AUTUMN| NOVEMBER 2021 | VOL II ISSUE I
Crisp Leaves Of Fall
LAST BELLOW OF THE YEAR HOW DEER BEHAVIOUR ALTERS AFTER THE RUT
THE MICROWORLD SHOWCASE
A TALE OF TREES IN AUTUMN Nature's
NOVEMBER CALENDER
Spotlight Interviews
With Niall Bell & Chloé Valerie Harmsworth
WILDLIFE
MAGAZINE
Follow us on Social media @conkernature PHOTOGRAPHER: THOMAS ZSEBOK
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 02
FOUNDER Editor-in-chief Lucy Morris Instagram @lucymorriswild Email: lucymorriswildmedia@gmail.com
Sally Marie Angela Mitchell Zoe Richards Heather Wilkins Darren Wynne Jaquelyn Rodgers Eric Jones Anna Clarke Laszlo Balogh Jenny Murphy Simon Hughes
Executive Editor Editor Junior Editor Advertising Director Photography Director Deputy Photo Editor Assistant Photo Editor Proofreader Contributor Logo Illustrator Digital Editor Digital Co-Editor
EDITORIAL OFFICE Wildlife photography, art, and written articles are welcomed, once images are submitted they become the property of Conker Nature Magazine; which will be used to promote the magazine if needed, not for any other purpose. Please send low-resolution j.pegs to conkernaturephotography@gmail.com Conker Nature Magazine is published by Morris Media Publishing Group. Follow us on Social media @conkernature
www.conkernature.com front cover images:
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 03
CONKER NATURE TABLE OF CONTENTS AUTUMN VOL I 2021 | ISSUE III
07 LETTER FROM THE EDITOR-IN-CHIEF THIS MONTHS LETTER FROM CONKER NATURE EDITOR-IN-CHIEF, LUCY MORRIS. AS SHE TAKES A LOOK AT THE END OF THE AUTUMN COLLECTION OF CONKER NATURE MAGAZINE.
09 - 13 NATURE'S CALENDER: NOVEMBER NATASHA BALLENTYNE TAKES A LOOK AT THIS MONTH'S NATURE CALENDAR AND THE SPECIES THAT CAN BE FOUND THIS MONTH
14 - 22 PHOTOGRAPHER SPOTLIGHT NIALL BELL IS A MSc ENVIRONMENTAL STUDENT AND WILDLIFE PHOTOGRAPHER. JOIN US AS WE LEARN ABOUT HIM AND HIS WORK IN THE INDUSTRY AS AN ADVOCATE
23 - 25 WHAT'S ON THIS MONTH'S BREAKDOWN OF OUR FAVOURITE TV SHOWS, BOOKS AND ALL THINGS WILD MEDIA THIS MONTH.
26 - 30 A TALE OF TREES IN AUTUMN
Photographer: Yaroslav Shuraev WILDLIFE MAGAZINE
Tiffany Wallace, a scientist in Genetics, Ecology and Conservation breaks down the scientific reason why trees lose their leaves in the autumn time and the cycle as the tree heads into the winter season. WWW.CONKERNATURE.COM 04
CONKER NATURE TABLE OF CONTENTS AUTUMN VOL I 2021 | ISSUE III
32 - 38 THE LAST BELLOW OF THE YEAR AS THE RUT COMES TO AN END FOR HALF OF OUR DEER SPECIES, WE LOOK AT THEIR BEHAVIOUR CHANGES AFTER THE RUT AND SHOWCASE IMAGES SUBMITTED THIS MONTH
49 - 51 LAUNCHING LITTLE CONKERS TAKE A SNEAK PEAK OF WHAT IS TO COME OF LITTLE CONKERS IN OUR MAGAZINE & WEBSITE LAUNCHING IN JANUARY 2022
52 - 63
THE MICRO-WORLD OF PHOTOGRAPHY WRAPPING UP THE LAST ISSUE OF OUR AUTUMN COLLECTION, WE ASKED OUR PHOTOGRAPHY READERS TO SEND THEIR BEST FUNGI IMAGES!
65 - 70 SPOTLIGHT INTERVIEW THIS MONTH'S SPOTLIGHT INTERVIEW IS WITH TALENTED WRITER AND ARTIST, CHLOE VALERIE HARMSWORTH.
71 - 76 OUT AND ABOUT
Photographer: Yaroslav Shuraev WILDLIFE MAGAZINE
THIS MONTH'S OUT AND ABOUT IS BRILLIANT FOR SEAL WATCHING THIS TIME OF THE YEAR. OUR LET'S VISIT THIS MONTH IS HORSEY GAP, IN NORFOLK UK. WWW.CONKERNATURE.COM 04
CONKER NATURE TABLE OF CONTENTS AUTUMN VOL I 2021 | ISSUE III
78 - 83 WALK THIS WAY A FANTASTIC RECOMMENDATION OF WALKS ACROSS THE BEAUTIFUL LANDSCAPES OF NORTH WALES
84- 58 WHAT'S ON THE BOOK INTERVIEW OF THIS MONTH IS THE WHEEL BY JENNIFER LANE. WORDS BY CHLOE VALERIE HARMSWORTH
Photographer: Yaroslav Shuraev WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 06
As autumn comes to a close and winter draws nearer, I wanted to reflect back on our Autumn Collection. Over July and August, in the midst of my Ecology course, I really wanted to delve into my love of wildlife media, I questioned what was something I'm really passionate about?
Lucy Morris Editor-in-chief
The conclusion was wildlife magazines. I believed was the best way forward, and I'm so glad I was right.
LJM
The amount of support has been astonishing the past few months, and the team and I are so excited to be getting into the New Year and to release wildlife magazines for the full calendar year! A massive thank you to all of you, this magazine wouldn't exist without you!
Conkernature submissions@ gmail.com Conkernature photography@gmail.com Conkernature@gmail.com for general inquires
WILDLIFE MAGAZINE
Follow us @conkernaturemagazine @Conkernature
@conkernaturemag
WWW.CONKERNATURE.COM 07
Image: Mark Fullbrook
Submit to us
Contact us
PHOTOGRAPHER: Yaroslav Shuraev
@conkernaturemagazine
CALL FOR WORK - DECEMBER 2021 IS NOW OPEN FOR WILDLIFE & LANDSCAPE PHOTOGRAPHY Submissions: www.conkernature.com PHOTOGRAPHER: JACK HAGUE @JBHAGUE_WILDLIFE WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 08
Nature's Calendar: Autumn - November Words by Natasha Ballantyne @the_biophiliac_blog Photographer: Alex Wright @alex.wildliferockandroll
Despite the darker nights and bitter weather, November marks the inauguration of many species’ the liveliest time of year. It is not only the busiest time of year for some species, but November also demonstrates a new range of diversity of life that is completely different to that of spring.
It is easily recognisable in children’s fae literature, with a large red cap and white spots, which are the remnants of its universal veil. Despite its beauty, the fly agaric has poisonous flesh, which can cause hallucinogenic effects in humans. In contrast, the wood blewit is a tasty November treat.
Rather than our attention being drawn to that of clear skies and lush flora, we can appreciate nature’s beautiful, yet brief autumnal setting, and the species which present themselves during this period as well. Perhaps the most notable organisms this time of year come in all sorts of shapes and sizes. Amongst the dank, decomposing leaf litter fruits a variety of species of fungi! There is a surge of species that grow in autumn, but perhaps some of the most fascinating include the fly agaric and the wood blewit. The fly agaric is an iconic and enchanting species with a toxic twist. WILDLIFE MAGAZINE WILDLIFE MAGAZINE
FLY AGARIC: NIALL BELL, WOOD BLEWIT: JOHN NAT
Whilst young, this species is a blue-ish lilac colour with pink spores and is edible if cooked thoroughly. Look out for it in its preferred habitat of deciduous woodland among stagnant soil and organic refuse. Like the fly agaric, this mushroom has mythical associations, as it tends to grow in a circle, which has been nicknamed a ‘fairy ring’ and is believed to be an entrance to the fae world. WWW.CONKERNATURE. COM WWW.CONKERNATURE.47 COM
09
Although not originally native, the now well-established sweet chestnut tree will also be dropping its fruits at this time of year. Whilst out for your nature walk this November, look out for its branches which are festooned with burgeoning chestnuts, which will inevitably become littered across pathways. Interestingly, sweet chestnut trees are ‘monoecious’ trees. This means that both the male and female reproductive catkins grow on the same tree, but you’ll have to sit tight until the warmer months to see these! These reddish-brown nuts are enveloped by their protective spikey green casing, and are a favoured Christmas treat, although they can be easily mistaken for the similar- looking horse chestnut. A newly favourite of mine has become the European starling, which murmurates this time of year on the coast of Aberystwyth where I study.
A murmuration is an incredibly coordinated arial flock movement, which can accumulate more than 50,000 birds in one murmuration. The flock will form mesmerising undulating patterns in the sky, in various three-dimensional shapes, planes and surges. In Aberystwyth, these murmurations will last around half an hour, until the birds eventually dive to roost under the pier for the night. It’s not fully understood as to why the starlings exhibit this behaviour, (some suggest it’s to reduce predation risk), but it is still a natural spectacle to behold in November, wherever you might find them! It is also arguably the most auspicious time to spot Europe’s most populous canid, the Red Fox. November is the peak dispersal period for young self-sufficient males and some females, where they will fight for territory and resources.
Photographer: Sarah Town
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 10
Photographer: Peter Lewis @blootoonloon45
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 11
Photographer: Jarino Anders
This is in preparation for the breeding season, at the start of the new year so that cubs are born in the more favourable temperatures of springtime. You may start to hear the screams and barks of territorial males during the crepuscular time periods, so if you’re vigilant enough, you may have a chance to witness one of the UK’s apex predators out and about. Finally, most invertebrates synchronise their activity with the warmer weather, so as we approach the end of November, most adult insects will die off. However, the remaining species are adapted to hibernate through the colder weather, and this is demonstrated most charmingly by the ladybug. Squeezed in crevices such as your windowsill or door frame, you may see hibernating ladybugs bundled together for warmth, which always looks very cute. They enter a state called ‘diapause’, which is very similar to hibernation; the beetles become under suspended arrest, WILDLIFE MAGAZINE
and this is how they remain throughout winter. If the winter is not prolonged or harsh, many will survive and awaken when things become warmer again. If you see these in your home this November, if they aren’t causing a problem, it’s best to leave them undisturbed so they can keep warm until spring arrives (similar to how I feel after autumn ends!).
Natasha Ballantyne
Hello! My name is Natasha, I’m a BSc Ecology student studying amongst the beautiful habitats in and around Aberystwyth. I love all aspects of natural science and history, such as conservation, mycology, botany, zoology (to name a few!). I run an Instagram blog @the_biophiliac_blog which is where I share my love for nature, wildlife, science communication and tips on sustainable living.
WWW.CONKERNATURE. COM WWW.CONKERNATURE.45 COM
12
Photographer: Peter Llewellyn WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 13
Niall bell
WILDLIFE PHOTOGRAPHER PHOTOGRAPHER: Niall Bell @NATUREWIHNIALL
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 14
Hi Niall, thanks for agreeing to be interviewed for Conker Nature Magazine! Follow Niall Bell Instagram: @naturewithniall Twitter: @naturewithniall Website: www.niallbell.com
When, and what inspired you to get into photography, and do you have any favourite photographers you admire?
I’m both a tech lover and keen naturalist. About 7 years ago I fused they hobbies and started Please tell our readers a little photographing wildlife and bit about yourself and what it nature. As I learned more about photography, I began to see ways is you do. in which great photos could help in the fight against climate I’m 26 years old and change, biodiversity loss and incredibly passionate about the environment. Day to day I more. I don’t particularly admire work for a waste management any ‘famous’ photographers, but I do admire the relentless work company on projects and and talent of amateur sustainability. Outside of my photographers, many of which full-time job, I’m studying are my friends. towards a masters degree in environmental management. What does your photography With the time left over I mean to you? photograph lots of wildlife and Photography is my way of read about nature. enjoying and exploring the natural world.
It’s also a tool that I can use to help conservation and education. Finally, it’s a hobby, it brings people together with a common interest of which is incredibly valuable. What is your process when photographing, do you have a particular area or species you’re most drawn to? I have two main domains in my portfolio, captive and wild. I photograph captive exotic animals as a way to practice and improve my skills. I also use this as a way of educating others about the importance of wildlife.
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWWW.CONKERNATURE.COM 15
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWWW.CONKERNATURE.COM 16
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM, 17
Photographer: Niall Bell @Naturewithniall
Wildlife is my main area of focus. All wildlife gets my attention from plants to animals to fungi.
What is the most interesting thing you have learnt about wildlife over the years?
How remarkable fungi are. What is your favourite They’re not a plant, nor animal, and what has been animal. They form your best wildlife encounter communication networks in to date? the soil of forests and jungles. They make up some of the This is a difficult one. I can’t largest and smallest organisms choose a favourite but up on Earth. Some produce their there are tigers, red own light for reasons we don’t squirrels, a plant called know. They produce a ghost pipe (monotropa seemingly endless supply of uniflora) and every single new medications, and they fungus…I really like fungi. I taste fantastic! marvel at all wildlife encounters, but one natural Presently, what is your biggest world experience, not aspiration in your strictly wildlife, that shines photography? above all was watching the To inspire people to make a northern lights in Iceland. change with nature in mind. WILDLIFE MAGAZINE
Is there a specific species or place you’ve always wanted to experience? Photographing wild tigers in India. I want to move them from the captive domain of my photography to the wildlife domain. Do you have a preferred camera you use, and a favourite lens? I’m a hybrid shooter with both Sony and Canon. I would choose my Sony a7RIII as my favourite camera for it’s high detail and great autofocus and my Canon 400 f2.8 for my favourite lens for it’s unmatched lowlight performance and image quality.
WWWW.CONKERNATURE.COM 18
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 19
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 21
What advice would you give to the past you and what advice would you give people with similar interests and dreams? Firstly, don’t stop shooting. Just get out there and keep taking photos. Practice at local zoos if you struggle to find wildlife and join local wildlife trusts. Secondly, don’t worry about gear. Use what you have, and when you need to upgrade consider older pro gear over newer consumer gear. It’s often cheaper and better for you and the environment. Brilliant! Thanks for taking the time to answer my questions, Niall. I’m sure the readers of Conker Nature Magazine will enjoy learning more about you and appreciate your tips and advice! See more of Niall's fantastic environmental and photography work below; Instagram: @naturewithniall Twitter: @naturewithniall Website: www.niallbell.com
Photographer: Niall Bell @Naturewithniall WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 22
what's on
Zoe Richards rounds up some our wild entertainment FOR THIS MONTH CLIMATE CHANGE: Ade on the Frontline. presented by the bbc After intense talks of COP26, the team wanted to watch something that really connects people with climate change in present times. Ade on the frontline definitely recommended and shows the impact of climate change across the world. You can watch the latest episodes on catch up on www.bbc.co.uk/iplayer
Silent Earth: Averting the Insect Apocalypse. Written by Dave Goulson Insects are essential for life as we know it. As they become more scarce, our world will slowly grind to a halt; we simply cannot function without them. Drawing on the latest ground-breaking research and a lifetime's study, Dave Goulson reveals the shocking decline of insect populations that has taken place in recent decades.
BE curious beings podcast For your everyday dose of nature-filled fun. Be curious beings podcast is exactly what you need for the day-to-day listening of wildlife content. The podcast is hosted by Sevim Yildiz and covers a range of topics about the natural world such as media, conservation, species such s insects, seagrasses, bird migration. The podcast aims to bring attention to world issues such as plastic pollution and placing a trade ban on products grown in the Amazon Rainforest. Find out more by listening to their podcast and following social media here; Spotify, Google Podcast, Podbean: @becuriousbeingspodcast Instagram: @becuriousbeingspodcast Photographer: Olly Johnson @olllyjohnson WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 23
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 24
what's on - festivals FILMS FOR THE FOREST COMPETITION: SUBMIT YOUR FILMS FOR 2022 'Films for the Forest was created and launched in 2010, with the goal to bring together children and adult filmmakers alike to contribute to rainforest conservation through the arts and foster broader civic engagement. Over the years, Films for the Forest has received film submissions spanning four continents and has been judged by an impressive list of award-winning filmmakers and environmentalists. Films for the Forest is now one of the most noted environmental film screenings in Austin, Texas, United States. Offering participants and the general public a platform to engage, interact and think about their shared responsibility to conserve the planet. The theme for the 2022 competition year is : "Awaken. Energize. Transform." This year we’re challenging filmmakers to create and share films that will inspire and move audiences to take powerful action that changes the future of our forests. Films for the Forest are films shot in, about or somehow relating to rainforests or the animals and people that depend on them.'
Films for the Forest are films shot in, about or somehow relating to rainforests or the animals and people that depend on them. RULES & TERMS Films are expected to fall under the theme for the current year: Awaken, Transform, Excite (2022) Films must be between 1 to 20 minutes with English or Spanish subtitles burnt-in if the original language is other than English or Spanish Filmmakers agree to have their films possibly shown multiple times within 365 days after the initial screening in international events around the world as curated Films for the Forest content and ensure their licensing will allow such screenings To qualify for the Indigenous Category, the film must have been created or directed by members of an indigenous community Any youth submissions require adult consent (found on filmsfortheforest.org) All submissions confirm they follow the terms and conditions set by FilmFreeway
FIND OUT MORE ON FILMS FOR THE FOREST WEBSITE - https://filmsfortheforest.org/
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 25
A TALE OF TREES IN AUTUMN Words by Tiffany Wallace @wildlittlewallace
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 26
The autumn sun draws down to greet us. It feels closer as it sets earlier than before, its warm smile dancing across our faces. Rather suddenly, we are bathed in coolness. In this stillness, the cooler air signals to our bodies to save our heat, saving our energy. Gently, the earlier sunsets nudge us to take action against the cold by taking shelter or covering up. We share this sensitivity with trees. Being sessile, trees can only endure the weather. For this reason, they have adapted many weird and wonderful ways of functioning throughout the changing seasons. Earlier in the year, densely packed clusters of luscious leaves, a rich green due to their chlorophyll content, are busy making food. In a process called photosynthesis which requires energy from the sun, carbon dioxide is absorbed and from this, chlorophyll creates the sugars needed for energy. A yellow and orange pigment called xanthophyll and carotenoid assist in photosynthesis whilst protecting the chlorophyll from sun damage. This capturing of particles of light and converting them to energy known as photosynthesis drives most of life on Earth. As the sun sets earlier, its absence leaving the tree in coolness sooner and for longer, the signal to save energy is received by trees as it is by us.
Photographer: Tangible Day Photography
Photographer: Tiffany Wallace @wildlittlewallace WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 27
Without enough light, the tree slows its mass production of chlorophyll, eventually grinding photosynthesis to a halt. Nutrients are extracted from the existing chlorophyll as it is broken down. The brilliant green pigment disappears from the leaves. The tree is preparing to become dormant, a form of self-preservation for colder months ahead. Gloriously varied shapes and colours of fruit and seeds are produced throughout autumn and these are gathered and spread elsewhere by small birds and mammals, many fattening up and hoarding food stores as a form of preparation for their own form of dormancy- hibernation. Spreading seeds offers the chance that the tree will reproduce elsewhere. The tree has even prepared next years buds, complete with their own protective winter coat!
Photographer: Callum Hill
Days grow darker and rainier, a moodiness in the sky develops amongst a few golden hours of sunlight. As we walk through woodland and streets lined with trees, our faces reflect bright yellows and gold streaks of the leaves containing the remaining xanthophyll pigments; fiery oranges and deep ambers of leaves carotenoid pigments. Long after the green chlorophyll pigment has gone, the xanthophyll and carotenoid pigment have yet to break down, and so shine through. Still protecting leaves from the sun, we are left with a brilliant display of vivid yellows, gold and oranges.
Photographer: Carolina Roepers WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 28
Through the varying pallet of bright colours, we can see some trees producing the red, crimson and purple pigment called anthocyanin. Anthocyanin helps the tree retrieve as much of the remaining nutrients left in the leaf as possible, right before it drops. Like xanthophyll and carotenoids, anthocyanins also protect the leaves from sunlight damage during this time, but their main role is in the production of sugars. Just as sunlight, temperature and rainfall can affect our moods, they affect our beautiful Autumn colours’ presence and vibrancy. Warm sunny days and crisp and cool but not freezing nights make the most vibrant of Autumn displays. During the sunnier days, a lot of sugars are still being produced in the leaves. The cool nights and gradual closing of the veins going into the leaf prevent the sugars from moving out, capturing them for longer. These perfect conditions which create a lot of sugar in the light spur the production of the brilliant anthocyanin pigments, producing the deep reds, crimsons and purples we relish. We don’t often consider the ground on which we walk, but the amount of moisture in it can determine the vibrancy of the autumn show trees give us. The moisture in the soil varies from year to year, and the display of autumn colours serves as a beautiful indicator of this. Spring arriving later than we usually expect can delay the entire process. A dry spring growing season into summer can cause leaves to change colour sooner and less vibrantly as the trees try to reclaim their nutrients in haste. In severe drought, the tree will avoid the process entirely and it will show us this as its leaves turn brown and fall off quickly.
As the tree slows down and enters dormancy, abscisic acid is released into the base of the leaves. As we see yellows, golds, oranges, reds, crimsons and purples on our walks, the abscisic cells inside leaves are forming a cork-like layer to prevent water from leaving the tree and entering the leaf. This layer is known as the abscission layer. Trees drop their leaves as an energy-saving strategy. Leaves need a constant influx of water from the trunk which evaporates out of the holes or stomata on leaves. This is an important part of the exchange between atmosphere, plant and soil called transpiration. However, it requires a lot of energy which it simply cannot produce without adequate sunlight. It is also dangerous to the plants softer more vulnerable tissues; the leaves. Like pipes in winter that burst, frozen water within leaf tissue cells freezes, expanding and bursting cell walls. Two hormones play a key role in the dropping of leaves, called leaf abscission. These hormones are called auxin and ethylene. As auxin, a cell growth hormone declines, ethylene increases. Much like a pedal lifts and incites a reaction, auxin release causes ethylene increase. The function of ethylene is to regulate the growth cells, meaning it can both instigate and stop the growth. In this case, ethylene causes cell senescence, which is where the growth is inhibited. The production of the abscisic acid hormone also prevents growth, whilst creating the cork like barrier near to the base of the leaf. Leaves drop and preserve the tree throughout its dormancy. Not all trees undergo leaf colour change, leaf drop or enter complete dormancy every winter. Conifers continue to photosynthesis in winter at a very slow rate. Evergreen trees with needles are covered in a thick waxy coating which protects them from frost and fluid loss. Some pine needle sugars actually help lower the freezing point of water, and others have cell walls which expand to accommodate freezing water!
Photographer: Jarino Anders WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 28 29
As seeds are dispersed, buds formed and protected, vulnerable leaf tissues disposed of and energy stored ready for winter, our tree sleeps. We marvel at the colour, crispness and crunch of coloured leaves underfoot. The fruiting bodies of fungi surge up to around decaying tree matter or detritus. Hedgehogs sniff around and among the rotting leaves at night, fattening up on the trees detritivores, wrapping themselves up into the discarded leaves preparing to hibernate.
Tiffany Wallace
Tiffany Wallace is a conservation scientist with a masters in genetics, and a bachelors in ecology, conservation and animal behaviour. Tiffany is a practical rewilder who has worked with commercial enterprises to agree on areas of protected land for wildlife. A passionate advocate for biodiversity and the balance between organisms; Tiffany works for organisations writing scientific copy that is engaging, growing their connections with their audience through writing and social media. Tiffany works with young people teaching about the wonders of nature and the importance of conservation through engaging and fun activities. Tiffany is involved in coalition groups in Norfolk who are working with councillors, scientists, professionals, charities and members of the public on creating sustainable solutions in both food and on the three main crises: the ecological crises (biodiversity loss), the climate crises and social inequality. Tiffany was awarded for her achievements in conservation work by Dr Jane Goodall DBE and has worked with Dr Jane, Sir David Attenborough and many more to raise the profile of conservation work. I have been speaking up for biodiversity all my life, and only now have I found my voice to speak up for myself as a neurodivergent mixed race female in my fields. To me representation is key to inclusivity for diversity. I want to show that if I can speak or write, perhaps you can. “You cannot get through a single day without having an impact on the world around you. What you do makes a difference, and you have to decide what kind of difference you want to make” Dr Jane Goodall DBE You can find me on insta @wildlittlewallace Facebook @littlewallace follow my rewinding on both insta and Facebook @naturesneighbours Twitter @Littlewallace
Photographer: morningmagentaphotography WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 30
@conkernaturemagazine
Advertise With Us & Increase Your Online Presence
FOR WILDLIFE & LANDSCAPE PHOTOGRAPHY Submissions: www.conkernature.com WILDLIFE MAGAZINE
PHOTOGRAPHER: NIALL BELL
WWW.CONKERNATURE. COM 31
WILDLIFE MAGAZINE
Last Bellow of The Year Nothing signifies the end of autumn quite like the end of the deer rut. Here's what happens next: Photographer: Gordon Roach @gordonroachphotography
WWW.CONKERNATURE. COM 33
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 34
What happens to the herd during the rut & after the the rut? The deer rut for red deer, sika deer and fallow deer end during November time. During the rut, the stags and bucks in particular are split to hold 'parcels' of females from the rival males but in the times after and before the rutting season is a different story. In fact, in the season before and after the rut, stags and bucks usually form groups together. These groups are especially needed after the rutting season as the male deer species need to recover for the winter conditions approaching and to finally find food after a month of fasting.
Photographer: Jack Hague @jbhague_wildlife
where and when to spot deer after the rutting season? Surprisingly, deer active times are reverse than their dawn rutting activities. After the rut deer are more active in the late morning to the afternoon - often at this time of the year you could see them around about 11 am to 4 pm and later. WILDLIFE MAGAZINE
Photographer: Jack Hague @jbhague_wildlife
WWW.CONKERNATURE. COM 35
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 36
Photographer: Karen Claire @kcb_myphotgraphyjourney WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 37
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 38
Photographer: Olly Johnson @olllyjohnson
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 39
PHOTOGRAPHER: GORDON ROACH
When are the fawns born and when is the best time to see them? From the autumn rut, calves (usually one, rarely two) are born in mid-May as well as with many births being in early June. Best time to see these fawns are mid-july. These times may differ in the Scottish mountains as conditions there can make breeding season poor However, the calves are extremely camouflaged so even if you know calves are in the area, good luck spotting them!
WILDLIFE MAGAZINE
Tips on watching deer throughout the year - Parks If you are after spotting deer without much hassle your best location to head to would be places like the Royal Parks in London such as Richmond and Bushy keep in mind other members of the public can disturb the deer you're watching Park deer are used to human scent so this is an opportunity to get closer than wild deer Keep your distance! Do not approach any deer to within closer than 50m, and stay at least 100m from rutting deer. Take binoculars and a camera, you never know you could catch that perfect shot!
Photographer: Gordon Roach @gordonroachphotography
WWW.CONKERNATURE. COM 41
Photographer: Gordon Roach @gordonroachphotography WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 42
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 43
Tips on watching deer throughout the year - wild deer Deer are known as tree destroyers, all six actively strip or fray bark. Each deer has a fraying height to which they can reach. The reasoning behind damaging the bark is to either take the velvet off their antlers when it's fully developed, to mark their territories, or to vent out the frustrations and tensions during the rutting season.
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
Some are luckily to be in a high presence of deer. however, those who aren't and are actively seeking them it can almost become a military operation you have to wear the right clothing, have the right pair of binoculars and lenses as deer can smell you easily and run off, talk to farmers ask when they've seen them (they usually like the corner area of an estate), and other factors like getting the right weather is so important!
WWW.CONKERNATURE. COM 45
For more information
There are lots of deer watching information out there, the best source of information is undoubtedly specialist charity The British Deer Society, they have everything from what you need to know about every species in Britain and even hold a deer photography competition every year! There are plenty of deer books out there, one that's highly recommended from the Conker Nature Team is Deer Watch written by Richard Prior and has everything you need to know about deer watching
Photographer: Jack Hague @jbhague_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 47
Photographer: Gordon Roach @gordonroachphotography WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 48
Know a little one who is passionate about wildlife and loves to read? Are they aged 16 and under? This magazine pullout is for them! This month we want to announce the launch date of Little Conkers as a minimagazine pull out as a new feature in our Conker Nature Magazine
Little Conkers is an educational wildlife magazine and is a part of our Conker Nature magazine, created to showcase the work of our young naturalists, across the world.
We accept works of art, photography, stories and wildlife articles and interview requests. Submissions are to be sent to conkernaturesubmissions@gmail.com with name, location and title. We can't wait to see the work created and to inspire young naturalists in nature education
Little Conkers pull out minimagazine will be released inside of our Conker Nature Magazine in January and submissions for the issue are open now. Here's what we're looking for: Photographer: Tyler Hood @tylerhoodphotographs WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 49
'I am home educated with my sister and being home educated gives us really good opportunities to be with nature. Spending time with nature gives us a really good view of animals lives. We foster animals for the Wiltshire Wildlife Hospital. My favourite animals we have cared for so far are the baby bunnies and one of the ducklings we called Duck. My sister loves Blue Tits. Raising wild animals is fun. I have learnt so much. One fun fact is that some baby birds poo when the parents arrive at the nest to feed them. Their poo is in a little sack called a 'faecal sac' and it means the mummy and the daddy can carry the poo away and keep the nest clean. We have the baby animals in Spring. They take a lot of feeding and we have to set the cooker-pinger to make sure we feed them at regular times all day. In the Autumn we help with overwintering hedgehogs. They need looking after because they have not been able to find enough worms and grubs and have not put on enough weight. We keep them in stables on my grandma's farm. One of the hedgehogs this year has really spikey prickles! At the moment we are helping to look after 10 hedgehogs.' Poppy - Aged 8 WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 50
You can follow Poppy's and her sister's adventures on their mothers Instagram @mama_homeed
A Micro-world Photography
WILDLIFE MAGAZINE
Showcase:Fungi Series
Fly agaric Photographer: Niall Bell @Naturewithniall
WWW.CONKERNATURE. COM 53
Rooting Shank Photographer: Alex Acott @asa.naturephotos
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 54
Common Bonnet Photographer: Brian Chard @chard.brian_photo_wildlife
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 55
Candlesnuff Fungus Photographer: Sandi Monger @sandi_monger_photographs
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 56
Witch's Hat Photographer: Niall Bell @Naturewithniall
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 57
Mica Cap Photographer: Sandi Monger @sandi_monger_photographs
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 58
Clouded agaric Photographer: Tyler Hood @tylerhoodphotographs
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 59
Yellow Staghorn Photographer: Trang Dang @trangdang__
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 60
Common Earthball Photographer: Niall Bell @Naturewithniall
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 61
Purple Amethyst Photographer: Karen Claire @kcb_myphotgraphyjourney
WIILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 62
Fly agric Photographer: Karen Brouwer @kbdesignphotography
WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 63
@conkernaturemagazine
Advertise With Us & Increase Your Online Presence
FOR WILDLIFE & LANDSCAPE PHOTOGRAPHY Submissions: www.conkernature.com WILDLIFE MAGAZINE
PHOTOGRAPHER: NIALL BELL
WWW.CONKERNATURE. COM 64
Interview With Chloé Valerie Harmsworth Wildlife Writer & Illustrator
Hi Chloé, thanks for agreeing to be interviewed for Conker Nature Magazine! Please tell our readers a little bit about yourself and what it is you do. I’m Words a nature by writer, Izzy Frypoet, artist and photographer from Hertfordshire, England. I studied English Literature and Creative Writing at university, then worked as an editor in the publishing industry before becoming a freelance editor and writer. I’ve written about various environmental issues, trees and wildlife for magazines and blogs, and next year my book on UK woodlands will be published. I’m so excited! What inspired you to become a wildlife writer and create wildlife illustrations, and who are your favourite creatives in the industry? I’ve always enjoyed writing and creating art but had a period when I lost my energy and inspiration, and suffered bad mental health. Everything fell back into place after I moved house and reconnected with nature, spending more time outdoors.
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 65
I re-found myself, my direction, and everything made sense again: expressing my love and gratitude for nature was what truly made me happy. I find Tiffany Francis-Baker (@tiffany.francis), Alex Boon (alexboonart), Kate on Conservation (@kateconservation) and Jackie Morris (@jackiemorrisartist) incredibly inspiring. They are so talented!
Do you have a favourite species, and what has been your best wildlife encounter to date? I’m told I bang on a lot about the red kite – I’m obsessed! It’s just such a majestic and handsome bird, with stunning feathers, and I adore seeing it soaring above me. There’s also something about its intense, intelligent eyes and powerful, deadly claws and beak that gives me a delightful thrill! I have a particular passion for birds of prey; this year in my local woodland, I’ve had close encounters with kestrels and sparrowhawks – moments that will live long in my memory. If you could write about one species of animal, what would the species be and what interests you about it? The variety of our wildlife continues to astound me, and I want to explore and celebrate it all! However, I definitely want to create some detailed written pieces and artworks on owls – they’re just so mysterious, beautiful and alluring.
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 66
Photographer: Tiffany Francis-Baker
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 67
How do you get started on your writing and creative process? Do you have people that inspire you?
I’m a big fan of the poets John Have you got a favourite Clare, e.e. cummings, John Keats piece you’ve written? What and Carol Ann Duffy. My makes it stand out from your favourite writers include Gilbert other pieces? White and the creator of the My process – whether working Tough question! I’m proud Moomins, Tove Jansson. I also on an article or artwork – is to of most of the pieces I’ve adore the art of the Prestart with the aspect that most written, but I have noticed Raphaelite Brotherhood. excites me. This helps me to get my style changing as I’ve over any daunting feelings I gained more confidence What is one wildlife-filled have. I can enjoy the ‘doing’ and experience, and started paradise you would like to visit straightaway; it’s important to to show my inner self more. and why? enjoy the process rather than My recent piece for A Focus There are so many wildlifejust be concerned with the end on Nature (with filled UK places to choose from! result. illustrations) is an example But one day I have to see large of this, as are my poems, whales – I’ve had a recurring Poems are different. They including ‘When I Finally dream throughout my life of appear out of nowhere, Leave this Place’, published swimming with them. revealing themselves as a in the Wildlife Blogger Although that might not be couple of good lines within a Crowd’s nature anthology completely achievable, I know dream or daydream. These then book, Connections with I’ll cry with joy at the sight of expand into a full-blown poem Nature: 50 Moments of one! Other than that, the Isle of in one big rush, when I put pen Meeting the Wild. It’s Mull for its eagles and otters, to paper. I will then tweak a thrilling and terrifying to and Gigrin Farm, to see poem until it looks and sounds release such personal hundreds of red kites swooping right. pieces to the world. for food! WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 68
What are your ultimate ambitions in your writing and artwork? And where do you see yourself in the future? I’ve fulfilled so many ambitions this year: my first book is on its way, my oak tree artwork is part of a museum’s tree exhibition, and I illustrated the cover of Connections with Nature. My future ambitions include writing and illustrating more books of nature writing, poetry and (eventually) fiction. In the future I see myself living somewhere more rural, with larger woodlands to explore, and the sea nearby. I’d love to have a proper art studio for painting, and run writing and art workshops to build a community of nature lovers who can meet to share their passions.
Finally, what do you think of our new magazine? It’s brilliant! It’s a wonderful compilation of stunning photography and arresting, informative words – a pure celebration of creative conservationists and the wildlife we love! Thank you for letting me be a part of it J Brilliant! Thanks for taking the time to answer my questions, Chloé. I’m sure the readers of Conker Nature Magazine will enjoy learning more about you and appreciate your tips and advice! You can connect with Chloé Valerie, and follow her story at instagram.com/chloevalerienatureart and her website, chloevalerienatureart.wordpress.com/about Buy a copy of Connections with Nature: 50 Moments of Meeting the Wild here: https://kateonconservation.com/shop/
What advice would you give to your past self, and what advice would you give to people with similar ambitions and dreams? From my previous experience of having ignored my dreams (guided by well-meaning people who said that creative careers are too risky to pursue), I would tell my past self and others that it’s your life and you know how you should live it. Once I followed my own desires, amazing things started to happen and longdreamed-of opportunities found me. By being true to yourself, you become your best self.
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 69
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 70
LET'S VISIT.... Horsey gap beach, norfolk, UK
Photographer: Lydia Cole
Some may think Horsey beach, sounds like any other beach I could visit locally. This one though is different, this time of year it is seal heaven.
Horsey beach is unlike many beaches in the UK or in fact in the world - and is definitely a place worth visiting if you're ever in Norfolk.
Photographer: Chris Steer
Horsey gap is famous in the UK for its population of seals and seal pups that frequent the beach during wintertime. There is a viewing platform for spotters and photographers alike to get a glimpse of the group of seals. Seal pups can be seen from the specially designed viewing platforms from the months of late October right the way through to February. Horsey Gap is probably the best spot to visit, there isn't any limitation on visiting times, and there is a fair amount of walking you can do to spot as many seals as you like. For the past 2 years alone of 2019-2020, there has been a recorded 2,069 seals that were born at Horsey Gap. WILDLIFE MAGAZINE
WWW.CONKERNATURE. COM 71
Photographer: Fela Sanu
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 72
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 73
Photographer: Brian Chard @chard.brian_photo_wildlife
Other Information for Horsey Gap & the surrounding area
Other attractions to see at Norfolk include; Winterton beach & Blakeney Point - this beach has an impressive number that breed and visit Blakeney Point & Winterterton beach too, a perfect opportunity to see even more seals and get a chance of more images! The tens of thousands of Pink Footed Geese begin to appear at this time of year, having bred in Iceland they return here for the autumn. Also, the knot wader spectaculars at Snettisham are well worth a visit.
Photographer: Brian Chard @chard.brian_photo_wildlife
Woodland walks - there are many woodlands walks in Norfolk, such as Sandringham woodlands, Thetford Forest, Blicking Hall, Felbrigg Hall are all stunning autumn coloured woodlands and Felbrigg even has a wonderful lake! Coastal walks - there are plenty of coastal walks along the coast, definitely worth a visit! WILDLIFE MAGAZINE
PHOTOGRAPHER: TONY LIZ
WWW.CONKERNATURE.COM 74
Photographer: Brian Chard @chard.brian_photo_wildlife WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 75
Photographer: Harriet Day
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 76
@conkernaturemagazine
Advertise With Us & Increase Your Online Presence
FOR WILDLIFE & LANDSCAPE PHOTOGRAPHY Submissions: www.conkernature.com WILDLIFE MAGAZINE
PHOTOGRAPHER: ANTERO VIUM
WWW.CONKERNATURE. COM 77
walk this way across north wales' BEST WALKS
PHOTOGRAPHER: STEVE ED
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 78
PHOTOGRAPHER: KIRSTY CECILIA
1
Y WYDDFA (SNOWDON), I've been extremely lucky as a young girl to grow up SNOWDONIA NATIONAL PARK, UK in the valleys of North Wales. I regularly visited Easily one of the most famously places such as Anglesey and known hike across the whole of wales, Snowdon is a must do South Stack Lighthouse, hike if you visit North Wales. Snowdonia, Aber Falls, and my local spot the Great There are several walks to Ormes. Whenever I mention North Wales and my career I often get asked what are the best spots to visit and more frequently asked what are the best spots to walk. So, this month I'm compiling some of my favourite walks of North Wales, as well as best spots for wildlife watching whether it's birds such as puffins throughout the year or watching seals off the coast of Angel Bay near the Little Orme.
PHOTOGRAPHER: MATTHEW GIBSON
choose from to reach different parks of the summit, with Snowdonia Park stretching from North Wales to Mid Wales so choose your path carefully. The treks are very demanding and great care should be taken especially in bad weather conditions and difficult terrain.
There are a range of things to do and see such as camping over, looking out for wildlife such as feral goats, golden plover, and mountain hares. For more information found out here https://www.snowdonia.gov.wale s/home WWW.CONKERNATURE.COM 79
Photographer: Phil Bird WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 80
2
Photographer: IRISHBASE
Photographer: IRISHBASE
2
2 Photographer: 1111IESPDJ
Photographer: Flavio Vallenari
STACK, ANGLESEY, 2 SOUTHNORTH WALES South Stack is a brilliant trip out for families and walkers alike. There is a lighthouse at the edge of the cliff which you are able to access and climb to the top - this has since changed from being open access to ticket bookings due to Covid-19. South Stack is also famous for its number of seabird colonies, with puffins becoming a big population that is often found on the cliff faces and a species that has grown throughout the years. The cliff surrounding South Stack is great for a casual stroll and a good place for watching seals along the coastline as well as fantastic views of the sea and the lighthouse in the distance.
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 81
3
ABER FALLS, NORTH WALES, UK
Aber falls lies in the National Reserve of Snowdonia but is not a well known walk to tourists and is definitely a place worth visiting. The main pathway is a relatively easy one and is perfect for beginners in hiking and can take up to a hour or two. This is a brilliant spot for dog walkers too with those of you with active dogs, this is a spot that is popular to take you dog and rewarded with a splash around at the end! At the end of the pathway is the waterfall which is absolutely stunning and there are some hills either side to get a spot of picnicking there.
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 82
PHOTOGRAPHER: HEMERA TECH
ORMES & ANGEL BAY 4 THENORTH WALES, UK
PHOTOGRAPHER: DWR ARTWORKS
The Ormes and Angel Bay was my local walking spots as a child and are fantastic spots for families walking or people that are after a more relaxing and leisurely walk. The Great Orme is a circular loop around the Orme's head and has lovely views of the cliff and the ocean. Halfway there is a cafe to stop off at and grab some refreshments and to get a good look at the views Angel Bay is a lot more of a steeper trek and for those of you that are interested in seal watching, there is a population of seals that can always be seen at the mouth of the bay. The Little Orme provides a beautiful looking view of the town of Llandudno and also is a fantastic spot to look out for sea bird colonies and the seal populations and maybe the occasional dolphin!
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 83
what's on - spotlight Chloe Valerie Harmsworth reviews this months spotlight Gather, witches! This month, September Publishing was kind enough to send me their newly-released book, The Wheel: A Witch's Path Back to the Ancient Self by Jennifer Lane. Perfectly timed for the spooky autumn season, it arrived with serendipitous timing for me as well. I’d been craving comfort – and Jennifer’s words gave me just that! Reading about her teenage penchant for witchy stories, folklore, crystals, candles and spells, I remembered how these things helped me at that age. And following her fascinating journey of enacting seasonal rituals aligning with the Pagan Wheel of the Year, I wondered whether doing the same could deepen my connection with the natural world further. If you find the world we live in rather overwhelming or are a Highly Sensitive Person (HSP), Jennifer’s book will encourage you to find new ways to be still, to recalibrate and find your purpose. Perhaps asking the Goddess for guidance can give you focus, and help you to navigate your way through difficult thoughts and feelings? This is a magical book for anyone with a powerful love for nature, a spiritual yearning and the belief that there’s more out there than meets the eye. Buy a copy of the book at: https://septemberpublishing.org/product/the-wheel/ You can find more of Jennifer Lane’s inspiring content on Instagram @thegreenwitchwriter and her website https://jenniferlanewrites.com/
WILDLIFE MAGAZINE
WWW.CONKERNATURE.COM 85
@conkernaturemagazine
CALL FOR WORK - DECEMBER 2021, NOW OPEN FOR WILDLIFE & LANDSCAPE PHOTOGRAPHY Submissions: www.conkernature.com WILDLIFE MAGAZINE
PHOTO: HARRISONHALLPHOTOGRAPHY
WWW.CONKERNATURE.COM 86