Peter Robert/Keil/Berlin/86” on the reverse. Oil on canvas, 48 x 19 3/4 in., unframed. Condition: Pigment fluorescence, craquelure, scattered small abrasions. $150-250

Reclining Nude. Unsigned, artist’s estate stamp on the reverse l.l., with a label from Paine Furniture Antiques Department in a clear plastic envelope affixed to the frame backing. Conté crayon on paper, sight size 11 1/2 x 19 1/2 in., framed. Condition: Crease l.r., scattered small handling creases, not examined out of frame. $400-600 1373 Patrice Borgeson Lunger (American, 19th/20th Century) Portrait of Elizabeth Woolley.

Signed and dated “Patrice Borgeson Lunger/1922” l.r., inscribed “Elizabeth Woolley/when she was ‘Sweet Sixteen.’/ My Precious Daughter./finished/1928” on the stretcher. Oil on canvas, 22 x 18 in., framed in a signed Thulin frame.

Condition: Craquelure, retouch, canvas rippling at corners. $400-600 1374 George A. Renouard (American, 1885-1954) Autumn Landscape with Farm.

Initialed and dated “R 3/42” l.r.

Watercolor on paper, image/sheet size 11 1/8 x 15 3/8 in., framed. Condition: Floated in frame, not examined out of frame. $300-500 1375 Mary-Esther Edge MacFadyen (American, 20th Century) Swing Your Partner. Signed “M. Edge” l.l., identified and titled on a plaque affixed to the frame. Oil on canvasboard, 16 x 20 in., framed.

Condition: Minor surface grime, tear in canvas u.r. corner.

N.B. Four sketches on the reverse depict barns in the landscape, a valley view, and an artist sketching. $200-400 1376 American School, 20th Century

1377 Joseph Foxcroft Cole (American, 1837-1892) Golden Marsh View. Signed “J. Foxcroft Cole” l.r. Oil on canvas, 12 x 18 in., framed. Condition: Minor surface grime, craquelure, retouch, possible repair u.r. $800-1,200 1378 Bruce McKain (American, 1900-1990) Still Life with African Sculptures and Flowers. Signed “McKAIN” l.r. Oil on canvasboard, 20 x 23 7/8 in., framed.

Condition: Minor surface grime. $500-700 1379 Edward Lagarde (American, 19th Century), After Winslow Homer (American, 1836-1910) Snap-the-Whip, published 1873.

Wood engraving on newsprint, image size 13 1/2 x 20 5/8 in., matted, framed.

Condition: Not examined out of frame. $200-250 1380 Ferdinand Burgdorff (American, 18811975) Sunset/A California Coastal View with Cypress. Signed and dated “Ferdinand Burgdorff 1919” l.l., inscribed “F. Burgdorff/Garzoli Collection” on the backing. Watercolor and graphite on paper, sight size 11 3/4 x 11 3/4 in., in a period frame (under glass). Condition: Not examined out of frame. $700-900

1382 Hayley Lever (American, 1876-1958) Three Framed Works on Paper: Dieppe, Landscape with Aqueduct, and Sailing Vessel in a Town Harbor.

Monogrammed “HL” l.l. or l.r., Dieppe inscribed and monogrammed l.r.

Dieppe charcoal, others watercolor with pencil, sight sizes to 7 3/4 x 9 1/8 in.

Condition: Dieppe with mild toning and foxing, Aqueduct with small hole c.l. and minor foxing/staining, not examined out of frames. $400-600 1383 American School, 19th Century Primitive-style Moonlit Landscape with Pond and Distant Spire.

Unsigned. Oil on canvas, 16 x 20 in., framed. Condition: Lined, probable old retouch, craquelure, surface grime. $200-400

Studio Art online

1372 Leon Kroll (American, 1884-1975)

1384 Robert Graham (American, 19382008) Untitled Figure Study. Signed, numbered, and dated “Robert Graham 3/3 8.95” in pencil l.c., identified on a label from Gagosian Gallery, New York, affixed to the backing. Intaglio lithograph, image size 7 1/8 x 10 1/8 in., framed. Condition: Deckled edges, floated in frame, not examined out of frame.

Provenance: The estate of Catherine England. $200-400 1385 Jules Aarons (American, 1921-2008)

1381 Spanish Colonial School, 19th Century Madonna Adoring the Sleeping Christ Child. Unsigned, partial stamp in Spanish or Portuguese with figure of a seated man on the stretcher. Oil on canvas, 39 1/2 x 32 3/8 in., framed.

Condition: Lined, retouch primarily to the background. $800-1,200

Finishing Touch, West End, Boston, c. 1947, printed later. Signed “Jules Aarons” in pencil on the verso l.c., numbered “10/12” in pencil on the verso l.l., additional pencil annotations on the verso l.r. Gelatin silver print, image size 11 3/4 x 9 in., matted, framed.

Condition: Good.

Provenance: Palm Press, Concord, Massachusetts, to the estate of Catherine England. $400-600

Allegorical Scene with Robed Figure, Tree, and Nude. Monogrammed and dated “MD/1969” l.r. Oil on panel, 11 7/8 x 5 7/8 in., framed. Condition: Minor surface grime. $200-400

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1386 Linda Connor (American, b. 1944)

1390 Continental School, 20th Century

1396 American School, 20th Century

Mass, Saint George’s Church, Ethiopia, 2006. Signed, titled, and dated “Linda S. Connor...” in pencil on the verso. Toned gelatin silver print, image size 7 3/4 x 9 3/4 in., matted, framed. Condition: Good.

Two Red Trees in an Abstract Landscape. Initialed indistinctly l.l.

Watercolor on silk, 17 3/8 x 16 1/2 in., framed. Condition: Silk laid down on matboard support. $300-500

Visitors in a Museum Gallery. Signed indistinctly l.l. Oil on canvasboard, 14 x 15 in., framed. Condition: Good. $400-600

Provenance: The estate of Catherine England. $300-500 1387 Jim Dow (American, b. 1942) Classroom Set Up for Halloween, Hannaford School, North Dakota, 2003. Titled, dated, numbered, and signed “...1/25...Jim Dow” in ink on the recto l.c. and on the verso l.c.

Chromogenic print on Fuji Crystal Archive paper, image size 7 3/4 x 9 3/4 in., matted, framed. Condition: Good.

Provenance: The estate of Catherine England. $600-800 1388 Michael Kenna (British, b. 1953) Blackpool Pier, Skegness, Lancashire, England, 1983. Signed and dated “Michael Kenna...” in pencil on the mount l.r., numbered “14/45” in pencil on the mount l.l. Toned gelatin silver print mounted to board, image/sheet size 9 x 6 1/4 in., framed.

Condition: Not examined out of frame.

Studio Art online

Provenance: The estate of Catherine England. $600-800

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1389 Masao Yamamoto (Japanese, b.

1957) Nakazora #1082. Identified on a label from Jackson Fine Art, Atlanta, affixed to the backing. Silver print with mixed media, image/sheet size 4 x 4 1/2 in., framed. Condition: Not examined out of frame.

Provenance: Jackson Fine Art, Atlanta, to the estate of Catherine England.

N.B. The gallery label indicates that the print is number 10 from an edition of 40., signed and numbered in pencil on the verso, and has an artist stamp with the title in ink on the verso. $500-800

1391 After Alphonse Mucha (Czech, 18601939) The Seasons: Autumn. Unsigned.

Chromolithographic process on fabric, sight size 35 5/8 x 20 1/2 in., framed.

Condition: Not examined out of frame.

N.B. The original series of The Seasons was printed in 1896. This was Mucha’s first set of decorative panels, and it became one of his most popular series and has been widely reproduced. $300-500 1392 Tom McCobb (American, b. 1930) Farmhouse and Ancient Tree. Signed “Tom McCobb” l.r. Watercolor on paper, sight size 14 x 21 in., framed.

Condition: Not examined out of frame. $300-500 1393 American School, 19th/20th Century Young Woman Crocheting. Unsigned.

Oil on canvas, 16 x 14 in., framed.

Condition: Trimmed of tacking edges and mounted to Masonite, retouch. $700-900

1397 Robert Shaw (American, 20th Century) Crowding Sails. Signed “ROBERT SHAW” l.r., titled and dated “...1961” on the reverse. Oil on Masonite, 14 x 18 in., framed. Condition: Surface grime, scattered paint losses to frame. $200-250 1398 John A. Cook (American, 1870-1936) Harbor View with Piers and Ships.

Signed “J.A. Cook” l.l. Watercolor on paper, sight size 9 7/8 x 14 1/4 in., framed. Condition: Not examined out of frame. $200-250 1399 Margaret DeCamp (American, 20th Century) Two Floral Still Lifes: Apple Blossoms and Pink Roses in a Pink Pot. Each signed “Margaret DeCamp” l.r. and titled in pencil on the mat l.l. Watercolors on paper, sight sizes to 14 7/8 x 11 1/8 in., framed. Condition: Not examined out of frame. $200-250 1400 Bramasto (Indonesian, 1929/39-1997)

1394 Leighton Cram (American, 1895-1981) Off Marmion Way. Signed “L.R. CRAM” l.r., titled on the reverse, signed and inscribed “L.R. CRAM/OFF MARMION WAY/ROCKPORT, MASS.” in pencil on the back of the frame. Oil on canvasboard, 16 x 20 in., framed.

Condition: Minor surface grime. $300-500 1395 Donald G. Anderson (American, 20th Century) Meeting Street, Charleston, S.C. Signed “Donald G. Anderson” l.r., titled l.l., graphite and colored pencil on paper, sight size 10 5/8 x 8 1/4 in., framed. Condition: Subtle toning, not examined out of frame. $300-500

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Young Woman in a Red Sarong.

Signed and dated “Bramasto ‘89” l.r.

Mixed media on paper, sight size 31 3/4 x 17 7/8 in., framed. Condition: Areas of drying cracks, not examined out of frame. $400-600 1401 Bramasto (Indonesian, 1929/39-1997) Two Works on Paper: Woman with Flowing Hair and Seated Woman in Profile. Both signed and dated “Bramasto 1989” l.r. Mixed media on paper, sight sizes to 18 x 24 in., framed.

Condition: Not examined out of frames. $500-700

1407 Virginian Worthington Powel (American, b. 1910)

1412 Constantine Arvanites (American, 1921-1998)

Arles. Signed “Andrée Ruellan” in pencil l.r., titled on the frame backing paper. Watercolor, gouache, and pencil on paper, sight size 6 3/8 x 7 3/8 in., framed. Condition: Minor loss to gouache l.r. quadrant, not examined out of frame. $200-400

Carnival. Signed and dated “V. Worthington/1952 POWEL” l.r., identified on a handwritten label affixed to the back of the frame. Oil on canvas, 22 x 28 in., framed. Condition: Areas of fine craquelure, surface grime.

Abstraction. Signed and dated “C Arvanites ‘68” l.r. Mixed media including acrylic and paper on panel, 24 x 20 in., framed. Condition: Scattered abrasions, surface grime. $200-400

1403 Joseph Norman (American, b. 1957) Four Works from the Head of Franz Kafka Series, 1999, single edition, printed and published by Malaspina Print Shop, Vancouver, British Columbia.

Signed and inscribed “...Norman” in pencil l.c., dated in pencil l.r., numbered “1/1” in pencil l.l. Four lithographs on paper, mounted to paper with printer/ publisher’s blindstamp l.r., sizes to 16 1/2 x 16 1/2 in., framed. Condition: Sheets floated in frame, not examined out of frame. $300-500 1404 Thomas Sgouros (American, 19272012) Still Life with the Fitzgerald Pewter III. Signed and dated “Thomas Sgouros III-29-91” l.r., titled on an exhibition label from the Providence Art Club, Providence, Rhode Island, affixed to the frame backing. Watercolor on paper, sight size 10 1/4 x 10 1/4 in., framed.

Condition: Rippling, not examined out of frame.

Exhibitions: Thomas Sgouros: Recent Paintings, Dodge House Gallery, Providence Art Club, Providence, Rhode Island, March 5-26, 1992, no. 29. $600-800 1405 Cameron Booth (American, 18921980) Abstraction. Signed “CAMERON BOOTH” l.r. Oil on paper, 8 1/2 x 10 7/8 in., framed. Condition: Sheet laid down on paperboard, pinholes to edges. $200-400 1406 James Hardy III (British, b. 1937) Vessels in Approaching Storm.

Signed “James Hardy” l.l. Oil on panel, 18 x 22 in., framed. Condition: Good. $300-500

N.B. Although the auction databases spell the artist’s last name ending in two Ls, the signature on the front and the handwritten label on the frame each spell “Powel” with only one L. $500-700 1408 Heinrich Herman R. Pfeiffer (American, 1874-1960) Morning Sun on the Harbor. Titled, signed, and inscribed “.../Provincetown, Mass.” on the reverse. Oil on board, 12 x 14 in., framed. $700-900 1409 Lois Foley Whitcomb (American, 1936-2000) Nude Study. Signed and dated “LOIS FOLEY WHITCOMB ‘72” l.r., titled and identified on a handwritten label affixed to the stretcher. Oil on canvas, 36 x 24 in., framed. Condition: Minor surface grime. $300-500 1410 Albert Melville Graves (American, 1862-1950) Winter Landscape. Signed “A.M.GRAVES” l.l., inscribed and dated “Winter Feb 1934” on the reverse.

Oil on panel, 11 x 8 7/8 in., framed.

Condition: Surface grime. $250-350 1411 Steven Trefonides (American, b. 1926) Great Horned Owl. Signed and dated “TREFONIDES - 51” l.r. Oil on canvas, 20 x 16 in., framed. Condition: Minor surface grime. $200-400

1413 Garnet Wolseley (British, 1884-1967) Two Girls. Signed “WOLSELEY” l.c.

Oil on canvas, 18 x 24 in., in a period frame. Condition: Scattered retouch, scattered abrasions, puncture with loss c.r., tear with loss u.l. $600-800

Studio Art online

1402 Andrée Ruellan (American, 19052006)

1414 American School, 20th Century Portrait of Le Maréchal Joffre.

Unsigned, titled “Marechal Joffre” in ink on the reverse. Oil on academy board, 13 x 9 in., framed. Condition: Minor retouch, fine craquelure, surface imperfections and grime. $300-500 1415 Attributed to Konrad Cramer (American/German, 1888-1963) Cubist Abstract with Palm Fronds.

Signed “KONRAD CRAMER” l.r. Oil on canvasboard, 19 7/8 x 15 7/8 in., framed. Condition: Small paint loss u.r., varnish discoloration. $2,500-3,500 1416 George Loftus Noyes (American, 1864-1954) Still Life with Peaches and Grapes.

Signed “G. L. Noyes” l.l. Oil on canvas, 18 x 24 in., unframed. Condition: Horizontal tear u.r., surface grime, craquelure, stretcher bar marks, scattered minor losses. $200-300 1417 Attributed to Henri-Joseph Harpignies (French, 1819-1916) Path at Sundown. Signed “h’harpignies” l.r., artist identified on a presentation plaque. Oil on panel (cigar box top), 8 x 5 3/4 in., framed.

Condition: Craquelure. $300-500

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1418 Frank Weston Benson (American, 1862-1951)

1422 Frank Weston Benson (American, 1862-1951)

Scaling Down, 1917, published state of 150 (Paff, 120). Signed “FrankWBenson.” in pencil l.l., with additional pencil annotations l.l. and l.r.

Etching on Shogun paper, plate size 4 x 3 in., unmatted, unframed. Condition: Margins 2 1/2 inches or more with deckled edges, pale toning, loss to l.l. corner.

Soaring Fish Hawk, 1923, published state of 150 (Paff, 225). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in., unmatted, unframed. Condition: Rich burr, margins over 1 3/4 inches with deckled left and lower edges, pencil annotations l.l., several pale stains and/ or fox marks to margins.

Provenance: Descended within the family of the artist. $300-500

Provenance: Descended within the family of the artist. $200-300

1419 Frank Weston Benson (American, 1862-1951)

1423 Frank Weston Benson (American, 1862-1951)

Two Etchings on Paper: Mallard Drake and Mallards No. 2, Drake 1917 and No. 2 1918, published editions of 150 (Paff, 122 and 138). Each signed “FrankWBenson.” in pencil l.l., with additional pencil annotations. Plate sizes to 8 7/8 x 10 3/4 in., unmatted, unframed. Condition: Sheets with deckled edges, scattered foxmarks to versos, Drake with toning and pinholes to corners.

Rainbow Cove, 1927, trial proof B-3 (Paff, 263). Signed “FrankWBenson” in pencil l.l., with additional pencil annotations l.l. Etching on laid paper, plate size 7 3/4 x 9 3/4 in., unmatted, unframed. Condition: Sheet with three deckled edges, adhesive residue to the reverse.

Provenance: Descended within the family of the artist. $800-1,200

Studio Art online

1420 Frank Weston Benson (American, 1862-1951) Shoveler Drake, 1920, from the published edition of 150 (Paff, 183).

Signed “FrankWBenson.” in pencil l.l.

Etching on wove paper, plate size 10 x 8 in., unmatted, unframed. Condition: Margins 1 inch or more with deckled edges, pencil annotations l.l., subtle toning.

Provenance: Descended within the family of the artist. $100-150

1424 Frank Weston Benson (American, 1862-1951) Yellowlegs at Dusk, 1928, published state of 150 (Paff, 279). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8 x 11 3/4 in., unmatted, unframed. Condition: Margins over 1 3/4 inches with deckled edges to two sides, pencil annotations to lower margin, pale staining, minor handling creases, losses at upper corners.

Provenance: Descended within the family of the artist. $250-350

A Picnic. Signed “L. RITMAN” l.r., titled and dated “...c. 1947” on a typed label affixed to the reverse, estate/ authentication stamp on the reverse.

Oil on canvas, 28 x 40 in., framed.

Condition: Good.

Provenance: Purchased by the current owner from Jennifer O’Quinn, West Hills, California. $2,000-3,000 1427 Vladimir Lebedev (Russian/American, 1910-1991) Mansion by the Sea. Unsigned, stamped “ESTATE OF/V.L./VLADIMIR LEBEDEV” on the reverse. Oil on artist board, 8 3/4 x 11 7/8 in., framed.

Condition: Subtle surface grime. $300-500 1428 Frank Weston Benson (American, 1862-1951) November Moon, 1931, published state of 150 (Paff, 316). Signed “FrankWBenson.” in pencil l.l. Etching and aquatint on wove paper, plate size 9 7/8 x 8 in., unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin.

Provenance: Descended within the family of the artist. $150-250 1429 Vladimir Lebedev (Russian/American, 1910-1989) City Street Scene. Unsigned, stamped “ESTATE OF VL VLADIMIR LEBEDEV” on the reverse. Oil on board, 12 x 9 in., framed. Condition: Varnish discoloration, surface grime. $350-550

1421 Frank Weston Benson (American, 1862-1951)

1425 Arthur Clifton Goodwin (American, 1866-1929)

1430 Italian School, 17th Century

Ducks Alighting, 1921, trial proof C-5 (Paff, 207). Signed “FrankWBenson.” in pencil l.l. with additional pencil annotations l.l. Etching on Hodamura paper, plate size 6 x 4 1/2 in., unmatted, unframed. Condition: Deckled edges to two sides, subtle toning, pinholes u.c., creases l.l., soiling, adhesive residue to the reverse.

Statue Vendor. Signed “A.C. Goodwin” l.r., identified on a loan label from the Museum of Fine Arts, Boston, affixed to the frame. Oil on canvas, 44 x 38 1/4 in., framed. Condition: Canvas with wax or similar applied to the reverse, fine, stable craquelure, surface grime.

St. Augustine Distributing Alms to the Poor. Unsigned. Oil on canvas, 35 x 25 1/2 in., unframed. Condition: Lined, small vertical surface tear (2 1/2 inches) to recto u.c., retouch, heavy varnish layer, some canvas deformation. $300-500

Provenance: Descended within the family of the artist. $700-900

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Provenance: Descended within the family of the artist. $1,000-1,500

1426 Louis Ritman (American, 1889-1963)

Exhibitions: A.C. Goodwin, 1866-1929, Museum of Fine Arts, Boston, July 15– August 25, 1974, cat. no. 44. $1,500-2,500

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1436 Italian School, 17th Century

Lone Tree. Signed “MATTHEWS” l.r. Oil on canvas, 38 x 44 in., framed.

Condition: Extensive craquelure in the upper half, surface grime. $800-1,200

The Triumph of Bacchus: Two Framed Canvases. Unsigned. Both oil on canvas, sizes to 17 3/4 x 19 3/4 in., framed. Condition: Trimmed and lined, retouch, craquelure. $500-700

1432 Attributed to Henry Walton (British, 1804-1865)

1437 Abraham Rademaker (Dutch, 16751735)

Edge of the Wood. Signed “Henry Walton” l.l., titled on a presentation plaque. Oil on canvas, 16 x 24 in., framed. Condition: Lined, fine craquelure, minor varnish discoloration, minor surface grime. $400-600

Figures in an Arcadian Landscape.

Signed “A. Rademaker” l.c. Brown and gray ink and black chalk on laid paper, 9 x 8 in., framed. Condition: Small vertical tear (3/4 inch) to l.r. corner, toning, minor rippling, sheet affixed to supporting paper at the corners of the reverse. $200-300

1433 Willem Hendriks Jr. (Dutch, 18881966) Autumn Landscape with Cows by a Pond. Signed “W. Hendriks” l.r. Oil on canvas, 16 x 20 in., framed. Condition: Good. $300-500 1434 Jessie Benton Evans (American, 1866-1954) Aspens Along the River’s Edge.

Signed and dated “Jessie Benton Evans ‘22” l.r. Oil on canvas, 24 x 29 in., framed. Condition: Mold on the reverse, bulges along perimeter, craquelure. $809-1,200 1435 Ferruccio Bortoluzzi (Italian, 19202007) Carta Bruciata. Signed “FBortoluzzi” l.r., with a stamp from the Archivio Bortoluzzi, Mirano, Italy, on the frame backing paper. Mixed media collage on cardboard, 9 x 11 1/4 in., framed.

Condition: Floated within the frame, not examined out of frame.

Literature: Michele Beraldo, Ferruccio Bortoluzzi: Catalogo generale (Milan: Electa, 2014), catalog no. 40, 19761978, p. 241, illustrated.

1438 Edmund Franklin Ward (American, 1882-1991) The Modern Woman Goes Home.

Signed “E.F. Ward” l.l. Oil on canvas, 33 3/4 x 40 1/4 in., unframed. Condition: Surface grime, craquelure, retouch, patch repairs visible on the reverse l.r. and c.l. $300-500 1439 Francis Henry Richardson (American, 1859-1934) Breaking Wave, Isles of Shoals.

Signed “F.H.Richardson.” l.l., titled and signed “.../F.H.Richardson” on the reverse, stamped “F.H.R.” on the stretcher u.l. Oil on canvas, 17 x 21 in., framed. Condition: Surface grime, stretcher marks at center. $800-1,200 1440 Italian School, 17th Century Saint Barbara Holding a Chalice and Pointing to Heaven. Unsigned.

Charcoal and white chalk on paper, 9 x 7 in., matted, unframed. Condition: Sheet mounted to secondary paper support, with the drawing separating slightly from the support at the u.l. corner. $200-300

1441 Attributed to Bartolomeo Guidobono (Italian, 1654-1709) Martyrdom of an Early Saint with Cherubs Above Holding Three Crowns and a Martyr’s Palm.

Unsigned, inscribed “N: 30...” in black ink on the front l.l. and on the reverse, inscribed “Morassi (Guidobono) RR” on the mat. Ink wash with whiting on paper, 9 x 6 1/4 in., matted, unframed.

Condition: Scattered holes, tears to u.l. corner with mending patches to the reverse, sheet mounted to secondary laid paper support.

N.B. The subject of this drawing may be the death of the Dominican friar Peter Martyr (c. 1205-52), who fell to the hand of assassins hired by two Venetian noblemen. His effigy is common in art of the Dominican Order. While some details vary from the depiction here, the scene is generally a forest, the death by stabbing, and the saint’s companion is shown fleeing. The downward pointing hand of the saint may make reference to the version where the saint dies writing the Apostle’s Creed on the ground with his own blood. It is not uncommon to find an angel above holding a martyr’s palm in readiness.

Studio Art online

1431 William Matthews (American, 18781966)

The consignor reports that the attribution of the work to Guidobono was made by Antonio Morassi, as recorded in the inscription on the mount. $200-300 1442 Vladimir Lebedev (Russian/American, 1910-1991) Road and House by the Sea. Unsigned, stamped “ESTATE OF/V.L./ VLADIMIR LEBEDEV” on the reverse.

Oil on artist board, 11 7/8 x 15 7/8 in., framed. Condition: Subtle surface grime. $300-500 1443 James McCracken (American, 18751967) Cockatoo and White Bloom. Signed “JAMES/McCRACKEN” l.l. Oil on Masonite, 35 x 26 in., framed.

Condition: Surface grime. $300-500

Exhibitions: Tabula rasa. Metamorfosi per una rinascita, Galleria Civica d’Arte Moderna e Contemporanea, San Donà di Piave, Italy, September 14-November 30, 2013.

N.B. A copy of Ferruccio Bortoluzzi: Catalogo generale accompanies the lot. $250-350

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33

Japanese Prints 1450 Collection of Orientations Magazines, approximately 365 issues (including some duplicates) spanning from 1972 to 2013. $400-500 1451 Thirteen Assorted Ukiyo-e Woodblock Prints, Japan, six by Toyokuni and the school, one backed; one Gakutei, kakuban; one Yoshitoshi (damage); one Utamaro; one Eisen; one Chikanobu; one Kunichika; and a leaflet in ink, 6 3/4 x 4 3/4; all oban tate-e unless stated otherwise. $2,500-3,500 1452 Six Utagawa Yoshitora (active c.

1850-80) Woodblock Prints, Japan, 1870, all from the series Forty-seven Ronin, publisher Izumiya Ichibei, bound in three double-sided leaves, oban tate-e, sizes to 14 1/2 x 10 in. $400-600

Studio Art online

1453 Hiroshi Yoshida (1876-1950), Hirakawa Bridge, Japan, 1929, signed in English in pencil with printed title in bottom margin, dated and titled with “jizuri” seal in the left margin, oban tate-e, 16 x 11 1/8 in. $1,000-2,000

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1454 Hiroshi Yoshida (1876-1950), Sarusawa Pond, Japan, 1933, titled and signed in English in pencil in the bottom margin, dated and titled in Japanese in the left margin with “jizuri” seal, oban tate-e, 16 1/4 x 10 5/8 in. $800-1,000 1455 Toyohara Kunichika (1835-1900) Triptych Woodblock Print, Japan, depicting kabuki actors, framed and glazed, oban tate-e, sight size 13 3/4 x 27 7/8 in. $200-400 1456 Ink Drawing on Paper, Japan, depicting two figures making paper, based on a work by Hokusai (17601849) from the book Ehon Teikin Orai (Communication of Home Precepts), framed and glazed, sight size 7 1/4 x 2 1/2 in. $300-500

1457 Ink Drawing on Paper, Japan, depicting two male figures in the countryside, based on a work by Hokusai (1760-1849) from the book Ehon Teikin Orai (Communication of Home Precepts), framed and glazed, sight size 7 1/4 x 2 1/2 in. $300-500 1458 Ink Drawing on Paper, Japan, depicting a warrior with a courtesan in a room, based on a work by Hokusai (1760-1849) from the book Ehon Teikin Orai (Communication of Home Precepts), framed and glazed, sight size 7 1/4 x 2 1/2 in. $300-500 1459 Utagawa Hiroshige (1797-1858), Futagawa, Japan, 1831-34, Hoeido edition, from the series of Fifty-Three Stations of the Tokaido, framed and glazed, oban yoko-e, sight size 9 1/8 x 14 1/4 in.

Provenance: Purchased at ParkeBernet, New York, 1948, Lot 56. $800-1,000 1460 Utagawa Hiroshige (1797-1858), Ejiri, Japan, 1831-34, Hoeido edition, from the series of Fifty-Three Stations of the Tokaido, framed and glazed, oban yoko-e, sight size 9 1/8 x 14 1/4 in.

Provenance: Purchased at ParkeBernet, New York, 1948, Lot 56. $800-1,000 1461 Utagawa Hiroshige (1797-1858), Okitsu, Japan, 1831-34, Hoeido edition, from the series of Fifty-Three Stations of the Tokaido, framed and glazed, oban yoko-e, sight size 9 1/8 x 14 1/4 in.

Provenance: Purchased at ParkeBernet, New York, 1948, Lot 56. $800-1,000 1462 Utagawa Hiroshige (1797-1858), Fuchu, Japan, 1831-34, Hoeido edition, from the series of Fifty-Three Stations of the Tokaido, framed and glazed, oban yoko-e, sight size 9 1/8 x 14 1/4 in.

Provenance: Purchased at ParkeBernet, New York, 1948, Lot 56. $800-1,000

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1463 Utagawa Hiroshige (1797-1858), Goyu, Japan, 1831-34, Hoeido edition, from the series of Fifty-Three Stations of the Tokaido, framed and glazed, oban yoko-e, sight size 9 1/8 x 14 1/4 in.

Provenance: Purchased at ParkeBernet, New York, 1948, Lot 56. $800-1,000 1464 Woodblock Print Album, Japan, no publication date, holding Hokusai school works among others, possibly rebound, with foreword (bound upside down), 8 7/8 x 6 1/4 in. $100-200 1465 Nine Woodblock Prints, Japan, including Utagawa Hiroshige (17971858), Rough Sea at Shichiri Beach in Sagami Province, Mishima from the Kichizo edition of the series Fifty-three Stations of the Tokaido, and works

by Koryusai and Toyokuni, some later reprints, some framed and glazed, sight size to 14 1/2 x 9 3/4 in. $400-600 1466 Utagawa Hiroshige (1797-1858), Chushingura Act 4, Japan, 1842-53, in a black border with tomo-ye crests, inscribed with a poem, publisher Marusei, framed and glazed, oban yoko-e, sight size 9 x 13 3/4 in. $800-1,000 1467 Five Clifton Karhu Color Woodblock Prints, Japan, 20th century, Kyoto February, 1697, 35/50, 12 1/8 x 18; Kasaoka, 1969, 12/50, 6 5/8 x 29 5/8, Takayama, 1969, 5 1/4 x 6 3/4; Karafune-Kyoto, 1964, 5 x 6 7/8; and Kikiriki, 1964, 5 3/8 x 5 1/4 in. $200-400 1468 Four Hiroyuki Tajima (1911-1984) Color Woodblock Prints, Japan, 20th century, Halen, 1968, 100-17, 25 1/8 x 19 3/4; Oriental Wall, 1970, 50-32, 25 1/8 x 19 3/4; Forest of Fossil, 1970, 50-10, 25 1/8 x 19 3/4; and Matamata, 1969, 50-25, 19 3/4 x 25 1/8 in. $200-400

1476 Sadao Watanabe (1913-1996), Noah’s Ark and a Sheet of Yuzen Paper, Japan, color woodblock print signed “Sadao Watanabe” and dated “1974” in pencil in the bottom margin, numbered “58/60,” 13 1/4 x 9; and a sheet of stencil-dyed Yuzen paper with a folk design of rope and flowers, 12 x 9 1/4 in. $200-300

1470 Five Woodblock Prints, Japan, one by Katsushika Hokusai (17601849), depicting an interior scene with courtesans and musicians, 10 1/8 x 15 1/8; and four prints with calligraphy, all signed with seals, to 7 3/8 x 19 1/8 in. $200-300

1477 Two Unframed Artworks, China, 20th century, a color woodblock print depicting flowers in a jug, signed “S.Wong” in the bottom margin and numbered “50,” and a color batik depicting a gourd and vine, signed “Liu,” sizes to 19 x 13 1/4 in. $75-150

1471 Twenty-two Manga Prints and Works on Paper, mostly Japan, three framed and glazed, sight sizes to 9 1/2 x 14 1/4 in. $200-400 1472 Akiyama, Aisaburo, and Kawase Hasui, Shinto and its Architecture, Kyoto: Japan Welcome Society (Kinki kanko kyokai), 1936; twelve woodcut illustrations designed by Kawase Hasui. $1,500-2,000 1473 Two Woodblock Prints, Japan, both depicting a standing courtesan, one by Keisai Eisen (1790-1848); and one by Kikukawa Eizan (1787-1867), framed and glazed, sight size 27 x 9 in. $100-150 1474 Two Woodblock Prints by Murakami and Asano, Japan, mid-20th century, Murakami depicts child feeding sparrows, dated 1967, sealed on print, signed in English “Murakami,” limited edition 14/50, sight size 13 5/6 x 17 3/4, frame 20 1/8 x 24 1/4; Asano Rainy Day signed “T.A.” in the block, titled and signed in English, sight size 9 7/8 x 14 3/8, frame 13 3/4 x 20 3/4 in. $300-500 1475 Two Woodblock Prints, Japan, one by Sadao Watanabe (1913-1996), 1968, depicting Mary and Elizabeth, dated and signed with a seal in the bottom margin, 13 x 8 3/4; and one depicting a horse, signed with a seal on the print, 14 1/2 x 10 1/2 in. $150-250

1478 Toyohara Kunichika (1835-1900) Woodblock Print, Japan, depicting a kabuki actor, oban tate-e, matted and framed, sight size 14 x 9 1/4 in. $150-200 1479 Utagawa Hiroshige (1797-1858), Complete Set of Ten Famous Views of Kyoto, Japan, Uchida Bijitsu Hanga edition, based on the Eisendo edition in 1835, oban yoko-e, 10 x 15 in. $200-300 1480 Paul Jacoulet (1902-1960), Une Histoire Tres Drole Mongols, 1949, “332/350” on verso, signed in pencil with artist’s “Ivy” stamp, paper with artist’s watermark, dai oban tate-e, 17 1/4 x 13 1/8 in. “ $300-500 1481 Paul Jacoulet (1902-1960), Bergers des Hautes Montagnes Coree, 1941, “216/350” on verso, signed in pencil with artist’s “Sparrow” stamp, paper with artist’s watermark, dai oban tate-e 18 1/4 x 13 1/4 in. $300-500 1482 Paul Jacoulet (1902-1960), Le Lettre du Fils Seoul, Coree, 1938, “279/350” on verso, signed in pencil with artist’s “Tea Jar” stamp, paper with artist’s watermark, dai oban yoko-e, 13 7/8 x 18 3/8 in. $300-500

1483 Paul Jacoulet (1902-1960), Vieille Aino Chikabumi Hokkaido Japon, 1950, signed in pencil with artist’s “Owl” stamp, paper with artist’s watermark, stamped “present” on verso, dai oban tate-e, 18 1/8 x 14 1/8 in. $300-500 1484 Two Woodblock Prints by Shiko Munakata and Akio Onda, Munakata Tombo no saku, sealed and signed in Japanese, image 13 1/2 x 9, sheet 16 1/2 x 12; Akio Onda depicts a landscape with figures, sealed and signed in Japanese, signed in English Onda Akyio, image 9 x 8 1/2, sheet 11 3/4 x 12 in.

Note: Trained in Western-style painting, Akio Onda was a pupil and assistant to Munakata.

Studio Art online

1469 Four Woodblock Prints, Japan, one

by Yanagawa Shigenobu (1787-1832), depicting a woman weaving at a loom, signed with seal reading “Yanagawa,” shikishiban, 7 3/4 x 7 1/4; one a fan print, 8 x 10 1/2; one depicting a conical bamboo hat, 7 1/4 x 11 1/4; and one with a day bed with pillow and fan, 7 1/2 x 9 3/4 in. $200-300

Literature: Munakata: Kodan Sha VII, no. 86. $800-1,000 1485 Hiroshi Yoshida (1876-1950), Deer in Kasuga, Japan, 1928, sealed and signed in the print, titled and signed in English in pencil in the bottom margin, oban tate-e, sheet 20 3/4 x 15 3/8 in.

Literature: Yoshida, Yoshida Hiroshi zen monkughangashu, 1987, no. 107. $800-1,000 1486 Hiroshi Yoshida (1876-1950), Shirahama, Japan, 1937, signed and sealed on the print, titled and signed in English in pencil in the lower margin, oban yoko-e, sight 10 3/4 x 12 7/8, 16 5/8 x 20 5/8 in., (not examined out of frame). $500-700 1487 Hiroshi Yoshida (1876-1950), Waiting for the Tide, Japan, 1930, from the Inland Sea Series, signed and stamped on the print, titled and signed in English in pencil in the lower margin, oban yoko-e, sight size 15 7/8 x 10 5/8, frame 16 3/4 x 20 3/8 in., (not examined out of frame). $500-700

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35

1488 Hiroshi Yoshida (1876-1950), Harbour of Tomonoura, Japan, 1930, signed and sealed on the print, titled and signed in English in pencil in the lower margin, oban yoko-e, sight size 10 7/8 x 15 5/8, frame 15 5/8 x 20 5/8 in., (not examined out of frame). $500-700 1489 Hiroshi Yoshida (1876-1950), Wisteria, Japan, 1935, signed and sealed, titled and signed in English in pencil in the lower margin, oban yoko-e, sight size 10 1/4 x 15 1/4, frame 17 3/4 x 20 3/4 in. $500-700 1490 Hiroshi Yoshida (1876-1950), From Komagatake, Japan, 1928, from the Southern Japan Alps series, signed and sealed on the print, titled and signed in English in pencil in the lower margin, oban yoko-e, sight size 10 5/8 x 16, frame 16 3/4 x 20 3/4 in. $500-700

Studio Art online

1491 Hiroshi Yoshida (1876-1950), A Little Temple Gate, Japan, 1933, from the Kansai District series, signed and sealed in the print, titled and signed in English in pencil lower margin, oban tate-e, sight size 15 3/8 x 10 1/4, frame 20 5/8 x 16 3/4 in., (not examined out of frame). $500-700

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1492 Hiroshi Yoshida (1876-1950), Small Town in Chugoku, Japan, 1933, signed and sealed on the print, oban yoko-e, sight size 10 3/4 x 15 5/8, frame 16 5/8 x 20 5/8 in., (not examined out of frame). $500-700 1493 Paul Jacoulet (1902-1960), Dans la Loge Officeille, 1942, signed in pencil, artist’s “Bat” stamp, sight size 16 3/8 x 12, frame 20 3/4 x 20 3/4 in. $500-700 1494 Hiroshi Yoshida (1876-1950), Fujiyma from Kanaguchi Lake, Japan, 1926, from the Ten Views of Fuji series, signed and sealed on print, titled and signed in English in pencil in lower margin, sight size 14 1/2 x 20 1/4 in., matted, (not examined out of mat). $800-1,000

1495 Paul Jacoulet (1902-1960) Woodblock Print, Nuit de Neige, Coree, 1939, signed in pencil, artist’s “Boat” stamp, sight 15 3/8 x 11 3/4, frame 21 x 17 1/8 in., (not examined out of frame). $500-700 1496 Paul Jacoulet (1902-1960) Woodblock Print, Femme Tatouee de Falalap, Ouest Carolines, 1935, signed in pencil, artist’s “Mandarin Duck” stamp, sight size 15 1/4 x 11 5/8, frame 22 x 17 3/8 in., (not examined out of frame). $500-700 1497 Paul Jacoulet (1902-1960) Woodblock Print, Retour de la Jungle Tondano Celebes, signed in pencil, artist’s “Sparrow” stamp, sight size 15 1/2 x 11 3/4, frame 21 x 17 1/4 in., (not examined out of frame). $500-700 1498 Paul Jacoulet (1902-1960) Woodblock Print, Fumees de Satal, Mandchokuo, 1948, signed in pencil, Mitsu-tomoe stamp, sight size 12 7/8 x 15 3/8, frame 16 x 20 in., (not examined out of frame). $500-700 1499 Paul Jacoulet (1902-1960) Woodblock Print, Le Nid Coree, 1941, signed in pencil, artist’s “Sparrow” stamp, sight size 15 3/8 x 12, frame 20 x 16 in., (not examined out of frame). $500-700 1500 Paul Jacoulet (1902-1960) Les Deux Adversaires, Coree [North Korea and South Korea], signed in pencil, artist’s “Arrow” stamp, sight size 15 1/8 x 12, frame 20 1/8 x 28 5/8 in., (not examined out of frame). $800-1,000 1501 Paul Jacoulet (1902-1960) Woodblock Print, Fleurs Violettes Tomil Yap, 1937, signed in pencil, artist’s “Gook Luck Hammer” stamp, sight size 15 1/2 x 12, frame 20 x 16 in., (not examined out of frame). $500-700

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1502 Hiroshi Yoshida (1876-1950) Calm Wind, Japan, 1937, signed and sealed on the print, titled and signed in English in pencil in the lower margin, oban tate-e, sight size 12 3/8 x 9 3/4, frame 20 5/8 x 16 3/4 in., (not examined out of frame). $400-600 1503 Tashida Nakayama (b. 1927), Woodblock Print, Horse, Japan, the galloping horse surrounded by gold and red circles, dated “1958,” signed in the lower margin, limited edition 34/80, sight size 15 3/8 x 19, frame 20 5/8 x 28 3/8 in. $300-500 1504 Toshi Yoshida (1911-1995), Toji Pagoda, Japan, 1942, signed with a seal on the print, in pencil in the bottom margin, dated and titled in the left margin with “jikoku” seal, framed and glazed, chuban tate-e, sight size 10 1/4 x 7 3/8 in. $200-300 1505 Tsuchiya Koitsu (1870-1949), Ueno Park, Japan, 1939, signed with a seal on the print, with Doi Hangaten seal in the left margin, framed and glazed, sight size 15 5/8 x 10 1/2 in. $200-300 1506 Kasamatsu Shiro (1898-1991), House at Ontake, Japan, 1954, signed with a seal on the print, publisher Unsodo Han, framed and glazed, oban tate-e, sight size 14 1/2 x 10 in. $200-300 1507 Two Clifton Karhu (1927-2007) Woodblock Prints, Japan, Kyoto Palace, 1978, 32/100; and Gifu Boats, 1967, 8/50, both framed and glazed, sight sizes to 15 1/8 x 15 1/8 in. $400-600 1508 Utagawa Hiroshige (1797-1858), Demi Beach at Sumiyoshi in Settsu Province, Japan, later edition, framed and glazed, chuban tate-e, 11 1/2 x 7 3/4 in. $50-100

1510 Toshi Yoshida (1911-1995), Motion, Japan, 1956, sealed on the print, titled, signed, and dated in pencil in the bottom margin, 16 1/2 x 22 1/2 in. $100-200 1511 Untitled Kaoru Kawano (1916-1965) Woodblock Print, Japan, 1950s, depicting a child with a flower, with a seal on the print, 11 1/4 x 16 7/8 in. $100-200 1512 Kiyoshi Saito (1907-1997), Teahouse, Japan, 1950, color woodblock print, signed with a seal on the print, 11 3/8 x 17 1/8 in. $200-300 1513 Kiyoshi Saito (1907-1997), Jizo-in, Kinugasa-yama, Kyoto, Japan, 1968, 35/100, signed with a seal on the print, titled, numbered, and dated in pencil in the bottom margin, 23 3/4 x 17 5/8 in. $300-500 1514 Shiko Munakata (1903-1975), Female Head, Japan, with a seal, sheet 13 1/8 x 9 3/4 in. $500-800

1517 Untitled Tadashi Nakayama (19272014) Woodblock Print, Japan, 1959, 11/20, depicting abstract imagery echoing fireworks, dated, signed, and numbered in pencil in the bottom margin, 25 x 18 3/8 in. $400-600 1518 Untitled Sadao Watanabe (1913-1996) Woodblock Print, Japan, 1967, 4/50, depicting the Madonna holding baby Christ, numbered, signed, and dated with a seal, 29 1/4 x 24 5/8 in. $300-500 1519 Untitled Sadao Watanabe (19131996) Color Woodblock Print, Japan, 1983, 38/50, depicting three attendants with Christ, on textured brown paper, numbered, signed, and dated, 25 x 22 1/2 in. $300-500 1520 Untitled Sadao Watanabe (19131996) Color Woodblock Print, Japan, 1965, 1/50, depicting Christ and Peter with fish, on textured brown paper, numbered, signed, and dated, 26 x 22 3/8 in. $300-500 1521 Untitled Sadao Watanabe (1913-1996) Woodblock Print, Japan, 1970, 48/50, depicting Christ washing the feet of the twelve disciples, on white-painted textured paper, numbered, signed, and dated, 27 7/8 x 23 3/8 in. $300-500

1515 Nine Folios of Munakata Shiko Woodblock Prints, Japan, with a printed photograph of the artist and pages in Japanese, sizes to 11 1/2 x 18 7/8 in. $50-100

1522 Tokuriki Tomikichiro (1902-2000), Near Complete Set of Thirty-six Views of Mt. Fuji, Japan, 1939-40, with thirty-seven woodblock prints including table of contents and foreword pages, (missing No. 21: Lake Kawaguchi’s Reverse Fuji), oban yoko-e, 11 1/4 x 16 3/8 in. $2,000-3,000

1516 Untitled Tadashi Nakayama (19272014) Woodblock Print, Japan, 1964, 15/50, depicting semi-abstract imagery with butterfly and horse in a cross, dated, signed, and numbered in pencil, 28 x 25 in. $400-600

1523 Four Tokuriki Tomikichiro (1902-2000) Woodblock Prints, Japan, no. 3, 11, 13, and 33 from the series Thirty-six Views of Mt. Fuji, later edition with Uchida seal, oban yoko-e, 11 1/2 x 16 1/8 in. $200-300

1524 Hiroshi Yoshida (1876-1950), Himeji Castle, Japan, 1926, dated and titled in the left margin with “jizuri” seal, oban tate-e, 15 3/4 x 11 in. $300-500 1525 Hiroshi Yoshida (1876-1950), Spring in a Hot Spring, Japan, 1940, signed with a seal on the print, signed in pencil with stamped title in the bottom margin, with “jizuri” seal, oban yoko-e, 10 7/8 x 16 1/8 in. $300-500 1526 Hiroshi Yoshida (1876-1950), Osaka Castle, Japan, 1935, signed with a seal on the print, signed in pencil with stamped title in the bottom margin, with “jizuri” seal, oban tate-e, 15 3/8 x 10 3/8 in. $300-500

Studio Art online

1509 Two Clifton Karhu (1927-2007) Woodblock Prints, Lord Ashiya, 1969, numbered, titled, signed, and dated in pencil in the bottom margin; Shop at Muromachi, numbered, titled in Japanese, signed in pencil with seal in the bottom margin, to 13 1/2 x 18 1/8 in. $200-300

1527 Hiroshi Yoshida (1876-1950), Bamboo Wood, Japan, c. 1939, signed with a seal on the print, signed in pencil with stamped title in the bottom margin, with “jizuri” seal in the left margin, oban tate-e, 16 x 11 in. $300-500 1528 Hiroshi Yoshida (1876-1950), Winter in Taguchi, Japan, 1927, titled and signed in pencil in the bottom margin, faded signature on print with seal, dated and titled in Japanese in the right margin with red “jizuri” seal, oban yoko-e, 10 7/8 x 16 1/4 in. $300-500 1529 Woodblock Prints of Clifton Karhu: Kyoto Rediscovered, Japanese edition, with foreword by Michiaki Kawakita (1914-1995), Tankosha, 1979, Kyoto, hardcover, in a slipcase. $300-500 1530 Toshi Yoshida, Varieties of the Japanese Print, Vol. 1, with twenty hand-printed examples, Tokyo: 1967, hardcover, in a cardboard slipcase, 8 x 8 3/4 in. $200-300

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37

1531 Richard Miles, The Prints of Paul Jacoulet, catalog from the exhibit Prints of Paul Jacoulet The Complete Works 1934-1960, at the Pacific Asia Museum, first edition, Robert G. Sawers Publishing, 1982, Pasadena, California. $50-75

1538 Utagawa Hiroshige (1797-1858), Waka no Ura, Kii Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, framed and glazed, sight size 13 1/8 x 8 1/2 in. $800-1,000

1532 Two Clifton Karhu (1927-2007) Woodblock Prints, Japan, one depicting a man on a horse and one with a monk seated writing with brush, both images with calligraphy, sizes to 7 3/4 x 25 3/4 in. $200-300

1539 Utagawa Hiroshige (1797-1858), Yoro Waterfall, Mino Province, Japan, from the series Famous Views of the Sixtyodd Provinces, oban tate-e, unframed, 13 5/8 x 9 1/8 in. $800-1,000

1533 Printed Monk Portrait, Japan, framed and glazed, print 10 7/8 x 8 1/8 in. $200-300 1534 Utagawa Hiroshige (1797-1858), Around Oohashi Bridge, Japan, 1854, from the series Famous Places of Edo, publisher Yamadaya, framed and glazed, oban yoko-e, sight size 9 1/2 x 14 in. $800-1,000

Studio Art online

1535 Ogata Gekko (1859-1920), Last Stand of the Kusunoki Clan at Shijonawate, Japan, woodblock print, later edition, oban tate-e triptych, unmounted, overall 14 1/2 x 28 3/4 in. $200-300

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1536 Utagawa Hiroshige (1797-1858), Bonito Fishing at Sea, Tosa Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, framed and glazed, sight size 13 1/4 x 8 3/4 in. $800-1,000 1537 Utagawa Hiroshige (1797-1858), Yamabushi Valley, Mimasaka Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, framed and glazed, sight size 13 x 8 3/4 in. $800-1,000

1540 Utagawa Hiroshige (1797-1858), Distant View of Mount Zozu, Sanuki Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 8 7/8 in. $800-1,000 1541 Utagawa Hiroshige (1797-1858), Ama no Hashidate, Tango Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed 13 1/2 x 9 1/8 in. $800-1,000 1542 Utagawa Hiroshige (1797-1858), Itsukushima, Depiction of a Festival, Aki Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 3/8 x 9 1/8 in. $800-1,000 1543 Utagawa Hiroshige (1797-1858), The Passage Under the Rakan Monastery, Buzen Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1544 Utagawa Hiroshige (1797-1858), Maiko Beach, Harima Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 1/8 in. $800-1,000

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1545 Utagawa Hiroshige (1797-1858), Shimonoseki, Nagato Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1546 Utagawa Hiroshige (1797-1858), Mount Nikko, Urami Waterfall, Shimotsuke Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 5/8 x 9 1/8 in. $800-1,000 1547 Utagawa Hiroshige (1797-1858), Takuhi Shrine, Oki Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1548 Utagawa Hiroshige (1797-1858), A Fine Evening on the Coast, Tsushima Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 1/8 in.

Margins trimmed, light fading and toning, few small areas of wear to paper, ink spot center right. $800-1,000 1549 Utagawa Hiroshige (1797-1858), Mount Takazuno, Salt Beach, Iwami Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/4 x 9 in. $800-1,000 1550 Utagawa Hiroshige (1797-1858), Gokei, Bitchu Province, Japan, from the series Famous Views of the Sixtyodd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1551 Utagawa Hiroshige (1797-1858), Shisa, Iki Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 8 7/8 in. $800-1,000

1553 Utagawa Hiroshige (1797-1858), Kanegasaka, Tanba Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 3/8 x 9 in. $800-1,000 1554 Utagawa Hiroshige (1797-1858), The Goldmines, Sado Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1555 Utagawa Hiroshige (1797-1858), Goshiki Beach, Awaji Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000 1556 Utagawa Hiroshige (1797-1858), Hara, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, framed and glazed, sight size 14 1/4 x 9 1/4 in. $800-1,000 1557 Utagawa Hiroshige (1797-1858), Shirasuka, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 1/2 in. $800-1,000 1558 Utagawa Hiroshige (1797-1858), Yoshida, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 1/2 in. $800-1,000 1559 Utagawa Hiroshige (1797-1858), Okazaki, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 3/4 x 9 1/2 in. $800-1,000

1560 Utagawa Hiroshige (1797-1858), Kusatsu, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 1/2 in. $800-1,000

1568 Utagawa Hiroshige (1797-1858), Otsu, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 14 3/4 x 10 3/8 in. $800-1,000

1561 Utagawa Hiroshige (1797-1858), Ejiri, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 14 x 9 1/2 in. $800-1,000

1569 Utagawa Hiroshige (1797-1858), Kogane Plain in Shimosa Province, Japan, 1858, from the series Thirty-six Views of Mount Fuji, oban tate-e edition, possible collector’s seal in margin, unframed, 14 3/4 x 10 1/8 in. $800-1,000

1562 Utagawa Hiroshige (1797-1858), Mishima, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 14 1/2 x 9 7/8 in. $800-1,000 1563 Utagawa Hiroshige (1797-1858), Shinagawa, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 1/2 in. $800-1,000 1564 Utagawa Hiroshige (1797-1858), Fujikawa, Japan, 1855, from the series Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 1/2 x 9 1/2 in. $800-1,000 1565 Utagawa Hiroshige (1797-1858), Nihonbashi, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 5/8 x 9 3/8 in. $800-1,000 1566 Utagawa Hiroshige (1797-1858), Fuchu, Japan, 1855, from the series Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 5/8 in. $600-800 1567 Utagawa Hiroshige (1797-1858), Okitsu, Japan, 1855, from the series The Fifty-three Stations of the Tokaido, oban tate-e edition, unframed, 13 7/8 x 9 1/2 in. $800-1,000

1570 Katsushika Hokusai (1760-1849), Actor as Okina, Japan, 1802, frontispiece to Vol. 2 of Hokusai Gafu, unframed, 8 1/8 x 5 1/2 in. $300-500

Studio Art online

1552 Utagawa Hiroshige (1797-1858), Tanokuchi Coast, Yugasan Torii, Bizen Province, Japan, from the series Famous Views of the Sixty-odd Provinces, oban tate-e, unframed, 13 1/2 x 9 in. $800-1,000

1571 Utagawa Yoshikazu (1848-1870), Yorimitsu Sees a Monstrous Creature in the Mountains, Japan, 19th century, oban tate-e triptych, sheet size to 14 3/4 x 9 7/8 in. $300-500 1572 Six Woodblock Prints and Paintings, Japan, Utamaro Kitagawa (1753-1831), Pleasure Boat, Sumida River, oban tate-e triptych, Utagawa Hiroshige (1797-1858), Ariwara no Narihira Passing Mount Fuji on His Journey to the East, oban tate-e vertical diptych; a triptych depicting ladies in a garden; an album bifold depicting one of the “Thirtysix Immortal Poets” and her verse; a fan painting of dancers in lion and dragon costumes; and a fan painting of actors, sizes to 14 3/4 x 10 1/8 in. $200-300 1573 Kiyoshi Saito (1907-1997) Woodblock Print, Japan, depicting a snowy town at night with figures, ink on paper, mounted as a hanging scroll, signed in pencil with a seal, print 14 7/8 x 18 in. $300-500 1574 Three Utagawa Hiroshige (17971858) Woodblock Prints, Japan, no. 25 Yawata and no. 28 Nagakubo from the series Sixty-nine Stations of the Kisokaido, publisher Iseya Rihei (Kinjudo); and no. 26 Nisaka from the series Fifty-three Stations of the Tokaido, publisher Hoeido, all oban yoko-e, sizes to 9 5/8 x 14 3/8 in. $700-900

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39

1575 Utagawa Kunisada II (1823-1880), Complete Set of Fifty-four Modern Feelings, Japan, publisher Tsuta-Kichi Koeido, with fifty-five oban tate-e prints, including the content page with aratame censor’s seal (1853-1857), all pages surrounded with gold speckled margins, twenty-nine pages holding a pasted cartouche, among which twenty-two pages inscribed with handwritten calligraphy, album size 13 7/8 x 9 3/8 x 7/8 in. $2,000-3,000 1576 Ando Hiroshige Reproduction Woodblock Print, Japan, Ichikoku Bridge in the Eastern Capital from the series Thirty-six Views of Mount Fuji, 1858 series, oban tate-e, 12 3/4 x 8 3/8 in. $50-100 1577 Collection of Books on Japanese Prints, Amy Poster, Along the Tokaido Twelve Views by Utagawa Kuniyoshi, with approx. eighteen dealers catalogs including those of Stuart Jackson Gallery and Arts and Design of Japan. $50-100

Studio Art online

1578 Two Books, Japan, late 19th century, one, 1893, publisher Aoki Suzando, holding landscapes by old masters; and one, 1890, publisher Okura Magobei, holding bird-and-flower paintings by Shotei, (disbound with missing pages), 9 3/4 x 6 5/8 in. $100-200

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1579 Two Woodblock Prints, Japan, a triptych by Yoshu Chikanobu (18381912), depicting a scene from the Cherry Blossom Festival; and one

by Toyohara Kunichika (1835-1900), depicting the actor Ichimura Uzaemon, all oban tate-e, to 14 5/8 x 9 7/8 in. $200-300 1580 Three Shin Hanga Prints, Japan, one

by Kawase Hasui (1883-1957), Sunset at Morigaseki, 1932, with C-seal (19291942); one Hiroshi Yoshida (1876-1950), Himeji Castle - Evening, 1926, titled and signed in pencil, with jizuri seal; and one Arai Yoshimune (1873-1945), Sailboat

by Moonlight, sealed on print, 10 x 7 1/2 in. $200-300

1581 Hiroshi Yoshida (1876-1950), Way to the Kasuga Shrine, Japan, 1938, signed and sealed on the print, titled and signed in English in pencil in the bottom margin, oban tate-e, sight size 14 3/4 x 9 5/8, sheet 15 7/8 x 10 3/4 in. $400-600 1582 Two Utagawa Kunisada (Toyokuni III, 1786-1865) Woodblock Prints, Japan, 1849-1852, both depicting acting scenes, signed “KochoroToyokuni” and “Ichiryusai Toyokuni,” publisher Yamaguchiya Tobei, with Magome and Hama censors’ seals, framed and glazed, oban tate-e, sight size 13 3/4 x 8 7/8 in. $300-500 1583 Two Nisabura Ito (1905-2001) Woodblock Prints, Japan, 20th century, one depicting plum branches, the other crepe myrtle, framed and glazed, sight size 10 1/2 x 10 in. $200-300 1584 Utagawa Kunisada (Toyokuni III, 1786-1865) Woodblock Pentaptych, Japan, depicting a busy boating scene near an island, framed and glazed, sight size 14 1/2 x 49 in. $500-700 1585 Reproduction Print of Li Tang, Duke Wen of Jin Recovering his State, framed and glazed, sight size 7 3/8 x 11 1/2 in. $100-200 1586 Toko Shinoda (b. 1913), Twilight, Japan, late 20th century, lithograph, titled and signed in English, limited edition AP/10, sheet 24 1/2 x 35 1/2, frame 31 x 41 3/4 in. $1,200-1,500 1587 Two Kiyoshi Saito (1907-1997) Woodblock Prints, Japan, 1958, Winter in Aizu (5) and (6), signed and sealed on the print, titled and dated in pencil in the bottom margin, framed and glazed, sight sizes 16 x 21 1/2 in.

Provenance: Purchased in 1960 from The Red Lantern Shop, Kyoto, by the present owner. $500-700

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1588 Kiyoshi Saito (1907-1997), RoyanJi Kyoto, Japan, 1960, 32/150, signed and sealed on the print, titled, numbered, and dated in pencil in the bottom margin, 15 x 20 3/4 in.

Provenance: Purchased from The Red Lantern Shop, Kyoto, in 1960 by the present owner. $400-600 1589 Kiyoshi Saito (1907-1997), SaihoJi Kyoto, Japan, 1959, 62/100, signed and sealed on the print, titled, numbered, and dated in pencil in the bottom margin, 15 x 20 1/2 in.

Provenance: Purchased from The Red Lantern Shop, Kyoto, in 1960 by the present owner. $500-700 1590 Kaoru Kawano (1916-1965), Conversation, Japan, 1950s, 36/50, sealed on the print, numbered, titled in Japanese and English, signed in pencil in the bottom margin, 22 3/4 x 16 1/8 in.

Provenance: Purchased in 1960 from The Red Lantern Shop, Kyoto, by the present owner. $400-600 1591 Kaoru Kawano (1916-1965), Doves and Girl, Japan, 1950s, 40/50, woodblock print, sealed on the print, numbered, titled in Japanese and English, and signed in pencil in the bottom margin, 22 3/4 x 15 in.

Provenance: Purchased in 1960 from The Red Lantern Shop, Kyoto, by the present owner. $300-500 1592 Kaoru Kawano (1916-1965), Sacred Crane (B), Japan, 1950s, 91/200, signed in pencil with a seal on the print, numbered, titled both in Japanese and English, and signed in pencil in the bottom margin, framed and glazed, sight size 16 1/8 x 22 1/2 in.

Provenance: Purchased in 1960 from The Red Lantern Shop, Kyoto, by the present owner. $400-600

Provenance: Purchased from The Red Lantern Shop, Kyoto, in 1960 by the present owner. $400-600 1594 Untitled Tadashi Nakayama (19272014) Woodblock Print, Japan, undated, 20/50, depicting a horse standing with its head turned to one side, signed and numbered in pencil in the bottom margin, a seal reading “Nakayama” on the reverse, 28 1/2 x 23 7/8 in.

Provenance: Purchased from The Red Lantern Shop, Kyoto, in 1960 by the present owner. $400-600 1595 Two Woodblock Prints After Ogata Korin, Japan, Four Deer, and Flying Geese, oban yoko-e, framed and glazed, sight size 9 1/2 x 14 1/2 in. $150-200 1596 Two Color Woodblock Prints, Japan, 19th century, one by Toyokawa Tamikuni and one unknown, both depicting kabuki actors, oban tate-e, sight sizes to 15 1/2 x 10 3/4 in. $200-300 1597 Two Woodblock Prints, Japan, one

by Joichi Hoshi (1913-1979), Blue Night (A), titled, signed, numbered and dated ‘69 in bottom margin, framed and glazed, sight size 23 1/2 x 8 1/4; and one depicting a hawk sitting on a pine branch in front of Mount Fuji, mounted on board, sight size 13 1/4 x 8 1/4 in. $300-500 1598 Utagawa Kunisada (1786-1864) Woodblock Print, Japan, depicting a kabuki actor, oban tate-e, framed and glazed, sight size 13 1/2 x 9 1/2 in. $100-150

1599 Utagawa Hiroshige (1797-1858), Fujikawa, Japan, from the series Fiftythree Stations of the Tokaido, Tsutaya edition published in 1855, framed and glazed, oban tate-e, sight size 13 7/8 x 9 1/4 in. $500-700

1607 Two Hiroshi and Toshi Yoshida Woodblock Prints, Japan, Hiroshi Yoshida (1876-1950), Fujiyama from Okitsu, posthumous, and Toshi Yoshida (1911-1995), Village of Plums, both oban yoko-e, size to 10 7/8 x 15 3/4 in. $300-500

1600 Tanaka Ryohei (b. 1933) Etching, Japan, 1990, AP 6/13, depicting a landscape with thatched roof cottages, numbered, signed, and dated in pencil in the bottom margin, framed and glazed, sight size 12 3/8 x 15 1/4 in. $300-500

1608 Utagawa Hiroshige (1797-1858), View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya, Japan, from the series One Hundred Views of Edo, oban tate-e, 13 3/4 x 9 1/4 in. $800-1,000

1601 Yaskawa Calendar with Thirteen Shiko Munakata (1903-1975) Prints, Japan, 1975, including the cover with two November pages, without May, prints to 15 1/4 x 11 5/8, cover 20 3/8 x 14 1/4 in. $200-300 1602 Seven Shiko Munakata (1903-1975) Prints for Yaskawa Calendar, Japan, 1974, for February, April, May, June, October, November, and December, prints to 15 1/2 x 11 3/4 in. $100-200 1603 Yaskawa Calendar with Twelve Shiko Munakata (1903-1975) Prints, Japan, 1976, including cover with two February pages, missing June and October, prints to 15 x 11 3/4 with cover 20 3/8 x 14 1/4 in. $200-300 1604 Yaskawa Calendar with Thirteen Shiko Munakata (1903-1975) Prints, Japan, 1972, including cover, prints to 15 1/4 x 11 5/8, cover 20 3/8 x 14 1/4 in. $200-300 1605 Nine Shiko Munakata (1903-1975) Prints for Yaskawa Calendar, Japan, 1973, missing January, February, May pages, prints to 15 3/8 x 11 3/8 in. $100-200

1609 Two Kawase Hasui (1883-1957) Woodblock Prints, Japan, Saishoin Temple in the Snow, 1936; and Snow at Hie Shrine, 1931, both later editions with seal (1946-1957), framed and glazed, oban tate-e, sight size 14 1/2 x 9 3/4 in. $800-1,000

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1593 Untitled Tadashi Nakayama (19272014) Woodblock Print, Japan, 1957, unnumbered, depicting a girl with a sunflower, dated and signed in pencil in the bottom margin, framed and glazed, sight size 24 5/8 x 15 3/8 in.

1610 Utagawa Kunisada (1786-1865), Murasaki’s Hand-printed Ashikaga Pictures, Japan, 1858, triptych, depicting three girls near lake with a man, wife, and a child, publisher Yamasho, signed “Toyokuni ga” in toshidama cartouche, individually framed and glazed, oban tate-e, sight size 13 3/4 x 9 1/8 in. $200-300 1611 Two Color Woodblock Prints, Japan, each portraying an actor in a landscape, framed and glazed, sight sizes to 14 3/8 x 9 7/8 in. $250-350 1612 Three Kitagawa Utamaro (17531806) Woodblock Prints, Japan, all reproductions, depicting women, framed and glazed, oban tate-e, 14 3/4 x 9 5/8 in. $200-300 1613 Natori Shunsen (1886-1960), Banto Shucho as Shizuka, Japan, color woodblock print, oban tate-e, framed and glazed, 14 1/2 x 9 3/4 in. $200-250

1606 Kawase Hasui (1883-1957), Pines at Miho Seashore, Japan, 1931, color woodblock print, signed and sealed with Watanabe “C” seal in margin, oban tate-e, 15 1/2 x 10 1/2 in. $500-700

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1614 Double-sided Woodblock Print Album, Japan, late 1880s/early 1890s, entitled “Azuma Nishiki-e” (Easter Brocade Prints), one side holding fifty-eight oban tate-e prints comprised of eighteen triptychs by Adachi Ginko, Toshihide, Chikanobu, Nobukazu, and Kuniteru, a diptych by Yoshitoshi, and two single images by Gekko from the series Gekko Zuihitsu, the other side with fifty-four prints: forty-five by Gekko including thirty-eight from the series Gekko Zuihitsu, one by Nobukazu, and a single image, two diptychs, and a triptych by Yoshitoshi, book size 14 3/8 x 9 1/2 x 2 in. $5,000-7,000

1620 Bertha Lum (1869-1954), The Dancers, 1924, hand-colored raised line woodcut, signed and dated “copyright 1924” in ink in the margin, framed and glazed, sight size 21 1/2 x 14 3/4 in. $700-900

1615 Woodblock Print Album, Japan, entitled Nishiki-e, holding twelve diptychs and twenty leaves from triptychs by various artists including Sadatora, Toyokuni III, Kuniyoshi, Kunisada, and Kunichika, oban tate-e, bound in twenty-two accordion-style spreads, 14 1/8 x 9 3/4 in. $2,000-3,000

1622 Three Woodblock Prints, Japan, two by Toyokuni III with scenes with courtesan, including one with Kagaya Yasube publisher’s seal; and one by Kuniyoshi, depicting an actor, framed and glazed, all oban tate-e, sight sizes to 14 5/8 x 10 1/8 in. $300-400

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1616 Woodblock Print Album, Japan, entitled Kunisada ga, holding six diptychs by Utagawa Kunisada, oban tate-e, bound in six accordion-style spreads, 15 x 10 1/4 in. $800-1,000

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1617 Utagawa Yoshitora (active c. 185080) Woodblock Print, Japan, depicting a courtesan with floral branch, lunch box, and landscapes, framed and glazed, oban tate-e, sight size 14 1/8 x 9 1/2 in. $100-200 1618 Utagawa Kunisada (Toyokuni III, 1786-1865), Hana no en, Japan, 1848-1852, no. 8 from the series Sono Sugata Yukari no Utsushi-e (Magic Lantern Slides of That Romantic Purple Figure), signed “Toyokuni ga,” publisher Izumiya Ichibei (Kansendo), framed and glazed, oban yoko-e, sight size 9 x 13 5/8 in. $100-200 1619 Utagawa Yoshikazu (fl. 1848-1870), Chinjufu Shogun, Japan, 1858, from the series Mirror of Famous Generals of Our Country, publisher Sanoki, signed “Ichijusai Yoshikazu,” framed and glazed, oban tate-e, sight size 14 1/8 x 9 5/8 in. $100-200

1621 Bertha Lum (1869-1954), Parade of the Marionettes, 1924, hand-colored raised line woodcut, signed and dated “copyright 1924” in ink at lower right, framed and glazed, sight size 17 5/8 x 23 1/2 in. $800-1,000

1623 Four Framed Works, Japan, three woodblock prints including two koban tate-e with “Shinsei” seal and one depicting a woman under a tree branch, unsigned; and a watercolor landscape on silk, with two seals, all framed and glazed, sight sizes to 14 1/4 x 6 1/8 in. $300-400 1624 Two Woodblock Prints in a Frame, Japan, one depicting Tone River and one chrysanthemums, glazed, sight size 5 3/4 x 4 in. $50-100 1625 Utagawa Hiroshige (1797-1868) Diptych Woodblock Print, Japan, 1868, depicting a warrior with children suppressing yokai demons, with Iseaya Hanemon publisher’s seal, framed and glazed, sight size 13 1/2 x 19 in. $300-500 1626 Diptych Woodblock Prints, Japan, depicting a hospital scene, signed “Kisaku Taro” with 1869 censor’s seals, framed and glazed, sight size 13 1/2 x 18 3/8 in. $300-500

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1627 Utagawa Kunisada (Toyokuni III, 1786-1865) Woodblock Print, Japan, 1851, depicting an actor playing Fuki Taro, part of a diptych published by Yamamotoya Heikichi, Mera and Watanabe censors’ seals, framed and glazed, oban tate-e, sight size 14 1/8 x 9 3/8 in. $200-300 1628 Tsuchiya Koitsu (1870-1949), Kinryuzan Temple at Asakusa, Japan, originally 1938, signed with a seal on the print, later edition with Doi’s E-seal (1956-1962), oban tate-e, 16 3/4 x 11 1/4 in. $100-200 1629 Utagawa Kunisada (Toyokuni III, 1786-1865) Woodblock Print, Japan, depicting an actor, publisher Izutsuya, with 1873 censor’s seal, framed and glazed, oban tate-e, sight size 13 3/8 x 9 1/8 in. $200-300 1630 Utagawa Hiroshige (1797-1858), Miracles at Hakone, Japan, from the series Filial Pieties and Revenge, signed “Ichiryusai Hiroshige ga,” publisher Wakasaya Yoichi, framed and glazed, oban tate-e, sight size 14 1/8 x 9 1/2 in. $200-300 1631 Utagawa Kuniyoshi (1797-1861), Katsuta Shinemon Taketaka, Japan, 1847, no. 23 from the series Seichu Gishi Den (True Loyalty of the Faithful Samurai), signed “Ichiryusai Kuniyoshi,” publisher Ebiya Rinnosuke of Kaijudo, framed and glazed, oban tate-e, sight size 14 x 9 3/4 in. $200-300 1632 Utagawa Kunisada (Toyokuni III, 1786-1865) Woodblock Print, Japan, depicting an acting scene with actor Kakogawa Honzo, with Mera and Murata censor’s seals, framed and glazed, oban tate-e, sight size 12 1/2 x 8 1/4 in. $100-200 1633 Diptych Woodblock Prints, Japan, illustrating a group of seated musicians and singers, with Japanese calligraphies, unsigned, framed and glazed, oban tate-e, 13 1/8 x 9 1/4 in. $200-300

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1634 Woodblock Print, Japan, 1980, 10/100, depicting a night scene, numbered, titled, signed with seal, and dated in pencil in the bottom margin, framed and glazed, sight size 11 3/8 x 16 3/8 in. $100-200 1635 Toyohara Kunichika (1835-1900) Triptych Woodblock Print, Japan, depicting a play scene with three actors, signed “Kunichika hitsu,” publisher Tsunoi and Horicho, with 1869 censor’s seal, framed and glazed, sight size 14 3/8 x 28 3/4 in. $500-700 1636 Utagawa Kunisada (Toyokuni III, 17861865), Ukifune, Japan, 1837-52, no. 51 from the series Sono Sugata Yukari no Utsushi-e (Magic Lantern Slides of That Romantic Purple Figure), signed “Toyokuni ga,” publisher Izumiya Ichibei (Kansendo), framed and glazed, oban yoko-e, sight size 9 7/8 x 14 1/4 in. $200-300 1637 Irving Amen (American, 1918-2011) Aquatint, 27/200, undated, depicting a woman with three children, numbered, entitled Vietnam, and signed “Amen” in pencil, framed and glazed, sight size 19 1/8 x 15 7/8 in. $200-300 1638 Utagawa Hiroshige (1797-1858) Woodblock Print, Japan, 1832-33, depicting horsemackerel and prawns, from the series known as Fish published by Eijudo, signed “Ichiryusai Hiroshige ga,” framed and glazed, oban yoko-e, sight size 9 5/8 x 14 1/8 in. $800-1,000 1639 Four Woodblock Prints, Japan, 19th century, two Kunisada wrestler prints and two Yoshiiku prints from the series “Heroes of Taiheiki,” 9 3/4 x 7 in. $400-600

End of Sale 3039T

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