1. Our Staff Letter from the Editor
3. Style Icon: Elle Fanning 4. Fall Trends: Men始s We Write the World
6. DOM: Proenza Schouler 7. Interview: Sarah E.
Interview: 4 Photographers
9. Spark Wishlist 10.Fall Trends: Women始s Interview: Ricardo H.
12.Interview: Eva S. 13.Editorial: Beauty In Technicolor 14. Editorial: Wanderlust
OUR TEAM IAN MILAN Editor- In - Chief
AUTUMN ASHLEY M. Executive Editor, Design
CHRIS NGYUEN Head of Production
PR Jocelyn Lo Jarie Maldonado Esteban Rivera Elizabeth Jones Chelsea Dunivan Kristen Raines
Writers Lisa Siva Hannah Kim Amanda Archibong Jonathan Ochart Tyler Neal Andie Salazar Ronit Joselevitz
Production Christine Lew Batli Joselevitz Roberta Izquierdo Samantha McClendon
Farewell Letter From The Executive Editor All good things must come to an end. Cliché, but true. I'm ecstatic to graduate this December, and move on to other publications & projects in Austin’s Fashion industry. However, when standing on the precipice of change one is naturally inclined to feel a bit nostalgic. My time at Spark Magazine has been amazing. There's nothing like creating something with incredible people with brilliant ideas, passion and drive, and watching it grow and spread to a mass of readers. The feeling is indescribable. It changes you. I look back from where I began almost four years ago, and I definitely wouldn't have imagined I would be as busy as I've been. I've learned that time management is key, good is never good enough, and to always look forward to change. Embrace it. I know Spark too will embrace change. Its been an honor watching Spark evolve and become bigger and bigger over the last year and I'm glad its been an enriching part of my college experience. Speaking of experiences, get ready to experience Spark's Holiday Issue full of fashion trends and interviews! We've covered every facet of the fashion world we could think of. We met with Sarah Ellison of BOOTLEG AUSTIN for a look inside the styling industry. Tony Veloz, Jonathan Zizzo, Lauren Withrow, and Scott Lowe gave us a glimpse behind the camera. Eva Shaw shared with us life as both a DJ and a model. Ricardo Hernandez who has attended shows such as Derek Lam and L.A.M.B. at NYFW introduced us to the world of fashion blogging. We hope you will enjoy our last issue of 2011 and the rest of the Spark Staff looks forward to seeing you in 2012! I’ll still be around, and I hope you will continue to enjoy reading Spark... I know I will! Best Wishes, Autumn Ashley M.Executive Editor Spark Magazine
STYLE
ICON
ELLE FANNING
By Hannah Kim
With an innocent smile and delicate blonde locks, Mary Elle Fanning may at first glance appear to be a normal thirteen-year-old girl, but one look at her astonishingly mature character, resume, and sense of style will no doubt raise your brows. Elle’s star has been on the rise since she was still in diapers, gracing her first film I Am Sam at the mere age of eighteen months as the younger version of older sister Dakota Fanning’s character, Lucy, alongside A-list actors Sean Penn and Michelle Pfeiffer. Though Elle is the younger half of the two gifted Fanning actresses, she in no way resides under the shadow of her big sis. Quite the contrary, Elle towers over seventeen-yearold Dakota by two inches and has been in more movies than the number of years she’s been alive including critically acclaimed hits like The Curious Case of Benjamin Button, Super 8, and Somewhere under renowned directors Steven Spielberg, J.J. Abrams, and Sofia Coppola. Cringing with envy yet? As if her impressive circle of colleagues wasn’t enough, Elle has also been nominated for eight different acting awards, winning Film Actress of the Year for her resonating performance in Something at the Young Hollywood Awards this year.
While Elle has rapidly climbed her way to Holly wood acclaim, she has also danced her way under fashion’s radar, quite literally in The Curve of Forgotten Things, a film collaboration by Todd Cole and Rodarte in which the enchanting Elle gracefully pranced about in looks from Kate and Laura Mulleavy’s Spring 2011 collection. Elle also seems to radiate an innate talent for modeling, with her fresh face and ballerina-like body showcasing Valentino, Marc Jacobs, and Alberta Ferretti, among various other glorious names, in numerous editorials. This year alone, she has adorned the pages of Teen Vogue, Marie Claire, Vanity Fair, Interview, and countless others, personifying both a fun-loving vibe and a sophisticated elegance in all of her shoots.
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While other teeny boppers across the nation are lining the walls of Jonas Brothers’ concerts, Elle is dotting the front rows of fashion’s most heralded shows including Chanel Couture Fall 2011 in Paris and Marc by Marc Jacobs Spring 2012, Elle’s first New York Fashion Week show. How many teens get to check that off their long list of firsts? Elle’s reputation as a style icon has blossomed with her consistently spot-on looks decorating the red carpet. She lines her ward robe with an admirably distinct, consistent aesthetic: head-to-toe classic looks with girlish silhouettes. Her baby-doll and full-skirted dresses, clean-cut hairstyles frequently parted in the middle and sometimes accompanied by a simple headband, and Mary Jane shoes, accentu ate her childlike glow and reflect her particular attraction to vintage fashion. “I really like vintage clothes, so in my closet there’s a lot of ’50s stuff,” she told Interview magazine. Elle has been praised for harnessing her fashion-forward clothing, often originally designed for grown women, into age-appropriate outfits that don’t weigh down but rather embrace her youthful exuberance. With movie-goers and fashion-lovers keeping a close eye on the refreshing young star, the whole world seems to nod its head in approval at Elle’s remarkable abilities beyond her years, both on and off screen. While history shows that many child stars’ successes unfortunately dwindle with time, her exhibition of pure talent and inherent fashion sense is already reassurance enough that we can expect a very long and enlightening career to come from the lovely Elle Fanning.
FALL TRENDS MENSWEAR
By Tyler Neal
HIKING BOOTS Those of you wearing a skinny pant this fall, show off a striking pair of hiking boots. Designers such as Balmain, Bespoken, and Gilded Age featured hiking boots with their runway looks to the modern man who isn't afraid to brave the inclemency of the wild. It's the perfect way to balance a sense of utilitari -anism with fashion.Â
CUFFED PANTS This fall trend will appeal to those of you who aspire to dress like a gentleman on a daily basis. Wearing cuffed pants can allow more emphasis on the choice of shoes and socks you're wearing, adding a sense of European sophistication to your outfit. Designers such as Dolce & Gabbana and Bottega Veneta included cuffed pants in their Fall 2011 collections.
BRIEFCASES If you're looking for something that gives you the look of a sleek super agent in a Bond film, a briefcase should be “a must” on your shopping list this season.The Gucci Fall 2011 men’s collection included an array of dashing briefcases, from a sleek black leather case to a mahogany brown leather case.
TWEED An investment in a tweed suit this fall will be a purchase you won't regret. Tweed is normally seen as something worn in the office setting, but one would be surprised by how versatile a tweed suit may be when worn as separates. You can wear it as a blazer, as pants with a stylish plaid shirt, or a herringbone shirt. For style reference, Gant by Michael Bastian and Riviera Club included tweed in their Fall 2011 collections.
TURTLENECKS After a recent trip to the Domain in Austin, I noticed various stores had an abundance of turtlenecks in their stores, clearly making it a key trend for fall. Although it seems like only a fashion diehard would be able to pull off something such as a turtleneck, one would be surprised by how much versatility they have once you start wearing them. Wear a gray or ivory colored turtleneck this season with a black or charcoal gray blazer for a modern look that stands out.
VARSITY JACKETS We know what you're thinking. Varsity jackets? Isn't that something you sport in high school? Not this season, fashionistos. Stores such as H&M are carrying varsity jackets this season; designers such as Givenchy and Rag & Bone included varsity jackets in their Fall 2011 collections, giving the usual outerwear scheme a preppy twist that makes you feel as if you're back underneath the Friday night lights. You can toss this over a classic Oxford button -down, add a scarf, and you're good to go.
WEWRI T ET HEWORL D Me e tt hev a ng ua r doft hef a s hi onwor l d: t hebl ogg e r swhoa r ebot hc hr oni c l i nga nd c ha ng i ngt hei ndus t r y . Fr om da i l y pos t sa ndphot ost ot we e t s , t he y ha v et hef a s hi onwor l da t t he i rf i ng e r t i ps , ke e pi ng usupt os pe e dwi t h wha t ’ sha ppe ni ng i nf a s hi ont oda y .
CLICK TO VISIT
Age is no object for this 18-yearold, who has already designed a shoe collection for Urban Outfitters. She first gained attention with photos of her vintage and new designer shoe purchases, but now her posts focus on vintage outfits--with an emphasis on the shoes, of course! Aldridge is a native Texan and makes frequent trips to Austin, so it’s not unusual to find her lurking around South Congress, searching for the perfect vintage piece. This year at Fashion’s Night Out, she was an honored guest of Miu Miu, one of her favorite shoe brands.
Mexican freelance stylist Andy Torres shares
her personal style everyday, posting looks from wherever in the world she may be. Although many of her outfits feature top designer items, she also tends to incorporate pieces from high street retailers like Zara. With an eye for unconventional colors and items, Torres takes inspiration from the runway to shape a fashion-forward personal style. Style Scrapbook mainly focuses on Andy’s unique style, but her collaborations with other bloggers and designers take her all over the world. Andy has worked with Kipling to design the Style Scrapbook camera bag and is in the process of releasing a new design. Her collaborative project, Werelse, with felllow bloggers Chiara Feragni and Carolina Engman, is soon to be launched.
Filled with daily photos of her chic looks, using brands such as Dior, Prada, and Marc Jacobs, this Italian 24-year-old blogger styles the newest pieces off the runway and inspires readers by wearing new trends that some people may be wary to start wearing before they become popular. Her playful and colorful palette changes each season, and she emphasizes different pieces for each post. While many of her photos seem to be candid, taken on the streets of Italy, many of them play with different locations and angles, focusing on things such as accessories and footwear. Her collection of designer items might make you jealous, but many of the times the shoes she wears are her own. Differ ent from any other blogger, she has her own personal line of Italian made shoes, which she sells internationally; so don’t fret because elements of her chicness are available to you!
What’s better than delighting in a delectable homemade dessert while wearing your favorite pair of Prada shoes? While Emily Schuman of Cupcakes and Cashmere does not exactly photograph such a scene, she does post eclectic recipes and trends that she likes at the moment. It seems as if food is a topic to avoid while around people who work in the fashion industry, but Emily embraces her love for food and fashion, combining the two by photographing her experimental recipes and chic style. Not only can you get inspired to take elements of her personal style and morph it into your own, but also you can take her recipes and create an exact replica. Be ready to hear your stomach grumble and yearn for the savory treats found on Cupcakes and Cashmere while wishing you had that Mulberry bag in Emily’s photos.
DESIGNER OF THE MONTH PR ENZA SCH ULER By Amanda Archibong
: The designers' mother's maiden names were chosen to name their senior collec tion of pastel pencil skirts and boleros. When “Proenza Schouler” was seen by the CFDA director, he put in a call of destiny. Barney's New York bought the entire collection (even though the buying season was over) and put in an order for the next year.
: While hailed for their modern interpretation of bustiers, corsetry, and daring bold patterns, Proenza Schouler's legacy is undeniably the PS1. It is the embodiment of wearable luxury in the form of a classic satchel that has been reincarnated every year since its début in 2008. This year we can look forward to the “pocketsized” PS1.
: Darling, self-proclaimed “dorks” Jack McCollough and Lazaro Hernandez were both born in 1979.
: The artistic duo met at Parsons School of Design where theywere mentored by both Michael Kors and Marc Jacobs.
: Since their first show at NYFW in 2002, the duo was awarded the Perry Ellis Emerging Talent Award in 2003, the CFDA Vogue Fashion Award in 2004, the CFDA Womenswear Designer of the Year Award in 2007– and again in July 2011.
: While mass recognition of Proenza Schouler came about in 2007 when Maggie Gyllenhaal wore one of their gowns on the Oscars red carpet, the most memorable looks come from Proenza Schouler's Spring 2010 RTW. The collection pulled from youthful street culture of the west coast featuring casual cottons, oversized blazers, and oceanic prints.
INTERVIEW SARAH ELLISON LEWIS by Andie Salazar
With access to garments so stunning they hardly seem real, the life of a stylist may seem appealing to some. But how does one become a stylist? Is it truly all it’s made out to be? For this month's interview, we look to Austin's own Sarah Ellison Lewis for insight into the world of styling.
“Truth comes through our senses, from tears to the way clothing drapes, it’s an expression of our state.”
Q: Where are you from originally? Anderson, Texas. Q: How did you initially get into the styling business? A: An obsession with clothing and shoes my entire life, and Vogue magazine as a girl, sparked the idea, which I never could shake. I pitched myself to be the founding style director of TRIBEZA, where I was able to teach myself the industry. That led to a jump to NYC, and joining my beloved peers. Q: Where do you get your inspiration from? A: Constant images and people, mostly truth, the colors in nature, the emotions we all feel, the lessons we learn, the depths of the heart. From there all art for me resides, including the love of the body and our relationship to the things we put on it. Truth comes through our senses, from tears to the way clothing drapes, it’s an expression of our state.
Q: What are some of the landmarks in your career thus far? A: Styling Marcia Gay Harden for the Laureus World Sports Awards in Lisbon, Portugal, where I had dinner near the Beckhams and had my own Mercedes driver. Assisting Jennifer Lopez. Creating my own newspaper. Landing two incredible agents. Q: Any really memorable moments while on the job? A: The painstaking and stressful realities of dealing with diamond jewelry is worth its own short stories. You wouldn’t believe how complex and insane it is to help celebs wear enormous jewelry in public. Q: What is one of the toughest lessons you've had to learn from working in the fashion industry? A: That truth only comes from being real and being honest. I thought fashion was about appealing to others. But success means being true to yourself, and then the world... in that order.
Q: What would you say is the best/worst part about your job as a stylist? A: Literally touching and feeling countless incredible objects, things you couldn’t dream exist. They do. That gasping adoration for things that are beautiful, it’s such a glorious newness. The worst is the commercial realities of being an artist, sorting hundreds of horrible padded printed bras, for example. Or having to deal with an ungrateful difficult model or celebrity, who by their immature nature has to be loved and nurtured despite their shortcomings and needs. It takes a total adult pro to handle the bulk of the talent.
Q: Describe for me the experience and the processes you go through as a stylist? A: Step one is the job. The client and you have to make a match. Do I want to do it? Is it a good fit? Do they want me? Then yes, negotiations and an understanding of how materials and sources will be acquired (i.e. two prep days to find 50 black dresses). Prepping, actually accumulating the garments, etc, and making sure you have thought of every single possibility that will appeal to an art director. Showing up on set and making everything gorgeous and sorted and perfectly prepared for the client. Managing the talent and job the days of the shoot, from knowing when and when not to go on set, what pieces will and won’t work, and why. And doing returns, which is often as important and complicated as the shoot.
Q: Any perks that come with the job? A: The free stuff now and again is pretty awesome. The parties are wonderful. My peers by nature are pretty inspiring and special. Knowing I am being true to myself often. You can’t tell a painter they are not a painter. It’s not much different for my medium. Q: What is your take on what a stylist’s role is in the fashion industry? A: We are commercial artists who help the designers interpret their messages. There’s a great book on it, Stylist: The Interpreters of Fashion. It’s almost like we are critics. We create messages from the masses, and help create stories that influence consumers and designers. We also bring credibility to areas that otherwise might be ignored, like a fluorescent yellow goat hair coat for example. We understand the context in which it is beautiful. It’s a powerful tool. Q: Do you think stylists have come to hold more power or influence in the industry over the past couple of years? A: Yes we have but we also have had to build respect in the industry that is very tiny and very competitive, which has caused an enormous surge in young people trying to do it. The market will not bear these large increases. So survival of the fittest really does work in this case, the strong and talented will survive. Thank heavens! I cannot deal with so many people thinking because they can make a great outfit, they are a stylist.
Q: Any thoughts on the popularization/ glamorization of stylists in pop culture? Is it REALLY as glamorous of a job as they make it out to be? A: Styling is as hard as being a sculptor or a painter. It takes an enormous amount of skills, experience, professionalism, references and dedication. To think it’s all about managing outfits is shallow and it’s how TV is depicting it. You have bloody bruises from running in traffic trying to make it to a last pickup and can’t find your driver who is stuck in traffic and you don’t even have time to put flat shoes on or eat a granola bar. Let me know how glamorous that feels. We are dedicated to the art of interpreting our medium. It’s a thankless job, with thousands of things on a to-do list, and emotionally a rollercoaster. But it always comes down to being about a job. If you can’t do it well, don’t even try. Q: What is the single most important thing to keep in mind for someone aspiring to work in the fashion industry? Any specific tips on the industry as a whole and how to succeed? A: It’s very hard and it’s insanely competitive. If you aren’t sure about it, save us all a lot of trouble having to deal with you while you figure it out. It’s a love and dedication is imperative, but it’s also natural. I am a stylist because I have to be. Designers are often designers because they have to be. They don’t know how to not be who they are. And like everything else, perseverance will be the difference between success and failure. Q: What about words of advice for aspiring stylists, specifically. Any tips or pitfalls to avoid? A: Don’t be a jerk, or shallow, or make your life about stuff. The people who run the industry are nice and they just want to have a good life. They don’t want to deal with tons of drama or talent who are emotionally a pain. Professionalism is key.
INTERVIEW:
4 Up-and-Coming Fashion Photographers By Lisa Siva
Hometown: Farmersville, Based in: Dallas Website: http://laurenwithrow.com/
A journey through Lauren
Withrow’s photographs is like stepping into a photographic wonderland: it’s a dark and meditative world, but one that sparkles with a touch of whimsy. Self-taught and only eighteen years old, Withrow demon strates an incredible eye for innovation, styling shoots herself and manipulating color and focus. Withrow first garnered attention between 2008 and 2009, when she began her “365 Project.” Over the course of a year, she took a self-portrait every day, develop ing an expressive, reflective aesthetic. Since then, Withrow has become a noted fashion editorial photographer in the Dallas area, sought after for her rich photographic narratives.
Spark: What has your
experience been like as such a young photographer in the fashion industry?
LW: Surreal, and very
challenging. It was difficult (and often still is) to be taken seriously as a photographer, being eighteen.
Spark: What initially
sparked your interest in photography?
LW: I’m really not certain if there was a specific point where I was suddenly interested in photography, but for as long as I can remember, photography, along with filmmaking, had been a huge point of interest for me, but it wasn’t until about three years ago that I decided to try it.
Spark:
Can you tell me more about your 365 project? What was it like? How did it impact you?
LW: It was the most chal-
lenging project I had ever taken on. It was this huge emotional roller-coaster of me finally finding something I was truly passionate about and trying everything possible to be the best I could at it. It is the very reason I am here taking photos even now, and I figured if I can make it through that, still be as passionate as I was during it (if not more so), then it’s what I am meant to do. It was a sort of test for myself, one that if I passed I would continue.
Spark:
Where do you see your photography taking you in the next five years?
LW: Oh, everywhere. There is
so much I am excited about, so much that I have barely even began to scratch at, and I can’t imagine what the next five years will be like.
Spark: Whom do you count
among your influences?
LW: Photographers Sarah
Moon, Ellen Rogers, and Paolo Roversi.
Spark: How would you
describe your aesthetic?
LW: I think
it’s all been rather morose. I am much more drawn to darker atmospheres and stories.
Spark: What has been the highlight of your career so far? LW: Meeting some of the
most inspirational and beautiful people ever. Everyone I meet is an inspiration in some way. Meeting these people has been the most amazing part of this journey.
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Spark: What initially sparked your interest in
photography?
X o, T DC d e Lar gton, : n in etow Wash m/ m o o : c . n H i z ed velo y Bas site: n .to b We //www : http
A self-proclaimed minimalist, Tony Veloz shoots
striking beauty and fashion editorials. His work, set largely in studio spaces, plays with light, bold color, and dramatic details to create elegant, yet impactful photographs. After building a foundation for photography in college, Veloz became passionate about studying photography on his own and developed a distinct, unmistakable aesthetic. “I like simplicity and structure,” he notes. Veloz has worked with renowned modeling agencies including Elite, Ford, and IMG, and his dynamic photographs have been featured in magazines such as Awaken and HUF.
TV: Studying communication in college really
exposed me to different artistic outlets : photography, video editing, film, etc. I fell in love with the medium of photography more and just started to shoot.
Spark: How would you describe your
aesthetic?
TV: I like simplicity and structure. I love clean lines.
Spark: Whom do you count among your
influences?
TV: Horst P Horst and Helmut Newton are
photographers who I not only admire but am influenced by immensely. I’m inspired by their work as well as by the work of more contemporary photographers such as David Sims and Hedi Slimane.
Spark: Why fashion? TV: I’m influenced by fashion and have a true appreciation for makeup and beauty and I think that shows in my work. I was already interested in fashion and beauty so that was my first form of inspiration when I began shooting. It was a natural evolution.
Spark: What has been your favorite project so far? TV: I love my simplest work. Shooting models in a natural
setting, very raw and gritty is something I love. I think you can capture someone in a much deeper way. I like it when things aren’t that much of a production. Sometimes less is more.
Spark: What would your dream editorial look like? TV: Like something out of a Sergei Parajanov film. Have you
seen his work? I recently saw “The Color of Pomegranates” and it inspired me hugely. The visual imagery in the film is extraordinary.
Spark: How do you stay current and relevant in a constantly changing industry? TV: I watch films, look at art books, and listen to new music.
I try to keep up with what’s in season both in fashion and beauty/makeup. I challenge myself creatively. Most importantly, I try to remain inspired. If you remain inspired and do things from the heart, you will have longevity in the industry.
Spark:What advice would you give to aspiring photogra-
phers?
TV:
Be creative and original and really do something because you love it. Always stay inspired and keep current by practicing and learning new things. Remain humble and appreciative and always be professional and respectful
J
Z
Hometown: Beckville, TX. Based in: Dallas, TX. Website: http://jonathanzizzo.com/
Perhaps the most surprising thing about
photographer Jonathan Zizzo is his diversity. Circling the globe for his subjects, Zizzo is equally comfortable photographing bicyclists, Drew Barrymoore, fashion editorial, and models on test shoots. His work often features bright pops of color and bold themes, but his portfolio is as diverse as his subjects. “I’d like to think I’ve got a point of view,” says Zizzo. “I always go with my first instinct.” Zizzo counts Neiman Marcus, Austin Monthly, and Redbull among his various clients who have sought out his vivid aesthetic.
Spark: What initially sparked your interest in photography? JZ: I grew up riding BMX and wanted to shoot photos of my friends, but I was really interested in fine art before photography. I never really liked how other mediums in art involved so much texture.
Spark: Whom do you count
Spark: How did you enter the fashion
industry?
JZ: A lot of testing and striving for a point where I was comfortable with my craft. Once you start producing work that others can stand to look at I think things may fall into place.
Spark: What is the most outrageous
among your influences?
shoot you’ve done?
JZ: Steven Klein, Miles Aldridge,
JZ: I did an editorial with La Mode
Steven Meisel, Helmut Newton, Yosuf Karsh—in no particular order.
magazine. It involved a paper dress and other pieces that looked like something from a Willy Wonka factory.
Spark: If you could shoot anyone, who
Spark: Is there an upcoming project
JZ: I’d like to shoot Freja Beha. She's
JZ: I’ve been talking concepts with
Spark: Where do you see your photog-
Spark: What advice would you give to
would it be and why?
simply got a great look.
that you are particularly excited about? Austin Monthly for an upcoming editorial—that’ll be fun.
raphy taking you in the next five years?
aspiring photographers?
JZ: It's hard to say really. Hopefully
JZ: Stay motivated and you'll go far. You
more national work.
have to wake up everyday and want to shoot pictures. If you don’t feel that way, you might as well change your career.
S
cott Lowe is the enfant terrible of fashion photography that New York can’t get enough of. Born in Australia, Lowe studied photography at the Sydney Institute of Technology and moved to Brooklyn three years ago to pursue his passion. Through his photographs, Lowe evokes a constant tension between beauty and grunge, femininity and strength, often shooting models without hair or make-up. His raw style and eye for capturing lived moments have been sought after for numerous test shoots in New York City. Lowe’s work has also been featured in Nylon magazine, as well as numerous exhibitions in both New York and Australia.
Spark: What initially sparked your interest in photography? SL: I used to pinch my dad's camera quite often to take pictures of my friends surfing, then one day, when the surf was really big, I shot a picture of a fisherman on the rocks silhouetted against a huge whitewash explosion caused by the waves smashing against the rocks. A man was walking by and saw me take the picture. He gave me his card - the picture was published as the cover of Pittwater Life magazine and I had the bug.
Spark: How would you describe your aesthetic? SL: It's raw; it's romantic; it's gritty; it's me.
Spark: Whom do you count among your influences? SL: Life experiences and every person I meet on my journey.
Spark: Australia or New York – do you have a preference and why?
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-Lowe
Spark: You often photograph subjects naturally, without hair or make-up. How does that affect your work? SL: Makes it faster... I like real people. It actually began with a series I shot for my first solo show entitled 'FOREPLAY' which was portraits of models before hair and make-up. I became obsessed with finding beauty where others didn't. It's still quite taboo in fashion to shoot without hair and make-up;I suppose one could read into that if one so desired
SL: I see New York as my home and Australia as my soul. Australia is a truly beautiful country, rich with characters and interesting places to visit. Many of my closest friends & family are there so it holds lots of weight with me... New York is a brat with more money than you that knows how cool it is and isn't afraid to tell everyone but still, somehow, you love it. Things happen in New York that could, would, and should never happen anywhere else.
Spark: What has been your favorite project so far? SL: I really enjoy working with the creative genius Dave Allison. We've worked on many projects together and each one is a tribute to beginnings. He's currently doing his eyewear label called Sunday Somewhere, and he flew me back to the homeland to shoot the launch campaign. It was a wonderful experience and I'm super proud of the pictures we did.
Spark: Where do you see your photography taking you in the next five years? SL: So far, my New York experience has been three years of hard work and learning, but now seems like my time and that's an exciting prospect.
Spark: What do you look for in a model? What makes a girl interesting to shoot?
Spark: What advice would you give to aspiring photographers?
SL: I like strong women. That's the simple answer. Women who make my camera seem brighter to look into.
SL: Leave your insecurities at the door. Begin something, develop it, and make sure it's connected to your heart. Ideas are not things to be held onto, the skill to create and develop them is.
Dear Santa, Don’t know if we’ve been naughty or nice, and don’t really care. If we can’t have couture for Christmas, we’d rather have coal! - Sincerly,
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7.
5.
3.
HOLIDAY 2011
1. Gucci Vintage TopHandle Duffle 2. Biker Boots by Madewell 3. Miu Miu Peep Toe
8.
11.
4. Lanvin FW 11 Felt Wool Hat 5.Versace for H&M Printed Sweater 6. Rachany by Coco Rocha for Senhoa 7. Balmain Spring 2012 Leather Jacket 8. Alexander Wang Leather Ankle Boots 9. Proenza Schouler Mochila Wallet
10.
10. Mark McNairy Navy Buck Yellow Soul 11. Linvin Queen of Love armchair 12. Ego and Greed Boot 13. Alexander Wang Rafael Bag
13.
WOMENSWEAR, JEWELRY & BEAUTY GUIDE BY LISA SIVA
WOMENSWEAR CLICK PICTURES
TO VISIT
FULL COLLECTIONS
The clutch is the staple bag this season, a piece that can transition from day to night. * Balenciaga featured eye-catching, black and white floral prints. * You can’t go wrong with a simple, black patent leather clutch. Yves Saint Laurent added a twist with metal detailing on the side. * Whimsical prints give a classic bag a playful touch. The clutch with bright pink stars at Dolce & Gabbana is a fun, youthful accessory. * Color-blocking is another great option for clutches. Bright orange and hot pink hues spiced up a timeless shape at Proenza Schouler.
If crocodiles were in for shoes, designers were all about snakeskin for bags. The elegant, older sister to the animal print, python is both edgy and sophisticated. * Gucci offered a variety of snakeskin bags. * Shapely silhouettes are a great option for snakeskin accessories. Lanvin’s version is elegant and structural. * One of Versace ‘s most covetable accessories was this blood-red slouchy bag with gold detailing – luxury at its best.
ENGLISH CLASSIC
LACE UP Models walked the runway with laced-up shoes that would make a ballerina proud. But this is no flirty, lighthearted lace: for fall, laced shoes took on a more aggressive edge. * Don’t let the ruffles on this Dior bootie fool you: this combination of reptile skin and suede is not for the faint of heart. * The white platforms at Alexander McQueen are a refreshing change for fall. * Marc Jacobs paired red patent leather boots with sheer polka-dotted tights, adding a playful touch to a bondagereminiscent look.
Oxfords, brogues, and loafers abounded on the fall runways, a welcome relief for feet tired from spindly stilettos and platforms. Menswearinspired shoes are a great counterpoint to feminine outfits. * Karl Lagerfeld took Chanel on a surprising turn toward grunge this season, and the flat boot is the perfect edgy accessory. Pair with skinny jeans for some serious attitude. * The oxford gets a makeover at Dior with drool-worthy heels. Slouchy socks are a must-have complement to high-heeled booties. * Smart loafers are always in style, for work or casual wear. Lanvin’s version are sleek and chic, yet practical.
THE OLD ANT
Trousers are no stranger to fall, but this season, pants held the spotlight. From bright colors to dramatic statements, liven up your wardrobe with bold bottoms. * Fall doesn’t have to mean a neutrals-only palette: Yigal Azrouel brightened up a menswear-inspired ensemble with a gorgeous, orange trouser. Pairing a colorful trouser with a white top can help balance the bold effect. * Go wide this fall with a pair of statement making, wide-legged pants. Gareth Pugh’s version featured his signature dark, theatrical aesthetic. * For a rock and roll edge, opt for Balmain’s graphic, metallic look. Be sure to complement with a blazer to keep the look polished – a little more Christophe Decarnin and less Courtney Love.
Jewel tones dominated the fall runways. These rich, saturated hues are sure to turn heads, whether as a splash of color or the palette for an entire look. * Forgoing her usual soft, feminine look, Alberta Ferreti sent out models in colors that pop. Two-toned pieces are a great way to stand out from the crowd. * For a sexy, yet sophisticated look, take a leaf from Dolce & Gabbana’s book. A pop of deep violet beneath a lace dress has just the right amount of allure. * Experiment with pieces that have plenty of movement to maximize the drama of jewel tone dresses. Gucci’s evening dress with a thigh-high slit makes a memorable statement.
SEEING SPOTS MODERN FLORAL Polka dots peppered the runways, resurrecting the playful pattern. It’s a whimsical way to add some zest to your fall wardrobe. * Balance the youthfulness of polka dots with a classic, elegant silhouette. Lanvin showcased a stunning, strapless cocktail dress with a single glove and black booties for an added edge to the lighthearted print. * Who better to embrace the polka dot than Marc Jacobs, the master of prints? To avoid an overly cutesy look, go graphic with a large, black and white pattern. Balance a print-heavy look with a clean silhouette. * Polka dot accents are a great alternative to full-blown spotted ensembles. Stella McCartney featured a lady-like peplum dress and sheer, polka dotted sleeves.
Florals aren’t just for spring anymore, but you won’t find frilly, Liberty of London prints anywhere – the florals of fall 2011 are graphic and edgy. * A floral skirt adds a touch of surprise to an outfit for fall, but opt for bold, rather than simply pretty prints. This Balenciaga skirt features some pops of color and offers a welcome contrast to the tough outerwear. * Go graphic with a clean, black and white palette for understated elegance. Jason Wu paired a sheer, black blouse with a slim, embroidered white skirt. * Floral embroidery and feminine hues can liven up a slim pencil skirt. Marc Jacobs’ balanced the severity of the silhouette with floaty, sheer sleeves.
Designers proved that long skirts and dresses could be empowering, rather than dowdy. Choose from a variety of lengths, from mid-calf to floor-length and give librarians a run for their money! * Be sure to pair a maxi skirt with a slim top. Derek Lam balanced proportions perfectly with this fitted metallic top and dramatic, sweeping skirt . * Dolce & Gabbana offered a little whimsy with their sheer, star-studded pieces. Don’t shy away from eyecatching prints. * Bold color-blocking livens up a longer dress. Jill Stuart went tribal with dresses that were anything but dull.
Suits, blazers, and trousers all cropped up in women’s collections this fall, but with feminine twists. You didn’t think we’d let the men have all the fun! * Venture into new territory with suits in unexpected fabrics. Dolce and Gabbana shook things up with a velvet ensemble. * Add a sexy touch to a boxy blazer with leather pieces. Hermes showcased covetable knee-high leather bots with this structural jacket. * Adapt signature menswear pieces with a feminine aesthetic. Jason Wu, the king of feminine, offered this structural coat with lace on the sleeves, a printed blouse, and tapered trousers. Heels are a plus! * Keep things light with suits in creamy colors. Go for a relaxed fit, such as this Michael Kors suit, and sneak in a feminine top with a plunging neckline.
MINIMAL
ITʼS A CINCH This fall, it’s all eyes on the waist, and a simple, go-to belt is a necessity. The right belt can help define a figure and add a feminine touch. * A belted waist solves the problem of added bulk from outerwear. This leather trench at Salvatore Ferragamo is absolutely drool-worthy. The belt casually tied around the waist adds definition to an otherwise severe look. * With column dresses, belting is a must. At Jean Paul Gaultier, a slim belt broke up the monotony of the dress and kept the waist from getting lost in the fabric.
From sleek to slouchy, minimalism can be a refreshing aesthetic amidst all the prints and bright colors this season. * Phoebe Philo has done it again at Celine with classic, well-tailored pieces for the modern woman. A simple, A-line coat is a must for every fashionistas this season. * Halston proved that minimalism can still be sexy with a relaxed silhouette. When shopping for a show-stopping dress, look for basic colors to keep things classy. * If anyone knows that minimalism doesn’t have to be boring, it’s Rick Owens. Head back to black with slim, well-tailored pieces. The Karlie Kloss glare is optional. * Suits and tuxedos found their way into many designers’ collections, definite staples in any woman’s wardrobe. Yves Saint Laurent’s version looked polished in white, but was more relaxed with a plunging neckline and cropped trousers.
* A wide belt paired with an A-line silhouette emphasizes the femininity of a look. The high waist and wide skirt on Rodarte’s prairie-inspired pieces lent the collection an air of youthful innocence.
JEWELRY TRENDS
Off The Cuff
Wide cuff bracelets sparkled on the runway, a fresh alternative to more conventional bracelets. *Consider stacking cuff bracelets for a dramatic effect, as seen at Dolce & Gabbana. *For a more classic look, opt for the neutral tones of Fendi’s pieces. *Keeping with the brand’s signature luxe aesthetic, Versace added a hint of rococo to its gold cuffs.
Urban Warrior
Designers reinvented classic metal accessories with modern, futuristic touches. The jewelry that graced the runways was bold and assertive. *This sleek, black accessory at Michael Kors evokes a fearless, modern woman. *Lanvin’s accessories suggested more of a metal collar, with an eye-catching pendant. *Mix up classic gold bracelets with surprising twists. The unexpected blue studs at Louis Vuitton gives the jewelry a refreshing spin.
Modern Vintage
Designers looked to the past for accessories inspiration. The result? Stunning pieces reminiscent of the Victorian era with a modern edge. *At Dior, this necklace took cues from conventional cameos, but with unique metalwork and unexpected splashes of blue. *Proenza Schouler showed filigree some love with their bold, statement jewelry. *This statement necklace at Marni was simple, yet memorable, with large green panels that hearken back to an era of glitz and glamor.
Put down your tweezers, ladies: to balance off a feminine face, makeup artists went with fuller, statement-making brows. Brooke Shields must be proud. - At Jean-Paul Gaultier, long, spidery lashes complemented dramatic brows. - Full brows suited Rodarte’s natural, prairie-inspired collection. For fall, experiment with an orange-tinted color palette. - Alexander Wang channeled his boyish look into thick brows and a light makeup hand for fall.
Refresh your makeup look this fall with a flawless face and minimal makeup. - Makeup artist Tom Pecheux sought to give models at Balmain a healthy, lit-from-within look. The fresh face balanced out Balmain’s signature sexiness. - A house known for its minimalist designs, Calvin Klein showcased models with a similarly clean, fresh face. Pat McGrath gave models a flirty, girlish look with highlighted cheeks and a touch of pink on the lips. - Dick Page at Marc by Marc Jacobs made flawless skin a priority, moisturizing models’ faces with Shiseido’s Future Solution LX Total Regenerating Cream. When using blush, be sure to hit both the cheeks and bridge of the nose for a natural flush. Once upon a time, ponytails would never be seen in public, but this season, it’s the hairstyle du jour and more versatile than you might think. - At Gucci, hairstylist Luigi Murenu went for a luxurious look that was both polished and sexy. Mursenu slicked the hair back, but the ponytail itself was backcombed for texture. Murenu used John Frieda Luxurious Volume Bountiful Body Mousse to add volume. - There’s no doubt where Guido Palau got his inspiration from the sleek, no-nonsense ponytails at Marc Jacobs: the dominatrix. This look is a great contrast to the playful fur and polka dots on the runway. - But at Alexander Wang, Guido Palau relaxed the ponytail look with a messy middle part, courtesy of Redken’s Sculpture Wax. To get the look at home, loosely curl a few strands of hair before pulling it back into a low, unfussy ponytail.
The red lip is a failsafe, go-to option for a dramatic evening look. Be sure to keep the makeup light elsewhere to avoid an overwhelming effect. - Makeup artist James Kallardos channeled classic fashion icons like Diana Vreeland for the Diane Von Furstenberg show. Choose MAC’s upcoming lipstick in Runaway Red for the same look. - Tom Pecheux took inspiration from the red lacquered heels at Ralph Lauren for his bold pout. Complemented by only a thin layer of effervescent gray shadow by Estee Lauder, Pecheux packed a punch with Estee Lauder’s Pure Color Lipstick in Wildfire. Red lips at Rick Owens were a great contrast to the black and white palette of the fall collection.
Despite the proliferation of fresh faces on the fall runways, some designers stuck to their smoky eye guns, but this time with a twist: shimmering metallic shadow. - At Derek Lam, Tom Pecheux used Estee Lauder Eyeshadows from the Modern Mercury collection for silver and charcoal looks. Be sure to balance out the shimmer with an otherwise matte face. - Peter Phillips created a unique blend of gun-metal grey, white, and black shades from his Illusion d’Ombre collection for Chanel’s showstopping smoky eyes. Take a leaf from Phillips’ book and smudge creamy shadows with your finger, rather than a brush, for a softer look. - Christian McCulloch gave Vena Cava a rock and roll edge with a blend of silver and purple MAC Pro Glitters, applied with the Shine Mixing Medium over the eyelids. A light, subtly pink lip finishes off the look with a touch of femininity.
IN
Rica
By Ron
NTERVIEW
ardo Hernandez
nit Joselevitz
icardo Hernandez may not live in Manhattan, but he knows the fashion industry inside and out. A UT student, Hernandez maintains “The Style Inquisitor, a blog that explores the fashion world, from personal style to fashion show cover age. This Venezuelan-turned-Austinite writes with a dynamic voice and an eye for style that has earned him press from Nokia and Teen Vogue. Hernandez recently attended New York Fashion Week for the first time this year as a correspondent for Nokia and Elle Magazine.
S: How did you come up with your blog’s When I was growing up, one of the classes that I really enjoyed was English. We would learn new words every week, and one of the words I loved the most was “inquisitive”. It resonated with me because it means that you’re always curious, always striving to learn. It encapsulates who I am. I always knew I would use his word later in life for something in my career, though I didn’t know what I would apply it to. And then when it came around the time that I started my blog, I turned it into a more and more about the fashion industry and style.
S: Do you have any suggestions for students who want to start their own blog or might currently have one?
RH: Words of wisdom? Stick to what you know best, and if you are interested in something, work with that. Do everything that interests you, because the more you do it, the more you blog and you want to be just like them. Don’t become a personal style blogger just because you see a lot of them, and they are super successful. If you want to write, write. If you incredibly saturated with personal style bloggers. If you really want to be truly unique, you have to do something that allows you to stand single way. Just stay true to yourself. If you don’t and you’re not passionate about the industry, you’ll get lost. Look at Leandra Medine person, and everyone still loves her. I really think she’s one of the most successful style bloggers about there and she’s a total goof!
S: What sparked your interest to write about fashion? RH: When I came to the United States at nine years old, I barely spoke English, and one of the ways I learned more about the language was through writing. I had never thought of myself as the artistic type—I always thought I was going to be a biologist or a geologist like my dad. One day, I was browsing the web and came across show. It was Hussein Chalayan, and there was an article by Tim Blanks. It was one of those moments where your life changes instantly. It triggered something inside me: that day, I spent 8-9 hours straight looking through Style.com. After that, I started writing about it, and it was a secret. I started writing articles and didn’t really share them with anyone…and that was 2 or 3 years after that I started my blog. When I started loving fashion, I didn’t tell anyone. When I started my blog, I didn’t tell anyone.
S: What was your experience of New
York Fashion Week Like? Did it change your views on the fashion industry? What was your favorite part?
RH: It didn’t change my views. It reinforced them. I always knew the industry was something that fostered a passion within everyone. It motivates people. I’ve never seen anyone who was pessimistic about his or her job. Being at the shows was an incredible experience. My mother always told me, ‘I understand this passion, but wait until you go to New York and you see how it goes’. The minute I got off the plane and started doing all these things, it just reinforced every single thought I had about the industry: the magic of the clothing down the runway, the idea of reviewing shows. Watching the clothes and knowing what you are going to write about them, it’s insane!
what I wanted to do.
S: What is your ultimate goal as a fashion
blogger?
I remember when Andy Torres started her blog, she wanted to be a magazine editor and be someone like Anna Wintour. Now if you look at her blog, she doesn’t really aspire to be anything else other than wonderful about being a fashion blogger: it’s become the new way of web managing and creating your own brand. Every single blog has started to become their own brand. Look at Bryan Boy, look at Style Scrapbook,
S: Where do you gain your inspiration fromwriters, style icons, art, architecture, and photography? RH: Everything and anything—from personal
style, looking at Lookbook. But personal style can only take you so far. I think the way it inspires you is that it changes the way you feel about yourself when you dress up. But if you want to change your views on the industry, you have to look at photography, you have to look at art, you have to look at shows, you have to look at clothes, you have to look at articles– everything. the freshest thing in fashion right now, and
ring in the industry. I’ve also been dabbling more with photography blogs. I just got really interested in one called “Igor and Andre.” It’s run by Danny Roberts, a photographer, painter, and illustrator from California—it’s a wonderful blog. I also read so many articles from Interview Magazine, and Style.com, and all Miroslava Duma, Vika Gazinskaya, Catherine Baba. It’s good to dabble in everything.
the successful bloggers, no single day is ever the same. I hope that my fashion blogging takes me further into the journalistic aspect of the fashion industry, but nothing is set in stone. If my blogging does get more successful, I can’t wait to see the lengths it takes me to. For now, I am just focusing on becoming a really great writer.
EVA SHAW Interview
Hometown: Toronto, Canada Based in: New York, NY Representation: Ford Models (NYC), Innovative Artists (NYC), Next Model Management (Toronto) Website: www.twitter.com/djbambi
A renaissance woman for the twenty-first century, Eva
Shaw has made a name for herself both in front of the camera and in the DJ booth. Spotted by noted modeling scout Elmer Olsen, who also discovered Daria Werbowy, Shaw has graced numerous runways, including Tommy Hilfiger. Shaw also enjoys camera work and has landed campaigns for Wonderbra Paris and La Vie en Rose in Montreal. Shaw’s personality in the fashion industry has translated well into a career as DJ Bambi, a highly sought-after DJ in New York and Canada. “It was never something I really thought I’d do for a living. It just sort of happened,” Shaw admits. Taught by DJ and producer Sean Collier, Shaw learned quickly and now spins at renowned clubs including New York’s Provocateur, Haze in Las Vegas, and Toronto’s Cobra.
Spark: How did you get into modeling? ES: I was walking down the street in Toronto,
Canada with my friends, going for ice cream. Elmer Olsen was driving and pulled over right in front of me. He was on his way to dinner and saw me walking down the street, so he jumped out and handed me his card. I didn't think it was real at the time but I gave it to my mom and she called him up. I was shooting soon after!
Spark: What do you enjoy most about working in fashion? ES: I love being able to travel and meet new
people. I like that my day is always different and I get to make my own schedule. I can decide where I want to live (I've lived in Toronto, Paris, London, Milan and New York), and I feel like I've learned so much about the world and myself.
Spark: What has been the highlight of your career thus far? ES: Modeling can open doors for other interests
you may have. Highlights for me have been being able to make so many connections. I think working in fashion has opened doors for my DJ career. I've also met some incredibly interesting and successful people, and I feel lucky that modeling has allowed me to do that.
Spark: How do you balance being a DJ and a
model?
ES: Surprisingly, so far, it has been a great fit. I DJ
in Vegas once a month, but it's on weekends, and I'm usually modeling during the week so it hasn't really conflicted too much yet. Sometimes I'll be DJing during the week in NYC and not get a ton of sleep for shoots in the morning, but I'm just so happy and excited when I'm busy and doing what I love that I somehow find the energy to do everything. I love being busy and feeling like I'm accomplishing something. As a model you also train yourself to perform even when you're exhausted and jet lagged. I try to eat well, and I don't drink too much when I need to be up and model the next day, and I'm usually fine.
Spark: If you weren’t a model, what would you be doing? ES: I would probably still be acting (I used to do a lot of theatre in Canada) and DJing, of course. I don't really see myself as a model, strangely, even though it's by far what fills up most of my life right now. Before I was modeling, I loved sports and art, so I could have been a runner or a painter or something. I have always been very interested in art and sports. Then again, I also loved science and health in high school, so who knows, maybe I would be operating on you!
Spark: Favorite hangout in New York City?
ES: New York has so many places that pop up every second. I love amazing food and wine, and being able to relax and talk. Anything with a nice rooftop or patio in the summer is always a plus. Raine's Lawroom in Chelsea is a cozy winter hideout... or I always like a good bar like Hillcountry BBQ! If I feel like something a little fancier, there's always the new Winston's Champagne Bar at 29th and Park—really beautiful spot.
Spark: Three things you can’t live without
during Fashion Week?
ES: Coffee, wine, my Blackberry, music, mas-
sages, and definitely my BED. Oh, and some comfy shoes definitely help.
Spark: What’s on your playlist now? ES: When I'm just hanging out, I like
anything from Richie Hawtin to old rock like Aerosmith or Pearljam... Nirvana, Foo Fighters, and Jimmy Eat World. I love Funkagenda, Mark Knight—it depends on my mood. Two tracks I absolutely love right now are “Hale Bopp” by Dr. Kucho and “2night” by Eric Prydz.
Spark: How would you describe your sense of style? ES: My style changes all the time.
I go from wearing baseball hats and hoodies to stilettos and designer gear. I like fashion and beautiful clothing, but I'm also a tomboy at heart so I'm always most comfortable dressed like a boy!
Spark: What advice would give to an
aspiring model?
ES: My advice is to take it slow. Don't rush it before you’re ready. Make sure you finish school and have other interests and talents. Modeling doesn't necessarily last long, and it also is rare to be very successful. It's not as amazing as it first seems to be. Don't get me wrong—it's a great job, and I feel very lucky to be making a living at it, but it is a job at the end of the day. And a lot of the time, it feels like a job. Don't spend everything you make. Be smart and invest! And never take it too seriously. It's a silly world, and as long as you know that and feel happy and confident with yourself, you will do fine.
–By Lisa Siva
BEAUTY IN Creative Direction by Ian Milan Make Up by Jeffrey English Photos by Quit Nguyen Model: Brady @ Wilhelmina Brown
Photos by Christine Lew
CREDITS Special Thanks to: Theblondesalad.com Cupcakesandcashmere.com Thestyleinquisitor.com Laurenwithrow.com Tonyveloz.com Jonathanzizzo.com www.scott-lowe.net/ Style.com bootlegaustin.com Eva Shaw of Ford Models (NYC), Innovative Artists (NYC), Next Model Management (Toronto)
Š2011 Student Fashion Cooperative