ISSUE 02 / AUGUST 2015
DANCE NEWS & REVIEWS DANCE CHART SCRIPTS TEACHERS CORNER ADRIAN CHURM MEETS LOVE2LINE THE ONE THAT GO T AWAY
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Dear Readers Welcome to Love 2 Line. Our first Issue in July was a resounding success and I would like to thank our team and all the readers for liking and sharing the magazine. We had over 1600 reads in the first 2 weeks and this is growing daily. We are grateful that readers have participated in every aspect of the magazine and have contacted the team to let us know that they have really enjoyed reading the articles., they have scripts they would like to submit and dances they would like to vote for. Every effort is made by the team to bring you a magazine that is interesting and fun. Enjoy our magazine. It is available to view on your computer but we hope that future editions will be compatible with your tablet and phone. Don’t be shy about letting us know your stories. Email us at love2line@writeme.com We look forward to hearing from you The Love2Line Team
ADRIAN CHURM
Adrian Churm was born and lives in Stoke on Trent swith his fiancee Janine who he met through line dancing. Adrian now teaches several classes a week in his local area. A trained dancer from the age of 6 Adrian shares his passion for dance. Adrian has a playful side and can be seen partnering John Grrowler at a line dance event.
, I had started private lCHOREOGRAPHER, DANCER & TEACHER ADRIAN CHURM SHARES HIS LINE DANCE STORY sons and competed in
Adrian started dancing when he was 6 years old. He attended the Hilton School of Dance, learning Ballroom and Latin styles. Within 12 months he had started private lessons and competed in his first open competitions, as a beginner, with his first partner, Julie Ann Sinclair
Adrian teaches at Nantwich Civic Hall, a very large but beautiful hall, where he has been since the year 2000 every Wednesday night. Over the years he has managed to retain a good number of dancers from between 80 - 100. He also teaches another 6 classes throughout the Stoke and Cheshire area. The Hilton Dance school, where he attended, was mainly a social dance school and with his parents support he sought a professional full time coach to further his development and training. His parents found highly regarded professional coaches Alan & Maureen Ford, working out of Silverdale near Newcastle Under Lyme. Adrian worked with several professional coaches throughout his dancing career who were top in their field, one being Michael King a renowned international lectuter, judge and coach who is also a fellow and IDTA examinor who coached Adrian to improve his Latin to the standard of his Ballroom. His passion for dance drove his commitment to the rigorous training schedules, sometimes five days a week. There were competitions most weekends, both nationally and internationally. Adrian owes his success to his mother and late father for their sacrifices and working every hour possible to finance his career.
Adrian has competed, and won many titles, in Ballroom and Latin, from the Staffordshire Open Championships to the French Open Championships. His claim to fame is his multiple TV appearances; twice on the original 1990's version of Come Dancing, followed by making the 10 dance British Elite Squad with squad training at Crystal Palace then later on he was a dance advisor and dancer for the hit period drama The Forsyte Saga starring Damian Lewis in their ballroom scene. It wasnt until he was invited to Bidds Country and Western club in 1992 that he came across Line Dancing. It was there he realised that there were so many dance styles within Line dance including ballroom and Latin. He says he was 'blown away' with country music and how it could, like line dance, have so many styles within it including rock, pop and Latin. He took what he learned back to his teacher Alan Ford and showed him a dance called the Electric Slide and Little Sister along with a very basic waltz and cha, cha, cha.
At the age of 21 a double knee injury would force him out of competing. It was then he took his exams with IDTA & UKA to teach Ballroom, Latin and Line Dancing and set up one of the first dedicated line dance classes in the Stoke and Newcastle areas. In 1993 he choreographed his first dance called Best Of Friends Cha Cha to the Bellamy Brothers "If I Said You Had A Beautiful Body" which he would later release to Dave Sheriff's song "Best Of Friends". In 1995, Adrian was approached by Gordon and Jean Woodhall of B&B Promotions who invited him to Crewe in Cheshire to teach at the Starlight Ballroom above Rolls Royce.
With their promotion skills they attracted 250 – 300 social dancers every Wednesday night. The class later moved to Nantwich Civic Hall, a very large but beautiful hall where he still runs his classes today. In 1997 he choreographed a tango line dance for his class which became an interanational hit which was later known as Tango With The Sheriff to Dave Sheriff's Cha Tango. Following this success Adrian became choreographer and teacher at Dave Sheriff's holidays nationally and internationally and they co-produced two dance DVD's. Adrian went on to teach at Wolvestock and other festivals and the hits kept
coming Dave's Hearts and Flowers. Dave introduced Adrian to the new up and coming artists on his record label, Paul Bailey, who he was also asked to choreograph for. Paul then became a regular artist at Adrian's club and still is to this day. Over the past 23, nearly 24, years in Line dance, Adrian boasts successes with his choreography, more recently with Imelda's Way and Voodoo Jive. He feels grateful for the amazing people he has worked with thoughout his career who have become great friends. Adrian says ' I consider my Line dance mum and dad, John (Growler) Rowell and his wife Maureen, who have given me so much support over the years.
They introduced me to my Catalan Line dance family headed by Rafel Corbi and his very talented daughter Ariadna (who herself is a wonderful dancer) at the Costa Brava Line Dance Festival which I attend and instruct at every year. It is a fantastic event along with Chris Hodgson, Debbie Ellis and, new this year to the line up, Andrew and Sheila Palmer; all lovely people who it's a pleasure to work with. John and Carol Dean are another couple who have helped me in recent years inviting me to teach at their Chance To Dance event at Harrogate which led me to work with Kings Hill dance holidays, which I still do to this day and I am so grateful to them as well.' Adrian loves all genres of music but his favourite group since he was 7 years old is Queen. He is a huge fan of the late Freddie Mercury but that's closely followed by Garth Brookes and Brad Paisley. Adrian is grateful toJanine, his fiancĂŠe, who he calls his emotional rock over the past 2 years. Janine supported Adrian through the loss of his father 18 months ago, after an 8 month battle with cancer, and then the loss of his grandfather this year. 'She is truly the one special lady in my life who has managed to keep my spirit and heart intact.' says Adrian.
We asked Adrian 'If you I put the success of my weren't a dancer what yould you classes down to the trust be? and loyalty of my pupils, some of whom I have had 'If I was not a dancer, I think for over 20 years and I hope I would have liked to have for many successful years been a martial arts to come.' instructor as that is another passion of mine. Since I was Adrians latest dance is 14 as a competitive dancer I Crimson Desire to the song needed more physical "Something In Red" by Lorrie training and I was never that Morgan and he says it's his keen on going to the gym, favourite dance he has plus I was a huge Bruce Lee choreographed. He Fan and in Bruce Lee's art equates this to the beautiful of Jeet Kune Do. Waltz rhythm and story Bruce Lee's Jeet Kune Do within the lyrics. He tried to was not only about the art of ensure that the dance had combat but a philosophy and certain elements of a more wisdom in life. Two of my traditional waltz within it to favourite quotes from Bruce give it the graceful yet are "when I have listened to powerful movement my mistakes I have grown" around the floor while still and "Keep what is useful keeping a contemporary throw away what is not" . This feel and look to it. It is also train of thought has been a one of his fiancĂŠe's guiding principle within my favourite tracks as she is a dancing for over 20 years.' huge Country Music fan, so this dance was written and What about your future dedicated to her. aspirations in dancing? His Choreography can be 'As for my future aspirations found here. in dance, I live to learn and evolve and pass that knowledge on to others. Dancing is a beautiful art form no matter what style you do.
SUZI DOES SOCIALS
One of the great things about line dancing I am sure you will agree, is that you can attend socials and events anywhere in the country or abroad and be able to dance the same dances that you do at your local club. As I discussed in my previous column I intend to get out and about to socials and events across the country and let you know what is going on out there on the dance floor.
A great social this month was with Jean Webb at Fancy Feet Dance club in Blackpool. Jean is well known in the area for her events and usually has things going on most weekends. Do to other commitments I couldn't attend the full day event but attended the evening. The event she hosted had a Scottish theme named 'You 'll Tak the High Road'. The Guest Choreographers for the event were Heather Barton & Willie Brown co-choreographers of the well loved dance 'Cecelia' which is still a floor filler up and down the country.
During the afternoon workshop Heather taught her current dance 'Bird on a Wire' great reviews from the dancers for this dance.
Willie taught his new dance 'You make me feel blessed' Great music and a speedy little number.
They both co-choreographed a dance 32 count 4 wall Intermediate level called Lonely Eyes.
I think the absolute gem of the day was a dance they co-choreographed called The Real Deal. It's a 48 Count 2 Wall Improver Level line dance music Baby I'm Right by Darius Rucker. I've taught this at several of my classes and it was enjoyed by all levels. I think this is likely to be a floor filler as the music appeals to everyone. The script can be found within this issue.
The evening social was a lot of fun. Willie and Heather taught a progressive partner dance to Scottish music which involved clapping in all directions with all kinds of people. It was great fun and broke the ice and set the tone of the evening. Heather and Willie were fabulous hosts with their entertaining and welcoming personalities. If you have an upcoming event that you would like featured in the magazine drop us a line. love2line@writeme.com Classes Blackburn, Bamber Bridge, Hyndburn
Dance Reviews The Real Deal
Skip the Line
48 Count 2 Wall Improver
32 Count 4 Wall Improver
Music : Baby, I'm Right Darius Rucker
Music: "Skip The Line" by Sugar & The Hi Lows
Choreographer:Heather Barton & Willie Brown
Choreographer: Kate Sala
My teacher taught this last week at our local class and I wasn't sure I would like it when she said it was an easy to learn dance to a nice Country track. I like a varied genre but more specifically pop and up beat Country, but I have to say I Loved it! The dance flows really well, the steps fit nicely to the music and the dance is suitable for variety of levels being an improver dance with enough variety in the steps and flare to make it interesting for intermediates. The music you find you can't stop singing it. I'm sure this dance will be a hit. Teresa
What can I say about this dance? Already it is a very popular dance filling floors in many line dance venues. The music is extremely catchy and you will find yourself humming it long after you finish dancing. Kate Sala has used some fancy footwork which is fun and fits the music perfectly. There is only one restart which makes this dance achievable for most dancers. It is certainly a dance that makes dancers smile and I think that it will be popular for quite a while. Ellie
Send us your reviews love2line@writeme.com
Do What You Do
Slam Goes The Door
64 Count 2 Wall Intermediate
32 Count 4 Wall Intermediate
Music: That's What I Like" by Flo Rida feat. Fitz
Music: Good Goes The Bye by Kelly Clarkson
Choreographer: Rachael McEnaney White
I was drawn to this dance initially by the music and on closer inspection I noted the interesting stip combinations and of course the tag. I wasn't sure how my class would respond and it appears a bit of a marmite dance with the majority of the class loving it and some not caring for it. I gave the atternative tag as an option whilst teaching. Ithink it is a brilliant and clever dance which i thoroughly recommend and I had so much fun teaching and dancing the Tag Hilary
Choreographer: Nev & Julie
Julie & Neville never fail with their clever choreography and they have certainly smashed it again with this dance. Ive taught it in my own club and daned it many times even when visiting other clubs and never tire of it. It has been well received on dance floors across the country. My favourite steps are within section 3 &4 because I feel the turns are unusual and fit perfectly to the music and the dance flows beautifully all the way through. If you haven't taught it yet teacher friends, give it a go Ju x
Teaching in the
SPOTLIGHT I would like to thank the readers for the overwhelming response we have had regarding the first issue of Love2Line magazine with positive feedback, votes for the dance chart, script submissions, magazine subscriptions and letters for my column. One response in particular caught my eye regarding beginners coming into line dancing and how to retain them. I have been teaching in excess of 20 years and being a trained dancer I love to pay particular attention to styling when teaching technical choreography and thoroughly enjoy teaching intermediate and advanced levels but my qualifications and experience lends itself to teaching all ages and levels. As teachers we know how difficult it is to run a class of varying levels of ability and even more so when new absolute beginners turn up. I always embrace beginners and have found that running courses and level specific classes work the best for myself as a teacher and for my dancers and this is proven time and time again through feedback and recommendations.
I have courses which run periodically through the year for absolute beginners which feed my other classes, improver level, intermediate/ advanced and social dancing. From experience, Absolute Beginner Dancers usually feel comfortable in their own class then they are not overwhelmed with dances that are too difficult and they won't feel intimidated by experienced dancers. The class can also progress together at their own speed until they are ready to move on to the improver class. From the start of the course I put my basic teacher training into good use. I pay particular attention to dance etiquette, health & safety, risk assessments and I ensure all new members complete a membership form. This includes contact details address, social media contact details, phone numbers, and next of kin phone number in case of emergency. Part of the membership form is a PARQ (Physical Activity Readiness Questionnaire) They will be asked to sign /asking if they consider themselves in good health enough to carry out cardiovascular exercise. If anyone would like a copy of mine for ideas please get in touch. This also has your insurance details on there.
Whilst linedancing is predominantly a social dance style, for beginners I follow a structured programme similar to other dance styles usually for 3-4 months. By this time they should have a good basic knowledge of terminology, a reportoire of several dances with a wide range of steps and different timing rhythms such as basic syncopation, Night club, Waltz. During each course I adapt my lessons to ensure the dances the beginners are learning complement the dances in my other classes to ensure everyone can enjoy dances all night. Not only do I choose dances which have been choreographed as floor splits but I also teach dances and vary the tracks regularly then they don't associate a particular dance to a particular track. This helps them in social dancing to be able to dance all night with confidence. I have chosen a few dances to highlight a good mix for a course I like to include all dance style and a variety of music genre to suit all tastes. I find the success in retaining beginners is to introduce them early on to the social aspect of line dancing including weekends, events and socials
Once they feel part of something they tend to stay and there are great Absolute beginner dances choreographed as floor splits that are ideal to include beginners in social functions. I also include some Golden Oldies in my syllabus which enables dancers to attend other social events. Here are some examples of modern floor splits : Last cheaters waltz - Shades of passion Let's Marvin Gaye AB - Until the dawn And Get it On NC1 - I See Me Uptown Funk AB - Uptown Funky Uptown Funk All in my head AB - Alvaro Fireball AB -Fireball I also teach some of the old classics which are so versatile like Cowboy Charleston & Cowboy Strut. If you want examples of my forms or any further advice on setting up an absolute beginners class please get in touch. .Ju x
JO HOUGH
I was born in Adelaide South Australia in a little hospital at Glenelg in the early sixties. I live in Keith South Australia, which I like to tell people is a small rural line dancing out post. Population 1000 linedancers 13 on a good day! As much as I would love to say I began line dancing at the cute age of three it couldn't be further from the truth. I always wanted to line dance when I lived in Adelaide but never got around to it - so when I moved to Keith in 2002 at the ripe young age of 39 years I took the plunge.
I had always danced and many styles have been included in my repertoire such as ballroom, greek, jazz and ballet so line dancing came naturally to me right from my first lesson. My very first lesson was with Jennie Jacobs at Keith. I walked straight into the Intermediate class (no beginners for me !!) and announced I was there for the linedancing. The first dance I learned was a phrased Intermediate dance by Maggie Gallagher with parts A and B I think and a few restarts called Mony Mony. Looking back on it I suspect I started at the proverbial deep end! After that first lesson I was hooked and went to every lesson I could in the area which included beginners and Intermediate. I started teaching only recently about two years and I think the key to holding successful classes, is for me not the numbers of attendees-( given our location where a "crowd" is deemed to be more than 5) but to show the students that you still have fun across the levels of dance. We were thrilled to hold our "Twenty something" birthday party in June and were humbled and amazed at the attendance given our remoteness.
I started choreographing dances for school students to music that they liked. In the beginning I never wrote any sheets out for the dances, I just wrote myself notes. My most successful dance to date would be" I never Meant to Break Your Heart" to Up by Olly Murs and Demi Lovato (Version 2 sheet on Copperknob and Aussie Dance sheets) . I have been amazed by the support of, not only fellow South Australians who have taught and demonstrated the dance, but emails I have received with my dances being taught internationally. I usually endeavour to e-mail people whose dances we do, so it is nice when I get some in return to let me know people are dancing my dances. I will shortly be attending Ramblin' Rose line dance event in Victoria where the host Elaine has put one of my dances (Andante Easy) on the program. I have met some fabulous people both in person and online in the world of line dance who have been really supportive and encouraging and I cannot thank them all individually but I hope they know who they are.
My biggest thank you goes to my dance coteacher and choreography video partner Michelle, who has to weather some very quick pre-video teaches! I like to keep the Bloopers in as I love to share the fun that we encompass within Line Dancing. If I weren't dancing I think I would like to host my own TV chat show for women in their fifties; after all we are demographic when it comes to line dancing in Australia! However given the constraints of reality I fall back on my profession which is that of a geologist and gemmologist. My future aspirations in dance is to choreograph at least one dance that may just become well known enough to knock Suzi Beau out of the Copperknob top ten - just kidding!! I would also like to become infinitely better at writing up dance sheets. And of course to keep on dancing into my retirement years!
The One That Got Away Ellvie’s Escapees - Teacher & Dancer for over 20 years, she shares her passion for line dancing and finds hidden gems long since forgotten or never discovered.
This month, the dance I have chosen is fairly recent, from 2011. I came across it purely by accident. Usually I look at a script and then listen to the music. However, in this case I heard the song first, One Step Closer To Paradise by Malena Ernman. It totally blew me away. What a beautiful, dramatic piece of music. Immediately I wondered whether a line dance had been choreographed to it. If not then somebody certainly should write one. After searching on the internet I wasn't disappointed and found a script. "Close To Paradise" is an Intermediate, 2 wall, 64 count line dance, choreographed by Hazel Pace. With script in hand I taught myself this dance in my lounge and absolutely loved it. It was a pleasure dancing to this music and the steps fit to the track perfectly. Hazel has choreographed some lovely little touches in this dance such as a flick with a quarter turn and hip sways with hitches. There are no tags or restarts to worry about so you can concentrate on putting a lot of attitude in this
However, I am very sad to say that this dance never seemed to flourish. I didn't see it reach the line dance charts and have never seen it danced at any of the line dance venues I have attended. It seems that, sadly, I am destined only to dance this in my lounge! as I no longer teach full time. It would be nice to see this dance resurrected and I for one would certainly be more than happy to be able to dance this on a proper dance floor rather than in my lounge where I am in mortal danger of tripping over my coffee table. Why not get your teacher to revive this one, pull it out of the abyss and let it shine. Happy dancing. Ellvie
LINE DANCE INSPIRED FICTION Just for fun our resident writer Ellvie Wood is writing short stories inspired by well known line dances. This months short story is: 'Messed Up In Memphis' The woman eyed the man up as he walked towards the bar. Tall, muscular, not what you’d call handsome but the scar on his left cheek gave him a dangerous look. She estimated that he was probably in his mid 40’s. Wealthy, judging by the gold Rolex watch gleaming on his wrist, and expensive leather boots. ‘Where you from cowboy?’ ‘I’m from Arlington.’ ‘Doesn’t your wife mind you being away from home?’ ‘You sure ask a lot of questions Jessie.’ ‘I’m just curious. Saw the ring on your finger.’ The man turned round to face the girl who had ‘I’m divorced.’ come to sit next to him. Nice, he thought, very ‘Well now cowboy, ain’t that something? Cos I’m nice. She wore a white Stetson. Long curly, single and fancy free myself.’ auburn hair framed an oval face lightly dusted in freckles. Her slim body was enhanced by tight She placed a perfectly manicured hand on his fitting denim jeans; shirt tied at the waist knee and massaged gently. revealing a diamond stud in her naval. A snake tattoo curled round her upper arm. ‘I’ve a bottle of whisky in my room just aching to ‘What can I getcha honey?’ The waitress asked. ‘Cold beer thanks.’ ‘Well, hi cowboy. Ain’t you gonna buy a gal a drink. I’m kinda thirsty.’
‘A beer for the lady.’ The man called out to the waitress. ‘Ain’t seen you around. You in town long?’ The girl asked. ‘Just here for some business.’ The girl held out her hand. ‘The names Jessie.’ He shook her hand. ‘They call me Chris.’
be drunk and I don’t like to drink alone. Waddya say?’ ‘My, you sure work fast.’ ‘You’ve gotta take what you want, and I want you. ’ He gulped down his beer placing money on the bar to pay for the drinks.
The waitress brought over their beers and they ‘Okay then Jessie, let’s try out that Whisky.’ both took a drink. ‘So, what do you do Jessie when you’re not chatting up strange men in bars?’ ‘I suppose you could say I’m in finance.’ How about you cowboy?’ ‘I collect things.’ ‘Business good is it’? Her eyes strayed to his watch. ‘Yep. Pays well. Keeps me in beer and cigs.’
They walked out of the bar towards the motel rooms. Jessie stopped in front of one and opened the door. The room was basic just a bed, chair, coffee table and small television. Off the main room was a bathroom and small kitchenette. Jessie tossed her bag on the chair and placed her Stetson on top of it. ‘Just make yourself comfortable whilst I go and get the drinks.’
Whilst she was out of the room he picked up her bag from the chair, looked inside, then replaced it. Jessie came in holding two glasses. ‘Here you are. Best whisky in Memphis.’ He took the glass, sniffed at it then put it down. ‘You creep.’ Grabbing her handbag, she pulled out a pistol and aimed it at him. ‘What’s the matter? Ain’t you drinking?’ ‘Don’t reckon I will Jessie, or should I say Lacey. ’ ‘What the hell are you on about?’ ‘Your real name is Lacey Devereux, a hustler, thief. Lures men to motel rooms, drugs them, then makes off with their money. Isn’t that right Lacey?’ She edged back to the chair. ‘Haven’t a clue what you’re on about?’ “Really? I think you do. I bet when the lab tests my whisky it’ll contain a tranquiliser. That’s what you do to knock the guys out isn’t it?’ ‘Who the hell are you?’ she spat. ‘Chris Jackson, Private Investigator.’ ‘Liar, you said you collect things.’ ‘That’s right, I collect thieves, criminals. Like you. ’ ‘
‘Move away from the door or you’ll get it.’ ‘Put that down Lacey.’ I know you love jewellery and I’ve a pair of bracelets that’ll fit nicely on your wrists.’ She pulled the trigger, nothing happened. He held out his hand revealing six bullets. ‘I ain’t stupid Lacey. Been in this business a long time. Now be a good girl and come along.’ She threw the gun down and smiled. ‘Okay, you win. Just let me put my Stetson on. A girl’s gotta look good.’ She picked up the hat and with the speed of lightning, pulled out a knife hidden in the brim and stabbed him in the stomach. She ran to the door, paused and turned round. ‘Sorry about that cowboy but you see I’ve been in this business a long time as well and I ain’t stupid either.’
Send in your favourite line dance for Ellvie to write about.
TOP 10 CHART The response from July issue has been more than we can have hoped for. Readers have been busy submitting their favourite dances to us to include in the Poll. Here are the results from last months Poll.
1. Roads - Maggie Gallagher 2. The Bomp - Kim Ray 3. Darling hold my hand -Neville & Julie 4. Alvaro - Robbie McGowan Hickie 5. Your Place or mine -Karl-Harry, Ria, Rob 6. Tell the world - Robbie Mcgowan Hickie 7. Tribal Heartbeat -Maggie Gallagher 8. Modern Romance -Kate Sala 9. And get it on -Daniel Trepat & Jose Miguel Belloque Vane 10. Skip the Line - Kate Sala Bubbling under 11 is Heavenly Cha by Dee Musk 12. Party Freaks & Alcohol - Kim Ray
As with all new ventures it is a case of trial and error and ironing out teething problems. We hope that our magazine will entertain you and help maintain your passion for line dancing. We would love to hear from you about your line dancing experiences. Tell us how you got started. How do your family and friends feel about your dancing or do they share it with you? Have you been on any dancing holidays and would like to share your memories and adventures? Have you any questions that other line dancers may be able to help with?
This magazine is for you so don’t be shy, we would love to hear from you.
WEEKLY CLASSES SUNDAY All Levels Social Dancing & Intermediate Teaching 7:30pm - 10:30pm Venue: The Beechwood Beechwood Road Blackburn BB1 5JL New Dancers always welcome - please get in touch for more details MONDAY Absolute Beginners - Improver 6:30pm - 8:00pm New Dancers always welcome - please get in touch for more details Intermediate Teaching 8:00pm - 10:30pm 16 years+ Venue: The Beechwood Beechwood Road Blackburn BB1 5JL TUESDAY Improver / Easy Intermediate 1:00pm -3:00pm Venue: St Oswalds Church Hall Knuzden Improver/Intermediate Social Dancing & Teaching 7:30pm - 10:30pm St Aidens Church Hall Bamber Bridge Preston WEDNESDAY Improver/Intermediate Social Dancing & Teaching 7:30pm - 10:30pm Venue: The Beechwood Beechwood Road Blackburn BB1 5JL THURSDAY Absolute Beginners - Improver 12:00 - 1:00pm New Dancers always welcome - please get in touch for more details Venue: Oswaldtwistle Civic Theatre & Arts Centre
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