CITADEL THEATRE ROB B I N S
ACADEM Y
2014 2015 SEASON SPONSOR
BOB BAKER I ARTISTIC DIRECTOR PENNY RITCO I EXECUTIVE DIRECTOR
PRESENTED BY
Venus in fur BY DAVID IVES
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2014/15 SEASON Bob Baker | Artistic Director penny ritco | executive Director
Board of Governors Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary David D. Bentley, F.C.A. Frederick K. Campbell Jacqueline Charlesworth Marc de La Bruyère Anne Foote (Honourary) Ada Hole Ralph B. MacMillan Sandy Mactaggart (Honourary) Jack McBain Arliss Miller Catrin Owen Ex Officio Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Ralph Young
Board of Directors Catrin Owen President Aroon Sequeira Past President Dave Mowat Vice President Jane Halford Treasurer Jane Batty Lesley Cormack Neil Gower Becky Hole Richard Kirby Stuart Lee Dave Majeski Lisa Miller Margot Ross-Graham Peter Silverstone Micah Slavens Larry Staples Sheila Witwicky
HonoUrary Directors
Jack N. Agrios, Ken Bautista, Jan Bentley, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jean Hamilton, Brian Hetherington, Ted Hole, Mike House, Gary Killips, Beverlee Loat, Al Maurer, Ashif Mawji, Maureen McCaw, Eva McGregor, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Barbara Shumsky, Gaurav Singhmar, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, Chief Justice A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa
KIM’S CONVENIENCE By Ins Choi September 20 – October 11, 2014
THE DAISY THEATRE By Ronnie Burkett Theatre of Marionettes October 15 – November 2, 2014
ONE MAN, TWO GUVNORS By Richard Bean October 25 – November 16, 2014
A CHRISTMAS CAROL Adapted by Tom Wood Based on the story by Charles Dickens November 29 – December 23, 2014 Presented by
VENUS IN FUR By David Ives January 17 – February 8, 2015 Presented by
PLAYING WITH FIRE
THE THEO FLEURY STORY By Kirstie McLellan Day January 28 – February 15, 2015
LIFE, DEATH AND THE BLUES By Raoul Bhaneja February 11 – March 1, 2015
VIGILANTE Book, music, and lyrics by Jonathan Christenson March 7 – 29, 2015 Presented by
ARCADIA By Tom Stoppard March 21 – April 12, 2015 Presented by
AVENUE Q Book by Jeff Whitty Based on an original concept by Robert Lopez and Jeff Marx April 25 – May 24, 2015 Presented by
THANK YOU
WE EXTEND OUR HEARTFELT THANKS to all our donors, whose generosity, loyalty and commitment play a crucial role in ensuring our community has the opportunity to experience the joy of the performing arts. All of our donors have a profound and lasting impact on the quality, accessibility and relevance of the Citadel’s productions, facility and educational offerings.
ENCORE | Campaign Support VISIONARY
MENTOR
Maclab Enterprises
Darren & Laurel Durstling
David & Jan Bentley Bryan & Company LLP Felesky Flynn LLP The Highbury Foundation Richard & Erin Kirby Jack & Lorraine McBain Morgan Construction and Environmental Ltd. Chris & Dale Sheard Susan Wylie & Bruce Hagstrom
LEADER
INITIATOR
Gifts of $1,000,000 and above
FOUNDER
Gifts of $500,000 - $999,999 The Eldon & Anne Foote Fund at the Edmonton Community Foundation
AMBASSADOR
Gifts of $250,000 - $499,999
Gifts of $100,000 - $249,999 Dentons Canada LLP Ashif, Zainul, Kinza & Aariz Mawji Arliss Miller Al & Fran Olson The Shoctor Family
Gifts of $50,000 - $99,999
Gifts of $25,000 - $49,999 J.G. Greenough Lisa & Marshall Sadd
DREAMER
Gifts of $10,000 - $24,999
Susan & James Burns Butler Family Foundation Lesley Cormack L. Neil Gower Q.C. Lisa Miller & Farrel Shadlyn Lewis & Lindsay Nakatsui Catrin Owen & John Sumner Aleda Patterson & Family Sir Francis Price & The Honourable Marguerite Trussler The Sequeira Family The Summit Foundation Sheila Witwicky & Phil Beauchamp
FRIENDS
Gifts of $5,000 - $9,999 Don & Lorna Kramer Stuart & Sherry Lee Joseph & Nancy Thompson
Keith & Valerie Alessi Lorraine Bray & Jim Carter
| Annual Support STEWARD
DIRECTOR
Marc de La Bruyère & Stacy Schiff Ada Hole Muriel Hole Maggie & John Mitchell Rob & Beth Reynolds
Madam Justice L. Darlene Acton The Honourable John & Ruth Agrios Bob Baker & Tom Wood Dr. & Mrs. Luis & Alexis Baptista John & Judith Cosco Doug & Wendy Davey Dr. Elizabeth Dixon & Dr. Ben Macedo Grant Dunlop & Erika Norheim Allison & Glyn Edwards Leslie Frankish Cecil & Anne Hoffman Wolfgang & Elizabeth Kaminski Cherisse Killick Leo J. Krysa Family Foundation Jack & Lorraine McBain Arliss Miller
Gifts of $10,000 +
ARTISTIC DIRECTOR Gifts of $5,000 - $9,999
David & Jan Bentley Don & Lorna Kramer Sandy & Cécile Mactaggart Al & Fran Olson Tom & Corrie Redl Robert Rosen Aroon Sequeira Chris & Dale Sheard Weir Family Fund
Gifts of $2,500 - $4,999
Ove & Susan Minsos Nobert & Patricia Morgenstern David J. Mundy Esther Ondrack Playhouse Publications Ltd. The Poole Family Jerry & Mary Preston Sir Francis Price & The Honourable Marguerite Trussler Penny Ritco Alan Rose & Judy Schroder Arnold & Grace Rumbold Kayla Shoctor Marshall & Debby Shoctor Eira Spaner Larry & Moira Staples Buddy Victor Paddy Webb Sheila Witwicky & Phil Beauchamp venus in fur 5
STAR
Gifts of $1,000 - $2,499 Carol & Rae Allen Gail Allord Anonymous Becker Bruce & Carol Bentley Dr. Doug & Mary Bosko Guy Bridgeman & Dianne Ross David & Marlene Burnett Butler Family Foundation Frank Calder Linda Cook Lesley Cormack J. Susan Davis Richard Gil Neil Gower J.G. Greenough J. Halford Brent & Deborah Hesje J.D. Hole Brenda & John Inglis Investors GroupSherwood Park Gail & Andrew Jarema Linda & Siegfried Kowand In Memory of Dr. Kris Kristjanson James & Maggie Laing Stuart & Sherry Lee Robert & Dawn Lemke Peter & Dorothea Macdonnell Fund Linda & Kim Mackenzie James McFarland Keith & Brenda McNicol Lisa Miller & Farrel Shadlyn Q.C. Jim & Celestine Montgomery Laverne & Aaron Nathan Edna & Cal Nichols G. Douglas Oakley & Elizabeth McAfee Catrin Owen PCL Constructors Inc. The Press Gallery Soloman & Marilyn Rolingher Suggitt Publishers Neil & Merle Taylor Mike & Michele Thompson D. Lorne & LeeAnn Tyrrell David Verbicky Bart & Carole West 6 venus in fur
Dave Wilson & Wendy Kotow Linda Youell Ralph & Gay Young Leon Zupan
Tom & Judy Peacocke Poster Tech Aline Pratch Curtis & Sandra Prosko Richard Remund Henry & Helen Resta LEAD Antoni & Lucyna Rojek Gifts of $500 - $999 Sentinel Self-Storage Co. Dagny & Graeme Alston Doug & Devika Short Bonnie Andriachuk & Allen & Myrna Snart Darrel Ewaschuk Marianne & Kent Anne Anfindsen Stewart Anonymous Neil & Merle Taylor James Archibald & Michael & Kathleen Heidi Christoph Tomyn Fiona & Stephen Douglas & Dorothy Bamforth Warren Ida & Tommy Banks Ben Wiez Jim & Helen Banks Sarah Wylie Jane Batty Andrew & Barbara Belch SUPER Barbara Blackley SUBSCRIBER Joyce Buchwald Gifts of $100 - $499 Norman & Anne Burgess Baha & Sharon Brian & Barbara Burrows Abu-Laban Chris & Leah Burrows Greg Alcorn David & Connie Anderson Ronald Cavell Martin & Anna Andrea Z & M Chrzanowski Betty Andrew Janelle Conrad Gail Andrew Heinz Feldberg Diana & Laurence Betty & Mike Gibbins Andriashek Ghislaine Hebert Patricia Anholt Elizabeth, Rosalina & Anonymous Cynthia Hicks Brad & Lori Armstrong James Ash Bill & Jana Holden Halfdan Baadsgaard Lynn & Thomasz Diana Bacon Hruckowski Charlotte & Mark Bonnie Hutchinson Ballerman Norman & Valerie Roderick Banks Kneteman Tony & Valerie Barlott Ken & Jennifer Kouri Ingrid Barlow Christine Kyriakides William & Carole Barton Dr. Ed & Nikki Lazar Maurice & Annette Bastide Walter & Stella Baydala Teresa Mardon Barb & Jim Beck - Royal Lepage Joan Bensted Suzette Marxheimer Ian & Linda McConnan Donna Bereska Madhu & Sundri Douglas & Claire Bhambhani McConnell Terri & Gary Biasini Norma & Gordon Sophie & Paul Bishop McIntosh Angie Bogner Gordon & Agneta Beverley Boren McKenzie Amy Borkent Marie Montgomery Keith & Elizabeth Bowering Maureen & Jim Moran Robert & Maureen Braun Bill & Joyce Mustard Norma Brekke Lewis & Lindsay Anne Brereton Nakatsui Jack Brown Thomas Newton Linda Brownlee Fred & Helen Otto
Jeremiah Burak Kevin Burghardt John Bylhouwer Jessica Callele James & Joan Carlson Martin Carroll Barry Cavanaugh Don Chisholm Brent Christopherson Wayne Church Gordon & Janet Clanachan Janet Clark David & Linda Climenhaga Jack & Marilyn Cohen Ruth Collins-Nakai David Cornish Karen Cox Kim & Rick Craig Marilyn Cree Robert Crosbie Randall & Angela Croutze Patrick & Luxie Crowe Delbert & Jane Dahl Jillian Dal Bello Patricia Dawson Marcella Dejong John Devlin & Patti Proctor Lorne & Edith Dixon Brad Doucette Simonne Doucette Julie-Ann Dron Francis & Muriel Dunnigan Randy & Wendy Dupree Roland Duquette L.A. Dushenski Douglas Duval Carmen & James Dykes Jaqueline Eddy-Caithness Liz Edmunds Dr. Rod & Pat Eidem Jacqueline & Martin Elton Dean Evanger Noella Fagnan Thomas A. Farrell & Anne Henderson Lawrence & Alayne Farries Gail Faulkner Pat Ferguson Lois Field Kristen & Mark Finlay Robert Fleming Rose Fowler C.R. French Charles Friedrich Gaston Fuentealba Jean Fukushima John Galanka Ken & Barbara Galm Daniel Gamache Frank Gibson Shirley Gifford Harry Gill Isidor & Grace Gliener Gaie Goin Bill Grace
Carole Anne Gramniak Lilian Green Paul Greenwood Audrey Groeneveld Brenda Gross Kathy Hancock Lois & Chan Hawkins Tatsuyuki & Doris Hayashi Linda Henderson Robert Henderson Debbie Hill Patsy Ho Donna Holowaychuk Ray & Elaine Hook Robert & Laurel Hudson Judith Hugh Mary Hurlburt & Norm Stacey Elesevata Hymonyk Caroline Hyndman Richard & Laurel Innes Erik & Franziska Jacobsen Shiraz Jaffer Chris Jager & Jean Coutts Ladislav & Ludmila Jakoubek Paula Jamison Evelyn Jensen Carolyn Johnson Joan Johnston Jerry Juzwa Venta Kabzems & Stan Houston Brian & Ida Kaliel Jatinder Kalra Jerry & Miriam Katz Doris Kent Angela Kercher Nolton Knippel Kara Knoop Liz Kohle Darlene Kos Tina Kovlaske Anita Kozyrskyj Tim Kruger Maureen Kular John & Sylvia Laarhuis Lew Lamontagne Neil Lang Patricia Langan Cecilia Laskoski Jack & Diane Latham Ruth & George Lauf Steve Laurion Don & Gwen Lawrence Allen Lee Sigmund Lee
Theresa Lema Marilyn Lemay Valda Levin Mary Lister Myron & Maureen Liviniuk Chris & Cecilie Lord Andre Louw Emily Low Don Lucas Jeff Lukan Shauna & George Lutzer Shirley MacArthur James MacDonald Douglas MacDougall Mary Machum Sam MacIsaac Dawn MacRitchie James MacSween Don & Cristina Mah Jo Anne Mahood David Maplethorpe Estelle Marshall Bev Martin Neil & Pamela Martin Stacy & Mark Maurier Sharon Marie & Tim Mavko Ross McCrady Alan & Patricia McGeachy Andrew Douglas McGregor Betty McMillan Linda Medland Davis Dr. A. & Evelyn Meer Pamela & Dennis Melnyk Mark Mertens Bonnie Moon Gordon & Kathy Moorhouse Al Morrow Alexis Morrow Kevin & Robyn Mott Dave Mowat Doug & Kathy Murray Marie Muszynski Leita Siever & Craig Neuman Roy & Trudy Nickerson Ian & Lou Nicol Jennifer Oakes Dianne Oberg & Marty Taylor Erin O’Connell Mary O’Connell Soren Odergard Linda & Thomas O’Leary
David & Paula Onderwater Wade O’Neill James & Beverley Orieux Vital & Colleen Ouellette Kathy Packford Stacey & Chris Padbury Marian Palahniuk Fred & Mary Paranchych Aleda Patterson Carol Pawlenchuk Donna Pawliw Leslie & Rick Penny Richard & Catherine Perry Gordon Peterson Gerald Piro Tammy Pidner E. Fay Plomp Jeff Polovick Susan & Darrell Portz Jean & Edward Posyniak Paul & Leslie Precht Olga Predy Michael Prendergast Helen Primrose Barb Prodor Diana Purdy Andrew & Carol Raczynski Jeff Ramage Darlene Rasko Barbara Redmond-Ellehoj Laverne Remirez Sheila Ringrose Ron & Carol Ritch James Ritco Donna & David Roseman Betty Ross Heather Ross Tina & Tony Rota Orla Ryan Deborah Salo Wayne Sartore Kay Savey Lynora M. Saxinger Carolyn Scheidt Charles & Marilyn Schroder Allan & Marianne Scott Seagate Contract Management Ltd. Noel Sharp Glenn & Margaret Sharples Chen Shen Richard Sherbaniuk Andrew Shum Ellie Shuster
Randy Sibulak Sol & Shirley Sigurdson Barbara & Gerry Sinn Sheila Sirdar Lynn Smarsh Trina Smith Dale Somerville Keith & Beverley Spencer Brian Sproule Kim Stadelmann Jean & Gerry Staring Fund Elout Starreveld Delores Stefaniszyn Lori Stokowski Lynn Storbakken Ben & Larraine Strafford Caroline Stuart Darren Sutton Campbell & Rosalind Sydie Gerard Tertzakian Erin Thackeray Tony Thai & Alvin Schrader Frank & Roseanne Thede Allison Theman Maggie Thompson Colin Tooth Mary-Ann Trachimowich Larry Trekofski John & Alana Tucker Darcy & Marion Turner Henriette van Hees Peter Vana Chris Vilcsak Lori Wall Shirley Watson Susan Watson Violet Watson Fabian Way Robert & Ann Weir William Wells Willis Winter John Wodak Daniel & Tonya Wolfe Lynn Wolff & Ed Holmes Susan Wright Colin Wylie Dr. Randall & Nancy Yatscoff Betty & Bill Young Antonio Zaragoza Diane Zinyk Ried & Heidi Zittlau Gerrhard Zmatlo Brian Zrobek & Pamela Chung
To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Sydney Stuart at 780.428.2142 or sstuart@citadeltheatre.com. Charitable BN 11922 7387 RR0001 Every effort has been made to ensure the accuracy of our donor information. If we have made an error or omission, please call us at 780.428.2142. We apologize for any inconvenience. venus in fur 7
PREMIER | SUPPORTERS We are proud to recognize our Premier Supporters, our partners in the creation of theatre at the Citadel Theatre/Robbins Academy. The Hole Family • The John and Barbara Poole Family Fund the Eldon & Anne Foote Fund • The Robbins Foundation Canada The Joseph H. Shoctor fund
Government & Foundation Supporters
We acknowledge the support of the Canada Council for the Arts, which last year invested $157 million to bring the arts to Canadians throughout the country. Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 157 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.
Dr. Joseph H. Shoctor, 1922 – 2001
executive producer and founder, the citadel theatre
Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate
HENRY HOLE, 1884 – 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole. The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory. 8 venus in fur
THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON
Dr. Ghalib Ahmed
ELECTRONIC DEVICES
T H E A T R E
C O U R T E S I E S
No doubt we have all been distracted by a cell phone, pager or
E L Ewatch C T Ralarm O N Iringing C D Eor V lighting I C E S up when attending the theatre. No doubt we have allfor been by a cellmembers phone, pager Out of consideration yourdistracted fellow audience we askorthat watch alarm ringing or lighting when you turn off all electronic devicesupthat emitattending noise or the light.theatre. Thank you. Out of consideration for your fellow audience members we ask that you A L Lturn E R off G Yall A L E R T devices that emit noise or light. Thank you. electronic For the safety of those with allergies, please refrain from the use A L LofEperfumes R G Y AorL scented E R T products before coming to the theatre.
ForR the of VA thoseNwith allergies, HEA I N safety G AD CEM E N T please H E Arefrain D S E Tfrom S the use of perfumes or scented products before coming to the theatre. We offer headsets to patrons with hearing difficulties. Ask the usher at the door of the theatre. These are provided free of charge. You
HEA I Nasked G Ato D leave VA Nyour C E driver’s M E N Tlicense HEA E T S until the willRbe asDa Sdeposit We offer isheadsets hearing difficulties. Ask the usher headset returnedtoatpatrons the endwith of the performance. at the doorINof THE the SHOCTOR theatre. These provided free of charge. You AVAILABLE ANDare MACLAB THEATRES. will be asked to leave your driver’s license as a deposit until the L ATheadset E S E AT I N G at the end of the performance. is returned
We endeavor minimize the AND distraction for THEATRES. our patrons and the AVAILABLE INto THE SHOCTOR MACLAB actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in L AT E S E AT I N G designated latecomer seating. You are welcome to move to your We endeavor to minimize the distraction for our patrons and the assigned seat at intermission. If you must leave the theatre during when seating latecomers. If you arrive late to foryour a performance, aactors performance you will not be allowed to return seat until you will be seated at the first appropriate moment in the play in intermission.
designated latecomer seating. You are welcome to move to your E M Eassigned R G E Nseat C Yat Eintermission. XITS If you must leave the theatre during On behalf of our Safety Sponsor Devon to Canada, ask that a performance you will not be allowed return we to your seatyou until please take a moment to identify the exit nearest you, so you can intermission. safely exit in the event of an emergency.
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PARTNERS
Recognizing our PRODUCTIONS PRESENTING SPONSORS
A Christmas Carol
Venus in Fur
Arcadia
Vigilante
Avenue Q
PRODUCTION SPONSORS
CREATIVE DEVELOPMENT
Play Development
Young Companies 10 venus in fur
Playwright’s Forum
Foote Theatre School Scholarships
Citadel/Banff Centre Professional Theatre Program
SEASON SPONSOR
AUDIENCE DEVELOPMENT
Beyond the Stage
Landmark Seats
Maclab Students Club
CAMERON DEVELOPMENT CORPORATION
Families First Program
Education Sponsor
Conveniently located on 170th Street
Opening Nights
Servus Pay What You Can
Safety Sponsor
OFFICIAL SUPPLIERS Suggitt PUBLISHERS
MEDIA SPONSORS Suggitt PUBLISHERS
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CITADEL THEATRE ROB B I N S
ACADEM Y
Citadel Theatre Corporate Subscription Program A TICKET PROGRAM designed specifically to benefit companies like yours. Please support the businesses that support the Citadel Theatre.
B & B DEMOLITION LTD. BDO CANADA LLP BIRKHOLZ HOMES CLARK BUILDERS ERNST & YOUNG LLP FELESKY FLYNN LLP FIRST TRUCK CENTRE EDMONTON LTD.
GRANT THORNTON LLP L. NEIL GOWER, Q.C. - MLT LAWYERS LIFT INTERACTIVE MOVE HAPPY REAL ESTATE (RE/MAX) RESULTS CANADA INC. STANTEC WILLIAMS ENGINEERING CANADA
The Corporate Subscription Program helps you by providing:
• • • •
A unique way to retain and thank both your clients and suppliers. Effective staff incentives and rewards. An opportunity to publicly show your support and commitment to the ongoing enrichment of our community. First class priority service with Citadel Theatre customer service representatives and invitations to networking opportunities.
For more information on this exciting program, please contact Angelica at amenck@citadeltheatre.com or 780.428.2109
Season Ticket Holder Benefits Season Ticket Holders receive exclusive perks from our partners. Show your SEASON TICKET HOLDER ID Card* to receive the following:
•
• •
Bistecca Italian Steakhouse & Wine Bar: 10% off entire bill anytime (cannot be combined with other offers) Brittany’s Lounge: 15% off entire bill Café Caribé: 15% off entire bill anytime Hundred Bar|Kitchen: 10% off entire bill anytime Lux Steakhouse & Bar: 10% off entire bill Madison’s Grill @ Union Bank Inn: Preferred guestroom rate with complimentary upgrade to a suite AND complimentary amuse-bouche with your meal Normand’s Bistro: 10% off entire bill Riverside Bistro at the Courtyard Marriott: 10% off entire bill Select Restaurant: 15% off entire bill Sorrentino’s Downtown: 10% off entire bill anytime (cannot be combined with other offers) Underground Tap & Grill: 15% off entire bill ZINC: 10% off your total food bill (cannot be combined with other offers)
* *
RESTRICTIONS AND CONDITIONS APPLY For replacement ID cards, please contact box office at 780.425.1820 Offer does not apply to the Choose Your Own Packages
• • • • • • • • •
The power of community Powered by local partnerships, Capital Power is proud to be the 2014/15 Season Sponsor – working together with the Citadel to bring inspiring theatre to our community. Enjoy your live theatre experience! Headquartered in Edmonton, Capital Power is a power producer with operations across North America.
www.capitalpower.com
Supporting the arts, locally.
At BMO Financial Group, we take pride in our local communities. That’s why, each year, through various donations and sponsorships we are committed to providing our support. BMO Financial Group is proud to support the Citadel Theatre and this production of Venus in Fur.
Creating value where we live and work. Together.
Great-West Life and the key design are trademarks of The Great-West Life Assurance Company. London Life and design are trademarks of London Life Insurance Company. ™Canada Life and design are trademarks of The Canada Life Assurance Company. ™ is a trademark of The Great-West Life Assurance Company.
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780-424-7777
Put your wedding in the spotlight at the Citadel Theatre Inquire at weddings@citadeltheatre.com 780.428.2129 venus in fur 15
Visit LandmarkHomes.ca to learn how
PROUD SPONSORS OF CITADEL THEATRE
STUDENTS CLUB We are thrilled to welcome back our 1000 Students Club Members as they prepare to enjoy Venus in Fur, the first Citadel Theatre main stage show of the New Year. The Maclab Enterprises Students Club is a Citadel Theatre/Robbins Academy program that offers a unique glimpse into the world of professional theatre to junior and senior high school students from Edmonton and surrounding areas. On the first three Tuesdays and Wednesdays of our season’s productions, Students Club members gather to enjoy a small reception before the show and participate in a highly engaging, interactive presentation/demonstration involving one of the Citadel’s talented theatre artists. Following the performance students are invited to stay for a talkback session with members of the production’s cast and crew. Prior to tonight’s performance, the Students Club was joined by graduates from the University of Alberta’s 2014 Bachelor of Fine Arts Acting Program. Recently Oscar and Andrea were seen onstage in A Christmas Carol, Merran performed in The Shakespeare Company’s Othello, and Neil appeared in The Lion, the Witch, and the Wardrobe in Rosebud, Alberta. Our special guests Merran Carr-Wiggin Neil Kuefler shared their experiences as young professionals, and led a short workshop on the fundamentals of acting. If you would like to become part of Students Club, or require more information about the program, please contact Shirley Tran, Group Sales at (780) 428-2127. For individual students who are interested in joining please email Shirley at groupsales@citadeltheatre.com and leave your name, contact information and the name of the school you attend.
Oscar Derkx
Andrea Rankin
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How long have you been attending productions at the Citadel Theatre? We moved to Edmonton in 1964, and became Citadel subscribers shortly after the theatre opened in 1965. We remember the old Citadel building on 102 Street. We are “seasoned subscribers.”
Why do you choose to donate to the Citadel? The Citadel has had a good “track record” of not only presenting first quality productions, but has also demonstrated sound financial stewardship of its resources. Management has been very diligent in pursuing grant opportunities to enable excellent programming and facilities.
Has donating to the Citadel changed or impacted your perspective on the Arts? We realize that a community theatre needs community support. The Citadel presents more than just play production. The encouragement and development of theatre skills for young people as demonstrated through the Foote School and the ongoing enrichment for emerging theatre personnel as supported by the Robbins Academy are just two components of the Citadel’s mandate that ensure continuing quality production. 20 venus in fur
Do you think the Arts are an integral part of a thriving community? Can we imagine a city where every arts endeavor was discontinued even for a day? No music, no theatre, no visual arts experiences? That is not a living community…that is just existing. It is what makes a vibrant community, a special feature to define our city as a good place to be.
Of all the productions you have seen, which has been your favourite and why? Both productions of Of Mice and Men stand out…the interaction of two individuals, also the spectacle of Equus, the cutting edge of Angels in America. We always enjoyed the edginess of the Rice productions.
Which production are you looking forward to this season? The season is now well on its way but we are looking forward to Venus in Fur. We thoroughly enjoyed One Man, Two Guvnors. How could you not appreciate John Ullyatt’s theatrical skill in that role?
Personal Training All Personal Training, including single sessions, packages of 5 and 10 or group training options.* *Max 3 purchases.
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CO M I N G N E X T TO T H E M AC L A B T H E AT R E
“ a triumph on every artistic level from writing, staging and design to performance...” CALGARY SUN
SHAUN SMYTH IN
Jan 28 - Feb 15/15 BY KIRSTIE M CLELLAN DAY BASED ON THE BOOK PLAYING WITH FIRE: THE THEO FLEURY STORY BY THEOREN FLEURY AND KIRSTIE M CLELLAN DAY DIRECTED BY RON JENKINS A CO-PRODUCTION WITH PRAIRIE THEATRE EXCHANGE RECOMMENDED FOR AGES 16+ SEASON SPONSOR
PRODUCTION SPONSOR
780•425•1820
citadeltheatre.com
CITADEL THEATRE ROB B I N S
ACADEM Y
DINE PLAY &
A NIGHT TO
REMEMBER Starting at just $91.50+GST, a Dine & Play package includes a 3-course meal at one of our partner restaurants plus a ticket to a play. This promises to be a night you won’t soon forget! Book your Dine & Play tickets today
780•425•1820
Private Lives: John Ullyatt & Diana Donnelly
MAKE YOUR NEXT NIGHT OUT
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Ellerslie Road & 101 Street | 780-486-5100 | www.volvoedmonton.com Š2014 Volvo Cars of Canada Corp. Always remember to wear your seat belt. Visit volvocars.ca.
Citadel Theatre presents
by
David Ives
STARRING JAMIE CAVANAGH............................................ Thomas Novachek ALANA HAWLEY................................................ Vanda Jordan Director & Sound Designer............................... JAMES MacDONALD Assistant Director............................................... Liz Hobbs Set & Costume Designer.. ................................. CORY SINCENNES Lighting Designer............................................... NARDA McCARROLL Stage Manager................................................... MICHELLE CHAN Apprentice Stage Manager. . ............................. AL GADOWSKY
Originally produced by Classic Stage Company (Brian Kulick, Artistic Director; Jessica R. Jenen, Executive Director) Originally produced on Broadway by the Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) by special arrangement with Jon B. Platt, Scott Landis and Classic Stage Company, at the Samuel J. Friedman Theatre on October 13, 2011. VENUS IN FUR is presented by special arrangement with Dramatists Play Service Inc., New York.
This performance is 90 minutes long with no intermission. The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Employees (I.A.T.S.E.)
Sponsors
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David Ives David Ives is perhaps best known for his evening of one-act plays, All in the Timing (he has been included in the “Best Short Plays” series seven times), and for his drama Venus in Fur, which was nominated for a Tony Award for Best Play. His plays include New Jerusalam: The Interrogation of Baruch De Spinoza; The School for Lies (adapted from Molière’s The Misanthrope); The Liar (adapted from Corneille); Time Flies; and Is He Dead? (adapted from Mark Twain). He has also translated Feydeau’s A Flea in Her Ear and Yasmina Reza’s A Spanish Play. A former Guggenheim Fellow in playwriting and a graduate of The Yale School of Drama, he lives in New York City.
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About the
Play
Venus in Fur was inspired by the 1870 novel Venus in Furs by Austrian author Leopold von Sacher-Masoch, the inspiration for the term Masochism. In the novel, an anonymous narrator discloses his feelings to a friend, who suggests that reading Memoirs of a Suprasensual Man will end the narrator’s torment. The fictional Memoirs of a Suprasensual Man conveys the story of a man who, after becoming obsessed with a woman, offers to act as her slave. Venus in Furs is an early example of sadomasochism in writing and highlights the figure of the dominant female. David Ives’ Venus in Fur is an exciting exploration of gender roles and sexuality, in which desire twists and turns in on itself, divulging a disconcerting look at the art of acting — onstage and off. This sexual hither and thither about power and powerlessness, imagination versus reality, is played out by two contemporary characters. Thomas is a playwright who has been painstakingly unsuccessful at unearthing the right actress during auditions for his adaptation of Sacher-Masoch’s Venus in Furs. Low and behold, in walks Vanda, a disheveled yet brazen siren with her own agenda. Interested in watching herself perform; she breaks character purely for the pleasure of going back to it. After convincing Thomas to read through his play with her, slowly, she becomes the dominatrix that Thomas didn’t even know he needed. Venus in Fur was the winner of the 2014 Dora Award (35th Annual Dora Mavor Moore Awards, Toronto): Audience Choice Award for favourite production (Canadian Stage). It was the most produced play in the United States in the 2013-14 seasons, with a total of 22 productions. It received two Tony award nominations, one for Best Play, after opening on Broadway in November, 2011. In 2013, Roman Polanski directed a French drama film version of Venus in Fur. The film premiered in competition for the Palme d’Or at the 2013 Cannes Film Festival, and in January of 2014 the film received five nominations at the 39th César Awards, winning for Best Director. venus in fur 27
IN RECOGNITION OF THE 50TH ANNIVERSARY OF THE CITADEL THEATRE IN 2015, THE ENCORE CAMPAIGN PLANS TO RAISE $5 MILLION IN THE NEXT YEAR TO SUPPORT CITADEL PRODUCTIONS, ROBBINS ACADEMY PROGRAMS AND AN EXCITING FACILITY ENHANCEMENT
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The Broadway producers of VENUS IN FUR are Jon B. Platt, Scott Landis, MTC Productions Inc. Lynne Meadow, Berry Grove, Jessica R. Jenen, Scott M. Delman, and Classic Stage Company. Lead producer Jon B. Platt’s producing credits include some of the most honored dramatic work in Broadway history: Angels in America: Millenium Approaches (Pulitzer Prize Winner), Perestroika, The Book of Mormon, Wicked, Copenhagen, God of Carnage, Death of a Salesman and Clybourne Park (Pulitzer Prize Winner). In addition to his 7 Tony Awards, Mr. Platt has received 10 New York Drama Desk Awards and 5 New York Outer Critics Circle Awards, and the Robert Whitehead Award for Distinguished Producing in the Commercial Theatre in 2012. Tony Award winning producer Scott Landis’ credits include The Children’s Hour (West End), La Bete, The Pajama Game and Nice Work If You Can Get It. Manhattan Theatre Club, led by Artistic Director Lynne Meadow and Executive Director Barry Grove, is one of the nation’s leading non-profit theatres producing innovative and diverse work by playwrights at all stages of their careers, at its Broadway and Off-Broadway theatres. Plays that debut at MTC are performed across the country and around the world, and 6 of them have won Pulitzer Prizes: Doubt, Proof, Ruined, Rabbit Hole, Crimes of the Heart, and The Piano Lesson; Jessica R. Jenen produced An Evening with Patti Lupone & Mandy Patinkin, and while Executive Director of Classic Stage Company, produced the world premiere of Venus in Fur, as well as Three Sisters, Uncle Vanya, The Tempest, among others. Classic Stage Company is the premiere OffBroadway theatre dedicated to reimaging the classical repertory for a contemporary American audience. Scott M. Delman is a private equity investor at DGZ Capital who has co-produced The Book of Mormon, American Idiot, Mary Stuart and Ragtime.
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Director’s
Notes
Venus in Fur puts a dark, deceptive, and funny twist on a well-known genre – the “play within a play.” While many plays in this genre are mired in obscure jokes about “theatre folk,” with Venus in Fur David Ives creates two brilliantly original characters with whom we can all identify…whether or not we like to admit it. It is my great pleasure to work with two actors who as mid-career artists participated in the Citadel/Banff Centre Professional Theatre Program. I am also thrilled to work with one of our two intern directors for this year’s Program, Elizabeth Hobbs. That they are all Edmontonians and graduates of the University of Alberta is another tribute to the depth of creative talent fostered in our city, and of whom we can all be proud. James MacDonald
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There is a heart-breaking image in Theo Fleury’s best-selling autobiography, Playing With Fire. It is a picture of innocence corrupted that began in Russell, Saskatchewan where a five year old kid finds escape from an unhappy home on evenings when he would throw his rusty skates over his shoulder, pick up his broken hockey stick and walk down the road to the outdoor rink. Three hours later they had to force him to go home. Ahead lies a harsh life of sexual abuse, an against-all-odds rise in the toughest of games and a precipitous fall from grace fired by drugs and booze leading to that suicidal moment when, standing alone amidst the ruins of his life – he puts a gun in his mouth... Theoren Fleury’s story is a familiar tale to anyone who has heard the interviews, read his best-selling book or seen the television documentary. A feisty, tough little guy, the kid forges through the juniors and the minor leagues. The Flames pick him up and he is subsequently traded to New York, Colorado and Chicago. At only five feet six inches, he plays hard and is a driving force in winning the World Junior Championships, Stanley Cup, Canada Cup and Olympic gold. He scored 450 career goals. Before he flamed out, he played in the NHL for 16 years. As a teenager, Fleury had little in the way of adult role models. His dad was an alcoholic and his mother bed-ridden and hooked on prescription drugs. That was when he was found by a true monster – Graham James. He was only 13 when James, recognizing a potential
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“My presence kept the bad news on the front of the sports pages. Hockey wants to be known as the school’s good looking, clean-cut jock.” victim, recruited Fleury from his minor hockey team in Russell. What followed was years of sexual abuse. Fleury writes in Playing With Fire, “The direct result of my being abused was that I became a raging, alcoholic lunatic. At a time when he was the most influential adult in my life he destroyed my belief system.” Even when he was at the top of his game, something was obviously wrong with Theo Fleury. He was prone to sudden acts of violence. There were rumours of cocaine, gambling, alcohol and wild nights of carousing. He observes that he was treated as “meat” in the NHL. He gave many “dirty” drug tests, substituting his kid’s urine or even Gatorade in the cup. The results, he charges, were ignored by the league. Even the substance abuse programs they put him on were designed to get him back into the line-up and not for any long-lasting solution. And then, when he just couldn’t take it any longer, he walked away from it all. “There were a lot of guys like me in the game, but they didn’t want anyone to know that. My presence kept the bad news on the front of the sports pages. Hockey wants to be known as the school’s good looking, clean-cut jock.”
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“It was remarkable - a two year roller-coaster ride,” she said. “We spent hours and hours talking. And there was a tremendous amount of research. He had only been sober a couple of years and so his memory wasn’t what it is today. And it was really tough for him to relive many of those moments.” It was fellow player (and victim) Sheldon Kennedy who came out first, accusing James of abuse. There were rumours of another victim. It was, of course, Fleury. The player kept his silence thinking that the revelations would end what was left of his career. And then, one day, he was playing golf with Calgary broadcaster Larry Day and told him that he was thinking of writing a book but needed a co-writer. Said Day, “Well, my wife’s a writer. You should meet.” Kirstie McLellan Day, a one-time private investigator, was indeed a writer, having penned and produced many documentaries while spending years on the junket circuit interviewing movie stars. She has co-written books about hockey greats including bestsellers with Bob Probert and Ron MacLean. In a feature interview in Maclean’s Magazine, she was dubbed “Canada’s Ice Queen.” Kirstie and Theo met and immediately established a trusting relationship. She told the player that he would have to be straight up with her and hold nothing back. He agreed. “It was remarkable – a two year roller-coaster ride,” she said. “We spent hours and hours talking. And there was a tremendous amount
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of research. He had only been sober a couple of years and so his memory wasn’t what it is today. And it was really tough for him to relive many of those moments.” For the first time, Fleury talked in graphic and agonizing detail about the abuse. The book became a best-seller and Fleury, instead of finding the career-ending ridicule he feared, found sympathy and support. He overcame his addictions to become a businessman – marketing his own brand of clothing. Today, he is a renowned public speaker and fearless champion of, and spokesman for, abused kids all over the country. James was sentenced to three and a half years in prison. The lenient sentence brought on public outrage and in 2012, he was sentenced to an additional 3 years. One night in New York, Kirstie and Larry attended Carrie Fisher’s one-woman show, Wishful Drinking, when it suddenly struck her that if any individual had a story to tell, it was Theo Fleury. With her subject’s full cooperation, she set about writing a play. “I was very cocky,” she admits today. “I thought all I had to do was turn the book into a play. Like Samantha, I’d just twitch my nose and there it would be. Boy, was I wrong! I had all these ideas about monologues in hotel and locker rooms and things like that. So I took it to (Calgary’s) Alberta Theatre Projects and quickly learned there is a huge structural difference between a book and a play. They sat me down and spent many hours helping me develop something that would work on a stage.”
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“I tried to nail his fire, fearlessness and frequently insulting demeanour to bruisers who towered over him and often outweighed him by more than 90 pounds.”
Another big influence was director Ron Jenkins. Ron is Edmonton-based and one of Canada’s busiest freelance directors (and winner of an astonishing ten Sterling Awards over the years). Ron took one look at the proposed play and threw out any thought of hotel rooms. He put it on ice. Apparently there is a synthetic ice surface out there that would allow actor Shaun Smyth to skate for most of the show. Under Jenkins’ concept even the ice takes on a personality, morphing from small town prairie rink to NHL arena, complete with Jumbotron. Remembers Smyth, “(ATP Producer) Dianne (Goodman) phoned me up and asked me if I skated and how was my hockey? I said, ‘Well I’ve never really played much but I’m willing to work my ass off. I have a year and I’ll skate like a professional hockey player on opening night.’” He got the job and spent the summer on roller blades skating around concrete playgrounds with kids following him – laughing. “They’d ask, ‘How come you’re not working mister?’ and I’d growl at them, ‘I am working. Don’t bother me.’” Fleury would drop in from time to time to talk about what superstitions drove him – such as always having the same meal before a game. He outlined his skating style-even down to how he taped his socks and laced his skates. Smyth observes, “Fleury learned from a very young age that if he acted a little crazy people gave him space. I tried to nail his fire, fearlessness and frequently insulting demeanour to bruisers who towered over him and often outweighed him by more than 90 pounds.” The resulting show, in a tribute to Smyth’s own determination, has him on stage, solo, often skating furiously while holding audiences rapt with an intensely dramatic story. Whether you’re a hockey fan or not, Playing With Fire is a powerful, often funny – even poignant evening of theatre. Fleury is a natural storyteller. He lived the life and his anecdotes of the players, coaches and contracts, the high-jinks and locker room horseplay are hilarious. McLellan Day admits to tears in her eyes on opening night of the Calgary ATP production two years ago. “I wrote the book and the documentary but the play brought a whole new dimension to the story. I found so many things that were new to me. The play really goes deep. It was an emotional experience I’ll never forget.” A reaction repeated by the critics and sold-out audience who were lucky enough to be there that night. Playing With Fire: The Theo Fleury Story previews January 28 and plays through February 15 in the Maclab Theatre.
“The play really goes deep. It was an emotional experience I’ll never forget.”
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Jamie Cavanagh
Thomas
Previously at the Citadel, Jamie has appeared in Romeo & Juliet, A Christmas Carol and Death of a Salesman. Selected acting credits include Flight of the Viscount (Shadow Theatre); Much Ado About Nothing, Macbeth, Titus Andronicus, Comedy of Errors, and Taming of the Shrew (Freewill Shakespeare Festival); East of Berlin (Punctuate Theatre/East West Collective); Zastrozzi: Master of Discipline, The Survival of Pigeons As Studied by Human Lovers (Surreal SoReal Theatre); Genius Code (Catalyst Theatre/Surreal SoReal Theatre); Sexual Perversity in Chicago and 3...2...1 (Quiet Things Creative); The Life and Adventures of Nicholas Nickleby and Savage in Limbo (Studio Theatre); and Hamlet (University of Alberta). Later this season Jamie will be performing in Armstrong’s War (Theatre Network) as well as in Romeo and Juliet and Comedy of Errors (St. Lawrence Shakespeare Festival). Jamie is a graduate of the Citadel/Banff Centre Profesional Theatre Program. For more updates on what Jamie is up to, you can follow him on twitter @JamieKnifefight.
Alana Hawley
Vanda
Previous Citadel credits include The Three Musketeers and Little Women: The Broadway Musical. She has appeared in Closer (Ground Zero); Marie Antoinette: The Color of Flesh (Shadow Theatre); Sequence (Downstage); Drama: A Pilot Episode (Alberta Theatre Projects); Bartholomew Fair, A Midsummer Night’s Dream, Julius Caesar, and Love’s Labour’s Lost (Stratford Festival); Joyful Noise (Theatre North West); The Clink, The Double Inconstancy (Studio Theatre); as well as the film The Valley Below (North Country Cinemas). Alana is a recipient of the Royal Conservatory of Music 2014 National Gold Medal for Speech Arts and Drama Performance. She is a graduate of the Citadel/ Banff Centre Professional Theatre Program, the Birmingham Conservatory and University of Alberta BFA Acting. She works as a theatre educator and vocal coach throughout North and Central America, collaborating with the Citadel/Banff Centre Professional Program, Artstrek, The Stratford Festival, CUSO International and Edmonton’s The Speech Studio. Sincere gratitude to her husband, her family and James.
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James MacDonald Director & Sound Designer
James’ Citadel directing credits include Clybourne Park, A Few Good Men (co-production with Royal Manitoba Theatre Centre), God of Carnage, Billy Bishop Goes to War, As You Like It, Julius Caesar, Fire, Shining City, Vimy (Sterling Award), Equus, and Stones in his Pockets. Elsewhere James’ directing credits include Sherlock Holmes and the Case of the Jersey Lily (RMTC); Julius Caesar (Stratford Shakespeare Festival); The Old Ladies (Shaw Festival); Much Ado About Nothing, Fire (Dora Award), and As You Like It (Canadian Stage). As an actor, James’ Citadel credits include playing both Scrooge and Marley in A Christmas Carol, The Three Musketeers, Blackbird, Pride and Prejudice, Measure for Measure, Amadeus, Einstein’s Gift (Sterling Award), Wit, To Kill a Mockingbird, and Of Mice and Men (Sterling Award). James was the founding Artistic Director of the Freewill Shakespeare Festival, for whom he has directed or performed in over 15 productions. He is an Artistic Associate at the Citadel, and the Program Director of the Citadel Theatre/Banff Centre Professional Theatre Program. He would like to dedicate his work in this production to the memory of his brother Dave, who would have loved this play.
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Liz Hobbs
Assistant Director
Liz is thrilled to be a part of the 2014/15 Citadel Theatre season. Liz is the Artistic Director of Punctuate! Theatre, the Program Director of Theatre Prospero’s school residency program, as well as the Festival Programming Coordinator for the Edmonton International Fringe Theatre Festival. Favourite directing credits include Dirt, Vice Re-Versa, Judith and The End of Civilization (Punctuate! Theatre); Tristan and Isolde, and The Secrets of Immortality (Serca Festival of Irish Theatre); Macbeth, and A Midsummer Night’s Dream (Theatre Prospero); and 13 Encounters, and Fish at the Bottom of the Sea (NextFest). Liz is one of two Intern Directors in this year’s Citadel/Banff Centre Professional Theatre Program. Coming up later this year Liz is delighted to be directing Featuring Loretta and Criminal Genius for Punctuate! Theatre’s repertory production of all six of George F. Walker’s Suburban Motel plays.
Cory Sincennes Set & Costume Designer
Earlier this season, Cory designed the set and costumes for One Man, Two Guvnors. Last season, Cory designed the set for Disney’s Mary Poppins, set and costumes for Romeo and Juliet, as well as costumes for Make Mine Love. Cory’s Citadel credits include Monty Python’s Spamalot (Sterling Award), Next to Normal (Sterling Award), and The Rocky Horror Show. Other theatre credits include Where the Blood Mixes for Theatre Aquarius/WCT; Peter and the Starcatcher for WCT; Chicago and Boeing Boeing for Mayfield Dinner Theatre; Mump and Smoot for ATP; Julius Caesar and The Tempest for Freewill Shakespeare Festival; Bigshot for Surreal Soreal/Ghost River and Communion and Woman in Black for Theatre Network. Cory holds a degree in Architectural Studies from Carleton University and a MFA in Theatre Design from U of A. He is a member of Associated Designers of Canada.
venus in fur 45
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Narda McCarroll
Lighting Designer
Last season, Narda was the Lighting Designer for Clybourne Park. Other Citadel credits include lights for A Few Good Men, As You Like It, The Drowning Girls (cross Canada tour), The Forbidden Phoenix; production design for Extinction Song, Shining City, Vimy (co-design); set and lights for True Love Lies; costumes for The Penelopiad, God of Carnage, Julius Caesar, The Pillowman, Einstein’s Gift. Favourite design credits elsewhere include set and lights for Othello (The Shakespeare Company); Sweeney Todd (Vertigo Theatre); production design for Red, Mary’s Wedding; set design for Around the World in 80 Days (Alberta Theatre Projects); as well as set and costumes for The Trespassers (Belfry Theatre/Vancouver Playhouse). Narda designed the costumes for the Freewill Shakespeare Festival for sixteen seasons. She also designed costumes for the feature film Cut Bank. She is the recipient of three Sterling Awards and two Betty Mitchell Awards.
Michelle Chan
Stage Manager
Earlier this season, Michelle worked on One Man, Two Guvnors and A Christmas Carol. Other Citadel stage manager credits include Long Day’s Journey Into Night, Clybourne Park, Make Mine Love, Monty Python’s Spamalot, Private Lives, A Few Good Men, The Sound of Music, God of Carnage, The Rocky Horror Show, Little Women: the Musical, August: Osage County, Billy Bishop Goes to War, Beauty and the Beast, Sweeney Todd, Blackbird, The Wizard of Oz, The Pillowman, Bird Brain, Fully Committed, Vanya, Shakespeare’s Will, Homeward Bound and The Sword in the Stone. Assistant stage manager credits at the Citadel include Oliver!, Peter Pan, Blithe Spirit, Cat on a Hot Tin Roof, The Sound of Music, Grease, Servant of Two Masters, Hamlet, and Cabaret. Other favourite stage manager credits include Mothership Down (Paper Tiger Productions); Afterplay (Blarney Productions); Evelyn Strange and Cocktails at Pam’s (Teatro la Quindicina); and The 7th Circle (Fringe Theatre Adventures).
Al Gadowsky
Apprentice Stage Manager
Previously at the Citadel, Al has been an Apprentice Stage Manager for Monty Python’s Spamalot and Make Mine Love. Later this season he will work as Apprentice Stage Manager on Avenue Q. Other stage management credits include Working It Out (Alberta Workers Health Centre); Midsummer [A Play With Songs] (Broken Toys Productions); Murielle (Blarney/Promise Productions); A Bronte Burlesque and Hollywoodland: A Burlesque (Send in the Girls Burlesque); as well as The Unseen and A Picasso (Chorus Productions). He is a graduate of the BFA Stage Management program at the University of Alberta. Al would like to thank his family and friends for their continuing love and support. Thank you Michelle. venus in fur 47
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ARTISTIC ASSOCIATES FTS Teaching Assistants Shirley Tran James MacDonald
Director, Citadel/Banff Centre Professional Theatre Program
Brian Dooley
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Doug Mertz
Director, Education & Outreach
Don Horsburgh
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Wayne Paquette
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Diana Stevenson
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Patrick Lundeen
Education Outreach Associate
Young Company Instructors Amber Borotsik Shannon Boyle Heather Inglis Reed McColm Linda Rubin Kate Ryan Kim Mattice-Wanat FTS Instructors April Banigan Mhairi Berg Adam Blocka Ashley Butler Gregory Caswell Ellen Chorley Matt Graham Crystal Hanson Sally Hunt Binaifer Kapadia Annette Loiselle Patrick Lundeen Barb Mah Andrew Ritchie Matt Schuurman Liana Shannon Jennifer Spencer Eileen Sproule Jon Lachlan Stewart
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Meaghan Skerik
Assistant Head of Electrics
The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please call Theresa Hovdestad at 780-428-2118 or e-mail volunteers@citadeltheatre.com. Zoë Afaganis, Johanna Andreoff, Nelda Arnst, Judith Babcock, Shelley Benson, Erika Beyer, Ursula Blumentrath, Bernadette Bolton, Florence Borch, Ken Borch, Rosi Bossio, Allan Budlong, Jeanette Calder, Patrick Caron, Dee Cartledge, Gina Chea, Maryruth Diaz, Carol Dreger, Shirley Dunn, Christianne Elefante, Laurie Ferchoff, Lil Filewych, Wendy Fraser, Gilberte Gagné, Irene Gagné, Louise Gagné, Doreen Gagnon, Mervan Gorrie, Marg Gronnestad, Vicki Hall, Jeffrey Haswell, Rosemarie Heaney, Brad Heller, Marilyn Hemsing, Daniel High, Amelia Hihn, Maria Hollinshead, Ron Homenchuk, Laura Hughes, Judy Hume, Kimberly Hunyh, Bruce Johnson, Madalyn Johnson, Marilyn Jones, Jessica Kavanagh, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Bonnie Labranche, Coral Levang, Karen Lewis-Caron, Fran Linklater, Elizabeth Luchko, Marlene Lukevich, Caroline Lutz, Ross MacHetchuk, Dawn Madill, Donna McKay, Tom McLean, Donna Miller, Karen Miller, Janice Minamide, Monica Molina-Ayala, Bob Moore, Joan Murchie, Sulochana Muthia, Patricia Navarro, Florence Nieberding, Dennis Nolan, Barbara Olynyk, Linda Orlecki, Denise Parent, Edith Parsons, Susan Patenaude, Joyce Powell, Barb Reinhardt, Lori Ristoff, Cheryl Ritchie, Monica Robillard, Louise Rogucki, Helen Rusich, Angela Seery, Phil Slawsky, Valerie Smart, Mary Smith, Phyllis Solsberg, Charlotte Stel, Eileen Stephens, John Tran, Diane Trithardt, Rose Unguran, Linda Uzule, Arlene Vaxvick, Brenda Voyce, Selena Wang, Kay Willekes, Steve Winkler, Bonnie Woloschuk, Denise Woollard, Laura Wylde, Lil Yewchuk, Carole Zubick venus in fur 53
CITADEL VOLUNTEERS
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