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SELECTED WORK BY SURIYA SHUHRAT

A WISH TO GO

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IS A WISH TO SUCCEED BEYOND ONE'S WILDEST IMAGININGS. —ANONYMOUS

2017–2019





SELECTED WORK BY SURIYA SHUHRAT

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A WISH TO GO

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IS A WISH TO SUCCEED BEYOND ONE'S WILDEST IMAGININGS. —ANONYMOUS



/Look, Mom and Dad, I made this! Can we frame and hang it on the wall?/


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From the designer’s perspective, I prefer to go further on my design and study. Finishing school opens up doors to a whole new world of learning. The further I go as a designer in this new professional world, I hope to learn to prioritize what's essential in every project, and to bring the concept of harmony and balance to it. The amount of effort I make will be an investment for the future to become more professional as a designer. I have always believed that I can achieve my goals if I have faith in myself. The world's full of good designs are waiting to be curated by us, so I'll always look for inspirations and sustain my design to be more delightful.

I continuously go further and further learning about my own limitations, my body limitation, psychological limitations. It’s a way of life for me. — AY RT O N S E N N A

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SELECTED WORK BY SURIYA SHUHRAT


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/FURTHER/

/CONTENTS/ /04 /16 /28 /12 /60 /82 /100

/CURATED/ /SUSTAIN/ /ACHIEVE/ /INVESTMENT / /PRIORITIZE/ /BELIEVED/ /BALANCE/


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MEMORY IS

/CURATED/

ALL THIS PARAPHERNALIA YOU COLLECT TO WARD OFF FORGETTING. —LAUREN BEUKES

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SELECTED WORK BY SURIYA SHUHRAT

OBJECTIVE/

The project is selected from a unifying theme that required us to brand an upcoming exhibition at an art gallery or museum—starting by choosing an artist, architect or designer and deciding which gallery or museum would likely hold a show about that person. APPROACH/

The primary purpose of this project is helping us to understand that imagery is an essential aspect of our communications, and typography plays the dominant role, which is also an enticing par t of our assignment. In this project, I tried to build a typography connection by analyzing the fashion artist Valentino and two other artists: sculptor Eva Hesse, and photographer Anthony Friedkin's determined styles. The choice of the colors and the compositions are made for the project are based on how their works have been displayed.

COURSE/

C AT E G O R I E S /

Type Composition

Museum newsletter design

YEAR/

PROJECT FOCUS/

Spring 2018

Content layouts Type placements

INSTRUCTOR/

Andrew Loesel

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YOU CANNOT

/SUSTAIN/

AND NOURISH THE PEOPLE WITHOUT SUSTAINING THE LAND. —TIPENE O’REGAN

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OBJECTIVE/

The goal of the project is helping us to understand the interactivity of creating a mobile application by exploring visual language and researching user experience and user-centered design. Therefore, working toward an understanding of the user’s needs and how to apply them to design. APPROACH/

Naturali is a mobile application that promotes people to wear natural material. It will help users understand the benefit of wearing natural fabric and how to take care of it. The application had two main features, found through lots of user testing. The first feature is used while shopping; it helps users learn about natural material from the cloth they pick. The second feature was created by emphasizing an educational function such as care instruction, etc.

COURSE/

C AT E G O R I E S /

Digital Design Studio

Application Design (Naturali)

YEAR/

PROJECT FOCUS/

Fall 2018

User experience User-center design

INSTRUCTOR/

Bob Slote

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PROJECT 02 / SUSTAIN

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RA L BEAT Y IS T

Nat

NA TU

l u ra i

H

E

BE

EAUT Y ST B


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PROJECT 02 / SUSTAIN

00 01 /02/ 03 04 05 06 07

INTRODUCTION SCREEN/

A short video to explain users how to use this application. HOME SCREEN/

Two main features navigate users to different result. OTHER SCREENS/

picture taking natural fabric fabric benefit care instruction dry clean navigation


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PROJECT 02 / SUSTAIN

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SS EE LL EE CC TE TD E DWW OR OK R KB YB S YUSRUI Y RA I YSAHS UH HU RH AT RAT


PR P RO OJJEECCTT 0022/ /SSUUSSTT AA IN IN

0 0 0 10 0/ 0 0 21 / 0/ 0 3 2 /0 40 30 50 40 60 5 0 6 0 7


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PROJECT 03 / ACHIEVE

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IN ORDER TO

/ACHIEVE/

POSITIVE RESULTS, ONE MUST WORK FOR THEM, NOT HOPE FOR THEM. —BOB KNIGHT


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SELECTED WORK BY SURIYA SHUHRAT

OBJECTIVE/

This project mostly focused on identifying audiences, communication goals, and strategies. A unique communication opportunity such as media works best for messages and audiences. The project not only helped us to develop visual systems but also ensured communication stays on target. APPROACH/

PowerPlay is designed to inspire and provide training programs customized to each of the members’ fitness & wellness goals. The original sign has numbers within its information. However, it was not clear and simple enough for audiences to digest everything at once. So I decided to develop a visual system to deliver the audience a simple and clear message. I created a brochure for viewers to take away, a series of posters, and a website for users to go and sign up for classes.

COURSE/

C AT E G O R I E S /

Visual Literacy

Rebranding project

YEAR/

PROJECT FOCUS/

Spring 2018

Identify audiences Communication goals Visual systems

INSTRUCTOR/

Hunter Wimmer

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THEY SAY LOVE IS THE BEST

/INVESTMENT/ THE MORE YOU GIVE, THE MORE YOU GET IN RETURN. —AUDREY HEPBURN

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OBJECTIVE/

This project helps us understand that before breaking the rules, we need to know what they are and how to use them. The project required us to demonstrate our understanding and ability to use foundational typographic principles while designing an annual report for a company. APPROACH/

I star ted my annual report design by setting up a type-unit grid, then selecting a legible typeface, Baskerville, for the body copy. I used headlines, subheads, charts, and graphs as well as photography, illustration, typographic and infographic design. There was variety in the page designs, but a consistent visual language throughout the report.

COURSE/

C AT E G O R I E S /

Type Systems

Annual repor t design

YEAR/

PROJECT FOCUS/

Fall 2018

Info graphic design Visual language

INSTRUCTOR/

John Nettleton

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THE KEY IS TO

/PRIORITIZE/

WHAT’S ON YOUR SCHEDULE, ALSO TO SCHEDULE YOUR PRIORITIES. —ANONYMOUS


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OBJECTIVE/

This project allows us to focus on the problem that we would like to solve by using graphic design skills to handle issues and thinking through them visually. To find a solution we need to work on research to create creative briefs, think about swot, and interview target audiences to develop a perfect persona. APPROACH/

Brand Workeight is to help people to figure out how to do better on their self-management during the eight-hour working day. It's a brand that been created to promote a service and message to benefit employees stop losing wasted time. So I created a podcast website, a work time tracking and planning application, and an event with a presentation from experts to help employees learn to be more productive and prevent them from working overtime.

COURSE/

C AT E G O R I E S /

Visual Thinking

Branding project

YEAR/

PROJECT FOCUS/

Fall 2018

Branding strategy Communication goals

INSTRUCTOR/

Sandra Isla

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SELECTED WORK BY SURIYA SHUHRAT

IGHT E

HT IG

WORK EIGHT

K

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WO R

WORK EIGHT

WORK EIGHT


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EIGHT HOURS EVENT

BEFORE EIGHT PLANNER Which project are you working on?

01

Please use the “1 ” mark to fill up form

01 How many breaks am I intend to take? (Including lunch break) 2

3

4

5

6

7 or more

02 When do I plan to take a lunch today? Around 11

Around 12

Around 1

Around 2

No lunch

03 Do I have any meetings today? 0

1

2

3

4

5 or more

04 How many times do I plan to check on my emails? 0

1

2

3

4

5

6

7

8

04 What I plan to work on during my eight hours at work today? 9:30 AM–10:30 AM

Research

Writing

Design

10:30 AM–11:30 AM

Research

Writing

Design

11:30 AM–12:30 PM

Research

Writing

Design

12:30 PM–1:30 PM

Research

Writing

Design

1:30 PM–2:30 PM

Research

Writing

Design

2:30 PM–3:30 PM

Research

Writing

Design

3:30 PM–4:30 PM

Research

Writing

Design

4:30 PM–5:30 PM

Research

Writing

Design

9 or more


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I’VE ALWAYS

/BELIEVED/

THAT THE BEST ACTORS ARE THE ONES THAT HAVE THE VOICES ARE IMITABLE. —NICOLAS CAGE

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OBJECTIVE/

This project gave us a chance to explore typographic forms in a new way. The dream state was a terrific tool for generating unexpected results within a system. In this project, we only required work with Akizdenz Grotesk and Century Schoolbook, and experiment these letterforms on a movie's title to deliver three series of film posters and a movie trailer. APPROACH/

Face off is an American science-fiction action film. John Travolta plays an FBI agent, and Nicolas Cage plays a terrorist. They are the sworn enemies who assume each other’s physical appearance. That gave me the idea to slice the movie title with a knife to express surgery and emotional feelings.

COURSE/

C AT E G O R I E S /

Type Experiments

Movie posters and trailer

YEAR/

PROJECT FOCUS/

Spring 2019

Imagine strategies Creative impulses

INSTRUCTOR/

David Hake

84 / 85


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PROJECT 06 / BELIEVED

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00 :10

00 :14

00 :24

00 :30

00 :43

00 :46


00 :16

00 :35

00 :50


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ELEGANCE IS THE PERFECT

/BALANCE/

BETWEEN PROPORTION, EMOTION AND SURPRISE. — VA L E N T I N O G A R AVA N I

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OBJECTIVE/

While expanding on previously learned principles, this project incorporates more advanced typographic issues such as organization, hierarchy, layout and grid systems. We will also investigate ways to communicate content and the meaning of the text by creates logotype and posters and a catalog for an exhibition. APPROACH/

The artist's work I selected to turn into an exhibition is the fashion artist Valentino. I used type to connect with the emotion and theme I was trying to communicate. I chose to work with the elegant typeface Didot Bold. So I hid the part of the thin strokes on every letter to convey the feeling of the needle sewing through a piece of fabric to representing Valentino’s works. It is all about paying attention to the details. The catalog is also trying to create and capture the same idea.

COURSE/

C AT E G O R I E S /

Type Composition

Exhibition catalog

YEAR/

PROJECT FOCUS/

Spring 2018

Content layouts Type placements

INSTRUCTOR/

Andrew Loesel

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PROJECT 07 / BALANCE

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PROJECT 06 / BELIEVED

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Beyond Fashion


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/

FA M I LY /

FRIENDS/

INSTRUCTORS/

FAT H E R / S H U H R AT A B U D U R A H M A N

DEA KIM

MARY SCOT T

M O T H E R / AY T U R H A N A L I M J A N

M I KO L I N

HUNTER WIMMER

B R O T H E R / S U R E AT S H U H R AT

D AV I D H A K E JOHN NE T TLE TON SANDRA ISLA BOB SLOTE ANDRE W LOESEL R U P E R T O FA B I T O MARC ENGLISH


TO MY FAMILY, FRIENDS, INSTRUCTORS

2017–2019

WHEN YOU’RE

/THANKFUL/

FOR WHAT YOU HAVE, YOU ARE ALWAYS REWARDED WITH MORE. —ANONYMOUS


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T O M Y FA M I LY /

Thank you for being such wonderful parents. Thank you for everything you have done for me, supporting me and believing in me. TO MY FRIENDS/

Thank you for standing by my side when time gets hard, I'm grateful to meet you all. TO MY INSTRUCTORS/

Thank you for always inspiring me and pushing me hard to do better on my design. Thanks for teaching me how to be a good designer.

BINDING/

PRODUCTION/

blurb.com

Adobe Creative Cloud

PRINTING/

C O N TA C T /

blurb.com

Suriya Shuhrat 415.463.9852 suriyashuhrat @ outlook.com suriyashuhrat.com

PHOTOGRAPHY/

Suriya Shuhrat unsplash.com C

2019 ALL RIGHTS RESERVED





SURIYASHUHRAT.COM

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SURIYASHUHRAT@OUTLOOK.COM


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