April SouthPark 2025

Page 1


LOVE IN VERONA

FROM THE EDITOR

We’ve all heard the expression “roll out the welcome wagon.” When my husband and I bought our first house near Cotswold, we got a call from a lovely woman who wanted to drop by and welcome us to the neighborhood. When she told us she was with the Welcome Wagon, I suppressed a giggle. I’d heard the expression, but I never knew it was an actual thing

One evening, a few weeks after we moved in, the woman came over with a gift basket and spent an hour or two telling us all about Charlotte, from local arts groups and libraries to shopping centers and churches. We weren’t entirely new to the Queen City, but we’d been away for a few years, so we enjoyed listening to what she had to say and getting to know a neighbor who lived in the same part of town.

After she left, I was flabbergasted that this type of in-person service still existed. Turns out it didn’t for much longer.

Recently I turned to the internet to see if anyone else recalled a similar experience with the Welcome Wagon. I learned that the service was started in 1928 by a marketer from Memphis, Tennessee. Thomas Briggs hired “hostesses” to meet with new neighbors over coffee and hand-deliver gift baskets with novelties and coupons from local businesses. The concept expanded nationwide, eventually

reaching 1.5 million homes a year, according to The New York Times.

In 1998 — a year after I moved to Charlotte — Welcome Wagon shifted to a mail-only platform. From then on, new residents just got a bundle of coupons in the mail.

“My heart is in these home visits,” a former employee from Connecticut told the Times when it reported the change. “I loved giving the welcome and greeting those new movers, new parents, engaged women.”

What sticks in my memory from our Welcome Wagon visit wasn’t the coupons or tchotchkes from local dry cleaners, salons and other merchants, which I’m sure we received. I just remember a kind, friendly neighbor, whose name I unfortunately don’t recall, who seemed genuinely interested in helping us find our footing in our new home, neighborhood and city.

This issue is all about home, from filling our most intimate spaces with objects and heirlooms that remind us of friends and family (page 82) to welcoming guests around our tables (page 98) — and even our front porches (page 76). In this and every issue, we love sharing and celebrating beautifully designed homes — but the relationships formed and fostered within their walls are what we’ll remember for years to come. SP

IN THIS ISSUE:

1–A dining nook that’s not too precious for life’s little messes (page 26)

2–Annie and Jay Totten’s Cali-inspired home (page 82)

3–Davis Ligon’s Eastover garden (page 76)

4–Local celebs gracing the walls at The Palm (page 46)

5–The grand reopening of the Carolina Theatre (page 20)

by

photo
Michael Blevins

April

BLVD.

20 | arts

Vacant for nearly 47 years, the Carolina Theatre reopens after a $90 million renovation.

26 | interiors

Cate Gutter designs a cozy, stylish kitchen nook that maximizes storage and stands up to life’s messy moments.

30 | authors

Let it flow: The life and legacy of poet Eddie Bell

36 | performing arts

Charlotte Ballet’s world-premiere adaptation of Carmen includes a character inspired by Vegas’ most famous denizen.

40 | cuisine

The Palm’s Joey Profeta makes each guest feel like a celebrity at the SouthPark dining institution.

48 | icons

Local landmarks: K&W Cafeteria

56 | around town

What’s new and coming soon in the Queen City

58 | happenings

April calendar of events

DEPARTMENTS

65 | local authors

New and noteworthy books from Queen City writers

69 | bookshelf

April’s new releases

71 | simple life

A spring awakening — and a journey from darkness to light

119 | swirl

Parties, fundraisers and events around Charlotte

128 | gallery

Something to SHOUT! about

ABOUT THE COVER:

Annie Totten at home with her daughters Aela, 10, and Maeve, 13 (page 82). Photograph by Dustin and Susie Peck.

FEATURES

76 | Gardening with gusto by Catherine Ruth Kelly photographs by Dustin and Susie Peck

A local dentist with a passion for nature and a penchant for design nurtures his creative side in his Eastover garden.

82 | Coast to coast by Cathy Martin photographs by Dustin and Susie Peck

A globetrotting family of five relocates from California to Carolina and fills their modern home with vintage treasures and family heirlooms.

92 | Ebb and flow by Andrea Nordstrom Caughey photographs by Kenton Robertson

Lisa Sherry reimagines a home for an active family with clean lines, muted tones and a relaxed-but-refined aesthetic.

98 | Style matters by Cathy Martin photographs by Amy Kolo

The inaugural Come to the Table united some of Charlotte’s top designers to create swoon-worthy tablescapes — while raising money for a noble cause.

TRAVEL

105 | The allure of Amelia Island by Cathy Martin

Soak up the sun on this Florida barrier island with sandy shores, a quaint historic district and a luxury oceanfront resort that’s a destination in itself.

APRIL 23-27, 2025

Charlotte Wine + Food Week (CW+F Week) presented by Truist returns for its 37th year of fundraising with a wine and food event for every taste, all for a good cause. Event proceeds will benefit Charlotte-area children's charities, including A Child's Place - a program of Thompson, Augustine Literacy Project, Digi-Bridge, and Wayfinders.

The festivities will take place at various venues around Charlotte, NC. CW+F Week begins with vintner dinners at Charlotte's top restaurants, followed by the Collectors Gala & Live Auction designed for the savviest of wine connoisseurs. The weekend continues with the Grand Tasting on Saturday night featuring 100+ carefully selected wines, tastings from Charlotte-area restaurants, and live music. The Week will wrap up with our beloved Rosé Brunch and a special Closing Night Dinner, followed by the close of the week-long mobile auction featuring exciting wine lots and experiences.

1230 West Morehead St., Suite 308

Charlotte, NC 28208

704-523-6987

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Ben Kinney Publisher publisher@southparkmagazine.com

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Andie Rose Creative Director

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Whitley Adkins Style Editor

Contributing Editors

David Mildenberg, Michael J. Solender

Contributing Writers

Andrea Nordstrom Caughey, Jim Dodson, Asha Ellison, J.J. Holshouser, Catherine Ruth Kelly, Page Leggett, Kerry Singe

Contributing Photographers

Matt Chandler, Daniel Coston, Richard Israel, Amy Kolodziej, Baxter Miller, Dustin and Susie Peck, Kenton Robertson

Contributing Illustrator Gerry O’Neill

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Published by Old North State Magazines LLC. ©Copyright 2025. Reproduction in whole or in part without written permission is prohibited. Volume 29, Issue 4

A Different Kind of Banking.

THURSDAYS

APRIL 17 – MAY 22 5 – 9 PM at Symphony Park

BECKY MCGRATH TEAM
LEIGH C. CORSO
LUCY BUTLER GROUP
CHRISTIE HANSEN
CAY CRAIG
THE HUNEYCUTT TEAM
CHIP JETTON
HEATHER MONTGOMERY
KALIE KOIVISTO
LINDA HENLEY
SARA ROCHE TEAM
LINDSAY REDFERN
CINDI HASTINGS TEAM
TREY SULLIVAN
LISA WARREN
HEATHER WOLKING
TUCK TEAM
LISA RUPP

blvd.

people, places, things

PICTURE THIS

With two new Framebridge locations in town, decking the walls with art and photos is easier — and more stylish — than ever. The frame shop’s “gift and go” section of tabletop and petite frames is a game-changer for procrastinators — have photos from your phone printed, framed and gift-wrapped in minutes. This month, each location will offer custom, hand-cut silhouette portraits of children or pets on April 13 (South End) and April 27 (Myers Park). The portraits take about five minutes to complete and are free with the purchase of any frame — reserve a time slot at framebridge.com. Framebridge is located at 2839 Selwyn Ave. and 1930 Camden Road, Suite 100. SP

Framebridge Myers Park

IN THE LIMELIGHT

Vacant for nearly 47 years, the meticulously restored Carolina Theatre reopens after a $90 million renovation.

One day in 2012, then-Bank of America executive Cathy Bessant stood inside the remnants of the Carolina Theatre with architect and former Charlotte Mayor Harvey Gantt and banking titan Hugh McColl.

The nonprofit Foundation For The Carolinas (FFTC) was thinking about acquiring the historic uptown theater with the goal of renovating it and including it as part of a “mini-campus” focused on philanthropy and civic engagement. They’d been invited by the Foundation’s then-president and CEO, Michael Marsicano, to tour the theater, built when silent films were popular, to see if a renovation was feasible.

As Bessant recalls, she, McColl and Gantt exchanged skeptical glances inside the abandoned theater, thinking similar thoughts.

“It was such a disaster on the inside. There’s no other way to say it,” Bessant says. “The three of us, well, we had some experience in real estate, and we looked at each other thinking, you have to be crazy.”

The historic theater, once a lavish cinema palace that had shown films and hosted acts such as Bob Hope and Elvis Presley, had drawn patrons from across the state in its heyday. But the venue had sat vacant since closing in 1978 and had been damaged in a fire.

“We knew Michael had great vision,” says Bessant, now CEO of FFTC. “We are practical people, and we were daunted by what it would take. Our reaction was that this would take monumental effort.”

Last month, the Foundation opened the doors of the newly restored Carolina Theatre amid great fanfare. With 906 seats, vintage touches and modern amenities, such as 10 laser projectors and a modern sound system, the theater will host concerts, plays, films, speakers and weddings. The theater is also expected to be a catalyst for growth along North Tryon Street.

The $90 million renovation lasted eight years. Efforts to preserve the building, however, spanned decades and involved hundreds of volunteers, many false starts, and a few dashed hopes and dreams.

The restoration also demonstrates the power of determination and vision, say those involved in the project, not only from civic and business leaders, but from the hundreds of people who, over the years, loved an old building and rallied to protect it.

“You have to be really tenacious to keep with a project like this for 30 years,” says Charlie Clayton, founder of the Carolina Theatre Preservation Society. “One of life’s lessons with this whole endeavor is don’t give up.”

“PRINCESS

FOR AN AFTERNOON”

Debuting in 1927 as part of Paramount Pictures’ Publix Theatre chain, the 36,000-square-foot Carolina Theatre was considered an architectural gem, its opulence reminiscent of a palace. The Mediterranean-inspired building boasted a coffered ceiling, murals on the side walls, a Spanish cathedral window and wrought-iron chandeliers.

PHOTOGRAPH
“No one could envision how gorgeous it was going to be, but Michael (Marsicano) could see it. And he could convince other people.”

The theater opened with a silent movie, A Kiss in a Taxi, with Miss Fae Wilcox at the Wurtlitzer organ, “accompanying a program of novelty slides,” according to the Charlotte-Mecklenburg Historic Landmarks Commission. The theater also had vaudeville performers on stage. It later switched to sound films and attracted audiences from across the state. It was the first in the Carolinas to screen Gone With the Wind, and attracted notable talent to its stage, including a young Elvis Presley, who performed in 1956.

Moira Quinn remembers dressing up to go to the theater with her younger sister. Quinn was one of the nearly 400,000 people who saw the film adaptation of the musical, The Sound of Music with Julie Andrews, which played at the Carolina Theatre for 79 weeks in the 1960s.

Quinn wore patent shoes and was allowed to carry a purse for the special event. She remembers walking through the façade that felt like an entrance to a castle, into the beautiful lobby and up the stairs to the balcony.

“When I was a kid, we always got dressed up for special things. And going to the Carolina Theatre rated high on that list,” says Quinn, chief operating officer and senior vice president of

communications at Charlotte Center City Partners. “I imagine that (the theater) might have been getting a bit run down by then, but my 10-year-old eyes only saw elegance and beauty. I am forever grateful to my parents and aunts who made it possible for me to be a princess for an afternoon. We had an experience I will never forget.”

Black patrons were not welcome at Carolina Theatre until 1963, when Charlotte-area theaters started to desegregate. Business also began to falter around that time as people started going to multiplexes in the suburbs. On Nov 27, 1978, the theater closed for good after showing The Fist, a Bruce Lee action movie.

After the theater closed, various proposals were considered to revive the building, including one from developers with CityFair, which began working on the theater to convert it into a performing-arts center and conference space. But CityFair ran out of money, and the city took ownership of the theater in 1986.

PRESERVING AN ARCHITECTURAL GEM

Clayton learned about the Carolina Theatre when a job transfer led him to Charlotte around the time the theater closed. A salesman trained in engineering, Clayton fell in love with the building and its history.

Clayton met others who shared his interest in preserving the theater, and for years the group would talk about how great it would be to reopen the theater. But no one had the money to do so. In the mid-1990s, he and others worried as they watched developers raze older buildings in uptown to build high-rises and office complexes.

“We thought, ‘We’re going to draw the line,’” Clayton says. “Someone has to stand up for the Carolina Theatre.”

Although the building held historic and sentimental value, Clayton and others believed it was only a matter of time before it would be torn down given its prime location at the corner of East Sixth and North Tryon streets.

Someone suggested Clayton apply for a state grant, so on a whim he sent in an application requesting $30 million to restore

The renovated theater, left. The Carolina Theatre marquee in 1975, above.

the theater. The state replied saying it would give $50,000.

He established the nonprofit Carolina Theatre Preservation Society, and the group started building awareness of the theater. It organized events in the theater, including a showing of Nosferatu, the silent German horror film, where the audience sat on folding chairs. The alternative dance troupe Moving Poets Theatre of Dance performed Dracula

“People thought, ‘Man, this place is so cool,’” Clayton says. “The acoustics were wonderful. It was haunting in there. Everyone just went gaga over the place.”

The nonprofit and the theater garnered attention from local media. Word spread about the historic building, and an estimated 300 volunteers eventually got involved.

Real-estate developers also took notice. One developer was Jim Donnelly of Charlotte, who proposed renovating the theater and building Encore, a multimillion-dollar residential tower with elevators to carry cars up to garages next to each residence. Donnelly’s company entered into a purchase agreement with the city in 2006.

More than half of the condos were pre-sold when the 2007-09 financial crisis hit and money that had been promised dried up, killing the project. The purchase agreement expired.

“It was really pitiful and bad timing,” Clayton says. “We were in the dumps.”

Then Clayton got a call from Marsicano, who said he had been talking with the city about having the Foundation buy the theater. In December 2012, Charlotte city leaders voted to sell the property for $1 to the Foundation, which pledged to renovate the theater and dedicate it to civic use.

“No one could envision how gorgeous it was going to be. But Michael could see it,” Clayton says. “And he could convince other people.”

A THEATER FOR THE COMMUNITY

Patrons now enter the theater by walking through a re-creation of the stone facade and marquee made out of original materials found underneath the theater.

Bessant says that each time she walks by the restored marquee, which faces North Tryon, she can’t help but smile.

The theater is being billed as a “community-first” nonprofit, and to Bessant, that means returning to the theater’s roots. She says the Foundation plans to partner with and support other community-based groups, such as the library and emerging-arts organizations.

“From its origins, I think of it as a theater for the community,” she says. “This is a theater for all kinds of endeavors, civic learning, educational programming and, of course, entertainment.”

Charlotte leaders are also looking to the theater to act as a catalyst for the North Tryon corridor. A 250-room InterContinental Hotel was planned to go above the theater but plans stalled in 2020 and the developer, Australian investment firm Salter Brothers, has not indicated what it intends to do.

“This venue will infuse sustained vibrancy and extraordinary experiences in uptown’s North Tryon corridor,” Michael Smith, President and CEO of Charlotte Center City Partners, said about the theater. “The renovation is a stunning mix of 1920s charm and 21st-century technology and comfort. The compelling programs and events that have already been announced are a great sampling of what will be a unique asset and for all ages across the region and guests from beyond.”

Bessant says patrons can expect the theater to offer programs that will be hard to find elsewhere.

“The experience is going to be amazing,” she says. “Seeing those lights and seeing the theater, it’s going to be a true community asset.” SP

A progress shot of the restoration

FIT FOR FAMILY

Cate Gutter designs a cozy, stylish kitchen nook that maximizes storage and stands up to life’s messy moments.

Custom wood cabinetry crafted by Maple Hill Cabinets adds cleverbut-stylish storage, accented by a patterned wallpaper from Schumacher. Kravet performance vinyl on the banquette is tough enough to handle spills, messy art projects and more.

After renovating seven homes in three states, there aren’t many problems Stephanie Nicholson can’t solve. Since moving into a two-story colonial in Cotswold a few years ago, the founder of lifestyle blog Olive & Tate had already reconfigured the family room and primary suite, renovated the bathrooms, and remodeled the outdoor living areas.

“Even with all of the projects under our belts, sometimes a space just needs a professional eye, and this kitchen nook was one,” Nicholson says. The high-traffic area serves as a gathering spot and dining area for the family, but the room’s unconventional shape proved challenging

Recognizing Cate Gutter’s talent for blending function and style, Nicholson tapped the Charlotte interior designer to tackle the project.

“I knew exactly what I wanted it to be but needed to bring in CWG Design to bring it to life.”

The family needed a space “that could do it all,” says Gutter, owner and principal designer of CWG Design. “They needed a homework station for the kids, a casual dining area and a cozy nook for family hangouts. It also had to be a place that could handle the daily hustle and bustle of family life — think spaghetti spills and homework messes.”

Stephanie Nicholson, pictured right, found the farmhouse painting, above, at a flea market in South Carolina and had it framed by Framebridge. The lighting fixtures are from Visual Comfort and West Elm.

Nicholson wanted the space to be stylish, comfortable and practical while blending seamlessly with the kitchen and providing much-needed storage. Gutter, who started her design firm in 2020, answered with a custom banquette and built-ins, selecting finishes that were sophisticated, durable and cozy.

“The last thing we wanted was for the room to feel like it was full of cabinets or overcrowded with furniture,” Gutter says. “We had to be really thoughtful about how we balanced form and function.” For the banquette, Gutter chose a stained wood base and a performance vinyl from Kravet that mimics the look and feel of leather.

“For the table, we went with solid wood and a matte finish, giving it a timeless, warm vibe while making sure it could easily handle everything from family meals to craft projects,” Gutter says. A sky blue-and-white fern-print wallpaper from Schumacher and a durable indoor-outdoor rug tie the look together.

“The key was finding smart design solutions that made the most of the space’s potential,” Gutter adds. “It was a tough puzzle to solve, but the result is a room that’s not only functional for family meals, homework and TV time but also feels open, inviting and beautifully cohesive with the rest of the home.” SP

LET IT FLOW

The life and legacy of poet

The morning I’m slated to interview Edward “Eddie” Bell begins like any other.

What sets the day apart is knowing I’m going to meet a man who is comfortable no matter where he goes or where he’s been in life. A man who writes so powerfully with his pen that it has inspired change even as far as the White House.

As I enter his SouthPark neighborhood, the January sun shines brightly over the community that he and Wilhelmina, his wife of more than 60 years, call home. Together, they have two children, a son and a daughter who have both flown the coop. Wilhelmina, or “Mina” as he endearingly calls her, is the first and only woman Eddie has ever written poetry for.

The two-story haven is the retired couple’s dream: It comes with warmer weather than their previous New York home, an ideal cost of living, and it’s the perfect size for the two of them.

As I enter the home, Bell, a U.S. Air Force veteran known for his work as an author, poet, educator, freelance journalist and photographer, shepherds me into the living room — a museum of marvelous Black art, adorned with colorful paintings and cultural artifacts.

“Well,” I start, taking a seat on the couch beside Bell. “I didn’t prepare any specific questions. I just thought we could let the conversation flow.”

He is as open to this suggestion as he is tickled.

“Well, then,” he laughs heartily, “let’s flow.”

Eddie Bell

THROUGH THE YEARS

Eddie Bell was born in Chicago in 1939 and raised in Loves Park, Illinois, a member of the only Black family in the area at the time. There, on his grandparents’ farm, he discovered a love for gardening and poetry — gifts he inherited from his grandfather and mother, respectively.

Bell’s mother passed away when he was just a toddler. He fondly remembers moments when his grandmother shared his mother’s poetry with him.

“It was so important to me because it was a connection to her that wouldn’t reveal itself to me until I was older,” he says.

When he was just 7 years old, Bell’s father moved the family — Eddie, his brother and his “second mother,” an endearing term for his stepmother — to New York, where Bell remained until he graduated from high school. New York is also where he met the love of his life.

“[Mina and I] went to the same high school,” says Bell, grinning from ear to ear. “But I didn’t meet her until after I graduated.” Bell admits he wasn’t writing poetry professionally at the time, but he did woo his future wife with romantic words throughout their courtship.

After high school, Bell went to college at Tennessee State and Michigan State universities, joined the Air Force, got married, and taught at Howard University along the way. He and Mina moved to New Paltz, New York, in the mid-1960s, where Bell worked at the State University of New York at New Paltz for 28 years before retiring in 1994. The couple moved to Charlotte in 2013.

THE POWER OF POETRY

Bell didn’t experience his first Black teacher until he attended Tennessee State, a historically Black university. Surrounded by a community that reflected himself, one that differed from those where he grew up, brought joy and revelation. He started to write poetry again and even stepped into the world of performance and spoken word.

In the mid-1990s, after noticing a lack of Black art on a tour of the White House, Bell wrote a letter detailing his concerns about why representation in such prominent places matters. In the letter, he enclosed a poem he wrote about Black children playing on side streets — a poem so powerful it earned him a response and two invitations to the White House: one for a personal tour of the homes galleries and another to be a guest of honor when the Clinton administration purchased and unveiled its first selection of Black art, Henry Ossawa Tanner’s “Sand Dunes at Sunset, Atlantic City.”

In 2001, Bell published his first poetry book, a tribute to his father titled Capt’s Dreaming Chair. His subsequent work would explore everything from love and identity to relevant cultural topics such as the impact of racial violence on the Black community.

UNDULATIONS

In 2024, Bell released Undulations, his fifth — and most personal — anthology. In this poetic memoir, Bell sways and moves among the text, honoring ancestors and his own life experiences. Through this work of poems and narratives, he spotlights moments of personal and cultural significance.

Between the pages, readers will find rich commentaries on love, life and the challenges of aging (“The Gone”). Bell hopes readers will also appreciate his work on the importance of community (“Belonging” and “We’re Still Here: A Shoutout to Blackness”), racial reckoning (“Black Is My Being”), experiences with nature (“My Red-Breasted Visitor”) and spiritual redemption (“Confirmation of I AM”).

MELISSA BROWN
BLANDFORD MIKE FRIDHOLM ILY MUNOZ
HEATHER FLOHR

their

He also indulges art enthusiasts with his own original flower photography and incorporates works from artists such as Nellie Ashford and Kathryn Gantt to bring his words to life. This book, with a riveting foreword by Charlotte Poet Laureate Junious “Jay” Ward, is a healthy helping of some of Bell’s most notable work. The anthology took him two years to complete, from selecting the perfect pieces to layout and design.

SOMETHING NEW

As we come to the end of our conversation, a smiling Bell lets me in on a secret.

“I’m in the final rewrite of my first young-adult fiction book,” he says.

In 2023, Bell participated in Charlotte Lit’s Authors Lab program, in which he completed the novel that is now in its beta review stage. He is proud of himself for trying something new at his age, and he hopes the book will be the first of his works to be published commercially.

“Writing is the best way I can express myself,” Bell concludes. “It’s the ebb and flow of my life.”

Eddie and Wilhelmina Bell in
SouthPark home
© 2025 The Barclay at SouthPark

Create Where You Belong

ELVIS HAS ENTERED THE BUILDING

In its world-premiere adaptation of Carmen, Charlotte Ballet introduces a character inspired by Vegas’ most famous denizen. by Page Leggett

There’s no evidence that Elvis Presley ever saw Georges Bizet’s opera, Carmen. (He did, however, once take B-movie actress/ pinup girl Jeanne Carmen to a drive-in movie.)

While Elvis and opera, at first blush, don’t seem to have much in common, Charlotte Ballet will bring them together at a world premiere of Carmen (Knight Theater, May 2-11) as you’ve never seen it.

The company commissioned Andrea (“Andi”) Schermoly, a South Africa native who’s now Louisville Ballet’s resident choreographer, to create an original ballet. She and her old friend and Nederlands Dans Theater colleague — Charlotte Ballet’s Artistic Director, Alejandro Cerrudo — chose to update Bizet’s 1875 love triangle. The action now takes place not in Seville but in Sin City in 1973.

Cerrudo, who’s directing, trusts his former dance partner completely. “As a director, my job is to be a facilitator for artists,” he says. “If there’s any idea I don’t quite see yet, I trust the artist we’ve commissioned. I try my best, even if I have opinions, to keep them quiet. I never want to impose what I’m thinking on the artist.”

MEMPHIS MEETS VEGAS

Adapting Carmen is nothing new. As a 2018 BBC story points out, the “sexy and scandalous Carmen simply refuses to remain in the opera world, having flirted with ballet, hip-hop and even rock and roll.” The queen herself, Beyonce, portrayed the famous femme

fatale in a 2001 MTV special, Carmen: A Hip Hopera.

But bringing the pompadoured, pelvis-swiveling King into the mix might be a first.

Schermoly worked with a frequent collaborator, set designer Joe Schermoly (who happens to be her brother) on creating a set that looks like Vegas in the groovy 1970s. Carmen is the siblings’ fifth collaboration.

They found the larger-than-life character Escamillo — a bullfighter in the original — reminiscent of a pop idol. Elvis, in his jumpsuit-and-cape phase, provided the inspiration for Escamillo, whom Schermoly calls “a big, glam rock star — a womanizer who knows what he wants and can get it easily.”

Carmen craves excitement. And Escamillo is more exciting than her other suitor, Don Jose, whom Schermoly has turned into a deputy sheriff working the casinos.

“He’s a loose cannon,” she says. “I don’t think he starts off pristine and becomes a murderer. I think he’s got a screw loose. He’s not the cleanest cop on the force.”

A FEMINIST HEROINE

Bizet’s Carmen worked in a cigarette factory. Schermoly has given her a promotion to Vegas showgirl.

“Showgirls are travelers,” Schermoly says. “There are parallels to what we now call the Romani [formerly called ‘gypsies’]. There’s an interesting, raw nature to the showgirl life, as there is to the

Romani life. They live a wild, not very fiscally stable, life. They’re making their money on the fly.”

Casting hadn’t been finalized at press time, but Carmen will be played by two or three different dancers. “This is a company of excellent artists, and to serve their talent is really important to me,” Schermoly says. “My wish is for this to be an ensemble piece. I want all the dancers dancing.”

The freewheeling era in which this Carmen is set gives Schermoly artistic freedom. “The ’70s were a period of anything goes,” she says. “A number of women could play Carmen for different reasons, which is nice. I didn’t want to pigeonhole her to an age, ethnicity or look.”

She also makes Carmen the star.

“The original was told through Don Jose’s eyes; Andi is telling the story through Carmen’s eyes,” Cerrudo says approvingly.

Indeed, most adaptations have told Carmen’s story through Don Jose, which doesn’t sit well with Schermoly.

“Carmen is a very specific type of person and was persecuted for it,” Schermoly says. “She’s a bold woman who doesn’t apologize for being who she is — even though she’s ultimately hurt because of it. The ballet illuminates the fact that a lot of women don’t get to play by the same rules as men.”

Rather than presenting Carmen as a “vehicle for the more well-rounded character of Don Jose,” Schermoly hopes the audience will view her with some level of empathy.

“Whether people like her or not isn’t my job. What stirs thought is how we perceive women, jealousy, unrequited love.”

STILL EXPLOSIVE

The ballet involves moments of violence, including psychological violence, Schermoly says.

“Carmen is a very specific type of person and was persecuted for it… The ballet illuminates the fact that a lot of women don’t get to play by the same rules as men.”

“I have a lot of thoughts about violence against women, and I’m going to approach it carefully,” she says. “I hope to leave people questioning how it got to this point.”

Her vision is being brought to life by a talented, international team. Tom Visser, who worked with Cerrudo and Schermoly at Nederlands Dans Theater, designed the lighting. Chicago-based Mara Blumenfeld, who’s worked with the Metropolitan Opera and Australian Ballet, designed the over-the-top costumes.

While the set, the moves and the costumes all scream, “Vegas, baby,” the music will take you back a bit farther than 1973. It’s Bizet’s music from the 1870s performed live by the Charlotte Symphony Orchestra.

You won’t hear the entire score, though. The original opera was three hours long. Schermoly’s is an audience-friendly 90 minutes.

DANCE IS IN HER DNA

The dancers are likely relieved about the shorter length, too. Schermoly’s choreography is a joy to watch — and, apparently, grueling to perform.

“I get a lot of comments from dancers — once I’ve left — that it’s difficult,” Schermoly says. “It is quite athletic. I tend to pack in quite a lot in a short time, and I like big, exciting movements.”

That’s not surprising. Originally trained as a gymnast, she was a member of South Africa’s Olympic rhythmic gymnastics team.

But dance is in her DNA. Her grandmother was a dancer with Paris Opera Ballet, and her mother was in a contemporary dance company. Schermoly began training as a dancer at the National School of the Arts in Johannesburg before earning a full scholarship to The Royal Ballet School in London.

Her work makes headlines across the globe, and Dance magazine mentioned her Carmen as a national best bet for 2025.

Charlotteans get to see it first.

Whether you’ve seen Carmen dozens of times — or don’t know Bizet from Beyonce — Schermoly says there’s something in her version for nearly everyone. Both opera and ballet are sometimes criticized — mostly by people who’ve never attended either — as a little high-falutin’. But a ballet featuring a character inspired by an icon who wore sequined onesies can hardly be considered elite.

Like Elvis himself, Charlotte Ballet’s Carmen will be a crowd pleaser. SP

What happens in Vegas: See the world premiere of Carmen, commissioned by Charlotte Ballet, May 2-11 at Knight Theater. Tickets start at $30. charlotteballet.org

Andi Schermoly and Alejandro Cerrudo at rehearsal

MR. HOSPITALITY

The Palm’s Joey Profeta makes each guest feel like a celebrity at the SouthPark dining institution.

Of all the familiar faces greeting guests at The Palm restaurant in SouthPark, it’s Joey Profeta’s that patrons most relish seeing.

Profeta is general manager at the Palm, the clubby and classic white-tablecloth steakhouse known for power lunches and celebration dinners. The landmark eatery features enormous whole lobsters, mouthwatering steaks, Italian American specialties and generous cocktails. Caricatures line the walls, where past and present Hollywood heavyweights mingle with local glitterati, from politicos and NASCAR stars to business titans and community leaders.

The Palm has been Profeta’s sole employer since he graduated from the Culinary Institute of America (CIA) in 1995. He started as a sous chef in his hometown of Philadelphia, then moved to Denver, where he was executive chef and later front-of-house manager. He came to Charlotte as GM in 2005.

His recall for names, preferences and personal details about his guests are a hallmark and sense of pride for Profeta. He’s built an entire team around this

ethos. “I seat and welcome every guest,” says Profeta, regarding the task typically left to hosts or servers. “It’s an opportunity to connect, build relationships and get to know people.”

Profeta’s service philosophy is part of what gives The Palm the feel of a neighborhood haunt that’s always accommodating, unfussy and a calming respite from the day’s hustle and distraction, if only for an hour or two.

FROM PHILLY TO CHARLOTTE

Profeta experienced the pull of the hospitality industry early in life, growing up in an Italian household in south Philadelphia. Good food, extended family and close friendships were the epicenter of his childhood life. It was an easy decision for him to follow his love for cooking to Hyde Park, New York, where he honed his culinary and hospitality chops at the famed CIA.

When The Palm came recruiting, Profeta leapt at the chance to join what was then one of the oldest family-owned and -operated fine-dining steakhouse groups in America. Established in New York City in 1926, the chain was acquired in 2020 by Houston-based Landry’s, which operates more than a dozen Palm locations across the U.S.

In a fateful twist, Profeta crossed paths early in his career with Charlotte restaurateur Monte Smith, owner of Café Monte and Southern Pecan. Smith and Profeta worked together at The Palm in East Hampton in the mid-1990s. Smith took the helm as original GM of The Palm Charlotte in December 1997, shortly after Phillips Place opened. Eight years later, Profeta succeeded him.

EMPHASIS ON EXCELLENCE

Ever since, Profeta has been a fixture on Charlotte’s dining scene and in the community.

Terri DeBoo has known Profeta since his early days at The Palm in Charlotte. The founder and principal of Ideas@Work, a business consultancy, is such a frequent visitor her caricature is on the wall.

MARY
PAIGE
KAITLIN

“Joey is the nicest human you’ll ever meet. He is so kind, so generous — he’s just a gem.”

When she first met Profeta, DeBoo was a guest of another patron who introduced him. When she returned several weeks later, he remembered her name and greeted her warmly. “I recall thinking, ‘Whoa, this is a really special guy — this is a restaurant where they’re going to take great care of me and my guests.”

DeBoo notes Profeta’s emphasis on excellence, which inspires the rest of the staff to follow his lead. “Because he is so strong at his job, I believe he expects excellence from his team. And because he’s such a great guy and he’s so warm and so engaging, you want to do well for him.”

Profeta’s team of more than 60 is made up of tenured staff both in the front and back of the house. They know their customer’s likes and add to the convivial neighborhood feel of the restaurant. “I have servers whose children now work here,” says Profeta. “What separates us from others is when you walk in you feel like you’re at home. To me, that’s what it’s all about.”

CELEB SIGHTINGS

Over the years, Profeta has connected with scores of the QC’s most colorful and recognizable personalities. A favorite memory is of the Rev. Billy Graham, who dined at The Palm shortly before his passing in 2018. While too frail to sign his caricature on the wall, Graham autographed a menu and shared a few words with Profeta. “He was very kind and a true gentleman,” Profeta recalls. Carolina Panthers legend Steve Smith Sr. was having a quiet dinner one evening when Profeta pointed out that his likeness was on the wall. “He lit up like a 2-year-old. He was so excited. ‘Oh, you got to be kidding me,’ he said. It was awesome. He came [to the back

room, where many Panthers likenesses live], looked all around, and he was so happy… He got up on a chair and signed.”

One of Profeta’s most storied football tales is one of regret, however — and one he fears he’ll never live down.

A lifelong Philadelphia Eagles fan, Profeta got a dream call a few years back when the team was in town to play the Panthers. “I got a call from [Eagles quarterback] Jalen Hurts, who wanted to come in with his offensive line on Saturday night before the Sunday game,” Profeta says.

“It was a last-minute thing, and he wanted a private room. I don’t have a lot of regrets in life, but we had a busy night. I never seat [the private room] early, but for some reason that night, I did. I had just put a family of four in there and I told Hurts, ‘I don’t have a private room. I could get you a semi-private table. I could put you at the hotel (next door) and service you in one of the rooms there.’ And I blew it. I let them go. I let them go, and my assistant GM, Tori Thomas, has not let me live it down for years.”

OLD SCHOOL – IN THE BEST WAY

Of course, there’s the food. The Palm is an old-school steakhouse in the very best way. There are Italian American dishes like their Lasagna, Linguine with White Clam Sauce, and Pappardelle Wagyu

Chicken Parmigiana, left, and Palm Zeppole (Italian doughnuts), right

VILLAGE life

e Village on Morehead has ushered in sophisticated retirement living in the Queen City. Surrounded by the heritage neighborhoods of Eastover, Myers Park and Dilworth – its impeccable nishes, Aspenwood service detail, dining and resort-style amenities make it the premier address. Impressive, spacious residential oor plans, oor to ceiling windows, expansive terraces allow a new level of indoor-outdoor living. Spaces designed for entertaining, tness, relaxation and a dedicated team provide a secure, lock and leave lifestyle for members.

Our approach to customized living continues by partnering with an accredited home care provider that serves you in the comfort of your residence. Making things easy, private and reliable when you need on-site health and wellness services. From personal care to therapy – nursing to companionship services, you can rely on a care plan that ts with your needs and schedule.

Bolognese — homemade pasta ribbons with pork, veal and wagyu beef sauce. The Palm’s Chicken Parmigiana is thinly pounded, lightly breaded then gently fried, served with homemade marinara sauce and and their secret — melted Muenster cheese. The dish is so popular, according to Profeta, it nearly outsells their 8-ounce fillet.

Profeta brags on the Palm as one of few restaurants in town that serve whole lobster — they often have four-pounders on hand — as well as steaks, veal, jumbo lump crab cakes and classic steakhouse sides like creamed spinach, garlic mashed potatoes, sautéed wild mushrooms and three-cheese au gratin potatoes.

“We don’t overthink or overcomplicate things,” Profeta says. “We serve classic food with a great ambience and attention from people who care about our guests. It seems simple, and at the core it is, yet we work very hard to get it right every day.” SP

A WALL OF CELEBRITIES

The Palm’s signature look is due in large part to the hundreds of celebrity caricatures on the walls. The tradition began in 1926 when the founders, without adequate money to decorate, took advantage of their New York City location near King Features Syndicate, home to many celebrated cartoonists of the day. In exchange for their meals, artists often drew their own creations on the walls of The Palm.

Today, the practice lives on. While each location opens with dozens of pre-selected celebs, local managers add regular patrons and visiting notables who’ve dined at The Palm.

At The Palm in Charlotte, Profeta adds a dozen or so a year, many of whom choose to autograph their likeness and, of course, like to sit near their portrait when dining in. SouthPark’s walls include NASCAR legends like Richard Petty, Dale Earnhardt Jr. and Jeff Gordon; former and current Carolina Panthers such as Bryce Young, Luke Kuechly and Jordan Gross; local media mavens such as Tom Sorensen, Debi Faubion and Ron Green Jr.; business barons like Leon Levine, Jerry Richardson and Pat Riley; and Charlotte’s own Hollywood types like Brooklyn Decker and Angie Harmon.

LOCAL LANDMARKS

K&W CAFETERIA

In many communities across the Carolinas and Virginia, K&W Cafeteria is a mainstay known for providing simple, affordable meals. The chain, which started in 1937 in Winston-Salem, once boasted more than 30 locations. But the pandemic was particularly rough on the restaurant industry — K&W filed for bankruptcy in 2020, and in 2022 the chain was acquired by Falcon Holdings, which also owns Piccadilly Cafeteria. Today, 10 K&W Cafeterias remain in North Carolina and Virginia.

The last K&W in Mecklenburg County closed in 2021, but the Concord location is still going strong. Tempie Wells, director of catering, has been with the company for 20 years. Her daughter, Ashia Cowan, has worked there since she was 15.

“Places like this are a blessing to a lot of people,” says Wells. “Because I’ve been in all the K&W’s and have worked in them all, I feel the love and how we are like family. Truly, every K&W’s got customers that come every day that we love and are concerned about. We help people as human beings, aside from being a restaurant.”

Kay Wise has been coming to the Concord K&W Cafeteria every day for the last three years. A year after suffering a stroke, Wise lost her husband. “On my birthday, they put a tablecloth on the table to celebrate my birthday,” she says. “Valentine’s Day came, they brought me flowers and candy. … If I don’t come one day, the servers will call me on the phone asking where I am.”

Wise has made an impact on the staff as well. “The part that Kay is not telling is that she has changed our lives,” says Wells. “She makes us feel important. She doesn’t forget anyone’s birthday, from the servers to the guy that works in the dishroom in the back.”

After visiting the Concord restaurant, we spoke with John Roberts, chief operating office of K&W Cafeteria. His comments have been edited for length and clarity.

A lifelong career: I have been with the company for 24 years. I started as a dishwasher in our Roanoke, Virginia, location when I was 14 years old, and worked my way up, so it is the only job I’ve ever had. My mom was the manager. She is now 71 years old and she is the assistant manager.

Family-style management: The thing you think about most with K&W is family. It was a family-owned business for [more than 80 years]. The family knew every single employee, their birthdays, all the important things about each of us. We have managers who have been with the company for 40-50 years. Our longest-running employee has been with us for 53 years — Alliese Evans. She is a pie baker at the Northline Avenue location in Greensboro.

Ashia Cowan

Something for all tastes: There are 40-50 items on the menu every single day, so there is something for everyone. We have a rotation of menu items and change the menu every day. We make everything from scratch. We mash our own potatoes every day. Every one of our kitchens has their own pie press. Everything from the pie crust to the whipped topping is made from scratch daily.

A friendly atmosphere: It is a warm and loving place. There are customers who have my personal cell phone number. We want guests to feel like they are part of our family.

The future of K&W: With [recent] changes, we have no interest in changing the core of who we are. We are looking at growth. We have a mobile app that will be in all locations. We are looking to find opportunities where we can have a condensed footprint, a 3,000-square-foot size. We are calling it K&W To-Go, seating approx 100.

Greatest focus of his business: The people who work for me. We have a group message that has every one of our managers on it so that we can communicate daily. The lowest-level manager can talk to top management with a text message. This focus on the people is our core — it’s who we are. SP

Kay Wise and Tempie Wells, director of catering

UNRIVALED LUXURY

Experience

shop

Swiss watch brand Swatch will open at SouthPark Mall in Fountain Court.  Bootmaker Luchesse opened at 1711 Commonwealth Ave., Ste. 160, in Plaza Midwood.  Queen City Audio Video & Appliances rebranded as Queen City Homestore after acquiring seven Badcock Furniture locations across the Carolinas.

explore

Tipsy Pickle opened at Camp North End. The 35,000-square-foot entertainment complex includes pickleball courts, golf simulators, arcade games, pool tables, pingpong and more, with indoor and outdoor bars and Tex-Mex fare.  Mint Museum Randolph reopened its expanded African art galleries after a multiyear renovation.  Caesars Virginia opened in Danville, Virginia. The casino and resort has a 320-room hotel, a spa, pool, and more than 90,000 square feet of gaming space.

PRESENTS

BOOK TALK

Kristy Woodson Harvey

Monday, May 5 • 5:30-7:30 p.m.

Mint Museum Randolph • 2730 Randolph Road

Your $60 ticket includes signature sips, savory bites, book talk and signing opportunity with Kristy Woodson Harvey plus a pre-order copy of Kristy’s latest book, Beach House Rules

SouthPark Magazine is thrilled to have Kristy Woodson Harvey, the New York Times, USA Today and Publisher’s Weekly bestselling author of 11 novels. Enjoy the evening with Kristy as she shares a preview of her latest book.

Scan here for tickets or visit southparkmagazine.com/kristyharvey for more information.

African art at Mint Museum Randolph

Annie Leibovitz, Self Portrait, Brooklyn, New York, 2017. Photo courtesy of the artist ©Annie Leibovitz.

April HAPPENINGS

For more arts happenings this month, view our 2025 Arts Preview online at southparkmagazine.com.

MUSEUMS + GALLERIES

Lee Hall: Collages at Jerald Melberg Gallery through April 26

View works on canvas and paper from the North Carolina native and renowned abstract expressionist. Hall, who was also an author and educator, left her estate to the Bechtler Museum of Modern Art. Acquisition proceeds from Jerald Melberg Gallery will also support museum programs. jeraldmelberg.com

Annie Leibovitz / Work

April 27 - Aug. 31

She’s photographed some of the most famous people in the world, from The Royal Family to John Lennon. In this immersive exhibition, viewers can follow along in the creative journey of the legendary portrait photographer. The cost is general admission +$10. 500 S. Tryon St. mintmuseum.org

EVENTS + ACTIVITIES

Heritage Invitational

April 3-5

This event featuring rare automobiles from some of the world’s top collectors coincides with the debut of the Ten Tenths Motor Club at Charlotte Motor Speedway. Events include a historic Trans-Am race, a celebrity pro-am race (with Jeff Gordon, Kyle Petty, Patrick Long and others) and a concours on Saturday.

Charlotte SHOUT!

April 4-20

This annual celebration of art, culture, food and community brings more than 200 events and attractions — many are free — to uptown over 17 days. Culinary highlights include Charlotte StrEATs (various tastings and events between April 4-14) at Gateway

Village and the Carolina BBQ Festival (April 4-5) at Victoria Yards.

Squirrel Nut Zippers at Neighborhood Theatre

April 8

The jazzy, swingy, retro Zippers, which hail from Chapel Hill, gained fame through the ’90s with their innovative, slightly irreverent tunes. Tickets start at $37.

Mint Auxiliary Spring Symposium

April 9

This perennially sold-out coffee, lecture and luncheon at Charlotte Country Club features guests Mary Celeste Beall of Blackberry Farm and Steele Marcoux, editor in chief of Veranda magazine. General admission tickets are $185.

Opera Carolina: La Bohème

April 10-13

Puccini’s opera tells the story of Parisian artists, surviving on friendship and the

promise of love. The show is performed in Italian with English captions. Belk Theater; tickets start at about $30.

Pet Palooza

April 12

This annual fundraising walk and festival brings people and their pets to Truist Field for a day of music, food trucks and fun to benefit Humane Society of Charlotte. There’s a $10 entry fee; sign up online or at the door.

Charlotte Earth Day at Independent Picture House

April 12 | 10 a.m. - 6 p.m.

This daylong event includes talks, film screenings, interactive exhibits and an EV Cars + Coffee gathering.

VTGCLT Spring Market

April 12

Shop from more than 100 vintage and handmade brands at this popular seasonal

Heal Joint Pain Without Surgery

event at Camp North End. General admission is $3; early admission is $8.

Tyler Childers: On the Road

April 16

The Grammy Award-nominated country singer-songwriter brings his blend of honky-tonk, blues and guitar to PNC Music Pavilion.

Kimberly Akimbo

April 15-27

This musical won a slew of Tony Awards when it debuted on Broadway in 2022. Always the optimist, Kimberly is turning 16 and just moved to a new town. She learns to navigate family dysfunction, a rare genetic condition, her first crush and possible felony charges — all in a heartwarming, funny way. Knight Theater; tickets start at about $40.

JOHNNYSWIM: The WHEN THE WAR IS OVER Tour

April 16

The multi-genre husband-and-wife duo bring their energy and harmonies to The Fillmore. Tickets start at $45.

Charlotte Wine + Food Week

April 22-27

Truist presents this annual fundraising

week centered around a celebration of fine wine and food. Many events sell out early, so grab your tickets to the Grand Tasting, Rosé Brunch or one of the fabulous dinners — all aimed at supporting four local children’s charities.

Tuck Fest

April 25-27

Enjoy outdoor activities, yoga clinics and shopping, or just relax on a blanket and listen to live music. This annual tribute to the great outdoors has several events where athletes can compete for cash purses. Competition and parking fees apply.

BOOM Charlotte

April 25-27

This three-day fringe festival is a celebration of dance, music, theater, poetry, visual art, film and more. Most of the festival takes place at the University City lakefront; tickets to indoor events are available online at boomcharlotte.org

The Loop 5K & Block Party

April 27

This inaugural 5K takes runners along The Loop, a 3.1-mile urban trail that winds through the heart of SouthPark — around

the mall and through tree-lined streets. Stay for music, bites and local shopping at the post-race Block Party. Registration fees start at $39.99. SP

Scan the QR code on your mobile device to stay updated on events at southparkmagazine.com.

ALLEN TATE REALTORS ® SOUTHPARK

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Desirable single family home in gated Whitehall community in the heart of Myers Park overlooking tree lined Queens Road West. Updated kitchen with island, custom cabinetry and SS appliances. Spacious primary on the main with walk-in closets. Second floor with 4 bedrooms and 3 full baths. Lower level features bonus room, flex space, laundry room, full bath, sauna and 2 car garage. Minutes to restaurants and shopping. Convenient for biking, walking or running.

This Barclay Downs home captivates with its exquisite details and high-quality finishes. The spacious open floor plan creates an inviting atmosphere, perfect for entertaining guests. The primary suite on the main boasts vaulted ceilings and luxurious bath with large walk-in closet. Upstairs are 6 generously sized bedrooms and 4 full baths. Outside features include a covered porch and an expansive fenced backyard.

READING ROUNDUP

New and noteworthy books from Queen City authors

In Unbound Gifts, Douglas Young’s debut novel set in Charlotte, a young enslaved boy named Henry has a remarkable mental gift. When his owner discovers his special talent, he takes Henry away from the plantation to live at his house in town so he can study him. As Henry grows up, he is drawn into the Civil War, forced to accompany his owner’s son — a Confederate soldier — into battle. When the war is finally over, Henry must decide whether to chart a new course for his future or return home to find his family. Young, who lives in Cornelius, has a Ph.D. in biology, though he has spent decades studying slavery and the Civil War.

Local journalist-turned-minister John Cleghorn has written a book about how churches can use innovative approaches to create affordable housing.

In Building Belonging, Cleghorn, pastor at Charlotte’s Caldwell Presbyterian Church, explores the roots of Charlotte’s housing crisis and recounts how his own congregation repurposed church property to create 21 affordable studio apartments for the homeless. He also presents case studies of other congregations across the United States who have embarked on similar journeys.

Charlotte City Council member Malcolm Graham has released The Way Forward, a tribute to his sister, Cynthia Graham Hurd, who was killed in the 2015 massacre at Mother Emanuel AME Church in Charleston, South Carolina. Graham, who spent 18 months working on the book, reflects on the life of his beloved sister and describes the aftermath of learning she was one of the nine victims killed while attending a Bible study at Charleston’s oldest Black church. Graham wrote the book to honor his sister and to serve as a reminder that issues of hatred and racism are still prevalent today.

Award-winning author Vanessa Miller’s new historical fiction novel is based on the 1921 race massacre that occurred in Tulsa, Oklahoma. The Filling Station follows two sisters who live in Tulsa’s prosperous Greenwood District, also known as Black Wall Street. When racial violence erupts in the city leading to white mobs setting fire to the district, the sisters’ lives are upended and they are forced to flee. During their escape, they stumble upon the Threatt Filling Station, which serves as an unlikely source of hope and place to process their pain. The sisters ultimately return to Greenwood to create a new future for themselves and their community.

Why Choose

In Deadly Secrets, Nancy Stancill’s third book in her mystery series, reporter Annie Price moves to Charlotte to investigate Kingston Avery, a power-hungry minister. Avery who has convinced the government to section off the North Carolina mountain region into its own conservative state, known as Westcarolina. As Annie digs deeper into Avery and his cronies, she uncovers secrets and a series of killings that put her in the crosshairs of danger. Stancill, a former investigative reporter for The Charlotte Observer, is donating half of the book proceeds to an Asheville-based charity helping victims of Hurricane Helene.

Local neurodiversity expert Beatrice Moise, a board-certified cognitive specialist, released a new book, Neurodiversity and Technology, focused on helping parents of children with ADHD, autism, anxiety and other learning disorders manage screen time. Moise, who has written two other books on parenting neurodivergent children, offers practical advice for setting appropriate boundaries around technology and managing transitions in and out of screen use.

KIDS’ FARE

In Yetta’s Diamond, Sheila Peltzer shares her family story of four generations bound together by a precious family heirloom. For children ages 10-14 and their parents.

Arnie the Armadillo Goes Backpacking in Brazil, by Eden Estabrook, introduces children to familiar “B” words as they follow the beloved armadillo’s journey to South America. For children ages 5-8.

In Luke and the Lost Bell, Megan Miller tells the story of a boy’s struggles and triumphs as he battles cancer. For young cancer patients and their families.

In 2005, Charlotte neighbors Pamela Grundy and Susan Shackelford — both writers — published Shattering the Glass: The Remarkable History of Women’s Basketball, considered the most comprehensive account of American women’s basketball ever written. They recently updated and expanded the book, exploring factors that have contributed to the growth of the game and featuring players who have used their visibility to become leaders on social issues such as race, sexuality and opportunity.

Set in North Carolina’s Rockingham County, Boys, by Roger B. Newman, tells the story of two boys — one white, one Black — who grew up as brothers during the Great Depression on a dairy farm in a town beset by racial intolerance. The brothers eventually leave home to join the Army, but even as they chart separate paths, their lives continue to intersect in ways that leave both forever changed. Newman, who lives in Charleston, based the story on his own family history and his grandfather, who owned a dairy farm in North Carolina. SP

APRIL BOOKS

Notable new releases

The Road To Tender Hearts by Annie

At 63, lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left — he’s had three heart attacks already. But when PJ realizes his high-school sweetheart, Michelle Cobb, is finally single again, he is filled with a new enthusiasm for life and decides to drive across the country to the Tender Hearts Retirement Community in Arizona to win Michelle back. Before he can hit the road, tragedy strikes, leaving PJ the sudden guardian of his estranged brother’s grandchildren. PJ figures the orphaned kids might benefit from getting out of town, and he asks Sophie, his adult daughter, to come along to babysit. This could be the second chance PJ has long hoped for — a fresh shot at love and parenting — but does he have the strength to do both of those things again?

Rabbit Moon by Jennifer Haigh

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: Their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit-and-run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst. The accident unearths a deeper fissure in the family: the shocking event that ended the Litvaks’ marriage and turned Lindsey against them. Estranged from her parents, she has confided only in her younger sister, Grace, adopted as an infant from China. As Claire and Aaron struggle to get their bearings in bustling, cosmopolitan Shanghai, they face troubling questions about Lindsey’s life there, in which nothing is quite as it seems.

Fair Play by Louise Hegarty

A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age, murder mystery-themed party. As the night plays out, Champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. In the morning, all of the friends wake up — except Benjamin. As Abigail attempts to wrap her mind around her brother’s death,

a detective arrives determined to find Benjamin’s killer. In this mansion, suddenly complete with a butler, gardener and housekeeper, everyone is a suspect and nothing is quite as it seems. Will the culprit be revealed? And how can Abigail piece herself back together in the wake of this loss?

The Pretender by Jo Harkin

In 1480, the arrival of a stranger from London upends John Collan’s life forever: he learns he is not John Collan, the son of Will Collan, but Lambert Simnel, the son of the long-deceased Duke of Clarence, and has been hidden in the countryside after a brotherly rift over the crown. Removed from his humble origins, Lambert is sent to Oxford to be educated in a manner befitting the throne’s rightful heir. He learns the rules of etiquette in Burgundy and the machinations of the court in Ireland, where he encounters Joan, the delightfully strong-willed and manipulative daughter of his Irish patrons who has two paths available to her — marry or become a nun. Lambert’s choices are similarly stark: become king or die in battle. Together they form an alliance that will change the fate of the English monarchy. The Pretender is inspired by the true story of the little-known Simnel, a figurehead of the 1487 Yorkist rebellion who ended up working as a spy in the court of King Henry VII.

Miracles and Wonder by Elaine Pagels

In Miracles and Wonder, Pagels sets out to discover how a poor young Jewish man inspired a religion that shaped the world. The book reads like a historical mystery, with each chapter addressing a fascinating question and answering it based on the gospels Jesus’ followers left behind. Why is Jesus said to have had a virgin birth? Why do we say he rose from the dead? Did his miracles really happen, and what did they mean? The story Pagels tells is thrilling and tense, and we realize that some of the most compelling details of Jesus’ life are the explanations his disciples created to paper over inconvenient facts. These necessary fabrications were the very details and promises that electrified their listeners and helped his followers’ numbers grow. In Miracles and Wonder, Pagels does more than solve a historical mystery — she sheds light on Jesus’ enduring power to inspire and attract. SP

Sally Brewster is the proprietor of Park Road Books, 4139 Park Rd., parkroadbooks.com.

A SPRING AWAKENING

And a journey from darkness to light by

Icelebrate April’s return every year because it’s the month in which a divine awakening changed my life.

The year was 1980. I was the senior writer of Atlanta Weekly, the Sunday magazine of the Journal-Constitution, the oldest newspaper magazine in the nation. It was probably the best writing gig in the South. Over the previous three years, I’d covered everything from presidential politics to murders in the “city too busy to hate,” as Atlanta liked to promote itself in those days.

Looking back, though I didn’t realize it then, I was in search of an answer to a question that had no answer.

Three years before I snagged that job, Kristin, my girlfriend back home in North Carolina, had been murdered in a botched holdup by three teenage boys at the steakhouse where she worked as the weekend hostess. It had been a beautiful October day the last time Kristin and I spoke. We’d been making plans to get married and move to England, where she had a job as an understudy awaiting her in London’s West End.

The low point of my Atlanta odyssey came on a hot July night in 1979. I was working on a cover story about Bob Stivers, the city’s famous medical examiner, whose forensic sleuthing reportedly inspired the popular TV show Quincy. The week before that Saturday night, I’d watched half a dozen autopsies at his elbow, equally mesmerized and horrified. When Stivers invited me to ride along with the squad that picked up murder victims, I jumped at the chance. Saturday nights were particularly busy in the city that

had recently been declared America’s “Murder Capital.” I was told to sit tight until Stivers was dispatched to his first crime scene.

My new fiancée, Hank Phillippi, was a nighttime weekend anchor at a local TV station. We shared an old, brick house near the east-side entrance to Piedmont Park. Our weekend routine was to have a glass of wine and watch Saturday Night Live when she got home from the studio, usually just before midnight.

On that fateful night, as I was waiting for the call from Stivers’ crew, I stood in the darkness of our backyard, waiting for my dog, Magee, to do her business. I saw a car pull up beside our neighbor’s house. We were friendly with the Emory University medical school students who lived there.

As I watched, a man emerged from the backseat of the car and calmly walked to our neighbor’s back door and knocked. A med student still in scrubs opened the door. There was a brief exchange of words, followed by two gunshots. Our neighbor collapsed on the ground. The assailant bolted for the running car, which sped away.

By the time I reached his side, a young woman from the house was screaming hysterically. I asked her to fetch me a couple towels and call 911.

At that moment, Hank arrived home. She took charge and phoned the police as I cradled the wounded man in my lap, attempting to keep him conscious. He died 15 minutes before police arrived. I chose not to follow the victim’s body down to the city morgue.

The next morning, as I was walking Magee, I heard a chapel

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bell in the distance softly chiming “Blessed Be the Tie That Binds,” one of my favorite hymns since childhood. Tears filled my eyes.

As Hank slept in, I fetched a cup of coffee, sat on our front steps, taking stock of my life. I suddenly realized what was missing. I hadn’t been to church in five years.

I got dressed and went to services at the historic All Saints’ Episcopal Church downtown, a parish famous for feeding the homeless and never locking its front doors. The rector, a wonderful man named Harry Pritchett, gave a powerful sermon about how God finds us in the darkness when we least expect it. It felt like he — or maybe God himself — was speaking directly to me.

I began attending All Saints’ regularly. I also made a decision to write stories that enriched life — about gardens, golf and incredible humans — rather than revealing its dark side. I never wrote another crime story again. I even set my mind on attending seminary, until a wise old bishop from Alabama named Bill Stough convinced me to follow a “ministry closer to your heart,” as he put it. “You are a born writer,” he said. “You can serve the Lord better by writing about life than becoming a parish priest.”

Not long after that harrowing summer night, Hank and I called off our engagement, but we have remained dear friends for more than 45 years. As for me, that following April, while working on a sample story about youth baseball tryouts, I ventured over to a rundown ball field in my midtown neighborhood, where a desperate league director convinced me to take on the coachless Orioles

team. They were a wild bunch, many of whom lived in federal housing. This was during the peak days of the “missing and murdered” crisis affecting Atlanta’s Black teens. I made a deal with my team’s families to drive them home after all games and practices.

I also made a deal with the players: If they played hard and behaved well, I would buy them all milkshakes after winning games. They took the offer to heart. We won the Midtown League Championship in a romp that season. We went undefeated for a second time. It only cost me 200–300 milkshakes.

Crazy as it sounds, almost a year to the day after joining the Orioles, I woke on an April night to find Kristin standing beside my bed. She looked radiant. I thought I must be dreaming, but she was so lifelike, especially when she smiled and spoke. “Pook,” she said, using her pet name for me, “it’s time for you to leave here and go north. That’s where you’ll find what you are looking for. I’ll always love you.”

Days later, I resigned from the magazine, turned down what might have been a dream job in Washington, and headed for a trout stream in Vermont.

God, Kristin and my baseball team found me in the darkness when I least expected it.

It’s been a wonderful life ever since. SP

Jim Dodson is a writer in Greensboro. His 17th book, The Road that Made America: A Modern Pilgrim Travels the Great Wagon Road, will be published on July 1 and is available for pre-order on Amazon.

April 25 & 26 7:30 pm · Belk Theater

Christopher James Lees, conductor · Andrea Casarrubios, cello
Charlotte Master Chorale
Works for cello and chorus complement Debussy's iconic symphonic portrait of the sea.
FALLA The Three-Cornered Hat, Suite No. 2
CASARRUBIOS Mirage: Concerto for Cello and Orchestra
STRAVINSKY Symphony of Psalms
DEBUSSY La Mer

Gardening with gusto

A local dentist with a passion for nature and a penchant for design nurtures his creative side in his Eastover garden.

by Catherine Ruth Kelly photographs by Dustin and Susie Peck
A pair of whimsical but functional spinningtop chairs welcome guests in the front garden.

Growing up in rural South Boston, Virginia, Davis Ligon regularly helped his parents with the planting and tending of vegetable and flower gardens on their 50-acre farm. His father oversaw the vegetables while his mother preferred to grow flowers, but Ligon was equally influenced by both. He fondly recalls designing his own garden beds when he was in middle school.

“I’ve always been a nature lover and an outdoorsman,” Ligon says. “I innately feel a pull to create a sense of space, and I like the challenge of balancing scale

Ligon’s 9-year-old labradoodle, Teddy, happily rests on the front porch. Ligon designed the lattice structure behind the swing to offer an attractive backdrop and cozy gathering space.

Opposite page: A pair of dog statues, named Teddy and June after Ligon’s dogs, greet visitors at the front garden gate.
Blue Moon Kentucky wisteria vine climbs up an archway in the side garden.

and proportion from nature and translating that into a personal garden space.”

During Ligon’s undergraduate years at the University of Virginia, he was keenly aware of UVA founder Thomas Jefferson’s love of gardening and landscape architecture. Ligon sought out Jefferson’s serpentine-walled gardens tucked alongside the main campus, escaping the bustling student scene to read or study in a serene, natural setting.

“Spending time in these historic gardens was a big inspiration and nurtured my love and passion for garden design,” says Ligon.

After completing his postdoctoral dental residency at UNC Chapel Hill in 2004, Ligon moved to Charlotte, where he settled into a dental practice and a 1928 Craftsman bungalow in the historic Eastover neighborhood.

“I’ve loved this house and have renovated it inside and out,” Ligon says. “In a way, the yard has been a creative lab for me to experiment with different plants and different designs.”

In 2017, after losing a large oak tree that provided a grand presence and copious shade, Ligon’s front yard was converted from total shade to full sun exposure. Recognizing the need for a complete overhaul of the plantings in that area, Ligon engaged local landscape designer Laurie Durden to oversee the redesign,

which included planting some smaller trees in the front, adding a fountain and lining the sidewalk with a camellia hedge for privacy. Since then, Ligon has continued to enhance both the front yard and the side gardens with a variety of horticultural and structural updates.

“I’m a dentist but need a creative outlet, so I do that through gardening,” explains Ligon. “I like to tinker and change things on a regular basis.”

When Ligon’s yard was selected for the annual Wing Haven Gardeners’ Garden Tour last spring, he was inspired to take on some significant projects to prepare his yard for the event. In an effort to create a statement in the front upon entering the garden, he designed a wooden structure strung with galvanized wire, where he espaliered Little Gem magnolia trees that flank a large terra-cotta planter in the middle. To complement the new structure, he added simple arches along the side garden pathway, which draw the eye toward the backyard while echoing the design theme in the front.

“I really like the mix of classic and modern,” Ligon says. “The new structures have a more minimalist feel with sharp edges and clean lines, and I love the juxtaposition of that modern style next to the traditional architecture of my house.”

A faux-bois garden bench is nestled between boxwoods and beneath a Blue Atlas cedar tree in the corner of the front garden.

Above: Ligon designed the lateral structure in the front yard, where he espaliered two Little Gem magnolia trees on either side of a large terracotta urn.

Opposite page: A quirky sculptural table flanked by rocking chairs welcomes guests on the front porch.

An avid supporter of the arts, Ligon’s art collection is on display both inside and outside of his home. He found the concrete hand-shaped table on his front porch in High Point several years ago, and the faux-bois bench is a treasure from the former Metrolina Antique Market. Two of his favorite pieces are fiberglass chairs that resemble spinning tops. These “Spun” chairs were designed by Heatherwick Studio in London.

“They look like heavy sculptures, but they are lightweight garden seats you can sit in and roll all the way around, like you’re on a giant spinning top,” says Ligon. “They bring out the kid in most serious adults!”

Ligon enjoys entertaining family and friends in his garden and frequently hosts outdoor gatherings when the flowering plants are at their peak.

“I like the old-fashioned way people used to entertain on their front porches,” Ligon says. “I’ve worked hard to create a sense of place in my yard, and I love sharing it with my family, friends and neighbors.” SP

A jasmine vine grows atop a garden gate, which leads to the backyard.

COAST TO COAST

A globetrotting family of five relocates from California to Carolina and fills their modern home with vintage treasures and family heirlooms.

West Coast natives Annie and Jay Totten have traveled the world on thrill-seeking excursions, from surfing in Indonesia to heli-skiing in Canada. Their move from Manhattan Beach, California, to Charlotte in 2018 marked a different kind of adventure.

Jay’s company was building an office in the Queen City, offering an opportunity for the family to relocate. At the same time, Annie was seeking a less frenetic environment to raise the couple’s three children, now ages 10, 13 and 16.

“We just felt like we were ready to try something new with our young kids, that maybe was a little slower-paced,” says Annie, founder of Generation WE, a nonprofit providing inclusive literature and workshops for children. “Also, I was very attracted to the idea of going somewhere where I don’t know one person, I don’t know why.”

The couple’s first visit to Charlotte made an impression. “We were like, this is really beautiful,” Annie recalls. “It felt very calm.”

Annie first visited the two-story home in the Wendover-Sedgewood neighborhood while it was still under construction. She immediately was drawn to the home’s open floor plan and abundance of natural light.

“It just fit our family perfectly,” she says. The home seemed distinct from others in Charlotte, and she asked the builder, Benham Builders, about the vision for the design.

“He said that their inspiration was a family of five from California… I don’t know if he was messing with me and he knew, or if that was a magical statement,” she says, laughing. But from that moment, she knew it was meant to be. Six months later, they moved in.

MAKING IT THEIR OWN

Fortunately, the Tottens purchased the home in time to customize many of the finishes, including flooring, lighting and paint colors. They

A light-filled breakfast nook is repurposed as a game room filled with art and travel mementos.

kept the main living areas light, bright and airy, while incorporating bolder colors in the adjacent spaces, including the graphite-gray dining room and the scullery, where terra cotta walls contrast with emerald green cabinets and a black-andwhite tile backsplash.

One unique feature that helped seal the deal was a cozy upstairs guest suite, a little “nest” as Annie describes it, with two bedrooms and an en-suite bathroom.

“Being from California, we wanted to be able to

have people come visit us and be comfortable, and not have to send them to a hotel,” she says. “That gives them their own little nook of the house.”

The home’s open layout effortlessly blends indoor-outdoor living, with the family room flowing to a large, covered patio overlooking a pool. When the family isn’t spending time outside, a game room adjacent to the kitchen has become a central hub for playing board games or tackling jigsaw puzzles. The room also serves as a casual hangout for adults to gather for drinks before dinner.

In the foyer, a mixed-media collage by LA artist Jackie Leishman depicts Yosemite National Park. Annie’s father sent her the stack of surf magazines, a reminder of her love for the ocean and growing up in San Diego.

Above: The powder room is filled with vintage art and accessories sourced from various flea markets and shops.

Originally a spacious breakfast nook for casual dining, the family quickly discovered they weren’t optimizing the space.

“I felt like we weren’t using it,” Annie says. “I love mahjong, I love games — I wanted almost like a more playful version of a formal living room.” Now, a sleek banquette runs the length of one wall, while four plush barrel chairs surround a pair of wooden game tables.

Annie found the chairs for $8 each at the Habitat for Humanity ReStore, then had them recovered in a mossy-green velvet.

On the walls, art of all shapes and sizes — including works by Annie’s mother, children, goddaughter and a close friend who passed unexpectedly — are displayed alongside collectibles from the family’s global travels, such as beads from a trip to Africa when Totten ran the Kilimanjaro Marathon.

“I love mixing all that in there — it brings that travel and that energy home with me,” Annie says. “This room surrounds me in art of all places and people, and that makes me happy to my core.”

VINTAGE-MODERN

While Annie singlehandedly designed her family’s home, her interior-designer mother was an early inspiration. Her mom — whom Annie describes as a guru at mixing old and new — was constantly sourcing items from vintage and antiques markets, including the Paris Flea Market and other European locales.

“But she would also collect things from the local thrift store and was able to curate and find the gems. That’s definitely something that I picked up from her and is in me, too.”

Art abounds in the Tottens’ home — in every nook and cranny, there’s something new to discover. Some are flea-market finds, while others carry more meaning.

One piece, displayed prominently in the foyer, represents a place particularly close to Annie’s heart.

“I grew up backpacking in Yosemite with my dad,” Annie recalls. “I went to summer camp right outside Yosemite — I climbed Half

Opposite: The not-tooformal dining room is open to the kitchen. Annie, shown here with her daughter Maeve, found the carved wooden doors at Gibson Mill in Concord.
Right: A cozy upstairs guest suite with two bedrooms and an en-suite bathroom
Above: In the living room, two charcoal sketches of indigenous people by Peruvian-born artist Guillermo Acevedo previously belonged to Annie’s grandparents.

Dome I don’t know how many times with that camp and with my dad.” Her grandmother loved it too; some of her ashes are scattered there. So when Annie came across a multimedia-collage piece by Los Angeles artist Jackie Leishman depicting Yosemite Valley, she had to have it. “The colors, the perspective of the valley is exactly how I remember it.”

HOME AWAY FROM HOME

While the Tottens are far from their West Coast roots, the family has created a home filled with mementos of family, friends and the adventures that have shaped them. From the surf photo by Annie’s father in the dining room (“I love the ocean more than anything”) to heirlooms passed down from grandparents and

In the primary bedroom, Annie had her great-grandmother’s sofa recovered in a vintage mudcloth that she ordered from Europe. The fabric on the lumbar pillow came from chairs that belonged to her other grandmother. “So it’s got both sides of my family history all in that couch.”

great-grandparents, the family is surrounded daily by reminders of the people and places that matter most to them.

“We wouldn’t have moved [solely] for a job, but the fact that all these things sort of aligned at the right time made it really serendipitous,” Annie says. SP

While the primary bathroom was mostly completed when the family moved in, Annie personalized the space by adding details like wallpaper on the ceiling and a Moroccan light fixture. “The layout is phenomenal — the space is so comfortable and conducive to a couple.”

Ebb & flow

Lisa Sherry reimagines a home for an active family of five with clean lines, muted tones and a relaxed-but-refined aesthetic.

Just like a nourishing exhale, quiet, organic, simple are mantras driving the designs of Charlotte’s Lisa Sherry of Lisa Sherry Interieurs. In fact, she describes Mother Nature as her favorite “design muse.”

This same subtle vibe pervades her latest project in Providence Park for a blended family of five, including three preteen girls who are constantly on the go. “The homeowners’ extended family is local, too, so the home, and its new ‘hangout’ space, was designed as a hub for special gatherings, everyday life and all the beautiful chaos that comes with it,” Sherry says.

Sherry’s work is known for a modern sensibility: “clean lines with classic roots, casual yet refined, a discerning eye for color, and a love of fabrics and layers,” as the designer explains it.

“There’s not a hard edge in this home. The geometry is all circles, curves and the occasional oval. This ‘design language,’ if you will, is an invitation to slow down, relax and settle in,” she says.

The design also seamlessly blends indoor and outdoor living. “This project is all about inside and out,” Sherry says. “The blue sky, shimmering water and natural light

bring their own layers of color and texture, elevating the entire design. I always follow nature.”

Her redesign encompasses the home’s main living areas — the foyer, dining room, family room and primary bedroom — along with a completely reimagined outdoor living space with pool and cabana. (Sherry’s firm is also in the process of designing a bonus room for the family, to function as a larger family room and office.)

Texture and periodic pattern add contrast to the subtle tones.

“The color palette is mostly muted and neutral, with soft blue-gray accents woven throughout,” Sherry says “I’m a careful editor — I love layering textures and, when the moment is right, even introducing a bit of pattern. Also, I always say texture is the new color!“ Sherry says,

SHINING A LIGHT

Sherry considers a layered and nuanced lighting plan essential for each project. Along with installed lighting, the plan might embrace pendants and chandeliers, task lamps, floor and table lamps, and sconces. “I love varied pools of light. Our specific selections in this home are all about mixed media and elemental variety — ceramic, stone, marble, gesso, metals and, of course, breezy rattan for the cabana,” Sherry says. “And best of all … Mother Nature! This home is bathed in natural light, my favorite light source. I specified draperies to frame windows and for privacy, of course, but I love to let light shine in.”

which is underscored by her earthy wicker Artesia pendant lights and swing chair in the outdoor nook.

She flags the bold dining-room wallpaper as another example of contrast — its abstract, blue-hued pattern elevates the space, Sherry says. A graceful, round Mr. Brown London dining table and arched Bernhardt chairs complete the look.

Sherry’s love of layering continues in the foyer. “It’s a medley of grays, each with a distinct texture: faux shagreen, stone, concrete and linen. The mix keeps things subtle yet rich with contrast.” These muted tones lead to a comforting living room cloaked in a custom mix of Benjamin Moore Gray Owl paint, repeated in a rounded gray Parsons table from Interlude and dusty-gray abstract from Wendover Art.

“Flow was key to his space, as the living room sits just between the home’s more formal entry and dining room and the relaxed outdoor living area,” the designer says. “The sectional was a very intentional design choice from the Verellen brand. It’s perfect for a group convo or relaxed one-on-ones. I love the energy of this room.”

Outdoors, carving out a playful-yet-practical space for relaxing was essential for this family. While the existing backyard was fairly vanilla, “the homeowners wanted to change that in a big way,” Sherry says.

Above: The open-air pool house is a shady place for the family to lounge, cook or watch TV. Right: The pool house bath.

“The blue sky, shimmering water and natural light bring their own layers of color and texture, elevating the entire design. I always follow nature.“

With the pool and multiple seating areas anchoring the backyard, the new pool house completes the scene as a multipurpose retreat. “It provides balance — a shady haven, a place to lounge, cook or stream something on TV.” The addition of a stone fireplace creates a three-season space for relaxing and entertaining. “The space is just as inviting on a crisp fall evening as it is on a hot summer day,” the designer says.

Sherry credits Bravo Construction as the mastermind behind the exterior transformation. Sherry’s design team selected all the outdoor furniture (including stunning Harbour Outdoor woven chaises), accessories and the finishes in the pool bathroom.

While much of the renovation focused on family-friendly living spaces, private spaces matter, too. “The [primary] suite also has a restorative spa feel, cloaked in hues of gray and blue with contrasting shapes and colors,” the designer says.

“I love to blur the line between indoors and out, and my clients were all in. Thoughtful design choices, natural materials and a cohesive palette create a home that naturally ebbs and flows — as life moves between inside and out,” Sherry says. SP

Designer Lisa Sherry

STYLE MATTERS

The inaugural Come to the Table united some of Charlotte’s top designers to create swoon-worthy tablescapes — while raising money for a noble cause.

With our hectic lives and busy schedules, families nowadays rarely find time to gather around the dinner table — let alone, invite others into our homes to share a meal.

“When I grew up, my mother fixed dinner for us every single night of the week,” says Lynn Pitts, one of the event co-chairs for Come to the Table. “And I thought, we have gone so far from that.”

That sentiment helped inspire Come to the Table, a sold-out luncheon at Quail Hollow Club on Feb. 6. More than a dozen A-list interior designers were invited to create jaw-dropping tablescapes, which were on view before and after the luncheon. Additional Queen City floral designers contributed petal-perfect masterpieces.

“Because of Covid, we couldn’t entertain at home, so now we’re

just trying to get women to get back and invite people to your table,” says Pitts. The event raised $80,000 for Beds for Kids, a local nonprofit that provides beds and essential furniture to children and their families in need.

Last year, Beds for Kids served more than 1,400 Charlotte families and provided almost 4,000 beds, according to Executive Director Lauren Evans.

“Those are honestly bittersweet numbers,” Evans told the crowd of nearly 300 guests at Quail Hollow. “I wish it was zero. I wish we didn’t have this problem. I wish that everyone in this city had a bed to sleep on and had furniture in their home.” Beds for Kids is one of several local nonprofits working to end “furniture poverty” in Charlotte.

Sarah Fisher of Matters of Style Design
Bronwyn Ford of Pursley Dixon Ford Interior Design

When event organizers were reviewing potential nonprofit partners, Pitts was moved when she learned that Bed for Kids’ work extends beyond beds. “It incorporated families and kitchen tables, places for them to sit and eat,” Pitts says, making the organization a natural fit.

Faith was another crucial component for Pitts and co-chair DeeDee Dalrymple, and was central to guest speaker Ruth McKeaney’s message to the crowd. McKeaney, a former assistant attorney general for the state of Virginia, is the author of Hungry for Home. The book chronicles her family of five’s journey of restoring a 1717 farmhouse in rural Pennsylvania and the life they’ve built there. Filled with hundreds of beautiful photographs, the book includes family recipes and traditions, with an emphasis on what McKeaney calls “intentional homemaking.”

McKeaney described the serendipitous circumstances that led her to write her book. “I chose to write it on what I know to be true and what I’m passionate about, and that’s how to bless

Opposite page, clockwise from top left: Whitney Sturge Interiors, Ashley Shaw Interior Design, Catherine M. Austin Interior Design and Kate Newman of K. Interiors
Barrie Benson Interior Design
Blair Farris Designs
Hadley Quisenberry of West Trade Interiors
Ruth Runberg of R. Runberg Curiosities
Mary Miller of Abode Jane Schwab Interiors

people in and through your home — how to welcome them to the table.”

While the dreamy tables on view at Come to the Table brought a certain wow factor, the event co-chairs hope guests also left with a worthwhile message about forming and deepening connections with others. The table is simply the place where it happens.

“It became clear that I needed to think more about the table other than a piece of wood sitting there where we gathered,” says Pitts, who has a local table-styling business.

In her speech, McKeaney relayed a sentiment someone once shared with her: “Hosting is not about performance or perfection — it’s about loving people well.” She encouraged guests to worry less about whether your home is too messy or your cooking skills aren’t up to snuff.

Pitts echoes a similar view: “It’s not about the perfection at the table but the people that you’re with at the table.”

Presenting sponsors for the event included Abode Home, Ashley Furniture, Elizabeth Bruns and Williams Auto Group. Pitts and Dalrymple hope Come to the Table will become an annual tradition, even if the gathering takes on a different look as it eventually evolves under new leadership.

“I would like to see this event as the city’s heart-and-soul event to inspire the gift of gathering,” Dalrymple says.

“We are busy, and sometimes ‘going out’ seems easier, but nothing creates intimacy and memories like gatherings in our home,” she adds.

“As our mission statement says, the table is where life unfolds, friendships flourish, ideas and conversations take flight, and families are forged. It’s where we are seen, known and loved … [this] truly captures everything we want this event to be for young and old — for every age and generation.” SP

The Table by Lynn Pitts
DeeDee Dalrymple, Ruth McKeaney and Lynn Pitts
Whitney Sturge Interiors

THE ALLURE OF AMELIA ISLAND

Soak up the sun on this Florida barrier island with a quaint historic district and a luxury oceanfront resort that’s a destination in itself.

There’s a quiet controversy among residents of Fernandina Beach and St. Augustine, some 70 miles apart on the northeast Florida coast. While St. Augustine, founded in 1565, is widely acknowledged as the oldest continuously occupied U.S. city, some residents of Fernandina Beach, on Amelia Island, believe their town is the oldest.

French explorer Jean Ribault landed in the area inhabited by the Timucua people in 1562, calling the 13-mile barrier island “Isle de Mai” — but because of fires that destroyed historic records, Fernandina doesn’t have the documents to back up their claim. Those records, and much of the island’s history, may be gone, but what remains is a quaint downtown historic district with boutiques, restaurants and streets lined with charming Victorian-era homes (and ample, free parking).

Through the years, Fernandina has been a seaport, a shrimping capital, and a haven for pirates and Gilded Age millionaires. Today, Amelia Island is a year-round vacation destination supported by a tightknit local community.

“We live in Mayberry,” says Ernest Gonzales, a former golf pro who’s now a local real-estate agent and the taproom manager at Mocama Beer Company, a coffee shop by day, brewery and music

venue by night. “Everybody looks after each other. We all have each other’s backs here.”

HISTORY

Amelia Island’s nickname as the Isle of Eight Flags offers a clue into its storied history.

Since Ribault’s arrival in 1562, the island has been controlled by France, Spain, England, Mexican rebels, Confederate sympathizers and others. In the 1700s, Georgia founder James Oglethorpe named it Amelia Island in honor of King George II’s daughter.

Once home to indigo and cotton plantations, after the Civil War the island gained a reputation as a sophisticated resort town. Tourism suffered after the Great Depression until Charles Fraser, the developer behind Sea Pines on Hilton Head Island, purchased a large swath of land on the southern part of the island in 1970. Amelia Island Plantation (now the Omni Amelia Island Resort) debuted a few years later, setting in motion a new era of tourism.

EXPLORE

The Fernandina Beach historic district encompasses 50 walkable blocks, and more than 250 historic buildings remain intact. It’s easy

SPRING HAPPENINGS

Isle of Eight Flags Shrimp Festival

May 2-4, 2025

Fresh seafood, live music, fireworks and a parade are all part of this longstanding tradition in historic Fernandina Beach.

Fish to Fork Weekend

May 15-18, 2025

Enjoy dock-to-dish specialties from local and visiting chefs, culminating in a live competition at Omni Amelia Island Resort & Spa.

to while away an afternoon popping in and out of local boutiques, grabbing a bite to eat at a local restaurant, then catching the sunset along the Fernandina Harbor Marina.

Avid readers — or anyone who appreciates a good old-fashioned retail experience, will get lost inside The Book Loft , a two-story indie bookseller with jigsaw puzzles, new and used titles — including a section highlighting local history — and even a resident ghost. Next door, J.J. Cooper is an upscale menswear shop with a staff that makes you feel at home and luxe labels including Barbour, Filson, Peter Millar and Brackish.

Blue Door Artists is an artists’ collective where you can shop for coastal-inspired paintings along with photography, fiber art and jewelry — look for the painted staircase on Centre Street and head to the second floor to peruse the galleries. The Salty Local is a

home-décor and clothing boutique that’s filled to the brim with pretty mugs, glassware and other housewares plus flowy floral dresses and contemporary styles from Cleobella, Pistiola and others.

For a deeper dive into the island’s dizzying backstory, the Amelia Island Museum of History, housed in the former Nassau County jail, offers regular guided tours. Fort Clinch State Park, a Civil War-era fort, sits on 1,500 acres with hiking and biking trails and daily tours.

At the southern end of Amelia Island, the A.L. Lewis Museum honors American Beach, frequented by Blacks from across the Southeast during the Jim Crow era. Cab Calloway, James Brown and Zora Neale Hurston all spent time here, where Evans Rendezvous, an oceanfront restaurant and bar, attracted star musicians like Duke Ellington, Ray Charles and Louis Armstrong. The

Downtown Fernandina Beach

museum is also a tribute to MaVynee Betsch, a local icon known as The Beach Lady, an opera singer-turned-nature preservationist who hosted Black cultural heritage tours until her death in 2005.

STAY

I stayed at The Ritz-Carlton Amelia Island, a sprawling beachfront resort where all 446 rooms boast private balconies and ocean views. Marble bathrooms, Frette luxury linens and evening turndown service are standard amenities here. There’s tennis, golf and a newly renovated spa, with its own private pool for relaxing and signature treatments like the Awakening Bamboo Massage — an invigorating 90-minute experience combining traditional massage techniques with warm bamboo rollers.

A leisurely afternoon by the pool under rustling palms —

followed by lunch of shrimp tacos and a local beer at Coquina, the resort’s oceanfront bar and restaurant — is what vacations are made of. Besides Coquina, other on-site restaurants include Coast (approachable modern-American fare at breakfast, lunch and dinner), and the Tidewater Grill (pizzas, burgers and other pub-style favorites). Sushi is the main attraction at the always buzzing lobby bar, along with signature cocktails like the refreshing Cucumber Saketini and a superb Luxardo Margarita.

The showpiece dining venue, though, is Salt , a AAA FiveDiamond restaurant where chef Okan Kizilbayir’s delicate presentations are as deliciously complex as they are photogenic. In January, the restaurant unveiled a fresh new look, subbing dark wood paneling for a lighter, airier vibe and introducing a new lounge with shareable plates and a relaxed dress code.

The beach at the Ritz-Carlton Amelia Island
The bar at Salt at the Ritz-Carlton Amelia Island
Cocktails at Salt

SPRING TIME VIBES ON TREND FOR 2025

Kizilbayir, a Turkey native, joined the Ritz-Carlton in 2021 after more than a decade working alongside superstar chef Eric Ripert. His skills are evident in dishes like a signature octopus appetizer with Castelvetrano olives, piquillo peppers and chorizo oil. In Kizilbayir’s take on the popular seafood dish, the chef slices the tentacles and bakes the dish in a terrine until tender.

Mains at Salt reflect what’s in season, from seared snapper to baked halibut, with steaks and other non-seafood options for landlubbers. For dessert, the made-to-order baklava with pistachio-and-goat cheese cremeux and crème fraiche ice cream is another standout showcasing Kizilbayir’s singular approach to a classic dish. Can’t decide what to order? Choose the chef’s five-course tasting menu and let the pros pick for you.

EAT + DRINK

While Fernandina can’t officially lay claim as the oldest U.S. city, it does boast the oldest active bar in Florida. The Palace Saloon opened in the early 1900s in a former haberdashery. According to local legend, the first ever rum and Coke was served there. Today, it’s a prime people-watching spot known for a potent Pirate’s Punch.

Other places to whet your whistle include Mocama, the brewery and coffee shop located in a former Ford dealership, and The Green Turtle, a no-frills bar and local hangout with an outdoor courtyard and live music.

For a casual lunch or early dinner, Timoti’s Seafood Shak emphasizes fresh, wildcaught seafood, from poke bowls and lobster rolls to shrimp baskets and rice boxes. For familiar Mexican fare in a bustling atmosphere, the family-owned Mezcal Spirit of Oaxaca is a go-to for carnitas, enchiladas, fajitas and more.

Wicked Bao owner Nathalie Wu greets guests nightly at her casual eatery serving bao buns, pot stickers, noodle bowls and sake sangria. Some call it fusion, but Wu, who hails from Taiwan and also lived in Singapore, simply calls it Asian street food. Either way, this casual-and-cozy spot embraces locals and visitors alike and almost feels like dining in Wu’s home kitchen.

Kind of like Mayberry. SP

GETTING THERE: Amelia Island is a 5.5-hour drive from Charlotte, or a 45-minute drive from Jacksonville International Airport.

INSPIRED LIVING

Where dreams and functionality meet

As summer approaches, we here at SouthPark are ready to embrace outdoor living and welcome that seasonal refresh. It’s time to swap our winter shades for fun, quirky patterns and approach dream projects. It’s time to think of pool days and patio hangs. It’s time for Inspired Living.

Our homes are not just spaces we occupy, but reflections of our lifestyles, articulations of who we are and places for our families to live, grow and come together. This section features some of Charlotte’s best when it comes to creating your ideal living space. Whether it’s an interior designer who crafts the perfect balance of color and texture, a home renovator bringing dreams to life or a landscaper turning yards into stunning outdoor escapes, each professional plays a pivotal

role in designing environments that make our homes a true reflection of ourselves.

Every project is a dance of vision, expertise and execution. Throughout this entire issue, we showcase unique craftsmen from around Charlotte. In the following pages, you’ll discover stunning work from Queen City Fireplace, DreamMaker Bath & Kitchen South Charlotte, Avid Painting, MetroGreenscape, Hearth and Patio and Collected Charlotte. From installing and maintaining a fireplace to redesigning an entire home addition, the Charlotteans who bring these visions to life are the unsung heroes of inspired living. Their work not only enhances the beauty of our homes but also creates sanctuaries that reflect our individuality and embody luxurious living.

Designing with intention, integrity and vision

DreamMaker Bath & Kitchen of South Charlotte, led by David Vargas and his wife Bibiana, is a remodeling company built on enhancing your life by improving your home. David, a military veteran, moved to Charlotte after serving in Iraq, eager to create something meaningful. Together with Bibiana, they set out to build a business that focuses not only on craftsmanship but also on creating a lasting legacy for their family and community.

At DreamMaker, the heart of their work lies in transforming homes to improve the lives of their clients, while dedicating themselves to superior craftsmanship and ethical excellence. They specialize in bath, kitchen and interior remodeling. “We don’t just want to remodel your kitchen, we want to design spaces that will grow with you and fit into your life forever,” David explains. Their commitment to sustainability means designing with the future in mind—creating functional, energyefficient spaces that don’t need replacing. What truly sets DreamMaker apart is their full-service approach, which takes the stress out of the remodeling process. From initial consultations to project completion, they handle everything. “We’re

here to solve problems, not sell products,” David says. They emphasize open communication, building trust with each client and ensuring that their vision is fully realized.

For David and Bibiana, the work of DreamMaker Bath & Kitchen of South Charlotte is about more than just beautiful spaces—it’s about creating homes that enhance lives, both now and for generations to come. With every project, they remain committed to doing things right, with integrity, a passion for service and a deep sense of responsibility to the future.

Charlotte’s premier designto-build hearth experts

When it comes to luxury fireplaces and outdoor fire features, Queen City Fireplace stands as the undisputed leader in Charlotte. As the only design-to-build hearth company in the area, they offer a seamless, start-to-finish approach for high-end interior fireplaces, outdoor fireplaces, firepits, gas lighting and outdoor patio heating. Their commitment to flawless craftsmanship has earned them a reputation as the go-to choice for homeowners who demand the best.

At the helm of Queen City Fireplace is Ilana Rodriguez, a professor at Davidson College, a professional opera singer, and the company’s female owner, working alongside her husband and business partner, Alex Rodriguez. Beyond their thriving business, Ilana and Alex are also parents to six children, proving that excellence and dedication run in the family. Their two eldest, Rebeca Marie, an established civil engineer, and Alex Jr., a business graduate, represent the next generation of leadership set to carry Queen City Fireplace into the future. The apple doesn’t fall far from the tree, and with their expertise and drive, the company’s legacy is in good hands.

Queen City Fireplace carries only the finest brands in the industry, including Montigo, Ortal, Flare, Warming Trends, Mendota and Urbana, among others. Their curated selection ensures clients receive top-tier products that blend aesthetics, performance and durability.

Beyond their exceptional work, Queen City Fireplace is deeply involved in shaping the hearth industry. They sit on the advisory board of some of the largest hearth manufacturers in the world, ensuring they stay at the forefront of new technologies and trends. They are also proud members of the Hearth, Patio & Barbecue Association (HPBA) and the National Association of the Remodeling Industry (NARI), further solidifying their position as industry leaders.

While they are a true investment, their work is second to none. From sleek modern fireplaces to grand outdoor fire features, every project is a testament to their commitment to excellence. For those seeking high-end, expertly designed fire solutions in Charlotte, Queen City Fireplace is the only name to know.

Transforming homes with expert painting & remodeling services

With an intuitive eye for design and a commitment to fine craftsmanship, John Castano founded Avid Painting in 2004. His detail-oriented project management skills, welcoming personality and reliable, meticulous team have made Avid the Charlotte area’s premier company for painting and cosmetic remodeling services.

Say goodbye to multiple contractors, frustrating project delays and inconvenient scheduling hassles. Avid offers a turnkey, white-glove process, ensuring projects are stress-free and streamlined. From color consultation to custom carpentry, tiling and molding to interior/exterior painting, Avid’s trustworthy team can take care of your home or business from top to bottom — guaranteeing the work is done right, on time and exceeds your expectations.

Avid’s commitment to customers goes beyond individual projects to serving the Charlotte community. The company is a member of the Interior Design Society of Charlotte, The Preservation Society for The Duke Mansion, the Home Builders Association of Greater Charlotte, the Latin American Chamber of Commerce of Charlotte and many other worthy organizations in the Charlotte area.

Get started with Avid with a free, onsite consultation and receive a detailed estimate within one to two days.

Elevate your space with experienced professionals who produce reliable, beautiful results.

Not just found, Collected.

Looking for high-end furniture, luxury home goods and accessories, curated art, interior design services and pieces you won’t find anywhere else in Charlotte?

Enter: Collected – Charlotte’s one-stop-shop for all things home décor and interior design.

Walk into Collected, and you’ll quickly find that it’s more than just a store; it’s a dream, a goal and a vision made reality. The warm atmosphere, kind staff and gorgeous array of products is somehow classy, yet cozy. Familiar, yet entirely new. Effortless, yet thoughtful.

It took Jennifer and Julie years to settle on a name. Wanting to choose the perfect embodiment of everything their store was to become, they spent countless hours brainstorming, until it finally dawned on them. They realized that they had spent years working closely with vendors to choose products, placing a distinct emphasis on high-quality, local and one-of-a-kind pieces. Over time, they had carefully curated a collection of products that they themselves would put in a home and that they felt would resonate well with the people and designers of Charlotte, ensuring each item had the Julie and Jennifer stamp of approval. They had brought together people from far and wide and built a community before they ever built a store. Everything they did to work towards making their dream a reality was done methodically and with intention. And, well, you can call that collecting.

And thus, Collected was born!

Come for their kind smiles, welcoming presences, and penchants for making things fun; stay for their intimate knowledge of Charlotte’s design community and forty years of combined experience in interior design.

Until then, stay cool, stay calm, stay Collected.

Where luxury meets the outdoors

MetroGreenscape specializes in transforming outdoor spaces into luxurious, all-season oases. Whether designing a stunning custom pool, creating a high-end hardscape or crafting a complete outdoor living experience, their full-service team brings each vision to life with precision, integrity and a focus on luxury.

MetroGreenscape is renowned for its expertise in creating custom outdoor spaces that integrate seamlessly with any landscape, providing homeowners with the ideal setting to relax and entertain year-round. They offer a comprehensive range of outdoor living solutions, including retaining walls, fire pits, outdoor kitchens and vibrant landscaping featuring flowers, shrubs and trees. The team works closely with clients from concept to completion - and beyond - to ensure every detail is tailored to their needs, delivering results that exceed expectations.

Gone are the days of juggling multiple vendors. With MetroGreenscape, clients can rely on a single, dedicated team to handle everything, offering a seamless experience and ultimate convenience.

MetroGreenscape doesn’t just provide advice - they listen.

Understanding that each project is a significant investment, the team takes pride in delivering a personalized approach. As CEO Todd Cioppa says, “We say what we do and we do what we say.”

From routine lawn care to large-scale landscape transformations and custom pool designs, MetroGreenscape is the go-to resource for beautiful, functional outdoor spaces and ongoing maintenance.

Clients are invited to visit the new Design and Presentation Center, located within Hearth and Patio on Monroe Road, for consultations and project updates.

Call today to schedule a consultation and turn your vision into a reality by the end of summer!

Making your outdoor space shine for every moment and every season

The name Hearth and Patio may sound familiar, as it’s been a staple on Monroe Road since 1985, offering all things outdoor furniture, fireplaces, grills and accessories. New owners Jon Hardecopf and Todd & Ashley Cioppa have accepted the challenge of upholding Hearth and Patio’s excellent reputation, expanding their product collection and meeting the needs of outdoor Charlotte.

As summer approaches and we spend more time on our porches and patios, Hearth and Patio is the perfect one-stop shop for an outdoor refresh. From couches and pillows to fireplaces and logs, there isn’t a need that can’t be met. Stop by the brand-new accessory and amenity boutique for poolside dinnerware, seasonal decor and even Mother’s Day gifts. Find the perfect display for every holiday and season.

Visit the brand new showroom which houses full patio sets and furniture displays, no matter the size of your outdoor space. Can’t find the perfect design on the floor? The client-first team will work with you to find the best option for your home, based on your desired colors,

size, materials and pricing. From the moment the cowbell on the front door announces your arrival, you will be met with expert guidance and dedicated service.

Quality comes first when it comes to products. Most have impressive warranties, ensuring that your furniture and fireplaces are truly lasting through all seasons and circumstances.

Make your appointment today with Charlotte’s premier outdoor living resource for a summer of comfort, luxury and quality.

Mark your calendars for the Re-Grand Opening of Hearth and Patio

May 3 | 12 p.m. - 4 p.m.

Raffles | Demonstrations

Furniture Reps and more

swirl

A monthly guide to Charlotte’s parties and galas

Becoming Brave

benefiting BraveWorks

The Revelry at Camp North End

February 27

Patrons and friends celebrated BraveWorks artisans and got to know new executive director Kyla Harvey, as she continues the nonprofit’s mission to help women develop skills to overcome trauma and injustice. photographs by Daniel Coston

Dyette Spain and Matthys Barker
Perry-Ann Archer and Hana Dworkowski
Michelle Dudley Matt Pritchett and Allison Shigo
Missy Banks and Jessica Jenkins
Courtney Oates and Lauren Gregg
Adrienne Matthews and Lauren Partridge
Kyla Harvey and Beth Bell
ANNIE LEIBOVITZ / WORK is generously presented in Charlotte by Truist. Individual sponsorship is kindly provided by Jennifer and Alex Bauer, Mary and Walter Beaver, Hillary and Fairfax Cooper, Laura and Mike Grace, Jill and Mark Kelly, Noelle and Mark Mahoney, Staci and Jeff Mills, Mary and Dick Payne, Beth and Drew Quartapella, Mary Anne (M.A.) Rogers, Kati and Chris Small, Leigh-ann and Martin Sprock, Ann and Michael Tarwater, and Charlotte and John Wickham. The Mint Museum is supported, in part, by the City of Charlotte and the North Carolina Arts Council. ANNIE LEIBOVITZ / WORK is organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas. IMAGE: Annie Leibovitz, Bruce Springsteen on tour, Paris, 2016. Photo courtesy of the artist ©Annie Leibovitz.

A monthly guide to Charlotte’s parties and galas

Fashion Breathes Life

benefiting Cystic Fibrosis Foundation

The Revelry at Camp North End

February 22

A sellout crowd cheered as Queen City fashionistas took to the runway to raise more than $430,000 for CFF.

photographs by Daniel Coston

Raven Watt and Julie Smith
Anthony and Jill Reggiannini
Ashley Stiegman and Ashley Duncan
Meredith Beregovski and Melanie Bowden
Bill and Stephanie True, Angie Harmon and Carrie Frank
Jill and Ben Pleune
Dr. Lara Aboulhosn and Mignonne Gavigan

Queen Charlotte’s Ball and Banquet

benefiting Charlotte Museum Of History

February 15

This sold-out celebration of all things “Bridgerton” included glamour, ballgowns and a discussion with author Julia Quinn, whose books became a smash show.

photographs by Daniel Coston

A Speakeasy Soiree

benefiting Isabella Santos Foundation

The Revelry at Camp North End

February 28

Supporters channeled the Roaring Twenties for this year’s signature gala and danced to the sounds of the Lake Norman Big Band. The night raised $537,000 for research and support around rare pediatric cancers.

photographs by Daniel Coston

Terri White and Julia Quinn
Princess Small and Laviña Chaves
Sandra and Art McVearry
Laney and Tim Rogers
Abram and Chelsea Murray
Stephanie and Russ Blanton
Lauren Ruder and Anna Stallmann
Katie and Preston Browder Lexi and Charlie Danielson
Grant Santos and Gavin Hill
Bill and Stephanie True

Gift of Adoption Carolinas Gala

benefiting Gift of Adoption

Myers Park Country Club

February 22

Miami Dolphins player Alec Ingold delivered the keynote speech for an evening that raises money to help children find permanent new homes. photographs by

Daniel Coston
Robert and Clary Gray
Brian and Laura Ullrich
Julie Brendel and Erin Phillips
Savanna and Jan Cochran

MORE THAN JUST A CONVERSATION

PARTNER FIRST, PRODUCER SECOND

Evrybdy Studios knows how to tell a story, and they want to tell yours. Robbie Shaw, Founder and CEO of the studio and creator of podcast “Champagne Problems,” realized he had a passion and love for the art of conversation. He wanted the conversations he was having around mental health, adversity, and perseverance to be accessible beyond the scope of a one on one interaction. The answer? Going digital. He founded Evrybdy Studios with a team of “audio/video creators and marketing experts” who are excitingly ahead of the game when it comes to utilizing authentic conversation to establish trust, thought leadership, and brand awareness.

THE FUTURE OF BRANDING

Robbie and the team create full-service podcast solutions for businesses ranging from brand strategy to production and distribution. With today’s shift towards digital-first marketing solutions, Evrybdy Studios hasn’t just jumped on the bandwagon, they’ve started to drive it. In just two years, they’ve curated content from world-class experts, brand sponsorships and renowned guests, and have garnered more than 400k downloads across their client podcasts.

STANDING OUT AND MAKING ROOM

In a world where podcasts and audio/visual services seem saturated, Evrybdy Studios stands out by serving B2B and B2C organizations, helping them reach their target audience. “It’s not about popularity, it’s about getting information, thought leadership, and brand awareness to the exact people you’re trying to reach,” says Robbie about the intention and purpose behind podcasting. They carefully and masterfully create unique packages for each client considering business needs, making room for your stories and sharing your conversations with everybody.

A monthly guide to Charlotte’s parties and galas

Palm Royale Pickleball Tournament + Party

benefiting Mint Museum Auxiliary

Rally Pickleball

February 8

This friendly competition brought plenty of Palm Beach vibes on and off the court.

photographs by Daniel Coston

SOMETHING TO SHOUT! ABOUT

Some of my favorite camera-roll snaps are from taking my daughter to Charlotte SHOUT! last year. We strolled Luminous Lane, where she met local artists and watched new murals unfold before her eyes. She loved striking a pose next to a crush of candy-colored flowers and bold designs.

Uptown felt … alive. Happy. Creative. SHOUT! has more than 200 attractions across 17 days designed to delight and enlighten us with art, music and ideas. From Levine Avenue of the Arts to First Ward Park, the installations stretch up and down Tryon Street. The E/Motion light-up seesaws are a perennial favorite.

Highlights include the Charlotte StrEATs food festival at Gateway Village on April 14. Expect food trucks, tastings, demos and a culinary market. The Carolina BBQ Festival comes to

Victoria Yards April 4-5, with more than 15 pitmasters sharing their best recipes and rubs (tickets are $35-$125).

SHOUT! gives creatives from Charlotte and around the globe a platform to thrive. It gives the city a boost, too. Last year, more than 640,000 people experienced SHOUT!, drumming up an economic impact of $17.1 million, according to organizers.

My only regret? Not playing a round of Queen’s Greens Mini Golf last year. I’ll make good on a second chance this time. SP

Want to go? Charlotte SHOUT! takes place April 4-20. Most attractions are outside and free, with a few paid VIP and ticketed options. Follow @cltshout or visit charlotteshout.com for details.

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April SouthPark 2025 by SouthParkMag - Issuu