Volume 103, Issue 13

Page 1

The Spectator

“The Pulse of the Student Body”

The Stuyvesant High School Newspaper

Volume CIII  No. 13

Newsbeat

• On Saturday, April 27, Stuyvesant’s chapter of Global Citizens Corps held a carnival game fundraiser to raise money for a small Ethiopian orphanage at the annual Tribeca Film Festival Family Fair. The organization, with the help of social studies teacher Brenda Garcia, raised a total of $746 for their cause. • English teacher Dr. Emily Moore was featured on National Public Radio on Saturday, April 20 to discuss her introduction to poetry and poetry’s modern relevance. She is currently developing a summer course on the teaching of poetry with the Poet’s House and Kenyon College. • Stuyvesant’s chapter of the Junior State of America attended the Regional JSA Spring Conference in Connecticut. Five Stuy students won best speaker awards, and a student was elected Lieutenant Governor of the Northeast JSA Region. • Seventeen Stuyvesant students won medals at last week’s Greater Metropolitan Math Fair, six of which were gold medalists. • Editors of The Spectator participated in the Harvard Crimson Journalism Conference on Saturday, April 27. Seven awards for art reviews, features articles, editorials, and photography, along with the distinction of overall excellence, were awarded to the school newspaper and its writers.

May 10, 2013

stuyspectator.com

207 to 103: Damesek Moves to Archie’s Old Office BY DAVID CAHN This article is based on interviews with Principal Jie Zhang, Assistant Principal of Organization Randi Damesek, Assistant Principal of Security and Student Affairs Brian Moran, 12 teachers, and more than 25 students. Due to the nature of its content, all of the teachers quoted have requested anonymity. When Principal Jie Zhang announced to her cabinet in early April that Assistant Principal of Organization (APO) Randi Damesek would be moving to room 103 and that Assistant Principal of Security and Student Affairs Brian Moran was to take her place in room 207, it was the first time either of them had heard of the move. According to Zhang, the move was a routine bureaucratic switch; traditionally, the APO’s office is next to that of the principal, and the Assistant Principal of Guidance (APG) is closer to the guidance suite. When Zhang arrived at Stuyvesant in September, this was immediately an issue of concern for her, but she decided to wait for former Assistant Principal of Pupil Services Eleanor Archie

to retire before announcing the switch. In addition to managing the guidance office, Moran is responsible for the security of the building. “The big need in my opinion is to handle the building safety […] Knowing that he’s walking around the floors makes me more comfortable,” Zhang said. Because room 207 is located near the bridge entrance, Zhang believes it is an appropriate place for Moran to work with the school’s security guards and safety agents. Room 207 also offered a convenient location for a SAVE room, which is a room designated by the school to house delinquent students during their suspensions. Previously, the SAVE room was located in the Principal’s conference room. In spite of Zhang’s justifications, many students and teachers have been taken aback by her decision. While the Stuyvesant community can sometimes seem to court controversy and even enjoy its dramas, the backlash against Damesek’s change of office appears to be one of the rare issues to unify students and teachers. Senior Bernie Birnbaum said

Boston Strong: The Wrong City to Mess With

that the recent change was accompanied by many “loud and angry Facebook posts” in the seniors’ Facebook group, even causing another anonymous student to claim that there was a “conspiracy to limit Damesek’s power.” “All I know is that they might have had their reasons, but just to take someone’s office after all these years is kind of like a slap in the face,” said a teacher who requested anonymity. Much of the backlash stems from the symbolism behind the change. Damesek’s new office is not only substantially smaller than her old office, but, in the words of junior Zeerak Abbas, “room 207 is a place of power because it’s near the second floor entrance.” As expressed by many students and teachers, a respect for Damesek’s competence appears to be at the core of her support. “If I have a problem I go to her and she takes care of it if she can,” one teacher said. Another agreed: “With Damesek, [the motto is] ‘if she can, she will.’” Many students believe that the change of offices represents a deeper rift within the administration. “Does it symbolize

a shift in power?” junior Gene Gao asked. “What does it represent?” Zhang admits that Damesek’s role within the building is changing. “[In September] I learned that the work was unevenly distributed… Damesek is willing, but I want to be fair,” Zhang said. Since then, Zhang’s goal has been to “make Damesek [more like] a traditional APO… She took on more than she should have,” she explained. So far, Moran has taken over a few of Damesek’s former responsibilities. These include managing fire drills, leading school safety meetings, and maintaining school safety policies and procedures. Other options were available. “I originally wanted to be in room 101,” Moran said, regarding his proposal to occupy the room that is currently used to store lacrosse equipment. Alternatively, Moran could have taken room 103, and left Damesek in room 207. Zhang remains popular among the student body. “So far Zhang has been helpful, open minded and listened to our concontinued on page 2

Tribeca Film Festival

BY THE ARTS AND ENTERTAINMENT DEPARTMENT

The beginning of May marks the end of one of New York’s most celebrated cultural events—the Tribeca Film Festival. Bringing together films and artists from all over the world, the festival offers the international community and especially the people of New York a glimpse into the vibrant world of current cinema, screening many films for the first time in America (and sometimes, the world). The festival’s films, which span numerous genres, speak to the power of the medium in transporting us to unimaginable places and crossing cultural boundaries. On page 20, the editors of the Arts and Entertainment department share their thoughts on some of the films displayed.

By TERESA CHEN There are three Bostons. The first belongs to the citizens who are born there, who take on the distinct “Bawstun” accent and proudly wear the vibrant red of the Boston Red Sox wherever they go. Second, there is the Boston of people passing through the city’s gates, searching to fulfill their dreams. This Boston is full of curious students temporarily calling the city their home as they attend a chain of top-tier universities.

Features

The third Boston is made of the influx of tourists pouring into the city each day, cameras in their hands. No matter how different these Bostons may be, they converge into a single Boston with the annual Boston Marathon. Celebrated as a local holiday, the Marathon offers almost everyone a day off to enjoy the weather and to spend time with family. The invite is also extended internationally as spectators from all over the world come to cheer on those running the race, bringing a sense of unity and

Article on page 6.

Jie Zhang: The Cultural Revolution, Then and Now Principal Jie Zhang reflects on the lasting effects of China’s Cultural Revolution on her career and outlook as Stuyvesant’s principal.

pride to the comparatively small city. This year, even with the tragic bombing event that ensued on Monday, April 15, proved to be no exception. From the perspectives of the second and third Bostons, Stuyvesant students and alumni share their own stories and experiences related to the event. The Student: Going Boston Strong “It’s not often that I am roused continued on page 6

Laura Eng / The Spectator

Wei Dan Yang / The Spectator

continued on page 20

Article on page13

Opinions

Point-Counterpoint on the Eurozone Austerity Crisis Should the Eurozone continue its austerity policies? Opinions writers Daniel Kodsi and Justin Weltz offer their opposing perspectives.


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