PRESIDENT’S
‘21 OCTOBER 29–NOVEMBER 11 EXHIBIT CATALOG slcc.edu/artshow
2021 PRESIDENT’S ART SHOW Salt Lake Community College South City Campus Multipurpose Room SCM 1-030/1-032 1575 South State Street Salt Lake City, UT 84115 slcc.edu/artshow
AWARDS CEREMONY LIVESTREAM Thursday, October 28, 2021 7 p.m. | slcc.edu/artshow
EXHIBITION DATES
October 29–November 11, 2021 Monday–Thursday, 10 a.m.–7 p.m. Friday, 10 a.m.–3 p.m. Closed Saturday and Sunday Welcome to the Salt Lake Community College President’s Art Show, an annual juried exhibition sponsored by the College’s Art Committee. The President’s Art Show celebrates Utah artists and the powerful ways in which art brings people together. Selected from 347 submissions, this year’s exhibition showcases a wide range of talented professional and amateur artists using their skills in a variety of media. Many of the works are for sale; the pieces eligible to be purchased and their respective prices are listed in this program. The 2021 President’s Art Show awards the following prizes:
Best in Show: President’s Award: Community Award: Dennis Klaus Honorary Award: Second Place: Third Place:
Thank you for joining us.
$ 1,500 $ 1,000 $ 1,000 $ 500 $ 500 $ 500
‘21 Awards BEST IN SHOW – $1,500 Lacee Black Lunch Break
PRESIDENT’S AWARD – $1,000 Julie Strong Spring
COMMUNITY AWARD – $1,000 Kelen Nora Wright Chaton
DENNIS KLAUS HONORARY AWARD – $500 Courtney Hart Violet Rose
SECOND PLACE – $500 Bea Hurd Deflation of the Flesh
THIRD PLACE – $500 Rachel Henriksen Layers of Contradiction
Forest Aeon INTERRRACTION VIII, 2020 India ink on Bristol smooth paper 19 x 24 inches $1200
“INTERRRACTION VIII is the eighth piece of my INTERRRACTION series, which consists of abstract algorithmic paintings done mostly on Bristol or watercolor paper in India ink with brush. These paintings have become tools of meditation where I focus on a concept or set of related concepts to guide the work. The inspiration for this process is a combination of the simple brilliance of Yayoi Kusama’s Infinity Net paintings, and the experience as an adult of watching Mr. Rogers give so much love to so many people, which helped me to realize I have a lot of pain where love is supposed to be. Through this series, I have learned there is pain and there is love and it is all enmeshed beautifully.”
Alise Anderson Gum, 2019 Wool yarn, tufted rug 3 x 72 x 68 inches $650
Detail
Stefani Anderson I’m Fine, 2021 Oil on Canvas 60 x 48 x 2 inches $5000
“This represents the last year for me. There has been so much stuff (not just COVID), it’s overwhelming. During a very emotional day this image came to me. I knew I had to paint it. I also knew no small painting would do. So I got the biggest canvas that would fit in my car and for two weeks I poured all my emotions into this painting. It was every emotional to finish it.”
Brianna Beck Evolution of Man and Bird, 2020 Acrylic and ink on paper board 27 1/4 x 33 1/4 x 1 inches $2000
Lisa Benudiz Intrepid, 2020 Acrylic, Floetrol, gloss medium, silicone oil, gloss varnish on canvas 12 x 24 x 1 1/4 inches $185
Erin W. Berrett To The Point, 2020 Oil on panel 36 x 36 x 1 1/2 inches $7700
Julie Berry Warrior Woman, 2019 Acrylic on canvas with handprinted papers and found items 20 x 16 x 1 inches $400
Scott Bevan Hidden Falls, 2021 Oil 10 x 18 inches $975
Paola Bidinelli Lockdown, a meditation on the 2020 pandemic, 2020 Acrylic, dried flowers, rope, cardboard on canvas 36 x 48 x 4 inches $7500
Namon Bills Epiphany, 2021 Collage, acrylic, gold leaf, oil 31 x 21 x 1 1/2 inches $900
ALUMNA
Lacee Black Lunch Break, 2021 Paper collage 28 1/2 x 52 3/8 x 1 1/2 inches NFS
Detail
Laurie Bray Lenticular, 2020 Dye sublimation digital print on aluminum metal 12 x 24 x 1/4 inches $225
Shelly Cluff Connecting to Joy, 2021 Acrylic 24 x 30 x 1 1/2 inches $1200
Nathan Brimhall Resilience, 2020 Mild steel 90 x 48 x 48 inches $15000
Kelsey Critchfield In Captivity, 2021 Oil on canvas 20 x 16 x 1 1/2 inches $1850
“Inspired by the iconic medieval ‘Unicorn in Captivity’ tapestry, many art historians have interpreted the original piece’s meaning and symbolism. However, through the many challenges and events that have happened this past year, I have felt we have all been held ‘captive,’ quarantined to our homes, and unable to travel or visit others. Much like the unicorn in isolation, we are anxiously waiting to be free once again.”
Olivia Dawson Koi, 2021 Acrylic Ink on Cold Press 10 x 7 inches $200
Darryl Erdmann Covers, 2020 Acrylic, paper on canvas 48 x 36 x 1 1/2 inches $4000
EMPLOYEE
Jacob Erickson Time, 2020 Semigloss fiber 11 x 14 x 2 inches $200
Mike Erikson Divergence, 2021 Acrylic, gouache and ink on panel 35 3/4 x 11 3/4 x 1 1/2 inches $750
ALUMNUS
Eric Fairclough Plant Me in Your Garden, 2021 Acrylic, ink and spray paint 36 x 24 x 2 inches $2500
Sellist Fay Trash Clown, 2021 Digital 17 x 10 inches $50
Nicolas Fletcher I Was God Once, 2021 Wood, television, garage door opener, AstroTurf, mirrors, screws 23 x 37 x 4 inches $2222
STUDENT
Nolan Flynn 10 Pack and Twist, 2021 Oil on canvas 58 x 40 x 2 inches $2500
Grant Fuhst Man Wearing a Crow Mask, 2020 Acrylic, collage, paper on mat board 14 x 11 x 1 1/2 inches $400
Juan Gasca Untitled No.15, 2019 Acrylic on canvas board 24 x 18 x 2 1/2 inches $450
Sheryl Gillilan If Kansas Grew Tulips, 2019 Hand dyed kimono, silk fabrics and commercially dyed cotton fabrics 40 x 54 inches Detail
$1600
ALUMNA
Cara Jean Hall Fire, 2021 Acrylic on Board 48 x 30 x 1 inches $1200
STUDENT
Ethan Hanna Valo, 2021 Photographic luster print 30 x 20 inches $200
Courtney Hart Violet Rose, 2021 Oil on canvas 93 x 117 x 1 1/2 inches NFS
Rachel Henriksen Layers of Contradiction, 2021 Acrylic and 3D puff paint on layered panel 21 x 21 x 3 inches NFS
Detail
Stephanie Hock My Community, 2020 Acrylic on board 24 x 36 x 2 inches $2350
Bea Hurd Deflation of the Flesh, 2020 Balloons, red thread, broom 60 x 30 x 4 inches $1000
Detail
“’Deflation of the Flesh’ is a robe made of balloons and red thread, hand stitched over the course of five months. Through the action of hand stitching, the balloons which are typically regarded as a vanity junk product have been treated with copious love and overt labor…because of the necessary punctures through the balloons in order to sew them together, the original function of the balloons has been negated.”
Colton Hughes Consumption, 2021 Acrylic on paper 32 x 24 inches $400
ALUMNA
KeErah Hutchings Fish, 2021 Stonehenge paper accordion book with linocut prints 8 x 6 x 14 inches NFS
Janna Jensen Leading Line, 2021 Photo encaustic on birch panel with oil and pan pastels 19 x 13 x 1 1/2 inches $300
Detail
Chad Jones Collision of Thought, 2021 Air brush, watercolor, acrylic paint marker 30 x 45 x 1/2 inches $500
ALUMNA
Tammy Kelsch Ba Noi, 2020 Oil on canvas 24 x 18 x 2 inches $950
Detail
Rebecca Klundt Lake Powell, 2021 Reclaimed wood and acrylic 32 x 48 x 3 inches $3300
William Kranstover Southern Country Road, 2021 Acrylic on Canvas 40 x 40 x 2 inches $4200
Jamie Kyle The Runaways, 2021 Archival digital print 24 x 24 x 1 inches $650
Bill Laursen The Redder the Bedder, 2021 Acrylic on canvas 36 x 36 inches NFS
David LeCheminant Eli, 2019 Wood, stain, paint, lacquer finish 26 x 11 x 10 inches NFS
“Eli was my grandpa—and an outstanding man. In this work, which was part of a larger body of work paying tribute to those who left their mark on me called ‘Icons,’ I attempt to distill my grandpa’s great qualities into formal gestures including strength, solidity, a straight-forward sensibility with just the right amount of ‘edge.’”
Christopher Lepkowski Evolution of a Distracted God, 2020 Acrylic on canvas 48 x 30 x 4 inches $900
Longin Lonczyna Aqua Purple Leaves, 2020 Digital photograph on canvas wrap 36 x 24 inches $400
EMPLOYEE
Jeanette Lukens Chimayo, 2021 Linocut print on paper 17 x 11 x 1 inches $175
Vincent Mattina Ship House, 2020 Digital art 29 x 23 inches $395
Bernard C. Meyers Toyko 349a, 2021 Editioned, archival pigment print on Hahnemühle paper 32 x 24 x 2 inches $1800
D. Errol Miller Divergent Paths, 2021 Digital print on canvas wrap 16 x 24 inches $275
Ryan Moffett Fatherhood, 2020 Ceramic, cone 10 stoneware and underglazes 20 x 7 x 7 inches $1200
Caro Nilsson Red Castle, 2021 Acrylic on canvas 60 x 36 x 2 inches $5300
Jonathan Norberg Migration 2, 2020 Bronze 13 1/2 x 12 x 15 inches $5600
McKaylee Orton Deep Sea Abstraction, 2021 Ceramic 4 x 7 x 6 inches $200
Miguel Pabon Amethyst Lake, UT, 2021 Acrylic on Masonite 32 x 24 x 1 1/2 inches $1250
Jonna Ramey Source of Power, 2021 Springstone, Purpleheart 23 x 9 x 8 inches $1900
Detail
“In May 2020, a young Black woman had the courage to film the murder of George Floyd and post it for the world to see. All that summer, Black women across America led protests and engaged local governments and police to make powerful change. And Black women across the South organized and got voters to the polls in November of that year in record numbers. Black women did all this during a deadly pandemic. These women are the inspiration for ‘Source of Power.’ ‘Source of Power’ was sculpted in 2021 from Zimbabwean springstone, mounted on purpleheart wood. The female form’s very pregnant belly shows her potent power. The raw stone elements and tool marks suggest that the piece may be an artifact old as human time but absolutely of the present.”
Adam Rees Things Cannot Hold, 2021 Acrylic on board 24 x 48 x 1 1/2 inches $1000
Zachary Reiter DTLA, 2020, 2021 35mm black & white film, fine art paper 14 x 11 inches $150
ALUMNA
Marguerite H. Roberts Arch Entrance Local Shop, India 2020, 2021 Color photograph 14 x 11 x 1/2 inches $155
Christina Riccio Manifestations, 2020 Porcelain & mother of pearl luster 3 x 5 x 5 inches NFS
Detail
“Mental illness is a constant, unrelenting struggle from which my sense of reality is irrevocably tied. The pull of ceaseless darkness threatening to drag me under, alongside of the constant and unrelenting cycle of irrational thoughts, causes an invisible battle created by depression and anxiety. While this battle may be unrecognizable to others, I can feel my symptoms crawling, slithering, and squirming throughout my mind and body. Manifestations are a physical representation of managing symptoms behind closed doors.”
Minil Ryum Recollected Landscapes, 2021 Mixed media on canvas 60 x 96 x 1 1/2 inches $2500
Gilmore Scott Our Grandmothers, Our Mothers, Our Bears Ears Monarchs, 2021 Acrylic 16 1/2 x 50 1/2 x 2 1/2 inches NFS
“Depiction of the Bears Ears landmark. Profile of top of bears ears and snout looking north. Also representing the four indigenous peoples of southeastern UT, by showing the four different styles of moccasins—the Zuni, Hopi, Diné (Navajo) and Ute. The monarch symbolizes the matriarch of the people, and is depicted in the design of the skirts.”
Steven Sheffield Geometric Air, 2021 Acrylic, graphite, crayon with collage on synthetic paper 19 x 25 x 1 inches $1500
Shabnam Siddiqui Memories of the Maghreb, 2021 Stained glass on wood 12 x 12 x 3/4 inches $350
Samantha Snyder Little Gray Cells, 2021 Acrylic, wood, fabric, collage on wood panel 24 x 24 inches NFS
STUDENT
Christina Stanley Outlook, 2021 Oil on board 20 x 16 x 1 1/2 inches $350
Julie Strong Spring, 2020 Linen canvas, hand embroidered threads, hand beaded with glass beads 24 x 24 inches NFS
Detail STUDENT
Bessann Swanson Under Sanpete Skies, 2021 Watercolor on paper 16 1/2 x 10 1/2 x 1 inches $650
Stephanie Swift SALT LAKE CITY, 2021 Image transfers on wood tiles, affixed to wood panel 36 x 36 x 1 1/2 inches $2500
Matthew Timpson Cliffs of Kayenta, 2020 Oil on canvas 60 x 48 x 2 inches $7200
Christina Truong Attain, 2021 Digital painting, Procreate 20 x 16 x 1 inches $150
“This piece is a digital painting of a friend. It is referenced from a photo I took of her one afternoon right after we had finished our meal at a restaurant that was relatively posh. Neither of us come from affluent backgrounds nor have we enjoyed the privileges that come from being in the majority group. We didn’t allow it to keep us from enjoying what we worked so laboriously to attain. When we first entered the restaurant, we felt out of place, but by the time we were leaving I felt gratified by something more than the meal. I noticed how well the environment complimented her and that we weren’t so estranged after all. It was a moment where I appreciated how far we had come.”
Mary Tull Morning Light, 2021 Oil and cold wax on paper 9 x 12 inches $750
Rose Wambsganss Paper Doll 3, 2019 Micron ink on multimedia paper 25 1/2 x 20 1/2 inches $375
ALUMNUS
Kevin Wellman The Temples, 2020 Palladium print 10 x 8 inches $500
Justin Wheatley Boston, 2021 Acrylic 36 x 36 x 1 1/2 inches NFS
EMPLOYEE
Peter Wiarda A Death In The Family, 2021 Digital photographs printed on aluminum panels 25 x 68 x 1 inches $630.21
“This is an exploration of grief, of mourning a loss that was only a matter of time. In preparation for the death, I developed digital processing techniques that amplify noise in underexposed areas of a photograph and distort the delicate transitions between colors in the brighter areas. I bend the editing software to extreme limits to create otherworldly light and color, while preserving enough of the original sensor data to still call this a photographic image. From left to right, the images increase in distortion; the photographic presence gives way to digital manipulation. The final image, a shade of its former self, balances on the edge of known and unknown. A few steps further, (who knows how many?) and the image will cease to exist, fading into the chaos of noise.”
Kathryn Willes The Cure for Rainy Days, 2021 Acrylic on cradled board 16 x 16 x 3/4 inches $600
ALUMNA
Megan Wilson Complement Pathways, 2021 Colored pencil, ink, watercolor, acrylic, collage on marbled paper 20 x 14 inches $400
Debbie Wood Beauty Within, 2021 Oils 28 x 24 x 1/2 inches $800
Detail
Greggory Wood Wind and Dunes, 2021 Medium format analogue film; digital post-processing 30 x 29 x 1 inches $600
Jane Anne Woodhead Holding Strong, 2021 Oil on board 24 x 24 x 2 inches $2700
Kelen Nora Wright Chaton, 2021 Oil on mulberry paper on canvas panel 8 x 8 x 1/8 inches NFS
Taylor Wright Still Life With Casual Futility, 2021 Oil on panel 13 x 36 inches $1050
MönSr Yusef About Face 1, 2021 Colored pencil on paper 14 x 12 inches $4000
From the T.A.N.G (Thuggin’: A New Generation) fashion design series, Yusef explores many themes from his life on the streets using poetry, images of pop culture, fashion and design to inspire hope of a unified humanity. “I was raised in environments of turmoil and chaos—from Oklahoma, to New York to California. Amid the chaos, I wrote and created works that reflected what I have seen as problems and solutions to the human ailment of being immoral and destructive.” Through his T.A.N.G. series, Yusef is attempting to redefine a new generation of people labelled as ‘thugs,’ describing them as “people who accept what and who they are, allowing nothing and no one to prevent them from accomplishing their goals.”
SLCC ART COMMITTEE
The planning and implementation of the annual President’s Art Show is just one way in which the SLCC Art Committee supports and encourages the arts throughout the college. We strive to enrich the college environment and to inspire our students, faculty and staff by collecting and exhibiting artworks that represent diverse cultures, thoughts and expressions that embrace artistic and academic excellence. We develop, protect, display and catalog the college’s Permanent Art Collection of over 500 works. Additionally, we program the college’s art gallery spaces including The George S. & Dolores Doré Eccles Gallery and LED Exhibition Wall in the Edna Runswick Taylor Foyer at our South City Campus. It is our goal to connect with the community by creating a platform for artistic dialogue and exchange, displaying the collection throughout seven campuses across the Salt Lake Valley and curating exhibitions throughout the academic year. Chair: Judy Fisher Members: Robert Adamson Bob Askerlund Nick Burns Marilee Dunn Josh Elstein Joseph Gallegos Sandra Lehman Alison McFarlane
Ed Rosenberger Hilda Sandi Gordon Storrs Susan Valentine Ahmad Varedi James Walton Virag White
Inquiries & Sales James Walton 801-957-4530 james.walton@slcc.edu Please inquire about sales prior to November 11.