Citadel Theatre playbill - Chelsea Hotel

Anniversary

50TH

Season 2015/16

CITADEL THEATRE

CITADEL THEATRE PRESENTS THE FIREHALL ARTS CENTRE PRODUCTION OF

The Songs of Leonard Cohen

DIRECTED AND CONCEIVED BY

TRACEY POWER MUSIC DIRECTION AND ARRANGEMENTS BY

STEVE CHARLES

SEASON SPONSOR

BOB BAKER I ARTISTIC DIRECTOR PENNY RITCO I EXECUTIVE DIRECTOR

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Anniversary

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TH

CITADEL THEATRE

Season 2015/16 Board of Governors

ROB B I N S

ACADEMY

Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary David D. Bentley, F.C.A. Frederick K. Campbell Jacqueline Charlesworth Marc de La Bruyère Anne Foote (Honourary) Ada Hole Ralph B. MacMillan Sandy Mactaggart (Honourary) Jack McBain Arliss Miller Catrin Owen Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Sheila Witwicky Ex Officio Ralph Young

Bob Baker | Artistic Director penny ritco | executive Director

Board of Directors

CHELSEA HOTEL

Sheila Witwicky President Catrin Owen Past President Dave Mowat Vice President Jane Halford Treasurer Julie Afanasiff Jane Batty Jeff Boadway Lesley Cormack Wendy Dupree Robert Fernandez Neil Gower Dave Hancock Sandra Haskins Richard Kirby Margot Ross-Graham Micki Ruth Peter Silverstone Micah Slavens Larry Staples

HonoUrary Directors Jack N. Agrios, Ken Bautista, Jan Bentley, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jean Hamilton, Brian Hetherington, Becky Hole, Ted Hole, Mike House, Gary Killips, Stuart Lee, Beverlee Loat, Al Maurer, Ashif Mawji, Maureen McCaw, Lisa Miller, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Barbara Shumsky, Gaurav Singhmar, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, Chief Justice A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa

BOOM Written, Directed & Performed by Rick Miller Sep 19 – Oct 11, 2015 Presented by

EVANGELINE Book, lyrics & music by Ted Dykstra Oct 31 – Nov 22, 2015 Presented by

A CHRISTMAS CAROL Adapted by Tom Wood Based on the story by Charles Dickens Nov 28 – Dec 23, 2015 Presented by

The Songs Of Leonard Cohen Conceived & Directed by Tracey Power Jan 13 – 24, 2016

WHO’S AFRAID OF VIRGINIA WOOLF?

By Edward Albee Jan 23 – Feb 13, 2016

THE GAY HERITAGE PROJECT Created & Performed by Damien Atkins, Paul Dunn & Andrew Kushnir Feb 10 – 27, 2016

ALICE THROUGH THE LOOKING-GLASS

By Lewis Carroll Adapted for the stage by James Reaney Feb 27 – Mar 20, 2016 Presented by

OTHER DESERT CITIES

By Jon Robin Baitz Apr 9 – May 1, 2016

WEST SIDE STORY Conception & Choreography by Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Apr 23 – May 22, 2016 Presented by

ENCORE | Campaign Support VISIONARY

MENTOR

Maclab Enterprises

ATB Financial Bryan & Company LLP Capital Power Felesky Flynn LLP The Highbury Foundation Muriel Hole Richard & Erin Kirby Deanna & Peter Kiss Jack & Lorraine McBain Rob & Beth Reynolds Chris & Dale Sheard Susan Wylie & Bruce Hagstrom

Gifts of $1,000,000 and above

FOUNDER

Gifts of $500,000 - $999,999 The Eldon & Anne Foote Fund at the Edmonton Community Foundation

AMBASSADOR

Gifts of $250,000 - $499,999 Darren & Laurel Durstling

LEADER

Gifts of $100,000 - $249,999 David & Jan Bentley Dentons Ashif, Zainul, Kinza & Aariz Mawji Arliss Miller Al & Fran Olson The Shoctor Family

Gifts of $50,000 - $99,999

INITIATOR

Gifts of $25,000 - $49,999 J.G. Greenough Lisa & Marshall Sadd

DREAMER

Gifts of $10,000 - $24,999 Keith & Valerie Alessi Lorraine Bray & Jim Carter Susan & James Burns Butler Family Foundation Lesley Cormack

L. Neil Gower Q.C. Lisa Miller & Farrel Shadlyn Lewis & Lindsay Nakatsui Catrin Owen & John Sumner Aleda Patterson & Family Sir Francis Price & The Honourable Marguerite Trussler Tom & Corrie Redl The Sequeira Family Micah & Kristi Slavens Moira & Larry Staples The Summit Foundation Sheila Witwicky & Phil Beauchamp Ralph & Gay Young

FRIENDS

Gifts of $5,000 - $9,999 Guy Bridgeman & Dianne Ross Don & Lorna Kramer Stuart & Sherry Lee Dave & Sandy Mowat Esther & Howard Starkman Joseph & Nancy Thompson

| Annual Support Heinz Feldberg Lois Field The Honourable John C. R. French & Ruth Agrios Frank Gibson Anne Anfindsen Shirley Gifford Pamela Baadsgaard Isidor & Grace Gliener Diana Bacon Lilian Green Tommy & Ida Banks J.G. Greenough Luis & Alexis Baptista Tatsuyuki & Doris Maurice & Annette Hayashi Bastide Elizabeth, Rosalina, & Walter & Stella Baydala Cynthia Hicks David & Jan Bentley Ada Hole Barbara Blackley Muriel Hole Dr. Doug & Mary Bosko Chris Jager & Joyce Buchwald Jean Coutts Ronald Cavell Doris Kent Z. & M. Chrzanowski Ken & Jennifer Kouri Ruth Collins-Nakai Don & Lorna Kramer Marilyn Darwish Leo J. Krysa Family Marc de La Bruyère & Foundation Stacy Schiff Patricia Langan Allison & Glyn Edwards Valda Levin

25 years +

Peter & Dorothea Macdonnell Fund Linda & Kim Mackenzie Associates Sandy & Cecile Mactaggart Gordon & Norma McIntosh A & Evelyn Meer Arliss Miller Lisa Miller & Farrel Shadlyn Q.C Maggie & John Mitchell Lewis & Lindsay Nakatsui Al & Fran Olson Esther Ondrack Fred & Mary Paranchych Aleda Patterson Donna Pawliw Tom & Judith Peacocke Gordon Peterson Gerald Piro

E. Fay Plomp The Poole Family Sir Francis Price & The Hounourable Marguerite Trussler Helen Primrose Diana Purdy Rob & Beth Reynolds Ron & Carol Ritch Sol & Marilyn Rolingher Arnold & Grace Rumbold Marshall & Debby Shoctor Kayla Shoctor Brian Sproule Campbell & Rosalind Sydie Neil & Merle Taylor Allison Theman Susan Watson Paddy Webb Weir Family Fund Ralph & Gay Young 5

15 years + The Honourable Darlene Acton Dagny & Graeme Alston James Archibald & Heidi Christoph Bob Baker & Tom Wood Fiona & Stephen Bamforth Bruce & Carol Bentley Beverley Boren E. Ross Bradley Norma Brekke David & Marlene Burnett Brent Christopherson John & Judith Cosco Delbert & Jane Dahl J. Susan Davis L.A. Dushenski Rod Eidem Rose Fowler Jean Fukushima Ghislaine Hebert Patsy Ho Cecil & Anne Hoffman Donna Holwaychuk In Memory of Dr. Kris Kristjanson Gail & Andrew Jarema Evelyn Jensen James & Maggie Laing Jack & Diane Latham Don & Gwen Lawrence Edward & Nikki Lazar Robert & Dawn Lemke Shirley MacArthur Jack & Lorraine McBain Douglas & Claire McConnell Hugh McPhail & Yolanda Van Wachem Maureen & Jim Moran Norbert & Patricia Morgenstern David Mundy Jennifer Oakes Fred & Helen Otto Richard Remund Henry & Helen Resta Charles & Marilyn Schroder Richard Sherbaniuk Sheila Sirdar Dale Somerville Eira Spaner Gerard Tertzakin Kathleen Tomyn David Verbicky Buddy Victor

Doug & Dorothy Warren Betty & Bill Young Dave Wilson & Diane Zinyk Wendy Kotow

PCL Constructors Inc. Leslie & Rick Penny Susan Priestner 5 years + Curtis & Sandra Prosko 10 years + Greg Alcorn Sheila Ringrose Gail Andrew Carol & Rae Allen Alan Rose & Jim & Helen Banks Judy Schroder Diana & Laurence Andriashek Ingrid Barlow Orla Ryan William & Carole Barton Becker Kay Savey Guy Bridgeman Terri & Gary Biasini Aroon Sequeira Jack Brown Lucille Birkett & Ellie Shuster Norman & Anne Burgess Randy Busby Sol & Shirley Sigurdson Angie Bogner Frank Calder Barbara & Gerry Sinn Robert & Maureen Braun Keith & Beverley Robert Crosbie James & Joan Carlson Spencer Dr.Elizabeth Dixon & Dr. Ben Macedo Lesley Cormack Larry & Moira Staples Grant Dunlop & Erika Marilyn Cree Tony Thai & Norheim Alvin Schrader Patrick & Luxie Crowe Francis & Muriel Maggie Thompson Roland Duquette Dunnigan Mary-Ann Trachimowich Douglas Duval Noella Fagnan Larry Trekofski Gail Faulkner Paul Greenwood Darcy & Marion Turner Robert Fleming Dan & Jill Hodges Peter Vana Betty & Mike Gibbins Robert & Laurel Hudson Gaie Goin Chris Vilcsak Elesavata Hymonyk Sarah Wylie Sheila Gynane Wolfgang & Elizabeth Robert Henderson Leon & Vonnie Zupan Kaminski Bill & Jana Holden Norman & Valerie 2 years + Ray & Elaine Hook Kneteman Martin & Anna Andrea Brenda & John Inglis Christine Kyriakides Bonnie Andriachuk & Erik & Franziska Ruth & George Lauf Darrel Ewaschuk Jacobsen Chris & Cecilie Lord Patricia Anholt Paula Jamison Douglas MacDougall Brad & Lori Armstrong Jean & Gerry Staring Teresa Mardon Fund Bonnie Austen - Royal Lepage Liz Kohle Jane Batty Ian & Linda McConnan Anita Kozyrskyj & Andrew & Barbara Belch Gordon & Agneta Kevin Hall Madhu & Sundri McKenzie Stuart & Sherry Lee Bhambhani Ove & Susan Minsos Mary Lister Anne Brereton Doug & Kathy Murray Myron & Maureen Emma Brinson Edna & Cal Nichols Liviniuk Angela Brown James & Beverley Mary Machum Linda Brownlee Orieux Estelle Marshall Jeremiah Burak Jean & Edward Posyniak Neil & Pamela Martin Brian & Barbara Burrows Aline Pratch Betty McMillan John Bylhouwer Penny Ritco Linda Medland Davis Martin Carroll Allan & Marianne Scott Gordon & Cathy Gordon & Janet Glenn & Margaret Moorhouse Clanachan Sharples Al Morrow Douglas Claybrook Elaine Solez Kevin Mott Karen Cox Elout Starreveld Kevin & Robyn Mott Kim & Rick Craig Delores Stefaniszyn Marie Muszynski Jillian Dal Bello Marianne & Kent Stewart Craig Neuman & Patricia Dawson John & Alana Tucker Leita Siever Marcella Dejong Henriette van Hees G. Douglas Oakley & Alison Dinwoodie Robert & Ann Weir Elizabeth McAfee Lorne & Edith Dixon Susan Wright Vital & Colleen Ouellette Brad Doucette Dr. Randall & Nancy Catrin Owen Julie-Ann Dron Yatscoff Kathy Packford Liz Edmunds

6 50TH ANNIVERSARY SEASON 2015/16

Michele & Lee Eickholt/Green Jacqueline & Martin Elton Pat Ferguson Kristen & Mark Finlay Gaston Fuentealba Ken & Barbara Galm Audrey Groeneveld Lois & Chan Hawkins Linda Henderson Brent & Deborah Hesje J.D. Hole Judith Hugh Bonnie Hutchinson Caroline Hyndman Richard & Laurel Innes Investors Group Sherwood Park Carolyn Johnson Joan Johnston Jerry Juzwa Brian & Ida Kaliel Jatinder Kalra Jerry & Miriam Katz Cherisse Killick D Jill Konkin Linda & Siegfried Kowand Tim Kruger John & Sylvia Laarhuis Sigmund Lee Allen Lee Theresa Lema Marilyn Lemay Don Lucas Don & Cristina Mah Jo Anne Mahood Sharon Marie & Tim Mavko Darren & Roxanne McLean Pamela & Dennis Melnyk Mark Mertens Marie Montgomery Jim & Celestine Montgomery Bonnie Moon Dianne Oberg & Marty Taylor

David & Paula Onderwater Wade O’Neill Carol Pawlenchuk Richard & Catherine Perry Tammy Pidner Susan & Darrell Portz Paul & Leslie Precht Michael Prendergast Barb Prodor Jeff Ramage Barbara RedmondEllehoj James Ritco Betty Ross Deborah Salo Wayne Sartore Michele Sawatzky Doug & Devika Short Lynn Smarsh Trina & Richard Smith Kimberlee Stadelmann Lori Stokowski Caroline Stuart Darren Sutton Mike & Michele Thompson Colin Tooth D. Lorne & LeeAnn Tyrrell Violet Watson Shirley Watson William & Debra Wells Willis Winter Lynn & Ed Holmes Wolff Colin Wylie Brian Zrobek & Pamela Chung

New donors Baha & Sharon Abu-Laban Gail Allford Cecilia Baxter Jessica Callele Barry Cavanaugh Anita Chalmers Harold Chyczij & Cathy Flood

Janet Clark Chris Danchuk Bernard & Susan Demers John Devlin & Patti Proctor Simonne Doucette Melissa Doucette Randy & Wendy Dupree Andy & Marianne Elder Carol Engelking Dean Evanger Thomas A. Farrell & Anne Henderson Lawrence & Alayne Farries Joe & Pat Fenrich Lil Filewych John Galanka Daniel Gamache Gail Gates Harry Gill Carole Anne Gramniak Brenda Gross Kathy Hancock Christopher Head Thomas & Barbara Henderson Lorraine Herlein Sandy Hermiston & Mark Nicoll Lynn & Thomasz Hruczkowski Judy & Rob Hutchinson Christian Idicula Shiraz Jaffer Louise Jensen Venta Kabzems & Stan Houston Janice Kent Nolton Knippel Darlene Kos Tina Kovlaske Maureen Kular Lew Lamontagne Johann Laskin Emily Low Jeff Lukan Shauna & George Lutzer Sam MacIsaac

David Maplethorpe Ross W. McCrady Averie McNary Alexis Morrow Trudy Nickerson Roy & Trudy Nickerson Erin O’Connell Soren Odegard Lynn & Daniel Otteson Stacey & Chris Padbury Bhupen & Lata Parekh P. A. Pierce Jeff Polovick Debra Robichaud Donna & David Roseman Tina & Tony Rota Lynora M. Saxinger Nancy Scrymgeour Perry & Sandra Segal Sentinel Self-Storage Co. Paul Shelemey Chen Shen Naomi Shoctor Andrew Shum & Timothy Riordan Randy Sibulak Vivian Simmonds C Simonson Sheila & Edward Steinhauer-Mozejko Lynn Storbakken Erin Thackeray Lori Anne Wall Fabian Way Michele Wedemire Ben Wiez Erik & Laurie Wikman Roberta Wildgoose Daniel & Tonya Wolfe Darryl Yeatman Linda Youell Gerrhard Zmatlo

To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Sydney Stuart at 780.428.2142 or sstuart@citadeltheatre.com.

Charitable BN 11922 7387 RR0001 Every effort has been made to ensure the accuracy of our donor information. Listing includes donations of $100 or more. If we have made an error or omission, please call us at 780.428.2142.

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We are proud to recognize our Premier Supporters; our partners in the creation of theatre at the Citadel.

The Hole Family • The John and Barbara Poole Family Fund the Eldon & Anne Foote Fund • The Robbins Foundation Canada The Joseph H. Shoctor fund

Government & Foundation Supporters

We acknowledge the support of the Canada Council for the Arts, which last year invested $157 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 157 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Dr. Joseph H. Shoctor, 1922 – 2001

executive producer and founder, the citadel theatre

Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate

HENRY HOLE, 1884 – 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole.

The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory.

8 50TH ANNIVERSARY SEASON 2015/16

THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON

Dr. Ghalib Ahmed

T H E AT R E C O U R T E S I E S

ELECTRONIC DEVICES No doubt we have all been distracted by a cell phone, pager or watch alarm ringing or lighting up when attending the theatre.

Out of consideration for your fellow audience members we ask that you turn off all electronic devices that emit noise or light. Thank you.

ALLERGY ALERT For the safety of those with allergies, please refrain from the use of perfumes or scented products before coming to the theatre.

H E A R I N G A D VA N C E M E N T H E A D S E T S We offer headsets to patrons with hearing difficulties. Ask the usher at the door of the theatre. These are provided free of charge. You will be asked to leave your driver’s license as a deposit until the headset is returned at the end of the performance.

AVAILABLE IN THE SHOCTOR AND MACLAB THEATRES.

L AT E S E AT I N G We endeavor to minimize the distraction for our patrons and the actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in designated latecomer seating. You are welcome to move to your assigned seat at intermission. If you must leave the theatre during a performance you will not be allowed to return to your seat until intermission.

EMERGENCY EXITS We ask that you please take a moment to identify the exit nearest you, so you can safely exit in the event of an emergency.

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Recognizing

SEASON SPONSOR

OUR PARTNERS PRODUCTIONS PRESENTING SPONSORS

Boom

A Christmas Carol

Evangeline

Alice Through the Looking-Glass

West Side Story

PRODUCTION SPONSORS

CREATIVE DEVELOPMENT

Play Development

Young Companies 10 50TH ANNIVERSARY SEASON 2015/16

Playwright’s Forum

Citadel/Banff Centre Professional Theatre Program

Anniversary

50

TH

CITADEL THEATRE

Season 2015/16

ROB B I N S

ACADEM Y

AUDIENCE DEVELOPMENT

Beyond the Stage/Made in Edmonton Cabaret Premieres

Families First

Landmark Seats

Maclab Students Club

Education Sponsor

Opening Nights

Servus Pay What You Can

OFFICIAL SUPPLIERS Suggitt PUBLISHERS

MEDIA SPONSORS Suggitt PUBLISHERS

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CITADEL THEATRE ROB B I N S

ACADEM Y

Citadel Theatre Corporate Subscription Program A TICKET PROGRAM designed specifically to benefit companies like yours. Please support the businesses that support the Citadel Theatre.

BDO CANADA LLP ERNST & YOUNG LLP FELESKY FLYNN LLP FIRST TRUCK CENTRE EDMONTON INC. GRANT THORNTON LLP REDCO EQUIPMENT SALES STANTEC The Corporate Subscription Program helps you by providing:

• • • •

A unique way to retain and thank both your clients and suppliers.

Effective staff incentives and rewards.

An opportunity to publicly show your support and commitment to the ongoing enrichment of our community.

First class priority service with Citadel Theatre customer service representatives and invitations to networking opportunities.

For more information on this exciting program, please contact Debbie Theuss, Manager, Corporate Relations: dtheuss@citadeltheatre.com

Season Ticket Holder Benefits Season Ticket Holders receive exclusive perks from our partners.

Show your SEASON TICKET HOLDER ID Card* to receive the following:

• • • •

Brittany’s Lounge: 15% off entire bill

• •

Normand’s Bistro: 10% off entire bill

•

ZINC: 10% off your total food bill (cannot be combined with other offers)

* *

RESTRICTIONS AND CONDITIONS APPLY For replacement ID cards, please contact box office at 780.425.1820 Offer does not apply to the Choose Your Own Packages

Café Caribé: 15% off entire bill anytime Hundred Bar|Kitchen: 10% off entire bill anytime Madison’s Grill @ Union Bank Inn: Preferred guestroom rate with complimentary upgrade to a suite AND complimentary amuse-bouche with your meal Sorrentino’s Downtown: 10% off entire bill anytime (cannot be combined with other offers)

WE CONSTRUCT A RANGE OF PROJECTS ACROSS CANADA OFFERING A SUITE OF RELATED EXPERTISE TO EACH CLIENT. BUT OUR REAL STRENGTH IS BUILDING RELATIONSHIPS RELATIONSHIPS WITH OUR CLIENTS AND THE COMMUNITY. THAT’S WHY WE’RE PROUD TO SUPPORT THE CITADEL THEATRE.

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780-424-7777 18 50TH ANNIVERSARY SEASON 2015/16

COMING NEXT to the Shoctor Theatre

An unforgettable evening of cocktails and crossfire

Edward Albee’s

“ ...witty, trenchant, vastly enjoyable ... offensive, terrifying, and utterly engrossing.” GLOBE AND MAIL Jan 23 - Feb 13/16 DIRECTED BY JAMES MACDONALD STARRING BRENDA ROBINS AND TOM ROONEY AGE 15+

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Set Designer. . .................................................... Marshall McMahen Costume Designer............................................ Barbara Clayden Lighting Designer.............................................. Ted Roberts Sound Designer................................................ Xavier Berbudeau Artistic Producer............................................... Donna Spencer Dramaturge.. ...................................................... James MacDonald Stage Manager. . ................................................ Jaimie Tait Assistant Stage Manager................................. Jillian Perry

Featuring Rachel Aberle Steve Charles Sean Cronin Christina Cuglietta Benjamin Elliott Jonathan Gould Tracey Power This performance is approximately 87 minutes long, with one 20 minute intermission.

The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Employees (I.A.T.S.E.)

Sponsors

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About the

CREATOR Tracey Power was born and raised in the Comox Valley on Vancouver Island and moved to Edmonton in 1995 to attend Grant MacEwan’s Theatre Arts Program. Select acting credits include Clybourne Park and Blackbird (Citadel); UBUNTU (Theatre Calgary/ WCT); La Cage Aux Folles (Vancouver Playhouse); Urinetown and The Ecstasy of Rita Joe (Firehall); Les Miserables (Western Canada Theatre); I Love You, You’re Perfect, Now Change and The Back Kitchen (Arts Club); STRAY (Workshop West); The Bone House (FTA, Edinburgh Fringe); A Midsummer Night’s Dream and Henry V (Freewill Players).

Tracey conceived, directed and choreographed Chelsea Hotel: The Songs of Leonard Cohen for the Firehall Arts Centre in 2012. The powerful and inspirational hit production has since played at Persephone Theatre, Prairie Theatre Exchange, Theatre Calgary, Belfry Theatre, and will continue on to Theatre Passe Muraille, presented by Theatre 20 in Toronto.

Passionate about the creation of new work, Tracey premiered her new musical Miss Shakespeare for Musical TheatreWorks this summer in Vancouver running in repertory with J. Caesar, an all-female adaptation of Shakespeare’s famous play, both directed by James MacDonald. She is also currently developing a new play in the Citadel Play Development Program entitled Glory, about 1930s Canadian women’s hockey team, the Preston Rivulettes.

Other produced plays include Garage Alec (a bilingual comedy), The Great Mountain, Back to You; The Life and Music of Lucille Starr, The Big Sneeze, and Living Shadows; A Story of Mary Pickford. Tracey also wrote an adaptation of The Jungle Book, published by Samuel French which premiered in 2008 with Geordie Productions before touring to the Citadel Theatre and Manitoba Theatre for Young People.

Recently, she directed and choreographed Singin’ in the Rain for the Chemainus Theatre Festival, choreographed Les Miserables for Western Canada Theatre, the last two seasons of the East Van Panto for Theatre Replacement at The Cultch, Miss Shakespeare and she will choreograph the world premiere of the new musical Onegin for The Arts Club this spring. Tracey’s work has been seen nationally and internationally and has been the recipient of the Elizabeth Sterling Haynes and Jessie Richardson Awards. www.traceypower.ca 22 50TH ANNIVERSARY SEASON 2015/16

DIRECTOR’S Notes

Creating a new piece of theatre is such a rewarding and exhilarating

experience. When the piece being created is brought to life through the lyrics and poetry of Leonard Cohen, creative inspiration is limitless. Much in the same way Cohen uses words to paint a poetic picture, I used his songs as inspiration to paint a theatrical one.

Thank you to Donna Spencer for her belief and guidance, to Steve Charles for his musical brilliance and creative partnership, to James MacDonald for his influence and beautiful heart, and to this incredible company who joined me for this creative journey with such trust, passion and artistry.

This is a story of love, of pain, of artistic struggle that begins and ends with Cohen’s words but lives within us. I invite you to lose yourself in our world and feel Cohen’s songs once again, for the very first time. A special thank you to Bob, James, and the entire Citadel team for joining us on the Chelsea Hotel journey. I graduated from Grant MacEwan’s Theatre Arts program in 1997, and having recently moved back to Edmonton, it means so much to share this show with a community that was such an inspiration at the start of my career. Thank you and enjoy!

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Shoctor planned the opening of the first play in his new theatre well. How do you attract audiences willing to pay professional prices for tickets, to a new theatre that was mostly known as a Salvation Army church? You put on a play that had already generated considerable controversy in that centre of all things sophisticated and worldly, New York.

In 1963, Virginia Woolf won a Tony and a Drama Critics Circle Award for Best Play. It was selected for a Pulitzer Prize but the trustees of Columbia University, the awards advisory board, objected to the play’s use of profanity and sexual themes and overrode the committee’s suggestion. They felt that playwright Edward Albee was a nihilist and Virginia Woolf was depressing, angry and cynical.

It later turned out that some of the advisory board had not read or seen the play. Albee seems sanguine about the slight. He says (echoing the controversy that later would envelop the Citadel’s production), “I realized fairly quickly that I would get much more publicity out of having the Columbia board turn down Virginia Woolf than I would ever have gotten for getting it.” Over the years, Albee has been awarded three Pulitzers for his plays A Delicate Balance, Seascape and Three Tall Women. Says Albee, “When people ask how many Pulitzer prizes I have, I say, ‘three-and-a-half.’”

Looking back at the fracas years later he observed, “The function of art is to instruct us. If we want our arts to be escapist, if we want them to conform with our opinions of ourselves,

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what earthly good are they? I don’t think there is any point in experiencing anything in the arts that leaves you exactly where you started.”

Back at the Citadel, the controversy continued with a buzz commenting on the number of audience members who left during intermission. There were letters to the editor, phone calls to radio stations and many discussions around the water cooler. Edmonton knew there was a new theatre in town.

Now, Who’s Afraid of Virginia Woolf? has taken its place as a timeless theatre classic. It is still a popular choice of directors all over the world and is oft produced. So, what better production to help celebrate the Citadel’s fiftieth anniversary than the one that began it all?

How has the now venerable vehicle stood the test of time? Does it still have the power to delight and horrify us? Does it still pack a cogent, emotional and theatrical wallop after half a century? After all, emotional violence on stage, blistering family discord (See Clybourne Park/God of Carnage) and scorching street language is so common on today’s stages as to barely register on modern audiences.

“I don’t think there is any point in experiencing anything in the arts that leaves you exactly where you started.

”

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The early sixties had a profound effect on how Virginia Woolf was received. Sure, there was the cold war but on television we watched Leave It To Beaver and Ozzie and Harriet.

The American Dream was unfolding its butterfly wings and leading us into a profound belief in “exceptionalism” — success can be achieved through hard work in a society with few barriers. Then along came Albee, an upstart 32 year-old New York academic who forced us to examine some closely held and cherished beliefs.

The title came to Albee one night when he was in a pub having a beer. He saw Who’s Afraid of Virginia Woolf? scrawled on a bar of soap. “When I started to write the play it cropped up in my mind again. And of course who’s afraid of Virginia Woolf means who’s afraid of the big bad wolf... who’s afraid of living life without false illusions.”

The play is divided into three parts – Fun and Games, Walpurgisnacht (Witches’ Night) and The Exorcism.

The play opens with George and Martha returning from a booze fuelled night at a college party. We learn that another couple, Nick and Honey, will be joining them. The two taunt each other. They have been married a long time and know how to wound deeply but have managed to skirt the ugliness of their marriage by taking refuge in illusion. Their early ripostes are low key but we sense something big is coming. Martha digs at him, “I swear...

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if you existed, I’d divorce you.” Nick and Honey arrive. She is drunk, giggles a lot and is in way over her head. Nick is a hustler ready to bed a few professors’ wives to get to the top.

The verbal jousting turns ominous – full of personal revelations. George and Martha are obviously using Nick and Honey as foils for a mutual abuse they have woven into the fabric of their marriage.

George says, “I warned you not to go too far.” Martha snarls, “I’m just beginning.”

Having no real marital bond, or at least none that either is willing to admit, Martha holds desperately to a belief that they have a son. But does he exist? In this coruscating play, the destruction of illusion does not result in any apparent reality – or relief. “All truth,” George grinds out, “[is] relative.”

Who’s Afraid of Virginia Woolf? will be directed at the Citadel by James MacDonald who has just finished off another season as Scrooge in A Christmas Carol. MacDonald is also an Associate Director of the theatre. After a stint of directing some of the theatre’s most prestigious productions over the years, most of them stark modern dramas (Equus/Vimy/ God of Carnage/A Few Good Men/Clybourne Park), you might ask if he ever thought of prevailing upon his boss to give him Charlie’s Aunt, or The Importance of Being Ernest to direct. “Actually,” he chuckles, “I love to listen to an audience laugh and, surprisingly unlike

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what you may have heard, Virginia Woolf is very funny. Hate and love, pain and laughter are just different sides of the same coin. It is a phenomenally well written play and actually veers between nastiness and humour. It’s unsettling because we never know when Albee is going to pull the rug out from under us. Whenever you say, ‘Oh, I know where this is going,’ all of a sudden it’s going in the other direction. In casting the show I chose actors who were able to find the humour in the play.”

So given the bloody battlefield their marriage has become, why do George and Martha continue their relationship? MacDonald posits, “There are many reasons. They need each other as companions. They have shared histories extending back many years. The two literally can’t live with each other – but they can’t live without each other. They understand what is going on. Much of the pain they inflict is, in an obtuse way, support for the other. I suspect they would not be any more happy outside of their relationship.”

As a director, is it daunting to approach so complex a play? “I don’t like to overthink plays,” observes the genial MacDonald. “Finding the historic content and the themes of the play is interesting and handy but ultimately it’s the play itself. My job is to keep the audience off balance. I have to make them aware of who these people are. At the beginning, the characters tend to speak in paragraphs — highly intellectual and articulate paragraphs — but as the evening goes on they are speaking halting sentences. The cadence of the language speaks for itself. So I try to find approaches that will help the actors in their understanding of the language. One of the best ways to understand Albee is getting at the ebb and flow of the dialogue.”

As Albee once said, “Put the play on its feet and the audience will know what it’s about.”

George and Martha continue their epic battle when Edward Albee’s Who’s Afraid of Virginia Woolf? previews on the Shoctor stage on January 23rd.

“It is a phenomenally well written play and

actually veers between nastiness and humour.”

30 50TH ANNIVERSARY SEASON 2015/16

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Rachel Aberle Four years in, Rachel still counts herself lucky to be one of the long term residents at the Chelsea Hotel. A graduate of Studio 58, Rachel has appeared at Summerworks Musical Works in Concert (Toronto, ON); Caravan Farm Theatre (Armstrong, BC); Chemainus Theatre Festival (Chemainus, BC); Persephone Theatre (Saskatoon, SK); Manitoba Theatre Centre and Prairie Theatre Exchange (Winnipeg, MB); and The Arts Club, Vancouver Playhouse, Only-Child Collective, Miscast Collective and Green Thumb Theatre (Vancouver, BC). Off stage, Rachel works as a voiceover artist, playwright, and arts administrator. Her play Still/ Falling, which tackles teen depression and anxiety, is touring this year with Green Thumb Theatre, where she also works as the Community Engagement and Development Coordinator.

Steve Charles Steve Charles is a musician, composer and performer from Vancouver. Highlights of the past few years include Urinetown (Firehall); Avenue Q (Arts Club); Brief Encounter (Playhouse/ MTC); Dance Marathon (international tours with Bluemouth Inc.); Salmon Row (Mortal Coil); and many Fringe, folk and jazz festivals across Canada, the US, and Europe. He was also Music Director for Galala on TV Unis and is the annual Music Director for Pacifique en Chanson. With the Escape Artists he co-produced Miss Shakespeare and J. Caesar. Steve co-created and continues to perform in productions of Chelsea Hotel in theatres across Canada. He tours internationally with bands Viper Central and The Fugitives. A very active member of Vancouver’s music scene, Steve is in demand as a multi-instrumentalist, sound designer and for his easy-going versatility. www.stevenjohncharles.com

Sean Cronin Sean Cronin has toured across Canada, Europe, and the US with jazz, rock and bluegrass bands, as well as his own groups Too Big to Care Marching Band, and the award-winning theatre-rock ensemble Sean Cronin’s Very Good. Along the way he has picked up a deep knowledge of multiple instruments including bass, guitar, piano, banjolele, drums, and saxophone.

Upon relocating from Vancouver to Brooklyn in 2012, Sean became involved in the city’s Ragtime and Traditional Jazz scene, as well as the Off-Broadway theatre scene. His score for Kill Me Like You Mean It earned him a Drama Desk nomination in 2015 for best music in a play. Sean is currently writing his own play, an absurdist rock-opera to be performed by Sean Cronin’s Very Good. chelsea hotel 33

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Christina Cuglietta As a Vancouver based multidisciplinary artist, Christina is thrilled to join the Chelsea Hotel team! She works as an actor, instrumentalist, musical director and theatre educator across Canada. Select theatre, performance and direction credits include Peter and the Starcatcher (Western Canada Theatre); The Pied Piper (Sum Theatre); The Buddy Holly Story (Theatre North West); You’re a Good Man Charlie Brown (Project X); The Forbidden Phoenix (Gateway Theatre); and My Fair Lady (Western Canada Theatre). Coming up in March of 2016, she will be performing in The Out Vigil (Firehall Arts Centre/Twenty Something Theatre). Christina is a graduate from the Canadian College of Performing Arts and holds her Grade Ten Royal Conservatory of Music Practical Certificates in piano and violin.

Benjamin Elliott Ben is an actor and composer based in Vancouver. Recent credits include Are We Cool Now? (WCT); Comedy of Errors and Love’s Labour’s Lost (Bard on the Beach) for which he was also the Music Director. He is the cowriter of The Best Laid Plans: A Musical which premiered this fall. He is also the in-house composer for the sketch comedy show Human Town which is in its first season on CBC television. Coming up, Ben will be appearing in Good People (Arts Club) at the Stanley Theatre in Vancouver and then heading back to Bard on the Beach where he will be performing in Romeo and Juliet and The Merry Wives of Windsor (Ontario). Ben is a Jessie Richardson Award recipient and graduate of Studio 58. www.benelliott.ca

Jonathan Gould After graduating from the University of the North Carolina School of the Arts with a BFA in Classical Theatre, Jonathan has gone on to perform across North America, including several seasons with the Shaw Festival, Stratford Festival, Grand Theatre, Citadel Theatre, Soulpepper Theatre, Theatre New Brunswick, St. Lawrence Shakespeare Festival, Magnus Theatre, Lincoln Center Institute and The Kennedy Center.

Select film and television credits include Buck Calder Experience, Beyblade, Budrus and Baby Brain. Jonathan is a singer, songwriter and musician based in Toronto and was a contributor to the Juno Award winning album Music Soup. He currently voices the role of Dave in the animated series Scaredy Squirrel for YTV and Disney Channel. Jonathan is a graduate of the Citadel/Banff Centre Professional Theatre Program.

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Marshall McMahen Set Designer

Marshall’s designs have been seen around Vancouver and across the country, including Love’s Labour’s Lost & Shakespeare’s Rebel (Bard on the Beach); Spamalot and Avenue Q (Arts Club); All the Way Home (Electric Company); and many more productions with Caravan Farm Theatre, Chemainus, Gateway, Green Thumb, Urban Ink and others. Last season Marshall was the Resident Associate Designer with Pacific Opera Victoria. He is a member of Associated Designers of Canada, a graduate of UBC, and the recipient of a Jessie Award, three Ovation Awards, and the Vancouver Mayor’s Arts Award.

Barbara Clayden Costume Designer

Barbara Clayden has been a theatre artist for over 30 years, designing costumes and sometimes sets for various theatre and dance companies around Vancouver, including the Arts Club Theatre, Blackbird Theatre, Carousel Theatre, Firehall Arts Centre, Neworld Theatre, Presentation House, Pi Theatre, Rumble, and Theatre Replacement. She has been nominated for numerous Jessie Awards and won a few along the way.

Most recently, her work was seen in Pi Theatre’s production of Except in the Unlikely Event of War and the Arts Club’s The Odd Couple.

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Ted Roberts Lighting Designer

Select past designs include the set for Urinetown, set and lighting for Menopositive! The Musical, and the lighting for Larger Than Life (Firehall Arts Centre). As Resident Designer for the Arts Club Theatre, recent designs include set designs for Disgraced, Les Miserables and In the Heights at the Stanley Industrial Alliance Stage; the sets of The Mountaintop and It’s Snowing on Saltspring; set and lighting for Red Rock Diner at the Granville Island Stage; the set for Sister Judy and lighting for A Twisted Christmas Carol at the Revue Stage; and lighting for My Chernobyl and Hedda Gabler at Persephone Theatre.

Xavier Berbudeau Sound Designer

Xavier Berbudeau is a Vancouver based sound engineer and designer with over 15 years of experience in the industry. He has worked with many organizations over the years including Chutzpah! Festival, French Festival, music festivals and corporate events. He runs Xavier Berbudeau Audio; a Vancouver based audio company that provides audio services and production management for live music, events and corporate organizations.

Donna Spencer Artistic Producer

Donna Spencer is the Artistic Producer of Vancouver’s Firehall Arts Centre and one of the Firehall’s founding directors. Donna provided dramaturgical and staging/production contributions to Chelsea Hotel. She was recently honoured with the 2012 Mayor’s Arts Award for Theatre and is the winner of the Jessie Richardson Outstanding Direction Award for Urinetown: The Musical and Reading Hebron. Her many directorial theatre credits include Vimy, Einstein’s Gift, Golden Child, The Yoko Ono Project and Wawatay. She has been recognized with the B.C. Community Achievement Award for her work for inclusivity in dance and theatre and is a member of the B.C. Entertainment Hall of Fame.

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The Citadel Theatre Playbill is published nine times per year by Playhouse Publications Ltd. The contents of The Citadel Theatre Playbill may not be reproduced in whole or in part without the written permission of the publisher. All rights reserved by Playhouse Publications Ltd. Inquiries should be made to: Playhouse Publications Ltd. 10177 - 105 Street, Edmonton, Alberta T5J 1E2 Ph: 780-423-5834 • Fax: 780-413-6185 • www.playhousepublications.ca

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The Citadel Theatre Playbill is a product of Playhouse Publications Ltd., an affiliate of Suggitt Publishers.

PUBLISHERS President & CEO: Tom Suggitt • President & CFO: Rob Suggitt

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40 50TH ANNIVERSARY SEASON 2015/16

James MacDonald Dramaturge

For the Citadel, James has directed 15 productions over the past ten years, and performed in many others, including five years as Scrooge in A Christmas Carol. As a dramaturge, director, and actor, James has been involved in the development of over 40 new Canadian plays, including directing the world premieres of Miss Shakespeare (Musical TheatreWorks); Vimy (Citadel – Sterling Award); With a Twist (Lunchbox Theatre); and The Myth of Summer (Alberta Theatre Projects). Other directing credits include Julius Caesar (Stratford Festival); The Old Ladies (Shaw Festival); and Fire (Canadian Stage – Dora Award). James is the founding Artistic Director of Edmonton’s Freewill Shakespeare Festival, a position he held for six years. He is the Program Director for the Citadel/Banff Centre Professional Theatre Program.

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Jaimie Tait Stage Manager

Jaimie has spent the last year living and working in St. John’s, Newfoundland. She is very happy to be back working on Chelsea Hotel. Favourite past credits include All the Way Home with The Electric Company, Snowman with Rumble Productions, Kismet one to one hundred with The Chop, and Leading Ladies with The Gateway Theatre. Upcoming, Jaimie will be stage managing the world premiere of Ours for Opera on the Avalon back in St. John’s. Jaimie is a graduate of Studio 58.

Jillian Perry

Assistant Stage Manager Jillian is thrilled to be back with Chelsea Hotel. She has been the Assistant Stage manager for Chelsea Hotel for the past four years. She was glad she got the opportunity to Stage Manage it for the High Performance Rodeo in Calgary last January. Jillian is a graduate of the University of the Fraser Valley. Past stage management highlights include PROUD and Urinetown: The Musical (Firehall Arts Centre); Terminus and Visions of Vancouver (PI Theatre, Jesse Award Best Small Theatre Production); La Cage Aux Folles (Vancouver Playhouse); My Funny Valentine, Nelly Boy and Whale Riding Weather (Zee Zee Theatre); Home Coming King and Tiny Replicas (Below 0). Enjoy the Show!

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From the

Firehall’s Artistic Producer Donna Spencer I would like to thank the Citadel Theatre for bringing our production to Edmonton and being a part of our 2015-2016 tour. Chelsea Hotel: The Songs of Leonard Cohen premiered at the Firehall Arts Centre in 2012 and since then has played over 250 performances in Calgary, Vancouver, Saskatoon, Winnipeg, Victoria, Banff, Vernon and Fort McMurray. Following its run at the Citadel, the production will tour to Toronto.

We hope you enjoy the show and go home humming to Cohen’s popular tunes.

About the

Firehall Arts Centre The Firehall Theatre Society, a not for profit charitable organization, operates the 155 seat Firehall Arts Centre in a 108 year-old heritage fire hall in downtown Vancouver. The Society’s mission is to entertain and engage audiences through the development, production and presentation of high quality theatre, dance, interdisciplinary performance and visual arts exhibitions, which are culturally inclusive and reflective of the Canadian experience. For additional information about the Society’s activities, please visit our website at www.firehallartscentre.ca.

The Firehall gratefully acknowledges our sponsors:

44 50TH ANNIVERSARY SEASON 2015/16

staff Conni Massing Matt Schuurman Director, Citadel/Banff Centre Professional Liana Shannon Theatre Program Jennifer Spencer Brian Dooley Eileen Sproule Director, Play Development Mark Vetsch Doug Mertz FTS Teaching Assistants Director, Education & Outreach Sophie Gareau-Brennan Don Horsburgh Neil Kuefler Resident Music Director Josh Languedoc Wayne Paquette Jackson Longworth Academy Associate Eric Smith Diana Stevenson James MacDonald

Manager, Foote Theatre School

Patrick Lundeen

Education Outreach Associate

Young Company Instructors Arielle Ballance Amber Borotsik Shannon Boyle Dave Horak Don Horsburgh Heather Inglis Doug Mertz Kate Ryan Kim Mattice-Wanat FTS Instructors April Banigan Mhairi Berg Adam Blocka Ashley Butler Tracy Carroll Ellen Chorley Quinn Contini Matt Graham Julia Grochowski Crystal Hanson Todd Houseman Brady Hughes Sally Hunt Binaifer Kapadia Annette Loiselle Joey Lucius Patrick Lundeen Barb Mah

Josh Wickard

Patron Services Manager

Sarah Farnsworth

Laurel Carter

Asst. Rentals Manager

Shirley Tran

School Booking Coordinator

Guest Services Supervisors Marianne Bouthillier Cody Carver Associate Executive Victoria deJong Director Jessica Glover Peni Christopher Asst. to the Artistic Director/ Jennifer Graham Company Manager Mark Harding Jacob Liska FACILITY Jim Maher Louis Barron Brittany Molner Director Virginia Potkins Maintenance Guest Services Joe Bailey Representatives Bill Daniels Rebekah Andrews Sam Banigan Janitorial Melissa Budinski Bee Clean Services Colleen Bunyan Security Michaela Chiste Alberta Crowd Carol Dreger Management Caitlin Hart Building Porter Josephine Hendrick Carly Neis William Cardle Jules Pepin Tara Gale Chris Powell FINANCE Mark Sinongco Pat Bradley Valerie Smart Director of Finance Dustyn Tennessen Daniel Jee Michael Vetsch Crystal Johnston

Payroll Accountant

GUEST SERVICES

MARKETING & COMMUNICATIONS Ken Davis

Director, Marketing & Communications

Kimberlee Stadelmann Brent Felzien Director/ Sales and Guest Services

Video Editor/Designer

Serge Menard

Manager, Communications Scenic Carpenter – Robbins Academy/ Sheila Cleasby Citadel Social Media Head of Electrics

Assistant Patron Services Kristen Hiemstra Manager Graphic Designer Theresa Hovdestad Neil LeGrandeur House Manager Manager, Media Relations John Markey & Beyond the Stage Rentals Manager

ADMINISTRATION

Accounts Payable/ Receivable

Kristen Finlay

Mel MacDonald

Administrator, Marketing & Fund Development

Debbie Theuss

Manager, Corporate Relations

Meaghan Skerik

Assistant Head of Electrics

Elijah Lindenberger Electrics

Nicole Deibert

Head of Scenic Paint

Jim Meers

Head of Props

Charlotte Hunt

Assistant Head of Props

Fund DEVELOPMENT Marc Anderson Neil Luipasco

Director, Fund Development

Sydney Stuart

Manager, Fund Development

PRODUCTION Cheryl L. Hoover Director

Bill Heron

Technical Director

Michelle Chan

Resident Stage Manager

Patrick Fraser

Assistant Technical Director

Stephanie Ripley

Assistant Technical Director

Head of Stage Carpentry

Gryphen Colling

Assistant Head of Stage Carpentry

Patsy Thomas

Head of Wardrobe

Kayla Fulton

Assistant Head of Wardrobe

Lorraine Price

Head of Wardrobe Running

Michelle Warren

Dresser & Wardrobe Maintenance

Samantha J. Rumball Head of Wigs

Katie Patton

Assistant Head of Wigs

Kyla Maki

Administrative Assistant

Owen Hutchinson Head of Audio

Nick Rose

Assistant Head of Audio

Gerry T. Clarke Audio

Peter Locock

Head of Scenic Carpentry

Chris Hayes

Assistant Head of Scenic Carpentry

Greg Cardinal

Scenic Carpenter

The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please call Theresa Hovdestad at 780-428-2118 or e-mail volunteers@citadeltheatre.com.

Zoë Afaganis, Johanna Andreoff, Nelda Arnst, Judith Babcock, Shelley Benson, Erika Beyer, Bernadette Bolton, Florence Borch, Ken Borch, Rosi Bossio, Allan Budlong, Jeanette Calder, Patrick Caron, Dee Cartledge, Gina Chea, Maryruth Diaz, Carol Dreger, Shirley Dunn, Laurie Ferchoff, Lil Filewych, Wendy Fraser, Gilberte Gagné, Irene Gagné, Louise Gagné, Doreen Gagnon, Bonita Gillespie, Mervan Gorrie, Marg Gronnestad, Jeffrey Haswell, Rosemarie Heaney, Brad Heller, Marilyn Hemsing, Daniel High, Amelia Hihn, Maria Hollinshead, Theresa Hryciw, Laura Hughes, Bruce Johnson, Madalyn Johnson, Marilyn Jones, Jessica Kavanagh, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Bonnie Labranche, Coral Levang, Karen Lewis-Caron, Fran Linklater, Elizabeth Luchko, Marlene Lukevich, Caroline Lutz, Ross Machetchuk, Dawn Madill, Donna McKay, Donna Miller, Karen Miller, Janice Minamide, Monica Molina-Ayala, Bob Moore, Joan Murchie, Florence Nieberding, Dennis Nolan, Linda Orlecki, Edith Parsons, Susan Patenaude, Barb Reinhardt, Lori Ristoff, Cheryl Ritchie, Monica Robillard, Louise Rogucki, Angela Seery, Valerie Smart, Mary Smith, Phyllis Solsberg, Charlotte Stel, Eileen Stephens, Diane Trithardt, Arlene Vaxvick, Brenda Voyce, Selena Wang, Karl Waskiewicz, Kay Willekes, Steve Winkler, Bonnie Woloschuk, Denise Woollard, Laura Wylde chelsea hotel 45

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