Full name : Yuanhang DING ID : a1730983 REP 2 2019
Seek Light as a journey
PLACE 02
IDEA 10
FORM 16
JOURNEY 24
ELEVATIONS AND PLAN PHOTOS : DAY AND NIGHT SITE PERSPECTIVE SHADE SITE CHARACTER SITE ANALYSIS CASE STUDY ONE : LUMINOSITY
METAPHOR IDEA 1 : EDGES AND CORNERS IDEA 2 : BUMP WORLD IDEA 3 : COLOR CHANNEL CASE STUDY TWO : REFLECTION
FINAL DESIGN FLOOR PLAN SECTIONS ELEVATIONS COMPOSITION CASE STUDY THREE : OPACITY
EXTERNAL VIEWS INTERNAL VIEWS ACCESS & MOVEMENT CONSTRUCTION DETAIL CASE STUDY FOUR: FILTRATION MOBILITY
CONTENTS
ELEVATIONS AND PLAN
Santos Building Engineering and Math. Sciences
The Braggs
Ingkarni Wardli
ELEVATION 1:1000
ELEVATION 1:1000
Molecular Life Sciences ELEVATION 1:1000
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Barr Smith Library
SITE PLAN 1:2000
PHOTOS : DAY AND NIGHT
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SITE PERSPECTIVE
The Maths Lawns located in the University of Adelaide, and these two grand lawns are encircled by three main buildings. The ancient Barr Smith Library is facing to the site directly, and both sides are the modern teaching buildings, which showing case a glass architecture feature. The site provides an outdoor public rest area for the university students and staffs. People can chat and have lunch there.
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SHADE SUMMER
WINTER
1.1 9am
7.1 9am
1.1 12pm
1.1 15pm
7.1 12pm
7.1 15pm
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SITE CHARACTER
The site is surrounded by a group of buildings. At noon, the building has little impact on the site (no shadows). If necessary, consider the influence of the surrounding buildings on the site.
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The location of the site is a piece of grass in the school, covering an area of about 1,000 square meters, and the area of the Pavilion shall can not exceed 350 square meters, so it is necessary to consider how to make the best use of the site.
People can choose a variety of routes to pass through the site, where there is basically nothing to hinder travel or obstacles.
SITE ANALYSIS
Large areas of lawns are often used to host community activities ot school gatherings. The tables and chiars around are for people to rest.
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CASE STUDY ONE : LUMINOSITY LINGUISTIC DEFINITION Luminance refers to a physical quantity in which the surface of the illuminant (reflector) is bright (reflective). The human eye observes the light source from one direction. The ratio of the light intensity in this direction to the area of the light source "visible" by the human eye is defined as the brightness of the light source unit, that is, the luminous intensity per unit projected area.
PHILOSOPHICAL DEFINITION "Brightness" is not a ready-made event, it cannot be "spoken" and is "displayed" as its expectation. It can be said that although luminosity is not an event, luminosity is only relevant. Importantly, believers often follow the light to achieve eternal value. Light originates somewhere, but humans don't need to know where they are, and people don't need to know the meaning of light. Lighting itself is not an end. But it means giving people a sense of eternity. Since ancient times, people have followed the footsteps of light and completed another great cause.
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CASE STUDY ONE : LUMINOSITY The Architectural Lighting of Zaha Hadid The success of her project was motivated by Zaha Hadid’s new and innovative approach to tangible materials and the imagination of light. Light bridges the gap between architecture and our perception. We do not directly sense the form and material by reflecting light through the eyes. Zaha Hadid used her skillful operations to increase her architectural imagination, using light in her early works, and in the later stages there was a glowing field and a radiant drama. The decisive non-parallel lines mark the explosive energy of her first building: the Vitra Fire Station (1993). The light between Zaha Hadid on the ceiling or between the wall and the ground or between the wall and the ceiling enhances the linear structure with sharp edges. However, although the edges of the interior lighting echoed the clear concrete lines, the soft, scattered interior and exterior lighting partially offset the energy of the building form.
and then into a charming golden space. Zaha Hadid transforms geometric lines into diffuse lines and curves by understanding the visual language of painting. As a result, her early lighting seemed to be more of an expression of graphic design than to make full use of light to interpret the potential of architecture, and she did not use dramatic grazing to render tables or textures more vividly. In the later stages of design, she focused her attention on the lighting itself, which is an important aspect of architecture.
During her career at Zaha Hadid, we can see that in her architecture, reflections are used to supplement or replace the matte curtain wall surface, and the building begins to reflect the surrounding environment. Similarly, her interior has changed from raw concrete to pure white,
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METAPHOR
EDGES AND CORNERS
WAVES
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COLOR CHANNEL
BUMP WORLD
If architecture is solid music, then light and shadow is the chapter of rhythm. If the structure is the physique of the building, then the light and shadow is the expression of the building. When the light is everywhere in the building, humanity awakens, the flower of the heart blooms, and the building that accommodates the space begins to be full of spirituality. There is a "shadow" in "light". It is precisely because of the constant change of "light" that the original unchanging and lifeless architectural form and space become agile under the light of "light", as if it has life. While adapting to the surrounding environment, the building also needs the backdrop of light and shadow to show its true value. In the building, looking for light is a journey..
IDEA 1 : EDGES AND CORNERS
The first design consists of a number of prominent, angular glass. The material of the glass is translucent, and people can see the outside situation from the inside, and the light will pass through the glass, so that people can follow the light to find the direction.
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IDEA 2 : BUMP WORLD
The second design consists of reflective and translucent glass. This design is presented in the shape of a cave with some small gaps between the glass. As the sun rises, the fragmented light passes through the glass and the gap, leading people to begin the journey of finding light.
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IDEA 3 : COLOR CHANNEL
The third design shape is a regular corridor. At the beginning of the corridor is a shading with clear glass, and some transparent round glass appears on the ceiling. The glass is made of refracting glass. When light passes through the round glass, the light is refracted by the glass to form some rainbows, and people can follow the shadow of the light.
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CASE STUDY TWO : REFLECTION LINGUISTIC DEFINITION Reflection is the change in direction of a wavefront at an interface between two different media so that the wavefront returns into the medium from which it originated. Common examples include the reflection of light, sound and water waves.
PHILOSOPHICAL DEFINITION As boring urban dwellers have become tired of countless unified structural glass skyscrapers (especially for large glass walls that are monotonous to them), people have become interested in the routine planning of the external walls. Thus, free-form glass and metal (light and brightness) can help create the iconic architecture and a better human world. From the perspective of human reality, reflection can be imagined as a reflection of human beings.
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CASE STUDY TWO : REFLECTION Veiled in Brilliance: Reflective Facades Changed Modern Architecture As boring urban dwellers have become tired of countless unified structural glass skyscrapers (especially for large glass walls that are monotonous to them), people have become interested in the routine planning of the external walls. Thus, free-form glass and metal (light and brightness) can help create the iconic architecture and a better human world. From the perspective of human reality, reflection can be imagined as a reflection of human beings. American architect Frank Gehry transferred the titanium cladding of the Guggenheim Museum in Bilbao from glass metal to metal in 1997, which is also the basis for the future Walt Disney Concert Hall (2003). The building of the Walt Disney Concert Hall is covered by (stainless steel) titanium, and the entire building looks like an aluminum strip. Although the connotation ranges from larger forms of ships to fish scales on reflectors, the entire building has become a city gem and has initiated many urban reconstructions with its iconic logo. With the shiny quality of the titanium plate and the ever-changing appearance, Frank Gehry not only brings dynamic composition to Bilbao, but also strengthens his design with its unique dynamic image, changing with each cloud and sunlight.
In the sun, the surface of the building is silvery and dazzling. The concert hall has not only become a new collection of Los Angeles musicians, but has also become the focus of the global music and architecture community. These veiled veil strategies have been accepted by international styles, and the uniformity of mirrored cubes has begun to erode the sense of scale. Therefore, the architectural form of the bumps, the reflective curved facade elements or a mixture of the two opens up another option that adds more brilliance to the city.
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FINAL DESIGN
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FINAL DESIGN
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SITE PLAN
B
A
A
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B
SECTIONS
SECTION A 1:200
SECTION B 1:200
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ELEVATIONS
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ELEVATION 1 1:400
ELEVATION 2 1:400
ELEVATION 3 1:400
ELEVATION 4 1:400
COMPOSITION Small library The wall is made of concrete, and has huge transparent windows. Toilet The wall is made of concrete, without windows, with an exhaust fan. Seminar room 1 and Seminar room 2 The wall is made of concrete with a skylight. Entrance The wall is made of concrete and has a reflective roof. Promenade The material of the road is concrete.
Storage space The wall is made of concrete and has no windows. Reception, Relaxing space and Exhibition The material of the wall is concrete, and the material of the skylight is refractive glass, which can refract rainbow light.
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CASE STUDY THREE : OPACITY LINGUISTIC DEFINITION In the field of optics, transparency is a physical property that allows light to pass through a material without being dispersed. At the macro scale (where the size studied is much larger than the wavelength of the photons in question), the photons follow Snell's law.
PHILOSOPHICAL DEFINITION The central philosophical idea is in the title: opacity. Opacity is a kind of interest in fictional works: it treats the characters and events in works as though they were "constituted by the modes of their presentation in the narrative." The most important part of opacity is that when we read in this way, we understand the content of the work (the fictional world) only in terms of the particular way in which it is described. Transparency is the converse of opacity: it is a way of reading that construes the events and characters as though they were part of a fictional world that we see through a particular work of literature but where the language used to open up the world to us is purely a means to the end: our interest in what is being described.
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CASE STUDY THREE : OPACITY Light Matters: Whiteness in Nordic Countries The white building is an effort by Nordic architects to respond to the local environment. Due to the extreme changes in weather and daylight, the unique lighting of the Navia peninsula is caused by the long and dark winter, when the sun in the northern region has a long shadow, and in the summer, the summer night emits a diffuse light. Therefore, the architect uses a white surface to balance the relationship with the surrounding environment. Although the terrain and vegetation of Norway, Sweden, Denmark and Finland are very different, they are collectively illuminated by soft light. In Finland, the Black Gavin church designed by Aarno Ruusuvuori is one of the typical representatives. Aarno Ruusuvuori avoided strong sunlight, which distracted the prayers of believers. The survey shows that the white surface can increase the reflectivity so that the brightness in the building can be maximized in winter. In addition, since the local environment is covered with snow all year round, the white building can also interact with the surrounding environment.
goal of indoor light intensity being greater than outdoor light intensity. However, pure white architecture is not the only characteristic of Nordic architecture, because light plays an important role in the church, so in some churches, people will add some characteristic lights to attract the attention of the active believers. However, in other churches, soft light is chosen to enhance people's reflective awareness. Light originates somewhere, but humans don't need to know where. Lighting itself is not an end in itself. But it means giving people a sense of eternity.
For example, the usage of white walls and white ceilings in Danish churches is done to take full advantage of the limited daylight in Denmark for most of the time, ultimately achieving the
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EXTERNAL VIEWS
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EXTERNAL VIEWS
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INTERNAL VIEWS
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INTERNAL VIEWS
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ACCESS & MOVEMENT 8
9 7
1
2
4
3 6
1.Promenade, entrance 2.Reception 3.Relaxing space 4.Exhibition 5.Storage space
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6.Small library 7.Toilet 8.Seminar room 1 9.Seminar room 2
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CONSTRUCTION DETAIL
Rebar
Footing
Metal lath
Sill sealer
Core filled Mortar-filled block core
2 * p l ate fo r a n c h o r i n g wooden top screen
The wall surface of the concrete wall does not need other decorative materials, and there is no need to put a lot of things to decorate anything. It is only necessary to spray a thin protective layer on the concrete wall for protection. Concrete walls are made of the same cement and are not used together, so they are used for a relatively long time. Meanwhile, the refractive glass can illuminate a beautiful rainbow, prompting people to start seeking light.
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CASE STUDY FOUR: FILTRATION LINGUISTIC DEFINITION When light is incident on the surface of a transparent or translucent material, a portion is reflected, a portion is absorbed, and a portion can penetrate the past. This phenomenon is called transmission of light. Transmission is the phenomenon of incident light after it has been refracted through an object. The object to be transmitted is a transparent body or a translucent body such as glass, a color filter or the like.
PHILOSOPHICAL DEFINITION If the light is the truth, then the filtration means something have cleaned. The light become an intention, the true way to go, Light is a clear thing that can be caught by people's eyes. It is not like fog (filtration), which will hinder people's direction. It is a prevent not only the light itself but also the receivers. An object scatters a light seed in a variety of ways, because the amount of light is too large, so they are missed. In the delivery process, filtration will run through the journey of light.
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CASE STUDY FOUR: FILTRATION Light Matters: Le Corbusier and the Trinity of Light In many religions, light is often associated with divinity and holiness. Although the light is not the same as the visible light, people regard visible light as the most similar thing to the light. However, in modern times, light is no longer used as a tool for religious persuasion in the past. People begin to pay attention to the sky and other things, and use light to protect the natural universe. In his three buildings, Le Corbusier used directions, openings and textures to create a building with daylight dynamics. For example, the main source of light for the Chapel of Notre Dame du Haut at Ronchamp comes from the continuous cycle of the sun. In the morning, the sun shines into the church, making the red walls redder.After a while, the sun drowned the gap between the east wall and the south wall, and small horizontal cracks supported the roof, contrasting with the light in the southeast corner. Compared to Ronchamp, the lighting of the La Tourette is more complicated and widely distributed in the church. Since the open faces of the corridor face one of the four basic directions, the believers will experience corridors are distinguished by different window arrangements. The lighting features of the La
Tourette began at sunset, and the two-day light from the north wall moved slowly with the setting sun until it touched the ceiling. When in the summer, this effect will get the most. In the church of Saint-Pierre, the scene is divided into individual parts, and the small windows on the east produce optoelectronics on the floor and then become wavy. The light disappears and the tubes on the roof emit direct sunlight and form a clear beam of light. In the evening, the golden light is concentrated on the wall of the altar in the church, and the cosmic scenes of the day and night are mysteriously blended together.
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MOBILITY
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MOBILITY
1：300
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