The Citadel Theatre playbill - Fight Night

2019/20 SEASON

FIGHT NIGHT @CITADELTHEATRE

@CITADELTHEATREYEG

DARYL CLORAN ARTISTIC DIRECTOR

Season Sponsor

CHANTELL GHOSH EXECUTIVE DIRECTOR

DARYL CLORAN | ARTISTIC DIRECTOR CHANTELL GHOSH | EXECUTIVE DIRECTOR

BOARD OF GOVERNORS

Solomon Rolingher, Q.C. Chair Marshall Shoctor, Q.C. Past Chair J. G. Greenough, F.C.A. Treasurer Tom Redl, Secretary Frederick K. Campbell Jacqueline Charlesworth Wendy Dupree Ex Officio Anne Foote Ada Hole Ralph B. MacMillan Jack McBain Arliss Miller Aroon Sequeira Chris Sheard Kayla Shoctor Dr. Robert Westbury Sheila Witwicky Ralph Young

BOARD OF DIRECTORS

2019/20 SEASON RING OF FIRE: THE MUSIC OF JOHNNY CASH Created by Richard Maltby, Jr. Conceived by William Meade July 20 – Aug 11, 2019

THE COLOR PURPLE Book by Marsha Norman Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray Sep 21 – Oct 13, 2019

FIGHT NIGHT

By Ontroerend Goed Oct 17 – 27, 2019

SIX

By Toby Marlow and Lucy Moss Nov 1 – 24, 2019

Wendy Dupree President Sheila Witwicky Past President Robert Fernandez Vice President Julie Afanasiff Treasurer Jennifer Addison (Specialist Director) Jeff Boadway James Casey Lesley Cormack L. Neil Gower Sandra Haskins Hubert Lau (Specialist Director) Dave Mowat Tammy Patterson Micah Slavens

A CHRISTMAS CAROL

HONOURARY DIRECTORS

AS YOU LIKE IT

Jack N. Agrios, Jane Batty, Ken Bautista, Joanne Berger, Christine Bishop, Dan Block, Guy Bridgeman, Frank Calder, Gary G. Campbell, Betty Carlson, Donald A. Carlson, Marilyn Cohen, Reg Copithorne, Len Dolgoy, Allison Edwards, Dennis Erker, Grant Fairley, John C. Forster, Frank Gibson, James Gillespie, Jane Halford, Jean Hamilton, Brian Hetherington, Becky Hole, Ted Hole, Mike House, Gary Killips, Richard Kirby, Stuart Lee, Beverlee Loat, Al Maurer, Ashif Mawji, Maureen McCaw, Lisa Miller, Susan Minsos, Terry Nistor, Bob Normand, Ted Power, Jerry Preston, Henry (Hank) Reid, Rob Reynolds, Charlotte Robb, Margot Ross-Graham, Barbara Shumsky, Peter Silverstone, Gaurav Singhmar, Larry Staples, Esther Starkman, Marianne Takach, Merle Taylor, Mr. Justice Dennis R. Thomas, Brian Tod, John Tweddle, Brian Vaasjo, A.H. Wachowich, Bob Walker, Dr. Marvin Weisler, Bart West, Eve Willox, David Wilson, Doris Wilson, John Yerxa

A New Adaptation by David Van Belle Based on the Novella by Charles Dickens Nov 30 – Dec 23, 2019

COST OF LIVING

By Martyna Majok Jan 11 – Feb 2, 2020

EVERY BRILLIANT THING

By Duncan Macmillan with Jonny Donahoe Feb 1 – 23, 2020 Written by William Shakespeare Adapted by Daryl Cloran Feb 15 – Mar 15, 2020

THE GARNEAU BLOCK Adapted by Belinda Cornish From the novel by Todd Babiak Mar 14 – Apr 5, 2020

PETER PAN GOES WRONG

By Henry Lewis, Henry Shields, and Jonathan Sayer Based on Peter Pan by J.M. Barrie Apr 11 – May 3, 2020

AFTER THE FIRE

By Matthew MacKenzie Apr 18 – May 10, 2020

Message From The

ARTISTIC DIRECTOR Welcome to Fight Night!

Fight Night is the first production in our brand new Highwire Series of programming. We have created Highwire as a collection of experiences for the “theatrically adventurous” – and it includes engaging, immersive work by artists from Edmonton and around the world.

To kick things off, we’re so excited to welcome Belgium’s incredibly innovative Ontroerend Goed and their truly interactive production that has played all over the world. As you read this, you’re no doubt also holding a voting device and wondering how the evening will unfold. Fight Night is a unique production, which changes every night based on how the audience votes. We decided to program Fight Night during the federal election, because we thought it was the perfect time to be asking questions about democracy and the power of a vote. You have the ability to affect the outcome of the production! Your vote matters! Or does it? No matter how you vote, I know this production will engage you in a really unique, literally “hands on” way!

Thanks so much for joining us on this theatrical adventure, and for supporting live theatre in Edmonton. We hope you’ll join us throughout the season for more exciting and innovative theatrical experiences!

Sincerely, PS – Make sure you get your tickets for the U.K. smash hit, Six, playing here November 1-24. The Citadel is the only theatre in Canada you can see Six at before it heads to Broadway in early 2020!

Daryl Cloran, Artistic Director

We wish to acknowledge that the land on which we gather is Treaty No. 6 territory

and a traditional meeting ground and home of the First Nations, including both the treaty signatories – Cree, Saulteaux, Nakota Sioux, Stony and Cree-Iroquois – as well as other Indigenous peoples, such as the Blackfoot and Métis, who occupied this land. We extend our appreciation for the opportunity to live, create, and perform on this territory.

Nikistêyhtamâkânân oma askîwihtâwin ita kâ mâwasakôyâhk Nikotwâsik Kâ akihtêk omâmawôpayônôwâw Nistam Îyinôwak, nânapo ôkih tipahamawâkan tahkikwanênkêwak-Nêhîyawak, Nahkawînôwak, Opwâsîmowak, Asinî Pwâtak êkwah Nêhîyaw Paskosikanak-êkwah kotakak Îyinôwak, tâpiskôc Kaskitêwayasitak êkwah Âpihtwâyak, kâkîh kikîwîhkêcik otah. Nitâniskê nanâskôtênân tawâw ôtah êh ayâyâhk tita wîci pimâtisîhtamâhk, tita osîhcikêyâhk êkwah tita nôkohtihiwêyâhk otah askîwihtâwinihk.

4 CITADEL THEATRE 2019/20 SEASON

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THANK YOU WE EXTEND OUR HEARTFELT THANKS to all our donors,

whose generosity, loyalty and commitment play a crucial role in ensuring our community has the opportunity to experience the joy of the performing arts. All of our donors have a profound and lasting impact on the quality, accessibility and relevance of the Citadel’s production, facility and educational offerings.

| STEWARD

Gifts of $10,000+ The Estate of Josephine Anne Bensted David & Janet Bentley Family Fund The McCoy Family Foundation Al & Fran Olson Rob & Beth Reynolds Kayla Shoctor Marshall & Debby Shoctor

ARTISTIC DIRECTOR Gifts of $5,000 - $9,999

The Honourable John & Ruth Agrios Lorraine Bray & Jim Carter Lesley Cormack Jillian & Micheal Dal Bello Marc de La Bruyère & Stacy Schiff Randy & Wendy Dupree Ada Hole Melcor Developments Ltd. Dave & Sandy Mowat The Overhead Door Co. of Edmonton Weir Family Fund 1 Anonymous

DIRECTOR

Gifts of $2,500 - $4,999 The Honourable Darlene Acton ARC Business Solutions Inc. Bruce & Carol Bentley Jim Casey & Gail Verity Judith Cosco Grant Dunlop & Erika Norheim L. Neil Gower Q.C. The Hesje Family Wolfgang & Beth Kaminski Don & Lorna Kramer

ANNUAL SUPPORT

Kevin Lewis & Catherine Field Cecile E. Mactaggart Jack & Lorraine McBain Arliss Miller Maggie & John Mitchell Norbert & Patricia Morgenstern David Mundy Esther Ondrack The Poole Family Sir Francis Price & The Honourable Marguerite Trussler Tom Redl Grace & Arnold Rumbold Aroon Sequeira & Ellen Sitler Sheila Witwicky & Phil Beauchamp Ralph & Gay Young Leon & Vonnie Zupan

STAR

Gifts of $1,000 - $2,499 Julie Afanasiff Dr. Ghalib Ahmed Becker Guy Bridgeman & Dianne Ross Norman & Anne Burgess Brian & Barbara R. Burrows Frank Calder Canadian Western Bank Daryl Cloran & Holly Lewis Susan & Stuart Cowen Chantell & Rana Ghosh J.G. Greenough Dr. Philip & Penny Hardin Sandra Haskins Elizabeth, Rosalina & Cynthia Hicks J.D. Hole IBM Canada Ltd. Brenda & John Inglis

Gail & Andrew Jarema Norman & Valerie Kneteman Ken & Jennifer Kouri Allen & Patti Kramer Marilyn Kristjanson Donna Krucik James & Maggie Laing Robert & Dawn Lemke Peter & Dorothea Macdonnell Fund Linda & Kim Mackenzie Sharon Marie & Tim Mavko J.D. & Laurie McInnes Averie & Carman McNary Catherine Miller & Len Dolgoy Lisa Miller & Farrel Shadlyn Susan & Ove Minsos Elizabeth Mustard Lewis & Lindsay Nakatsui Catrin Owen Pratch Family Foundation Corrie Redl Sol & Marilyn Rolingher Alan Rose Tom & Micki Ruth Micah & Kristi Slavens Mike & Michele Thompson Lee Ann & Lorne Tyrrell – in honour of Judy & Tom Peacocke David Verbicky Kathy & Scott Watson Kim & Don Wheaton Dave Wilson & Wendy Kotow 2 Anonymous

FIGHT NIGHT 7

THANK YOU TO OUR DONORS LEAD

Toshiba Business Systems Ltd. Doug Warren Corinne Wilkes Sarah Wylie 3 Anonymous

Harold Chyczij & Cathy Flood Gordon & Janet Alberta Blue Cross Clanachan Fiona & Stephen Janet Margaret Clark Bamforth Lance & Nancy Clark Jane Batty Douglas & Derrick Barbara & Andy Belch Claybrook SUPPORTING Barbara Blackley Gifts of $100 - $499 David & Linda Chris & Leah Burrows Climenhaga Edie & Greg Alcorn Elizabeth Cherry Cari & Simon Cooke Shirley Allder Zbigniew & Marguerite Steve & Karly Cowan Sandra M. Anderson Chrzanowski Kim & Rick Craig Martin & Anna Andrea Karen Cox Robert Crosbie Gail Andrew Vincent E. Duckworth Randall & Angela Croutze Diana & Laurence Douglas Duval Patrick & Luxie Crowe Andriashek Andy & Marianne Elder Delbert & Jane Dahl James Archibald & Faculty of Rehabilitation Chris Danchuk Heidi Christoph Medicine, Department Patricia Dawson Brad & Lori Armstrong of Communication Eva Dezse Sciences and Disorders James Ash Chris Dodd Diana Bacon Jean Fukushima Margaret Dorey Brenda Barber Michael Gaian Brad & Elaine Doucette Ingrid G. Barlow Bill & Jana Holden Melissa Doucette Maurice & Annette Ray & Elaine Hook Bastide Elaine Douglas Venta Kabzems & Cecilia Baxter Carol Dreger Stan Houston Lola Baydala Julie-Ann May Dron Christine Kyriakides Walter & Stella Baydala Roland Duquette Theresa Lema Pierre & Lise Bernard Edmonton Cultural Teresa Mardon Trust Foundation Ian & Linda McConnan Sarah Berube Liz Edmunds Lucille Birkett & Douglas & Claire Randy Busby Erin & Dave Edwards McConnell Kathey & Mark Birtles Michele Eickholt & Gordon & Agneta Lee Green Boadway Family McKenzie Dr. Rod Eidem Angie Bogner Heather McLeod Jacqueline & Martin Elton Madelene Boisvert Marie Montgomery Carol Engelking Judie Bond William Mustard Donna Boyd-Stadelmann Faculty of Rehabilitation Linda Nutting Medicine E. Ross Bradley Wade O’Neill & Sarah Farnsworth Marcela Svobodova Norma Brekke Gail Faulkner Fred & Helen Otto Anne Brereton Joe & Pat Fenrich Vital & Colleen Ouellette Beverly Brilz Pat Ferguson Judy & Tom Peacocke William Brisbane Lois Field Leslie & Rick Penny Angela C. Brown Justina Filice E. Fay Plomp Linda Brownlee Curtis & Sandra Prosko Kevin & Sarah Burghardt Robert & Carrie Fleming Sylvia Flood Lawrence & Rita Burns Mary Anne Pshyk Janet & Kevin Campbell Phyllis M. Footz Richard Remund Tim Fort Scott Campbell Wayne & Glenda Sartore James & Joan Carlson Margaret Frans Barbara Schweger Helen Fraser Martin Carroll Marianne & Allan Scott Evelyn Carson Myrna Fyfe Devika & Doug Short Ken & Barbara Galm Irene Ann Cassady Kim Stadelmann Terena & Sam Chapple Donald & Diane Gibson Marianne & Kent Stewart Brian Charette Shirley Gifford Rosalind Sydie Todd & Judy Gilchrist Sharleen M. Chevraux Neil & Merle D. Taylor Gaie Goin Desmond & Camilla Michael & Kathleen Sheila Greckol Chow Tomyn Lilian Green Brent Christopherson Paul V. Greenwood

Gifts of $500 - $999

8 CITADEL THEATRE 2019/20 SEASON

Audrey Groeneveld Brenda Gross Haley Gynane Jocelyn & Wes D. Hamilton Faye Hatch Ronald & Marcie-Lynne Haukenfrers Lois & Chan Hawkins Tatsuyuki & Doris Hayashi Nancy Heule Patsy Ho Sandra Hobbs Dan & Jill J. Hodges Donna Holowaychuk Theresa Hryciw Robert & Laurel Hudson Judy & Rob Hutchinson Caroline L. Hyndman Carol R. Jackson Paula Jamison Fred Janke Louise Jensen Ronald J. Jewitt Douglas & Diane Johnson Scott & Lindsay Johnson Sean M. Johnson Audra M. Jones Brian & Ida Kaliel Jatinder Kalra Jerry & Miriam Katz Dorothy Keeler Sheilah Kelly Gina L. Kennedy Janice Kent Catharine A. King & Peter Ogilvie Anita Kozyrskyj & Kevin Hall Liz Kohle Sylvia A. Kother Sylvia Anne Krogh Neil & Rachel Kucharski John & Sylvia J. Laarhuis Jack & Diane Latham Ruth & George Lauf Kathryn G. & Steven Lavery Don & Gwen Lawrence Diana Lee Sigmund Lee Valda Levin Elizabeth M. Lint Mary Lister Myron & Maureen Liviniuk Sandra & Jim Lockhart

THANK YOU TO OUR DONORS Anne Lopushinsky Chris & Cecilie Lord Christie Lutsiak Pat Luxford Mary A. Machum Charles A. MacKie Stephen & Catherine Madsen Don & Cristina Mah Jo Anne Mahood Linda Maki John Markey & Stephanie Ripley R.J. Marsh E.I. Marshall Neil & Pamela Martin Karen M. McAree & Bill Wilson Phyllis McFadden Allison McKinnon Roxanne McLean Rod & Heleen McLeod Linda Medland Davis Dr. Bubbles & Evelyn Meer Pamela & Dennis Melnyk Mark Mertens Wendy Miller & Normand Journault Cecily Mills Bonnie Moon Gordon & Cathy Moorhouse Cornelia Moritz Al Morrow Kevin & Robyn Mott Marie Muszynski The Muttart Foundation L. Nadwidny & Aurora MacPherson Nakai Family Craig Neuman & Leita Siever Edna & Cal Nichols Roy Nickerson Jennifer Oakes Dianne Oberg Chuck O’Connor David & Paula Onderwater

Kathy Packford Stacey & Chris Padbury Marian Palahniuk Fred & Mary Paranchych Bhupen & Lata Parekh Paul Paszczak Carol Pawlenchuk Donna Pawliw Richard & Catherine Perry Carlie & Greg Persson Deborah & Jim Phillipchuk Susan & Darrell Portz Jean & Edward Posyniak Christine Potts Paul & Leslie Precht Michael J. Prendergast Susan Priestner Barb J. Prodor Diana Purdy Marilyn & Michael Quaedvlieg Andrew & Carol Raczynski Ramage Family Chris & Inessa Rauschning Gary Redmond Barbara Redmond-Ellehoj Nora Reid Garry & Donna Rentz Henry & Helen Resta Sheila Ringrose Ron & Carol Ritch Andrea Roche Dean & Jan Rokosh Allan Rosenthal Betty Ross Kenneth Roy Nicole & Jesse Rudge Eugene Rudnisky Karen Rumohr Tetyana Ryabets-Zuk Orla Ryan Maryann Sabourin Deborah Salo Elizabeth Salter & John Pedersen

Sholly S. Scarlett Norman Schayer Susan Schroter Culley Schweger Bell Shauna Scott Nancy Scrymgeour Barb Seaman Perry & Sandra Segal Neil & Anke Seifried Jack Seto & Audrey Lowe Tom & Sheila Shand Glenn & Margaret Sharples Miriam Sheckter Alexandra Sheppard Molly Shugarman Dave & Nancy Siever Sol & Shirley Sigurdson Connie Silva & Paula & Steven Snyder Vivian Simmonds & Stanley Moorehead Barbara & Gerry Sinn Sheila Sirdar Lynn Smarsh Jacqueline Smith Elaine Solez W. Dale Somerville, CPA, CA Wanda & Tracy Sorotsky Keith & Beverley R. Spencer Nicholas & Charlotte Spillios Terri & Michael Spotowski Jean & Gerry Staring Elout Starreveld Martha Steenstrup Kelli Steer Delores Stefaniszyn Brenda & Randy Stinson Ben & Laraine Strafford Caroline Stuart Jenny Stuart Sydney Stuart Elle Surgent Frank & Rosanne Thede Allison Theman

Maggie R. Thompson Molly Thompson Olive Thorne Mary Totman Mike Totman Misty & Tyler Totman Mary-Ann & Andy Trachimowich Shirley Tran Alana Tucker Nancy Tymchak Linda Uniat Lillian Usher Henriette van Hees Shannon van Soest Peter Vana Daniel A. Vandermeulen Chris Vilcsak Allan & Elizabeth Wachowich Lori Wall Michele Wedemire Robert & Ann Weir William & Debra Wells Walder G.W. White Joshua D. Wickard Jolanta & Barry Wiens Natalie & John Wilson Steve Wilson Willis Winter John & Carol Wodak Lynn Wolff Debra Wooding Michelle Wright Susan Jane Wright Colin Wylie John & Yvonne M. Yamamoto Randall & Nancy Yatscoff Linda M. Youell Betty & Bill Young Diane Zinyk Brian Zrobek Lorna Zucchet 5 Anonymous

To learn more about donating to the Citadel Theatre, please visit www.citadeltheatre.com or contact Sydney Stuart at 780.428.2142 or sstuart@citadeltheatre.com.

Charitable BN 11922 7387 RR0001 Every effort has been made to ensure the accuracy of our donor information. Listing includes donations of $100 or more. If we have made an error or omission, please call us at 780.428.2142.

We apologize for any inconvenience.

FIGHT NIGHT 9

PREMIER SUPPORTERS WE ARE PROUD TO RECOGNIZE our Premier Supporters; our partners in the creation of theatre at the Citadel.

THE HOLE FAMILY • THE JOHN AND BARBARA POOLE FAMILY FUND THE ELDON & ANNE FOOTE FUND • THE JOSEPH H. SHOCTOR FUND

GOVERNMENT & FOUNDATION FUNDERS

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

DR. JOSEPH H. SHOCTOR, 1922 – 2001 executive producer and founder, the citadel theatre Joe’s vision brought professional theatre to Edmonton Joe’s dream built the Citadel Theatre Joe’s spirit continues to inspire the theatre we create today Joe’s legacy lives on through a generous gift to the Citadel from his estate

HENRY HOLE, 1884 – 1954 On the Citadel’s 30th Anniversary, a gift was made by the Company of Harry Hole, James F. Hole, Ralph K. Hole and Robert W. Hole on behalf of the Hole family — in honour of their late father, Henry Hole.

The Citadel Theatre is proud to honour Henry Hole’s integrity, compassion and leadership in the dedication of this complex to his memory.

10 CITADEL THEATRE 2019/20 SEASON

THE CITADEL WOULD LIKE TO THANK THE FOLLOWING FOR THEIR ASSISTANCE ON

FIGHT NIGHT

THEATRE COURTESIES

• Dr. Ghalib Ahmed • The Audiology Clinic of Northern Alberta

E L E C T R O N IC D EV IC ES No doubt we have all been distracted by a cell phone, pager or watch alarm ringing or lighting up when attending the theatre.

Out of consideration for your fellow audience members we ask that you turn off all electronic devices that emit noise or light. Thank you.

A L L E R G Y A LER T For the safety of those with allergies, please refrain from the use of perfumes or scented products before coming to the theatre.

L AT E S E ATIN G /REA D MITTA N CE We endeavour to minimize the distraction for our patrons and the actors when seating latecomers. If you arrive late for a performance, you will be seated at the first appropriate moment in the play in designated latecomer seating. If you must leave the theatre during the performance you will be reseated in designated seats at the back of the theatre.

E M E R G E N C Y EXITS We ask that you please take a moment to identify the exit nearest you, so you can safely exit in the event of an emergency.

FIGHT NIGHT 11

RECOGNIZING OUR PARTNERS SEASON SPONSOR

PRESENTING SPONSORS

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OFFICIAL SUPPLIERS

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FIGHT NIGHT 13

A Corporate Season Package of tickets is a unique way to thank your clients and suppliers, or use them as staff incentives and rewards!

PLUS, A PACKAGE COMES WITH THESE DISCOUNTS: • • • • • • •

BUCO EPCOR TOWER 10% off all food (offer not valid with any other promotions or discounts) JASPER SKYTRAM 15% discount on full-priced tickets MADISON’S GRILL AT UNION BANK INN Preferred guest room rate with complimentary upgrade to a suite (approximate value of $100) AND complimentary amuse-bouche with your meal MARMOT BASIN 15% off on full priced lift tickets, rentals, and select lessons with a STH membership card at the Group Sales desk in the Lower Chalet NORMAND’S BISTRO 10% off entire bill SHARE AT THE WESTIN 10% off entire bill SORRENTINO’S DOWNTOWN 10% off all food (offer not valid with any other promotions or discounts)

JOIN TODAY!

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NOV 1 - 24 Photo by Liz Lauren, courtesy of Chicago Shakespeare Theater

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The Citadel Theatre Presents

FIGHT NIGHT Produced by Ontroerend Goed, The Border Project, Theatre Royal Plymouth, Richard Jordan Productions and Vooruit STARRING JULIA GHYSELS, AARON GORDON, AURÉLIE LANNOY, ANGELO TIJSSENS, BASTIAAN VANDENDRIESSCHE, MAX WIND Director................................................... ALEXANDER DEVRIENDT Text. . . . . ..................................................... ONTROEREND GOED Set Designer. . ......................................... SOPHIE DE SOMERE, LILITH TREMMERY Lighting Designer.................................. LILITH TREMMERY Costume Designer.. ............................... SOPHIE DE SOMERE, ANGELO TIJSSENS Sound Designer..................................... DAVID HEINRICH Graphic Design Voting System........... NICK MATTAN Composers............................................. CAMERON GOODALL & DAVID HEINRICH Photography. . ......................................... SARAH EECHAUT COPRODUCTION The Border Project (AUS) Vooruit Kunstencentrum, Ghent (BE) Theatre Royal Plymouth (UK) Richard Jordan Productions (UK) Technique Tour...................................... BABETTE PONCELET & PEPIJN MESURE General Manager................................... DAVID BAUWENS Artistic Director...................................... ALEXANDER DEVRIENDT WITH THANKS TO State Theatre Adelaide, NTGent, Angela Schellekens – CCBe & Unicorn Theatre WITH THE SUPPORT OF Flemish Community, Province of East-Flanders City of Ghent The run time of this performance is approximately 85 minutes with no intermission.

The video or audio recording of this performance by any means is strictly prohibited.

The Citadel engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Production personnel for the Citadel Theatre are members of the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) Sponsors EDMONTONˇS RELAXING FAVOURITES

FIGHT NIGHT 21

DIRECTOR’S Notes

Your vote. So many people fight for it.

So many promises are made to obtain it.

And yet it feels so small. Such a tiny contribution. A seemingly insignificant voice muffled by the turmoil of the powers that be.

I’ve been all kinds of voters. A frustrated one, consciously abstaining, too lazy to go, a fervent one, a social one, a strategical one.

But more and more I became fascinated by the extent to which my choice was manipulated on so many levels.

Not only by the politicians themselves or by the media. All sorts of little things in my immediate or far away surroundings had an impact on my vote.

What it mostly boiled down to, is the feeling that made me say: ‘I trust this person.’

A trust that seemed to be of my own making.

I trusted this one person in politics. He seemed intelligent and somebody who could represent me in the political field.

When he appeared on television he said things that made sense. Whether it was in a game show or political talk show I can’t remember (the distinction has become blurrier day by day).

It’s a feeling I share with many Trump-supporters today. You trust your own judgment so well, you rarely question what it’s really based upon.

Until I took a closer look at his views during rehearsals for this show and I was amazed how different our views were on so many levels.

22 CITADEL THEATRE 2019/20 SEASON

How the things I cared about were not even mentioned in his political programme.

I still trust the guy. He is a strong politician.

He just doesn’t get my vote anymore.

There is this other person whose programme I share completely. She doesn’t get enough votes to really matter in Belgian politics, but I believe the votes she gets, keep her going.

Because my vote matters to her and she matters to her party and the party influences decisions in a country, the country has a say in the European Union and maybe the powers beyond that are kept in check just a little bit more.

A chain of influence that can alter the world.

Eight years under Romney would be a different world; a Canada led by Trudeau resonates even in our country; a referendum in Britain has altered the course of history.

I remember when we performed the show in London, there was this 80-year-old man who started shouting to younger people who were giving up their device, who were giving up their vote.

“Don’t do it. People have fought for this!” he shouted.

I’m probably going to be like him.

– Alexander Devriendt

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Flamenco Legends by Javier Limón – The Paco de Lucía Project Thursday, October 31 • 7:30 PM • From $65 CALIFORNIA GUITAR TRIO & MONTREAL GUITAR TRIO October 19 MARTIN SEXTON October 20 TOM RUSSELL October 25 REUBEN AND THE DARK October 29 FLAMENCO LEGENDS

BY JAVIER LIMÓN – The Paco de Lucía Project October 31 GINALINA November 8 CONNIE KALDOR AND FAMILY November 8 BARNEY BENTALL AND THE CARIBOO EXPRESS TOUR November 9 THE WARDENS November 28 THE ENNIS SISTERS UT SOLD O6 December @theardentheatre

TERRY BARBER performs the music of Andrew Lloyd Webber January 17 OKAN January 18 SING-A-LONG-A GREASE T SOLD January 18 OU HARRY MANX January 24 CONFESSIONS OF A REDHEADED COFFEESHOP GIRL January 31 THE BROS. LANDRETH February 7 THE GREAT BALANZO IN CONCERT! February 9 AN EVENING WITH STEVE POLTZ February 14 DANNY MICHEL with special opening guest Steve Poltz February 15

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OVER THE MOON February 27 SHAKURA S’AIDA February 28 VC2 CELLO DUO March 12 THE SLOCAN RAMBLERS March 13 IRISH MYTHEN March 18 JAMES KEELAGHAN & JEZ LOWE March 27 MOLLY JOHNSON March 28 THE ZOMBIES April 17 Dufflebag Theatre presents BEAUTY AND THE BEAST April 19 Kalabanté Productions presents AFRIQUE EN CIRQUE April 28

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MUSIC • FAMILY • FILM • THEATRE • CIRQUE

FORESHADOWING Colin MacLean is the dean of Edmonton theatre reviewers.

In 2007, Colin was presented with a Lifetime Achievement Award for Outstanding Contribution to Theatre in Edmonton at the Sterling Awards.

JOE BEIGHTON HAD A PROBLEM. As producer of the Cambridge University Musical Theatre Society, he had just been awarded a venue at the 2017 Edinburgh Fringe.

Not only did he not have a show, but the Society had been running in the red at the Fringe for years (having to pay punishing rights for established musicals). His solution: write an original.

He immediately shared his problem with fellow member actor/writer Toby Marlow. Marlow came up dry.

Photo by Liz Lauren, courtesy of Chicago Shakespeare Theater

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FIGHT NIGHT 25

FORESHADOWING with Colin MacLean Marlow, a 24-year-old student, was deep into his studies. One afternoon when his classwork turned to the poet William Blake and he was idly looking at the words at the top of his paper (“Practical Criticism”), he had an epiphany. As he told The Standard in 2018, “there was me, two other students and a professor... and my mind went somewhere else.” He began scribbling words onto the worksheet, “what if there is a girl group? They have microphones and cool dresses and dance routines. It’s like a pop concert and they are pop stars. OMG! OMG! I need Lucy! I need Lucy!”

Immediately after the class he breathlessly phoned “Lucy.” Lucy Moss (also 24) grew up in Ealing, West London and came from a non-musical family. Her father was a fund manager – her mother a tax expert. On the other hand, Marlow’s parents studied at the Royal Academy of Music and, at the age of nine, he became a child actor with a notable career. The two met at Cambridge where Moss was establishing a reputation as a burgeoning director and Marlow was auditioning for a role in one of her shows. “I thought she was brilliant,” says the star-struck Marlow. As Moss remembers it, “I was getting cash at the cashpoint to go back to the bar and drink loads of pints.” They collaborated in Hot Gay Time Machine which went on to win a Fringe award. They co-wrote Six while studying for their final exams at Cambridge. “We wrote at the uni fueled by Domino’s and Prosecco,” remembers Marlow.

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SIX IT SOUNDED LIKE A FUN IDEA. LET’S TRY IT AND “ HAVE A BIT OF FUN AT THE FRINGE WITH SOME FRIENDS.

”

Apparently, at first Moss was not swept away by Marlow’s concept. “I remember thinking that this could be so bad,” she observed in an interview. But she trusted Marlow’s writing abilities, observing, “all I had to do was to make sure it was not crap.” Beighton, speaking to Foreshadowing from his flat in London, remembers being intrigued. “It sounded like a fun idea. Let’s try it and have a bit of fun at the Fringe with some friends.” (Beighton became the music supervisor – a position he still holds today).

Like Come From Away and The Drowsy Chaperone before it, Six turned out to be the little snowball that began rolling down the hill getting bigger all the time. Says Beighton, “we sold out every night. Each day we would tell ourselves, ‘Well that’s it. Audiences will begin to fall off.’ But they never did.” Big time producers showed up to see what the fuss was all about.

Mere months later, sitting in (producer) Kenny Wax’s London office, Moss learned that her project was coming to the West End. Looking at the billboards for Les Miz across the street, she remembers thinking, “we have gone too far.”

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FIGHT NIGHT 27

FORESHADOWING with Colin MacLean

THINK OUR SUCCESS SHOWS THAT AUDIENCES “IHAVE BEEN WAITING FOR A SHOW LIKE THIS.

”

Well no you didn’t, Lucy. On December 18 , 2017, the production opened in the West End. An album was released – which received literally millions of plays on Spotify. Six premiered at the Chicago Shakespeare Theatre in 2019. Enthused the Chicago Tribune, “aside from its sense of humour and spirited radicalism, the greatest asset of Six is the way it understands a complex historical paradox.” The New York Times burbled, “Six blows out the amps with pop-historical hysteria.” th

Trying to put his finger on the success of his little amateur project, Beighton concludes, “it had never really been done before – this kind of tackling of feminist issues. We wanted to showcase six women in a very contemporary kind of way using the stories of women from a long time ago. These are very empowered women, singing and dancing, and performing roles that didn’t demand a man on stage. It’s also a show that is hard to resist. The songs are truly catchy, the comedy hilarious and the staging is pretty spectacular as well. I think our success shows that audiences have been waiting for a show like this.”

“Take your phones out,” suggests Anne of Cleves shortly before Six’s selfie-friendly megamix finale. “You’re gonna want to film this.” The result of the Marlow/Moss writing

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28 CITADEL THEATRE 2019/20 SEASON

SIX frenzy during university finals is that, in some timeless celestial venue, all six wives of history’s worst husband are competing in a Simon Cowell-type popularity contest as to who had the worst deal as Henry’s wife. The put-upon ladies, calling themselves the “ExWives” and perhaps best remembered in the childhood rhyme, “Divorced, beheaded, died.

Divorced, beheaded, survived,” strike out across the centuries in a kind of youth-oriented, kick-ass, laceratingly funny, Spice Girls-powered agglomeration of power ballads, rock and roll, electro, anthemic pop. Tricked out in punkish costume versions of Tudor styles, they swank about the stage in a formidable synchronized formation of defiant self-possession as they vie for the crowd’s approval.

You may be vaguely familiar with the stories but they have never been told with such ferocity as here. This is no scholarly attempt to right a centuries-long wrong, but a let ‘er loose, lung-challenging mashup of styles and storytelling: persuasive, lucid and gloriously confident. It’s time for musical reparations – as they say in the show, “every Tudor rose has its thorns” and this sextet of singing/dancing sister/wives are the ladies to do it.

Catherine of Aragon starts off by recounting her marriage to the rotund Tudor tyrant and the annulment that followed when he started lusting after that minx, Anne Boleyn. Anne delivers her story of the true love that ended with having her head cut off. (“Don’t lose ur head,” she warns in song, ignoring her own advice.) Then Jane Seymour takes over, wearing her heartbreak on her sleeve: “I was the only one he truly loved,” she wails. Proclaims Seymour,

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FIGHT NIGHT 29

FORESHADOWING with Colin MacLean “I stood by him despite all his faults,” as she sings “Heart of Stone.” She asks, “What hurts more than a broken heart?” “A severed head,” retorts Boleyn. Henry marries Anne of Cleves who complains that, after she was annulled she was forced to live in the sumptuous digs of Richmond Castle. Catherine Howard is the next to be dispatched and her acidtongued fellow “Ex-Wives” pounce calling her “the least relevant Catherine.” Catherine Parr, obviously a bottom-line kind of girl, puts a relevance to the whole evening, questioning if being remembered only as Henry’s wives – rather than what they actually did, is really the way to being “crowned” as leader of the pack in her song, “I Don’t Need Your Love.” The whole evening leads the group to realize they must find their own “happy ever after.”

In 2018, Citadel Artistic Director Daryl Cloran went to London. It was to participate in the opening of Hadestown in London’s West End. As anyone who reads this column will know, it was Cloran’s patient cajoling (and downright chutzpah) that brought that production to the Citadel for a spectacularly successful out-of-town tryout last year – as the producers acknowledged on the stage during last year’s Tony celebrations. While there, Cloran met with a number of producers in an attempt to land another co-production deal that would benefit the Citadel and perhaps give a promising production a lift. “It assisted a lot to say that the Citadel helped develop a show which is playing right now in your national theatre.

It gave us instant credibility.” Cloran’s British initiative worked in spectacular fashion. He attracted the comic smash, Peter Pan Goes Wrong – more on that later this year. And Six. “I was quite familiar with the production and its great success in the West End (...and having seen the West End production), I had no doubt that there was a fantastic future ahead for it.

I knew the plan was to take it to Broadway, and I suggested that it might be helpful if they brought it to the Citadel in the fall.” He hoped the show might prove to be a hit (of Hadestown proportions) here and “…provide another opportunity for Edmonton artists to shine.”

Six was designed by its creators to be light, even silly, but nonetheless the feisty females’ stories coalesce into a serious discussion about victimhood and survival. The show will open in Edmonton November 1st in the Shoctor Theatre on its way to an opening in Broadway’s Brooks Atkinson Theatre on March 12, 2020.

Photo by Liz Lauren, courtesy of Chicago Shakespeare Theater

30 CITADEL THEATRE 2019/20 SEASON

BIOS ALEXANDER DEVRIENDT

is the artistic director and one of the founders of Ontroerend Goed. His past work includes the creation of the individual theatre trilogy (The Smile Off Your Face, Internal, and A Game of You), the direction of the three celebrated teenage plays: Once and for all we’re gonna tell you who we are so shut up and listen, Teenage Riot & All That is Wrong, and A History of Everything co-produced with Sydney Theatre Company.

His most recent works are Sirens, a performance on feminism, Are we not drawn onward to new erA, a palindrome show, and World Without Us, the final part of the Fast Forward Trilogy. His plays have won several awards around the world, and are performed all over Europe, Australia and North America, recently visiting the Middle East, Russia, Hong Kong and Singapore.

Photo: Lieven Symaeys

JULIA GHYSELS

studied theatre at the Antwerp Conservatory. While she was studying she performed in De zaak van de dieren tegen de mensen (2014) by HETPALEIS and Alsemkomt (2014) by de Roovers. After her studies, she performed in the theatre pieces Othello (2015, Toneelhuis), and Adult World (2015, echo maker MT and Cie Covar). In 2018 she performed in the play Loopstation (Ontroerend Goed), and Tussen Hond en Wolf (UNM in coproduction with De Warande). In 2019 she performed in the French version of Lies by Ontroerend Goed. Her television work includes Gent-West (in the role of Sasha, 2017-19) and Fenix (2018).

AARON GORDON

is an actor/writer. He previously worked with Ontroerend Goed on the Fight Night world tour. He trained with the National Youth Theatre Rep Company in 2013. He has several credits in film, television, and theatre. He also co-runs a theatre company called Itch and Scratch. Whilst appearing in Fight Night, he is also working on a number of projects including a one man show about mental illness.

AURÉLIE LANNOY

trained in theatre at the Kleine Academie in Brussels with movement and creation as a pedagogical basis. In the course of the following years, she also received training at the Susan Batson studio in New York. Fresh from drama school, Aurélie encounters and joins Ontroerend Goed, a Ghent-based company that explores new theatrical forms. She collaborates with them regularly as an actress, creator, and performer, which allows her to play internationally and to receive awards on several occasions, among them the Adelaide and Edinburgh festivals. Alongside her work with Ontroerend Goed, Aurélie began research to explore the possibilities and the limits of a deep and authentic relationship between actors and their audiences.

FIGHT NIGHT 31

BIOS BABETTE PONCELET

is the current technical director of the Ghent-based theatre company Ontroerend Goed, having been with the company since her first show, OMG, in 2014.

Having a technical background from her studies as a theatre technician at RICTS Schools of Arts in Brussels, Babette has a specific eye for lighting and sound design. She’s done the light design for Are we not drawn onward to new erA, World Without Us, and £¥€$. She’s also worked for Miet Warlop, where she did light design, as well as sculpture assistance, and working as an overall technician.

ANGELO TIJSSENS studied theatre at the Antwerp

Conservatorium. He made a few shows as a director, actor, and writer, but after a couple of years, he started working for OG as an understudy; soon enough, he actually joined the company and started touring all over the world. His work with Ontroerend Goed includes: A Game of You; Internal; Audience; A History of Everything, and Fight Night (both English and French version); Are we not drawn onward to new erA, £¥€$, OMG, Loopstation, Artificial, and Every Word Was Once an Animal. He acted in some films and several television series and wrote three short films, as well as GIRL, with director Lukas Dhont with choreographies by Sidi Larbi Cherkaoui. At the 2018 Cannes Film Festival, they won the Camera d’Or, the Fipresci Award and the Queer Palm. They won the European Film Award for Best Debut, were nominated for a Golden Globe and several other awards all over the world. He’s currently working with Dhont again on his second feature, Angel.

Tijssens’ first own screenplay, Dust, is currently in development, with director Anke Blondé.

BASTIAAN VANDENDRIESSCHE

studied International Political Sciences at the University of Ghent.

After his master (2013) he studied Drama at the Conservatory of Antwerp (2013-17). With his controversial debut De Fuut, he won the Best International Performance Award at Amsterdam Fringe (2017). After a tour through the Netherlands, he translated the play and travelled with it to England and Scotland (Big in Belgium, 2018). Later he created A White Man’s Burden (2018) for Theater Rotterdam, and Mono for M-museum Leuven (with Jotka Bauwens). In 2019, he performed Mockingbird (his once in a lifetime experiment in De Minard), and started his latest monologue, Ode aan Buldegart in De Brakke Grond. As an actor, he has been working with Ontroerend Goed since 2017, performing in £¥€$, Fight Night, and Every Word Was Once an Animal.

32 CITADEL THEATRE 2019/20 SEASON

BIOS MAX WIND graduated from the theatre academy in

Maastricht in 2017. Since his graduation he has created several teenage plays at De Noorderlingen in Groningen and Garage TDI in Assen, alongside his work for OG. His plays are primarily textbased. In the fall of 2019 he will present a non-fiction book about the artistic taste of artificial intelligence at the premiere of the performance, Dear Lollipop, to be created in Maastricht later this year. His collaborations with OG include A History of Everything, Fight Night, Loopstation, and £¥€$.

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BIOS ONTROEREND GOED (Or “OG”) produces self-devised work grounded

in the here and now, inviting their audiences to participate as well as observe. They first emerged on the international scene in 2007, with The Smile Off Your Face, a one-onone show in which the audience is tied to a wheelchair and then blindfolded. Their hit show Once and for all we’re gonna tell you who we are so shut up and listen, was an uncompromising celebration of raw teenage energy on stage. With every new piece of work, Ontroerend Goed provides an intense experience constructed in reality; life goes on during the performance. The company has won numerous awards across Europe, including STUK-prijs (2003), Fringe Firsts (2007, 2008, 2009, 2012, 2016, 2017, 2019), Herald Angel (2008, 2009), Total Theatre Award (2007, 2008, 2012), Three Weeks Editors Award (2007), Stage Award for Best Ensemble (2014).

OG performs in Dutch, English and French, and has hit New York, Sydney, Hong Kong, Toronto and London to critical acclaim. Their work is currently being ‘staged’ in countries around the world; they perform their own work, and have successful local remakes in Istanbul, Moscow and Shanghai.

Ontroerend Goed is Alexander Devriendt, David Bauwens, Joeri Smet, Wim Smet, Charlotte De Bruyne, Karen Van Ginderachter, Karolien De Bleser, Babette Poncelet, Aurélie Lannoy and Angelo Tijssens. They are currently associated artists in residence at Vooruit Arts Centre in their hometown Ghent, Belgium. In 2015 Oberon Books published All Works And No Plays, in which Ontroerend Goed explores different forms to convey a theatrical experience on paper. Each performance has its own way of approaching the audience, so each text has its own way to address the reader. This book is not made to turn the page and document the performances as a past experience, but for people to use it as a tool. A tool to play, adapt, oppose, relive, challenge and inspire. It contains 9 blueprints of shows

by Ontroerend Goed. Amongst them are: The Smile off Your Face; Internal; A Game of You; Once and for all...; Teenage Riot; All That is Wrong; Audience; A History of Everything and Fight Night.

This year, Oberon Books has released the company’s latest publication, Pieces of Work.

‘The most consistently challenging theatre-makers of the past decade.’

– The Scottish Journal of Performance

34 CITADEL THEATRE 2019/20 SEASON

BIOS THEATRE ROYAL PLYMOUTH

specialises in the production of new plays alongside the presentation of a broad range of theatre – including classic and contemporary drama and performance, musicals, opera, ballet and dance. As one of the UK’s busiest regional theatres located in the South West of England, we have three performance spaces – The Lyric, The Drum and The Lab. Our work with young people and communities is extensive and radical, taking place across all our venues and beyond.

We have regularly co-produced with Ontroerend Goed and Richard Jordan Productions (Loopstation, £¥€$, World Without Us, Are we not drawn onward to new erA, A History Of Everything, Sirens, Fight Night, Teenage Riot and Under the Influence). We have also regularly co-produced with Paines Plough (You Stupid Darkness by Sam Steiner, The Angry Brigade by James Graham, Love Love Love by Mike Bartlett), Frantic Assembly (The Unreturning by Anna Jordan, Othello, The Believers by Bryony Lavery, Lovesong by Abi Morgan), Graeae (The Solid Life of Sugar Water by Jack Thorne) and Told By An Idiot (Napoleon Disrobed, Heads Will Roll, And The Horse You Rode In On, My Perfect Mind).

We host many companies from the UK and around the world on our stages; recent international companies have included: Robert LePage’s Ex Machina with Needles & Opium and The Far Side of the Moon, Ninagawa’s Macbeth, and Hofesh Shechter’s Grand Finale and Sun. Some of our own recent Theatre Royal Plymouth Productions include: God of Chaos and The Man With The Hammer by Phil Porter; The Kneebone Cadillac; 49 Donkeys Hanged; Grand Guignol and Horse Piss for Blood by Carl Grose; Clockwork Canaries by Christopher William Hill; The Here and This and Now by Glenn Waldron; The War Has Not Yet Started by Mikhail Durnekov and Monster Raving Loony by James Graham. South West-based theatre company The Wrong Crowd are our first resident company at the theatre.

RICHARD JORDAN PRODUCTIONS is an Olivier and Tony Award-

winning production company under the leadership of British producer Richard Jordan. Based in London, (UK), the company was founded in 1998 and enjoys associations with many of the world’s leading theaters and arts organizations. His company has produced over 240 productions including 91 world-premieres and 89 US, UK and Australian premieres by both new and established writers, artists and companies including Ontroerend Goed whose work, since 2007, he co-produces worldwide.

He has enjoyed a long relationship with Canada working with many of its theatres including: The Cultch in Vancouver; Royal Manitoba Theatre Centre; Stratford Festival; Zoofest in Montreal; the National Arts Centre; Soulpepper; Theatre Centre; Harbourfront; and regularly with Mirvish, in Toronto. He has also produced and developed productions by a range of Canadian artists and writers both in Canada and internationally including: Ravi Jain; Ross Manson and Volcano; Rick Miller; Raoul Bhaneja; Alon Nashman; Darren O’Donnell; Wajdi Mouawad; Michael Redhill and Janet Munsil.

Richard’s productions have won a number of major awards including: the Laurence Olivier Award; 17 Scotsman Fringe Firsts; 7 Total Theatre Awards; 2 Herald Angel Awards; the Jeff Award; The EMMY Award; the Off-West End Award; the U.S. Black Alliance Award; the Obie Award; 3 Helen Hayes Awards and the TONY (and 11 other TONY nominations); Drama Desk; Drama League; New York Critics; Broadway.com and Outer Critic Circle Best New Play Awards.

In 2013, Richard became the first British producer to have won every notable Broadway and offBroadway Best New Play Award. Described by The Stage newspaper “as one of the UK’s most prolific theatre producers” and named seven times in their annual list of the top 100 UK theatre professionals, he was the first recipient of the TIF/Society of London Theatre Producers Award.

For more information email: info@richardjordanproductions.com FIGHT NIGHT 35

BIOS VOORUIT is a vibrant arts center with 350,000 annual visitors. Since 1982, it has been

developing cultural events, focusing specifically on performing arts, music, books and city & transition. With its broad range of activities, from stage shows, performances and concerts, to book presentations, debates and parties, Vooruit is a significant meeting place for a very diverse public. Vooruit is located in an impressive monument that houses four stages, four studios and a large café with connecting terrace and bicycle parking lot. Vooruit is a central platform in a dense network of artists and organizations from a variety of sectors, inspired by a turbulent world and an always evolving arts field. With a contemporary vision for the future, Vooruit strengthens the cross-pollination between the arts and the local and global communities. We serve as a welcoming meeting place and as a lab for development, production, presentation, participation and reflection. We keep building on a past of innovation and social engagement. Since January 2017, Vooruit collaborates with 5 long-term podium residents: Ontroerend Goed, Sachli Gholamalizad, Miet Warlop, Nadia Beugré, Alexander Vantournhout. It presents around 50 performing arts productions every season.

BIG IN BELGIUM provides a platform for some of the most significant theatre

companies from the Flemish part of Belgium. Now in its seventh year, each of the shows has previously been very successful on the European mainland and are now presented for the first time to Edinburgh audiences, some translated and adapted, ready for breaking new grounds in English-speaking territories, aiming to create a greater visibility for Flemish theatre on the international scene.

SKETCH COMEDY

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HOUSE SERIES 36 CITADEL THEATRE 2019/20 SEASON

DARYL CLORAN ARTISTIC DIRECTOR • CHANTELL GHOSH EXECUTIVE DIRECTOR

ARTISTIC

Artistic Coordinator

Clayton Plamondon Meg Prusko Deanna Robillard Joyanne Rudiak Geraldine Schaer Alieda Sekulich Liana Shannon Jennifer Spencer Eileen Sproule Julie Sucie

Indigenous Associate Artist

ADMINISTRATION

Manager, Foote Theatre School

Peni Christopher

Jessie van Rijn Producer

Rachel Peake

Associate Artistic Director

Doug Mertz

Director, Education & Outreach

Wayne Paquette

Christine Frederick Diana Stevenson Neil Kuefler

Education Outreach Associate

Young Company Instructors Amber Borotsik Shannon Boyle Michael Bradley Anna Davidson Alexander Donovan Elaine Dunbar Jan Henderson Dave Horak Heather Inglis Kim Mattice Wanat Doug Mertz Leigh Rivenbark Kate Ryan FTS Instructors Joleen Ballendine April Banigan Shannon Boyle Ashley Butler Sydney Campbell Ellen Chorley Quinn Contini Sophie Gareau-Brennan Crystal Hanson Brady Hughes Sally Hunt Binaifer Kapadia Sydney Keenan Josh Languedoc Marguerite Lawler Annette Loiselle Joey Lucius Barb Mah Rhys O’Donnell

Kimberlee Stadelmann

Associate Executive Director

Asst. to the Artistic Director/ Company Manager

Rebekah Andrews Executive Assistant

FACILITY

Louis Barron Director

Maintenance Bill Daniels Yang Yang Janitorial Bee Clean Services Security Alberta Crowd Management Building Porter William Cardle Tara Gale

GUEST SERVICES Shirley Tran

Patron Relations Manager

Calvin Simonson

Assistant Patron Relations Manager

Rebecca Harding

Data Administrator & Designer

Theresa Hovdestad

Senior Manager, Front of House Operations

Jules Pepin

Assistant House Manager

Jacob Liska

Volunteer Coordinator

Hayden Weir

Assistant Bar Manager

Laurel Carter

Events Manager

Jennifer Graham

Assistant Events Manager

Guest Services Supervisors Alyssa Bartlett Melissa Budinski Dani Dreger Eden Edwards Cameron Freitas Jessica Glover Emma Jones Jacob Liska Hayley Moorhouse Chris Pereira Dustyn Tennessen Erin Valentine Guest Services Representatives Rebecca Antonakis Melanie Bahniuk Sam Banigan Helen Belay Melissa Belton Alex Berry Brett Boyd Emily Boyle Mitchell Bradbury Colleen Bunyan Brooklyn Decker Courtney Dewar Carol Dreger Josephine Hendrick Kyla Huffman Leif Ingebrigtsen Hale Johnson Joel Leslie Joshua Manning Jossie Mant Graham Mothersill Vina Nguyen Taylor Ogilvie Ben Osgood Logan Stefura Michael Vetsch Alex Voutchkov Kate Walker Mimi Ward Vanessa Wilson Lauren Zazula

MARKETING & COMMUNICATIONS

Sheila Cleasby

Head of Electrics

Ken Davis

Meaghan Skerik

Brent Felzien

Jim Meers

Kristen Hiemstra

Angie Sotiropoulis

Mel MacDonald

Marc Anderson

Strategic Lead, Marketing Asst. Head of Electrics Larissa O’Hare & Communications Electrics Mac Brock Nicole Deibert Community & Media Head of Scenic Paint Engagement Specialist Video Editor/Designer Creative Manager

Marketing Coordinator

Head of Props

Assistant Head of Props

Head of Stage Carpentry

Aasen FUND DEVELOPMENT Kris Assistant Head of Sydney Stuart

Carpentry Director, Fund Development Dan Beggs Stage Carpenter John Markey Manager, Fund Development Patsy Thomas Head of Wardrobe Rebekah Andrews Coordinator, Terri Grant Fund Development Assistant Head of Wardrobe Eden Edwards Asst., Fund Development Olivia Derkson Head of Wardrobe Sang-Sang Lee Running Asst., Fund Development

PRODUCTION

Cheryl L. Hoover

Director of Production

Patrick Fraser

Katie Patton

Head of Wigs

Christa Hoefling

Assistant Head of Wigs

Technical Director

Gal Minnes

Asst. Production Manager

Jacinda Maxwell

Asst. Technical Director

Geoff Wright

Asst. Technical Director

Kyla Maki

Administrative Assistant

Michelle Chan

Resident Stage Manager

Owen Hutchinson Head of Audio

Nick Rose

Assistant Head of Audio

Russell Ault Audio

Bobby Smale Video

Peter Locock

Head of Scenic Carpentry

Chris Hayes

Asst. Head of Scenic Carpentry

The Citadel is grateful for the kind generosity of its volunteers listed below. If you want to volunteer with the Citadel, please contact the Volunteer Coordinator at volunteers@citadeltheatre.com.

Zoe Afaganis, Johanna Andreoff, Judith Babcock, Shelley Benson, Erika Beyer, Karen Bokenfohr, Florence Borch, Ken Borch, Allan Budlong, Margot Byer, Patrick Caron, Dee Cartledge, Rob Cauti, Gina Chea, Ruth Diaz, Sarah Farnsworth, Lil Filewych, Wendy Fraser, Irene Gagne, Louise Gagne, Dan Germain, Bonita Gillespie, Margaret Gronnestad, Julie Harvey, Jeff Haswell, Rosemarie Heaney, Brad Heller, Daniel High, Maria Hollinshead, Theresa Hryciw, Laura Hughes, Bruce Johnson, Madalyn Johnson, Mary Johnston Therrien, Samantha Ju, Joanne Kallal, Veronica Keuchel, Robin Knight, Eva Kopecka, Arndt Kuethe, Janice Kuethe, Wendy Kurtz, Joy Lardner Susan Lauridson, Karen Lewis-Caron, Leola Losier, Elizabeth Luchko, Neelam Mabood, Rita MacDonald, Ross Machetchuk, Dawn Madill, Aidan McBride, Joslyn McDonald, Donna McKay, Linda McMurdo, Donna Miller, Karen Miller, Janice Minamide, Monica Molina, Desiree Molnar, Bob Moore, Joan Murchie, Florence Nieberding, Linda Orlecki, Edith Parsons, Susan Patenaude, Hailey Pilon, Donna Prato, Doug Racine, Joan Redman, Barbara Reinhardt, Lori Ristoff, Cheryl Ritchie, Monica Robillard, Louise Rogucki, Janice Ruf, Tracey Schaufele, Susan Schroter, Angela Seery, Art Shea, Theresa Shea, Amanda Sim, Phyllis Solsberg, Victoria Spang, Colleen Stepney, Nicole Supa, Rhonda Taft, Arlene Travnik, Diane Trithardt, Christine Tupper, Christine Twardzik, Lacey Untereiner, Brenda Voyce, Annette Ware, Julia Weaver, Janet Wheler, Liz White-MacDonald, Kay Willekes, Laura Wylde, Colette Zuberbuhler

FIGHT NIGHT 37

CITADEL VOLUNTEERS

STAFF

WE HAVE A CLASS FOR YOU! For more information, scan this code or visit our website at citadeltheatre.com/FTS The Citadel Theatre Playbill is published eleven times per year by Playhouse Publications Ltd. The contents of The Citadel Theatre Playbill may not be reproduced in whole or in part without the written permission of the publisher. All rights reserved by Playhouse Publications Ltd. Inquiries should be made to: Playhouse Publications Ltd. 10177 - 105 Street, Edmonton, Alberta T5J 1E2 Ph: 780-423-5834 • Fax: 780-413-6185 • www.playhousepublications.ca

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PUBLISHERS President & CEO: Tom Suggitt • President & CFO: Rob Suggitt

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