Shakespeare’s Wild Sisters Group 莎士比亞的妹妹們的劇團 Founded in the summer of 1995, Shakespeare's Wild Sisters Group owes its name to the fictional character in Virginia Woolf’s novel A Room of One’s Own, meaning to liberate women’s talents from the oppression of patriarchy. Limiting itself to no specific issues or conventional aesthetics, SWSG takes materials from all arts inspiring to create original theatrical works. Having been to Hong Kong, Macau, Beijing, Shanghai, Busan, Tokyo, Berlin, Singapore, Kobe, Paris, and New York, SWSG has been invited by various cities and countries to perform, and takes an important role in international city culture and artistic exchange for many years.
Most of the SWSG’s members started their partnership of staging theatrical productions in college years, who were then members from the Drama Club of National Taiwan University (NTU) and the Linear Theater Group, comprised of the students from the Department of Foreign Languages and Literature of the Night School of NTU. Such partnership continued strongly after their graduation, and led to the birth of the SWSG in 1995 with its debut production A Boring Life, written and directed by its chief creative artist Wei Yingchuan.
Having performed in various countries and cities since 1997, the SWSG has been to the 2nd International Experimental Theatre Festival Shanghai, Hong Kong Journey to the East festival 1998, 1999, and 2000, Little Asia Theatre Exchange Network 1998, 1999, and 2001, Festival of Vision Hong Kong – Berlin, The 2nd Girl Play Festival Hong Kong, Physical Theater 2003, etc. In 2008, the SWSG was invited for residency at the Robert Wilson Watermill Center, during which their installment / performance work was named as one of the Top 10 annual evening-party performance by New York Times, and their environmental theatre work
Plastic Holes was praised by Robert Wilson as being “lots of humor, poetic, surprising, touching, special way of listening, interesting way using the architecture, most importantly FUN!”
The SWGS has now issued over forty theatrical works to date. Zodiac, written and directed by WANG Chiaming, was selected Top 10 in the 1st Taishin Performing Arts Awards. The 2007 production Tsen，。received a Top 10 Performing Arts nomination and Special Jury Award in the 6th Taishin Arts Awards. In 2008, Baboo’s directed work Hsu Yen-ling × Sylvia Plath and WANG Chia-ming’s directed work Listen to Me,
Please~ Deluxe extended version were both nominated Top 10 in the 7th Taishin Performing Arts Awards, the former presented again in Avignon Off Festival, France in 2009. Director WANG Chia-ming’s Once,
upon Hearing the Skin Tone received first prize in the 8th Taishin Performing Arts Award.
Download document here: http://issuu.com/swsg
Baboo Liao/ Associate Director
Baboo was born in 1978 in Kaohsiung City, Taiwan. He received his master’s degree in Direction from College of Theatre Art, Taipei National University of the Art. He is now editor of Performing Arts Reviews (PAR, Taipei) and director of many prestigious theatrical works. Baboo’s most specific characteristic as a director is the way literary themes are skilfully interwoven in his theatre, thus creating a very special sense of humour and an impression of estrangement that constitute his trademark. Baboo’s most recent works include: A Table Two Chairs and Show On (2012), Quartett von Heiner Müller (2010), Der Schönste Moment (2009), Hsu Yen-ling X Sylvia Plath (2008), One Hundred Years of Solitude (2006), The Book of Disquiet (2004), For Jorge Luis Borges, (2003).
Hsu Yen-ling X Sylvia Plath and Der Schönste Moment were both shortlisted for Best theatrical performances of the year by Taishin Arts Award in 2013. Shakespeare’s Wild Sisters Group received the Performing Arts Award in 2009 for Once, upon Hearing the Skin Tone and the Jury’s Special Award in 2007 for Tsen. In 2009, Hsu Yen-ling X Sylvia Plath was invited to perform in Festival Off d’Avignon. The Festival’s former chairman, Bernard Faivre d’Arcier, considered the play as “irreplaceable”. Up to today, this play is still held in high regard by many a curator all over the world and has been invited to tour several cities all over France.
SWSG
《Absente-rendez-vous avec Sophie Calle》 Premiere :8th July 2013 2013 Avignon Off Festival
All that's been there, all that's been written And all that's to follow, we know by heart On we keep previewing, rehearsing, and, maneuvering So aptly and clumsily too. So indifferently With a contemptuously malicious smirk even As if in an obituary that forebodes a Love Failed efforts, laughable loves I am just too devastated by you, and by us All's a polyphonic song sung for the the bygones, for the absentees
As a tribute to Sylvia Plath the American poetess, SWSG’s Hsu Yen-lingX Sylvia Plath was staged in Avignon’s Off Festival back in 2009, gaining critical recognition from the media and Bernard Faivre d” Arcier, former chair of Festival d’Avignon, as well. He spoke of the production as “irreplaceable.” A French 2nd TV reporter described Hsu's performance as "an outburst of poetry," while critic Diane Vandermolina suggested that Hsu's acting was in truth a dangerous yet truthful presentation of her innermost strength that'd burn down the self unreservedly. The production, in actuality, has been invited to tour France many times since its French premiere. Director Baboo’s 2013 latest production Absente: rendez-vous avec Sophie Calle has once again been scheduled to premiere in Avignon’s Off Festival. This piece is inspired by Sophie Calle’s “Take Care of Yourself,” which deals profoundly with the pain that comes with the end of an affair. The director expertly transforms the exquisite pain into a collective treatment, having the narrative shuttle between the reality and the non-reality. The relationship of the seer and the seen is thus blurred. The play is in essence a monologue, an autobiographical novel, too, that depicts, reveals, re-presents, and reshapes the experiences that pertain exclusively to loving and being loved.
SWSG
Watch video here: https://www.youtube.com/watch?v=fXi8j9ceCX8
Absente: rendez-vous avec Sophie Calle
Absente: rendez-vous avec Sophie Calle
《Quartett von Heiner Müller》 Premiere: 14th October 2010 2010 Kuando Arts Festival
To reject pain is to avoid love We are accomplices and opponents; we once desired each other Should lust be crime, you and I are no doubt the most sinful…… The most intensive bantering mockery and query of a skeptic of love This is a scalpel that cuts this thing named Love wide open To reveal the most ferocious and brutal of all essences Then, in this despair of all despairs We come to realize the very reason for Love Director Baboo composes the piece based on German dramatist Heiner Müller’s Quartett, an adaptation of the French novel Les Liaisons Dangereusesan, as an extension of his previous work, Hsu Yen-ling X Sylvia Plath. It is meant to discuss the transformation of theatrical poetry and change of scenes, and the exploration of acting talents to represent the cruel erotica and violence in aesthetics. Heiner Müller’s script is known for its stylistic language, fragmentary and disconnected plots. Quartett is interwoven with long monologues that are fierce but poetic, and accompanied by disconnected meanings without clear indication. A cast of four characters will be played solely by one actor and one actress. “Play” and “game” are the two main actions throughout the play, and they simultaneously represent the ambiguity of characters, sexuality, and desire. Quarett, too, is an arena of love where the body/sense and the soul/reason fight their tug of war. It displays a symptom of sickness only to be seen in passion and desire. Thru the four roles played by the two actors and their engagement in sex, we verge on the confusions generated in between multi-orgasms and post-sex blues. The two characters on the stage are coconspirators, lovers, enemies and individualists who depend closely on one another. Also they symbolize the aesthetics of a lone island existing in the compressed space of a relationship. A rope is seen to ties the two tight together, with such diverse senses as suspicion, rapture, madness, pleasure and sadness afloat around. Torture and possessiveness also find their roots deep in the relationship of the two. We then come to realize, after experiencing the pangs, the existential conditions of LOVE.
SWSG
Watch video here: https://www.youtube.com/watch?v=vVJlie67Ns0
Quartett von Heiner Muller
Quartett von Heiner Muller
《Hsu Yen-ling X Sylvia Plath》 Premiere :18th April 2009 The 8th Taishin Arts Awards 2009 Avignon Off Festival The play was inspired by the American Confessional female poet Sylvia Plath’s life story (1932-1963) and works. Well-known for her unique poetry and tragic marriage, Plath suffered from severe depression all her life. The contradictory love and hatred to her father who deceased early, and the competitive and betraying relationships between her and her famed poet/husband Ted Hughes tortured Plath deeply during her lifetime and caused her suicide in London on February 11, 1963 when she was 30. The play “Hsu Yen-ling × Sylvia Plath” employs the contrast of Plath’s live story and her writings. It contains high level of experiment about the languages. Plath’s texts showcase unique styles and skills. Her world is filled with darkness and pain, without any salvation. The glimpse of joy, mock, or humor displayed infrequently is also bleedingly sharp. The languages Plath used are vivid, well articulated, and powerful. Her choice of words and configurations are weirdly imaginative, portraying unlimited freedom. She tries to observe her own suffering as an onlooker, employing her words with the precision of the knife in the surgeon’s hands, yet she gets stuck in the deep gulf of her inner and is unable to get out. The toand-fro between the lucidness and indulging develops her special viewpoints and inner orders.
Taking the life story and writings of Sylvia Plath as a point of departure, this piece probes the relationship between death and creative work. The script uses refined, poetic language and is full of deep philosophical examinations. The actors are extremely capable, and through a precise grasp of performance they turn the theater into a dense body space. A sloped stage adds to the expression of life's uneasiness. Different from earlier narrative dance, the director uses language, body and space to construct a poem from a symbolic system. Aside from formal aesthetics that leave one watching with a breathless gaze, this work is an experiment in the possibilities of the relationships of the writer, director and actors. ---Taishin Arts Awards Jury Lin Yu-Pin
Watch video here: https://www.youtube.com/watch?v=6Sawho-Jix0
SWSG
Hsu Yen-ling X Sylvia Plath
Hsu Yen-ling X Sylvia Plath
Shakespeare’s Wild Sisters Group (1995-2015) 2015 Sept 《Skin Touching》 Director: Hsu,Yen-ling Experimental Theatre, National Theatre May 《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Beijing Apr 《R3-The Life and Death of Richard III》 Director: Wang, Chia-Ming National Theatre 2014 Dec《Four》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling. Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Chunghua Theatre Arts Festival. Mar《Show On》Director:Baboo Liao. Wellspring Theatre. 2013 Sept《Absente: Rendez-vous avec Sophie Calle》Director: Baboo Liao. TNUA Experimental Theatre. Sept《SMAP x SMAP-in love with the 90’s》Director: Wang Chia-Ming. Taipei Arts Festival. Jul《Absente: Rendez-vous avec Sophie Calle》 Director: Baboo Liao. Festival Off d’Avignon. May《iI》Director: Wei, Ying-Chuan. Huashan 1914 Creative Park E3. Tour in China Jan《Once, upon hearing the Skin Tone》Director: Wang, Chia-Ming. Tour in Hong Kong. 2012 Dec《One Table and Two Chairs》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling. Nov《Once, upon hearing the Skin Tone》Director: Wang Chia-Ming. Oct《Show On》Director: Baboo. National Theater Experimental Theater, Huashan 1914 Creative Park E3 Sept《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Hsinchu, Taoyuan, Changhua Jul《I Am Beautiful Facetival》 Curator: Wei Ying-Chuan. Nanhai Gallery Jun《Listen to Me, Please~》Director: Wang Chia-Ming. 2012 Kaohsiung Spring Arts Festival Jan《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. 「Made in Asia Festival」 Theatre Garrone, Toulouse, France 2011 Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Cheng Shui University, Kaohsiung. Sep《Drift》 Director: Hsu Yen-Ling National Theatre Experimental Theatre. Jul《Michael Jackson-back to the 80’s》Director: Wang, Chia-Ming. Tour in Kaohsiung, Taipei and Taoyuan. May《Bruce Lee’s Bluesy Life》Director: Wang Chia-Ming. National Theatre. Mar《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. Tour in Rethel, Chaumont and Troyes, France. 2010 Oct 《Quartet》 Director: Baboo Aug 《Michael Jackson》 Director: Wang, Jia-ming 2010Taipei Arts Festival Jun 《Jumel》 Director: Franck Dimech Apr 《Tracks on the Beach》 Director: Hsu Yen-ling Jan 《Listen to Me, Please~》 Director: Wang, Jia-ming ShanJian Youth Theater Invited production
2009 Dec 《Maison de Wong》 Director: Wang, Jia-ming Solopasta, Taipei Jul 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Theatre de la Condition des Soies, Avignon Festival d'Avignon Off 2009 Jun 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Crown Arts Center, Taipei Jun 《Listen to Me, Please~》 Director: Wang, Jia-ming The Star Live, Beijing 2009 Beijing Four Seasons Theater Festival Apr 《Once, upon Hearing the Skin Tone》 Director: Wang, Jia-ming Eslite Exhibition/Performance Hall, Taipei 2009 Eslite Spring Stage Awarded the 8 t h Taishin Arts Awards- Performing Art Yearly Top 10 2008 Nov 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent Production Awarded the 7 t h Taishin Arts Awards- Performing Art Yearly Top 10 Aug 《Plastic Holes》 Director: Wang, Jia-ming The Bridge Golf Course, New York Invited production by Robert Wilson 2008 Watermill Summer Program Apr 《Hsu Yen-ling×Sylvia Plath》 Director: Baboo Experimental Theater, Taipei National University of the Arts Independent Production Awarded the 7 t h Taishin Arts Awards- Performing Art Yearly Top 10 2007 Nov 《Tsen， 。》 Director: Wang, Jia-ming National Experimental Theatre, Taipei National Experimental Theatre New Idea Theater Festival Awarded Special Jury’s Awards, the 6 t h Taishin Arts Awards and Performing Art Yearly Top 10 May 《A Date》 Director: Hsu,Yen-ling The Eslite Vision, Taipei Independent Production Apr 《Zodiac》 Director: Wang, Jia-ming Oriental Pioneer Theater, Beijing 2007 the 1st Asian City Theater Festival 2006 Dec 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Black Box Theater, Taitung Theater Independent Production Dec 《Listen to Me, Please~》 Director: Wang, Jia-ming Black Box Theater, Taitung Independent Production Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Experimental Theater, Stock 20 in Taichung Railway Station Independent Production Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Experimental Theater, Stock 20 in Taichung Railway Station Independent Production Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Spring Wind Art Theatre, Kaohsiung Independent Production
SWSG
Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Spring Wind Art Theatre, Kaohsiung Independent Production
Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Eslite Book Store, Tainan Independent Production
Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Eslite Book Store, Tainan Independent Production Sep 《Vincent van Gogh and 7 Performers》 Director: Wang, Jia-ming The Eslite Vision, Taipei 2006 Eslite Theatre Festival May 《Sisters Trio》 Director: Hsu,Yen-ling Crown Arts Center, Taipei The 12th Crown Arts Festival Jan 《One Hundred Years of Solitude》 Director: Baboo Forest theatre, Taipei National University of the Arts Independent Production 2005 Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 2005 Little Asia Theatre Exchange Network, Tokyo Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Alice Zero-IST, Osaka 2005 Little Asia Theatre Exchange Network, Osaka Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Cattle Deport Theatre, Hong Kong 2005 Little Asia Theatre Exchange Network, Hong Kong Oct 《333 Dante Soup》 Director: Wei, Ying-chuan National Theatre Plaza, Taipei 2005 Festival in the Square May 《Ten nights of dream》 Director: Baboo Crown Arts Center, Taipei The 11th Crown Arts Festival Mar 《Listen to Me, Please~》 Director: Wang, Jia-ming Qingdao Youth Theater, Qingdao 2005 Qing Dao -Taipei Theater Festival Feb 《e.Play.XD》 Director: Jiang Tau Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD》 Director: Shiu,Sz-shian Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD -∞》 Director: Tsia,Pao-chang Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD – Crossover:No.1》 Director: Chen,Ming-feng Crown Arts Center, Taipei Independent Production 2004 Nov 《Jacques Prevert》 Director: Ma,Jau-chi The Red Playhouse, Taipei Independent Production Sept 《Full Moon Fest》 Director: Wang, Jia-ming National Theater Plaza. Taipei Invited production celebrating Chinese Moon Festival Jul 《Emily Dickinson》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Invited Production Jul 《Emily Dickinson》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre Invited Production Jul 《Where is “Home”?》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Independent Production May 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Centre Culturel de Taiwan a Paris Invited Production Apr 《Skin Touching》 Director: Hsu,Yen-ling Crown Arts Center, Taipei 2004 Taiwan Women Theatre Festival Mar 《Zodiac in Developing》 Director: Wang, Jia-ming Kaohsiung Museum of Fine Arts Forum for Creativity in Art: City Odysseys--Loosing and Lost
2003 Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Kobe Art Village Center 2003 Alice Festival co-work with Replicant, Osaka Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan North Theater, Beijing Beijing Taipei & Hong Kong Theatre Festival co-work with Replicant, Osaka Sep 《30P:eslite anti-reader》 Director: Wei, Ying-chuan & Wang, Jia-ming The Eslite Vision, Taipei 2003 Eslite Theatre Festival Jun 《Emily Dickinson》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 9th Crown Arts Festival May 《Titus Andronicus》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Shakespeare in Taipei Festival 2002 Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Spring Wind Art Theatre, Kaohsiung New Wave Little Theatre Festival Nov 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Theatre Studio, Esplanade Singapore 2002 Esplanade Opening Festival (Asian Contemporary Theatre Festival) co-work with Replicant, Osaka Oct 《Zodiac(II)》 Director: Wang, Jia-ming National Experimental Theatre, Taipei The Experimental Theater Series of the National Theatre 15th Anniversary Festival, The Formosa Experimental Theater Awarded the 1 st Taishin Arts Awards- Performing Art Yearly Top 10 May 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 8th Crown Arts Festival May 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 8th Crown Arts Festival May 《♂ 5th hs》 Director: Dai, Chun-fang Crown Arts Center, Taipei The 8th Crown Arts Festival 2001 Nov 《Lecture on Nothing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre Festival Nov 《Whatever Doing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre Festival Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Experimental Theatre, Shanghai Theatre Academy 2001 Little Asia Theatre Exchange Network, co-work with Replicant, Osaka Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Hong Kong Arts Centre 2001 Little Asia Theatre Exchange Network, Hong Kong co-work with Replicant, Osaka Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 2001 Little Asia Theatre Exchange Network, Taipei co-work with Replicant, Osaka
SWSG
Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Art Center,
Kyungsung University, Busan 2001 Little Asia Theatre Exchange Network, Busan co-work with Replicant, Osaka
Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 2003 Alice Festival co-work with Replicant, Osaka
Jun 《Chronicles of Women: Illness as Metaphor》 Director: Sha Tin Town Hall, Hong Kong Co-work with Zuni Icosahedron, HK May 《Zodiac》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 7th Crown Arts Festival 2000 Sep 《Le Testament de Montmartre》 Director: Wei, Ying-chuan National Experimental Theatre, Taipei Taiwan Literature Theatre Festival Aug 《Unbalance》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of Vision. Hong Kong - Berlin─ A Creative Venture Between Asia and Europe, Video Circle Performances Aug 《Lecture on Nothing》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of Vision ─A Creative Venture Between Asia and Europe, One Table and Two Chairs in Berlin May 《Unbalance》 Director: Wei, Ying-chuan Exposition Hall, Hong Kong University of Science and Technology Hong Kong Video Circle Performances 2000 Apr 《Lecture on Nothing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey to the East 2000, Hong Kong 1999 Apr 《...between...》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent Production Apr 《Unbalance》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Independent Production Mar 《Unbalance》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Macao Fringe Festival Mar 《Unbalance》 Director: Wei, Ying-chuan Studio Theatre, Hong Kong Culture Centre Journey to the East 99, Hong Kong 1998 Oct 《2000》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 98 Little Asia Theatre Exchange Network, Taipei Oct 《2000》 Director: Wei, Ying-chuan China Youth Theatre, Beijing 98 A Season of Experimental Theatre, Beijing Aug 《2000》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 98 Little Asia Theatre Exchange Network, Tokyo May 《Whatever Living》 Director: Wang, Jia-ming a8 Underground Shelter Arts Café, Taipei Independent Production May 《Whatever Doing》 Director: Wei, Ying-chuan a8 Underground Shelter Arts Café, Taipei Independent Production Jan 《Whatever Doing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey to the East 98, Hong Kong 1997 Dec 《Ebola: A Pure Rational Critique of the Ethics of Virus》 Director: Wang, Jia-ming Ping Fong Theatre, Taipei 1997 Ping Fong Theatre Festival Sep 《666─Limbo》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 97 Little Asia Theatre Exchange Network, Taipei
Aug 《666─Limbo》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 97 Little Asia Theatre Exchange Network, Tokyo Apr 《A Room of One's Own》 Director: Wei, Ying-chuan Tiem Educational Center Theatre,
Taipei
Independent Production Mar 《A Room of One's Own》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre The Other Space─Taiwan Focus, Hong Kong Arts Centre 1996 Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan Hong Kong Fringe Club Entertainment Room 1996 Hong Kong Fringe Festival Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan B-Side Pub 1996 Taiwan Women Theatre Festival 1995 Aug《A Boring Life》 Director: Wei, Ying-chuan Dance Studio, Taipei SWSG founded by Wei, Ying-chuan
Shakespeare’s Wild Sisters Group Tel: +886-2-2311-1390 / Fax: +886-2-2311-1790 Add: 3F, No. 88, Sec. 1, Chongqing S. Rd.., Taipei City 100, Taiwan E-mail: swsg95@gmail.com / Website: www.swsg95.com.tw / ISSUU: issuu.com/swsg facebook: Shakespeare’s Wild Sisters Group