Taipei design and city exhibition 2017 by 臺北市政府文化局Department of Cultural Affairs, Taipei

TAIPEI DESIGN AND CITY EXHIBITION 2017

ON EQUALITY

Index 目錄

局長的話 / A Message from the Commissioner

關於展覽 / Notes from the Curator

展覽緣起 / About the Exhibition

展場配置 / Plan of the venue

展覽案例 / Projects

藝術介入 / Arts

142

展覽空間 /

146

Exhibition space 論壇 /

160

Forum 主視覺 /

168

Main visual 獲獎殊榮 / Award Winning

178

局長的話

A Message from the Commissioner

臺北是一個充滿活力與創意的城市，從巷弄中的市民

局長的話

討與執行方式，豐沛了城市文化。從無形到有形的設

鍾永豐/

臺北市2017設計推廣專案延續設計之都成果，城

臺北市政府文化局局長

市美學觀念擴散、參與式設計改造城市景觀等，

Dr. Yung-feng Chung / Commissioner, Department of Cultural Affairs, Taipei City Government

生活樣貌，看見了城市源源不絕的生命力。臺北作為永續宜居的城市，重視市民參與，由下而上的議題探計改造，每一位市民都是影響城市進步的重要元素。

逐漸在臺北街角中綻放。在今年的臺北設計城市展中，充分傳達「設計城市」的意涵，策劃與市民息息相關的六大議題：公園、社區、景觀、教育、數據、永續。27件國內外案例有系統的介紹市民、設計師與政府三方共同討論構築的具體成果，讓設計的本質回歸到以人為本的平等初衷。這次以「平等哲學 ON EQUALITY」為策展主題，

2017 臺北設計城市展

貼切觸動到現今市民集體的心理樣態，在公部門、私部門與第三部門之間需達成平衡的合作關係，「設計」在此三方中扮演的是「為人設計，為人人設計」的原則，運用以人為本的設計思考模式，讓三方平行對話交流，產生更緊密的連結與正向的融合。在展場空間規劃中首次以藝術化呈現，利用文件展詮釋，給予觀展者安靜閱覽沈思的場域；並設計二款體感互動裝置，具體呈現以三方力量互相牽引達到平衡，讓觀展民眾不僅體驗創意設計、更能深刻省思不分族群，生而平等的展覽核心精神。今年展覽案例中，我們看到公園共融式遊具將逐漸取代罐頭遊具、改造城市景觀以更符合市民居住需求、改革體制內外使美學教育更為多元、運用大數據於日常生活以及探討能源環境與無障礙發展之永續城市等多項議題；這些實體與非實體的改變，讓人與人之間產生具有溫度的互動連結。衷心期盼設計改造能持續的進行，讓市民擁有更美好的城市生活！

Taipei is full of vitality and creative energy, with an unquenchable vigor in the bustling day-to-day life in the city’s back-streets. Taipei City Government is working to make Taipei a sustainable city with a high quality of life. To realize this goal, we encourage a high level of civic participation, with a bottom-up rather than top-down approach to discussion and resolution that helps to enrich our city’s culture. From intangible aspects through to tangible design improvements, every citizen has an important part to play in helping the city to make progress. Taipei City’s 2017 Design Promotion Project builds on the results achieved in 2016 when Taipei was World Design Capital. The promotion of the concept of urban aesthetics and the use of participative design to transform the city’s visual appearance are gradually starting to produce results that can be seen on the streets of Taipei. This year’s Taipei Design & City Exhibition aims to spread awareness of the concept of the “design-oriented city” by focusing on six key themes closely related to people’s lives: parks, neighborhoods, landscapes, education, data, and sustainability. A total of 27 examples of Taiwanese and international design projects are used to systematically show the concrete results achieved through three-way discussion between citizens, designers, and government agencies in a way that takes design back to its fundamentally human-centric emphasis on equality. The theme for the 2017 exhibition—On Equality— reflects the current public zeitgeist in Taipei and the need to realize equitable and collaborative relationships between public, private, and voluntary sectors. The role for design in these relationships stems from the principle of “design for one, design for all,” utilizing a human-centric approach that allows participants from all three sectors to engage in dialog and the exchange of views on an equal basis, thereby generating closer links and positive bonds.

This year, for the first time, the spatial design of the exhibition venue has used an artistic approach with a companion documentary exhibition that offers interpretations of the design features. In this way, visitors are provided with a space for reading and quiet reflection. The exhibition also features two interactive exhibits that provide visitors with a hands-on experience, demonstrating in a concrete way how three different forces can be brought into balance. In addition to appreciating the impact of creative design, visitors are also encouraged to reflect on the spirit of the exhibition, with its emphasis on equality for all, regardless of ethnicity or social background. The design case studies showcased at this year’s exhibition show how inclusive playground equipment is gradually replacing traditional apparatus in public parks, how the urban landscape is being transformed to meet public needs, how reforms to the education system and wider society are making art education focus on cultivating a broader and more inclusive aesthetic sensibility, and how Big Data are being used in everyday lives. Other sections of the exhibition explore a wide range of issues relating to energy use and the development of a barrier-free urban environment. These changes—both physical and virtual—are making it possible to promote interaction and build warmth between people. It is my earnest hope that we will continue to use design to transform the urban environment so that citizens can enjoy even better standards of living in the future.

臺北市文化局局長 2017.12

關於展覽

Notes from the Curator

臺北，我們居住的城市，念念不忘的故鄉，即便在

關於展覽

是落後還是進步，這裡永遠是我們的家，我們也永

世界走了一圈，看遍各大文明都會，與之相比不論遠希望它能越變越好。過去五年，透過爭取與申辦 2016 WDC「世界設計之都」活動，臺北歷經了一場城

Notes from the Curator

市改造運動，即便城市的樣貌並非全然改頭換面，但鍾秉宏/

民眾卻十足地感受到設計思維衝擊式的洗禮，其中包

築點設計主持人

含了許多微小但可觀的改變。

CPH / Curator of archicake design

舉辦活動終究是有告一段落的時候，但如果過程夠吸引人、參與的夠深刻，它的影響力就不會結束，而這就是我們當初對2016 WDC TAIPEI的期待。每年秋季在松菸倉庫舉辦的臺北設計城市展是WDC計畫中的年度大展，逐年可以在展覽中窺見城市改變的軌跡，不僅記錄下所有市民、設計師、企業、政府部門之間，深刻的討論與合作，也見證了所有參與者在城市的各

2017 臺北設計城市展

個角落持續著影響著這個巨大的有機體。 2017年臺北設計城市展就平等議題進行探討，乃在於整體環境氛圍已然接受運用設計進行城市治理的正當性與必要性，設計師不再只是服務少數業主，更要直接面對所有城市的住民與使用者，若僅討論視覺美感的追求，或以針對弱勢族群的人道關懷角度切入，都會侷限設計的發展。因而此刻，將眼球移回城市與社會的根本處，做反省式的交流討論是必要的。混種的基因可使文化更加豐富與堅韌，所以集體需要差異化的個體，然而公共資源和利益的分配在個體上卻不能強調差異化，因之可能會是內在衝突的根源。我們的提問是：平等精神究竟應該反應在物質上、還是市民感受上？或者不一定關乎利益的分配，而是能讓市民擁有均等的機會、表現與發揮的舞台？「平等」看似簡單，但在不同的課題上就會有不同的理解，它就如同一個哲學題目般充滿奧義。為此，我們提出「Design for one, design for all!」的口號，設計不僅是為一個人，更是為每一個人，當一個設計不可能同時滿足所有人的需求時，面對其中差異與衝突的部份，我們應當如何調和、如何化解，或者能從更前頭，讓設計就從脈絡之外直切核心做出顛覆性的改變？若試問臺北設計城市展在所謂的後世界設計之都時代，應該扮演什麼角色，我認為應該是更積極地做到前瞻的展望與行動，每年設定主題，針對臺北的未來五年、十年，甚至三十年、五十年做出預想，透過論壇的討論與激盪，提出具實驗性的方案並在隔年進行。即便可能失敗，只要勇於嘗試，在汲取經驗後再實驗與再調適，我們都有信心在充滿變動的全球化處境中，自己定義自己，為自己打造出更理想的家園。

Taipei, the city in which we live, is our “hometown” to which we remain forever attached. Even if you have traveled all over the world and seen its great metropolises, regardless of whether Taipei seems more backward or more advanced by comparison,the key point is that it will always be the place we call home, and so we will always want to see Taipei keep improving.Over the past five years, as a result of Taipei City’s securing the role of 2016 World Design Capital, Taipei has experienced an urban transformation. Although many aspects of the city’s appearance have remained the same, nevertheless, Taipei’s citizens have without question experienced a “baptism” of design thinking which has led to many small but significant changes in the city.Although Taipei’s year as World Design Capital is now over, with an activity of this kind, if the process inspires enough interest from people, and if citizens’ participation is sufficiently in-depth, then the positive impact of the activity can continue to operateeven though the activity itself may have ended. This was precisely what we initially hoped for from Taipei’s role as 2016 World Design Capital. The Taipei Design &amp;City Exhibition that has been held at the Songshan Cultural and Creative Park every autumn for the last few years is an annual exhibition forming part of the wider planning for the World Design Capital project. Every year, this Exhibition has shed light on the way the city is changing, providing a record of the in-depth discussions and collaboration that have taken place between city residents, designers, business enterprises and government agencies, and bearing witness to the way all of the participants are having a continued impact on this great “organism,” in every corner of the city. In 2017, the Taipei Design &amp; City Exhibition is exploring issues relating to equality.Given that the wider social environment is already accepting of the appropriateness of (and need for) design being used as a tool for urban governance, designers are no longer restricted to providing services for a relatively small number of business owners; instead, they find themselves face to face with all of the residents, and users,of this city. If designers limit themselves to only considering the visual aesthetic appeal of their work, or to only considering the aspect of providing humanitarian assistance to disadvantaged groups while ignoring everything else, then they will be placing unnecessary constraints on the future development of design in Taipei. What is needed at this moment

resilient, so any given community needs to have a wide diversity of individuals within its midst. However, the allocation of public resources and public benefits cannot emphasize diversification with respect to the individual, as this could become a source of internal conflict. The question we need to raise is this: Should the spirit of equality be reflected in material terms, or interms of citizens’ perceptions? Or should we be thinking less in terms of how benefits are allocated and more in terms of ensuring equality of opportunity for all citizens,and giving everyone an opportunity to maximize their potential? “Equality” seems a simple enough concept on the surface, and yet it can be interpreted in different ways in relation to different issues; it is like a philosophical precept, full of hidden depths. Taking all of this into account, we came up with the slogan “Design for one, design for all!” Design is not for the benefit of any one individual, it is for the benefit of every individual. When a particular design is unable to satisfy everyone’s requirements, the challenge for us is to consider how, faced with divergent views and conflict, we should go about achieving harmony and resolving conflicts, or whether we should start even further back, so that design can, by virtue of not being tied up with the immediate context of the issues, strike to the heart of the matter and bring about truly revolutionary change.As to what role the Taipei Design &amp; City Exhibition should play in the “post World Design Capital” era, I personally feel that what is needed is for the Exhibition to take an even more proactive stance towards looking ahead to the future and towards the taking of related action. In setting the theme for the Exhibition each year, the organizers should be thinking ahead to what Taipei will be like in five years’ time, ten years’ time, or even thirty or fifty years’ time; panel discussions and brainstorming sessions can be used to come up with experimental proposals that can be implemented in the following year. Although some of these experiments may fail, as long as we are willing to try, then through a process of re-experimentation and re-adjustment, I am confident that we can define ourselves effectively in the globalized, constantly changing world that we are living in, and that we can make our home city an even better place to live.

in time is redirect our gaze towards the fundamental aspects of the city and the society of which it forms part; there is a clear need for reflection and discussion. Hybridization can make culture richer and more

展覽緣起

About the Exhibition

臺北設計城市展今年邁入第五屆，除呈現2016-2017

主辦單位

展覽緣起

年臺北市政府相關設計推廣專案成果外，同時也分享

總策劃

鍾永豐

其他城市或組織善用設計解決問題、以人為本的設計

規劃團隊

李麗珠、劉得堅、李秉真、吳俊銘、蕭慧芳、謝明澤、陳智穎

理念，彰顯社會設計(SocialDesign)對於人與城市的關

About the Exhibition

懷與聯結。

執行總監

鍾秉宏

今年以「平等哲學」為策展核心，秉持「為人設計、

執行團隊

張維真、許京穎、陳正宗、許翊勤、李易璇、全韋菁、李芷嫻

為人人設計」理念，以城市為幅輳，將人人需求為基

視覺設計

羅兆倫、高瑋君、吳奕葳、陳承遠、黃于耀、廖婉婷

底，讓公部門、私部門、公益部門三者之間達到平衡

空間設計

陳蕙群、朱韵衡、洪笠菁、鄭凱駿

的合作互補關係，透過設計的力量，使平等精神表現

藝術介入

鄧兆旻

樂曲創作

李星鋒

展覽協力

Cxcity 從我到我們、LASS社群、NUMA、Prinzessinnengarten、

在適切的分佈之上，以打造臺北市成為宜居永續的城市。展區劃分為「具體」與「非具體」兩個類型，具體類型的「可見的城市：公園、社區與都市景觀」探

2017 臺北設計城市展

策劃執行

討「公園共融式發展的可能」、「居民參與式設計改

Sturt Noble Associates + Nuha Saad、太玥工作室、水越設計股份有限公司、台北硬画、

變社區的可能」和「針對市民所需的都市景觀的討

左腦創意行銷有限公司、禾拓規劃設計顧問有限公司、交大跨領域設計科學研究中心(TDIS)、

論」；而非具體形象或建築量體的「不可見的城市：

美感細胞、財團法人紀念殷海光先生學術基金會、第二計劃有限公司、尊彩國際藝術有限公司、

數據、教育、永續」，探討「大數據的資料釋出與應

景澤創意有限公司、奧茲藝術顧問有限公司、群眾自造有限公司、嗶哺創意設計工作室、

用創意」、「現代教育的多元性質」，以及「永續精

臺北市地政局、樹火紀念紙文化基金會、點睛設計有限公司、點點善有限公司、

神所扮演城市推進力量的核心價值」。 This year, the Taipei Design & City Exhibition is being held for the fifth time. Besides showcasing the results achieved in the various design promotion projects that have been implemented by or in association with Taipei City Government, this year’s Exhibition will also be sharing the experience of other cities and organizations in using design to solve problems with a human-centric design approach, demonstrating the close interconnection that exists between Social Design, people and cities.

轉轉設計股份有限公司講者

Kittiratana Pitipanich、李惠貞、邱乾珉、侯君昊、康旻杰、張伯韋、莊熙平、郭瓊瑩、陳永基、陳宣誠、游適任、楊振甫、詹魁元、劉又瑄、蘇民、蘇仰志

城市影像

吳昭晨

動畫製作

白輻射影像

動態錄像

叁喜映畫

空間攝影

汪德範

翻譯團隊

萬象翻譯股份有限公司

This year’s Taipei Design & City Exhibition has therefore taken “ON EQUALITY” as its core theme, seeking to foster the development of a relationship between the public sector, the private sector and the non-profit sector that is based on equality, collaboration and synergy, so that the power of design can be used to foster the embodiment of the spirit of equality in fair distribution, thereby helping to make Taipei City a sustainable city that provides a high quality of life for its inhabitants.

展場配置圖

2017 臺北設計城市展

Pla n of t h e ven u e

展場配置圖

Plan of the venue

D 01

03 04

分區論述

服務台

專案

平等雞蛋糕

藝術介入

共力遊具

座位區

BC 展覽概述 H

21 20

藝術介入

10 C

展覽資訊

舞台

12 13

2017 臺北設計城市展

Project s 展示案例

展示案例 Project s

Projects 展示案例

COMMUNITY AND COMMUNICATION

社區

EDUCATION FOR VARIETIES

教育

SUSTAINABILITY FOR THE NEXT GENERATION

2017 臺北設計城市展

永續

LANDSCAPE IN DIFFERENT PERSPECTIVES

景觀

PARK AS A PUBLIC SPACE

公園

DATA OPEN UP

數據

展示案例

COMMUNITY AND COMMUNICATION 社區

生活場域直接或間接影響著人與人之間的關係，繁忙的大眾鎮日埋首於工作而無暇思考生活的可能，更忽略掉了居住環境的經營與維護。隨著今日人們逐漸開始重視人際之間的連結以及社區、聚落的意識重啟，

Project s

並開始透過設計、文化、藝術等各種角度介入生活場域之中。不同的改造、不同的社區翻轉活動更大大豐富了人們的生活，在這樣的發展下，我們不難想像，未來各社區將逐漸展現出各自的特色，但唯一相同的，是人與人之間隨著改造產生更緊密有溫度的互動

2017 臺北設計城市展

連結。

Living environments influence relationships between people, both directly and indirectly. Sometimes people are too busy buried in their work to spare time to think about the possibilities of life. They even neglect to manage and maintain their immediate environments. But people today are gradually starting to value human connections and community awareness, and these ideas have begun to seep into our living environment from several angles, such as design, culture, and art. Social transformation can enrich lives. And it's not hard to imagine that such develop- ments could, in the future, create a variety of unique living environments. The only common thread will be how people interact and form connections, brought closer and made warmer by these transformations.

展示案例

01 永續臺北，你來設計，我來實踐

波蘭社會學家齊格蒙‧鮑曼 (Zygmunt Bauman) 曾說：「當我們在思考如何讓城市變得更好的時候，你必須要把生活在其中的人都納入

Project s

考量」。面對全球暖化、極端氣候與城市競

SUSTAINABLE TAIPEI, YOUR

爭，臺北市政府跨域整合推動「臺北市智慧

DESIGN IS MY MISSION

生態社區示範計畫」，嘗試讓整體開發地區的建設、維護與管理，結合在地需求與特色，運用智慧科技營造生態環境,讓人與土地能夠更加共生共榮。 The Polish sociologist Zygmunt Bauman once said: “When we think about what we should do to improve cities, we must take the people living in it into consideration”. Faced with global warm-

2017 臺北設計城市展

ing, extreme weather, and urban competition, the Taipei City Government is advancing the “Taipei City Smart Eco Community Demonstration Project” for the purposes of integrating the overall construction, maintenance and management of development plots with local characteristics. The Project also seeks to employ smart technologies to create an ecosphere and promote the coexistence and prosperity of the people and the land.

主辦 Organizer ｜臺北市政府地政局

地點 Location｜臺北

時間 Year ｜2017

專案 Project｜第一屆臺北智慧生態社區設計競圖 2017 Taipei Smart Eco Community Design Award

展示案例

背景近年各國持續推動智慧、宜居城市等概念，並結合社區營造的方式進行區域性的專案，而由臺北市政府地政局所提出的「智慧生態社區」，嘗試透過科技、生

Project s

態，並廣納市民所提出的建議做為參考，打造更為宜居的都市生活環境。

行動

BACKGROUND In recent years, nations across the world have promoted concepts such as smart and livable cities and they have conducted regional projects through integrated community building. The “Smart Eco Com- munity” advanced by the Department of Land Ad- ministration, Taipei City Government seeks to use technology and ecology while accepting citizens’ recommendations for reference in order to build a more livable urban life environment.

透過「智慧城市」、「田園城市」、「社區營造」等三項重要施政理念，並以交通旅遊、環境生態、綠能產業、安全防災及健康生活等五大面向，結合智慧科技、生態環境與人文藝術的規劃，徵求各界針對臺北市產業園區、商業中心與住宅社區提出解決當地問

2017 臺北設計城市展

題、提升生活品質的可行方案。

成就與展望透過全民的參與，看見了來自各方的設計與創意發想，更將智慧生態社區的理想與在地特色、居民需求結合。評選出的21組得獎作品，代表著21個改造社區的行動方案，並期待與市民共同攜手，打造創新、節能、低碳、環保、永續、高齡友善與人性化的智慧生態示範社區。

PROBLEM TO SOLVE Through the implementation of the three important administrative ideals including “smart city”, “garden city”, and “community building” as well as the five major aspects of urban life that include transportation and travel, environment and ecology, green energy industries, safety and disaster prevention, and healthy life, the Project integrates plans for smart technology, ecology, the environment, culture, and art and it requests feasible plans from all sectors for solving local issues and improving quality of life in Taipei’s industrial zones, commercial centers, and residential communities. OVERALL GOAL AND OBJECTIVES We shall be able to observe the design and creative ideas from all corners of the society through the participation of the people and we shall be able to integrate the ideals of smart ecological communities and local characteristics with the requirements of the local people. The 21 winning designs that represent action plans for 21 refurbished communities. It hopes to team up with the citizens to create innovative, energy efficient, low carbon, environmentally friendly, sustainable, elderly friendly, and human-oriented smart and ecological demonstration communities.

“城市的未來，就在你的設計裡” The future of the city is in your hands

展示案例

02 閱讀街區，讀愛溫羅汀

溫州街、羅斯福路、汀州路，由此三條街道所串連起的街區，不僅有著臺灣知識首府，更遍佈著許多特色書店、咖啡廳和音樂空

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間，隨著發展早已成為人文色彩濃厚的特色

READING THE STREETS IN THE WEN-RO-DING DISTRICT

街區，臺北市政府文化局期待市民透過「閱讀」，探索溫羅汀所蘊含的魅力。 The neighborhoods connected by Wenzhou Street, Roosevelt Road, and Dingzhou Road not only contains Taiwan’s premier university but also many special bookstores, cafes, and music performance venues. It has been developed into a rich cultural area and the Department of Cultural Affairs of Taipei City Government encourages citizens to “read” and explore the hidden charms of

2017 臺北設計城市展

the Wen-Ro-Ding District.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜財團法人紀念殷海光先生學術基金會

專案 Project｜「讀」愛溫羅汀

時間 Year ｜2017 22

“Reading”the Wen-Ro-Ding District 23

展示案例

背景溫州街、羅斯福路、汀州路中隱藏了為數不少的特色書店、咖啡廳與人文空間，不同於一般商業區域的，是他們並不招搖的攬客，而是靜靜地待著，彷彿等著

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被人挑選，又或者說，是他們靜靜地在挑選著人們。

行動透過系列活動串連起在地特色各異的獨立書店和市民互動，並藉由設置於街區內的書箱使市民及店家透過閱讀產生新的連結，系列活動即將於10月畫下句點，歡迎有興趣的民眾造訪溫羅汀，讓閱讀與文學走進你我的生活之中。

成就與展望

BACKGROUND Many special bookstores, cafes, and cultural spacesare hidden among the alleys between Wenzhou Street, Roosevelt Road, and Dingzhou Road.What makes them different from commercial areas is that they do not use prominent advertising to attract customers.Instead, they wait quietly to be chosen, or rather, they quietly choose the customers. PROBLEM TO SOLVE Organize a series of events to connect the wide range of independent bookstores and citizens. Establishbook boxes in the neighborhoods to produce new links between citizens and bookstores.The series of events will soon end in October. We encouragepeople to visit the Wen-Ro-Ding District and bring reading and literature into our lives.

2017 臺北設計城市展

臺北市政府文化局與執行團隊財團法人紀念殷海光先生學術基金會以「閱讀」做為切入街區的方式，除策劃各式主題的系列活動串連不同的社群以強化在地特色與文化氣息外，也首次嘗試為獨立書店打造一個整合性的入口網站，讓民眾可即時連線瀏覽人文薈萃的溫羅汀氛圍。

OVERALL GOAL AND OBJECTIVES The Department of Cultural Affairs of Taipei City Government and the execution team at Yin HaiKuang Foundation employed “reading” as the method of entering the streets. In addition to the organization of various themed events to connect different communities and strengthen local characteristics and cultural atmosphere, the Project also attempt to create an integrated portal website for independent bookstores for the first time so people can connect, browse, and experience the cultural atmosphere of the Wen-Ro-Ding District.

“透過閱讀，看見城市的篇幅” Read and experience the city’s dimensions.

展示案例

03 親手構築社區的綠色集會所

一塊空地該如何變成一個公共空間？當人人都在期待都市花園的時候，改變能否成真? 在柏林的在地居民透過自發行動，打造出心

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目中的理想家園，也讓城市變得更加美好。

BUILDING A PUBLIC MEETING

How does vacant land become a public space?

SPACE IN THE NEIGHBORHOOD

When everyone is looking forward to a urban garden, can such a change really take place? Residents in Berlin voluntarily took action to build

2017 臺北設計城市展

their ideal homes and make the city a better place.

執行 Executor ｜ Prinzessinnengarten

地點 Location｜德國柏林

時間 Year ｜2016

專案 Project｜Prinzessinnengarten 27

展示案例

背景 2009年，柏林十字山地區的在地居民將一塊荒廢半世紀的閒置地再造，除了環境綠化、種植蔬果，也透過社區自發性的行動，讓各式活動在此發生，使空地

Project s

不再是空地，而是變成在地人多元開放的集會場地。

行動在地居民在P ri nzessi nnenga rt en種植有機蔬果，也舉辦烹飪課、蜜蜂養殖、工作坊、創客社群、跳蚤市場等活動。2016 年，超過 100 位自願者花費超過 1 萬小時合力建造了 10 公尺高的木造結構 The Arbour，提供人們舉辦工作坊、放映會、公共討論的場地，也成為 Prinzessinnengarten 極具代表意義的建築。

2017 臺北設計城市展

成就與展望 P r i n z e s s i n n e n g a r t e n 的發展，源自於人們的自

BACKGROUND In 2009, residents in the Kreuzberg area of Berlin transformed a plot of land that had been abandoned for half a century, greening the environment and planting fruits and vegetables. The community also took action to hold all kinds of events in the area, so that the vacant land is no longer vacant, but a open and diverse place for the locals to gather. PROBLEM TO SOLVE Local residents planted organic fruits and vegetables in Prinzessinnengarten, and also organized events such as cooking classes, beekeeping, workshops, maker communities, and flea markets. In 2016, over 100 volunteers spent over 10 thousand total hours building a 10 meter high wooden structure called The Arbour, providing people with a place to host workshops, screenings, and public discussions. The structure also became a distinctive representation of Prinzessinnengarten.

發與行動串聯，證明居民的參與能推動城市的改變，Prinzessinnengarten不僅將綠意帶進都市，更重要的是透過公開共享的集會場地與活動，連結社區內人與人的情感，也活絡了城市的生氣，呈現出社區的素人能量。

OVERALL GOAL AND OBJECTIVES The development of Prinzessinnengarten stems from the people volunteering and uniting to take action, proving that resident participation can facilitate changes in the city. Prinzessinnengarten not only made the city greener, but more importantly, connected people in the community through public meeting spaces and events, making the city more lively, and showing the energy of the neighborhood.

“荒地重生，共創柏林的田園城市” Rebirth of a wasteland, creating Berlin’s garden city.

展示案例

04 老萬華的韻味，邀您一起來體會

萬華，舊稱艋舺，一個臺灣人都知道的名字。超過三百年的歷史背景以及八代傳承雄厚的在地故事，隨著早期臺北發展逐漸東

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移，老街區也逐漸式微，臺北市政府文化局

YOU ARE INVITED TO EXPERIENCE THE WONDERS OF OLD WANHUA

希望隨著設計能量的介入，伴隨著在地深厚的歷史、文化底蘊，試圖讓大眾再次看見，屬於老臺北的瑰寶。 Wanhua, known in the old days as Bangka, is a name familiar to the people of Taiwan. Bangka has over three hundred years of history and a rich context in stories that are passed on for over eight generations. As the early development of Taipei gradually shifts eastward, the old neighborhoods

2017 臺北設計城市展

also faded into history. The Department of Cultural Affairs of Taipei City Gov- ernment wishes to use the energy of designs along with the rich history and cultural heritage of the neighborhoods to let the people set eyes upon the treasure of Old Taipei once again.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜水越設計

專案 Project｜萬華製造 Wanhua 1709

時間 Year ｜2017 30

展示案例

背景隨著萬華發展以來，數百年的歷史造就了在地特色與文化。而近年來隨著臺北設計能量蓬勃發展，在舊有城區結合設計能量，並透過深入探索萬華，發展介入

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各個在地族群之中的策略與方式。

行動探索萬華就像寰宇蒐奇般可以挖掘許多奧妙與驚奇，透過超過百人的共同開發建置，讓老萬華的經驗轉化成跨年齡與國際人士都可以體驗的文化旅程。更邀請萬華人一起參與，嘗試讓萬華區成為生活行旅者的必要之站，相關系列活動於2017年8~10月陸續開展，發掘萬華多變且迷人的風貌。

成就與展望 2017 臺北設計城市展

臺北市政府文化局希望透過設計帶來變革，翻轉民眾對於萬華的既有印象，挖掘深藏在巷弄中的文化瑰寶，刺激產業新生與提升價值。至今如新富町文化市

BACKGROUND The centuries of history in the development of Wanhua have contributed to the local characteristics and culture. As Taipei’s design capacity continues its rapid development in recent years, it seeks to integrate design capacity in old neighborhoods and explore the deepest parts of Wanhua in order to develop strategies and methods for various local communities. PROBLEM TO SOLVE Exploring Wanhua is like a search for universal wonders as one uncovers endless secrets and surprises. Use the collective development of a team of over a hundred people to transform the history of Old Wanhua into a cultural experience for all ages and international visitors. The Project also invites participation from the people of Wanhua to make it one of the must-visit destinations for visitors seeking a taste of life. Related events have begun from August to Octo- ber and people can use the “Made in Wanhua” Face- book page to uncover the versatile and charming nature of Wanhua together.

場開放、持續東三水街的市場小學計畫帶動區域活化、帶動青草聚落振興，此計畫目標為集結在地資源與人文網絡，整合開發萬華獨特的文化體驗產業，活絡老臺北，重新啟動再生。

Before

After

OVERALL GOAL AND OBJECTIVES The Department of Cultural Affairs of Taipei City Government wishes to bring about evolution through design, reverse people’s existing impression of Wanhua, and uncover the cultural treasures hidden in the alleys in order to promote the rebirth of industries and increase value. Today, the Xinfu Market is reopened and the market elementary school project on eastern Sanshui Street continues to promote urban renewal as the revival of the Green Grass Community continues. The project aims to concen- trate local resources and cultural networks, integrate and develop Wanhua’s unique cultural experience industry, revitalize Old Taipei, and restart the rebirth.

“翻轉與再生，老臺北的文化瑰寶” Reversal and rebirth of the cultural treasure of Old Taipei.

展示案例

05 科技產業聚落的人文新生活

談及內湖，普遍第一印象即是壅塞的交通、發達的科技業等，今年由臺北市政府文化局與地政局合作推動的「文化智慧生態社區」

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計畫，嘗試以智慧城市的概念結合藝術、文

A NEW LIFE OF CULTURE IN

化力量的參與打破既定印象，進而提供市民

TECHNOLOGY INDUSTRY

更多生活的可能。

CLUSTERS

The first things people think of when it comes to Neihu are congested traffic and advanced tech industries. This year, the Taipei City Government Department of Cultural Affairs collaborated with the Department of Land Administration to present the Smart Eco Communi- ty project. The project is an attempt to break down stereotypes by merging the concept of smart cities with arts

2017 臺北設計城市展

and culture, providing citizens with more possibilities in their lives.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜ archicake

專案 Project｜WOW! 內湖不一樣

時間 Year ｜2017 34

Wow! Neihu is Different 35

展示案例 Project s

“社群與文化的融合，創造科技園區新風貌” The integration of community and culture gives technology parks a makeover.

BACKGROUND Since its establishment, Neihu Technology Park has 內湖科技園區自創立以來已發展出獨樹一格的經濟、 developed its own unique economic, societal, and cul社會與文化特色，此區不只是科技媒體重鎮，還有百 tural characteristics. Now, the area is more than just a 貨、飯店、畫廊林立，多元的產業結構賦予當地豐富 center of tech media; it has become a place with thriving department stores, hotels, and art galleries, cre且現代化的元素。 ating a diverse industry structure that gives the area pluralistic and modern elements. 行動背景

透過座談傾聽在地社群所提出的想法，並舉辦工作坊

PROBLEM TO SOLVE 邀請市民針對科技園區發想生活的可能，做為未來相 The Department of Cultural Affairs and the Depart關單位進行規劃時的參考依據，藉由bottom up的力 ment of Land Administration joined efforts to pro量，讓園區不僅是產業發展的場域，更是各大社群共 mote the Smart Eco Community project, hosting forums to listen to the community’s ideas, and or生共融的生活聚落。 ganizing workshops for citizens to brainstorm about the possibilities of life in the Technology Park. These events provide reference data for future planning. 本計畫將串聯響應2017大內藝術節，在充滿秋日氣 Through this grassroots energy, the park can become more than a place for industry development. 息的11月透過活動與裝置，將文化與藝術能量導入園 It can be a place where communities live together 區，讓市民感受內湖科技園區多元而特有的氛圍，並 in harmony.

2017 臺北設計城市展

成就與展望

期待藉由社群團體的互動與跨領域專業人士的參與可以實現更好的都市願景。

OVERALL GOAL AND OBJECTIVES The project will be a part of the 2017 Taipei Art District Festival, bringing events and installations to the autumn atmosphere of November, and introducing to the park the energy of culture and art. The aim is to let citizens experience the diverse and unique atmosphere of Neihu, and realize the vision of a better city through community interaction with and participation from professionals across all fields.

展示案例

SUSTAINABILITY FOR THE NEXT GENERATION 永續

全球在高度科技發展下，對地球資源消耗達到高峰，居住環境漸趨惡劣，也產生極端氣候問題，全球居住的環境產生如此劇烈變化，促使人類開始思考能源與地球永續的關係，而城市是人口最稠密之處，關於居

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住的各種問題存在於各個不可見的角落，人類是否能用科技、設計來解決？是否能用更平等的方式，讓各種資源平均分配？這次以永續為題，試圖討論環境與社會之中的永續議題，不僅是環保，我們更需要關注那些需要幫助的人，讓所處的環境與社會能夠成為真正地永續、友善的宜居城市。

2017 臺北設計城市展

With global high technological development, the Earth’s resources have almost been exhausted, which has worsened living conditions and produced extreme climate problems. The dramatic changes in the environment in which we live have prompted people to begin thinking about the relationship between energy and global sustainability. Cities are the most densely populated areas and are plagued by housing problems. Can humans to solve these problems through technology and design? Can we fairly distribute resources? This time the topic is sustainability. We will discuss environmental and social sustainability. In addition to environmental protection, we also have to care for those in need, so that the environments and communities in which we live form a truly sustainable, friendly, and livable city.

展示案例

06 威尼斯的臺灣新詮釋

從人的根本需求出發，透過創新的在地永續材料，打造足以改變困境的建築原型。 Building architecture that can solve predicaments

A TAIWANESE

people’s basic needs in mind.

INTERPRETATION OF VENICE

2017 臺北設計城市展

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with innovative local sustainable materials and

主辦 Organizer ｜國立臺灣美術館

地點 Location｜義大利威尼斯

執行 Executor ｜交大TDIS

專案 Project｜Re: Made in Taiwan

時間 Year ｜2015 40

展示案例

背景威尼斯建築雙年展是舉辦在義大利的建築展覽，2015 年的主題是「Reporting from the Front」，此次策展定下14個主題，並鼓勵素人共同參與，期待能看見

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最本質的第一手建築訊息。

行動 T D I S 於2 0 1 5 年成立，全名為交通大學跨領域設計科學研究中心。團隊最初為交大師生組成的跨領域設計團隊U N I C O D E ，當時參與2014年歐洲盃十項全能能源屋競賽(Solar Decathlon Europe 2014)，以「蘭花屋」作為臺灣永續建築之核心概念。過去對於城市建築的想像多半是地標性建築，這些明星建築往往無法最直接反應居民的真實生活樣貌，為了呼應大展主

2017 臺北設計城市展

題，TDIS收集了來自最當地的臺灣建築元素，再以永續的概念利用回收材料打造空間，充分揭露臺灣最當地的建築味道。

成就與展望「臺灣再製」以臺灣人自身的經驗與科技，從人的真實需求出發，找到創新構築的切入點，並同時回應環境問題，以創新材料研發與應用創造出足以改變困境的創新原型，不僅改善自然環境與人類文明的關係，更消弭設計專業與日常生活的隔閡，使建築不再只是大建築師的個人意識展現，而是能夠真正滿足每個人的共同需求。

BACKGROUND The Venice Architecture Biennale is an architectural exhibition held in Italy. The theme of the exhibition in 2015 was “Reporting from the Front”. This year’s exhibition has 14 themes, and encourages non-professionals to take part. We look forward to seeing the most intrinsic first hand architecture information. PROBLEM TO SOLVE TDIS was founded in 2015, it is short for Transdisciplinary Design Innovation Shop. The team began as UNICODE, a transdisciplinary design team made up of professors and students at National Chiao Tung University. The team took part in the Solar Decathlon Europe 2014, with “Orchid House” as the central concept of sustainable architecture in Taiwan. In the past, people’s idea of urban architecture was usually landmark buildings, yet these famous architectural works rarely reflected how people really live. So in accordance with the exhibition’s theme, TDIS collected local architectural elements in Taiwan, and with the concept of sustainability in mind, used recycled materials to create a space that fully reveals the most local essence of Taiwanese architecture. OVERALL GOAL AND OBJECTIVES “Re: Made in Taiwan” builds upon the experiences and technology of Taiwanese people, using people’s real needs as the starting point to find ways of adding innovation to architecture, while responding to environmental issues by developing innovative materials and new models that can solve predicaments. This not only improves the connection between nature and human civilization, but also breaks barriers between design and daily life, so that architecture is no longer the personal expression of a single great architect, but rather something that meets everyone’s collective needs.

“臺灣再製，常民構築” Re: Made in Taiwan - Common Construction

展示案例

07 未來電力公司

公民記者深入2017哈薩克世界博覽會，帶回關於未來能源的第一手報導。 Citizen journalists visited Expo 2017 in Kazakhstan,

POWER PLANTS OF THE FUTURE

2017 臺北設計城市展

Project s

bringing back first hand reports about future energy.

主辦 Organizer ｜群眾自造股份有限公司

專案 Project｜2017 哈薩克世界博覽會

時間 Year ｜2017

公民記者計畫 Kazakhstan Expo 2017 Citizen

地點 Location｜哈薩克

Journalism Project 45

展示案例

背景今年的世界博覽會舉辦在哈薩克的阿斯塔納，本屆主題為「未來能源」，探討「我們如何確保安全和可持續地獲得能源，同時降低二氧化碳排放量?」，在全球化的影響之下，各國間的交流互動日趨迫切且重

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要，儘管臺灣並未參加今年的世界博覽會，團隊仍期望臺灣亦能站穩世界公民的腳步與國際交流接軌，因此決定以公民記者的角色參與本屆世博。

行動公民記者前往哈薩克第一大城阿拉木圖採訪當地的能源政策與中國一帶一路在哈薩克的影響，觀察在地中亞政經局勢變化，同時前進世博會場收集第一手的影像報導，讓民眾能看見各國在生質能源、再生能源、替代能源方面的經驗與成果，並透過多國間的分享與 2017 臺北設計城市展

交流進而思考永續能源的未來趨勢與可能。

成就與展望臺灣的能源與電力議題近來掀起討論，促使民眾也開始思考臺灣能源的下一步，在這個世代，能源永續已

PROBLEM TO SOLVE Citizen journalists visited Kazakhstan’s largest city Almaty to learn about local energy policies and the influence of China’s One Belt One Road Initiative on Kazakhstan, as well as observing Central Asia’s po- litical and economic changes. They also visited the Expo 2017 to gather first hand footage, so that people can see other countries’ experience and progress in bio-energy, renewable energy, and alternative energy, and through the sharing and exchanges between different countries, think about the future possibilities and trends of sustainable energy.

不是口號，而是個貨真價實的行動，透過這次哈薩克世博在未來能源上的交流，將帶給臺灣更多值得思考與借鏡之處。

阿斯坦納世博會重頭戲之一的主館"NurAlem"是全世界最大的圓形建築物，直徑達到80公尺，高度達到100公尺，共八層。圖中為最高層的懸空走廊，參觀者走在走廊上可以清澈的看到底下的一切事物。

BACKGROUND This year’s Expo 2017 was held in Astana, Kazakhstan. The theme chosen for the expo was “Future Energy”, discussing “how do we ensure safe and sustainable energy sources while lowering carbon emissions?” Under the influence of globalization, interactions between countries are becoming increas- ingly urgent and important, and even though Taiwan did not take part in this year’s expo, the team still hoped that Taiwan can keep up with world trends and be geared to international standards, so they de- cided to attend the expo as citizen journalists.

OVERALL GOAL AND OBJECTIVES Issues related to energy and electricity has sparked debate recently in Taiwan, forcing people to think about Taiwan’s future steps in terms of energy. In our modern age, sustainable energy is no longer just a slogan, instead it represents concrete actions. Ex- changes about future energy at the Kazakhstan Expo 2017 leave a lot for Taiwan to ponder and learn from.

“走進哈薩克世博，探索未來能源的可能” Step into Kazakhstan’s Expo 2017 to explore the possibilities of future energy

展示案例

08 SD工具，讓理想生活成為可能

SDGsNewSexy 以理想生活為使命，是一個為期15年的 SDGs 推廣計畫。該計畫由Plan b建立，旨在研究分析各領域以永續發展(SD)為

Project s

思維模式的做事工具(SD Tools)。Plan b是一

SD TOOLS MAKE IDEAL LIFE POSSIBLE

間以永續發展作為解決問題工具的企劃顧問公司，主張SD不只是社會議題，而是當今重要的思考模式，也是發展商業策略的研究基礎。透過近年重大趨勢與探索環境、社會、治理(ESG)等不同領域，SDGsNewSexy呼應聯合國的永續發展目標，深信SD是回應現代問題的重要思維模式，我們不能再仰賴過去的思維，解決今日的問題，需要以符合

2017 臺北設計城市展

當代的做事工具：SD Tools，實踐生活各類的解決方案。我們相信每件事都需要一個備案，Plan b就是那個備案。而這備案能為打造理想生活的任務創造無限(∞)可能。 SDGsNewSexy is a 15-year SDGs promotion brand, with a mission for ideal life accomplishment. The brand is established by Plan b primarily investigate various fields on Sustainable Development (SD) as a mindset for executive tools (SD tools). Plan b is a consultancy firm primarily specialized in Sustainable Development, aims to provide practical solutions. Plan b believes that SD shouldn’t be just social issue, but a critical mindset and also foundation of business strategy development.Through recent important trend and fields of environment, society, governance (ESG) exploration, SDGsNewSexy echo Sustainable Development Goals (SDGs) adopted by United Nations (UN). We believe that SD is a critical mindset in response to current problems. We cannot rely on mindsets of the past for problems of this time. We need to use contemporary working tools: SD Tools to implement various living solutions. We believe that “everything needs a plan b, and we are your Plan b, with infinite (∞) possibilities” to accomplish the mission of ideal life.

主辦 Organizer｜Plan b

地點 Location｜臺北

時間 Year｜2017

專案 Project｜SDGsNewSexy 49

展示案例 Project s

1.荷蘭海上飯店Good Hotel

背景

透過海上郵輪整合飯店的營利模式，聘僱當地失業

人類社會在數次工業革命後，以標準作業程序

人口、使用當地產品提升在地經濟、將營收捐給當

(standard operating procedure,SOP)、設計思考

地孩童的教育，為陸地上的城市創造社會影響力，

(design thinking,DT)、大數據分析(big data analy-

目前停泊於倫敦，提供創新的整合服務。

sis,BDA)等等做事工具呼應各個世代所面臨的不同

Good Hotel combines cruise and hotel model. They hire local unemployed people; buy products nearby to boost local economy; donate revenue for local children’s education, to create social impacts for cities on lands. Good Hotel is now at London port and continues to provide innovative integrated service.

挑戰，唯有思考模式轉變，做事方法與行為才會隨之轉變，以回應現代問題與打造理想生活。

行動 S D G s N e w S e x y 透過探索不同領域 ( t h e m e s ) ，以 SD為做事方法的工具(SDtool)，提供各式SD相關議題的研究(research)，發現進行商業策略(busi-

2.印尼垃圾銀行 Indonesian Trash Bank

nessstrategy)、著手社會議題(socialIssue)的時候，

垃圾銀行把居民帶到銀行收集點的可回收垃圾兌換

永續發展(Sustainable Development,SD)是作為創造

現金存款，整合生活周邊服務。（如：食物與手機

2017 臺北設計城市展

PROBLEM TO SOLVE By exploring different themes, SDGsNewSexy apply SD as working style to provide SD related research and perspectives. We find SD is the best tool to create the solution for business strategy and social issue. We exhibit latest SDGs reports in 2017 and four selected projects by Plan b’s departments: Program, Produce, Project, and Planet.

最佳解決方法的工具。展示2017年發表的報告書及

卡等生活品項）他們不僅成功減少印尼全國64%的

Plan b四個部門Program、Produce、Project、Planet

垃圾，也提供資金協助當地大學生輔導低年級小孩

所執行精選計劃。

的教育計畫。 Trash Bank transfers recyclable garbage brought by residents to cash saving at collection point of the bank. They also provide redemption service of living items, such as food and phone cards. Trash Bank has successfully reduced 64% of waste in Indonesia and also supports funding for local education projects.

BACKGROUND After industrial revolutions, human society has used tools like the standard operating procedures (SOP), design thinking (DT), big data analysis (BDA) to meet with challenges of changing generations. ‘Mindset Change’, leading to change of working style and behaviors, can be the only way in response to the current problems for ideal life.

成就與展望

OVERALL GOAL AND OBJECTIVES With combination of social issues and business strategy, selected case study can help you understand SD tools and daily practices, so we can shape a clearer picture of Ideal Life.

透過「社會議題」與「商業策略」的結合，精選案例分享能讓大家對SD工具及日常生活的實踐更了解，也讓理想生活 (Ideal Life) 的想像更明確。

“我們不能用昨日的思維，解決絕今日的問題” We can not use yesterday’s thinking to solve today’s problem

展示案例

09 一點一點，畫出城市的新面貌

天賦城市計畫邀請人們提出對城市的想像，以弱勢族群的共創活動，發揮憨兒的童真與價值，再經由設計師之手，將想像轉化成獨

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一無二的作品。本案為臺北市政府文化局之

BIT BY BIT, DRAW THE FACE OF A NEW CITY

設計補助專案。 The Talent City Initiative invites people to share their imagination for the city. The collaborative event, which works with minority groups, displays the value and innocence of mentally disabled individuals. Through the hands of designers, these imaginations are transformed into unique designs. This project is funded by the Department of

2017 臺北設計城市展

Cultural Affairs, Taipei City Government.

指導 Adviser ｜臺北市政府文化局

地點 Location｜臺北

主辦 Organizer ｜點點善有限公司

專案 Project｜天賦城市計畫 Talent City Initiative

時間 Year ｜2017 52

展示案例

背景點點善希望讓公益成為生活的一部分，致力透過共創活動探尋弱勢天賦，產出共好產品，讓人人欣賞共美進而實現善的力量。點點善至今累積上千幅憨兒共創

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作品，其中【城市悠遊】在臺北世界設計之都期間，獲得臺北設計獎視覺傳達金獎肯定，另外也參與2017 臺北世界大學運動會的商品設計，期待讓社會公益能真正落實。

BACKGROUND Agoood wants to make charity work a part of daily life,and searches for talent among minorities through collaborative events, creating collaborative works for people to appreciate and in turn bring out the power of kindness. So far, Agoood has collected over a thousand collaborative works by mentally disabled people, of which “City Leisure” won the Golden Award at the Taipei Design Awards. Agoood also took part in the product design of this year’s Taipei 2017 Universiade, hoping to truly realize social wel- fare.

行動你對城市的想像是什麼?是高樓林立?還是熙來攘往的人群?點點善收集人們對於城市的各種想像，舉辦共創活動讓憨兒將人們的想像化為一幅幅童真的圖畫，再經由設計師的專業轉化成商品、空間設計等作品，點點善希

2017 臺北設計城市展

望商品的購買源自消費者的真正需求，是因為喜愛並認同這樣的設計才購買，而非出自憐憫或同情。

成就與展望

PROBLEM TO SOLVE What are your ideas of a city? Lots of skyscrapers? Or bustling crowds? Agoood collects people’s imaginings of a city, then hosts collaborative events for mentally disabled people to turn these imagined scenes into childlike pictures, which are then transformed into products or interior designs by designers. Agoood hopes that customers buy these products not out of pity and sympathy, but because they really need them, or really like the designs.

過去公益團體的運作，雖然同樣以弱勢族群的創作作為出發點，卻常忽略市場真正的商品需求，消費者的支持僅是出自同情，而形成一次性的購買。公益團體難以平衡收支，商業模式也無法持續。而臺北市政府文化局期待設計能真正改造城市社會議題，點點善連結弱勢的創意與設計師的專業，讓共創的獨特作品能夠貼近市場所需，讓獲利能在公益團體、弱勢、設計師之間產生循環，讓愛真正永續。

OVERALL GOAL AND OBJECTIVES The way public interest groups used to be run also focused on minority groups creating products, but they often neglected market demands. Consumers only purchased items on a one-time basis out of pity. It is hard for public interest groups to make ends meet, and they can’t continue with their business models. The Taipei City Government’s Department of Cultural Affairs hopes that design can truly remedy the city’s societal issues. Agoood combines the creativity of minorities with the professionalism of designers to make collaborative work that meet market demands, so that profit can be distributed among public interest groups, minorities, and designers, creating a sustainable system of love and care.

“點亮天賦，共創你的城市想像” Light up your talents, create the city of your imagination

展示案例

EDUCATION FOR VARIETIES 教育

人類的文明透過教育不斷進步，學習著各種知識、技能與社會生活經驗，透過教育藉以促進個體發展進而帶動人類社會的進步。近年越來越多人在思考自我人生的價值與生活的意義，教育不為分數存在，而是自

Project s

我價值的展現，教育現場可以在旅行中體驗生命，甚至是自學與各式實驗教育，都是一種基於生命與生活的學習，透過這些改變便可以看出教育的定義正慢慢地改變，當教育不僅是以分數定義而是更深層自我學

2017 臺北設計城市展

習與探索時，才是身而為人的真教育。

Human civilization progresses through education—the conduit for knowledge, skills, and life experience. Education promotes individual development, which in turn spurs the progress of human society. In recent years, more and more people have been thinking about the value of self-realization and the meaning of life. Education is no longer about grades but the manifestation of self-worth. You can learn about life through travel, and even through self-teaching and experimental education. These changes show that our understanding of education is gradually changing. Only when education is judged on a deeper level of self-exploration, rather than grades, will it truly be education for human beings.

展示案例

10 不一樣的教科書，不一樣的笑容

臺灣的孩子埋首教科書時間高達兩萬小時以上，平均一年參觀美術館的時間卻不到一次。美感細胞團隊結合教科書與美術館，透

Project s

過優化排版、插畫、互動設計等方式，把美

DIFFERENT TEXTBOOKS, DIFFERENT SMILES

術館帶進課本，使孩子在學習的過程中也能獲得美感教育的啟發。 Children in Taiwan spend over 20 thousand hours per year reading textbooks, yet on average, they don’t even visit art museums once a year. The Aestheticell team combines textbooks and art museums, bringing art museums into the textbook through better layouts, illustrations, and interactive designs, so that children can be inspired

2017 臺北設計城市展

by aesthetic education as they learn.

主辦 Organizer ｜美感細胞

專案 Project｜美感教科書再造計畫

時間 Year ｜2017

TextBook Redesign Project

地點 Location｜臺灣 58

展示案例

背景美感細胞由三位交通大學學生發起，創辦人陳慕天在歐洲遊歷的過程中，受到無所不在的美學衝擊，有感於臺灣美感教育的缺乏，返臺創立美感細胞，團隊串聯多位臺灣設計師，致力於將美學帶入教育，讓呆板

Project s

的教科書融入設計元素，嘗試翻轉臺灣的美學教育。

行動

BACKGROUND Aestheticell was founded by three students from National Chiao Tung University. While traveling in Europe, founder Chen Mu-Tian was stunned by the aesthetics present everywhere. Realizing that Taiwan is lacking in aesthetic education, he returned to Taiwan and established Aestheticell. The team has worked with many Taiwanese designers to bring aesthetics into education, adding design elements to boring textbooks in attempt to breathe life into Tai- wan’s aesthetic education.

團隊耗費半年時間，設計出一本五年級國語課本，與新竹香山的大湖國小合作，以實驗性質的方式測試一個學期，意外地發現孩子們除了喜愛新的課本，還能指出新課本與舊課本的差別，給予美感細胞團隊極大的信心。三年多來美感細胞已經發放超過1萬本課本，讓超過200所國小實際使用，獲得高達94%的滿意度。

2017 臺北設計城市展

成就與展望透過群眾募資，團隊已集結超過3,000位群眾、成功募集 560 萬資金。曾獲邀至TEDxTaipei演講、也曾到雜學校參展，未來將與國內兩大出版社康軒、南一合作，持續推動體制內的改變，預計 2019 年開始就能影響臺灣 50% 以上的學童。

PROBLEM TO SOLVE It took the team 6 months to design a Chinese language textbook for 5th grade students. They collaborated with Dahu Elementary School in Xianshan, Hsin- chu to test out the textbooks in an experimental way, and found that the children not only loved the new textbook, but can also point out the differences between the old and new textbooks, giving the Aestheti- cell team a huge level of confidence in their work. Over the past three years, Aestheticell has distributed over 10 thousand textbooks to over 200 elementary schools to use, with satisfaction rates as high as 94%. OVERALL GOAL AND OBJECTIVES Through crowd funding, the team has received 5.6 million NTD in funds from over 3 thousand backers. They were invited to talk at TEDxTaipei, and took part in the Za Share EXPO. In the future, they will col- laborate with two large publishing companies in Taiwan, Kang Hsuan and Nani, to continue pushing for change in the system. Their work is expected to affect over 50% of Taiwanese students by the beginning of 2019.

“給我們一本教科書，我們給孩子一座美術館” Let Textbook Become an “Art Museum” to kids

展示案例

11 深夜裡，你想學什麼?

以夜間部概念，讓教育以更輕鬆的姿態融入市民生活，建立永續學習的新途徑。本案為臺北市政府文化局之設計補助專案。

Project s

Courses at night make it easier for education to

DEEP IN THE NIGHT, WHAT DO YOU WANT TO LEARN?

be integrated into people’s lives, creating a new route of lifelong learning. This project is a subsidized design project funded by the Taipei City Gov-

2017 臺北設計城市展

ernment’s Department of Cultural Affairs.

指導 Adviser ｜臺北市政府文化局

地點 Location｜臺北

主辦 Organizer ｜群眾自造股份有限公司

專案 Project｜夜間學校 Nuit Scolaire

時間 Year ｜2017 62

展示案例

背景本計畫提出「教育從生活開始，學習從城市出發」的觀點，串連白晝之夜與雜學校，嫁接古人囊螢夜讀的形

Project s

象，以學校夜間部的概念，嘗試創建一座夜間學習城。

行動以「策展」的形式，讓教育以更輕鬆的姿態融入市民生活，在展區舉辦夜間體驗場、夜間講堂等文化策展活動，也結合過去被視為禁忌的主題，聯合民間文化教育單位，在展間由下而上地去觸動民眾。

成就與展望

BACKGROUND This project brings up the viewpoint of “education from life, learning in cities”, reaching out to Nuit Blanche and Za Share EXPO, and keeping in mind the spirit of people in ancient times studying at night with the light of fireflies, to try and create a city of nighttime learning with the concept of night schools. PROBLEM TO SOLVE Through “curating exhibitions”, education can be integrated more smoothly into people’s lives, with cultural curatorial events like nighttime exhibits and nighttime seminars, combining topics once considered taboo. Local cultural education units can work together to reach people from the bottom-up.

臺北市政府文化局希望能將設計導入城市、教育進入生活，而團隊期待以文化面作為切入點，相信教育要

2017 臺北設計城市展

從生活開始，並且能夠平等學習，真正讓多元的文化教育落實到每一個人的學習中，讓民眾白天工作、晚上學習，把整座城市變成文化教育的夜間學校。

OVERALL GOAL AND OBJECTIVES The Taipei City Government’s Department of Cultural Affairs hopes to introduce design into the city, and education into life, while the team hopes to tackle the issue from a cultural standpoint, believing that education should begin with life, and achieve equal learning, so that diverse cultural education can truly be implemented in every person’s learning. Let people work by day and learn by night, and turn the whole city into a Nuit Scolaire of cultural education.

“走進夜間學校，發現學習的可能” Enter Nuit Scolaire, and discover new learning possibilities.

展示案例

12 屬於每個人的雜學校

學習不是被動的給予，而是主動的選擇。雜學校作為一個創新教育內容的平台，容納全臺灣極具能量的教育單位與內容，使參與者

Project s

能在此打開對未來教育的想像，並找到屬於

ZA SHARE EXPO FOR ALL

自己的學習之路。 Learning should not be passively given. It should be an active choice. Za Share EXPO is an innovative educational platform that features energetic educational institutions and content from all over Taiwan. Here, users can imagine the future

2017 臺北設計城市展

of education, and find their own paths in learning.

主辦 Organizer ｜奧茲藝術

地點 Location｜臺北

時間 Year ｜2017

專案 Project｜雜學校 Za Share EXPO 67

展示案例

背景雜學校前身為「不太乖教育節」，創辦人蘇仰志先生因為看見臺灣創新教育單位缺少一個展現能量的平台，因此自主發起社會創新策展，聚集所有學校沒

Project s

教、適合每一個人的不同學習路徑。隔年以「學你想學，學你想成為」作為策展精神創辦「雜學校」，並期待這份影響力不僅能凝聚國內教育創新正向力量，更擴及整個華人世界。

行動雜學校匯聚臺灣以及亞洲各地的創新教育單位或個人參展，展出內容包含數位教育、創意實作、自然環境教育等，另外也舉辦工作坊、演講、分享會，與民眾交流新世代的創新教育，也分享不一樣的學習途徑，

2017 臺北設計城市展

希望能讓人找到屬於自己的學習方式，成為自己真正想成為的人。

成就與展望過去臺灣的教育展多是留學展或是以政令宣導作為主軸，雜學校的出現讓教育以新的形式被人們看見。作為亞洲最大創新教育博覽會，雜學校同時也被受邀至世界各國分享與交流，喚起了更多來自民間的教育力量，也翻轉民眾對於教育的全新想像。

BACKGROUND Za Share EXPO was formerly “Naughty Education”. The founder, Mr. Su Yang-Chih, saw that innovative education institutes in Taiwan lack a platform to dis- play their energy, so he voluntarily spearheaded an innovate social exhibition that displayed different paths of learning suitable to all, paths that weren’t taught in schools. In the following year, “Za Share EXPO” was founded under the idea that one should “learn what you want to learn, and what you want to become”. It is hoped that Za Share EXPO’s influence will not only bring a wave of positive energy in Tai- wan’s innovative education, but also impact the entire Chinese-speaking world. PROBLEM TO SOLVE Za Share EXPO invites institutes or individuals involved in innovative education to take part. Exhibits include digital education, creative hands-on activities, and environmental studies. Workshops, lectures, and sharing sessions are also held to talk to the public about innovative education while sharing different paths of learning. Hopefully everyone can find a way of learning that suits for them, and become the person they aspire to be. OVERALL GOAL AND OBJECTIVES In the past, education expos in Taiwan were mainly focused on study abroad or disseminating government policies. The emergence of Za Share EXPO gave people a view of this new form of education. As Asia’s largest innovative education forum, Za Share EXPO has been invited to share its experiences around the world, prompting more local education forces to join in, and changing the public’s ideas towards education.

“學你想學，學你想成為” Learn what you want to learn, and what you want to become.

展示案例

13 美術課裡沒說的大小事

聚集美術教育的第一線成員，集結眾人的經驗與智慧，豐富國小的美術課程。 Gathering those most active in art education and

THINGS NOT TAUGHT

the elementary school art curriculum.

IN ART CLASS

2017 臺北設計城市展

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compiling their experiences and wisdom to enrich

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜樹火紀念紙文化基金會

專案 Project｜美學教育扎根計畫-國小美術課再設計

時間 Year ｜2017

Aesthetic Education Project Redesign of Elementary School Art Classes

展示案例

背景自2016世界設計之都以來，城市美學以及美感教育不斷被社會討論，培養美學應從小開始，而其中學校正

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規的美術課程就扮演著相當重要的角色。

行動臺灣有許多在教育第一線熱血打拼的老師們，於2017 年透過臺北市文化局的「美學教育扎根計畫」，集結不同領域、對美學教育有熱忱的藝術家以及臺北市8所學校的美術老師們，將各自的教學經驗及創意進行討論整合，並將成果應用在美術教案裡面，豐富美術課教學的內容，減少老師們自行研發美術教案的負擔，也讓美術教育資源更加平等與平衡。

成就與展望 2017 臺北設計城市展

BACKGROUND Since the 2016 World Design Capital event, city aesthetics and aesthetics education have become a heavily discussed topic in society. Aesthetics should be taught from a young age, and art classes in school play a very important role in this regard.

本計畫由執行單位媒合20位藝術家參與學校正規課

PROBLEM TO SOLVE There are many teachers working passionately on the frontlines of education. This year the Taipei City Government Department of Cultural Affairs gathered people across disciplines—artists passionate about aesthetics education, and art teachers from 8 schools in Taipei City—to share, discuss, and com- pile their teaching experiences and creativity. The result will be incorporated into lesson plans for art class, enriching the content of the curriculum, reliev- ing teachers from the burden of having to design art education on their own, and making resource distribution in art education more fair and balanced.

程的方式，嘗試提升學生的美學素養，團隊期待能傳達美術並不需昂貴的材料或高超的技術，而是能透過簡單的操作就能平等達到「美」的目的。本計畫於 2017年完成40則美術教案的設計及實施實驗教學，並於下個學年度製作成教案手冊開放給所有老師下載參考使用。

OVERALL GOAL AND OBJECTIVES The project attempts to elevate students’ understanding of aesthetics by inviting 20 artists to take part in standard classes in schools. The team hopes to convey the message that art does not require ex- pensive materials or expert techniques, and that simple steps are enough to universally achieve the goal of “beauty”. In 2017, this project will complete 40 art lesson plans, and conduct experimental classes. In the next school year, the results will be com- piled into a lesson plan manual for all teachers to download and use.

“集結美的能量，扎根美學教育” Harnessing the force of beauty for aesthetic education to take root.

Project s 北城市設計展展示案例 2017 台

14 美感，其實不遠

以工作坊與課程形式，從扎根小學藝術教育開始，翻轉社區視覺藝術，試圖改善臺灣的美學教育。本案為臺北市政府文化局之設計補助專案。

AESTHETICS ISN’T FAR AWAY

Change is brought to visual art in communities by holding workshops and classes, starting art education from a young age in attempt to improve Taiwan’s aesthetic education. This project is a subsidized design project funded by the Taipei City Government’s

2017 臺北設計城市展

展示案例

Department of Cultural Affairs.

指導 Adviser ｜臺北市政府文化局

地點 Location｜臺北

主辦 Organizer ｜太玥工作室

專案 Project｜記藝太平町 Sola Luna Art Education

時間 Year ｜2017 74

展示案例

背景多年來的教育方式，對於人文素養與美學提升的領域，一直都欠缺更積極的作為，傳統的授課方式雖經過多次調整，但似乎看不見更突破性的效果，團隊希

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望經由開放地搜集、討論，可以得到不一樣的課程內容與進行方式。

行動舉辦暑期藝術工作營課程，讓孩童與藝術家一起觀察周遭的生活環境，動手創作藝術，也透過藝術家的眼睛來看見生活中的美，培養孩童對美的思辨能力。同時也舉辦座談會與講座，討論大眾對於藝術教育課程的想像，探討美感教育的重要與施行方式。

2017 臺北設計城市展

成就與展望藝術是反映社會文化的具體表徵，臺北市政府文化局鼓勵民間團體參與設計，團隊相信教育可以厚植孩子對美的欣賞與判斷，進而增加創作與思考的能力，因此希望透過本次實驗計畫，透過課程或是環境視覺的改變，來提升孩童的藝術素養，甚至提升整個城市的美學。

BACKGROUND or years, our education system has lacked more proactive approaches when it comes to the hu- manities and aesthetics. The traditional methods of teaching have undergone many adjustments, but there seem to have been no breakthroughs. The team hopes to come up with different course materials and approaches through open collection and discussion. PROBLEM TO SOLVE Organize summer art workshops for children and artists to observe the environment around them and create art together, cultivating the children’s ability to analyze beauty by letting them see the beauty in life through the artists’ eyes. The team will also host forums and seminars to discuss the public’s thoughts about art courses, and the importance and ways of implementing aesthetic education. OVERALL GOAL AND OBJECTIVES Art is the concrete representation of societal culture. The Taipei City Government’s Department of Cultural Affairs encourages local groups to take part in design, and the team believes that education can cultivate children’s ability to appreciate and analyze beauty, in turn strengthening their ability to think and create. Therefore, the team hopes that this experimental project, art courses, or visual changes in the environment can elevate children’s artistic understanding, and even elevate the whole city’s aesthetics.

“美學走進教育，藝術走進你我之間” Aesthetics enter education, and art enters our lives

展示案例

LANDSCAPE IN DIFFERENT PERSPECTIVES 景觀

閱讀城市的方式，影響著人們如何理解這座城市。因此城市中的每一個角落，都應該被用心地規劃成希望被理解的樣子。臺灣的城市發展，呈現一種極為有機生長的樣貌，無論是居民因應各自需求搭建出的空

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間，或是基於各種資源考量所製造的景觀，微型的改變不斷地在發生。近年人人對於美的定義改變以及對於生活品質要求提升，在改變的過程中，應更注重如何提升社區的歡笑，讓社區互動更加活絡；同時也須意識到，我們在城市中所畫下的一橫一豎，都將是人

2017 臺北設計城市展

們對於城市的居住體驗。

The way you read a city determines how you understand it. This is why every corner of the city has to be properly arranged so that it is understood as intended. Taiwan’s urban development shows a sense of organic growth—in building on empty lots to suit local needs, or landscapes created based on available resources—small changes are constantly taking place. In recent years, our concept of beauty has changed, and there is a demand for a higher standard of living. In the course of these changes, it is important to understand how to make local communities happy and so create more dynamic interaction. We also need to understand that every single thing we leave in the city will be a part of the city experience.

展示案例

15 社區新氣象，就從鄰里公園做起

公園不僅只是休憩、遊樂及親近自然的地方，更是人與人的社交空間，臺北市政府文化局希望藉由重新詮釋公園所背負的重要

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性，以「親子互動遊樂園」主題出發，嘗試

NEW COMMUNITY ATMOSPHERE BEGINS WITH NEIGHBORHOOD PARKS

運用設計詼諧兼顧實用的創意裝置，提升社區的歡笑溫度及活絡社區互動，期望能表現出活力與城市活躍的意象。 Parks are not only places where people go to rest, play, and experience nature, but also places where people socialize. With the theme of “Family Interactive Playground” in mind, the Taipei City Government Department of Cultural Affairs hopes to redefine the importance of parks by

2017 臺北設計城市展

adding creative installations that are both fun and

practical in design, making the community more inviting to encourage community interaction and project a vibrant and energetic city image.

主辦 Organizer｜臺北市政府文化局

地點 Location｜臺北

執行 Executor｜點睛設計

專案 Project｜松錦二號公園及巷弄改造計畫

時間 Year｜2017

Songjin No.2 Park and alleyway renovations project

展示案例

背景在社區之中，往往有著數個場域能提供在地居民休閒與交流的機能,，公園或廣場等，但若場域的使用性低落，便失去其規劃與設計的本意。松錦公園位於一個住宅區內，如何滿足不同年齡層的需求，以及讓環境

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更為友善，變為空間改造的發展可能。

行動沿著公園的巷弄內，利用牆面美化與藝術置入的環境改造，嘗試改變整體環境的視覺效果，並透過設計結合市民的想法與建議，創造出獨特的鄰里美學，並以行人的行走經驗，進行夜間照明規劃，在視覺上打照一個由光所圍塑出的環境。

成就與展望 2017 臺北設計城市展

以「親子遊樂園」的概念進行公園遊具規劃，試圖提

PROBLEM TO SOLVE The alleyways along the park are transformed with wall renovations and art installations in an attempt to change the visual effects of the whole environment. Aesthetics unique to the neighborhood are created through designs that incorporate ideas and suggestions from local residents. Suggestions based on people’s experience in the area prompted nighttime lighting to be added to the designs, creating a visual environment shaped by light.

升在地居民與孩童在公園遊玩的機會，並透過光元素與藝術的置入，嘗試打造鄰里社區間的新亮點，並透過燈光設計提

升社區整體環境的安全性，使行人在

夜晚時能夠清楚的看見路面，更藉由提升空間整體的明亮程度，藉以防止犯罪等行為在社區間發生。 1.

BACKGROUND Communities often have a few areas, such as parks or plazas, where locals can relax and interact with one another. But if these places are seldom used, then they do not meet the purpose for which they are designed. Songjin Park is located in a residential area. How to meet the needs of different age groups, and make the environment friendlier, formed the basis of the ideas for its renovation and develop-ment.

OVERALL GOAL AND OBJECTIVES The park playground is designed based on the concept of a “family playground”, hoping to increase chances of local residents and children relaxing in the park, and creating a new centerpiece in the neighborhood though elements of light and art. Lighting designs also made the neighborhood a safer place, allowing pedestrians to see the road clearly at night, and making the area brighter, thus deterring crime from being committed in the neighborhood.

1.光斑路燈

3.傳聲椅

路燈採用環保太陽能燈製作，利用光聚集的特性將

傳聲椅造型以尼斯湖水怪發想，將兒時回憶的紙杯

光斑概念投影在週遭環境(牆面及地板)，營造不一

傳聲遊戲融合其中。傳聲筒部分使用簡單的線條搭

樣的氣氛，達到牆面美化的作用，亦可大幅提升公

配高低落差，配合不同身高的民眾，可以選擇最

園旁的明亮度並可以遏止罪犯的意圖。

佳的傳聲位置，大人也可以微彎蹲著與孩童對話。

2.榮耀椅

4.水管椅

榮耀椅以頒獎階梯造型為發想，提供民眾休憩、倚

創作想法來自於空地裡的水管造型，將其視覺元素

靠或躺臥。整體設計利用交錯的金屬管彎曲，將頒

轉化為椅子，如同坐在水管裡的休憩畫面。因為乘

獎台意象轉化為無限的符號，讓城市裡的公園，充

坐面為圓形弧度，兩人坐在同一側，便會緊密的倚

滿著無限的可能與希望。

靠，讓人有幸福感的覺。

“來自在地的聲音，貼近居民的心” Local voices meet local needs

Project s 北城市設計展展示案例 2017 台

16 非典型臺北觀察學﹕ 都市畫畫人與他們的幻覺

複雜而多元的現代城市生活，是由彼此素不相識的人們共同譜寫而成。對於想要進行城市觀察的我們而言，由「無名者」所創造的那些看似隨機，實質上卻帶有個人主義色彩

OBSERVATIONS OF THE ATYPICAL TAIPEI URBAN ARTISTS AND THEIR HALLUCINATIONS

的空間，是理解當代臺北城市紋理的關鍵，本案為臺北市政府文化局之設計補助專案。 The complicated and diverse modern city life is created together by all these strangers. For

展示案例

those of us that want to observe the city, the seemingly random, but in reality highly personal spaces created by the “nameless” are key to understanding the urban texture of contemporary Taipei. This project is a subsidized project funded

2017 臺北設計城市展

by the Taipei City Gov- ernment Department of Cultural Affairs.

右岸住民志指導 Adviser ｜臺北市政府文化局

地點 Location｜臺北

主辦 Organizer ｜台北硬画

專案 Project｜非典型臺北觀察學

時間 Year ｜2017 84

Observations of the atypical Taipei

臺北遺址位於臺灣北部淡水河流域，是屬於後文明時代混凝土文化層的代表性遺址。據考古學家推斷，該遺址存在的年代大約是距今9400至8700年前，是目前臺灣所發現最大的史後聚落。 85

展示案例

背景藉由對於空間的敏銳度以及對城市的觀察，並透過畫作中所創造的空間，做為觀察臺北都市紋理的重要線索，不透過歷史、地理等論述來理解城市，而是蒐集散落在生活之中的微小訊息，藉此嘗試揭露無法說盡

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且永遠具有神秘感的「臺北印象」。

行動創作的過程中，將各自詮釋的城市空間匿名化：透過拼貼、隱喻等敘事方式將其重組起來，瓦解作者原有的時空觀念，將其還原成多組描述場所、事件與空間的圖像，將彼此對於臺北的理解，藉由不同的表現方式，回推至超脫自我意識上的原初狀態。

成就與展望 2017 臺北設計城市展

將操作視為一種地理與空間上的再魅：從一個Google 地圖與官方旅遊指南所能指出的清晰可見之臺北，還原成一種帶有地方特質的神祕朦朧的臺北。這些經過創作轉換，生產出來的「地方碎片」，在形象上不受到現實條件的限制，每一個創作，都承載了不同的空間經驗與故事，若將其並列，可以從中看出臺北的多重樣貌。

BACKGROUND With keen spatial perception and observations of the city, spaces created through drawings became important clues to understanding the urban textures of Taipei City. This is an attempt to understand the city not through history or geography, but the tiny bits of information scattered through life, which just might reveal the indescribable and forever mysterious “image of Taipei”. PROBLEM TO SOLVE In the process of creating this project, the space that each piece depicts was kept anonymous. As pieces are reassembled though collages and metaphors, the spatial awareness that the artists held were dissolved, reduced to images that describe places, events, and spaces, thus returning the artists' understanding of Taipei to its original form outside of the consciousness of the self through various displays. OVERALL GOAL AND OBJECTIVES Manipulation as a re-enchantment of geography and space: Turning the clear-cut Taipei seen on Google Maps or travel guides into a mysterious, ambiguous Taipei with local characteristics. These "location pieces" made with creativity weren't confined by realistic conditions. Each piece contains different experiences and stories, and when placed together, they show the many sides of Taipei.

“從可見的微小訊息中，發現無法說盡且永遠神秘的「臺北印象」” From tiny observable information, an indescribable and forever mysterious “impression of Taipei” can be discovered.

不足以代表臺北，不小心成為人生旅程中的一個棧點。如貓碎步穿梭於歲月的樓閣縫隙間，踏尋那些不足以代表臺北卻很臺北的地方。 86

展示案例 Project s 2017 臺北設計城市展

不存在的街景一個實驗性的街景拼貼計畫。該研究將城市中與街道相關的素材加以組合，形成多幅探討走路與時間的空間圖像。

展示案例

17 藝術妝點營造巷弄新生命

松山機場旁的大佳里，早期為農業耕地，而後逐漸被汽車輕工業所取代，然而因飛機航道限建，週遭建築物多被限制高度，皆停留

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在早期的平房高度，更因長期噪音干擾，導

ART BREATHES LIFE INTO ALLEYWAYS

致人口逐漸外移，至今僅剩下四百餘戶仍居住於此，臺北市政府文化局嘗試以藝術置入巷弄，為街區帶來不一樣的風貌。 Located next to Songshan Airport, Dajia District started out as farmlands, which were later replaced by the light automobile industry. Yet because it is located around flight paths, reg- ulations stipulated that buildings in the area must remain single-storied. Building restric- tions and

2017 臺北設計城市展

long-term noise disturbances led to a gradual outflow of the population. Now only around 400 households remain in the area. The Taipei City Government Department of Cultural Affairs is attempting to give the neighborhood a new look through art installations

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜嗶哺創意設計

專案 Project｜大佳里生活景觀改造計畫

時間 Year ｜2017

Dajia District Communit Landscape Transformation Project

展示案例

背景城市空間與建設的發展往往是相互依存，如同機場的建立影響的是週遭的建築高度與產業發展，在松山機場旁的大佳里雖位在臺北市區，因礙於開發的限制依

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然維持著老舊原貌，如同鄉間的小鎮一般，更因人口大量外移，讓社區缺少了該有的活力與生氣。

行動設計團隊以地方特色為出發點，並結合臺灣文化品牌「Peej」自有角色，利用大佳里著名的飛機巷進行改

BACKGROUND City spaces and development of infrastructure are often dynamics that should go hand in hand. Dajia District’s old appearance makes it appear like a rural town. The construction of airports affects the buildings and industries of surrounding areas. The proximity to Songshan Airport hindered the development of Dajia District, and even though it is located in Taipei City, its old appearance makes it seem like a rural town. The large outflow of the population also deprived the community of energy and vitality. But now the town is given a colorful makeover.

造，讓遊客來此不僅能感受飛機起降的震撼，更能騎著單車探訪彩繪社區，當飛機乘載著人們展開不同旅程時，地上的人們也能在巷弄間穿梭，展開一場城市

2017 臺北設計城市展

間的旅行。

成就與展望在城市的規劃中，存在著許多安全考量而無法進行變動的場域，希望透過巷弄景觀的改造，為舊有社區帶來新氣象，更為居民與來此的遊客提供更多元的風景。

PROBLEM TO SOLVE With local characteristics as the starting point, the design team incorporated characters from the Taiwanese cultural brand “Peej” to transform Dajia Dis- trict’s famous Airplane Lane, so that tourists can feel the force of airplanes taking off and landing and also ride bikes through the colorfully painted community. As the airplanes overhead take people on a different journey, visitors on the ground can weave through the alleys and embark on a journey of the city. OVERALL GOAL AND OBJECTIVES When it comes to urban planning, there are some places that cannot be changed due to concerns of safety. This project hopes to transform the alleyways of these areas, bringing a fresh look to old communities, and offering locals and visitors more diverse sights.

“老舊牆上作畫，街區再添新風采” Murals on old walls, giving neighborhoods a new look

展示案例

18 你的城市，我的運動場

一個城市的年齡該如何計算？是依據歷史文化或是人口年齡平均呢？其實都不是，城市年齡與都市活力成正比，一個有活力的都市

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才能持續成長與創新未來。市民就像是都市

YOUR CITY, MY PLAYGROUND

的紅血球，讓氧氣充滿城市各個角落，由臺北市政府文化局所主辦的臺北生活景觀改造計畫，試圖以色彩與運動中的城市為前提，展開景觀改造行動，創造臺北活力城市。 How do you calculate a city’s age? By its history and culture? Or the average age of the population? The answer is neither, the age of a city is proportional to its vitality. Only a city brimming with energy can continue to grow and create a future. The

2017 臺北設計城市展

citizens of a city are like red blood cells, bringing oxygen to each corner of the city. The Taipei Urban Landscape Planning project spearheaded by the Taipei City Government Department of Cultural Af- fairs is attempting to transform the urban landscape based upon vibrant and athletic concepts, creating an energized Taipei City.

城市運動標誌主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜水越設計

專案 Project｜臺北生活景觀改造計畫

時間 Year ｜2017 94

臺北四大運動場館周遭以及市府周遭的路燈上裝置運動標誌，輕鬆提醒民眾即使在忙碌的都市生活中，可時時運動。

Taipei Urban Landscape Planning 95

展示案例

背景城市中的景觀是否有更多可能？在城市之中，常看到的城市景觀與物件總是以機能考量進行設計，往往忽略了美感以及創意性，然而透過不同機能的置入，卻能讓乏味的街道產生更多的可能，進而讓人對於城市

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的記憶更加多元與有趣。

行動 2015-2016年臺北世界設計之都期間，開始推動城市環境色彩簡化，使大眾逐漸思考並認同減法設計，2017 年亦持續進行變電箱色彩計劃，並設置了數座裝置，如City Sport立牌與地圖資訊整合，市民可翻動立牌決定今天要以什麼方式在城市中運動，以及街道運動路牌的設置，希望透過人群在街道上等候公車或紅綠燈

2017 臺北設計城市展

時，也能透過週邊的物件一起動一動。

成就與展望運動早已融入在都市人的生活之中，然而透過2017

BACKGROUND Are there greater possibilities in urban landscapes? In cities, often times the urban landscape and ob- jects are designed based on functionality, while over- looking aesthetics and creativity. Yet the introduction of different functions can create more possibilities for once-boring streets, and make people’s memories of the city more diverse and fun. PROBLEM TO SOLVE During the 2015-2016 World Design Capital events, Taipei began promoting the idea of simplifying the colors in its urban landscape, so that the public would gradually consider and agree with simplified designs. This year, Taipei continues with its “New Color for Transformers” project, while setting up new installations such as the City Sport Signs, which has integrated maps of the city. People can flip through the signs to decide how to exercise in the city that day. Exercise street signs are also erected in the hopes that people will be inspired to exercise as they wait for buses or traffic lights.

年度的臺北生活景觀改造計畫：臺北人愛運動Sport City，讓市民看見街道運動的更多可能性，期望在世大運之後，臺北能夠持續注入運動的能量，成為一個真正充滿活力的運動城市!

運動熱點市府廣場速度球裝置，讓經過的行人可以拍

OVERALL GOAL AND OBJECTIVES Sports have long become a part of the urban lifestyle, yet through this year’s Taipei Urban Landscape Planning: Sport City, citizens of Taipei are shown the many possibilities of exercising on the streets. Hopefully after the Taipei 2017 Universiade, Taipei can continue to embrace athleticism, and become a vibrant sports city!

打、拳擊，感受不同的觸感與速度，讓市民放鬆心情。

“在街頭上運動，感受城市的活力” 變電箱改造整理變電箱資訊，分為行人道、車道與常態資訊，觀察與分析區域色彩，透過融入環境的色系，以及其上面的資訊載體即今年運動主題圖像，推廣城市

Hit the streets to exercise, feel the vitality of the city

生活中的各種運動。

展示案例

PARK AS A PUBLIC SPACE 公園

公園是都市的綠洲，不僅是人們集會、運動、社交的場所；也是人們在城市中親近自然、冒險探索的重要場域。然而隨著時代發展，多數公園仍停留在罐頭式的遊具以及制式化的景觀規劃。然而，公園不僅僅只

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為單一族群服務，更應該思考公園設計需要符合為在地使用者需求，多一點想像、討論，型塑出合宜的公共空間，融合在地文化，讓公園不再只有單一面貌，而是創造出與朋友野餐、玩耍，或是人生重要回憶的場所。無論是共融式遊具或是藝術置入，希望透過不同元素為公園增添不一樣的色彩，為人們創造往後的

2017 臺北設計城市展

美好回憶。

Parks are urban oases; they are where people gather, exercise, and socialize. They are also important places where city-dwellers can experience nature, have adventures, and explore. But with the passage of time, many parks have been stuck with mass-produced playgrounds and cookie-cutter landscaping. Parks have to cater to more than one kind of person, and their design should take into account the needs of local people. A little more imagination and discussion would help to create a public space that is integrated with local culture, enabling parks to be more than one-dimensional spaces, and instead be places where friends go for a picnic, where people go to play—a site for some of life’s most important memories. Whether through inclusive playgrounds or art installations,by mixing different elements parks can build unique identities and become the breeding grounds for wonderful memories in the future.

展示案例

19 在地特色置入! 打造社區新公園

考量兒童遊戲安全及維管的便利性，罐頭遊具遍佈在各種大小的公園內，不僅失去特色與性格，更限縮孩童探索環境的機會與成人

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使用的權益。自2015年由「還我特色公園行

ADDING LOCAL CHARACTERISTICS! BUILDING A NEW PARK IN THE NEIGHBORHOOD

動聯盟」掀起的參與行動，希望公部門正視罐頭遊具並以孩童身心發展做為核心考量，臺北市政府更於2016年推動「Play For All」計劃。本案由臺北市文化局以建成公園兒童遊戲場為基地，邀請在地居民提出使用經驗、觀察與需求，並透過跨界專業者的合作，創造具有「在地性」與「原創性」的共融式遊戲場域及裝置。

2017 臺北設計城市展

In consideration of children’s safety and convenience in repairs and management, mass-produced playgrounds are spread across parks of all sizes. This not only robs the parks of uniqueness and character, but also limits children’s chances to explore the environment and adults’ rights to use the park. The Parks and Playgrounds for Children by Chil- dren Coalition began to take action in 2015, urging the government to acknowledge the problem of mass-produced playgrounds and take children’s physical and mental development into consideration. In response, the Taipei City Government presented the Play For All project in 2016. In this case, the Taipei City Government Department of Cultural Affairs appointed Jiancheng Park as a base for locals to voice their experiences, observations, and needs regarding the park. Through collaboration between professionals in different industries, this created an inclusive playground and installations that have local characteristics and originality.

主辦 Organizer ｜臺北市政府文化局

專案 Project｜公園不再大眾臉–建成公園

執行 Executor ｜禾拓規劃設計顧問有限公司

No More Cookie-Cutter Parks

時間 Year ｜2017

Jiancheng Park

地點 Location｜臺北 100

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展示案例

背景在船運的年代中，建成公園周邊林立著打鐵的店舖，以提供船隻修繕的所需零件，而隨著運輸載具的演化，許多店鋪也改為汽修零件以及修繕的相關產業，不僅形成在地特色文化，也在巷弄之中營造出特殊的

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氛圍，而這個文化元素與氣息，也將透過設計融入公園的設計之中。

BACKGROUND In the era when shipping was prominent, the area around Jiancheng Park had many blacksmith shops providing ships with parts needed for repairs. As transportation evolved, many of these shops also evolved into auto parts and repairs shops, becoming part of the local culture, and creating a unique atmosphere within the side-streets. This cultural element and atmosphere will be incorporated into the designs of the park.

行動在大同區「建成公園」以兒童遊戲場為改造主題，空間嘗試以動態、靜態的概念依照不同的使用強度進行分區，遊戲裝置嘗試以單一簡化的裝置形式與地景結合進行規劃，使遊憩機能不僅限於孩童，而是能提供不同時段以及不同族群使用，讓空間的使用上擁有更多可能性，並以趣味性、主題識別性和教育性做為主 2017 臺北設計城市展

要的設計考量。

成就與展望

PROBLEM TO SOLVE Jiancheng Park in Datong District has been renovated based on the theme of children’s playgrounds. The park is divided into sections based on the how active or passive the activities conducted in the section will be, so that the park can not only be enjoyed by children, but also by different demographics at different times, creating more possibilities in how the space can be used. Fun, distinctiveness of theme, and educational purposes are also primary consider- ations in the design process.

自2017年7月以來，臺北市政府文化局開始舉辦「里民參與設計座談會」，透過光能里里長陳靜筠邀請在地居民針對公園改造提出自身的意見，並藉由5場次的「專家設計工作坊」進行設計發想與提案，最後將設計師們所提出的公園提案透過設計座談與里民分友伴互動裝置 — 轉吧!我們的小宇宙建成公園為日治 (1937年)開園劃定「下奎府町兒童遊園地」，為臺灣最早兒童樂園。現今大家耳熟的打鐵行業主要集中在下奎府町(現萬全街、歸綏街、太原路、承德路等)。在1967年為解決大稻埕淹水問題，在現今的承德路下闢建大排並拓寬道路，打鐵行業多遷移至萬全街和興城街一帶，而現今光能里赤峰街則是汽車及五金零件產業在此蓬勃發展。融入在地特

享，並聆聽里民對於設計提案的想法與回饋，希望透過設計師與使用者之間的妥善溝通，讓公園的改造不僅能更為有趣，更能夠貼近在地需求，本案持續進行中，預計於 2018年完成改造計畫。

OVERALL GOAL AND OBJECTIVES Since July of this year, the Taipei City Department of Cultural Affairs have started organizing Villager Design Participation Forums, where the Neighbor- hood Chief Chen Ching-Yun invites locals to voice their suggestions for the park’s renovation. In the forums, designers present their plans for the park, and then listen to ideas and feedback from the locals. It is hoped that through proper communication between the designers and the people who will be using the park, the park can be renovated into something more interesting, and more connected to local needs. The project is still currently ongoing, and renovations are expected to be completed in 2018.

色產業五金及汽車零件等常見素材「齒輪」進行發想設計，齒輪同時為國小自然與科技必修課程，期望孩童透過遊戲與夥伴間的互動過程發現其中的運作原理，並將赤峰街特色元素融入進行呼應。

“在這找到屬於我們的遊戲方式，ㄧㄡˇ伴真好” Here we can play games our own way! It’s great to have buddies.

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展示案例

20 藝術即是生活

藝術與生活，看似背道而馳，卻是緊緊相依。做為一個生活經驗轉化與抒發的媒介，藝術在城市中的重要性想必是無庸置疑的，

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即便在臺北市的大直、內湖地區，同樣有著

ART AS LIFE

一群由畫廊、藝文空間、藝術機構所組成的「大內藝術特區」，希望透過自發性舉辦的藝術活動，並透過臺北市政府文化局所提供的設計補助計畫，嘗試為大直、內湖地區增添文化與藝術色彩。 Art and life seem opposed, but they actually go hand in hand. As a medium to transform and express life experiences, the importance of art in a city is indisputa- ble. Even in Dazhi and Neihu Dis-

2017 臺北設計城市展

tricts, there is the Taipei Art District formed by art galleries, art and cultural centers, and art institutions. It is hoped that these will add culture and art to the Dazhi and Neihu areas through voluntarily organized art events and the design subsidy program provided by the Taipei City Government Department of Cultural Affairs.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜尊彩國際藝術有限公司

專案 Project｜2017大內藝術節

時間 Year ｜2017 104

2017 Taipei Art District Festival 105

展示案例

背景在繁忙的內湖科技園區之中，藝術空間進駐的時間可回推至科技園區發展初期，經過在地藝廊考察國外各大街區、藝術展後，嘗試在內湖、大直地區串連各大藝術空間，並透過舉辦大型藝術節慶試圖提供大眾更

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多與藝術親近的機會。

行動 2017年10月~11月活動期間，透過18台文化巴士、4處藝術候車亭計畫、3大公共藝術展區與4場藝術主題展覽，嘗試串聯在地藝術單位與商圈，舉辦講座、導覽與創意活動，以拉近藝術與市民之間的距離，精準落實「藝術即生活」此一重要概念。

成就與展望 2017 臺北設計城市展

邁入第四屆的大內藝術節，一直以來皆以民間自發的方式進行策劃與執行，並隨著執行團隊逐年考察所帶回的經驗日益進步，近年來試圖讓政府與更多的市民看見此一藝術聚落、參與此藝術節慶，並朝著具有在地特色與文化氣息的大型藝術展覽持續努力著。

BACKGROUND In the busy Neihu Technology Park, the integration of art can be traced back to the early development of the technology park. After local galleries surveyed major neighborhoods and art exhibitions abroad, they tried to connect art centers in Neihu and Dazhi districts, organizing large art festivals to give the public more oppor- tunities to experience art. PROBLEM TO SOLVE During the event from 10/7 to 11/5, 18 cultural buses, 4 artistic bus stop projects, 3 large public art exhibition centers, and 4 art exhibitions will try to connect local art establishments with shopping districts in organizing lectures, guided tours, and creative events. This will bring people closer to art, and help realize the important concept of Art as Life. For more information, please check the Taipei Art District Festival Facebook page. OVERALL GOAL AND OBJECTIVES Entering its fourth year, the Taipei Art District Fes- tival has always been coordinated and carried out voluntarily by the public. The executive team's experience has grown with each passing year, and in recent years, it has tried to let the government and a greater proportion of the public see this artistic gathering and take part in the art festival. It strives to be a large art exhibition with local characteristics and cultural atmosphere.

“藝術介入，產業聚落的柔性演出” The addition of art, a flexible performance in industry clusters.

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21 社區中的遊樂堡壘

在居住的場域中，公共空間的主要任務便是串連起不同的族群，然而在許多社區之中，由於居民以及地方政府並未有效經營與推

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動，造成公共空間的閒置與使用性低落，更

A PLAYFUL FORTRESS IN THE COMMUNITY

無法吸引不同的族群前往使用，就公共空間的特性而言，是相當可惜的。 In residential areas, the primary purpose of public spaces is to bring different groups of people together. Yet in many neighborhoods, the residents and local governments have failed to effectively manage and promote these places, leading to abandoned and unused public spaces that are unable to attract people, which is a shame because the public spaces are not being used according to

2017 臺北設計城市展

their characteristics.

108

執行 Executor ｜Sturt Noble Associates + Nuha Saad

地點 Location｜澳洲新南威爾斯州

時間 Year ｜2016

專案 Project｜烏拉巴公園 Wulaba Park 109

展示案例

背景 Wulaba Park位於新南斯威爾洲的滑鐵盧區，該區人口結構多元，但結構變化更是快速，而此一多元的社區之中，也長期缺乏提供大眾遊憩的設施與環境，同時

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隨著時間發展，週邊開發出許多公寓住宅，預計將會有大批居民湧進此區。

行動透過大型量體的遊具設計，並搭配巨大溜滑梯、繩索攀爬、鞦韆、大自然遊戲與隧道等設施，提供簡單易懂的元素，能訓練靈活度、平衡感、協調性與肌力，更透過遊樂空間裡多變的遊樂元素、材質、植栽與藝術作品，刺激使用者的五感體驗。各自離散並獨立的遊樂區域，可滿足個人與團體遊樂活動的需求，並藉由大型石塊、混凝土與牆面等元素，創造許多非制式

2017 臺北設計城市展

BACKGROUND Wulaba Park is located in the Waterloo area of New South Wales. The population structure in the area is diverse and quickly changing, but for a long time, this diverse community lacked facilities and environments for the public’s leisure. As time passed, many apartment buildings have been built in surrounding areas, and a large number of new residents are expected to move in.

的遊戲方式，多元的材質與遊戲方式，將能引導孩童在遊戲之間探索以及觸發各種遊樂的體驗。

成就與展望 Wulaba Park的設立，試圖滿足地區上長期缺乏遊憩空間的需求，並且透過藝術與遊戲的方式為地區增添生氣，更引發各種感官體驗，Sturt Noble設計團隊打造的遊樂空間，將為不同年齡層的市民，提供各式各樣的遊樂與冒險體驗。

PROBLEM TO SOLVE Large-scale playground designs, and installations such as giant slides, climbing ropes, swings, nature games, and tunnels, provide these simple elements that can train children’s activeness, balance, coordination, and muscle strength. The variety of play elements, materials, plants, and artwork also stimulate the senses. Separate and independent play areas can fulfill the needs of both individual and group play. Elements such as large stones and concrete walls create unconventional ways of playing. Diverse ma-terials and games can guide children to explore and embark on all kinds of playful experiences. OVERALL GOAL AND OBJECTIVES he establishment of Wulaba Park attempts to meet the needs of the community, which has for a long time lacked a place of leisure. The art and games brightened the community, and sparked all kinds of sensory experiences. The play space created by the Sturt Noble design team will provide a wide variety of fun and adventure for residents of all ages.

“全民探險遊樂場，結合公共藝術與大自然的遊樂體驗” Adventure playground for all that combines public art and nature.

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22 閒置空間的第二生命

在每個都市之中，皆存在著難以利用的小型閒置空間，倘若能夠有效規劃，必然可以為在地帶來不一樣的氛圍。ParkUp期望建構一

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套因應都市發展所需的解決策略，讓空間資

A SECOND LIFE FOR UNUSED SPACES

源分享在公共與私利之間達到平衡，並對人們居住的環境產生實質的影響。 In every city, there are small vacant spaces that are hard to make use of. If we can plan effectively, we can give the place a different atmosphere. ParkUp hopes to create a solution that fits the needs of urban development. This will allow spacial resource sharing to reach a balance between public and private interest, and substantially influence the

2017 臺北設計城市展

environments in which people live.

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主辦 Organizer ｜Plan b

地點 Location｜臺北

時間 Year ｜2017

專案 Project｜ParkUp 113

展示案例

背景都市人需要開放空間來調適生活。臺北市民每人平均享有 5.32m2的開放空間，遠低於世界各城，但閒置空間卻高達14,000多筆，散落於城市各角落。ParkUp透過規劃與設計，運用 3 個空間再造原則，讓都市中的

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閒置空間成為適應在地的開放空間。

行動 ParkUp GT 品牌的首座閒置空間改造計畫。Planb認養位於臺北古亭，由國有財產署管理的一處30坪閒置空地。規劃於空間中架起9座白色單槓，而單槓設計適當的間距寬度，則友善輪椅通行。除了符合多數年長居民健身、曬被的需求外，同時利用ㄇ型結構，作為秋千、吊床、活動攤位架...等多種應用，發展不同的變化

2017 臺北設計城市展

性。ParkUp GT 雖然位於老舊社區，但藉由經常性的佈置與活動，吸引許多年輕族群來訪，於是促成不同族群間的對話。當信任因此產生，個人 - 社區（社群）都市的關係便能重新聯結。

ParkUp DT 品牌受臺北市政府與左腦創意行銷邀請，反思鄰里公園閒置遊戲區域的改造雛形計畫。相信「簡單的設計才有更多想像的可能」，Plan b 於是設計一套可供未來遊具設計師因地制宜的模組化柱結構系統。該系統能適應場域形成不同規模的空間配置，再透過觀察在地需求與行為模式，設計合適的硬體裝置。利用柱結構點對點成線、線連線成面的變化，將不同材質運用在其中。這次雛形計畫，我們利用木柱、鋼管及結網來呈現。遊戲者可以在如林中的木柱間玩耍躲藏，並隨

“讓閒置空間變得開放，讓開放空間不再閒置” Make the unused spaces public, and make the public spaces to be used.

著攀爬架與遊戲網上下穿梭；適當的柱間距及高度讓輪椅族群與娃娃車都能進入空間中互動；老人們也可倚著木柱伸展筋骨。當空間能接受多樣的族群一起使用，共融的精神才有機會體現。

成就與展望

BACKGROUND Citizens are always in need of open spaces to balance their urban lives. Taipei City has average of ca. 5.32m2 open space per person, which is much lower than other capitals around the world, but the unused spaces are up to more than 14,000 units, spreading around the city. Through urban planning & design with 3 principles of space transforming, ParkUp turned the neglected spaces into open and adaptable. PROBLEM TO SOLVE ParkUp GT The first renovation project of Plan b, which located in Guting, Taipei City, is a 99 square meter plot of unused land, managed by the National Property Administration and adopted by Plan b. There are 9 white horizontal bars, spaced wide enough for wheelchairs to freely pass through. Beside the functions for elders’ workout, airing out blankets, they are also being designed for swings, hammocks and the prop up canopies…etc., adapting to diverse possibilities in the community. ParkUp GT is located in an old community, but with frequently events, it attracts young ages to visit and brought within more interactions between the communities. ParkUp DT Being invited by Taipei City Government and Left Brain Marketing, to reflect the project of transforming prototype for the playground in the neighborhood park, Plan b believes “Simple ideas would fuel imagination,” thus designed a set of modular pillar structure systems for future play-equipment designers, to adapt various scales of fields and spaces; through observing different local demands and behavior patterns, the pillar structure element was used into different geometric entities (point, line, surface, etc.) with different materials. Plan b designed wooden pillars, steel pipes and spider nets for this prototype project. Players could play between the pillars and do net climbing; appropriate spaces and heights between the pillars are wheelchairs & baby strollers accessible; furthermore, the elders could also lean against the wooden pillars to stretch their backs. When m ultigenerational groups could accept the space, the spirit of integration would be finally fulfilled. OVERALL GOAL AND OBJECTIVES A small idle space in the city could be used in a great multiplier effect after planned properly. ParkUp expects to build a set of solutions, for satisfying the needs of urban development, making the space resource be both shared in public and privately, and placing a substantial influence in the city we live, so that could meet the sustainable development goals (SDGs) set by the United Nations: To make cities inclusive, safe, resilient and sustainable.

都市中難以利用的小型閒置空間，如果規劃得當，必定可以產生極大的乘數效應。ParkUp期望建構一套因應都市發展所需的解決策略，讓空間資源分享在公共與私利交織的默契下達到平衡，並對我們所居住的城市發揮實質的影響力，以符合聯合國制定永續發展目標（SDGs）所描述的：讓城市與人類的定居朝共融、安全、具有韌性並且永續的方向前進。

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23 公園有特色，市民一起來作客

在臺北市共有三百多座鄰里公園，然而大部分卻有著極為相似的面貌，制式化的設施不僅讓公園失去其特色與性格，更限制了各族群對於公園的使用。透過邀請市民與孩童在

PARKS WITH CHARACTER, Project s

WHERE CITIZENS GATHER

工作坊中提出符合在地需求的想法，並由專業團隊設計出符合在地需求的遊具，不僅讓遊具更貼近市民，更成為公園裡的新景點。 There are over 300 neighborhood parks in Taipei City, but most of them look nearly identical. Standardized facilities not only deprive parks of their uniqueness and character, but also limit the use of the parks for different groups of people. By inviting citizens and children to voice their ideas that pertain to local needs in workshops, and hav-

2017 臺北設計城市展

ing professional teams design playgrounds that meet these local needs, the playgrounds will not only be better connected to the people, but also become new features of their parks.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜景澤創意

專案 Project｜公園不再大眾臉-中山區

時間 Year ｜2017

No More Cookie-Cutter Parks Zhongshan District

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行動

BACKGROUND As a place for public activity, parks should be de-signed and planned according to the people in their respective areas. Take Zhong'an Park in Zhongshan District for example. Upon researching different groups of people in the area, it was noted that there are visually impaired workers and institutions nearby. As a result, music became a desired direction for the park's renovations. This will strengthen the element of sound in the park, so that while other people are playing in the park, these visually impaired individuals can also en-

由於體悟到落實在地參與的重要性，尤其是鄰里公園

joy the joyful atmosphere.

展示案例

背景公園做為一個提供大眾活動的場域，就設計與規劃而言應隨著不同地區的族群而有所差異，如同中山區的中安公園，透過了解在地不同的族群後，發現有些許視覺障礙工作者與機構，因此希望以音樂做為公園的

Project s

改造方向，加強公園中的聽覺感受，當他人在公園裡玩樂的同時，這些視覺障礙者也能在公園之中感受歡樂的氣氛。

對於在地居民的服務性，因此在設計與規劃之前，了解在地需求是勢在必行的，在2017年八月至九月，分 1.

別在兩處公園各舉辦了多場的公民參與工作坊，並透過與居民面對面的互動，了解在地族群最直接的需求

2017 臺北設計城市展

與想像。

成就與展望透過田野調查了解在地使用需求以及多場工作坊凝聚

PROBLEM TO SOLVE Because we understand the importance of local participation, and how parks should benefit local residents, it is necessary to learn about local needs before design and planning begin. In August and September, many citizen participation workshops were held in two parks to better understand the direct needs and ideas of the local population, through face-to-face interaction with the locals.

在地意識，資料的量化統計與整理試圖跳脫制式化遊具設置方式，綜整需求並與專業設計團隊合作，期望讓公共空間的規劃與設計真正落實在地、公民參與 2.

的基礎之上，形塑貼合在地需求的公共空間，預計於 2017年底前完成兩座鄰里公園改造計畫。

3. 1.永盛公園由共感地景團隊設計規劃，鑲嵌新的時空切片於當下，再激發第一次走入遊樂場的實驗性思考。 2&3中安公園由無垢環境設計團隊陳德龍設計師設計規劃，將音樂作為主題，在空間佈局上，放置

OVERALL GOAL AND OBJECTIVES Through field research to understand local needs, multiple workshops to establish local identities, quantitative data research and organization to break away from standardized playground installation, integration of local needs, and collaboration with professional design teams, we hope to ensure that the planning and design of public spaces are truly based upon localization and citizen participation, creating public spaces that match local needs. Renovations for the two neighborhood parks are expected to be completed before the end of 2017.

“公園的革新，需要來自在地的聲音” The renovation of a park needs locals’ voices.

木平臺與不同的發聲互動裝置，期待透過流暢動線與音樂元素創造多元交流。

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Project s 展示案例

展示案例

24 跟罐頭公園說再見

罐頭遊具出現在你我生活中已歷經數十年，但制式化的遊具，要怎麼能夠符合不同身心狀況、年齡的孩子呢？臺北市政府

Project s

文化局「公園不再大眾臉」大同區專案，

SAY GOODBYE TO IDENTICAL PLAYGROUNDS

邀請在地孩童、身心障礙小朋友與三個設計師團隊，一同用創作與玩樂，激發公園的更多可能。 Mass produced playgrounds have been a part of our lives for decades, but how can standardized playground meet all children’s need? In response, the Taipei City Government De- partment of Cultural Affairs organized the “No More Identical Parks” project, inviting local children, disabled children to play, and developing and discussing

2017 臺北設計城市展

more possibilities for parks in the process.

主辦 Organizer ｜臺北市政府文化局

地點 Location｜臺北

執行 Executor ｜左腦創意行銷

專案 Project｜公園不再大眾臉-大同區

時間 Year ｜2017

No More Cookie-Cutter Parks DatongDistrict

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展示案例

1.景化公園

背景

團隊打造一架神秘飛船，飛船上有大型光束坡、星球

計畫選定臺北市最早發展的區域，大同區的景化、朝

攀爬網等讓孩子冒險的設施,而讓地球人自由體驗的

陽、樹德公園進行遊戲場改造，希望為人文薈萃、蘊

「神秘訊息翻轉牆」，除了小孩可以玩，里民也可因

含豐富歷史文化的大同區帶來嶄新活力。

Project s

應節慶或活動創作不同圖案，使遊戲場不只好玩、也更加促進社區互動。

行動 2017年暑假，我們廣邀當地164名小學生、60位身心障

2.朝陽公園

礙小朋友，舉辦了9場遊戲工作坊，讓孩子與設計團隊

結合朝陽里的文化歷史與茶葉、服飾材料等特色元素，團隊設計了一隻逗趣的鈕扣獅，它提供數種互動

一同玩樂、創作，從中了解孩子們對公園的期待、並 1.

邀請關注遊戲場的專家學者、公民團體及在地居民一

獅尾雨聲筒等，讓孩童透過遊戲了解在地文化。

同討論，讓設計更符合使用需求。

呼應大樹矗立的公園特徵，團隊用簡單直白的柱狀 2017 臺北設計城市展

PROBLEM TO SOLVE In this summer, we held nine sessions of Creative Play Workshop, invited 164 local elementary school students and 60 disabled children to play with park designers; and turned ”little game expert” ’s creativity, expectations for and imagination of a park into the new design of three parks. Also, we held six professional Workshop, invite expert and civil group which concern playground issues, to make the design meet the needs.

3.樹德公園

結構，建築一座森林中的遊戲空間，讓孩子在裡頭攀爬、穿梭與躲藏,老人們則倚著柱子拉筋伸展，用不同的柱間距、排列，歡迎大小朋友一同遊玩，打造屬於所有人的森林遊樂園。

1.JINGHUA PARK The designers plans to put a space- ship at Jinghua Park, there’s light beam slope, planet climbing net to let children play wild, on the other hand, they design a secret flip-board wall to let local people easily create pattern for different festivals, make playground not only a place for children but also stimulate social interaction. 2.CHAOYANG PARK The local element of clothing materials and tea culture will be the design element for Chaoyang Park, designer plan to set a “Button Lion” which offer several interactive device include ball maze, button pole, spool climbing net and lion tail rain stick so that children playing in the park can learn about local culture and characteristics. 3.SHUDE PARK Shude Park is the park of trees, we plan to use simple pillar structure build a play ground in forest to let children climb, shuttle and hide in here, also elder people can lean on the pillar to stretch. Different space arrangement of pillar allow all the people play in this playground, make the park of tree a park of everyone’s forest playground.

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將觀察轉化為新遊戲場設計，更舉辦6場專業工作坊，

方式，包含滾珠迷宮眼睛、鈕扣跳樁、線軸攀爬場、

BACKGROUND The Taipei City Government Department of Cultural Affairs selected Jinghua Park, Chaoyang Park and Shude Park, which located in Datong district, the first developed district in Taipei to redesign; expect that this project can bring new energy to this district rich in historic culture.

“打造讓不同身心狀況的孩子，一同冒險、成長的樂園” Build a playground that different children can play and learn together.

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展示案例

DATA OPEN UP 數據

在繁忙的城市中，數據以抽象不可見的方式存在，直接或間接影響著每個人的生活，無論是大數據影響的交通，或是環境污染、社會脈動的資訊，無一不是每分每刻皆在變動的。然而，人們該如何透過何種管道了解數據？政府掌握著大量數據資料，如何使用、操作數據，促使人類社會的生活變得更

2017 臺北設計城市展

Project s

加方便且友善，同時也要分辨對於快速資訊的是與

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非，這勢必是這個時代必須面對的挑戰，更是邁向未來無可避免的過程。 In the bustling city, data exists in intangible and unseen ways, directly and indirectly influ- encing our lives. Data changes by the second—whether big data on transport, pollution data, or information on social context. So how should people go about understanding data? The government has a firm grasp on great quantities of data. Using that data to make life more convenient and accessible, while separating truth from falsehood in this fast-paced information age, is the challenge we must face, as well as an unavoidable part of our journey into the future.

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展示案例

25 用資訊圖表簡單說好故事

Re-lab將資訊與數據轉化成易讀的圖像，嘗試以資訊圖表改變社會。 Re-lab turns data and information into easy-

USE INFOGRAPHICS TO TELL GOOD

through infographics.

STORIES SIMPLY

2017 臺北設計城市展

Project s

to-read graphics, attempting to change society

主辦 Organizer ｜Re-lab

地點 Location｜臺灣

時間 Year ｜2017 128

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展示案例

背景 Re-lab是一個專注在解決資訊傳達問題的設計顧問團隊，也是臺灣第一家資訊圖表設計公司，主要任務為資訊傳達溝通方式諮詢與設計製作，提供從策略、設計到推廣的完整服務，特別喜歡透過實驗性的專案探

Project s

索更多可能，在每一次的實驗中不斷進化。

BACKGROUND Re-lab is a design consulting firm focused on tackling information communication issues, and also the first infographics design company in Taiwan. The company’s main mission is information communica- tions consultation and design, providing complete services from strategy, design, to promotion. Re-lab especially likes to explore more possibilities through experimental projects, evolving with each experi- ment.

行動 Re-lab為客戶量身打造資訊傳遞與呈現的方式，以資料

給正確的對象，賦予資訊生命、用設計打動人心。

PROBLEM TO SOLVE Re-lab gives clients custom-made methods of information communication and presentation, visualizing the data, accurately conveying complicated information and data through graphics, giving information

成就與展望

new life, and moving hearts through design.

視覺化的手法，將紛雜的資訊與據以圖像化方式傳達

當資訊能妥善地被所有人看見，議題就有進一步產生討論的可能，Re-lab創業期間即以發揮影響力改變臺 2017 臺北設計城市展

灣作為精神，不只是與企業端接案，Re-lab也與多個 NGO組織合作，期望能藉由議題的展開來影響與改變整個社會。

台灣跨國聯姻統計跨國戀情，又稱 ”CCR ”(Cross Culture Romance) 近幾年來在臺灣常常造成話題，但是你知道臺灣每年究竟有多少對跨國新人產生嗎？Re-lab重新設計了行政

OVERALL GOAL AND OBJECTIVES When data can be adequately seen by everyone, the issues have more chances of spurring discussion. From its start-up phase, Re-lab has aspired to use its influence to change Taiwan, not only taking cases from corporations, but also working with many NGOs, spreading issues to influence and change society.

“讓嚴肅的事實有趣地呈現” Interestingly present the serious truth.

院主計處的國情統計報告書，除了可以看出臺男台女外籍配偶的比例，也可清楚掌握最受歡迎的外籍配偶國籍，讓你一目了然臺灣的跨國婚姻狀況！

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展示案例 Project s 2017 臺北設計城市展

2015 全國火災統計

2015 臺灣自行車出口情形

臺灣十大癌症報告書

每次打開新聞都會看到層出不窮的火災報導，2015年平均每天

一日雙塔傳奇的達成除了要有過人的意志力之外，有一台耐

國民健康署最新2012癌症報告出爐，癌症時鐘再度

有4.6件火災發生，到底這些火災主要發生的原因是什麼呢?一

操的「卡打掐」是必備的!自行車這個又潮又環保又可以燃燒

撥快，每5分26秒就有一人罹癌，比2011年又快了

分鐘看我們的國情通報圖表改造，原來電器因素與人為縱火高

脂肪，再次風靡全世界的交通工具，也是臺灣出口到世界各

14秒，十年來已經快轉1.6倍，速度驚人。

居前兩名，兩者相加就超過了50%...而前五名的起火原因大多都

地掌聲不斷的商品之一，甚至創造了670億的產值。但你知

與生活習慣有關，多一分留意，少一分發生危險的機率!

道每年臺灣出口多少輛自行車到世界上哪些國家嗎?快來看看熱騰騰剛改造好的國情統計報告書，迅速掌握MIT的自行車都在哪些地方趴趴走!

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26 為城市設計的創新解方

數據城市專案串連新創公司、企業、地方政府，城市以創新的手法面對城市的各種挑戰。

INNOVATIVE SOLUTION FOR CITY DESIGNS

nies, corporations, and the local government to address the challenges of the city in innovative ways.

2017 臺北設計城市展

Project s

The Data City project connects start-up compa-

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主辦 Organizer ｜NUMA

地點 Location｜法國巴黎

時間 Year ｜2017

專案 Project｜Data City

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展示案例

背景在數據充斥的時代，當數據失去主權，人們可以如何利用它們？這個社會需要一個用數據讓城市變更好的方法，新創公司有好點子、企業有資源、政府有數據，如何讓各個團體能各取所需、甚至能互利雙贏？

Project s

城市需要一個中介的角色，讓各個利害關係人因為數據串聯在一起。

行動此專案結合新創公司的創新思維與解決問題的能力、企業的資源以及地方政府的關鍵數據，利用數據與科技去試圖設計出最符合城市需求的解決方案。曾有新創團隊與電信商合作，透過追蹤使用者來調查城市的交通擁擠程度，接著結合市府的路燈數據，將低交通

2017 臺北設計城市展

流量地段的路燈亮度調暗，因此節省了10%的能源耗損，也省去建置城市交通感測器的高額成本。

智慧建築 SMART BUILDING

流動數據 MOBILITY

成就與展望此專案嘗試解決的城市問題包含智慧建築、都市規劃、能源損耗等等。其中已有許多企業願意提供各式數據，期待能再結合各個利害關係人，產出好的結果。最終創新解方的目標即是建立雙贏的局面，讓數據能平等地被運用，讓正向的循環持續。

能源數據 ENERGY

物流數據 LOGISTICS

BACKGROUND In an era filled with data, when data loses its dominance, how can people use them? This society needs a way to make the city better through data. Start-up companies have good ideas, corporations have resources, and the government has data. How can each party get what they need, and achieve mutual benefits? The city needs a mediator, con- necting stakeholders through data. PROBLEM TO SOLVE This project combines the innovative ideas and problem-solving skills of start-up companies, resources of corporations, and key data from the local government to design the best solution that meet the city's needs through data and technology. A start-up team once worked with telecom companies to research the city's level of traffic by tracking users, the results is then combined with streetlight data from the city government to dim streetlights in low traffic areas, thus conserving 10% of energy consumption, and saving the government from the high expenses of setting up traffic sensors. OVERALL GOAL AND OBJECTIVES This project attempts to solve issues in the city, such as smart architecture, urban planning, and energy consumption. Many corporations are willing to provide different sets of data, hoping to work with other stakeholders and create good results. In the end, the goal of these innovative solutions is to create win-win situations, let data be used fairly, and facilitate a positive cycle.

“三方協作，解決城市的種種挑戰” Tri-lateral cooperation to overcome challenges of the city

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27 守護空氣的捕夢人

空氣污染不再是隱形的殺手，LASS作為一個由下而上的民間環境監測組織，透過全臺自造感測器的大量串聯，使數據不再沈默，讓

Project s

空污無所遁形。

DREAMCATCHERS

Air pollution is no longer an invisible killer. A grass-

WHO PROTECT THE AIR

roots environmental monitoring organization, LASS uses self-made sensors all over Taiwan to bring data

2017 臺北設計城市展

to light, showing air pollution for what it is.

主辦 Organizer ｜LASS 社群

地點 Location｜臺灣

時間 Year ｜ 2017

專案 Project｜LASS-環境監測器網路系統 LASS-Location Awar Sensor System

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背景 LASS社群由一群臺灣對環境監測有熱情的自造者組成，組織精神強調開源分享以及自造，並透過網路社

Project s

群的快速串聯，在臺灣掀起群眾環境監測的革命。

LASS社群自力開發低價的監測器，並將各地收集之空氣即時數據上傳至雲端，以資料視覺化的方式，將空污數據公開在網路上供全民監督。儘管自造的監測器精準度不比精密的儀器，但LASS相信這些大數據透過分析，就能找出空氣趨勢變化的價值。透過群眾的力量，LASS已串聯起全臺的自造者甚至是政府機構，在臺灣逐漸佈下全民監測網。

2017 臺北設計城市展

成就與展望 LASS社群後續與企業、中研院資訊所合作推動「空

BACKGROUND The LASS community started as a group of makers passionate about environmental monitoring. The group’s spirit emphasizes open source sharing and DIY. Through the fast connection of social networks, the group is leading a revolutionary towards a crowd-monitored environment. PROBLEM TO SOLVE The LASS community developed low-cost sensors, and uploads collected data to the Internet in real time, presenting the information in a visual manner for the public to scrutinize online. While these self-made sensors are not as precise as precision in- struments, LASS believes that the value of changing trends in the air can be found by analyzing these big data. Through power of the masses, LASS has united makers across Taiwan, even some government institutions, to lay down a network of sensors in Taiwan.

氣盒子」計劃，發展出一套簡易安裝的小型空氣品質監控設備，透過LASS社群與政府的推動，空氣盒子被設置在學校、民眾住宅等地，當空氣污染發生時，群眾就能藉由易讀的透明數據找到空汙的兇手。空氣盒子計畫不僅讓空污數據公開易讀，其注重的環境議題間接成為中小學最好的環境教材，而監測設備成本低、易安裝的特性，則是成為培養學生創客精神的一大利器。此計劃在民間與政府的推動下累積了大量的實證經驗，甚至吸引他國來臺取經，也成為臺灣在環境監測領域上的一大成就。

“創客串聯，

OVERALL GOAL AND OBJECTIVES The LASS community later collaborated with corporations and the Academia Sinica Institute of Informa- tion Science to promote the “Airbox” project, developing a set of small, easily installed air quality sensor. Through advocation from the LASS community and the government, airboxes were set up in places like schools and people’s residences, so that when air pollution occurs, people can find the culprit through clear, easy-to-read data. The Airbox project not only makes air pollution data public and easy to read, the environmental issues it values also serve as the best teaching material for elementary school and junior high. The low-cost, easy to install sensors are also a great way to promote the maker ideal to students. The project has amassed lots of trial experience under local and government support, even drawing other countries to come and learn from it, becoming a great achievement in Taiwan’s environmental monitoring.

揭開空污數據的真相” Makers unite to reveal the truth of air pollution data

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藝術介入

Notes from the Curator

藝術家介紹

藝術介入

驗室，目前生活及工作於臺北。近期重要展覽包

鄧兆旻，畢業於臺大電機系及麻省理工學院媒體實括2012年《現代怪獸－想像的死亡與復生》臺北雙年展、2013年《littlewater》日本大阪堂島川雙年

Arts

展、2014年《造音翻土：臺灣戰後聲響文化》國立臺鄧兆旻/

北師範學院美術館／高雄美術館巡迴展、2015年《失

藝術家

調的和諧》韓國首爾 Art Sonje Center、《RR ZZ》義大利米蘭Gluck 50、《廣島三部曲》日本廣島當代美術館、2016年《公共精神》華沙當代藝術中心、以及2017年《這麼多年過去》（個展）於臺北立方計劃

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空間。

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Artist Bio TENG Chao-Ming (born and live in Taipei) graduated from the Media Arts and Sciences program from MIT School of Architecture and Planning. Recently shows (selected) includes Taipei Biennial (TW) 2012, Dojima River Biennial (JP), 2013, Alter-Nativism: Sound Cultures in Post-War Taiwan, MoNTUE (TW) 2014, Discordant Harmony, Art Sonje Center (KR), 2015, “ RR ZZ “, Gluck 50 (IT), 2015, Hiroshima Trilogy: Part III, Hiroshima MOCA (JP), 2015, Public Spirits, Warsaw CCA (PL), 2016, and (Solo) After All These Years, The Cube (TW), 2017.

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作品說明透過五張圖表燈箱，藝術家借用展場元素介入《平等哲學》，希望藉此提供不同的視角來閱讀展覽中所提到的諸多設計方案。在鄧兆旻的思考裡，這些方案都鑲嵌在複雜綿密的權力關係之中，而這也是當代

Project s

設計師必須面對的挑戰：個體與結構、結構與結構之間永不停止的互相滲透與衝突。這些圖表描繪著諸多視覺化了的「譬喻」與「言說」，提供給觀眾一些框架來複雜化展覽中所提列的大小案例。圖表中諸多的模糊地帶給予觀眾解讀的空間，得以套用在不同尺度的問題與狀況。當代社會，個體的生理心理狀態即不穩定，社會運作的複雜程度又每每超出我們的理解所及，《平等哲學》這個展覽的核心思考：「為誰設

2017 臺北設計城市展

計？」必須是我們不停探問的根本問題。

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Exh ib it ion s p a ce 展覽空間

Exhibition space

展覽空間

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展覽空間 Exh ib it ion s p a ce 2017 臺北設計城市展

體感裝置 - 蹺蹺板展場一隅特別設計二款體感互動裝置，原木遊具趣味的大型陀螺與翹翹板

體感裝置 - 共力平衡陀螺利用至少三方力量彼此對話牽引，一起體驗創意，體驗設計，體驗不分族群，生而平等的精神 154

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展覽空間 Exh ib it ion s p a ce 2017 臺北設計城市展

體感裝置 - 共力平衡陀螺提供大人小孩不分年齡一同體驗，透過彼此互動，達到平等概念的體會 156

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開幕記者會 2017臺北設計城市展於10月5日舉辦，除了柯文哲市長親自參與體驗以及導覽，包括臺北市文化局鍾永豐局長、國內設計師、參展單位皆共襄盛舉，一起響應「為人人設計」的策展核心精神。 158

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論壇

Forum

平等論壇

SATURDAY

FRIDAY

主題

不為分數的學習是身而為人的教育

主題

主持人

蘇仰志 | 雜學校校長

主持人

與談人

張柏韋 | 美感細胞共同創辦人

與談人

詹魁元 | 臺大創新設計學院教學組長

SATURDAY

被設計擁抱的城市

主題

邱乾珉 | 臺灣設計師連線執行總監

主持人

李惠貞 | 獨角獸計畫主持人

主持人

鍾秉宏 | archicake 主持人

Kittiratana Pitipanich |

與談人

蘇

與談人

陳宣誠 | 共感地景創作（ArchiBlur Lab）

泰國創意設計中心執行長

與談人

游適任 | Plan b 共同創辦人

陳永基陳永基設計有限公司創意總監

論壇內容

與談人

周育如 | 水越設計總監

10/20

10/7

臺大機械系副教授 2017 臺北設計城市展

SUNDAY

與談人

10/22 談永續，是為了讓未來不同於過去民 | 群眾自造股份有限公司執行長

10/28 當空間不分你我時

主持建築師

論壇內容

幾年前，永續一詞總是討論著環境與能源的議題，關係著

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近年來各式特色、實驗教育正夯，甚至掀起一股自學

自2012 年起，臺北舉辦了設計城市展，同時，設計

地球的生命與生態。今日，永續不僅是環境的議題，而成

在城市之中，大量的私有空間中夾雜的大眾皆可參與的公

風潮，在渴望跳脫傳統框架並追求創新的時代，教育

教育的成果也在臺灣逐漸綻放，這些能量的堆疊到了

為在教育、創業、施政等各層面的首要關鍵。相較於過去

共空間，而公共空間的規劃也直接地影響了市民生活，無

正逐漸改變，不為分數，而為了成為想成為的人。

2016 凝結成一股高潮，即為2016 設計大展。然而，

快速發展與浪費，今日談永續，是為了讓未來不同於過去。

論是親近自然與遊憩的公園，或是街頭表演與活動的廣場，

在設計之都和設計教育的推廣後？設計師與大眾該用

公共空間該如何對群眾更友善？該如何再讓鄰近的區域更

什麼視角面對這個充滿設計能量的都市？設計師又該

加地宜居？

如何思考為誰設計以及為何設計？

SUNDAY

SATURDAY

SUNDAY

主題

數據城市的城市數據

主題

平等哲學

主持人

侯君昊 | 交通大學建築研究所副教授兼所長

主持人

鍾秉宏 | archicake 主持人

劉又瑄 | Re-lab 轉轉設計公司執行長

與談人

阮慶岳 | 元智大學藝術與設計學系專任教授

10/8 主持人

城市中的平等哲學郭瓊瑩 | 中國文化大學景觀所所長兼系主任

10/21 天賦城市 - 用創意翻轉你對弱勢的想像

主持人

徐

秒 | 點點善執行人

10/28

10/29

與談人

莊熙平 | 交通大學建築研究所助理

與談人

朱冠臻 | 人生百味共同創辦人

與談人

康旻杰 | 臺灣大學建築與城鄉研究所副教授

與談人

吳孝儒 | 吳氏設計負責人

論壇內容

與談人

詹偉雄 | 文化社會學研究學者

與談人

楊振甫 | 5% Design Action 創辦人

與談人

章治業 | 北旅店集團副總經理

大數據時代來臨，都市的種種皆可化為無盡的數據。

與談人

張鐵志 | 文化政治評論家

論壇內容

與談人

王證豪 | 台北旅店集團視覺設計襄理

然而，數據的發展究竟有多快？城市中所產生的各種

論壇內容

在整個臺北都被設計能量包圍的今日，人們愈加相信

論壇內容

數據又能如何影響我們的生活以及城市的未來？

在一座城市之中，什麼是平等哲學？人，生而不平等，

設計，相信設計所能帶來的改變，然而再將設計納

在城市中，總有一群即使身處弱勢，仍努力求生的人們。

社會資源分配不均的現象必然是存在的，我們該如何面

入城市治理的方式時，我們更應該關注公共資源的分

因部分群眾的誤解，而讓他們逐漸失去生存空間。近年臺

對這樣的社會環境呢？該透過什麼方式，讓個人、群體

配，並探討城市的設計師究竟應該服務於誰？

灣民眾掀起了以社會關懷為主題的討論與實踐，但對於公

與環境之間的關係更加平衡？邀請設計、文化、社會等

益的想像，是否有融入生活的可能性 ? 我們又該如何翻轉

不同領域的講師，談談城市中的平等哲學。

弱勢的標籤呢？邀請實際創造翻轉的社會執行者，暢談過程與信念。

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Main visual 主視覺

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主視覺

宣傳海報

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主視覺

宣傳短片今年臺北設計城市展Taipei Design City以「平等哲學」為策展核心，探討個人與群體、公部門/私部門/第三部門之間達成平衡合作的可能性。今年由白

Main visual

輻射影像製作形象宣傳片，創意延續主視覺中綿密的方格符號，拆解並拓展1:1的視覺內涵 — 平等關係、地圖、比例與資訊。從小至巷弄鄰里、大至城區都市，甚至超越地域的虛擬空間，以不同規模尺度中1:1代表的視覺線索，呼應展覽涵蓋的公園、社區、景觀、數據、永續等重大議題。並由每個小方格無限蔓延構建成展覽形象，強調透過閱讀每一

2017 臺北設計城市展

個最小單元，看見城市不同可能性的篇幅！

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Award Winning

獲獎殊榮

「最佳概念展覽/活動」類獎項。此獎項是於2012

榮獲Shopping Design雜誌2017臺灣設計BEST 100 年發起，以臺灣設計為主題，透過採訪、討論與交流等過程，廣泛地去挖掘這一年來SD雜誌衷心敬佩、充滿在地生命力的設計，並於該年度(2017)舉辦「SD年度設計大賞」來頒獎表揚，並同時出版 SD BEST 100專刊報導獲獎內容。

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書名：2017臺北設計城市展展覽專輯發行日期：2017.12 指導單位：臺北市政府發行單位：臺北市政府文化局發行地址：11008 臺北市信義區市府路一號發行電話：886 2 2720 8889 發行人：鍾永豐執行企劃：李麗珠、劉得堅、李秉真、吳俊銘、蕭慧芳、謝明澤、陳智穎責任編輯：築點設計股份有限公司美術設計：築點設計股份有限公司定價：新臺幣$250 GPN: 1010602370 ISBN: 978-986-05-4514-2 國家圖書館出版品預行編目（GIP）資料

臺北設計城市展展覽專輯. 2017 / 築點設計股份有限公司執行. -- 臺北市 : 北市文化局, 2017.12 面 ; 公分 ISBN 978-986-05-45145-2(平裝) 1.設計 2.臺北市

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