American Indian & Ethnographic Art | Skinner Auction 3185B

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American Indian & Ethnographic Art Sale 3185B | December 1, 2018 | Boston


American Indian & Ethnographic Art


Specialist

Michael Evans Department Director 508.970.3254

Auction Information Auction 3185B

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Saturday, December 1 10AM

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cover : 492 ; interior front cover : 300 ; interior back cover : 54 ; back cover : 369

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Lot 398: Hardwood Tobacco Pipe, Tlingit, lg. 4, ht. 3 3/4 in. Provenance: Private collection, Stowe, Vermont; Museum of the American Indian/Heye Foundation, New York City.

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Table of Contents 1

Auction & Specialist Information

2

Online Bidding

4

Provenance

84

Conditions of Sale

85

Absentee Bid Form

86

Company Directors & Specialty Departments

87

Administrative Staff & Client Services

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 84 of this catalog for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2018 All rights reserved MA LIC. 2304


Provenance The James G. Swan Collection Born in Medford, Massachusetts, James G. Swan (1818-1900) went to California during the gold rush in 1849. After working in San Francisco for two years and publishing two articles in the California Courier, he traveled north to the Washington Territory. Working amongst the Makah tribe in Neah Bay for a number of years, Swan established a rapport with his Native American neighbors, learning the language, recording the jargon, and learning about the culture. A skilled observer with a keen interest in ethnography, Swan published The Northwest Coast; or, Three years’ Residence in Washington Territory in 1857. His knowledge of the local population eventually led to his hiring as a personal secretary to Isaac I. Stevens in Washington, DC, supporting Stevens’s work in writing Indian treaties. Returning to Washington Territory in 1859, he followed Stevens’s suggestion to relocate to the thriving commercial center Port Townsend. Working with Indian agent Henry A. Webster amidst the Makah tribe in Neah Bay, Swan bolstered his knowledge of tribal legends, continued his writing, and worked as a schoolteacher on the reservation. Always gifted artistically, the Makah tribal members gave him the nickname “Cha-tic,” meaning “the painter.” Swan also collected many Indian artifacts especially for the Smithsonian Institute, and for displays at several major exhibitions. In 1875, the Smithsonian provided funds for him to travel to Alaska and purchase items for the 1876 Centennial Exhibition in Philadelphia, including totem poles, a 60-foot canoe, and an entire lodge that Swan had built, as well as many smaller artifacts.

Northampton County Historical and Genealogical Society The Northampton County Historical and Genealogical Society is located in the county seat of Easton, Pennsylvania. The NCHGS was organized at the turn of the 20th century and incorporated in 1910. As the Society’s collection outgrew its original space in an old stone schoolhouse, larger quarters became necessary. During the next decade, the Society moved and eventually settled in the 1833 Mixsell homestead. In 2010, the stateof-the-art Sigal Museum opened to the public. The purpose of the Society is to discover, collect, promote, and preserve art, culture, and history made in Northampton County. The Society has been collecting American Indian artifacts since its inception. Some of their holdings were collected by Dr. Edward Swift (1805-1869). From the draft copy of the Diary of Beates R. Swift – A Year in the Life of an Easton Youth during the Civil War: “Dr. Edward Swift was a wealthy physician and a scholar-collector of Native American artifacts, an amateur geologist, and a passionate abolitionist. Dr. Swift and his son together and separately combed the county for arrowheads, scrapers, and stone axe heads.” Artifact hunting trips and the fruits of the searches are frequently noted in the diary: “Family back from Lancaster, father has lots of Indian points.” Beates often added his finds to his father’s collection which he called “our Indian curiosities” and spent hours in the family library helping his father catalog their findings. The Reverend Arthur Santmier (1881-1951) was another enthusiastic collector and benefactor. Santmier was a pastor of the Society of Friends and was widely known among American Quakers. Originally from Herkimer County, New York, he was a missionary in northern Canada until World War I, when he served with the Friends Service Committee in Europe under President Hoover. Santmier published the culturally notable Glimpses of the Northland; Sketches of Life Among the Cree and Salteaux Indians in 1905. Other notable collectors who donated to the Society were Carl Aicher (1888-1941) and William M. Davis.


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1 Pre-Columbian Textile Fragment, Nazca, c. 200-600 AD, with multicolored effigy panels, mounted, 16 x 1 3/4 in. $400-500

5 Pre-Columbian Chuspas Bag, Peru, feathered bag with bird effigy on one side, with carrying strap, 10 x 6 1/2 in. $500-700

2 Nazca Textile Panel, c. 600-800 AD, tightly woven in a geometric and concentric cross design, mounted on a linen panel, 21 1/4 x 4 3/4 in. $800-1,000

6 Pre-Columbian Textile Fragment, Peru, c. 200-600 AD, with multicolored avian designs, mounted, 9 1/2 x 12 1/2 in. $400-500

3 Nazca Feather Ponchito, c. 400 AD, made to be placed upon ceremonial statues, feathers woven into fabric, 8 in. x 8 in. $1,200-1,500 4 Pre-Columbian Textile Strips, Paracas, Andes, c. 100 BC-200 AD, depicting monkeys, 17 x 1 1/2 in. each. $300-400

7 Pre-Columbian Textile Fragment, Peru, c. 200-600 AD, with multicolored avian designs, mounted, 12 1/4 x 6 3/4 in. $400-500 8 Pre-Columbian Textile Apron, Peru, c. 200-600 AD, with multicolored avian motifs, mounted, 17 x 11 3/4 in. $500-700

9 Two Pre-Columbian Gold Ornaments, Chimu, Lambayeque, Peru, c. 1000-1425 AD, 14kt gold, each depicting a human figure wearing an elaborate headdress, hammered thin and with punctuate decoration, pierced for attachment, lg. 2 in. each. Provenance: Private collection, Boston, Massachusetts; Maury Bromsen Gallery, Boston, Massachusetts; James A. Ewing collection. $800-1,200 10 Two Pre-Columbian Gold Necklaces, Peru, Chimu, c. 1000-1400 AD, thin 14kt gold sheet made into large beads, strung on two necklaces, (one bead loose), lg. 15 and 14 in. $1,000-1,500 11 Pre-Columbian Hollow Gold Pendant, Chimu, Lambayeque, Peru, c. 1000-1425 AD, depicting a human figure, with a small hole at each end, lg. 1 1/3 in. Provenance: Private collection, Boston, Massachusetts. $700-900

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12 Chorrera Effigy Stirrup-Spout Vessel, c. 800-400 BC, a triangular bird atop three globes, light red-brown surface, ht. 7 3/4 in. Provenance: Private collection, Columbus, Ohio; Robert Duff, Long Beach, California. $1,200-1,800

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13 Chorrera Effigy Stirrup-spout Vessel, c. 800-400 BC, redware vessel depicting a mythical bird, with white slip-line highlights to face, wings, and chest, ht. 7 in. Provenance: Private collection, Columbus, Ohio; Robert Duff, Long Beach, California. $1,500-2,500

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14 Chorrera Stirrup Vessel, c. 1200-500 BC, single-ridged stirrup-spout grayware vessel depicting a rodent atop an irregular half sphere cherimoya fruit base, the rodent holds its front legs up to its mouth, eating, back legs and tail at the back of the vessel, ht. 8 in. Provenance: Private collection, Columbus, Ohio; Robert Duff, Long Beach, California. $2,000-3,000


15 Chorrera Stirrup Vessel, c. 1200-500 BC, brownware in the form of a squatting dwarf figure with a single spout and ring handle emerging from the head, alternatively burnished and glazed, ht. 10 3/4 in. Provenance: Private collection, Columbus, Ohio; Robert Duff, Long Beach, California. $2,500-3,500

16 Chorrera Female Figure, c. 1000-500 BC, tall figure standing on rounded legs and slim torso tapering into short robust arms held close at her sides, with trance-like expression and wearing a cap decorated with scrollwork, painted overall in tan, ht. 19 in. Provenance: Private collection, Columbus, Ohio; Sotheby’s, New York, May 14, 1991, Lot 29. $3,000-4,000

17 Olmec Terra-cotta Head, c. 1000-400 BC, portrait head of a baby, with full lips and slightly open mouth with teeth, well-modeled nose below coffee bean eyes with pierced pupils, one raised brow and incised lines on the crown, ht. 6 in. Provenance: T. Misenhimer collection, California. $1,200-1,800 18 Colima Warrior Figure, West Mexico, c. 100 BC-250 AD, the warrior figure with bird wings on his back, wearing a zoomorphic helmet and carrying a weapon in each hand, ht. 5 3/4 in. Provenance: Private collection, Taos, New Mexico. $600-900 19 Colima Pottery Dog Vessel, Protoclassic, 100 BC-AD 250, standing looking ahead with teeth bared, wide rounded belly, pointed ears and spout as raised tail, overall dark reddish brown, ht. 7 1/2 in. Provenance: Private collection, Columbus, Ohio. $500-700

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20 Large Colima Standing Figure, c. 100 BC500 AD, standing erect, right hand holding a staff, left hand outstretched, with large piercings at the ears and a horn protruding from the pointed crown, cream ground with traces of brown, ht. 18 in.

23 Jalisco Seated Male Figure, Protoclassic, c. 100 BC-250 AD, seated with long narrow arms resting on drawn-up knees, wearing a painted tunic, the head bent forward, long nose dominating the face, with pursed lips and open slit eyes, ht. 7 in.

Provenance: T. Misenhimer collection, California. $600-900

Provenance: Ray Oswald collection, Arizona. $600-900

21 Pre-Columbian Pottery Sculpture, Colima, c. 250 BC-250 AD, a royal person being carried in a covered litter by four attendants, ht. 6 1/4 in. Provenance: Roy Oswald, Arizona. $1,200-1,800

24 Jalisco Seated Female Figure, Protoclassic, c. 100 BC-250 AD, seated with legs apart, her diminutive arms held out below high broad shoulders, the large head with long nose dominating the face, with pursed lips, teeth and wide open eyes, painted in reddish brown, and tan slip ground, ht. 14 1/2 in. Provenance: Roy Oswald collection, Arizona. $2,000-3,000

22 Colima Hunchback Figure, Protoclassic, c. 100 BC-500 AD, seated and leaning forward with legs crossed and arms resting on his knees, displaying full barrel chest with raised pectorals, with open slightly upturned mouth, small nose and eyes, and large ears, a spout projects from the top, painted overall brown, ht. 14 3/4 in.

25 Five Nayarit Female Figures, c. 100 BC-250 AD, all standing, one holding a puppy, ht. to 6 in. $500-700

Provenance: Private collection, Columbus, Ohio; purchased from Fenn Galleries, Santa Fe, 1984. $1,500-2,500

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26 Pre-Columbian Pottery Dwelling with Figures, Nayarit, c. 100 BC-250 AD, twosided structure on short footings, with three figures sitting under the roof, various items on the floor, ht. 5 1/2 in. Provenance: T. Misenhimer, California. $1,500-2,000

27 Pair of Nayarit Male and Female Figures, western coast of Mexico, c. 100 BC-250 AD, polychrome decorated hollow pottery figures, the female holding a bowl in her left hand, the male holding a projectile and small shield, both with elaborately painted costumes and jewelry, ht. male 14 1/2, female 13 1/4 in. Provenance: Private collection, New York City. $4,000-6,000

28 Four Veracruz Head Fragments, Late Classic period, 550-950 AD, including a smiling head with spider monkey molded on the headdress, an El Faisan-type head with red tattoos on the checks, a head with knopped coiffure and details in black pigment, and another with remnants of elaborate jewelry, ht. 8 1/4 to 5 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, May 16, 1989, Lot 466. $600-900

Provenance: Private collection, Columbus, Ohio; purchased from Paul Shepard, Tucson, Arizona, in 1987. $2,000-3,000

29 Veracruz Head Fragment, Classic period, 450-650 AD, the elaborately adorned warrior’s head with banded helmet, medallions at each side and secured with a chinstrap, wearing large tasseled ear ornaments, with pellet pupils and lips parted, areas highlighted with bitumen, ht. 8 1/4 in.

32 Veracruz Polychrome Incensario, Late Classic period, c. 550-950 AD, the brazier of hollow slightly waisted form, painted on the exterior in chalky blue-gray and yellow with two registers of geometric motifs, molded on one side with a large symbolic butterflyshaped bow, with thick red central knot, the lip cut away in broad scallops, dia. 14 1/2, ht. 11 1/2 in.

Provenance: Private collection, Long Island, New York; Sotheby’s, New York, November 20, 1989, Lot 464. $600-900

Provenance: Private collection, Columbus, Ohio; Sotheby’s, New York, May 14, 1991, Lot 203. $6,000-8,000

30 Veracruz Pottery Figure, Mexico, c. 700900 AD, seated figure with crossed legs and hands on knees, wearing a black tar painted headdress, (reassembled from fragments), ht. 6 in. Provenance: Roy Oswald collection, Arizona. $600-900

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31 Veracruz Priest’s Bust, Late Classic period, 550-950 AD, life-size polychrome bust of a priest, with large hollow ear plugs and wearing a head band, encrusted surface with some pigment loss, ht. 10 in.

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33 Pre-Columbian Polychrome Terra-cotta Olla, Teotihuacan, Mexico, c. 350-550 AD, with attached anthropomorphic head with side hair tufts, and two arms in high relief on either side, ht. 6 1/8 in. Provenance: McCormack collection, Santa Fe, New Mexico; R. Hecht collection, Santa Fe, New Mexico. $500-800 34 Mayan Polychrome Pottery Bowl, c. 550-950 AD, Honduras, with bird-head glyphs painted around the inner sides, ht. 3, dia. 7 3/4 in. $500-800

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35 Mayan Glazed Vessel, Late Classic period, 550-950 AD, glazed and stone polished, standing on Teotihuacan-style legs with glyphs in high relief, side walls depicting abstracted bird wings, (repair to chip on rim), ht. 5 in. Provenance: Ray Oswald, Arizona. $800-1,200 36 Cocle Polychrome Olla, Panama, Tonosi period, c. 300-550 AD, decorated with two intricately painted alligator motifs on a dark redbrown ground, ht. 12 in. Provenance: Private collection, Columbus, Ohio; Larry Wendt, Arte Primitivo, Santa Monica, California, 1988. $600-800

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37 Chavin Stirrup Effigy Vessel, c. 700-400 BC, with a complex mythological scene of a doubleheaded serpent transforming into a jaguar entwined in a mountainous region, the reptile with upturned nose, tongue extended and coiled body highlighted with incised designs, a tapering San Pedro cactus projects outwards, in brownware with incised decoration, ht. 12 1/2 in. Provenance: Private collection, Columbus, Ohio; purchased from Fine Arts of Ancient Lands, New York, 1993. $5,000-7,000

38 Moche Stirrup-spout Vessel, c. 400-600 AD, fully decorated with fine-line painted falcon warriors on two sides, wearing full armor and regalia, brown on light tan ground, ht. 12 1/4 in. Provenance: Private collection, Columbus, Ohio; purchased from Paul Shepard, Tucson, Arizona, 1998. $2,000-3,000

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43 Cocle Polychrome Pedestal Plate, Panama, c. 1000-1400 AD, highly decorated with a painted creature in movement, surrounded by abstracted palm tree fronds, the base with painted geometric designs, ht. 8, dia. 11 in. Provenance: Private collection, Columbus, Ohio; Larry Wendt, Arte Primitivo, Santa Monica, California, 1988. $1,200-1,800 44 Pre-Columbian Polychrome Jaguar Vessel, Tiahuanaco, c. 700-900 AD, terra-cotta vessel standing on four tubular legs, tubular tail extended at the back, head with relief facial features and fanged grimace, tall spout extends over the back, (two legs repairs and chips to spout rim), ht. 9 in. Provenance: Private collection, Cambridge, Massachusetts. $300-400 45 Large Chancay Amphora, c. 800-1200 AD, on a rounded base, the neck forming the head with prominent ears, the eyes, nose, and mouth in low relief, with painted arms in chocolate brown, hands holding a cup, in low relief, with two small feet formed toward the base, ht. 18 in.

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39 Colima Spouted Vessel, c. 300 BC-400 AD, the ovoid body with double spout and bridge handle, with bird head and feet at the front, and incised wings on two sides, overall dark red color, ht. 7 1/2 in. Provenance: Private collection, Columbus, Ohio; Robert Duff, Long Beach, California. $2,000-3,000 40 Early Mochica Copper Mask, c. 300 BC-300 AD, the warrior’s head with sunken mouth and eyes, wearing a crescent-form openwork headdress, the headband with remains of loops for attachment of dangles, a doubleheaded serpent arching above with scrollwork body projecting upward, wd. 6 1/2 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, November 20, 1989, Lot 249. $500-700

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41 Vicus Effigy Vessel, c. 100-500 AD, one side depicts a man holding his hands to his chest, with protruding nose, slit eyes and mouth, and a crown-like coiffure, with large circular ear plugs, with a cream slip and geometric negative decoration, ht. 8 1/2 in. Provenance: Private collection, Columbus, Ohio; Sotheby’s, London, December 2, 1980, Lot 3. $2,000-3,000 42 Mogollon Polychrome Pottery Vessel, Wingate, c. 1000-1200 AD, black geometric designs on a dark red ground, ht. 6 1/2 in. Provenance: Private collection, Columbus, Ohio. $400-600

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Provenance: Deaccessioned from a New York City university museum collection. $800-1,200 46 Chancay Painted Anthropomorphic Amphora, c. 800-1200 AD, on a rounded base, the neck with modeled low relief face, painted arms with small attached hands holding a cup, with painted legs and two small attached feet, ht. 16 1/2 in. Provenance: Private collection, Boston, Massachusetts. $1,500-2,000

47 Large Standing Cuchimilco, Chancay, c. 800-1200 AD, classic-type female figure standing on one foot, arms outstretched, the squared head painted in geometric designs, in chocolate brown on white-slipped ground, eyes, nose, and mouth in low relief, with subtle outline of two breasts with nipples on chest, ht. 18 1/2 in. Provenance: Private collection, Boston, Massachusetts. $1,500-2,000


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52 Batak Lute, Karo Batak, northern Sumatra, Indonesia, early 20th century, ornately carved featuring animals and two guardian figures on the end of the neck and a Signa at the base of the body of the instrument, ht. 33 1/4 in.

48 Two Indonesian Ikat Textiles, early 20th century, (traces of paint on one), 60 3/4 x 36 and 103 x 16 1/2 in. $300-400

50 Indonesian Ironwood Post Figure, Sumba, female figure probably atop an architectural element, (age cracks), ht. 15 in. Provenance: Private collection, Austria. $1,500-1,800

49 Indonesian Sword, Java, early 20th century, wood scabbard, hand-forged blade, ornately carved silver and wood handle, lg. of sword 28 1/4 in. $500-700

51 Timor Female Figure, with no feet, standing in a block with bent legs, rounded torso and arms attached by wood pegs, glass bead eyes, the chest engraved with a geometric pattern, ht. 9 1/4 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Leo Brereton collection, New Mexico. $300-500

Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Purchased from the Hurst Gallery, Cambridge, Massachusetts; Boston family collection, collected in the 1920s while on diplomatic posting in Indonesia. $1,500-2,000

53 Batak Lion Effigy Figure, Biang-biang, standing on a raised rectangular block with four truncated bent legs, and supporting an elongated body and columnar neck beneath an oval head, wearing a wide collar below a head projecting from the chest, the body decorated with a scalloped pattern and incised with a triangular motif on the four hips and around the base, light brown patina, lg. 13 3/4, ht. 14 1/2 in. Provenance: Private collection, Canada; Sotheby’s, New York, May 6, 1998, Lot 12; collected on Samosir Island. $3,000-4,000

Online bidding at www.skinnerinc.com

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54 Indonesian Ritual Cloth, Tampan Darat, Lampung, Sumatra, late 19th century, cotton supplementary weft technique, the ground continuously woven of very fine and tightly woven local cotton, the supplementary weft threads of home-dyed cotton interwoven to provide the design element, repeated bird and human motifs both small and large, mounted, 38 1/2 x 35 1/2 in. Provenance: Private collection, Cambridge, Massachusetts; Michael Franses, The Textile Gallery, London. $10,000-15,000

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55 Philippines Textile, Ifugao, c. 1900, a skirt woven in cotton using natural dyes including indigo, 52 1/2 x 28 in. $400-500 56 Philippine Beaded Bag, Kabir, Bagobo, Mindanao, c. 1900, woven with natural fibers and cotton, glass beads decorated the edges and make up a large fully beaded panel on the front, with American flags and crested eagle designs, a number of brass bells surround the panel, with two straps for carrying on the back, 17 x 13 1/2 in. $800-1,200

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57 Philippines Warrior’s Costume, Mindanao, Davao Province, Bagobo, c. 1900 or earlier, comprising an ornately decorated woven banana fiber plain weave jacket, a pair of shorts with bead decoration at the legs, a sword in wood scabbard with beaded drops, a fully beaded belt with metal clasps, a fully bead-decorated bag, and a beaded necklace with three animal hair and two horn drops, jacket 14 x 40, pants 27 1/2 x 18 1/2, lg. of sword 23 1/2 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Skinner, October 17, 1987, Lot 303; The Science Museum of Connecticut, Hartford. $3,000-5,000


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58 Zhen Feng Miao Necklace, early 20th century, metal necklace made up of five crescent sections elaborately engraved with floral and avian motifs, a parrot sits on each end of the crescents, mounted, 14 x 13 3/4 in. Provenance: Private collection, Cambridge, Massachusetts. $500-700

59 Chinese Polychrome Nuo Mask, Sichuan Province, southwestern China, late 19th century, Nuo theater ritual, hollowed out form, exaggerated features, wide open mouth with teeth, pierced eyes, wearing a black decorated hat, ht. 12 in. Provenance: Private collection, Cambridge, Massachusetts: Joe Loux Tribal Art, San Francisco, California. $1,200-1,800

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60 Zhuang Ethnic Minority Silk Embroidered Baby Carrier, Yunnan Province, China, early 20th century, silk satin-stitch embroidery and appliquĂŠ on cotton, with tassels, bells, and metallic ornaments, 31 1/4 x 19 3/4 in. Provenance: Private collection, Cambridge, Massachusetts. $1,000-1,500 61 Chinese Minority Silk Wedding Blanket, Buyi, Southern Guizhou Province, Qiannan area, China, cotton, silk thread, sewn from three strips of cotton ground fabric with discontinuous supplementary weft inlays in cotton and silk, plain cotton cloth border, 51 x 35 1/4 in. Provenance: Private collection, Cambridge, Massachusetts. $1,000-1,500

62 Chinese Minority Silk Baby Blanket, Miao, Guizhou Province, Geyi area, China, with gray peacock motifs, embroidered blanket combines gray, blue, purple, and bronzecolored embroidery floss on a blue-gray plainwoven ground fabric, 33 x 36 1/2 in.

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Provenance: Private collection, Cambridge, Massachusetts. $1,200-1,800 63 Digul River Shield, Irian Jaya, mid-20th century, narrow form with cutout and painted abstract designs on the front, handle attached on the back, lg. 59, wd. 8 1/2 in. Provenance: Joris Visser, Brussels, Belgium. $600-900 64 Wooden Food Pounder, Schouten Islands, Papua New Guinea, mid-20th century, male ancestor figure atop the long pounder, overall black patina, lg. 18 1/2 in. $700-900 65 Ramu River Canoe Paddle, Papua New Guinea, with stylized fish and crocodile motifs decorating the blade, and a finely carved crocodile head for the finial end, lg. 77 1/2 in. Provenance: Private collection, New York City; purchased in London sometime in the 1970s. $1,200-1,800 62

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70 Aboriginal Bark Painting, depicting spiders and webs, painted by Lipundja, at the Milingimbi Methodist Mission, Arnhem Land, June 1967, natural pigments on eucalyptus bark with label verso, (some small holes in the bark), 45 3/4 x 23 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; By descent to the present owners. $1,800-2,600

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66 May River Shield, Papua New Guinea, mid20th century, the front fully decorated with typical May River cut and painted geometric designs, handles on back, 77 1/2 x 16 3/4 in. $800-1,200 67 New Guinea Suspension Hook, Iatmul, Middle Sepik River Province, mid-20th century, old label and inventory number “LE 20” on the back, lg. 25 1/2 in. $300-400

68 Three Ornamental Hair Combs from the Solomon Islands, 19th century, possibly Malaita Island, many segments of dried coconut-leaf midrib, bound together by a decorative lashing of fine coconut fiber in two shades, held by a fine woven band at the middle of the comb, (some loss), lg. 10 1/4, 8 1/2, and 7 3/4 in. $700-900 69 Aboriginal Bark Painting, attributed to George Milpurrupurru (1934-1998), c. late 1960s, “Dupan-Final Rites Ceremony,” natural pigments on eucalyptus bark, (some small holes in the bark), 52 1/2 x 30 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; By descent to the present owners. $1,800-2,600

71 Aboriginal Wunda Shield, Central Desert, Australia, of typical form with grooved linear designs front and back, painted with redochres, 26 1/4 x 7 1/2 in. Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $800-1,200

72 Hawaiian Neck Pendant, Niho Palaoa, early to mid-19th century, walrus ivory, (missing the human hair lei which was used to hang the pendant around the neck), with a rich golden color and smooth patina, lg. 4 in. $3,000-5,000 73 Collection of Hawaiian Tapa Fragments, Kapa, early 19th century, twenty-two pieces of Hawaiian tapa of various types and designs, sizes 2 3/4 x 2 3/4 to 7 x 5 in. Provenance: Private collection, New York City. $800-1,200

Online bidding at www.skinnerinc.com

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74 Hawaiian Tapa Cloth, Kapa, early 19th century, brown color with black pigmented stamped pattern, 75 x 98 in. Provenance: Private collection, New York City. $2,500-3,500

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75 Hawaiian Tapa Cloth, Kapa, early 19th century, light brown with faint repeated patterns, tapa beater pattern clearly evident in the cloth, 63 x 48 in. Provenance: Private collection, New York City. $2,000-3,000

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76 Hawaiian Wood Poi Bowl, early 19th century, kou wood, with a number of cracks which have been stabilized with inserted wood, ht. 5 1/2, dia. 11 in. $1,200-1,800


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77 Austral Islands Paddle, Central Polynesia, mid19th century, overall carved geometric designs, the top with eight stylized heads, square-cut shaft, dark patina, lg. 40 1/2 in. Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $2,500-3,500 78 Maori Nephrite Adze Blade, 19th century, wide blade with polished surface, (two chips to blade edge), 5 1/4 x 3 3/4 in. Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $800-1,200 79 Maori Nephrite Hand Club, Patu, 19th century, the butt end pierced for wrist strap, smooth polished surface, lg. 14 in.

81 Two Tongan Hair Combs, Helu, 19th century, each consisting of a number of segments of dried coconut-leaf midrib, bound together by a decorative lashing of fine coconut fiber and possibly horsehair, lg. 7 1/2 and 7 1/4 in. $500-700

82 Easter Island Figure, Mo’ai Kavakava, 19th century, wood, bone and obsidian, standing, slightly stooped, male human figure with an emaciated body, overall dark brown patina, (missing chip in the head and age cracks), ht. 13 1/4 in. Provenance: Private collection, New York City, New York. $5,000-7,000

Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida; Bailey collection, Maui, Hawaii. $2,500-3,500

83 Fijian Whale Tooth Pendant, Tabua, c. 182040s, sperm whale tooth pendant pierced at either end for suspension, with faint traces of two names inscribed on one side, smooth patina with rich golden color, lg. 7 1/4 in. $800-1,200

80 Model Canoe Prow Ornament, Maori, early 19th century, wood with traces of pigments, carved prow tiki figure for a model canoe, pierced for attachment to the main body of the canoe, lg. 6 in.

84 Fijian Hardwood Throwing Club, Ula, early 19th century, with tavatava carved grip and two holes at the butt for wrist strap, rich dark patina, lg. 15 1/2 in. $300-500

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Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $500-700

Online bidding at www.skinnerinc.com

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93

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103

85 Fijian Hardwood Throwing Club, Ula, late 18th/early 19th century, decorated with many cutout dots along the handle, worn tavatava grip with one small wrist strap hole, dark encrusted patina, lg. 15 3/4 in. $600-900

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86 Bamana Door Lock, Mali, in an abstract human form, with etched geometric pattern on the body of the lock, dark, rich brown patina with white bloom, ht. 15 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; By descent to the present owners. $1,200-1,800

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87 Standing Bronze Bird, Senufo, early 20th century, (lead repair to the back of the bird), ht. 6 3/4 in. Provenance: Private collection, New York City. $300-400


88 Senufo Lizard Carving, stylized carving of a crocodile with long thin neck, exaggerated legs, and a wide flat body with incised abstract designs, long curling tail with deep cut skin patterns, lg. 31 in. Provenance: The Nicholas Rubano collection, New Hampshire. $600-800 89 Senufo Janus Firespitter Helmet Mask, Waniougo, hollowed form with two large animal faces, each with open mouth baring pointed teeth and framed by sets of horns, sharing a raised pointed ear at each side, two chameleons holding a vessel and framed by two snakes at the crest, aged gray-brown patina, lg. 30 in. Provenance: The Nicholas Rubano collection, New Hampshire. $800-1,200 90 Brass Pigment Container, Lobi, early 20th century, lg. 4 3/4 in. Provenance: Private collection, New York City. $200-400 91 Lobi Maternity Figure, with long straight legs, an elongated torso, arms straight at sides, with small pointed breasts, an elongated neck and narrow head with high forehead and abstract topknot, a baby clings to the back with arms outstretched, an overall dry encrusted patina, old collection label verso, ht. 21 1/2 in. $1,200-1,800

92 Bangwa Royal Society Helmet Mask, cylindrical form with three faces carved in relief, the fourth side open, the high domed head surmounted by four projecting heads facing forward above each face, with an overall encrusted patina, some color pigments exposed underneath, ht. 16 3/4 in. Provenance: The Nicholas Rubano collection, New Hampshire; purchased in 1979 from Leonard Kahan Galleries, New York City. $2,000-2,500

93 Mende Helmet Mask, Sowo, the oval face with close-set features, diminutive smiling mouth, pierced slit eyes in incised sockets, thick incised eyebrows, and naturalistic ears, the broad forehead with a rectangular scarification panel surmounted by a headband framing the coiffure, flanked by four curving horns and enclosed by four snakes, dark shiny patina, ht. 13 1/2 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, New York, November 10, 1987, Lot 179. $2,000-3,000 94 Mende Bundu Helmet Mask, from the Sante society, fat rolls on the neck above a heavily pierced rim support the triangular face with downturned mouth, narrow nose, and crescent cutout eyes, all below an open forehead surmounted by an elaborate coiffure with a cylindrical bundle atop, overall black patina, ht. 14 1/2 in. Provenance: The Nicholas Rubano collection, New Hampshire. $1,200-1,800 95 Baga Nalu Polychrome Mask, large face mask of typical elaborate form, with bared mouth, exaggerated nose, surmounted by tall ears and horns, with scrolling openwork projection, with traces of original paint, ht. 63 1/2 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners. $2,000-3,000 96 Yaure Face Mask, hollowed-out form, with a stylized beard perimeter, a small pursed mouth, and long tubular nose dividing elongated slit eyes, the coiffure incised with geometric designs supporting two curved bush cow horns, dark brown/black patina, ht. 13 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners; Pierre Verite, Paris, purchased in 1965. $6,000-8,000 97 Dan Face Mask, pierced around the rim for attachments, with oval face, protruding cutout lips, triangular nose, and pierced crescent eyes, multi-ridged incised coiffure and black glossy patina, ht. 11 1/2 in. Provenance: Private collection, Newton, Massachusetts. $800-1,200

98 Dan Face Mask, hollowed-out form with diamond-shaped mouth inset with metal plugs for teeth beneath the naturalistic nose and pierced slit eyes, with a protruding central ridge on the forehead and braided hair, fine varied dark brown patina, ht. 8 1/2 in. Provenance: The Nicholas Rubano collection, New Hampshire. $800-1,200 99 Dan Face Mask, hollowed-out form with exaggerated beak with animal hair attached, pierced slit eyes and rounded horns, pierced around the rim for attachments, deep brown patina, lg. 17 1/2, wd. 5 3/4 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, New York, Lot 390. $1,200-1,800 100 Bronze Seated Figure of a Chief, Baule, seated figure holds a curved knife in one hand and a head in the other, with inventory number “69/26” and “Baule” painted on the bottom of the chair, ht. 4 3/4 in. Provenance: Private collection, New York City. $400-600 101 Standing Male Baule Figure, the figure stands erect, with the left hand resting on his abdomen, the right holding a long beard, with a high crested coiffure, overall encrusted black patina, ht. 17 1/2 in. $300-500 102 Baule Face Mask, water buffalo form, the head framed by a deep collar pierced for attachments, long snout, with heavy lidded cutout eyes and short horns, overall black patina, ht. 9 1/2, wd. 6 1/2 in. Provenance: The Nicholas Rubano collection, New Hampshire. $500-700 103 Baule Water Buffalo Helmet Mask, with deep circular collar and projecting square jaw, open mouth incised with zigzagging teeth colored with kaolin, long triangular nose and almond-shaped eyes, high forehead, and oval ears, circular horns form a large crescent, painted black, with rattan binding on collar, ht. 17 in. Provenance: The Nicholas Rubano collection, New Hampshire. $1,800-2,600

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111

104 Baule Face Mask, very deep oval collar frames the face, the small mouth with teeth filled with kaolin protrudes below a straight tapering nose and two cutout eyes also highlighted by white kaolin, and two horns with small kaolin-filled ears, with a black painted patina, ht. 11, wd. 8 in. Provenance: The Nicholas Rubano collection, New Hampshire. $700-900 105 Yoruba Divination Chain, linked chain made up of eight unique cast bronze faces, lg. 39 1/4 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Mead Museum of Art, Amherst College; Barry Maurer collection. $300-500

106 Yoruba Gelede Helmet Mask, hollowed-out hemispherical form pierced in two places on the rim, elongated face with protruding mouth and nose, coffee-bean pierced eyes with heavy lids, high protruding eyes under an incised headband, with an enveloping headdress with has an overall cross-cut pattern and bow at rear, rich dark smooth patina, ht. 9 1/2, wd. 11 1/2 in. Provenance: The Nicholas Rubano collection, New Hampshire. $2,000-3,000 107 Female Yoruba Ibeji Figure, standing on a circular base, with raised feet, legs set apart with the arms detached from the body and hands on thighs, sloping shoulders beneath the oval face (well worn), blue pigmented high coiffure, wearing strands of beads around waist, wrists, and neck, brown patina, ht. 10 in. Provenance: Private collection, Newton, Massachusetts. $400-600

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108 Female Yoruba Ibeji Figure, standing on a circular base, with raised feet, legs set apart with the arms detached from the body and hands on thighs, sloping shoulders beneath the oval face, bulging eyes beneath the incised openwork coiffure, wearing strands of beads around waist, wrist, and neck, dark brown patina, ht. 11 3/4 in. Provenance: Private collection, Newton, Massachusetts. $700-900 109 Female Yoruba Ibeji Figure, standing on a circular base, with flattened feet, legs set apart with the arms detached from the body and hands on thighs, sloping shoulders beneath the oval face, with finely incised openwork coiffure, wearing strands of beads around the waist and neck, incised scarification on the torso, dark brown patina, ht. 9 1/2 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, London, March 26, 1990, Lot 105. $800-1,200


110 Male and Female Yoruba Ibeji Figures, each standing on a circular base with flattened feet and incised toes, the angular shoulders below oval faces with typical features, each with incised coiffure, the male wearing an apron held by large hands, the female wearing a number of strands of beads and shells, the male with a bead necklace, ht. female 10 1/4, male 9 1/2 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, London, March 26, 1990, Lot 105. $500-700

111 Bronze Rooster, Benin, 19th century or earlier, with overall dark patina, ht. 7 in. Provenance: Private collection, New York City; purchased in London sometime in the 1970s. $2,000-3,000

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113

112 Ibo Maiden Spirit Helmet Mask, Agbogho Mmuo, the hollowed-helmet form pierced around the rim for attachment of a cloth head covering, the narrow angular face with pointed chin and open mouth, sharp aquiline nose framed by small oval slit eyes and ears pierced through, face painted with white kaolin, raised black eyebrows with scarification star between, and wearing an elaborate triple crested openwork headdress decorated with painted geometric patterns, with one comb protruding from the elaborately decorated coiffure, ht. 18 1/2 in. Provenance: The Nicholas Rubano collection, New Hampshire. Exhibitions: Imaging West Africa in Mask and Costume, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 1994-1995. $2,000-3,000

113 Ibo Maiden Spirit Helmet Mask, Agbogho Mmuo, the hollowed-helmet form pierced around the rim for attachment of a cloth head covering, the narrow angular face with rounded chin and open mouth, sharp aquiline nose framed by small oval slit eyes and ears pierced through, raised black eyebrows with scarification between, and wearing an elaborate single crested openwork headdress decorated with glass, wrapped wire, and metal, with four combs protruding from the elaborate coiffure, encrusted dark brown patina, ht. 19 in. Provenance: The Nicholas Rubano collection, New Hampshire. Exhibitions: Imaging West Africa in Mask and Costume, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 1994-1995. $3,000-5,000

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118 Luango Figurative Carving, Kongo, fashioned from the tooth of a hippopotamus, with seven rings of carved figures, some in Western costume, (small repair at the opening), ht. 10 3/4 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; The Lang Collection, Julia Auctions, July 19, 1999. $1,200-1,800

119 Tabwa Face Mask, Democratic Republic of the Congo, anthropomorphic face mask with cutout mouth and eyes, triangular nose, and protruding ears, incised lines around the eyes and running across the face and up the forehead to the well-defined and detailed coiffure, overall rich brown patina, the present mask one of only three known examples, ht. 12 1/4 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners. $15,000-20,000

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114 Ogoni Face Mask, hollowed-out form with narrow face and small, wide, upwards curved nose, full dark lips, and slit pierced eyes with black painted eyebrows, square cut abstract ears beneath a finely incised black painted coiffure with central ridge, the jaw hinged with fiber, deep brown aged patina, ht. 7 3/4 in. Provenance: The Nicholas Rubano collection, New Hampshire. $1,200-1,800 115 Ogoni Face Mask, Karikpo, pierced around the rim for attachments, with an open heartshaped mouth, wide nose below large cutout eyes, central raised ridge on the forehead, and two angular horns (ends missing), dark encrusted patina, ht. 10 1/4 in. Provenance: The Nicholas Rubano collection, New Hampshire. $700-900

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116 Kneeling Bronze Female Figure, Nigeria, possibly a finial figure from a staff, ht. 9 in. Provenance: Private collection, New York City. $500-700 117 Ibo Male Standing Figure, the attenuated figure stands straight with hands cupped in a gesture to the front, left hand holds a small head, with sloping shoulders beneath an elongated neck and small head with an open mouth below a crested coiffure, block feet with anklets, heavily eroded and encrusted surface, ht. 57 1/2 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners. $2,500-3,500

Additional information and photos at www.skinnerinc.com

120 Ngombe Stool, Democratic Republic of Congo, decorated with a combination of engraved designs, brass trackwork with old coins and ten cutout rectangles, traces of a native repair to the stem, with a dark encrusted patina, ht. 16, wd. 28 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners; Jacques Hautelet, La Jolla, California. $1,000-1,500 121 Luba Headrest, male and female couple, each with one hand on the other’s back, the free hand holding up the headrest together with the coiffure, the figures with large hands and feet, protruding stomachs, and angular faces with open mouths and coffee bean eyes, overall dark brown patina, ht. 5 3/4, wd. 6 1/4 in. Provenance: Mauricio and Emilia Lasansky collection, Iowa City, Iowa; by descent to the present owners. $8,000-12,000


122 Luba-Shankadi Katatora Divination Object, with a flattened head on top featuring the typical cascading coiffure of the Luba, “Katatora” are tools belonging to a soothsayer, who uses them in an attempt to discover the persons responsible for illness, death, or general misfortune, ht. 6 1/4 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Mead Museum of Art, Amherst College; Barry Maurer collection; Marc Leo Felix, Brussels, Belgium, inv. no. FX9383. $1,000-1,200 123 Teke Power Figure, standing on crescentshaped feet, the bent legs tapering into a cylindrical torso with thin arms held at the abdomen, the thick neck supporting the head with large beard, open mouth, wide nose and finely engraved cheeks, buttons in the eyes and surmounted by a circular coiffure with a crest, overall brown patina, ht. 15 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Mead Museum of Art, Amherst College; Barry Maurer collection; Marc Leo Felix, Brussels, Belgium; private French collection; brought back to Europe by Swedish missionaries prior to 1930. $2,000-3,000 124 Yombe Power Figure, diminutive figure with cutout arms placed on the lower abdomen, below the “magic charge” hole, strong neck supports the raised head with glass eyes and engraved coiffure, overall smooth dark brown patina, ht. 6 3/4 in.

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126 Small Lega Mask, oval form with concave heart-shaped facial plane, round holes for mouth and eyes, and raised linear nose, covered with kaolin and with aged patina, ht. 7, wd. 4 1/4 in.

128 Kuba Cloth, Democratic Republic of the Congo, early 20th century, raffia appliqué, natural dyes, 147 x 31 in. $300-400

Provenance: The Nicholas Rubano collection, New Hampshire. $400-600

129 Kuba Cloth, two panels of Kuba cloth, mounted in Plexiglas box, 24 1/2 x 20 1/2 in.

Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Mead Museum of Art, Amherst College; Barry Maurer collection; Marc Leo Felix, Brussels, Belgium; private French collection. $2,000-3,000

127 Kuba Divination Object, in the form of a crocodile, with typical interlocking geometric patterning on either side of the animal, wearing a beaded necklace, complete with the rubbing tool, smooth dark brown patina, lg. 19 in.

125 Konda Sword and Scabbard, Congo, hilt and scabbard in wood, decorated on one side with brass tacks, wire on handle, lg. in scabbard 19 1/2 in.

Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; purchased from the Bernheimer Gallery, Cambridge, Massachusetts, in 1975.

Provenance: Private collection, Newton, Massachusetts; Norman Hurst Gallery, Cambridge, Massachusetts. $700-900

Provenance: The Nicholas Rubano collection, New Hampshire. $200-400

Exhibitions: Springfield Museum of Arts, 1995-1996; Middlebury College Museum of Art, 1996. $800-1,200

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Property from the Northampton County Historical & Genealogical Society, Easton, Pennsylvania Lots 130–214

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130 Central Plains Beaded Hide Child’s Moccasins, Lakota, fourth quarter 19th century, the hard-sole buffalo hide forms with multicolored geometric devices, lg. 7 in. $300-500

131 Southern Cheyenne Beaded Hide Man’s Moccasins, c. 1880s, with long heel fringe, fringe off the vamp, painted with yellow pigments, and beaded with multicolored geometric designs on a white background, lg. 11 in. Provenance: Inscribed on one sole “A 103 v.1 Cheyenne Indians 1896.” $1,500-2,000

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132 Kiowa Beaded Hide Man’s Moccasins, third quarter 19th century, partially beaded with multicolored geometric designs in two rows and on the vamp, the soft hide painted blue, with long fringed on heel and vamp, cuffs edged with white beads, lg. 10 3/4 in. excluding fringe. $1,200-1,800 133 Apache Beaded Hide Child’s Moccasins, c. 1880s, raw-hide leather soles, soft leather uppers, with simple beaded design on each moccasin, lg. 7 3/4 in. each. Provenance: From the Swift collection. $200-300

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134 Cree Silk-embroidered Hide Moccasins, c. late 19th century, the vamp with multicolored floral designs, large cuffs and long hide laces, lg. 9 1/2 in. $200-400 135 Great Lakes Beaded Cloth and Hide Moccasins, Ojibwa, late 19th century, softsole forms with multicolored floral devices on the cloth vamps and cuffs, (wear, and loss to silk edging), lg. 10 1/4 in. $200-400


132

136 Central Plains Beaded Hide Pipe Bag, Lakota, fourth quarter 19th century, the soft hide bag with roll-beaded opening and two lanes of beadwork down each side to the panel, the panel with multicolored geometric devices on a white ground, with three beaded triangular tabs, (missing most of the tin cone danglers and one tab detached), lg. 21 1/2 in. $800-1,200

137 Central Plains Beaded Hide Pipe Bag, c. late third quarter 19th century, the soft hide form, the top roll-beaded with single narrow strip on either side, terminating at the beaded panel, with feather designs above and geometric pattern below, with very long partially quill-wrapped fringe, lg. of bag without fringe 18 1/4 in. Provenance: Inventory number MR 802; from the Swift collection. $1,000-1,500

138 Central Plains Beaded Hide Pipe Bag, Lakota, c. fourth quarter 19th century, rollbeaded at the top, the beaded panel with early multicolored geometric design on a white ground on both sides, the letters “JCE� in blue triangles atop one panel, multicolored quill-wrapped parfleche rawhide slats and hide fringe from the bottom, lg. 27 1/2 in. $1,000-1,500 139 Central Plains Quilled Hide Pipe Bag, Sioux, fourth quarter 19th century, soft hide, roll-beaded at the top, with quill side strip running to central quilled panel, multicolored quill-wrapped parfleche rawhide slats and hide fringe from the bottom, (minor quill loss), lg. 41 1/2 in. $800-1,200

137

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146

140 Lakota Beaded Hide Pipe Bag, fourth quarter 19th century, the soft hide bag beaded with geometric designs on blue background, with quill-covered slats made from a parfleche, (some quill loss), lg. 31 1/2 in. $1,000-1,500 141 Lakota Beaded Hide Pipe Bag, fourth quarter 19th century, the soft hide bag beaded with geometric designs on two different colored backgrounds: one green, one ochre, with four beaded tabs to the fringe, lg. 24 1/2 in. Provenance: Inventory number MR 802. $1,000-1,500

142 Plains Beaded Hide Possible Bag, Lakota, c. fourth quarter 19th century, beaded on the front, sides, and flap with multicolored geometric designs done in glass seed beads, tin cone and horsehair danglers, (some tin cone danglers loose within the bag), 13 x 19 in. Provenance: From the collection of William M. Davis. $1,200-1,800 143 Plains Beaded Hide Possible Bag, Lakota, c. fourth quarter 19th century, beaded on the front, sides, and flap with multicolored geometric designs done in glass seed beads, tin cone and horsehair danglers, (some tin cone danglers loose within the bag), 14 x 24 in. Provenance: From the collection of William M. Davis. $1,200-1,800

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144 Crow Beaded Hide Possible Bag, fourth quarter 19th century, beaded on the front in a striped design, with two triangular beaded hide drops at each bottom corner, 8 x 13 1/2 in. Provenance: Inventory number MR 802. $800-1,200 145 Cheyenne Beaded Hide Bag, fourth quarter 19th century, possibly made from a legging, beaded on both sides with a classic bar design, fringed top and bottom, lg. 11 1/4 in. Provenance: Inscribed at top “Cheyenne Indians 1896 A103 v.1.� $500-700


146 Lakota Beaded Hide Cradle, fourth quarter 19th century, lined with printed cotton and beaded with multicolored geometric designs, with American flag on the tab which is made from a parfleche and fringed with bugle beads and brass hawkbells, lg. 22 1/2 not including tab, wd. 13 in. Provenance: Inventory no. 71.15.9. $3,000-5,000 147 Small Cheyenne Beaded Hide Knife Sheath, fourth quarter 19th century, fully beaded on one side with multicolored geometric designs using small seed beads, lg. 6 1/4 in. $400-600

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148 Southern Plains Leather Knife Sheath, possibly Apache, c. third quarter 19th century, made from commercial leather, with copper rivets along one edge, with three-color beaded designs and round leather and beaded drop (has come away from the sheath), lg. 11 1/2 in. $800-1,200 149 Plateau Cornhusk Bag, late 19th century, the natural fiber with geometric designs in colored yarns on both sides, 12 1/4 x 9 3/4 in. Provenance: Inventory number A103 V1. $800-1,200

150 Plateau Beaded Model Cradle with Doll, fourth quarter 19th century, cloth-covered tapered wood frame, fully beaded with multicolored floral devices, roll-beaded protective bar with trade bead attachments, the doll with horsehair and beaded details, wearing leather boots and a necklace with an engraved abalone pendant, lg. 18 1/2 in. $3,000-5,000 151 Central Plains Beaded Armband, fourth quarter 19th century, bead-decorated deerskin with quill-wrapped danglers with tin cones, lg. 5 3/4, wd. 1 1/8 in. $200-300 152 Central Plains Beaded Hide Strip, fourth quarter 19th century, complete beaded strip on hide, lg. 21 1/2, wd. 1 1/4 in. $300-400

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153 Collection of Twenty-five Plains Arrows, 19th century, two with stone heads, three with metal heads, lg. 21 to 34 1/2 in. $300-500

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154 Two Central Plains Skull Cracker Stonehead Clubs, fourth quarter 19th century, each wood handle and stone head wrapped in rawhide, the ends with animal hair attached, both decorated with rings of trade beads, one with two bird feet and museum number “74 v.1,” lg. not including hair 13 3/4 and 12 3/4 in. $500-700

155 Plains Tacked Wood Quirt, third quarter 19th century, tack-decorated, with hide and animal skin wrist strap and plaited leather strips, smooth dark patina, (some tacks missing), lg. of handle 12 in. Provenance: Inventory no. MR 807. $800-1,200 156 Southern Plains Bead-decorated Bridle, mid-19th century, headstall with two beaded leather attachments, remnants of the reins attached, lg. of beaded strips 11 1/2 in. $800-1,200 157 Central Plains Horn Spoon, Sioux, late 19th century, handle wrapped in colored quills, with quill-wrapped leather straps, lg. of spoon 8 in. $100-200 158 Large Central Plains Bighorn Ladle, Lakota, 19th century, with old paper label “Easton Library Company,” lg. 19 3/4 in. $400-500

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159 Two Plains Hand Drums, Potawatomi, Kansas, fourth quarter 19th century, hide stretched around bark frames with sinew strapping, traces of pigments on the front of the larger, red painted design on inside of smaller drum (tear), dia. 9 and 7 1/4 in. $400-600 160 Plains Sinew-backed Wood Bow, c. early fourth quarter 19th century, double curved bow with sinew strapping and original twisted sinew string intact, traces of pigment and black line decoration front and back, lg. 40 in. Provenance: Inventory number MR 732 on inside. $300-500

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161 Plains Apache Hide Bow Case, Bow, and Quiver, c. 1870s, undecorated hide bow case and quiver with wide strap and fringed ends, includes a sinew-backed bow, lg. of bow case 46, lg. of quiver 28 in. $1,200-1,800

162 Central Plains Beaded Hide Bow Case, Bow, and Quiver, c. early fourth quarter 19th century, detailed with four long fringe treatments at the ends of each beaded panel, the beaded panels with green, navy and “greasy” yellow hourglass devices on a red/ pink ground, the double curve sinew-backed bow is painted on one side, with some quill wrapping and original twisted sinew string, lg. of bow case 36 1/2, lg. of bow 46 in. $5,000-7,000 163 Central Plains Catlinite Pipe Bowl, fourth quarter 19th century, lg. 3 1/2 in. $200-300 164 Large Central Plains Catlinite Pipe Bowl, late 19th century, with “Dakota” written on the top end, lg. 9 1/8 in. $400-600

165 Central Plains Catlinite Pipe Bowl, fourth quarter 19th century, horse effigy bowl, decorated with lead inlay around the head, lg. 4 1/4, ht. 3 1/4 in. $500-700

169 Catlinite Tomahawk Pipe Bowl and Stem, c. 1900, tomahawk bowl with etched star and moon motifs, stem with etched floral, heart, arrow, and horseshoe devices to sides, lg. 16 in. $300-500

166 Central Plains Catlinite Pipe Bowl, mid to late 19th century, decorated with lead inlay, museum inventory number “80.2.2” painted on underside, lg. 4 5/16, ht. 4 in. $800-1,200

170 Central Plains Catlinite Horse Pipe Bowl and Stem, late 19th century, the bowl in the form of a galloping horse with saddle, stem decorated with areas of fine geometric incising, lg. of bowl 6 3/4, lg. of stem 13 in. $800-1,200

167 Central Plains Ash Pipe Stem, Lakota, third quarter 19th century, wood form bound with sinew at either end, lg. 21, wd. 2 1/4 in. $400-500

168 Plains Quill-decorated Ash Pipe Stem, c. third quarter 19th century, decorated with plaited wrapped quillwork and wrapped horsehair halfway down the stem, (quillwork loose at end), lg. 39 1/4 in. $1,800-2,600

171 Plains Wood and Brass Pipe Tomahawk, fourth quarter 19th century, the ovoid wood handle pierced for smoking, with file brand decoration and raised bands running along the length of the handle, cast brass head, lg. 27 1/4, lg. of head 8 1/2 in. Provenance: Inventory no. 80.2.2. $800-1,200 172 Eastern Plains Lacrosse Stick, late 19th century, hide-wrapped wood stick, (netting gone), lg. 21 in. $200-300

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173

178

173 Great Lakes Quill-decorated Bag, mid-19th century, decorated with one panel of quillwork with square and cross motif below, edges with beads (some missing), 11 1/4 x 5 in. Provenance: Swift collection. Inventory no. MR 802 v.3. $1,200-1,800 174 Great Lakes Beaded Garter, Chippewa Ojibwe, fourth quarter 19th century, loombeaded garter with multicolored geometric patterning, lg. 24, wd. 2 1/2 in. $300-400

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175 Great Lakes Beaded Garter, Chippewa Ojibwe, fourth quarter 19th century, narrow loom-beaded garter with multicolored geometric patterning, with long hide end ties, lg. of beaded strip 13 in. $300-400

177 Iroquois Beaded Cloth Hat, c. late 19th century, multicolored foliate and geometric designs on fabric with green velvet crest, 4 x 6 in. $300-500

176 Great Lakes Beaded Garter, Chippewa Ojibwe, fourth quarter 19th century, loombeaded garter with multicolored geometric patterning, lg. 16, wd. 2 1/4 in. $300-400

178 Upper Great Lakes Beaded Bag, mid to late 19th century, black or dark indigo blue stroud cloth bag, with polished cotton interior lining, smaller white beads outline the entire edge front and back, front and back beaded in a multicolored floral pattern over most of the surface, below the bag is a multicolored beaded panel, with multiple woolen tabs below, (minor fringe bead loss), 17 x 7 1/2 in. $600-900

Additional information and photos at www.skinnerinc.com


179 Great Lakes Decorated Puzzle Bag, late 19th century, deerskin with silk embroidered designs on both sides, 8 1/2 x 4 1/2 in. $200-300 180 Great Lakes Beaded Bag, c. third quarter 19th century, cloth backed with floral beaded designs, (minor fringe loss), 9 1/2 x 6 in. $400-600 181 Great Lakes Beaded Cloth Bandolier Bag, fourth quarter 19th century, cloth backed, beaded with stylized leaves and geometric devices on a white ground, lower panel with multicolored geometric designs, tabs with wool tassels from the bottom, (missing panel above the pouch), lg. 36 in. $500-700 182 Northeast Deerskin and Silk Wall Bag, 19th century, decorated with silk embroidered floral motifs, 9 1/2 x 7 1/2 in. $800-1,200 183 Northeast Moose Hair-embroidered Birch Bark Card Case, Huron, c. third quarter 19th century, decorated with foliate designs on both sides, 3 3/4 x 2 3/4 in. $150-250 184 Eskimo Hunting Harpoon, 19th century, wood shaft with two-piece walrus ivory point and three barbed walrus ivory points halfway down the shaft, partly attached with fiber, cut in two halfway and reattached with metal collar, lg. 63 1/2 in. Provenance: Inventory no. 82.5.4. $500-700 185 Two Flint-tipped Siberian Arrows, 19th century, wooden shaft with wrapped flint points, one has inscription in ink “stone arrow...Siberia,” lg. 17 1/4 in. Provenance: Inventory nos. 80.2.5.1 and 80.2.5.2. $200-400

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186 Chimayo Wearing Blanket, c. 1880s, handspun wool, red background with black, light red, and natural colored lines and designs with central whirling log motif, 69 1/2 x 33 3/4 in. $800-1,200

187 Navajo Rug, c. early 20th century, with a multicolored concentric diamond design on a variegated background, bold zigzag border, natural and synthetic dyed homespun wool, (some edge and corner loss), 94 x 55 in. $600-900

188 Cochiti Pottery Figure, late 19th century, sitting figure with hands on knees, inventory number “MR 802” painted on bottom of figure, ht. 7 1/2 in. $300-500 189 Tesuque Pueblo Rain God Figure, c. 1890/1900, clay fired figurine with arms across the chest, ht. 6 1/2 in. $300-500

Online bidding at www.skinnerinc.com

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207

194 Northwest California Polychrome Basketry Hat, Hupa, late 19th century, with three separate areas of decoration on the rim, body, and crown, ht. 4 1/4, dia. 6 1/2 in. $300-400

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190 Southwest Black-on-black Pottery Vessel, San Ildefonso, double spout with handle, unsigned, ht. 9 3/4 in. $200-400 191 Southwest Blackware Polished Vessel, San Ildefonso, unknown maker, black polished with long neck, flared rim and three bear paw imprints on neck, ht. 11 1/2 in. $300-500

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192 Small Zuni Polychrome Pot, c. 1890s, decorated in black and red on a cream slip, with overall craquelure to the surface, ht. 5 in. $400-600

193 Zuni Polychrome Pottery Jar, c. 1900, decorated with three splayed frogs and six tadpoles in brown and red on cream slip, ht. 6 1/2, wd. 9 1/4 in. $2,500-3,500

Additional information and photos at www.skinnerinc.com

195 Northwest California Polychrome Basketry Hat, Hupa, late 19th century, with three separate areas of decoration on the rim, body, and crown, with museum label inside: “MR 802, III A,� ht. 4, dia. 6 1/4 in. $300-400 196 California Twined Basketry Mat, c. 1900, 8 1/2 x 12 in. $200-300 197 California Miniature Basket, Pomo, c. 1900, with a repeated tiered geometric design, ht. 1 3/4, dia. 4 3/4 in. $100-200


198 California Miniature Beaded Basket, Pomo, c. 1900, decorated with four beaded geometric designs and traces of feathers, ht. 1 3/4, dia. 3 1/4 in. $200-300 199 Southeast Double-weave Twill-plaited Lidded Basket, Chitimacha, early 20th century, carba or square-cornered covered basket, rivercane with natural dye colors, ht. 7 in. $400-600 200 Southwest Polychrome Basket with Beads, Pima, late 19th century, rim decorated with glass beads, museum label on the bottom: “MR 802 v. III,” ht. 5, dia. 7 1/4 in. $400-600 201 Pima Coiled Basketry Bowl, c. late 19th century, flat bottom, the flared-sided form with linked diamond design, rim decorated with large blue glass beads, (some beads missing), ht. 5 1/2, dia. 11 3/4 in. $500-700

202 Southwest Basketry Olla, Tohono O’odham, c. 1900, decorated with an intricate geometric design, ht. 9, wd. 9 1/4 in. $2,000-3,000 203 Southwest Coiled Basketry Wedding Plaque, Hopi, early 20th century, dia. 11 1/2 in. $200-400 204 Southwest Twined Seed Jar, Western Apache, c. 1900, museum label “MR 802” attached, ht. 10 1/2 in. $200-400 205 Large Southwest Coiled Basketry Wedding Plaque, Hopi, early 20th century, dia. 14 3/4 in. $300-400 206 Southwest Plaited Wicker Tray, Hopi, late 19th century, with white kaolin clay and natural dye design, ht. 1 3/4, dia. 11 1/2 in. $300-400

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207 Southwest Coiled Basketry Tray, Apache, c. 1900, a pictorial form with four figures separated by geometric devices, traces of a label on the bottom, ht. 3 1/4, dia. 11 1/2 in. $1,200-1,800 208 Large Southwest Twined Seed Jar, Western Apache, c. 1900, (slight damage at the opening), lg. 17 1/2 in. $300-400

209 Large Apache Polychrome Basketry Olla, c. late 19th century, with high round shoulder and flared rim, woven in a complex diamond latticework pattern and checkered geometric devices, unusually large, ht. 23 1/4, wd. to 22 in. $12,000-18,000 210 Northwest Coast Imbricated Basket, Salish, late 19th century, with museum inventory label on the bottom: “MR 802,” ht. 7 1/2, wd. 11 1/4 in. $100-200

211 Northwest Coast Imbricated Basket, Salish, late 19th century, probably used as a storage basket, ht. 8 3/4, wd. 14 in. $300-500 212 Small Northwest Coast Imbricated Basket, Salish, late 19th century, probably used for berry picking, ht. 6 1/4, wd. 10 1/4 in. $300-400 213 Northwest Coast Twined Rectangular Basket, Nuu-chah-nulth, c. 1900, decorated with two geometric bands, ht. 5 1/2, wd. 8 3/4 in. $200-300 214 Northwest Coast Imbricated Basket, Salish, late 19th century, probably used as a storage basket, (some rim damage and loss), ht. 10 1/4, wd. 16 in. $300-400 End of the Northampton County Collection

Online bidding at www.skinnerinc.com

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217 Pair of Plains Beaded Moccasins, Lakota, fourth quarter 19th century, with geometric in mainly blue and green on white background, with thick buffalo hide soles, with forked tongue terminating in tin cones and horsehair, lg. 10 3/4 in. Provenance: Private collection, Oyster Bay, New York; purchased at Sotheby’s, New York. $800-1,200 218 Pair of Fully Beaded Plains Moccasins, Lakota, fourth quarter 19th century, beaded sole form with multicolored geometric designs on a white ground, with long beaded tongues ending in tin cones and colored horsehair, lg. 10 1/2 in.

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215 Western Sioux Beaded Hide Moccasins, c. 1880, resolved moccasins with flaps decorated on the upper part by lazy-stitch beads organized in two white triangles dotted with blue beads on red background, a frieze of blue, yellow, and red geometric patterns on the periphery of the sole, lg. 9 1/2 in. Provenance: Private collection, Long Island, New York. $400-600

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216 Pair of Plains Beaded and Quilled Hide Moccasins, fourth quarter 19th century, with three lanes of white beads wrapping each moccasin, up the heel and across the top of the tongue, dyed quill crosses decorate the sides, quillwork covers the vamps, the tongue is comprised of quill-wrapped parfleche slats that terminate in feather-stuffed tin cones, lg. 10 in. Provenance: Private collection, Long Island, New York; Estate of Thomas W. Lorimer. $800-1,200

Additional information and photos at www.skinnerinc.com

Provenance: Private collection, Oyster Bay, New York. $1,500-2,000 219 Two Pairs of Plains Beaded Moccasins, Sioux, c. third quarter 19th century, well used with reconstituted buffalo hide parfleche on the soles, (minor bead loss), lg. 10 and 10 1/2 in. Provenance: Private collection, Long Island, New York; The Karl May Museum, Radebeul, Germany. $1,500-2,000


222 Plains Cree Beaded Hide Moccasins, c. 1880, soft-sole forms beaded with geometric designs on a blue ground and high cuffs, lg. 10 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,200-1,800 221

223 Pair of Northeast Beaded Cloth and Leather Moccasins, Caknowagga tribe, outside Montreal, Canada, fourth quarter 19th century, with multicolored abstract designs, (some bead loss), lg. 10 in. Provenance: Private collection, Oyster Bay, New York. $300-500 224 Central Plains Beaded Hide Awl Case, Sioux, c. 1880s, striped beaded designs with four leather tassels attached to the cover and four leather tassels at the bottom, (minor bead loss), lg. including tassels 12 1/2 in. Provenance: Private collection, Long Island, New York; Richard Pohrt Jr., Ann Arbor, Michigan. $400-600

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225 Central Plains Beaded Awl Case with Awl, Sioux, c. fourth quarter 19th century, with striped design and three long beaded tabs from the bottom and flap terminating in tin cones with yellow hair, lg. including tabs 21 in. Provenance: Private collection, Long Island, New York. $400-600

220 Cheyenne Beaded Child’s Moccasins, c. 1900, with rawhide soles and hide uppers, beaded with multicolored geometric designs, and traces of yellow pigment, lg. 6 in. Provenance: Private collection, Long Island, New York; Wheelwright Museum of the American Indian, Santa Fe, New Mexico. $500-700

221 Apache Beaded Hide Man’s Moccasins, early fourth quarter 19th century, with rawhide soles, heel beadwork, and stained with yellow, the vamps with a long row of tin cones and two lanes of beadwork, beaded tongues, lg. 10 in. $1,500-2,000

226 Central Plains Beaded Hide Awl Case, Sioux, c. 1880s, with beaded circular patterns running the length of the case and the four long tassels, each tassel terminates in small tin cones, lg. including tassels 22 1/4 in. Provenance: Private collection, Long Island, New York. $400-600

Online bidding at www.skinnerinc.com

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Additional information and photos at www.skinnerinc.com

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227 Central Plains Beaded Awl Case, Lakota, c. late 19th century, with four circular bands and two long quill-wrapped drops, lg. of case 7 1/4 in. Provenance: Private collection, Long Island, New York. $400-600 228 Central Plains Beaded Hide Awl Case, Sioux, c. fourth quarter 19th century, with beaded circular design and one long quillwrapped drop, lg. of case 6 3/4 in. Provenance: Private collection, Long Island, New York. $400-600

233 Plains Beaded Leather Strike-a-Lite Pouch, Arapaho, c. 1880s, in commercial leather, rectangular form beaded on the front with multicolored geometric devices on a green background, hide thongs with large beads, with tin cone danglers, (the flap detached), lg. 5 3/4 in. Provenance: Private collection, Oyster Bay, New York. $1,200-1,800 234 Southwest Beaded Hide Strike-a-Lite Pouch, Arapaho, c. fourth quarter 19th century, beaded on the front and flap with multicolored geometric designs, edge-beaded tabs and small tin cone danglers from the bottom, lg. including cones 5 1/2 in.

229 Cheyenne Beaded Awl Case, c. late 19th century, the commercial leather case and hide suspensions beaded in a striped design using multicolored seed beads, lg. 10 3/4 in.

Provenance: Private collection, Long Island, New York; James Economos Gallery, Santa Fe, New Mexico. $800-1,200

Provenance: Private collection, Long Island, New York. $700-900

235 Southwest Beaded Hide Strike-a-Lite Pouch, Apache, c. last quarter 19th century, beaded on the front with multicolored geometric designs, large hand-cut button and tin cone danglers from the bottom, lg. including cone fringe 5 3/4 in.

230 Plains Beaded Commercial Leather Strikea-Lite Pouch, fourth quarter 19th century, the front beaded with stepped triangles on a white ground, the back with beaded strip on three sides, tin cone danglers on flap and at bottom, 6 1/2 x 4 in. $700-900 231 Southwest Beaded Hide Strike-a-Lite Pouch, Sioux, c. fourth quarter 19th century, on commercial leather, beaded on the front and flap with multicolored geometric designs, edge beaded tabs and tin cone danglers from the bottom, with two twisted tassels at each lower corner, (some cones missing), lg. including cones 6 1/2 in. Provenance: Private collection, Long Island, New York; estate of Thomas W. Lorimer. $800-1,200 232 Plains Beaded Commercial Leather Strikea-Lite Pouch, Cheyenne, fourth quarter 19th century, the hourglass form beaded on the front, with hide tassels, lg. 6 in. Provenance: Private collection, Oyster Bay, New York. $800-1,200

Provenance: Private collection, Long Island, New York; Wheelwright Museum of the American Indian, Santa Fe, New Mexico. $600-900 236 Plains Beaded and Quilled Hide Pipe Bag, Lakota, fourth quarter 19th century, beaded on both sides with multicolored geometric designs on a white background, quill-wrapped rawhide slats and fringe from the bottom, lg. 30 in. Provenance: Private collection, New York City. $1,800-2,600

239 Plains Beaded Hide Pipe Bag with Strikea-Lite Pocket, Lakota, c. 1880s, the soft hide bag has a matching beaded strike-a-lite pouch with two elk teeth at the top, with multicolored beaded panels on each side, long fringe with beads at the base, lg. 28 in. Provenance: Private collection, Oyster Bay, New York. $4,000-6,000 240 Sioux Beaded and Quilled Hide Pipe Bag, Yankton Sioux, c. fourth quarter 19th century, the soft hide bag roll-beaded at the top with one lane of beadwork descending to a lower panel beaded on both sides, one side with box, cross and border in red, dark blue, and greasy yellow on a blue ground, the other side with multicolor geometrics on the blue ground, polychrome quilled rawhide slats and fringe from the bottom, three quill-wrapped danglers with cones along with a beaded roundel, lg. overall 39 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, Sale 6537, Lot 424. $2,500-3,000 241 Plains Beaded and Quilled Hide Pipe Bag, Sioux, c. late 19th century, with storm mountain beaded pattern on both sides, polychrome quilled rawhide slats and fringe from the bottom, lg. overall 29 in. Provenance: Private collection, Long Island, New York. $1,000-1,500 242 Plains Cree Beaded Hide Pipe Bag, c. last quarter 19th century, the tab-top form with multicolored beaded floral devices on a blue ground panel both sides, twisted hide fringe from the bottom, (minor bead loss), lg. overall 34 in.

237 Plains Beaded Hide Bag, fourth quarter 19th century, drawstring hide bag beaded on both sides, lg. 7 3/4 in.

Provenance: Private collection, Long Island, New York. $800-1,200

Provenance: Private collection, Oyster Bay, New York. $200-400

243 Northern Plains Beaded Hide Pipe Bag, Cree, c. 1880s, the tab-top form with beaded panels on both sides decorated with multicolored floral designs on a white ground, long fringe, lg. 29 in.

238 Plains Beaded Hide and Quill Pipe Bag, Lakota, c. 1900, soft hide bag beaded with multicolored geometric designs on both sides of a wide panel, multicolored quilled rawhide slats and fringe from the bottom, lg. 32 1/2 in.

Provenance: Private collection, Oyster Bay, New York. $1,200-1,800

Provenance: Private collection, Oyster Bay, New York. $1,200-1,800

Online bidding at www.skinnerinc.com

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244 Plains Beaded Pictorial Tobacco Bag, fourth quarter 19th century, soft hide bag with panel decorated with a star and two crossed American flags, three triangle drops with tin cones and colored horsehair, lg. 18 3/4 in. Provenance: Private collection, New York City. $1,200-1,800 245 Plains Beaded Hide Tobacco Bag, Lakota, western Sioux, c. 1880s, native tanned hide, roll beaded top with descending three row beaded edgework, the lower panel with geometric devices topped with a coup feather, teepee and cross devices, bead colors include faceted metallic, dark blue, white heart red, apple green, and cobalt blue on a white ground, the lowest panel of aniline-dyed quillwork with fringe, (stiffness to leather), lg. without fringe 21 in. Provenance: Private collection, Long Island, New York; Skinner, March 14, 1992, Lot 189. $1,800-2,600

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246 Two Northern Plains Beaded Hide Paint Bags, Sioux, c. 1890s, the smaller with simple beaded designs on both sides with beaded handle and traces of red-ochre inside bag, the other with same beaded design on each side, quill-wrapped danglers and red pigment inside bag, lg. 4 and 6 1/2 in. Provenance: Private collection, Long Island, New York; Wheelwright Museum of the American Indian, Santa Fe, New Mexico. $1,000-1,500 247 Northern Plains Beaded Hide Mirror Bag, c. 1870, with traces of red ochre overall, the front beaded with a central hourglass design, the back with green and pink stripes, remnant fringe at the bottom, 5 x 12 in. including fringe. $1,000-1,200

248 Pair of Plains Beaded Buffalo Hide Storage Bags, fourth quarter 19th century, each sinew sewn in yellow, green, black, and translucent red against a white glass beaded ground, with small diamond and pairs of confronted arrow-feathers enclosing crosses, concentric rectangles on the sides, trimmed with tin cone and black horsehair pendants, lg. 11 and 10 1/2 in.

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Additional information and photos at www.skinnerinc.com

Provenance: Private collection, Long Island, New York; Sotheby’s, New York, May 23, 1995, Lot 427. $4,000-6,000


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249 Plains Beaded Hide Possible Bag, Lakota, fourth quarter 19th century, beaded on the front, sides, and flap with multicolored geometric designs done in glass seed beads, tin cone and horsehair danglers, (minor bead loss, a few minor hide tears), 15 1/4 x 21 1/2 in. $800-1,200 250 Northern Plains Beaded Whetstone Case, fourth quarter 19th century, beaded on hide with tin cone drops at the bottom, and large brass beads on a leather thong on the back, lg. 12 in. Provenance: Private collection, Long Island, New York; Richard Pohrt Jr., Ann Arbor, Michigan. $400-600

251 Plains Beaded Commercial Leather Dispatch Bag, Arapaho, c. 1880s, decorated on the front and sides with multicolored abstract geometric devices, the back with one panel of beadwork at the bottom, the flap and back decorated with a stitched design, silver button on the flap, lg. 12, wd. 6 1/4 in. Provenance: Private collection, Oyster Bay, New York. $4,000-6,000

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252 Ute Beaded Hide Tab Bag, c. 1880, the flap and front decorated with multicolored geometric designs, lg. 11 1/2 in. Provenance: Private collection, Oyster Bay, New York. $3,000-4,000 253 Small Plains Beaded Hide Knife Case, Lakota, c. 1880s, fully beaded with geometric designs on a white ground on the front and partially beaded on the back, with two hide edge-beaded drops terminating in tin cones and horsehair, with an Askham & Moseforth, Sheffield, knife, lg. 7 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,500-1,800

254 Plains Beaded Hide Knife Case, Lakota, c. 1880s, with buffalo hide liner, the front fully beaded with blue background, central tin cone fringe, with an unmarked knife, lg. 9 3/4 in. Provenance: Private collection, Oyster Bay, New York. $3,000-4,000

Online bidding at www.skinnerinc.com

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255 Plains Quilled Knife Case, Lakota, c. 1870, quill-decorated front on soft hide, with central tin cone fringe and long quill wrapped drops, includes antler handle knife, lg. of case 9 3/4 in. Provenance: Private collection, Oyster Bay, New York. $4,000-5,000 256 Great Lakes Beaded Knife Sheath, fourth quarter 19th century, beaded on one side with floral designs, with long hair drop, lg. without drop 13 1/2 in. Provenance: Purchased at Sotheby Parke Bernet, New York, sometime in the 1980s, Lot 021; Private collection, New York City. $400-600

257 Athabascan Knife Case, c. 1880s, on moose hide, with beaded decoration on the front, and a tin end, lg. 11 1/2 in. Provenance: Private collection, Oyster Bay, New York. $800-1,200

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258 Lakota Beaded Hide Blanket Strip, fourth quarter 19th century, with four rondels and multicolored geometric designs as well as stars, dragonflies, butterflies, flowers, and American flags on a white background, lg. 83, dia. of rondels 7 1/4 in. $1,800-2,600 259 Lakota Beaded Hide Pictorial Vest, c. fourth quarter 19th century, beaded on front and back with bold geometric designs and four flags with abstract designs, 11 x 11 1/4 in. Provenance: Private collection, Long Island, New York; purchased from a New York historical society. $800-1,200 260 Sioux Pictorial Buffalo Hide Beaded Vest, fourth quarter 19th century, stitched in translucent red, three shades of blue, and yellow on white beaded ground with Parnell band along the perimeter, eight teepees on the front, two on each side, and eight on the back, lg. 18 1/2, wd. 16 1/4 in. Provenance: Private collection, Long Island, New York. $1,200-1,800

Additional information and photos at www.skinnerinc.com

261 Plains Beaded Hide and Cloth Pictorial Vest, Sioux, fourth quarter 19th century, cloth-lined and fully beaded on both sides with four abstract emblems and the word “scout” on the front, and two dismounted equestrian warriors each holding an American flag, with two stylized eagles on the back, dia. 20 x 16 1/2 in. $4,000-6,000 262 Central Plains Beaded Hide Child’s Dress, 20th century, bead- and fringe-decorated soft hide dress, 19 x 16 in. Provenance: Private collection, New York City. $200-400

263 Plains Pictorial Beaded Hide Legging, Sioux, fourth quarter 19th century, fringed main panel decorated with four warriors on horseback, wearing feather bonnets, old label reads “Sioux near White river, S Dakota,” lg. of main panel 20 1/4 in. Provenance: Purchased at Sotheby Parke Bernet, New York, sometime in the 1980s, Lot 113; Private collection, New York City. $1,800-2,600


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Online bidding at www.skinnerinc.com

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264 267

264 Nez Perce Beaded Cloth Model Cradle, fourth quarter 19th century, cloth-wrapped board with geometric beaded panels, the larger backed on leather, tooled and brass tacked leather panel at the feet end, lg. 26 1/2 in. $5,000-7,000

265 Plains Hide Beaded Cradle, Lakota, c. fourth quarter 19th century, the rawhide tab with differing multicolored geometric designs, the body with bold multicolored eight-point cross and geometric devices on a white ground, (minor bead loss), lg. 29 in. Provenance: Private collection, Long Island, New York; Skinner, Boston, January 24, 2009, Lot 153. $8,000-12,000

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Additional information and photos at www.skinnerinc.com

266 Southern Plains Beaded Hide Model Cradle, fourth quarter 19th century, fully beaded in abstract geometric designs, wood slat bottom and fabric doll inside, lg. 8 1/2 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, Sale no. 6245, Lot 270; Given to Martha K. Underwood (c. 1830-1890), by a student at the Indian school, Carlisle, Pennsylvania, by decent to Josephine U. Ritter, Pennsylvania, sixty-two Apache children were sent to Captain Richard Pratt’s school at Carlisle, where their customs and language were forbidden. $800-1,200


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267 Cheyenne Beaded Cloth and Hide Model Cradle Cover, fourth quarter 19th century, mounted on a wood slat framework showing traces of yellow ochre pigment, sinew sewn in dark blue and translucent red against a white lazy stitched glass beadwork ground, with a pattern of paired terraced triangles, lined on the interior with printed cotton cloth, a panel of the same cloth at the back, lg. 14 7/8 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, October 24, 1994, Lot 196. $3,000-5,000

268 Jemez Buffalo Hide War Shield, c. 1850/60s, the thick slightly concave shield of single-ply fire-hardened buffalo hide, painted with native pigments to depict a horned figure rising over a central horizontal strip with black outlined white circles, above four black outlined red vertical stripes, two larger black outlining white circles frame the red stripes, pierced with remnants of hide strap handles, dia. 23 in. Provenance: Private collection Long Island, New York; Nedra Mattucci Galleries, Santa Fe, New Mexico; Forrest Fenn collection, Santa Fe, New Mexico. Literature: James A. Hanson, Spirit in the Art, p. 178, plate 179. $15,000-20,000

269 Plateau Polychrome Parfleche Envelope, fourth quarter 19th century, 12 1/2 x 25 in. $1,000-1,500 270 Plateau Painted Parfleche Medicine Bag, c. early fourth quarter 19th century, rawhide painted on the front and the flap with hourglass designs, long hide tassels at the sides, one edge with red trade cloth bound with the tassels, contains numerous cotton and hide medicine bundles, 11 x 13 3/4 in. Provenance: Private collection, Long Island, New York. $1,500-2,000

Online bidding at www.skinnerinc.com

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271 Plains Catlinite Pipe Bowl, c. 1840-60, the catlinite bowl with short prow, flared toward the top, with ringed details, with a projection pierces with two holes, “A S Ring� inscribed on one side, (chip to end and projection), lg. 4 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,800-2,400 272 Plains Catlinite Pipe Bowl, fourth quarter 19th century, T-bowl with rich patina, lg. 5 1/8, ht. 3 3/4 in. $300-400

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273 Plains Catlinite Pipe Bowl, fourth quarter 19th century, T-bowl type, decorated with linear and circular lead inlay designs, lg. 7 1/2 in. Provenance: Private collection, Oyster Bay, New York; Trotta-Bono, New York. $2,000-3,000

274 Central Plains Pipe Tomahawk, third quarter 19th century, with forged head, the ash handle with brass tacks, and pierced three times for attachments, lg. 20 1/2 in. Provenance: Private collection, Oyster Bay, New York. $4,000-6,000

Additional information and photos at www.skinnerinc.com

275 Pewter Head Pipe Tomahawk, c. 1890, the wood stem decorated with file branding, the large pewter head decorated with inlaid catlinite in an arrowhead design, (some loss to the stone), lg. 19 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,500-1,800 276 Small Twisted Stem with Catlinite Pipe Bowl, Eastern Sioux, third quarter 19th century, turned and twisted stem with green pigments, with small smokestack catlinite pipe, lg. 16 in. Provenance: Private collection, Oyster Bay, New York. $2,000-2,500


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277 Central Plains Twisted Stem with Catlinite Pipe Bowl, third quarter 19th century, twisted stem with paint, with bead decorated hide section, T-type bowl decorated with twisting lead inlay, inventory number and the name “Watson” painted on stem, lg. 23 1/4 in. Provenance: Private collection, Oyster Bay, New York. $2,000-2,500 278 Plains Quilled Wood Stem with Catlinite Pipe Bowl, c. 1880s, wood stem decorated with quillwork depicting animals, and a band of feathers, with T-type catlinite bowl, lg. 27 in. Provenance: Private collection, Oyster Bay, New York. $2,000-3,000

279 Cherokee Effigy Pipe Bowl, third quarter 19th century, bear effigy bowl in stone, lg. 3 in. Provenance: Private collection, Oyster Bay, New York. $1,500-1,800

280 Cherokee Effigy Stone Pipe Bowl, third quarter 19th century, pipe bowl with sitting figure with hands on knees leaning against the bowl, lg. 3 1/4 in. Provenance: Private collection, Oyster Bay, New York; Trotta-Bono, New York. $3,000-4,000

281 Western Great Lakes Stone Pipe Bowl, c. 1860/70, black stone with lead inlay, including an arrow pictograph element, lg. 3 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,500-2,000

282 Great Lakes Carved Stone Bird Effigy Pipe Bowl, Ojibwe, third quarter 19th century, black stone with lead and red stone inlay, old label reads “Winnebago Saux Fox Menomini 1850-75,” lg. 6 in. Provenance: Private collection, Oyster Bay, New York; John Molloy Gallery, New York. $6,000-8,000

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288 Central Plains Hairdrop with Mirror, Sioux, fourth quarter 19th century, quilled roundel with inset quilled morning star with small mirror attached, with four long quilled thongs with brass beads, tin cones, and feathers, lg. 29 in. $1,000-1,500 289 Northern Plains Quilled Hairdrop, fourth quarter 19th century, quilled rawhide strip, with two bird motifs, with four long quilled thongs terminating in hair-filled tin cones, the bottom with ten shorter quilled thongs terminating in hair and feather-filled thongs, lg. 15 in. $800-1,000

296

290 Northern Plains Hairdrop, c. 1870s/80s, a large carved circular shell pierced with attached with hide and four beads to an ermine pelt, lg. 12 in. $400-600 291 Plains Bone Hair Pipe Breastplate, fourth quarter 19th century, two rows of long bone hair pipes with brass beads in a center line with a small mirror in the middle, strung on cloth with leather sides, 22 x 9 1/2 in. $800-1,200

283 Plains Beaded Hide Armband, c. 1880s, black and red beaded design on white ground, with long hide fringe at either end, lg. 18 1/2, wd. 3 1/4 in. $600-800 284 Pair of Plains Quillwork Leg Cuffs, fourth quarter 19th century, backed by red trade cloth, with leather strips top and bottom, decorated with brass tack-work, with shell and colored feathers attached, 8 1/2 x 10 in. each. Provenance: Purchased at Sotheby’s Parke Bernet, New York, sometime in the 1980s, Lot 255; private collection, New York City. $600-900

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285 Pair of Plains Beaded Hide Cuffs, Lakota, last quarter 19th century, hide-backed beaded cuffs with star motifs, old tag reads “Sioux Indian Vest + Cuffs, No. 1, Beadwork,” 6 x 5 1/2 in. each. $300-500 286 Plains Dyed Animal Hair Roach, late 19th century, deer hair with bone toggle tied with hide, lg. 16 in.

292 Plains Ceremonial Chest Ornament, c. 1870s, Crow, eighteen strands of white and red beads, strung with sinew and attached to two leather side straps with twisted hide drops on either side, lg. 13 3/4 in., mounted on a Plexiglas stand. $1,000-1,500 293 Plains Indian Beaded Hide Doll, c. 1900, Lakota, yellow painted hide dress with fringes and finely detailed beadwork on dress, and high-top moccasins, with fabric underdress and cotton hair, ht. 13 3/4 in. Provenance: Private collection, New York City, purchased in the 1970s. $1,500-2,000

Provenance: Private collection, New York City. $300-500 287 Central Plains Quilled Hairdrop, Sioux, fourth quarter 19th century, two sections of hide-backed parfleche quilled slats, with a number of quilled attachments with tin cones, a panel of brass beads at the top and horsehair at the bottom, lg. 32 in. $1,000-1,500

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294 Plains Indian Beaded Hide Doll, c. 1900, Lakota, hide dress heavily fringed, with beaded yoke, a ring of white beads on the head and beaded moccasins, with human hair and beaded belt with two drops, ht. 12 1/2 in. Provenance: Private collection, New York City, purchased in the 1970s. $1,500-2,000


299 with detail

295 Cheyenne Beaded Hide Doll, fourth quarter 19th century, finely detailed beadwork, with fabric and horsehair plaited hair, and elaborately decorated high-tops, (some minor bead loss), ht. 11 3/4 in. Provenance: Private collection, Long Island, New York. $1,200-1,500

296 Plains Beaded Hide Doll, Lakota, fourth quarter 19th century, male doll with partially beaded and fringed shirt, leggings, and beaded moccasins, ht. 16 in. Provenance: Private collection, Virginia. $3,000-4,000

297 Pair of Great Lakes Cloth Dolls, early 20th century, large cloth male and female dolls, costumes bead-decorated with floral design work, ht. 22 in. each. $800-1,200 298 Plains Beaded Skull Cracker Club, fourth quarter 19th century, the hide-covered wood shaft completely beaded, with colored horse tail drop, lead inlay in the polished stone, lg. 28 1/2 in. Provenance: Private collection, Oyster Bay, New York. $1,500-2,000

299 Historic Sioux Muslin Winter Count, c. 1930, the highly detailed painting is a later copy, probably depicting the years 18231908, based on number 11, “The Year the Stars Fell,” eighty-five depictions of important events laid out in five vertical sections, number 59 probably portrays Hunkpapa chief Sitting Bull and his people being taken to their reservation on a steamboat, 115 x 36 in. Provenance: Included is a copy of a notarized statement: “This Native American story cloth depicting 85 years of Sioux Indian history was given to my late husband, N. Berwyn Lawrence, M.D., by a patient in Colton, CA sometime between 1936-38. It has remained in our family since. 7/6/95.” $8,000-12,000

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300

300 Native American Ledger Drawing “Touching Coup,” c. 1870, a native warrior dressed in blue riding a black horse touching a green-painted warrior on the ground with the end of his bow, crayon on lined paper, in a 20th century frame, ht. 5 3/4, wd. 11 3/4 in. (sight).

301

Provenance: The Vincent Price Art Collection; Kelter-Malce Antiques, August 8, 2006. $3,000-5,000

301 Eastern Woodlands Ball-headed Club, c. 1800-20, long slightly curved handle terminating in a ball head, both sides of shaft with deeply incised designs, a beaver depicted on one side, small perforation for attachments at butt end, rich dark brown patina, lg. 22 1/2 in. Provenance: Private collection, Oyster Bay, New York; David Penny, London, United Kingdom. $8,000-12,000

302 Upper Great Lakes Beaded “Octopus” Bag, third quarter 19th century, dark indigo blue stroud cloth bag, red cloth and smaller blue beads outline the entire edge front, with eight bifurcated tabs off the bottom, partially beaded on the front with multicolored abstract floral devices, complete with beaded cloth shoulder strap, (a number of woolen tassels missing), mounted in a Plexiglas box, lg. including strap 30 in.

303 Beaded Glengarry Hat, Iroquois, Seneca type, c. 1840s, the top decorated with foliate designs with borders, each side panel with additional foliate designs, done in an early form of raised beadwork, lg. 10 1/2 in. Provenance: North Lake Tahoe Historical Society, California; Johnson S. Bogart collection, Canada. $1,000-1,500

Provenance: Private collection, Stowe, Vermont. $3,000-4,000

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303

302 304

306 Penobscot Pipe, c. 1800, fashioned from a tree branch, with a metal tube inserted into the large hole at the top, with two carved faces at the lower end of the pipe, lg. 7 1/2 in. Provenance: Private collection, Philadelphia, Pennsylvania. $1,000-1,500

304 Seneca Clay Pipe Bowl, New York Seneca tribe, mid-19th century, clay bowl with three faces and incised geometric patterns, with old inventory label “52 Jefferson country, NY,” (stem broken and reattached sometime in the past), lg. 6 1/2 in. Provenance: Private collection, New York City. $800-1,200

305 Micmac Quilled Birch Bark Box, Quebec, dated on bottom “1853,” lidded and decorated with geometric designs, (minor quill loss), ht. 2 1/4, dia. 3 3/4 in. $500-700

307 Two Northeast Carved Wooden Clubs, Penobscot, fourth quarter 19th century, the shorter with chip-carved fern designs and root-ball head with spurs, the longer with a simpler root head with spurs cut off, lg. 30 1/4 and 18 1/2 in. $300-500 308 Large Northeast Birch Bark Lidded Hamper, Penobscot, early 20th century, with pictorial floral designs, ht. 23 1/4 in. $600-800

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The Dr. John Schaeffer Collection of Eskimo Art Lots 309–341

319

309 Eskimo Cribbage Board, Alaska, c. 1900, walrus tusk with black pigmented illustrations of seals, walrus, and hunter in a kayak, lg. 13 in. $300-500

317 Eskimo Slate Spear Point, Alaska, 19th century, carved shaft with holes for attachment, metal pins holding the slate blade in place, lg. 14 3/4 in. $700-900

310 Eskimo Pipe, 19th century, the wood stem in two parts, bound with leather strapping, the pewter bowl held by the strapping, lg. 12 1/2 in. $500-700

318 Eskimo Spear Point, Alaska, 19th century, wood shaft, pierced for attachment, with slate blade, lg. 15 1/2 in. $400-600

311 Two Small Eskimo Bears, Alaska, 19th century, the larger with detailed head, the smaller pierced at rear for suspension, (smaller bear missing one leg and chip at rear hole), lg. 2 1/8 and 1 1/2 in. $300-500

319 Eskimo Harpoon Socket and Point, Alaska, 19th century, long harpoon socket piece, with incised circular and linear designs, with inserted barbed point, attached to socket by sinew and cord, lg. 14 1/2 in. $800-1,200

312 Two Eskimo Cutting Knives, Ulu, Alaska, historic period, both with incised decorated handles and steel blades, 3 3/4 x 4 and 2 x 2 in. $400-600

320 Eskimo Wood Hafted Adze, Alaska, 19th century, curved wood handle with stone adze blade attached with sinew, lg. 15 1/2 in. $400-600

313 Two Eskimo Cutting Knives, Ulu, Alaska, 19th century, steel blades, one handle has a bear face carved into one end, ht. 4 1/4 and 4 in. $400-600 314 Eskimo Wood Figure, Alaska, 19th century or earlier, armless figure with slightly bent legs, no feet, defined facial features, ht. 2 3/8 in. $800-1,200 315 Eskimo Figure, Alaska, 19th century, eyes and mouth pierced, holes for the arms (arms missing), ht. 2 1/2 in. $400-600 316 Five Eskimo Game Pieces, Alaska, historic period, in the shape of swimming birds, lg. 1 1/2 to 1 1/4 in. $400-600

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321 Eskimo Container, Alaska, 19th century, bone with wood ends, decorated with pigmented scrimshaw animals and figure, lg. 4 1/8 in. $300-400 322 Eskimo Female Figure, Alaska, 19th century, standing figure with right arm holding left, black pigment used to highlight facial details, ht. 4 3/4 in. $800-1,200 323 Eskimo Comb and a Seal Stratching Tool, Alaska, Thule, the comb with designs on both sides (missing the tines), the stratching tool probably an excavated piece (surface loss), lg. comb 4 1/8, the tool lg. 5 1/4 in. $300-400 324 Seven Eskimo Torso Figures, Alaska, Thule, seven small human figures, (some surface loss), ht. 3/4 to 1 3/4 in. $500-700


325 Eskimo Torso, Alaska, Thule, without arms, deep hole for the missing head to be fitted, smooth honey color patina, ht. 2 in. $800-1,200

326 Eskimo Figure, Alaska, late Punuk or Thule, the figure stands straight with cutout arms held behind the back, incised lines decorate the torso and waist, the jutting face with long nose and open mouth, smooth honey patina, ht. 4 in. $3,000-4,000 327 Three Eskimo Artifacts, Alaska, Punuk, 500-1200 AD, a handle and two items for attachment to garments, (surface loss to the handle), lg. handle 3 3/4, others lg. 3 and 1 3/4 in. $500-700 328 Large Eskimo Bear, Alaska, Punuk, 5001200 AD, excavated, (surface losses), lg. 6 3/4 in. $800-1,200 329 Eskimo Chain and Drum Handle, Alaska, Punuk, 500-1200 AD, three-link chain with end piece, excavated drum handle with toggle, lg. of chain 6 1/2, lg. of handle 7 in. $200-400

326

330

330 Female Eskimo Figure, Alaska, Punuk, 5001200 AD, female figure with one cutout hand on back, the left hand on waist, incised and chip-carved around waist, with deep cut eyes and mouth, (part of lower left arm missing), ht. 4 1/8 in. $3,000-4,000

331 Harpoon Counterweight, Alaska, Punuk, 500-1200 AD, bone with weathered surface, wd. 6 1/8 in. $700-900

331

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332

332 Eskimo Adze Handle, Alaska, Punuk, 5001200 AD, decorated with complex incised designs, (some surface loss), lg. 7 1/2 in. $500-700

338 Fragment of an Eskimo Harpoon Counterweight, Alaska, Old Bering Sea III period, c. 300-500 AD, lg. 3 1/4 in. $700-900

343 Inuit Kayak Model, 19th century, animal skin, walrus tusk decorations and a wood torso in fabric parka, lg. 20 1/4 in. $400-600

333 Two Eskimo Fragments, Alaska, Punuk, 5001200 AD, a sled line runner and a tool handle, both decorated with finely incised line designs, lg. line runner 5, handle lg. 3 1/2 in. $500-700

339 Two Eskimo Harpoon Socket Pieces, Alaska, Old Bering Sea II period, 100-300 AD, each piece profusely decorated with finely incised decoration, excavated, (some minor surface loss, the shorter with some of outer layer missing), lg. 10 and 5 1/4 in. $700-900

344 Double Face Toggle, Alaska, Inuit, 19th century, walrus ivory, probably used as a garment toggle, lg. 2 3/4 in.

334 Eskimo Bear, St. Lawrence Island, Alaska, Punuk, 500-1200 AD, excavated, hole pierced between rear legs, lg. 3 1/2 in. $400-600 335 Eskimo Drum Handle, Alaska, Punuk, 5001200 AD, excavated handle with incised and drilled decorations, (surface loss), lg. 5 3/4 in. $500-700 336 Four Eskimo Harpoon Points, Alaska, early Punuk, 500-1200 AD, excavated, each decorated with incised designs, one still has part of slate blade, lg. 4 1/2, 4, 4, and 3 1/2 in. $400-500 337 Fragment of an Eskimo Harpoon Counterweight, Alaska, Old Bering Sea III period, c. 300-500 AD, ht. 2 1/4, wd. 4 1/2 in. $800-1,200

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340 Eskimo Carving of a Human Head, Alaska, Okvik, Old Bering Sea I period, c. 200 BC-100 AD, human head fragment from a large figure, very fine incised eyebrows, with line incising on the cheeks, (loss and cracks), ht. 2 1/4 in. $1,500-2,000 341 Northwest Coast Bentwood Halibut Hook, Makah, 19th century, cedar bark wrapping and bone barb, dark brown patina to the wood, lg. 6 in. $400-600 342 Inuit Kayak Model, early 20th century, animal skin with bone decorated accoutrements and wood figure wearing a cloth parka, lg. 26 1/2 in. $600-900

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Provenance: Private collection, New York City. $400-600 345 Eskimo Pipe, 19th century, wood and pewter, lg. 9 in. Provenance: Private collection, Oyster Bay, New York. $800-1,200 346 Eskimo Toggle Figure, Alaska, 19th century, human figure with seal heads for legs, two holes pierced for attachment to a garment, ht. 2 3/4 in. Provenance: Private collection, Stowe, Vermont. $1,500-2,000 347 Eskimo Awl, Alaska, 19th century, with stylized human head at one end, lg. 5 3/4 in. Provenance: Private collection, Stowe, Vermont. $400-600


340

351

348 Eskimo Awl, Alaska, 19th century, stylized fish with attached head, fine engraving highlighted in black, lg. 8 in. Provenance: Private collection, Stowe, Vermont. $500-700 349 Eskimo Figure, Alaska, historic period, possibly used as an arrow wrench, in the abstract shape of a human, ht. 2 1/4 in. Provenance: Private collection, Stowe, Vermont. $800-1,200 350 Eskimo Needle Case, Alaska, 19th century, wood ends, bone tube, in the form of a fish with blackened incised designs, lg. 6 1/4 in. Provenance: Private collection, Stowe, Vermont. $700-900

352

351 Eskimo Model Ship, Alaska, c. 1900, attributed to Angokwazhuk (Happy Jack) (c. 1870-1918), Inupiat, Nome, constructed from bone and walrus tusk, ht. 6, wd. 7 1/2 in. Provenance: Private collection, Stowe, Vermont; Alaska on Madison Gallery, New York City; purchased from a collector in Northern California, who inherited a collection of artifacts from a relative who owned a trading post in Nome, Alaska, who in turn bought and traded artifacts made by Happy Jack. $12,000-15,000

352 Eskimo Drum Handle, Alaska, historic period, handle with bear and human head, pierced for attachment to a drum, smooth honey brown patina, lg. 6 1/8 in. Provenance: Private collection, Stowe, Vermont. $4,000-6,000 353 Eskimo Toggle, Alaska, 19th century, carved from a walrus tusk, lg. 9 3/4 in. $400-600

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360

354 Painted Wood Eskimo Food Bowl, c. 1920s, the painted ovoid form with three stacked painted stylized caribou shot with arrows on the interior, 10 3/4 x 7 in. $500-700

357 Eight Eskimo Nephrite Adze Blades, Inupiat peoples, collected from St. Lawrence Island and the mainland around Norton Sound, lg. 7, 6, 5 1/2, 5 1/2, 4 3/4, 4, 2 3/4, and 2 1/4 in. $300-500

355 Eight Eskimo Nephrite Adze Blades, Inupiat peoples, collected from St. Lawrence Island and the mainland around Norton Sound, lg. 8 3/4, 8, 6, 5 1/2, 4 3/4, 4 1/2, 3, and 2 3/4 in. $300-500

358 Small Eskimo Figure, Alaska, Punuk, 5001200 AD, abstract form, raised nose and brow, lines incised across the cheeks, ht. 2 in.

356 Two Eskimo Adzes, the larger with a carved bone handle and sinew-bound nephrite adze blade, the smaller whalebone with small nephrite blade, lg. 6 1/2 and 4 3/4 in. $500-700

Provenance: Private collection, Stowe, Vermont. $1,200-1,800 359 Eskimo Bear, Alaska, Punuk, 500-1200 AD, (minor surface loss), lg. 3 in. Provenance: Private collection, Stowe, Vermont. $800-1,200

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360 Eskimo Wrist Guard, Alaska, Punuk, 5001200 AD, decorated with pigmented incised geometric patterns around the edge, pierced for attachment, with deep honey-colored patina, ht. 4 1/4 in. Provenance: Private collection, Stowe, Vermont. $2,000-3,000 361 Eskimo Prehistoric Polar Bear, Punuk, 500-1200 AD, probably excavated on St. Lawrence Island, lg. 5 1/4 in. $800-1,200 362 Six Eskimo Harpoon Points, Alaska, Punuk, 500-1200 AD, a long barbed point and five shorter points, together with a labret and bone needle, lg. 11 1/4, 4 1/2, 4, 3 1/2, 2 3/4, and 2 1/4 in. $200-300


363 Eskimo Figure, Alaska, Punuk, 500-1200 AD, elongated male torso, (minor surface loss and loss to part of the head), lg. 4 1/4 in. $1,500-2,000 364 Eskimo Gut Scraper, Alaska, Old Bering Sea III period, c. 300-500 AD, engraved on the front with curvilinear designs, (surface loss, loss to both ends), lg. 4, wd. 2 5/8 in. Provenance: Private collection, Stowe, Vermont. $3,500-4,500

366 367

365 Eskimo Harpoon Counterweight, St. Lawrence, Alaska, Old Bering Sea II period, c. 100-300 AD, ht. 3, wd. 4 1/2 in. $800-1,200

366 Eskimo Figure of a Human Head, Alaska, Old Bering Sea II period, 100-300 AD, oval, with simple grooves cut for eyes, mouth, eyebrows, and nose definition, the rear cut-out for attachment, ht. 1 1/2 in. Provenance: Private collection, Stowe, Vermont. $6,000-8,000

367 Small Eskimo Figure, Alaska, Okvik, Old Bering Sea I period, 200 BC-100 AD, elongated torso and head, traces of fine incising on torso, ht. 2 in. Provenance: Private collection, Stowe, Vermont. $2,000-3,000

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Medford Public Library Collection

368 Northwest Coast Wood Shaman’s Mask, Tlingit, c. 1860/70s, male mask carved with naturalistic mouth with lips slightly parted, nose with hollowed nostrils, modeled cheekbones, and pointed oval eye rims beneath thick arching brows, the face forehead and chin painted in red with a goatee and black crest designs, the original cloth straps for wearing the mask attached, lg. 9 1/4, wd. 6 1/2 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. Note: According to Steve Brown, this mask may have been part of a larger set, and may have been made for a shaman’s spirit helper. $30,000-40,000

368

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of Northwest Coast Art

Lots 368–374

369 Northwest Coast Wood Shaman’s Mask, Tlingit, c. 1860/70s, female mask carved with naturalistic mouth with lips slightly parted, nose with hollowed nostrils, modeled cheekbones, and pointed oval eye rims beneath thick arching brows, with painted facial decoration, a labret in bottom lip, the facial decorations look like red-shafted flicker tail feathers, the original cloth straps for wearing attached, lg. 9 1/4, wd. 6 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880.

369

Note: According to Steve Brown, this mask may have been part of a larger set, and may have been made for a shaman’s spirit helper. $30,000-50,000

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372

373

371

370 Northwest Coast Polychrome Cedar Model Totem Pole, c. 1870s, four-character model pole painted in black and red, ht. 18 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. $800-1,200

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371 Northwest Coast Shaman’s Spirit Figure, Tlingit, c. 1860/70s, the emaciated figure lying on a fish, wearing a painted apron, traces of hair on crown, and Reckitt’s blue on the face, lg. 20 1/4 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. $4,000-6,000

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372 Northwest Coast Shaman’s Bird Rattle, Bella Coola, c. 1860/70, carved wood rattle in the form of a bird, decorated with black pigments, (missing the shells inside the body and cedar bark wrapping on handle), lg. 9 1/2 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. $5,000-7,000


374

373 Northwest Coast Shaman’s Bird Rattle, Bella Coola, c. 1860/70, carved wood rattle in the form of a bird, decorated with black pigments, retains shells inside the body, with cedar bark wrapping on handle, lg. 10 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. $6,000-8,000

374 Northwest Coast Polychrome Trunk, c. 1870, Nitinat, Vancouver Island, carved checker pattern to three sides of the handadzed cedar trunk, the lid painted with a thunderbird carrying off a whale, and a lightning snake on either side, (minor paint loss and wear), ht. 23 1/2, wd. 43 x 23 1/4 in. Provenance: Medford Public Library Collection, Medford, Massachusetts; collected by James G. Swan, gifted to the library by Swan, September 28, 1880. $3,000-5,000

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381

382

375 Northwest Coast Bone Trap Stick, mid-19th century, ht. 8 3/4 in. Provenance: Private collection, New York City. $800-1,200 376 Northwest Coast Effigy Stone Pounder, Salish, Fraser River, possibly pre-contact, basalt, with a human head fashioned from the top of the pounder, (small piece reattached on the base), ht. 8 in. $2,500-3,500

377 Northwest Coast Model Canoe, Nootka, fourth quarter 19th century, carved-out interior, painted exterior, lg. 21 1/2 in. Provenance: Private collection, Stowe, Vermont. $1,200-1,800 378 Northwest Coast Carved Cedar Model Totem Pole, c. late 19th century, depicting three central clan crest animals, polychrome highlights, two old labels verso, ht. 24 in. Provenance: Private collection, Stowe, Vermont. $1,200-1,800

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379 Northwest Coast Mat Creaser, 19th century, wood, possibly Quinault, lg. 7 1/2 in. $600-800 380 Small Northwest Coast Carved Food Bowl, c. early 19th century, with stylized faces on the ends, (one end poorly restored), 5 1/4 x 5 x 2 1/4 in. Provenance: The Ben-Zion collection. $400-600


381 Northwest Coast Bakwas “Cockle-Hunter” Mask, Kwakwaka’wakw (Kwakiutl) or Bella Bella, early fourth quarter 19th century, wood and paint, with heavy protruding forehead, hooked beak-like nose, deep-set eyes, and open drawn-back red lips, appears to have been repainted numerous times, ht. 10 1/4, wd. 7 3/4 in. Provenance: Private collection, Stowe, Vermont. $6,000-8,000

382 Northwest Coast Carving Tool, Kwakwaka’wakw (Kwakiutl), fourth quarter 19th century, wood handle with mask at the final, inset iron blade held by leather strapping, lg. 9 3/4 in. Provenance: Private collection, Stowe, Vermont. $4,000-6,000 383 Northwest Coast Shaman’s Amulet, Kwakwaka’wakw (Kwakiutl), fourth quarter 19th century, walrus tusk carved in the form of a raven with two figures on its back, lg. 6 in. Provenance: Private collection, Stowe, Vermont. $3,000-4,000 384 Northwest Coast Frontlet Mask, Kwakwaka’wakw (Kwakiutl), fourth quarter 19th century, hollowed-out crescent form with eyes and mouth, with a long beak and tongue attachment, the name “Richard Mountain” written on the interior, lg. 14 1/2, wd. 9 in. Provenance: Private collection, Stowe, Vermont. $1,800-2,400

386

385 Northwest Coast Hunting Bow, Kwakwaka’wakw (Kwakiutl), c. 1880s, highly polished exterior surface, inside a central cut groove runs the length of the bow, dark brown patina, lg. 50 1/2 in. Provenance: Private collection, Stowe, Vermont. $2,000-2,500

386 Northwest Coast Mask, Kwakwaka’wakw (Kwakiutl), northwest Vancouver Island, c. 1860/70, painted wood, possibly a representation of a Noohlmahl character, with movable tongue, probably repainted a number of times, ht. 16, wd. 9 3/4 in. Provenance: Private collection, Stowe, Vermont; James Johnny collection. $7,000-9,000

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388

389

387 Northwest Coast Carved Whalebone Bust, Haida, c. 1840-50s, with old inventory painted in black on the back “22-1 1876,” ht. 2 7/8 in. Provenance: Private collection, Ottawa. $2,000-3,000 388 Northwest Coast Argillite Panel Pipe, Haida, c. 1860s, classic openwork form, very finely carved with a reclining raven with long open beak, a humanoid figure holds its beak, with its knees supporting the bird’s wings, another creature rests against the human figure as well as against another bird with a long beak and crest, which is bent forward at the front of the pipe, (one end broken and missing), lg. 9 3/4, ht. 3 in. Provenance: Private collection, Ottawa. $10,000-15,000

389 Northwest Coast Argillite Panel Pipe, Haida, c. 1830-50, classic openwork form, very finely carved with at least six separate creatures depicted, a reclining raven with small figure on its head, beak open to receive the tongue of another creature which rests on another below, with a double face and sitting figure at the end, (minor loss and a repair to a crack), lg. 14 1/4, ht. 3 1/4 in. Provenance: Private collection, Ottawa; Donn Charnley collection, Canada. Literature: Bill Holm, Box of Daylight, 1983, p. 105, fig. 177. Exhibitions: Box of Daylight, Seattle Art Museum, 1983. $15,000-20,000

390 Northwest Coast Argillite Shaman Figure, Haida, c. 1880-90, standing on a raised base, legs apart, in a fully decorated apron, a multi-pointed necklace around the neck, the left hand holding a rattle made from bone, the face with broad smile and a nose ornament above, the long coiffure formed into a creature at the crest, ht. 13 in. Provenance: Private collection, Ottawa. $15,000-20,000

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391 Northwest Coast Argillite Totem Pole, Haida, c. 1880-90, with four figures in a typical stacked and graduated design, flat back, (missing the base), ht. 7 1/8 in. Provenance: Private collection, Ottawa. $5,000-7,000

392 Northwest Coast Argillite Totem Pole, by Charles Edenshaw (c. 1839-1920), Haida, c. 1900, the central raven figure envelopes a man holding a salmon, above a bear like creature devours a seal, (very small chip on the raven’s beak), ht. 5 1/4 in. Provenance: Private collection, Ottawa. Note: Steve Brown has confirmed the totem pole is by Edenshaw. $10,000-15,000 393 Northwest Coast Potlash Ladle, Haida, fourth quarter 19th century, wood ladle with crest imagery on the handle, old label reads “Haida potlash spoon,” lg. 13 1/2 in. Provenance: Private collection, Stowe, Vermont. $1,500-2,000


390

392

397

394 Haida Wood Model Totem Pole, the lozenge-form base carved in the form of opposed totemic creatures, surmounted by a small totem with a triangular sea mammal’s head supporting a predatory bird with separately carved outspread wings inserted at the sides and a voracious face devouring a frog on the underbelly, signed on the reverse “Charley George, Queen Charlotte Island,” ht. 12 1/4 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, New York, May 22, 1989, Lot 356. $800-1,200

395 Northwest Coast Cedar Potlatch Ladle, Haida, c. 1900, with shell inlay in the eyes, (old crack to the ladle), lg. 22 in. Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $1,000-1,500

397 Northwest Coast Yewwood Halibut Club, Tlingit, fourth quarter 19th century, carved in the form of a stylized fish, old inventory number painted near butt, lg. 18 1/2 in. Provenance: Private collection, Stowe, Vermont. $3,000-5,000

396 Northwest Coast Walking Stick, Tlingit, c. 1890s, in two parts, the handle completely carved with three zoomorphic animals, lg. 33, wd. of handle 7 in. Provenance: Private collection, Stowe, Vermont. $3,000-4,000

Online bidding at www.skinnerinc.com

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398 Hardwood Tobacco Pipe, Tlingit, early fourth quarter 19th century, musket barrel and abalone shell, in the form of a crouching bear, rich dark patina, (old repairs to both front paws), lg. 4, ht. 3 3/4 in. Provenance: Private collection, Stowe, Vermont; Museum of the American Indian/Heye Foundation, New York City. $5,000-7,000

399 Northwest Coast Halibut Hook, Tlingit, c. last quarter 19th century, wood, commercial twine and iron barb, depicting a shaman being bitten on the cheek by a small animal, ht. 10 1/2 in. Provenance: Private collection, Stowe, Vermont. $1,800-2,400

398

400 Northwest Coast Mortuary Figure, Tlingit, fourth quarter 19th century, a bear wearing a hat sits on a box, which in turn rests on the back of a frog, traces of black pigments, an old metal name plaque on the left side of the base, with lead attached to the underside, ht. 13 in. Provenance: Private collection, Stowe, Vermont. $10,000-15,000 401 Northwest Coast Wood Janus Figure, Tlingit, fourth quarter 19th century, the front in the form of an avian figure with a humanoid head, standing on a highly stylized head, the reverse an owl with stylized animal heads on the wings and a human face on the abdomen, red and black painted details, (repaired crack at base), ht. 11 1/2 in. Provenance: Private collection, Stowe, Vermont; Skinner, September 10, 2005, Lot 232. $3,000-4,000

402 Northwest Coast Horn Spoon, Tlingit, early fourth quarter 19th century, mountain goat horn, metal pins and abalone shell inlay, the handle made up of complex clan crest animals, an old inventory label on end of spoon, lg. 12 1/2 in. Provenance: Private collection, Stowe, Vermont. $3,000-4,000 399

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Additional information and photos at www.skinnerinc.com


400

402

405

403 Northwest Coast Horn Spoon, Tlingit, early fourth quarter 19th century, mountain goat horn, the handle a zoomorphic animal holding the spoon in its mouth, lg. 10 1/2 in. Provenance: Private collection, Stowe, Vermont. $3,500-4,500

404 Northwest Coast Shaman’s Amulet, Tlingit, early fourth quarter 19th century, carved from caribou or elk antler, pierced twice for attachments and/or suspension, lg. 8 1/2, wd. 5 1/4 in. Provenance: Private collection, Stowe, Vermont. $8,000-12,000

405 Northwest Coast Shaman’s Amulet, Tlingit, fourth quarter 19th century, “Devil Fish” figure carved from walrus tusk, ht. 4 in. Provenance: Private collection, Stowe, Vermont. $2,000-3,000

404


406

406 Northwest Coast Amulet, Tlingit, fourth quarter 19th century, depicting a human in the mouth of a killer whale, another person rests on its back, (the enclosed arms reattached), lg. 2 3/4 in. Provenance: Private collection, Stowe, Vermont. $3,000-4,000 407 Northwest Coast Cedar Speaker’s Staff, Tlingit, fourth quarter 19th century, with multiple clan crest animals including an octopus, lg. 35 1/2 in. Provenance: Private collection, Stowe, Vermont. $1,800-2,200 408 Northwest Coast Carving, possibly Tlingit, late 19th century carving on a much older piece of walrus tusk, probably a handle, lg. 7 1/2 in. Provenance: Private collection, Stowe, Vermont. $800-1,200 409 Northwest Coast Frog Bowl, Tlingit, c. 1900, grease bowl in the form of a frog, with shell inlay eyes and bone inlay and embedded beads around the rim, (two legs reattached), lg. 10 in.

410 Southwest Taos Drum, c. 1900, painted wood and rawhide, ht. 10 in. Provenance: Private collection, Oyster Bay, New York; Ann McCormack collection, Canada. $400-600 411 Large Taos Polychrome Wood and Hide Drum, early 20th century, with blue, black, and white pigments, hide cover, held by hide lashing, ht. 21 in. $400-500 412 Zuni Polychrome Carved Wood Katsina Doll, c. 1940/50s, Zuni warrior Spi-ikne, black case mask with bird atop, painted flower ears, tube mouth, yellow ruff, black robe with red and black sash on the kilt, ht. 6 1/2 in. Provenance: Private collection, Long Island, New York; private collection, France. $800-1,200

413 Hopi Wood Katsina Doll, with white-painted body and kilt with green-painted wood appendages tied around the waist, casemask painted black and white with blue framing, large three-tier tablita, ht. 17 3/4 in. Provenance: Private collection, Newton, Massachusetts. $500-700

Provenance: Dr. John Schaeffer collection, Lake Monroe, Florida. $800-1,200

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Additional information and photos at www.skinnerinc.com

414 Hopi Polychrome Carved Wood Katsina Doll, mid-20th century, bear katsina, painted in black and white, with bear paw prints on either side of the mouth, ht. 8 in. Provenance: Private collection, Long Island, New York. $800-1,200 415 Hopi Polychrome Carved Wood Katsina Doll, Ahote katsina, mid-20th century, with black case mask, yellow and red decoration, pop eyes, horns and snout, star and moon painted in white on cheeks, red sash, white kilt and blue moccasins, ht. 8 in. Provenance: Private collection, Long Island, New York; private collection, Paris, France. $800-1,200 416 Hopi Polychrome Carved Wood Katsina Doll, c. 1910/20s, with black striped wide horns and nose, yellow ruff, red shirt, and white kilt with black decoration, (one foot missing), ht. 6 1/2 in. Provenance: Private collection, Long Island, New York; private collection, France. $800-1,200 417 Hopi Polychrome Carved Wood Katsina Doll, c. 1940s, Tasap katsina, tall case mask with long snout, head decorated with horsehair and turkey feathers, with one ear and with knees bent, ht. 8 in. Provenance: Private collection, Long Island, New York; Michael Krammerer collection. $800-1,200


413

418

418 Hopi Wood Katsina Doll, representing Lenang, the Flute Katsina from the Mixed Katsina Dance, with red-painted body and yellow and pale blue legs, forearms, and shoulders, wearing a feathered cape trimmed with red tradecloth, the sack mask with hatched marks on the cheeks, rectangular mouth and eyes and long coiffure surmounted by a crown of wood pegs, ht. 9 1/4 in. Provenance: Private collection, Newton, Massachusetts; Sotheby’s, New York, October 25, 1984, Lot 162. $800-1,200

419 Large Hopi Wood Katsina, with white-painted body and short orange legs, forearms and shoulders also orange, the elaborate casemask with small mouth with chin segments of all colors and diagonal hachures on the cheeks, forehead with cylindrical object attached to it, large tablita with six staggered ends, elaborate painted embroidery on the kilt, ht. 18 3/4 in. Provenance: Private collection, Newton, Massachusetts. $3,000-5,000

419


432

426 Two Silver Navajo Cross Necklaces, two silver link necklaces, one with simple silver cross, the other cross with six turquoise settings, lg. 16 1/4 and 15 1/4 in. $300-400

431

420 Zuni Inlay Knifewing Man Pin, ht. 1 1/2 in. $200-250 421 Zuni Inlaid Silver Rainbow Dancer Pin, ht. 2 3/4 in. $200-300 422 Southwest Stone Inlay Bow Guard, Zuni, 20th century, large knife wing man set in large leather backed plaque, 5 x 3 1/2 in. Provenance: Private collection, Long Island, New York. $600-800

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423 Three Southwest Silver and Turquoise Bracelets, one silver sand cast bracelet, the second sand cast with large turquoise stone, the third Zuni cluster bracelet with various color stones, dia. of sand cast 2 1/4, the second single stone 2 1/4, the third 2 1/2 in. $500-700 424 Navajo Silver and Turquoise Bracelet, with three settings surrounded by silver twisted rope work, dia. 2 3/8 in. $300-400 425 Two Navajo Silver Bracelets and a Ring, c. 1960s, the bracelets each with three large stone settings, the man’s silver ring set with two stones, dia. of bracelets 2 7/8 and 2 3/4, lg. of ring setting 1 7/8 in. $500-700

Additional information and photos at www.skinnerinc.com

427 Navajo Silver and Turquoise Necklace, c. 1960s, silver chain necklace with large turquoise setting, initials “JR” stamped on chain, lg. 17 1/4 in. $250-350 428 Navajo Silver Cross with Chain, large cross with four turquoise settings, silver link chain with “JR” monogram, lg. of cross 3 3/4, lg. of chain 15 in. $200-300 429 Navajo Silver and Turquoise Necklace, c. 1960s, with large handmade silver beads with smaller beads at the ends, together with a large green stone in a silver mount, initials “MB” and a broken arrow symbol on the back, lg. 16 in. $300-500


430 Navajo Silver and Turquoise Necklace, c. 1960s, four-strand handmade silver bead necklace with large silver plaque with three turquoise settings, lg. 11 in. $300-500

431 Navajo Silver and Turquoise Necklace, c. 1960s, with handmade silver beads, twelve blossoms, and a large naja with eight turquoise settings, lg. 16 in. $1,200-1,800

432 Navajo Silver and Turquoise Necklace, c. 1940s, with large handmade silver beads, fourteen turquoise-inlaid blossoms with stamped decoration, and a three-ringed naja with three turquoise settings, silver clasp with small turquoise inlay, lg. 15 1/2 in. Provenance: Private collection, Oyster Bay, New York; Ann McCormack collection, Canada. $700-900 433 Navajo Silver and Turquoise Squash Blossom Necklace, c. 1940s, with silver handmade beads, ten small blossoms each with two stones, and a small naja with a heart shaped turquoise setting, lg. 13 1/2 in. $800-1,200 434 Southwest Silver and Turquoise Concha Belt, Navajo, with eleven conchas and the buckle with two stone settings, with leather belt, lg. 34 in. $500-700 435 Southwest Silver and Turquoise Concha Belt, Navajo, with ten conchas and the belt buckle, “GJ” stamp inside, (one concha missing), lg. of belt 40 in. $500-700 436 Navajo Silver Concha Belt, c. 1920s-30s, seven intricately stamped conchas, the buckle with repoussé and stampwork, with original leather backings, on commercial leather belt, lg. each concha 3 3/4, wd. 3 in. $3,000-4,000

440

437 Navajo Silver Concha Belt, c. 1960s, eight leather-backed conchas on a narrow leather belt, (missing buckle), lg. 37 1/2 in. $500-700 438 Two Navajo Silver and Turquoise Belts, 1940s, the first a link belt with nine conchas with turquoise inlay, the second a belt made up of ten large buttons with hand-cut turquoise inlay, (three buttons missing), lg. 32 1/2 and 33 1/2 in.

440 Hopi Baroque Pearl Necklace, by Verma Nequaatewa and Sherian Honhongva, Sonwai, together with 14kt gold drop earrings by Verma Nequaatewa and Sherian Honhongva and a 14kt gold pin by Verma Nequaatewa, Sonwai, lg. of necklace 8 1/2, lg. of earrings 1 7/8 in. Provenance: Private collection, Long Island, New York; Dewey Galleries, Santa Fe, New Mexico. $15,000-20,000

Provenance: Private collection, Oyster Bay, New York; Ann McCormack collection, Canada. $700-900

441 Mound Builder Stone Effigy Pipe, Mississippi mound building culture, 800-100 AD, large steatite pipe in the stylized form of a bird, lg. 9 in.

439 Southwest Silver and Leather Bridle, Navajo, c. 1890s, an early form on commercial leather, the conchas with stamped and repoussé work, the mounts with rocker engraving, patina of use, based on Mexican designs, lg. 19, concha dia. 3 1/4 in. $1,800-2,200

Provenance: Private collection, Bristol, Rhode Island; Jay C. Leff collection, Pennsylvania. $1,500-2,500

Online bidding at www.skinnerinc.com

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448

447

442 Three Pre-Historic Stone Implements, a large full-grooved axe blade, a small stone adze blade and a banner stone, lg. of axe 5, adze 2 1/4, and banner lg. 3 1/2 in. $300-500 443 Chumash Killer Whale Black Stone Effigy, 19th century, with carved mouth and eyes, large dorsal fin, and upturned tail, lg. 4 1/4 in. $300-500 444 Chumash Black Stone Seal Effigy, 19th century, with deep eye holes, rounded head, and flippers, lg. 3 1/4 in. $200-400 445 Chumash Black Stone Mortar and Pestle, 19th century, scooped out stone with inserted beads surrounding central groove, with phallic-form pestle, lg. of bowl 3 1/2, lg. of pestle 1 3/4 in. $300-500

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446 Prehistoric Banner-Stone, a triangular (dualtype) banner-stone from Missouri, old label reads: “Perry Co, MO, #1672 Banner,� lg. 3 3/4, wd. 2 1/2 in. Provenance: Private collection, Vermont; George F. Kunz (1856-1932) collection; Edward W. Payne (1857-1932) collection. $1,200-1,800

450 Cabinet Card Photo of Geronimo, Overstreet Studios, Chickasha, photo 5 1/2 x 4 in. $700-900 451 Cabinet Card Photo, Poor Buffalo, Kiowa Warrior, Overstreet Studios, Chickasha, photo 5 1/2 x 4 in. $300-500

447 Cabinet Card Photo of Quanah Parker & Wives, together with a cabinet card photo of Quanah Parker, Overstreet Studios, photos 5 1/2 x 4 in. $1,000-1,500

452 Cabinet Card Photo, Poor Buffalo, Kiowa Warrior, Overstreet Studios, Chickasha, photo 5 1/2 x 4 in. $300-500

448 Cabinet Card Photo of Geronimo, Irwin studios, Chickasha, photo 5 1/2 x 4 in. $700-900

453 Three Cabinet Card Photos of American Indians, Prettyman Studios, depicting a Pawnee chief with a child, a Kickapoo man with cigar, and Iowas, photos 5 1/2 x 4 in. $600-800

449 Cabinet Card Photo of Geronimo, Overstreet Studios, Chickasha, photo 5 1/2 x 4 in. $800-1,200

Additional information and photos at www.skinnerinc.com


454 Three Cabinet Card Photos of American Indian Chiefs, depicting Mesh-She-Wauk, Sac & Fox Chief Pa Ship Pa Ho, and NishCay-Cob, two by Isaacson and one by Shore Studios, photos 5 1/2 x 4 in. $500-700 455 Cabinet Card Photo of Otoe Two Wives and Family, Prettyman Studios, Blackwell, photo 5 1/2 x 4 in. $200-300 456 Cabinet Card Photo of Chief Humming Bird and Family, Overstreet Studios, Chickasha, photo 5 1/2 x 4 in. $300-500 457 Cabinet Card Photo of Cheyenne U.S. Army Scouts, Prettyman Studios, Blackwell, photo 4 x 5 1/2 in. $300-500 458 Cabinet Card Photo of Kiowa Indian Police, photo 4 x 5 1/2 in. $300-500 459 Four Cabinet Card Photos of Native American Men, W.M. Inglis Studios, Kalispell, Montana, photos 5 1/2 x 4 in. $400-600 460 Five Cabinet Cards and a Photograph of Young Native American Women, cabinet cards by Irwin Studios, Chickasha, depicting Kiowa girls and young women, cabinet card photos 5 1/2 x 4, photo 8 1/4 x 6 in. $500-700 461 Cabinet Card Photo of Sac and Fox Band, Prettyman Studios, Blackwell, photo 4 x 5 1/2 in. $200-300 462 Cabinet Card Photo of an Apache Camp, Prettyman Studios, Blackwell, photo 4 x 5 1/2 in. $200-300 463 Five Cabinet Card Photos of Kiowa Infants and Children, four by Overstreet Studios, photos 5 1/2 x 4 in. $300-500

464 Two Cabinet Card Photos of Wichita Grass Houses, one by Overstreet Studios, photos 4 x 5 1/2 in. $200-300

473 Large Photograph of Sac Fox Eagle Chief, Prettyman Studios, albumen print, photo 8 1/4 x 6 1/4 in. $300-500

465 Three Cabinet Card Photos of a KiowaComanche Camp, Irwin Studios, Chickasha, photos 4 x 5 1/2 in. $600-800

474 Cabinet Card Photo of Lone Wolf the Younger Chief of the Kiowa, together with two Cabinet Card photos of his mother, Overstreet and Irwin studios, photos 5 1/2 x 4 in. $400-600

466 Eight Cabinet Card Photos of Native American Women and Children, two by Prettyman, two by Irwin and Mankins, descriptions verso on four of the cards, “Comanche squaw,” “Kiowa girl,” “Kiowa squaw,” “apache girl,” photos 5 1/2 x 4 in. $400-600 467 Three Cabinet Cards Photos of Native American Children, depicting Kiowa children, photos, 5 1/2 x 4 in. $200-300 468 Cabinet Card Photo of Native Americans, depicting “Drawing the Rations at the Commissary,” photo 4 x 5 1/2 in. $200-300 469 Three Cabinet Cards by Prettyman, depicting Osages, Sac and Fox House, and “Hope” (Apache), photos 4 x 5 1/2 in. $600-800

475 Photograph of Four Members of the Dalton Gang, albumen print mounted on card, W.S. Prettyman Studios, photo 2 3/4 x 6 in. $300-500 476 Nine Cabinet Card Photos of Dogs, Taxidermy, and Hunting Scenes, four hunting photographs, four cabinet cards of taxidermy, and a studio portrait of a dog, photos 5 1/2 x 4 in. $600-800 477 Four Cabinet Cards of Plains Indians, three by Irwin Studios, the fourth T. Croft studios, photos 4 x 5 1/2 in. $500-700 478 Three Cabinet Cards of Young Native American Men, depicting two photos of Comanche men and one of an Apache man, photos 5 1/2 x 4 in. $400-600

470 Two Post-mortem Cabinet Card Photographs, the first appears to be a staged scene, inscribed verso “Comanche indian laying down”; the second T.B. England Studios, photos 4 x 5 1/2 in. $200-300

479 Cabinet Card Photo of Chief Quanah Parker, chief of the Comanche, photo 5 1/2 x 4 in. $300-500

471 Albumen Photograph of Pawnee “Sitting Bull” Family and Residence, albumen print mounted on card, inscription verso, photo 4 1/2 x 7 5/8 in. $300-500

480 Two Cabinet Card Photos Key-wy-Tuck and Family, Isaacson studios, depicting Sac a Fox McCoy (Key-wy-tuck) and family, photos 5 1/2 x 4 in. $300-500

472 Six Cabinet Card Photos of American Indian Women and Children, depicting Kiowa and Shawnee children, Irwin and Prettyman Studios, photos 5 1/2 x 4 in. $300-500

481 Three Cabinet Cards of Kiowa Children, one by Overstreet Studios, photos 4 x 5 1/2 in. $300-500

Online bidding at www.skinnerinc.com

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484 Woman’s Mantle, Quechua, Potolo, Bolivia, mid-20th century, two panels stitched together with a central opening, featuring four friezes of mythological birds, 52 x 49 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; purchased from Jeffrey Appleby in the early 1970s. $300-500 485 Mexican Wool Rug, c. 1920, with colored banded pattern, 93 3/4 x 56 in. $500-700 486 Oaxaca Blanket, Mexico, c. 1870, woven in two panels and stitched together, with red, indigo, and natural wool colors, with short fringe at either end, 85 x 51 in. $1,200-1,500 487 Oaxaca Blanket, 19th century, Mexico, woven in two panels and stitched together, with red, indigo and natural wool colors, (with minor edge losses), 75 x 45 in. Provenance: Private collection, Rockport, Massachusetts; descended through the family from the 19th century. $1,200-1,800 488 Mexican Serape, c. 1900, made from two sections stitched together, with a central medallion device and long fringes, 75 1/2 x 57 1/2 in. $400-600 489 Mexican Blanket, mid-20th century, with multicolored central diamond pattern, on white background, long fringes at either end, 85 x 42 1/2 in. $200-300

492

482 Maria & Julian Martinez at San Ildefonso Pueblo, silver-gelatin photograph by Vernon Duroe, c. 1935, 10 1/2 x 13 1/4 in. $300-500

483 Ikat Poncho, Chimborazo, Ecuador, mid-20th century, blue and white cotton ikat design with central opening, made up of two panels sewn together, fully fringed, (native repairs to one side and corner), 56 1/2 x 51 1/2 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; purchased from Jeffrey Appleby in the early 1970s. $300-500

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Additional information and photos at www.skinnerinc.com

490 Navajo Regional Rug, c. 1920s, woven with natural and synthetic spun wool, the serrated diamond pattern with dark border on a natural ground, 62 1/2 x 41 1/4 in. $400-600 491 Small Germantown Weaving, tightly woven with complex geometric designs with bottom edge fringed, 25 1/2 x 30 in. $1,200-1,800


495

492 Navajo Corn Rug, c. 1920-25, woven with natural and synthetic dyed homespun wool, with central white corn motif with birds, surrounded by a maze consisting of a double Greek key design, two whirling log motifs and the word corn in the center, 77 x 45 in. Literature: Navajo Pictorial Weaving 18801950, Tyrone Campbell and Joel & Kate Kopp, 1991, p. 93, fig. 129. $2,000-3,000 493 Navajo Regional Rug, c. 1930s, woven with natural and synthetic spun wool, with elaborate geometric designs on a variegated gray background, 69 x 50 1/2 in. $700-900

496

494 Navajo Yei Rug, c. 1930s, homespun wool, with solitary Yei dancer holding a bow and arrow, surrounded by black border, 63 1/2 x 36 1/4 in. $800-1,200

495 Large Navajo Regional Rug, 1930s, woven with natural and synthetic dyed homespun wool, with elaborate geometric designs on a variegated gray background, (edge wear), 58 x 91 3/4 in. $400-500 496 Large Navajo Rug, c. 1930s, with repeated tree motif design, black border, and red ground, (some dye run), 79 1/2 x 58 1/2 in. $500-700

497 Southwest Wool Blanket, early 20th century, multicolored blanket with repeated motifs of dancing Indians and teepees, 48 x 36 in. $800-1,200 498 Two Navajo Saddle Blankets, early 20th century, both with natural and commercially dyed homespun wool, multi-squared pattern with central red diamond, 20 1/2 x 20 1/2 and 21 1/2 x 19 1/2 in. $1,200-1,800 499 Navajo Transitional Rug, c. 1900, homespun wool, multicolored “eye dazzler� pattern on a red background, with fringe either end, (stains and holes), 68 x 39 1/4 in. $400-600

Online bidding at www.skinnerinc.com

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502

500 Navajo Man’s Wearing Blanket, last quarter 19th century, woven in a third phase pattern, with serrated lattice pattern filled with stripes and cross devices on black background, woven with natural and synthetic dyed homespun wool, 44 x 55 in. Provenance: A private New York collection. $2,500-3,500 501 Navajo Blanket, c. 1900, the tightly woven blanket with a polychrome diamond “eye dazzler” pattern, with whirling logs on a red ground, (wool loss, minor stains), 69 x 48 in. $400-600

502 Southwest Transitional Weaving, Navajo, c. late 19th century, the blanket/rug loosely woven, with multicolored serrate and stacked diamond and zigzag devices on a variegated red ground with natural and commercially dyed homespun wool, 77 x 53 1/2 in. $1,800-2,600

503 Navajo Weaving, c. 1890, multicolored “eye dazzler” design on a red background, 70 x 49 in. Provenance: Private collection, Leverett, Massachusetts; given as a wedding present (February 1898) to the current owner’s grandmother by her uncle who had a general store/trading post in Williams, Arizona. $1,200-1,800

503

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Additional information and photos at www.skinnerinc.com


504

504 Navajo Hubbell Revival Blanket, c. 1895, woven in commercially spun and dyed single-ply wool in black, red, and gray, with typical banded design of a woman’s chief’s blanket, background composed of horizontal alternating strips in black and gray, with three red bands each with five black outlined crosses, 58 x 51 in.

505 Navajo Third Phase Blanket, c. 1900, woven in the style of a third phase chief’s blanket, in commercial and naturally dyed homespun wool, with checkered stepped-diamond devices, 45 x 53 in.

506 Navajo Child’s Wearing Blanket, fourth quarter 19th century, woven homespun wool, with black and natural white stripes and stepped devices on a variegated red background, 28 x 35 in.

Provenance: Private collection, Virginia; Nizhoni Ranch Gallery, Arizona. $1,500-2,000

Provenance: Private collection, Virginia; David Cook Fine Art, Denver, Colorado. $1,500-2,000

Provenance: Private collection, Virginia; Shiprock Gallery, Santa Fe, New Mexico. $7,000-9,000

Online bidding at www.skinnerinc.com

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507

508

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Additional information and photos at www.skinnerinc.com


507 Navajo Twill Weave Manta, c. 1900, handspun wool in natural dark brown and hand dyed aniline red and blue, the central dark brown field is bordered top and bottom with a horizontal band of blue and inside that a band of red with six crosses, 40 x 51 in. $5,000-7,000

508 Navajo Transitional Manta, fourth quarter 19th century, with wide brown central band, with crosses and stepped triangles in two red bands above and below, (with cotton hanging strip on one edge), 38 x 50 in. Provenance: Private collection, Virginia; Sherwoods Gallery, Santa Fe, New Mexico; Richard Zaplin collection, Santa Fe, New Mexico. $6,000-9,000 509 Large Richard Zane Smith Pottery Jar, Wyandot potters, signed and dated “1989” on the bottom, corrugated walls with incised and colored abstract patterns, ht. 12 1/2, dia. 16 in.

512 Contemporary Acoma Pottery Figure, Juana Leno (1917-2000) Syo-ee-mee, the woman wears turquoise earrings, signed on base, ht. 8 1/2 in. $300-400

Provenance: Private collection, New York City. $300-400 513 Contemporary Polychrome Acoma Jar, signed “Shyatese White Dove, 1987,” with rainbow parrot and floral motifs, ht. 6 1/4 in. $300-500 514 Acoma Polychrome Pottery Olla, 20th century, “Acoma” written on the base, high shoulder with repeated black and white flower motifs, (fine crack on rim), ht. 10 1/2 in. $300-500 515 Southwest Polychrome Jug, Acoma, early 20th century, two-color painted abstract design on cream ground, ht. 8 1/4 in. $500-700

Provenance: Private collection, New York City. $1,200-1,800

516 Contemporary Acoma Polychrome Pottery Jar, Lucy M. Lewis (c. 1890-1992), signed and dated “1964,” ht. 5 1/2 in.

510 San Ildefonso Pottery Jar, Tony Da, initialed on the bottom, with colored feather pattern above the shoulder, ht. 3 3/4 in. $1,800-2,600

Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988, illustrated in show catalog as no. 105, p. 29. $800-1,200

511 San Ildefonso Lidded Pottery Jar, Tony Da, red glaze with incised Avanyu design, with five turquoise inclusions, signed “Da” on base, ht. 6 1/4 in.

517 Acoma Polychrome Pottery Turkey, signed “Lucy M. Lewis,” decorated with abstract feather designs in browns, ht. 3 1/4 in. $200-300

Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988; illustrated in show catalog as no. 91, p. 27. $3,500-4,500

519 Hopi Polychrome Pottery Canteen, by Frieda Poleahla, decorated on one side with feather designs, complete with pottery stopper, ht. 9 1/2 in.

520 Hopi Polychrome Pottery Jar, by James Nampeyo, signed on the bottom, shoulder painted in abstract designs, ht. 5 1/2, dia. 12 in. Provenance: Private collection, New York City. $300-400 521 Southwest Polychrome Pottery Bowl, Hopi, by Leah Nampeyo, with abstract feather design in red and brown on a creamy orange ground, ht. 7 1/2 in. Provenance: Private collection, New York City. $600-800 522 Hopi Polychrome Seed Jar, by Fannie Nampeyo, signed on the bottom, with repeat abstract feather design, ht. 7 1/2, dia. 12 1/4 in. Provenance: Private collection, New York City. $800-1,200 523 Hopi Polychrome Pottery Vessel, by Nellie Nampeyo, with abstract feather designs, ht. 6 1/2, dia. 10 3/4 in. Provenance: Private collection, New York City. $800-1,200

518 Pine Ridge, Sioux Pottery Bowl, contemporary bowl with abstract design above the shoulder, ht. 4 1/2 in. $200-300

Online bidding at www.skinnerinc.com

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524

532

524 Hopi Polychrome Pottery Seed Jar, attributed to Nampeyo of Hano, c. 1910-15, with two black painted birds on the sides each separated by an abstract feather motif, ht. 6, wd. 10 1/2 in. Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988, illustrated in show catalog as no. 83, p. 27. $3,000-4,000 525 Hopi Polychrome Pottery Jar, c. 1930s, attributed to the Nampeyo family, with an abstract avian design below the rim, ht. 6 1/4 in. $400-600 526 Contemporary Hopi Polychrome Pottery Vase, by Dextra Nampeyo, signed “Dextra,” decorated with fine abstract feather and geometric designs, ht. 4 3/4 in. $400-600

527 Contemporary Hopi Pottery Seed Jar, signed “Neva P. Nampeyo,” with repeat migration design, ht. 3 in. Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988, illustrated in show catalog as no. 86, p. 27. $400-600 528 Southwest Pottery Bowl, Joy Navasie (19192012), bowl form, decorated at the shoulder with abstract feather and geometric designs, frog sign on the bottom, ht. 5 in. $300-500 529 Santo Domingo Polychrome Pottery Jar, signed on the base “Loreucita and Juan Pino, Tesuque,” deep rounded form with small indented base, tapering neck and flaring rim, painted over a buff slip in black with a narrow band of stylized floral motifs, alternating with bisected triangles, surmounted by a wide frieze of terraced arches enclosing pairs of geometric spirals, ht. 11 1/2 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, November 29, 1988, Lot 239. $1,000-1,500

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530 Carved Blackware Pottery Bowl, Santa Clara Pueblo, signed “Margaret Tafoya,” with a deeply carved stepped kiva design above the shoulder, ht. 5 1/2, wd. 9 1/4 in. Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988, illustrated in show catalog as no. 95, p. 29. $400-600 531 San Ildefonso Black-on-black Pottery Jar, signed “Maria, Popovi 769,” with classic feather design below the rim, ht. 3 1/2, dia. 4 in. $300-400

532 San Ildefonso Black-on-black Pottery Jar, signed “Maria, Popovi 662,” with classic feather design above at the shoulder, with first prize ribbon at the Inter Tribal Indian Ceremonial competition, Gallup, 1962, ht. 10, wd. 11 in. Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987–February 1988, illustrated in show catalog as no. 89, p. 29. $2,500-3,500


539

533 San Ildefonso Pottery Bowl, Maria and Popovi, decorated above the shoulder with an Avanyu design, signed “Maria Popovi 264,� ht. 4 1/2 in. $800-1,200 534 San Ildefonso Black-on-black Pottery Bowl, Maria and Santana, with abstract design above shoulder, (surface wear), ht. 3 3/4 in. $300-500 535 San Ildefonso Pottery Bowl, Maria and Santana, decorated above the shoulder with feather and geometric designs, dia. 9, ht. 3 1/2 in. $1,200-1,800

540

536 Two-lobed Black-on-gray Effigy Vessel, Cochiti, c. 1967, with deer and raised Gila monster design and spirit line, ht. 7 1/2 in. Exhibitions: Desert Sea & Ice, Lyme Academy Gallery, Old Lyme, Connecticut, December 1987-February 1988, illustrated in show catalog as no. 112, p. 26. $800-1,200 537 Southwest Polychrome Pottery Jug, Tesuque, c. 1920s, black painted designs on cream ground, ht. 5 3/4 in. $400-600 538 Cochiti Polychrome Pottery Figure, early 20th century, the standing figure with a dog behind, lg. 5 1/2 in. Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Skinner, March 9, 1985, Lot 33. $300-500

539 Southwest Painted Pottery Canteen, Zuni, early 20th century, the flat-bottom bulbous form painted with a large red and black spiral rattlesnake design on a cream-colored ground, starting on the top and continuing to the back, two lugs for attachment, with a large, short spout, ht. 7 1/2, wd. 10 1/12 in. Provenance: Private collection, Long Island, New York; The Dwight Lanmon collection. Literature: Lanmon and Harlow, The Pottery of Zuni Pueblo, Museum of New Mexico Press, Santa Fe, 2008, p. 303, fig. 21:29. $3,000-4,000 540 Southwest Polychrome Pottery Jar, Zuni, late 19th century, with alternating registers of heartline deer-in-the-house motifs and two large floral medallions, with repeated abstract motifs around the neck, ht. 9, dia. 11 1/2 in. $3,000-4,000

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541

543

541 Southwest Polychrome Pottery Frog Olla, Zuni, early 20th century, the high-shouldered form with four painted frogs holding onto the sides and four butterflies painted on a creamcolor ground, (minor paint loss), ht. 9, wd. 12 1/2 in.

543 Southwest Polychrome Pottery Jar, Zuni, late 19th century, with alternating registers of heartline deer-in-the-house motifs and two abstract motifs between, with repeated abstract motifs around the neck, ht. 9 1/2, wd. 12 in.

Provenance: Private collection, Long Island, New York; Martha Hopkins Struever, Santa Fe, New Mexico. $4,000-6,000

Provenance: Private collection, Columbus, Ohio; purchased from Channing, Dale, and Throckmorton, Santa Fe, 1988. $3,000-4,000

542 Large Zuni Polychrome Pottery Dough Bowl, c. 1900, slightly flared at the rim and painted on the inside with a classic three-part volute design, the exterior with a wide band decorated with geometric and curvilinear devices, ht. 6 1/2, dia. 14 3/4 in.

544 Santo Domingo Polychrome Pottery Olla, early 20th century, with concave bottom, high shoulder, and decorated with two stylized birds and two checkerboard patterns, with floral design below the flared rim, ht. 11 1/2, wd. 12 1/4 in.

Provenance: Private collection, Columbus, Ohio. $800-1,200

Provenance: Private collection, Long Island, New York; Butterfield & Butterfield, San Francisco, sale no. 4865E, Lot 4391. $2,000-3,000

545 Hopi Painted Pottery Canteen, c. early 20th century, the round flat-side form with spout and two lugs, the front with dark red and dark brown abstract feather pattern on a creamyorange ground, ht. 7 1/2, wd. 8 1/4 in. Provenance: Private collection, Long Island, New York; Wheelwright Museum of the American Indian, Santa Fe, New Mexico. $300-500 546 Southwest Polychrome Pottery Jar, Laguna Pueblo, 19th century, abstract designs on a cream ground, inscription on one side “Zuni pueblo Laguna New Mexico...4 1871,� (cracks and chips on rim), ht. 5 1/2, dia. 5 in. $500-700 547 Southwest Polychrome Pottery Olla, Acoma, c. late 19th century, with high shoulder and tapering rim, painted in a single arrangement of joined diamonds and roundels filled by a profusion of symmetrical solid and crosshatched devices, shows ladle wear and patina of use, (chips and loss to rim), ht. 10 1/2, wd. 11 1/4 in. Provenance: Private collection, Long Island, New York; Butterfield & Butterfield, December 2, 1992, Lot 3437. $3,000-4,000

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551

548 Two Isla de Sacrificios Bowls, Post Classic, 1200-1500 AD, including one of shallow form painted in brown and white with a snarling deity’s head, with curling snout and projecting tongue, the other painted in white and orange with an animal perched on its coiled tail, dia. 7 1/2 and 7 1/8 in. Provenance: Private collection Long Island, New York; Sotheby’s, New York, May 16, 1989, Lot 373. $800-1,200

555

551 Casas Grande Effigy Storage Jar, c. 12001450, human form with slit eyes and open hollow mouth, painted overall in a red and black geometric design on a cream slip, ht. 7 3/4 in. Provenance: Private collection, Columbus, Ohio. $1,200-1,800

549 Casas Grande Storage Jar, c. 1200-1450, painted overall in a red and black geometric design on a cream slip, ht. 6 1/2 in.

552 Casas Grande Storage Olla, c. 1200-1450, painted in an overall geometric design in a bold well-balanced design using fine lines and block colors in red, orange, brown, and black, with four rounded projections evenly spaced around the sides, ht. 7 1/4 in.

Provenance: Private collection, Columbus, Ohio. $400-600

Provenance: Private collection, New York City; Fenn Galleries, Santa Fe, New Mexico. $800-1,200

550 Casas Grande Polychrome Pottery Seed Jar, c. 1200-1450, with polychrome geometric decoration in a bold design above the shoulder, with integrated attached points within the design, ht. 5 1/4 in.

553 Mesa Verde Black-on-white Mug, c. 11001200 AD, the handle and sides with black-onwhite geometric designs, ht. 3 3/4 in.

Provenance: Paul Shepherd, Arizona. $300-500

554 Two Mimbres Black-on-white Pottery Bowls, c. 950-1150 AD, each painted on the interior, one with three triangular fields of spiraling elements, the other with a negative diamond flanked by thin parallel lines in a field of scrolled, stepped and striated geometric devices, a kill-hole in the tondo, dia. 7 1/4 and 7 5/8 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, November 28, 1989, Lot 220; from the collection of Edwin Janss Jr. $1,000-1,500

555 Mimbres Black-on-white Picture Bowl, c. 950-1150 AD, painted on the interior with a figure of a turtle, the shell with a checkerboard pattern, broad and narrow concentric horizontal bands on the rim, dia. 8 3/4 in. Provenance: Private collection, Ohio; purchased from Fenn Galleries, Santa Fe, 1984. $2,500-3,500

Provenance: Private collection, Columbus, Ohio. $300-400

Online bidding at www.skinnerinc.com

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556 Two Homolovi/Saint John Polychrome Clay Vessels, a rounded bowl form, painted on the interior over a red slip in dark brown with a broad frieze of solid and striated stepped hooks, bold concentric zigzags in white on the exterior, perforated twice below the rim and strung with hide; and a globular jar, with worn decoration painted in black and white, ht. 5 1/2 and 4, wd. 8 3/4 and 7 in. Provenance: Private collection, Long Island, New York; Sotheby’s, New York, May 22, 1989, lot 174. $1,000-1,500 557 Anasazi Water Storage Jar, Socorro cultural area, c. 1300-1400 AD, with hatched design, ht. 5 in. Provenance: Private collection, New York City; J.M. Slaughter collection, Santa Fe, New Mexico. $400-500

569

558 Anasazi Painted Pottery Bowl, Socorro cultural area, c. 1300-1400 AD, interior painted with an abstract pattern, (minor rim loss), dia. 6 1/2 in. Provenance: Private collection, New York City; J.M. Slaughter collection, Santa Fe, New Mexico. $400-500 559 Anasazi Painted Pottery Bowl, Socorro cultural area, c. 1300-1400 AD, painted overall in a repeated fret design, with inventory numbers painted in black on the bottom, ht. 5 in. $300-500 560 Monte Alban Figural Pottery Vessel, Mexico, 500-750 AD, head, arms, and legs attached to a small pottery urn, (minor chips to the rim), ht. 5 in. Provenance: Private collection, Boston, Massachusetts. $300-500

570

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Additional information and photos at www.skinnerinc.com

561 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide straps, 18 1/2 x 13 1/2 in. $500-700


562 Two Plateau Cornhusk Bags, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide carry straps, 8 x 7 1/2 and 6 1/4 x 6 1/4 in. $600-900 563 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide carry straps, 14 1/2 x 13 1/4 in. $500-700 564 Plateau Cornhusk Bag, 20th century, the natural fiber with geometric designs in colored yarns on both sides, 18 x 13 1/2 in. $500-700 565 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, 18 x 12 3/4 in. $500-700 566 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide straps, 12 1/2 x 11 1/2 in. $600-900 567 Two Plateau Cornhusk Bags, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide straps, 16 1/2 x 10 and 17 1/2 x 11 1/2 in. $800-1,200 568 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide carry straps, 10 1/2 x 9 1/2 in. $500-700

569 Plateau Cornhusk Bag, early 20th century, the natural fiber with tree and strawberry designs in colored yarns on both sides, leather piping at top and thin hide straps, 12 1/4 x 11 in. $800-1,200

570 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide straps at top to close bag, 23 3/4 x 16 1/2 in. $1,000-1,500

577 Large Washoe Polychrome Basketry Bowl, Nevada, c. 1875-85, flat-bottom form with repeated geometric designs decorating the sloping sides, (minor stitch loss), ht. 4 1/4, dia. 14 1/4 in.

571 Plateau Cornhusk Bag, early 20th century, the natural fiber with geometric designs in colored yarns on both sides, with hide straps, 14 1/2 x 14 1/4 in. $500-700

Provenance: The Charles and Blanche Derby collection, Northampton, Massachusetts; Harold Gross collection, Springfield, Massachusetts; Sotheby Parke Bernet, New York, April 23, 1994, Lot 332. The basket comes with an appraisal by Fredrick Dockstader, October 1974. $500-700

572 Two Plateau Cornhusk Bags, c. late 19th century, each with geometric designs done with natural fiber and colored yarns, one with leather straps attached, 11 3/4 x 10 and 11 1/4 x 9 1/4 in. $200-400

578 Southwest Coiled Pictorial Basketry Tray, Apache, c. 1900, with abstract band and stepped checker diamond designs, dia. 13 in. $800-1,200

573 Northwest California Polychrome Basketry Hat, Hupa, late 19th century, with three separate areas of decoration on the rim, body, and crown, ht. 3, wd. 7 1/4 in. $500-700 574 Southwest Coiled Basketry Bowl, Pomo, early 20th century, tightly woven with geometric designs and with remnant feather, shell, and glass bead detail, ht. 2, dia. 4 3/8 in. $600-800 575 Northern California Mission Basketry Gambling Tray, c. 1900, the tightly woven slightly flared form with two bands of diamond rattlesnake devices, dia. 18 in. Provenance: Private collection, Long Island, New York. $1,200-1,800 576 Polychrome Pictorial Mission Basket, early 20th century, the deep, round form with flared sides and decorated with a diamondback rattlesnake, flying bird and lizard, ht. 7, dia. 14 1/2 in. Provenance: Private collection, Long Island, New York; Bonhams, San Francisco, The Robert “Trader Bob� Bayuk Collection of Native American Art. June 4, 2012, Lot 1098. $4,000-6,000

579 Southwest Coiled Pictorial Basketry Tray, c. 1900, Apache, decorated with numerous human figures, dia. 9 in. $300-400 580 Southwest Coiled Basketry Tray, c. early 20th century, with a pinwheel design, ht. 4 3/8, dia. 17 in. $300-500 581 Northwest Coast Twined Berry Basket, Tlingit, c. 1900, spruce root, colored geometric pattern on the side, ht. 5, dia. 5 3/4 in. Provenance: Private collection, Stowe, Vermont. $300-500 582 Northwest Coast Polychrome Rattle-top Twined Basket, Tlingit, c. 1900, rattle lid, with banded geometric designs on lid and basket, ht. 3, wd. 5 1/8 in. $600-800 583 Two Northwest Coast Lidded Baskets, Makah and Haida, c. 1900, with ringed patterns on each, old label on the Makah basket, ht. 3 and 2 1/4 in. $300-500

End of Sale 3185B

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised January 21, 2015

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Absentee Bid Form Sale Title

Absentee Bid

Sale Date

or

Phone Bid

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

Bid Price

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

Mail

Person

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

85


Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

discovery@skinnerinc.com

Stephen L. Fletcher Bear Albright

508.970.3202

John Deighton Karen M. Keane

American & European Paintings & Prints

Andrew Payne

Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management President/Chief Executive Officer Karen M. Keane

Kathleen M. Leland paintings@skinnerinc.com

Don Kelly

Executive Vice President

Stuart G. Slavid Stephanie Opolski european@skinnerinc.com 508.970.3203

508.970.3206

Historic Arms & Militaria American Furniture & Decorative Arts

Joel Bohy

Stephen L. Fletcher

militaria@skinnerinc.com

Chris Barber

508.970.3215

Christopher D. Fox americana@skinnerinc.com

Chief Financial Officer

European Furniture & Decorative Arts

508.970.3200

Jewelry John Colasacco Kaitlin Shinnick

American Indian & Ethnographic Art

jewelry@skinnerinc.com

Michael Evans

617.874.4313

indian@skinnerinc.com

Stephen L. Fletcher

508.970.3254

Managing Director

Antique Motor Vehicles

judaica@skinnerinc.com

Jane D. Prentiss

508.970.3256

Judaica Kerry Shrives

Marie Keep

antiquemotorvehicles@skinnerinc.com 508.970.3253

Senior Vice Presidents Marie Keep Kerry Shrives Stuart G. Slavid

Adam Tober

Asian Works of Art

music@skinnerinc.com

Judith Dowling

508.970.3216

Helen Eagles Suhyung Kim

Vice Presidents

asian@skinnerinc.com 508.970.3263

Eric Jones Gloria Lieberman Jane D. Prentiss Robin S.R. Starr

Musical Instruments

Oriental Rugs & Carpets Lawrence Kearney rugs@skinnerinc.com 508.970.3247

Books & Manuscripts Devon Eastland books@skinnerinc.com 508.970.3293

Photographs Michelle Lamunière photographs@skinnerinc.com 508.970.3264

Regional Offices New York: Katie Banser-Whittle 212.787.1114 kbanser-whittle@skinnerinc.com

Florida: 305.503.4423 florida@skinnerinc.com

Ceramics Stuart G. Slavid ceramics@skinnerinc.com 508.970.3203

Silver Stuart G. Slavid silver@skinnerinc.com 508.970.3203

Clocks, Watches & Scientific Instruments Jonathan Dowling clocks@skinnerinc.com 508.970.3201

Wine, Whisky & Ale Marie Keep Joseph Hyman Anna Ward

Coins & Currency

finewines@skinnerinc.com

Kyle Johnson

508.970.3296

coins@skinnerinc.com 508.970.3191

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Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services

Exhibitions & Property Boston:

LaGina Austin

Pamela Van de Houten

Christine E. Finn

Jeffrey R. Antkowiak

Rachel Kingsley

Stanley P. Bystrowski

Samantha Minshull

Kristina M. Harrison

508.970.3299

Kathleen Jones

Laura V. Sweeney Julia M. Dry Drew Porter Katrina Wilson

Cheryl Richards Photography

Consignment Services Tara Lima

Valerie Santos

Receptionist

Penina Seigel

Florentina Gutierrez 617.350.5400

Carol Zeigler 508.970.3204

Skinner Online Marlborough: Kerry Shrives

Accounting

Daniel Bar Judie Ochsner

Denise Cheney

Nicole Nicas Rovner

508.970.3269

Valerie Santos

Esteffany Esparza

online@skinnerinc.com

508.970.3283

508.970.3279

Warehouse Frederic Trottier 508.970.3209 Samantha Heighton

Receptionist William Debordes-Jackson 508.970.3000

William Madden 508.970.3266

Catalog Sales 508.970.3000

Transportation Eric Jones 508.970.3229

Absentee & Telephone Bidding Boston: 617.874.4318 Marlborough: 508.970.3211

Auctioneers

Discovery: 508.970.3208

Chris Barber, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie Keep, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

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