HOW IT IS… ARTS AND CRAFTS ONLINE MAGAZINE Autumn Edition
March — May 2015
The CCIFSA PAGE 90 & 91
Write your own
Biography Page 63 & 64
EXPLORE
Bathurst 84 & 85 Clarens 86 & 87
Hand Made VS Mass Production Page 10 – 16
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Clean your craft room/space. Donate all those materials that you have never used. There are many clubs, associations, community projects, that can benefit from these materials. Give it to a friend who would like to try a new craft.
Join a “Craft Together” event. They are relaxing and bring people, with the same interest together.
Craft Routes—Woodlands Boulevard, Pretoria East Zet’s Gifts and Crafts—Gezina, Pretoria Revival Emporium—Maroelana, Pretoria East www.crafttogethersa.blogspot.com
Host a “Craft Party” Fun, relaxing way to do shopping for, or with, that special girlfriend, mother or sister in your life.
http://www.wikihow.com/Celebrate-National-Craft-Month 2
Recycle/Upcycle So many different, functional items can be made from your everyday waste.
Learn a new craft. Join a workshop or class in this month and try a craft, you have never done before.
Finish a project that you haven’t completed. Use this month to accomplish tasks. Are there crochet pieces or mosaic projects that still need that finishing touch?
Make a new “Craft Friend” Join our “ Secret Craft Friend” Group
Become a Mentor
And teach someone a life changing skill. 3
Join our Facebook Group: “Secret Craft Friends” Download the Craft Friend Application Form from our files.
https://www.facebook.com/groups/530225630448171/ Recycle/Upcycle Workshop Centurion—Gauteng 15 March 2015—R150 per person. Everything included. Turn everyday waste into functional items. More info: candihj@gmail.com Cell: 082 325 4296
allgirlzclub.2009@gmail.com
https://www.facebook.com/groups/180253455418971/ 4
Editor’s Note I am an artist! Say it with me: “I am an artist!” The first step in becoming a great artist is to believe in yourself and your abilities. You’re biggest critic is you!!! Need a little inspiration? This issue looks at a few artists and crafters who, through passion, determination and hard work, have succeeded to change their hobbies into full-time jobs.
We will also be looking at “Mass Production vs Handmade”. For most artists this is a very touchy subject, as they feel that the public and clients don’t appreciate the experience, time, love and attention that go into handmade products. The article also covers the other side of the story. Mass production has as many advantages as disadvantages. People have to be educated to understand both sides of the story and to make informed choices when buying handmade vs mass produced items. We hope that our article will help to shed some light on the subject. Don’t forget to take part in our arts and crafts challenges. Feel free to send us photos of your work. 5
March is National Craft Month How to celebrate Craft Month? Page 2 ~ 4 Editor’s Note CHATTERBOX Page 5
PAGE 9
Handmade
Mass
Difference between ceramics pottery porcelain
Production
Page 20 & 21
VS
Page 10 ~ 16
Potter
“Ons Heila van die Stasie” Art Exhibition Page 17
Jacob Hendrick Pierneef
Mosaic4Hope Beneficiaries and more… Page 24—27
Page 22 & 23 Joseph Mathe Deputy Director
Rebecca
Craft Development (DAC) Page 28 & 29
Matibe Page 18 & 19
Christo Venter
Arts and Crafts Challenge
Page 30
Page 31 - 35
Baruch Page 38 & 39
Craft Together Page 36
ART HISTORY
Page 40 ~ 45
Draw or paint your emotions Page 46 & 47 6
MARIA Page 48 & 49
FOLDING TREES PAGE 52
Roche Gerber Page 50 & 51
BUSINESS
NEXT COLUMNS OF THE BUSINESS MODEL CANVAS
PAGES 53—57
& BUSINESS ADVICE
PAGE 58 & 59
ART Q & A
Craft
Answered by Johanna
Questions & Answers
Page 60 & 61
Page 62 & 63
Write your own Biography Page 64 & 65 CHARLIEN MULLER
Reaching for the Stars
Kids Interesting Art & Craft Dates Challenges Page 80 & 81 Page 72 ~ 76
Page 66 ~69 MARKET Glass LAROCHELLE CHANTE SHOWS Forming WILLIAMSON OPPERMAN EXPO’S AND KIDS Academy KIDS ARTIST FESTIVALS CRAFTER PAGE 79
PAGE 82 & 83
EXPLORE BATHURST AND CLARENS
PAGE 84—87
Page 70 & 71
PAGE 78
What is a miniature? Page 88 & 89
The CCIFSA Page 90 & 91 Small Adverts Page 98 & 99
ART & CRAFT CLASSES Page 92 & 93
Galleries & Exhibitions Page 94 & 95
JJ’S Mouth Paintings Page 96 & 97
Contacts Page 100 & 101
Lionel Murcott Page 102 7
http://www.dickblick.com/categories/paintingknives/
Take your paintings to the next level with these uniquely shaped painting knives. Use them with relief pastes, including mortar, matte and heavy gels, modelling pastes, and gesso. Experiment with creating "relief" effects in a variety of consistency and layers with acrylics and oils. These Italian-made knives feature water-resistant mirror blades made of hand-ground steel and handles crafted of high-quality bubinga wood.
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CHATTERBOX Cell: 082 465 0494 Facebook: https://www.facebook.com/groups/639554556151596/ Twitter: @ArtsandCraftsAssSa E-mail: artsandcraftssa@gmail.com Web page: www.artsandcraftssa.wozaonline.co.za
I started looking through “How it is…”, the first issue, and it is stunning. Great concept
Great magazine for reading
Kades Lubbe.
all the wonderful
I’ve finally seen the light.
and gaining new knowledge. Thank you for information.
Ai Daphne, I’ve only just ALBIE (Elmon Albie Mare) seen the whole magazine. Wow, you are a champ. What a great way to Congratulations. share info and advice on Koos Bronkhorst how to get creative. Lovely ideas and full of inspiration. Great idea ....well done Michael John Parsons
Sue Peddle 9
Handmade VS Mass Production Mass Production involves making many copies of products, very quickly. Using assembly line techniques to send partially complete products to workers, who each work on individual step, rather than having a worker work on a whole product from start to finish. Hand-made isn’t necessarily better than machine-made. Which is better depends on materials used, the precision required, the attention to detail required, and the overall design, It also depends on the person making it. When something is advertised as being hand-made it is usually because:
It is something that can benefit from attention to detail and a certain amount of artistry. The person making it by hand can check the quality of each bit of material as it is used and ensure that everything fits together absolutely perfectly. 10
The Arts and Crafts Movement began primarily as a search for authentic and meaningful styles for the nineteenth century and as a reaction to the eclectic revival of historic styles of the Victorian era and to “soulless� machine-made production as a consequence of the technological shift brought on by the Industrial Revolution. Considering the machine to be the root cause of all repetitive and ordinary evils, some of the protagonists of this movement turned entirely away from the use of machines and towards handcraft which tended to concentrate their production on hands on sensitive but well-heeled patrons.
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What does original and unique mean?
When is a product not original and unique? Those who sought compromise between the efficiency of the machine and the skill of the craftsman thought it a useful endeavour to seek the means through which a true craftsman could master a machine to do his bidding - in opposition to the reality which was much more common during the Industrial Revolution, namely that humans had become virtual extensions of the industrial machine. Source: http://www.newworldencyclopedia.org/entry/Arts_and_Crafts_Movement 12
For those devotees who embrace a strict definition of “hand-made”, let me clarify this. Chinese factories aren’t productmaking robots. China’s major resource wasn’t an overflow of machines, that could make anything. It was hundreds of millions of people willing to do the work. Much of what you can buy at a retail chain is 100% made by hand - the hands of overseas factory workers.
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Continuous and Mass Customisation Options While mass production, batch production and job order work are all separate options, businesses often end up using a combination of different systems. Technology and product development often allow companies to offer customisation even with mass customisation. Part of the process is mass or batch, and then it moves to job order styles in order to customise the product. This raises the value offering of the business considerably.
“They don’t make ‘em like they used to…” is a phrase commonly uttered in reference to the quality of a product inspired by mass production. The days of a craftsman that learned a skill passed down from a family member’s business or by way of an apprenticeship are nearly gone for good. Mass production has streamlined the process of high volume low cost output of many manufactured goods. As companies are forced to compete for their share of the marketplace, the consumer has dictated that cost is king.
http://smallbusiness.chron.com/advantages-disadvantages-massbatch-job-order-manufacturing-systems-21513.html 14
Originality VS Copies This article is not about originality VS copies, There are many types of factories, but all factories have something in common, manufactured products are mass produced. In mass production, the product is made the same way, over and over again, thus the product is cheaper to make and therefore cheaper to buy. In custom production, the product is made one at a time, to the buyer's specification. In this way, it will be more expensive to make and therefore to buy. However, it will be exactly what the customer wants and/or needs as opposed to a mass produced product which may or may not fit the customer's criteria.
but rather about hand made VS mass production. In our next issue, we will do an article about “Originality VS Copies” and “Copy right in South Africa and Internationally”.
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In order to support the handmade community, and promote the importance of buying handmade goods, we asked artists, designers and shop keepers to provide us with 101 reasons why one should buy handmade. Here are some of their replies:
1. Help contribute to establishing a new economic model. 2. The exception of postage cost - contribute to decrease in fossil fuel erosion. (purchasing mass produced products generally come from overseas - barging it all over, production costs, sweatshops, fair labour, etc.) 3. This new wave of craftspeople are using recycled materials. This is CRUCIAL. 4. Purchase from artisans/crafts people who ENJOY creating.
5. Support the artisan directly.. 6. Support local community. 7. Buying from crafts people is a conscious decision. People need to be more conscious of spending, of where their hard-earned money is going, changing hands, etc. Sonja Ahlers, Makeitawesome.etsy.com
CENTURION ART ASSOCIATION PRESENTS OUR ANNUAL MEMBERS EXHIBITION
“Ons Heila van die Stasie” 20 –30 April 2015 Centurion Art Gallery For more info contact: Suzie Roos suzieroos@gmail.com
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Every Tribe had a Potter African pottery has always used raw materials, easily found in the environment, like clay. Clay is found in abundance everywhere on the African continent and South Africa is no different. Most potters in a village were women because they were the ones who needed the pots for cooking and for their homes. When the potters were men, they only did it for ceremonial vessels. Furthermore, woman potters were not allowed to decorate their pots and utensils with animals or human figures. This is because these fiqures were generally reserved as art done by male potters.
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Born in 1934 in Mabile Village near the Kruger Park in Limpopo, Rebecca was introduced to the traditional crafts practiced by women as she assisted her mother in activities such as painting walls. Around the age of 12 she started making ceramic dolls and was introduced to the craft of making traditional cooking pots by her grandmother, furthering her skills at a later stage in this discipline under her sister-in - law’s training. Forced to become self - sufficient after the death of her husband, she started selling her pots which enabled her to support herself and her family. In spite of her slightly impaired sight, her pots are all perfectly balanced and well proportioned with the rim exactly round and level, with a flawless, polished surface. According to the artist, she dreams of her pots while asleep, and draws them on her heart so that they can become reality in the morning. She does not use any modern equipment such as a potter’s wheel or electric kiln to produce her perfectly formed pieces, their aesthetic quality hinges on the simplicity of design, seemingly transforming ordinary objects into works of art. Rebecca collects her clay from the river bed near her village and uses the traditional Venda method when forming her pots, which at first are only completed from the middle to the top, then the lower half is formed. When the pot is leather hard, it is decorated with graphite (phomo), grayish in colour and ochre (Luvhundi) from Thoyandou, a red powdered soil. The Graphite is obtained from Zimbabwe or mined in Venda. The pots are then fired in a pit using weed and cow dung for fuel, after which they are polished. Sculpture is another outlet for Rebecca’s talent. She often depicts animals such as elephants or figures featuring local men and women, portraying the problems arising from men who have ventured away from the traditional lifestyle in search of meaningful employment, while women are left behind, locked in the past. In this sculptural piece, resembling a flower or cacti, she pushes the boundaries of traditional Venda pottery, using the bold shape as a metaphor for female sexuality, in a possible response to her experiences as a women in a patriarchal society. Passing on her skills has become an important aspect of Rebecca’s work, often hosting workshops in extended housing and studio facilities which she has built, passing on skills that have been taught for generations and which have now become part of mainstream culture.
Source: http://www.blog.standardbank.com/arts/2011/07/artist-profile-rebecca-matibe-master-craftsperson 19
Clay bodies can be broken down into three main categories: Earthware, stoneware and porcelain. Earthenware is a secondary clay. Source:
Www.ohappyclay.org/day-in-the-classroom/clay-bodies/ Www.ceramicsafrica.co.za http://madiathavha.com/artist/rebecca-matibe-2#jp-carousel-4764
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Jacob Hendrick Pierneef Born 13 August 1886 Died 4 October 1957 Pierneef, was one of the most prominent SA Artist whose modemist and geometric style revolutionised South African art in the early 20th century. Pierneef is often named as South Africa’s greatest painter and his work is widely praised for its combination of raw genius and dedication to technique. Pierneef excelled at landscape portrayals of the Highveld which provided a lifelong source of inspiration for him. Pierneef’s style presents a formalised and ordered view of South African landscape, often monumental in conception, uninhabited and influenced by the dramatic light and colour of the Highveld. One of South Africa’s leading landscape artists and the first artist whose work was conditioned by local environment, his distinctive style is widely recognised.
Source: Www.africansuccess.org/visuFiche.phpid=564&lang=en http://commins.wikimedia.org/wiki/FileJH_Pierneef_-_AGter_Simonsber_KP_1930.jpg 22
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In every issue, we will have a craft project, which will benefit a charity organisation. The returned,
completed mosaic blocks will be donated to New Beginningz
Completed Mosaic Blocks, or any other completed 4Hope project,
Mosaic4Hope and, all our other 4Hope kits, can be delivered, and are available, from Zet’s Gifts and Crafts, c/o Steve Biko and Booysens St, Pretoria, Gezina
can be posted to 4Hope
PO Box 35279 Menlo Park, Pretoria
R50 of each Mosaic4Hope kit sold, will be donated to the Lanie-Michelle Lombard Trust
Orders for Mosaic4Hope Kits or any of our other 4Hope Kits can be send to artsandcraftssa@gmail.com 24
MOSAIC4HOPE DAY
At the moment, New Beginningz, are able to take care
of the children until they are 5 years old. If they are not adopted by then, they are placed back into the system. They are currently in the process of building a new
home for the kids, which will enable them to take care of the children until they have completed the new
home.
We want to help them to make this home special with our Mosaic 4Hope Tiles. If you would like an invitation to the Mosaic4Hope
Installation day please send us your information to: artsandcraftssa@gmail.com, subject line Installation Day
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New BeginningZ has been in operation since 2001, with the main focus being children living and working on the streets. In 2003, due to HIV/Aids Pandemic we included Child Headed Households to our focus group and in 2004 we had to include yet another vulnerable group - abandoned babies and toddlers. We cater for children between the ages of birth and up to 18 years. It is of paramount importance to us to render services and programmes that is in the best interest of every individual child that we deal with. Just as soon as you think you've seen the worst of cases, you come across yet another one. Abusers don't discriminate against colour, creed or age. Child Abuse is rife in our country and unfortunately not nearly enough is being done to protect the future of our country, the children. Government is shirking their responsibility when it comes to providing for destitute families, therefore making it increasingly difficult for the poorest of the poor to survive. Abuse & Poverty are the main contributing factors to street children and abandoned baby statistics in our country. CONTACT US New BeginningZ 558 Bengal Str, Laudium, 0037 Tel: (012) 384 2189 Fax: 086 638 6335 Cell: 082 522 7868 Email: tahiyya@newbeginningz.org NPC: 017-243 PBO: 930 011 817 Section21:2010/014470/08 26
Lanie-Michelle Lombard Trust Wilson’s disease is a genetic disorder that is fatal unless detected and treated before serious illness from copper poisoning develops. Wilson’s disease affects approximately one in 30,000 people worldwide. The genetic defect causes excessive copper accumulation in the liver or brain. Small amounts of copper are as essential as vitamins. Copper is present in most foods and most people have much more copper than they need. Healthy people excrete copper they don't need but Wilson’s disease patients cannot. Copper begins to accumulate immediately after birth. Excess copper attacks the liver or brain, resulting in hepatitis, psychiatric, or neurologic symptoms. The symptoms usually appear in late adolescence. Patients may have jaundice, abdominal swelling, vomiting of blood, and abdominal pain. They may have tremors and difficulty walking, talking and swallowing. They may develop all degrees of mental illness including homicidal or suicidal behaviour, depression, and aggression. Women may have menstrual irregularities, absent periods, infertility, or multiple miscarriages. No matter how the disease begins, it is always fatal if it is not diagnosed and treated. The first part of the body that copper affects is the liver. In about half of Wilson’s disease patients the liver is the only affected organ. The initial physical changes in the liver are only visible under the microscope. When hepatitis develops, patients are often thought to have infectious hepatitis or infectious mononucleosis when they actually have Wilson’s disease hepatitis. Testing for Wilson’s disease should be performed in individuals with unexplained, abnormal liver tests.
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Source: http://news.artsmart.co.za/2009/03/joseph-mathe.html He is responsible for the co-ordination and facilitation of projects, the development of policy and legislation for craft development in South Africa and monitors and evaluates government policies, programmes and projects. In addition, he is responsible for the development of tender specifications and briefs, evaluation of tenders and the management of consultants. He also plays a key role in the management of the processes to develop and sign contracts with service providers. A number of high profile projects in which Mathe has facilitated and coordinated include the National Craft Imbizo, Beautiful Things Exhibition at the World Summit on Sustainable Development, Celebrate South Africa in London, SIAO Trade Fair and the Beautiful Things Craft Super Market of 2006. In addition he has managed projects to exhibit South African creative industries in countries like Spain, China, Burkina Faso and Algeria, the US and the UK.
Besides being a family man with one child, Mathe is passionate about the ongoing development of strategy for craft development which includes marketing, training, funding, access to information and access to raw materials. Highlights of his career at the Department include being part of the Ten Years of Freedom Task team of the Department of Arts and Culture in 2004. Mathe has a Bachelor of Arts in Education from Wits University and has obtained a certificate in Economic Literacy. Lastly he is the department representative in the National Craft Steering Member of the Departmental Publishing Committee. 28
South Africa’s arts and culture are as varied as one might expect from such a diverse nation. The blend of local cultures and diverse influences make for a melting pot of creativity that never disappoints. As custodians of South Africa’s diverse cultural, artistic and linguistic heritage, the Department of Arts and Culture aims to develop and preserve South African culture to ensure social cohesion and nation-building.
South Africa’s cultural and creative industry is a good revenue generator, and still has great potential to produce more and contribute to job creation. The Cultural Industries Growth Strategy capitalises on the economic potential of the craft, music, film, publishing and design industries. The Department of Arts and Culture provides support in the form of financing, management capacity, advocacy and networking, and by developing public-private partnerships and other initiatives that use culture as a tool for urban regeneration. Worldwide, the turnover of cultural industries makes this the fifth-largest economic sector, which comprises design, the performing arts, dance, film, television, multimedia, cultural heritage, cultural tourism, visual arts, crafts, music and publishing. The department has entered into partnerships with significant stakeholders to map the cultural industries. Cabinet has identified the creative and cultural industries as one of the drivers of economic growth and job creation in the implementation of the New Growth Path. The Industrial Policy Action Plan 2 identifies the cultural industries, in particular the craft sector, music, jewellery production, clothing, leather, footwear and textiles as some of the sectors that will be subjected to focused and significant support by the State.
Source: https://www.dac.gov.za/taxonomy/term/381 29
TREE FACES FAIRY DOORS AND MORE
Hand Made from high fired Ceramic https://www.facebook.com/profile.php? id=660624760&pnref=friends.search
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How it is… does not provide instructions with arts and crafts projects. In each issue, we present, new and different art and craft challenges. We challenge, young and old, to participate. The goal of each challenge is, for our readers, to be as creative and original as possible. You are welcome to send us images of your completed projects. Some projects will be selected to be published in our next issue. Remember to check out our next issue to see if your project made it to “print”.
How it is… reserves the right to publish any photos sent to us, by our readers, in our magazine, and or social media. Please include the following when you send us your photos: Artist/Crafters Name & Surname,
Name of Project; Medium Used: Age (if under 18): 31
Make a Miniature Item using Polymer Clay Remember be as unique and creative as possible. What is Polymer Clay? Polymer Clay is an oven baked modelling compound, widely used to sculpt dolls’ house miniatures and food, scale dolls and figures, and scale models. A form of Poly Vinyl Chloride,it remains workable until cured by baking at the specific temperature recommended for that particular brand of clay. Various brands of clay have different handling and finished properties. Clay brands are often chosen by what type of work you want to achieve with the clay. Stiffer clays are generally used for forming repeated patterns which are cut as slices from canes. Softer clays are used for modelling and blending sculptures. 32
I first met Colleen Downs, aka LoopyBoopy, several years ago at Etsy when she joined me and others in our campaign for a dolls and miniatures category on that site. The first time I saw one of Colleen's dolls, will admit I wasn't sure what to think about it but the longer I looked at the pic, the more I began to like the doll. There was something about the eyes and facial expression... Source: http://goldenunicornminis.blogspot.com/2012_07_01_archive.html
Source: http://www.toxel.com/inspiration/2010/12/07/miniature-food-
Samples to inspire you to make your own original items. 33
The Photo-a-Day Challenge, also known as a Photo 365, was created by photographers to improve their skills and to share what they have learned with others in the photography community. Artists can borrow this idea to improve their art skills by starting a Sketch-aDay Challenge for themselves. Even better, you can encourage your art group, either online or off, to join you. Here’s how to get started on the challenge and how to find something to sketch for 365 days. Without a steady stream of ideas, it can be easy for an artist to give up on a sketching challenge after just a few weeks. To get ideas and stay motivated at: https://creativemarket.com/blog/2014/02/26/ how-to-do-a-sketch-365-or-sketch-a-day34
There are a few items an artist will need to set up a successful sketching challenge. The most important tool, of course, is a sketchbook. Here are some tips:
Choose a sketchbook that you can carry anywhere with you. One that fits in your purse or tote is best.
Find a sketch book that has a rigid cover. This will make it easier to sketch when you don't have a hard surface to place your sketchbook on while you draw.
Pick a sketchbook that has smooth paper. Smooth paper is easier to draw on with a pen or pencil.
Decorate the cover of your sketchbook or buy one that is already beautiful. This will boost your inspiration every time you open it.
Use mediums that are easy to carry, store and use, such as coloured pencils, pens or graphite pencils. A collection of other mediums is also a good idea since switching mediums can induce creativity. Next, you will need a blog to share the sketches. This isn’t mandatory, but it does help to motivate an artist if there is an audience waiting for the next sketch to appear. You can get a free blog at Blogger.com, WordPress.com or Yovia.com. You will also need a scanner or digital camera to upload the sketches to the blog in digital form. 35
VIEW OUR WEB PAGE TO SEE PARTICIPATING VENUES
“Craft Together” Socialise, network, make new friends, spend time with old friends, relax and enjoy, while working on your own project.
Invite Your Friends
Whatever, arts or crafts project you are busy with, bring it along and join us for the day.
Time slots may differ from venue to venue. Please find contact details on our blog to confirm venue times.
Together for Fun!!! Sharing Creativity!!! Giving Advice and Tips!!! Sharing Experiences & Ideas!!! Terms and Conditions Apply www.crafttogethersa.blogspot.com 36
FRIDGE MAGNETS 7CM X 7CM R20 EACH 37
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Our handmade embroidered ladies shoes are unique, stylish and durable. Available colours: - Black, Navy Blue, Oats Brown, Mink (pastel purple), and Cream. 39
Art History Time Line Egyptian (3100 b.c– 30 b.c) Chief Artists and Major Work Imhotep, Step Pyramid, Great Pyramids, Bust of Nefertiti
CHARACTERISTICS
Art with an after life focus: pyramids and tomb painting.
Narmer unites Upper/Lower Egypt (3100 b.c) Rameses II battles the Hittites (1274 b.c): Cleopatra dies (30 b.c)
Chief Artists and Major Work
Parthenon, Myron, Phidias, Polykleitos, Praxiteles
Athens defeats Persia at Marathon (490 b.c) Peloponnesian Wars (431 b.c -404 b.c) Alexander the Great’s conquest (336 b.c - 323 b.c)
(850 b.c– 31 b.c) CHARACTERISTICS
Greek idealism, balance, perfect proportions: architectural orders (Doriclonic, Corinthian)
GREEK & HELLENISTIC 40
ART HISTORY
Narmer's Palette (31st Century) Ancient Egyptians believed that rather than creating art (for which they had no word), they were creating works of beauty that emulated from their profound reverence for the gods. And ancient Egyptian art reflected this reverence. But it also reflected a great sense of order, giving rise to a distinct artistic style which remained virtually unchanged for over 3000 years. The following are samples of the most distinguished works of ancient Egyptian art. Nefertiti Bust (14th Century BC)
Throne of Tutankhamun (14th Century BC) http://historylists.org/art/10-most-distinguished-works-of-ancient-egyptian-art.html 41
Pattern Greek Border: The Western world is heavily influenced by ancient Greek and Roman art. Much of Western culture, recording the dispersed pattern and later reconstructing it. Answer for meaning of Greek Key Pattern means a repeat of interlocking right-angles and vertical lines, usually used as a border ornament.
http://patntf.com/greek-art-patterns/ 42
A Hellenistic gold oak wreath, Circa 4th-3rd Century B.C. Estimate: ÂŁ100,000 - 120,000. photo Bonhams
These Hellenistic bracelets from the 1st century BC show the influence of Eastern cultures. Walters Art Museum, Baltimore.
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Gold earrings Greek, Hellenistic Period, 300BC.
Gold necklace set with garnets and glass paste. From Palaiokastro, Thessaly. Late 2th-early 1st century BC. Athens, National Archaeological Museum, XP940 http://ancientpeoples.tumblr.com/post/84038950663/gold-earringsgreek-hellenistic-period-300 http://www.jewellerymuseum.ru/greece/greece_68_1_en.htm 43
http://www.pinterest.com/mariateunis39/terracotta-antiek/
300 BC, Ceramics Ancient, Hellenistic Periodic, Circa 300, Asko Depicting, Fine Art, Ancient Pottery, Early Hellenistic, Ancient Greece
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http://www.antiques.com/classified/Antiquities/ Ancient-Greek/Antique-Ancient-Greek-hellenistic-
Ancient Greek-Hellenistic pottery wine amphora with two handles and a ring base "Would have been used to carry concentrated wine", dated from 300 BC " 45
Talk or write about your emotions. Emotion: a strong feeling deriving from one’s circumstances, mood, or relationships
Talk or write about colour. Yellow Cheerful, Sunny, Optimistic, overpowering
Talk or write about lines.
What does the word emotion mean?
What kind of emotions do we experience on a day-to-day basis? How do certain colours make you feel? Red Intense, Love, Heartbeat, Confront What kinds of lines are there?
Vertical lines = Strong Horisontal lines = Peaceful Curved lines = Happiness http://www.infoplease.com/spot/colors1.html 46
http://www.vanseodesign.com/web-design/visual-grammar-shapes/
Now, Do the exercise!!! Warm up: Draw lines, using pencil on newspaper, based upon certain feelings. Draw the emotions you experienced the last week. There is no right or wrong. Draw what you feel and which line expresses that feeling for you.
You can also use music, to enhance your mood and that will help you to draw lines based on the music you are hearing.
Now you can do the same exercise, with paint, using at least the three basic colours: Yellow, Red and Blue. Don’t forget the paintbrush(es) and water.
We will be doing a basic colour wheel in our next issue. Take your time, stand back from time to time. Take a good look at your work. Is it moving in the direction you want it to? Are the desired feelings starting to emerge? You can, when your painting is completed, hang it where people can see it. You can ask them how they interpret the work. What emotions do they see in the work? Is it the same, what you felt, when you did the painting? http://www.kinderart.com/painting/emotion.shtml 47
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RachĂŠ was born in Paarl, Western Cape, South Africa in 1973. She matriculated in Heidelberg, Gauteng. She studied teaching and graduated with a diploma in Higher Education. Although a teacher for many years, she always had a passion for doing art work.
She derives from a family of artist and has always been involved with art throughout the years.
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Raché Gerber Raché has illustrated many books, amongs others 5 children’s books and therefore it’s not surprising that her favourite subject matter is children. Art is a God given talent and a blessing.
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http://foldingtrees.com/
When we started Folding Trees, back in June 2008, paper crafts were often neglected amongst today’s crafters. We saw the need to showcase that there’s so much more to paper crafting than just scrapbooking, and our goal was to collect the best tutorials we have found on the net, inspire you by highlighting amazing paper creations from talented artists and crafters, and share our own paper crafts and tutorials. 52
Business Pages 66– 69 Business Model Canvas Next four columns explained Business Q & A
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Channels
Customer Segments
Customer Relations
Key Recourses
Value Proposition
Key Activities
Key Partners Cost Structure
Income Revenue
Our first issue: Summer 2015 Available for free on: http://issuu.com/soisdit/docs/how_it_is_summer_2015
See our first Issue for the explanation of Customer Segments and Value Proposition. http://6w2x.com/bm-mardi/bmc-canvasexplained.html In this issue we will explain Channels, Customer Relationships,
http://www.slideshare.net/BusinessModelInstitute/businessmodels-for-dummies-summary https://canvanizer.com/new/business-model-canvas 54
What channels will you Meaning: 1.General: Conduct for delivering goods, services, or information. 2.Communications: Path an electrical signal (such as a telephone conversation) or electromagnetic signal (such as radio or TV broadcast) follows. 3.Internet: Website which broadcasts (pushes) requested content to subscribers. 4.Marketing: Means employed to distribute goods or services from producers to consumers.
use to reach your customer segments?
How are your Channels integrated and which ones work best?
How do you allow your customers to purchase products and services and how do you deliver a value
proposition to your customer? 55
Customer relations is a continuous process whose principal tool is communication. If you have any complaints, please contact Customer Relations. Customer relationship models seek to acquire, develop and retain customers. Small businesses must remain vigilant when it comes to managing customer data and strike a balance between offering valuable promotions and offers and inundating customers with unsolicited mail. Businesses should obtain permission from customers before sending offers via email or mail to help create an atmosphere of mutual respect. 56
Business Advice
Send us your business related question and we may answer it on this page‌
Q: How can I manage my business cash flow? Understand that cash flow plans are not glimpses into the future. They're educated guesses that balance a number of factors, including your customers' payment histories, your own thoroughness at identifying upcoming expenditures, and your vendors' patience. Watch out for assuming without justification that receivables will continue coming in at the same rate they have recently, that payables can be extended as far as they have in the past, that you have included expenses such as capital improvements, loan interest and principal payments, and that you have accounted for seasonal sales fluctuations. http://www.entrepreneur.com/article/66008 57
Filani Crafter's Clay is an extremely versatile polymer clay, suitable for use by professionals, adults or children. The clay remains soft until it is baked. This allows you to rework your creation until you’re 100% satisfied.
These are just some of the crafts that FILANI Polymer Clay can be applied to: •Mosaic tiles and inserts; •Scrapbooking embellishments; •Ornaments; •Covered cutlery; •Beads, pendants, fake- and semi-precious stones; •Buttons; •Cake toppers; •Miniatures; •Mixed media projects; •Photo/picture transferring; •Craft parties; •Covered vessels, mirrors, tins and wooden objects; •Key Rings; •Fly-fishing lures; •School projects;
Filani Crafter's Clay can be treated in various ways once baked - we offer a range of finishes and it can be painted, sanded, drilled, varnished, or re- baked with other media. By registering on our site, you can enjoy access to our wide range of polymer clay tutorials, projects, tips and various polymer clay jewellery techniques.
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Filani Modelling Clay is super-supple, and lends itself to a wide range of crafts. It is a polymer modelling clay which is perfect for sculptures as it can be continually worked on and then later reused to sculpt something else. The best part about polymer clay is that it doesn't dry out, so artists do not have to worry about keeping their unfinished work sealed. This allows the artist to continue sculpting until he/she is satisfied with his/her artwork.
When satisfied, it can be oven-baked to harden. It can be covered with other coloured polymer clay, painted, glazed or techniqued. Hardened Filani Polymer Clay doesn't need sealing to avoid damage from water/humidity and/or bugs later. http://www.polymerclay.co.za/en/ http://www.mosaicmad.com/shop/en/ 59
E-mail: johanna@artkat.co.za
I would love to welcome one and all to our discussion corner, and ask that everyone contributes something to this page. It is all about solving or discussing questions. We will teach and learn from each other. No answer is final and therefore open for discussion. Q: What is the difference between Arts and Crafts? A: We are living in a modern age, where we experience a lot more freedom, and as a result we see that the shift between Arts and Crafts have become small to non-existent. Art is always a reflection of our times and what happens in everyday life. During the late 19th century there was a specific art movement called the “Arts and Crafts� movement. This group was faced with arts and crafts question. To the right is an example of a stained glass design, coming from this period.
http:// global.britannica.com/ EBchecked/ topic/37281/Artsand-CraftsMovement
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Q:When may you call yourself and artist? A: You can call yourself an artist when you become aware of your own creative ability. To be an artist is to live artistry. Artists create with word and actions. The practical execution lies in the need to bring into being. The freedom you permit yourself to create something new from an existing material/medium. For example: Taking mud and creating a sculpture. Taking a brush and creating a painting. Links; http://www.lookatwhatimade.net/crafts/yarn/ crochet/free-crochet-patterns/sophiesgarden-large-crochet-square-photo-tutorial/ My own painting done under one of my pseudonyms - Hannah http://www.paintingsilove.com/artist/ johannakrugerprinsloo
Q: What do I do when I make a mistake, do I...? If I make a mistake it becomes a chance to approach the dilemma/predicament creatively and to change it into an opportunity. I call myself a creative cook. I only ever use the book for one recipe and that recipe is MAGIC… and no-one can change that. The rest become opportunities to create something new and different from my “dream pot”. Enjoy your life and always be yourself. Art Greetings Johanna (Page translated from Afrikaans) QUESTIONS 61
Crafts
Questions and Answers Here
Q: What surfaces can I use to mosaic on? Mosaics can be laid onto a variety of surfaces, and, as long as the correct procedures are followed, they will be hardwearing and waterproof and have a professional, quality finish. Traditional mosaics were laid onto a cement bed. Now we can also mosaic onto all kinds of different surfaces, such as wood, old furniture, plaster, ceramic, terracotta or fiberglass. http://www.mandalaart.com.au/? Q: How do I wash felt? You only have two options in this matter. You can hand wash it or you can machine wash it. There are pros and cons to both methods. Read more: http://www.doityourself.com/stry/howto-wash-felt#ixzz3OLv9roqZ 62
Q: How do I soften Polymer Clay?
A: You will need heat to soften polymer clay. You can roll the clay in a ball and keep it in your hands until it softens. Another option is to run warm water over the clay until it softens. Sit on it for a little while. You can also use a little bit of baby oil. (Very little, too much can make it sticky). Q: Why can’t I get my candle out of the mould? There can be more than one reason. The first most common problem is that you may have poured your wax, into the mould, while it was too hot. Two other possibilities are: your second pour may be over the fill line or your wax is too soft.
Q: How can cheaper craft paint influence my project? More expensive craft paints, normally, have a much higher pigment concentration, stronger degrees of light-fastness and less colour shift from wet to dry.
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Write your own Biography For Artists and Crafters Key Information 1)Your name 2) The medium of choice, e.g. Artists: Oil, Water, Acrylic, Pencil, Charcoal Crafters: Mosaic, Pewter, Decoupage 3) One line about the key themes, concerns of your style & technique, e.g. Artists: Landscapes, Portraits Crafters: DĂŠcor Items, Fashion
4) Display history Artists: Festivals, Exhibitions Crafters: Markets, Shows, Festivals 5) Your art related qualifications (degree level onwards)
6) Other interesting information relevant to your style/technique, or career as an artist or crafter (e.g. collaborations or art collectives, other areas or aspects of your career)
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Include Background Information:
“Only Field of Study and Educational Institution include Featured Exhibitions, Festivals, Markets information that is Awards/Achievements relevant to Current Projects your art or Upcoming Exhibitions, Markets craft Future Study plans or Current Projects practice.�
A biography is written in the third person i.e. you never refer to yourself as I, instead you can use pronouns he/she or you can use your surname. Only give facts and avoid judgements about your works. Keep it short and simple. http://www.artright.co.za/handbook/building-career/selfpromotion-guide/artist-biography/ 65
CHARLIEN MULLER (Born CHARLIEN KRIEL) Date of Birth: 28 November 1972 Place of Birth: Pretoria Charlien was born in Pretoria and still stays in the area. She completed her matric
at HoĂŤrskool Hercules. At first she worked, full time in the corporate world, and later became a stay at home
mom. In 2008 she decided to follow her life-long passion and love by practicing and studying art full-time.
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She clearly has a wonderful lust for the cheerful things in life and a sense of humour that is reflected in her colourful artworks. Initially the famous Portchie Viljoen’s work was her greatest inspiration. This was because of his rich colour schemes and the sometimes distorted depiction and abstract union of various themes in one painting. However she has developed into an artist in her own right, with her own unique style. Her works reflect an unbelievably wide variety of warm, colourful, realistic and abstract landscapes, self - portraits, seascapes, buildings, plants and flowers, still - lives as well as nature and animal scenery. These paintings were done in various mediums, oils, acrylics and oil pastels.
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Several of her artworks have been displayed in many galleries and exported to countries such as Australia, France, Italy and even the USA. She is clearly blessed with a wonderful imagination and power of observation and she doesn’t hesitate to experiment. However her unique style and love for colour and the abstract depiction of topics shine through in most of her artworks.
During the last few years Charlien has achieved great success as an artist. She experienced a huge increase in sales and she even has several corporate companies as clients.
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The popularity of her work has lead to a considerable increase in the price of her artworks, and paintings. Her artworks that are
displayed in over 300 homes throughout the world, are clearly a good investments.
Today, Charlien also offers art classes full-time on an individual basis. Several of her students’ pieces/artworks have been displayed at various exhibitions. Charlien’s story, in the art world, is a clear
inspiration for would be artists and serves as proof that with enough passion and determination anyone can change their artistic talent into a full time occupation. For more information about Charlien and her artwork — see her facebook page: https://www.facebook.com/charlien.muller 69
www.glassforming.co.za
GFA Glass Studio, is a contemporary glass studio in Pretoria, South Africa. At this facility we practice bead making, kiln forming, and glass blowing techniques. GFA aims to promote the beauty and versatility of glass through products developed and made at the facility. The bead making workshop runs for 4 weeks in your selected time slot. You will wind a bead, shape, and decorate your glass beads using various decorating techniques. Should you desire more time to practice or work on new ideas, you may rent a hot seat. Workshops run from month to month. 70
In the Kiln Shop you will find glass plates, "paintings", bowls and vases made through skilled cut and arranged Bullseye glass. The glass has been fused, slumped and polished for the perfect finish. These objects offer a fantastic array of colour through a variety of designs and carefully planned South African images.
Telephone: +27(0)832910917 Mobile: +27(0)835302800 E-mail: glassforming@gmail.com
Learn the ancient technique of glass blowing. Acquire an understanding of the nature of molten glass through step-by-step instruction. The glass blowing workshop runs for 4 weeks in your selected time slot. During this workshop you will learn to gather, shape, and cut molten glass on the iron. You will produce paperweights using various colours, and finally advance to blowing vessels. All the workshops run from the beginning to the end of each month. One day workshops may be booked for any Saturday. 71
Kids
Kids Art Challenge
Kids Craft Challenge Featured Kids Artist Featured Kids Crafter 92
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International Colour Day A day to celebrate a remarkable phenomenon that is all too often taken for granted. In fact, few things affect us more than colour.
Paint an animal. Use bright colours in a different than “usual� way. 73
Buy a new colouring book and colouring pencils and colour as much as possible.
Dr. Miriam Bachmann, a specialist in child and adolescent psychology, confirms that "colouring promotes fine and gross motor skills which are of importance later on when learning how to read and write". World Kids Colouring Day is all about creativity. 74
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Use bright, fun colours to paint an interesting, colourful stone. 76
Our world consist of so many amazingly creative people. It's a shame that we don't know the majority of them, but they are out there... With their little shops, sharing the things they've created with the world.
http://shannonsews.blogspot.com 77
What is your favourite medium and theme? Oil and at the moment I like doing people, I am still working on my own style. I like to challenge myself and try something new. Who inspired you to start doing art and why do you do art?
“Hoërskool Pretoria Noord” Gr 8/ 13 years old
Tell us about a kids Artist in you area, school, church, studio.
Myself. It is something I ‘ve always wanted to do and I love it… I love to see the end results of each painting. At what age did you start with art? At the age of 12 What would you like to become, when you grow up? Architect (Artist as a hobby)
This issue’s kids artist 78
“Hoër Tegniese Skool, Ligbron” Gr 12/ 17 years old
Tell us about a kids crafter in you area, school, church, studio.
This
issue’s kids
crafter
What is your favourite craft? Mosaic, I like making hearts and houses. Who inspired you to do crafts? My mom and aunt. At what age did you start with your crafts? From about 10 years old. What would you like to become, when you grow up? Sports Expert. Why do you do crafts? To relax and have fun. 79
Availble from: 1 February 2015 Autumn Edition Includes March to May
Public School Calendar: Schools Closes: 25 March 2015 Schools Open: 13 April 2015 Public Holidays 21 March: Human Rights Day 3 April: Good Friday 6 April: Family Day (Easter Monday) LW 27 April: Freedom Day LW LW—LONG WEEK END
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Available from: 1 May 2015 Winter Edition Includes June & July
Mother’s Day 10 May 2015
Public School Calendar: Schools Closes: 26 June 2015 Schools Open: 20 July 2015
Public Holidays 15 June: School Holiday 16 June: Youth Day LW
Father’s Day Drawing Day - June 2,
Always the 3rd Sunday in June
World
Environment Day 5 June 2015 81
Every 1st Friday of the month https://www.facebook.com /sweetypiecreations
12-15 Mar 2015 Midrand, South Africa SARCDA Trade Exhibition will be held for a period of four days in Midrand, South Africa. This international trade show will attract more than 600 exhibitors and more than 20,000 visitors from all over the world. By attending this show the exhibitors will get a scope to discover business strategies and opportunities with the experts related to gifts and handicrafts industry and also to display innovative products and services related to this field. SARCDA Trade Exhibition will provide an ideal platform to the exhibitors to showcase some of the important products like gift presentation, gifts, health and beauty, homeware and decor ware, art and craft, jewellery and accessories. 82
http://www.hobby-x.co.za/about/
http://itickets.co.za/events/336161/Paternoster_WC/
http://www.designindaba.com
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w: www.workshopgallery.co.za/ e: workshopgallerycoza@gmail.com t: 073-392-9436
e: studio@thecorner.co.za t: 046-625-0114 c: 072-297-3060 Kowie Street
http://www.sunshinecoasttourism.co.za/category/ bathurst/arts-and-crafts.htm 84
“It’s a sleepy little town, but it really comes to life on a Sunday — that’s when the hippies come out,” says resident Marcel Pullen who runs a pottery studio and shop with her husband. World-renowned potter, Richard Pullen, at his studio in Bathurst. Photo: Kevin Thomas.
Over recent decades Bathurst has morphed into what is often referred to as an ‘arty community’, with a resident population made up to a large extent of craftsmen, artists, and entrepreneurs. Richard Pullen who is internationally renowned, as a potter, has his studio alongside the main road (R67) in Bathurst, where if they’re there at the right time, visitors may be lucky enough to see him working at his wheel. http://www.theannouncer.co.za/richard-pullens-bathurststudio-and-gallery/ 85
Clarens is so well-known for its arts and crafts that it is often referred to as the Art Mecca of South Africa. And given that Clarens has over 20 galleries and that so many artists have chosen Clarens as their base, this is hardly surprising. Visitors are invited to do the Art Route, or simply stroll from gallery to gallery to enjoy the wide variety of artwork on offer. Many of the galleries and artists also offer courses and workshops.
Kalmer: The Design shop in Clarens representing artists and crafters rarely seen elsewhere.
On the Square 328, Market Street, Clarens Contact: Malcolm & Karen Hickman Tel: 058 256 1232 Cell (Karen): 084 420 1989 e-mail: karen@kalm.co.za Website: www.kalm.co.za 86
Richard Rennie “Paint With Me” workshop March 23 @ 8:00 am ~ March 26 @ 5:00 pm http://clarensnews.co.za/event/richard-rennie-paintworkshop-2/
In recent years an increasing amount of artists and crafters have been settling in Clarens. You will find interesting articles – many of them made in Clarens – on offer in some of the shops. Crafts vary from leatherwork and glass work, to hand-made knives, candles and soft furnishings. Clarens is an art-lover’s paradise: spend the day browsing through the many art galleries – you’re bound to be inspired. The galleries have a wide range of South African artworks, and many well-known South African artists live and work in Clarens. 87
Miniature art or model art is a genre that focuses on art (especially painting, engraving and sculpture) in much-smaller-than-usual sizes. Miniature art societies, such as the World Federation of Miniaturists (WFM), provide applicable definitions of the term. An often-used definition is that a piece of miniature art is capable of being held in the palm of the hand, or that it covers less than 100 cm². Miniature art has been made for over 1000 years and is cherished by collectors. The U.S. White House, the Smithsonian American Art Museum and museums around the world have collections of miniature art.
http://modernminihouses.blogspot.com/2013_09_01_archive.html 88
Today there is an international revival. There is a tendency to think of Miniature Art as something new and trendy. In fact it is one of the world’s oldest art-forms; having been discovered throughout all previous art civilisations, many of which pursued the practice of painting and sculpting “in the small”.
Sculpture, which must be of lasting materials, should fit within a 170mm cube, including the base. http://miniatureartsocietyofsa.co.za/?page_id=8 89
The CCIFSA The Cultural and Creative Industries Federation of South Africa (CCIFSA) is the controlling body, set up with the assistance of the Department of Arts and Culture for cultural and creative sectors in South Africa. It was created as a non-profit company (NPC) to promote and develop the social and economic interests of the cultural and creative industries and to act as the controlling body for these sectors. The company is governed by a Board of Directors in accordance with the CCIFSA Memorandum of Incorporation. http://www.ccifsa.co.za/what-is
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STRATEGIC OBJECTIVES OF CCIFSA CCISFA has the following broad objectives in terms of the Cultural and Creative Industries (CCI). •
To address the changing skills requirements in the Cultural and Creative Industries. •
To improve access to finance in the sector.
• To create cross-sectoral opportunities for growth and investment. •
To encourage co-operation with other sectors such as ICT, tourism, etc.
• To encourage and facilitate the setting up of platforms, networks and clusters between all public and private stakeholders that are relevant to the creative sector. • To encourage structured partnerships with social partners and all types of education and training providers. • To promote the recognition of qualifications in formal and non-formal education and training. • To improve the investor-readiness of financial institutions and the investment-readiness of CCI, and devise dedicated financial instruments. • To provide support for exploring and testing new audience development strategies and business models which are relevant in the digital environment. • To support the digitisation of cultural content and the development of online platforms. • To embark on a marketing and branding campaign to strategically position CCIFSA as the sole controlling body of the cultural and creative sectors in South Africa. 91
Art Classes for 2015 – Programme for Ina Millman’s Art Courses http://www.inamillman.com/category/art-classes/
7 – 8 March Wakkerstroom
Course in pastels – you choose subject 27 – 28 June Wakkerstroom Paint Nguni cattle 24 – 26 July Johannesburg: 19 Linda Place, Kibler Park
Paint skies and misty effects 22 – 23 August Wakkerstroom Learn to paint water and reflections 17 – 18 October Wakkerstroom Still life
6, 7, 8 November Johannesburg 19 Linda Place, Kibler Park Portrait 92
We offer a variety of mosaic and decoupage workshops to suit your requirements: Weekly Classes: Wednesday & Thursday Mornings 9.30 to 12.30 Saturday Classes: 9.30 to 12.30 (2nd last or last Saturday of the month)
Beginners Mosaic or Beginners Decoupage from R295 (includes materials, notes & tea/ coffee. ) Decoupage Classes and Workshops Traditional,Glass, Metal. Paint Techniques Distressing Antique Crackle, Kwikcrack, Sponging & Antiquing Mosaic Beginners and Advanced. Various types of styles to create your Mosaic.
Ladybird Crafts
Tel no: 0123480119 Mobile no: 0824565923 Fax no: 0865161205 Email: ladybird@mweb.co.za
Website: http://www.ladybirdcrafts.co.za 93
General inquiries info@stevenson.info Buchanan Building 160 Sir Lowry Road Woodstock 7925 PO Box 616 Green Point 8051 cpt@stevenson.info T +27 (0)21 462 1500 F +27 (0)21 462 1501
Courtesy of Stevenson, Cape Town and Johannesburg.
62 Juta Street Braamfontein 2001 Postnet Suite 281 Private Bag x9 Melville 2109 jhb@stevenson.info T +27 (0)11 403 1055/1908 F +27 (0)86 275 1918
http://www.stevenson.info/gallery.html With gallery spaces in Cape Town and Johannesburg, the Stevenson Contemporary Art Gallery hosts both emerging and established artists and often participates in a number of international art fairs. The gallery also runs the FOREX progamme, started in 2009, the gallery has brought the works of a number of international artists to South Africa. 94
Member’s Exhibition “Ons Heila van die Stasie” By Karlien vd Merwe. 22 ~ 30 April 2015 Suzie Roos 083 328 6491 suzieroos@gmail.com Mariette Minnaar
Cnr Cantonments Rd & Unie Avenue, Lyttelton Manor Centurion
084 671 9573 mariette@aimhit42.co.za
Opening 22 April
2015 18h00 for 18h30 95
JJ Bezuidenhout, a quadriplegic, is a mouth painter and wildlife artist. He has joined the Mouth and Foot Artist Association, which is an organisation operating worldwide. He paints by mouth and expresses his artistic talent in this way. http://www.facebook.com/ groups/148574238197/
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JJ's Mouth Paintings He takes great joy in reaching out to the public and inspiring others with his work which is especially popular with children. One of his projects includes a wonderful day spent with special needs children in a rural area and teaching them how to paint by mouth- something they had never seen or done before!
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Contacts
Candi Hall-Jones
082 325 4296
Recycled Art
candihj@gmail.com 3
All Girlz Craft Club
& Workshops
Allgirlzclub.2009@gmail.com 082 465 0494
https://www.facebook.com/groups/180253455418971/ 17& 95
Centurion Art Association
083 328 6491
suzieroos@gmail.com
084 671 9573
24
4Hope
25 & 26
New Beginningz
www.artsandcraftssa.wozaonline.co.za 082 522 7868
(012) 384 2189
tahiyya@newbeginningz.org 27
Lanie-Michelle Trust
072 222 9500
mompies@telkomsa.net
30
Christo Venter
084 401 8100
kubumetalart@gmail.com
CRAFT TOGETHER
36 revivalemporium@gmail.com
Sue@peddle.co.za zetsgiftsandcrafts@gmail.com
084 844 8057
Revival Emporium
27(0)12 997 3483
Craft Routes
072 338 0046
Zet’s Gifts and Crafts
38 & 39
Baruch
083 997 6584
baruchmr13@gmail.com
48 & 49
Maria
044 690 5734
info@mariaart.co.za
50 & 51
Rache Gerber
https://www.facebook.com/rache.gerber?fref=ts
52
Folding Trees
http://foldingtrees.com/
58 & 59
Filani
www.polymerclay.co.za/
https://www.facebook.com/philanie.ginsberg?fref=ts 60 & 61
Johanna Prinsloo
082 838 0750
66—69
Charlien Muller
083 291 0917
Philanie Ginsberg johanna@artkat.co.za
https://www.facebook.com/charlien.muller?fref=ts 100
70 & 71
Glass Forming Academy
glassforming@gmail.com
083 291 0917
www.glasforming.co.za
Markets, Shows, Expo’s and Festivals Sweety Pie Creations Nagmark
82
061 903 5550
sweetypiemarais@gmail.com 82
SARCDA
http://www.sarcda.co.za/
83
HOBBY X
www.hobby-x.co.za
83
Paternoster Art Retreat
011 972 8557
http://www.paternosterartholiday.com/
071 473 4469
83
The Fig Platter
83
Design Indaba
84 & 87
082 647 4624 www.designindaba.com BATHURST & CLARENS
The Workshop Gallery
www.workshopgallery.co.za/
073-392-9436 The Corner Studio
workshopgallerycoza@gmail.com 072-297-3060
072-297-3060 KALMER
studio@thecorner.co.za 058 256 1232
karen@kalm.co.za 92
046-625-0114 084 420 1989
www.kalm.co.za
Ina Millman
Art Classes
info@inamillman.com
083 409 3867
93
Ladybird Crafts
94
Stevenson Contemporary Art Gallery
96 & 97 JJ’s Mouth Paintings
012 348 0119
Ladybird@mweb.co.za 021 462 1500
http://www.facebook.com/groups/148574238197/
98
Atlas Paint cc
012 804 6737
atlaspaints@paintcrafts.co.za
98
Glacermo
072 222 9500
sales@glacermo.co.za
98
Paper World
012 250 1477
info@paperwoldsa.com
99
Hostess Pro
99
Heart Art
102
Lionel Murcott
www.hostesspro.co.za 079 428 3415 https://www.facebook.com/lionel.murcott 101
L I O N
E L https://www.facebook.com/lionel.murcott
M U
R C O T T