November 2015 The Overload Issue
Xxx AMPERE
TALE OF US _ PETRE INSPIRESCU _ MOODYMANN R A H AA N _ Â M E _ M A R C E L D E T T M A N N _ R O D E F D E M I N _ M I N D AG A I N ST
LIVE
_ RHADOO
DANIEL BELL _ MIKE HUCKABY _ MOVE D _ NASTIA ANDRÉS _ NICK HÖPPNER _ BEN KLOCK _ LEFTO M A R T Y N _ S P E E DY J _ A B D U L L A R AS H I M VAAL _ ALEX SMOKE
LIVE
LIVE
_ SYNKRO _ DBRIDGE
SESSION VICTIM _ LAKKER
LIVE
_ PAULA TEMPLE
N I N A K R AV I Z _ C H E Z D A M I E R _ C A L I B R E SIMONSST RA AT 21
2018 AN T WE R P E N WWW. A MP E R E-A N T WE R P.CO M
Subbacultcha magazine
The Overload Issue
Call it the opposite of spring cleaning: fall hoarding. Because what can you do when the weather turns against you, when true escapism is but a distant fantasy many eons past and several eternities away? You go on a mental overdrive and strive for a spiritually-sound overflow. Overload your agenda, overload your soul. You let go of nothing and allow the world to pelt you with rain and distractions. And while an ascetic lifestyle may be the way, let’s declare war on minimalism and indulge in all things trite and baroque, of overwhelming connotations and infinite excess. Let November see no rest. 3
Colophon Subbacultcha Belgium, Dendermondsesteenweg 80A, 9000 Ghent, Belgium www.subbacultcha.be - magazine@subbacultcha.be Editors in chief: Herlinde Raeman & Kasper-Jan Raeman
Distribution: Gerlin (gerlin@subbacultcha.be)
Editors: Julien Van de Casteele & Gabriela Gonzalez
Volunteers: Manon Donckier, Anna Baqués & Sofie Steenhaut
Copy editor: Megan Roberts
Printing: Drukkerij GEWADRUPO, Arendonk, Belgium
Design: Marina Henao
Cover image: Femke Fredrix
Advertising: Bram Hermans (bram@subbacultcha.be) Partnerships: Herlinde Raeman (herlinde@subbacultcha.be)
Contributing writers: Sabzian, Jonas Nachtergaele, Zofia Ciechowska, Gabriela González, Anna Baqués, Mathias Bourgonjon, Julien Van de Casteele, Leila Hassouna, Bart Bruneel, Dylan Belgrado & Sasha Ermakov Contributing photographers: Jente Maes, Tommy Larson & Anna Baqués Contributing artist: Robbert Van Wijnendaele Thank you: Dauwke Fredrix, Isaac Barbé, Mattias Baertsoen, Jens Van Lathem, Louise Vervaet, Valerie Steenhaut, Aïda Gabriëls, Marieke Van Trappen, Emma De Paepe, Sasha Ermakov, Naoki Karathanassis, Julien Van de Casteele, Kellan Smith, Nikolaas Verstraeten, Lola Pertsowsky, Lawrence Foley, Lisa Fraipont, Matias Ranwez, Floortje Kattemölle, Nelson Henry, Nimkit Lepcha, Olivier Wouters, Dries Vancauwenberghe, Gert Van Dijck, Matthias Heylen, Vicky De Visser, Amaury Wilkin and friends, Thomas Vanoosthuyse, Frederic Busscher, Marie Shuqha & Tijs Delacroix Partners: t-heater, De Kreun, Beursschouwburg, Het Bos, Vooruit, Democrazy, Botanique, Ancienne Belgique, Madame Moustache, Kultuurkaffee, KASK Cinema, OFFoff, Cinema Zuid, CAMPO, KVS, Kaaitheater, Meakusma & JauneOrange
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MARIANNE FAITHFULL
World Tour 2015 WOE 04.11 VOORUIT BIG NEXT
KWABS
BIG NEXT
THE OBMGS + Maze ZAT 14.11 TREFPUNT
NOTHING BUT THIEVES
+ Kyra DON 05.11 VOORUIT
ZON 15.11 CHARLATAN
THE BLACK HEART REBELLION
ft. Tijs Delbeke of Sir Yes Sir DON 19.11 TREFPUNT
+ Echo Beatty + Mathieu Serruys ZAT 07.11 HANDELSBEURS
CASPIAN
+ Jo Quail MA 09.11 MINARD
SHARON ROBINSON DIN 10.11 MINARD
JENNY HVAL DON 12.11 CHARLATAN
LEFTO & RED BULL MUSIC ACADEMY
FREE THE ROBOTS, KNXWLEDGE, HENRY WU PRESENTS YUSSEF KAMAAL TRIO, DAY FLY VRIJ 13.11 VOORUIT
LIGHTERS UP
RONI SIZE & MC DYNAMITE + Suns of Dub VRIJ 13.11 VOORUIT
NIGHTMAN
LEGENDARY SHACK SHAKERS DON 19.11 CHARLATAN
AUTUMN FALLS
WAVVES
VRIJ 20.11 CHARLATAN
PATRICK WATSON
+ Last Ex VRIJ 20.11 VOORUIT
DYN-O-MITE
CYMANDE
+ Big Whoop VRIJ 20.11 DE CENTRALE DYN-O-MITE
CURTIS HARDING ZON 22.11 VOORUIT
SNAREN UIT VROEGER JAREN
ZAT 28.11 DE CENTRALE
Muziekclub DEMOCRAZY organiseert concerten op verschillende locaties in GENT DEMOCRAZY.BE
ZONDAG VOSDAG ZON 29.11 VOORUIT
MILOW (TRY-OUT) + Emma Bale ZON 29.11 DE CENTRALE
TOURIST LEMC + Brihang VRIJ 04.12 VOORUIT
QUEEN KWONG
+ Lushes ZAT 05.12 CHARLATAN
FEAR FACTORY
20 years of DemanuFacture + Once Human MA 06.12 VOORUIT
SHOWCASEFESTIVAL GLIMPS DON-ZAT 10-12.12 GENT
DOUGLAS FIRS + Faces On TV WOE 16.12 VOORUIT DYN-O-MITE
TOWER OF POWER ZAT 19.12 HANDELSBEURS
I WILL, I SWEAR + Glints ZON 20.12 HANDELSBEURS
ARSENAL
Dance! Dance! Dance! DIN 22.12 NTGENT
Contents
Jenny Hval 16 Scene Report Mexico City 22 Paula Temple 26 — Recommendations 09 We Visit You 14 Featured Artist 32 Style 38 Books 42 Films 44 Subbacultcha Shows 49 Focus 61 Overview 62 7
This publication was printed by
GEWA DRUPO Drukkerij GEWADRUPO Hoge Mauw 130 — gewa.be 8
November Recommendations
Each month our staff provides you with a selection of the finer things in life. Enjoy! Music: I Will Play This Song Once Again Records
Art: Sarah Louise Barbett
These are hard times for music labels. The internet has caused a plethora of (downloadable) music, and it’s becoming increasingly difficult for labels to stand out. But the backlash has started: buying music with a couple of clicks just doesn’t feel very personal any more. Bruxellois label I Will Play This Song Once Again Records has found a pretty ace solution to put the intimacy back into buying music, in a unique manner. The artist of the two-track CD/vinyl you buy re-records the songs, especially for you. Always reinterpreted, every disc is unique, and the result a very personal experience. — iwillplaythissongonceagain.band camp.com
French emigrée Sarah Louise Barbett, who also plays tunes as Musique Chienne, is quite dexterous when it comes to subtly yet poignantly illustrating her worldview – literally. In her drawings, the subject can very well be the tiles on her kitchen floor, the sunny polka-dot table cloth on a restaurant table, a discarded pizza box by the sidewalk and of course the many canines that cross her path. But far from acting as a channel for the mundane, Barbett translates very honest – and inevitably absurd – thought processes, which makes her work both compellingly relatable and unmistakably personal. — aisselles.wordpress.com
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BRIGADE(festival) October Recommendations
10 - 29 november 2015
10/11 MAD PROFESSOR DUB SHOW (gy)
19/11 THE WAVE PICTURES (vk)
23/11 NOTS (vs)
12/11 THE DRONES (au)
20/11 SHANNON & THE CLAMS (vs) THE TUBS (be), WILD RACCOON vs GRAND GURU (fr)
26/11 ANTTI TOLVI (fi) NUSLUX (fi) KIISKINEN (fi) ARTTU PARTINEN (fi)
13/11 FOOT JUICE TAPES VOL. 1 MORESOUNDS live (fr) TIM PARKER (vk) TOOLBOX CHUNG AND THE GANG DTM FOOT 14/11 AVONDLICHT VUURWERK 18/11 BARKER TRIO (vs) BLURT (vk)
21/11 BABA COMMANDANT & THE MANDIGO BAND (bf) SUGAR ONION SOUND RADIO MARTIKO DJ BACKSTABBER 22/11 CRUCIAMENTUM (vk) CORPSESSED (fi) VILLAINY (nl)
27/11 HALF JAPANESE (vs) INSECT ARK (vs) 28/11 HET SLOT feest: SICKBOY (b) + JULMUT, MUQAT’A & AL NATHER (ps)
www.hetbos.be 10 5/7, Antwerpen Het Bos, ankerrui
November Recommendations
Books: Hamburger Eyes
as many disciplines. By means of editorials, playlists, interviews and short essays, the wondrous ways in which visual art forms permeate everyday life are celebrated, in particular those of Brussels in its multifaceted and undeniably idiosyncratic appreciation of aesthetics. Go ahead and wander behind them blinds; may you never come back unscathed! — behindtheblinds.be
Initially conceived as a Xeroxed zine distributed across the taco-filled alleys of San Diego, Hamburger Eyes is a publisher of gnarly publications showcasing photographers of all walks of life. Inspired by the Life Magazine ethos, the aim is to publish iconic photo journals documenting the exceptional, the everyday and everything in between. In their words, they hope to revitalise photography as a craft and as a tool to record and document. While this all sounds very nice and serious, they maintain a lo-fi aesthetic which unambiguously harkens back to their good old DIY roots, garnering immediate kudos from zine enthusiasts all around. — hamburgereyes.com
Music: In Utero
Show of hands: how many of you actually ever go to Mechelen for anything other than mortifying family reunions? For the none of us who raised our hands, three badass chicks from ‘that town before Antwerp’ are about to stir things up with a series of concerts which will compensate for today’s lack of ripped clothing, bruised ribs and bodily fluids. On a mission to find the Kempische Ramones, the Limburg Swans and the new Nirvana, the aptly named In Utero music circuit will be kicking butt all through November and all over Mechelen, with
Design: Behind the Blinds Did someone say overload? Brusselsbased designer and stylist Michael Marson goes for precisely that with Behind the Blinds, a boundless, unclassifiable and unrestrained exploration into all things visual. With an impressive team of creatives from all walks of life – designers, musicians, artists, hedonists and time travellers – Behind the Blinds exposes a connecting thread between
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October Recommendations
oct 2015 walker taxiwars 29 rYley 31 + michael chapman
+ silverrat band + psoman
nov 2015
01 BOOGARINS 21 Curtis Harding 19 Jacco Gardner 25 Josh T Pearson + MICHAEL RAULT
full agenda on
WWW.REFLEKTOR.BE 24 PLACE XAVIER NEUJEAN • 4000 LIÈGE 12
®
November Recommendations
gigs by El Yunque Inhuman, Los Tarascos and Cocaine Piss. Feminine wiles in action – game-changers all the way! — facebook.com/inutero.concerts
treats the process of grief as an experience of human bonding and acceptance of life’s inescapable randomness. — frydfrydendahl.com
Art: Fryd Frydendahl
Misc: M.E.W
Portrait photography never gets old, unless we’re talking about the actual, physical film. Which is what Danishborn, New York-based photographer Fryd Frydendahl uses to achieve the haunting, surreal look that typifies her work. A definite penchant for the naïve and the quietly nostalgic lurks behind the stark and somewhat anarchic compositions, with running themes such as loss of innocence, post-adolescent awkwardness, identity and displacement. Her ongoing project, Nephews, documents her deceased sister’s sons as they grow up without a mother, and
Waldo Pardon, aka Wulfy Benzo, is steadily gaining momentum in his plan for ubiquity. Besides being a regular fixture in our urban nightlife, lambasting the national football team and barking pop culture musings from his soapbox, Wulfy’s latest project is, at least phonetically, a far cry from his usual woofing. M.E.W. is a storefront exhibition and project space in Brussels located at Streenstraat 25. It will kick off with the exhibition My End is a Legend by artists Julie Grosche and Florian Sumi, which will open 19 November and run through 23 December. Grosche and Sumi will experience the future through various objects and scenarios – yet another scheme to make the audience not only witness, but be utterly subjected to the full Benzo experience.
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We Visit You Photo by Jente Maes
Name: Kellan Smith Age: 32 Zodiac sign: Aries
Songs About Buildings and Food on cassette. Specifically the song ‘The Good Thing’. The backing vocals and lyrics – no idea what was going on but it seemed evil, though. I was always happy when that song finished. What’s your favourite pastime? Staying up too late, having that ‘last one’ with friends. What does an ideal lazy Sunday look like for you? A big brown couch with something to read… at the moment Nazi Literature in the Americas by Roberto Bolaño. What’s something you could live without? Weather forecasts. Have you experienced any regrets recently? The amount of time spent basking in my computer’s cold glow. What makes you dance? Friends/substances/Juana Molina’s ‘Dar (qué difícil)’.
Tell us, what do you do in life? I’m a theatre technician for the Vlaamse Gemeenschapscommissie in six different cultural centres in Brussels. I also read Dr Seuss out loud and change diapers. What projects are you working on? Putting all of my belongings into boxes and moving from Sint-Gillis to Schaarbeek. And deciding what belongings I can do without. What inspires you? Brussels and the people living there or just passing through. What do you like best about your place? The water faucet and the terrace. What kind of music are you listening to at the moment? At this precise moment I am listening to Pridjevi. What’s the first record you bought? The first album bought with my own money was probably The Beatles Anthology 3… The first T-shirt I ever bought with my own money was a Tshirt of The Beatles Anthology 3. Your first ever music-related memory? Being driven in the car by my mom listening to the Talking Heads More
Every month we visit a Subbacultcha member’s place. If you want us to visit you, please send an email to magazine@ subbacultcha.be
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Interview
Jenny Hval From disrupting her album-making rules with Apocalypse, girl to inviting a bunch of friends with colourful wigs to perform with her on stage, FKA Rockettohesky Jenny Hval overloads herself with outlets to explore her non-girly persona. In this interview, we met a very fresh and honest Norwegian artist who finds reading people’s written work a great way to learn about them. ‘I wanted to put these sexual terms in everyday, relaxed contexts, like doing the dishes. A flaccid penis doing the dishes’
Interview by Zofia Ciechowska Photos shot by Tommy Larson in Oslo, Norway
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Interview What gets you out of bed? It depends on whether I’m home or on tour. My body is always begging me to take it home when I’m on tour. When I’m home, what gets me up is books and newspapers and coffee. I get up to read. Reading and books and people creating poetry and theories of resistance constitutes the meaning of life to me. Books make me really happy. Sometimes people get to show their most human qualities in writing, it’s a great way to be friends. You’ve been on tour in the US where you’ve been performing with people dressed in peroxide blonde wigs and tight clothes who hold fake flowers and dance with bananas. What’s that all about? I’m not sure that there’s anything hiding behind my live performance. What happened was necessity. I was recording an album with a producer and I started to realise it would be hard to perform the songs with live instruments because there are so many of them. I’ve been performing with many instruments for years, but with this material I didn’t feel like the multi-instrumental dimension was what I was trying to express. I was going to have backing tracks and just stand on stage, but instead I invited the filmmaker Zia Anger to perform with me, because she and I are both focused on creating a space that is very feminine in nature. I think that’s needed on stage because there aren’t enough women in the alternative music scene that I belong to. But the performance extends beyond creating that space, doesn’t it? There are certain characteristics that come out when I perform. Like, when I wear a wig, it’s like being in drag, but not quite – but perhaps it is. I’m interested in these blurry lines. I’ve always been a non-girly person, even when I was growing up. And as an artist, I’ve had issues with things that are very girly. Feminine things, female bodies, have always been presented as objects that are owned by someone else. Sexuality for me is not just that flat dimension. We’re
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Interview trying to expand that world in our performances. I can get into a very feminine universe on stage, which I’ve not been able to access before. I have no instruments so I can interact with the other performers, we can look, touch, pay attention to each other. How do you translate the feminine into your new album, Apocalypse, girl? I made Apocalypse, girl purely just to make something that made me feel happy, something that was very beautiful. I didn’t know whether any of the songs would materialise as an album. Then I realised that some of these things I would skip in a normal albummaking process, and they coincidentally inhabited that feminine space I’m exploring. I wanted to understand which parts of myself I usually edit out of my music-making and I wanted to bring them back into that process. Just one more thing; those T-shirts that say ‘soft dick rock’ on the front... I’m surprised when someone wants to buy one – they’re brave. Even though it’s a dick, and not a cunt, it’s very related to what we’re creating on stage. The dick is always presented as a sexual, powerful, hard symbol. I wanted to put these sexual terms in everyday, relaxed contexts, like doing the dishes. A flaccid penis doing the dishes. There’s so much sexual harassment today, the soft dick rock is the friendly relationship you can have with this charged symbol, you can hold hands with it and it won’t get hard. It’s not a parody, though, I just want to take it down a notch. No middle fingers, just soft dicks.
Jenny Hval plays Charlatan, Ghent on 12 November. The show is free for Subbacultcha members.
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The Overload Issue
Scene Report Mexico City
Words by Anna Baqués Photos shot in Mexico City, Mexico by Anna Baqués
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Scene Report — Mexico City Always been curious about the music scene in other cities outside your own little cocoon? We assumed you were! So we feed your hunger for insights and secrets in the Scene Report. Partygirl Anna, and historically Subbacultcha’s best intern, hit the streets of dense Mexico City to prove to us that this hive of activity is lot more than just the home of tacos and Frida It isn’t easy to define the scene of a metropolitan area with a population of nearly 23 million, especially at a time when things seem to be happening and changing faster every day. I had only heard about NAAFI’s parties, the Guadalajara all-girl collective Cyber Witches and had a vague idea of a reggeaton scene. So I got together with them to get a bit more knowledge on what was going on in the city. NAAFI has been organising parties since 2010, a year when the financial support for cultural events and productions wasn’t exactly free-flowing because of the huge amount of violence the drug cartel was provoking. Most of the clubs where they used to hang – like Pasaje América or El Patio De Mi Casa – disappeared after the government charged and jailed the owners, so gradually NAAFI began organising their own stuff. Since then, NAAFI has become a music promoter and a record label, as well as a cultural producer. At their first parties people weren’t allowed to to take pictures and there were no bouncers or stupid, sexist rules (like not charging entrance to girls). Among their artists you’ll find Lao, ZUTZUT and Paul Marmota, who gravitate from club to regggeaton, cumbia and tribal music.
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Scene Report — Mexico City
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The Overload Issue More great electronic labels would be Maligna, Gold Frame and Lao’s internet-based label Extasis. On a similar vibe there are the wild DIY techno parties called Raymondstock, which are organised by Ramon Jaramillo; and those organised by Cyber Witches, an allgirl collective of creatives from Guadalajara and Mexico City who use new media and entertainment to engage their local scenes. Most of these events take place in the neighbourhoods of La Roma, Juárez and La Condesa, which are near the city centre (if there even is one); however, you’ll also find wild reggeaton or whatever else parties at further, more random and unknown locations. The same is true of art galleries and editorials; a few worth mentioning inslude ¡Ediciones Joc Doc!, Museo Experimental El Eco, Yautepec Gallery and Casa Maauad. If fashion is your thing you won’t get bored either: beautiful and transgressive labels like M A T E R I A, FLMNGO and RABIA are proliferating in the country, and stores that only sell Mexican labels – like RIP Rosa Pistola – host most of them. Bands to look out for include Nelson y Los Filisteos, Los Blenders and O Tortuga; and record labels like Cintas Pepe. Some of the venues where they hang or play are Under, Patrick Miller, El Imperial and U.T.A. Fun fact: Mexico prohibited rock’n’roll in the Seventies after a massive unexpected attendance at the first rock music festival ever organised called Ruedas de Avándaro. Actually,
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Interview
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Scene Report — Mexico City
‘Inspiration comes from witchcraft, drug barons, political criticism, death, internet subcultures, hentai anime, street life and religion, to mention but a few’ in this city you can probably find almost anything: electronic music festivals like MUTEK and experimental music festivals like Aural; rad gay clubs like Marrakech; top secret bars like M.N.Roy; street food literally everywhere; Vogue Ballroom and wrestling parties with the friendliest people on earth and more. Lately in the media there have been comparisons between Mexico City and Berlin, but most Mexicans wouldn’t take it that far. It’s just a highly populated city with a crazy amount of resources to take advantage of and not so many restrictive laws and/or easily corrupted police. Inspiration comes from witchcraft, drug barons, political criticism, death, internet subcultures, hentai anime, street life and religion, to mention but a few.
Essentials Music: Lao, Nelson y Los Filisteos, Wasted Fates, Los Blenders, ZUTZUT, Paul Marmota, Mexican Jihad Venues: El Imperial, Under, Patrick Miller, U.T.A, Salon Calavera, Pepsi Center, WTC
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Interview
Paula Temple British artist Paula Temple relocated to Berlin to feel free with her sexuality and to run away from England. We had a chat with Temple, a year after she moved, and discovered someone who seems more at peace than ever, having turned her noise music-making process into a therapy where mistakes are seen as something beautiful. We also addressed her addiction to buying controllers and the subject that could not be avoided in this issue: having her audience experience a ‘sensory overload’
Interview by Gabriela Gonzalez Photos shot by Quintessaire Media at Movement Festival
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Paula Temple Noise music can be very easily misinterpreted by the audience. Do you think that’s the case with your music? I don’t mind; they can interpret it however they like. Some people interpret it as brutal and dark, and some people relate to it in the same way I relate to it, which is powerful energy, total freedom and even a celebration without any conformity or boundaries. Is a big part of noise the creative and improvisational space it allows for? Well, it’s therapy to me, really. I call myself a recovering perfectionist, because everything always had to be exactly how I hoped, otherwise it was just not good enough and I’d be unhappy with it. So coming back to making music these past couple of years, I’ve decided to embrace the mistakes: making noise can be chaotic and like being on the edge, so you might as well love it. That’s why it’s like therapy in a way: so I can get over myself [Laughs]. I heard that you’re a bit of a control freak... [Laughs] Maybe I’m a controller freak! I have all of these controllers – I used to have a bunch of synths, and then I got rid of everything because I needed the money. Then I only had a computer left, but now every time I buy a new piece of equipment, it’s a controller – it doesn’t do anything, it just has knobs! Knobs and slides, until I assign something to it on the computer. How do you prepare for a gig? Do you plan your set ahead of time? Yeah, I actually do a lot of preparation because it helps me get in the right mood and focus. I tend to do it right before the gig; I want to feel the energy of everything related to that specific gig, like the kind of attitude of the promoters and the feeling of the space and get an idea of what the night is going to be like. I love being obsessed with finding new music: I’ve been a DJ for 22 years, and I just love playing other people’s music. The setup that I have, using controllers and sometimes vinyl as well, allows me to be more
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Interview
physical and gives me freedom to remix, to edit, to make my own versions. I have these specific moments where I know it’s going to be quite deadly and I’m really curious as to how the audience is going to react to it! What experience do you want to create when you play live? Do you strive to create a similar sort of sensory overload for your audience? Exactly that. I do want people to dance, but for those who are willing to take themselves over the edge so that they really are going out of their body and mind. That’s how I like to enjoy techno: sometimes it’s very physical and quite often – when I play in Berlin especially – it can be very internal and private, even when you’re on the dance floor and in a room full of people. So it can be so many things, depending on the place. When I’ve played in Belgium, for instance, my style changes a little bit: it’s more party and extremely social, everyone’s together having a wild time. It’s quite funny because I remember playing at Recyclart and the crowd was just so extreme, screaming and laughing and having fun. For some reason, they were chucking teddy bears, wigs and glo-sticks. I was just, like, ‘Okay, you got my Paula Temple plays Ampere, Antwerp on attention!’ 11 December. The show is free for Subbacultcha members.
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Featured Artist
Robbert Van Wynendaele
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Robbert Van Wynendaele
Robbert Van Wynendaele is a 25-yearold painter and draftsman who lives and works in Ghent. The artist’s preference for mystery over explicit statements in his work captures the attention of the viewer, engages the public and speaks to the imagination. His universe revolves around the human figure in an unsettling, suggestive way. Situated on a delicate border between common situations and the personalised, deformed reality of the painter, viewers are drawn in by a feeling of strange familiarity. robbertvanwynendaele.tumblr.com
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Featured Artist
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Robbert Van Wynendaele
Selected and approved by BLANCO. facebook.com/blanconucleo
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Style Photos & styling by Femke Fredrix. Model: Isabel Schrรถer
Bye Bye Bluebird Ode to Layering 38
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Style
P.38: Top: thrift shop Nightdress: thrift shop Blue dress: thrift shop Blue socks: Veritas Shoes: No Name
P.40: Top: thrift shop Jumper: thrift shop Blue nightdress: thrift shop See-through blouse: thrift shop Trousers: thrift shop Shoes: Reebok Instapump Fury OG
P.39: Long vest: thrift shop Striped long-sleeve top: Weekday Striped trousers: Oilily Vintage Shoes: thrift shop
P.41: Top: thrift shop Blue flowered dress: vintage Blue skater dress: American Apparel Backpack: thrift shop
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books Text and artwork by Gabriela González
Prometheus Rising by Robert Anton Wilson So a couple of years ago, I read a fantastic book on The 13th Floor Elevators (side note: have I reviewed it? Could I ever?). The spawning of cruel jokes aside – thanks, bald ‘best friend’ – the book left me with a yawning curiosity for the esoteric and/or far-out writings of Gurdjieff and Ouspensky, Crowley and Blavatsky, Leary and all things Jung. Tommy Hall was a true head, but sadly this Gonzalez is too lazy to go that deep. Luckily there was once a dude named Robert Anton Wilson who went there for me. Given his background – author of titles such as the lluminatus! trilogy and Sex, Drugs & Magick, combined with a stint as editor of Playboy magazine – I was beyond sold. In Prometheus Rising, Wilson attempts to establish the ultimate guide to life, complete with charts, neurobiological lingo, quantum exposés and amazingly-named Exercizes to amp your Stone Age brain to its uber-heightened, superhuman potential. Wilson becomes the title’s Prometheus, bestowing upon us the fire to break away from our tabooridden, socially-imposed cages and join the gods, all through the combined teachings of the tongue-tying names above; for instance, rewiring of our brains’ inner circuitry through self-observation and… imitating Hitler? But trust me, the book is much more than that, and by this I mean that it’s funny and unpretentious and actually quite enlightening. Crappy cartoons aside, and regardless of whether you do the Excercizes (I didn’t), there is definitely much to gain from Prometheus. At least the term ‘domesticated ape’ as a satisfying insult, if nothing else.
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Films by Sabzian
R.I.P. Chantal Akerman ‘The way I would like to film corresponds to the idea that the land one possesses is always a sign of barbarism and blood, while the land one traverses without taking it reminds us of a book.’ One of the most interesting filmmakers of our time has passed away. As the author of over 50 films, Chantal Akerman was as prolific as she was versatile, making fiction films as well as documentaries and installation pieces. One could say her practice was that of the nomad; not only did she physically travel the globe, her work also harboured a persistent sense of not belonging. Not belonging as a woman, as a Jewish girl, as an artist. She left her mark on film history early on in her career with Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), framing the slow unravelling of a housewife’s domestic routines with a sense of observation that opposes ‘a hierarchy of images that places a car accident or a kiss higher in the hierarchy than washing up [...] And it's not by accident, but relates to the place of woman in the social hierarchy [...] Women’s work comes out of oppression and whatever comes out of oppression is more interesting.’ Akerman’s way of looking prompts viewers to join her in her quest for ‘other images’: ‘I wanted people to physically feel time pass by. Most films are made to forget about time. Sometimes people say my films are intellectual. But they’re much more physical than they are intellectual.’ When asked by a radio interviewer for a ‘last phrase’ that would encompass her personality she said: ‘Whenever things aren’t going well and I’m in bed unable to sleep, I say to myself: “Laisse toi vivre, laisse toi vivre, laisse toi vivre˝.’ Chantal Akerman’s work should and will be screened all over the world in the coming years and beyond, starting right here in Brussels’ Flagey until the end of November.
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Films Out 1: Noli me tangere Jacques Rivette I think that the cinema, even at its most naturalistic, is always secretly involved in levels of dream and fantasy, and that we must see the so-called director as a kind of psychoanalyst. Like the psychoanalyst, the director does not talk, he listens – but this is, of course, just a metaphor. Inversely proportional to its lack of public familiarity, Jacques Rivette’s Out 1: Noli me tangere is the cinephile’s holy grail. It was shot in the spring of 1970 and can be seen as a portrait of the French left in post-May 1968 Paris. It is an epic meditation on the building of all things collective, the utopian May ’68 dreams: manifestos, demonstrations, critical movements and the street. But it is also a portrait of the aftermath, the decline of these political and intellectual realms: the alienation, isolation, solitude and finally delusions of the characters in it. By the time of its release, in a work print and barely a year later than it was shot, the film was 13 hours long. It is tempting and easy to lend such massive works as Out 1 their mythical status because of their measure, their different versions and the persistence with which the author kept working on them throughout his or her career. But make no mistake and let this film not be judged by the anecdotal or sometimes even hysterical rumours around it: Rivette’s masterpiece is one of cinema’s masterpieces. The strange, unworldly use of the duality of documentary and fiction is an allegory for the building and shattering of the political utopian dreams. Bridges are being built between reality and imagination. We’ve all long known Godard and Truffaut – and some of their films – but we bet you’ll agree, after having experienced the screening of Out 1, that Jacques Rivette is the Nouvelle Vague’s true and only master. 28 & 29/11 CINEMATEK in collaboration with Courtisane.
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EEN GREEP UIT ONS CONCERTAANBOD WO 04.11
MARIANNE FAITHFULL
VR 06.11
ALSARAH & THE NUBATONES / BABA COMMANDANT & THE MANDINGO BAND /
ism Democrazy
Popicoon Marianne Faithfull houdt op haar nieuwe wereldtournee halt in Vooruit
DJ SEBCAT
“The new star op Nubian pop” volgens The Guardian + afrobeat à la Fela Kuti meets Burkinese funkrock
DO 19.11
YACHT
ZA 28.11
EASTERN DAZE II: Inşanlar, Arnold Dreyblatt, Karkhana, Görkem Şen, Antti Tolvi, Ashtray Navigations & Sarah Davachi
Electropopduo YACHT is terug met een nieuw album – gratis caféconcert!
Festival op het kruispunt van etnische folk en avant-garde ism Kraak, Europalia Turkije en Oorstof INFO & TICKETS:
WWW.VOORUIT.BE - T. 09 267 28 28
Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
Film: Eau Zoo
landscapes beaten by the wind, the movie flirts with a certain anticipation cinema, proves to be a Shakespearean drama and becomes a captivating, peculiar tale.
02 October - Cinema Zuid, Antwerp 18.00 | €5 | Free for members Emilie Verhamme is a promising young director. Her first full-length
Things to do this month — November 2015
was screened at several movie festivals. Lou and Martin are adolescents living on an island with their overprotective parents, trying to escape. Against a backdrop of
Music, art and film 47
Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
On the following pages you’ll find all of this month’s Subbacultcha events. You can buy a ticket at the door or become a Subbacultcha member and enter for free. Join at subbacultcha.be
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Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
On the following pages you’ll find all of this month’s Subbacultcha events. You can buy a ticket at the door or become a Subbacultcha member and enter for free. Join at subbacultcha.be
Deradoorian
Olimpia Splendid
02 November - De Kreun, Kortrijk 20.00 | €15 | Free for members
02 November - AB, Brussels 19.00 | €13 | Free for members
After collaborations with Flying Lotus, Vampire Weekend, Bjork, Matmos and the Roots, and after her contributions as bassist, keyboardist and vocalist for Dirty Projectors, Angel Deradoorian decided to go solo. Deradoorian is still evolving and searching for different sounds but her music is characterised by a striking voice, backed by mysterious sounds, influenced by East Indian, Middle Eastern and traditional Japanese music, and by Native American rhythms.
Besides being a brand of air conditioners, Olimpia Splendid is first and foremost the out-of-thisworld project of a Helsinki-based female trio consisting of Heta, Katri and Jonna. Combining elements of punk and noise while applying concepts of deconstructivism to their music, the Finns create an almost macabre and bloodcurdling atmosphere armed with their sole guitars, bass, drum machine and sporadic shrieks.
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Subbacultcha Events. Free for members
Tu 03.11 Mykki Blanco US with AB concerts Sign up for €8 per month at subbacultcha.be Th 5– Schiev Festival: Low Jack FR Su 8.11 Aïsha Devi CH Lawrence Le Doux BE Milan W. BE Ketev DE N1L LV Zamilska PL RSS B0YS PL Plapla Pinky FR Orphan Swords BE Bepotel BE Köhn BE Kassett BE Gàbor Làzàr HU Autrenoir FR Borusiade RO Miaux BE Ignatz BE & 6SISS BE
Mykki Blanco © Jack Mannix
We 11.11 ARBEID ADELT! Su 22.11 Islam Chipsy EG & EEK EG with AB concerts Fr 27.11 Stikstof + Romeo Elvis Fr 18 – Bas Nylon BE Sa 19.12 Met de steun van de
beursschouwburg
10.11.2015 50
Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
Schiev Festival
screamo. On stage as on record, the music of H09909 is a rough aggregation of spitting, acting like they’ve just snorted heroin and kicked people in the face with their genitals out. The experience promises to be dirty and epiphanic.
08 November - Beursschouwburg, Brussel 12.30 | €10 | Free for members Located in the pedestrian heart of the capital, this four-day event is the initiative of SHAPE, a platform for innovative music and audiovisual art from Europe. Should you be wondering, ‘Schiev’ is a Bruxelloise slang word that means ‘crooked’. Far from being so, the festival offers an avantgarde pop but still eclectic lineup made accessible for a vast audience. Schiev will also host a series of debates, screenings and other music projects.
Jenny Hval
12 November - Charlatan (Democrazy), Ghent 20.00 | €15 | Free for members ‘What is it to take care of yourself? Getting paid? Getting laid? Getting married? Getting pregnant? Fighting for visibility in your market? Realising your potential? Being healthy, being clean, not making a fool of yourself, not hurting yourself?’ Norwegian artist Jenny Hval asks necessary questions in eerie songs about our society, sexuality, feminism, capitalism and personal battles. Her expressive performances are mesmerising, her vocals freakish and challenging, but while Hval’s music is chilling and unpredictable, it embraces you with warmth at the same time.
H09909
10 November - Muziekodroom Club, Hasselt 20.00 | €13 | Free for members As their name might suggest, this project lead by Eaddy and the OGM is the outlet of forbidden and repressed gruesome emotions. The New Jersey-based duo mingles angry hip hop with fastpaced punk rock and electric
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Girls in Airports
they tend to be compared), the British duet brings forward a laidback, guitar-lead rock that inspires bucolic soundscapes in American Sixties and Seventies sceneries. Their second album, Green Lanes, was released in August on independent label Trouble In Mind.
12 November - Flagey, Brussels 20.15 | €15 | Free for members Copenhagen-based jazz experimentalists Girls in Airports make elegant cinematic-like soundscapes that captivate the listener in an emotional and reflective way. Two saxophones permanently form the epicentre while drums, ambient beats and Nordic melancholy build up to grace the piece. The quintet will be travelling to Belgium to premiere its new effort, Fables, in Flagey’s Studio 1, well-known for its splendid architecture and perfect acoustics.
Theatre: Oblivion
Ultimate Painting
13 November - Madame Moustache, Brussels 20.00 I €8 I Free for members
13-14 November - CAMPO, Ghent 19.30 | €13 | Free for members Imagine that every object, thought or relationship that you once got rid of returned. Would you run away screaming, or rather take the chance to appreciate and reinvest in those resurrections? Performer and author Sarah Vanhee reflects on this in her performance Oblivion. She explores the area
It was when their respective bands Veronica Falls and Mazes crossed paths on tour that Jack Cooper and James Hoare’s partnership blossomed into what we now know as Ultimate Painting. Far from being a pastiche of their predecessors Velvet Underground (to whom
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Film: Sculpturen Spiegelen
when past garbage is not considered garbage any more, but rather something that can be celebrated. In Oblivion, Vanhee deals with everything that she would’ve thrown away in the past year. Something we should all try some time.
Meakusma presents: Concert Night at Foyer 14 November - Jünglingshaus, Eupen 20.00 | €13 | Free for members
16 November - Art Cinema OFFoff, Gent 20.30 | €7 | Free for members
Around in the Belgian electronic music scene since ’98, Meakusma doesn’t fall short of its reputation as a pioneering label and topnotch promoter. Still ahead of the curve, the organisation has curated an eventful evening with unmissable acts at its head: French experimentalist and music architect Pierre Bastien, Philippe Schultz’s project Ambassador Duo and Apparent Extent label creator Volker Zander. Make the best of a concert whose headlining artists will give a somewhat more exquisite taste to electronic music.
A special screening of two closely-linked features focusing on sculptures and the powerful dialogues they can spark: Chris Marker and Alain Resnais’s 1953 essay film Les statues meurent aussi, which treats the role of African art as the currency between imperialism and the exotic ‘other’; and Turner Prize winning It For Others by Duncan Campbell who, inspired by the aforementioned film, creates a montage unveiling the commodification
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SOON AT
#ABconcerts
Tue 03.11
Tue 17.11
Julia holter
AB & Beursschouwburg
Mykki Blanco presents C-ORe
Thu 19.11
Wed 04.11
Europalia Arts Festival
Algiers
Okay Temiz & La Fanfare du Belgistan
Thu 05.11 Screening
FRi 20.11
The Punk Singer - Kathleen hanna
Europalia Arts Festival
Orkestras (Finders Keepers)
SAT 07.11 Coca-Cola Sessions
SAT 21.11
Chrome BrulĂŠe + Go March
Sound/Check
exploring Music Today
MON 09.11
The Arcs feat. dan Auerbach
SuN 22.11
Tue 10.11 Autumn Falls
islam Chipsy & eeK
Father John Misty + Anna B Savage
Wed 25.11
AB & Beursschouwburg
The Cinematic Orchestra
Tue 10.11 Autumn Falls
Kiss The Anus Of A Black Cat + The Black heart Rebellion
FRi 27.11
Thu 12.11
SuN 29.11
Flying horseman CD presentation + Get Your Gun
death Cab For Cutie + Chasity Belt
Bed Rugs + Pauw + Beartooth
buy your tickets at www.abconcerts.be 54
Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
of objects and, by extension, of their history and symbolism.
all around the world, most notably by auteur and enfant terrible Quentin Tarantino, who cast one of the film’s actresses in his Kill Bill epic. A fantastic supporting turn from cult Japanese director Beat Takeshi rounds off the terrific cast. Not for the faint of heart. Catch it in Ghent, before the inevitable watered-down Hollywood remake is released.
Film: Battle Royale
Jacco Gardner 18 + 25 November KASKcinema, Gent 22.30 | €14 | Free for members Veteran filmmaker Kenji Fukasaku’s final film is perhaps his most brutal. As several students battle to the death on a remote island, the master filmmaker deftly creates a visually stunning and moving picture that serves as an allegory for the politics of high school and the eventual cold grip of the real world that every kid comes to face at the tail end of his teenage years. The profound impact of the film was felt
18 november - De Roma, Antwerp 20.30 | €16 | Free for members 21 November - Cactus Club, Bruges 20.00 | €17 | Free for members Emulating the style of psychedelic paisley folk of Left Banke and The Zombies, but filtering it through modern production styles, Jacco Gardner creates
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vr 30.10 20.30 u.
BANNED FROM UTOPIA(us)
wo 11.11 20.30 u.
TAXIWARS(be)
za 14.11 20.30 u.
ROOSBEEF(nl/be) IWEIN SEGERS(be)
di 15.12 20.30 u.
ROCKET FROM THE TOMBS(us)
vr 15.11 20.30 u.
KINDERKUNSTENDAG:
IK EN DEN THEO(be)
za 06.02 20.30 u.
vr 20.11 20.30 u.
LEFT LANE CRUISER(us) MONSTERA DELICIOSA(be)
lst Houthu Haan † 8650 De aat 27812 † 8420 hovestr laan 54 11 19 Jonkersal Mercier 051 e FAX lst: telein.b 12 † Houthu Kardina 54 11 elen-cas Kantoor De Haan:051 www.sa TEL SITE Kantoor
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za 21.11 20.30 u.
T.P.- ORCHESTRE POLY-RYTHMO DE COTONOU(bn) PICKING COMBO(be)
za 05.12 20.30 u. ihkv Autumn Falls
CHANTAL ACDA(be) SHILPA RAY(us)
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za 13.02 20.30 u.
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BESTN VAN TWESTN
Info en tickets:
www.4ad.be
Muziekclub 4AD • Kleine Dijk 57• 8600 Diksmuide
6 STADT
NOV
+ RADIAL SEQUENCE
10 SONGHOY BLUES
NOV
+ TEME TAN
13 COBAIN: MONTAGE OF HECK
NOV
+ NIER VAN A
20 TYPHOON NOV
18
JACCO GARDNER NOV FREE
FOR MEMBERS
+ MICHAEL RAULT
21 HENRY ROLLINS
JAN
(SPOKEN WORD)
27 MULATU ASTATKE JAN 5 DANIEL NORGREN FEB
TURNHOUTSEBAAN 286, BORGERHOUT (ANTWERPEN) | TICKETS: WWW.DEROMA.BE
Subbacultcha Events. Free for members Sign up for â‚Ź8 per month at subbacultcha.be
music that at once sounds familiar and unique. After releasing his second LP Hypnophobia this year, Jacco is taking his slice of psychedelia on the road, and bringing it to Belgium. Grab a drink and let the trippy, pacifying music wash over your soul.
ley, while Partinen creates choppy, cerebral chaos which while dissonant never fails to intrigue. Also on this 100% Finnish line-up is Nuslux, the solo project of visual artist and synthesizers specialist Roope Eronen.
Film: Victoria
Antti Tolvi + Nuslux + Arttu Partinen + Kiiskinen
26 November - Het Bos, Antwerp 20.00 | tba | Free for members
27 November - Cinema Zuid, Antwerp 18.00 | â‚Ź5 | Free for members
Antti Tolvi and Arttu Partinen, two acclaimed adventurers of the Finnish experimental music scene, cook up some of the deepest psychedelic trance. Tolvi makes hypnotising, seemingly boundless piano soliloquies reminiscent of a bare-bones Terry Ri-
Fresh off the festival circuit, with several accolades to boot, Victoria is a unique and suspenseful journey into the nightlife of Berlin. Shot entirely in one continuous take, using over 22 different locations, the sprawling thriller is
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Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
Ambrose Akinmusire Quartet 03.11.2015 - 20:15
Girls in Airports Joshua Redman, Aaron Parks, Matt Penman, Eric Harland: James Farm 18.11.2015 - 20:15
Raoul Servais « Tank » avant-première + shorts 15.11.2015
GIRLS IN AIRPORTS
12.11.2015 - 20:15
Subbacultcha Events. Free for members Sign up for €8 per month at subbacultcha.be
a unique experience that will keep you on the edge of your seat. The screenplay was a mere 12 pages long, and most of the dialogue you see on the screen is improvised by the cast, turning in incredibly believable performances, adding a unique layer to the archetypical nightcrawlers you’re bound to find on a night out in the German capital. This film is an experience that will stay with you long after you’ve left the theatre.
from the masses to make a distinguishing breakthrough in this digital age. In a nonchalant kind of way, the New York-based band makes its fuzzy bass and echoey guitar easily drift from an experimental lo-fi music to grim distorted compositions. The result of it all is a superbly well-executed artistic manoeuvre.
Sunflower Bean
30 November - Art Cinema OFFoff, Gent 20.30 | €7 | Free for members
Film: Art, Artists and Film
Because no art form is safe from cross-fertilisation by other media, and this is not a bad thing. Works by Harald Thyssen and Jos De Gruyter set out to prove this point. Also on the menu are shorts by iconic artists-cum-filmmakerscum-artists such as Bruce Connor, Marcel Duchamp, Maya Deren and Lilian Lijn, where the amalgam of art forms creates an undifferentiated monster of many arms, reaching boundlessly beyond the confines of the praxis.
29 November - Botanique, Brussels 19.30 | €14 | Free for members With their psychedelic rock filtered through modern aesthetic criteria and topped with a Bauhausian dark ambiance, Sunflower Bean noticeably emerges
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CONCERTEN AGENDA
us October Recommendations 01.11 DERADOORIAN 03.11 BATTLES us Sold out 04.11 DESTROYER ca + JENNIFER CASTLE ca Sold out 09.11 ONEOHTRIX POINT NEVER us 13.11 BRAIDS ca Autumn Falls 14.11 DARWIN DEEZ us 17.11 JOHN GRANT us+ FUFANU is 19.11 DUCKTAILS us Autumn Falls 19.11 BOOGARINS br 21.11 DEERHUNTER us+ ATLAS SOUND us 22.11 OUGHT ca+ YUNG dk 24.11 JAAKKO EINO KALEVI fi ca SEAN NICHOLASus SAVAGE WEYES BLOOD Autumn Falls 26.11 ANDY STOTT gb / VATICAN SHADOW us
MORE @ WWW.BOTANIQUE.BE | 02 218 37 32 60
Agenda — Focus by Julien Van de Casteele
BOZAR Night Organised in the Brussels’ Center for Fine Arts, BOZAR NIGHT is a unique event that explores the interaction between music and art. Until the early hours of the morning, visitors will be able to access the current exhibitions while a line-up of electronic musicians curates the soundtrack. Here are the highlights you can’t miss. 10 November - BOZAR, Brussels Exhibition: Imagine Istanbul Every two years, Europalia celebrates a country’s cultural heritage through a collection of various exhibitions and events. Imagine Istanbul partakes in this year’s focus on Turkey by exploring some of the country’s most influential photography artists of the 20th century. In the light of this exhibition, two artists have been given the chance to share their perception of Istanbul, built during a residency; Débruit recorded musical materials while Bieke Depoorter brought back snapshots of the city.
are still very present, suggesting pretty unique and hypnotic live shows. Music: The Space Lady
Notorious for wearing a winged helmet, Susan Dietrich, aka The Space Lady, descended to earth and began her musical odyssey in the late ’70s, spreading love and pacifism in the streets of Boston with an accordion. Susan was unknown to the digital world until a famous DJ included one of her songs on a compilation in 2000. This is probably the most odd one out of the bunch – but a life-affirming experience not to be missed.
Music: Blondes NYC-based techno band Blondes celebrates its comeback with a new EP after two years’ silence. Persuasion, released earlier this year on RVNG, was the first studio effort from the duo, who previously produced their works from jam sessions and live recordings. Nonetheless, the intoxicating and unpredictable signature beats
bozar.be
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Subbacultcha Events in November See all these shows for free. Join at subbacultcha.be
Deradoorian
Meakusma Film: Victoria 27 November presents: Cinema Zuid, Antwerp Concert Night at 18.00 | €5 | Free for members Olimpia Splendid Foyer Sunflower Bean 14 November 02 November De Kreun, Kortrijk 20.00 | €15 | Free for members
02 November AB, Brussels 19.00 | €13 | Free for members
Jünglingshaus, Eupen 20.00 | €13 | Free for members
Schiev Festival
Film: Sculpturen Spiegelen
08 November Beursschouwburg, Brussels 12.30 | €10 | Free for members
H09909
10 November Muziekodroom Club, Hasselt 20.00 | €13 | Free for members
Girls in Airports
12 November Flagey, Brussels 20.15 | €15 | Free for members
Jenny Hval
12 November Charlatan (Democrazy), Ghent 20.00 | €15 | Free for members
Ultimate Painting
16 November Art Cinema OFFoff, Gent 20.30 | €7 | Free for members
Film: Battle Royale
18 + 25 November KASKcinema, Gent 22.30 | €14 | Free for members
Jacco Gardner
18 November De Roma, Antwerp 20.30 | €16 | Free for members
Jacco Gardner
21 November Cactus Club, Bruges 20.00 | €17 | Free for members
Antti Tolvi + Nuslux + Arttu Partinen Theatre: Oblivion + Kiiskinen 13-14 November 13 November Madame Moustache, Brussels 20.00 I €8 I Free for members
CAMPO, Ghent 19.30 | €13 | Free for members
26 November Het Bos, Antwerp 20.00 | tba | Free for members
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29 November Botanique, Brussels 19.30 | €14 | Free for members
Film: Art, Artists and Film
30 November Art Cinema OFFoff, Gent 20.30 | €7 | Free for members
R&S Night with Paula Temple
11 December Ampere, Antwerp 23.00 | €10 | Free for members
MUSIC
& MORE
10 NOV. ’15 EXPO
20:00 — 03:00 JULIO BASHMORE BLONDES GOLDEN TEACHER DÉBRUIT THE SPACE LADY
CENTRE FOR FINE ARTS BRUSSELS
BOZAR NIGHT
PALAIS DES BEAUX-ARTS BRUXELLES PALEIS VOOR SCHONE KUNSTEN BRUSSEL Rue Ravensteinstraat 23 1000 Brussels +32 2 507 82 00 / bozar.be
E.r. · V.u. Paul Dujardin, rue Ravensteinstraat 23, 1000 Brussels, Photo · Foto: debruit © Steyt Pena