Portfolio 2017-18

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Portfolio

Stephany Sica-Carias Interior Design


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Interior Design


Stephany Sica-Carias

Contact

Interior Design Student

917.803.5401 stephanyasica@gmail.com www.stephanysica.com

Resume

I am a passionate, curious, creative and ambitious Interior Design graduate at SCAD. I am a team player, yet also an effective motivator and self-starter. I recognize the importance of attention to detail and accuracy. My undergrad studies have enhanced my vision of art and interior design meshing with the practical aspects of space and transforming them into challenging projects. Caracas, Venezuela

Education

Savannah College of Art and Design SCAD - Savannah, Georgia BFA Interior Design

2013-2017

Instituto Marangoni - Milan, Italy Interior Design Course

Summer 2015

Awards And Honors Dean’s List

Winter 2016

SCAD PAVE National Competition Selected for the Interior Design Competition at Pave for Kroger Market Place

Fall 2015

Work Experience K&CO - New York, New York November 2017- Present Designer Spatial renovation and design, design thinking for residential and hospitality spaces, material and furniture selection Summer 2017

Lorla Studio - New York, New York Junior Interior Designer

2014-2015

SKEM - Venice, CA Artist Intern Marketing tactics, product delivery and installation. Curated and assisted with works Ibertile Ceramic - San Juan, PR Interior Design Intern Spatial renovation and design, material selection, product delivery and sales

Summer 2015

Calligaris and BOGA Furniture - Miami, FL Interior Design Intern Design thinking for residential spaces, material selection

Summer 2014

Natuzzi Furniture - Miami, FL Interior Design Intern

Winter 2014

Extracurricular

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NOMAS - National Organization of Minority Architecture Students

2015

AIAS- American Society of Architecture Students

2015

Skills Adobe Photoshop Adobe Illustrator Adobe InDesign Google SketchUp

Language Proficiency English - Fluent Spanish - Native

Revit 2015 Rhinoceros 5.0 Autocad 2015

Excel Word Power Point


I am a passionate, curious, andversatility ambitious to Interior SCAD. I am Interior design speaks for itself,creative it has the applyDesign it intoat retail

aI’ve team player, yet also effective motivator and self-starter. I recognize I’ve always manifested aanpassion for fashion that I Iwould liketo the always manifested a passion for fashion that would like design, hospitality design, residential design, among others. Personally, I’ve ,¡YH DOZD\V PDQLIHVWHG D SDVVLRQ IRU IDVKLRQ WKDW , ZRXOG OLNH importance of attention to my detailmy andgoal accuracy. My undergrad studies a have relate with Interior Design, is like to create spaces that not to relate with Interior Design, goal is to create spaces that always manifested a passion for fashion that I would to relate with Interior WR UHODWH ZLWK ,QWHULRU 'HVLJQ P\ JRDO LV WR FUHDWH VSDFHV WKDW enhanced my vision of art and interior design meshing with the practical aspects only work but also wprls for other people. Retail deisgn is not only works aesthetically but people by taking Design, my goal is toaesthetically create spaces notfor onlythe works aesthetically but of space andthat transforming them into challenging projects. QRW RQO\ ZRUNV DHVWKHWLFDOO\ EXW ZRUNV IRU RWKHU SHRSOH 5HWDLO on creating spaces and helpdesign sell the product through the works forbased otherof people, as retail design. Retail is based on creating advantage the sensibility and understanding in the world GHVLJQ LV EDVHG RQ FUHDWLQJ VSDFHV DQG KHOS VHOO WKH SURGXFW design of the space. My objective is to enhance the sales of a spaces and help the product to sell for itself through the design of the Caracas, Venezuela of fashion that I’ve come to develop, I chose to merge my WKURXJK WKH GHVLJQ RI WKH VSDFH 0\ REMHFWLYH LV WR HQKDQFH product byisenhancing spatial qualities. space.interest My objective to enhance the service of a product byto embellishing for interior design with my passion generate WKH VDOHV RI D SURGXFW E\ HQKDQFLQJ VSDWLDO TXDOLWLHV the spatial quality. meaningful spaces that will express the sophisticated and delicate origin of this bond. My objective Stephany is to enhance Sica human behavior through the understanding of how space unfolds in each individual journey and achieve a balance between the given quandry and context.

Stephany Sica-Carias


Interior Materials

Connections 2015

Electronic Design: Drafting 2014

Electronic Design: Revit 3D Modeling 2015

Savannah Loft 2015

Studio II Supermarket Addition 2015

Contents


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Aer ial Yog a Center

Str etchi ng Area

-

-

Par ki ng

Super food

Bridge

-

-

-

Form, Space & Order Pavilion Instalation

2015

3D Design

2014

Studio III

Retail Design 2015

Interior Materials

Prototyping 2015

-

Aquatic Therapy

-

Aqua Therapy

-

Pool

Lockers

-

Pool

-



Pave Competition Exposure is the synonym of orientation. My design concept is to help people create their 'ZRQUWTG KU VJG U[PQP[O QH QTKGPVCVKQP /[ FGUKIP EQPEGRV KU VQ JGNR RGQRNG VQ ETGCVG VJGKT own pathVJTQWIJ through-TQIGT KrogerOCTMGVRNCEG marketplace D[ by FGNGPKCVKPI deleniating aC pattern both to VQ theVJG QYP RCVJ RCVVGTP that VJCV reacts TGCEVU DQVJ existing building and the furniture. The pattern changes hierarchically through materiality GZKUVKPI DWKNFKPI CPF VJG HWTPKVWTG 6JG RCVVGTP EJCPIGU JKGTCTEJKECNN[ VJTQWIJ OCVGTKCNKV[ and denotes areas of importance. These spaces become opportunities for art installations CPF FGPQVGU CTGCU QH KORQTVCPEG 6JGUG URCEGU DGEQOG QRRQTVWPKVKGU HQT CTV KPUVCNNCVKQPU without taking away from its functionality. YKVJQWV VCMKPI CYC[ HTQO KVU HWPEVKQPCNKV[


6JG QXGTCNN NC[QWV traditional QRRQUGU The overall layout opposes VTCFKVKQPCN CPF EQPXGPVKQPCN YC[U QH and conventional ways of distributing FKUVTKDWVKPI KP market C UWRGT shelvesUJGNXGU in a super and OCTMGV CPF GZRQUG VJG EWUVQOGT VQ exposes cutomer to new products PGY RTQFWEVU DCUGF QP enhance FKGVU CPF based on diets and the GODGNNKUJ VJG EQQMKPI GZRGTKGPEG cooking experience. 6JTGG OCKP CTGCU CTG EQPPGEVGF VJTQWIJ C EGKNKPI KPUVCNNCVKQP 6JGUG OQOGPVU JGNR EQPPGEV VJG EWUVQOGTU VJTQWIJQWV VJG URCEG DTKPIKPI UQOG JKGTCTEJ[ OCMKPI VJG GZRGTKGPEG OQTG EQORGNNKPI

Initial Plan Layout

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GUIDING

FLOW

ARTICULATION


Kroger Family Meats Poultry Beef Fish Invertebrae

Typical path for Kroger Staff Coffee-goerTypical Path path for Coffee shop Wine Shopper Typical customer path Sushi bar + Restaurant Eating We Kroger markerplace as aCU C 9G can ECP recognize TGEQIPK\G MTQIGT OCTMGVRNCEG place to spend time with our family and RNCEG VQ URGPF VKOG YKVJ QWT HCOKN[ CPF HTKGPFU friends, even to go and have lunch after GXGP VQ IQ CPF JCXG NWPEJ CHVGT YQTM /QUV QH work. Most clients in Kroger are students, VJG ENKGPVU KP MTQIGT CTG UVWFGPVU YQTMGTU CPF workers and families. Students and workers HCOKNKGU 5VWFGPVU CPF YQTMGTU JCXG C FKHHGTGPV have a different families RCVJ CU HCOKNKGU path FQ then 9QTMGTU CPF do; UVWFGPVU IQ Workers and C students eat or have a coffee, GCV QT JCXG EQHHGG go HCOKNKGU IQ CTQWPF VJG families go around the most common areas in OQUV EQOOQP CTGCU KP VJG UWRRGTOCTMGV UWEJ the supermarket such as the delicatessen and CU VJG FGNKECVGUUGP CPF TGHTKIGTCVGF CTGCU refrigeratet areas.


Coffee Shop 6JKU DCT KU FGUKIPGF YKVJ NKIJV EQNQTGF OCVGTKCNU YJKEJ RTQFWEG C TGHTGUJKPI NQQM 8GTVKECN GNGOGPVU CRRGCT HTQO VJG EGPVGT RKGEG YQTMKPI CU NCORU JKIJNKIJVKPI VJG HNQY CPF EQPVKPWCVKQP HTQO VJG HNQQTKPI RCVVGTP 6JG KPVGTUGEVKQP DGVYGGP VJG ECDNG CPF VJG UWTHCEG CTVKEWNCVGU CPF CEEGPVWCVGU VJG UWTHCEG D[ ETGCVKPI HNWKF HKIWTGU



Sushi Bar 6JKU URCEG CEVU CU C TGCEVKQPCT[ URCEG VQ VJG EQHHGG UJQR +VU NCORU CTG OQTG UJWHHNGF [GV UJQY TGNCVKQP VQ VJGKT UKUVGT URCEG 5GCVKPI URCEGU CRRGCT CU IGQOGVTKECN UJCRGU KP VJG ITQWPF VJCV TGECNN UWUJKžU HQTO




Electronic Design Electronic 'ZRQUWTG KU VJG U[PQP[O QH QTKGPVCVKQP /[ FGUKIP EQPEGRV KU VQ JGNR RGQRNG VQ ETGCVG VJGKT Electronic Design Design isis aa course course that that teach taughtusushow howtotouse useRevit Revittools toolsand andrendering renderingininthe the same. For this particular class I choose to re-built the 66-MRN House because it had QYP RCVJ VJTQWIJ -TQIGT class OCTMGVRNCEG FGNGPKCVKPI C RCVVGTP VJCV due TGCEVU VQ a VJG same. For this particular I chooseD[ re-built the 66-MRN House to itsDQVJ strong strong architectural shape built the Interiors this project that is already GZKUVKPI DWKNFKPI CPF VJG HWTPKVWTG 6JG RCVVGTP EJCPIGU JKGTCTEJKECNN[ VJTQWIJ OCVGTKCNKV[ architectural shape and weand builtwethe interiors for thisfor project that is already existing. existing. CPF FGPQVGU CTGCU QH KORQTVCPEG 6JGUG URCEGU DGEQOG QRRQTVWPKVKGU HQT CTV KPUVCNNCVKQPU YKVJQWV VCMKPI CYC[ HTQO KVU HWPEVKQPCNKV[


Section Perspective

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Perspective View

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Interior Perspective

6JG /40Ä*175' JCU C UVTQPI CTEJVGEVWTCN The 66 MRN-House has a strong architectural UCJRG CPF CNUQ JCU UVTQPI NKPGU VJCV CTG CEEGPVWCVGF shape and also has strong lines that are accentuated D[ VJG OCVGTKCNU VJCV CTG WUGF 6JG JQWUG JCU VYQ by the materials that are used. The house has two OCKP XQNWOGU VJG HTQPV DNQEM JQWUGU VJG UQEKCN main volumes, the frot houses, the social spot, such URQV UWEJ CU VJG FKPKPI CTGCU CPF VJG NKXKPI TQQO as the dining areas and the living room; the service VJG UGTXKEG HWPEVKQPU CTG RNCEGF CV VJG DCEM QH VJG functions are places at the back of the house along JQWUG CNQPI YKVJ VJG MKVEJGP with the kitchen.

Interior Perspective



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Workable Planes

Stability

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Joinery

We successfully reach the stability of the 9G UWEEGUUHWNN[ TGCEJ VJG UVCDKNKV[ QH VJG rack stabilized the circles with three TCEM D[ UVCDKNK\KPI VJG EKTENGU YKVJ vertical VTJGG elements joining it. Making it diagonal gave XGTVKECN GNGOGPVU LQKPKPI KV 9G OCFG KV it more surface plane in the circular display FKCIQPCN VQ JCXG OQTG UWTHCEG RNCPG KP VJG surface.CPF We VJG created a diagonal in a way9G that EKTENGU UWTHCEG VQ DG RNCEGF each circle slides into the middle of the next ETGCVGF C FKCIQPCN KP C YC[ VJCV GCEJ EKTENG circle to keep balance UNKFGU VQ VJG QVJGT UKFG KP VJG OKFFNG QH VJG QVJGT EKTENG VQ MGGR DCNCPEG

Result


---


Interior Materials 6JKU RTQLGEV EQPUKUVGF KP VJG ETGCVKQP QH C OCVGTKCN HQT C UGNGEVGF TGVCKN UJQR + EJQUG /QUEJKPQ DGECWUG QH VJGKT RNC[HWN ENQVJKPI UGNGEVKQP 6JG DTCPF YCU QTKIKPCNN[ ETGCVGF KP D[ VJG NCVG (TCPEQ /QUEJKPQ – /QUEJKPQ CPF JKU HCUJKQP NCDGN DGECOG HCOQWU HQT JKU KPPQXCVKXG EQNQTHWN – UQOGVKOGU GEEGPVTKE – FGUKIPU HQT JKU ETKVKEKUOU QH VJG HCUJKQP KPFWUVT[ CPF HQT JKU UQEKCN CYCTGPGUU ECORCKIPU KP VJG GCTN[ U


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6JG RTQVQV[RG YCU ETGCVGF WUKPI C & RTKPVGT CPF & OQFGNKPI UQHVYCTG +VU UWTHCG DGEQOGU surface becomes CTVKEWNCVGF VYQ YC[U DWORU CPF NWORU CRRGCT QP C IGQOGVTKECN HNCV HCEG YJKEJ CTG NCVGT RTQPQWPEGF VJTQWIJ C FGNKECVG EQWPVQWTKPI $TKIJV UJKP[ EQNQTU CTG CFFGF VQ JKIJNKIJV VJG XKUEQWU SWCNKVKGU QH VJG UWTHCEG

Material Studies



Electric Aesthetic Matrix Savannah city plan is built upon a grid that divides the city into green squares. Though 6JG EKV[ QH 5CXCPPCJ KU DWKNV WR WRQP C UVTWEVWTCN ITKF VJCV FKXKFGU VJG EKV[ KPVQ USWCTGU the gridVJG hasITKF a strong allows for individuality a structuredKP context. This 6JQWIJ JCU presence, C UVTQPI itRTGUGPEG KV CNNQYU HQT in KPFKXKFWCNKV[ C UVTWEVWTGF project, an office space is a space divided by employee function, but still remain EQPVGZV 9G YCPV VQ GPICIG QWT GORNQ[GGU D[ ETGCVKPI C URCEG FKXKFGF D[ HWPEVKQP DWV UVKNN aesthetically unified. The surrounding aesthetic is inspired by fashion, film, travel, culture TGOCKP CGUÄ VJGVKECNN[ WPKfiGF 6JG UWTTQWPFKPI CGUVJKE KU KPURKTGF D[ HCUJKQP fiNO VTCXGN and current trends. The diverse environment offers simulating inspiration to employees. EWNVWTG CPF GZKUVÄ KPI VTGPFU 6JG CGUVJGVKE YKNN ETGCVG C FKXGTUG GPXKTQPOGPV CU YGNN CU UVKOWNCVKPI KPURKTCVKQP VQ GORNQ[GGU


Who are they?

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Inspiration


Parti Models

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Second Floor


Third Floor



Conference Room 6JG KPVGTKQTU QH VJKU URCEG EQOG HTQO C EQNNCDQTCVKQP YKVJ C ,GYGNT[ &GUKIP UVWFGPV CV 5%#& 6JG TQQO CRRTQRTKCVGU C HWPM[ EJCTCEVGT YKVJ C URGEMNGF YCNN VJCV CNUQ UGTXGU CP CEQWUVKECN RWTRQUG


Lobby




VP Styling Office



Capstone Project Proejct alternative This community building will be a non-profit organization, by planting food in altetive spaces in a built environment. It is a center that captivates a community to flourish the city’s well-being.


EAT This project composes on urban farming and restaurants developement. By saying that, my design intention is to develop a space that incorporates hydroponic gardens and also I would like to add on a restaurant space that at the same time could be a social space for other activities such as social events. On the other hand, I would like to include a service that also benefits the community and help the foundation of God’s Love we Deliver. My goal for this project is to help the community grown and also help the environment by creating more local food production.

It is located in the Cathedral of Saint John the Divine (New York City). The space is arragange in a wy that so the community can engage by helping other through the fundation of God’s Love we Deliver. The restaurant space is composed by two kitchens (one for the volunteers and the other for the restaurant that operates in the church.Also, the five chapels located in the back are meant to be private spaces for the Columbia University students and workers.

M

M

M

1047 Amsterdam Ave, New York, NY 10025

M


Overall Plan

Close-up Plan


Rooftop Farm

Raised beds are freestanding garden beds constructed above ground level. The "raised" part means that the soil level in the bed is higher than the surrounding soil, and "bed" implies a size small enough to work without actually stepping onto the bed

Thick PVC Piping

Soil-less Pots

Walking Surface

Thin PVC Piping

Raised Bed

Possible layout

Raised Bed

Unit plan

Sheet Drain Rubber Sheeting Self-ballasted section Wood Frame Filter Fabric Metal Angle Waterproofing membrane Roof Deck Ballasted section

Holding Tank Greenhouse hydroponic layout diagram


Dining Room

Exhibition Room


Bar



Wine Bar




Summer Internship Summer internship in New York City in 2016. I intern with Krista Ninnivaggi designer of the year

Summer internship in New York City in 2016. I had the opportunity to work 2014 and her incredible team. I got to model custome furniture for a project in 626 East Market such Krista Ninnivaggi of the year 2014 herNets incredible team. I asfor stools and banquettes. Also,designer I helped design the furniture layoutand for the Family room located got to design costume furniture forCenter, a project in 626 East Market such as in the Barclays New York. stools and banquettes. Also, I helped designing the furniture layout for the Nets family room located in the Barclays Center.



Banquettes

Custom Banquettes for 626 East Market

626 East Market


Nets Family Room

Barclays Center

PROPOSED FURNITURE PLAN

NETS FAMILY ROOM - AUGUST 26, 2016


AUGUST 22, 2016

RENDERING : LOUNGE & DINING

NETS FAMILY ROOM - AUGUST 26, 2016

RENDERING : LOUNGE & DINING

NETS FAMILY ROOM - AUGUST 26, 2016


NETS FAMILY ROOM : LOUNGE & DINING

NETS FAMILY ROOM - AUGUST 26, 2016

NETS FAMILY : LOUNGE & DINING

NETS FAMILY ROOM - AUGUST 26, 2016


AUGUST 22, 2016

NETS FAMILY ROOM : BATHROOM

NETS FAMILY ROOM - AUGUST 26, 2016

NETS FAMILY ROOM : CHILDREN’S ROOM

NETS FAMILY ROOM - AUGUST 26, 2016


Contact UVGRJCP[CUKEC"IOCKN EQO 917.803.5401


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Address

102 E Liberty St. Apt 1213 917.803.5401 Savannah, GA 31401 stephanyasica@gmail.com www.stephanysica.com

Contact

912.344.6431 107 W Liberty ST. APT 2 stephany.sica@hotmail.com SAVANNAH, GA 31401 www.sicadesign.com


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