Academic Portfolio

academic portfolio susana ayres 2006-2012

Index

p. 5 Curriculum vitae architecture p. 6

The Flexible in Permanent

final project-dissertation

p. 18 House it! competition p. 24

Micro-urbanity

academic work

p. 32

Mens sana in corpore sano

academic work

p. 38

Curriculum vitae ii

other things

2

3

Curriculum vitae Architecture

Susana Rita França Ayres dos Santos ayres.ss@gmail.com / +351 91 491 6481

Graduation in Architecture Studies 2006 - 2009; Faculdade de Arquitectura da Universidade Técnica de Lisboa Integrated Master in Architecture, 2009 - 2012; Faculdade de Arquitectura da Universidade Técnica de Lisboa

final average classification: 16/20 very good

International university exchange program, 2010/2011; Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo, Brazil. With a Santander Totta scolarship for exchange programs with Latin America.

Final Project-dissertation: “The Flexible in Permanent: a proposal on the reuse of the National Cordage Factory” subject: Adaptability and polivalence of Architecture through the passage of time. final classification: 19/20 http://hdl.handle.net/10400.5/5457

Architecture internship, January 2011 / July 2011 Bracher Fillisetti e Somlo Arquitetos, São Paulo, SP, Brazil Current architecture internship, October 2013 / Mecanoo Architecten, Delft, Netherlands Awards 12/2012 Award “Universidade Técnica de Lisboa Santander Totta - Best Master Students UTL” Distinction by honorable mention Competitions 6/2012 DAF 2012 - Designing for Adaptable Futures Student Competition; from Adaptable Futures, Loughborough Univertsity,

United Kingdom. short-listed 1/2013 DESAFIOS URBANOS ‘12; student category; from Espaço de Arquitectura. honorable mention 5/2013 EPAUS - Espacios Publicos de Arte Urbano y Sonido (Public Spaces for Urban Art and Sound): student category, from Opengap Skills and competences Software:Archicad; Autocad 2D; Rhinoceros; V-ray; Google Sketchup; DiaLux; CYPE; Adobe Photoshop; Adobe InDesign; Adobe Illustrator; Microsoft Office (Word, PowerPoint, Excell); shortly familiarized with Revit.

Others: free hand drawing; models building; writing.

4

5

final project-dissertation for Integrated Masters in Architecture |  2012 |individual |  cultural, multi-uses |  Lisbon, Portugal

THE FLEXIBLE IN PERMANENT A PROPOSAL ON THE REUSE OF THE NATIONAL CORDAGE FACTORY timelapse of the urban environment

proposition The study of ‘flexibility’ is relevant not only as a matter of Architecture but also as a necessity inherent to ‘dwelling’ and is increasingly important in an ever evolving society. The aim of this work is to understand flexibility (the same as adaptability, or versatility) through its origin: the ‘permanent’, which is opposed to the ephemeral and the changeable, and essentially exists in architectural form. To this end, the distinction between ‘form’ and ‘use’ is peremptory; the use to which the space will be put to will eventually prove to be uncontrollable. To design for the flexible is also to avoid understanding the future use of space as unchangeable and to build for the unknown, trying to integrate into the building the ability to absorb, adapt or transform itself when faced with new appropriations along ‘time’ - a key factor of the dichotomy between change and permanence.

fundamental theoretical principles for the approach taken TIME: TEMPORALITY AND TEMPORARIETY Changing requires movement between two estates, and all movement happens in Time. Therefore, to be possible for a space to prove itself adaptable, a period in time must elapse. adaptive reuse / change ...

f

g

a

b

b

h

i

j

k

?

resilience / robustness

functional or structural obsolescence

?

time

THE “ART OF FRAMING” As structure is to interpretation, as competence is to performance, frame will be to generic space. The ‘adaptability of a space’ depends on its ability to provide possibility of change and to accomodate it. (See below the steps for generating a frame, from left to right: separation / singularization / selection / arrangement / concluded frame.)

FRAME AND GENERIC SPACE Based on this sense, the dissertation paper aimed to set forth not only the ideological basis for a systematization of flexibility, but also to gather together the principles and methodologies that address the efficiency of the concept, approaching what may be a very brief guide to the practices promulgated. Pre-eminent authors such as Bernard Leupen, Herman Hertzberger, and Stewart Brand will be used as references.

The project itself proposes to adapt the National Cordage Factory to its current uses for which it was never properly prepared. The combination of the old factory building with the theme of ‘flexibility’ showed to be consistent and unfolded in a reciprocal manner, based both on formal characteristics, which had already proven multifunctional, and on the relevance of a program based in diverse cultural events already in place . In this dynamic, the ‘reuse’ of the Cordage Factory is designed according to the assumptions and criteria set out over the essay, and through the implementation of new means and functional cores, both architectural and technical.

‘Flexibility’ consists in a non-commiting and resilient approach to architecture, undeviable from the human needs of living. This study objectively concludes that the very ethics of our projectoriented culture can benefit from the adoption of these considerations explored; accepting the transformation of habits, occupation, and thus of built matter itself.

As structure is to interpretation, as competence is to performance, frame will be to generic space. The ‘adaptability of a space’ depends on its ability to provide possibility of change and to accomodate it.

frame

flexibility

g.space

LAYERING In order to better make space for change, the architectural form can embrace several features such as the concept of layering; separate elements will respond to the different architectural layers - structure, skin, scenery, access, services - so that their different cycles of transformation don’t collide but rather co-exist dynamically. objectos serviços cenário/planta pele estrutura (terreno)

SCENERY BUFFERING One possible strategy to integrate flexibility into the design process is to preddict several scenarios with different plausabilities so that the initial programme turns into a more thorough idea of principles and guidelines. The result of this action should contemplate what were initially unpredicted situations in order to better respond to the unpredictable. multiple approaches with a hypothetical sense colective programme

scenery 1

scenery 1 scenery 2

scenery 1 scenery 2

use and design principles

scenery n

FUNCTION SUBLIMATION Proposing the sublimation of the different functions, either necessary or hypothetical, to achieve an architectural archetype that will be able to both accomodate and induce each one of them.

In other terms, extracting and conjugating principles and requirements to generate a possible solution. sublimation function A

archetype

function B

archetype

function C

archetype

useful life

acommodate

function function function function

absorb

function x...

induce polyvalent form

A B C x...

accessibility

appropriation through flexibility: new building for workspaces

polyvalent room (auditorium) and underground spaces supporting the new uses

the intervention is juxtaposed to the preexisting space

demolitions a new hotel is proposed

the nuclear space is preserved, as essentially identitary for the cordage factory complex

6

7

South elevation - a faรงade of Lisbon from the River Tagus

Rooftops plan - urban volumetrics

South elevation - focus on the new flexible building, conceived for workspaces as a starting point

the generic space and an outward intervention

concepts for the old cordage factory complex

the “block� as a whole

fundamental generic space to be preserved

new uses, supporting the generic space

independent activities

8

9

axonometry - the building’s interior with no built occupation, as a shell

constructive axonometry of the partitions engaging system

possible floor layouts resulting from the users appropriation

open-space: 1st floor free of partitions, occupied only with furniture and occasional mezzanines to create a hint of diversity

individuality: maximized number of independentspaces for a more individualized work environment

organicity: a set of different and mixed needs demand variety in the primary subdivision of the comon space, This division might occur in the creation of “areas� rather than individualized smaller spaces

10 lenghtwise section - a flexible and transformable interior space

-

11

ground floor detail - great halls / circulation devices / courtyard

ground floor detail - central turret / entrance for the auditorium (-1) / main entrance for the factory great halls

transverse section - accessibility core / entrance through the central turret

various possible configurations to the module uses A prefabricated metal structure module is proposed. Its dimentions were extracted or are directly related with the volumetry, rythm and spatiality of the cordage factory. The module is conceived to work as a generic support/container to be appropriated in the most diverse ways and to aid in the transformation, sub division and occupation of the comon space itself, interior as exterior.

transverse section - accessibility core / polyvalent room

12

-

13

constructive section 1:75 - detail of the new building’s open space / the cordage factory’s great halls and adjacent support spaces

4 tábuas portantes multilaminadas de madeira (30mm) apoio de goma (15mm)

2

perfis de aço galvanizado (25mm)

grade metálica em aço patinado Corten (60mm)

caixa de ar para piso técnico, acessível pontualmente

suportes metálicos membrana de PVC impermebealizante 1 chapa perfurada de aço patinado Corten (10mm) peças de aço para suporte estrutura portante em aço tubular (150mm x 100mm / 100mm x 100mm) janela com vidro triplo e caixilhos anti pontes térmicas portadas interiores deslizantes, acabamento em gesso cartonado (alterável)

membrana de PVC impermebealizante

laje colaborante composta (120mm): betão aligeirado, chapa metálica plissada

poliestireno extrudido para isolamento térmico (35 mm)

vigas metálicas dimensões variadas para suporte

laje colaborante composta (145mm): betão aligeirado, chapa metálica plissada

lã de rocha (100mm)

suportes metálicos (190mm)

laje colaborante composta (210mm):betão, chapa metálica plissada

lã de rocha (75mm) placas anti-fogo de aglomerado de silicato e cimento

placas em gesso cartonado (25mm) treliça estrutural em aço tubular pintado e cabos metálicos

3 viga estrutural em aço pintado (1000mm x 250mm)

membrana de PVC antivapor chapa de aço galvanizado

5 soalho laminado

6

membrana de PVC para barreira anti-vapor

blocos de lioz (800mm x 300mm x 75mm) existentes

aglomerado expandido de cortiça (35mm)

argamassa permeável

laje colaborante composta (170mm): betão, chapa metálica plissada

tout-venant (290mm)

viga estrutural em aço (400mm)

areia (120mm)

manta geotêxtil de anticontaminação terreno compactado

7

8

9

10

11

12

telha lusa cerâmica existente

caixilhos de alumínio estilo pombalino existente: vidro duplo com quebra de ponte térmica

soalho laminado

soalho laminado

membrana de PVC para barreira anti-vapor

membrana de PVC para barreira anti-vapor

micro-estacas préfabricadas de betão armado (diâmetro 250mm)

blocos calcários existentes (300mm x 450mm x 800mm)

portadas interiores de madeira com caixilho lateral metálico fixo na parede

aglomerado expandido de cortiça (35mm)

aglomerado expandido de cortiça (35mm)

chapa metálica moldada ripas de madeira (85mm x 30mm) vigotas de madeira (60mm x 30mm) lã de rocha para isolamento térmico e acústico (60mm) membrana de PVC para barreira anti-vapor tábuas de madeira revestida a tinta branca (20mm) barrotes de madeira (220mm x 100mm) asna estrutural existente em madeira maciça

laje colaborante composta (170mm): betão, chapa metálica plissada

laje colaborante composta (270mm): betão; chapa metálica plissada

asna estrutural em aço tubular galvanizado

caixa de brita selada para drenagem de água e humidade

estrutura temporária: tecto falso com acabamento em gesso cartonado

ancoragens metálicas para contrariação dos efeitos de flutuamento laje de betão armado (300mm)

camada de betão armado selante

argamassa permeável areia (120mm)

caixa de ar com bombeamento e drenagem para extracção da água

tout-venant (290mm)

membrana de PVC impermeabilizante e anti-vapor

terreno compactado

manta geotêxtil anticontaminação

betão armado (300mm) poliestireno extrudido (50mm) gesso cartonado pintado de branco (25mm) estrutura temporária: perfis metálicos tubulares ligeiros, caixa de serviços / espaço para iluminação, placas de gesso cartonado pintado de branco

14

-

15

built model of an intervention focus - the new building for flexible open space - scale 1:100

built model of site and overall intervention - scale 1:500 final printed copy of the project-dissertation

16

-

17

submission for “DESAFIOS URBANOS ‘12” contest, student cat. |  2012 |  colective |  residential / cultural |  Guimarães, Portugal

HOUSE IT! A NEW CONCEPT FOR ‘DWELLING’ IN THE CAPITAL OF CULTURE strategic urban integration functioning cultural infraestructures

networking

social capital

new exterior public spaces

free and appropiable interior space

variable periods accomodation

phased intervention 1) starting point alterations and demolishions

polyvalence

2) continued use: growing occupation construction and repair workshop

modular occupation

The European Capital of Culture 2013 has brought a new path to the historic city of Guimarães: it has re-lightened the spark of inovation, giving breath to several iniciatives and entrerprises in the most diverse fields. Guimarães is nowadays seen as an intense and dynamic place were art centres, scientific investigation laboratories and, among many more, business incubators coexist.

In this context, to considerate this city’s future means to keep alive all of the newly created infraestructures, also also benefiting the existing ones, and to boost new integrating dynamics. People from all over the place will arrive for leisure, work, investigation, academic projects, or for any suitable reason.

With the increased influx of both workforce and tourism to the city, so too increases the global need for accommodation. In this sense, ‘house it’ is an idea of ​​an experimental project, where the skeleton of a decommissioned plant is occupoed through means of assemblage and disassemblage of prefabricated dwellings. These houses will provide shelter for a predicted wave of newcomers, either they have plans to stay for 30 days, ten months, or even four years.In this Manner, what was once only a skeleton becomes a vibrant and unexpected part of the city.

According to the demand, the strategy will start from a “zero phase”: a public urban facility is openned to host cultural independent activities. Meanwhile this first gesture in the public realm will hopefully familiarize the city with the new available place. As housing is sought, the large space is gradually transferred to the new residents, and again, cyclically transferred back to the city when eventually they stop making use of it.

House it’ is also characterized by the “do it yourslef” idea. The units are built on site by their future inhabitants making them an active part of the project since its inception, establishing the possibility of an organic direct response to the needs of the migrant population that settles there.The transformation of space is also a main goal, since the modules are designed to articulate between each other and to generate a large number of possible layouts.

progressive densification

maximum population

18

-

19

evolution and densification in time - 2nd floor

occupation and articulation between units vegetable gardens

main alley

short term residence, associated activity

light, air, access

public garden

collective/individual housing short/long term

evolution and densification in time - 1st floor

module basis

horizontal comunication

vertical communication

minimum unit

horizontal comunication

lenghtwise section - North warehouses 1 and 2

20

-

21

3,000

1,500

T0 T2 T3 T4 T0 +1 listing of the prefabricated elements in the different typologies

applied materials and construction solutions

soluções específicas armazém 1 - ver corte constructivo Estrutura Perfis de aço de 50 em 50 cm Isolamento em Lã de Rocha (70mm) Barreira pár a-vapor Forra estrural interior OBS (22mm) Invólucro exterior Paineís OSB em bruto (25mm) Porta em madeira maciça Vãos com portas de correr em madeira maciça Deck e manga de ligação à fachada em madeira maciça Cobertura plana armazém 1 Relva e gravilha (100mm) Estrutura e isolamentos originais Invólucro interior Zonas secas: Revestimento paredes painéis Margrés Love Tiles: Emma Mint Sunday Revestimento tectos OSB pintado branco Revestimento chão ripado madeira maciça Instalação sanitária: Revestimento paredes painéis Margés Love Tiles; Decoração Desire Mosaic Desire Purple Revestimento tectos OSB pintado branco Revestimento chão Linóleo verde Cozinha: Revestimento paredes painéis Margés Love Tiles; Decoração Revestimento Mint Sunday e Mosaic Coconut Revestimento tectos OSB pintado branco Revestimento chão Mosaic Coconut Divisórias móveis e portas de correr dos vãos: Exterior painéis OSB Interior painéis Fenólicos Calhas inferiores e de tecto Ferragens Geze: Sistema de portas de correr Rollan4080

soluções gerais Pisos e Fachada da Av. D. Afonso Henriques Estrutura de pisos original com acabamento simples em betão afagado Fachada exterior original Acabamento paredes interiores em betão à vista

Fachadas Poente armazéns 1 e 2 e Saguões armazém 1 Painéis duplos de abrir em Vidro duplo claro Painéis fixos em Vidro duplo colorido + claro Painéis fixos em Glass Fiber Reinforced Concrete Caixilhos em alumínio anodizado Estrutura de fixação em Aço perfis C (35mm) Estrutura principal e ligação à lage em Aço perfis C (100mm) Coberturas inclinadas Telha Plasma CS L.33 -Branco Pérola Estrutura de fixação com perfis em aço (50mm) Tela betuminosa Isolamento em Poliestireno extrudido (55mm) Forra estrutural em OSB à vista (22mm) Estrutura principal com pilares em betão e vigas em aço (300mm)

3,500

3,000

3,000

3,000

4,500

3,000

6,300

1,500

1,100

4,000

7,500

warehouse 2 typologiestypical display

warehouse 1 typologies - possible layout

22

-

23

academic assignment for Project, 1st semester, 5th year |  2010| individual |

 cultural/corporative |  Lisbon, Portugal

MICRO-URBANITY SETTING UP A NEW COMPLEX IN JUNQUEIRA STREET This proposal comes directly from a concrete and characteristic surrounding which is marked both by a strong tourism economy of culture and recreation, and by a very typical neighborhood life that happens between poverty and a certain bourgeoisie. Thus, the project’s main objectives will be to support and enhance the everyday experience of the Ajuda-Belém area, more specifically all the part which is in closer contact with Rua da Junqueira, considered one of the most important axes of circulation and referenciation for that territory.

Intended to encourage the everyday PERMANENCE and the creation of new urban REFERENCES through the implementation of CHANGE and TEMPORARINESS, these goals are expected to take place in an essentially public place accessible to all initiatives (artistic, entrepreneurial, small-scale commercial, among many others).

Another key principle of the proposal is the idea of TURNOVER, as in “turnover rate”, possibly generated by and generating itself a set of experiences and idealized rhythms that aim to revitalize the Ajuda-Belém zone. In this sense the concepts of “rent”, “temporary occupation” and “mutual support functions” are held as essential. Through temporary housing, trade and a rental system of individualized and affordable spaces for small businesses, organizations, or likewise inictiaives, we intend to draw a new population dynamics, renewable, boosting not only the local economy but also the surrounding cultural environment.

The sense of VERSATILITY is in its turn present in all of the proposal’s considerations, arising from the issue of “turnover” and as an added value to contemporary life.

As so, the proposed urban and interior spaces are designed for the possibility of being occupied in an ephemeral way, serving several purposes in either an alternated or simultaneous fashion.

As a broader problem, inseparable from this reality under consideration, the nearby riverside is marginalized, abruptly separated from the urban tissue by a great avenue. The shortage of access points to this area can be solved with the identification and renewing of the comunication points, achieved through the building proposal itself and through the redesigned urban space.

explaining the principle of “turnover”

capture and use of the idea of “wall” and “limit”

Last but not least, the compelling presence of the old Royal Cordage Factory is analysed in order to take part in the interventio. Its diagnosis is that of a lack of greater significance for the city life, as its place in the collective memory of the city’s inhabitants is severelly weakened. The former factory has great heritage value and is located on a privileged position, between river and city; it is not only to be valued as it represents thus a strong opportunity for the overall project.

Concluding, this project indicates several strategic fronts to be taken, as the participatory regeneration of this urban section happens by searching a more “enjoyable” city and inviting the change to everyday life, by reproposing this “promenade of culture”, and by emphasizing cultural initiatives, intellectual and capital production and the broader sense of community.

new public spaces next to Rua da Junqueira and the new cross-over points with access to the riverside URBAN INSERTION interrelationships within the new architectonic complex / ocupational flow / new generated paths 1. centre for culture and work 2. Cordage Factory occupation 3. temporary residencies

3

4. underground passageway

2

4 1

diverse population: coexistence of the locals with the newcomers

a)

restaurant / bar administration and management of the urban complex

CENTRE FOR CULTURE AND WORK a) functional organization of the four wings b) components of the inhabitable “wall�

working open room / studying room warehouse

exhibition space

studios

b) laboratory

common workshop

library

circulation/ services/ exhibition spaces

vertical accesses to public parking

24

-

25

rooftop plan / urban context 1:750

South elevation

the public to private gradient

configuration of the inhabitable “wall“

the two polyvalent squares inserted in the public space

accesses to public parking and urban surroundings concepts for the proposed micro-urbanity

26

-

27

ground floor plan 1:1000

trasnverse section C

trasnverse section D

1st floor plan 1:1000

28

-

29

lenghtwise section B

lenghtwise section A (interior North elevation)

constructive detail (lenghtwise section B) 1:100 1

4

6

cubo calcário (8x8x8cm)

chapa de pedra calcária (50mm)

chapa de pedra calcária (50mm)

suporte

betonilha de assentamento

betonilha

massame

terreno compactado

forma

2

tela betuminosa

laje de betão armado

chapa de travertino (30mm)

chapa de espuma de vidro

fixação por grampos de chumbo em parede estrutural de betão armado

betão leve para nivelamento

3

5

aglomerado pétreo (50mm)

soalho flutuante

massa de fixação

EPS

laje de betão armado

laje de betão armado

traço seco

tout-venant terreno compactado

laje de betão armado

7 ameixoeira-dos-jardins (prunus cerasifera pissardii)

constructive detail (transverse section A) 1:100

30 constructive detail (ground floor plan) 1:100

-

31

academic assignment for Project VII: Program Architecture, 2nd semester, 4th year|  2010 | colective |  cultural-sports |  São Paulo, SP, Brazil

MENS SANA IN CORPORE SANO CULTURE AND SPORTS FOR A SOCIETY MEETING PLACE

Vital Brasil Avenue

M.M.D.C. Street

The main purpose of this exercise was to see the city as a local for encounter and interaction between citizens. An urban certain kind of “void” was chosen to be the place for this idea to figure.

São Paulo is amongst the world’s greatest metropolis, living up to it with an alucinanting growth rate as for population and built environment. The pace and environmental aggressiveness to which its inhabitants are daily exposed makes São Paulo a challenging place to make any approach aimed at improving the city experience. In an urban area without any architectural quality that contributes to the quality of life for the residents, there is a clear need to think a meeting place designed specifically for people where they will enjoy the urban environment. To do so, the approach will be mainly programmatic, and so culture and sport are combined in one complex.

pedestrian sensibility: to expand the sidewalks

The project was proposed from the full reconstruction of an entire city block, intended to be a reference in the urban life of São Paulo. The local is characteristically part of the Expanded Center, marked by intense migratory flows. Enhanced by the construction of a new metro station, this quarter will be an important new core for cultural and leisure events.

access: direct connection to the future metro station

The proposal interacts with the sense of ground, offering to who walks through the building the discovery of several levels and a set of visibility relations inviting the eye and appealing to their own crossing. We then propose various living spaces on different plans, in constant communication with the Square / Central Forum. Each distinctive space gives entrance to a specific area.

The building relates (or responds) horizontally to the program, according to the tripartite concept of physical / spirit / city, referred respectively to the functions sporting / cultural / forum-square.

The sports level develops buried in the ground (-2.70 m). It consists mainly in an open plan that aims to form a great continuity that spans through the length of the building. In the other hand, this will also protect the sport fields from the streets movement.

The forum-square is a covered place, located at ground level (0,00m), that is to say at the same height of the street, again establishing a desired continuity with the surrounding urban. This proximity has the intention of bringing the city life into the building itself and creating an inviting space for everyone.

The spirit is symbolized first by the theater that is accessed directly from the ground floor, and second by the hovering building area that enclosures the main square.

Rua MMDC

Av. Vital Brasil

espírito (cultura)

sociedade (praça principal e átrio)

físico (desporto)

spaciality: distribution is made by several fixed levels, according to the use each space has

32

-

33

all drawings at 1:1000 underground floor plan

gound floor plan

lengthwise section B

1st floor plan

2nd floor plan

lengthwise section A

34

-

35

interior view from the 2nd floor to the undergroind floor

lengthwise sections C / D / E

overall view - built model

West / South / North elevations

Curriculum vitae ii other things

Susana Rita França Ayres dos Santos 28/06/1988 Other activities in academic context 2008 / 2009 - Cultural and Comunication Department of the Students Association, FAUTL (AEFA) Accomplished projects in academic context 2007, December - Contents and Advertising Coordinator: esphera, nº 2 – Students Association of FAUTL magazine 2008, December - General Co-coordinator, Article writing: esphera, nº 3 – Students Association of FAUTL magazine 2009, May - Conference organization: MAD People; Moda, Arquitectura, Design – 2nd Take, Space Rainha Sonja of Norway at

Faculdade de Arquitectura da Universidade Técnica de Lisboa (FAUTL) 2009, Junho - General Co-coordinator: esphera, nº 4 – Students Association of FAUTL magazine Other projects and activities 2004 - Ilustrations for the Sports Anuary 2003-2004 of Externato da Luz 2006 - Ilustrations for child book; Carta de Amor e outros segredos, Fátima Effe, Pé de Página Editores 2009 - Ilustrations for child book; Os livros que insistem em contar histórias, Fátima Effe, Editora Gatafunho 2011 - Setting team, room assistant, guided tours: Experimenta Design 2011, Useless, Utilitas Interrupta, Lisbon 2012 - Logistics and room assistant: European Federalism Conference: Moving Forward with the European Dream, Oporto 2012 - Setting team, entrance control and ticket office: Festival de Passagem de Ano da Tradballs, Coimbra 2013 - Volunteering with Arquitectos Sem Fronteiras Portugal (Architects Without Borders Portugal) in the Acção Reparar of Santa Casa da Misericórdia 2013 - Social volunteering within the project JAC - Just a Change Other interests Drawing and illustration; graphic design; travelling; diatonic accordion; dance.

38

-

39