Sonsoles Masia - Architecture and fine arts - Selected Works by Sonsoles Masiá

SONSOLES

MASIÁ SÁNCHEZ ARCHITECTURE AND FINE ARTS SELECTED WORKS 2009-2018

SONSOLES

MASIÁ SÁNCHEZ ARCHITECTURE AND FINE ARTS SELECTED WORKS 2009-2018

s on s omas ia@ g mai. com

(+ 3 4 ) 6 3 6 0 5 8 9 7 8 30/ 12/ 1991 A l c o b e n das, M adr i d S PA I N

S O NS O. E S

@acoffeeasketch issuu.com/sonsomasia

linkedin.com/in/Sonsoles-masia

CURRICULUM VITAE

EDUCATION AND TRAINING 2009 / 2017. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Architecture (B.Arch + M. Arch), Escuela de Arquitectura, Universidad Europea de Madrid - UEM, Madrid, Spain. 2009 / 2016. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fine Arts (B.FA), Facultad de Artes y Comunicación, Universidad Europea de Madrid - UEM, Madrid, Spain. 2014 / 2015. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Erasmus semester, at TUdelft, Minor Green Blue city - Design Studio 5th year - Rotterdam, The Netherlands. Sept2012 / June2013 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . New School of Architecture and Design, San Diego CA, USA / 4th year of Architecture. 1994/2009. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Colegio Diocesano, Avila, Spain / High School Graduate Title. Summer2008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Howick College, Auckland, New Zealand/ Academic Term, High school year 12

WORK EXPERIENCE April 2016 - Present . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Architect at A L E Z Architecture & Interiors. - London. ...

http://alez.co.uk/

January - June 2015 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Intern - Reiulf Ramstad Arkitekter - Oslo, Norway Sept 2014 - Jan 2015 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Architecture and Design Advisor - Sickboards - The Hage, The Netherlands

ADITIONAL WORK EXPERIENCE November 2013 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director in short movies and musicvideo filming, managing a big group of asistants and actors. 2016 - Present . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director at the familiar vineyard plantation: employee management, problem resolution and organization on an important task of restructuring new plots of land.

COURSES September 2015. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AA visiting School Madrid, Summer School: Trans-Computational Membranes. Architectural Association School of Architecture.

PERSONAL SKILLS AND COMPETECES Native Language . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Spanish Other Language . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . English TOEFL99 / Reading24 Listening26

Speaking26 Writing23

Other Language . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Norwegian B1-B2 Alfaskolen Oslo A1-A2 “LearnNorwegianStavanger” intensive course (july 2014)

COMPUTER SKILLS AND COMPETECES Desing Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Autocad, Sketchup, Revit, Archicad, Vectorworks Rendering Programs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Vray, 3DMax, Sketchup, Revit, Artlantis, Rhino3d, Archicad BIM Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Revit, Archicad Other Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Illustrator, Photoshop, Premiere, Excel Other skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Video filming and photography, sculpture and painting.

H O N O R S A N D AWA R D S January 2013. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Award IDEA District San Diego "Liberation of the park" Design competition. 2015 - 2016 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Awarded International Academic of the year.

αFTC225

RIJNHAVEN METRO STATION

I.D.E.A D I S T R I C T

URBAN MASTER PLAN AND METRO STATION

ASTRONOMICAL OBSERVATORY

LIBERATION OF THE PARK

ROTTERDAM

FUERTEVENTURA

SAN DIEGO

PROPOSAL

DESIGN COMPETITION

ARCHITECTURE FINAL PROJECT

AWARD

PFC-THESIS

GAS STATION“A”

AN ODE TO SCARS

GAS STATION

MODULAR STATION

EL ELOGIO DE LA CICATRIZ

THE DUNE

ABU DHABI

MADRID

ABU DHABI

INVITATIONAL DESIGN COMPETITION REIULF RAMSTAD ARKITEKTER, NORWAY

FINE ARTS FINAL PROJECT

INVITATIONAL DESIGN COMPETITION

TFG-THESIS

RLG.04 RLG.03 DLG.04

LIVING ROOM

Water to be updated to 28mm Ø minimum

IV:

IV:-1.30m

REIULF RAMSTAD ARKITEKTER, NORWAY

Store

WLG.02 DLG.06

DLG.03 Bedroom RLG.05 DLG.02

AAV

GFL: 0.00m

HALL

Bathroom RLG.06

DLG.01 FD20 F

1850x700mm

F 5

A L E Z ARCHITECTURE

Kitchen RLG.07

GFL: -0.20m

GROUND FLOOR AND FIRST FLOOR EXTENSION

REFURBISHMENT AND EXTENSION A L E Z ARCHITECTURE

C OMPLET ED PERSONAL WORKS AND COLLABORATIONS ARCHITECTURE RESIDENTIAL

COM P LETED & VISUALISATIO NS PERSONAL WORKS AND COLLABORATIONS

UTILITY

LONDON

DIRECT COMMISION,

GFL: 0.00m

NOTTINGHAM ENGLISH VILLA

A L S A C E, F R A N C E REIULF RAMSTAD ARKITEKTER, NORWAY

15 14

CHELSEA

A HOUSE FOR A SISTER

13 12 11 10 9 8 7 6

LANDSCAPE HOTEL

5 4 3 2 1

BREITENBATCH

RANDOM OTHER WORKS F I NE AR T S, V I D E O S AND ILLUSTRATIONS

SELECTED WORKS 2 0 0 9 -2 0 1 8

Architecture Final Project (PFC - Thesis) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . αFTC225 Rijnhaven Metro Station, Rotterdam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . URBAN MASTER PLAN AND METRO STATION NSAD, San Diego . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I.D.E.A DISTRICT DESIGN COMPETITION Fine ARTS Thesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCULPTURE : AN ODE TO SCARS Gas Station A, Abu Dhabi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . INVITATIONAL COMPETITION, RRA Gas Station “The Dune”, Abu Dhabi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . INVITATIONAL COMPETITION, RRA Breitenbatch Landscape Hotel, France . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DESIGN STAGE,COMMISION, RRA Chelsea, London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . REFURBISHMENT AND EXTENSION Nottingham, UK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GROUND FLOOR AND FIRST FLOOR EXTENSION Wimbledon, London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . REFURBISHMENT AND EXTENSION

Completed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PERSONAL WORK AND OTHER COLLABORATIONS Visualisations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COLLABORATIONS: COMPUTER VISUALISATIONS Other Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . FINE ARTS, VIDEOS AND ILLUSTRATIONS

SELECTED WORKS

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

FUERTEVENTURA ARCHITECTURE FINAL PROJECT

PFC-THESIS

SICASUMBRE VIEWPOINT, Pájara.

SACRED MOUNTAIN FUERTEVENTURA, Tindaya.

ABANDON BASALT QUARRY, Tindaya’s Plain.

162º

Montaña Sagrada

Tablero Casa Llanos

Morro Tabaia

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

Montaña de Enmedio

SELECTED WORKS

T H E ASTRONOMICAL OBSERVATORY iniside an abandoned basalt quarry, near Tindaya. This island has an important astronomical legacy, since prehispanic times the old aborigines used to look up to the sky from the sacred Mountain. Witness of this are the astroarqueological remains that are left on the mountain, “Podomorfos”, feet shaped engraved on roocks and addressed to specific stars and constellations. As part of the Canarias’ observatories network and Starlight Fundation, This project rescues this legacy and gives the community and tourists a astronomical park to meet the firmament.

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

THE TIMELINE

1. ACCESO DE LA CUMBRE SAGRADA

2. MIRADOR DE LA HORA

3. AMANECER DE ORIÓN.

4. VENTANA DEL SOLSTICIO

5. OASIS NOCTURNO Y OBSERVATORIO

6. OASIS DIURNO

8. TRIÁNGULO DEL VERANO

7. ATARDECER ATLÁNTICO

10. SALA FOMALHAUT

9. MIRADOR AL ATARDECER

α FTC225 A PAT H T H R O U G H T H E S TA R S.

After defining what elements of the universe are the most interesting and coherent to discover from the observatory, a device is created, a Copernican machine to be able to study in three dimensions the trajectories of these interesting points of the universe. This responds to a necesity of limmiting only these points since the amount of elements and astronomical moments that can be observed in the universe is infinite. With this device you can determine the optimal position in the quarry for the observation of each of these elements and astronomical moments. A path with a specific itinerary is defined on the floorplan of the quarry, a timeline that starts at the upper part of the crater, getting small glimpses of the space untill the viewer arrives to the bottom of the park, where the full sky its seen on the reflection of the water that lies on the oasis at the bottom of a black and dark crater.

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

11. REFLEJO LAGUNA FONDO CANTERA

α SALA FOMALHAUT

PASARELA LAGO

MIRADOR DE LA HORA

CUPULA

TRIANGULO DEL VERANO

PRUEBAS BALCON DEL SOLSTICIO

PROCESO PABELLON DE ENTRADA

SELECTED WORKS Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura. SONSOLES MASIÁ SÁNCHEZ

Consiste en una pequeña ranura en una estancia triangular, perpendicular a la dirección del sol en el amanecer del solsticio de verano.

αFTC225 PABELLON ENTRAD Y TERRENO

MIRADOR DE LA HORA Y TERRENO

SALA FOMALHAUT

Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura. PRUEBAS BALCON DEL SOLSTICIO

CUPULA TERRENO

PASARELA LAGO

MIRADOR DE LA HORA

CUPULA

TRIANGULO DEL VERANO

PRIMERAS MAQUETAS - TERRENO

MAQUETA FINAL

PROCESO PABELLON DE ENTRADA

SONSOLES MASIÁ SÁNCHEZ

8. TRIÁNGULO DEL VERANO 9. MIRADOR DEL SOLSTICIO.

SALA FOMALHAUT PABELLON ENTRAD Y TERRENO

PASARELA LAGO

6. OASIS DIURNO

MIRADOR DE LA HORA

MIRADOR DE LA HORA Y TERRENO

CUPULA

TRIANGULO DEL VERANO

PRUEBAS BALCON DEL SOLSTICIO

PROCESO PABELLON DE ENTRADA

4. VENTANA DEL SOLSTICIO

CUPULA TERRENO

10. SALA Y MIRADOR FOMALHAUT

PRIMERAS MAQUETAS - TERRENO

MAQUETA FINAL

5. OASIS NOCTURNO Y OBSERVATORIO

7. ATARDECER ATLÁNTICO

3. AMANECER DE ORIÓN. 2. MIRADOR DE LA HORA

11. REFLEJO LAGUNA FONDO CANTERA

8. TRIÁNGULO DEL VERANO 9. MIRADOR DEL SOLSTICIO.

PABELLON ENTRAD Y TERRENO

MIRADOR DE LA HORA Y TERRENO

6. OASIS DIURNO

CUPULA TERRENO

PRIMERAS MAQUETAS - TERRENO

10. SALA Y MIRADOR FOMALHAUT

5. OASIS NOCTURNO Y OBSERVATORIO

7. ATARDECER ATLÁNTICO

TRIANGULO DEL VERANO. Noche: 3. AMANECER DECenit ORIÓN. Dia: Sala de Luz.

2. MIRADOR DE LA HORA 8. TRIÁNGULO DEL VERANO

9. MIRADOR DEL SOLSTICIO.

6. OASIS DIURNO

4. VENTANA DEL SOLSTICIO

10. SALA Y MIRADOR FOMALHAUT

RETORNO

11. REFLEJO LAGUNA FONDO CANTERA

Anoche ESTRELLA cer FOMALH AUT.

1. ACCESO DE LA CUMBRE SAGRADA

7. ATARDECER ATLÁNTICO

3. AMANECER DE ORIÓN.

GRIETA, Solstic Amanecer io de Ve rano.

E TRIANGULO N IO DEL VERANO. A 2.R MIRADOR M O Noche: Cenit A DEDE LA HORA Dia: Sala de Luz.

er ec rd NO. ata A el VER n d DE lcó Ba TICIO LS SO

O EJ FL NA RE GU LA

5. OASIS NOCTURNO Y OBSERVATORIO

Balcó SOLSTIC n del atarde IO DE ce INVIERN r O.

1. ACCESO DE LA CUMBRE SAGRADA

RETORNO

11. REFLEJO LAGUNA FONDO CANTERA

MAQUETA FINAL

4. VENTANA DEL SOLSTICIO

TUNEL AN OC

HECER EN EL ATLÁN TICO. Solsticio de Inviern o.

, RA HO LA nes DE cio OR tela AD ons lares IR c M ta po Vis cum Cir

1. ACCESO DE LA CUMBRE SAGRADA 14

Balcó SOLSTIC n del atarde IO DE ce INVIERN r O.

EC N N IO A R M O A DE

er ec rd NO. ata A el VER n d DE lcó Ba TICIO LS SO

O EJ FL NA RE GU LA

ESTRELLA

Anoche cer FOMALH AUT.

Vista

cum SagELbre Mo TUN radANOCn ta a a, Ti HEC EN EL ATL nda ñER ÁNTICO. yaSol . sticio de Invierno.

er ec rd NO. ata A el VER n d DE lcó Ba TICIO LS SO

O EJ FL NA RE GU LA

Anoche cer FOMALH AUT.

PROGRAMA

, RA HO s A e E L ion R D lac DO nste res A o MIR ta c pola Vis cum Cir

1. Acceso Parking. 2. Cafe mirador de la Cumbre. 3. Aseos. 4. Cocina. 5. Aula Observatorio. 6. Grieta acceso Observatorio. 7. Mirador de la Hora. 8. Patio Oasis del solsticio. 9. Acceso Cupula del telescopio. 10. Patio Oasis nocturno. 11. Acceso Tunel del atardecer. 12. Sala de luz triángulo del Verano.

Balcó SOLSTIC n del atarde IO DE ce INVIERN r O.

ESTRELLA

A, Solstic Amanecer io de Ve rano. 8

TRIANGULO DEL VERANO. Noche: Cenit Dia: Sala de Luz. GRIET

17 19

RETORNO

ER EC N N IO A R M O A DE

GRIETA, Solstic Amanecer io de Ve rano.

13. Puente barranco de esquinzo. 14. Balcón Atardecer solsticio de Invierno. 15. Balcón Atardecer solsticio de Verano. 16. Patio. 17. Rampa de constelaciones. 18. Sala de Exposiciones para restos astroarqueologicos. 19. Almacén. 20. Balcón atardecer estrella Fomalhaut. 21. Rampa acceso laguna. 22. Mirador Tindaya y vuelta a parking. 23. Laguna.

6 2 8

TUNEL AN OC

HECER EN EL ATLÁN TICO. Solsticio de Inviern cum o. Sag bre Mo rad a, Ti ntaña nda ya.

Vista 1 7

, RA HO LA nes DE cio OR tela AD ons res MIR ta c pola Vis cum Cir

PROGRAMA

22 5

1. Acceso Parking. 2. Cafe mirador de la Cumbre. 3. Aseos. 4. Cocina. 5. Aula Observatorio. 6. Grieta acceso Observatorio. 7. Mirador de la Hora. 8. Patio Oasis del solsticio. 9. Acceso Cupula del telescopio. 10. Patio Oasis nocturno. 3 11. Acceso Tunel del atardecer. 12. Sala de luz triángulo del Verano.

Vista

cum Sag bre Mo rad a, Ti ntaña nda ya.

PROGRAMA 1. Acceso Parking. 2. Cafe mirador de la Cumbre. 3. Aseos. 4. Cocina. 5. Aula Observatorio. 6. Grieta acceso Observatorio. 7. Mirador de la Hora. 8. Patio Oasis del solsticio. 9. Acceso Cupula del telescopio. 10. Patio Oasis nocturno. 11. Acceso Tunel del atardecer. 12. Sala de luz triángulo del Verano.

Maquetas, Programa final y Vistas Axonometricas E 1:500

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

ĮFTC225

30°

SONSOLES MASIÁ SÁNCHEZ

0°

- 10°

20 °

Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura.

- 50 ° - 60 ° - 70° 11h 14 h 17 h - 70 ° - 60 °

TRIANGULO DEL VERANO.

- 50 °

PLANTA DE CUBIERTAS Y SECCION GENERAL E 1:250

0°

10 °

-20 °

- 30 °

22 h

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

ĮFTC225

+ 40

SONSOLES MASIÁ SÁNCHEZ

+ 30

+ 20 °

+ 10°

Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura.

+50 ° + 60 ° + 70 ° 11 h 14 h 17 h + 70 ° + 60 °

GRIETA AMANECER SOLSTICIO

OASIS NOCTURNO Y OBSERVATORIO

MIRADOR DE LA HORA

OASIS DIURNO

+ 50 ° + 40 °

22 h

+30°

+20

23 h

+ 10 °

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

ĮFTC225

Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura. 0°

- 10°

20 °

30°

SONSOLES MASIÁ SÁNCHEZ

- 50 ° - 60 ° - 70° 11h 14 h 17 h - 70 °

ACCESO DE LA CUMBRE SAGRADA

- 60 ° - 50 °

PLANTA DE RECORRIDO Y

0°

10 °

-20 °

- 30 °

22 h

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

ĮFTC225

+ 40

SONSOLES MASIÁ SÁNCHEZ

+ 20 °

+ 10°

+ 30

Observatorio Astronómico y Mirador del Cosmos al Pié de la Montaña Sagrada de Fuerteventura.

+50 ° + 60 ° + 70 ° 11 h 14 h 17 h + 70 °

TRIANGULO DEL VERANO.

OASIS NOCTURNO Y OBSERVATORIO

+ 60 °

AMANECER DE ORIÓN. GRIETA AMANECER SOLSTICIO

REFLEJO LAGUNA FONDO CANTERA

MIRADOR AL ATARDECER

+ 50 °

SECCION GENERAL E 1:250 + 40 °

22 h

+30°

+20

23 h

+ 10 °

α FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

FOMALHAUT CHAMBER Astroarcheological exhibition space.

Î± FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

SUMMER TRIANGLE

THE TELESCOPE

A day and night experience space.

Small telescope on the edje of an oasis patio.

Î± FTC225 A S T R O N O M I C A L O B S E R VATO R Y

SELECTED WORKS

R I J N H AV E N M E T R O S TAT I O N URBAN MA STER PLAN AND METRO STATION

ROTTERDAM PROPOSAL

THE CONCEPT URBAN STUDIES AND CONEXION OF ROTTERDAM ZUID NEIGHBOURHOODS. Rotterdam-Zuid can be characterized as

the Kop Van Zuid. These solution could

holding this

development back. The

an archipelago of neighbourhoods, sepa-

lead to the ‘breaking down’ of the barriers

location of the project is a very critical

rated by physical barriers and with relative-

creating the fragmentation of Rotter-

area and at the same time has a lot of

ly little mobility in-between. That leads to

dam-Zuid. The focus where creating quality

potential. It has an elevated train track for

the fact that developments like the ones on

connections as the research has shown

the Metro and the actual Rijnhaven Metro

the Kop van Zuid hardly have a

that the main problems concerning the

Stop. It islocated in front of the water, next

trickle-down effect on the South. An

barriers in Rotterdam-Zuid where about

to many harbor facilities that are now out

hypothesis stating ‘Rotterdam-Zuid is a

lacking connections and unattractiv or

of use and abandon. It is very close to the

fragmented part of the city, that because

unused spaces.

water but at the same time it is not at hand

disconnections,cannot

When Rotterdam wants to be a more

or there is a big distance between the user

benefit from direct or trickle-downn effects

sustainable, resilient, city in the future, it

and the water. as the waterfront is complet-

from development and transformation at

needs to overcome barriers that are

ly unused.

of barriers and

R I J N H AV E N URBAN MA STER PLAN AND METRO STATION

SELECTED WORKS

THE LOCATION KO P VA N Z U I D, KO P VA N E N T R E P OT, A F R I K A A N D E R W I J K A N D K AT E N D R E C H T

KOP VAN ZUID KOP VAN ZUID ENTREPOT

KATENDRECHT AFRIKAANDERWIJK

R I J N H AV E N URBAN MA STER PLAN AND METRO STATION

SELECTED WORKS

THE STATION PROGRAM

The main program is a Metro station for the whole metro rail of Rotterdam, but the station holds other program like circulation facilities as a Pedestrian and bike access ramps from the different neighbourhoods, taxi and bus terminal, local samll scale parkings for bikes, an indoor botanic garden on the main hall, indoor caffes and restaurants.

At the same time, the metro station not only connects the different neighbourhoods phisically but allso socially, by different socialâ&#x20AC;&#x2122; sports and activities facilities, as a fitness court. The activation of the waterfront on such a privileged location is mandatory by a water square, a sapace designed to be able to storage water on storm periods.

R I J N H AV E N URBAN MA STER PLAN AND METRO STATION

SELECTED WORKS

R I J N H AV E N URBAN MA STER PLAN AND METRO STATION

SELECTED WORKS

I. D. E. A. D I S T R I C T UR BA N P L A N - L IBER AT IO N O F T H E PA R K

SAN DIEGO DESIGN COMPETITION

AWA R D

THE CONCEPT I. D. E. A. D I S T R I C T

All ideas have beginnings and many are developed and change so many times. In this district where new ideas are always valued and importan wed like to showcase that process which all of your ideas come from. From sketch paper to used-up pen and pencils, we recycle them into a puclic art display in the form of the word I.D.E.A. But whatâ&#x20AC;&#x2122;s more important than the start of an idea is the finish and so we provided an array of options to display, and to discuss new ideas; from moving platforms to create ideal venues for performance and discussion to rotational and storable panes for display of new projects and artwork. This is our IDEA district park.

I. D. E. A. D I S T R I C T UR BA N P L A N - L IBER AT IO N O F T H E PA R K

SELECTED WORKS

VEGETATION

GRASS MOUND

C RECYCLED BRICK

RECYCLED STEEL

WOODEN DECKING

CHAIN LINK FENCE SITE PLAN

A ART DISPLAY WALL

C GRASS MOUNDS

B IDEA

ELEVATED DECKING

I. D. E. A. D I S T R I C T UR BA N P L A N - L IBER AT IO N O F T H E PA R K

PLANTER BOXES

SIGN

SELECTED WORKS

AN ODE TO SCARS E L E LO G I O DE L A C I C AT RI Z

MADRID FINE ARTS FINAL PROJECT

TFG-THESIS

THE CONCEPT S C A R S A S P R E C I O U S P R I N T S , O N A B O D Y, A S L I F E C A N V A S . an element of "Vanity Fair", a jewel.

The present project realizes an investiga-

events that occurred, places visited and

tion on the personal idea of the author

roads descended. And thus raise the marks,

Starting from this opposition to the perfect

about scars, looking for the intrinsic reasons

wounds or scars produced by such activity

beauty imposed by society and the media,

of the obsession and satisfaction that

to a status of importance. The condition of

the author bases on the idea of classical

these cutaneous marks produce on the

the author as a female subject in a

beauty mutilated, which we could define as

author. The personal experience of practis-

predominantly male sport, proposes the

“Venus de Milo syndrome”, where the

ing

activities and high-risk sports, in a

consideration of these scars as a witness to

concept of perfect beauty has come to us

professional manner, and being fully

break with traditional gender roles, ques-

associated with the fragility, to the destruc-

integrated into the collective and culture

tioning a stereotypical female image on

tion and fragmentation of those broken

of these sports, has led the author to

nowadays media.

classic models; associated with marked

consider her own body as a book or

At this point, the scar is considered a

bodies, fragile, but suggesting a great

canvas that recounts the memory of the

cutaneous trophy, as a sacred mark or as

strength.

14 11

6 13

10 9

8 5

1 5

1. NIGHTS IN MOYANO. Calle Claudio Moyano, Madrid. November 2010

8. COLLISION WITH SLOPING SIDE IN A RIGHT CURVE. Navas del Marqués Road October 2011

2. TRIP TO ALICANTE- VERTEDERO Alicante February 2011

9. WORLD CHAMPIONSHIP KOZAKOV CHALLENGE 12 Turnov, Czech Republic July 2012

3. EXTERIOR TURN SACALOBRA Port de La Calobra, Mallorca. April 2011

10. BROKEN LEATHER SUIT CATALINA ISLAND CLASSIC RACE Catalina Island, Los Ángeles, USA. May 2013

4. FILMING VIDEO LGC CARVING THE MOUNTAINS Cercedilla, Madrid. May 2011 5. LOOSE DOG ON THE BIKE LANE OF DEHESA DE LA VILLA Dehesa de la Villa, Madrid June 2011

6. LEFT ON A TURN - FREERIDE TUIXENT Skiing resort d'Esquí Tuixent la Vansa July 2011

7. NOT WEARING A FULL FACE HELMET Vega’s Hill, Madrid July 2011

AN ODE TO SCARS E L E LO G I O DE L A C I C AT RI Z

11. SPEED WOBBLE AT 95KM/H WORLD CHAMPIONSHIP PEYRAGUDESNEVERDIES 13

Peyragudes, France August 2013 12. FALLING ON CRUISE AFTER GIVING CLASSES AT ADIDAS ALL IN FOR MY GIRLS

Palacio de Neptuno, Madrid September 2013 13. LATE TO THE TRAIN ON THE WAY TO KOPJE SESSION Phoenixstraat, Delft, Holanda November 2014

14. CATAPULT FRONTSIDE SLIDE OUTLAW RACE KOIA Eggedal, Noruega June 2015

SELECTED WORKS

Sonsoles Masiรก Sรกnchez, 2016 ELOGIO DE LA CICATRIZ Sculpture: Clay, wood and 22k Gold 100 * 115 *20 cm

AN ODE TO SCARS E L E LO G I O DE L A C I C AT RI Z

SELECTED WORKS

ABU DHABI GA S S TAT I O N “A”

EMIRATES IN VITED CO MPETITIO N PRO JECT, RRA.

REIULF RAMSTAD ARKITEKTER, NORWAY.

THE CONCEPT G A S S T A T I O N , S H O P, R E S T A U R A N T , M O S Q U E , C A R W A S H A N D O T H E R A M E N I T I E S . The current project was made with, for and

spaces of the outer environment are evoc-

afar.

on behalf of Reiulf Ramstad Arkitekter,

ative of a desert landscape with distinctive

The formal main elements of the Station will

Norway, as part of the competition team.

vegetation and access roads; where the

communicate a high-tech expression speci

The experience of ADNOC distribution

spaces are carefully resolved in accor-

c to the chosen building materials, and all

Service Station is characterized by an

dance with the particular characteristics of

identity- bearing elements are developed

interplay between the site characteristics,

each individual situation. The outer periph-

using a contemporary design language.

the architectural expression and the

ery of the site is designed to blend

The modular structure of the design is clear-

high-tech character of the station facilities.

delicately into the surrounding landscape.

ly readable in the joint that are visible in

The Station landscape is divided into an

This approach is one of the main elements

the oors, the walls and the roof. The modu-

outer- and an inner environment, charac-

of the station concept, one that will make

lar design makes it easy to develop di

terized by identity-bearing structures speci

the ADNOC station into a gently iconic

erent types of station with a precise logic

c to each environments. The forms and

landmark, in particular as experienced from

using prefabricated elements.

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

FUNTIONAL FACADE

REPRESENTATIVE FACADE

Filling bay Storage Mosque Ti r e c h a n g e facility

Convenience store and shops

Office and administration

Counter CC

CC Toilets Washing room

Oasis

BB Kitchen

Restaurant

Car wash

Parking

AA Elevation North 1:200

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

ABU D

E L E VAT I O N S A N

E 1:3

Elevation West 1:200

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

DHABI

ND SECTIONS

300

Elevation East 1:200

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

SectionAA 1:200

Elevation South 1:200

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

ARCHITECTURAL DESIGN PROCESS ARCHITECTURAL STRATEGY

representative front building containing all

structures. In the proposal, at di erent

The basic layout of a Service Station is

the public functions. The functional rear

scales, it is possible to recognize this grid of

based on a rectangular volume. Normally

building that contains all the vehicle

links and connections.

this simple building has an open façade

related services.

The building adapts itself to this grid,

towards the front and a closed rear

Plan concept: The aim of the project is to

gaining structural advantages and formal

facade. The front façade contains the

recreate the structure of a natural source

opportunities.

public functions; the rear façade contains

of energy: petroleum. Petroleum consists of

The floor plan is based on a hexagonal

all the services.

a thick mixture of gaseous, liquid and solid

module. This geometry is prevalent in

Subdividing the Station Building

hydrocarbons. The hexagonal grid resem-

nature because of its compact and

bles the molecular structure of hydrocar-

eficiency. This grid is architecturally rich as it

bons. The hexagonal grid evokes natural

creates spatial axis in three directions.

Standard Station Building

This project proposes to subdivide the Station into 2 separate buildings: The

ABU DHABI GA S S TAT I O N “A”

SELECTED WORKS

ABU DHABI GA S S TAT I O N “ B ”

EMIRATES IN VITED CO MPETITIO N PRO JECT, RRA.

REIULF RAMSTAD ARKITEKTER, NORWAY.

THE CONCEPT G A S S T A T I O N , S H O P, R E S T A U R A N T , M O S Q U E , C A R W A S H A N D O T H E R A M E N I T I E S . The current project was made with, for and

spaces of the outer environment are evoc-

afar. The formal main elements of the

on behalf of Reiulf Ramstad Arkitekter,

ative of a desert landscape with distinctive

Station will communicate a high-tech

Norway, as part of the competition team.

vegetation and access roads; where the

expression speci c to the chosen building

The experience of ADNOC distribution

spaces are carefully resolved in accor-

materials, and all identity- bearing elements

Service Station is characterized by an

dance with the particular characteristics of

are developed using a contemporary

interplay between the site characteristics,

each individual situation. The outer periph-

design language.

the architectural expression and the

ery of the site is designed to blend

The modular structure of the design is clear-

high-tech character of the station facilities.

delicately into the surrounding landscape.

ly readable in the joint that are visible in

The Station landscape is divided into an

This approach is one of the main elements

the oors, the walls and the roof. The modu-

outer- and an inner environment, charac-

of the station concept, one that will make

lar design makes it easy to develop di

terized by identity-bearing structures speci

the ADNOC station into a gently iconic

erent types of station with a precise logic

fic to each environments. The forms and

landmark, in particular as experienced from

using prefabricated elements.

ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

FUNTIONAL FACADE

REPRESENTATIVE FACADE

Mosque Ti r e c h a n g e facility

Filling bay

Food and Beverage Outlet

Storage

Counter

Toilets

Office and administration Washing room Kitchen

Restaurant BB

BB Car wash

Parking

AA ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

ABU D

E L E VAT I O N S A N

E 1:3

Fasade West 1:200

ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

DHABI

ND SECTIONS

300

Fasade East 1:200

Section 1:200

ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

Elevation South 1:200

ARCHITECTURAL DESIGN PROCESS ARCHITECTURAL STRATEGY

all the vehicle related services.

A dune is a hill of sand created by wind or

based on a rectangular volume Normally

Plan concept: Petroleum

the ow of water. The roof is an undulated

this simple building has an open façade

The aim of the project is to recreate the

surface that will manage the ow of air and

towards the front and a closed rear

structure of a natural source of energy:

water. Natural ventilation and water

facade. The front façade contains the

petroleum. Petroleum consists of a thick

collection will allow the building to be

public functions; the rear façade contains

mixture of gaseous, liquid and solid hydro-

self-suficient. The oor plan is based on a

all the services. This project proposes to

carbons. The building resembles this

circular module. The circle is prevalent in

subdivide the Station into 2 separate

concept, developing in a liquid and

nature because of its compact and

buildings: The representative front building

organic way, and generating a uid three-

eficient. This grid is architecturally rich; it

containing all the public functions.

dimensional space.

creates fluid spatial relationships that

The functional rear building that contains

Roof concept: Sand dunes

encourages a natural flow of people.

The basic layout of a Service Station is

ABU DHABI GA S S TAT I O N “ B ”

SELECTED WORKS

BREITENBACH L A NDS C A PE HOT EL

A L S A C E, F R A N C E DIRECT COMMISION R R A, REIULF RAMSTAD ARKITEKTER, NORWAY

THE CONCEPT REAR GROUND FLOOR EXTENSION, LOFT CONVERSION AND COMPLETE REFURBISHMENT The current project was made with, for and

the visitorsâ&#x20AC;&#x2122; desire for quality.

Breitenbach landscape hotel. The Restau-

on behalf of REIULF RAMSTAD ARKITEK-

Located on a French hillside surrounded

rant and Spa in the main building will be

TER, Norway. As part of the design team at

by nature, the project will blend within the

private features for the customers but will

the first stages of the project.

landscape. Rooms are organized in sepa-

be a part of the open scenery towards the

Breitenbach Landscape Hotel will have a

rated Norwegian inspired cabins and offer

landscape. Customers will have an oppor-

prominent role linking the hotel activity to

luxury and privacy to the customers. They

tunity to go through the culinary experienc-

the site and local traditions. At the same

will be designed as comfortable units with

es related to the region and the

time, it will gather the best of architecture,

stunning views to the valley and will have a

landscape in connection to both tradition

design, spa facilities and food culture in

material palette referring to the Nordic

and innovation. Breitenbach landscape

the region. It will connect the local charac-

temperament. Natural and light materials

hotel will also look at art and culture as a

ter and landscape with new characteristic

will be used, mainly new and recycled

part of strategy to enhance the region

forms and create a specific architectural

wood with a combination of large glass

cultural practices. Visitors will have the

expression. The hotel will offer an unusual,

opening.

possibility to take part of the local culture

comfortable experience in the middle of

A combination of different amenities will

and art through some areas dedicated to

the French countryside and will answer to

create an exclusive experience of the

exhibition and local knowledge.

BREITENBACH L A NDS C A PE HOT EL

SELECTED WORKS

Illustrations by Reiulf Ramstad Arkitekter.

BREITENBACH L A NDS C A PE HOT EL

SELECTED WORKS

CHELSEA A HO US E F O R A S I S T ER

LONDON REFURBISHMENT AND EXTENSION A L E Z ARCHITECTURE

THE CONCEPT REAR LOWER GROUND FLOOR EXTENSION, THIR FLOOR EXTENSION, ROOF TERRACE. The current project was made with, for and

at Ground Floor Level and access to the

the upper floor.

on behalf of ALEZ Architecture & Interiors.

Patio and Garden. This new Extension

3- A small Third floor extension which will

Main objetives are:

would create a larger open plan kitchen/-

add an extra bathroom.

1- To replace and reconfigure the existing

dining/living Room.

The whole house will be upgraded. This will

disparate conservatory and patio to the

2- To create a small terrace and a stair to

constitute a significance in thermal perfor-

rear at lower ground level, which are in a

access the garden and the patio from

mance of the building. Lower Ground Floor

bad condition with a simple Lower Ground

Ground floor level and a top roof Terrace.

Extension and Patio aims to make maximum

Floor extension which would perform better

The access to this terrace through a glass

use of the natural light, the additional

from heat-loss/energy efficiency point of

stairs built in a book shelve wall, will

natural light afforded by it will improve the

view and that would allow a small Terrace

increase significally the natural light also on

living standards within the building.

CHELSEA A HO US E F O R A S I S T ER

SELECTED WORKS

CHELSEA A HO US E F O R A S I S T ER

SELECTED WORKS

THE CONCEPT LOWER GROUND FLOOR This new Extension would create a larger open plan kitchen/dining/living Room. Also to enlarge the patio towards the rear garden, by doing this ALEZ Architecture & Interiors wish to obtain more light at Lower Ground floor level, which currently is almost inhabitable due to a lack of natural light. Lower Ground Floor Extension and Patio aims to make maximum use of the natural light, the additional natural light afforded by it will improve the living standards within

SVP

RWP

the building.

1/80

1/60

6 7

Lounge

R0.01

8 9

G RLG.05

13 12 11 10 9

SVP

LOWER GROUND FLOOR

Shelves

CHELSEA A HO US E F O R A S I S T ER

RLG.01

RLG.04

Store

RLG.02

GFL: 0.00m

Store

FD20

WLG.02

DLG.02

RWP

1 2

DLG.05

Bedroom

RLG.06

Bathroom

1850x700mm

DLG.04

GFL: -0.20m

Store

RLG.03

DLG.03

IV:-1.30m

DLG.06

AAV

DLG.01

ACO from side to side

RLG.07

GFL: 0.00m

1/60 8

IV:

Kitchen Living

RLG.07

GFL: -0.20m

Patio Level to match LGF Level

WLG.01

RLG.08

GFL: -0.20m

Patio/Garden

Flower beds

French drainage TBC

GFL: +1.56m

F SVP

IV:-0.80m

Garden

Shelves

Flower beds

D D

B B

Shelves/ TV

RWP

GROUND FLOOR

SVP

1 2

W0.03

RL.01

D0.01

7 6

1/80

W0.01

Timber Deck

Patio

W0.02

1/60

Flower beds

1/60

Timber Deck

French drainage TBC

Garden

Flower beds

SELECTED WORKS

DETAIL BATHROOM EXTENSION

STATUS: CONSTRUCTION

+2.140

FINISHES

+ 1.10m

CHELSEA A HO US E F O R A S I S T ER

SELECTED WORKS

NOTTINGHAM A E NGL I S H VI L L A

UK GF A N D F F EXTEN S I O N A N D GA R DEN PAV I L I O N A L E Z ARCHITECTURE

THE CONCEPT G . F. E X T E N S I O N , F. F. E X T E N S I O N , R E F U R B I S H M E N T A N D G A R D E N L A N D S C A P E . a grill and outdoor dinning table.

The clientâ&#x20AC;&#x2122;s two main requirements were to

lounge, dining-room, patio, garden and

increase the usable area of the property

the sky.

as much as possible, and to create an

The property contains a big rear garden,

building gets extended to match the right

open-plan ground floor on which the

with a football pitch of 15 by 9 meters, It

wing, so there is a space for a bedroom

kitchen, dining-room and lounge are

was requested by the client that near the

and toilet on the ground floor.

inter-connected, and open out onto the

football pitch there is a small pavillion for

On the first floor, a bathroom is requested

garden and patio.

his studio and playground area for his son,

to be incorporated in the main living room,

The glazing on the ground floor, together

looking to the football pitch and, oriented

but it thakes the original footprint of the

with the skylights, allow the simultaneous

to the family house: an amusment area with

building, excluding the frontside extension.

visual and physical union of kitchen,

a pool table and space for summer events,

On the front facade, the left wing of the

NOTTINGHAM A N E NGL I S H VI L L A

SELECTED WORKS

Bench (balloon protection) same material as floor.

Hidden closet and door to office

Bench

PLAYROOM

R E A R PAV I L I O N WC

OFFICE

-0.30

-0.15

-0.30

+0.00

GROUND FLOOR EXTENSION

LIVINGROOM

KITCHEN

boundary

-0.30

DINING ROOM

+0.00

EXISTING

Shelves

BATHROOM

LOUNGE UTILITY

Shelves BEDROOM 1 +0.00 HALL

FRONTAL EXTENSION WC

NOTTINGHAM A N E NGL I S H VI L L A

SELECTED WORKS

NOTTIN

R E A R PA

E 1:1

3650

1000

3500

1525

2100

500

+2.45

+0.00

2000

3450

450

1525

3500

750

3500

250

1606

1000

3650

2100

2750

500

+2.45

+0.00

3500

1606

250

750

450

NOTTINGHAM A N E NGL I S H VI L L A

3450

2000

SELECTED WORKS

NGHAM

AV I L I O N

100

3775

875

2131

2100

2750

500

+2.45

150

+0.00

1384

125

1125

3525

125

2131

875

2186

3775

2100

500

+2.45

150

+0.00

2186

500

1980

500

NOTTINGHAM A N E NGL I S H VI L L A

1795

125

1384

SELECTED WORKS

NOTTINGHAM A N E NGL I S H VI L L A

SELECTED WORKS

ARCHITECTURAL DESIGN PROCESS COMPUTER GENERATED IMAGES

CGIs are often used to illustrate a final

see it built after months of discussions and

valuable clues as to which path to take, or

product, but they are also very helpful and

speculations. A CGI is the best way to make

on which spatial and structural aspects to

cost-effective throughout

sure that everyone is on the same page,

focus.

and working in the same direction.

The advantages of creating and develop-

the design

process, for two principal reasons:

ingCGIs throughout the design process 1- They serve to communicate the

2- They can be used to try out and test

justify the cost, the quality of the design will

concept and the design effectively to

different design solutions to different prob-

be improved, communication between all

clients. Sometimes it is difficult even for us

lems that arise at different stages of the

parties involved will increase, and there will

(designers/architects) to visualise a space,

design process, from inception to construc-

be real cost savings.

and often we are rather surprised when we

tion.

These

little

experimentsprovide

NOTTINGHAM A N E NGL I S H VI L L A

SELECTED WORKS

WIMBLEDON T HREE I DE NT I C A L HO US ES

LONDON REFURBISHMENT AND EXTENSION A L E Z ARCHITECTURE

THE CONCEPT REAR GROUND FLOOR EXTENSION, LOFT CONVERSION AND COMPLETE REFURBISHMENT The current project was made with, for and

kitchen will be inter-connected and will

ALEZ

Architecture

Interiors

main

on behalf of ALEZ Architecture & Interiors.

look out onto the garden, which is quite

challenge in this project has been to orga-

This project comprises three identical

large in all cases (more than 11m long by

nise the work flow to suit our client, who is a

houses in Wimbledon, two of them being in

5m wide). It is also intended to make a loft

London property developer who usually

the same terrace, the third being a few

conversion in all three houses, and to incor-

gets quite involved in all aspects of the

metres away in a parallel street.

porate the master bedroom plus an

process. It was also crucial to keep all the

The client´s instructions are to increase the

en-suite at loft level. The result will be an

construction costs within the budget and

area of the houses as much as possible

increase of more than 20% in the property’s

to produce all the architectural documents

and to create an open-plan design on the

usable area.

simultaneously.

ground floor, where the dining-room and

+8.88

SFL

+5.86

SFL

+5.86

FFL

+3.08

FFL

+3.08

GFL

+0.20

GFL

+0.20

WIMBLEDON T HREE I DE NT I C A L HO US ES

SELECTED WORKS

WIMBLEDON T HREE I DE NT I C A L HO US ES

SELECTED WORKS

BTNZ 64 Was a personal project developed in MADRID, in an old building of 1974. The plans, building contract and site building direction was developed by SONSOLES MASIĂ . The project is about a small apartment near Madrid downtown, two bedrooms and a diaphanous space that includes the kitchen, livingroom, hall and terrace. The apartment has great light diring the whole day because of the good orientation

and spaces.

This project

was

developed

with and on behalf of ALEZ Architects. Having worked closely with our client for developping the conversion from Office to residential of this interesting office building which will result in the construction of 12 new modern 1 bedroom Flats in Surrey. The challenge of achieving small and reduced homes yet liveable, practical and beautiful, orientated for young professionals. Status: Planning Permission Granted. Construction In Progress

T h e project is a 7- storey building with 12 apartments on a hill in Iladalen with an exclusive rooftop garden for all the residents. The site is open and the apartments will have a view over the valley and/ or south towards the Oslo Fjord. The rooftop layout and some comercial floorplans were made during the time I was working for REIULF RAMSTAD ARKITEKTER in Oslo. Collaborating on this project was an interesting experience, hand by hand with the senior architects in charge of the project.

OTHER WORKS CO MP L ETED P R O JECTS A ND CO L L A BO R ATIO NS

big

open

SELECTED WORKS

BTNZS64 A PERSONAL APARTMENT

MADRID DESIGN, PROJECT AND SITE MANAGEMENT, AND SUPERVISION DURING CONSTRUCTION. PERSONAL PROJECT

SURREY 12 NEW FLATS

LONDON OFFICE TO RESIDENTIAL CONVERSION

A L E Z ARCHITECTURE & INTERIORS

V 1 0 A PA R T M E N T S RESIDENTIAL

OSLO LAYOUT OF TERRACE AND COMMERCIAL PLANS REIULF RAMSTAD ARKITEKTER, NORWAY

OTHER WORKS CO MP L ETED P R O JECTS A ND CO L L A BO R ATIO NS

SELECTED WORKS

T h e watercolor sketches of the project Summer Villa in Mallorca and the search of the ideal plot that meets the client requirements. The project is for a single, detached, family holliday house. The client has appointed ALEZ Architecture & Interiors to look for a plot and to proceed with a concept design proposal and feasibility study. The house is conceived as a place in which to enjoy the sun, family life and relaxation, this construction seeks openness in every possible sense.

T h e client required a whole new room with high ceilings and the important presence of a big bookshelf. This is a interior design project which renderings were developped with Vray and photoshop. The client was giving a big importance to a designed and very functional minibar embedded on the library. The furniture design and interior project was developed by ALEZ Architecture and Interiors. Lighting design was significant hand by hand with the rendering process.

RRA. The experience of the historical farm should be conserved and reinforced, and the new construction will be a constituent part of the whole with a site-specific architecture of good housing. An architectural concept provides a coherent impression of the interactions between new and old, architecture and landscape. The sketch proposal underlines a clear architectural gestalt and proximity to the farm's timber construction, as opposed to alienating formalism.

OTHER WORKS CO L L A BO R AT IO NS : CO MP UTER VIS UA L IS ATIONS

SELECTED WORKS

SUMMER VILLA SUMMER VILLA IN MALLORCA

MALLORCA SKETCHES AND WATERCOLORS

A L E Z ARCHITECTURE & INTERIORS

LAHORE LIBRARY AND MINIBAR ROOM

LAHORE INTERIOR DESIGN AND COMPUTER GENERATED IMAGES

A L E Z ARCHITECTURE & INTERIORS

V O L D E LÃ¸ K K E N A PA R T M E N T S RESIDENTIAL

OSLO CORRECTION OF FACADE LAYOUT AND IMAGES REIULF RAMSTAD ARKITEKTER

OTHER WORKS CO L L A BO R AT IO NS : CO MP UTER VIS UA L IS ATIONS

SELECTED WORKS

Sket ching is my key to relax and internalise memories. I realised how a drawing can capture the ambient, the smell, the sounds, the company and even the conversations you can hear while you are drawing. Is your very personal point of view. I learned that sketching brought me in some kind of trance, into a world where sounds and other sense stimulus goes straight into my subconscious. Those feelings get print into the drawing and I can almost have them again when I look back at the finished sketch.

part of my Fine Arts degree, I had multiple video subjects, from video editing and filming, to short movies and musicvideo to Videoart performance arts. The selected piece is one of this commisions made for one subject. It is just a succession of aesthetic videos filmed and edited in just one day. The production was filmed with a Canon6D and edited with Adobe Premiere and After Effects. You can find more accademic videos on the same youtube channel.

From painting to sculpture and other fine arts disciplines, the fine arts degree gave me a special sensivity about visual art. Having a classical and contemporanean arts degree also provide me the tools to solve, to create and to comunicate through fascinating and aestetic ways. Beeing painting and sculpture my favorites, I use painting as a past time hobby, but everyday its part the way I work. As an example, my architecture final thesis was deeply influenced by Land Art. It is all part of the same thing.

OTHER WORKS F INE A R TS, VIDEO S A ND IL LUS TR ATIO NS

SELECTED WORKS

@ACOFFEEA SKETCH A COFFEE, A SKETCH

INSTAGRAM WATERCOLOR, LIFE SKETCHING.

PERSONAL PROJECT

RANDOM VIDEOS AESTETIC EXERCISE

YOUTUBE FINE ARTS DEGREE - SCHOOL COMMISION

PERSONAL PROJECT

PA I N T I N G A N D S C U L P T U R E -

MADRID FINE ARTS PERSONAL PROJECTS

OTHER WORKS F INE A R TS, VIDEO S A ND IL LUS TR ATIO NS