JUNE 16 – JULY 7, 2019
INSIDE
G U S TAVO D U D A M E L
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N E W S F R OM T H E L A P H I L
F R OM T H E A R C H I V E S
W E E K LY P R O G R A M
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A perfect Southern California night. A meal shared with family and friends. Music that moves you. This is the Hollywood Bowl — an experience that has been infused with meaning and memory since 1921. In celebration of the LA Phil and the Hollywood Bowl’s 100th anniversaries, we have launched LA Phil 100: Centennial Campaign, a multi-year fundraising effort to sustain and secure the future of music in Los Angeles. The Centennial Campaign will enable the LA Phil to build on its reputation for innovation by advancing orchestral music and music education, expanding access to concerts, and preparing the Hollywood Bowl for the next century. Patrons like you have a role to play in keeping the Hollywood Bowl experience alive for future generations. Join the Centennial Campaign.
Your gift ensures that music at the Hollywood Bowl plays on. Join us. Online: campaign.laphil.com Email us: campaign@laphil.org By phone: 213 972 7557
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By mail: Los Angeles Philharmonic Association Office of Development 151 South Grand Avenue, Los Angeles, CA 90012
6/4/19 11:53 AM
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HOSPITALITY MORE THAN JUST A WORD True hospitality comes from the heart. From a genuine desire to make sure our guests always feel totally at home.
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ESTATES
Working hard and loving life, more than ever. 310.285.7508
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Homes@JadeMills.com
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J U N E / J U LY
CONTE NTS 8 WELCOME 14
BOARDS OF DIRECTORS
16 MUSIC & ARTISTIC DIRECTOR GUSTAVO DUDAMEL Dudamel’s tenth season leading the LA Phil is also the orchestra’s Centennial.
18 LOS ANGELES PHILHARMONIC
Thomas Wilkins
36 LOS ANGELES PHILHARMONIC ASSOCIATION
Natalia Lafourcade
40 HOLLYWOOD BOWL MUSEUM
22 FEATURE:
Is He Looking at me?
Life as an LA Phil Resident Fellow
42 VOLUNTEER OPPORTUNITIES 44 FROM THE ARCHIVES No Fly Zone
26 NEWS 34 FOOD + WINE At-A-Glance
From supper in your box to portable picnic baskets, there’s something for everyone.
Tony Bennett
46 ENDOWMENT DONORS 50 ANNUAL DONORS P-I WEEKLY PROGRAMS
Yuja Wang
PROGRAM NOTES
ARTIST BIOS
102 GENERAL INFORMATION
6 PERFORMANCES MAGAZINE
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GREETINGS
Welcome to the HOLLYWOOD BOWL
Simon Woods
Gail Samuel
Welcome to our 98th season at the Hollywood Bowl, capping Gustavo Dudamel’s tenth season as our Music & Artistic Director! Gustavo Dudamel will conduct two weeks of concerts this summer, with a characteristically dazzling and ambitious range of projects, including Mahler’s exalted “Resurrection” Symphony. Benjamin Millepied and his L.A. Dance Project join him for a second look at their stunning collaboration in Prokofiev’s Romeo and Juliet, which earned rave reviews last October. Sensational pianist Khatia Buniatishvili plays Rachmaninoff’s Third Piano Concerto, Mexican singer-songwriter Natalia Lafourcade makes her Bowl debut with the LA Phil, and the always astonishing Yuja Wang returns with John Adams’ new piano concerto, Must the Devil Have All the Good Tunes?, which she premiered and toured with us just months ago. Other highlights this summer range from literally theatrical (Siudy Flamenco Dance
Theater in Falla’s El amor brujo and the puppets of Blind Summit Theatre in Prokofiev’s Peter and the Wolf) to world premieres (newly commissioned works from Laura Karpman and Caroline Shaw). Iván Fischer brings his internationally acclaimed Budapest Festival Orchestra to the Bowl for three nights, Hugh Jackman performs hit songs from Broadway and film on two evenings, and our films with live orchestra include An American in Paris and “America in Space,” a celebration of the 50th anniversary of the moon landing. I wish you many happy evenings under the stars!
Here we go! Another summer at the Hollywood Bowl. Whatever your personal or family tradition of the Bowl, we are excited to share it with you. And whatever your interests: classical, pops, jazz, Latin, R&B, reggae, Broadway, film, world music, alternative, the ’80s, or much more, we are ready for you to join us here in this magical place for beautiful Southern California summer nights. During your visits to the Bowl this year, we hope you will enjoy the wide array of offerings from Hollywood Bowl Food + Wine: from tacos and fried chicken to sushi and short ribs. Visit our Bowl Store for recordings, t-shirts, picnic accessories, and more. Stop by the Hollywood Bowl Museum to learn about the history of this iconic place. Find a spot in your seat, on a bench, or in one of our many picnic areas to start your evening and then settle in for wonderful music. We at the LA Phil cannot make this happen alone and, as always, we are grateful to all members of the Los Angeles County Board of Supervisors, the County Chief Executive Office, the Department of Parks and
Recreation, the Metropolitan Transportation Authority, and the Los Angeles County Arts Commission for their partnership. We thank our foundation, corporate, and media partners, and all of our donors who provide incredible support to each concert you come to experience here at the Bowl. The Hollywood Bowl has been the summer home of the Los Angeles Philharmonic for 98 years and we hope you will embrace this beautiful County park as your summer home as well. We are proud to host wonderful artists in diverse genres of music throughout the summer and to bring together all the people of the County and beyond for this quintessentially Los Angeles experience. Thank you for joining us in continuing this tradition. Welcome back, and enjoy the show!
Simon Woods Chief Executive Officer Los Angeles Philharmonic Association
Gail Samuel Executive Director Los Angeles Philharmonic Association
8 PERFORMANCES MAGAZINE
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THE_HE
Annual Outdoor Theater Production
at the Getty Villa
Written & Directed by Aaron Posner Music by Cliff Eberhardt A reimagining of Philoctetes by Sophocles Co-Produced by Round House Theatre
A bold new version of Sophocles’s timeless tale of hurting—and healing. The wounded Philoctetes (Phil) has suffered alone on a desert island for years, stranded there by Odysseus. But now Odysseus needs Phil’s magic weapons to win the Trojan War and enlists Achilles’s daughter Nia to help make peace. Director/adapter Aaron Posner creates an irreverent, spiritual, musical exploration about the wounds we carry, the ones we cause, and the redeeming power of human connection.
September 5—28, 2019 Thursdays–Saturdays, 8:00 p.m. Tickets on sale now! Visit getty.edu or call (310) 440-7300
Text and design © 2019 J. Paul Getty Trust.
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THE
TEAM
Published By SOUTHERN CALIFORNIA MEDIA GROUP Publisher Jeff Levy Editor in Chief Benjamin Epstein Art Director Carol Wakano Production Manager Glenda Mendez Editor Gillian Glover Digital Development William Yelles
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PERFORMANCES MAGAZINE is published monthly by Southern California Media Group to serve theatrical attractions throughout the west. © 2019 Southern California Media Group. All rights reserved. Southern California Media Group 3679 Motor Avenue, Suite 300, Los Angeles, CA 90034 Telephone: (310) 280-2880 FAX: (310) 280-2890
10 PERFORMANCES MAGAZINE
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GREETINGS
A Message From SUPERVISOR SHEILA KUEHL I am delighted to welcome you to our wonderful Hollywood Bowl. As the largest natural outdoor amphitheater in the country, the iconic Hollywood Bowl is one of the prized treasures among the County’s world-renowned arts venues. The Bowl has always been especially near and dear to my heart. For as long as I can remember, I have been coming here each summer to enjoy good food and great music with friends, family, and many a stranger. There are few things I enjoy more than a summer night at the Bowl. So, whether you are a long-time or first-time concertgoer, I hope that this season you will add to your collection of Hollywood Bowl memories. Thank you so much for being part of the Bowl 2019 audience. This great LA icon is located in the Third Supervisorial District, which I am proud to represent.
Sheila Kuehl
Sheila Kuehl Supervisor, Third District County of Los Angeles PS: The Bowl’s Park and Ride and its Shuttle services are designed so that neither traffic nor distance will keep someone from attending a performance. If you haven’t used them before, please make this the summer you try them.
12 PERFORMANCES MAGAZINE
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My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Simone Branigan Private Wealth Advisor simone.branigan@unionbank.com 310-550-6460
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ABOUT THE LA PHIL
LOS ANGELES PHILHARMONIC Board of Directors
CHAIR
Jay Rasulo*
CEO
Simon Woods
VICE CHAIRS
David C. Bohnett* Jerrold L. Eberhardt* Jane B. Eisner* David Meline* Diane Paul*
DIRECTORS
Gregory A. Adams Julie Andrews Wallis Annenberg Thomas L. Beckmen Lynn A. Booth Reveta F. Bowers Linda Brittan Jennifer Broder Kawanna Brown Andrea Chao-Kharma R. Martin Chavez Christian D. Chivaroli, JD Dan Clivner Mari L. Danihel Donald P. de Brier* Louise D. Edgerton Lisa Field Joshua Friedman David Gindler Jennifer Miller Goff Lenore S. Greenberg
Carol Colburn Grigor Megan Hernandez Teena Hostovich Jonathan Kagan* Sarah H. Ketterer Darioush Khaledi Dana Marevich Margaret Morgan Younes Nazarian Becky Novy Leith O’Leary R. Joseph Plascencia Sandy Pressman Ann Ronus Jennifer Rosenfeld Laura Rosenwald Nancy S. Sanders* Eric L. Small G. Gabrielle Starr Jay Stein* Christian Stracke* Jason Subotky
Ronald D. Sugar* Jack Suzar Sue Tsao Jon Vein Alyce de Roulet Williamson Irwin Winkler
HONORARY LIFE DIRECTORS
Lawrence N. Field Frank Gehry Ginny Mancini Bowen H. “Buzz” McCoy *Executive Committee Member as of January 1, 2019
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ABOUT THE LA PHIL
GUSTAVO DUDAMEL Music & Artistic Director
Driven by an unwavering belief in the power of music to heal, unite, and inspire, Gustavo Dudamel is one of the most distinguished conductors of our day. From the great concert halls to classrooms, video screens, and movie theaters, Dudamel’s remarkable career of musical achievements and championing of access to the arts for young people around the world demonstrates music’s extraordinary capacity to transform people’s lives. Dudamel’s 2018/19 season centers around the Centennial celebration of the Los Angeles Philharmonic and his tenth year as its Music & Artistic Director. Other highlights of the season include his debut at the Metropolitan Opera conducting Verdi’s Otello; tours with the Berlin Philharmonic, Munich Philharmonic, and Mahler Chamber Orchestra; and his first extended academic residency at Princeton University. Under Dudamel’s direction, the LA Phil has become one of the leading orchestras in the world, admired for its unmatched commitment to new music, diversity and inclusion, and the development of groundbreaking digital initiatives. The celebration of the LA Phil’s 100th season showcases the extraordinary versatility and vision of both the orchestra and Dudamel himself, featuring more than 50 commissions. A lifelong advocate for music education and social development through art, Dudamel himself was shaped by his childhood experience with El Sistema, the extraordinary program of immersive musical training initiated in 1975 by José Antonio Abreu. Entering his 19th year as Music Director of the Simón Bolívar Symphony Orchestra, Dudamel also carries on the work of his late mentor with his ongoing commitment to El Sistema in Venezuela, and by supporting numerous Sistemainspired projects around the world. One of the few classical musicians to truly reach mainstream audiences while maintaining the highest musical integrity, Gustavo Dudamel has been featured three times on CBS’ 60 Minutes and was the subject of a PBS special, Dudamel: Conducting a Life. He had a cameo role in Amazon Studio’s award-winning series Mozart in the Jungle and, together with members of YOLA, became the first classical musician to
participate in the Super Bowl Halftime Show, appearing alongside pop stars Coldplay, Beyoncé, and Bruno Mars. At John Williams’ personal request, Dudamel guest-conducted on the soundtrack for Star Wars: The Force Awakens; he also recorded James Newton Howard’s soundtrack to Disney’s holiday blockbuster The Nutcracker, in which he makes an on-screen cameo. Dudamel’s cinema, TV, radio, and online broadcasts have reached hundreds of millions of people around the world. Dudamel’s Grammy® Award-winning discography includes landmark recordings of John Adams’ Gospel According to the Other Mary (commissioned and performed by the Los Angeles Philharmonic) and the soundtrack to the motion picture Libertador, for which Dudamel composed the score. Dudamel has independently produced an all-Wagner recording available exclusively for download and streaming, a set of the complete Beethoven symphonies from Barcelona’s Palau de la Música, and a broadcast of two Stravinsky ballets in cooperation with the Berlin Philharmonic’s Digital Concert Hall.
Gustavo Dudamel is one of the most decorated conductors of his generation. He received the Páez Medal of Art in 2018, the Americas Society Cultural Achievement Award in 2016, and the 2014 Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society from the Longy School of Music. He was named Musical America’s 2013 Musician of the Year and was voted into the Gramophone Hall of Fame. Gustavo Dudamel was born in 1981 in Barquisimeto, Venezuela. His conducting studies began in 1993 when he was hired as an Assistant Conductor with the Amadeus Chamber Orchestra. In 1999, he was appointed Music Director of the Simón Bolívar Youth Orchestra. Inspired by Dudamel’s early musical and mentoring experiences, the Gustavo Dudamel Foundation, a registered charity, was created in 2012. For more information about Gustavo Dudamel, visit his official website: gustavodudamel.com. You can find more about the Gustavo Dudamel Foundation at dudamelfoundation.org.
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ABOUT THE LA PHIL
LOS ANGELES PHILHARMONIC Now in its Centennial season, the Los Angeles Philharmonic has redefined what an orchestra can be. Under the vibrant leadership of Music & Artistic Director Gustavo Dudamel since 2009, it presents an inspiring array of music through a commitment to foundational works and adventurous explorations. At home and abroad, the LA Phil — recognized as one of the world’s outstanding orchestras — leads the way in groundbreaking and diverse programming that demonstrates the orchestra’s artistry and vision, on stage and in the community. The LA Phil performs or presents more than 250 concerts annually at its two iconic venues: Walt Disney Concert Hall and the Hollywood Bowl. During its winter season at Walt Disney Concert Hall, with approximately 165 performances, the LA Phil creates festivals, artist residencies, and
other thematic programs designed to enhance the audience’s experience of orchestral music. Since 1922, its summer home has been the world-famous Hollywood Bowl, host to the finest artists from all genres of music. The orchestra’s involvement with Los Angeles extends far beyond the Concert Hall, with wide-ranging performances in the schools, churches, and neighborhood centers of a vastly diverse community. Among its influential and multifaceted education initiatives is Youth Orchestra Los Angeles (YOLA), inspired by Venezuela’s revolutionary El Sistema. Through YOLA, the LA Phil and its community partners provide free instruments, intensive music instruction, and leadership training to nearly 1,200 students from underserved neighborhoods, empowering them to become vital citizens, leaders, and agents of change. The orchestra also undertakes tours, including regular visits to New York, Paris,
and Tokyo, among other cities. The Philharmonic is now the International Orchestral Partner at London’s Barbican Centre. The orchestra’s very first tour was in 1921, and the Philharmonic has toured every season since 1969/70. The LA Phil has a substantial catalog of concerts available online, including the first full-length classical music video released on iTunes. The Los Angeles Philharmonic was founded in 1919 by William Andrews Clark, Jr., a millionaire and amateur musician. Walter Henry Rothwell became its first Music Director, serving until 1927; since then, ten renowned conductors have served in that capacity: Georg Schnéevoigt (1927-1929); Artur Rodziński (1929-1933); Otto Klemperer (1933-1939); Alfred Wallenstein (1943-1956); Eduard van Beinum (1956-1959); Zubin Mehta (1962-1978); Carlo Maria Giulini (1978-1984); André Previn (1985-1989); Esa-Pekka Salonen (1992-2009); and Gustavo Dudamel (2009-present).
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So far ahead of other American orchestras that it is in competition mainly with its own past achievements. - The New Yorker’s Alex Ross
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NOW TAKE A BOW. Congratulations to all who participated in this year’s Tony Awards® celebration. Broadway’s biggest night once again lived up to top billing. We are so very honored to have been the Official Bank of the 2019 Tony Awards®, and we’re already looking forward to reprising our role next year. Visit us at cnb.com/tonys2019.
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ABOUT THE LA PHIL
LOS ANGELES PHILHARMONIC Gustavo Dudamel Music & Artistic Director Walt and Lilly Disney Chair
Zubin Mehta Conductor Emeritus Esa-Pekka Salonen Conductor Laureate Susanna Mälkki Principal Guest Conductor Ann Ronus Chair
Paolo Bortolameolli Assistant Conductor John Adams John and Samantha Williams Creative Chair
FIRST VIOLINS Martin Chalifour Principal Concertmaster
Marjorie Connell Wilson Chair
Nathan Cole First Associate Concertmaster Ernest Fleischmann Chair
Bing Wang Associate Concertmaster Barbara and Jay Rasulo Chair
Akiko Tarumoto Assistant Concertmaster Philharmonic Affiliates Chair
Rebecca Reale Michele Bovyer Rochelle Abramson Camille Avellano Margaret and Jerrold L. Eberhardt Chair
Minyoung Chang
I.H. Albert Sutnick Chair
Miika Gregg Mischa Lefkowitz Edith Markman Mitchell Newman Stacy Wetzel
SECOND VIOLINS
BASSES
BASSOONS
PERCUSSION
Lyndon Johnston Taylor Principal
Christopher Hanulik Principal
Whitney Crockett Principal
Matthew Howard Principal
Oscar M. Meza Assistant Principal
Shawn Mouser Associate Principal
David Allen Moore
Michele Grego Evan Kuhlmann
James Babor Perry Dreiman Wesley Sumpter*
Dorothy Rossel Lay Chair
Mark Kashper Associate Principal Kristine Whitson Johnny Lee Dale Breidenthal Ingrid Chun Jin-Shan Dai Tianyun Jia Chao-Hua Jin Nickolai Kurganov Guido Lamell Varty Manouelian Yun Tang Michelle Tseng Suli Xue Eduardo Rios*
VIOLAS Teng Li Principal John Connell Chair
Dale Hikawa Silverman Associate Principal Ben Ullery Assistant Principal Dana Lawson Richard Elegino John Hayhurst Ingrid Hutman Michael Larco Hui Liu Meredith Snow Leticia Oaks Strong Minor L. Wetzel Andrew François*
CELLOS Robert deMaine Principal Bram and Elaine Goldsmith Chair
Ben Hong Associate Principal Sadie and Norman Lee Chair
Dahae Kim Assistant Principal Jonathan Karoly David Garrett Barry Gold Jason Lippmann Gloria Lum Linda and Maynard Brittan Chair
Ted Botsford Jack Cousin Jory Herman Brian Johnson Peter Rofé Michael Fuller* Dennis Trembly Principal Bass Emeritus
FLUTES Denis Bouriakov Principal Virginia and Henry Mancini Chair
Catherine Ransom Karoly Associate Principal Mr. and Mrs. H. Russell Smith Chair
Elise Shope Henry Mari L. Danihel Chair
Sarah Jackson Piccolo Sarah Jackson
OBOES Vacant Principal Marion Arthur Kuszyk Associate Principal Anne Marie Gabriele Carolyn Hove English Horn Carolyn Hove
CLARINETS Boris Allakhverdyan Principal Michele and Dudley Rauch Chair
Burt Hara Associate Principal Andrew Lowy David Howard
Contrabassoon Evan Kuhlmann
HORNS Andrew Bain Principal John Cecil Bessell Chair
Jaclyn Rainey Associate Principal Gregory Roosa Alan Scott Klee Chair
Amy Jo Rhine
Loring Charitable Trust Chair
Brian Drake
Reese and Doris Gothie Chair
Ethan Bearman Assistant
Bud and Barbara Hellman Chair
TRUMPETS Thomas Hooten Principal M. David and Diane Paul Chair
James Wilt Associate Principal Nancy and Donald de Brier Chair
Christopher Still Ronald and Valerie Sugar Chair
Jeffery Strong
TROMBONES David Rejano Cantero Principal James Miller Associate Principal Judith and Thomas L. Beckmen Chair
KEYBOARDS Joanne Pearce Martin Katharine Bixby Hotchkis Chair
HARP Lou Anne Neill
LIBRARIANS Kazue Asawa McGregor Kenneth Bonebrake Stephen Biagini
PERSONNEL MANAGER Jeffrey Neville
CONDUCTING FELLOWS Nuno Coelho Stephen Mulligan Elena Schwarz Jesús Uzcátegui * Resident Fellows The Los Angeles Philharmonic string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically. In those sections where there are two principals the musicians share the position equally and are listed in order of length of service. The musicians of the Los Angeles Philharmonic are represented by Professional Musicians Local 47, AFM.
Paul Radke Bass Trombone John Lofton
TUBA
E-Flat Clarinet Andrew Lowy
Norman Pearson
Bass Clarinet David Howard
Joseph Pereira Principal
TIMPANI Cecilia and Dudley Rauch Chair
Serge Oskotsky Brent Samuel
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2018-RE
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F E AT U R E
Michael Fuller
Wesley Sumpter
IS HE LOOKING AT ME? Life as an LA Phil Resident Fellow Launched in the Centennial Season, the LA Phil Resident Fellows program is preparing early-career symphonic musicians representing or serving historically underrepresented populations to compete for, and win, positions in major professional orchestras. The first call for musicians yielded 120 applicants from which four fellows — Andrew Francois, viola; Michael Fuller, double bass; Eduardo Rios, violin; and Wesley Sumpter, percussion — were chosen. Francois recently won a position with the St. Louis Symphony Orchestra, and Rios was named assistant concertmaster for the Seattle Symphony. The LA Phil recently sat down with Fuller and Sumpter to talk about their time in the program since joining last fall. You have both played with a lot of different orchestras. What is it like in your first year of playing with the LA Phil? Michael Fuller: Well, it’s been fantastic. Before coming out here, I hadn’t really heard the LA Phil a whole lot. I’d seen them on YouTube; I knew all about Gustavo Dudamel and everything, but it’s so much more than what I expected.
How so? MF: The orchestras that I have played with have been with mostly people who are my age, but it’s actually been comfortable playing with more veteran musicians. I’m still learning every day, but it’s been really inviting. You think that you’re playing with these veterans, and it’s going to be a really cold environment, but it’s not that at all. Everything’s really warm and welcoming and supportive. Wesley, how has it been stepping into the percussion section? Wesley Sumpter: I’d say for me it’s been a whirlwind of an experience. You don’t expect to be thrown into what we call a “baptism of fire.” You know, you just kind of walk in and get it done in one rehearsal or no rehearsals. And it’s remarkable because playing here, you learn how to move throughout the business of music, so we’re prepared for wherever we might go [in our careers]. Whether it’s in an orchestra or as a session musician, there’s always going to be a lot of improvisation, a lot of things that are unpredictable.
There have been a lot of concerts where the percussion section was just enormous, but it was quite the opposite for Brahms Symphony No. 4 with Zubin Mehta. All there is out there is timpani and a triangle, and that day the triangle player was you. WS: Yes. That was me. Playing an instrument where you have one shot at making it right, and if it’s not right it’s so exposed. But that’s the name of the game for percussion. There’s so much pressure every time. I’ve started to develop just a sense of comfortability with that unpredictability. So just saying, “Okay. I’ve practiced this. I’m going to see what happens when I’m nervous, what happens when I’m on the spot.” And then working under Maestro Zubin Mehta, that was another pressure added on. Because for me, to watch the orchestra play under him with the first three Brahms Symphonies, and then that fourth, it was just a different air that they had. The orchestra’s like, “Okay. He’s here.” And they walked on stage with a different energy, and so I walked on stage with the same energy they had. I only played for five minutes out of an hour-long piece, but to sit there and just watch him work his magic and have his effect on the >>>
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F E AT U R E : I S H E L O O K I N G AT M E ?
CONTINUED
orchestra after not being the music director here for so long is just an astounding kind of thing. Since arriving in the fall, you have both worked with a range of conductors. Are there any that jump out in your mind or moments in rehearsal or performance that were particularly memorable? MF: I remember one of our first concerts with Dudamel. We were playing Prokofiev’s Romeo and Juliet. It was a particularly good performance this night. I felt pretty good that I was nailing it, and then he looked over and kind of like nodded at the basses. Just a little acknowledging, as if to say, “Okay. I see you.” And I was just frozen. I was like ... “Is he looking at me?” Are there any other pieces of repertoire that you have played before but had to approach differently here, or any of this season’s 50-odd commissions that have stood out for you? WS: Our recent commission of Tan Dun’s Buddha Passion. That was a piece I did not expect to be so enthralled by. We rehearsed it without the singers, without the rest of the choir, and without all of these different elements. I really appreciated how it was represented: all Chinese singers, singing in the
dialect, the choir speaking the language; we’re playing traditional instruments like temple bowls and playing traditional rhythms. I’m playing this huge Chinese drum, which brings the intermission and the end of the piece all together. In the fifth movement a throat singer comes out and plays and sings, and then another singer joins as well. When they do this improvisation, interacting back and forth. It kind of just puts you in a Zen state. I forgot about everything going on outside of this. I was just completely there. After the first performance of it, I walked off stage, and I was almost hyperventilating. And that’s not even an exaggeration. It was one of those things where I sat there, and I was just like, “Okay. I need to collect myself.” That was one of the first times that has happened in a long time for me. As an audience member, those moments of transcendence are amazing and so it is nice to hear that even though you are so focused on playing the different instruments in front of you, you can still step back a little bit and enjoy the experience. WS: Oh, I do it every concert. I do not take those moments for granted. I take the time to observe those moments in performance. Because I think that’s just as important as playing. What you do when you’re not playing.
Thinking bigger picture at your careers, I know it is only a few months into this program, but has anything changed for you in your outlook since you arrived here and how you see your career moving forward? MF: I’m just excited to see what’s next. I mean I couldn’t have predicted that I was going to be here. I’ve just always made sure to work hard and hope for the best. And then suddenly this opportunity arises. So, I think as long as I work hard and show that I’m dedicated, something exciting will happen, and I have no idea, necessarily, what that looks like. Despite whatever my plans are or my thoughts of what I want to happen in the near future, as long as I keep playing, things will happen and not necessarily the way I thought they might happen, and that’s okay. WS: This whole experience has affirmed, or rather reaffirmed, in my mind that this is actually what I want to do with my skillset: to be a working musician, of course, but also to venture off into other things, like composing eventually or conducting, maybe. I’m open to all of it. The LA Phil works with a lot of young people through YOLA, and many of them are interested in pursuing a career in music. I am curious what kinds of things would you say to them right now? What has helped you to get to this point in your career? MF: Once I stopped being so concerned about what other people thought about me, I was able to start moving forward quickly. You should think for yourself about where you want to be going, and it’s never too soon to be thinking about it. Don’t ever listen to the naysayers! WS: I’ll piggy-back and say just never let anyone tell you no. Don’t ever let anyone tell you you’re not good enough, because we all have continuous and exponential room for improvement. If I had to take a look at myself seven years ago when I started undergrad: I didn’t have a teacher; my parents and I, we didn’t really know how to go about auditioning for college, or how I should go about a music career. They just didn’t know. So, I didn’t take lessons; I just practiced a lot. And then I got to college, and I saw, “Okay. I’m not that far away from where everyone else is, so I guess I’ve been doing something right.” It’s just having that drive and making sure that you have a commitment to what you want to do even if what you want changes. Because there’s nothing wrong with that.
•
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HERE TO GIVE VOICE. Women’s voices take center stage at Chapman University’s College of Performing Arts
THEATRE Department of Theatre’s upcoming season entitled “#HERSTORIES: A Celebration of Women’s Voices and Women’s Stories.”
DANCE & MUSIC Department of Dance and the Hall-Musco Conservatory of Music will be highlighting works composed and choreographed by women throughout the 2019-20 concert season.
CHAPMAN CELEBRATES SCHOLARSHIP GALA Chapman’s scholarship gala will be “Celebrating the Female Voice” in November as proud Chapman parent, Vanessa Williams, receives the Lifetime Achievement in the Arts Award.
For details, visit Chapman.edu/voices or contact the box office at (714) 997-6624.
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NEWS
Seoul Olympic Park Gymnastics Arena
THE LATEST FROM THE LA PHIL Stories from at home and on the road
Acclaim from Asia for LA Phil Tour This spring, the LA Phil kicked off an ambitious and unprecedented year of touring as part of its Centennial season. The LA Phil 100 Tour will take the orchestra and members of YOLA to three continents and seven countries. In March, the first leg of that journey took the LA Phil to Asia for seven concerts in Seoul, South Korea and Tokyo, Japan. “Seoul is a special place to me,” Music Director Gustavo Dudamel told Korean press. “Korean audiences are warm, love music, and value the young performers who will carry the future on their shoulders.” That love was reciprocated by both those audiences and music critics who watched at the Seoul Arts Center as the LA Phil performed Mahler’s Symphony No. 1 and John Adams’ new piano concerto, Must the Devil Have All the Good Tunes? with Yuja Wang. “Dudamel led the orchestra as if it were a musical instrument. From the first movement that started out plainly to the fourth movement that is the core of the piece, I felt the vividness of every note; the performances of
the brass, including the seven horn players who stood at the finale, were especially smooth and prominent,” wrote Mi-Young Kim about the LA Phil’s performance of Mahler’s Symphony No. 1 for The Hankyoreh newspaper in Seoul. “Just from looking at the back of Dudamel, who conducts as if he were dancing, I could feel how much he loved and enjoyed this piece.” For its second Korean concert, the LA Phil performed the music of John Williams at Seoul Olympic Park Gymnastics Arena – the first concert of its kind in the venue that required a small army of logistics crews to transform the space into a 10,000-person concert hall. As Mast Media CEO Yong Kim explained to press, usually only a few thousand people get to see visiting orchestras, and so negotiations began with the LA Phil two years ago to turn their performance into a large-scale classical music festival. That spirit of extending impact and audiences continued when the LA Phil traveled to Tokyo. There, in addition to concerts in Suntory and NHK halls, the latter performance was captured and broadcast across Japan through NHK TV and radio. A core part of all LA Phil tours is the experience they provide for musicians in the Phil’s YOLA family. Fifteen YOLA musicians traveled to Korea where they participated in a cultural
exchange with 65 musicians from the Korea Arts & Culture Education Service (El Sistema Korea: Orchestra of Dreams), culminating in an open rehearsal under Dudamel’s baton. Sophomore bassoonist Carlos Cano of YOLA at EXPO Center documented his experience and wrote of his El Sistema Korea peers, “We grew a strong connection with each other, despite the differences in our culture and our language barriers. They were all really nice, cool, and funny, and they thought the same about us. We were so glad that we had the chance to eat with them one last time, before we had to part ways and possibly never see each other again (but that’s no worry, we got their Instagrams!)”
LA Phil Welcomes New Trumpet Jeffrey Strong is the new Third/Utility Trumpet of the Los Angeles Philharmonic. Prior to joining the LA Phil, Jeffrey spent four years in the Saint Louis Symphony Orchestra as Second Trumpet. Jeffrey also served as a member of the trumpet/cornet section in “The President’s Own” United States Marine Band from 2009 until 2015, where he was an often-featured soloist. Additionally, Jeffrey has performed with the National Symphony Orchestra, the Baltimore Symphony Orchestra, the Chicago Symphony Orchestra, and he was a member of the Civic Orchestra of Chicago.
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NEWS
CONTINUED
A native of Fresno, California, Jeffrey earned a Bachelor of Music degree from the San Francisco Conservatory of Music, and a Master of Music degree from Northwestern University. His primary teachers have included Barbara Butler, Charles Geyer, David Burkhart, and Joseph Lenigan. Jeffrey and his wife, Maggie, are thrilled to have returned to their home state of California with their daughter Sarah and their dog Archer.
Baranov’s Last Bow Violinist Mark Baranov retired from the Los Angeles Philharmonic at the end of the 2018/19 winter season, after 41 years of distinguished musicmaking with the orchestra. Trained in the Soviet Union at the Gnessin Music Academy in Moscow, where he earned a Doctor of Musical Arts degree, he joined the LA Phil in 1978, hired by Zubin Mehta. Music Director Carlo Maria Giulini appointed Baranov assistant concertmaster in 1980, a position he held until 2017. Baranov had served as co-concertmaster of the Moscow Radio Symphony Orchestra under Gennady Rozhdestvensky, appearing as soloist on many occasions and touring with the ensemble in Eastern and Western Europe and Japan, as well as throughout the U.S.S.R. He was also a member of the Moscow Radio String Quartet. With these ensembles he toured throughout Europe, participating in many important festivals and gave the U.S.S.R. premieres of works by composers such as Schoenberg, Messiaen, Denisov, and Schnittke, and made several recordings on the Melodiya label. After coming to the United Sates in 1978, he became very active in the Southland’s musical community. In 1983 he founded the critically acclaimed chamber ensemble Trio West with his late wife, pianist Lina Targonsky, and Philharmonic cellist Barry Gold. The ensemble performed frequently throughout Southern California, including on the Philharmonic’s Chamber Music series. Baranov has also appeared as a soloist with the Philharmonic at the Hollywood Bowl and at the Music Center. He has been a visiting professor of violin at Biola University and UCLA. He frequently gives master classes throughout the U.S.A. and judges many violin competitions. Thank you, Mark, for so many years of wonderful music, and best wishes!
Iturbi Foundation Sponsors July Concert For four decades, world-famous concert pianist and conductor José Iturbi (1895-1980) headlined sold-out performances at the Hollywood Bowl. This summer, Iturbi returns in spirit as the José Iturbi Foundation (JIF) sponsors “Dudamel Conducts Rachmaninoff” on July 18, featuring Khatia Buniatishvili playing Rachmaninoff’s Piano Concerto No. 3 with Dudamel and the LA Phil. During the mid-20th century, Iturbi was considered to be one of the world’s greatest and most popular classical pianists and conductors. He made his record-breaking six-performance Hollywood Bowl debut in August 1934, and continued to perform at the Bowl regularly, often with his sister, pianist Amparo Iturbi. In 1950, Iturbi became the first musician to sell more than a million
copies of a single record – Chopin’s “Military” Polonaise. This milestone was recognized with Iturbi receiving a star on Hollywood Boulevard.’s world-famous “Walk of Fame.” Since Iturbi’s charisma resonated with audiences of all ages, he starred in seven MGM films in the 1940s, giving him the opportunity to reach out to millions of movie fans and help popularize classical music… one note at a time! One of Iturbi’s favorite film roles was in Anchors Aweigh (1945), co-starring Gene Kelly and Frank Sinatra as sailors; in search of Iturbi, they find him rehearsing on stage under the famous shell at the Hollywood Bowl. The José Iturbi Foundation is dedicated to continuing the legacy of Iturbi by fulfilling his wish to make classical music accessible to people of all ages through blockbuster concerts with world-famous classical musicians. JIF also spotlights today’s greatest emerging talents and prizewinning musicians through concert performances and with the José Iturbi International Music Competition, dubbed the “Classical Idol” of classical music competitions by the Associated Press.
•
José Iturbi and Frank Sinatra relaxing in dressing room and reviewing evening’s set list before their concert at the Hollywood Bowl, August 14, 1943.
Jeffrey Strong
Mark Baranov
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F E AT U R E
Gustavo Dudamel in action at the Hollywood Bowl.
A DECADE OF DELIGHTS 10 years of Gustavo Dudamel at the Bowl
In September of 2005, a curly-haired, high-energy, 24-year-old conductor made his U.S. debut at the Hollywood Bowl, leading the Los Angeles Philharmonic in music by Revueltas and Tchaikovsky. Though largely unknown to the audience, he was already creating a buzz among industry talent scouts, who were well-represented that night. “I hope the Philharmonic kept the visiting orchestra officials out of his dressing room long enough to get first dibs on his next American engagement,” Mark Swed wrote in his highly positive Los Angeles Times review. “And the one after that. And after that.” And indeed they did. Just four years later, Gustavo Dudamel returned to the Bowl with the LA Phil for ¡Bienvenido Gustavo!, a monumental free community concert that launched his tenure as the orchestra’s
new Music Director, succeeding Esa-Pekka Salonen. The ensuing ten years have been a decade of magnificent accomplishment and pioneering creativity for Dudamel and the LA Phil. Youth Orchestra Los Angeles (with a new purpose-built center arriving soon), annual tours, recordings (14, and more in the immediate pipeline), and multifaceted technological initiatives have filled the seasons with inspiring projects. “We challenge ourselves all the time. We are an orchestra that loves challenges, is committed to music and community,” Dudamel told an interviewer for the Korea Herald on the orchestra’s latest tour. “That is why I am so proud to celebrate ten years with the LA Phil. Music is the bridge to heal anger, to heal unrest, and to build spaces to
see each other and (become) brothers and sisters.” Dudamel will be here at the Bowl again this month for two weeks (July 16-25). His wide-ranging orchestral programs include a stunning look at Prokofiev’s Romeo and Juliet ballet with Benjamin Millepied and his L.A. Dance Project, revisiting their very successful collaboration at Walt Disney Concert Hall back in October. He will also lead a selection of classic film scores from Hollywood’s Golden Age, Mahler’s ecstatic and cathartic “Resurrection” Symphony, No. 2, and Tchaikovsky’s Fourth Symphony. His soloists include Mexican singer-songwriter Natalia Lafourcade in her Bowl debut and stellar pianist Yuja Wang, playing John Adams’ brilliant new concerto Must the Devil Have All the Good Tunes?, which she premiered and toured with Dudamel and the LA Phil this past season. “The possibilities are infinite at the Bowl,” Dudamel says. “That is the thing, how this place embraces so many people, so much diversity – it’s a place of inclusion.”
•
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DON’T WORRY, WE’LL TURN DOWN THE LIGHTS SO NOBODY CAN SEE YOU CRY.
La
`
BOHE ME BY
GIACOMO PUCCINI
DIRECTED BY BARRIE
KOSKY
CONDUCTED BY JAMES
CONLON
NEW PRODUCTION! 6 SHOWS: SEP 14 – OCT 6
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F O O D + W I N E AT- A - G L A N C E
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Inspired by the gorgeous natural surroundings of the Bowl, this al fresco space has the feel of a chic backyard in the Hollywood Hills. Two large wood-burning grills are the focus of this farmers’ market-driven restaurant serving grilled fish, chops, steaks, vegetables, salads, and raw bar items.
Street Food & Snacks The Bowl’s culinary team – James Beard Award Winners chef Suzanne Goin and restaurateur Caroline Styne of celebrated restaurants Lucques, a.o.c., Tavern, and The Larder – are now in their fourth year of providing exceptional cuisine designed to make your concert experiences even more spectacular. From supper in your box
A variety of delicious options are available throughout the Bowl, including street tacos, salads, nachos, specialty hot dogs, gourmet pizza, rustic BBQ, artisan baked goods, sweets, and popcorn.
Picnic Boxes
It’s easier than ever to enjoy a picnic supper before your concert with five menus of delectable fresh-made picnic boxes from Food + Wine. Simply pre-order online by 4 pm the day before your concert, and your choice will be waiting for you when you arrive at the Bowl.
seats to portable picnic baskets,
Ann’s Wine Bar by a.o.c.
Inspired by the original a.o.c. on 3rd St., Ann's Wine Bar features a wide selection of Caroline’s favorite new and old world wines to be explored by both experienced and novice wine lovers, all paired with Suzanne Goin’s signature small plates menu. Reservations recommended.
Kitchen 22
Kitchen 22 is the best place to indulge in fan favorites like burgers, French fries, fried chicken, specialty sandwiches, and salads.
there’s something for everyone – Catering at the Bowl
no matter your taste.
Lucques at the Circle
Give your guests the experience of a lifetime when you host your next event at the Bowl! Our selection of seven beautiful venues is perfect for events of all sizes, from intimate gatherings to elaborate affairs.
Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list, styled from the award-winning restaurant Lucques.
Supper in Your Seats
Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s threecourse menus, family-style feasts, à la carte starters, main courses, desserts, and wine. Order by 4pm the day before your concert.
Mobile ordering: Download the Hollywood Bowl app to place an order from the comfort of your seat and skip the line at pick up. Mobile ordering is available at the Popcorn, BBQ/Pizza, and Hot Dogs Street Food Stands.
SEE MENUS, BOOK A TABLE, AND ORDER AHEAD: HOLLYWOODBOWL.COM/FOOD+WINE • 323 850 1885 34 PERFORMANCES MAGAZINE
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ABOUT THE LA PHIL
LOS ANGELES PHILHARMONIC STAFF Simon Woods
Maren Quanbeck
Sarah Stanley
Hope Steinman-Iacullo
Jairo Flores
Richard Rubio
David C. Bohnett Chief Executive Officer Chair
Ebner Sobalvarro
Brandon Stone
Gabriel Tanguay Ortega
Tamir Gilboa
Martin Sartini Garner
CHIEF EXECUTIVE OFFICER
Paula Michea
EXECUTIVE ASSISTANT TO THE CEO
Gail Samuel
MANAGER, ARTIST SERVICES ASSISTANT TO THE MUSIC & ARTISTIC DIRECTOR
Julia Ward
DIRECTOR, HUMANITIES
CHIEF OPERATING OFFICER
AUDIENCE SERVICES
CHIEF ADVANCEMENT OFFICER
AUDIENCE SERVICES REPRESENTATIVE
EXECUTIVE DIRECTOR
Chad Smith
Kathleen Kane
Alison Sowden
CHIEF FINANCIAL OFFICER
Laura Connelly
VICE PRESIDENT, PRESENTATIONS
Elsje Kibler-Vermaas VICE PRESIDENT, LEARNING
J. Philip Koester
VICE PRESIDENT, MARKETING AND COMMUNICATIONS
Meghan Martineau
VICE PRESIDENT, ARTISTIC PLANNING
Mona Patel
VICE PRESIDENT, HUMAN RESOURCES AND GENERAL COUNSEL
Daniel Song
VICE PRESIDENT, PHILHARMONIC AND PRODUCTION
Leni Isaacs Boorstin SENIOR ADVISOR, EXTERNAL ENGAGEMENT
Summer Bjork
DIRECTOR, STRATEGY AND SPECIAL PROJECTS
ADMINISTRATION Maxwell Adams
RISK AND LOGISTICS MANAGER
Leslie Bell PARALEGAL
Michael Chang
DATABASE ADMINISTRATOR
Lauren Coakley
HUMAN RESOURCES MANAGER
Christine Correa HR GENERALIST
Rose Doylemason
RECEPTIONIST/HR ASSISTANT
Samantha Ganeku
HUMAN RESOURCES MANAGER
Alex Hernandez MAIL ROOM ASSISTANT
Kevin Higa
CLOUD INFRASTRUCTURE ENGINEER
Dean Hughes
HELP DESK SPECIALIST
Charles Koo
INFRASTRUCTURE MANAGER
Rik Martin
ADMINISTRATIVE SERVICES MANAGER
Jeff Matchan
DIRECTOR, INFORMATION TECHNOLOGY
Petra McNeilly Rutledge MANAGER, STRATEGY AND SPECIAL PROJECTS
Sergio Menendez SYSTEM SUPPORT I
Thelma Meza
HUMAN RESOURCES COORDINATOR
Angela Morrell TESSITURA SUPPORT
Shawn Newmann-Batarse EXECUTIVE ASSISTANT TO THE EXECUTIVE DIRECTOR
Frank Park
INFRASTRUCTURE ENGINEER
Sean Pinto
DATABASE APPLICATIONS MANAGER
Denise Alfred Vilma Alvarez
PATRON / AUDIENCE SERVICES REPRESENTATIVE
Gloria Balcom
Aly Zacharias STAFF ATTORNEY
ARTISTIC PLANNING Phillippa Cole
ASSOCIATE DIRECTOR, ARTISTIC PLANNING
Kristen Flock-Ritchie ASSISTANT MANAGER, ARTISTIC PLANNING
Casey Lewis ARTIST LIAISON
Daniel Mallampalli
Jose Villasenor
TICKET SELLER (GROUP SERVICES)
Mark Wilson TICKET SELLER
BOX OFFICE — GROUP SERVICES Nancy Fitzgerald TICKET SELLER
Laurel Harris
AUDIENCE SERVICES REPRESENTATIVE
Tomorrow Kitchen
Grace Chapron
Jacqueline Ferger
PATRON / AUDIENCE SERVICES REPRESENTATIVE
Stephen Gluck
AUDIENCE SERVICES REPRESENTATIVE
Jennifer Hugus
PATRON / AUDIENCE SERVICES REPRESENTATIVE
Bernie Keating
TICKET SELLER
Claudia Rhodes
AUDIENCE SERVICES REPRESENTATIVE
Randolph Stephen
AUDIENCE SERVICES SUPERVISOR’
Robert Ullrich
PATRON / AUDIENCE SERVICES REPRESENTATIVE
Jose Villasenor TICKET SELLER
COMMUNITY & GOVERNMENT AFFAIRS DIGITAL ARCHIVES MANAGER ARCHIVES AND MUSEUM DIRECTOR
Kelly Kress
ASSISTANT ARCHIVIST
Meredith Reese
DIGITAL ASSET MANAGER
DEVELOPMENT Robert Albini
ASSOCIATE DIRECTOR, MAJOR GIFTS
BOX OFFICE – HOLLYWOOD BOWL Gema Alatorre TICKET SELLER
Alejandra Cabrales TICKET SELLER
Helen Allemano
ASSISTANT MANAGER, ANNUAL FUND
Joshua Alvarenga
SENIOR MAJOR GIFTS OFFICER
Malorie Barbee
SENIOR MANAGER, ANNUAL FUND / MEMBERSHIP
Irene Chow
Tess Carota
Noricel Fulay Cole
Michael Cocks
2ND ASSISTANT TREASURER
TICKET SELLER (GROUP SERVICES)
David Cranton
2ND ASSISTANT TREASURER
Shawana Deloach TICKET SELLER
DEVELOPMENT OPERATIONS, GIFT AND DATA SPECIALIST DEVELOPMENT OPERATIONS PROJECT MANAGER
Julia Cole
DIRECTOR, INSTITUTIONAL GIVING AND STEWARDSHIP
Matthew Dolce
Constance Dewey
Nancy Fitzgerald
Victoria Dinu
TICKET SELLER
TICKET SELLER (GROUP SERVICES)
Angelia Franco
TICKET SELLER (GROUP SERVICES)
Chris Harmony TICKET SELLER
Laurel Harris
1ST ASSISTANT TREASURER (GROUP SERVICES)
Nathaniel Harris
1ST ASSISTANT TREASURER
Kimberly Havens TICKET SELLER
Russell Healey
1ST ASSISTANT TREASURER
Lili Herrera
1ST ASSISTANT TREASURER
Taundewei Hodge 2ND ASSISTANT TREASURER (PLAYBOY JAZZ) 2ND ASSISTANT TREASURER 2ND ASSISTANT TREASURER (GROUP SERVICES)
Milo Martin
ASSISTANT MANAGER, VOLUNTEER ACTIVITIES CORPORATE SPONSORSHIP COORDINATOR
Chelsea Downes ANNUAL FUND OFFICER
Joseph Feneck
MANAGER, VOLUNTEER ACTIVITIES
Genevieve Goetz MANAGER, GIFT PLANNING
Christina Hall
SENIOR MAJOR GIFTS OFFICER
Gerry Heise
SENIOR MAJOR GIFTS OFFICER
Jen Kehs
SENIOR GRANT WRITER
Sara Kim
DIRECTOR, INDIVIDUAL GIVING
Anita Lawson
Derek Traub
MANAGER, DEVELOPMENT COMMUNICATIONS
Kimberley Valentine DIRECTOR, LEADERSHIP GIFTS
Morgan Walton
MANAGER, SPECIAL EVENTS
Richard T. Watkins
ASSOCIATE DIRECTOR, DEVELOPMENT
Natalie White
SENIOR RESEARCH AND PROSPECT MANAGER
Adriana Aguilar Xyra Aranda
SENIOR ACCOUNTANT
David Cherpin
SENIOR ADVISOR, STRATEGIC FINANCIAL PLANNING
Jonathan Clemente STAFF ACCOUNTANT
Heather Dodds
ACCOUNTS PAYABLE COORDINATOR
Genevieve Dunaway
LOT MANAGER
VALET PARKING MANAGER
Hai Tran
LOT MANAGER
Frank Ayala BOWL SECURITY
LEARNING Phil Bravo
TICKET SELLER
Susan Erburu Reardon
TICKET SELLER
Alicia Rhymes
2ND ASSISTANT TREASURER
Carina Sanchez
TREASURER
Lauren Winn PROJECT MANAGER
EDUCATION COORDINATOR
EDUCATION PROJECT MANAGER
ORCHESTRA MANAGEMENT & PRODUCTION
PROGRAM MANAGER YOLA@TORRES
ORCHESTRA OPERATIONS COORDINATOR
Emily Lair
EDUCATION PROJECT MANAGER
Sarah Little Ian Richard
Gaudy Sanchez YOLA ADVISOR
MARKETING & COMMUNICATIONS
Kristina Schaaf
1ST ASSISTANT TREASURER
Erica Sitko
2ND ASSISTANT TREASURER
Stefanie Sprester
ASSOCIATE ORCHESTRA PERSONNEL MANAGER
Taylor Comen
DIRECTOR, PRODUCTION
Jessie Farber
ASSOCIATE DIRECTOR, MEDIA INITIATIVES
PAYROLL COORDINATOR
Mary Allen
PRODUCTION MANAGER
ARTIST PAYMENT SPECIALIST
Daniel Anderson
PROJECT MANAGER, MEDIA INITIATIVES
EXECUTIVE ASSISTANT TO THE CFO
Scott Arenstein
PRODUCTION MANAGER
Steve Flores
Lisa Hernandez Ashley Hofer Dustin Hsu
ASSISTANT CONTROLLER
Geoffrey Kwok STAFF ACCOUNTANT
Pamela Li
ASSISTANT MANAGER, MUSIC BUYER
Lyla Forlani
SOCIAL MEDIA MANAGER
Raymond Horwitz
VIDEO PRODUCER
Kimberly Mitchell
DIRECTOR, DIGITAL MARKETING TECHNOLOGY
Janice Bartczak
DIRECTOR, RETAIL SERVICES
Nora Brady
SENIOR ACCOUNTANT
DIRECTOR, AUDIENCE STRATEGIES AND INSIGHTS
ACCOUNTS PAYABLE COORDINATOR
DIRECTOR, MARKETING
LaTonya Lindsey Debbie Marcelo
FINANCIAL PLANNING MANAGER
Francisco Millan
FINANCIAL PLANNING ANALYST
Elizabeth Rojo
Lisa Burlingham Charles Carroll
DIRECT MARKETING MANAGER
Joe Carter
DIRECTOR, SALES AND CUSTOMER EXPERIENCE
ACCOUNTS PAYABLE MANAGER
Joe Chang
SUPERVISING SENIOR ACCOUNTANT
Julia Dankberg
PAYROLL TECHNICIAN
Toi Duckworth
Marianne Valmonte Kimberly White
Kerri Bershon
OPERATIONS ADMINISTRATOR
Kim Kevorkian
TRAFFIC AND PARKING MANAGER
Mark Ladd
ASSOCIATE DIRECTOR, OPERATIONS
Gina Leoni
PRODUCTION ASSOCIATE
Michael Vitale
PRODUCTION MANAGER
Jeff Wallace
ASSOCIATE DIRECTOR, PRODUCTION
Bill Williams
PRODUCTION ASSOCIATE
PRESENTATIONS Stephanie Bates
PRESENTATIONS ASSISTANT
Brian Grohl
PROGRAM MANAGER, POPS / MANAGER, HOLLYWOOD BOWL ORCHESTRA
JR GRAPHIC DESIGNER
EVENT MANAGER
DIGITAL OPERATIONS MANAGER
HOLLYWOOD BOWL
Rita Santos
DIGITAL PRODUCER
Samantha Escobar
DIRECT MARKETING COORDINATOR
Melissa Falchini
SENIOR MANAGER, CREATIVE SERVICES
Lydia Fong PUBLICIST
Justin Foo
ASSISTANT DIRECTOR, SALES AND CUSTOMER SERVICE
Joie Marites Lopez Rafael Mariño
PRODUCTION COORDINATOR
Johanna Rees
DIRECTOR, PRESENTATIONS
Ayrten Rodriguez
CONCERT MANAGER, PRESENTATIONS AND HOLLYWOOD BOWL ORCHESTRA
IATSE LOCAL 33 Kevin Brown
OPERATIONS COORDINATOR
Cynthia Fuentes
THEATER MAINTENANCE MANAGER
Tara Gardner
POOL CIRCLE MANAGER
Paul Gibson
DIRECTOR, OPERATIONS
John Henken
HOUSE MANAGER
Jennifer Hoffner
Michael Sheppard
Linda Holloway
Kevin Wapner
George Portillo Ruben Reyes Edgar Tom
Tom Waldron
ASSISTANT DIRECTOR, MARKETING MANAGER, DIGITAL MARKETING CREATIVE COPYWRITER MANAGING EDITOR
SENIOR ADVERTISING MANAGER PATRON SERVICES MANAGER
Chris Donovan
DIRECTOR, PUBLIC RELATIONS
Norm Levin
GRAPHIC DESIGNER
Nikki Pierce
ASSISTANT MANAGER, AUDIENCE DEVELOPMENT AND INSIGHTS
ASSISTANT STAGE MANAGER
Kenneth Shapiro VIDEO DIRECTOR
Yuko Makuuchi ASSISTANT MANAGER, RETAIL OPERATIONS
Steve Sims
Teddy Abat
Kevin Smith
CAMPAIGN MANAGER
Edwin Bonilla
DIRECTOR, CORPORATE SPONSORSHIP
Albert Diaz
SOUND DESIGNER
LIGHTING DESIGNER LOT MANAGER
FACILITIES SERVICE MANAGER
MASTER CARPENTER
Andy Kassan
ASSISTANT ELECTRICIAN
Don Quick
PROPERTY MANAGER
Gil Samuelian
MASTER ELECTRICIAN MASTER AUDIO-VISUAL / UNION STEWARD ASSISTANT AUDIO-VISUAL
Sophie Jefferies
MANAGER, CORPORATE SPONSORSHIP
ARTISTIC PLANNING ASSISTANT
Shana Bey
Melissa Achten
Ino Mercado
Kishisa Ross
Lila Atchison
CONTROLLER
RESEARCH ANALYST
PROJECT MANAGER, DONOR RELATIONS
SALES OPERATION COORDINATOR
Alexis Gallardo
Brant Markley
Marz Richards
Sherry Wallace
PR ASSISTANT
Academy Lighting Consultants
DIRECTOR, GIFT PLANNING
MARKETING DATABASE SPECIALIST
Kassandra Winchester
Fred Vogler
Mark Primiano
Jonathan Thomas
EDUCATION PROJECT MANAGER
Amanda Lester
DEVELOPMENT WRITER
CREATIVE DIRECTOR
Fabian Fuertes
VIDEO DIRECTOR
Rachel Pryzgoda
Natalie Suarez
PUBLICIST
Alexis Kaneshiro
MANAGER, MAJOR GIFTS
ART DIRECTOR
Lisa White
VIDEO DIRECTOR
Katherine Nicolai
Mary Smudde
EDUCATION PROJECT MANAGER
Allison Mitchell
BOARD LIAISON / SENIOR GIFT OFFICER
CREATIVE COPYWRITER
Angelica Cortez
Angie Lee
ASSOCIATE MANAGER, SPECIAL EVENTS
AUDIENCE SERVICES MANAGER
ASSOCIATE DIRECTOR, SOCIAL INNOVATION
HOLLYWOOD BOWL SUMMER STAFF
DIRECTOR, DEVELOPMENT OPERATIONS
2ND ASSISTANT TREASURER
Richard Martinez
CAMPAIGN PROJECT MANAGER
SENIOR ACCOUNTANT
Ljiljana Grubisic
AUDIENCE SERVICES SUPERVISOR
Kylee Teti
2ND ASSISTANT TREASURER
AUDIENCE SERVICES REPRESENTATIVE
Rosa Ochoa
ANNUAL FUND COORDINATOR
FINANCE
Selena Chau
Aurelio Minchaca
EXECUTIVE ASSISTANT TO THE CAO
1ST ASSISTANT TREASURER
AUDIENCE SERVICES REPRESENTATIVE
Tomorrow Kitchen
SYSTEM SUPPORT II
1ST ASSISTANT TREASURER
AUDIENCE SERVICES SUPERVISOR
Brendan Broms
Christopher Prince Manuel Reed
Fabio Tassone
Angelia Franco
Miguel A. Ponce, Jr. TESSITURA SUPPORT
2ND ASSISTANT TREASURER (VAULT)
AUDIENCE SERVICES SUPERVISOR
Jason Horst
SYSTEM SUPPORT I
TICKET SELLER
The Philharmonic Box Office and Audience Services Center are staffed by members of IATSE Local 857, Treasurers and Ticket Sellers.
MANAGER, REVENUE STRATEGIES AND ANALYTICS ASSISTANT MANAGER
Ricky O’Bannon DIRECTOR, CONTENT
Cindy Ly Rozas
MARKETING COORDINATOR, PROMOTIONS AND PARTNERSHIPS
LOT MANAGER
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OUE-SKYSPACE.COM | 213.894.9000 |
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@SKYSPACELA
5/30/19 5:14 PM
COUNTY OF LOS ANGELES
BOARD OF SUPERVISORS
Mark Ridley-Thomas, Sheila J. Kuehl, Janice K. Hahn, Kathryn Barger, Hilda L. Solis
The Los Angeles County Arts Commission fosters excellence, diversity, vitality, understanding, and accessibility of the arts in Los Angeles County, encompassing 88 municipalities, and provides leadership in cultural services. In addition to supporting over 400 arts organizations in its role as an arts funder, the Arts Commission implements the regional initiative dedicated to restoring arts education to 81 school districts, funds the largest arts internship program in the country, and commissions art for the County’s civic art collection. This July, the Arts Commission will become the official Department of Arts and Culture for the County of Los Angeles. The Los Angeles Philharmonic Association’s programs are made possible, in part, by generous grants from the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, from the City of Los Angeles Department of Cultural Affairs, and from the National Endowment for the Arts.
Hilda L. Solis Mark Ridley-Thomas Sheila J. Kuehl Janice K. Hahn CHAIR Kathryn Barger COUNTY ARTS COMMISSION
Helen Hernandez PRESIDENT Eric Hanks VICE PRESIDENT Constance Jolcuvar SECRETARY Liane Weintraub EXECUTIVE COMMITTEE Eric Eisenberg IMMEDIATE PAST PRESIDENT Pamela Bright-Moon Tim Dang Darnella Davidson Liz Schindler Johnson Bettina Korek Alis Clausen Odenthal Claire Peeps Norma Provencio Pichardo Hope Warschaw Rosalind Wyman Kristin Sakoda
EXECUTIVE DIRECTOR
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MUSEUM
DID YOU KNOW?
New Exhibit
Going Green Since Day One The Hollywood Bowl was the first amphitheater in California to be certified as an Audubon Society Cooperative Sanctuary and features a friendly habitat for native flora and fauna. 1
David Swedlow was a spirited futurist who saw the world around him as full of possibilities. In both his personal and professional life, he fully embodied the optimism of post-war America. An entrepreneur par excellence, Swedlow helped mold and shape this bright future through his pioneering work in the design and manufacture of acrylics. Beginning in the late 1930s, Swedlow Inc. and its predecessor companies had a far-reaching impact on the aerospace industry, supplying windows, canopies, and windshields for military and commercial aircraft. This plastics pioneer was also an early high-fidelity enthusiast who imagined the future of sound recording. Swedlow sensed the changes that WWII would effect on society and foresaw the tremendous technological advances that wartime industries would generate. He was one of many passionate audiophiles who, in the late 1940s and early 1950s, began buying and assembling professional audio components, fostering a new industry in home high-fidelity equipment. Swedlow purchased and customized an Ampex tape recorder for an extraordinary personal project: to capture the Los Angeles Philharmonic performing live. Beginning in July 1954 and continuing for six seasons, Swedlow recorded nearly the entire series of LA Phil concerts – a total of 246 – both at Philharmonic Auditorium and at the Hollywood Bowl, using his experimental three-track machine. The result is a collection of over 1,500 ten-inch three-track reel-to-reel tapes,
which he donated to the Philharmonic in 1986. This exhibition documents the fruits of Swedlow’s passion for music, offering audio selections from landmark performances that have only been heard by those who attended the concerts! David Swedlow’s collection is now considered the crown jewel of the LA Phil’s archives. It is a rare surviving document of the orchestra’s activities in the late 1950s. The collection includes performances by exceptional conductors including such legendary figures as Bruno Walter, Georg Solti, and Leopold Stokowski, as well as celebrated soloists Yehudi Menuhin, Renata Tebaldi, and Oscar Peterson. The concerts led by Dutch conductor Eduard van Beinum, the Philharmonic’s music director from 1956 to 1959, are a treasure for connoisseurs and historians and considered the high point of the collection. Tapes Rolling: David Swedlow Records the Hollywood Bowl, 1954-1959 honors Swedlow’s trailblazing legacy and offers a new appreciation of the Los Angeles Philharmonic’s analog past.
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Hours: Tue-Sat, 10AM–showtime Sun, 4PM–showtime Admission is free.
For more information, please visit hollywoodbowl.com/museum
1. Fuchsia-flowered Gooseberry (Ribes speciosum) 2. Elderberry (Sambucus cerulea) 3. Barberry (Berberis fendleri) 4. Coffeeberry (Rhamnus californica)
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2019–2020 Season BURTON CUMMINGS CIRQUE FLIP FABRIQUE CLASSIC ALBUMS LIVE PRESENTS: THE BEATLES – ABBEY ROAD COLIN MOCHRIE AND BRAD SHERWOOD DARLENE LOVE DERINA HARVEY BAND LEA SALONGA LEO KOTTKE MARC COHN NATURALLY 7 PABLO SÁINZ-VILLEGAS’ AMERICANO TRIO ROLLING STONE REPORTS ROSANNE CASH RUBEN SINGS LUTHER SIMPLY THREE STEEP CANYON RANGERS TAIMANE – ELEMENTAL TOUR THE RAINBOW FISH TOMMY EMMANUEL VERSA-STYLE DANCE COMPANY VIVA MOMIX WE SHALL OVERCOME AND MORE!
CIRQUE FLIP FABRIQUE performing February 6, 2020
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AT T H E B O W L
Volunteer Opportunities
T
T
T Volunteering at the Los Angeles Philharmonic is a meaningful and significant form of philanthropy. Giving your time and sharing your passion demonstrate an invaluable expression of support for the LA Phil. AFFILIATE COMMITTEES The Los Angeles Philharmonic Affiliates support the mission of the LA Phil through volunteer service, community engagement, and fundraising. Affiliates are steadfast ambassadors for music and its power to transform lives and connect communities. The LA Phil has 17 Affiliate Committees based on neighborhood, special interests, and service. Affiliate members have
exciting opportunities to volunteer at the LA Phil’s Toyota Symphonies for Youth and Symphonies for Schools concerts, as well as the award-winning Affiliate Music Mobile™ program. The Affiliates also play a vital role within their communities through a variety of events and programs.
T
For further information, please contact the Volunteer Activities team at volunteer@laphil.org.
T
OFFICE ORCHESTRA The Office Orchestra is a hands-on volunteer group designed for individuals who enjoy assisting the LA Phil staff with office tasks and projects. Office Orchestra volunteers are contacted on an as-needed basis. You must be 18 or older to participate in any volunteer activities with the LA Phil.
•
Roma Anon
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WACPA
JOIN US FOR AN EXCITING SEASON OF DANCE, MUSIC, THEATER AND CINEMA!
2019/20 SEASON
Vijay Gupta, violin, Suzana Bartal, piano, Peter Myers, cello, & Reena Esmail, composer India & The West: Compositions & Conversations
DANCE 2019/20 COMPANY-IN-RESIDENCE
BODYTRAFFIC SEPT 26-28
Circa: Humans NOV 1-2
Contra-Tiempo: joyUS justUS
FEB 15
Lula Washington Dance Theatre
FEB 23
Angela Hewitt, piano Bach Odyssey
JAN 17-18
JAN 30-FEB 1
Joshua Roman
The Wallis
Blue13 Dance Company: Terpsichore in Ghungroos
Nina & Me BODYTRAFFIC
APR 18-25
MAY 8
MAY 21-22
MU SI C
Herb Alpert & Lani Hall SEP 21
WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS
Sisters in Law
Watership Down NOV 6-10
OCT 5
SCR TODA IBE Y!
THEAT ER SEPT 17 – OCT 6
Joshua Roman, cello & Conor Hanick, piano
2019 /2 SUBS 0 SEASON C NOW RIPTIONS O S U B N SALE.
Emerson String Quartet National Sawdust/folds
MAY 14-16
THEATER
The Wallis
APR 4
DIAVOLO
The Wallis
CINEMA
With Text by Hershey Felder
The Minghella Project
in Association with BODYTRAFFIC
MUSIC
Violins of Hope / Delirium Musicum Ory Shihor, piano Beethoven’s Workshop: The Most Beloved Sonatas
APR 16-19
The Wallis
MAR 21
APR 2
FEB 21-22
Heidi Duckler Dance The Chandelier
DANCE
The Wallis
And Contemporary Bollywood Works
Johnny Gandlesman, violin Complete Bach Cello Suites
Charles Dickens’ A Christmas Carol
Brooklyn Rider & Magos Herrera Dreamers
DEC 4-8
OCT 10
Nina & Me
David Orlowsky & Quartetto di Cremona
Frankenstein
DEC 13-22
OCT 12
FEB 12-MAR 1
Garrick Ohlsson, piano
Emil and the Detectives MAR 27-29
Sonia De Los Santos La Golondrina: A Musical Journey
Snow White
NOV 8
NOV 10
MAY 8-17
Romantics Anonymous MAR 17-29
Hershey Felder: Anna & Sergei
Dinnerstein/ Haimovitz: Beethoven/Glass
JUL 18-AUG 2
JAN 9
Art Garfunkel
CI NEMA
Megan Hilty & Cheyenne Jackson
Film Independent Special Events
JAN 12
JAN 25
NOV 5, JAN 12, FEB 25, MAY 5, JUNE 30
TheWallis.org/Subscribe Romantics Anonymous
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Herb Alpert
Dance @ The Wallis is made possible in part by a grant from the National Endowment for the Arts (NEA).
OFFICIAL AIRLINE SPONSOR
5/21/19 4:40 PM 5/30/19 5:14 PM
FROM THE ARCHIVES
No Fly Zone A visual history of keeping Bowl concerts noise HB19_FAA_POSTER_11x17_FINAL_AFTERBLUES.pdf
1
4/22/19
5:57 PM
ATTENTION ALL PILOTS PLEASE DO NOT FLY OVER THE HOLLYWOOD BOWL MAY 1 – OCTOBER 31 BETWEEN 6PM AND MIDNIGHT WHEN THE WHITE SPOTLIGHTS ARE ON
C
M
Y
CM
MY
CY
CMY
K
Y Official Airline of the Hollywood Bowl
PILOTS PLEASE CHECK LOCAL ATIS FOR MORE INFORMATION
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The Los Angeles Philharmonic Association’s efforts to preserve the Hollywood Bowl as a quiet oasis, where live music can be heard under the stars in the middle of the buzzing city, have included outreach to airplane and helicopter pilot associations, air traffic controllers, the air support division of the LAPD, and the local office of the FAA. “No Fly” posters have been produced since the 1970s and distributed through these organizations to help dissuade aviators from flying over the Bowl during the summer.
•
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POPS1
SUMMER CONCERT SERIES
AT THE LA ARBORETUM
Your Summer Starts Here The Great American Songbook Icons from Broadway, Tin Pan Alley & Hollywood
JUNE 22, 2019 Michael Feinstein, conductor Melissa Errico & Kevin McKidd, soloists
Rhapsody in Blue JULY 13, 2019 Michael Feinstein, conductor Frederick Hodges, piano Patti Austin & Tony Yazbeck, soloists
Michael Feinstein Sings Cole Porter AUGUST 3, 2019 Michael Feinstein, soloist Larry Blank, conductor Erika Jayne, special guest
TICKETS START AT $25!
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Michael Feinstein
Principal Pops Conductor Tom and Erika Girardi Chair
Music of Elton John Starring Michael Cavanaugh AUGUST 24, 2019 Larry Blank, conductor
MGM Movie Classics: Wizard of Oz 80th Anniversary SEPTEMBER 14, 2019 Michael Feinstein, conductor Gavin Creel & Karen Ziemba, soloists
PASADENASYMPHONY-POPS.ORG | 626.793.7172
5/28/19 12:51 PM 5/30/19 5:14 PM
DONORS
Endowment Donors $25,000,000+ Walt and Lilly Disney Foundation Cecilia and Dudley Rauch
$20,000,000 TO $24,999,999 David Bohnett Foundation
We are honored to recognize donors to our Endowment Fund, whose generosity ensures a living tradition of world-class music at Walt Disney Concert Hall and the Hollywood Bowl. The following list represents contributions to the Los Angeles Philharmonic Endowment Fund.
William Powers Nancy and Barry Sanders H. Russell Smith Foundation Ronald and Valerie Sugar I.H. Sutnick
$500,000 TO $999,999
Lenore S. and Bernard A. Greenberg Fund Terri and Jerry M. Kohl Los Angeles Philharmonic Affiliates M. David and Diane Paul Ann and Robert Ronus Ronus Foundation John and Samantha Williams
Ann and Martin Albert Abbott Brown Jerrold L. Eberhardt Yvonne and Gordon Hessler Joan and John Hotchkis Ernest Mauk and Doyce Nunis Mr. and Mrs. David Meline Sandy and Barry D. Pressman Earl and Victoria Pushee William and Sally Rutter Richard and Bradley Seeley Christian Stracke Donna Swayze Lee and Hope Landis Warner YOLA Student Fund Edna Weiss
$2,500,000 TO $4,999,999
$250,000 TO $499,999
Peggy Bergmann YOLA Endowment Fund in Memory of Lenore Bergmann and John Elmer Bergmann Dunard Fund USA Elaine and Bram Goldsmith Carol Colburn Grigor Norman and Sadie Lee Foundation Alfred E. Mann Elise Mudd Marvin Trust Barbara and Jay Rasulo Flora L. Thornton
Baker Family Trust Veronica and Robert Egelston Gordon Family Foundation Ms. Kay Harland Joan Green Harris Trust Bud and Barbara Hellman Gerald L. Katell Norma Kayser Joyce and Kent Kresa Raymond Lieberman Mr. Kevin MacCarthy and Ms. Lauren Lexton Jane and Marc B. Nathanson Y & S Nazarian Family Foundation Nancy and Sidney Petersen Rice Family Foundation Robert Robinson Katharine and Thomas Stoever Sue Tsao Alyce and Warren Williamson
$10,000,000 TO $19,999,999 The Annenberg Foundation Colburn Foundation
$5,000,000 TO $9,999,999
$1,000,000 TO $2,499,999 Linda and Robert Attiyeh Judith and Thomas Beckmen Gordon Binder and Adele Haggarty Helen and Peter Bing William H. Brady, III Linda and Maynard Brittan Richard and Norma Camp Mr. and Mrs. Michael J. Connell Mark Houston Dalzell and James Dao-Dalzell Mari L. Danihel Nancy and Donald de Brier The Walt Disney Company Fairchild-Martindale Foundation Eris and Larry Field Reese and Doris Gothie Janeway Foundation Bernice and Wendell Jeffrey Carrie and Stuart Ketchum Kenneth N. and Doreen R. Klee B. Allen and Dorothy Lay Karl H. Loring Los Angeles Philharmonic Committee Estate of Judith Lynne MaddocksBrown Foundation Ginny Mancini Raulee Marcus Barbara and Buzz McCoy Merle and Peter Mullin Carolyn Powers
$100,000 TO $249,999 Mr. Robert J. Abernethy William A. Allison Rachel and Lee Ault W. Lee Bailey, MD Angela Bardowell Lynn and Otis Booth Deborah Borda The Eli and Edythe Broad Foundation Jane Carruthers James and Paula Coburn Foundation The Geraldine P. Coombs Trust in memory of Gerie P. Coombs Mr. and Mrs. Terry Cox Silvia and Kevin Dretzka Allan and Diane Eisenman Christine and Daniel Ewell Arnold Gilberg, MD, PhD David and Paige Glickman
Nicholas T. Goldsborough Gonda Family Foundation Margaret Grauman Kathryn Kert Green and Mark Green Freya and Mark Ivener Ruth Jacobson Jo Ann and Charles Kaplan Susanne and Paul Kester Vicki King Sylvia Kunin Ann and Edward Leibon Ellen and Mark Lipson B. and Lonis Liverman Glen Miya and Steven Llanusa Ms. Gloria Lothrop Vicki and Kerry McCluggage Diane and Leon Morton Mary Pickford Foundation Sally and Frank Raab Malcolm Schneer and Cathy Liu David and Linda Shaheen Foundation William E.B. and Laura K. Siart Magda and Frederick R. Waingrow Wasserman Foundation Robert Wood Syham Yohanna & James W. Manns
$25,000 TO $99,999 Marie Baier Foundation Dr. Richard Bardowell, MD Jacqueline Briskin Dona Burrell Ann and Tony Cannon Dee and Robert E. Cody The Colburn Fund Mr. Allen Don Cornelsen Ginny and John Cushman Marilyn J. Dale Mrs. Barbara A. Davis Dr. and Mrs. Roger DeBard Jennifer and Royce Diener Jane B. and Michael D. Eisner The Englekirk Family Claudia and Mark Foster Lillian and Stephen Frank Dr. Suzanne Gemmell Paul and Florence Glaser Good Works Foundation Anne Heineman Ann and Jean Horton Drs. Judith and Herbert Hyman Albert E. and Nancy C. Jenkins Robert Jesberg and Michael J. Carmody Stephen A. Kanter, MD Ms. Ann L. Kligman Sandra Krause and William Fitzgerald Michael and Emily Laskin Sarah and Ira R. Manson Carole McCormac Meitus Marital Trust Sharyl and Rafael Mendez, MD John Millard
National Endowment for the Arts Alfred and Arlene Noreen Ms. Rosanne O’Brien Occidental Petroleum Corporation Dr. M. Lee Pearce Lois Rosen Anne and James Rothenberg Donald Tracy Rumford Family Trust The SahanDaywi Foundation Mrs. Nancie Schneider William and Luiginia Sheridan Virginia Skinner Living Trust Nancy and Richard Spelke Mary H. Statham Ms. Fran H. Tuchman Rhio H. Weir Jean Willingham Winnick Family Foundation Cheryl and Peter Ziegler Lynn and Roger Zino
LOS ANGELES PHILHARMONIC MUSICIANS Anonymous Kenneth Bonebrake Nancy and Martin Chalifour Brian Drake Perry Dreiman Barry Gold Christopher Hanulik Jory and Selina Herman Ingrid Hutman Gloria Lum Joanne Pearce Martin Kazue Asawa McGregor Oscar and Diane Meza Mitchell Newman Peter Rofé Meredith Snow and Mark Zimoski Barry Socher Paul Stein Leticia Oaks Strong Lyndon and Beth Johnston Taylor Dennis Trembly Allison and Jim Wilt Suli Xue We extend our heartfelt appreciation to the many donors who have contributed to the LA Phil Endowment with contributions below $25,000, whose names are too numerous to list due to space considerations. If your name has been misspelled or omitted from this list in error, please contact the Development Office at 213 972 0757. Thank you.
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DONORS
Corporate, Foundation, and Government Gifts
We are honored to recognize corporate, foundation, and government donors who generously support the mission of the Los Angeles Philharmonic Association: to perform, present, and promote music in its many varied forms at the highest level of excellence to a large and diverse audience. We are deeply grateful for the following contributions to the Los Angeles Philharmonic and the Hollywood Bowl received between May 2018 and May 13, 2019.
$1,000,000 AND ABOVE Anonymous Andy & Bill Concerts, LLP
Live Nation-Hewitt Silva Concerts, LLC
Lloyd E. Rigler - Lawrence E. Deutsch Foundation Maestro Fund
Acura
American Airlines, Inc.
Living Legacy Foundation Andrew W. Mellon Foundation Pasadena Showcase House for the Arts Rolex
The Rose Hills Foundation Target Corporation
Heineken Lyft Pepsi Rosenthal Family Foundation
Viking Cruises Wells Fargo Foundation Winc
City of Los Angeles, Department of Cultural Affairs The Music Man Foundation
National Endowment for the Arts Transit Systems Unlimited Inc. Zevia
The Rosalinde and Arthur Gilbert Foundation The Green Foundation Harman Family Foundation Merrill Lynch and Co., Inc. Meyer Sound Laboratories, Inc.
The Jay and Rose Phillips Family Foundation of California Ross Endowment Fund Virginia B. Toulmin Foundation
Ella Fitzgerald Charitable Foundation HSBC Kenneth T. & Eileen L. Norris Foundation Pacific Harmony Foundation Sony Pictures Entertainment, Inc.
The Specialty Family Foundation James C. Stewart Charitable Foundation
$500,000 TO $999,999 Anonymous
$250,000 TO $499,999 Colburn Foundation County of Los Angeles The Walt and Lilly Disney Foundation Max H. Gluck Foundation
$100,000 TO $249,999 Amgen Foundation Anheuser-Busch The Walt Disney Company The Eisner Foundation
$50,000 TO $99,999 The José Iturbi Foundation The Norman and Sadie Lee Foundation Los Angeles County Arts Commission
$25,000 TO $49,999 Anonymous The Herb Alpert Foundation Bank of America Cooper Tires Joseph & Bessie Feinberg Foundation
$10,000 TO $24,999 Albert and Elaine Borchard Foundation Ameriprise Financial California Arts Council Julia Stearns Dockweiler Charitable Foundation
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WHO DO YOU TRUST? Someone who sees your charitable fund as something other than a source of profits. Someone who lives where you live and thinks the way you think. Someone who understands the charitable implications of the new tax laws and can explain them clearly. Our name tells our story. We’re the Jewish Community Foundation of Los Angeles and we exist to better our community. We’re managed by people like you. We have over $1 billion of assets and 1,300 donor families. We’ve been helping our donors create tax-effective charitable funds and give more strategically for 65 years. Talk to someone who has worked with us. Read about the remarkable work our donors are accomplishing with the charitable funds we’re helping them create and manage.
T:10.875”
While you’re here trust is essential. And for your legacy trust is everything.
www.jewishfoundationla.org/trust | 323.761.8704 | trust@jewishfoundationla.org
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ANNUAL DONORS
Annual Donors The LA Phil is pleased to recognize and thank donors to our Annual Fund. The following list includes donors who have contributed $2,000 or more to the Annual Fund and Special Events between May 2018 and May 13, 2019. The LA Phil gratefully acknowledges Al Mann’s leadership gift of $10 million to make possible the Alfred E. Mann Los Angeles Philharmonic Association Administrative Building.
for the Hollywood Bowl
$1,000,000 AND ABOVE Lloyd E. Rigler – Lawrence E. Deutsch Foundation
$500,000 TO $999,999 Dunard Fund USA
Music Center Foundation
$200,000 TO $499,999 The Blue Ribbon Dunard Fund USA Louise and Brad Edgerton / Edgerton Foundation Jenny Miller Goff
BURBANK | 818.840.6464 STUDIO CITY | 818.769.6336 SANTA MONICA
| 310.309.2170
View Menu at DailyGrill.com Please Call to Order 24 Hours in Advance
Kaiser Permanente Barbara and Jay Rasulo Rolex Watch USA, Inc. Ann and Robert Ronus Deanie and Jay Stein
$100,000 TO $199,999 Anonymous (3) Mr. Robert J. Abernethy Ms. Wallis Annenberg Lynn A. Booth Ms. Mari L. Danihel Jane B. and Michael D. Eisner Ms. Lisa Field Gother Family Trust Tylie Jones Ms. Sarah H. Ketterer
Anne Akiko Meyers and Jason Subotky M. David and Diane Paul Peninsula Committee James and Laura Rosenwald / Orinoco Foundation Tom Safran Eric Small and Dorothy Waugh Eva and Marc Stern Wells Family Charitable Foundation Ms. Marilyn Ziering
$50,000 TO $99,999
BEVERLY HILLS | 310.276.0615 WESTLAKE | 805.418.1760
View Menu at TheGrill.com Please Call to Order 24 Hours in Advance
Anonymous Judith and Thomas L. Beckmen David Bohnett Foundation Business and Professional Committee Kevin G. Clifford Dan Clivner and Steven Cochran Nancy and Donald de Brier Jerrold L. Eberhardt Retha Evans and Douglas Diener Mr. Lawrence N. Field Mr. and Mrs. Josh Friedman Kiki and David I. Gindler Alexandra S. Glickman and Gayle Whittemore Lenore S. and Bernard A. Greenberg Fund Renée and Paul Haas Mr. and Ms. Enrique Hernandez, Jr. Yvonne Hessler Ms. Teena Hostovich and Mr. Doug Martinet Monique and Jonathan Kagan Linda and Donald Kaplan Darioush and Shahpar Khaledi Terri and Jerry M. Kohl Dr. Ralph A. Korpman Charlotte and Thomas Lane
Linda May and Jack Suzar Barbara and Buzz McCoy Mr. and Mrs. David Meline Maureen and Stanley Moore Y & S Nazarian Family Foundation Ms. Rosanne O’Brien Mr. and Mrs. Jason O’Leary Joe and Lorena Plascenia Sandy and Barry D. Pressman Nancy S. and Barry Sanders Ken & Carol Schultz Foundation David and Linda Shaheen Gunjit S. Sikand Marilyn and Eugene Stein Christian Stracke The Ronald and Valerie Sugar Family Fund Ticketmaster Corporation Sue Tsao Mr. and Mrs. Thomas E. Unterman Wells Fargo John and Marilyn Wells Family Foundation Alyce de Roulet Williamson Margo and Irwin Winkler Ellen and Arnold Zetcher
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JAZZ
Chick Corea Trilogy with Christian McBride & Brian Blade
WORDS & IDEAS
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HBOWL_WRAP_0719.indd 51
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CONTINUED FROM PAGE 50
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52  PERFORMANCES  MAGAZINE
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54 PERFORMANCES MAGAZINE Rachmaninoff Performance Ad—3/2010
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CONTINUED FROM PAGE 54
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56 PERFORMANCES MAGAZINE
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58 PERFORMANCES MAGAZINE Orchestrations_0519.indd 1 HBOWL_WRAP_0719.indd 58
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CONTINUED FROM PAGE 58
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60 PERFORMANCES MAGAZINE
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2019/2020 SEASON
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J U N E 1 6 – J U LY 7
CONTENTS P2
Chromeo • Toro y Moi • Noname • Ian Isiah
P5
Harry Potter and the Order of the Phoenix™ in Concert
P9
ABBA: The Concert • MenAlive
P11
July 4th Fireworks Spectacular with Nile Rodgers & Chic
P16 Leon Bridges • Rhye P19 Chrissie Hynde P22 Reggae Night XVIII Damian ‘Jr. Gong’ Marley Third World Kabaka Pyramid
PERFORMANCES MAGAZINE P1
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PROGRAM
SUNDAY JUNE 16, 2019 7PM
Chromeo Toro y Moi Noname Ian Isiah In order of appearance
IAN ISIAH Ian Isiah, VOCALS
NONAME Fatimah Warner, LEAD / VOCALS Anthony Perry, KEYS Donoven Brown, BASS Luke Sangerman, DRUMS Brian Sanborn, GUITAR Adam Ness, VOCALS Blake Davis, VOCALS Cherise Thomas, vVOCALS
I NTERM IS S I O N
Official Automotive Partner of the Hollywood Bowl
TORO Y MOI Chaz Bear, SYNTHESIZER / VOCALS Anthony Ferraro, KEYS Patrick Jeffords, BASS GUITAR Brijean Murphy, PERCUSSION Andrew Woodward, DRUMS
CHROMEO Dave 1, VOCALS / GUITAR P-Thugg, TALKBOX / KEYBOARDS / BASS / GUITAR Eugene “Man-Man” Roberts, KEYBOARDS Eric “E-What” Whatley, BASS Rashid Williams, DRUMS Aaron “A-Drape” Draper, PERCUSSION
Official Airline of the Hollywood Bowl
Official Cruise Line of the Hollywood Bowl
Acura is a proud sponsor of the Hollywood Bowl. Pianos provided by Steinway Piano Gallery – Beverly Hills
KCRW DJ Jason Bentley HOST
Programs and artists subject to change.
P2 PERFORMANCES MAGAZINE
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ABOUT THE ARTISTS
Chromeo
CHROMEO World leaders, powerful CEOs, and other fat cats could learn a lesson or two from electrofunk duo Chromeo, namely: know thyself, know thy vibe, and stay thy course. The rest of the population will catch up. Indeed, Chromeo is really good at being, well, Chromeo. The mission, the package, the vision – it’s been a straight shot of pure intentionality from the jump. Funk a game plan, Montreal natives Dave 1 and P-Thugg had a ten-year battle strategy: from cult ’80s fetishists on 2004’s She’s In Control to indie blog darlings on 2007’s Fancy Footwork, to international touring sensations on 2010’s Business Casual, to bona fide pop stars on 2014’s White Women. And guess what? Pee (still looking a smooth criminal in a Coogi) and Dave (ever the Semitic/Gallic heartthrob in tight pants) are back. Early 2018 marked the release of the Funklordz’ fifth studio LP, Head Over Heels. The album not only elevates Chromeo’s blueprint of ass-targeting beats, melodic honey, and clever lyrics about the foibles of contemporary love…it augments it with unprecedented conceptual cohesion, booming sonics, and more collaborations than ever before. Session legends such as Pino Palladino and Jesse Johnson (The Time, D’Angelo) coexist alongside the likes of DRAM and The-Dream on this intricate and ambitious ode to funk music, orchestrated by modern-day masters of the genre. Consider the first single “Juice,” a hilarious paean to female power set to a buoyant California bop: it’s Chromeo at its biggest and baddest.
TORO Y MOI Chaz Bear (formerly Bundick) was a musician from birth. Growing up, it was normal to hear music across genres, from Michael Jackson to
Elvis Costello to The Specials, in the Bundick household. These influences were quite unique for a biracial kid growing up in South Carolina, contributing to the complexity of Chaz’s self-understanding and expression through his own music. Chaz began playing and recording original compositions in his preteen years, forming multiple indie bands starting in middle school and continuing until his personal project, Toro y Moi, was signed by Carpark Records in 2009. Before getting signed, he was already an incredibly prolific artist, having released over 10 Toro y Moi albums on his own (and undoubtedly retaining a vast compendium of unreleased songs). His personal work drew upon a more vast array of influences than did his full band. Early Toro work called upon Chaz’s childhood exposure to ‘80s R&B, pop and electronic music, while also evolving with his discoveries of acts like My Bloody Valentine and J Dilla and his burgeoning interest in French house. Just before his graduation from the University of South Carolina, where he earned a degree in graphic design, Chaz caught the attention of music bloggers and record labels with his dreamy, bedroom recordings, eventually compiled into his first album under Carpark Records, Causers of This. Causers was one of a few albums to kick off the trend of home-recorded, hazy albums relying heavily on samples and production, evoking the feeling of a muggy, Southern summer. While the album did well and broke ground for Chaz’s career as a musician, it resulted in the widespread assumption that Chaz was a one trick pony, able only to write music similar to that of Causers. He immediately made it clear that he is an extremely dynamic musician with the 2011 release of Underneath the Pine, an album recorded between tours that was composed entirely of live instrumentation, moving away from the sample-based aesthetic of Causers. From then on, Chaz released an album every other year (sometimes more fre-
quently), each one a display of his adeptness with different genres. While each album was distinct and sometimes a complete departure from the previous, Chaz’s unique production techniques and melodic sensibilities tie them all together. Whether listening to the psych rock-based What For? or R&B influenced Boo Boo, it is always clear that it’s a Toro y Moi album. The Toro y Moi album, Outer Peace, was written and recorded in the Bay Area after Chaz’s return from a one-year stint in Portland. It is somewhat of a homecoming celebration, filled with features by friends and saturated with a playfulness that had not previously been embraced in past Toro albums. Outer Peace stands in contrast to the more sparse and contemplative Boo Boo, an album recorded while in Portland in relative isolation. With Outer
Toro y Moi
PERFORMANCES MAGAZINE P3
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ABOUT THE ARTISTS
Peace, Chaz showcases his ability to remain on the cutting edge of music’s evolution while not taking himself too seriously. There are contemporary hip hop references mixed in with funk, Eurodance and ambient elements, all interwoven expertly and retaining that quintessential Toro y Moi aesthetic. Outer Peace is the most recent step along Toro y Moi’s journey, promising the listener a little slice of insight into the complex and dynamic mind of Chaz Bear.
NONAME Noname (born Fatimah Warner) is an American artist from Chicago, Illinois, who blurs the lines of poetry and rap through the music she creates. Noname grew up in Bronzeville, a historic neighborhood on the southside of Chicago that famously attracted accomplished black artists and intellectuals of all types. Noname first discovered her love for words while taking a creative writing class as a sophmore in highschool. She became enamored with poetry and spoken word - poring over Def Poetry Jam clips on YouTube and attending open mics around the city. Noname regularly attended and performed at an open mic at Harold Washington Library - YouMedia’s Lyricist Loft. After sessions at YouMedia, Noname would participate in cyphers and started getting into freestyling. When she was just a senior in high school, she placed third in “Louder Than a Bomb,” a poetry competition with 120 Chicago high schools in participation. She remained connected with the artists she met at YouMedia and in 2013, her verse on Chance the Rapper’s “Lost” attracted the beginning of her large fan base, most of whom have been following her every move since. On July 31, 2016 Noname released her debut project entitled Telefone which was three years in the making and highly anticipated by fans and media alike. Instantly the project gained critical acclaim with a rave review by Pitchfork and landing her praise from major outlets like Rolling Stone, Complex and Dazed & Confused. Noname has been hailed by The FADER, Complex, and Rolling Stone as one of the most exciting and important new artists of 2016. Thanks to Telefone’s success, Noname played some shows in support of Lauryn Hill, who hand-picked Noname to open for her on tour. When first approaching the project, Noname set out to emulate the feeling of talking on the phone with someone for the first time. She describes Telefone as “an
Noname
introductory conversation with someone you’re interested in.” But as Noname continued to work on the tape, it also transitioned a bit into mortality: the idea of life and death and the duality between those two things.
IAN ISIAH Big Shugga aka Ian Isiah is a bona fide NYC R&B sex idol. Raised in the heart of Brooklyn with a strong gospel stripe, he’s grown into the forefront of both fashion and LGBTQ movements. Seen as a creative leader and magnetic muse of the Hood By Air brand, you can find him hymning in a church or street corner as often as you can hear him on a mic MCing one of NYC’s underground raves (Ghe20 G0th1k, etc). Ian has loaned his talents elsewhere as well, branding and performing his special bag of tricks at events for Virgil Abloh + Nike, Helmut Lang, Adidas, Century 21, Colmar and many others over the years. Ian performs live on tour with Blood Orange and is featured/singing all over the latest album Negro Swan + Hynes’ previous LP Freetown Sound, following appearances on Chromeo, Theophilus London and SSION records. Musically silenced himself since The Love Champion and a string of singles/videos over the last five years, Ian chopped up Shugga Sextape with one of his strongest musical statements, pairing Sinjin Hawke (Kanye’s
Ian Isiah
The Life of Pablo, Gangsta Boo, Sicko Mobb). The two mutated and formed the DNA of modern R&B and radio rap to bond an alien baby love child summing up Ian’s past years and commemorating this period of Americana ahead of Ian’s forthcoming, debut LP. They’re joined by production from Soda Plains, MORRIS and Gabriel Schuman, and a very special single feature on “Killup” from Bronx-native, Hot97 favorite HoodCelebrity. Little-known gem “GOD” comes from WeDidIt member Juice Jackal, the druggy love story covered in Ian’s unique brand of soul. Seen as a life and style icon on Instagram and off in the streets, Ian is bringing the latest chapter in his wet and wild story to you now ahead of the full album in 2019. Let the threesome laden tales of “Bedroom” excite your sensibilities, sink stoned back to “Persistent’s” mantra melodies, or fall in love with the romantic side of “247.” All laced up with live audio clips of Ian’s day-to-day religious-cum-sexy duality. Rewind the sextape and give it another spin.
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P4 PERFORMANCES MAGAZINE
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PROGRAM
SATURDAY JUNE 29, 2019 8PM
Harry Potter and the Order of the Phoenix™ in Concert Hollywood Bowl Orchestra Sarah Hicks, conductor
Warner Bros. Pictures presents A Heyday Films Production A David Yates Film “Harry Potter and the Order of the Phoenix™” Starring Daniel Radcliffe • Rupert Grint • Emma Watson • Helena Bonham Carter • Robbie Coltrane • Warwick Davis • Ralph Fiennes • Michael Gambon • Brendan Gleeson • Richard Griffiths • Jason Isaacs • Gary Oldman • Alan Rickman • Fiona Shaw • Maggie Smith • Imelda Staunton • Timothy Spall • Emma Thompson • Julie Walters Music by Nicholas Hooper Cinematography by Slawomir Idziak Edited by Mark Day Produced by David Heyman and David Barron Written by Michael Goldenberg Based on the Novel by J.K. Rowling Directed by David Yates
HARRY POTTER characters, names and related indicia are © & ™ Warner Bros. Entertainment Inc. WIZARDING WORLD trademark and logo © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s19)
Official Automotive Partner of the Hollywood Bowl
Official Airline of the Hollywood Bowl
Official Cruise Line of the Hollywood Bowl
Pianos provided by Steinway Piano Gallery – Beverly Hills
Programs and artists subject to change.
PERFORMANCES MAGAZINE P5
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ABOUT THE PROGRAM
Nicholas Hooper
NICHOLAS HOOPER Nicholas Hooper is one of Europe’s leading composers, having written and produced music for over 250 films, dramas, and documentaries since 1990. He has developed a reputation for producing music that is original, inspiring, and always colorful.
His scores have received several major accolades. In 2004, he won the BAFTA for Best Original Score for The Young Visiters as well as being nominated for State of Play in the same year. Nicholas was nominated for a 2006 BAFTA for his score to The Girl in The Café, and prior to this was BAFTA-nominated for The Way We Live Now. In 1998, he won the coveted Golden Panda Award for Land of the Tiger, a major BBC documentary series on India. The following year he won again (having been nominated for three separate scores), making him the first composer to win the award consecutively. He has received many other accolades for his feature films, including the period feature The Heart of Me, starring Helena Bonham Carter and Olivia Williams, and The Tichborne Claimant (noted by Variety: “Nicholas Hooper’s alert symphonic score rates a major bow, adding shape and atmosphere to the labyrinthine tale”). Nicholas scored Philip Martin’s feature, Einstein and Eddington, starring David
Tennant as Sir Arthur Eddington and Andy Serkis as Albert Einstein for Company Pictures/ HBO, and Belonging for BBC Wales Drama. He also scored Enid Blyton for Carnival/BBC, Mo Mowlam for C4, and Yes, Virginia, a CBS animated short film for Christmas 2009. Nicholas has received great critical acclaim for his stunning scores to both Harry Potter and the Order of the Phoenix for Warner Bros (“Let there be no doubt - Hooper’s reputation is cemented with this work, and his career just shifted gears.” - Daniel Champion, Music from the Movies, July 2007) and Harry Potter and the Half Blood Prince, nominated for a 2010 Grammy for Best Film Score. He recently completed recording two wonderful scores to the Walt Disney Pictures feature releases African Cats and Chimpanzee.
Thomas Wilkins
PRODUCTION STAFF Harry Potter and the Order of the Phoenix™ in Concert Produced by CineConcerts President / Founder / Producer: Justin Freer Co-Founder / Producer: Brady Beaubien Managing Director: Jeffery Sells Head of Publicity and Communications: Andrew Alderete General Manager: Nicolas Rehm Brand / Marketing / IP Acquisition: Ma’ayan Kaplan Brand / Marketing Manager: Brittany Fonseca, Brand / Marketing and PR Manager: Molly Kossoff Brand / Marketing and Social Media Manager: Si Peng Office Manager: Gabe Cheng Worldwide Representation: WME Entertainment Music Preparation: JoAnn Kane Music Service Music Editing: Ed Kalnins Playback Operation and Synthesizer Production: iMusicImage Sound Remixing: Justin Moshkevich, Igloo Music Studios
P6 PERFORMANCES MAGAZINE
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ABOUT THE ARTISTS
Sarah Hicks
SARAH HICKS Noted in The New York Times as part of “a new wave of female conductors in their late 20s through early 40s,” Sarah Hicks’ versatile and vibrant musicianship has secured her place in “the next generation of up-and-coming American conductors.” Since October of 2009, she has been Principal Conductor of Live at Orchestra Hall with the Minnesota Orchestra; she has been instrumental in creating new Pops productions while also heading the innovative classical series, “Inside the Classics.” Throughout her career, she has collaborated with diverse artists, from Hilary Hahn and Dmitri Hvorostovsky to Josh Groban and Smokey Robinson; during the summer of 2011, she was on a two-month tour with Sting as conductor of the final leg of his Symphonicities Tour. Hicks has guest conducted extensively both in the States and abroad, including the Boston Pops, Cincinnati Pops, Philadelphia Orchestra, Chicago Symphony, Cleveland Orchestra, San Francisco Symphony, Atlanta Symphony, Milwaukee Symphony, Detroit Symphony, National Symphony, Pittsburgh Symphony, New Jersey Symphony, Indianapolis Symphony, Phoenix Symphony, St. Louis Symphony, Toronto Symphony, Calgary Symphony, Melbourne Symphony, Brisbane Symphony, RTE (Dublin) Orchestra, Danish National Symphony Orchestra, Czech National Symphony Orchestra, St. Petersburg Philharmonic, Tokyo Philharmonic, Nagoya Philharmonic, Osaka Philharmonic, Malaysian Philharmonic, and Prime Philharmonic (Seoul, Korea). She led the Los Angeles Philharmonic in July 4th concerts at the Hollywood Bowl in 2012, 2013, and 2015. 2018/19 highlights include debuts with the Antwerp Symphony Orchestra and Virginia Symphony, along with returns to Pittsburgh, Dallas, Toronto, Calgary, and Dublin.
Hicks’ past affiliations include positions with the North Carolina Symphony, Richmond Symphony, and Florida Philharmonic. She was on faculty of the Curtis Institute of Music from 2000 to 2005 and continued her affiliation as Staff Conductor until 2015. Her opera appearances have included Verdi’s Aida with the East Slovak State Opera Theater, Poulenc’s Dialogues des Carmelites and Handel’s Alcina with the Curtis Opera Studio, and a semistaged production of Humperdinck’s Hänsel und Gretel with the Minnesota Orchestra 2009. A committed proponent of the performance of new music, Hicks conceived and completed a Microcommission Project, the first of its kind, with the Minnesota Orchestra, in which hundreds of people made microdonations to fund a major new work by composer Judd Greenstein. Her recording project with the Vermont Symphony, “Triple Doubles,” featuring music of Richard Danielpour and David Ludwig, with soloists Jaime Laredo and Sharon Robinson, was recently released on the Bridge Label. Sarah Hicks was born in Tokyo, Japan and raised in Honolulu, HI. Trained on both the piano and the viola, she was a prizewinning pianist by her early teens. She received her BA magna cum laude in composition from Harvard University. She holds an Artist’s Degree in conducting from the Curtis Institute of Music, where she studied with the late renowned pedagogue Otto-Werner Mueller.
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PERFORMANCES MAGAZINE P7
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ABOUT THE ARTISTS
HOLLYWOOD BOWL ORCHESTRA Thomas Wilkins Principal Conductor John Mauceri Founding Director FIRST VIOLINS Marisa Sorajja Principal Grace Oh Associate Principal Rebecca Bunnell Chloe Chiu Merle Mullin Chair
Christine Frank Ellen Jung Marianne Martinoli Radu Pieptea Adrianne Pope Tina Qu Gil Romero Mari Tsumura Steven Zander SECOND VIOLINS Robin Olson Principal Cheryl Norman-Brick Associate Principal Pam Gates Maxwell Karmazyn Razdan Kuyumjian Songa Lee Natalie Leggett Carolyn Osborn Robert Schumitzky Kathleen Sloan Olivia Tsui Vivian Wolf VIOLAS Erik Rynearson Principal Carrie Holzman-Little Associate Principal Carole Kleister-Castillo Stefan Landon Smith Adam Neely Robin Ross Phillip Triggs Jessica VanVelzen Rodney Wirtz Hyeree Yu
CELLOS Dennis Karmazyn Principal
HORNS Steve Becknell Principal
Armen Ksajikian Associate Principal
Brad Warnaar
LIBRARIAN Steve Biagini
Danielle Ondarza Associate Principal
ASSISTANT LIBRARIAN Marty Fenton Frear
Todd Miller
ASSOCIATE CONDUCTOR Scott Dunn
Xiao-Dan Helen Altenbach Erin Breene-Schumitzky Trevor Handy Giovanna Moraga Clayton Julie Jung Yoo BASSES Denise Briese Principal Barry Newton Associate Principal Jeff Bandy Carla Capolupo Trey Henry Paul Macres FLUTES Heather Clark Principal Lisa Edelstein Piccolo Lawrence Kaplan OBOES Lelie Resnick Principal Jonathan Davis English Horn Cathy Del Russo CLARINETS Gary Bovyer Principal Michael Grego Bass Clarinet Ralph Williams BASSOONS Elliott Moreau Principal
TRUMPETS Rob Schaer Principal Jon Lewis Rob Frear
PERSONNEL MANAGER Brian Miller
The Hollywood Bowl Orchestra string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically.
TROMBONES William Booth Principal Alex Iles Bass Trombone Todd Eames TUBA James Self Principal Peter Mullin Chair
TIMPANI Tyler Stell Principal DRUMS Brian Miller Principal PERCUSSION Wade Culbreath Principal Gregory Goodall HARP Mindy Ball Principal KEYBOARDS Alan Steinberger Principal Carrie and Stuart M. Ketchum Chair
Bill Wood Allen Savedoff
P8 PERFORMANCES MAGAZINE
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SUNDAY JUNE 30, 2019 7PM
PROGRAM
ABBA The Concert MenAlive In order of appearance
MENALIVE I NTERM IS S I O N
ABBA, THE CONCERT Matilda Lindell as Agentha Fältskog, LEAD VOCALS Mia Ternström as Anni-Frid Lyngstad, LEAD VOCALS Patrick Lundström as Björn Ulvaeus, LEAD VOCALS / GUITAR Daniel Palm as Benny Andersson, LEAD VOCALS / KEYBOARDS Beatrice Robertson, ACOUSTIC GUITAR / PERCUSSION / BACKING VOCALS Anna Björklund, BACKING VOCALS Lars Bjurhäll, LEAD GUITAR / BACKING VOCALS Mike Watson, BASS GUITAR / BACKING VOCALS Niclas Bäcklund, KEYBOARDS / SAXOPHONE / BACKING VOCALS Jonas Stadling, DRUMS
MenAlive
Bob Gunn, Artistic Director TENORS I Bill Eadie Tim Gregory Michael Kreuzer Philip Lee Doug Leffin Edward McDonald Vince Montero Jaime Ortiz Jason Pascual Michael L. Quintos Eric Saggese Amos Toh Johnny Vigil David White TENORS II Mark Alfaro Rob Brandon Larry Bursee Jay Cambare Mike Fuhr George Gatus Lon Johnson
Mark Kusnetz Ron Leon Monty Linton August Lobato, Jr. Dan Martin Justin Massey Ryan Matuska Mark McAdams Robb Neale Kelly O’Connor Eduardo Ojeda Jeffrey Oleson Phil Poggi Jason Queen Lester Ricks Reid Rova Ron Ruano Cesar F. Sangalang, Jr. Michael Sar Darren Snapper Frank Spencer Jeff Whittiker Craig Woodward BARITONES Steve Acosta Rob Barker Jessie Camacho
Patrick Clarke Brad Dixon Kevin Field Douglas Graham John Holcombe Mauricio Jaimes Lonnie James Joel Kemper Matthew Kridel Joseph McCabe Dean McCleskey Bill Morrow Ronald Mullens Matthew Nishii Ryan Phelps Hercules Real David Robinson Alberto Sagardia Darrell Sanders Andrew Soto Tim Storey BASSES Mike Auchter Gerard Bergeron Brian Bogucki Aaron Brink David Cervantes
Tony D’Amico Cedric Davis K.C. Gussler Mike Kiddoo Alex Ledesma-Key Curtis Lee Dennis J. Marquardt Roberto Mason David Mendoza Aryasp Nejat John ‘Viet-Triet’ Hoa Nguyen Bob Oesterreich Dale Ramirez Michael Sarris Michael Schendel Keith Strohler Geoffrey Weiss Richard Wood Joe Hogue, PIANO Garrett Wolfe, BASS Adrian Sanchez, GUITAR Sean Petersen, DRUMS
Official Automotive Partner of the Hollywood Bowl
Official Airline of the Hollywood Bowl
Official Cruise Line of the Hollywood Bowl
Pepsi is a proud sponsor of the Hollywood Bowl. Pianos provided by Steinway Piano Gallery – Beverly Hills.
Programs and artists subject to change.
PERFORMANCES MAGAZINE P9
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ABOUT THE ARTISTS
ABBA THE CONCERT
MENALIVE
21st Century Artists, Inc. has been presenting its ABBA tribute show known as ABBA The Music, ABBA The Concert, and ABBA The Hits throughout North America for well over a decade. The audience and press all agree – “This is the closest to ABBA you’ll ever get.” ABBA The Concert brings one of the greatest pop phenomena back to life. Here are a few highlights from its many successful U.S. tours: sold-out shows at the famous Hollywood Bowl in Los Angeles (15,000 people); Highland Park in Chicago (20,000 people); Seaside Summer Concert Series in Brooklyn, NY (11,000+ people); sold-out nights at both the Sunrise Theatre in Fort Pierce, FL and at the Kravis Center in West Palm Beach, FL; sold-out performance at Wolf Trap in Vienna, VA. ABBA The Concert continues to be the top ABBA tribute group in the world, dazzling all who see their fantastic performance while playing the most iconic hits from ABBA, including “Mamma Mia,” “S.O.S,” “Money, Money, Money,” “The Winner Takes All,” “Waterloo,” “Gimme, Gimme, Gimme,” and “Dancing Queen.” Many critics agree, ABBA The Concert is the most amazing and authentic ABBA tribute show in the world. Come dance, come sing, having the time of your life at the ultimate tribute celebration!
Founded in 2001, MenAlive, The Orange County Gay Men’s Chorus, has presented major concerts each year to thousands of fans in Southern California. The chorus has twice opened sold-out shows at the Hollywood Bowl for ABBA The Concert and has participated in multiple choral festivals both here in the United States and in Europe. In July 2014, MenAlive performed two live performances at the Orange County Fair on the Hangar Stage. Eighteen years of innovative, high-quality shows have given MenAlive a national
reputation as a first-class arts organization that delivers exceptional musical entertainment. Their repertoire encompasses a diverse range of musical styles, from classical to popular, gospel to Broadway. Performances have included choral classics of Johannes Brahms and Morten Lauridsen, the stirring folksongs of Aaron Copland and Stephen Foster, and powerful Broadway melodies of Jerry Hermann and Stephen Sondheim. MenAlive has devoted entire concerts to some of the most popular artists, such as ABBA, Queen, Elton John, and Madonna, and performed music written especially for the chorus. MenAlive continues to pursue its mission, “to build bridges to the public at large,” not only through remarkable singing, but also through service to other arts groups, non-profits, health service organizations, and the community at large. Through these efforts, MenAlive makes a difference — no matter what the gender, color, race, or sexual orientation of those they sing for or serve. They strive to be the change they seek in this world, working toward and looking forward to the day when all people are accepted and affirmed for the uniquely gifted people they are. Artistic Director Bob Gunn is a founding member of MenAlive and a professional musician for more than 30 years. Bob holds a Bachelor’s Degree in Piano Performance, Music Theory, and Education from Azusa Pacific University. Bob has had a broad musical career as pianist, keyboardist, singer, producer, conductor, arranger, orchestrator, and even recording artist. In his early days after college, Bob spent many years on the road performing with several Christian rock groups.
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MenAlive
P10 PERFORMANCES MAGAZINE
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TUESDAY JULY 2, 2019 7:30PM
PROGRAM
July 4th Fireworks Spectacular with Nile Rodgers & Chic
WEDNESDAY JULY 3 7:30PM THURSDAY JULY 4 7:30PM
Nile Rodgers CHIC Los Angeles Philharmonic Thomas Wilkins, conductor U.S. Air Force Band of the Golden West
Captain America March
ALAN SILVESTRI SCHUMAN
“Be Glad Then America” from New England Triptych
JOHN WILLIAMS
“Midway March” from Midway *
LOWDEN
Armed Forces Salute *
WARD arr. Dragon
America the Beautiful *
Official Automotive Partner of the Hollywood Bowl
I NTERM IS S I O N Presenting NILE RODGERS AND CHIC Nile Rodgers, GUITARS / VOCALS Kimberly Davis, VOCALS Folami, VOCALS Jerry Barnes, BASS / VOCALS Ralph Rolle, DRUMS / VOCALS Russell Graham, KEYBOARDS / VOCALS Richard Hilton, KEYBOARDS / VOCALS Steve Jankowski, TRUMPET Brandon Wright, SAXOPHONE
With the Los Angeles Philharmonic SOUSA
The Washington Post / Semper Fidelis / The Stars and Stripes Forever! * with fireworks Pyrotechnics: Pyro Spectaculars by Souza Paul Souza, Designer and Technical Director of Fireworks
Official Airline of the Hollywood Bowl
Official Cruise Line of the Hollywood Bowl
(7/3): American Airlines is a proud sponsor of the Hollywood Bowl. (7/4): Michelob Ultra Pure Gold is a proud sponsor of the Hollywood Bowl. PROMOTIONAL SPONSOR (7/3): Gelson’s MEDIA SPONSOR (7/4): The Wall Street Journal Pianos provided by Steinway Piano Gallery – Beverly Hills.
* performed with the U.S. Air Force Band of the Golden West
Programs and artists subject to change.
PERFORMANCES MAGAZINE P11
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ABOUT THE PROGRAM
Celebrating our country’s 243rd birthday, our July Fourth Fireworks Spectacular explores the star-spangled musical heritage of the United States. The groundbreaking disco hit-makers Nile Rodgers and CHIC join conductor Thomas Wilkins and the Los Angeles Philharmonic for a stirring set of their classic hits. Grammy-winning composer Alan Silvestri (b. 1950) was an early starter, scoring The Doberman Gang when he was 21 years old. Since then, he has written prolifically for both films and television. He has collaborated regularly with producer Robert Zemeckis, including the Back to the Future trilogy, Who Framed Roger Rabbit?, Forrest Gump, Cast Away, The Polar Express, Beowulf, and Flight. From his main theme for Joe Johnston’s 2011 Captain America: The First Avenger, Silvestri arranged a powerful and stirring Captain America March, which received its premiere at the annual “Hollywood in Vienna” concert in 2011, where Silvestri received the Max Steiner Film Music Achievement Award. A long-time champion of an “American” musical sound and style, William Schuman (1910-1992) drew on works of William Billings to evoke an atmosphere of the Revolutionary period in his New England Triptych. “William Billings (1746-1800) is a major figure in the history of American music,” Schuman wrote. “The works of this dynamic composer capture the spirit of sinewy ruggedness, deep religiosity, and patriotic fervor that we associate with the Revolutionary period…. These pieces do not constitute a ‘fantasy’ on themes of Billings, nor ‘variations’ on his themes, but rather a fusion of styles and musical language.” The first of the three pieces, “Be Glad Then, America” features muscular timpani and brass, reminding us that the text for Billings’ anthem includes “Shout and rejoice… Hallelujah!” John Williams (b. 1932) has to be one of the most prolific and popular composers of our time. His works for the concert hall have met with acclaim from both critics and audiences, including Soundings, composed for the Los Angeles Philharmonic’s inaugural festivities for Walt Disney Concert Hall, which joined a long list of works composed for leading orchestras and soloists around the world. Most famously, Williams is one of Hollywood’s most in-demand composers for film. His collaborations with many of cinema’s leading directors, above all Steven Spielberg and George Lucas, have secured this reputation with such classics as Jaws (1975), Star
Wars (1977), Raiders of the Lost Ark (1981), and E.T.: The Extra-Terrestrial (1982), as well as his more recent work on the Star Wars prequels and the Harry Potter series. In these and his many other film scores — including Midway (1976), the all-star naval epic directed by Jack Smight – Williams embodies the tradition of Hollywood film music at its grandest and most expansive. Robert Lowden (1920-1998) served in the U.S. Army Band during World War II and went on to compose and arrange for Claude Thornhill’s big band and for 101 Strings. His Armed Forces Salute gathers the songs and marches of the branches of the United States military, with allusions to other patriotic music in the transitions. The earliest version of the Army’s song was the “Caisson Song,” written by three lieutenants stationed in the Philippines in 1908. In 1917 John Philip Sousa was asked to adapt it as a march for the Field Artillery, and in that form it became a huge popular hit. “Semper Paratus” (Always Ready), the official song of the U.S. Coast Guard, was composed by Coast Guard Captain Francis S. Van Boskerck while stationed in Alaska in 1927. The tune now used for the “Marines Hymn” is based on the Gendarmes’ Duet from Jacques Offenbach’s operetta Geneviève de Brabant, which premiered in Paris in 1859. “The United States Air Force” was written by Captain Robert MacArthur Crawford as the “Army Air Corps Song” in 1939, and won a competition organized by the Air Corps, with a $1,000 prize from Liberty magazine. (In 1947 the words “United States Air Force” replaced “Army Air Corps” in the title.) “Anchors Aweigh” is the fight song of the U.S. Naval Academy, and was composed in 1906 by Lieutenant Charles A. Zimmerman, then bandmaster at the Academy.
John Philip Sousa (1854-1932) was known the world over as a bandleader and the composer of dozens of marches, as well as of operettas, orchestral suites, and songs. The three marches on tonight’s program are American classics. The Washington Post was completed by Sousa in 1889, a commission for the Washington Post newspaper award ceremonies for promising journalists and essayists. Sousa penned Semper Fidelis in 1888. The march takes its title from the motto of the U.S. Marine Corps: Semper Fidelis – Always Faithful. In Sousa’s own words: “I wrote Semper Fidelis one night while in tears, after my comrades of the Marine Corps had sung their famous hymn at Quantico.” It became one of his most popular marches, and Sousa himself considered it his best. The Stars and Stripes Forever! was written in 1896 while Sousa was aboard ship from England to the United States. George Benson
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Californian Carmen Dragon (1914-1984) was a highly successful composer, arranger, and conductor. Trained at San Jose State College, he worked as a nightclub pianist, and then as an arranger in Hollywood. He eventually scored more than 30 films, as well as television and stage shows. He conducted at the Hollywood Bowl many times in the 1950s and ’60s, recorded prolifically with the Hollywood Bowl Symphony, and served as music director of the Glendale Symphony for many years. His evocative arrangements — here of the powerful 1895 patriotic anthem “America the Beautiful” by Samuel Augustus Ward (18471903) — are still performed by orchestras and choirs around the world.
P12 PERFORMANCES MAGAZINE
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ABOUT THE ARTISTS
Nile Rodgers
NILE RODGERS & CHIC Among music legends, Nile Rodgers is truly exceptional. He amplifies his legacy as a multiple Grammy® Award-winning composer, producer, arranger, and guitarist by constantly traversing new musical terrain and successfully expanding the boundaries of popular music. As the co-founder of CHIC and the newly elected Chairman of the Songwriters Hall of Fame, Rodgers pioneered a musical language that generated chart-topping hits like “Le Freak” (the biggest selling single in the history of Atlantic Records) and sparked the advent of hip-hop with “Good Times.” Nile Rodgers transcends all styles of music across every generation with a body of work that has garnered him inductions into the Rock & Roll Hall of Fame (2017) and the Songwriters Hall of Fame (2016). Most recently, he was appointed as the first ever Chief Creative Advisor for the legendary Abbey Road Studios to cap off a year that has included ”festival best” performances at both Glastonbury and Coachella that resulted in the BBC nominating the band for the BBC Music Awards as “Best Live Performance Of 2017” and the Los Angeles Times stating that “Nile Rodgers’ influence stretches all over Coachella, beaming the sound of a better
future.”His work in the CHIC Organization and his productions for artists like David Bowie, Diana Ross, and Madonna have sold over 500 million albums and 75 million singles worldwide, while his innovative, trendsetting collaborations with Daft Punk, Avicii, Sigala, Disclosure, and Sam Smith reflect the vanguard of contemporary music. Nile Rodgers & CHIC recently released their first new studio album in over 26 years to critical acclaim and a Top 10 position in the UK album charts.
THOMAS WILKINS Thomas Wilkins is Principal Conductor of the Hollywood Bowl Orchestra. He has held a titled position at the Hollywood Bowl since 2008, when he was named Principal Guest Conductor; in the spring of 2014 he became Principal Conductor. Additionally, he holds the position of Music Director of the Omaha Symphony, a post he has held since 2005. He also holds the Germeshausen Family and Youth Concert Conductor chair with the Boston Symphony. In August of 2017 he assumed the Henry A. Upper chair of Orchestral Conducting established by the late Barbara and David Jacobs as a part of Indiana University’s “Matching the Promise Campaign.” Past positions have included resi-
dent conductor of the Detroit Symphony and Florida Orchestra (Tampa Bay), and associate conductor of the Richmond (VA) Symphony. He also has served on the music faculties of North Park University (Chicago), the University of Tennessee in Chattanooga, and Virginia Commonwealth University in Richmond. Devoted to promoting a life-long enthusiasm for music, Thomas Wilkins brings energy and commitment to audiences of all ages. He is hailed as a master at communicating and connecting with audiences. Following his highly successful first season with the Boston Symphony, The Boston Globe named him among the “Best People and Ideas of 2011.” In 2014, Wilkins received the prestigious “Outstanding Artist” award at the Nebraska Governor’s Arts Awards, for his significant contribution to music in the state. And in March of 2018, the Longy School of Music awarded Thomas Wilkins the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society. During his conducting career, he has led orchestras throughout the U.S., including the Philadelphia Orchestra, the Cleveland Orchestra, the Chicago Symphony and the New York Philharmonic (both of which he returns to guest conduct in the 2018/19 season), the Atlanta Symphony, the Rochester Philharmonic, the Cincinnati Symphony (where he
PERFORMANCES MAGAZINE P13
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ABOUT THE ARTISTS
Thomas Wilkins
United States Air Force Band of the Golden West
will return in the 2019/20 season), the Dallas Symphony, the Houston Symphony, the San Diego Symphony, the Buffalo Philharmonic, the Baltimore Symphony, the Utah Symphony, Chicago’s Grant Park Symphony, as well as the National Symphony in Washington, D.C., to name a few. A native of Norfolk, Virginia, Thomas Wilkins is a graduate of the Shenandoah Conservatory of Music and the New England Conservatory of Music in Boston. He and his wife Sheri-Lee are the proud parents of twin daughters, Erica and Nicole.
UNITED STATES AIR FORCE BAND OF THE GOLDEN WEST The United States Air Force Band of The Golden West is stationed in the San Francisco Bay area at Travis Air Force Base, California. The only active duty Air Force band west of the Rockies, the Band of the Golden West is comprised of 50 talented and versatile Airmen-musicians under the command of Captain Joseph S. Hansen. In addition to performing for civilian communities
throughout the states of California, Washington, Oregon, Nevada, and Arizona, the band supports 11 Air Force Bases, 13 Air National Guard Wings, 8 Air Force Reserve Wings, 7 Numbered Air Forces, and 4 recruiting squadrons in over 300 annual performances for 12 million listeners. The organization offers several outstanding performing groups: Concert Band, Ceremonial Marching Band, Commanders jazz ensemble, Mobility popular music ensemble, Travis Brass quintet, Golden West Winds woodwind quintet, and Galaxy popular music ensemble. Additionally, the Band of the Golden West provides solo vocalists for the performance of our National Anthem and solo buglers for Taps details. The Band of the Golden West has performed for gubernatorial inaugurations, with guest artists such as Arturo Sandoval, and Bob Hope, Daughtry, and Brad Paisley as well as for the fans of Oakland Athletics, San Francisco Giants, Oakland Raiders, San Francisco 49ers, and Infineon NASCAR races. The band has led off several Tournament of Roses parades in Pasadena, CA. In 2004, the USAF Band of the Golden West was honored to support the interment ceremony of President Ronald Reagan in Simi Valley, CA, an event viewed by a global TV audience of over 400 million. More recently, members of the band supported the inauguration of Donald J. Trump. The United States Air Force Band of the Golden West is dedicated to engaging communities and building partnerships, telling the Air Force story, honoring military heritage, enhancing morale for uniformed service members, and recruiting the finest Americans to serve in the United States Air Force. The Band of the Golden West is proud to represent the excellence of Air Mobility Command and the 680,000 Airmen in over 200 career fields serving around the world, protecting our freedoms and delivering hope to those in need. For more information, visit the USAF Band of the Golden West website or social media pages: music.af.mil/bands/us-air-force-band-ofthe-golden-west facebook.com/bandofthegoldenwest twitter.com/BandGoldenWest youtube.com/user/USAFGoldenWestBand instagram/usafbotgw\
•
P14 PERFORMANCES MAGAZINE
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A B O U T T H E A RT I S T S
U.S. AIR FORCE BAND OF THE GOLDEN WEST CONDUCTOR Capt Joseph Hansen PICCOLO SrA Candy Tasker CLARINET SSgt Brian Wilmer SSgt Alaina Shaw A1C Clarissa Osborn ALTO SAXOPHONE SSgt Nathan Heald TENOR SAXOPHONE MSgt Ricky Sweum
HORN TSgt Robert Mayes TSgt Eddie Ochsner TRUMPET SSgt Nick Ciardelli ArA Alan Matteri A1C Alexandra Albrecht A1C Nathaniel McKay
EUPHONIUM SrA Thomas Mahovsky TUBA SrA Brian Kemble PERCUSSION MSgt Tim Shaw A1C Mike Roe
TROMBONE TSgt Ben Huseby SSgt Gary Jones A1C Sam Wamhof
PERFORMANCES MAGAZINE P15
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PROGRAM
FRIDAY JULY 5, 2019 8PM
Leon Bridges Rhye In order of appearance
RHYE Michael Milosh, VOCALS /DRUMS / KEYS Zach Morillo, DRUMS Theresa Romack, KEYS Roland Nicol, BASS Patrick Bailey, GUITAR Rachel Grotenhuis, VIOLA / VIOLIN Pete Jacobson, CELLO
I NTERM IS S I O N
LEON BRIDGES Leon Bridges, LEAD VOCALS Josh Johnson, MUSICAL DIRECTOR / KEYBOARDS / SAX Brittni Vanesa Jessie, BACKGROUND VOCALS / PERCUSSION Kenny Wayne Hollingsworth, GUITAR Brandon A. Thomas, GUITAR Brandon Marcel Mills, BACKGROUND VOCALS Joshua Crumbly, BASS Brandon Combs, DRUMS
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Official Cruise Line of the Hollywood Bowl
Summer Water is a proud sponsor of the Hollywood Bowl. Pianos provided by Steinway Piano Gallery – Beverly Hills. MEDIA PARTNER: KCRW
Programs and artists subject to change.
P16 PERFORMANCES MAGAZINE
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ABOUT THE ARTISTS
Leon Bridges
LEON BRIDGES Leon Bridges’ first strides as a soul inspired R&B artist prompted comparisons to legends like Sam Cooke and Otis Redding, but he quickly came into his own as a Top Ten, multiple Grammy-nominated, globally touring artist. The 28-year-old singer-songwriter honed his talent performing in and around his native Fort Worth, Texas, at open mic nights. Leon attracted industry attention when the venerable music and culture site Gorilla-vs-Bear posted uploads of analog recordings produced by Niles City Sound’s Josh Block and Austin Jenkins. Signed to Columbia Records, Bridges’ first singles, including a rich ballad written about his mother, appeared in February 2015 with a sound that evoked classic R&B. His debut album, Coming Home, followed four months later to critical and commercial success. It debuted at number six on the Billboard 200 and was nominated for two Grammys: Best R&B Album and Best Music Video.
Bridges kept busy with appearances across the world, including but not limited to performing at the White House for President Obama, the Library of Congress, the Museum of Modern Art Film Benefit (A Tribute To Tom Hanks), and Tom Ford New York Fashion Week event. He opened for the Rolling Stones in Europe and announced opening dates on the Harry Styles tour in South America. Leon also penned the main track for Concussion starring Will Smith, and had a huge sync with his track “River” on Reese Witherspoon’s hit HBO series Big Little Lies. In 2016 and 2017, Bridges was active as a performer and collaborator. In addition to extensive tours and festivals, he co-wrote and was featured on Macklemore and Ryan Lewis’ “Kevin,” Nick Waterhouse’s “Katchi,” and Kacey Musgraves’ “Present Without a Bow.” Additionally, he recorded “On My Own” with Lecrae and connected twice with Gary Clark, Jr., for Live North America 2016 and on a collaborative cover of Neil Young’s “Ohio.” Work with Aminé and ODESZA was
also out by the end of 2017. Early the following year, Coming Home was certified gold by the RIAA. Shortly thereafter, Bridges released “Bet Ain’t Worth the Hand,” “Bad Bad News,” and “Beyond” – the first offerings off his contemporary and stylistically broader second album, Good Thing, released in May 2018. Critics heralded Good Thing for its modern R&B sound, lush production, and joyous songwriting. Leon supported the album with a global tour, including a sold-out night at the Greek Theatre in Los Angeles and two sold-out nights at Radio City Music Hall in New York City. 2018 saw Leon work with country star Luke Combs, collaborate with CFDA Award-winning luxury brand AHLEM Eyewear, and portray Gil Scott Heron in the Damien Chazelle-directed film First Man. Leon garnered two more Grammy nominations for Best Traditional R&B performance for “Bet Ain’t Worth the Hand” and Best R&B album for Good Thing, making him now a four-time Grammy nominee.
PERFORMANCES MAGAZINE P17
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ABOUT THE ARTISTS
Rhye
RHYE Shrouded in mystery, Rhye first surfaced setting the Internet abuzz with ambiguous imagery, sophisticatedly sensual music videos, and that distinctive voice. Following the runaway online success of two initial singles, the critically acclaimed debut album Woman was released in 2013 and lauded by critics from Pitchfork to The Guardian to The New York Times. Gifted songwriting, breathtaking vocals, and deft instrumental arrangements combine to create an intoxicating blend of R&B-influenced, deeply emotive music, making the album a staple for provoking intimate moments. Since the release of Woman, Rhye has relentlessly toured to establish a devoted global fan base. Transforming what was once a studio project, the music has been elevated by a cast of accomplished multi-instrumentalists enrapturing crowds in theaters and festivals worldwide, highlighted by riveting sets at Coachella and Pitchfork amongst many others. Rhye’s second album, Blood, was released in February 2018 and was hailed as “reserved, understated, and brilliant” by NPR Music, “soul pop that hits all the high notes” by the Wall Street Journal, and “a triumph” by NME. A new piano-focused project titled Spirit arrived in May 2019, celebrating the subtle magic of gentle moments and featuring collaborations with Ólafur Arnalds, Doveman, and Dan Wilson.
•
P18 PERFORMANCES MAGAZINE
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PROGRAM
SATURDAY JULY 6, 2019 8PM
Chrissie Hynde Chrissie Hynde Hollywood Bowl Orchestra Thomas Wilkins, conductor
Selections to be announced from the stage.
I NTERM IS S I O N Presenting CHRISSIE HYNDE Chrissie Hynde, VOCALS James Walbourne, GUITAR Kristoffer Sonne, DRUMS Chris Hill, BASS Jim Watson, PIANO Hollywood Bowl Orchestra
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Official Cruise Line of the Hollywood Bowl
Cooper Tires is a proud sponsor of the Hollywood Bowl. Pianos provided by Steinway Piano Gallery – Beverly Hills.
Programs and artists subject to change.
PERFORMANCES MAGAZINE P19
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ABOUT THE ARTISTS
Chrissie Hynde
CHRISSIE HYNDE Since forming The Pretenders in 1978, Chrissie Hynde has influenced the world of rock with her distinctive sound. The singer, songwriter, and guitarist is known for some of the most recognized songs of the 20th century, including “Back on the Chain Gang” and “I’ll Stand By You.” Chrissie Hynde and The Pretenders were inducted into the Rock and Roll Hall of Fame in 2005. Also an ardent animal rights campaigner and accomplished painter, Hynde published her autobiography, Reckless: My Life as a Pretender, in 2015. In 2018, she published Adding the Blue, a limited-edition book collection of her artwork. Hynde makes her Hollywood Bowl debut in a world premiere event performing with a full orchestra, showcasing tracks from her extraordinary new, jazz-dub album Valve Bone Woe. The album was recorded by acclaimed producers Marius de Vries and
Eldad Guetta, and it features songs by The Beach Boys, Antônio Carlos Jobim, and Ray Davies, among others. Her show tonight will feature songs from Valve Bone Woe and a selection of Pretenders favorites. “I’m not hugely interested in branching out into other musical genres,” Hynde writes in her liner notes for the new album, “being a devout rock singer as such, but jazz is something I grew up around (thanks to my bro) and I’ve always had a soft spot for it. I also often bemoan what I regard as a decline in melody in popular music. I wanted to sing melodies. Plus, I’ve always had a penchant for cover songs, and include one on every Pretenders album. It’s the surprise of singing something that I didn’t think of writing myself that turns me on. “Jazz got sidelined by Rock and Roll in the ’60s, but now the demise of rock seems to be heralding in a new-found interest in jazz, the most creative and innovative musical form of the 20th century, and I’m happy to jump on the bandwagon.”
THOMAS WILKINS
•
For a biography of conductor Thomas Wilkins, please see pages P13-P14.
P20 PERFORMANCES MAGAZINE
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A B O U T T H E A RT I S T S
HOLLYWOOD BOWL ORCHESTRA Thomas Wilkins Principal Conductor John Mauceri Founding Director FIRST VIOLINS Marisa Sorajja Principal Grace Oh Associate Principal Rebecca Bunnell Chloe Chiu Merle Mullin Chair
Christine Frank Yen-Ping Lai Marianne Martinoli Radu Pieptea Adrianne Pope Tina Qu Gil Romero Shelly Shi Mari Tsumura
CELLOS Dennis Karmazyn Principal
HORNS Steve Becknell Principal
Armen Ksajikian Associate Principal
Brad Warnaar
LIBRARIAN Steve Biagini
Danielle Ondarza Associate Principal
ASSISTANT LIBRARIAN Marty Fenton Frear
Todd Miller
ASSOCIATE CONDUCTOR Scott Dunn
Xiao-Dan Helen Altenbach Vanessa Freebairn-Smith Trevor Handy Joon Jun Giovanna Moraga Clayton Julie Jung Yoo BASSES Denise Briese Principal Barry Newton Associate Principal Jeff Bandy Carla Capolupo Trey Henry Paul Macres
SECOND VIOLINS Robin Olson Principal
FLUTES Heather Clark Principal
Cheryl Norman-Brick Associate Principal
Lisa Edelstein
Pam Gates Ellen Jung Maxwell Karmazyn Razdan Kuyumjian Natalie Leggett Carolyn Osborn Kathleen Sloan Olivia Tsui Vivian Wolf Steven Zander
Piccolo Lawrence Kaplan OBOES Lelie Resnick Principal Jonathan Davis English Horn Cathy Del Russo
VIOLAS Erik Rynearson Principal
CLARINETS Gary Bovyer Principal
Carrie Holzman-Little Associate Principal
Michael Grego
Carole Kleister-Castillo Stefan Landon Smith Adam Neely Robin Ross Julie Staudhammer Phillip Triggs Rodney Wirtz Hyeree Yu
Bass Clarinet Ralph Williams BASSOONS Elliott Moreau Principal
TRUMPETS Rob Schaer Principal Jon Lewis Rob Frear
PERSONNEL MANAGER Brian Miller
The Hollywood Bowl Orchestra string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically.
TROMBONES William Booth Principal Alex Iles Bass Trombone Kyle Mendiguchia TUBA James Self Principal Peter Mullin Chair
TIMPANI Tyler Stell Principal DRUMS Brian Miller Principal PERCUSSION Wade Culbreath Principal Gregory Goodall HARP Mindy Ball Principal KEYBOARDS Alan Steinberger Principal Carrie and Stuart M. Ketchum Chair
Damian Montano Allen Savedoff
PERFORMANCES MAGAZINE P21
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PROGRAM
SUNDAY JULY 7, 2019 7PM
KCRW’s World Festival
Reggae Night XVIII Damian ‘Jr. Gong’ Marley Third World Kabaka Pyramid In order of appearance
KABAKA PYRAMID Kabaka Pyramid, LEAD VOCALS Christophe Smith, DRUMS Shane Greensword, KEYBOARDS Shackair McQueen, GUITAR Craig Higgins, BASS GUITAR Nicolleen Brown, Jodian Blake, BACKGROUND VOCALS
THIRD WORLD Stephen “Cat” Coore, GUITAR / CELLO / VOCALS Richard “Bassie” Daley, BASS GUITAR Tony “Ruption” Williams, DRUMS / DJEMBE AJ Brown, LEAD VOCALS Maurice “MG” Gregory, KEYBOARDS / VOCALS Norris “Noriega” Webb, KEYBOARDS / VOCALS
I NTERM IS S I ON
DAMIAN ‘JR. GONG’ MARLEY Damian ‘Jr. Gong’ Marley, LEAD VOCALS Elton ‘Elly B’ Brown, GUITAR Shiah Coore, BASS Courtney ‘Bam’ Diedrick, DRUMS Sean ‘Pow’ Diedrick, KEYBOARDS Wade Johnson, KEYBOARDS Sherieta Lewis, BACKGROUND VOCALS Garfield ‘Judah’ Logan, FLAGMAN Roselyn Williams, BACKGROUND VOCALS
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Official Airline of the Hollywood Bowl
Official Cruise Line of the Hollywood Bowl
Pianos provided by Steinway Piano Gallery – Beverly Hills.
KCRW DJ Garth Trinidad, HOST
Programs and artists subject to change.
P22 PERFORMANCES MAGAZINE
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ABOUT THE ARTISTS
Damian “Jr. Gong” Marley
DAMIAN “JR. GONG” MARLEY Damian “Jr. Gong” Marley, once known as the “The Youngest Veteran” by his fellow artists, is now an elder in the game who’s not afraid to speak his mind out of respect for the music and culture he loves – and for the divine spirit of humanity in all of us. The lyrically profound and largely self-produced 12th studio album released in 2018, Stony Hill maintains the element of hardness from “Jam-Rock” to “Stony” and arrived at a moment when the rhythms of the Caribbean were and still are all over the pop charts – with mostly light-hearted lyrical content. “No punk can finish where Bob Marley started…we have to stand for the integrity of the music,” Marley says of the inspiration of his album. “It’s good to get some music out there that points to the foundation, the spirituality of it,” says Jr. Gong. “You don’t have to turn into a clown to sell the music,” Damian continues, chastising those whose appeal is based on stunts and gimmicks. His recent album Stony Hill takes its title from the Kingston neighborhood where Damian grew up, a relatively well-to-do residential neighborhood just a short drive away from Half Way Tree, the city crossroads that marks the dividing line between uptown and downtown. The young Gong grew up seeing every side of life. “Some people were critics of a song like ‘Jamrock’,” he admits. “They say ‘Well, you didn’t come from the ghetto.’ But it’s not about where you come from. Coming from uptown doesn’t mean you can’t care about people who don’t live where you live. Furthermore, Jamaica is so small that nowhere is far.” “It’s definitely not just a collection of songs,” Damian says of Stony Hill, “where like we just grab a bunch of singles and we’re finished. It’s a body of work that we focused on. But then again it wasn’t too super-premedi-
tated either. It just so happens that this is how I was feeling and what I felt like saying at that time.” Though a handful of tracks dates all the way back to 2008, Damian says he locked in on the album in 2017 and had worked nonstop since then to complete the project for its release in June of 2018. So much has changed in his life and in the world since he first began. “It’s easier to be a critic than to be a visionary,” Damian continues. “It’s easier to criticize the path that we’re on, and much harder to try to carve out a new path to follow. When it comes to conscious reggae music, a lot of the songs that you listen to tell you to Bash Babylon! But not a lot of them tell you what to do after you’re finished bashing Babylon. Bashing Babylon – how would I say now? that don’t make you successful. Where to go after there?” The youngest son of reggae legend Bob Marley, Damian “Jr. Gong” Marley garnered his own place in music history when he became the first ever reggae artist to win a Grammy outside of the “Reggae” category, taking home an award for Best Urban/Alternative
Performance for his title single, “Welcome To Jamrock.” The acclaimed 2005 breakthrough disc Welcome To Jamrock also won a Grammy for Best Reggae Album. Marley has been shaking up stages all over the world for the past few years, first in collaboration with Nas on their Distant Relatives project, and then when he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem,” which Rolling Stone called “a monster mash up of dubstep and dancehall.” Marley’s latest album Stony Hill won the 2018 Grammy® Award for Best Reggae Album. Additionally, Damian appeared on Saturday Night Live alongside Jay Z to perform their standout track “Bam,” and he is also featured on Ty Dolla $ign’s acclaimed track “So Am I” with Skrillex. Most recently, Damian released the remix and music video for his single “Medication” featuring Stephen Marley, Wiz Khalifa, and Ty Dolla $ign.
THIRD WORLD Celebrating 45 years, “Reggae Ambassadors” Third World is one of the longest-lived reggae bands of all time, and one of Jamaica’s most consistently popular crossover acts among international audiences. Mixing in elements of R&B, funk, pop, and rock and, later on, dancehall and rap, Third World’s style has been described as “reggae-fusion.” With 10 Grammy nominations and a catalog of charted smash hits (including “Now That We Found Love,” “96 Degrees in the Shade,” and “Try Jah Love”) spanning over four decades, sold-out tours, a vibrant and loyal fan base and inspirational messages, one may wonder, “Where did it all begin? What gives Third World the staying power so rare in the music
Thirld World
PERFORMANCES MAGAZINE P23
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ABOUT THE ARTISTS
industry?” Third World is an institution that stands for producing and performing music that, while holding firm to the cultural and ancestral roots of its members, still pushes forward the cutting edge of music worldwide. It is an institution whose themes are positive, progressive, and internationally relevant: an asset to any-size festival / event. Third World has performed to thousands of music fans on six of the seven continents: TW toured and recorded with late great Bob Marley, including opening for Marley’s first world tour in 1978; TW recorded and toured with master blaster Stevie Wonder, who produced two of their albums in the ’80s; they toured America with legendary guitarist Santana; opened for the Jackson 5’s first concert in Jamaica; shared stages throughout the world with Bono of U2, Sting, The Police, Whitney Houston, Wyclef Jean, Lauryn Hill, Jimmy Buffet, Eric Clapton, Marc Anthony, and more. Third World’s hit songs have reached Top 40 on the Billboard charts in the U.S., U.K., Europe, and Japan, where they received a platinum award. In 1986, Third World received the United Nations Peace Medal for their contribution of music and their lyrical prose. They performed on the MTV Amnesty International Concert at a sold-out Giant Stadium in 1986; performed at the Rose Bowl with Quincy Jones, Stevie Wonder, and Michael Jackson; at Carnegie Hall, Madison Square Garden, and the Welcome Home Nelson Mandala concert in 1990; and have been featured at major sporting events. TW has entertained millions of television viewers with performances on The Tonight Show with Jay Leno, Late Night with David Letterman, Arsenio Hall Show, Soul Train, Top of the Pops, Shirley Bassie show, and more. Third World will be releasing a new studio album (due Spring of 2019), produced by four-time Grammy winner Damian “Jr. Gong” Marley under the Ghetto Youth International imprint.
KABAKA PYRAMID Kabaka Pyramid is a conscious revolutionary lyricist with a unique musical style, blending the power, energy, and melody of reggae with the lyricism of hip hop. Hailing from Kingston, Jamaica, this Bebble Rock Music artist uses his liquid and hypnotizing delivery to spread positive messages of spiritual evolution that force you to listen. The name “Kabaka” is Ugandan for “King,” and the long-lasting survival of the Pyramids
Kabaka Pyramid
of ancient Africa represent his desire for longevity in the music and deep connection to Kemetic roots, leaving messages for generations to come. This award-winning artist has developed a solid global fan base that connects deeply with the messages in his music, touring extensively over the past six years to the largest reggae stages around the world. Aided by his excellent “Bebble Rockers” band, he has brought his message and power to tens of thousands of people in North America, Europe, Central America, and the Caribbean, hitting stages such as “Reggae on the River” (U.S.), Rebel Salute (Jamaica), Sierra Nevada World Music Festival (U.S.), “Rototom Sunsplash” (Spain), Musa (Portugal), SummerJam (Germany), Reggae Sumfest (Jamaica), Reggae Sundance (Holland), Reggae Sun Ska Festival (France), South by South West (U.S.), BoomTown (U.K.), as well as headlining multiple 20+ multi-city club tours. He has also excelled at support for the 30-show, United States “Stony Hill” tour with Damian “Jr. Gong” Marley to rave reviews. Kabaka is well known for delivering an electrifying and entertaining live performance. In 2018, following the global success of impactful hit singles, EPs, and mixtapes over the previous seven years, Kabaka released his debut album Kontraband to tremendous critical acclaim and rave reviews. The project, executive produced by Damian “Jr. Gong” Marley, is a joint release with Bebble Rock Music and Ghetto Youths International and has been a Top 10 mainstay on reggae charts worldwide. Featuring artists such as Chronixx, Protoje, Pressure Buss Pipe, Akon and of course Damian Marley, as well as singles like “Well Done,” “Kontraband,” “Borders,” and the anthem “Can’t Breathe,” which topped the global reggae charts in 2017, the album
is already considered a modern-day classic. The Pyramid has released a powerful catalogue over the years including the “Accurate” mixtape presented by music superpower Major Lazer and Walshy Fire to tremendous reception, with the mixtape proving to be a hit amongst reggae/hip-hop fans. He has also completed the perennial “Rebel Music” EP and the Billboard Top 10 charting “Lead the Way” EP. With singles such as “Never Gonna Be A Slave,” “No Capitalist,” “Mi Alright” with Chronixx, and “Free From Chains,” as well as music videos for the popular “Reggae Music,” “Warrior” featuring Protoje, “World Wide Love,” “Liberal Opposer,” and “High and Windy” with Sara Lugo, he has achieved regular rotation on local and international airwaves. Kabaka Pyramid is touted by many as a leader in the new wave of powerful reggae artists coming out of Jamaica. Kabaka has achieved recognition both locally and overseas, placing #1 on the Billboard Next Big Sound Chartas and also featured by the popular music conglomerates, The Fader, MTVIggy, Okayplayer, Reggaeville, Vogue, Billboard, BET, amongst many others in the media landscape. In 2013, he was named Breakthrough Artist of The Year by the Jamaica Reggae Industry Association. He is also a three-time nominee for Song of the Year 2013, 2014, and 2015 for the tracks “No Capitalist,” “Mi Alright,” and “Well Done,” respectively. The lyricist has in addition won the award for best reggae recording by Canada’s highly respected Juno Awards with Exco Levi. With a mission to steer future generations towards harmony and unity, Kabaka Pyramid is primed and focused on bringing a righteous and conscious way of thinking to the masses through reggae music.
•
P24 PERFORMANCES MAGAZINE
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Celebrating 90 Years 1927-2017
11:50 AM 11:50 AM
11:50 AM
Country French Restaurant Family Owned & Operated Since 1927 Country French Restaurant Country French Restaurant Lunch • Dinner • Lounge • Banquets Family Owned Operated Since 1927 Family Owned &&Operated Since 1927 7 days
Lunch• Dinner • Dinner • Lounge • Banquets Lunch • Lounge • Banquets 7 daysLate 7Open days
Wed-Sat Open Late Open Late ‘til 1:00 am Wed-Sat Wed-Sat ‘til1:00 1:00 amMusic Center ‘til am Five Minutes from the
1911 Sunset Blvd.Center Five from thethe Music FiveMinutes Minutes from Music Center 1911 Sunset Blvd. Los Angeles, Ca 90026 1911 Sunset Blvd. Los Angeles, 90026 (213)Ca 484-1265 Los Angeles, Ca 90026 (213) 484-1265 (213) 484-1265 www.taixfrench.com www.taixfrench.com www.taixfrench.com
CONTINUED FROM PAGE 90
Ms. Barbara J. Miller Ms. Tamara D. Miller Mr. and Mrs. Simon Mills Henry and Janet Minami Mr. and Mrs. William Mingst Mr. Lawrence A. Mirisch Linda and John Moore Ms. Marsha L. Morton Mrs. Garna Muller Mr. James A. Nadal Anthony & Olivia Neece Mr. and Mrs. Robert Neely Mr. Richard Newcome and Mr. Mark Enos Mr. Gary Newman Ms. Jeri L. Nowlen Howard and Inna Ockelmann Mr. Dale Okuno Ms. Jean Oppenheimer D. Orenstein & J. Lu Mr. and Mrs. Richard Orkand Adriana Ortiz Carrol Parris Ms. Iris Peters Mrs. Ethel Phipps Ms. Julie Platt Mrs. Ruth S. Popkin William C. Powers Mr. Albert Praw Ms. Miriam Rain Marcia and Roger Rashman Rita and Norton Reamer Kirk and Cathy Reynolds Mr. Mark Ridley-Thomas Mr. and Mrs. Norman L. Roberts Robinson Family Foundation Jed and Jeff Robinson Mrs. Laura H. Rockwell Mr. and Mrs. William C. Roen Ms. Pauline Romano Lois Rosen Peter and Marla Rosen Mr. Lee N. Rosenbaum and Mrs. Corinna Cotsen Mr. and Mrs. Brad Rosenberg Robyn and Steven Ross Dr. James M. Rosser Mr. and Mrs. Matthew Rowland Mr. and Mrs. Stanford Rubin Ann M. Ryder Ms. Betty Saidel Ms. and Mr. Galina Samuel Mr. Noriyuki Sasaki Linda & Cliff Schaffer Malcolm Schneer Family Trust Hope and Peter Schneider Robert Segal in memory of Jeanne Segal Dr. and Mrs. Hervey Segall Ms. Amy J. Shadur-Stein Ms. Rita Shamban-Hahn Mr. Steven Shapiro Mr. Kevin Shaw Hope and Richard N. Shaw Stephen & Kathy Shegda Carla Christofferson Mrs. Mary Silver-Giatas Ms. Ruth M. Simon Mr. Kurt Skarin Barbara and Hugh Smith
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Mr. Steven Smith Mr. and Mrs. Michael G. Smooke Virginia Sogomonian and Rich Weiss Ms. Katherine Sohigian Mr. Charles P. Souw Shondell and Ed Spiegel Louise Mayeri Spillman Ms. Angelika Stauffer Mr. and Mrs. Pierre Steele Louis Stern Mr. and Mrs. Mark Stern Mr. Max Stolz, Jr. Maia and Richard Suckle and The Anna & Benjamin Suckle Foundation Ronald and Valerie Sugar Mr. Brandon Sugimoto Mr. Roy Sukimoto Mr. Takehiko Suzuki Ms. Defne Tabori Mr. Marc A. Tamaroff Mr. and Mrs. Randall Tamura Mr. Andrew Tennenbaum Suzanne and Michael E. Tennenbaum Mr. and Mrs. Harlan H. Thompson Mr. and Mrs. Harris Toibb Arlette M. Towner Mr. Michael Tully Mr. and Mrs. Leonard Unger Ms. Kathy Valentino The Valley CommitteeS for the Los Angeles Philharmonic Mr. and Mrs. Peter J. Van Haften David H. Vena Jan and Meredith Voboril Jenny Vogel Mr. Jules Vogel Felise Wachtel Ms. Diane C. Weil and Mr. Leslie R. Horowitz Ms. Abby Silverman Weiss and Mr. Ray F. Weiss Mr. and Mrs. Doug M. Weitman Wells Fargo Foundation Fern and Ronald H. Wender Ms. Lori Wenderoff Robert and Penny White The Whittier Trust Company Ms. Lori Williams and Mr. Stephen Schulte Ms. Tina H. Wilson Mr. Steve Winfield Mr. and Mrs. Irwin Wong Mr. and Mrs. David Yellin Mr. Kevin Yoder Bobbie Yunis Mr. and Mrs. Larry Yust Mrs. Lillian Zacky Mr. Sanford Zisman and Ms. Janis Frame
$2,000 TO $3,499 Anonymous (8) Allan Abshez Mr. Steven C. Afriat Dr. and Mrs. David Aizuss Ms. Mara Akil Dr. Alexander Astin
PERFORMANCES MAGAZINE 93
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DONORS
D I S COV E R TH E N E W S TA N DA RD IN WIRELESS AUDIO.
Audition today at
7428 Beverly Blvd, Los Angeles www.aheadstereo.com 323-931-8873
CONTINUED FROM PAGE 93
Ms. Rebecca Bahling Mr. & Mrs. Ken and Renee Ballard Jackie and Howard S. Banchik Angela Barrick Mr. and Mrs. David J. Barton Mr. and Mrs. Ronald N. Baumgarten Mr. Richard Bayer Ms. Nettie Becker Ms. Minoo Behboody Mr. Kerry Belcher Ms. Karen S. Bell and Mr. Robert Cox Dr. Robert Bennion Mr. Stephen Bergens Marilyn and Alan Bergman Ms. Marjorie Berkel Mr. and Mrs. Elliot S. Berkowitz Dr. and Mrs. Dean Berkus Charles Berney and Family Mr. Alan N. Berro Benjamin Bierbaum Eileen Bigelow and Brien J. Bigelow Mr. and Mrs. Dan Biles Mr. John Bjerke Ms. Marjorie Blatt Mr. Ray Boucher Ms. Monica Bouldin Thomas Bourgeois and Ann Toler Dr. and Mrs. Hans Bozler Mr. and Mrs. Jonathan M. Brandler Mrs. William Brand and Ms. Carla B. Breitner Claudia and Kevin Bright Mr. and Mrs. Bernard Briskin Dr. and Mrs. Thomas Brod Charles Brown Mr. Tad Brown and Mr. Jonathan Daillak Sue & Barry Brucker Mr. Dennis L. Bryant Diana Buckhantz Mrs. Lupe P. Burson Mr. David Burt Mr. Douglas J. Button Lois and Rene Cailliet Dr. Albert Camacho Kathleen C. Caparoso Mr. Jon C. Chambers Ms. Jennifer Chang Chivaroli and Associates Insurance Services Dr. Burton Christensen, PhD Mr. David J. Chun Mr. John Clary and Mrs. Ann Clary Dr. and Mrs. Lawrence J. Cohen Mr. and Mrs. Michael Colby Rhoda and Howard Coleman Mrs. and Mr. Eleanor Congdon Dr. and Mrs. Martin Cooper Mr. Michael Corben and Ms. Linda Covette Ms. Lisa Corbett Lindsey Corcoran Kevin and Kathleena Cordano Mr. Malcolm Cutler Ms. Laurie Dahlerbruch Dr. and Mr. Hanna Damasio Ms. Cynthia Davis Ms. Teresa DeCrescenzo Mrs. Tammy Dimitri
94 PERFORMANCES MAGAZINE
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T H E G R E AT E S T MUSIC STORIES NEVER TOLD
SEASON 2
K C R W. C O M / L O S T N O T E S
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State-of-the-Art State-of-the-Heart
SERVICE CARE
The Los Angeles Jewish Home has provided premier Senior
health care for more than a century. Our award-winning programs and services are delivered with outstanding quality and compassion. Whether you need care in residence, in your home, or in the community, our doors are open to everyone!
Our Services Include: • Short-term Rehab • Home Health Care • Residential Care • Memory Care
• Skilled Nursing • Palliative Care • Hospice Care • And More!
Welcome to our community of care! Connect with us! Call CONNECTIONS TO CARE at 855-227-3745 to access the Jewish Home’s comprehensive senior services. Visit us at lajh.org
NATALE E T H A I
C U I S I N E
“The Best of Culver City” 9 Years in a Row ~Culver City News
“Readers’ Choice Award” ~LA Times “Best of The West Side” ~The Argonaut
Venice (310) 202-7003 10101 Venice Blvd. Full Bar | Sushi Bar Beverly Hills (310) 855-9380 998 S. Robertson Blvd. Full Bar | Valet Parking
Dine In | Delivery Take Out | Order Online
nataleethai.com
DONORS
CONTINUED FROM PAGE 94
Ms. Donna Doan James & Andrea Drollinger Sean Dugan Mr. Kevin Dunbar Mr. Gordon A. Ecker Dr. David Eisenberg Mrs. and Mr. Linda Eisenberg Encore Joyce and David Evans Mrs. and Mr. Margaret Falcon Mr. and Mrs. Tom Fay Jon and Peggy Feder Anthony Federico Family Trust Janice Feldman, JANUS et cie Lyn and Bruce Ferber Mr. Guy Ferland Dr. Walter Fierson and Dr. Carolyn Fierson Ms. Melanie Salata Fitch Mr. and Mrs. Robert T. Flesh Ms. Jain Fletcher Ms. Sue Foo Burt and Nanette Forester Ms. Alisa J. Freundlich Sharon and Mark Friedman Steven Friednam Mr. Brandon Garrett Ms. Jane Gavens Susan and David Gersh Mr. and Mrs. David A. Gill Dr. and Mrs. Gary Gitnick Lawrence Givertz Mr. Jerome J. Glaser Mr. Paul M. Glenney Mr. Fred Glienna Mr. Gary Goldberg and Dr. Diana Meehan Dr. and Mrs. Steven Goldberg Morgan Gordon Ms. Teresa Gordon Mr. J.B. Graner Mr. James Granger Dr. Stuart and Adrienne Green Jennifer Gregoire Mr. and Mrs. Carl C. Gregory Rita and William Griffin Mr. and Mrs. Michael J. Grobstein Marcy Gross Mr. Frank Gruber and Ms. Janet Levin Mr. and Mrs. Charles Gustafson Cornelia Haag-Molkenteller, MD Judith and Robert D. Hall Dr. and Mrs. Thomas Hall Ms. Sally Haralambos Mr. Rick Harrison and Ms. Susan Hammer Dr. and Mrs. Chester A. Hasday Mr. Lewis K. Hashimoto Mrs. Gene M. Hassan Ms. Judith Hayward Mr. and Mrs. Robert Heenan Mr. and Mrs. Joseph Heffesse Gail and Murray E. Heltzer Mr. James Herzfeld Mr. James Hnat Laura Fox, MD and John Hofbauer, MD Douglas and Carolyn Honig
96 PERFORMANCES MAGAZINE NatThai_0319_h_v1.indd 1 HBOWL_WRAP_0719.indd 96
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DONORS
Please Join Us
in our newly opened restaurant
Located At
707 South Grand Avenue, Los Angeles, 90017.
We serve fresh seafood and Mediterranean fare. Lunch
Dinner
Monday–Friday 11:30am–3pm
Sunday–Thursday 5pm–10pm Friday–Saturday 5pm–11pm
Brunch
Happy Hour
Saturday–Sunday 11am–3pm
Daily 3pm–5pm
707 South Grand Avenue, Los Angeles, CA 90017 323–303–2535 | legrand–restaurant.com info@legrand–restaurant.com | instagram.com/legrandrestaurant
During this summer mention Hollywood Bowl to your server and get a complimentary dessert!
CONTINUED FROM PAGE 96
Mrs. Katherine M. Horgan Mr. and Mrs. William L. Horton Mr. and Mrs. Daniel Paul Horwitz Ms. Loretta Hung Mr. Ralph Hurtado Ms. Joan Hutchins Illig Construction Company Mr. and Mrs. Jeremy Ireland Dr. and Mrs. Robert Itami Mr. Gregory Jackson and Mrs. Lenora Jackson Ms. Margaret Jacob Mr. and Mrs. Richard Jacobs Mr. Irwin Jacobson Mr. and Mrs. Jonathan Jaffe Mr. and Mrs. Leonard Jaffe Mr. Paul A. James Mr. Channing Johnson Mr. Gordon M. Johnson and Ms. Barbara Schnell Dr. Tonia Jones Mr. William Jordan Mr. Ken Kahan Kang, Hun Ku Mr. and Mrs. James Kang Karen and Don Karl Mr. Stephen Kayne Mr. Gary W. Kearney Mr. and Mrs. James Keatley Mr. Stephen Keck Susan Keller and Myron S. Shapero, MD Mr. and Mrs. Michael C. Kelley Capital Group Companies Michael and Patricia Klowden Ms. Dee Dee Klute Mrs. Elizabeth Koen Mr. Chris H. Kortner Mr. Richard E. Kraft Elaine Kramer and Al Latham Mr. Eric Kranzler Sandra Krause and William Fitzgerald Ms. Sharon Krischer Ms. Leann Kruse-Arcia KTN Enterprises, Inc. Mr. and Mrs. Munson Kwok Dr. and Mrs. Kihong Kwon Mrs. Estelyn La Hive Thomas and Gloria Lang Mrs. Grace E. Latt Ms. Constance Lawton and Mr. Jim Yoder Mr. Tom Leanse Cynthia Lee, MD Dr. Bob Leibowitz Mr. Benjamin Lench Mr. Alan J. Levi and Mrs. Sondra Currie-Levi Mr. and Mrs. Edward B. Levine Ms. Suzann Levine Mr. Jeff Levy David and Rebecca Lindberg Bertil Lindblad Dr. and Mrs. Mark Lipian Mr. Greg Lipstone Mr. and Mrs. Lewis Lipstone Ms. Bonnie Lockrem and Mr. Steven Ravaglioli Ms. Cindy M. Lopez
98 PERFORMANCES MAGAZINE
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Mr. Philip Lord Dr. and Mrs. Gary Lorden Los Angeles Philharmonic Committee Mr. Nigel Lythgoe Mr. and Mrs. Stuart P. Mabon Mr. Roger I. MacFarlane Susan and John MacLaurin Mr. and Mrs. John V. Mallory Carol and Doug Mancino Dorrie and Paul Markovits Elisa and William Marks Paul Martin Mrs. Suzanne Marx Dr. and Mrs. Allen W. Mathies Ms. Avatika Shahi Scott Mattingly and Christina Steinberg Mr. Gary J. Matus Ms. Jerilyn McAniff Mr. and Mrs. John C. McCarthy Mr. David McGowan Cathy and John McMullen Ms. Irene Mecchi Ms. Margaret Meehan and Mr. Joaquin Nunez Dr. Yolanda Mendoza Mr. Jorge Mestman Mr. and Mrs. Robert L. Mettler Larry Mielke Mr. and Mrs. Michael D. Miller Mrs. Iris Mink Mr. and Mrs. Mark Mischel Brian Mitteldorf Robert and Claudia Modlin Mr. Sean Moriarty Mr. Buddy Morra Bengt Muthen Mr. Emory R. Myrick Liron Nelik Mumsey and Allan Nemiroff Mr. Carl Neu Ms. Jo Ellen Nevans Mr. and Mrs. John W. Newbold Ms. Rozann Newman Ms. Kimberly Nicholas Ms. Norma Nicolayevsky Beth Nolan Darla S. Nunn, MD Mr. and Mrs. Oberfeld Mr. and Mrs. Arthur J. Ochoa Ms. Margo Leonetti O’Connell Mr. and Mrs. Steven Olsen Kim and P.F. James Overton Mr. Ralph Page Ellen Pansky Mr. Matthew Park Mrs. Jane C. Parks Mr. and Mrs. Robert D. Paster Mr. Thomas C. Payne Nicholas Pepper Marjorie Perloff Mrs. Charlotte Pinsky Mr. Christopher K. Poole Susan and Jerome Porath Sandra and Lawrence Post Ms. Eleanor Pott Mr. and Mrs. Dennis C. Poulsen Mr. Joseph S. Powe Debbie and Rick Powell Elizabeth Price John R. Privitelli
JEROME ROBBINS LEONARD BERNSTEIN LYRICS BY STEPHEN SONDHEIM
BASED ON A CONCEPTION OF BOOK BY
ARTHUR LAURENTS
MUSIC BY
ENTIRE ORIGINAL PRODUCTION DIRECTED AND CHOREOGRAPHED BY
JEROME ROBBINS
ROBERT E. GRIFFITH AND HAROLD S. PRINCE BY ARRANGEMENT WITH ROGER L. STEVEN S SEASON HONORARY PRODUCERS 20182019: THE CASSAR FAMILY
ORIGINALLY PRODUCED ON BROADWAY BY
JULY 26AUGUST 4 TOWestSideStory.com KAVLI THEATRE AT THOUSAND OAKS CIVIC ARTS PLAZA BOX OFFICE: 8007453000 • 2100 THOUSAND OAKS BLVD.
Cabrillo Music Theatre d.b.a. 5-Star Theatricals is a 501(c)(3) nonprofit organization.
PERFORMANCES MAGAZINE 99
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Been confused about life? Then get stable truth in Dianetics. BUY AND READ
DIANETICS THE MODERN SCIENCE OF MENTAL HEALTH
L. R L. RON HUBBARD by
Start the adventure - of you. HARDBACK: $40.00 PAPERBACK: $25.00 AUDIOBOOK: $40.00
Contact: L. Ron Hubbard Life Exhibition 6331 Hollywood Blvd Los Angeles, CA 90028 323-960-3511
HERE’S TO YOU
97%
of audiences read the program.
6.2
million readers annually.
65%
support advertisers who support the arts.
Call us to advertise 310.280.2880 We entertain great ideas.
DONORS
CONTINUED FROM PAGE 98
Ms. Marci Proietto Janet and Gerald Puchlik Max and Bradley Ramberg Mr. and Mrs. Wayne Ratkovich Susan Erburu Reardon and George D. Reardon Gay and Ronald Redcay Mr. Frank Reddick and Ms. Lisa Goquen Mr. and Mrs. Richard G. Reinis, Esq. Mr. Eduardo Repetto Mr. Timothy Reuben Ms. Irene Ribner Ms. Ann Rice Mr. Ronald Ridgeway Risk Placement Services Risk Placement Services Ms. Elizabeth Roberts Mr. William Robinson Mr. Ernesto Rocco Ms. Kristina Rodgers Mr. and Mrs. Derek A. Rogers Michelle and Mark Rosenblatt Mr. Richard Rosenthal and Ms. Katherine Spillar Mr. Bradley Ross and Ms. Linda McDonough Mr. Steven F. Roth Lois and Rabbi Moshe Rothblum Ms. Lori Rothschild Ms. Karen Roxborough Mr. Andrew E. Rubin Mr. David Rudy Ms. Anita Sabine Mr. and Mrs. Michael Sanders Drs. Joan and Harry Saperstein Allen Satenberg Mr. Kevin J. Savage and Ms. Britta Lindgren Mark Sawicki Ms. Maryanne Sawoski Mr. and Mrs. Alfred G. Scheid Carol (Jackie) and Charles Schwartz Ms. Alicia Schwarz Mr. and Mrs. Peter Segal Dr. and Mrs. Hooshang Semnani Mr. Majid M. Seyedi-Rezvani Mr. and Mrs. Jeffrey Alan Seymour Mr. Robert Shabkie Mr. Hovav Shacham Ruth and Mitch Shapiro Abby Sher Mr. Chris Sheridan Jodi Sherman Pamela and Russ Shimizu Dr. and Mrs. David B. Sievers Dr. and Mrs. Lee B. Silver June Simmons Dr. and Mrs. Robert Sinskey
Mr. and Mrs. Peter R. Skinner Mr. Kenneth Sleeper Professor Judy and Dr. William Sloan Cynthia and John Smet Ms. Roberta Smith Mrs. Shani Smolens Sodexo Daniel and Tracy Soiseth Mr. and Mrs. William Sollfrey Al and Joyce Sommer Mr. Scott Sorrentino SouthWest Heights Philharmonic Committee Alison D. Sowden Speakers Bureau Mr. and Mrs. Richard Spelke Ian and Pamela Spiszman Mr. Abraham L. Stein Mr. and Mrs. Joseph Stein Mrs. Hilde Stephens-Levonian Mr. Adrian B. Stern Ms. Margaret Stevens Dr. Angie Stockwell and Mr. Herbert Kanigher Robert and Joan Sugar Mr. Ed and Peggy Summers I.H. Sutnick Mr. Edmund J. Sutro Mr. Bradley Tabach-Bank Mr. Akio Tagawa and Ms. Yui Suzuki Ms. Randi Tahara Mr. Glenn Tan Tad Tanoura Mr. Stephen S. Taylor Thomas and Elayne Techentin Mr. Nick Teeter Ms. Amy Thomas Tichenor & Thorp Architects, Inc. Ms. Angela Tietze Mr. and Mrs. Robert Tokashiki Bonnie K. Trapp Jean Trebek Mr. Paul Tripodi Ms. Vera Tsai Judith and Dr. John Uphold Christine Upton Ms. Edelisa Uy Vargo Physical Therapy Mr. and Mrs. Zev Vered Perry Vidalakis Mr. and Mrs. Carl R. Waldman Ms. Shirley Starke Hope Warschaw and John Law Mr. William A. White Ms. Claudia Williams Mr. and Mrs. Kenneth Williams Tom and Lisa Williams Mr. and Mrs. Larry Wolf
Ms. Susan M. Wolford Ms. Eileen Wong William Wortman Mrs. Linda Schwartz-Wright Mr. Michael Yeaman Ms. Stacie Yee Mr. William Zak Nancy Zamora Marshall S. Zolla Rachel and Michael Zugsmith Friends of the LA Phil at the $500 level and above are recognized on our website. Please visit laphil.com. If your name has been misspelled or omitted from the list in error, please contact the Development Department at 213 972 0757. Thank you.
100 PERFORMANCES MAGAZINE onesixth.indd 1 HBOWL_WRAP_0719.indd 100
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CITY OF LOS ANGELES
“Tapestries of Music” • 116th Season • 2019 - 2020 SUNDAYS ó®ã« COLEMAN EMERSON STRING QUARTET October 27, 2019 JASPER STRING QUARTET WITH N ICHOLAS P HAN , TENOR November 24, 2019 Eric Garcetti MAYOR
Mike Feuer CITY ATTORNEY
Ron Galperin CONTROLLER
CITY COUNCIL
Bob Blumenfield Mike Bonin Joe Buscaino Gilbert Cedillo Marqueece Harris-Dawson Jose Huizar Paul Koretz Paul Krekorian Nury Martinez Mitch O’Farrell Curren D. Price, Jr. Monica Rodriguez David Ryu Herb J. Wesson, Jr. PRESIDENT
DEPARTMENT OF CULTURAL AFFAIRS Danielle Brazell GENERAL MANAGER
CULTURAL AFFAIRS COMMISSION
CONCERTO ITALIANO January 12, 2020 ELIAS STRING QUARTET February 16, 2020 TAKÁCS STRING QUARTET March 22, 2020 CAMERATA RCO April 5, 2020 All concerts on Sundays at 3:30 ÖÃ Beckman Auditorium California InsƟtute of Technology Pasadena, CA For a brochure, tickets & information, please contact us at 626.793.4191, krfccma@aol.com, or visit us at our website: www.colemanchambermusic.org
Los Angeles Dance Festival
2 Summer Shows
LADanceFest.org
Dust: Earth vs Humans @ Ivy Substation July 5-7 MultiMedia Dance on Environmental issues Tickets & Info: BrockusRED.org
Women Rising @ Ford Theatres Aug 16 Celebrating SoCal Women Choreographers Tickets & Info: FordTheatres.org
Eric Paquette PRESIDENT
Charmaine Jefferson VICE PRESIDENT
Jill Cohen Josefina Lopez Sonia Molina Elissa Scrafano John Wirfs
Dust performance is made possible in part by the City of Culver City in celebration of the 25th anniversary of the Performing Arts Grant Program with support from Sony Pictures Entertainment
PERFORMANCES MAGAZINE 101
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DONORS
POOL CIRCLE The LA Phil is pleased to recognize and thank the following Pool Circle supporters. We are deeply grateful for the generosity received for the 2019 Hollywood Bowl season. Anonymous (5) Mr. Robert J. Abernethy Mrs. Lisette Ackerberg Mr. Gregory A. Adams Ms. Barbara Adams-Mitchell Arnon and Camille Adar Dr. and Mrs. Frank Agrama Nancy Furse Alder Missy and Dennis Alfieri Mr. and Mrs. Stephen L. Allen Mr. Ronald Altoon Avery Dennison Corporation Bank of America Ms. Elizabeth Barbatelli Dr. Richard Bardowell, MD Karen and Jonathan Bass Gia Battocchio and Carrie Battocchio Menachem Mr. Robert Bellevue Dr. William Benbassat Mr. and Mrs. Gregg Bernstein Barbara Bernstein and Stephen R. Bernstein Beverly Hills Plastic Surgery, Inc. Samuel and Erin Biggs Mr. and Mrs. Norris J. Bishton, Jr. Mr. and Mrs. John Blasius Mr. Michael Blea Martha and Avrum Bluming Mr. Jay Borzi Ms. Bonnie Brae John and Annette Brende Gabriel and Deborah Brener Mr. Kevin Brockman Abbott Brown Mrs. Linda L. Brown Terry and Fran Buchanan Patricia Bulkeley Mr. Ronald W. Burkle Ann and Tony Cannon Mara and Joseph Carieri Esther S. M. Chui Chao Chicago Title Company Helen and Morgan Chu The Cloobeck Family Mr. Robert Corwin Arline and Michael Covell Ms. Mari L. Danihel Faye and Bob Davidson Kelvin L. Davis Ron de Salvo Orna and David Delrahim Ms. Rosette Delug Mr. John Devoe Carolyn Dirks Family
Elizabeth and Kenneth M. Doran Malsi Doyle and Michael Forman Anna Sanders Eigler Dr. David Eisenberg Gail and James Ellis Geoff Emery Dr. Annette Ermshar and Dan Monahan Dr. James Eshom Mr. Marc Ezralow Mr. Marshall Ezralow Mr. Brad Fauvre Mr. C. Randolph Fishburn and Mr. Andrew Sands Pauline and Gordon Freshman Joan Friedman, PhD and Robert N. Braun, MD Mr. and Mrs. Josh Friedman Mrs. Brenda L. Galloway Rachel Gerstein The Rosalinde and Arthur Gilbert Foundation Leslie and Cliff Gilbert-Lurie Ms. Malinda Gilchrist The Gillis Family Kiki and David I. Gindler Mr. and Mrs. Gregg J. Gittler Paige and David Glickman Mr. and Mrs. Ronald Goldberg Henry J. Gonzalez, MD Mr. and Mrs. Daniel Gore Mr. and Mrs. Ken Gouw Mr. Jeff Green Tricia and Richard Grey Ms. Paula M. Grigsby Mr. Alan Grosbard and Ms. Karen Bobo Renée and Paul Haas Mr. and Mrs. David Haddad Rod Hagenbuch Ms. Timi Hallem Hancock Park Associates Mr. and Mrs. John Hancock Dwight Hare and Stephanie Bergsma Mr. Les Harrison Mr. and Mrs. Kenneth Hearn Mr. and Mrs. Irwin Helford and Family Mr. and Mrs. Kenneth Hertz Dr. and Mrs. Warren F. Hoffman Janice and Laurence Hoffmann Ms. Judy Hohman Mr. and Mrs. Philip J. Holthouse
Mr. Benjamin Hops Mr. and Mrs. Daniel Paul Horwitz Ms. Julia Huang Mrs. Bonnie Hutchins Dr. and Mrs. Mark H. Hyman Shelby and Jason Istrin Dr. and Mrs. Adel F. Jabour Mr. and Mrs. Theodore W. Jackson Mr. Richard Jacobs Mr. and Mrs. Richard Jacobs Mr. Paul A. James Ms. Lorri L. Jean and Ms. Gina M. Calvelli Mrs. Michelle Joanou Jones Day Jones Marketing Services Gary Kading Monique and Jonathan Kagan Jo Ann and Charles Kaplan Mr. and Mrs. Joshua R. Kaplan Linda and Donald Kaplan Dr. and Mrs. Robert M. Karns Tobe and Greg Karns Gerald L. Katell Anne and Michael Keating Kem Productions, Inc. Richard Kendall and Lisa See Darioush and Shahpar Khaledi Kidney Disease Medical Group Laura King and Charles Nagurka Vicki King Mr. Gary Kirkpatrick and Mrs. Rebeccah Bush Kirkpatrick Ms. Madeleine A. Kleiner Michael and Patricia Klowden Dr. and Mrs. Robert Koblin KPMG LLP Roberta Kramer and Evert Rapmund Mr. and Mrs. Stanley Kramer Sandra Krause and William Fitzgerald Tom Lallas and Sandy Milo The Norman and Sadie Lee Foundation Ms. Marlene Leitner Leonard Green and Partners LP Rick and Jan Lesser Saul Levine Mr. and Mrs. Steven Levine Lydia and Charles Levy Allison and Thomas S. Levyn Marie and Edward Lewis Mr. Stuart Liner Mr. and Mrs. Steve Loeb
Mr. and Mrs. Robert Lopata Shelly and Dennis Lowe Ms. Marion Lowry Dr. and Mrs. Franklin W. Lusby Theresa Macellaro / The Macellaro Law Firm Mr. and Mrs. Alfred E. Mann Barbara Marshall Mr. Gary J. Matus Mr. and Mrs. Brad McCroskey Dwayne and Eileen McKenzie Sharyl and Rafael Mendez, MD Mr. and Mrs. Rick Merrill Mr. and Mrs. Bruce A. Meyer Ms. Julie Milligan Jody Minsky Ms. Cynthia Mitchell Montessori School Moore McLennan, LLP Mr. David S. Moromisato Toni Hollander Morse and Lawrence Morse Susan Morse-Lebow Mr. Angelo R. Mozilo MUFG Union Bank, N.A. Mr. Jose Luis Nazar Mumsey and Allan Nemiroff Ms. Becky Novy Mr. Steven Ohren D. Orenstein & J. Lu Christina Oropeza Dr. and Mrs. Jay Orringer Ana Paludi and Michael Lebovitz M. David and Diane Paul Mr. and Mrs. Joseph P. Perna Mr. Alan Pick Joe and Lorena Plascenia Karen Polk Mr. Mark E. Pollack Lyle and Lisi Poncher Mr. Michael Poole Quality Production Services Sally and Frank Raab Mr. and Mrs. W. Randolph Reiss William J. Resnick, MD Mr. and Mrs. Frederic Rheinstein Mr. Robert G. Rifkind Betsey and Neil Roberts Ms. Iva C. Roberts Ms. Elizabeth Davis Rogers Ari Rosenblatt, D.D.S. James and Laura Rosenwald / Orinoco Foundation Joyce and Deane Ross Linda and Tony Rubin
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Mr. Larry Ruderman Katy and Michael S. Saei Mr. Adam Saitman Mr. Lee C. Samson Ellen and Richard Sandler David N. Sayah, MD Mr. and Mrs. Alfred G. Scheid Mr. Dino Schofield Mr. and Mrs. Gerry Schwartz Dr. Donald Seligman and Dr. Jon Zimmermann Neil Selman and Cynthia Chapman Dr. and Mrs. Hrayr K. Shahinian Dr. Hanna Shammas Dr. John L. Sherman Mrs. S. Shinbane Dr. and Mrs. Lee B. Silver June Simmons Grady and Shelley Smith Pamela J. Smith Marilyn and Eugene Stein Mrs. Hilde Stephens-Levonian Mr. Ed and Peggy Summers Mr. David Suruki and Mr. Bob Shahnazarian Mr. Elgart Aster and Mr. Paul A. Swerdlove Mr. Stephen A. Talesnick Mr. and Mrs. Randall Tamura Mr. Avedis Tavitian Mr. Andrew Tennenbaum Ms. Jennifer Terry Thomson Technicolor Judith and Dr. John Uphold Mr. Jon Vein and Mrs. Ellen Goldsmith-Vein Joan Velazquez and Joel Kozberg Noralisa Villarreal and John Matthew Trott Christopher V. Walker Fredda and Bruce Wasserman Mrs. Judi Watson Mr. and Mrs. Bradley Wayne Mr. and Mrs. Stephen Weber Mr. Beryl Weiner Mindy and David Weiner Mr. Joel Weiner Dr. Robert Weissman Ms. Galena Nayberg and Mr. Seth Weissman Western Health Insurance Services, Inc. Todd Whitney Alyce de Roulet Williamson Mr. Peter Christian and Mr. Robert Wyka Mr. Dylan Yolles Mrs. Lillian Zacky Zenith National Insurance Co. Ms. Seeta Zieger Mrs. Daphna Ziman
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Distinctive Residential Settings | Chef-Prepared Dining and Bistro Premier Health and Wellness Programs | Award-Winning Memory Care Professionally Supervised Therapy and Rehabilitation Services
The Community Built for Life.® Eight Los Angeles Area Locations belmontvillage.com unpueblosquarefinal.pdf
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4:37 PM
© 2019 Belmont Village, L.P. | RCFE 197608468, 197608466, 197608467, 198601646, 565802433, 197608291, 197609518, 306005563
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VALET PARKING
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If the behavior of a patron or patrons near you becomes disruptive, the incident should be reported to the nearest usher or security person. To report an incident discreetly during an event, a text can be placed to the Customer Courtesy Line using the keyword BOWL to 69050. For the full Code of Conduct visit hollywoodbowl.com/houserules.
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For information detailing accessible seating, restrooms, dining, on-site transportation, assistive listening devices, or any further information, please request the Map of the Hollywood Bowl for Patrons with Disabilities by phoning 323 850 2125. Please ask for Accessible Services, or visit hollywoodbowl.com/ accessible.
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Your use of a ticket constitutes acknowledgment of willingness to appear in photographs taken in public areas of the Hollywood Bowl and releases the Los Angeles Philharmonic Association, its lessees, and all others from liability resulting from the use of such photographs.
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Any lost articles found on concert nights may be claimed at the Operations Office the next morning. Unclaimed articles are kept for 30 days from the date on which they are found. For information, call 323 850 2060.
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In case of illness or injury, please see an usher, who will escort you to the First Aid Station.
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By law (LACC 17.04.645), smoking is not permitted on the Hollywood Bowl grounds, except in designated areas. Violators are subject to removal. Smoking in any other areas could lead to arrest and would be considered a misdemeanor.
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Helping you achieve your goals has always been ours 3
Merrill Lynch Wealth Management proudly congratulates David G. Adishian for being named to Forbes' 2019 "Best-in-State Wealth Advisors." Who’s watching your wealth? Call and let’s have a conversation. 2
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The Adishian Group
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David G. Adishian, CPFA, CRPC® Senior Vice President Wealth Management Advisor Senior Portfolio Manager
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310.536.1670
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david_g_adishian@ml.com
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fa.ml.com/adishian_group
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*Source: Forbes “Best-in-State Wealth Advisors” list, February 2019. The ranking for this list by SHOOK Research is based on due diligence meetings to evaluate each advisor qualitatively, a major component of a ranking algorithm that includes: client retention, industry experience, review of compliance records, firm nominations; and quantitative criteria, including: assets under management and revenue generated for their firms. Forbes is a trademark of Forbes Media LLC. All rights reserved. Rankings and recognition from Forbes/SHOOK Research are no guarantee of future investment success and do not ensure that a current or prospective client will experience a higher level of performance results and such rankings should not be construed as an endorsement of the advisor.
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Investment products:
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Merrill Lynch Wealth Management 2301 Rosecrans Avenue Suite 3150 El Segundo, CA 90245
Are Not FDIC Insured Are Not Bank Guaranteed
May Lose Value
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CRPC® is a registered service mark of The College for Financial Planning.
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