Bartlett UG2 2017/18_Renzhi

Interest about density:Tafoni Taking Small cave-like features found in granular rock such as sand stone, tranite and sandy-lime stone with rounded entrances and smooth concave walls,

attractor effectiveness: 0.1

attractor effectiveness: 0.2

attractor effectiveness: 0.3

attractor effectiveness: 0.4

attractor effectiveness: 0.5

attractor effectiveness: 0.6

area of weaker stone structure

Tafoni 2D simulation 1 Taking the idea from tafoni’s formation process, where eroding patterns start from points in the area of weaker stone structure, a digital simulation of tafoni pattern is done by parametric method of adding red ‘attractors’ to the topography and control the pattern by adjusting the effectiveness of attractors.

attractors: 2

attractors: 4

attractors: 6

Tafoni 2D simulation 2 Controlling Simulate tafoni pattern in grasshopper by adjusting ‘attractors’ (which represent area of weaker stone structure) to the topography and control the pattern by adjusting the number of attractors.

attractor effectiveness: 0.1

attractor effectiveness: 0.2

attractor effectiveness: 0.3

attractor effectiveness: 0.4

Tafoni 3D Skeleton simulation 1 Simulate tafoni skeletonpattern by puting one ‘attractors’ to the topography in a bounding box and control the pattern by adjusting the parameter of the effectiveness of the attractors

attractors: 2

attractors: 3

attractors: 3

Tafoni 3D Skeleton simulation 2 Simulate tafoni skeleton pattern by puting more ‘attractors’ to the topography in a bounding box and control the pattern by adjusting the parameter of the quantity of the attractors

1

3

4 2

Learning hiearchy of space from children’s playhouse AA start point of first iteration is the hiearchy of space taken from children’s

playhouse, which includes: 1. roofing (enclosure) 2. slide connecting the common space and the ground level 3.lifted common space 4. void under lifted floor to be discovered.

1

roofing (enclosure)

2

slide connecting common space and ground

3

lifted common space

4

void under lifted floor to be discovered

ITERATION 1 PLAYSPACE FOR CHILDREN Through a simple massing model within a volume of a cube and following the space hierachy eaxtracted from the playhoouse, defining enclosure (bounding box, communal space (the cone), the more private space (underneath the ramp), the first iteration of proposing a playspace for children is developed.

Inserted ‘Tafoni elements’

EXPLODING VIEW The exploding view shows how this proposal follows the hierarchy of the space of children’s playhouse and elments relating to Tafoni topography were inserted to used as both structure but also facilites for children to explore.

ELEVATION 2 Eleveation render to speculate how the overal proposal and inserted ‘tafoni elements’ are occupied and experienced by children.

ELEVATION1 Eleveation render to speculate how the overal proposal and inserted ‘tafoni elements’ are occupied and experienced by children.

RENDER COLLAGE

imging the occupancy of the inserted elements

1:200 SITE PLAN The proposal is to take the whole gallery as an organic pieces which decays at the top right corner, spreading iteself to the natural surrounding. On the original plan, both two wings and the central space are all built for exhibition.

Elevation (South)

Elevation (West)

SITE CONTEXT The serpentine gallery locates iteself inside Hyde Park, which gives great natural scenery. When you stand far from the gallery, it looks like that it is fading away into nature scene. Also, when you are look away inside the gallery, the large windows frame out the background of greenery.

INSPIRATION:

previous exhibition of Adriån Villar Rojas’ work

Massing model of the proposal

All Pictures accessed in: http://www.serpentinegalleries.org/exhibitions-events/adri%C3%A1n-villar-rojastoday-we-reboot-planet

In a previous exhibition in serpentine gallery, Adrian Villar Rojas has taken the gallery as an installation where the space was re-imagined as a fossilised world of ruins and ancient monuments. In my proposal, instead of filling the space with relic piceces, the whole gallery is taken as an intact fossil which organically decayed at one corner. This decaying space is spreading iteself to the natural surrounding. It serves as an oppening space for receiving guests and created a sub-layer of space which serves as exhibition rooms.

DECONSTRUCT AND REARANGEMENT The start point of the design is to deconstruct the current serpentine gallery and rearrange the corner with systems of boxes which rebuild the partition and circulation of the space and these boxes is going to control the growth of the geometry.

PROPOSAL ISOMETRIC & EXPLODING VIEW This isometric view shows the relationship between the decaying corner and the original serpentine gallery and from the exploding view, it can be seen that the form of the roof extends along the geometry of the corner. The new ‘corner’ serves as an reception space for receiving guests and created a sub-layer of exhibition space inside the partition separated by its organic branching.

SCI-Arc’s proposal

Zaha Hadid’s proposal

Plan Diagram

FROM RIGID TO ORGANIC SCI-Arc proposal image accessed in: https://www. archdaily.com/549567/sci-arc-appoints-hernan-diazalonso-as-new-director Zaha Hadid’s proposal image accessed in: https://www. dezeen.com/2014/09/10/zaha-hadid-maths-gallery-london-science-museum/

Learning from SCI-Arc’s proposal for Tabakalera Competition and Zaha Hadid’s design for new reception of the science museum, the principle of the form is growing from rigid to organic, both on plan (more curvy) and sections (more porous and dynamic)

Refrence of light studying and Zaha Hadid’s pavilion for serpentine gallery

Roof opennings diagram

ROOF LIGHT STUDY/ REFERENCE Light Study Reference: https://www.pinterest. co.uk/pin/254453447671850031/ Light well of Zaha Hadid’s pavilion for serpentinve gallery: https://www.pinterest.co.uk/ pin/257268197436809910/

To provide subtle lighting which corporates the organic geometries, roof is designed with light well and opennings that indicate the position of each partition and the overal circulation.

Grid (Stacked boxes)

Relaxing surface of boxes

DEVELOPED METHOD: ‘GRID SYSTEM’ To rationalized the generation of the organic geometry, grid system is applied.

Each unit block is 50cm*50cm*50cm. First, stacking the blocks and then relax the surface to its balance value. The controlled organic shape is achieved. Also, as each block has a dimension, the organic geometry can be designed through boxes to make sure the scale fit into human activities. This enables much controlled design which can hardly be done by random parametric process.

Outcome geometry

Development process

Initial form generation

Developing complexity By adding up dimension both vertically and horizontally of the box stacking, the outcome geometry has acquired complexity step by step and gradually revealed potential for becoming 3D space.

Scale and function diagram

Stacked boxes

Outcome pavilion

Adding Scale and Function As showned in the diagram, by controlling the quantity of boxes and the stacking pattern, the scale of the outcome organic form is defined, by which certain functions can be inserted into it. The aim is to create space of intricate quality which similar to tafoni structure which is waiting to be explored by its users.

Outcome vertical structure

Stacked boxes

VERTICAL ENVELOPE DEVELOPMENT Based on above discussion, the vertical enveloped is developed. Also, the idea of ‘rigid to organic’ is tested. The structure becomes more porous and organic from left to right, which is brought to the final proposal.

Potential of roof generation After vertical structures, testing the limit of creating roof is structure. The pattern of the roof has similar qualities of the organic form of Tafoni structures

TESTING DIFFERENT MATERIALITY A layered laser cut model to test different method to generate the geometry and identify tis materiality. This layered quality is further applied to the roof design of final proposal.

Examine its layered texture and the shadow created. By taking different angels, 3-dimensional spatial quality can be found

PHYSICAL 3D PRINTED TEST This 3D printed model is produced to test the spatial quality and its performance with light physically. Also, it tests the idea of ‘rgid to organic’.

Changing porosity and dynamic along the structure

PHYSICAL MODEL TEST This 1:50 sectional model is to test the spatial quality of the final proposal, such as interior environment and lighting.

UNDERNEATH ROOF Below the roof, there are the ‘organ’ of the serpentine gallery which strates to ‘decay’ to its natural surrounding.

These structures has reformed the original exhibition space into smaller partition dynamically.

INTERIOR LIGHTING The effeiciency of the light well design on the roof hae been tested, and it successfully creates a soft, ambient indoor lighting which can enhance the performance of exhibition room.

Lighting in different location

Moments when light strongly focus on one roof oppening

Exhibition room under light well

STAGE 1: INITIAL INTEREST & FIRST ITERATION (UNCONTROLLED AND GENERIC)

STAGE 2: RATIONALIZED PARAMETRIC DESIGN METHOD TO ORGANIC FORM

STAGE 3: FINAL PROPOSAL ‘fossil of serpentine gallery’

Predicted Demographic development of Copenhagen Till 2029

Demand of developing a new city district The rising population of Cophenhagen has required the city to develop new district for providing new jobs and new living space. It is under this presurre that Nordhavn is planned to develop into an area which is going to hold the same amount of population as most of the biggests districts of Copenhagen do.

Demand of developing a new city district The rising population of Cophenhagen has required the city to expand the costline of Copenhagen and to transform a harbour area to a new district for providing new jobs and new living space. It is under this presurre that Nordhavn is planned to develop into a new city district in the next few years, which is going to hold the same amount of population as most of the biggests districts of Copenhagen, such as Osterbro.

40000

Nordhavn

75000

Osterbro

78000

Norrebro

50000

Indre By

60000

Vesterbro

Norhavn before the establishment of the new urban plan

Location of the site area

City Masterplan proposed by Cobe: a new Venice

Envision of future nordhavn: canals crossing through city

Urban context of the site: a city district seperated by canals Nordhavn, located only 4km from the city centre of Copenhagen, is the largest metropolitan development project in Scandinavia in the years to come. With its accessibility to the city’s core infrastructure and direct access to the water, This post-industrial harbour site will be developed over the next 40-50 years, featuring a total floor area of up to 4,000,000 m2, providing living space for 40,000 inhabitants and workspace for another 40,000 people. Located on the Ă˜resund coast, Nordhavnen will utilize its direct access to the sea by providing a multitude of recreational urban spaces and public facilities at the water.

The site is located next to the first Metro station of the extended new metro line and is close to Copenhagen internatoinal school, which are the two important facilities in the city district.

* Arieal view of the area of the site

Orientkaj station (under construction)

Site elevation direction

Copenhagen International school (construction finished)

Site elevation

Site context: Inbetween Metro station and school Zoom in into the area of the site location. The new metrostation: Orientkaj station, is still under construction and will be opened in 2025, which is expected to hold more than 4000 passengers per day. The other important facility: Copenhagen international school is already built and is in use.

The site sits inbetween these two important spots for Nordhavn and it has a lot of potential as there will always be a constant flow of people travelling around. The start point of the project is to fill the area between this two facilities and to create a supplymentarry connection/ extension.

Ground floor

first floor

Open floor for outdoor activities second floor

short section

Site context 1: Copenhagen international school An International Baccalaureate (IB) World School, offering a student-centered, inclusive and inquiry based approach to learning for students aged 3 to 19. It is a brand new, state-of-the-art Campus right on the water and close to the city center. A comprehensive Co-Curricular Program, including arts & crafts, design, dance, music and sport.. The school has an open floor for outdoor activities, which offers a space where our proposal can connect to.

* Students’ Art work on the fence of the construction site

* Collection of students’ Artwork

Artistic atmosphere brought by the school The Copenhagen international school has a comprehensive courses in education of Art. The school publishes a magazines every year which includes a wide ranges of Art works from 2D to 3D visual design to literature and the students are also involved with the construction of the new city district by painting wall drawings on the fence on the construction site, which bring an artistic impulse to the community.

Orientkaj station after construction

Gateway to enter Nordhavn

STAIR

LIFT

PLATFORM

STAIR

TECHNICAL ROOM

TECHNICAL ROOM

CANOPY PLATFORM

TRACK

PLATFORM

LIFT

TRACK

Diagramatic analysis of a basic elevated metro station

Site context 3: mobility of people around Metro The Orientkaj Metro Station opens in early 2020 with Nordhavn and is expected to have 4,000 daily passengers in 2025. Read more about the station in 2020, which enrich the flow of people travelling around the site. This project takes advantages of the mobility of people along the metro line and is aiming at extending the influence of the station as more than a transporative infrastructure.

a. locating and connecting important transportive spots around the site

b. adding and substratcing the redundant paths

c. extracting and defining geometry from the paths

First iteration: multifunctional transportation structure The initial idea of this project is to create a structure that works both as transportation infrastructure and cultural center for Nordhavn. Therefore, it is connecting the Metro station, the school, a habour for canal boats (see grey square) , and both sides of the harbour. The points where the circulation arrive are marked out. The development is a process of addition and substraction within the paths connecting these points.

2,500 m2

Nordpark Railway Stations, Innsbruck,Austria,Single usage train station. By Zaha Hadid Architect

1,0000 m2

3,0000 m2

PDB Metro Station, Paris. Multi-functional, hybrid of infrastracture and social space. By Big

Napoli Afragola High Speed Train Station. The new gateway to the south of Italy. By Zaha Hadid Architect

Research of multifunctional transportation facilities This reasearch is to understand how a multifunctional transportation facilities can be adapted to programs with different sizes and how architects apply multiple form language with clear hierarchy.

Layers of circulation and program

Multiple program along the structure

Study of multi-program layout The PDB continues the parisian tradition of utilizing bridges as social spaces and cultural landmarks. Located at the encounter between the communities of bondy, Bobigny and Noisy-le Sec, the station is conceived as both bridge and tunnel wrapped around a giant atrium, connecting the riverbank to the train landing.

GREEN ROOF

GALLERY EXIBITIING STUDENT WORKS

CORE AREA (TICKET OFFICE AND STORES) CONNECTING TO PLATFORM

ELEVATED BRIDGE TO SCHOOL

PLATFORM

CYCLING BRIDGE,CONNECTING TWO SIDES OF THE HARBOUR

HIERARCHY OF PROPOSED VOLUME

BACK VIEW

LEFT VIEW

Volumetric test with paper model

Conclusion of first iteration: refinement and dynamic required Through the learning process from different projects, it is found that the first iteration has many redundant components and it should be refined and focus on the connection between the school and the metro station with exhibition, student studios and social space.

CONNECTION

TWISTING

GLAZING

Creating circulation in a linear shape

Kistefos Museum serves both as infrascture and cultural center center

CASE STUDY : multi-program space in a simplified gesture The new kistefos Museum from BIG’s proposal is conceived as a simple beam

that spans the Randeslva to connect the two edges of the site, becoming a second bridge for the Sculpture Park, A twist in the building’s Volume allows the bridge to lift from the lower forested area towards the south, up to the hillside area in the north. This creates a series of interconnected spaces.

CIRCULATION

Progressive linear iterations2: refine shape to a bridge The second program volume proposed only focus on the connection between the Mestro station and the school, whch reduces the redundant part in the first plan. The circulation is intertwined and is applying a similar geometry of the two bridges in the case study. However, as a long span structure, the overall form stills requires more dynamic and optimization

suble composition in section creates complexity and dynamic

CASE STUDY 2: organic flow in Zaragora Bridge This bridge designed by Zaha Hadid has combined the exhibition space and social space inside the bridge. It takes a form of three flower pods that intertwines with each other and functions differently along the bridge. Zaha Hadid’s example imply that how a linear organic form become inhabitable and diverse.

Inspiration from natural weathering During the exploration of organic form language, natural weathering (tafoni) process becomes the main inspiration. These Small cave-like geographyical feature found in granular rock such as sand stone, tranite and sandy-lime stone with rounded entrances and smooth concave walls have given the clue of a form optmized strategy.

attractor effectiveness: 0.1

attractor effectiveness: 0.1

attractor effectiveness: 0.2

attractor effectiveness: 0.2

attractor effectiveness: 0.3

attractor effectiveness: 0.4 attractor effectiveness: 0.3

attractor effectiveness: 0.4

attractor effectiveness: 0.6

attractor effectiveness: 0.5

attractor setup

area of weaker stone structure

area of weaker stone structure

2D weathering pattern simulation

3D growth pattern simulation

Term 1 Research: Form language learnt from digital simulation Taking the idea from the stone weatheringprocess, where eroding patterns start from points in the area of weaker stone structure, Digital simulation from 2D to 2D of weathering pattern are used to learn how to create similar topology where the organic form follows certain rules of minializing

initial volume

surface relaxation

bone-like shell structure after relaxation

controlled form development in groups

Methodology of developing topology Learning from the controlled generation on a single box, a more complexed Methodology is developed by multplying the amount of boxes used to generate more compexed topology

Outcome

level 5

level 2

level 1

level 5

level 4

level 4

level 3

level 0

level 3

level 2

level 1

Applying surface minimalizing method to a box shape in different levels

Human bone growth pattern

From random pattern to controlled form generation Learning from the digital simulation of the natural weathering process, another methodology is developed with much more controll. The diagram demonstrates an example of a stacked boxes being minimalized to an organic form, which ressemble the growth of human bone.

level 0

level 0

level 2

level 3

level 4

Simplified cantelier

Developing structural element 1 To apply the form generation language to something more structural which can be used in the design of the proposal, a basic canteliver struture is smplified and tested to see what outcome it will produces in different level of minimalizing surface

Iterative development by adding more support beams

structural load

3D printed physical test model

extracting form from a simple cantilever

BRIDGE

Iterative render of the 3D printed model as a canteliver for the bridge

Iteration of the canteliver structure Learning from experiment 1, a series of canteliver structure is developed to hold the mainbody of the bridge. Although it structurally works well, the composition between the organic form and the traditional mainbody of the bridge. Therefore, the next iteration aims at building the whole bridge with the same methodlogy.

*gradually building up the bridge structure. The principle of canteliver is not given up in this iteration

* generating organic structure from stacked boxes that follow a arch-canteliver composite

3D printed test model

Generating process of the proposal 1 Instead of making a supplymentary structure that reinforced the bridge, the whole bridge is going to be generated with the same methodology developed from weathering process and bone structure. Here is stage 1, where the left part of the bridge which connects to the metrostation is gradually built up.

INITIAL ITERATION

ITERATION 2

ITERATION 3 EXTENDED

ITERATION 4

ITERATION 5 CAPPED

INITIAL ITERATION

ITERATION 2

ITERATION 3 EXTENDED

ITERATION 4

ITERATION 5 CAPPED

Iterative progress of the whole bridge (top view) Having the foundation of building half of the bridge and physical tests, a series of iteratons of the whole bridge is done. While doing these iterations, consideration of how people can get the view of the sea is taken.

The size, outline and the openings are oriented to optmized the interior experiences.

INITIAL ITERATION

ITERATION 2

ITERATION 3 EXTENDED

ITERATION 4

potential location of studios

ITERATION 5 CAPPED

support

main load

support

Iterative progress of the whole bridge (facing south) The elevation of the bridge shows how the overall structural and esthetic value are considered to produce the outcome. Structurally, the bridge is a arch-canteliver composite but the tubic nature will turn these forces on the bridge into tension. Also, the potential distribution of how the program should fit into the bridge is considered. For example, the right end of the building has encaved opennings where the studios for student could be located. The central part will be the main exhibition space.

* DOUBLE-GRP SKIN

* Inserted Floor panel to seal the geometry

* Steel framework

*Installing GRP panel on complex steel frame dense steel framework

*Composition of the bridge inbetween the station and the school

Overall construction strategy 1 The most obvious solution to translate this complex structure into real materials is to apply the skin of the shell onto a steel frame with floors inserted inbetween them. Since it is not very likely to resolve the whole system, the next two chapters will zoom in to one certain part (the deck) to focus on how to actually make these three layers work together.

* MAXIMA WORLD EXPO PAVILION

Multi-ply composite system of aluminium stripes

Reference of materiality and structure assembly This project is made up of three layers of flat stripes . They are fabricated to support on each other and each stripe contribute to the unified structure. The structural system would remind us of fiber technology, such as carbon or glass fiber. However, as individual component does not need to be strected by tension, they dont perform exactly as glass fiber. Each components are pre-fabricated and can be replaced or modified during construction.

This reference give implication of the interior space might be experienced with similar materiality (GRP) panels

https://theverymany.com/projects#/world-expo-17-astana-kz-1/

* Diagram of a possibe layout of main steel frames.

*connection to the other deck

*inserted floors

*underground foundation

*entrance

*The ‘feet’ connects the ground level, metro station and the mainbody of the bridge

Iteration of the main steel framework of the ‘decks’ To understand how the organic form coule be turned into physical structure, the two ‘decks’ where people enter into the ‘bone’ are zoomed in as the subject to study with. The diagram above demonstrates an iteration of the main steel framework, which compromises the complexity of the form to certain extent and is organized in a conventional layout.

* Diagram of the inhabitable space inside the ‘bone’

6

1

4

3

2

5

1. TOP SLIDE (METRO TO BRIDGE) 2. ENTRANCE INTO ‘TUBE’ 3. CONNECTION TO LEFT DECK 4. CONNECTION TO MAIN PLATFORM 5. ELEVATOR 6. CONNECTING THE REST OF THE STRUCTURE

* Two decks open to the ground level

Inhabitable space inside the ‘bone’ The left part of the bridge that fall on the ground level are open for access, which creates a transition space between the ground level, the metro station and the main body of the bridge.

* 1:50 Physical test of the steel fram iteration

*build foundation and vertical beams

* ‘weave’ the framework to build up

*build foundation and vertical beams

Physical experiment of proposed structure This prototype is held by perpendicular beamso weaved with horizontal frame to create form of the bone-like thin shell. The bottom is burried into the ground as foundation and floors are inserted inbetween the framework. A 1:50 laser cut paper model is made to test if it physically work, which actually stands up itself in a solid way.

*Space enclosed with intense curvature

Envision quality of space Although the phsyical model has not installed the skin panels, it still offers an opportunity to envision the quality of space with the intense curvature of the frame.

Test of shadow: walking into the ‘decks’ By projecting single spot light into the frame model, it presents an imaginitive space created with shadow, through which a viewer can walk into the structure and feel the atmosphere inside.

* Original skin

* Separated panels

* exoskeleton

* exoskeleton 2

* carpet pattern

* carpet pattern 2

Subject of anaylsis: partial of the skin panel

Iterations of panelling of the skin Zoom more into a fragment of the skin of one of the deck’s. Iterations of panelling of the skin are tested with different patterns. Parametric tools is used to recalculate the composition of the surface and redevelop them into skin of different patterns, which has different densities of seperation, exoskeletion and different openings of.

* 3D printed test model

* floor and stiars that fit the curvature of the thin-shell tubic form. These inserted components make the space functional.

* supportive steel frame work will be constructed along the main steel frame, which allows the exterior panels to install onto.

* quad panels will be installed onto the supportive framework. Some holes of the frame are left open for natural lighting.

Prototype scheme of creating openings A rough 1:50 model 3D printed to see the performance of the prototype demonstrated by the diagram above. Here the three layers of components are printed together, which means that the way of assembly and materiality are not taken into consideration and the focus will be examining the quality of space and light in the interior with this prototype skin.

*Simulation of day light projecting on the walls

*position of the tested wall in final section

Test of interior quality 1 The first series of test focus on the performance of the wall under day light. The outcome turns to be gentle and soft, which is optimistic to attract people to get into the decks.

*Simulation of day light projecting on the openings

Light and shadow test of openings 2 The scond light and shadow test focuses on the performance of the openings on the other side of the skin, which is facing south. These openings provide natural lighting into the space during daytime and cast interesting shadows that reinforces the quality of interior space.

Original structure built by stacked boxes

* Level 0: surface of the geometry is released

* Level 1: surface begins to minimalize

* Level 2: minimalization almost finish

* Level 3: the overall form is clearly defined

Generation process of final iteration Some required changes are revealed after doing the 1:200 iteration model.

Especially the openings of the form needs to be more defined and to relate to the program.Here is the generation process of a full bridge, where the form is gradually iterating from a combinition of stacked boxes into an organic structure.

1:200 ITERATION MODEL

Demand of developing a new city district The rising population of Cophenhagen has required the city to develop new district for providing new jobs and new living space. It is under this presurre that Nordhavn is planned to develop into an area which is going to hold the same amount of population as most of the biggests districts of Copenhagen do.

The new bridge is inherently an infrastructure, but the organic form gives it more esthetic value. While having a sculpturous outline, it will contain exhibition for artworks from the students and provide private studios for them, which makes the bridge as an extension of the school and the interface where students meet the public.

* Interior render with prototyped openings

* diagram of prototyping panel system development

* I. extract pattern of supportive steel mesh

* 2 select areas for creating openings

* 3 extract the * 4 apply the pattern original panels that onto the GRP panels cover the pattern

ITERATION OF OPENINGS FOR NATURAL LIGHT 2 Developed from the last panel study, this iteration derives from the organic pattern of the supportive steel mesh, which means the window frame can directly fit onto the steel frame during instalation. These southfacing openings will appear on the skin of the inhabitable space inside the ‘decks’, which provides intriguing natural lighting and views towards the sea and city.

* view of the location where private studios for students are going to be built on the left hand side and exhibition space on the right hand side.

* view of the main path way

* view of the entrances into the main body of the bridge

Interior of the bridge without specialized partition for progam The 1:200 iterative model is used to observed the interior of the mainbody the bridge forged by the bony structure. It is also an opportunity to envision the space that is going to be used for different program to push the design and make changes on the final iteration according to the need of different functions.