Sigur Ros launch ambitious documentary

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creative showcase 1 4 commercials review

the icemen cometh home The word ‘rockumentary’ doesn’t really do

To the Asbyrgi gig in the north of the

justice to the staggering achievement that is

country the band added a date in Reykjavik

Sigur Rós’ recent film, Heima. Part travel

to the south. From there it made sense to

diary, part elegy to the breathtaking beauty

expand the tour across the country, and

of their native Iceland, the film shows the

soon the idea evolved into a national series

band touring their home turf and performing

of free gigs for small local communities –

a series of free concerts across the four

family, friends and fans.

quarters of the country.

Having committed to a worldwide tour of

The film’s title translates as ‘home’ or

their new album Takk, the project was put on

‘homeland’, and while the temptation is to

hold until the summer of 2006. In the

see the film as a sort of idiot’s guide to how

meantime, Best and the band continued to

to listen to Sigur Rós’ music, there’s actually

refine ideas of how the film might work, and

a far more personal agenda at work.

decided to go with an Icelandic crew

The possibility of shooting a film first arose

organised by Reykjavik-based production

in 2004 when keyboard player Kjartan

company Truenorth.

Sveinsson suggested performing at the

“The two films we drew inspiration from

canyon in the national park at Asbyrgi.

were Walkabout and Jazz on a Summer’s

Manager John Best explains: “I was in

Day,” Best reveals. “Walkabout we liked

Amoeba records in LA and I noticed that

because it managed to make Australia seem

Björk had about a dozen DVDs in the rack

like a huge inhospitable place and that’s how

visit as many different places as possible, so

a skeleton team of 60 in comparison to the

and it dawned on me that we hadn’t made

we wanted to convey Iceland. We didn’t want

I started brainstorming locations to give the

usual 200. “My main agenda was to get

one,” he recalls. “I remembered Kjartan had

it to feel like a Eurovision Song Contest film

film the diversity it would need,” Sturluson

people around the country to participate and

discussed the possibility of a gig at Asbyrgi,

with geysers and bubbling mud. And Jazz on

explains. “We really wanted to give

help us as much as they could, which was

so I suggested filming a live show there. We

a Summer’s Day gave us a sense of how we

something back to Iceland, to visit people in

actually a lot easier than I’d thought it would

were planning on changing the format of the

wanted to frame the film, the length of

their everyday environments, so it was

be. People responded well to the tour and

live performance on the next tour anyway, so

editing and the crowd involvement.”

important that we should go to the audience

respected that we were going to the effort

the timing seemed right in terms of

The logistics of the tour were organised by

rather than them coming to us.”

for these small communities, so they were

documenting where the band were at. And

Kari Sturluson, a veteran promoter and

Unusually for a tour on this scale, Sturluson

usually willing to help prepare venues and

from there the ball started rolling.”

concert manager in Iceland. “The goal was to

decided to keep the permanent road crew to

assist with moving equipment.”

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11/12/07 12:07:40


commercials review 1 5 creative showcase

“We didn’t want it to feel like a Eurovision Song Contest film, with geysers and bubbling mud...”

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The 120 hours of footage shot by Denni

Best says. “We’d naively thought we could

Karlsson was sent to Dean DeBlois, director

make something out of it in post. Let’s just

of Lilo and Stich and former head of story at

say it was a learning experience.”

Disney. DeBlois constructed a narrative from

Best adds: “We’ll definitely be recording

the assorted landscape and performance

more of the band’s activities in the future,

shots and travelled to Iceland to film extra

and I imagine we’ll start filming earlier on

sequences and several acoustic

the next tour. Content seems to be what

performances. “We’d shot a film but we

people want – not just the record – so

hadn’t written a script beforehand, so we

without disrupting the process, we’ll

needed someone to knit the story together,”

definitely document more activities.” SW

11/12/07 12:07:47


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