Sung Di 宋 翟 Bachelor of Architecture (5-Y)
address
20F-1, No 42, Ln 95, Muxin Rd Sec 3, Taipei, Taiwan
work
Aug 2014-Jan 2015
contact
+886 9 58 111 033 tim820313@hotmail.com
Internship Philippe Rahm architectes (Paris, France)
education
Sep 2011-Jun 2016
B. Arch, National Cheng Kung University (Tainan, Taiwan)
date of birth
March 13, 1993
scholarship
languages
Mandarin native English fluent
workshop
TOEFL iBT 105/120 (Dec 2016) TOEIC 920/990 (Jun 2011)
French
programmes
AutoCAD Rhinoceros SketchUp Dreamweaver
skills
Physical Model Laser Cutting
Jun-Jul 2014 Feb 2013
intermediate
Photoshop Illustrator InDesign
Aug 2015
Apr 2012
competition
Oct 2015 Nov 2014 Oct 2014 Sep 2014
OUT Scholarship sponsored by JC Architecture (Taipei, Taiwan) "Tainan Museum of Fine Arts, Parametric Redesign" led by AIA Architect Kane Yanagawa "BORG, Alternate Sense" led by Professor Cheng-Luen Hsueh "Transforming and Making, Old House to Object" led by AIA Architects Marcus Brown & Dedee Regan "Chandigarh Unbuilt: Museum of Knowledge" "UNESCO Bamiyan Cultural Centre Design Competition" "WHO Headquarters Expension Competition" "Guggenheim Helsinki Design Competition"
exhibition
Jun 2016
NCKU Thesis Project Show Staff
publication
Jul 2016
NCKU Thesis Project Year Book Editorial Team
Content 目 次
1
Thesis Studio
Sep 2015-May 2016
memoir-ial instructed by architect Fang Chun-Kai
2
Internship
Aug 2014-Jan 2015 Aug 2014-Sep 2014
Taichung Jade Eco Park Guggenheim Heksinki
3 4
Integrated Studios Modern Architecture History Environment & Sustainability
Nov 2015-Jan 2016 Feb 2015-Jun 2015
Reconstructing Modernism with Sections Sea-wall Complex 2050
5
Competition
Sep 2015-Oct 2015
Museum of Knowledge
Thesis Studio, Fifth Year
memoir-ial 斷 城 修 復 場 Celebrating Ruins / Commemorating History 「一個不管以何為名，不打算保存人們生活痕跡的地方，不就等於一個陌生的城市？一
Due to site restrictions and history, multiple vertical transportations are applied, from small to large scales, e.g. component display, whole house display,
個陌生的城市，何須特別叫人珍視、愛惜、維護、認同…？」 - 《古都》朱天心
lab transportation, docking and car parking. Vertical transportation also resembles bomb shelter, from saving people by sacrificing houses to salvaging houses from
Quoted from Chu Tien-hsin's novel, questioning common unfamiliarity
certain people.
with one's hometown, Taipei; she found that the society is so unwilling to preserve its ancestors' traces, the city shall always remain as strange that its residents wouldn't be able to cherish and recognize it.
Routes on site are carefully arrange, especially the park above ground poses no educational proposes in the spirit of commoners' collective memory shall remain self-explained without any presumptions. Park is for everyone to wander in
I also managed to reveal commoners' collective memory in Taipei. During the WWII, the Japanese colonial government broke its own urban plan with M`\ZI ^IKIV\ [\ZQXM[ \W XZM^MV\ _QTL JWUJÅZM[ Ja \MIZQVO LW_V PW][M[ QV KMV\ZIT city. Shi-da park is one of the air defense stripes remains vancant today, surrounded by Japanese colonial era single houses in the area. Meanwhile the historical houses in Taipei are facing malicious destructions due to their real-estate value. I propose to organize a salvage facility underneath the park, a rotary nt, to store and restore the vanishing showcase of salvaged architectural component, urban history by creating paramnesia on site, building an unvolumetric memorial functioning as city's own memoir.
and immerse.
Programming - GF, Park for wandering, recreating bomb craters and sunken cave, peeping the restoration works underneath. - B1, Exhibit for exploring, ramp of history downwards to display, faint light reminiscing bomb shelter. - B2, Library for discovering and documenting, video/audio recording from local elders, passing the memories onward. - B1/B2, Lab for restoring, facility repairing/restoring salvaged house parts from all over the city. - B3/B4, Archive for storing, some restored works kept in the archive for rotary exhibits.
historic houses decreasing in number
air-defensive vancant stripes
site proximity to administrative area
wanderers
pedestrian visitors
driving visitors
artifacts
13 sectional perspective sequences (down) illustrate 4 different routes (left) entering into the memoir-ial underground. Models: (left) Early programming/voluming concept (right) Partial space study process (down) Final realisation, part of
Internship Works at Philippe Rahm Architectes (Paris, France)
Taichung Jade Eco Parkã€€æ¸…ç¿ åœ’ Design & Construction Drawings / Administrative Documents / Website
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is currently under construction. The design gives back the outdoors to the inhabitants and visitors by proposing to create exterior spaces where the climatic restrictions and inconvenience of Taichung are lessened. The principle is based on climatic variations mapped from CFD simulation, by accentuating \PM KTQUI\QK LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMVKM[ WN KWWTVM[[ LZaVM[[ IVL KTMIVVM[[ LM^QKM[ IZM KZMI\ML \W QV^MZ\ MV^QZWVUMV\ to naturally cooler, less humid and less polluted. Among over 50 kinds of devices which will be located in the park according to CFD mapping, 6 devices and a mechanic room are constructed ahead of schedule for a mock-up area. I distrubuted in this project as a coordinator between the design team in Paris and the local team QV <IQKP]VO 1 ^M MVKW]V\MZML _Q\P [WUM VMKPIVQKIT LM[QOV UWLQÃ&#x2026;KI\QWV ITWVO \PM XZWKM[[ )XIZ\ from detail architectural design, I also participated in designing the remaining street furniture such as signages, benches, trash bins and manholes; and setting up the park's APP module for future reference. This project helps me to acquire the experience of modifying design from ideal to accord _Q\P ZMO]TI\QWV[ IVL ZMITQ\a )T[W 1 ^M TMIZVML PW_ I LM[QOV XZWRMK\ Q[ \W JM PIVLTML QV \PM Ã&#x2026;VIT XPI[M[ beyond design process.
SCALE: 1/300
+1.00
古根漢 Guggenheim Helsinki Design Competition: Proposals / Design Drawings / Renderings
We claim that the atmosphere will be the theme of 21st century confront with sustainability. Our project no longer works on solid and its forms, but on void and its atmosphere: climate, heat, light and air according to elements from meteorology: convection, radiation and evaporation. Architectural form derived from natural laws of physics: hot air ZQ[M[ KWTL IQZ NITT[ IVL \PM TQOP\ Q[ LQ[]ٺML The project is a progressive gradation from solids to voids, following the ascendant movement of heat from the earth to the sky. From a source of heat and light on the ground that forms the Atrium, the building grows in height as a fumarole, according to exponential and expansive gaseous form of hot air. The building loses its density while rising, evaporates to open and to be crossed by the sky, light and views of the city and thus permit visitors to inhabit in heaven. In this design process, I've learnt to cooperate with team members to assemble general ideas and reproduce as quick and accurate as possible. In the limited time, I've
Exhibition Space
contributed in CFD analysis, rendering touch-ups and diagrams. Besides the drawings, I also learnt that in a competition how should a team coordinate for the best performance.
Exhibition Space
Dressing Rooms
Office/Shared Green Room Office/Curator
Office/Administrative Design Store Custodial Office
Shipping Conservation Art Storage Uncrate Shipping
Integrated Studio (Modern Architecture History), Fifth Year
Reconstructing Modernism with Sections 剖面圖再現之假想建築 Derived from Le Corbusier, Alvar Aalto and Richard Meier
Sections are the most effective drawings to demonstrate architecture's genes. In this studio, we are asked to choose 3 single house projects from assigned modernism architects, by extracting from these "genes", we are to reconstruct a fictional paper architecture with a 20m cube to recreate and transcend. The projects I chose are one of each unbuilt, destroyed and remain standing. In Le Corbusier's project, I aim to keep the roof garden and spiral stairs as the gene; in Aalto's project, the curved ceiling and poché are the highlights I use as a main character; and in Meier's project, I found both staircases resembles those in Le Corbusier's house. Apart from their own special features, all these projects are not only Modernism but Realismo mágico, which coicidently correspond to the hidden chrisma of paper arhcitecture. There are 2 phases to realize my project; my first approach is to recreate the [XI\QIT M`XMZQMVKM Ja I[[MUJTQVO ZW]\M[ LQ[\QVK\Q^M \W MIKP XZWRMK\ <PM ÅVIT XZWXW[IT Q[ \W break the sections/routes once again, sections appear in parts or multiple times, the routes [PQN\QVO NZWU WVM IVW\PMZ IVL MTQUQVI\M OZW]VL ÆWWZ UISQVO Ua XZWRMK\ IV JW\\WUTM[[ climb to the top, and reappearing the views in each house along the way up.
Le Corbusier
Alvar Aalto
Richard Meier
Appartement de Beistegui Paris, 1929 destroyed
Maison Louis Carré Paris, 1960
House in Pound Ridge Pound Ridge, NY, 1969 unbuilt
In the top, arriving in the roof garden resembles that of Le Corbusier's. With a horizontal opening on the high wall for peeping outside, the space is simultaneously indoor and outdoor...
...On the way up through the spiral stairs derived from both Le Corbusier and Richard Meier, the walls on both side, inspired by Alvar Aalto's ceiling pochĂŠ, are continuously pushing and pulling, uneasy to linger and force those who climb to speed for the only opening above head...
...From Richard Meier's project, I recreate the suspended slabs with thin pillars. All the slabs, including the curve ceiling from Aalto, are hanging unpropotionally in height, diminishing the sense of floors and ground, sending the message "you may either fall down or climb up".
Integrated Studio (Environment & Sustainability), Fourth Year
Sea-wall Complex 2050 海 壘 Near-Apocalypse Facility in Darwin, Australia ...By 2050, sea level has risen more than 11m high, Australian coastal city Darwin
April
May
developped "buoy electro" technology and thus transformed into a crucial point of surviving in the
June
July
August Septem October NovemDecemb Januar Februa March
Dry season
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Build-up season
Drought, dust storm
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Monsoon season
Bushfires, lightnings
Mongolian sandstorm, City of Darwin built a defense wall preventing invadors and unpredictable
Cyclone season
nature. Through the years, the wall has become the city's "aorta" for not only serving for defensive purposes but the arbour for energy exchanging point to foreign parties, transportation across the city and many other commercial/social activites...
Heavy rainfall, flood Banggerreng
Yekke
Wurrgeng
Gurrung
Gunumeleng
Gudjeuk Tropical Season vs. Aboriginal Season
In this studio we operate in 2 phases: 1. In the 1st phase, we choose a foreign location and analyze its forthcoming environmental challenges in 35 years. We're encouraged to imagine the most extreme changes according to environmental/political facts with convincing data.
SITE
Our goal is to turn the target city into self-sustainable in regenerating/recycling energy, food, water in a metrically calculated system through out an urban planning.
mindil beach northwest coast of Darwin, Australia
2. In the 2nd phase, we are to choose from a certain building type in the world Relative Humidity by hour
we created, and do the detailed design in response to our own challenges. In my design, the Sea-wall complex is the venue for Darwin's valuables exchanging system: compact clean battery manufactured by buoy system can be exchanged to foreign merchant ship for ocean waste, and with recycling technology, in the Sea-wall the
Wind Speed by hour
recycled plastics will manufacture products. To conclude, Sea-wall complex is where battery/currency/recycled plastics are exchanged. There are buoys, harbors, factories in the core along with other recreational /commercial/
Temperature by hour
social use in tidal-defensive, thick-wall citadel appearance. garden farm
beach market/parkway
+22
+30
tidal adjustment clean water sewage water gray water rainwater résevoir
+15 +3
power station
observatory +17.0 seasonal panel +10.0
inner highrise park bikelane +15.0
maker workshop +12.0
vendor booth panel +10.0
cross-city driveway
rainwater drainage
battery production +6.0 electricity plantroom +3.0 résevoir plantroom +0.0 water treatment plant -5.2
tidal résevoir +2.5
rainwater résevoir -8.8
bath +21.0
seasonal panel +10.0
cargo loading +14.5 cargo route
inner highrise park bikelane +15.0
cargo examination +14.5 recycled material & battery storage +12.0 recycled material remolding factory +9.0 cross-city driveway
rainwater résevoir -8.8
battery production +6.0 electricity plantroom +3.0 résevoir plantroom +0.0
SCALE: 1/800
Concept Competition, Fourth Year
Museum of Knowledgeă&#x20AC;&#x20AC;ă&#x20AC;&#x20AC;ă&#x20AC;&#x20AC;ç&#x;Ľč&#x2DC;ĺ?&#x161;ç&#x2030;Šé¤¨ Chandigarh Unbuilt: Completing Le Corbusier's Capitol The competition was held by archasm in 2015 to evoke designers to finalize last puzzle in Chandigarh left blank by Le Corbusier. In the competition description, it is emphasized that the design should not only accommodate the original purpose but keep up with time that a museum should engage people as well as educate them. In our design, my partner and I interpretate "Museum of Knowledge" as Knowledge of the XXI Century in India. We claim that every indivisual in 21st C. is a valuable asset of lifetime knowledge, the museum shall serve higher interactive function and pose in I P]UJTM XW[Q\QWV \W OZW_ I[ I _PWTM _Q\P \PM KWUU]VQ\a [ Mâ&#x20AC;ŤŮşâ&#x20AC;ŹWZ\ <PM U][M]U _QTT JM I channel of knowledge in two ways: educating and receiving, every visitor is a thriving battery pumping up the museum into a brighter lighthouse. Massing
4M +WZJ][QMZ N]TTĂ&#x2026;TTML PQ[ QLMIT KQ\a La Ville Radieuse with buildings that are so
monumental we may deem the city as a sculpture garden, every piece is so formidable for common people to approach. In the contrary, MoK is delicated the people, we scatter the volumes fragmentarily to diminish the colossal atmosphere. Barcode The framed/fragmented buildings evokes viewers interest and thus the barcode will provide a general idea of the context. Himalayas In all other cubic corridor-ends we capture only part of nearby buildings, but the only continuous horizontal window in the main gallery embrace the Himalayas, presenting our respect to nature.
Attitude toward Le Corbusier Chandigarh hinges with awing structures in the Capitol Complex, for people the buildings are too unreachable; inhabitants can only "experience" part of any gigantic building in order to fit into daily life scale. To l e s s e n s u ch s t r e s s, w e allocate french windows in the gallery corridor ends, capturing part of the
views toward part of buildings
fragmented landscape within site
building with only limited view. In the galleries, the framed view and artwork are equally important and knowledgable. For this purpose, every gallery corridor opening is carefully designed , placed and examined with models to maximize the affects on fragmenting the monumental buildings. Programming Gallery and Digital Library are for opposite purposes, the former are elevated cuboids overseeing fragmented
fragment view toward The Shadow Tower
reflection of The Palace of Assembly
fragment view of The Palace of Assembly's roof
landscape; the latter's pure form indicates its idea of total equality to everyone who visits and leaves a piece of wisdom.
innovation center welcomes visitors to share and document their story
circle of life digital library tranditional library
main gallery lecture hall