3101siteanalysis

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Portland, Oregon Portland is located in Norheastwern Oregon and sitting at just under 600,000 people, it is one of the largest metropolitan populations in the state. Portland prides itself in being the greenest city in the country and the second greenest in the world. The city of Portland istself nestled along the Willanette and Columbia Rivers. Originally pioneered as a lumber shipping town Portland has grown from an indutrial center to having a thriving artistic community. Due to the lower cost of living, potential for urban development, and internet boom of the early 1990’s the are was flooded with new people. As of the 2000 census the city of Portland contains over 10,000 artist. The city is a hub for music, art, and internet industry. The downtown Hawthorne district is home to many shops, restaraunts, microbreweries, and clothing stores.

State Context

Downtown Portland

Regional Identity

Oregon, USA

1”=50 mi

Neigborhood Context

1”=2000 ft

1”=20 mi Reigonal Context

Portland Site 1.5”=2 mi

City Context

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Local Conditions

SITE INVENTORY + ANALYSIS

A.1


1887 Eastside Mill and Jones Lumber Company arrives Willanette Valley Railroad Open

1912 Portland Rose Garden

1924 Business and Housing beings to develop. Portland Ship Building Company become established.

1963 Portland Downtown Water Plan 1933 Public Market Opens

1972 Portland Downtown Plan

1973 Metropolitan Arts Commision

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

1985 First Light Rail Opens Portlandia Statue Arrives 1987 Portland Center for Performing Arts Central City Plan

1906 Sellwood Ferry arrived and stirs development

Regional Identity

1850

1892 Area largely settled with factories, housboats and workers homes

1852 Establishment of Town of Futlon originally established Robert Thompson

1914 Southern Pacific Railroad runs between Lake Oswego and Portland

1990’s Dot Com Boom Influx of people in 20s-30s drawn by nature, urban growth possibilites, and cost of living. 2006 Friends of Trees Replant over 250 trees

Present

Historical Timeline of Portland SITE INVENTORY + ANALYSIS

A.2


NE Alberta St. Alberta Arts District

NE Fremont St.

405

R oad

NW

Washington Park

Skyl

ine Blvd

39th

26

SEE CENTRAL CITY MAP

SW Beaverton-Hillsdale Highway

SW S c

Beaverton lls ho

rr y Fe

ad Ro

Willamette Shore Trolley

d. Blv

Sellwood Bridge

S

W

Ter w

Lewis & Clark College

SE King Road SE Harrison St

ad

Sta f

224

r Clackamas River

Clac

Oregon City

West Linn

lalla

. Ave

GIRTH | DEVLIN | TROWELL

Wilsonville

81

edlan d Road

Public Space Map Mo

ARCH 3101 – 003 • FALL 2013

78

Drive

kamas

SE R

PORTLAND CHILDREN’S MUSEUM

212

Gladstone

213

Public spaces embrace nature

oad

224

212

43

rland Road 205

Happy Valley

Clackamas

R

SW

d.

SW B o

Tualatin

Expre ssway

e

go

uki e

SE Sunn yside R

Clackamas Town 80 Center

iv

we

f or d Ro

Ro

ad

SW Hall Blvd.

Os

Mil wa

99E

Willamette Shore Trolley

1mi

Milwaukie

224

Blv

L

SE Foster Road

hlin

SW Upper Boones Ferry

Lake Oswego

ake

Powell Butte

oad

82

SW Nyberg Road

od Road erwo -S h n i t a ua l WT

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g Lou

S

84

e on

Fos t

26

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73

79

SW

Bo

SE

SE

Bridgeport Village

SE Powell Blvd.

77

Sellwood

Macadam Ave SW . B l vd

er illig

ad SW Durham Ro

y err sF

MAX Light Rail

SE Stark

SE Woodstock Blvd.

Parks and public99W spaces are spread throughout the city. SW K ru s e W ay

NE Glisan St. E Burnside St.

SE Tacoma St.

5

217

Tigard

NE Halsey St.

Oaks Park

Washington Square Mall

A community Bike ride

Gresham

213

Mount Tabor

SE Holgate

SE Bybee Blvd.

bur Bar SW

dy Blv d.

The Grotto

.

Reed College

10

NE San

32nd

oad on R

41 43

SE Division St.

Portland Children’s Museum

17th

S

a ny WC

40

d Blv

SE Belmont St. SE Hawthorne Blvd.

Oregon Zoo

63 42 61 55 46 48 62 51 44 50

53

Hawthorne District

MAX Light Rail

85

d San

E Burnside St.

World Forestry Center

ad

NE

84

W Burnside

International Rose Test Garden Portland Japanese Garden

SW Barnes Ro

y

NE Broadway

Pittock Mansion

.

39

52

Regional Identity

er

NE Killingsworth St.

190th

iv

54

56 57

181st

R

99E

59

182nd

e

45 58

162nd

NW

ll rne Co

University of Portland

lumbia Blvd. NE Lom bard S t.

122nd

lin eB lvd .

.

Government Island

112th

y Sk NW

e

tt

Blvd

NE Co

102nd

l am

30

ette

t.

MAX Light Rail

il

Portland Meadows

5

dS

82nd

illam

W

k

bar

Air MA port W a XL igh y 60 t R 49 ail 47

.

NL om NW

74

NE

Portland International Airport (PDX)

Blv d

B

NE Marine Drive

Cul ly

tP ar

ns

70

N Mississippi

es

oh

MAX Light Rail

J St.

e

Portland International Raceway

N Interstate Ave.

Fo r

g rid

67

57th

NP or t

ma

72

e

65

66 64

N Greeley

Ge

nR

d oa

Portland Expo Center

205

Colum bia Riv er

71 Isla nd D 69 riv

60th

la n dR oa

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ow nt

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n

NW

Portland encourages community gatherings and interactions by incorporating public spaces and parks into its infrastructure. The environment and sustainability are a major priority in Portland which has lead to an increase in public transportation and community activism. Mass bike rides, free seasonal activities, and a cultural diversification are apparent characteristics of the region.

ayd

42nd

68

NE

NH

The City with a lot to Offer r

Community Gathering

Vancouver

1 mile 2.5 km

N

Public Outdoor Acitvities

Island

33rd

Portland area MaP

SE B ea ve rcr ee

kR

oa d

SITE INVENTORY + ANALYSIS

A.3

75

83


United States Seismic Zones Map

Seattle Olympia

Washington

Portland

North Dakota

Helena

Salem

Montana

Maine

Bismarck Minnesota

Idaho

Oregon

Wisconsin

Pierre

Lansing

THe Willamette River and Columbia River run through the city and help to divide the city into its distinct districts. The Columbia River also serves as a natural boundary between Washington and Oregon States.

Cheyenne

Salt Lake City

Nevada

San Francisco

Des Moines

Nebraska

Lincoln

Utah

California

Kansas City

Santa Fe Arizona

San Diego

New Mexico

Kaua‘i

Kentucky

Raleigh Nashville

Jonesboro

Tennessee

Charlotte

Arkansas

(Ground Acceleration)

So u t h C a ro l i n a

Zone 0 = 0.0g

Georgia

Mississippi

O‘ahu

Seismic Zones

Columbia Atlanta

Dallas

Fort Worth

N o rt h C a ro l i n a

Memphis

Little Rock

Norman

Maryland

Virginia

St. Louis

Oklahoma City

Phoenix

Delaware

Annapolis

Charleston Virginia Richmond Frankfort

Louisville

Missouri

Oklahoma

New Jersey

Dover

Washington D.C.

Jefferson City

Trenton

Harrisburg Ohio

West

Wichita Los Angeles

Springfield

Topeka Kansas

Las Vegas

Chicago I n d i a n a Columbus Indianapolis

Illinois

Denver Colorado

San Jose

Pennsylvania

Massachusetts

Providence

Rhode Island Connecticut

Hartford White Plains

Madison

Iowa

Reno Carson City

Concord Albany Boston

Michigan

Wyoming

Ogden

Portland has a variety of geographical features that affect its regional climate, culture , and daily way of life. Mount St. Helens, Mount Tabor, and Mount Hood, from left to right, dominate the skyline, beyond the iconic buildings and bridges of the city. These mountains are active volcanos and are affected by the west coasts frequent plate boundary changes. Portland , along with much of the west coast, is in seismic zone 3, indicating that the city is near or on a fault line and experiences frequent earthquakes. Earthquakes are felt or cause damage to Portland approximatly every 8 to 12 years.

New Hampshire

New York

St. Paul

South Dakota

Rexburg

Geography

Vermont

Montpelier

Boise

Sacramento

Augusta

Montgomery

Jackson

Zone 1 = 0.075g

Alabama

Honolulu

Louisiana

Texas

Maui

Zone 2A = 0.15g

Tallahassee

Baton Rouge

Austin

Hawaii

Houston

Alaska

Zone 2B = 0.20g

Guam Hagatna

Florida

Anchorage

Regional Identity

U.S. Seismic Map

Zone 3 = 0.30g

Miami

Zone 4 = 0.40g

Juneau

Puerto Rico

Source: 1997 Edition UBC

San Juan

Caribbean & Virgin Islands

Seattle Olympia

Washington

Portland

North Dakota

Helena

Salem

Montana

Maine

Bismarck Minnesota

Idaho

Oregon

Ogden

Wisconsin

Pierre

Salt Lake City

Nevada

Utah

Lansing

PORTLAND CHILDREN’S MUSEUM

Des Moines

Nebraska

Lincoln Denver

Kansas City

Los Angeles

Santa Fe Arizona

San Diego

Kaua‘i

Phoenix

Springfield

Norman

Jonesboro

Little Rock

Honolulu

Geographical Features Raleigh

Dallas

Mississippi

Wind Zones

SITE INVENTORY Zone+ I ANALYSIS (130 mph) So u t h C a ro l i n a

Georgia

Montgomery Alabama

Louisiana

Charlotte

Columbia

Atlanta

Jackson Texas

N o rt h C a ro l i n a

Tennessee

Memphis

Arkansas

O‘ahu

Maryland

Virginia

Charleston Virginia Richmond Frankfort

Nashville

Oklahoma City

Fort Worth

Delaware

Annapolis

Kentucky

St. Louis

Oklahoma

New Mexico

Louisville

Missouri

New Jersey

Dover

West

Jefferson City

Trenton

Harrisburg Ohio

Washington D.C.

Topeka Kansas

Las Vegas

Chicago I n d i a n a Columbus Indianapolis

Illinois

Wichita

ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Cheyenne

Pennsylvania

Massachusetts

Providence

Rhode Island Connecticut

Hartford White Plains

Madison

Iowa

Colorado

San Jose

Concord Albany Boston

Michigan

Wyoming

Reno Carson City

California

New Hampshire

New York

St. Paul

South Dakota

Rexburg

San Francisco

Vermont

Montpelier

Boise

Sacramento

Augusta

Zone II (160 mph)

A.4

United


The Five Regions of Portland

Northwest Portland The Pearl District, Old Town Chinatown, and the NW District are found in Northwest Portland. This area has both residential and commercial buildings and uses. To revitalize this area, many old warehouses were transformed into loft apartments. A mix of resturants, galleries, and shops cna be found here as well, satisfying the eclectic, and bold nature of Portland.

Human Occupation

North Portland This district of Portland is mainly used for industrial puposes with its proximity to the Willimette River and the Columbia River. It has large cargo facilities and features the St. Johns Bridge.

North Portland

Northwest Northeast

Soutwest Portland This area is the primary downtown of Portland. The streets make up compact square blocks that are pedestrian friendly. This is home to Washington Park, Portland State University, and Wells Fargo Center (the tallest building in Oregon). This is a mixed use region with residential, comercial, and ecademic buidlings and uses.

Southeast

Southwest

Southeast Portland The true ecclectic, bold, unique, and quirky population are found in the Southeast region of Portland. Hisorically blue-collar workers live and work here. Some of the most scenic and popular parks in Portland are located in this region. Northeast Portland The oldest and most expensive homes in the Portland area can be found here. The Oregon Convention Center, Portland’s Hockey Team, and the Rose Garden also call Northeast Portland home.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

2mi

4mi

Portlands Distinct Neighborhoods SITE INVENTORY + ANALYSIS

B.1


Human Occupation

Demographics

Findings: Portland is a primarily Caucasian population with 72% then Hispanic at 9.4% and Asian at 7%. The median age for Portland is 36 years. Shown on the map (right) are the locations of different minorities within the city. The gray areas represent the highest percentage of race within the Portland area. Though Portland began as a trading town and had early contact with Asian countries, there is not an overly significant of Asiatic peoples living in Portland.

-Area where African Americans make up 29%- 58% of population -Area where Hispanics make up 17%-30% of population -Area where Asian make up 16%37% of population

2mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

4mi

Demographical Patterns SITE INVENTORY + ANALYSIS

B.2


Human Occupation

Employment

Findings: The national unemployment rate is 8%, this map show’s the areas above the unemployment rate in Dark Gray and the areas below the national average in Medium Gray. The area our site is located specifically has a 7.6% unemployment rate. The top five jobs of the population include food services, health services, manufacturing, professional business services, and retail. Despite being well known for its arts and crafts industry, that job sector only makes up 1.6% of the total job market in Portland. The arts and crafts industry could be seen as more of a hobby than a means for yearly income.

-Area above 8% Unemployment Rate -Area below 8% Unemployment Rate

2mi

Portland Art Museum

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

4mi

Employment Patterns SITE INVENTORY + ANALYSIS

B.3


Human Occupation

Income

Findings: The average yearly income for citizens of Portland is $51,400. The national average is $43,000. The cost of living is 7% above the national average of $58,000 per year. As shown in the map, the Dark Gray represents areas in Portland above the national average, Medium Gray reprsents the areas below the national average. The downtown and areas to the west are considered more prosperous in employment and salary.

-Area above National Yearly Income Average -Area below National Yearly Income Average

2mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

4mi

Income/Salary Patterns SITE INVENTORY + ANALYSIS

B.4


Human Occupation

Population: 1,166 Households: 965 Median household income: $22,071 Unemployment: 2.4% Population: 1,856 Households: 1,453 Median household income: $79,375 Unemployment: 2.3% Population: 3,055 Households: 2,590 Median household income: $55,694 Unemployment: 10.7% Population: 2,079 Households: 1,804 Median household income: $12,704 Unemployment: 31.6% Population: 961 Households: 472 Median household income: $11,017 Unemployment: 9.7% 0.5mi Population: 753 Households: 538 Median household income: $11,912 Unemployment: 10.5%

Population: 1,521 Households: 1,389 Median household income: $16,607 Unemployment: 3.1%

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Population: 1,167 Households: 983 Median household income: $9,088 Unemployment: 6.4%

Population: 1,452 Households: 299 Median household income: $8,179 Unemployment: 13.4%

Downtown Demographic Map SITE INVENTORY + ANALYSIS

B.5


Housing and Rental Proportions In Portland, the number of white homeowners outnumber white renters 84.1% to 66.3 %. The number of other racial renters, however, outnumber the number of other racial homeowners 19.3% to 8.2%.The majority of homeowners reside on the outskirts of the city but there are residential areas throughout the city.

Modern Home in Portland

The Bungalow, modern homes, and urban apartments are the typical housing types in Portland.

Human Occupation

Housing Distribution Based on Price

Northwest and central Portland have the highest priced housing which coresponds with the most desirerable neighborhoods. Bungalow Style Home in Portland

Urban apartments in Portland

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Most of the housing units in Portland are owned though there is a high percentage of rental units in urban neighborhoods.

Housing Demographics SITE INVENTORY + ANALYSIS

B.6


Human Occupation

Arlington Heights: Zoning

Open Space

Open Space Scenic Resource

Single Dwelling Zone, Max Density: 1 unit per 7,000 ft sq

Single Dwelling Zone, Max Density: 1 unit per 10,000 ft sq

1mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Zoning Patterns SITE INVENTORY + ANALYSIS

B.7


Human Occupation

Schools

Neighborhood District

Elementary Schools

Middle Schools

1mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Regional Schools SITE INVENTORY + ANALYSIS

B.8


The Best of Portland

Public transportation and trees make themselves at home on Portlands streets, creating a dynamic urban environment.

Portland Print: Describes the iconic aspects of Portland

Human Occupation

Iconic images of Portland

Cultural Characteristics The city of Portland can be described as quirky, unique, and artsy, and diverse. The city blends the best of the outdoors, by embracing its natural features and environment, and the urban community. Public transportation, pedestrian friendly streets, and community involvement represent the urbanaity of Portlands downtown. An abundance of parks, natural geographic features, and public spaces liven the city and enhance the greenscene. Local made products and the art scence dominate many of the cities stores and economic growth.

Signage and public art can be found everywhere throughout the city

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Portlands City Skyline reflected off of the Willamette River

Local Characteristics SITE INVENTORY + ANALYSIS

B.9


Portland Architecture The architecture of Portland is eclectic, the skyscrapers are modern where as the midrise buildings show a richer history. Most of the large buildings are located in the downtown area. In the past few decades more modern buildings have begun to fill the downtown areas. In the urban design of Portland there is a mixture of urban centers with nonautomotive transportation linking them together. Through this modern approach the historical, cultural, and biological features of the urban area can be clearly seen.

Prominent Buildings and Site

Visual Taxonomies

Portland Buildings

A Few of Portlands Tallest Buildings: Called Out In Map (right)

1mi Mark O. Hatfield United States Courthouse

Portland Art Museum

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Buildings Include: Pac West Center, Congress Center, Wells Fargo Center, Portland Building, Standard Insurance Center, U.S. Bankcorp Tower, and Portland Art Museum

Regional Architectural Character Patterns SITE INVENTORY + ANALYSIS

C.1


Urban Growth Boundary

Visual Taxonomies

Nature of the Region

Regional Natural Site The Urban Growth Boundary is a policy to control urban expansion within the surrounding areas of Portland. This policy was implemented in the 1970’s along with a plan for urban greens spaces. This plan, revised in 1993, was put into place to further preserve the existing watersheds and natural habitats located within and around Portland. Though Portland is a large urban environment, the county it resides in still produces almost one fifth of the states farm revenue. This is in largely in part because of the Urban Growth Boundary.

Portland Watersheds

2mi

Local Nature Preserve

Urban Green Features

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

4mi

The Urban Growth Boundary as of 2012. The Boundary is revised every five years.

Regional Natural and Cultivated Site Patterns SITE INVENTORY + ANALYSIS

C.2


Cultivated Nature Sites In Portland a government agency called Metro helps control the parks and enviromental involvement. They have used local park plans and more regional plans to establish a regionally interconnected greenspace system. The large parks near the project site are Forest Park and Washington Park, both of these parks are connected by biking and hiking trails. Forest Park is the center of a forty-mile loop trail that connects the surrounding neighborhoods of Portland. Metro protects these trails as this system of greenpsaces help maintain the green character of the city.

Trailhead In Nearby Forest Park

1mi

View From Washington Park

Washington Park Amenties

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Visual Taxonomies

Cultivated Nature Near Site

Map shows the abundance of parks and nature preserves in and around the porject site.

Regional Natural and Cultivated Site Patterns SITE INVENTORY + ANALYSIS

C.3


Material Culture The specific culture of Portland is relatively new in comparison to other cites in the United States. The Portlandia statue is located in front of the Portland Building and has become a matron of the city in recent years. Based on the city seal, Portlandia is made out of chased copper and stands thirty-four feet tall. The White Stag Sign, now known under a variety of different names, is a historical landmark seen when crossing the Burnside Bridge into downtown. This sign originated as a sugar advertisement, but has now morphed into the symbol of the downtown district. The Benson Bubbler is another icon of Portland; these public fountains were installed downtown in 1917 by a philanthropic citizen. The Portland Streetcar was implemented in 2001 to aid the copious amounts of public transportation within the city. Through the use of the Portland Streetcar many more citizens have easy access to public transportation and as a result the downtown area.

Portlandia (1985)

0.5mi

White Stag Sign (1940)

Portland Streetcar (2001)

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 GIRTH | DEVLIN | TROWELL

Cultural Sites

Visual Taxonomies

A Closer Look

A closer look at the cultural icons in relation to the city and to the site.

Regional Material Culture SITE INVENTORY + ANALYSIS

C.4


Human-Made Features Photo Courtesy of orkposters.com

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Location of Site SITE INVENTORY + ANALYSIS

D.1


Building Site

Human-Made Features

Density vs. Order

Building Site The Portland Children’s Museum is located west of downtown in Arlington Heights off of Highway 26. It’s included in the Washington City Park which also hosts the location for the Oregon Zoo, World Foresty Center, and the Vietnam Veterans of Oregon Memorial. Residential homes, commercial buildings and forestry surround the area.

Arlington Heights Neighborhood

Washington City Park Vietnam Veterans of Oregon Memorial

World Forestry Center Parking Lot

Oregon Zoo

Children’s Museum

400ft Orthogonal vs. organic

Order

Washington City Park Vietnam Veterans of Oregon Memorial

World Forestry Center Parking Lot

Oregon Zoo

Children’s Museum

Density surrounding the building site

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Density and Order SITE INVENTORY + ANALYSIS

D.2


400ft

Highway 26 Highway 405

Highway 26 Exit 72

Highway 26 is used by those West of Portland, it is a major lifeline for the city. Highway 26 connects Portland to the Pacific ocean. It is the most frequented roadway west of the Willamette River, serving around 138,300 cars a day.

Exit 72 serves the Children’s Museum, the Oregon Zoo, the Forrestry Museum and some of the small neighborhoods located near Washington Park.

Highway 405 is the Portland beltway, looping the city, creating a boundary between the urban and suburban districts.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Human-Made Features

1mi

On average 3,540 cars exit and 4,300 enter the highway daily from Exit 72. This heavy volume of traffic will provide opportunity for the proposed building to flourish.

Infrastructure Roads SITE INVENTORY + ANALYSIS

D.3


Human-Made Features

Washington Park Pathways

Paths, Trails and Walkways The lower Washington Park section is filled with many types of Pedestrian Walks. The character of these meandering paths each speak to their use. Those belonging to the Oregon zoo wander in a casual nature as the patrons observe the many species of animals. The Forestry Center’s hiking trails gradually shift from a sublte bend to a switch-back style as they approach the hillly northern region of the park. The intermingling between these two paths is organic and expressive, creating a more natural journey through the park.

400ft Oregon Zoo Pedestrian Trails

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Forestry Center Hiking Trails

Infrastructure Paths SITE INVENTORY + ANALYSIS

D.4


.5mi This diagram highlights the separation from the more orthogonal grid relationships to the right of the Willamette River and the more irregular grid relationships to the left.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Order and Measure

Human-Made Features

Order Separation

.5mi

This diagram highlights the two distinct grid systems. One is a square and the other is a rectangle.

Order and Vehicular Circulation SITE INVENTORY + ANALYSIS

D.5


Human-Made Features

Rectangles, triangles and trapezoids

Analytical Diagram Description This diagram is looking into the various shapes that resulted from the merging angles of the city blocks and highway system. It’s interesting to note how an orthogonal grid system becomes interrupted by the geographical features of the site, such as the Willamette River. This diagram suggest that new and innovative organizational logics and forms result from this type of interruption.

1mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Order and Vehicular Circulation SITE INVENTORY + ANALYSIS

D.6


Human-Made Features

Arlington Heights: Circulation

Emergency Routes

Neighborhood District

Primary Pedestrian Routes

Secondary Pedestrian Routes

1mi

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Circulation Patterns SITE INVENTORY + ANALYSIS

D.7


32 ft

Section a

Section a Radiance

Portland Children’s Museum

Section b Exit 72

Willamette

Downtown Portland

Human-Made Features

Sections through Site

2000 ft

Section b

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Construction Sections Through Site SITE INVENTORY + ANALYSIS

D.8


Tr

ail s

ils

a Tr

Vietnam Veterans Of Oregon Memorial

World Forestry Center

Summary of Attractions Surrounding the site are a few attractions that seek similar learning and activity goals as the Portland Children’s Museum. For instance, the World Forestry Center seeks to educate about vegetation, ecology and forestry. There are also plenty of hiking trails and nature walks. Another major attraction is the Oregon Zoo that has roads leading visitors to meet and educate themselves about different animals from across the world. Lastly, the Vietnam Veterans of Oregon Memorial is a place to pay homage to soldiers’ and tribute to our country’s history.

Vietnam Veterans of Oregon Memorial

Residencial Area Oregon Zoo

Maze Garden

Portland Children’s Museum

Zo

s

ad

o oR

400ft Worlds Forestry Center

Oregon Zoo

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

Portland Children’s Museum

Construction Local Manmade Features SITE INVENTORY + ANALYSIS

Human-Made Features

Buildings, trails and exhibits

D.9


Human-Made Features

Local Visitors

Yearly

Monthly

Weekly

Site, Public Routes

Local visitors represent a unique demografic of occupants to the site and its surrounding context. While large, iconic attractions engage tourists on a regular basis, local visitors are more likely to engage exterior community spaces such as walking trails and parks more often than interior public spaces such as the Children’s Museum and the Forestry Center.

1000ft

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

D.10

Use Local Visitors SITE INVENTORY + ANALYSIS


Human-Made Features

Visitors: Age-Range

4-12 Years

+12 Years

+18 Years

Site, Public Routes

Offering numerous exterior and interior activities, the site and its surrounding context serves a wide age-range of occupants. Active attractions such as the Zoo and the Children’s Museum engage a younger audience while more mentally engaging programs such as the Forestry Center and the Vietnam Veteran’s Memorial attract more mature visitors.

1000ft

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

D.11

Use Visitor Age-Range SITE INVENTORY + ANALYSIS


Human-Made Features

Tourists

1-2 Hours

2-4 Hours

4-8 Hours

Site, Public Routes

While local visitors engage the site more regularly and over an extended period of time, a tourists’ experience of the site is often limitted to a single day or afternoon. Attracted to the iconic programs within the site, tourists will most likely engage with larger attractions such as the Zoo and the Children’s Museum rather than visiting more common attractions such as parks and walking trails. 1000ft

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

D.12

Use Tourists SITE INVENTORY + ANALYSIS


Human-Made Features

Interior & Exterior Program

Interior Program

Exterior Space

Exterior Program

Site, Public Routes

The site is characterized by a variety of interior and exterior programs. Interior programs include the Vietnam Veteran’s Memorial, the Forestry Center, and the Children’s Musuem. Exterior Programs are limitted to attractions at the Zoo. Exterior spaces such as the surrounding walking trails and parks do not follow a set program.

1000ft

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

D.13

Use Program SITE INVENTORY + ANALYSIS


Human-Made Features

Public & Private Space

Site, Public Routes

Commercial

Community

Residential

Undeveloped, Private Space

The use of the site and its surrounding context is distinctly ordered by its relation to public and private space. Private spaces such as undeveloped land and residential properties surround the perimeter of the site and its immediate context. More public spaces such as community parks, walking trails, and educational buildings are more closely connected to the site. 1000ft

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013

BERES | HANSEN | HEMINGWAY | JARRELL

D.14

Use Public and Private Space SITE INVENTORY + ANALYSIS


Prominent Cultivated Site Features

Character: Cultivated Prominent Features The featured cultivated site features around Portland are man structures that work together to enhance the natural envrionment around the area. At the Portland Children’s Museum, for example, there are many structural spaces designed to provide resting places and observation areas for visitors and occupants. In surrounding areas outside of the Children’s Museum are also man made features, for example railroads and natrual trails.

Baubles, Portland Chirldren’s Museum

Water Spout at Stellar Cove

Railroads near Family Farm

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Natural Site Features

Trails and Caves

Entrance to Stellar Cove; Tiger Plaza at Oregon Zoo.

Character Positive and Negative Features SITE INVENTORY + ANALYSIS

E.1


Prominent Natural Site Features

Character: Natural Prominent Features The featured natural site features serve their purposes by enhancing the built envrionment in naturally. In thier natural state, and by being maintained in their natural state, with little or no human-made interention, the spaces nature provides take on an interesting role in contributing to the parts of what human cultivate.

Natural Growth of Trees

For example, there are gardens create natural trailes. There are also plants and trees that grow naturally into providing visitors and occupants with a fully based natural experience of Portland. Natural Trail, Garden

Natural Trail, Forrest

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Natural Site Features

Gardens and Forrests

Naturally Growing Forrest, Portland, OR

Character Positive and Negative Features SITE INVENTORY + ANALYSIS

E.2


Cultivated Landscape

Macrophyte Beds, Yakima River

Lookout Point Dam, Willamate River

Yakima River Basin

Willamte River, Overlook

Marmot Dam, Sandy River

Fall Creek Reservoir

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Site Features: Natural and Cultivated Growth

Natural Site Features

Natural Landscape

Natural and Cultivated Gorwth, Map of Oregon

Character Positive and Negative Features SITE INVENTORY + ANALYSIS

E.3


Natural Site Features

Sun Chart

December

LEGEND Warm / Hot

> 75 F

(Shade Needed)

Comfort

> 70 F

(Shade Helps)

Cool / Cold

< 70 F

(Sun Needed)

June

Gnomon Height

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Climate Sun Graph SITE INVENTORY + ANALYSIS

E.4


12 a.m.

2 a.m.

4 a.m.

LEGEND

6 a.m.

Wind Speed (mph) 0% 9% 70% 19% 0%

3 5 10

< >

3

5 10 20 20

Sunrise

8 a.m.

10 a.m.

12 noon

2 p.m.

4 p.m.

Sunset

Natural Site Features

Wind Variation

6 p.m.

8 p.m.

10 p.m.

January

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

December

Climate Wind Graph SITE INVENTORY + ANALYSIS

E.5


110

100

LEGEND Recorded High Design High

90

80

Average High Mean

70

Average Low Design Low Recorded Low Comfort Zone

60

50

40

Natural Site Features

Temperature Range

30

20

10

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Climate Temperature Graph SITE INVENTORY + ANALYSIS

E.6


Natural Site Features

Seasonal Rainfall

Fall

LEGEND

Winter

4.73 inches

Spring Summer

4.32 inches 2.20 inches 1.10 inches

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Climate Precipitation Graph SITE INVENTORY + ANALYSIS

E.7


Site Vegetation Type and Density 6’

Ground Cover

Silver Mist

Ophiopogon Japonicus

Pam Harper

Fescue

6’

Ecology: Vegetation Most of the vegetation coverage is composed of mixed evergreen deciduous forest. This covers approxemtly 79% of the site area. Open woodland/pastural lands make up 7% and perennial grasslands along with deciduous shrubland make up the remaing amout of the vegetational coverage.

Pacific Ninebark

Shrubs

Ophiopogon Japonicus

Maidenhair Fern

78’ 72’ 66’ 60’ 54’ 48’ 42’ 36’ 30’ 24’ 18 12’ 6’

Gaint Sequoia 54’ 48’ 42’ 36’ 30’ 24’ 18 12’ 6’

Oregon Grape

Gaint Sequoia

PORTLAND CHILDREN’S MUSEUM BRINN | MANGALA | MCIVER

Sword Fern

120’ 114’ 108’ 102’ 96’ 90’ 84’

Trees

ARCH 3101 – 003 • FALL 2013

Oregon Grape

Dawn Redwood

White Fur

Douglas Fur

Oregon White Fur

Endlicher Pine

Natural Site Features

Types of Vegetation

Size chart comparing human scale to the types of vegetation found around the site

Ecology Vegetation SITE INVENTORY + ANALYSIS

E.8


Diverse Wildlife of Portland Oregon

Natural Site Features

Wildlife

Urban Context: Coyote Little Brown Bat Anna’s Hummingbird Screech Owl

Grassland Context:

Ecology: Wildlife Portlands proximety to the Columbia and Willimette River generates a lush landscape habitable to a vast array of birds, mammals, amphibians and reptiles.

American Kestrel Black Tailed Deer Northern Harrier Vagrant Shrew Canada Goose Forest Context: Flying Squirrel Woodpecker Elk Pygmy Owl

Aquatic Context: Western Painted Turtle Bald Eagle Green Heron Chinook Salmon River Otter

Red-legged Frog

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

Ecology Wildlife SITE INVENTORY + ANALYSIS

E.9


Geography: Topography Portlands topography varies greatly from west to east. From the West coast lies the Costal Range, a small chain of foothills and low mountains that run along the coast of Oregon. To the East is the Cascade Mountain Range that runs from Northern California all the way into Canada. Portland rests between these two ranges in the Columbia/ Willamette River Valley. The City developed on both sides of the Willamette River, downtown located on the west side of the river while suburbia located on the east side. Much of the developed land rest on a very low slope along both rivers. The site sits near the top of the Coastal Range which provides views to downtown Portland and regional geology like Mount Hood.

Topograhpy Influencing Development

Natural Site Features

Site Features

South East Perspective

South Eest Perspective

South East areial model of the Portland Childrens Museum located in the Southern portion of Washington City Park accesable by highway 26.

Site section showing the amount and direction of slope on site. North West Perspective

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRINN | MANGALA | MCIVER

E.10

Geography Topology of the Site SITE INVENTORY + ANALYSIS


Sensory Environment

Visual Map

Site Map with Visual Keys This map begins to show the relationship between the different buildings on and around the site. With an abundance of trees and hilly region there are a few lines of sight, where you can stand on one side and see straight to another key feature in the park area. There are also some raised areas in the park that allow for panoramic views of the site.

Line of Site Panoramic View Horizon Line Study Location

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

200ft

Visual Views to and from Site SITE INVENTORY + ANALYSIS

F.1


Sensory Environment

Visual Massing

Horizon Line Analysis Based on the hilly region and dense forest that coexist with the site and are a part of the regional identity, there are many unique opportunities to experience the view within the site. Based on the elevation and the immediate surroundings you may experience the typical groundtree line- sky relationship of an open area. But sometimes you may become enclosed by the dense forest and the sky may go below the tree line, or the tree line may peak below your horizon line. Massing the visuals around the park gives you a sense of what types of views make up the identity of this area.

Massing the Ground-Forest Line-Sky-and Horizon Line

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Visual Views to and from Site SITE INVENTORY + ANALYSIS

F.2


Diagram/Image Titles (Helvetica Neue Bold

Regional Color Analysis Color is the melodic element of a region that starts to give it an identity, and is one of the key elements the phenomenology of a place. When you look out you normally pay attention to the visual forms in your line of site, in turn color becomes almost a background noise that meshes everything together. You can say that it is noticed in a subconscious state of mind, but by sampling the panoramic, you can begin to understand the region by its colors. How nature meets with the built environment and the dynamics that occur when the two are interwoven. You can visualize how the color palette of each photo changes with more human interaction with the location.

Natural Color Analysis

Artificial and Natural Analysis

Sensory Environment

Colored Identity

Artificial Analysis

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Visual Views to and from Site SITE INVENTORY + ANALYSIS

F.3


50 Decibels

Auditory Enviroment Within the site, there are three different typologies. We have the Zoological sounds, the occupational and the circulatory. Zoological includes the permanent noises produced by animals and transporation (trains) in the zoo. The occupational and circulatory sounds are temporary and fluxuate through out the day; highest noise pollution during the morning and afternoon. The occupational is mostly caused by the people who come for the zoo, museums, memorials and concerts that are in the park. The traffic noise can increase when there are traffic jams as well as how fast he vehicles are going.

Sound Diffusion

B

Sound A: Zoological

B

Sensory Environment

Sound Typologies

A

C

60 Decibels Sound B: Occupational

200ft

200ft

The diagram on the left is showing the different sounds produced around the site and how they can overlap. This moment allows for a certain blurriness in the sound. When you add the trees, you can see how it diffuses it and further generalizes the different auditory effects.

60 Decibels Sound C: Circulatory

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Auditory Sound Within the Site SITE INVENTORY + ANALYSIS

F.4


Phenomenology The existing sounds can have layers added to them through enviromental factors such as wind and rain. Both of these factors can create different effects or atmospheres to the site. The wind/breeze has been known to create a relaxing atmosphere that is usually experienced during spring and summer. The sound created is a whistle than can rustle the tree branches and allow for a sparatic layer of noise to be added. The rain on the other hand is known to be symbolic for depression and coolness. The sound of the rain hitting water, the road, or windows creates a repitive tapping that can cancel out the existing sounds already in the site allowing fo a filter to be created. Both of these factors are important to our site because they are such a big part of the Pacific Northwest Climate.

Existing Auditory Pollution

200ft

Potential Auditory Effects

Enviromental Diffusion of Auditory Pollution

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Ventilation

Sensory Environment

Precipitation

The diagram above shows the wind travelling WEST/ NORTH WEST. When even the wind travels through the trees, we begin to see certain location around the site allowing for the relaxing atmospehre to be added.

Auditory Phenomenology SITE INVENTORY + ANALYSIS

F.5


C Smell Leaves a Lasting Impression The map to the right is of different smells one may encounter throughout the site. Smell, like the other senses, is an aspect of a place that influences the memory one may have. On our site we have many variables that can add different types of smells. At the zoo, we have different animal exhibits, all of which produce their own unique smells. Smells that come from the parking lot could include: gasoline, rubber, asphalt, and garbage that is left over by others. The trees and other wildlife on our site produce smells that many see as being pleasant. Besides freshening up the air around the site, the trees and wildlife act as a barrier, keeping the “bad” smells away from the children’s museum and the public.

PORTLAND CHILDREN’S MUSEUM BRYANT| LOPEZ | OLSEN

A

B) Parking Lot

C) Trees/ wildlife that are found on the site produce their own smells, but also act as a barrier between the unwanted smells and the public.

ARCH 3101 – 003 • FALL 2013

B

A) Animal exhibits at the Oregon Zoo.

Sensory Environment

Smell Map

Smells one can find around in and around the site.

Olfactory Smells Around the Site SITE INVENTORY + ANALYSIS

F.6


Sensory Environment

Seasonal Smells Understanding that Smell Changes Time Yearof Year Time of YearTime of The diagrams on this page and the following three pages show how smells change based off of different variables. The variables used were Time of Year, Heat, Humidity, and Percipitation. These diagrams are abstract representations in how I believe the smells would change when these variables are applied.

The way you read these diagrams are by using the dashed lines as a section line. What ever line is above the dashed line represents “natural smells”, where any line below the dashed lines represents “unnatural smells”. The height in which the line reaches shows the intensity of the smell. For natural smells, I was interested in seeing them as the good smells the trees and other wildlife created. The unnatural smells can range from anything from the smells you would find in the parking lot, to the mulch used around the site, to the highway that encompasses our site, and lastly the zoo animals. Although zoo animals are indeed natural, they are not part of the natural wildlife of our site.

Peak Season (summer) Pre-Season (spring) Peak Season (summer) Peak Season (summer) PRE- SEASON (SPRING) PEAK SEASON (SUMMER) (spring) Pre-SeasonPre-Season (spring) Heat

Heat Heat

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Post Season (fall+winter) Post Season (fall+winter) Post Season (fall+winter) POST SEASON (FALL+WINTER)

Olfactory Diagramming How Smell Changes SITE INVENTORY + ANALYSIS

F.7


Peak Season Peak(summer) Season (summer) Peak (summer) Season

Mid 90’sMid Mid 90’s 70 degrees Mid 90’s 70Degrees degrees 70 (Perfect Weather) 90’s (Hot Summer day for Portland) 70 degrees

Sensory Environment

Pre-Season (spring) Pre-Season Pre-Season (spring) (spring) Heat Heat Heat Heat

Post Season Post(fall+winter) Season (fall+winter) Post (fall+winter) Season

Below freezing Below Freezing (Average Winter Weather) Below freezing Below freezing

Humidity HumidityHumidity PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Olfactory Diagramming How Smell Changes SITE INVENTORY + ANALYSIS

F.8


Mid 90’s Mid 90’s Mid 90’s

Below freezing Below freezing Below freezing

Humidity HumidityHumidityHumidity

Sometimes Smells Interact with Each Other The diagrams to the right show how the site smells change with different levels of humidity. I believe humidity is one variable that brings out the worst smells in everything. As you can see with high humidity, the smells in the site will start to interact and combine with each other, making those smells even stronger than if they were by themselves. Hopefully the barrier the trees create will lessen the impact the mixing smells have on the site.

Very Low Humidity (0-5%)

High Humidity (75-90%)

Sensory Environment

70 degrees 70 degrees 70 degrees

Average Humidity (20-35%)

Precipitation Precipitation Precipitation

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

Olfactory Diagramming How Smell Changes SITE INVENTORY + ANALYSIS

F.9


Sensory Environment

Interaction of Smells

PRECIPITATION Precipitation Precipitation Precipitation

Like with humidity, precipitation increases the smell of the site greatly. Precipitation itself has its own distinct smell, but when you add factors like animals and mulch into the equation, the overall smell of the site intensifies. The intensifying smell usually comes from after the percipitation, because during the precipitation any smell that is present is cancelled out or dulled down.

Sunny Day

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRYANT| LOPEZ | OLSEN

After Heavy Down Pour (2” per hr)

During and After Fog

F.10

Olfactory Diagramming How Smell Changes SITE INVENTORY + ANALYSIS


Visual Taxonomy

Imagination Imagination is key to understanding reality and learning about people and events that we may not all directly experience. It allows kids to explore future occupations they may want to have when they grow up. Imagination is a large aspect of the Genius Loci of the Portland Children’s Museum. The museum incorporates interactive scenarios that stimulate a child’s imagination. It has a spirit of the fantasy-world versus the realworld that allows children to grow and use their imagination.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RICHARD | SCHMITTER

Genius Loci Imagination SITE INVENTORY + ANALYSIS

G.1


Visual Taxonomy

Free Play Free Play is a very vital part in a child’s life. The Portland Children’s Museum has various activities to allow for children to play without any limits. This gives the museum a feeling of liveliness and playfulness, which is an enjoyable environment for a child to grow and learn in. During free play interacting with other children increases their emotional security and encourages interaction with others.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RICHARD | SCHMITTER

Genius Loci Free Play SITE INVENTORY + ANALYSIS

G.2


Visual Taxonomy

Learning Learning should be fun for a child in order to get them engaged and want to learn. The Portland Children’s Museum offers various activities where a child can learn while they have fun and play. The psychologist Jean Piaget says that hands on experience are vital in this process. If all the senses are engaged a child will learn faster and remember what they learn if the environment is fun and enjoyable. All children learn differently so the museum must accommodate that by offering a wide variety of activities.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RICHARD | SCHMITTER

Genius Loci Learning SITE INVENTORY + ANALYSIS

G.3


Visual Taxonomy

Overstimulating The use of bright colors and lights and a large variety of choices for a child to play with, stimulates their mind. The stimulation of a child’s mind is a necessity in growth and development but when activities become over-stimulating it is questionable whether it is a positive influence. Using too many senses at once in an activity exhausts a child and could make them frustrated. The Children’s Museum offers a balance of stimulating activities as well as quiet areas.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RICHARD | SCHMITTER

Genius Loci Overstimulating SITE INVENTORY + ANALYSIS

G.4


Visual Taxonomy

Outdoors Outdoor activities are a vital part in a child’s daily life, which the Portland Children’s Museum tries to incorporate. Being outside provides healthy development for children. They can learn through first-hand experiences about the environment and world around them. The large open spaces with no boundaries give children the sense of adventure and allow them to take risks and test boundaries. Having a place to run and play stimulates the physical development of children and adds a spirit to the museum that is important in setting apart this museum from others.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RICHARD | SCHMITTER

Genius Loci Outdoors SITE INVENTORY + ANALYSIS

G.5


Site Kinetics

Tectonic Plates Sliding

Site Kinetics Sliding Plates Portland is located adjacent to a major fault line, creating a rough, irregular landscape. This convergence of the oceanic and continental plates are extremely influential to the environmental make-up and weather patterns of Portland.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 ANDREW BERES

Tectonic Slide INITIAL INTERPRETATIONS OF THE SITE

H.1


Overlay of Plan and Sectional Elements

Unstable Land The land our site is located on was formed by two plates merging, buckling and up lifting to create the Cascade Mountain Range. Within this range are valley’s that undulate and many that are eroded by rainfall creating streams and rivers.

Site Kinetics

A Folding Landscape

Our site rests on the upper eastern slope of the Coast Mountain Range located just West of the Cascade Mountain Range. Looking at the motion generated from the formation of the mountains and applying the motion of the people that interact with the site creates a linear relationship between nature and humans. The relation is formed by the choices made on how much the natural landscape is

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 NATE BRINN

Motions of a Sloped Site INITIAL INTERPRETATIONS OF THE SITE

H.2


The Hill as an Accordion The site has a rolling sensation form all of the hills in the area. But taking a closer look the hills have an accordion action to them, naturally the hills want to flatten out because gravity and erosion acting on them. The hills are held up by the ground surrounding them, much like an accordion that has been compressed. But when the action stretches out, the accordion flattens.

Site Kinetics

This is what the hills want to be, they if stretch out, they would lay flat.

Hill is compressed so it keeps its form.

Garvity works on the hillpushing outward, and starts to flatten.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 BRENDON BRYANT

Hill Compression INITIAL INTERPRETATIONS OF THE SITE

H.3


Rotation Through Nature

Site Kinetics

Natural Motion

SITE WITH SITE SPECIFIC VEGITATION

As the gentle/mild breeze blows across the property of the Portland Children’s Museum, the coniferous tress sway back and forth in a controlled rotation. The tree trunk pivots in the breeze and as a result the branches sway and rotate in small ellipses. Specifically, coniferous trees such as the douglas fir have needles instead of leave, in this way the tree moves as one in the wind. This is as opposed to the thousands of erratic motions of a deciduous tree.

PREVIOUS PARTI

DOUGLAS FIR- A COHESIVE MOTION

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 REBECCA DEVLIN

Controled Rotation INITIAL INTERPRETATIONS OF THE SITE

H.4


The Landscape around the Portland Childrens Museum

On the site of the Portland Children’s Museum, the simple form of the building is representative of an action. The building is not a geometrical figure: square or rectangle, with flat sides. This curved form allows for a more gentle approach and welcoming entrance to the museum. It is also more whimsical; with resemblance to the movement of the swing, visitors “slide” across and into the front facade of the museum. The gardens and play areas surrounding the museum have creativly curved paths rather than straight paths that lead from point a to point b. The curved paths privlege the movement through the gardens, making the journey more important and making visitors pay attention to the way they are moving through the space. The paths wind back and forth so this action can be called accordion.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 ASHLEY GIRTH

Sliding and Accordion Movement INITIAL INTERPRETATIONS OF THE SITE

Site Kinetics

Buidling Shape Dynamics

H.5


Highway Outline

Site Kinetics

Motions of a point

How this works and what this means: These diagrams suggest a way of designing in three dimensions. The lengths of the lines varying and are attached with a ball point connection which allows each point to move in the x,y and z direction. The lengths are constant but their position is not. These lengths originated from the outline of the highway circulation to the far right located in downtown Portland. This method allows for us to take these random measured lines of circulation at the city scale, pull them out of their original context and think about them in the site context and at a site scale. This analysis could also become circulation and be applied to interior or exterior of the building in both the horizontal and vertical direction. The lengths of the lines could change, based on the necessary lengths of a staircase or hallway.

Accordioning

Folding

Rotating to the Side

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 CHELSEA HANSON

Rotating forward

Plan Schematic

Front Elevation Schematic

Right Elevation Schematic

Rotate and Circulation

INITIAL INTERPRETATIONS OF THE SITE

H.6


Site Kinetics Kinetics Site

Organic Form Hinging from Regulated Grid

Contrasting against the regulated, gridded order of the surrounding suburbs, the site represents an unregulated, organic form ordered by the natural features of the site. Similarly reflecting the relationship between the river’s organic form which borders the Portland’s gridded urban sector, the site kinetically engages its surrounding context, hinging from the immediate suburban context and urban circulation routes.

Movement of the Site Hinges from Movement around the Site

Natural Environment Hinges from Suburban Environment

Site Reflects Hinge of River in Relation to Ubran Environment

PORTLAND PORTLAND CHILDREN’S CHILDREN’S MUSEUM MUSEUM ARCH ARCH 3101 3101 –– 003 003 •• FALL FALL 2013 2013 LAURA HEMINGWAY HEMINGWAY

Hinge Hinge INITIAL INTERPRETATIONS THE SITE SITE INVENTORYOF + ANALYSIS

H.7


The Site Kinetically The Portland Children’s Museum is located within the Washington City Park. This park also holds the location of the Oregon Zoo, World Forestry Center, and the Vietnam Veterans of Oregon Memorial. All of them bringing different emotions into one area. They all come together as one, as if they were all collected into a ball. This object could then roll any which way it pleases but still consisting of the same objects. I also looked at each of the individual areas and those could host there own kinetic features as diagrammed to the right.

Building Site

Site Kinetics

Individual Places

Trees acting as a hinged motion to allow sunlight in.

The Zoo sliding from one exhibit to the other.

The Memorial folding up its emotions

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 TAYLOR JARRELL

Rolling Like a Ball INITIAL INTERPRETATIONS OF THE SITE

H.8


Land Rotation

Site Kinetics

Land Slide

Washington Park’s Kinetics The site of the children’s museum produces a few primary actions inspired by the kinetic strategies of my wall. The first is how the land of the site slides; the Children’s Museum is shaped into a form that seems like it can recieve all of the occupants and vegetation. The whole site moves towards museum giving it a movement that slides down hill. The site also rotates around one point which is the Max train station. The way the park’s structures are organized around this one point, causes for the occupants to circulate in a rotating fashion. The circulations creates the already existing form of Washington Park.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 RAFAEL LOPEZ

The Diagram Shows the MAX Station as the center of the site, allowing for the rest of the park to rotate around it.

Kinetic Actions Slide & Rotation INITIAL INTERPRETATIONS OF THE SITE

H.9


Portland is located in Norheastwern Oregon and sitting at just under 600,000 people, it is one of the largest metropolitan populations in the state. Portland prides itself in being the greenest city in the country and the second greenest in the world. The city of Portland istself nestled along the Willanette and Columbia Rivers. Originally pioneered as a lumber shipping town Portland has grown from an indutrial Sliding and Pivoting center to having a thriving artistic community. Due to the lower cost of living, potential for Two kinetic motions that seen throught urban development, andare internet boom ofthis the site analysis andflooded pivoting. Bynew analysearly 1990’s is thesliding are was with peoing geographically, landscape ple.the Assite of the 2000 censusthe theurban city of Portland appears be 10,000 sliding artist. acrossThe andcity theisland and containsto over a hub for water at thier edges and then apart music,meet art, and internet industry. Thepivot downtown from each other. Hawthorne district is home to many shops, restaraunts, microbreweries, and clothing stores. Through an understanding of Porland’s regional and local context, its building site characteristics, it is evident that the kinetics of the site is found through a combination of many different design aspects that shape and form the city as a whole. These design aspects are primarily made up of ideas of occupation, use of urban space, cultivated site features. With the idea of kinetics, Porland acts as an opening into Oregon’s wide, urban space. The city is inviting and attractive to both visitors and residents. Through a balance of serveral different mechanical kinetics, the city well maintains its purpose.

Portland City Sliding Sscape State Context

1”=50 mi

Neigborhood Context Reigonal Context

City Context

1”=2000 ft

1”=20 mi

Water, Edge with City Background

ARCH 3101 – 003 • FALL 2013

Porland City Scape 1.5”=2 mi

Local Conditions SITE INVENTORY + ANALYSIS

GIRTH | DEVLIN | TROWELL

Ground and Water, Sliding Diagram

PORTLAND CHILDREN’S MUSEUM RAVINE MANGALA

Site Plan and Urban View of Portland

Solid Ground, Edge

PORTLAND REGIONAL AND LOCAL CONTEXT

ARCH 3101 – 003 • FALL 2013

SiteRegional Kinetics I

Portland, Oregon

Sliding and Pivoting Urban Landscape INITIAL INTERPRETATIONS OF THE SITE

A.1

H.10


Site Kinetics

Natural Apertures The trees are rooted to stay The clouds come roll by to play The sun comes and goes but never strays The light flickers in a beautiful array The shadows are here or there by the day The seasons are the ones we portray. The light and warmth seem to sway The leaves then start to break away The trees help us to convey The weather that we seem to obey.

- Ian McIver

This picture by Ryan Kapp demonstrates the changes in coverage a tree makes throughout the year and how that can change the environment around it. The Portland area has numerous trees covering the ground below, providing life to the ones around it. Trees can relate to a natural breathable wall by cycling through being “open” to “closed” like windows. As the seasons progress and the weather alters the amount of protection that leaves provide underneath, the light is then passed through the site differently depending on the time of year.

Ryan Kapp

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 IAN McIVER

Seasonal Window INITIAL INTERPRETATIONS OF THE SITE

H.11


Site Map

Site Kinetics

“Kinetics” of the Site Kinetics in Arlington Heights The diagram to the right shows mY interperitation of kinetics on our site in Portland. When viewing the site for the first time, I was very interested in the amount of trees that surrounded our site. When thinking about trees I thought about how trees create and filter the air. When thinking about the pushing and pulling action the trees create inside of the site, I instantly thought about the accordion action. When thinking of the accordion I thought of a bellow because it does the same type of motion I picture the trees doing in the environment.

A) Trees acting as Bellows

After realizing all the trees that surround our site, I noticed the amount of parking lots within it. I saw the parking lots as doing a folding action. People travel from all over to visit the zoo and museum and end up in one location: the parking lot. In this instance, I see the seperate people being individual pieces that come together to form one master piece. I related this to origami because you have to fold many different pieces to get that one shape you really want. Lastly, I viewed the exit to get to our site as a pivot point. Traffic moves around this one point to bring people from the outside world to our site. The exit is the point in which the public area that is the highway and private which is our site become mixed and a “gray” area is created.

A B

B) Parking lot can be seen as Origami

C

By putting Kinetics into our site, I feel that I have a different perspective on how the site operates and needs to be dealt with from a design stand

C) Exit acting as a pivot point between our site and society

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 ANDREW OLSEN

Breathing, Folding, and Pivoting Portland INITIAL INTERPRETATIONS OF THE SITE

H.12


Influence of Water on a Site Bodies of water such as rivers have been used throughout history to define space and give a place character. The city of Portland is located along a major river. This river is the site of many important aspects of the city and defines it as a place. A river with its rolling, sliding, and rotating actions of the water is a kinetic aspect of any site. It creates movement and circulation of water, air, and living things. This relates to our previous projects ideas of kinetic motion and the act of ventilation and air flow.

Rolling and Rotating

Sliding

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 KATIE RICHARD

Portland

Site Kinetics

Diagram/Image Titles

Portland site map showing the major bodies of water.

Water Rotating, Sliding, Rolling INITIAL INTERPRETATIONS OF THE SITE

H.13


Water

Wind

Sliding, Pushing, Carving The kinetics of the neighborhood scale of our site are influenced by tree things: human activity, water, and wind.

Site Kinetics

Human Activity

Humans slide natural features over to create more room for the build environment. The built environment then rises out of the ground pushing away nature and the wildlife. Water slides and rolls down mountainsides or across the landscape carving out the land it passes, pushing things away, creating rivers, streams and lakes. The filtering air aspect in the wall of our last project is seen through how wind interacts with zthe tree foliage. Trees create natural breathing walls that filter the air as the wind blows the air across the landscape.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 ANNA SCHMITTER

Forces Effecting Site Kinetics INITIAL INTERPRETATIONS OF THE SITE

H.14


Socio-Economic Pivot

Hawthorne H Haw w Street

Site Kinetics

Economic Grade

The Shift Downtown Portland has many different neighborhoods and each has a very differnt character. The lower most neighorhood is home to many small resteraunt and shop but it also containt the lowesr ratio of population to households as well as the lowest median household income. The red line on the diagram represt the shift of the socio-economic parts of downtown. There is also a increase in median household income as you travel farther aay from the downtown area.

PORTLAND CHILDREN’S MUSEUM ARCH 3101 – 003 • FALL 2013 CHARLES TROWELL

Hawthorne Street Haw

Hinged Economy INITIAL INTERPRETATIONS OF THE SITE

H.15


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