2021台北電影節節目專刊

目次 CONTENTS

02

活動資訊 EVENT

INFORMATION

02 線上選片指南 ONLINE PROGRAM TALK 03 靠北影百貨 TFF MARKETPLACE 04 看電影約嗎周邊商品 MERCHANDISE 06 觀眾票選抽好禮 FESTIVAL GOODIES 07 HAPPY HOUR 08 影迷優惠 SPECIAL 10 香氛場 AROMA SESSION

14

12 焦點講座 TALKS

購票資訊

TICKET INFORMATION

20

影展地圖 VENUE

22

場次表 SCREENING SCHEDULE

線上選片指南

ONLINE PROGRAM TALK

09.12 SUN 13:00-16:00

今年，好像有點不一樣…… 「防蚊卡匣（軍綠色

參加線上活動，還有機會獲得

粉色）」

期待與你 ONLINE ∼

＊詳細資訊請關注台北電影節官方 Facebook ＊因「嚴重特殊傳染性肺炎（COVID-19）」，活動依疫情指揮中心發布事項因應調整，請務必配合 ＊主辦單位保留活動變更權

影迷觀影禮兌換 09.18 SAT 13:30- 18:30

憑票根

CINEPHILE ONLY

台北 101 大樓信義大廳（信義路側入口）

電子憑證購票金額滿 $2,500 ，即可兌換 好禮 4 選 1

觀影禮

23 電影

漱口水50ml + 天竺葵身體 潔膚露50ml + 賦活芳香護手霜 15ml

海報 貼紙 絲漾博賦活藜麥 三件組

憑 XR 票根 即可兌換

耐熱玻璃布丁杯 360ml

23聯名手機殼彩色款

經典套餐禮券乙張

＊型號依現場為主＊

電子憑證購票金額滿 $650 聯名口罩

＊數量有限，送完為止

＊詳細資訊請關注台北電影節官方 Facebook ＊因「嚴重特殊傳染性肺炎（COVID-19）」，活動現場將實施相關防疫措施，並依疫情指揮中心發布事項調整，請務必配 合。入場採實聯制，請全程佩戴口罩並量額溫，額溫攝氏 37.5 度以上者將謝絕入場 ＊主辦單位保留活動變更權 02

活動資訊 EVENT INFORMATION

靠北影百貨

TFF MARKETPLACE

09.18 SAT 13:30- 18:30

台北 101 大樓信義大廳（信義路側入口）

周邊商品首賣會

23rd主視覺TEE

「抱歉了錢錢，我真的需要那個酷東西」 台北電影節周邊商品搶先開賣，還不買爆？

23聯名手機殼黑白款

聯名口罩

聯名手工餅乾

聯名主視覺襪

＊型號依現場為主＊

＊商品資訊請見 p.4-p.5

錯過今天？你可以在影展期間購買 影展服務台營業時間： 光點華山電影館 09.23-10.07 ｜信義威秀影城 09.23-10.07 ｜京站威秀影城 09.30-10.07， 每日首場電影放映前 30 分鐘至末場電影開演後 20 分鐘 ＊手機殼於影展期間在光點華山電影館限定販售＊

電影市集 影展年度合作品牌、片商現場擺攤，裡面挑，裡面選。 在指定攤位消費即可參加抽獎，有機會獲得

聯名雞腿麵禮盒！

＊詳細資訊請關注台北電影節官方 Facebook ＊因「嚴重特殊傳染性肺炎（COVID-19）」，活動現場將實施相關防疫措施，並依疫情指揮中心發布事項調整， 請務必配合。入場採實聯制，請全程佩戴口罩並量額溫，額溫攝氏 37.5 度以上者將謝絕入場 ＊主辦單位保留活動變更權 活動資訊 EVENT INFORMATION

03

看電影約嗎周邊商品 MERCHANDISE

×夏于喬

有些人因為電影滿足了窺探的好奇心，有些人因為電影放鬆心情、調劑生活， 有些人因為電影開闊視野，有些人因為電影找到出口、逃離現實， 有些人因為電影更了解自己…… 那，你是如何成為影癡的？

04

活動資訊 EVENT INFORMATION

插畫明信片套組

影癡A5線裝方格筆記本

只要能找到電影對於自己的意

每個細心的影迷都會有一本隨

義，我們都是影癡！

身的筆記本∼

一套五款，收錄五個影癡角色，

RISO孔版印刷，內含4頁全彩

附贈同款貼紙，等你寫上第六

創作插畫，附贈影癡實用貼紙

個故事。

組，記錄你的觀影時刻。

聯名影癡襪

影癡手帕

戲裡戲外都精彩，從頭到腳都

不怕珠淚滴，不煩熱汗流。

好看。

100%純棉MIT彩色印花手帕，

台灣製造，融合影癡插畫元素設

輕巧好攜帶，親膚吸汗，透氣

計，長襪、短襪任君挑選，穿上

快乾，陪你看電影，環保又

它，一起走進電影的世界裡。

實用。

影癡口罩

影癡刺繡插畫TEE

#無痛耳掛 #不悶痘

100%純棉短袖上衣，質感刺

#極親膚 #類蠶絲

繡影癡標語，夏于喬原創插畫

百分百MIT，高品質國際規格醫

圖案，黑白兩款，影癡的心

療口罩，戴上最舒適的親膚口

情，影癡最懂。

罩，看電影約嗎？

防摔手機殼

影癡帆布包徽章組 自由調節背袋長度，肩背後背

#抗菌 #美觀 #防摔耐震

都實用。

殼以啦哪次不可以！抗菌軍規

英文手寫刺繡標語，五款影癡角

防摔保護殼，用影癡圖案呵護

色徽章隨心搭配。看電影約嗎皮

你的手機。

革烙印側標，低調的剛好。

＊靠北影百貨＆光點華山電影館限 定販售，型號依現場為主

販售資訊 獨家線上通路

實體通路 09.18 靠北影百貨 現場販售

掃描註冊

09.23-10.07 影展服務台 營業時間 光點華山電影館 09.23-10.07｜信義威秀影城 09.23-10.07｜

享95折首購優惠與300 P Coins （適用時間：即日起-10.31）

京站威秀影城 09.30-10.07｜每日首場電影放映前30分鐘 至末場電影開演後20分鐘

活動資訊 EVENT INFORMATION

05

觀眾票選抽好禮 為電影打分數，最高5分請給分，

＊中獎名單：每日公布於台北電影節官網與影展戲院現場，中獎者請憑

投入觀眾票選單，

＊兌換時間：光點華山電影館 09.23-10.07

存根聯於 09.23-10.07 至影展服務台領取

信義威秀影城 09.23-10.07

就有機會抽中限量好禮。

京站威秀影城 09.30-10.07

票選單比你想得更偉大，

每日首場電影放映前 30 分鐘至末場電影開演後 20 分鐘

憑存根聯還可兌換 Happy Hour！

輕壓方便瓶蜂蜜禮盒 （蜜種隨機）

聯名主視覺襪 （長短隨機）

好字組 肥皂

06

FESTIVAL GOODIES

活動資訊 EVENT INFORMATION

＊ 10.07 不列入抽獎資格 ＊主辦單位保留活動變更權

絲漾博護色 三件組

旅行組

聯名韓製TRITAN水瓶430ml （圖案隨機）

島嶼果乾水 北影限定禮盒

晶透雪亮飲 3入組

聯名 餅乾禮盒

HAPPY HOUR 影展期間，不定時驚喜放送！ 憑觀眾票選單存根聯兌換， 詳情請關注台北電影節官方Facebook ＊主辦單位保留活動變更權

蜂蜜軟糖 （口味隨機）

PURE recycled 環保袖珍包衛生紙

多喝水MORE氣泡水560ml （口味隨機）

The CHOYA至極梅酒 60ml

心想事成串皂禮 （品項隨機）

PowerBOMB 爆能能量飲料

多益點

淡麗GREEN LABEL啤酒 350ml

手作百香鳳梨果醬 50g

蜜桔檸檬

活動資訊 EVENT INFORMATION

07

影迷優惠 SPECIAL

於官方平台輸入「BNBTFF23」單筆

於 Solide 索力得官網購買，結帳時

訂購金額滿299元，即享超商取貨免

輸入折扣碼「23TFF2021」即可享

運費。

85折優惠，數量有限，兌完為止。

該筆訂單中含經典支禮一入或輕壓方 便瓶禮盒，再加贈蜂蜜軟糖隨機口味

使用期間：即日起-2021.10.31

一包。 使用期間：即日起-2021.12.31

於SOUNDSGOOD官網正價襪款消 費滿千輸入「ILOVETFF」即贈送一 雙襪子，款式隨機。

- 於TG官網加入會員，輸入「TGTFF」 享購物9折優惠。 - 憑台北電影節購票憑證（紙本 子票根）至TG專櫃

使用期間：2021.09.18-2021.10.31

電

店面購買商品

享95折優惠。 使用期間：即日起-2021.10.31

於官網輸入折扣碼「折啦哪次不

於官網輸入「2021VILSON」，可享

折」可享有「有序延長線」85折

100元優惠，使用辦法詳見米森的優

優惠。

惠說明。

使用期間：2021.09.13-2021.10.13

持2021台北電影節電影購票憑證

掃描專刊廣告頁加入果嶼LINE@，

（紙本

電子票根）至西堤牛排消

輸入「TFF2021」，即可獲得影迷

費兩客經典套餐即贈「價值$317

專屬優惠券（官網85折優惠券乙

元熱血派對拼盤」乙份，詳洽西堤

張

果嶼專櫃50元折價券）

官網。 領取期間：即日起-2021.09.30 使用期間：2021.09.23-2021.10.31

08

活動資訊 EVENT INFORMATION

（優惠券使用期限至2021.10.31）

於官網消費指定商品，輸入

於官網消費雞腿麵系列，輸入

「TFF2021TS」，不限金額消費

「JXJT999」，可享9折優惠。

可享結帳金額95折優惠（衣物皂除 外），數量有限，兌完為止。單帳

使用期間：即日起-2021.10.31

號限用乙次。 使用期間：即日起-2021.10.31

於官方購物網站消費，結帳輸入

影展期間憑台北電影節紙本與電子

「TAIPEIFF」，即可獲得柚子精萃

票券享器材租金9折優惠。

潔顏油15ml乙份，數量有限，送完 為止。

使用期間：2021.09.23-2021.10.07

使用期間：2021.09.13-2021.10.11

問 卷 好禮

填寫2021台北電影節線上問卷，就有機會獲得以下好禮

＊主辦單位保留活動變更權

至影展服務台出示填寫完畢頁面，即 可獲得

隨手包—BC 益生

加碼再抽

經典套餐禮券乙張。

菌草莓脆麥片，數量有限，送完為止。

＊中獎名單：每日公布於台北電影節官網與影展戲院現場，中獎 者請憑個人身分證件於 09.23-10.07 至影展服務台領取 ＊兌 換 時 間： 光 點 華 山 電 影 館 09.23-10.07 ｜ 信 義 威 秀 影 城 09.23-10.07 ｜京站威秀影城 09.30-10.07，每日首場電影放 映前 30 分鐘至末場電影開演後 20 分鐘 ＊ 10.07 不列入抽獎資格

活動資訊 EVENT INFORMATION

09

香氛場

AROMA SESSION

精選六部電影，六種香水， 一起沉浸感官放大的療癒 時刻。

09.24 FRI 19:10 信義威秀 11 廳 《女孩們的夏日浮光》Short Vacation 一次盛夏，四個女孩帶著相機踏

搭配香水：悟香水 Tacit

上旅程，尋找世界的盡頭。捕捉

日本香橙 × 岩蘭草之心 × 羅勒

光影、沿途風景，也讓彼此的內 心漸漸顯影。

清新柑橘調，想像伴著和煦陽光 及帶有柑橘香氣的微風，愜意地 享受盛夏美好。

影片介紹 p.54-55

09.25 SAT 14:30 光點華山 1 廳 《無懼之地》Beasts 由男性主宰的牧場，年輕女孩賭

搭配香水：馥香水 Rozu

上一切，試圖反轉岌岌可危的家

玫瑰 × 紫蘇 × 癒創木

族事業。以天地為證，在動物與 人類之間，她將奮不顧身把握自

以 法 國 現 代 主 義 設 計 師， 同 時 也 是 女 權 主 義 者 Charlotte Perriand 為靈感來源，木質玫瑰

己的命運。

調，同時散發綠意香氣與一抹細

影片介紹 p.126

微的煙燻調。

09.26 SUN 15:30 信義威秀 10 廳 《西非夜譚》Night of the Kings 位於象牙海岸的馬卡監獄與外界

搭配香水：米拉塞蒂 Miraceti

全然隔絕，自成一個階級森嚴的

岩玫瑰 × 黃葵 × 安息香

異托邦。血紅月亮升起的夜晚， 監獄之王任命新的說書人，傳說 得說到黎明。 影片介紹 p.50-51

10

活動資訊 EVENT INFORMATION

虛實之境作品之一，散發辛香、 香脂與木質氣息，訴說著人類勇 氣的故事。

09.27 MON 20:40 光點華山 1 廳 《天猶未光》The Edge of Daybreak 泰國軍政府政變前夕，波伊密會即

搭配香水：熾香水 Hwyl

將逃亡的叛軍丈夫。她想起幼時

柏樹 × 乳香 × 香根草

昏迷的自己，以及流離崩解的家。

香水命名為啟發人心的情感與 能 量， 濃 厚 煙 燻 香 調 搭 配 上 淡

日蝕即將來臨，她是否能甦醒？

淡 辛 香， 轉 為 深 綠 木 質 苔 蘚 的

影片介紹 p.93

靜謐氣息。

10.03 SUN 15:10 光點華山 1 廳 《心痕如詩》Scarred Hearts 猶太詩人生命的最後十年在海邊

搭配香水：埃雷米亞 Eremia

的療養院度過。病痛折磨他的軀

白松香 × 鳶尾花 × 日本香橙

體，床榻綁縛不了他的心。他的

虛實之境作品之一，以明亮、活 力的柑橘氣息展開，緊隨而來乾

靈魂，仍強烈渴求愛與生命。

淨的花香和綠意，透過香調，傳

影片介紹 p.168

遞著生命力的盎然。

10.05 TUE 18:40 信義威秀 11 廳 《海邊最後的夏天》 Last Days at Sea 菲律賓南方的小漁村，湛藍海洋

搭配香水：喀斯特 Karst

與滿天星辰擁抱這個遺世獨立的

杜松 × 小茴香 × 檀香

美好角落。男孩即將啟程到城裡 求學，夏天的尾巴，在他的童年

虛實之境作品之一，彷彿帶領著 我們來到了海岸邊，充滿礦物質 感的海洋氣息。

刻上甜蜜的曬傷。 影片介紹 p.105

活動資訊 EVENT INFORMATION

11

焦點講座

TALKS

卓越貢獻獎講座： 骨董級影癡的來時路－黃建業 09.26 SUN 18:00 光點華山電影館 1 廳

（台北市中正區八德路一段 1 號）

主講人：黃建業 與談人：藍祖蔚

電影唯有膠卷的年代，人們如何愛著電影？香港少年黃建業來台前已深 陷大銀幕魅力，當年小眾、低調還帶點神祕的試片室年代是什麼景象？ 談資源匱乏下卻筆桿活躍的影癡們如何書寫、分享、較勁；蕞爾台灣當 年又如何在國際上取得拷貝籌辦影展一饗經典？還有電影資料館館長任 期與館員們如何搶救拷貝、取得資源。黃建業一生的影癡夢，我們來說 說字裡行間外的塵封記憶。

＊此講座於《昂希朗格瓦：電光魅影》放映後舉行。未購票欲參加者可現場排 隊候補進場，座位有限，額滿為止 ＊因「嚴重特殊傳染性肺炎（COVID-19）」，活動現場將實施相關防疫措施， 並依疫情指揮中心發布事項調整，請務必配合。入場採實聯制，請全程佩戴 口罩並量額溫，額溫攝氏 37.5 度以上者將謝絕入場 ＊主辦單位保留活動變更權

12

活動資訊 EVENT INFORMATION

正在拍片的我

10.02 SAT 14:00 臺北市中山堂 2F 光復廳

（台北市中正區延平南路 98 號）

主持人：李亞梅 與談人：連奕琦、侯季然、宋欣穎

合作單位

影像創作者在腦海中的美好畫面，經歷現實摩擦、掙扎、妥協後， 作品才會呈現到觀眾眼前，單打獨鬥的過程不為人知，卻令其他創 作者心有戚戚焉。延續三年迴響，今年我們揭開現實、直搗核心： 創作的道路曲折困乏，披荊斬棘後，踏尋著前人足跡，美好畫面就 在不遠處了。

＊免費參加。請至台北電影節官網「活動資訊」→「影展活動」，點選 欲參加之場次報名，或現場排隊候補進場。座位有限，額滿為止 ＊詳細資訊請關注台北電影節官方 Facebook ＊因「嚴重特殊傳染性肺炎（COVID-19）」，活動現場將實施相關防疫 措施，並依疫情指揮中心發布事項調整，請務必配合。入場採實聯制， 請全程佩戴口罩並量額溫，額溫攝氏 37.5 度以上者將謝絕入場 ＊主辦單位保留活動變更權

活動資訊 EVENT INFORMATION

13

購票資訊

TICKET INFORMATION 早鳥票券

早

鳥

票

早 鳥 日 場 票 敬 老 愛 心 票

單場票券

全

票

學

生

票

平 日 日 場 票 敬 老 愛 心 票

XR 早鳥票券 XR 單場票券

X R 早 鳥 票 XR敬老愛心票

X

R

全

票

XR敬老愛心票

180 130 110 220 200 150 110 150 100 200 100

元

張

元

張

元

張

元

張

元

張

元

張

元

張

元

張

元

張

元

張

元

銷售期間：09.13 MON 12:00 起

至

09.22 WED 23:59 止

銷售期間：09.23 THU 00:00 起

及

影展各戲院現場（松山文創園區 Art Space D 藝巷空間 XR 全浸界服務台 除外）

銷售期間：09.14 TUE 12:00 起

至

09.23 THU 23:59 止

銷售期間：09.24 FRI 00:00 起

張

及

影展各戲院現場

注意事項： ・影展期間可於京站威秀、光點華山、信義威秀、松山文創園區 Art Space D 藝巷空間售票處購票。 ・電影片長超過 150 分鐘，各票價需加收 20 元。 ・日場票：限週一至週五 17：59 以前開演之場次。 ・敬老愛心票：僅供年滿 65 歲以上長者，或身心障礙人士與乙名必要陪同者（須同時入場）購買。 ・持學生票或敬老愛心票入場時請出示相關證件，如未出示，須補足差額方能入場。 ・服務時間為每日該場地首場開演前 30 分鐘起至末場開演後 20 分鐘止。 ・以上票種僅適用 2021 第 23 屆台北電影節於京站威秀、光點華山電影館、信義威秀、松山文創園區 Art Space D 藝巷空間放映之影片。 因「嚴重特殊傳染性肺炎 (COVID-19)」，活動現場將實施相關防疫措施，並依疫情指揮中心發布事項調整，請務必 配合。 ・觀影全程須佩戴口罩。 ・入場時須配合測量額溫，額溫攝氏 37.5 度以上者將謝絕入場。 ・採實聯制，入場時紙本票券背後須登記聯絡電話，資訊限防疫目的使用。購票者所購票券若包含親友票券或出現轉 讓情形，日後如接獲疫調聯繫，須盡轉介義務。

14

購票資訊 TICKET INFORMATION

XR 全浸界單元觀影須知 ・XR 現場服務時間為每日該場地首場開演前 30 分鐘起至末場開演後 5 分鐘止。 ・為呈現 XR 影片最佳觀影經驗，放映現場將備有中英對白翻譯本提供參考。 ・請於放映時間前 5 分鐘到場，並遵從現場工作人員指示入座，放映開始 5 分鐘後不得入場。 ・因孩童視力尚在發展關鍵時期，未滿 13 歲者不建議觀賞 XR 節目。

購票須知 ・票券為唯一入場憑證，請妥善保存票券，遺失、毀損概不補發。 ・影展節目開演後 20 分鐘

XR 單元節目開演後 5 分鐘，不再開放入場，亦不得退票，敬請準時入場。

・各個放映場地，敬請遵守各戲院外食規定。 ・各場次開演前 30 分鐘

網站停止販售該場次票券，僅可於影展現場服務台購買。

・各場次輪椅席有限，如有需要請預先洽詢觀眾服務專線：(02)2308-2966。 ・為維護觀影品質，年滿 3 歲或身高達 100 公分之兒童可持學生優惠票入場，兩者皆未達到標準者謝絕入場。 ・為了影廳內安全與維持逃生動線，請勿逗留、站立或坐在廳內走道與其他非座位處。 ・如遇天災或不可抗力之因素，主辦單位將依據台北市政府發佈之命令，決定是否取消放映，並儘速於官網公告相關訊息。 ・主辦單位保有更動節目之權利，所有演出時間及內容將依現場實際狀況而定。最新訊息與異動資訊隨時公布於官網。 ・本活動放映節目權利皆屬版權所有者，任何攝影、錄影、錄音行為皆屬違法，可能招致法律訴訟，本節保留要求違法觀 眾刪除檔案之權力。 ・影展工作人員為維護影展順利運行所採取之各種方法，皆為維護大眾最佳觀影狀況；本節不接受任何針對工作人員之惡 意行為，並視情況採取相應措施。

退票方式 ・退票最遲須於該放映場次開演前 3 日辦理，逾期恕不受理。 例：09.23 映演的場次，最遲須於 09.20 完成退票手續。 ・每張須酌收 10% 手續費。 ・網路購票使用刷卡結帳，退票金額將會退回原刷信用卡。如非直接於

購買，請與原購買人領取退票款項。

・電子票券或票券尚未取票而需退票，請使用網站退票申請系統或攜帶身分證及訂單編號至 提出申請，或以電子郵件、傳真至 ・紙本退票請至

服務處，於時限內

辦理退票。

服務處或於 09.17-09.22 週一至週五 11:00-18:00 至台北電影節辦公室辦理（台北市萬華區

廣州街 151 號）。 ・09.23 起紙本單場票之退票請至影展現場服務台售票處辦理。團體票不得辦理退票。 ・「換票」視同「退票」，購買操作請謹慎小心，若須更換場次請依上述退票方式辦理。

購票資訊 TICKET INFORMATION

15

購票操作方式流程 售票系統： www.opentix.life APP 電子票券、超商取票（7-ELEVEN 門市、全家門市）或

＊網路購票取票方式，須選擇

分銷點

印出實體票券，影展現場不提供取票服務。

網路購票操作流程 登入或加入會員 ►

►

選擇該節目日期

場次 ►

搜尋節目 ►

點選購票 ►

2021 第 23 屆台北電影節

選擇座位 ►

選擇票種

張數 ►

XR 單元 ►

選擇 App 電子票

選擇節目 ► 分銷點或超商 ►

票券載入系統 APP 電子票 憑「取票序號」至分銷點取票

刷卡完成付款 ►

電子票 APP 購票操作注意事項 APP，請以智慧型手機至 App Store 或 Google Play 下載，即可使用電子票入場（支援

・APP 電子票載具為

Android 7.0 或 iOS 12.4.6 以上版本）。 ・APP 電子票不須支付取票服務費。 ・APP 電子票為線上即時票證，截取或翻拍畫面將無法通過驗票。 ・入場請確認手機隨身攜帶、電力充足，避免影響入場權益。 ・APP 票券將會於訂購完成 10 分鐘內自動載入 APP，請登入「購票帳號（手機號碼）」查看。票券顯示異常，請聯繫客 服中心。

「購票」及「取票」機台操作流程（7-ELEVEN 門市、全家門市） 票券中心

► 售票系統

選擇節目與場次

►

購票

取票 ►

輸入「取票帳號」 ►

►

閱讀服務須知 ►

輸入電話號碼＋取票代碼 ►

確認取票明細 ►

選擇

持印有條碼之白色繳費單至櫃台，取得印有片名、場次、時間之電影票券

超商操作注意事項 ・機台印製實體票，每張手續費 10 元。 ・白色繳費單列印後，請於 10 分鐘內完成繳費取票。 ・操作過程中若靜止逾 2 分鐘，畫面將跳回首頁，該筆訂單失效，須重新操作。 ・超商取票每筆訂單至多可領取 8 張票券，超過 8 張票券請至

服務據點取票。

客服專線：(02)3393-9888（服務時間：週一至週五 09:00-20:00） 台北電影節觀眾服務專線：(02)2308-2966（服務時間：週一至週五 11:00-18:00）

16

購票資訊 TICKET INFORMATION

列印繳費單、持票須知 ►

EARLY BIRD TICKETS • GENERAL NTD 180 PER TICKET • MATINEE NTD 130 PER TICKET (Valid only for screenings starting before 17:59 on weekdays) • DISABLED OR SENIOR CITIZEN: NTD 110 PER TICKET l

Early bird ticket sales begin at 12:00 on Sep. 13 MON on

and ends at 23:59 on Sep. 22 WED.

INDIVIDUAL TICKETS • GENERAL: NTD 220 PER TICKET • STUDENT: NTD 200 PER TICKET • WEEKDAY MATINEE: NTD 150 PER TICKET • DISABLED OR SENIOR CITIZEN: NTD 110 PER TICKET l Individual ticket sales begin at 00:00 on Sep. 23 THU on

and in all venues. (excluding XR Frontline

information desk at Songshan Cultural and Creative Park- Art Space D)

XR EARLY BIRD TICKETS • XR EARLY BIRD: NTD 150 PER TICKET • XR DISABLED OR SENIOR CITIZEN: NTD 100 PER TICKET l XR early bird ticket sales begin at 12:00 on Sep. 14 TUE on

and ends at 23:59 on Sep. 23 THU.

XR INDIVIDUAL TICKETS • XR GENERAL: NTD 200 PER TICKET • XR DISABLED OR SENIOR CITIZEN: NTD 100 PER TICKET l XR individual ticket sales begin at 00:00 Sep. 24 FRI on

and in all venues.

PLEASE NOTE • During the Festival, tickets are available at the information desks at Vie Show Cinemas Taipei Qsquare, SPOT Huashan and Vie Show Cinemas Taipei Hsin Yi and Songshan Cultural and Creative Park- Art Space D. • When the film is more than 150 minutes long, all kinds of tickets are subject to an additional NTD20. • Matinee tickets are valid only for screenings starting before 17:59 on weekdays (MON-FRI). • Disabled or Senior Citizen tickets are only for senior citizens aged 65 and plus or disabled person with one companion for the same screening. • All concession ticket holders must present valid IDs at entrance. If no valid ID is presented, the discount must be made up. • The information desks open 30 minutes before the first screening of the day and close 20 minutes after the last screening of the day starts in each venue. • All the tickets are valid only for the screenings in the 2021 Taipei Film Festival venues, including Vie Show Cinemas Taipei Qsquare, SPOT Huashan, Vie Show Cinemas Taipei Hsin Yi and Songshan Cultural and Creative Park- Art Space D. Due to the Covid-19 restrictions, please obey the following rules, which will be constantly adjusted according to the instructions issued by the Central Epidemic Command Center. • Masks must be worn throughout the screening. • Temperature must be taken at entrance. Those whose temperature is higher than 37.5 °C cannot be admitted. • Names and telephone numbers must be written on the back of the paper tickets for contact and tracing purpose. When one buys tickets for others and gives tickets to others, one must provide the recipients’ details if one is contacted by the health authorities.

NOTES FOR XR SCREENINGS • The XR information desks open 30 minutes before the first screening of the day and close 5 minutes after the last screening of the day starts in each venue. • In order to provide the audiences with the best experience, the transcripts in Mandarin and English are available at the venue. 購票資訊 TICKET INFORMATION

17

• Please arrive at the venue 5 minutes before the film starts and be seated under the guidance of the staff. Latecomers will NOT be admitted into the screening beyond the first 5 minutes of the film. • As children’s vision is not yet completed developed, children under 13 are advised against attending XR screenings.

NOTES FOR TICKET SALES • Admissions are permitted only with valid tickets. Tickets will NOT be re-issued if they are lost or damaged. • Latecomers will NOT be admitted into the screening beyond the first 20 minutes (5 minutes in the case of XR films) of the film. Tickets can NOT be exchanged or refunded. • Please follow the food and beverage rules of each venue while attending. • Tickets to each screening are available at

only until 30 minutes before the film starts. However, tickets can

be purchased at the information desks in Vie Show Cinemas Taipei Qsquare, SPOT Huashan, Vie Show Cinema Taipei Hsin Yi and Songshan Cultural and Creative Park- Art Space D. • A limited number of wheelchair spaces are available. Please contact the customer service on (02)2308-2966 in advance if needed. • In order to maintain the viewing quality, children older than three or taller than 100 cm can be admitted with student tickets. If a child meets neither of criteria, it cannot be admitted. • In order to maintain the safety in the auditorium and keep the emergency pathways clear, please do not linger, stand or sit on the paths or anywhere other than the seats. • In the event of natural disasters or force majeure events, the Festival may cancel the screenings based on the instructions given by the Taipei City Government. Updates will be posted on Taipei Film Festival’s official website. • The Festival preserves all rights to change the program due to unexpected occurrence. Latest updates will be announced on Taipei Film Festival’s official website. • All the copyrights belong to the copyright holders. Any recording of image or sound is against the law and could be persecuted. The Festival reserves the right to delete these audio/visual files. • All the measures taken by the Festival staff are meant to ensure the smooth running of the Festival and maintain the best viewing quality. The Festival will not tolerate any offensive behavior towards the staff and appropriate measures will be taken according to the situation.

CHANGE AND REFUND • Tickets must be refunded 3 days prior to the screening date and they will be non-refundable after that. For example, a ticket to a screening on Sep. 23 must be refunded by Sep. 20. • A handling fee of 10% per ticket will be charged. • Refunds for the tickets paid by credit cards will be credited into the accounts. If the tickets are not purchased on , please get the refunds from the original buyers. • For electronic tickets and the tickets that have not been printed out, please apply for refunds on the website or go to an service center with valid ID and the order number at least 3 days prior to the screening day. Refunds can also be applied by email or fax. • For paper tickets, please go to an

service center or the pop-up Taipei Film Festival Office ( No.151, Guang-

zhou St., Wanhua Dist., Taipei City 10852, Taiwan, 11:00-18:00 MON-FRI, Sep. 17-22.) • For paper individual tickets, please go to the information desks in Vie Show Cinemas Taipei Qsquare, SPOT Huashan and Vie Show Cinemas Taipei Hsin Yi from Sep. 23 onwards. Group tickets cannot be refunded. • Change of tickets will be processed as “refund”. Please book tickets with care and if any change of tickets is needed, please see the above for the process.

TICKET PURCHASE PROCESS •

Ticket Sales: www.opentix.life

• When purchasing tickets online, one must choose whether to get the tickets via venience stores (7-Eleven and FamilyMart) or printouts at an available in the Festival venues.

18

購票資訊 TICKET INFORMATION

App, kiosks in the con-

service center. Ticket printing service is not

ONLINE TICKET PURCHASE PROCESS log in or register ►

program search ► 2021 23rd Taipei Film Festival/XR Category ►

choose film/event ►

choose date ► click “purchase ticket” ► choose seat ► choose ticket type/number ► choose App electronic ticket or printout in convenience store/service center ► pay by credit card

►

tickets downloaded to App/get tickets at service center with the “ticket serial number”

NOTES FOR PURCHASING APP ELECTRONIC TICKETS • Please download

app from Apple Store or Google Play (iOS 12.4.6 / Android 7.0 and later versions).

• No handling fees are charged for electronic tickets. • Screenshots of electronic tickets will not be accepted. • Please ensure the phone is well-charged to avoid problems at entrance • App electronic tickets will be automatically download to the app 10 minutes after the purchase is completed. Please log into the account and check and contact the service center if any problems occur.

TICKET PURCHASE AND PRINTOUT PROCESS AT KIOSKS IN 7-ELEVEN AND FAMILYMART ticket center ►

ticket sales system ► ticket purchase/printout ► choose

choose film and date/enter “ticket account” ► check ticket details ►

► terms and conditions ►

enter phone number+“ticket number” ►

print out payment slip and notes on ticket ►

pay at the counter and get film tickets printed with film title and screening venue, time and date

NOTES FOR PURCHASING/PRINTING OUT TICKETS IN CONVENIENCE STORES • NTD 10 handling fee per ticket will be charged • Please pay at the counter within 10 minutes after the payment slip is printed out. • If the process is paused for more than 2 minutes, it will go back to homepage and the purchase will not be completed. The process must be started from the beginning again. • Up to eight tickets per order could be printed out via kiosks in convenience stores. For orders of more than 8 tickets, please go to an

Service Center.

Customer Service: (02)3393-9888 (9:00-20:00 MON-FRI) Taipei Film Festival Customer Service: (02)2308-2966 (11:00-18:00 MON-FRI)

購票資訊 TICKET INFORMATION

19

影展 地圖

華陰街 Huayin St.

R1

市民大道一段 Sec. 1, Civic Blvd.

VENUE

台北車站 Taipei Main Station

北平西路 Beiping W. Rd

承德路一段 Sec. 1, Chengde Rd

北3門 North3

忠孝西路一段 Sec. 1, Zhongxiao W. Rd

Cine

影展地圖 VENUE

ma

台 北京 站威 秀影 城

(TQ) Vie Show Cinemas Taipei Qsquare

光 點 華 山 電 影 館 (SH)

台北市市民大道一段209號5 樓

台北市八德路一段1號

5F, No. 209, Sec. 1, Civic Blvd., Taipei City

No. 1, Sec. 1, Bade Rd., Taipei City (02)2396-3980

(02)2550-3538

20

中山北路一段 Sec. 1, Zhongshan N. Rd

京站威秀影城 Vie Show Cinemas Taipei Qsquare

SPOT-Huashan Cinema

松山文創園區 Art Space D 藝巷空間 Songshan Cultural and Creative ParkArt Space D 國父紀念館站 五號出口 Sun Yat-sen Memorial Hall Station Exit 5 忠孝東路五段 Sec. 5, Zhongxiao E. Rd.

市府路

松高路 Songgao Rd.

路 一段 Sec

MUVIE CINEMAS

. 1, Kee lu

松仁路 Songren Rd.

基隆

仁愛路四段 Sec. 4, Ren'ai Rd.

ng Rd.

松壽路 Songshou Rd.

信義威秀影城 Vie Show Cinemas Taipei Hsin Yi

象山站 一號出口 Xiangshan Station Exit 1

信義路五段 Sec. 5, Xinyi Rd.

松山文創園區 Art Space D 藝巷空間

台 北信 義 威 秀影 城

Songshan Cultural and Creative ParkArt Space D

Vie Show Cinemas Taipei Hsin Yi

台北 市 光 復 南 路 133號

台北市松壽路 2 0 號

No.133, Guangfu South Road, Taipei City

(HY)

No. 20, Songshou Rd., Taipei City (02)2729-6019

MUVIE CINEMAS 台北市松仁路58號 No. 58, Songren Rd., Taipei City

影展地圖 VENUE

21

場次表

SCREENING SCHEDULE

★ 影人出席映後座談或導讀 With filmmakers' attendance ▲ 影片拷貝非英語發音且無英文字幕 Non-English films screened without English subtitles 0+ 普 遍 級 一般觀眾皆可觀賞 G: General audience 6+ 保 護 級 未滿六歲不得觀賞，六歲以上未滿十二歲須由成人陪伴輔導觀賞 P: No children under 6 allowed. Children aged 6 to 12 must be accompanied by an adult 12+ 輔 1 2 級 未滿十二歲不得觀賞 PG12: No one under 12 allowed 15+ 輔 1 5 級 未滿十五歲不得觀賞 PG15: No one under 15 allowed 18+ 限 制 級 未滿十八歲不得觀賞 R: No one under 18 allowed R18 超限制級 未滿十八歲不得觀賞，入場前須簽觀影同意書 R18: The audience will be required to sign "Letter of Declaration" before entrance 場次及活動異動訊息，請以官網與戲院現場公布為準 Please refer to the announcement on website and venues for changing of ratings, screenings and events. 所有影廳皆設有無障礙設施 Accessibility for the disabled in all venues. ：台北電影獎競賽 Taipei Film Awards ：國際新導演競賽 International New Talent Competition ：Aēsop 香氛場 Aroma Session

22

場次表 SCREENING SCHEDULE

09.23

10

11

12

13

14

15

16

17

18

19

20

THU

21

22

23

24

127min｜0+ ★

20:00 P.10-11

MUVIE CINEMAS TITAN

月老 Till We Meet Again

127min｜0+

19:30 P.10-11 月老

信義威秀 11廳 HY 11

Till We Meet Again

光點華山 1廳 SH 1

123min｜12+

83min｜6+

80min｜12+

89min｜18+

13:00 P.132

16:00 P.90

18:20 P.140

20:40 P.127

美麗疾境

謊言風暴

廢柴萬物論

蕩漾年華

Oasis

180° Rule

Garbage Theory

Bliss

光點華山 2廳 SH 2

09.24

92min｜0+

77min｜6+

173min｜6+

15:00 P.144

17:40 P.164-165

20:00 P.169

古老的靈魂

哈都．裘德短片輯Ⅰ： 家庭群像

1941 亡者群像

Ancient Soul

10

11

12

13

14

10

11

12

13

14

FRI 信義威秀 10廳 HY 10

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

11

15

16

17

18

19

15

16

17

18

19

The Exit of the Trains

20

21

22

23

24

20

21

22

23

24

92min｜12+

93min｜12+

85min｜15+

81min｜12+

14:30 P.110

17:00 P.173

19:30 P.44-45

21:50 P.133

德國妹妹蒙古姊姊

軍中禁戀

性．愛饗宴

我的警察情人

Black Milk

Beau Travail

Feast

Poppy Field

76min｜0+

96min｜6+

79min｜0+

108min｜0+

14:10 P.152

16:30 P.101

19:10 P.54-55

21:30 P.98

全員社距中

失親變奏曲

女孩們的夏日浮光

再見父親

Social Hygiene

Rival

Short Vacation

Moon, 66 Questions

115min｜0+

89min｜12+

141min｜15+

84min｜18+

11:50 P.147

14:40 P.124

17:10 P.168

20:30 P.138

當我們成為風景

越高潮越寂寞

心痕如詩

撕裂異弒界

We

All Eyes Off Me

Scarred Hearts

Censor

光點華山 2廳 SH 2 10

Radu Jude Short Films Collection I: Family Shorts

12

13

14

100min｜0+

85min｜6+

89min｜12+

15:00 P.95

17:40 P.91

20:00 P.141

甘單歐吉桑

失格教育

我倆還有明天

I Was a Simple Man

Brother’s Keeper

Yellow Cat

15

16

17

18

19

20

21

22

23

24

場次表 SCREENING SCHEDULE

24

09.25

10

11

SAT

12

13

16

信義威秀 10廳 HY 10

信義威秀 11廳 HY 11

21

22 87min｜12+

21:20 P.46-47

青春請閉眼

綠色牢籠

Stop-Zemlia

Green Jail

台北電影獎 - 短片Ⅰ

Ghosts

100min｜0+

88min｜6+ ★▲

106min｜15+

13:00 P.105

16:00 P.38-39

18:40 P.117-118

21:40 P.40-41

海邊最後的夏天

沉默代號 Azor

台灣短 SHOW I

Azor

煙硝中，我們狂歡

Taiwan Shorts Ⅰ

Celts

108min｜6+

99min｜12+

123min｜12+

60min｜0+ ★▲

11:40 P.139

14:30 P.126

17:10 P.137

20:20 P.115

芙圖娜的異想世界

無懼之地

魔鬼中的天使

越界

Fortuna The Girl and the Giants

Beasts

Atarrabi and Mikelats

Border

71min｜6+

123min｜15+

87min｜0+

108min｜0+ ▲

12:40 P.158

15:00 P.100

18:10 P.143

20:40 P.125

失戀男人旅行日記

迷樓驚魂

河流，奔跑著，倒映著

不容易的爸爸

I Travel Because I Have To, I Come Back Because I Love You

The Penultimate

A River Runs, Turns, Erases, Replaces

Any Crybabies Around?

12

13

14

15

11

12

13

14

15

16

17

18

19

16

17

18

19

20

21

22

23

24

20

21

22

23

24

102min｜6+

104min｜6+

93min｜12+

148min｜6+ ★

10:30 P.102

13:00 P.130

15:30 P.50-51

19:30 P.42-43

墜愛少女

失落園

西非夜譚

徘徊年代

Souad

Limbo

Night of the Kings

Days Before the Millennium

81min｜6+

73min｜12+ ★

85min｜12+

80min｜0+ ★

130min｜0+

11:00 P.161

13:20 P.84,87-88

16:00 P.52-53

18:20 P.119-120

21:00 P.56-57

阿爾及利亞天空下

台北電影獎 - 動畫片+短片Ⅱ

結婚，先不要

台灣短 SHOW II

野馬分鬃

Taipei Film Awards Animations + Short Films II

光點華山 1廳 SH 1

11

Second Thoughts

Taiwan Shorts Ⅱ

Striding Into the Wind

210min｜0+

90min｜★

104min｜0+

14:30 P.32

18:00 P.20

20:30 P.111

昂希朗格瓦：電光魅影

卓越貢獻獎講座

女力拳開

Henri Langlois: The Phantom of the Cinematheque

Outstanding Contribution Award: Edmond Wong

Fighter

113min｜15+

87min｜15+

77min｜6+

74min｜6+

98min｜12+

11:20 P.104

14:10 P.157

16:30 P.164-165

18:40 P.166

20:50 P.92

濁水漂流

逆光

Drifting

Suely in the Sky

哈都．裘德短片輯Ⅰ： 哈都．裘德短片輯Ⅱ： 辣嬤俱樂部 Destello Bravío 家庭群像 死亡之眼

12

場次表 SCREENING SCHEDULE

13

14

15

24

歡迎來到鬼魅之都

Taipei Film Awards Short Films I

72min｜0+ ★

11

光點華山 2廳 SH 2

23

17:40 P.83-85

Nardjes A.

10

20

123min｜12+ ★

光點華山 2廳 SH 2

10

19

14:30 P.48-49,81

光點華山 1廳 SH 1

SUN

18

101min｜6+ ★

Last Days at Sea

10

17

11:20 P.134

信義威秀 11廳 HY 11

25

15

122min｜6+

信義威秀 10廳 HY 10

09.26

14

Radu Jude Short Films Radu Jude Short Films Collection I: Family Shorts Collection II: All About Death

16

17

18

19

20

21

22

23

24

09.27

10

11

12

13

MON 信義威秀 10廳 HY 10

18

19

20

21

22

128min｜6+

97min｜15+

93min｜12+

13:00 P.133

15:40 P.170

18:50 P.58-59

21:30 P.173

我的警察情人

塗鴉少年祕密檔案

失落邊境

軍中禁戀

Poppy Field

Uppercase Print

Taste

Beau Travail

76min｜0+

153min｜12+

86min｜15+

13:30 P.96

16:00 P.152

18:20 P.36-37

21:50 P.175

就是你，救世主

全員社距中

由宇子的天秤

刺青

Liborio

Social Hygiene

A Balance

The Spider Tattoo

116min｜12+

17:50 P.156

20:40 P.93

打開波士頓市政廳

妖姬莎塔

天猶未光

City Hall

Madame Satã

The Edge of Daybreak

12

10

11

12

TUE 信義威秀 10廳 HY 10

89min｜12+

94min｜15+

103min｜6+

112min｜12+

12:20 P.141

14:50 P.107

17:30 P.99

20:20 P.106

我倆還有明天

美國夢直播情

戰地微光

鐵幕追緝令

Yellow Cat

The Whaler Boy

Natural Light

Three

13

14

15

16

17

18

13

14

15

16

17

18

光點華山 2廳 SH 2 12

19

20

21

19

20

21

23

24

22

23

24

23

24

92min｜12+

94min｜0+ ★

122min｜6+

12:30 P.128

15:50 P.110

18:30 P.80,82

21:30 P.134

重返悲劇現場

德國妹妹蒙古姊姊

Conference

Black Milk

度日 + 捕鰻的人

青春請閉眼 Stop-Zemlia

In Their Teens + The Catch

89min｜0+

85min｜6+

66min｜0+ ▲

96min｜6+

14:00 P.109

16:30 P.97

19:00 P.150

21:00 P.123

海邊的女人們

死了一個瑪德蓮娜之後

引言

瞞天過界

Along the Sea

Madalena

Introduction

200 Meters

89min｜18+

108min｜6+

99min｜0+

115min｜0+

12:20 P.127

15:00 P.139

18:00 P.167

20:40 P.147

蕩漾年華

芙圖娜的異想世界

世界上最快樂的女孩

當我們成為風景

Bliss

Fortuna The Girl and the Giants

The Happiest Girl in the World

We

97min｜12+

68min｜6+

79min｜0+

91min｜0+

12:50 P.94

15:30 P.145

17:40 P.113

20:00 P.174

烽火幻劫

造訪

木與水

凡人故事

The Flood Won’t Come

Come Here

Wood and Water

Tales of Little People

13

14

15

16

17

18

19

24

22

135min｜6+

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

23

99min｜12+

105min｜18+

11

11

17

12:00 P.149

10

10

16

275min｜0+

光點華山 2廳 SH 2

09.28

15

81min｜12+

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

14

20

21

22

場次表 SCREENING SCHEDULE

26

09.29

10

11

12

13

WED 信義威秀 10廳 HY 10

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

光點華山 2廳 SH 2

09.30

14

15

16

17

18

19

21

22

104min｜6+

76min｜12+ ★

87min｜12+

13:30 P.50-51

16:10 P.130

19:00 P.79

21:50 P.46-47

西非夜譚

失落園

惡人之煞

歡迎來到鬼魅之都

Night of the Kings

Limbo

THE BAD MAN

Ghosts

96min｜6+

81min｜6+

106min｜15+

88min｜6+ ★▲

13:00 P.101

15:40 P.161

18:10 P.40-41

21:00 P.117-118

失親變奏曲

阿爾及利亞天空下

煙硝中，我們狂歡

Rival

Nardjes A.

Celts

台灣短 SHOW I

107min｜12+

84min｜18+

97min｜0+

12:10 P.137

15:10 P.159

18:00 P.138

20:20 P.160

魔鬼中的天使

未來海岸

撕裂異弒界

中央機場

Atarrabi and Mikelats

Futuro Beach

Censor

Central Airport THF

173min｜6+

74min｜6+

123min｜15+

87min｜0+

11:40 P.169

15:30 P.166

17:40 P.100

20:40 P.143

1941 亡者群像

哈都．裘德短片輯Ⅱ： 迷樓驚魂 The Penultimate 死亡之眼

The Exit of the Trains

河流，奔跑著，倒映著 A River Runs, Turns, Erases, Replaces

Radu Jude Short Films Collection II: All About Death

10

11

12

13

14

15

16

17

18

19

20

21

22

10

11

12

13

14

15

16

17

18

19

20

21

22

京站威秀 6廳 TQ 6

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

10

11

23

24

19:00 P.15,66

22:10 P.141

詭祭

我倆還有明天

Dead & Beautiful

Yellow Cat

92min｜15+ ★

97min｜15+

93min｜12+

128min｜6+

13:00 P.64

16:20 P.58-59

19:00 P.173

21:40 P.170

親愛的殺手

失落邊境

軍中禁戀

塗鴉少年祕密檔案

Be Alive Just Like You

Taste

Beau Travail

Uppercase Print

113min｜0+ ★

104min｜0+

80min｜0+ ★

14:50 P.69

18:10 P.111

21:00 P.119-120

再見父親

聽見歌 再唱

女力拳開

Moon, 66 Questions

Listen Before Sing

Fighter

台灣短 SHOW II

Taiwan Shorts Ⅱ

99min｜12+

116min｜12+

83min｜6+

130min｜0+

12:00 P.126

14:40 P.93

17:40 P.90

20:10 P.56-57

無懼之地

天猶未光

謊言風暴

野馬分鬃

Beasts

The Edge of Daybreak

180° Rule

Striding Into the Wind

場次表 SCREENING SCHEDULE

24

89min｜12+

12:00 P.98

12

23

99min｜12+ ★

108min｜0+

光點華山 2廳 SH 2

128min｜18+

103min｜6+

98min｜12+

92min｜0+

12:20 P.146

15:20 P.99

18:00 P.92

20:30 P.144

科西嘉島的夏天

戰地微光

辣嬤俱樂部

古老的靈魂

I Comete - A Corsican Summer

Natural Light

Destello Bravío

Ancient Soul

13

14

15

16

17

18

24

Taiwan Shorts Ⅰ

123min｜12+

信義威秀 10廳 HY 10

23

93min｜12+

THU

27

20

19

20

21

22

23

24

10.01

10

11

12

13

14

FRI 京站威秀 6廳 TQ 6

10

11

SAT 京站威秀 6廳 TQ 6

信義威秀 10廳 HY 10

20

21

22

23

112min｜12+

76min｜0+

89min｜18+

13:30 P.135

16:20 P.106

19:20 P.152

21:40 P.127

辣媽的祕密

鐵幕追緝令

全員社距中

蕩漾年華

La Verónica

Three

Social Hygiene

Bliss

102min｜6+

135min｜6+

113min｜15+

15:50 P.102

18:30 P.128

21:40 P.104

緝魂

墜愛少女

重返悲劇現場

濁水漂流

The Soul

Souad

Conference

Drifting

104min｜12+ ★

98min｜0+ ★▲

72min｜0+ ★

11:50 P.38-39

14:30 P.73

19:00 P.18

22:00 P.105

沉默代號 Azor

馗降：粽邪 2

四樓的天堂：第 1-2 集

海邊最後的夏天

The Rope Curse 2

Heaven on the 4th Floor: Ep.1-2

89min｜12+

100min｜0+

108min｜6+

153min｜12+

12:10 P.124

14:40 P.112

17:20 P.139

20:00 P.36-37

越高潮越寂寞

戀戀南娥湖

芙圖娜的異想世界

由宇子的天秤

All Eyes Off Me

Goodbye Mister Wong

Fortuna The Girl and the Giants

A Balance

71min｜6+

87min｜15+

100min｜0+

13:40 P.145

15:50 P.158

18:00 P.157

20:30 P.95

造訪

失戀男人旅行日記

逆光

Come Here

I Travel Because Suely in the Sky I Have To, I Come Back Because I Love You

13

14

12

13

14

甘單歐吉桑

15

16

17

18

19

15

16

17

18

19

I Was a Simple Man

20

21

22

23

24

20

21

22

23

24

85min｜12+

99min｜12+

80min｜12+

92min｜12+ ★

11:40 P.52-53

14:10 P.96

16:50 P.140

19:30 P.16

結婚，先不要

就是你，救世主

廢柴萬物論

Second Thoughts

Liborio

Garbage Theory

17 歲的天空 Formula 17

87min｜12+

123min｜12+ ★

101min｜6+ ▲

92min｜12+

93min｜12+

11:00 P.46-47

13:20 P.83-85

16:50 P.129

19:30 P.110

22:00 P.50-51

歡迎來到鬼魅之都

台北電影獎 - 短片Ⅰ

大眾情人之死

德國妹妹蒙古姊姊

西非夜譚

Death of a Ladies’ Man

Black Milk

Night of the Kings

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

Taipei Film Awards - Short Films I

85min｜6+

86min｜15+

91min｜0+ ★

89min｜0+

96min｜6+

11:20 P.97

13:40 P.175

16:10 P.86

19:10 P.109

21:40 P.101

死了一個瑪德蓮娜之後

刺青

廢棄之城

海邊的女人們

失親變奏曲

Madalena

The Spider Tattoo

City of Lost Things

Along the Sea

Rival

107min｜12+

105min｜18+

123min｜12+

79min｜0+

12:00 P.159

15:00 P.156

17:50 P.132

20:50 P.54-55

未來海岸

妖姬莎塔

美麗疾境

女孩們的夏日浮光

Futuro Beach

Madame Satã

Oasis

Short Vacation

光點華山 2廳 SH 2 11

12

123min｜15+

97min｜12+

94min｜15+

85min｜6+

12:30 P.100

15:30 P.94

18:00 P.107

20:30 P.91

迷樓驚魂

烽火幻劫

美國夢直播情

失格教育

The Penultimate

The Flood Won’t Come

The Whaler Boy

Brother’s Keeper

13

14

15

16

17

18

24

Last Days at Sea

68min｜6+

12

Ghosts

10

19

12:10 P.75

光點華山 2廳 SH 2

10.02

18

100min｜0+

光點華山 1廳 SH 1

11

17

100min｜6+

Azor

10

16

130min｜15+

信義威秀 10廳 HY 10

信義威秀 11廳 HY 11

15

19

20

21

22

23

24

場次表 SCREENING SCHEDULE

28

10.03

10

11

SUN 京站威秀 6廳 TQ 6

信義威秀 10廳 HY 10

12

14

20

21

22

34min｜0+ ★60min

16:40 P.123

19:30 P.151

性．愛饗宴

火女

瞞天過界

月亮 樹

Feast

Woman of Fire

200 Meters

The Moon and the Tree

23

119min｜18+ ★

110min｜6+

128min｜6+

97min｜15+

12:00 P.77

15:30 P.131

18:30 P.170

21:30 P.58-59

愛．殺

戚風男孩

塗鴉少年祕密檔案

失落邊境

Wrath of Desire

My Best Part

Uppercase Print

Taste

83min｜6+

73min｜12+ ★

108min｜0+

99min｜12+ ★

12:30 P.90

14:50 P.84,87-88

17:30 P.98

20:20 P.15,66

謊言風暴

台北電影獎 - 動畫片 + 短片Ⅱ 再見父親

Taipei Film Awards Animations + Short Films II

Dead & Beautiful

141min｜15+

275min｜0+

12:30 P.167

15:10 P.168

18:30 P.149

世界上最快樂的女孩

心痕如詩

打開波士頓市政廳

The Happiest Girl in the World

Scarred Hearts

City Hall

98min｜12+

128min｜18+

173min｜6+

79min｜0+

12:00 P.92

14:30 P.146

17:30 P.169

21:20 P.113

辣嬤俱樂部

科西嘉島的夏天

木與水

Destello Bravío

I Comete - A Corsican Summer

1941 亡者群像

13

10

11

12

13

MON 京站威秀 6廳 TQ 6

信義威秀 10廳 HY 10

14

15

16

14

15

16

The Exit of the Trains

Wood and Water

17

18

19

20

21

22

17

18

19

20

21

22

13:30 P.40-41

16:20 P.135

19:00 P.153

22:10 P.133

煙硝中，我們狂歡

辣媽的祕密

偶然與想像

我的警察情人

Celts

La Verónica

Wheel of Fortune and Fantasy

Poppy Field

135min｜6+

107min｜12+ ★

15:40 P.128

19:00 P.72

綠色牢籠

重返悲劇現場

複身犯

Green Jail

Conference

Plurality

115min｜12+ ★

100min｜0+

115min｜12+ ★

14:50 P.63

18:20 P.38-39

21:00 P.70

中央機場

腿

Central Airport THF

A Leg

沉默代號 Azor

場次表 SCREENING SCHEDULE

24

81min｜12+

12:20 P.48-49,81

當男人戀愛時

Azor

Man in Love

100min｜0+

123min｜12+

60min｜0+ ▲

81min｜6+ ★60min

12:10 P.112

14:50 P.137

18:00 P.115

20:30 P.161

戀戀南娥湖

魔鬼中的天使

越界

阿爾及利亞天空下

Goodbye Mister Wong

Atarrabi and Mikelats

Border

Nardjes A.

13

23

121min｜12+

12:00 P.160

12

24

100min｜6+

101min｜6+ ★

光點華山 2廳 SH 2

23

106min｜15+

97min｜0+

光點華山 1廳 SH 1

100min｜0+

87min｜0+

91min｜0+

103min｜6+

13:10 P.95

15:50 P.143

18:20 P.174

20:50 P.99

甘單歐吉桑

河流，奔跑著，倒映著

凡人故事

戰地微光

I Was a Simple Man

A River Runs, Turns, Erases, Replaces

Tales of Little People

Natural Light

14

15

16

17

18

24

詭祭

Moon, 66 Questions

99min｜0+

12

11

19

96min｜6+

11

10

18

14:00 P.176

10

信義威秀 11廳 HY 11

17

98min｜12+ ▲

180° Rule

光點華山 2廳 SH 2

16

11:30 P.44-45

光點華山 1廳 SH 1

29

15

85min｜15+

信義威秀 11廳 HY 11

10.04

13

19

20

21

22

23

24

10.05

10

11

12

13

TUE 京站威秀 6廳 TQ 6

信義威秀 10廳 HY 10

14

15

21

22

80min｜12+

22:10 P.140

鐵幕追緝令

結婚，先不要

廢柴萬物論

Three

Second Thoughts

Garbage Theory

24

122min｜6+

104min｜12+ ★

71min｜6+

12:40 P.80,82

15:50 P.134

18:50 P.74

22:00 P.158

度日 + 捕鰻的人

青春請閉眼

無聲

失戀男人旅行日記

Stop-Zemlia

The Silent Forest

I Travel Because I Have To, I Come Back Because I Love You

122min｜6+ ★

72min｜0+ ★

99min｜0+ ★

15:00 P.65

18:40 P.105

21:30 P.67

同學麥娜絲

海邊最後的夏天

我沒有談的那場戀愛

Classmates Minus

Last Days at Sea

I missed you

130min｜0+

79min｜0+

106min｜18+ ★60min

14:20 P.56-57

17:30 P.54-55

20:00 P.171

野馬分鬃

女孩們的夏日浮光

Striding Into the Wind

Short Vacation

倒楣性愛和瘋狂 A 片

Bad Luck Banging or Loony Porn

94min｜15+

85min｜6+

92min｜0+

68min｜6+

13:00 P.107

15:30 P.91

18:00 P.144

20:30 P.145

美國夢直播情

失格教育

古老的靈魂

造訪

The Whaler Boy

Brother’s Keeper

Ancient Soul

Come Here

11

12

13

14

10

11

12

13

14

WED 京站威秀 6廳 TQ 6

15

16

17

18

19

15

16

17

18

19

20

21

22

23

24

20

21

22

23

24

96min｜6+

85min｜15+

71min｜0+ ★

89min｜0+

14:20 P.123

16:50 P.44-45

19:20 P.17

22:00 P.109

瞞天過界

性．愛饗宴

200 Meters

Feast

茶金：第 1-2 集特別版

海邊的女人們

Gold Leaf: Ep.1-2 (Special Edition)

76min｜12+ ★

113min｜15+

104min｜0+ ★

12:20 P.79

15:00 P.104

18:00 P.68

惡人之煞

濁水漂流

怪胎

THE BAD MAN

Drifting

i WEiRDO

信義威秀 11廳 HY 11

Along the Sea

87min｜15+

119min｜0+ ★

108min｜0+ ▲

104min｜15+ ★

12:50 P.157

15:20 P.71

18:50 P.125

21:30 P.78

逆光

消失的情人節

不容易的爸爸

削瘦的靈魂

Suely in the Sky

My Missing Valentine

Any Crybabies Around?

Ａ Lean Soul

105min｜18+

115min｜0+

99min｜12+

89min｜12+

12:00 P.156

14:50 P.147

17:50 P.126

20:30 P.124

妖姬莎塔

當我們成為風景

無懼之地

越高潮越寂寞

Madame Satã

We

Beasts

All Eyes Off Me

光點華山 2廳 SH 2 12

23

16:30 P.52-53

10

11

20

94min｜0+ ★

光點華山 2廳 SH 2

10

19

85min｜12+

光點華山 1廳 SH 1

光點華山 1廳 SH 1

18

13:40 P.106

In Their Teens + The Catch

信義威秀 10廳 HY 10

17

112min｜12+

信義威秀 11廳 HY 11

10.06

16

13

14

79min｜0+

97min｜12+

77min｜6+

15:00 P.113

17:20 P.94

20:00 P.164-165

木與水

烽火幻劫

哈都．裘德短片輯Ⅰ：家庭群像

Wood and Water

The Flood Won’t Come

Radu Jude Short Films Collection I: Family Shorts

15

16

17

18

19

20

21

22

23

24

場次表 SCREENING SCHEDULE

30

10.07

10

11

12

13

14

15

16

17

19

19

20

THU

21

22

23

24

106min｜12+ ★

20:00 P.12-13,76

MUVIE CINEMAS TITAN

詭扯 Treat or Trick

京站威秀 6廳 TQ 6

123min｜12+

98min｜12+ ▲

100min｜6+

99min｜12+

13:30 P.132

16:40 P.176

19:20 P.135

22:00 P.96

美麗疾境

火女

辣媽的祕密

就是你，救世主

Oasis

Woman of Fire

La Verónica

Liborio

信義威秀 10廳 HY 10

104min｜6+

14:00 P.102

16:40 P.130

墜愛少女

失落園

Souad

Limbo

85min｜6+

97min｜0+

106min｜12+

13:00 P.97

15:20 P.160

19:30 P.12-13,76

死了一個瑪德蓮娜之後

中央機場

詭扯

Madalena

Central Airport THF

Treat or Trick

信義威秀 11廳 HY 11

光點華山 1廳 SH 1

102min｜6+

116min｜12+

99min｜0+

107min｜12+

100min｜0+

12:10 P.93

15:10 P.167

17:50 P.159

20:40 P.112

天猶未光

世界上最快樂的女孩

未來海岸

戀戀南娥湖

The Edge of Daybreak

The Happiest Girl in the World

Futuro Beach

Goodbye Mister Wong

光點華山 2廳 SH 2 10

31

11

12

場次表 SCREENING SCHEDULE

13

14

91min｜0+

128min｜18+

74min｜6+

14:40 P.174

17:10 P.146

20:20 P.166

凡人故事

科西嘉島的夏天

Tales of Little People

I Comete - A Corsican Summer

15

16

17

19

19

20

哈都．裘德短片輯Ⅱ： 死亡之眼 Radu Jude Short Films Collection II: All About Death

21

22

23

24

場次表 SCREENING SCHEDULE

32

主要合作夥伴

合作單位

特別贊助

特別合作夥伴

指定特刊

目 次 Contents 6

局長序 Foreword from the Director General

8

主席序 Foreword from the Festival President

台北電影獎 - 劇情長片

Taipei Film Awards - Narrative Features

開幕片 Opening Film 1 0 月老 Till We Meet Again

63 腿 A Leg 64 親愛的殺手 Be Alive Just Like You 65 同學麥娜絲 Classmates Minus 66 詭祭 Dead & Beautiful 6 7 我沒有談的那場戀愛 I missed you

閉幕片 Closing Film 1 2 詭扯 Treat or Trick

68 怪胎 i WEiRDO 69 聽見歌 再唱 Listen Before Sing 7 0 當男人戀愛時 Man in Love 7 1 消失的情人節 My Missing Valentine 7 2 複身犯 Plurality

特別放映 Gala Presentations 1 5 詭祭 Dead & Beautiful 1 6 17歲的天空 Formula 17 1 7 茶金：第1-2集特別版 Gold Leaf: Ep.1-2 (Special Edition)

7 3 馗降：粽邪2 The Rope Curse 2 7 4 無聲 The Silent Forest 7 5 緝魂 The Soul 7 6 詭扯 Treat or Trick 7 7 愛．殺 Wrath of Desire

1 8 四樓的天堂：第1-2集 Heaven on the 4th Floor: Ep.1-2

台北電影獎 - 紀錄片 卓越貢獻獎 Outstanding Contribution Award 3 2 昂希朗格瓦：電光魅影 Henri Langlois: The Phantom of the Cinematheque

Taipei Film Awards - Documentaries 7 8 削瘦的靈魂 A Lean Soul 7 9 惡人之煞 THE BAD MAN 80 捕鰻的人 The Catch 8 1 綠色牢籠 Green Jail 8 2 度日 In Their Teens

國際新導演競賽 International New Talent Competition 34 國際新導演競賽評審 International New Talent Competition Jury 36 由宇子的天秤 A Balance 38 沉默代號Azor Azor 40 煙硝中，我們狂歡 Celts 42 徘徊年代 Days Before the Millennium 44 性．愛饗宴 Feast 46 歡迎來到鬼魅之都 Ghosts

台北電影獎 - 短片

Taipei Film Awards - Short Films 83 軟弱的梨 Her and I 83 江仔 Jiang 84 美樂蒂 Melody’s melody 84 貓與蒼蠅 Neko And Flies 85 鋼琴課 Piano Lessons 85 巴基之詩 The Poem of Pakistan

48 綠色牢籠 Green Jail 50 西非夜譚 Night of the Kings 5 2 結婚，先不要 Second Thoughts 54 女孩們的夏日浮光 Short Vacation 56 野馬分鬃 Striding Into the Wind 58 失落邊境 Taste

台北電影獎 - 動畫片

Taipei Film Awards - Animations 86 廢棄之城 City of Lost Things 8 7 奢侈凡夜 Extravagantly Ordinary Night 8 7 水中的女孩 Girl in the Water 88 山川壯麗 Little Hilly 88 夜車 Night Bus

目次 CONTENTS

003

未來之光 Future Lights

明日．台灣：台灣短SHOW II

Forward Taiwan - Taiwan Shorts II

90 謊言風暴 180°Rule

119 錦鯉墜落 Falling Koi

9 1 失格教育 Brother’s Keeper

119 姊姊 my sister

92 辣嬤俱樂部 Destello Bravío

120 美豬肉圓 Piglet Piglet

93 天猶未光 The Edge of Daybreak

120 火車快飛 8Teen

94 烽火幻劫 The Flood Won’t Come 95 甘單歐吉桑 I Was a Simple Man 96 就是你，救世主 Liborio 97 死了一個瑪德蓮娜之後 Madalena

當代精選 World Cinema

98 再見父親 Moon, 66 Questions

123 瞞天過界 200 Meters

99 戰地微光 Natural Light

124 越高潮越寂寞 All Eyes Off Me

100 迷樓驚魂 The Penultimate

125 不容易的爸爸 Any Crybabies Around?

101 失親變奏曲 Rival

126 無懼之地 Beasts

102 墜愛少女 Souad

127 蕩漾年華 Bliss 128 重返悲劇現場 Conference

亞洲稜鏡 Asian Prism

129 大眾情人之死 Death of a Ladies’ Man 130 失落園 Limbo 131 戚風男孩 My Best Part

104 濁水漂流 Drifting

132 美麗疾境 Oasis

105 海邊最後的夏天 Last Days at Sea

133 我的警察情人 Poppy Field

106 鐵幕追緝令 Three

134 青春請閉眼 Stop-Zemlia

107 美國夢直播情 The Whaler Boy

135 辣媽的祕密 La Verónica

亞洲稜鏡：邊境、近境 Asian Prism: Crossing the Border

幻界奇航 Wild Tales

109 海邊的女人們 Along the Sea

137 魔鬼中的天使 Atarrabi and Mikelats

110 德國妹妹蒙古姊姊 Black Milk

138 撕裂異弒界 Censor

1 1 1 女力拳開 Fighter

139 芙圖娜的異想世界 Fortuna - The Girl and the Giants

1 1 2 戀戀南娥湖 Goodbye Mister Wong

140 廢柴萬物論 Garbage Theory

113 木與水 Wood and Water

141 我倆還有明天 Yellow Cat

明日．台灣 Forward Taiwan 115 越界 Border

異境真實 Reality Bites 143 河流，奔跑著，倒映著 A River Runs, Turns, Erases, Replaces 144 古老的靈魂 Ancient Soul

明日．台灣：台灣短SHOW I

Forward Taiwan - Taiwan Shorts I 1 1 7 第13天 Day 13 1 1 7 失去 Unforgettable Darkness of the Stained Spirit 118 未泯 A Rolling Stone

004

目次 CONTENTS

145 造訪 Come Here 146 科西嘉島的夏天 I Comete - A Corsican Summer 147 當我們成為風景 We

經典重現 作者視角 Visions 149 打開波士頓市政廳 City Hall 150 引言 Introduction 151 月亮 樹 The Moon and the Tree 152 全員社距中 Social Hygiene 153 偶然與想像 Wheel of Fortune and Fantasy

Classics Revisited 173 軍中禁戀 Beau Travail

凡人故事 Tales of Little People

174 平民大富翁 The Franc 174 販售太陽的女孩 The Little Girl Who Sold the Sun 175 刺青 The Spider Tattoo

焦點影人：凱里．阿努茲

176 火女 Woman of Fire

Filmmaker in Focus: Karim AÏNOUZ 156 妖姬莎塔 Madame Satã 157 逆光 Suely in the Sky 158 失戀男人旅行日記 I Travel Because I Have To, I Come Back Because I Love You 159 未來海岸 Futuro Beach 160 中央機場 Central Airport THF 161 阿爾及利亞天空下 Nardjes A.

XR全浸界

XR Frontline 178 應許之諾 A Promise Kept 178 我在再教育營的日子 Reeducated 179 一生一樹 Namoo 179 再見章魚先生 Goodbye Mister Octopus 180 雅加達時光紀事 Replacements 180 烏托邦建設中 Heterotopia: Mirrors & Perspectives

焦點影人：哈都．裘德

181 家中的劊子手 The Hangman at Home

Filmmaker in Focus: Radu JUDE

181 霧中 In the Mist

哈都．裘德短片輯 I：家庭群像

182 大師狂想曲：蔡明亮 Missing Pictures 2: Tsai Ming-liang

182 心向列車：她和他 The Passengers: Her & Him

Radu Jude Short Films Collection I: Family Shorts

164 電視壞掉的一天 The Tube With a Hat 164 親愛的亞莉珊卓 Alexandra 165 憂鬱的午後 Shadow of a Cloud

哈都．裘德短片輯 II：死亡之眼 Radu Jude Short Films Collection II: All About Death

166 一盡到底 A Film for Friends 166 晚安，噓 It Can Pass Through the Wall

專文 Essay 186 過於喧嘩的浪漫：凱里・阿努茲 188 哈都・裘德：在電影中，穿透羅馬尼亞的過去與現在 190 走進虛擬實境的後空間：XR全浸界 192 A Romanticism Far Too Loud: Karim Aïnouz 194 Radu Jude: Past and Present in Romania Through Films 196 Stepping into the Post-space: XR Frontline

167 世界上最快樂的女孩 The Happiest Girl in the World 168 心痕如詩 Scarred Hearts 169 1941亡者群像 The Exit of the Trains 170 塗鴉少年祕密檔案 Uppercase Print 1 7 1 倒楣性愛和瘋狂A片 Bad Luck Banging or Loony Porn

198 版權資料 Print Source 203 影片索引 Film Index 207 導演索引 Director Index 209 特別感謝 Acknowledgement

目次 CONTENTS

005

局長序

台北電影節去年在疫情影響下，謹慎擘劃，成為全球第一個在疫情發生後舉辦的實體 影展，因而數度躍上國際媒體，讓人倍感驕傲。 今年疫情影響依舊未見止息，已有應對經驗的台北電影節仍將秉持去年的經驗，謹慎 應對，力求提供台灣觀眾與影人一個安全無虞，並且鬧熱滾滾的電影盛會。 多年來，台北電影節一直持續引介來自世界各地的頂尖作品，透過節目放映、活動辦 理、講座與工作坊等，努力建構一個開拓觀眾視野、提供影人交流與鼓勵影像創作者 的平台，獲得觀眾與影人的正面回饋，讓我們備受激勵。今年，我們再接再厲，持續 為台北電影節的年度活動「演員培訓計畫」爭取預算與資源，為台灣電影產業的人才 培育提供最前瞻與最具體的支持。 謝謝李屏賓主席過去五年為台北電影節注入心血，大大提升了影展的國際能見度與影 響力。今年，在新任主席易智言導演的帶領下，台北電影節將以愈趨穩健的步伐，持 續創新，為台灣電影帶來源源不絕的能量。

蔡宗雄 臺北市政府文化局局長 財團法人台北市文化基金會執行長

006

局長序 FOREWORD FROM THE DIRECTOR GENERAL

Foreword from the Director General

Thanks to its careful planning, Taipei Film Festival was the world’s first physical film festival held under the impact of the pandemic last year and attracted much international media coverage, in which we took much pride. Given the pandemic effect prolonged into this year, Taipei Film Festival extends its cautious reaction based on its experience last year and endeavors to provide a safe and dynamic fest of cinema to audiences and filmmakers in Taiwan. Over the years, Taipei Film Festival has been introducing top-notch works from around the globe. Through film screening, events, lectures and workshops, as well as an effort to build a platform for filmmaker exchanges that broadens the audience’s horizons and encourages filmmakers, it has received positive feedback from the audience and filmmakers, which is highly motivating. This year, we will continue our effort in obtaining budget and resources for “Actors Workshop”, an annual event of the Taipei Film Festival, and provide the most forward-looking and substantial support to incubate talents for Taiwan’s film industry. I wish to thank President Mark, Lee Ping-bing for devoting to the Taipei Film Festival in the past five years and greatly enhancing the international visibility and influence of the film festival. This year, under the leadership of the new President, director Yee Chih-yen, the Taipei Film Festival will continue to innovate at an increasingly steady pace, bringing boundless energy to the cinema of Taiwan.

TSAI Tsung-hsiung Director General Department of Cultural Affairs, Taipei City Government Chief Executive Officer Taipei Culture Foundation

局長序 FOREWORD FROM THE DIRECTOR GENERAL

007

主席序

從李屏賓主席手上接下台北電影節的棒子之後，我便一直思考在原有架構下，可以為 台北電影節引入什麼樣的心血與火花，才能不負這個任重道遠的工作？ 從歷史的軌跡與剖面來看，台北電影節在挖掘與鼓勵年輕創作者上，始終引領風騷， 甚至不按牌理出牌，頗有捨我其誰之姿。許多台灣導演和演員的第一座獎項，是台北 電影節頒發的。許多年輕創作者帶著作品進入的第一個影展，也是台北電影節。當 然，在炎夏舉辦的台北電影節，也是年輕觀眾在期末結束學業後，迫不急待投入的第 一個影展。台北電影節與年輕、創作的連結，如此密切，如此鮮明。 鼓勵與培養新人，恰恰是我在從事自己的影像創作之餘，最為花費心力與時間的。這 或許是我可以略盡棉薄之力的地方。 現階段的台北電影節除了「台北電影獎」、「國際新導演競賽」兩大雙競賽，以及邀 請放映的上百部作品外，已經成為台北電影節招牌的「電影正發生」、「正在拍片的 我」、「XR全浸界」、「台灣電影製片工作坊」、「國際提案一對一工作坊」、「非 常新人」、「電影行銷獎」，以及今年新規劃的「演員培訓工作坊」，都已聚焦在電 影產製銷每一個重要環節的人才培育與鼓勵，豐富且完整。 但我期許台北電影節在回應台灣電影產業產生巨大結構轉變之外，還能保留以往的大 膽、創新與鮮明個性，在蒼茫的電影大海中，發揮最大新浪潮騷動。這是我戮力以赴 的方向。

易智言 台北電影節主席

008

主席序 FOREWORD FROM THE FESTIVAL PRESIDENT

Foreword from the Festival President

After succeeding Mark Lee Ping-bing as Taipei Film Festival’s President, I have been thinking about what kind of effort and sparks I should bring to the film festival under the original structure to fulfill the significant task. Seen from its historical trajectory and profile, the Taipei Film Festival has been a trend leader by discovering and encouraging young creators. Moreover, with its unpredictable style, it assumes a great undertaking regarding cinema. It was at the Taipei Film Festival that numerous Taiwanese directors and actors were awarded for the first time. It was also to this film festival that many young creators brought their debut works. Of course, this film festival held in the middle of summer is also the first film festival that young audiences aspire to participate in after finishing studies at the end of the semester. The connection the Taipei Film Festival with youth and creation is so intense and distinct. Encouraging and cultivating new talents is precisely what I invest most of my time and energy apart from filmmaking and where I could make a contribution. At the present stage of the Taipei Film Festival, in addition to its two major competitions, the “Taipei Film Awards” and the “International New Talent Competition”, and hundreds of works invited for screening, the “In Progress” and “Taipei Film Festival Firsts: Presenting New Taiwan Directors”, “XR Frontline”, “Producer Workshop”, “Produire au Sud Taipei”, “Supernova”, and “Film Marketing Awards” that have become the signature of the film festival as well as the “Actors Workshop” newly planned this year have focused on the cultivating and encouraging talents in every important sector of film production and marketing, which further enriches and completes the whole. Yet I hope that, in addition to responding to huge structural change in Taiwan’s film industry, the Taipei Film Festival will also retain the audacity, innovation and distinctiveness of the past and inspire the greatest new wave of turmoil in the vast ocean of cinema. This is the direction that I strive for.

YEE Chih-yen President of Taipei Film Festival

主席序 FOREWORD FROM THE FESTIVAL PRESIDENT

009

開��

Opening Film 010

開幕片 OPENING FILM

月老

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 127min

Till We Meet Again

天落橫雷，阿綸一倒不醒，就此墮入輪迴； 煞氣少女粉紅女死得不明不白也落入陰間。 前世的青春愛戀美好記憶敗給一盅孟婆湯， 業障不消卻不得投胎轉世。阿綸、粉紅女搭 檔作月老，兩指一線牽，注定一世緣，願人 間幸福能迴向度化自身。有人為愛附魔，也 有人為情成仙，偏偏小咪如天上聖女六根清 淨，紅線怎麼綁都牽不走她的心。此情若不 允，人神共不暝。阿綸終於想起，有些事， 一萬年也不會變。 九把刀打磨四年帶來改編自己原著小說的第 三部電影作品。率領正宗班底柯震東賦歸， 聯手王淨、宋芸樺飛天遁地、穿梭陰陽只為 一段突破生死的不滅真愛。姻緣文化激盪熱 血青春愛戀，若有《與神同行》的氣勢磅礡， 亦有《第六感生死戀》的摯愛不渝。全新打 造神鬼宇宙，開啟台灣電影史上奇幻愛情新 篇章。

When Alan gets struck by lightning, he passes away and enters the netherworld. Pinky, who has died of an unknown cause, also arrives in the netherworld. They are given some liquid to drink that will erase all their memories of their loved ones and forced to begin a new life. Alan and Pinky then become partners, working as matchmakers for the living. Still caring for his girlfriend who he left behind, Alan tries every means to set her up with a good match but nevertheless, she never falls for these men. Finally, Alan remembers something as certain things will never change no matter what happens or where you are...

「人生中最奢侈的幻想，是失而復得。我寧 願又是一場戰鬥。」──九把刀

九把刀，1978 年出生於台灣彰化，以網路小說發跡、跨界電影創作的 當代奇才。小說作品近百本，且已有十部作品改編為電影。首部執導 作品《那些年，我們一起追的女孩》寫下台灣青春愛情電影紀錄，《月 老》為其第三部導演作品。 Giddens KO has published almost a hundred novels and ten of them have been adapted for films. He made his directorial debut, You Are the Apple of My Eye (2011) which was a box office hit. Till We Meet Again is his third film as director.

DIRECTOR, SCREENPLAY 九把刀 Giddens KO EXECUTIVE PRODUCER 黃立成 Jeffrey HUANG, 盧維君 LU Wei-chun PRODUCER 方曉茹 Molly FANG, 金東炫 Paul D. KIM CINEMATOGRAPHER 周宜賢 CHOU Yi-hsien EDITOR 高鳴晟 KAO Ming-cheng, 王瀞巧 WANG Ching-chiao MUSIC 侯志堅 Chris HOU SOUND 高偉晏 R.T KAO CAST 柯震東 Kai KO, 宋芸樺 SUNG Yu-hua, 王淨 Gingle WANG, 馬志翔 Umin Boya PRINT SOURCE 傳影互動股份有 限公司 iflim Co., Ltd.

09.23 THU 信義 11 19:30 ｜ 09.23 THU MUVIE TITAN 20:00 ★ 開幕片 OPENING FILM

011

閉��

Closing Film 012

閉幕片 CLOSING FILM

�扯

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color, B&W ｜ 106min

貪污警察鋒哥少不經事，詐賭得罪了黑幫老 大，害得老友小強代他賠上一根指頭。想不 到鋒哥洗白迎來第二人生，小強卻從此萬劫 不復，過往情比指頭堅的革命流血情，轉而 為警察罩小弟的黑吃黑世間情。一天，鋒哥 帶著弟兄攻堅，小強見財起意，黑吃黑帶著 鑽石逃逸。鋒哥不得已帶上兄弟尾隨手機訊 號，一路尋上山裡的小村莊，裡頭一群看似 純樸卻形跡詭異的村民，個個心懷鬼胎又暗 藏玄機，還有動不動就現身模糊陰陽兩界的 女鬼出手搗亂，一場鬥智鬥力的血色攻堅就 此展開。

During a police raid led by the bent cop Feng and his men, Feng's buddy Chiang gets another idea after seeing the offenders' prized possession. He takes the diamonds, skipping town to a distant village to lie low. Feng has no choice but brings his men Monk and Yang to retrieve the diamonds in 48 hours. Oddly enough, Chiang's cell phone signal suggests that he is in the village, but Feng cannot find him anywhere. Feng can only begin dealing with the seemingly innocent yet weird villagers, entailing everyone playing mind games on one another. Amidst this chaotic situation, a female ghost shows up, making it even worse...

Treat or Trick

新銳導演許富翔首部劇情長片，集結了陳柏 霖、劉冠廷、黃尚禾、陳以文、游安順等一 眾大咖戲精，兵分黑白兩道、謎團暗藏深山 林道，搭配動作指導洪昰顥設計的精采絕倫 肉搏與槍戰，堪稱今夏最生猛台味動作爽片， 見證了再硬派的弟兄情，都沒有挺過屎味與 屍味來的對味！

Can Feng eventually discover the truth and get his buddy back? Good or evil, the uncertainty leaves everyone unsettling and suspicious.

許富翔，畢業於台北藝術大學電影研究所導演組，拍攝風格輕鬆多變， 擅長呈現生活中的日常細節，初試啼聲《Z046》便斬獲日本 SSFF & ASIA 大獎；2014 年執導電視劇《16 個夏天》獲第 50 屆金鐘獎戲劇 節目導演獎。 HSU Fu-hsiang is known for showing daily details in a vibrant way. His TV series, The Way We Were won Best Directing (in TV Series category) at the Golden Bell Awards.

2021 富川奇幻影展國際競賽評審團大獎 Jury's Choice, Bucheon Choice, Bucheon International Fantastic FF

DIRECTOR 許富翔 HSU Fu-hsiang EXECUTIVE PRODUCER 丁長鈺 Olive TING PRODUCER 黃小芬 Elsa HUANG SCREENPLAY 林宇辰 LIN Yu-chen, 許富翔 HSU Fu-hsiang, 歐力福 TING Chang-yu CINEMATOGRAPHER 柯朝璋 Kobe KE EDITOR 李棟全 Wenders LI MUSIC 陳柏霖 CHEN Bo-lin, 海大富 Déjà Fu SOUND 湯湘竹 TANG Shiang-chu, 劉小草 Agnes LIU, 曾雅寧 Ning TSENG CAST 陳柏霖 CHEN Bo-lin, 陳以文 CHEN Yi-wen, 劉冠廷 LIU Kuan-ting, 林鶴軒 LIN He-xuan, 黃尚禾 HUANG Shang-ho, 侯彥西 Phil HOU PRINT SOURCE 良人行影業有限公司 Third Man Entertainment Co., Ltd.

10.07 THU 信義 11 19:30 ｜ 10.07 THU MUVIE TITAN 20:00 ★ 閉幕片 CLOSING FILM

013

GALA PRESENTATIONS

�別��

Formula 17 歲的天空 17

詭祭

亞洲首映 Asian Premiere

台灣、荷蘭 Taiwan, Netherlands ｜ 2021 ｜ DCP ｜ Color ｜ 99min

Dead & Beautiful

當巨型蛋糕裡藏著活人已是爛哏，當超跑華 服、直升機空降皆貶值為老生常談，五位外 型俊美的富二代，還能在輪流做主的狂歡派 對 裡 祭 出 什 麼 奇 招？ 誰 能 再 度 引 燃 冰 山 之 下，渴求炸裂已久的情慾熔岩？某一夜，神 祕儀式空降，慾望長出獠牙，感官遊戲演變 成活體實驗，齜牙咧嘴的人性顯影，誰的肉 與血將成為這次派對的祭品？

卻其實「以上皆非」的冷僻切角，揭露資本 主義如何使鬼推磨，如何橫行不同階級與城 市荒郊，又如何佔領、消費與剝削彼此的暗 黑故事。

數度取材台灣空間與文化的獨特氣味來探勘 複合人性的導演王洪飛，這回再度於台灣視 覺慣性的死角取景，以看似混種吸血鬼、青 春愛情、反烏托邦科幻影集的商業類型，穿 插假掰對話和錄像使觀眾疑心為藝術電影，

another? Each and every one goes to extreme

impressive cityscapes are mesmerizing, yet function as a backdrop for themes such as violence, isolation and innocence.

After a weird night, five bored, super-rich friends find out they are vampires. Panic! Is this really what they have become? Can they still trust one lengths to find out. This take on the vampire genre plays generously with societal tension and expectations at a meta level. The opulent but eerie locations and

王洪飛，1980 年出生於荷蘭， 旅居台灣與中國。2010 年首部 於台灣拍攝劇情長片《你在嗎》 入選坎城影展一種注目單元； 《詭祭》為其第四部在台灣拍攝 之作品。 David VERBEEK studied at the New School University in New York and the Netherlands Film Academy. In 2004, he made his first feature, Beat, which was invited to IFFR. In 2010, R U There was selected for the Un Certain Regard at Cannes.

DIRECTOR, SCREENPLAY 王洪飛 David VERBEEK EXECUTIVE PRODUCER Erik GLIJNIS, Leontine PETIT PRODUCER

王琮 Vincent WANG, 蔡信弘 Nobu TSAI Hsin-hung CINEMATOGRAPHER Jasper WOLF EDITOR Axel Skovdal ROELOFS MUSIC Rutger REINDERS SOUND Quincy VLIJTIG CAST 曹晏豪 Yen TSAO, 鍾瑶 Aviis ZHONG, Gijs BLOM, 安妮 Anne,

阮承恩 Philip JUAN Cheng-en PRINT SOURCE 光譜映像有限公司 House On Fire International Co.

2021 鹿特丹影展 IFF Rotterdam

09.30 THU 京站 6 19:00 ★｜ 10.03 SUN 信義 11 20:20 ★ 特別放映 GALA PRESENTATIONS

015

17 歲的天空

數位修復 Restored

世界首映 World Premiere

台灣 Taiwan ｜ 2004 ｜ DCP ｜ Color ｜ 92min

Formula 17

提著一卡紅色的行李箱，走出綠色的家門， 轉乘北捷藍線來到西門六號出口。鮮肉天菜 周小天離家北上求真愛，秒尬上花心網帥黃 金單身漢白鐵男，濕鹹春夢中的完美男神竟 不費吹灰之力降臨身旁，自然要火速展開一 段友達以上的癡纏愛戀。未料好運止步於小 天以身相許的那一天，鐵男基友的一番話， 讓小天剛吹好的六色彩虹泡泡瞬間幻滅。 17 年前，台灣首部無直男、無女角的同志 喜 劇《17 歲 的 天 空 》 鮮 甜 上 演， 楊 祐 寧、 Duncan 大談男男戀，創下當年票房佳績， 成為同志喜劇里程碑，導演陳映蓉以青春洋 溢與多元包容建構了一個沒有人是異類的世

界，為台灣寫下了日後成為亞洲同志烏托邦 的預言。 不管是當年首屆同志大遊行的盛況，或當時 同志夜店的五光十色，都在 17 年後修復重映 的今天，讓當時的陽光與勇敢再次動人心弦。

interest in Bai and warn him off with an exaggerated tale of Bai's scandalous past, in which the heartbroken became a heartbreaker. Despite this, fate keeps bringing Tien and Bai together, until they finally recognize their love story and spend the night. But the next morning, Bai goes missing while Tien is in the

Tien is an innocent 17-year-old, who goes to the big city for a summer of love and adventure. On

shower. Unbeknownst to Tien, Bai has a secret that changes everything...

his very first night in Taipei, he locks eyes with the irresistible and irredeemable Bai, rumored to be the biggest playboy known to mankind. Tien's three friends - bartender Yu, flamboyant CC and fitness fanatic Alan, worry about his growing

陳映蓉，1980 年出生於台灣， 23 歲 完 成 個 人 首 部 劇 情 長 片 《17 歲的天空》即榮登當年國 片票房冠軍，男主角楊祐寧更奪 下金馬獎最佳新演員獎。2006 年執導《國士無雙》後蟄居多 年，後以《騷人》與《罪夢者》 重返銀 螢幕，被稱為台灣影視 界的鬼才導演。 CHEN Yin-jung is a Taiwanese director. She made her feature debut, Formula 17, in 2004. Since then, Chen has made two more feature films, Catch, and Young Dudes. In 2020, she directed the Netflix TV series, Nowhere Man. DIRECTOR 陳映蓉 CHEN Yin-jung PRODUCER 李耀華 Aileen LI, 葉育萍 Michelle YEH LINE PRODUCER 黃江豐 Roger HUANG SCREENPLAY 傅睿邨 Rady FU CINEMATOGRAPHER 陳惠生 CHEN Huei-sheng PRODUCTION DESIGNER 古智韶 Zac GU EDITOR 陳曉東 CHEN Hsiao-dong MUSIC 陳建騏 George CHEN, 洪峙立 HUNG Tze-li SOUND 楊大慶 YANG Da-ching,

陳德銓 CHEN Te-chuan CAST 楊祐寧 Yo YANG, 周群達 Duncan CHOU, 金勤 KING Chin, 季宏全 Dada JI, 楊駿閔 Jimmy YANG, 張大鏞 Jason CHANG PRINT SOURCE 英屬蓋曼群島商威望國際娛樂股份有限公司台灣分公司 CatchPlay Inc.

10.02 SAT 京站 6 19:30 ★ 016

特別放映 GALA PRESENTATIONS

茶金：第 1-2 集特別版

世界首映 World Premiere

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 72min

Gold Leaf: Ep.1-2 (Special Edition)

茶，是 70 年前台灣外銷的經濟奇蹟。1949 年，全台灣最大茶業出口商的獨生女張薏心， 原本應招贅一位丈夫接管她的人生與父親吉 桑的龐大事業，卻慘被退婚。為了證明自己 的價值，她介入債台高築的家族事業，在一 個沒有「女商人」的時代，加入一場場「茶 葉戰爭」，帶領搖搖欲墜的公司走向世界。 而歷經滄桑的 KK 帶著一股莫測的神祕感， 深深吸引著薏心…… 《茶金》全劇共 12 集，由一眾硬底子人氣演 員連俞涵、郭子乾、溫昇豪、薛仕凌、黃健 瑋、李杏、許安植等領銜主演，透過一家茶 業出口商，一窺台茶外銷由盛轉衰、繁華落

盡時的嘆息與掙扎，眾人在風起雲湧的大時 代洪流中力爭上游，宛若茶壺裡的風暴，最 終萃成一杯甘苦參半的滋味。

the ailing company. Gold Leaf is a 12-part TV series with a star-studded cast. Through the rise and fall of a tea export company, it unveils a unique chapter in the history of Taiwan.

Tea was the top agricultural product Taiwan exported seventy years ago, and it also created the economic miracle in the country. Set in the tea industry in the 1950s, Gold Leaf tells the story of a tea merchant called Chang. His tea company has eight factories, which support over seventy percent of the tea growers in the region. After the family fortune goes downhill, Chang's daughter takes over the dwindling family business. In a time when "businesswomen" are unheard-of, she negotiates with all the parties involved and revives

林君陽，1980 年出生於台灣彰 化， 自 由 影 像 工 作 者， 專 職 導 演及攝影。2012 年執導首部電 影長片《愛的麵包魂》嶄露頭 角，其後作品《結婚不結婚》、 《三朵花純理髮》皆獲殊榮。 2019 年以公視影集《我們與惡 的距離》榮獲第 54 屆金鐘獎最 佳導演。 LIN Chun-yang is a Taiwanese director and cinematographer. In 2012, he co-directed his feature debut, The Soul of Bread. His 2019 TV series, The World Between Us, was awarded Best Director at the Golden Bell Awards. DIRECTOR 林君陽 LIN Chun-yang PRODUCER 徐青雲 HSU Chin-yun, 湯昇榮 Phil TANG SCREENPLAY 徐彥萍 Juliana HSU

黃國華 HUANG Kuo-hua CINEMATOGRAPHER 簡佑陶 JIAN You-tao EDITOR 林姿嫺 LIN Tzu-shien MUSIC 柯智豪 Blaire KO SOUND 鄭元凱 Kenny CHENG CAST 連俞涵 Cindy LIEN, 郭子乾 KUO Tze-cheng, 溫昇豪 James WEN, 薛仕凌

HSUEH Shih-ling, 黃健瑋 HUANG Chien-wei, 李杏 LI Xing, 許安植 Wilson HSU PRINT SOURCE 財團法人公共電視文化事業 基金會 Public Television Service Foundation

10.06 WED 京站 6 19:20 ★ 特別放映 GALA PRESENTATIONS

017

四樓的天堂：第 1-2 集

世界首映 World Premiere

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 98min

Heaven on the 4th Floor: Ep.1-2

巷弄裡的舊公寓四樓，一處名為「天堂」的 私人推拿會所。推拿師天意總能以獨特的方 式，碰觸客人不願面對的心理傷口，解開層 層病因，緩解傷痛。無論是有著黑洞般過往 的塗鴉客；害怕失去而習於壓抑情緒的劇場 演員；又或是在工作上幫助別人，卻不知如 何化解自己母親心結的諮商心理師……每個 人來到天堂，都能藉由天意的雙手，重新找 回心底最柔軟溫暖的自己。 橫跨多元影像創作的台灣導演陳芯宜，多年 來拍攝社運、舞蹈戲劇等紀錄片，深入探索 身體與心理的關係，發現人的內心糾結不僅 反應在身體上，還會透過身體症狀透露出自

己未曾想過的事情。揉合了對身體的觀察， 與過往接觸社會運動和藝術表達的經歷，陳 芯宜透過《四樓的天堂》影集，以按摩與推 拿為題，透過東方醫學與西方理論的碰撞， 探討身體病徵與心理傷痛的神祕連結。

losing and the counselling psychologist who helps her patients but fails to reconcile with her mother... They all come to "Heaven" and through the masseur's hands, they retrieve their tenderest selves from the bottom of their hearts. In Heaven on the 4th Floor, director Singing

On the fourth floor in an old apartment building exists a tuina massage parlor called "Heaven". With his unique method, the masseur manages to examine the psychological trauma his customers refuse to face and ease their pain.

Chen looks into the mysterious connections between physical pain and psychological trauma through tuina massage and the clash between the traditional eastern medicine and the western medical theories.

The graffiti artist with a dark past; the actor whose emotions are suppressed by her fear of

陳芯宜，橫跨電影、紀錄片與實 驗影像，擅長刻劃人物角色與生 活處境，藉此傳達其對時下社會 的 觀 察。 作 品 包 括《 我 叫 阿 銘 啦》、《流浪神狗人》、紀錄片 《行者》等，2019 年與編舞家 周書毅合作 VR 舞蹈電影《留給 未來的殘影》。 S i n g i n g C H E N wo r ks i n f i l m , documentary and experimental cinema. Through her portrayal of the characters and their lives, she conveys her observation on society. Her works include Bundled, God Man Dog, The Walkers and Afterimage for Tomorrow. DIRECTOR 陳芯宜 Singing CHEN PRODUCER 黃美清 HUANG Mei-ching, 張雅婷 CHANG Yating SCREENPLAY 陳芯宜

Singing CHEN, 樓一安 LOU Yi-an, 張文綺 CHANG Wen-chi CINEMATOGRAPHER 廖敬堯 LIAO Ching-yao EDITOR 蘇珮儀 Milk SU, 陳芯宜 Singing CHEN PRODUCTION DESIGNER 涂碩峯 TU Shuo-feng SOUND 聲境有限公司 Buzzing Studio CAST 黃秋生 Anthony PERRY, 謝盈萱 HSIEH Ying-xuan, 范少勳 Fandy FAN, 王真琳 True WANG, 黃姵嘉 HUANG Peijia, 潘麗麗 Lily PAN, 陳家逵 CHEN Chia-kuei PRINT SOURCE 財團法人公共電視文化事業基金會 Public Television Service Foundation

10.01 FRI 信義 11 19:00 ★▲ 018

特別放映 GALA PRESENTATIONS

集特別版 1-2

Gold Leaf:Ep.1-2 (Special Edition)

茶金：第

019

特別放映 GALA PRESENTATIONS

黃建業

卓越貢獻獎

Outstanding Contribution Award

020

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

黃

建業，電影學者、影評

言」，為台灣電影藝術發展推

成員；2000 年代台北電影節

人、詩人、劇場導演及

動了一波助瀾。

確立核心價值「年輕、獨立、 非主流」及「城市主題」策展

電影教育推廣者。1954 年出 他曾編導多齣舞台劇，並陸續 發表電影研究著作，其中《楊

主軸，他扮演關鍵角色。黃建

影》、《電影欣賞》、《大地》、

德昌電影研究：台灣新電影的

學、台南藝術大學、台灣藝術

《文訊》、《印刻》及《聯合

知性思辯家》已成為研究楊德

大學、世新大學及台北藝術大

報》、《中國時報》副刊和《民

昌電影的重要參考資料。1996

學等多所大專院校，校外亦長

生報》等報章雜誌，曾任《影

年接任國家電影資料館館長，

年參與電影賞析講座，畢生累

響》雜誌主編。1980 年出版

解決迫切的片庫環境及拷貝修

積的寫作及傾心推廣的成果皆

首部影評集《轉動中的電影世

復等困境以接續電影保存使

顯示他對電影的真知灼見及奉

界》，參與影評改革推動，積

命。他同時也是台灣三大影展

獻熱忱，至今尚任教於台北藝

極關注、評論台灣新電影，簽

（金馬影展、台北電影節、台

術大學持續教育事業。

署「民國七十六年台灣電影宣

灣國際紀錄片影展）重要草創

生於香港，來台就讀後文章散 見於《書評書目》、《世界電

業先後任教於母校中國文化大

dmond Wong is a film academic, film critic, poet, theater director and film education promoter. Born in Hong Kong in 1954, Wong went to university in Taiwan. After he had settled down in Taiwan, his articles were published in various publications, including Review and Bibliography, World Screen, Film Appreciation Journal, Ta-ti, Wenhsun, INK, United Daily News, China Times and Ming Sheng Bao. Moreover, Wong had served as editor-in-chief at Influence, a film magazine. In 1980, he published his first collection of film reviews, The Spinning World of Cinema. Wong had participated in reforming film criticism in Taiwan and written reviews and analysis of the Taiwan New Cinema, putting his signature in the “1987 Declaration on Taiwan Cinema”, which initiated a new chapter in the history of Taiwanese cinema.

Ｅ

In addition to having written and directed several plays, Wong has published academic papers in film studies. His Studies on Edward Yang’s Films has become an important work of reference for those who study Edward Yang’s films. In 1996, Wong was appointed the director of Chinese Taipei Film Archive and during his reign, he expanded the film vault and carried out the restoration and preservation of the reels in the archive. Furthermore, Wong was an important founding member of the three major film festivals in Taiwan, including Golden Horse Film Festival, Taipei Film Festival and Taiwan International Documentary Festival. In 2000s, he played a crucial role in establishing the core values, “Young, Independent and Non-mainstream” and the “City in Focus” at Taipei Film Festival. Wong had taught at several universities in Taiwan, including Chinese Culture University (his alma mater), Tainan National University of the Arts, National Taiwan University of Arts, Shih Hsin University and Taipei National University of the Arts. On top of his teaching, Wong has given countless lectures on film, promoted film appreciation and education and published a large number of articles. All these achievements fully demonstrate his great knowledge and passion for cinema. Currently, Wong is an associate professor at Taipei National University of the Arts.

卓越貢獻獎講座｜骨董級影癡的來時路－黃建業 時間：09.26 SUN 18:00

地點：光點華山電影館 1 廳

（詳見影展資訊 P.12）

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

021

來台就讀中國文化學院中 文系文學組（中國文化大

經歷年表

學前身）並繼續攻讀藝術 研究所戲劇組。課業之餘 常流連於西門町試片室， 如 台 映、 永 安、 龍 擎、 龍 騰試片室等地，參加如韓 6 月 19 日生於香港，祖籍

良露、李幼鸚鵡鵪鶉小白

廣東東莞。就讀金銀業貿易

文鳥、劉森堯等影癡同好

8 月以筆名迅風於第 1048

場小學、鄧鏡波英文書院。

舉辦的放映活動。同時長

期香港《中國學生周報》

期於李安德神父支持的耕

發表首篇影評〈物質文明

莘實驗劇團（蘭陵劇坊前

的灰色變奏曲〉談安東尼

身）推動電影欣賞會。

奧尼的《慾海含羞花》。

年代

1954 香港時期

1972 試片室年代 影評發表

1971 年

1977 年

底與友人張偉男、莫泰

起陸續於《中華文藝》、

志、 張 健、 何 禮 傑、 周 振生等人成立電影欣賞

《書評書目》、《幼獅文

社 團「 衛 影 會 」， 首 次

藝》、《文藝月刊》、《電

座談會題目為李行導演

影欣賞》等期刊發表影評。

的《 秋 決 》， 由 黃 記 錄 並發表於第 1016 期香港 《中國學生周報》。

1976 年

1979 年

表譯作〈訪 Robert Sur-

繼但漢章、李道明、張毅、

tees 談《興登堡遇難記》

卓佰棠、謝正觀、林銳後

的攝影〉。次期發表影評

任主編工作。

於《影響》雜誌第 14 期發

〈楚浮的《巫山雲》衛德 堡的《鴛鴦戀》〉。

022

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

《影響》雜誌（第 23 期），

7 月 28 日導演首屆實驗劇 展作品之一《凡人》於國立 藝術館（台灣藝術教育館前 身）演出，故事改編自康芸 薇同名小說，演員有馬汀 尼、金士傑等人。次年發表 的《早餐》延續前作的概 念及形式。實驗劇展亦是

7 月出版第一本影評書《轉

台灣小劇場運動的開端。

動中的電影世界》。

1980 劇場創作 影展籌辦

《轉動中的電影世界》封面

任助理導演的電影《美麗與

10 月 27 日 金 馬 獎「 國 際

哀愁》上映，導演為楊家

電影觀摩展」首次於台北

雲， 演 員 有 鍾 鎮 濤、 應 采

新世界戲院舉辦，與陳國

靈、李烈等。

富同為策展成員。

1981 年

初與王長安、何偉康、余

12 月 26 日聯合報開設「電

秉 中、 陳 純 真、 林 銳、 胡

影廣場」影評專欄，由焦

茵夢、汪瑩等人籌組「台

雄屏邀集林銳、黃建業、

北電影學會」，與耕莘文

王墨林、韓良露、陳國富、

教院合辦「電影藝術季」

張昌彥等影評，專欄風格

活動。

犀利且市場影響之大引發 片商團體的施壓。

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

023

2 月主創汪其楣邀黃合編的

1987 年

舞台劇《天堂旅館》展開

1 月 24 日《文星雜誌》及

亞蕾、陳莎莉及楊麗音。

1986 年

《中國時報》副刊同時刊

之後連續兩年發表劇作：

登眾影人簽署、由詹宏志

自編自導的《尋找關漢卿

與平珩、馬汀尼、周逸昌、

起草的「台灣電影宣言」，

的三個女人》及與表演工

劉志華、鍾明德等人創立

昭示了台灣新電影時代的

作坊合作的《來，大家一

「當代台北劇場實驗室」，

轉捩點。

起來跳舞》。

巡演，演員有馬之秦、歸

次 年 發 表 共 同 創 作《 尋 找 ----》一劇。

《電影作者布烈松》封面

1982 年

9 月電影事業發展基金會出

與國立藝術學院（台北藝

版《電影作者布烈松》一

術大學前身）師生合作舞

書，由陳國富主編、黃建

台劇《專程拜訪》，本劇

業及彭麗華編輯，10 月金

改 編 自 杜 杭 馬 特（Frie-

馬影展放映一系列「布烈

drich Durrenmatt）的《貴

松作品專輯」。

婦怨》，黃擔任導演，演 員有林麗卿、陳立華等人。

1988 年貝沙洛影展之行，左起黃建業、徐立功、侯孝賢、張華坤

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卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

1990 年

出版兩本影評書《人文電影的追尋》、《潮流與光影》收錄

1995 年

於遠流電影館系列。

灣新電影的知性思辯家》，

9 月 5 日接任國家電影資

出版《楊德昌電影研究 : 台 收錄楊德昌生前珍貴的生 平訪談。

料館館長，任內除口述歷 史和學術資料出版外。更 四處奔走，籌覓新片庫， 並努力爭取搬遷構設及 溫濕度控管預算 。搶救 修復酸化的國、台語片，

導演舞台劇莫里哀的喜劇

蒐羅台影及中製廠等重

《太太學堂》，演員有徐

要片廠拷貝與檔案，又取

堰鈴及陳姿君等人。

得兩地胡導演基金會支 持，從加州運回並彙整兩 百多箱胡金銓導演珍貴 遺物及手稿，接力電影文 化資產保存的使命。

《人文電影的追尋》封面

《潮流與光影》封面

1996 電影資料館 影展籌辦

1992 年

與好友張偉男合譯電影研 究專書《電影經驗》。

1988 年

與時任電影圖書館館長徐立 功及侯孝賢、焦雄屏、陳國 富、朱天文、朱天心、柯一 正、萬仁、吳念真、張華坤， 以及「亦宛然」掌中劇團等

攝於電資館圖書室

人參訪義大利貝沙洛影展。 1985 年 楊 德 昌 導 演《 青 梅 竹馬》盧卡諾影展獲獎後， 台灣新浪潮電影逐步於歐洲 展露頭角。

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

025

2000 年

電資館出版《陳子福手繪 電影海報集》。

1998 年

電資館受文建會委託，發

9 月由立法委員王拓及助

表《新世紀台灣電影活水

理向家弘發起推動，執行

藍 圖 : 從 各 國 文 化 政 策，

委員李疾、井迎瑞、張照 堂、張昌彥、王小棣與黃

法規制度與工業結構之 1998 年台北電影節貴賓合影

等人順利催生第一屆「台

調查研究建構電影文化中 心暨本國電影總體振興方

灣國際紀錄片雙年展」，

案》結案報告，黃任研究

此為台灣首次舉辦大型國

10 月由台北市政府主辦的

際紀錄片影展，黃任執行

第一屆「台北電影節」為

委員之外亦擔任選片小組

台灣首次舉辦城市型影展，

召集人。

黃任執行委員。

主持人。

卸任國家電影資料館館長， 新任館長由時任副館長李 天礢升任。

1997 年

2002 年

5 月 2 日獲第 20 屆中興文

台北電影節首次由台北市

藝獎電影獎，由台灣省文

1999 年國際電影資料館聯盟馬德里年會，與香港、中國 電資館館長合影

藝作家協會主辦。

文化局承辦，黃任城市影 展總策畫，與聞天祥推出 「主題城市」單元，首屆

6 月電資館於樹林新加坡工 業園區租 320 坪廠房作典 藏片庫之用。

026

1999 年

電資館出版《電影辭典》， 此案由影評人王介安催生。

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

關注城市為巴黎及布拉格， 此單元維持 14 屆才終止規 劃。 黃 2006 年 退 出 策 展 團隊後轉任諮詢委員持續 協助影展推動。

2010 年

任 第 47 屆 金 馬 獎 評審團主席。

2009 年

任台北藝術大學戲劇系 2003 年台北電影節策展團隊京都參訪之行，左起張昌彥、 黃建業、聞天祥

主任及研究所所長。

2020 年

2005 年

從台北藝術大學教職退休，亦曾

電資館出版《跨世紀台灣電影實錄 1898-2000》，由黃總 編輯。內容包含黃館長任內推動的專案，如「台灣日日新 報電影資料蒐集計畫」、「台灣地區紀錄片片目資料庫、

於台灣藝術大學、台南藝術大學、 銘傳管理大學、文化大學、世新 大學等校專、兼任教職。

紀錄片歷史及紀錄片資深影人口述歷史計畫」等文獻。

2004 年

與北藝大師生製作契訶夫的舞台劇《櫻桃 園》由黃擔任導演，演員群有朱芷瑩、曹庭 佳、許懷民、柯奐如、黃健瑋、金勤、謝盈 萱等人。《櫻桃園》為黃生涯最滿意的作品。

2007 年

編劇汪其楣再度邀請黃 合作舞台劇《歌未央》， 由汪主演、黃導演，此劇 改編自作詞人慎芝夫婦 的生平。

2013 年

導演易卜生舞台劇《營造 大師》。

2004 年《櫻桃園》合影

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

027

黃建業的千百朵玫瑰

文

李幼鸚鵡鵪鶉小白文鳥

黃

建業是香港來的「留學生」。用當時蔣介

額外的訊息。他的這些刊物、這些剪報卻為跟他

石或蔣經國的定義，中國是匪區

相識的台灣文藝青年開一扇窗（同樣香港來的

淪陷

區，香港跟台灣是同一國的，他來台灣讀大學是

梁海強

「回國」，不算「留學」。用中華人民共和國的標

麼大！原來，電影從題材、形式到創意可以有那

準，香港是中國的一部分，那麼台灣人可能把他

麼多可能性！

當作中國來的「留學生」。

梁良也提供類似服務）。原來，世界多

學生時 代，台北一些大學的跨校電影同好 辦過

說他不是留學生，說他從來沒留學過，1970年代

學 生地下刊物（陳 純 真、曾西 霸擔 任 過 指 導 老

他剛來台灣時，他的電影理論素養卻超 過台灣

師）。一堆 電 影大 家分 攤 撰 文，總 是 搶 著挑 選

所有的影評人（無論是 否留學過）;說他是留學

各自喜 歡的導演或是評介深受 感動的電影。不

生，那麼他來台灣要學的一定不是電影，反而倒

喜歡的、難以下筆的、沒能力解讀的，全部推給

貼電影知識嘉惠台灣年輕的電影同好。

他，他部部勝任自如，他屢屢見解獨到。

他很懂得分享電影知識

1980年代台灣新電影崛起，竟不受前輩導演們

資訊，香港的《電影雙

週刊》那時可能還沒創刊，他行李中卻有同等重 要的香港電影刊物，譬如《大特寫》，以及「火鳥 電影會」的各家電影論述，金炳興、羅卡、劉成 漢的文章都在其中（往後則有《電影雙週刊》李 焯桃、張偉雄、羅維明的卓見。）

與台灣前輩影評人青睞。他同輩的影評人，有人 搶 到媒體發言權，卻情緒化 地對楊德昌電影未 看先罵，極不公平；而又一副高姿態以「拉拔」 侯孝賢自居，不但醜化、抹黑所有批評侯孝賢電 影的人而不為侯孝賢廣結善緣，並排擠、打壓其 他各家各派 欣 賞侯 孝賢電 影的人，獨攬詮 釋 侯

028

多少年來，蔣氏王朝獨裁 政權白色恐 怖的思想

孝賢電影的代理權。這種黑暗時刻，媒體唯有電

箝制、新聞檢查（政治、裸體、Sex）電影禁映，

影記者楊士琪奮力對抗不公不義，呵護台灣新

除了1960年代的《劇場》雜 誌無 比前衛，往後

電影不遺餘力。黃建業與童娃（張啓明）、李道

1970年代的《影響》雜誌也只能繞著有緣在電

明、陳國富、齊隆壬、吳其諺（吳正桓）、作家李

影檢查修剪餘生下的電影（及其導演）延伸些許

昂以及往後的迷走（李尚仁）則是態度持平、見

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解深刻的珍貴清流，為台灣新電影也為高品質影

的善意與問候，但看你是否接納？是否願意向陌

評留一片天，讓台灣新電影的光燦被書寫、被傳

生 人伸出友 誼的手，表 達關切。他 順便試 測人

揚、被記憶、被國際看到、被歷史印記。「台灣新

性。這番創意，甚至把大社會當作劇場展演即興

電影」最早的兩本書由我搶先編著：《港台六大

劇。他拓展了劇場只能在室內、只能是鏡框式舞

導演》與《電影、電影人、電影刊物》轉載了黃建

台的侷限性。

業許多篇文章。 他早年也編導舞台劇，評價甚好。往後多年，他 別以為他一路順遂。他蒙塵過，他受過委屈。

零 零星星導演 過一些舞台劇。明明戲劇系是他 就讀的本行，他似乎志不在此。就像他可能不再

早些他的一些文章，有時會被 編輯修改得體無 完膚。我跟對方爭論，回應是怪我只看到他的電 影見解高明，卻輕易放過他的文筆不佳、字句不 通不順。後來我聽說他寫詩，方才恍然大悟：他 是用了詩般思維、詩意修辭書寫電影論述；不讀

寫詩。沒成為詩人，沒當上戲劇泰斗，不知是他 個人或是 文藝界的損 失，只因為他一生都給了 電影。（他讓我千言萬語說不盡，本文只能算是 part 1。）

詩、不懂詩的編輯居然用散文、論說文的標準來 踐踏詩情。像不像柏格曼（Ingmar Bergman） 電影《Ansiktet》（英文有兩種譯名《The Magician》與《The Face》）裡的男主角在別人家 受到百般羞辱，末了方才蒙王室（暗喻神恩？） 召見、肯定？ 學 生時 代，有一回 他 買了千百朵 玫 瑰，在 校 門 口，逢人便送上一朵。那些路人（大多是學生， 或許還有教師）困惑、訝異、不知所措，以為他 瘋了，以為他閒錢太多。原來，他是展現陌生人

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029

Edmond Wong's Hundreds of Roses 030

By Alphonse Perroquet/Parrot Caille/Quail Jawa Sparrow YOUTH-LEIGH

E

dmond Wong was a “foreign” student from Hong Kong. Back then, by Chiang Kai-shek and Chiang Ching-kuo’s definition, China was a “fallen zone occupied by the Chinese Communist Party” while Hong Kong and Taiwan were on the same side. Therefore, when Edmond Wong came to Taiwan for university, he came back to his country and thus he should not be regarded as a “foreign student”. Nevertheless, by the definition of the People’s Republic of China, Hong Kong was part of China and thus the Taiwanese might regard him as a “foreign student” from China. In this case, Edmond Wong might not be a foreign student and never studied abroad but when he came to Taiwan in the 1970s, his knowledge of film theories was greater than that of all Taiwanese film critics (whether they had studied abroad or not). If we regard him as a foreign student, what he came to study in Taiwan was definitely not film; instead, he brought his knowledge of film over and shared it with his fellow young cineastes.

Wong is always generous with sharing his knowledge of film. At that time, Film Biweekly had not been founded in Hong Kong yet, but in his suitcase were the equally important Hong Kong film magazines such as Close Up and Phoenix Cine Club, in which the articles written by Kam Ping Hing, Law Kar and Lau Shing-Hon were published. (Later Film Biweekly published the articles written by Li Cheuk To, Bryan Chang and Law Wai Ming. ) During the authoritarian regimes of Chiang Kai-shek and Chiang Ching-kuo, the Taiwanese government controlled people’s thoughts by imposing strict censorship on news reporting and film (in regard to politics, sex

卓越貢獻獎 OUTSTANDING CONTRIBUTION AWARD

and nudity). Apart from the incredibly modern Theater magazine in the 1960s, the Influence in the 1970s offered the readers with the information on only those films and the directors who passed the censorship. Therefore, the magazines and press cuttings Wong brought from Hong Kong opened the eyes of his fellow young art lovers. (Liang Liang, who also came from Hong Kong, offered the similar service as well.) They revealed the big outside world to the Taiwanese youth, where countless possibilities in film, ranging from the format, the content to the creativity, existed. In his student years, Wong worked for the underground student magazines with friends studying at different universities in Taipei. (Chen Chun-chen and Tseng Hsi-pa were their mentors.) When it came to film review, Wong’s fellow students fought to write about the films or the directors they admired, and those films, which they did not like or were difficult to comment on or analyze, were all left to Wong. Nonetheless, Wong accepted the tasks with ease and expressed his unique views on these films. In the 1980s, when the Taiwan New Cinema emerged, the older generation of the Taiwanese filmmakers and film critics did not appreciate it. Some of Wong’s young fellow film critics seized the opportunity to speak out, but they unfairly criticized Edward Yang’s films without even seeing them. Proudly regarding themselves as the promoters of Hou Hsiao-hsien, they not only slandered those who criticized Hou Hsiao-hsien, consequently isolating Hou Hsiao-hsien from others but also attacked those who praised Hou Hsiaohsien in order to become the sole voice that

was allowed to interpret Hou’s films. In these dark hours, only film journalist Yang Shichi fought against such injustice with all his strength. Edmond Wong, Chang Chi-ming, Lee Daw-ming, Chen Kuo-fu, Chi Lung-zin, Wu Chi-yen, writer Li Ang and Li Shang-jen remained neutral and wrote the unbiased in-depth analysis. They preserved a space for qualified film criticism in Taiwan and allowed the glory of the Taiwan New Cinema to be written, promoted, remembered, seen by the world and documented in history. I edited two earliest books on the Les 6 Cinéastes de Hong Kong et de Taiwan and Le cinéma, Les Cinéastes et Les Revues de Cinéma, we collected and published several articles written by Wong. Nonetheless, do not assume that it was all plain sailing for Wong in his career. He had been wronged. In the early days, his articles were often heavily edited by the editors. When I argued with the editors, they told me that I was blinded by his acute and unique analysis to the awkward sentences in his writing. Later I heard that he wrote poems, and it suddenly dawned on me that he adopted the poetic style in film criticism and analysis. Nonetheless, the editors who had no knowledge of poetry judged his writing as prose or discourse and destroyed its poetic rhythm. Isn’t Wong like the protagonist in The Magician directed by Ingmar Bergman? He has been humiliated by others before he is eventually summoned before the royal family (a metaphor of God’s miracles?) and wins the recognition he deserves.

rose to whoever was passing. Those pedestrians (mostly students and lecturers) were baffled, surprised or had no idea how to react to his act. Some thought that he had gone mad, and some thought that he simply had too much money to spend. It turned out that he was showing his friendliness to strangers and trying to see if people would accept it. As a test on the human nature, it was to find out whether people were willing to be friendly and helpful to strangers. It was such a creative idea that Wong turned society into the stage and put on an improvised play. By doing so, he pushed the boundaries of theater that was usually confined to not only indoor space but the stage. Back then, Wong also wrote and directed plays and won critical acclaim. In the years that followed, he directed a few plays on and off. He did a degree in Drama, but it seems that he had no intention to focus on it. Moreover, he seems to have stopped writing poems. Eventually, Wong did not become a playwright or a poet, and I have no idea whether it is a loss to himself or the literary and artistic circles. The reason behind it is the fact that Wong has dedicated his life to cinema. (I could write endlessly about Edmond Wong and therefore this article is just Part I.)

Translated by Isabella HO

Once in his student years, he bought hundreds of roses; at the school gate, he gave a

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031

昂希朗格瓦：電光魅影

法國 France ｜ 2004 ｜ DCP ｜ Color, B&W ｜ 210min

Henri Langlois: The Phantom of the Cinematheque

「昂希．朗格瓦。他的名字是一面迎風招展 的電影三色旗。創辦法國電影資料館，是法 國新浪潮的搖籃，裡面燃燒著奮不顧身的電 影激情。淪陷期間，他像優雅的騙徒運用「卑 鄙」手段，從納粹手中搶救珍稀的拷貝。保 護影史，讓電影文盲變成影癡。楚浮、高達、 夏布洛、希維特都爭取坐在放映廳的地上第 一排，因為那是全世界親近經典最好的位置。 文化部想換掉他，就引發國際抗議波瀾，坎 城影展的布幕，無法升起，卻吹奏五月運動 前憤怒的電影序曲。」──黃建業

深深打動同樣在台灣為電影奉獻的黃建業。 藉由本片的放映，除了再次向熱愛電影的精 神致敬，也期待扣回黃建業的個人經驗，端 看一個影癡，能為電影如何奉獻。

由今年的卓越貢獻獎得主黃建業推薦，本片 人物朗格瓦對於電影的執念、一生的熱愛，

excerpts and interviews with people involved,

Truffaut, Jean Rouch and Claude Chabrol. Old interviews provide evidence of the charm and perseverance of Langlois, whom the Nouvelle Vague considered their "father". Moreover, he rescued many film classics, such

Henri Langlois (1914-1977) was the founder of the Cinémathèque Française and Cinema Museum. Director Jacques Richard chronologically

as The Blue Angel (Josef von Sternberg, 1930) and The Cabinet of Dr. Caligari (Robert Wiene, 1920), from oblivion or destruction.

reconstructs the history of the Cinémathèque (founded in 1936) and the Cinema Museum (founded in 1972) under Langlois, incorporating a great deal of archival footage, feature film including directors like Eric Rohmer, François

賈克．理查，1954 年出生於法 國，為法國新浪潮導演之一。19 歲進入法國電影資料館擔任昂 希．朗格瓦的助手，開啟其對電 影的眼界與嚮往。20 歲執導生 涯首部劇情長片《Ne》，迄今 已完成 89 部，橫跨各種形式與 類型風格的電影、電視劇、短片 及紀錄片創作。 Jacques RICHARD is a French writer, director, producer, sound recordist, editor and director of photography. He is best known for Henri Langlois: The Phantom of the Cinematheque, Rebelote and The Orphan Girl Without an Arm. DIRECTOR, SCREENPLAY, PRODUCER 賈克．理查 Jacques RICHARD CINEMATOGRAPHER Jérôme BLUMBERG, 賈克．理查 Jacques RICHARD EDITOR Fabrice RADENAC MUSIC Nicolas BABY, Liam FARRELL SOUND François DIDIO, Mathieu GENÊT CHARACTER 昂希．朗格瓦 Henri LANGLOIS PRINT SOURCE Les Films Elémentaires

2004 坎城影展 Cannes 2004 多倫多影展 Toronto IFF 2005 香港電影節 Hong Kong IFF

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INTERNATIONAL NEW TALENT COMPETITION

國������

結婚，先不要

Second Thoughts

INTERNATIONAL NEW TALENT COMPETITION JURY

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陳玉勳 CHEN Yu-hsun

林依晨 Ariel LIN

評審團主席 Jury President 資深編劇、導演。作品以詼諧風 格見長，建立獨特世界觀，描繪 甘草人物的悲喜。1995 年首部 劇情長片《熱帶魚》獲金馬獎最 佳原著劇本和女配角。1997 年 《愛情來了》入圍台北電影獎， 並獲得金馬獎最佳男配角、最佳 女配角。2020 年《消失的情人 節》榮獲金馬獎最佳影片等五項 大獎，代表作另有《總舖師》、 《健忘村》。

亞洲知名女演員，累積許多電視 劇、電影作品，也曾參與過舞台 劇 演 出， 並 發 行 過 兩 張 個 人 專 輯、數本著作，近期將觸角伸及 戲劇製作，盼能以更全面的角度 了解產業，進而持續在幕前幕後 產出優質的影視作品。

CHEN Yu-hsun is a veteran scriptwriter and director known for his humorous take on portraying ordinary people. In 1995, his debut feature, Tropical Fish, won Best Original Screenplay and Best Supporting Actress at the Golden Horse Awards. In 1997, Love Go Go was nominated at the Taipei Film Awards and won Best Supporting Actor and Best Supporting Actress at the Golden Horse Awards. In 2020, My Missing Valentine won five awards, including Best Narrative Feature, at the Golden Horse Awards.

Ariel LIN is a Taiwanese actress, writer, singer and producer. Twotime recipient of Best Actress at Golden Bell Awards, Lin has devoted herself to acting not only in TV but film and theater. With her success in acting, she has ventured into film production in the hope of bringing more quality works to the audience.

國際新導演競賽評審 INTERNATIONAL NEW TALENT COMPETITION JURY

陳宏一 CHEN Hung-i

陳曉珮 Emma CHEN

陳璽文 Stefano CENTINI

畢業於台灣大學哲學系，擅長結 合影像與設計，具有強烈的個人 影像與敘事風格，挑戰觀眾觀影 習慣。他擅於捕捉當下台灣的愛 慾 情 狂， 手 法 創 新 獨 特。2008 年 首 部 劇 情 長 片《 花 吃 了 那 女 孩 》 獲 金 馬 獎 最 佳 造 型 設 計； 2011 年《 消 失 打 看 》 獲 台 北 電 影 獎 最 佳 導 演；2014 年《 相 愛 的七種設計》入選台北電影節； 2017 年《自畫像》與 2021 年《揭 大歡喜》皆入選鹿特丹影展競賽 單元。

台北金馬影展影展部總監，參與 過電影發行及電影製作，企劃之 短 片《 畢 業 旅 行 》（ 導 演 洪 伯 豪）入圍 2012 金馬獎最佳創作 短片。曾於金馬影展、台北電影 節、 台 灣 國 際 兒 童 影 展 等 國 內 各影展工作，自 2009 年起任職 於 台 北 金 馬 影 展 執 行 委 員 會， 2014 年起擔任影展部總監至今， 負責國際影展之策展選片與節目 規畫。

製片，畢業於義大利電影學院米 蘭分校，於當地擔任編導與製作 人。後來台攻讀台灣藝術大學廣 播電視系碩士，深耕台灣十年有 餘， 專 注 電 影 及 電 視 產 業 紀 錄 片、 劇 情 片 製 作。2018 年 成 立 飛望影像有限公司，多次入選國 際影展新銳訓練營。製作作品包 括《不即不離》、《十年台灣— 困眠》、《神人之家》、《幻日 手記》、《造神工廠》等。

CHEN Hung-i is skilled at integrating visuals with design in a poignant and unique personal narrative style. It often captures the love, desire and eroticism of Taiwanese culture and challenges the audiences’perception of cinema. Since 2008, he has won international acclaim for his feature films, including As We Like It (2021), The Last Painting (2017), Design 7 Love (2014), Honey Pupu (2011) and Candy Rain (2008).

Emma CHEN is the programme director of Taipei Golden Horse Film Festival. She had worked in film distribution and production and as a planner on My Graduation Travel (directed by Hung Po-hao), which was nominated Best Short Film at the 2012 Golden Horse Awards. She joined Taipei Golden Horse Film Festival in 2009 and became Programme Director in 2014, in charge of film selection and programme planning.

Stefano CENTINI is an Italian-Taiwanese producer. After graduating from CSC Milan as creative producer and from the Taiwan National University of Arts with a master’s degree in Broadcasting, he has worked on documentaries and feature films in Taiwan, where he founded his company, Volos Films, for more than ten years. His works include Absent without Leave, A Holy Family, Divine Factory, Ten Years Taiwan - The Sleep and Far Away Eyes.

國際新導演競賽評審 INTERNATIONAL NEW TALENT COMPETITION JURY

035

由��的��

日本 Japan ｜ 2020 ｜ DCP ｜ Color ｜ 153min

A Balance

2020 釜山影展新浪潮獎 New Currents Award, Busan IFF 2020 平遙影展羅貝托．羅塞里尼榮譽評審榮譽、臥虎單元觀眾票選榮譽 Jury Award, Roberto Rossellini Awards, People Choice Award, Crouching Tigers, Pingyao IFF 2021 柏林影展 Berlinale

春本雄二郎，1978 年出生於日本神戶。日本大學藝術學部電影系畢業後， 加入松竹映畫京都片廠導演部門，曾參與長壽時代劇《鬼平犯科帳》製

DIRECTOR, SCREENPLAY, EDITOR

作。2016 年完成首部劇情長片《Going the Distance》於東京影展首映，

春本雄二郎 HARUMOTO Yujiro PRODUCER

隔年更獲法國維蘇影展奈派克獎、德國日本電影節評審團特別提及等。

春本雄二郎 HARUMOTO Yujiro, 松島哲也 MATSUSHIMA Tetsuya, 片渕須直 KATABUCHI Sunao

《由宇子的天秤》為他再度身兼製片、編劇、導演與剪接的第二部劇情 長片，不僅透過本片對日本現下的教養制度提出深沉的反思，更對人性

CINEMATOGRAPHER

與自己身處的時代拋出近乎尖銳的質疑，透過多層次的敘事手法，將許

野口健司 NOGUCHI Kenji

多日本社會懸而未解的議題：性侵、墮胎法、媒體公審等，一一攤開。《由

SOUND

小黑健太郎 OGURO Kentaro

宇子的天秤》於柏林影展首映後好評不斷，更為影評盛讚為一部真正突

CAST

破日本慣常家庭劇框架的當代作品。

瀧內公美 TAKIUCHI Kumi, 光石研 MITSUISHI Ken, 梅田誠弘 UMEDA Masahiro, 河合優實 KAWAI Yuumi, 川瀨陽太 KAWASE Yohta

HARUMOTO Yujiro was born in Kobe City, Japan in 1978. He graduated from the Cinema Department at Nihon University College of Art and went on to join the directorial division at Shochiku Kyoto Studio, where he honed his craft under filmmakers such as Akira Inoue and Shigeru Ishihara. Harumoto had worked on numerous jidaigeki (period) productions, including the long-running television series, Onihei Hankacho.

PRINT SOURCE

佳映娛樂國際股份有限公司 Joint Entertainment International Inc.

His debut feature, Going the Distance, which he produced, wrote, directed and edited, was selected for the Japanese Cinema Splash at Tokyo International Film Festival 2016. In 2017, it won three awards, including a NETPAC Award at Vesoul International Film Festival of Asian Cinema 2017, as well as Special Mention of the Nippon Visions jury at Nippon Connection Film Festival in Germany. A Balance, on which he again serves as producer, screenwriter, director and editor, is his second feature.

09.27 MON 信義 11 18:20 ｜ 10.01 FRI 華山 1 20:00 036

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

紀錄片導演由宇子率領團隊追查三年前一樁 涉及霸凌、師生戀、輿論獵巫，並以自殺收 場的高中醜聞。她堅持不偏袒任何一方，一 邊抵抗電視台商業壓力，同時努力獲取當事 人家屬的信任，以期拼湊真相。然而當她越 深入調查，卻越發現自己無法置身事外。與 此同時，由宇子的父親竟疑似讓補習班的女 學生懷孕，鏡頭內外宛如鏡像的發展令她陷 入天人交戰，原則被挑戰，天秤在傾斜，儘 管她的攝影機不撒謊，但如果所有人都在撒 謊呢？

者內心，誘引觀眾捫心自問：「究竟是謊言 控制了我們的生活，還是我們能夠控制謊言、 並成為更好的人？」

新銳導演春本雄二郎以層層揭開的精巧劇 本，配上冷冽逼視的長鏡頭，犀利拷問人世 的道德困境。瀧內公美繼《火口的二人》後 再登表演高峰，與飾演父親的光石研有著精 彩對手戲。透過角色之間相互激盪，豐富了 全片的情感與議題層次，並切開核心直搗觀

network, but she succeeds in getting her

The further she gets involved in her work and the mess Masashi has made, the more she finds herself telling lie after lie as she struggles with her conscience. However, her father's transgression gives her a new perspective as

Documentary director Yuko is putting together a piece about bereaved families connected to a bullied schoolgirl's suicide that happened three

the close relative of a "victimizer," which adds depth to her documentary and ironically wins the praise of her producer and the network.

years earlier. Determined to shed light on the

Unexpected developments occur one after

truth, Yuko's uncompromising nature brings

another, throwing Yuko's perception of truth

her into conflict with conservative-minded

and untruth off balance, and forcing her to

management at her documentary's television

make life-altering decisions.

interview subjects to emerge from their shells and place their trust in her. Then Yuko discovers that her father Masashi, who runs a cram school where she also works part-time, has made a grave error of judgment.

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

037

��代� Azor Azor

亞洲首映 Asian Premiere

瑞士、法國、阿根廷 Switzerland, France, Argentina ｜ 2021 ｜ DCP ｜ Color ｜ 100min

2021 柏林影展 Berlinale 2021 莫斯科影展 Moscow IFF 2021 紐約新導演 新電影影展 New Directors / New Films

安德烈亞斯．馮塔納，1982 年出生於瑞士日內瓦，於日內瓦大學取得 比較文學碩士學位後，曾於阿根廷布宜諾斯艾利斯擔任製片助理，2010

DIRECTOR

安德烈亞斯．馮塔納 Andreas FONTANA

年 於 瑞 士 取 得 電 影 製 作 碩 士 學 位。2009 年 首 部 短 片 作 品《Cotonov

PRODUCER

Vanished》於瑞士真實影展獲 First Steps 獎，2015 年紀錄短片《Pedro

Eugenia MUMENTHALER, David EPINEY

M, 1981》入圍 2016 年瑞士電影獎最佳短片。在電影領域中，他亦曾擔

SCREENPLAY

安德烈亞斯．馮塔納 Andreas FONTANA, Mariano LLINAS

任編劇及製片助理，《沉默代號 Azor》為其首部劇情長片。馮塔納現居 日內瓦，並自 2017 年起任教於瑞士沃韋攝影高中。

CINEMATOGRAPHER

Gabriel SANDRU

Andreas FONTANA was born in Geneva in 1982. After completing his MA in Comparative Literature at the University of Geneva, he moved to Buenos Aires, where he trained as production assistant. In 2010 he graduated with an MA in Film Production from the ECAL in Lausanne and the HEAD in Geneva. His first short film, Cotonov Vanished (2009), won the First Steps prize at Vision du Réel 2010. It also won the prize of the best short film at the Festival dei Popoli 2010 in Florence. His last movie, Pedro M, 1981, was nominated in the short film category at the Swiss Film Award 2016.

EDITOR

Nicolas DESMAISON MUSIC

Paul COURLET SOUND

Etienne CURCHOD CAST

Fabrizio RONGIONE, Stéphanie CLÉAU, Carmen IRIONDO, Juan TRENCH, Ignacio VILA

In 2016, Andreas Fontana and Zahra Vargas received the Upcoming Lab Prize (Soleure) with a new documentary project, Nothingwood. He has worked as a production assistant for Jean-Stéphane Bron, Ingrid Wildi, David Maye and Mathias Staub. He also worked as a script writer for Zahra Vargas (La Fin d’Homère, selected for Berlin and Clermont-Ferrand 2016) and Maryam Goormaghtigh (Vol au Panthéon, 2011).

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Be for Films

09.25 SAT 信義 11 16:00 ｜ 10.01 FRI 信義 11 11:50 ｜ 10.04 MON 信義 11 18:20 038

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

© Marina Palacio

在獨裁者大舉政治清洗阿根廷的當頭，一名 瑞士私人銀行家帶著妻子來到此地。過去與 他一同耕耘當地事業的合夥人無端人間蒸 發，接手業務的他逐一拜訪權貴名流，打進 權力核心。在觥籌交錯的聚會與派對上，他 除了攏絡生意，也從客戶口中拼湊出合夥人 的作風、野心與祕密，而一步步踏入黑金暗 流的最深處，宛如一場富豪版的《現代啟示 錄》。 為了揭開私人銀行的神祕面紗，導演安德烈 亞斯．馮塔納耗時兩年半鑽研瑞士私人銀行 的商業模式與行話文化。過往面對白色恐怖 題材，創作者常選擇與被迫害者站在同一陣 線與視角。然而馮塔納在雞蛋與高牆之間， 選擇帶我們走進高牆之中，從第三者視角看 見既得利益者在這場浩劫中的百態。本片鏡 頭遊走於深宅大院中，高牆內雖看似歲月靜

好，然而眾人言談間不時流露的惶惶不安與 貪婪盤算，依然讓牆外的動盪與恐懼不言自 明。

methods, are the accomplices of a discreet

「那些人生活在泡泡裡，和外界社會沒有真 實的接觸。進行談判的地點必須是機密，甚 至是隱密的世界。透過聚焦於內景，我想營 造宛如幽閉恐懼症的感受，也希望鏡頭前只 呈 現 必 要 的 東 西， 剩 下 的 讓 觀 眾 發 揮 想 像 力。」──安德烈亞斯．馮塔納

became a private banker. I only had a vague

and merciless form of colonization. "After a career in diplomacy, my grandfather idea of what was meant by the world of private banking, because my grandfather, in his lifetime, was always a very discreet person, just as a good banker should be. When he passed away, I started to inform myself about this universe: a very powerful world that has its own codes, language, and a very discreet

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools and gardens under surveillance, a remote duel between two bankers who, despite different

culture. I discovered the private bankers' intimacy with their clients. And I realized that this was a fertile ground for filmmaking. Then there was Argentina. I lived there for many years and I have maintained a very strong connection with the country." – Andreas Fontana

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

039

��中，我們狂�

亞洲首映 Asian Premiere

塞爾維亞 Serbia ｜ 2021 ｜ DCP ｜ Color ｜ 106min

Celts

2021 柏林影展 Berlinale

米莉卡．托莫維奇，1986 年出生於前南斯拉夫，為塞爾維亞籍導演。 DIRECTOR

2011 年畢業於貝爾格勒藝術大學戲劇與藝術學系，畢業作品《October》

米莉卡．托莫維奇 Milica TOMOVIĆ

即頗受影壇注目。童年時期經歷南斯拉夫內戰，《October》創作的靈

PRODUCER

感奠基於成長經驗，試圖從孩童、女性與酷兒視角，呈現出自身對於時

Vladimir VASILJEVIĆ

代的感受與緬懷，同時亦是一齣動人、甜中帶澀的成長通俗劇。劇本結

SCREENPLAY

米莉卡．托莫維奇 Milica TOMOVIĆ, Tanja ŠLJIVAR CINEMATOGRAPHER

構縝密、細膩，展現其精湛的人物刻畫能力。 2016 年短片《Transition》於盧卡諾影展首映，廣受國際大獎肯定。創 作電影之餘，托莫維奇亦製作電視劇《Blok 27》，題材關於貝爾格勒青

Dalibor TONKOVIĆ EDITOR

少年的恐怖故事。本片為其首部劇情長片，入選 2019 年盧卡諾影展電

Jelena MAKSIMOVIĆ MUSIC

影開發計畫「First Look」，2021 年於柏林影展電影大觀單元首映並角

Ana ĐUROVIĆ

逐泰迪熊獎。

SOUND

Jakov MUNIŽABA CAST

Milica TOMOVIĆ was born in SFR Yugoslavia in 1986. She graduated from the Academy of Dramatic Arts in Belgrade in 2011 with the omnibus film, October, which she made together with her classmates. The film was shown in Cottbus, Trieste, Sofia Film Meetings, Isola Cinema and others.

Dubravka Duda KOVJANIĆ, Stefan TRIFUNOVIĆ, Katarina DIMIĆ, Anja ĐORĐEVIĆ, Olga ODANOVIĆ

In 2016, her short film, Transition, had its international premiere in Pardi di domani at Locarno, followed immediately by a premiere in Short Cuts at Toronto. Transition won several awards, including the Golden Plaque in Serbian, the short fiction film selection of the Belgrade Film Festival, the Heart of Sarajevo Best Short Film Award at the Sarajevo Film Festival and the Best Director Award at the International Short Film Festival of Cyprus. Tomović directed five episodes of Morning Changes Everything, a successful Serbian TV series, in 2018. In 2021, she finished her first feature film, Celts.

PRINT SOURCE

m-appeal

09.25 SAT 信義 11 21:40 ｜ 09.29 WED 信義 11 18:10 ｜ 10.04 MON 京站 6 13:30 040

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

©Irena Canić

女孩敏雅迎來八歲生日，全家人為此忙碌張 羅。夜晚降臨，眾人齊聚開趴，孩子們扮裝 成時下最受歡迎的忍者龜出場，在客廳裡玩 起角色扮演、兩兩決鬥的遊戲，雙節棍、三 叉戟，神出鬼沒、刀光劍影。而大人們則窩 在廚房吞雲吐霧，兩杯烈酒下肚，各種陳年 往事、狗屁倒灶的八卦情史傾巢而出。生日 派對的女主人瑪莉亞娜一面忙著招呼前來慶 生的親朋好友，還得居中調解人際間的新仇 舊恨，更不忘留神小鬼頭們的追趕跑跳，以 防一不小心身中暗箭。與此同時，她與丈夫 無解的婚姻難題也正烏雲籠罩，一切都像是 加壓鍋中奔騰的蒸汽，她只想奪門而出享受 清淨。 故事背景設定在 1993 年塞爾維亞首都貝爾 格勒，時逢南斯拉夫內戰，然而導演卻不著 眼歷史家國的大敘事，反而透過一場孩子的 生日派對，側寫人與人之間的親密關係與夢 想，一場一場精采的對手戲，汨汨流洩出孤

獨、慾望、失落與希望。兒童和成人同處一 室的派對現場，相互平行但又互相交織的多 線劇情發展，巧妙運用生日的日常與失常， 映照出社會集體身處戰爭之中的矛盾與緊張 氣息。多角色的敘事，展現導演精湛、成熟 的場面調度能力。

an orgasm and smokes a cigarette with a stranger, the party slowly disperses, just like Yugoslavia, the country Marijana and her friends were all born in. "Celts is a family drama with elements of comedy written with a desire to make a fun, crazy, nostalgic, emotional film that audiences

In Belgrade, 1993. Marijana throws a sleepover party for her daughter's 8th birthday, with family and fellow parents attending. Grabbing the rare opportunity when their children are kept entertained in the other room, the parents open a few bottles in the kitchen and enjoy their reunion. Marijana suddenly realizes that she longs for more than a bunch of drunken guests and an inattentive husband, so she sets out to discover the thrills the night has to offer. She sneaks out of the house strolling around the empty streets, seeking genuine experiences instead of mere substitutes. While she reaches

wish would never end. It's a film about the disappearance of one's country and loss of one's identity, portrayed through three different generations within one family, and their daily routine while preparing the birthday party for the youngest daughter. The idea was to simultaneously deal with my childhood and with my adult life, by trapping them inside one house and one day, and by giving an eightyear-old perspective on that period, with an opportunity to grasp what my parents were going through, now that I've reached their age." – Milica Tomović

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

041

�徊年代

世界首映 World Premiere

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 148min

Days Before the Millennium

張騰元，1987 年出生於台中豐原，2010 年畢業於世新大學廣電系電影 組，並完成描繪新住民處境的編導短片《焉知水粉》，獲金馬影展選映，

DIRECTOR, SCREENPLAY

並於 2011 年獲金穗獎優等學生作品、入選台北電影獎短片類。同年，張

張騰元 CHANG Teng-yuan EXECUTIVE PRODUCER

騰元也入選第三屆金馬電影學院。

李遠 LI Yuan, 林仕肯 LIN Shih-ken

進行電影編導創作之餘，張騰元也從事獨立策展工作，並透過不同的展

PRODUCER

演形式，持續投入新住民相關研究、創作。他於 2013 年擔任「異鄉繞

林仕肯 LIN Shih-ken

徑－當代東南亞民畫展」策展人，並曾赴越南田調，返台後於牯嶺街小

CINEMATOGRAPHER

劇場策劃「2014 在左邊的亞洲影展 +EX!T 5 第五屆台灣國際實驗媒體藝

衛子揚 WEI Tz-yang EDITOR

術展－遠離．遠離越南 Près du Vietnam」。《徘徊年代》為其首部劇

陳俊宏 CHEN Chun-hung, 楊凱諺 YANG Kai-yen

情長片，該作於籌備期間曾獲 104 年度優良電影劇本優等獎，亦於 2019 年金馬創投會議獲得曼迦紀念獎。

MUSIC

林育德 LIN Yu-de SOUND

楊書昕 Agnes YANG

CHANG Teng-yuan is a Taiwanese director and screenwriter. He graduated from Shih Hsin University, majoring in Film, and is an alumnus of the Golden Horse Film Academy. His short film, Crossing The sentiMENtal Desert (2010), won a Golden Harvest Award and was nominated at the Taipei Film Awards. Moreover, it screened at Golden Horse Film Festival and Los Angeles Asian Pacific Film Festival.

CAST

阮安妮 Annie NGUYEN, 阮秋姮 NGUYEN Thu Hang, 江常輝 CHIANG Chang-hui, 陳淑芳 CHEN Shu-fang PRINT SOURCE

In recent years, through curating independent art events and making films and videos, Chang reflects on his observation about society, focusing on the relationships between the immigrants and Taiwanese society. His 2021 feature debut, Days Before the Millennium, won the Excellent Screenplay Award in Taiwan in 2016 and the MAN-JIA Memorial Award at Golden Horse Film Project Promotion 2019.

傳影互動股份有限公司 ifilm Co., Ltd.

09.26 SUN 信義 10 19:30 ★ 042

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

越南女子文慧在風起雲湧的九○年代，遠嫁 繁榮的台灣。原以為迎接她的是幸福與機會， 卻被荒郊磚房裡的現實壓迫得幾乎窒息。隨 著台灣的社會變動不斷吞噬文慧夫家，她的 婚姻逐漸成為夢魘，而她也必須在異鄉困境 之中重新出發。千禧年後的台灣都會裡，一 名擔任徵信探員的神祕越南女子，在文慧的 故事中看見自己的理想，進而追尋起文慧的 過去……旅途中，她竟接連遇見如魅影般魔 幻、又帶著既視感的人事物。

時代流變的野心，讓張騰元在近年的國片光 譜中格外突出。

arrival of the new millennium.

「我曾反問自己為什麼關注新移民？有天我 意識到，她們的邊緣、弱勢，她們試圖打破 侷限、尋求身分認同，都宛如台灣這座島嶼 的命運，她們的故事，就是關於『我們』的 故事。」──張騰元

mysterious Vietnamese woman appears in the

金馬影后陳淑芳加持，監製李遠（小野）、 林仕肯，與藝術總監李天爵合力打造。《徘 徊年代》是張騰元在疫情期間執導的首部劇 情長片，長年關注新住民的他，將九○年代 女性婚姻移民的生活經歷扣連台灣時代脈 絡，以大量越南語對白，訴說一段走過不安 年代的新住民史詩。他在第二段故事則以多 段近乎魔幻般的插曲編排，映襯新住民今昔 命運的變與不變。其勇於以形式實驗來呈現

married off to this faraway island of riches...

Part II: As the island enters a new era, a city – she's a private detective. While exposing marital affairs on the one hand and trying to realize her ideals on the other, she embarks on an exploration of Van Tue's and the island's experiences. During this journey of discovery, however, she keeps encountering people

In the 1990s, many young women from Southeast Asia, carrying their hopes and dreams, were

Part I: Vietnamese immigrant wife Van Tue lives in the countryside in Taiwan with her construction worker husband and mother-in-law. With each holding a different view of "home", restlessness permeates inside the household

and things that seem to have appeared in the past... Through these two narratives, the film contrasts the past and the present of Taiwanese society. Can these immigrant women across different eras break free from their predicaments in this foreign land to rediscover themselves? Can they as well as the locals, live truly free lives?

while disasters descend from the outside, besieging their lives and forcing the disillusioned Van Tue to wander this foreign land, awaiting the

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

043

性・���

亞洲首映 Asian Premiere

荷蘭 Netherlands ｜ 2021 ｜ DCP ｜ Color ｜ 85min

Feast

2021 鹿特丹影展 IFF Rotterdam 2021 巴黎真實影展最佳首部長片 Loridan-Ivens / CNAP Award, Cinéma du Réel

DIRECTOR

提姆．萊昂德克 Tim LEYENDEKKER PRODUCER

Marc THELOSEN, Koert DAVIDSE SCREENPLAY

提姆．萊昂德克 Tim LEYENDEKKER, Gerardjan RIJNDERS CINEMATOGRAPHER

Aafke BEERNINK, Reinier VAN BRUMMELEN, Boris VAN HOOF, Claire PIJMAN, Adri SCHROVER, Benito STRANGIO, Robijn VOSHOL EDITOR

Matte MOURIK, 提姆．萊昂德克 Tim LEYENDEKKER SOUND

Hugo DIJKSTAL

提姆．萊昂德克，1973 年出生於荷蘭，視覺藝術家、電影導演、製片、 獨立策展人，工作並生活於鹿特丹和史特拉斯堡兩地。擁有阿姆斯特丹 桑伯格學院的藝術碩士學位，其電影創作充滿原創性與批判性，特別是 運用後設的手法，揭示動態影像產製過程的人為痕跡，以此省思電影這 媒介所隱藏的敘事霸權。影像風格充滿實驗性，無論是電影或錄像作品， 皆展現鮮明而獨特的個人視覺風格與概念；以紀實元素混合虛構手法， 持續拓寬電影作為一敘事媒介的傳統界線，亦使其作品難以輕易被歸類。 提姆．萊昂德克的創作曾於國際重要的影展和藝廊展出，包括荷蘭鹿特 丹影展、巴黎龐畢度中心、巴塞隆納 LOOP 錄像藝術節等。2015 年曾以 16mm 膠卷拍攝短片《Blinder》，入選鹿特丹影展短片競賽，同年獲莫 斯科實驗影展首獎。本片為其首部長片，入選 2021 年鹿特丹影展主競 賽，並獲選巴黎真實影展最佳首部長片。 Tim LEYENDEKKER, born in the Netherlands in 1973, is an artist based between Rotterdam and Strasbourg. He received an MFA from the Sandberg Institute in Amsterdam. Leyendekker's films usually contain a palpable trace of its creation process, engaging the viewer to critically relate to the construction of the work itself. His work has been shown in several major galleries and festivals around the world such as IFFR, The Power Plant (Toronto), EMAF (Osnabrück), Centre Pompidou (Paris) and Loop (Barcelona). His most recent film, Blinder, which was nominated for a Tiger Shorts Award at IFFR and was awarded the main prize at the inaugural edition of Moscow International Experimental Film Festival. Leyendekker also works as a producer for other artists' work and as an independent film programmer, curating a monthly program at WORM (Rotterdam), and other venues.

CAST

Kuno BAKKER, Oscar VAN DEN BOOGAARD, Sanne DEN HARTOGH, Hans J., Koen VAN KAAM, Trudi KLEVER, Katerina SERETI PRINT SOURCE

Square Eyes

09.24 FRI 信義 10 19:30 ｜ 10.03 SUN 京站 6 11:30 ｜ 10.06 WED 京站 6 16:50 044

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

私人派對裡搜出了Ａ片、假陽具、酒精、保 險套與針頭。鑑識人員一邊清點唱名，一邊 向前方的鏡頭展示物證。派對上，三名 HIV 帶原者將他們的血液裝入針筒，於眾人酒酣 耳熱、飄飄欲仙之際，注射到派對參與者的 身體裡。這起於 2005 至 2007 年間發生在 荷蘭格羅寧根的真實事件震驚社會，當地報 紙以「HIV 怪物」的聳動標題頭條報導。當 局立刻展開調查，隨著越來越多資訊公布， 關於這三名 HIV 帶原者的人格特質、精神狀 態與行事動機，逐漸清晰。 影片大膽碰觸極具爭議性的題材，探問是什 麼造就人們產生：「散播病原體，解放人類 對於疾病的恐懼」的想法。導演精準且巧妙 地運用檔案報告、重演、訪談內容、劇場式 獨白，虛構橋段與紀錄片手法交織進行，試 圖探究案件中不同關係的複雜人性面向。導

演分別與七位攝影師合作拍攝，由七段獨立 且相互呼應的橋段銜接成本片，單看如別緻 小巧的影像短篇，合在一起則形成一幅複雜 且多層次的敘事宇宙。關於人的親密關係、 孤獨與慾望、看待個體與群體的方式、身體 與性，疾病與社會，在影片敘事的層層推進 下，展開後設的詰問與思辨。電影並非試圖 重現或發掘事實，而是試圖向社會大眾提問、 顛覆慣習的思考方式，是一部高度挑釁觀眾、 挑戰觀影限度的作品。

disquieting stories in contemporary Dutch life. Unfolding over seven individual vignettes, each directed by Tim Leyendekker but shot in collaboration with a diverse range of cinematographers, Feast blends reportage and surrealism, disbelief and empathy to unpack the repercussions and reverberations of a singularly shocking series of events. "What interests me in isolating these sequences in this way is that it gives the viewer potentially more freedom to engage with it, with the film, with the case, with

Based on the infamous Groningen HIV Case,

whatever's on the screen. On a more personal

in which three men drugged other men and

level I'm interested in what happens if you

infected them with their own HIV-infected blood,

see something and it's not so processed

Feast is a bold and provocative film that skillfully

yet, meaning that as a viewer you have more

reflects the questions of life, death and morality

freedom to interpret it the way you want." –

that have emerged from one of the most

Tim Leyendekker

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

045

��來����都

土耳其、法國、卡達 Turkey, France, Qatar ｜ 2020 ｜ DCP ｜ Color ｜ 87min

Ghosts

2020 威尼斯影展影評人週最佳影片 Grand Prize, Venice Film Critics' Week 2020 華沙影展 Warsaw Film Festival 2020 鐵撒隆尼卡影展人道精神獎 Human Values Award, Thessaloniki IFF

阿茲拉．丹妮茲．歐卡，1983 年出生於土耳其伊斯坦堡，父母從事建築 設計與都市規劃。12 歲開始展現對攝影藝術的高度興趣，14 歲便擔任土

DIRECTOR, SCREENPLAY

阿茲拉．丹妮茲．歐卡 Azra Deniz OKYAY PRODUCER

耳其攝影師 Dora Gunel 的助理。而後前往法國巴黎求學，於索邦大學攻 讀社會學和電影專業。畢業後曾任職米歇爾．龔德里的製作公司。2010

Dilek AYDIN

年回到土耳其，進入廣告製作公司 Depofilm，成為該公司首位女性導演，

CINEMATOGRAPHER

巴瑞斯．歐茲巴塞爾 Baris ÖZBIÇER EDITOR

拍攝多部 MV 和視覺藝術作品，包括《Cengiz》、《La Sepa-ration》等。 《歡迎來到鬼魅之都》為其執導之首部劇情長片，創作靈感部分來自年

Ayris ALPTEKIN

少時對土耳其古城牆附近歷史悠久的羅姆人社區 Sulukule 的記憶，那裡

MUSIC

Ekin FIL

有著豐富而多彩的文化風景。她前後花了五年的時間琢磨劇本和角色，

SOUND

過程中經歷土耳其的政治巨變，大權在握的總統埃爾多安擁抱伊斯蘭主

Cihan ALINGAN, Theo SERROR

義，宣稱要打造「全新的土耳其」。經此一事，導演深切感受到將電影

CAST

拍出來的急迫性，她調整原有的角色設定，一邊創作一邊回應變動的社

Nalan KURUÇIM, Dilayda GÜNEŞ, Beril KAYAR, Emrah ÖZDEMIR

會，以敏銳的觀察力與成熟的敘事能力，試圖呈現屬於同世代者──特 別是女性的故事；精準捕捉遭逢巨變的社會集體圖像，建構出當代土耳 其有力而鮮活的樣貌。

PRINT SOURCE

MPM Premium

Azra Deniz OKYAY was born in Istanbul. She started photography at the age of 12 and became an assistant at 14 to the photographer Dora Gunel. After finishing high school in Lycée Français Pierre Loti of Istanbul, she moved to Paris to study Cinema at Sorbonne Nouvelle University from which she obtained her bachelor's and master's degrees. She had worked in Michel Gondry's Partizan Production and returned to Turkey in 2010, becoming the first female director at Depo, an advertising production company in Istanbul. She made various shorts and music videos. Her works on video art were selected for international exhibitions and galleries.

09.25 SAT 信義 10 21:20 ｜ 09.29 WED 信義 10 21:50 ｜ 10.02 SAT 信義 10 11:00 046

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

一場突如其來、原因不明的全城大斷電打亂 了城市的節奏，煙硝、警笛四起，搶劫、偷 竊，各式犯罪令當局疲於奔命，警方的直昇 機在空中盤旋，發出巨大的聲響，伊斯坦堡 的這一天註定要不平靜。蒂恬，一位夢想成 為嘻哈舞者的少女，卻處處受制於衛道人士 的保守風氣；依菲，為了幫在獄中被勒索的 兒子籌錢，鋌而走險開始運毒的清潔婦；愛 拉，從事社區培力的社運倡議者；拉席，以 壓榨敘利亞難民和買通官員從事不法都更的 投機份子。四名迥異的人物在這座城市裡各 自生活，原本平行並進的劇情軸線，因著這 起意外斷電，而產生巧妙的交集。 影片設定在近未來的伊斯坦堡，導演以結構 縝密的劇本，透過不同世代、性格、出身背 景的角色，映照出近十年來政治與經濟歷經 動盪的土耳其社會樣貌。四條故事線交錯的 多角色敘事，展現創作者精湛、成熟的故事 組織與場面調度能力；由拍攝土耳其「卵乳

蜜三部曲」之《蜜》的資深攝影師巴瑞斯． 歐茲巴塞爾掌鏡，流暢而有機的手持鏡頭拍 攝，充分呈現躁動的人物心境與社會狀態。 他巧妙地運用手機畫面比例拍攝的短片，俐 落的剪接，以不同的視覺風格流暢地於人物 視角間轉換。隨著 2010 年土耳其經歷政治 變 革， 許 多 新 建 設 轟 然 而 起， 政 治 與 基 本 教 義 結 盟， 舊 有 的 事 物 被 剷 除， 曾 有 的 藝 術 與 自 由 不 復 存 在。 當 城 市 動 盪 不 安， 跌 入 一 片 黯 淡 無 光 的 世 界 中， 電 影 能 否 帶 來 些許曙光？

"I have started writing Ghosts five years ago about four characters in different parts of Istanbul. Within four years, my characters have changed as Turkey has changed. In 2019 with my producer Dilek Aydin, we decided that it was time to make this story into a film no matter what. I had to adapt myself to the constant changes happening in my country both in scriptwriting and during production, which I think helped to create the dynamism of this film and became my own rebellion. I wanted to make a film to talk about the main problems of my generation, about people

In Istanbul, on the verge of a country-wide power surge, four characters come across in a neighborhood undergoing the process of gentrification for the "New Turkey": a mother whose son is in prison, a young female dancer, a

getting poorer and being sent away from their neighborhoods and about people who are struggling to express themselves freely. I wanted to tell a metaphoric story of a country sinking into darkness and I used a nationwide

feminist artist, and a cunning middleman. Their

power surge to tell it. I've made this curvy,

stories intertwine during a drug deal, offering a

multi-functional, dynamic film which resembles

roaring tale of the contemporary generation.

a woman in my opinion." – Azra Deniz Okyay

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

047

綠�牢籠

台灣、日本、法國 Taiwan, Japan, France ｜ 2021 ｜ DCP ｜ Color ｜ 101min

Green Jail

2021 大阪亞洲電影節 Osaka Asian FF

黃胤毓，出生於台灣台東，旅居日本多年，現為木林電影有限公司負責 人。畢業於政治大學廣播電視學系、日本東京造形大學研究所電影碩士。

DIRECTOR, PRODUCER

2010 年展開一系列紀錄片創作，以沖繩那霸及台北為據點，拍攝關於沖

黃胤毓 HUANG Yin-yu CINEMATOGRAPHER

繩台灣移民、台日後裔等題材的「八重山群島台灣移民」影片。本片與

中谷駿吾 NAKATANI Shungo

認識多年的攝影師夥伴中谷駿吾一起製作，耗時七年的田野工作與拍攝，

EDITOR

陪伴紀錄主角從 88 歲到 92 歲過世時的四年時光。以紀實與虛構重演的

Valérie PICO, 何孟學 HO Mon-cher, 黃胤毓 HUANG Yin-yu

手法，再現西表礦坑與主要人物橋間阿嬤的記憶與歷史場景，展現如夢 魘般的孤寂氛圍，帶領觀眾重探黑暗的殖民時期，以及人物不願觸及、

MUSIC

難以言說的家族歷史與內心世界。

福多瑪 Thomas FOGUENNE SOUND

2016 年「狂山之海」計畫之第一部曲《海的彼端》完成，獲 2017 年新

周震 CHOU Cheng, 李佳蓉 LI Chia-jung, 康銪倫 Allen KANG

藤兼人賞製片賞；第二部曲《綠色牢籠》入選 2021 年大阪亞洲電影節獨 立論壇單元，並於該影展世界首映。2019 年黃胤毓代表台灣入選捷克伊

CHARACTER

赫拉瓦紀錄片影展「新銳製片人 2020」活動。除製作紀錄片以外，他同

橋間良子 HASHIMA Yoshiko, Luis Daniel KIMURA

時也是石垣島電影節策展人，並於日本及台灣嘗試紀錄片發行。第三部

PRINT SOURCE

曲《兩方世界》現正製作中，預計 2023 年完成。

木林電影有限公司 Moolin Films, Ltd.

HUANG Yin-yu was born in Taitung, Taiwan. He began making documentaries in 2010 and now is the representative of Moolin Films. Based in both Okinawa and Taipei, he produces documentaries and participates in international film projects. His first feature film, After Spring, the Tamaki Family... (2016) was theatrically released in Taiwan and Japan and received acclaim globally. His second feature film, Green Jail, was selected in the Indie Forum at Osaka Asian Film Festival 2021 and is scheduled to be theatrically released in Taiwan in May 2021. As Taiwanese representative, Huang was one of the "Emerging Producers 2020" selected at Ji.hlava International Documentary Film Festival.

09.25 SAT 信義 10 14:30 ★｜ 10.04 MON 信義 10 12:20 ★ 048

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

曾被稱為「綠色牢籠」的沖繩西表島礦坑荒 草蔓生，只剩下孤絕的寂靜。年逾 90 歲的 橋間阿嬤獨自守著礦坑中人人聞之色變的祕 密與養父母的墓，盼著也許哪天能獲得失蹤 已久的兒子消息。橋間阿嬤，日名橋間良子， 本名江氏緞，大正 15 年（西元 1926 年）出 生於殖民地台灣，出生不久就被楊家收為童 養媳，隨著養父母一家來到沖繩西表島，成 為礦工工頭的女兒。這座位於島鏈邊陲、被 視為「死人島」的礦坑之島，聚集許多來自 九州、沖繩與殖民地台灣、朝鮮的礦工，在 日本大東亞帝國主義最為擴張的時期，島上 礦業蓬勃發展，每個礦坑主都有如地方角頭， 吸納許多躲債流氓與無路可走的亡命之徒， 他們在這座島嶼過著高壓管理的勞苦生活， 背負著受到歧視的惡名，最終魂喪此地。 沖繩從日本殖民到美軍佔領，又從美軍移交 給日本。悽苦、顛沛的沖繩命運，似乎呼應

著橋間家在島上遭逢的悲劇。橋間阿嬤既非 大和民族，又非沖繩島民，出生地台灣亦是 回不去的傷心地。佝僂的背影，乘載著集體 瘋狂的時代下不願回溯的幽暗記憶，她在西 表島這座熱帶島嶼上度過一生，卻始終是難 以被接受的身份與存在，代表的正是島上居 住者自始至終都是「外來者」的孤苦命運。 本片為導演黃胤毓「八重山台灣人」系列之 「狂山之海」三部曲的第二部曲，記錄橋間 阿嬤人生晚年的光陰、礦坑歷史，以及她和 鄰人路易斯的故事。長達四年拍攝、三年製 作，以紀實影像和劇情重演的手法，深入橋 間阿嬤與西表島那早已被世人遺忘的珍貴時 代記憶。 There remains only silence in the "Green Jail", the once-upon-a-time large-scale mining village located on Iriomote Island, Okinawa, Japan.

Imperialism, "Green Jail" imprisoned thousands of miners. These miners were from Kyushu and other places in Japan as well as Japanese colonies: Taiwan and Korea. The 92-year-old Grandma Hashima is the adopted daughter of the Taiwanese head miner, Yang Tien-fu. With hardly any visitors, Grandma lives alone in a shaggy wooden house where her family once lived. What happened in the coal mine? Grandma's adoptive father, who recruited hundreds of Taiwanese miners to "Green Jail", knowing or not they could never return home... Was he an oppressor or the oppressed victim of Japanese Imperialism? Through her memories of guilt, pain, anger and the miseries of the past 80 years, Green Jail also portrays the last years of Grandma Hashima's life.

Before World War II, under Greater East Asia

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

049

⻄���

法國、象牙海岸、加拿大、塞內加爾 France, Ivory Coast, Canada, Senegal ｜ 2020 ｜ DCP ｜ Color ｜ 93min

Night of the Kings

2020 威尼斯影展 Venice FF 2020 多倫多影展揚聲獎 Amplify Voices Award, Toronto IFF 2021 日舞影展 Sundance FF

菲利普．拉科特，1969 年出生成長於象牙海岸首都阿必尚，投入電影 創作前曾擔任廣播電台主持人。從事媒體工作的經驗讓他有機會接觸許

DIRECTOR, SCREENPLAY

菲利普．拉科特 Philippe LACÔTE PRODUCER

多不同的人事物，而這些經驗亦成為他往後拍攝電影的養分。曾拍攝多 部短片與紀錄片，2002 到 2011 年正逢象牙海岸內戰，對民生與經濟

Delphine JAQUET, Yanick LÉTOURNEAU, Ernest KONAN, Yoro MBAYE

造成偌大影響，拉科特與一群藝術家組織「Wassakara」製作公司，試 圖透過創作讓大眾媒體上少見的聲音更被廣泛看見。2008 年拍攝短片 《Chronicles of War in the Ivory Coast》具體展現其對象牙海岸之歷史

CINEMATOGRAPHER

與社會現況的關注。2014 年首部長片《Run》曾入選坎城影展一種注目

Tobie MARIER ROBITAILLE EDITOR

單元，並提名法國盧米埃獎最佳法語國際電影，證明其為新世代非裔電

Aube FOGLIA

影創作者的新聲。第二部長片《西非夜譚》則是繼《Run》之後再度作

MUSIC

為奧斯卡最佳外語片的象牙海岸代表。創作靈感部分來自拉科特年少時

Olivier ALARY SOUND

造訪馬卡監獄的經驗，他的母親曾經以政治犯的身份監禁入獄；部分則

Pierre-Jules AUDET, Emmanuel CROSET

來自兒時玩伴在監獄裡的近身觀察。電影作為拉科特建構出的想像世界， 以安置現實生活中的文化與歷史，體現其獨特的觀點與視角。

CAST

Koné BAKARY, Steve TIENTCHEU, Rasmané OUÉDRAOGO, Issaka SAWADOGO, Digbeu Jean CYRILLE PRINT SOURCE

Memento Films International

Philippe LACÔTE grew up in Abidjan near a movie theater – the "Magic". His work as a director has taken on several forms, before focusing in 2002 on the recent history of his country with Chronicles of War in the Ivory Coast, a film on the edge between a documentary and a diary. It is followed by the feature film, Run, the story of a wandering madman, selected in Un Certain Regard at Cannes 2014. This selection confirmed his talent as a filmmaker and revealed a new voice from the African continent. Night of the Kings, his second feature, is a dive into the largest prison in West Africa, during a night of red moon.

09.26 SUN 信義 10 15:30 ｜ 09.29 WED 信義 10 13:30 ｜ 10.02 SAT 信義 10 22:00 050

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

馬 卡 監 獄（La MACA）， 一 所 最 大、 最 惡 名 昭 彰， 位 於 象 牙 海 岸 叢 林 深 處 的 監 獄。 這 棟 水 泥 砌 成、 鐵 欄 圍 起 的 巨 大 牢 籠 只 進 不出，與外界全然隔絕，亦有其運作法則， 自成一個階級森嚴、壁壘分明的異托邦。年 輕男子的到來引發獄內一陣鼓譟，自古勝者 為王，敗者為寇，舊有的王者病重體衰，漸 漸無法掌權，他相中這位新進的年輕男子， 打算在血紅月亮升起的那夜，召集獄中的子 民，擺宴設席，任命新的「說書人」。初來 乍到的年輕男子對於監獄的一切都相當陌 生，他在眾人簇擁下站上舞台，娓娓道來關 於札馬國王的傳說故事。台下的群眾聽得如 夢似醉，台上的說書人口沫橫飛。這一夜， 說書人一旦開口，故事就必須綿延不絕，直 到黎明到來。

具說服力的魔幻寫實世界，令人深陷其中， 隨著劇中人物喜怒哀樂，看盡人生百態。真 實與奇幻交錯，混合寓言、詩歌、傳統器樂、 舞蹈與劇場性的演出，法國性格男星丹尼． 拉馮亦在片中客串演出古怪瘋癲老人一角。 說故事的能力，在那閉鎖的空間中乃是權力 的根源。歷史暴力的迴圈在不同時空中流轉， 監獄如同真實社會的縮影。身陷囹圄的世界 裡，掌握故事的人，就是暗夜之王。

一部展現敘事的古老力量的後殖民電影。黑 色大陸版的一千零一夜，說故事者打造出極

legendary outlaw named "Zama King" and has

"As a child, I'd go once a week along the edge of Banco Forest in a shared taxi to go visit my mother, who was incarcerated there for political reasons. As there are no visiting rooms at MACA, I waited among the prisoners who freely circulated amid the visitors. I was listening to this prison's language. It was a world that I loved to observe, even if I wasn't able to decode everything. I had the impression of being at the court of some archaic kingdom with all its princes and

A young man is sent to "La Maca", a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to

lackeys... MACA is therefore a prison which left me with strong images and memories. Night of the Kings is fed with these images to expose the prison from the inside, from the inmates' point of view." – Philippe Lacôte

the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the no choice but to make his story last until dawn.

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

051

��，先不�

亞洲首映 Asian Premiere

德國 Germany ｜ 2021 ｜ DCP ｜ Color ｜ 85min

Second Thoughts

卓拉．盧克斯，出生於 1988 年，畢業於德國影視學院及美國哥倫比亞 大學。她曾於瑞典電影大師洛伊．安德森《千日千夜》及《鴿子在樹枝

DIRECTOR, SCREENPLAY

上沉思》等劇組中擔任選角指導。

卓拉．盧克斯 Zora RUX PRODUCER

盧克斯自青少年時期就開始創作短片，近年的創作特別關注人的主觀意

Leonie MINOR, Roxana RICHTERS, Fred BURLE

識運作，及其如何界定個人與社會的關係。2014 年完成的短片《失語 噤地》，獲塔林黑夜影展與台灣女性影展選映。該片藉由一鏡到底拍攝

CINEMATOGRAPHER

難民社群成員對於性侵事件的爭論，反思組織的內部矛盾，與公私領域

Jesse MAZUCH

的界線。2015 年實驗短片《當你看到德文…》結合動畫與真人，以詼

EDITOR

卓拉．盧克斯 Zora RUX, Kalle BOMAN, Martin HEROLD, Henning STÖVE

諧的語氣探討語言結構如何影響大腦認知，獲紐約新導演

新電影影展

選映。《結婚，先不要》為其編導首部劇情長片，現正籌備第二部長片 《Biesendorf》。

MUSIC

Ben RÖSSLER, Jonathan RITZEL, Mister MILANO

Zora RUX was born in 1988 and studied at dffb and Columbia University. Her short films were shown at Palm Springs, Austin, Montreal World, Tel Aviv, Riga, Sao Paulo, Reykjavik and Talinn Black Nights and sold to ARTE.

SOUND

Robert HEFTER

Having worked on Roy Andersson's films, including About Endlessness and A Pigeon Sat on a Branch Reflecting on Existence as casting director, Rux teamed up with some of Andersson's crew for her first feature, Second Thoughts. She is currently writing her second feature, Biesendorf and co-writing the HamburgSchleswigholstein-funded feature, Girlsplaining.

CAST

Elisa PLÜSS, Thomas FRÄNZEL, Lola KLAMROTH, Sebastian SCHNEIDER, Judith VAN DER WERFF PRINT SOURCE

DFFB

09.26 SUN 信義 11 16:00 ｜ 10.02 SAT 京站 6 11:40 ｜ 10.05 TUE 京站 6 16:30 052

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

©Jesse Mazuch

瑪麗陪同男友出席親戚婚禮，就在男方親友 齊聚、眾目睽睽之下，瑪麗毫無防備地被求 婚了。當下的她尷尬語塞，被突襲的不甘與 說不出「我願意」的窘迫讓她心煩意亂，狼 狽地躲回鄉下小屋裡。她想自己一個人靜一 靜，在愈安靜的地方，她內心紛擾的聲音卻 愈發清晰，甚至一個個都有了血肉之軀。他 們圍繞著她，追問著感情與關係的真諦，當 男友追上門來，兩人的未來也跟著被拉進這 場辯論之中。

「我對拍攝腦中的千頭萬緒很感興趣。因為 我們從來沒有真的活在當下，反而一直回想 過去或夢想著未來，本片就是要檢視行動與 想法間的共時性。」──卓拉．盧克斯

如果我們腦中的喧譁念頭都有了形體，會是 什麼樣的光景？曾以短片《失語噤地》入選 台灣女性影展的德國導演卓拉．盧克斯，首 部劇情長片不靠任何 CG 特效，僅以最基本 的電影場面調度，拍出一部奇幻的愛情喜劇， 風趣呈現當今男女對於何謂愛情、為何結婚、 以及自我期待等想法上的差異。在數位特效 當道的今日，如此的返璞歸真反而精采又細 膩地令人拍案叫絕。

climb down trees and a woman in a sari narrates

When Marie's boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: her mother pesters her with baby names, ex-boyfriends her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts

simultaneity of actions and thoughts is what I wanted to examine in the feature film, Second Thoughts. To me, it is exciting to create a new film universe that works according to its own rules, and I'm always amazed at how quickly I can find my way through the unknown film universes as a viewer. In order to find our way in our film, it was important to me that there were clear rules: the world looks naturalistic, the absurdity results only from the thoughtbeings. These thought-beings had a handful of rules, whom they could see and whom they could react to. These rules were necessary to build the universe." – Zora Rux

with hers. But what if you show your thoughts to each other ? How much honesty can a relationship take? "I'm interested in filming thoughts. We are never truly in the moment; we rather always think about the past or dream about the future. This

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

053

女�們的�日��

南韓 South Korea ｜ 2020 ｜ DCP ｜ Color ｜ 79min

Short Vacation

2020 釜山影展 Busan IFF 2021 柏林影展 Berlinale

權珉杓，1991 年出生於南韓江原道。就讀清洲大學期間曾拍攝短片 DIRECTOR, SCREENPLAY, EDITOR

權珉杓 KWON Min-pyo, 徐韓率 SEO Hansol

《熱浪》。 徐韓率，1991 年出生於南韓大邱，畢業於成均館大學歷史學系。 兩人自 2018 年起就讀於檀國大學電影內容學系碩士班，共同執導了首

PRODUCER

PARK Ki-yong

部劇情長片《女孩們的夏日浮光》。

CINEMATOGRAPHER

PARK Jae-man

本片源起於兩人在日本參加的一場電影放映與工作坊，因欣賞一部法國

SOUND

與日本合製的作品，並參與工作坊討論「如何與對彼此不熟悉的工作夥

PARK Ga-yeon

伴合作執導一部電影？」，而興起了共同創作的念頭，也在過程中堅守

CAST

SEOL Si-yeon, BAE Yeon-woo, PARK So-jung, HAN Song-hee

共同執導的核心：做每一個決定前，都取得雙方共識。拍攝《女孩們的

PRINT SOURCE

代其實充滿共鳴，也溝通無礙。兩人專注在「相同」而非「相異」，成

M-Line Distribution

功建立起幕前與幕後的信任和默契，成為本片不矯揉造作、一氣呵成的

夏日浮光》前，兩位導演最感焦慮的其實是如何跟年輕女孩對話，然而 在前置作業及拍攝過程中，藉著與演員們的互動，才發現自己跟年輕世

關鍵。

KWON Min-pyo graduated from the Graduate School of Cinematic Contents at Dankook University in 2018. He directed the short film, Heat Wave, in 2017 and co-directed his feature debut, Short Vacation, with Seo Hansol. SEO Hansol graduated in History from Sungkyunkwan University and the Graduate School of Cinematic Contents at Dankook University in 2018. He codirected his feature debut, Short Vacation, with Kwon Min-pyo. Kwon and Seo went to a screening and a workshop in Japan. Having seen a co-production between Japan and France, they took part in a discussion on how to co-direct a film with a partner you did not know well. Their participation in that discussion inspired them to make a film together. While making Short Vacation, what both of the directors felt the most anxious about was how to talk with young girls. Nonetheless, through their interaction with the actors during the pre-production and shooting they came to realize that they had so much to relate to the younger generation and had no problems in communicating with them. Focusing on their similarities rather than differences, the duo successfully built trust and rapport between the crew and with the cast. This is also the key that makes Short Vacation so unpretentious and natural.

09.24 FRI 信義 11 19:10 ｜ 10.02 SAT 華山 1 20:50 ｜ 10.05 TUE 華山 1 17:30 054

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

女孩轉學到新的國中，加入攝影社，認識了 其他三位女孩。老師指派暑假作業，要拍攝 「世界盡頭」。世界盡頭在哪呢？夏天的氣 味近了，女孩們對這份暑假作業感到困惑。 其中一人提議前往地鐵終站，於是她們踏上 旅程，到了一看，站外延伸出更多軌道，女 孩迷懵，女孩夢寐。她們在無人的田野與房 舍間來回晃蕩，在孩童與成人的模糊邊界遊 走不停，宛如身處一個巨大的遊樂場。伴隨 著野鬼與貓，女孩們是否能看見世界盡頭的 風景？

「為了表現女孩最生動自然的樣子，我們嘗 試捕捉畫面，而非建構畫面。這些女孩處在 一個想要趕快變大人，但社會仍將之定義為 孩童的階段。透過這趟旅程，可以看作是一 個使她們跳出日常生活，觀看自己與周遭世 界的機會。」──權珉杓、徐韓率

新銳雙人導演權珉杓、徐韓率的首部劇情長 片，以社會反思為底，沉靜溫柔的聲線細緻 描述一段清爽不黏膩的女孩成長紀事。四位 年輕主角們自然流暢的鏡頭表演，歸功於只 有情境與地點描述的劇本，導演們共構出寫 意、真摯，且專屬於青少女的 Happy Hour， 彈性地給予空間，讓四位女孩自由填空。

discuss where would be "the end of the world",

The 13-year-old girls are on the border between children and adults, both externally and internally. They want to be adults soon, but society defines them as children. This short trip is an opportunity for them to get out of their daily lives and look back on themselves. In order to show these girls in a vivid way, we

Four middle school students, who are the members of a photography club receive an oldfashioned analog camera from their teacher. The teacher asks them to take pictures of "the end of the world" during summer vacation. While they they get on the subway to go to the very last station as one of the girls suggests.

tried "taking" the scene, not "making". The script only had guidelines for description of locations and situations instead of dialogues, which were intended for directors and staff. After being verbally communicated with the directors, the actors acted spontaneously. We wanted to capture these vivid actions and words of these girls passing through an

"The story for Short Vacation started from our society today that pushes students to set goals. This is why trains that can only go by railway

unfamiliar and unusual space. We expected to recall the past time by looking at them." – Kwon Min-pyo and Seo Hansol

became the four girls' way of traveling.

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

055

野馬��

中國 China ｜ 2020 ｜ DCP ｜ Color ｜ 130min

Striding Into the Wind

2020 坎城影展 Cannes 2020 平遙影展費穆榮譽最佳男演員 Best Actor, Fei Mu Awards, Pingyao IFF 2020 釜山影展 Busan IFF

魏書鈞，1991 年出生於北京，畢業於中國傳媒大學。他自 14 歲青年演 員身分出道，大學時踏入幕後主修錄音，同時透過前輩安排進入片場工

DIRECTOR

魏書鈞 WEI Shujun

作，累積大量幕後工作實務經驗。大學畢業後他曾經營影視公司，承接

PRODUCER

節目與晚會執行。

柳青伶 LIU Qingling

2015 年魏書鈞重返研究所主修導演，2016 年執導首部劇情長片《浮世

SCREENPLAY

魏書鈞 WEI Shujun, 高臨陽 GAO Linyang

千》，由王超監製。2018 年編導學生短片《延邊少年》，獲坎城影展短 片金棕櫚獎特別提及。第二部編導長片《野馬分鬃》是他的研究所畢業

CINEMATOGRAPHER

製作，新作《永安鎮故事集》入選坎城影展導演雙週。

王階宏 WANG Jiehong EDITOR

孔勁蕾 KONG Jinlei MUSIC

WEI Shujun was born in Beijing, China in 1991. He graduated from Communication University of China, majoring in Directing and Sound Engineering. Wei began his career in film as an actor when he was 14 years old. His graduation short, On the Border, won Jury Distinction Award at Cannes 2018. Striding into the Wind is his second feature film.

侯夢婷 HOU Mengting SOUND

何威 HE Wei 郝剛 HAO Gang CAST

周游 ZHOU You, 鄭英辰 ZHENG Yingchen, 王小木 WANG Xiaomu, 趙多娜 ZHAO Duona, 佟林楷 TONG Linkai PRINT SOURCE

Films Boutique

09.26 SUN 信義 11 21:00 ｜ 09.30 THU 華山 1 20:10 ｜ 10.05 TUE 華山 1 14:20 056

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

阿坤是個影視學院錄音系的學生，混水摸魚 的行徑讓他差點畢不了業，但他在片場混到 的本領，早比學校老師還有料。阿坤的愛情 學分也快被當了，誰叫他每日打混，沒看見 女友還沒出社會就努力為未來卡位。阿坤的 錄音師招牌要砸了，誰叫他跟的導演每天滿 嘴理想，到頭來只是草包一枚。青春的無限 可能招來無盡鳥事，但阿坤還有他的忠實跟 班、他剛考到的駕照、與剛買來的二手破吉 普車。他相信只要一路開到內蒙古，答案就 在草原彼端。

的樣態，讓觀眾也跟著這位青年藝術家，走 過一段混沌卻又桀驁不馴的青春。

《野馬分鬃》為中國導演魏書鈞的第二部劇 情長片，曾以短片《延邊少年》於坎城影展 獲獎的他，以本片再訪坎城。故事啟發自魏 書鈞的大學生活，輔以對當代社會犀利世故 的觀察，與細膩的影像調度。《「大」人物》 主演周游生動詮釋主角阿坤不可一世又迷惘

relationship with his girlfriend. But Kun just got

「《野馬分鬃》的故事其實是我混沌大學 生活中的一個小章節，略有些灰色或者說蕭 條的一段時間，雖然當年身在其中的我還是 蠻享受的，但回頭再看卻是另一種感覺。」 ──魏書鈞

the rules and opposes the status quo, he eventually comes to terms with the fact that change is simply inevitable. Impermanence is indeed the essence of things. The protagonist's personality and his will to act are imprinted with wildness and resistance: they are in total opposition with the rules imposed by his parents while he grows up. The tension it creates makes things seem funny, almost

Kun seems to be messing up pretty much everything: his senior year at film school, the job on his friend's graduation film and the his driving license and with it, the cheapest second-hand car he could find: an old wreck of a Jeep Cherokee that might turn out to be the

absurd and at times, sad. This is not to say that this film sheds a negative light on youth. This contradictory rebellion is actually part of a lot of people's coming-of-age process. I hope that everyone can project themselves into the story and relate to the characters." – Wei Shujun

key to his wildest dreams. "The film shows that although our hero breaks

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

057

失落��

越南、新加坡、法國、泰國、德國 Vietnam, Singapore, France, Thailand, Germany ｜ 2021 ｜ DCP ｜ Color ｜ 97min

Taste

2021 柏林影展邂逅單元評審團特別獎 Special Jury Award, Encounters, Berlinale 2021 莫斯科影展 Moscow IFF

黎豹，1990 年出生成長於越南西貢貧民窟。他對電影的興趣始於幼時家 中河畔窗外即景的記憶，靠著在電腦上摸索認識外國電影，成為一名影

DIRECTOR, SCREENPLAY

黎豹 LÊ Bảo

癡。身為創作者，黎豹作品關注人物因其身處環境造成的孤寂與憂愁，

PRODUCER

並多半在他所生長的貧民窟取景。

賴偉傑 Weijie LAI, ĐỒNG Thị Phương Thảo

2013 年，20 歲 的 他 用 著 向 朋 友 借 來 的 舊 攝 影 機 拍 了 第 一 部 短 片

CINEMATOGRAPHER

《Coal》， 故 事 啟 發 自 他 與 父 親 的 關 係。2014 年 拍 攝 短 片《 潮 濕

NGUYEN Vinh Phuc

的 記 憶 》， 獲 越 南 Yxine 短 片 影 展 最 佳 短 片 獎， 並 於 台 北 電 影 節 放

EDITOR

利．查泰米提古 Lee CHATAMETIKOOL SOUND

映。2019 年他受馬來西亞電影集團 Astro Shaw 委託創作，完成短片 《Unconsoled》，以帶著憂鬱與奇幻的氣味，述說一則發生在母女及一

Vicent VILLA

匹老種馬之間的故事。2021 年首部劇情長片《失落邊境》一舉入選柏林

CAST

NGUYEN Thi Cam Xuan, Olegunleko Ezekiel GBENGA, LE Thi Dung, KHUONG Thi Minh Nga, VU Thi Tham Thin PRINT SOURCE

Wild Bunch

影展邂逅單元，並獲評審團特別獎。

LÊ Bảo is a self-trained cinephile. He made his first short film when he was twenty years old, borrowing an old camera from a friend. Growing up in the slums of Saigon, his interest in cinema began as a little boy looking through the small window of his house that sits by the river. He learnt about cinema through watching foreign films on his computer. His short films, Coal and Scent, are shot in the underdeveloped areas where he grew up. Taste, his first feature, is also shot with non-professional actors in the places he has known all his life.

09.27 MON 信義 10 18:50 ｜ 09.30 THU 信義 10 16:20 ｜ 10.03 SUN 信義 10 21:30 058

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

奈及利亞足球員為了養家來到越南，卻因腳 傷丟了球隊合約，只能在湄公河畔的貧民窟 打雜。他在這裡遇見四位女子，她們際遇各 不相同，內心卻同樣疲憊。五個被生活掏空 的人，相約住進一棟廢棄別墅，展開一段相 濡以沫的生活。在這彷若異次元的空間裡， 他們灑掃、燒菜、沐浴、便溺、交媾，一切 同進同退，卻又隨興所至，生活中多餘元素 皆被剝除，回到最原始的狀態。

生活、回憶中的氣味與人的姿態的著迷。

a piglet along the river.

「我的表達方式與審美觀來自我的現實生 活，它們節奏獨特，沉靜卻又喧譁。多年來 我沉浸在這些感受與回憶中，卻也盼望從中 遠走高飛。感覺就像在夢境之中醒來，這就 是我的電影。」──黎豹

Mien is dying of an unknown illness and her

in the Vietnamese League to support his son

One day, the women look out of the window

越南影壇新銳黎豹一鳴驚人首部劇情長片， 更有泰國剪接師利．查泰米提古的操刀加持。 在他沉靜緩慢的鏡頭下，現實被賦予奇幻而 憂鬱的色彩，角色的呼吸、動作與身體的肌 理成為主角，從中又可看見他對當代世界的 觀察與反思：小至個人的存在認同，大至全 球化資本社會對個人的剝削。此般風格不難 令人聯想到蔡明亮、阿比查邦或佩德羅．科 斯塔等名導，但黎豹電影的原點，來自他對

back home. When he breaks his leg, the football

and miss the world outside. The spell is

team terminates his contract. With nowhere to

broken. Bassley is back in the salon. He misses

go and his leg in a cast, Bassley is hired as a

the connection they had in the house. But

masseur at a hair salon frequented by working

neither Trang nor Hanh can comfort him and

class Vietnamese. He sees four women in their

Thuong has disappeared. Mien remains in the

fifties who, like him, are on the fringes of society.

house, waiting for her death. Bassley pays

Mien crafts hot air balloons in a makeshift

Mien a visit and holds her in his arms as she

factory. Trang is a fishmonger, who sometimes

dies. Left alone, he walks through a forest and

has sex with Bassley. Hanh sells the buns she

reflects as one life passes for another.

Bassley is a Nigerian immigrant playing football

family accompany her to an abandoned house for her to rest. Bassley is told that the football team will not have him back and decides to join Mien. Hanh and Thuong also join Bassley and Mien in the house, where they create a simple utopia.

bakes with her husband. And Thuong lives with

國際新導演競賽 INTERNATIONAL NEW TALENT COMPETITION

059

TAIPEI FILM AWARDS

�北���

Man in Love 當男人戀愛時

正式��項目

OFFICIAL AWARDS 最佳劇情長片 Best Narrative Feature 最佳紀錄片 Best Documentary 最佳短片 Best Short Film 最佳動畫片 Best Animation 最佳導演 Best Director 最佳編劇 Best Screenplay 最佳男主角 Best Actor 最佳女主角 Best Actress 最佳男配角 Best Supporting Actor 最佳女配角 Best Supporting Actress 最佳新演員 Best New Talent 最佳攝影 Best Cinematography 台北電影獎源於1988年的「中 時晚報電影獎」，並於1994 年正式改名為台北電影獎。做

最佳剪輯 Best Editing 最佳配樂 Best Music

為台灣電影競賽主場，每年以

最佳美術設計 Best Art Design

國片最高獎金「百萬首獎」為

最佳造型設計 Best Makeup & Costume Design

號召，拔擢本土優秀影像創

最佳聲音設計 Best Sound Design

作者、鼓勵不同題材與表現形 式，為國片開發各種可能性。

最佳視覺效果 Best Visual Effects 傑出技術 Award for Outstanding Artistic Contribution

"Taipei Film Awards" is the only film competition exclusively aimed at Taiwanese filmmakers. Every year, the NT$1 million Grand Prize for domestic films attracts Taiwan's most outstanding filmmakers and encourages different themes and stylistic expressions, opening up all kinds of possibilities for Taiwanese cinema.

�正式��項目

NON-OFFICIAL AWARDS 觀眾票選獎 Audience Choice Award 媒體推薦獎 Press Award

�

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 115min

A Leg

張耀升，小說家、編劇及導演， 2019 年以《陽光普照》入圍金 馬獎最佳原著劇本，今年首部執 導劇情長片《腿》，改編自他母 親在丈夫過世後，替他找回截肢 的真實故事，在鍾孟宏的監製及 甜蜜生活的製作下，轉化成一個 華麗又風趣的黑色愛情喜劇。 CHANG Yao-sheng's script, A Sun, was nominated Best Original Screenplay at the 2019 Golden Horse Awards. A Leg is his directorial debut adapted from his parents' true story.

入圍獎項：配樂

從一隻即將截肢的腳開始說起。腳的主人是鄭子

This story begins with a leg about to be amputated.

漢，原以為截肢後很快可以出院，不料卻在截肢

The leg's owner is Zi-han who thought he would

後突然併發敗血症過世。他的妻子錢鈺盈卻突然 興起要幫鄭子漢找到那隻腿的念頭。在過程中， 她與鄭子漢因一曲華爾滋進而相識、相戀，到兩

soon be discharged from the hospital soon after the operation but develops complications and passes away unexpectedly. His wife Yu-ying is inspired to seek his missing leg. During the course, she starts

人關係逐漸破碎的故事同時娓娓道來。最後鄭子

to recall how he led her in a waltz when they first

漢的腿還是被錢鈺盈找回來，接回他的身上時，

met, how they fell in love, and how their relationship

她清楚地了解自己的堅持，其實是為了好好和這 個曾經愛過、付出過的男人道謝與道別，接下來， 錢鈺盈會獨自開始自己的旅程。

gradually shattered. Retrieving the leg is how she tries to properly say farewell to the man she once loved. Only after that can she begin her own journey by herself.

DIRECTOR

張耀升 CHANG Yao-sheng EXECUTIVE PRODUCER

鍾孟宏 CHUNG Mong-hong PRODUCER

宋銘忠 SUNG Ming-chung SCREENPLAY

鍾孟宏 CHUNG Mong-hong, 張耀升 CHANG Yao-sheng CINEMATOGRAPHER

中島長雄 NAKASHIMA Nagao EDITOR

賴秀雄 LAI Hsiu-hsiung MUSIC

盧律銘 LU Luming SOUND

杜篤之 TU Duu-chih, 吳書瑤 WU Shu-yao, 杜均堂 TU Chun-tang CAST

楊祐寧 Yo YANG, 桂綸鎂 GEWI Lun-mei, 張少懷 Michael CHANG PRINT SOURCE

甜蜜生活製作有限公司 Creamfilm Production 2020 東京影展 Tokyo FF 2020 夏威夷影展 Hawaii IFF 2020 金馬影展 Golden Horse FF

10.04 MON 信義 11 14:50 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

063

��的�手

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 92min

Be Alive Just Like You

賴孟傑，畢業於台北藝術大學電 影創作研究所。作品涵括廣告、 短片、紀錄片、電視劇等類型， 曾獲金鐘獎、金穗獎、台北電影 獎肯定。 LAI Meng-jie has worked in different genres such as commercial, film, documentary and TV series, receiving critical acclaim at the G o l d e n B e l l Aw a r d s , G o l d e n Harvest Awards, and Taipei Film Festival.

入圍獎項：男配角

六從十八歲開始，他就不知道什麼叫自由。 他被困在一個輪椅上，每天開計程車的爸爸開車 帶他出門，在街頭賣口香糖、糖果等，六的日子 就這樣一天過一天。故事從他 35 歲的時候開始 講起。他認識了一個不愛說話的女孩：泡麵。泡 麵認為全世界都一樣，都在欺負她，所以她不愛 說話，總是把自己限制在一個小小的文具店裡。 這個琳瑯滿目的文具店，狹窄的空間，讓泡麵充 滿了安全感。六的介入打破了這個世界，讓原本

Since Six was 18, he no longer knows what freedom is. He's trapped in a wheelchair. His father, a taxi driver, drives him every day out to the streets to sell chewing gum. That's how Six spends his days. Till he gets to meet a quiet girl, Noodles, who always shuts herself away in a small stationery store. Six barges into her world. He adds a touch of pheromone to the colorful but icy stationery store. Suddenly, everything becomes interesting.

繽紛卻冰冷的文具店多了一股荷爾蒙的氣息，頓

DIRECTOR, SCREENPLAY, EDITOR

賴孟傑 LAI Meng-jie EXECUTIVE PRODUCER

唐在揚 David TANG PRODUCER

童文群 Tom TONG, 華開天 Kevin HUA, 梁宏志 Eric LIANG CINEMATOGRAPHER

黃瀚維 HUANG Han-wei MUSIC

陳惟君 CHEN Wei-chun SOUND

楊書昕 Agnes YANG, 湯湘竹 TANG Shiang-chu, 吳建緯 WU Chien-wei, 好多聲音 FORGOOD S OUND

時所有的東西都是有趣的。小小的書店，是六跟 泡麵的小星球。

CAST

六覺得只有泡麵，讓六忘記自己是需要被照顧的，

鄭人碩 CHENG Jen-shuo, 邱偲琹 CHIU Ssu-chin, 黃采儀 HUANG Tsai-yi, 鄭志偉 CHENG Chih-wei, 喜翔 KING Jieh-wen

他覺得他像個人了。泡麵覺得只有六不欺負她， 把她當個正常的人，而不是對她予取予求。

PRINT SOURCE

興揚電影有限公司 Renaissance Films Limited 2020 高雄電影節 Kaohsiung FF 2020 香港電影節 Hong Kong IFF

09.30 THU 信義 10 13:00 ★ 064

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

同����

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 122min

Classmates Minus

黃信堯，擅長以幽默的敘事突顯 人生的荒謬意境。2011 年以《沈 ㄕㄣ ˇ 沒ㄇㄟ ˊ 之島》獲台北 電影獎最佳紀錄片暨百萬首獎， 2017 年首部劇情長片《大佛普 拉斯》獲台北電影獎百萬首獎與 最佳劇情長片，以及金馬獎最佳 新導演等五項大獎。 HUANG Hsin-yao began his career as a documentary filmmaker. The Great Buddha, his first feature, won five prizes at the 2017 Golden Horse Awards.

入圍獎項：劇情長片、導演、編劇、男配角、攝影、美術設計

故事有四個角色，再加上「我」，一共五個人；

This is a story about four high school classmates.

由「我」做為開端，敘述四個高中同學當下的生

The storylines are intertwined with one another.

活。一間二十幾年前流行的泡沬紅茶店，到現在 已有點老舊，但仍是這群中年男子聚集打發時間 的地方，彼此取暖逃避家庭與工作的男人港。四

There's a middle-aged director who is frustrated with his undiscovered talent, a hard-working whitecollar worker who is depressed about his lack of achievement, an idle part-timer at the Household

條故事線，各自獨立卻又彼此交錯，有著總覺自

Registration Office who is hesitant about love, and

己懷才不遇的中年導演（夢想）、腳踏實地付出

a paper offering maker who is able to communicate

卻不得志的上班族（生活）、躑躅愛情得且過的

with the dead.

DIRECTOR, SCREENPLAY

黃信堯 HUANG Hsin-yao EXECUTIVE PRODUCER

葉如芬 YEH Ju-feng, 鍾孟宏 CHUNG Mong-hong PRODUCER

宋銘忠 SUNG Ming-chung CINEMATOGRAPHER

中島長雄 NAKASHIMA Nagao EDITOR

賴秀雄 LAI Hsiu-hsiung

戶政事務所臨時工（愛情）、擁有看透生死的陰

MUSIC

柯仁堅 KO Ren-chien, 蔡仲軒 Eddie TSAI

陽卻看不透生命的紙紮師（宿命）。這並不是一 部想要講述什麼大道理的電影，它的核心大抵就

SOUND

是：生命不過如此！一切不過是唬爛三小！

杜篤之 TU Duu-chih, 吳書瑤 WU Shu-yao, 杜均堂 TU Chun-tang CAST

劉冠廷 LIU Kuan-ting, 納豆 Nadow LIN, 鄭人碩 CHENG Jen-shuo, 施名帥 SHIH Ming-shuai PRINT SOURCE

甜蜜生活製作有限公司 Creamfilm Production 2020 金馬獎最佳男配角、最佳美術設計、觀眾票選獎 Best Supporting Actor, Best Art Direction, Audience Choice Award, Golden Horse Awards

10.05 TUE 信義 11 15:00 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

065

��

亞洲首映 Asian Premiere

台灣、荷蘭 Taiwan, Netherland ｜ 2021 ｜ DCP ｜ Color ｜ 99min

Dead & Beautiful

王洪飛，旅居台灣與中國的荷蘭 籍導演，七部長片作品中有四部 在台灣攝製，包括入選 2009 年 坎城影展的《你在嗎》，分別於 2013 年 及 2018 年 叩 關 鹿 特 丹 影展競賽的《雲的模樣》、《小 玩意》，以及最新作品《詭祭》。 David VERBEEK shot three feature films in Taiwan, R U There, The Impossibly Small Object and Dead & Beautiful.

入圍獎項：攝影、美術設計

來自荷蘭、台灣、俄羅斯的五位富家年輕男女，

After a weird night, five super-rich friends find out

他 們 擁 有 無 盡 錢 財， 對 生 活 漸 感 無 趣， 永 遠 在

they are vampires.

王洪飛 David VERBEEK

追 求 特 殊 體 驗， 尋 找 不 同 感 官 刺 激。 今 晚 輪 到

Panic! Is this really what they have become?

Erik GLIJNIS, Leontine PETIT

Anatasia 主導，她為大家準備一場深山心靈淨化 儀式，但當眾人睜眼醒來後，嘴裡卻都長出獠牙， 也意識到自己變得不一樣。 一群人趁天亮前躲進 Alex 父親的獨棟高樓，與世 隔絕的他們疑惑嘴裡的吸血尖牙，卻也享受著腎 上腺素的亢進。他們變裝外出吮血，Binray 用意 識控制路人，Alex 更大膽綁架檳榔西施作供品獻 祭。直到當街露出獠牙咬死人後，才意識到「遊

DIRECTOR, SCREENPLAY EXECUTIVE PRODUCER

PRODUCER

王琮 Vincent WANG, 蔡信弘 Nobu TSAI Hsin-hung CINEMATOGRAPHER

Jasper WOLF EDITOR

Axel Skovdal ROELOFS MUSIC

Rutger REINDERS SOUND

Quincy VLIJTIG

戲」早已失控。

CAST

曹晏豪 Yen TSAO, 鍾瑶 Aviis ZHONG, Gijs BLOM, 安妮 Anne, 阮承恩 Philip JUAN Cheng-en PRINT SOURCE

光譜映像有限公司 House On Fire International Co. 2021 鹿特丹影展 IFF Rotterdam

09.30 THU 京站 6 19:00 ★｜ 10.03 SUN 信義 11 20:20 ★ 066

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我沒��的那場戀�

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 99min

I missed you

徐 譽 庭， 由 編 劇 視 角 鋪 陳 影 像 的 敘 述 結 構， 並 融 入 劇 場 的 實 驗 手 法， 以 成 就「 說 故 事 」 的 千變萬化。 許智彥，繼首部劇情長片《誰先 愛上他的》，VR 作品《舊家》 再獲國際獎項的肯定，是相當值 得期待的新銳導演。 Mag HSU directs the story with the experience from both theater and scriptwriting. HSU Chih-yen's works, Dear EX and VR film Home, both have won many international awards.

入圍獎項：編劇、男主角、新演員

故事從喧嚷的社群軟體開始，在芸芸眾生的寂寞

It all starts from social media, the only place that

面向裡，兩位主角郭勤勤與南之仰的兩種不同的

modern people can express their loneliness. Kuo

愛情觀，鋪陳一段與自己的和解之路。

Chin-chin, the lonely girl that keeps a poker face in the daytime. At night, the only thing that asks her

封鎖自己的郭勤勤，總是看著臉書那行淺灰色的

"What's on your mind?" is her Facebook. Nan Chih-

「在想些什麼？」低吟、沉默；女友一個換一個

yang, he changes his girlfriends constantly, loves

的南之仰，總是不停的在網路上發聲，努力引起 關注或理解。他們一個用臭臉背向世界、一個總 是 嘻 皮 笑 臉 的 揶 揄 人 生。 而 兩 個 不 同 性 格 的 男

to express his ideas on the internet and seeks for attention. One faces the world with a sour look, and another mocks life with a teasing smile. Actually, they are siblings from different fathers. Two love-

女，其實是同母異父的兄妹；原生家庭的遺憾，

lacking families built their characters, let them both

讓他們擁有了唯一的共同點：都成為了「討厭的

hate themselves. With the struggles along the way,

自己」。就像兩人三腳一般的踉蹌路上，也是絆 腳石、也是彼此扶持的相處過程中，前方的答案

they learn to help each other, and head to the path that can make peace with themselves.

DIRECTOR

徐譽庭 Mag HSU, 許智彥 HSU Chih-yen EXECUTIVE PRODUCER

潘瑋翎 Maggie PAN PRODUCER

劉旻泓 LIU Min-hung SCREENPLAY

徐譽庭 Mag HSU CINEMATOGRAPHER

張熙明 CHANG Hsi-ming EDITOR

雷震卿 LEI Cheng-ching, 徐譽庭 Mag HSU, 許智彥 HSU Chih-yen MUSIC

李英宏 LEE Ying-hung

讓他們與過去一一和解，現在，他們決定走向「和

SOUND

自己和解」的那條路上。

杜篤之 TU Duu-chih, 杜則剛 TU Tse-kang, 朱仕宜 CHU Shi-i CAST

吳慷仁 WU Kang-jen, 艾怡良 Eve AI, 傅孟柏 FU Meng-po PRINT SOURCE

南人電影有限公司 We are one Co., Ltd.

10.05 TUE 信義 11 21:30 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

067

怪�

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 104min

i WEiRDO

廖明毅，1980 年出生，畢業於 台灣藝術大學應用媒體藝術研究 所。2005 年開始投身影像創作 領域，導演作品橫跨 MV、廣告、 短片等類型，參與製作過《六弄 咖啡館》、《阿嬤的夢中情人》、 《那些年，我們一起追的女孩》 等片，曾以創作短片《8624》、 《合同殺人》獲金穗獎肯定。 LIAO Ming-yi works in directing, shooting and editing films, music videos, and commercials. And he also served as executive director and editing director on the boxoffice hit You Are the Apple of My Eye. 入圍獎項：女主角、美術設計、造型設計

在愛情的世界裡，我們是彼此的怪胎。 陳柏青是一名嚴重神經性強迫症患者，有非常嚴 重的潔癖，非不得已要出門時都是全副武裝；穿

Po-ching is an OCD patient, with serious symptoms o f my s o p h o b i a . H e h a s b e e n c o n d i t i o n e d t o the endless cleaning habits in his daily life. His "quirkiness" has also isolated him from the general

防塵衣、戴手套、戴口罩，還會不停的洗手，所

public and people see him as a completely weirdo.

以他幾乎沒辦法正常社交生活。在一般人眼中，

Po-ching goes out for daily needs shopping on the

柏青就是個異於常人的怪胎。每月的 15 號是柏 青唯一一天出門採買的日子，就在某個命運的 15 號， 他 遇 見 了 與 他「 同 病 相 憐 」 的 另 一 個 怪 胎 ──陳靜。原本以為自己要永遠孤單活在這世界 上的兩人，老天爺讓他們相遇，發展出一塵不染 的愛情，彷彿擁有了彼此就不再害怕被世界遺棄。 然而這段看似命中註定的關係，卻在柏青的強迫 症突然消失後，漸漸地變了調……。

15th of each month. Someday, he meets another weirdo Chen Ching. It is fate to make Po-ching and Chen Ching to meet each other. They finally find another who is in the same boat. Their relationship is spotless and perfect. But everything becomes different when Poching's OCD disappears suddenly. In the world of love, we are each other's weirdos. When the love is gone, I am not attracted to your quirkiness anymore.

DIRECTOR, SCREENPLAY, CINEMATOGRAPHER, EDITOR

廖明毅 LIAO Ming-yi EXECUTIVE PRODUCER

陳怡樺 Ivy CHEN, 王佩嫻 Angelin WANG, 王師 Steve WANG PRODUCER

閻俊瑋 YEN Chun-wei MUSIC

許家維 HSU Chia-wei, 黃鎮洋 HUANG Jhen-yung SOUND

劉小草 Agnes LIU, 曾雅寧 Ning TSENG CAST

林柏宏 Austin LIN, 謝欣穎 Nikki HSIEH, 張少懷 Michael CHANG PRINT SOURCE

牽猴子股份有限公司 Activator Co., Ltd.

2020 烏迪內遠東影展觀眾票選獎、紫桑獎 Audience Award, Purple Mulberry Award, Udine Far East FF 2020 富川奇幻影展奈派克獎 NETPAC, Bucheon International Fantastic FF 2020 金馬獎 Golden Horse Awards

10.06 WED 信義 10 18:00 ★ 068

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

�見� 再唱

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 113min

Listen Before Sing

楊智麟，畢業於美國 Savannah 大學電影研究所。2008 年憑《唱 歌吧》紀錄片獲金穗獎最佳影 片。曾任 Discovery 頻道《謎樣 金瓜石》電視紀錄片導演，及中 國華誼兄弟公益短片《有一天》 導演，並獲澳門電影節獎項。 YANG Chih-lin's documentary Sing it has won the 2010 Golden Harvest Awards. His short movie, You Yi Tian, produced by Huayi Brothers won Best Non-Profit Picture at the 2015 IFFAM.

入圍獎項：編劇、男主角

深山裡的部落小學，一名不懂五線譜的體育老師

An elementary school located in the deep mountain

方雅各，被校長指派擔任合唱團的指揮，期望他

i s fa c i n g a c r i s i s o f b e i n g a b o l i s h e d d u e t o

們在三個月後的合唱比賽上得到優異名次，才有 機會解決被廢校的危機。倉促成軍的合唱團，當 孩子們在比賽會場看到別的合唱團的表現時，信

population migration. The PE teacher is assigned to form a choir, and to win the contest in order to solve the crisis. The PE teacher and a group of tone-deaf students start to prepare for the contest. On the

心崩潰不敢上台，他們因為自己的聲音跟別人不

contest day, the students refuse to get onto the

一樣，直接認定別人是對的、自己是錯的。身為

stage because they believe their voice is different

指揮的方雅各，半哄半騙地帶著孩子們上台演出， 雖然成績不理想，但表演結束後的掌聲卻深深地 震撼他們。對於一個學生只有 50 人的小學校，

楊智麟 YANG Chih-lin EXECUTIVE PRODUCER

陳鴻元 Wolf CHEN, 張鳳美 CHANG Feng-mei CINEMATOGRAPHER

關本良 KWAN Pun-leung EDITOR

therefore is wrong. They do not win any prize, but

陳曉東 CHEN Hsiang-dong, 顧曉芸 KU Hsiao-yun

still get big applause from the audience. For the

MUSIC

students from a small school, the applause from thousands of audience creates a huge impact on

感受到一千多人的掌聲鼓勵，衝擊非常強烈，而

them, which gets the teacher thinking if he can use

方雅各也第一次體會到，孩子們會因為得到掌聲，

the choir to change the depressing situation the

燃起新的力量去面對挫折，他開始用體育專長發

DIRECTOR, PRODUCER, SCREENPLAY

school is in.

陳建騏 George CHEN, 羅恩妮 Annie LO SOUND

楊書昕 Agnes YANG CAST

馬志翔 Umin Boya, 陳嘉樺 Ella CHEN

明練唱方式，重新用歌聲感動整個部落。

PRINT SOURCE

十三月股份有限公司 Neverland Entertainment Limited

09.30 THU 信義 11 14:50 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

069

當男�戀��

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 115min

Man in Love

殷振豪，台灣新銳導演，擁有獨 特 的 台 式 美 學， 擅 長 融 合 細 膩 的 故 事 與 情 感， 捕 捉 小 人 物 的 故事溫度。近期執導茄子蛋 MV 作品〈浪子回頭〉、〈浪流連〉、 〈 這 款 自 作 多 情 〉，YouTube 點 擊 累 積 破 億， 掀 起 年 輕 世 代 浪子風潮。 YIN Chen-hao, a rising Taiwanese director good at blending delicate stories and emotions. He has directed three music videos for EggPlantEgg, which got more than 100 million clicks on YouTube.

入圍獎項：劇情長片、導演、男主角、女主角、女配角、剪輯、造型設計

阿成是一個靠討債為生的流氓，寄居在大哥開的

A-cheng is a rogue who relies on debt collection

理髮廳樓上，總是搭乘父親開的公車四處收債，

for living. One day, when he goes to the hospital

明明到了早該自立的 37 歲，卻還嬉皮笑臉面對 所有鄙視。某天，他到醫院向一位昏迷的債主收 債，遇上債主女兒浩婷，她被迫簽下債款轉讓，

to c o l l e c t d e b ts f ro m a c re d i to r i n c o m a , h e meets Hao-Ting, daughter of the creditor, and her silhouette of silently taking care of her father deeply attracts A-cheng. A-cheng clumsily draws a "graffiti

DIRECTOR

殷振豪 YIN Chen-hao EXECUTIVE PRODUCER

程偉豪 CHENG Wei-hao, 金百倫 JIN Pai-lunn PRODUCER

廖述寧 LIAO Shu-ning

卻沒有埋怨。她默默照料父親的身影，竟深深吸

contract" to offset Hao-ting's debts with walks and

引從未有過責任感的阿成。

dinners as dating, even tries his best to manage

阿成笨手笨腳畫了一份「塗鴉合約」，以約會般

the funeral for her father. Hao-Ting feels touched

傅凱羚 Lyra FU, 簡持中 CHIEN Chih-chung

by his behaviors and accepts his pursuit. However,

CINEMATOGRAPHER

的散步、吃飯來抵銷浩婷債務，甚至傾力打點浩

just when A-cheng thinks that he finally knows what

婷父親喪禮，他一股腦的心意，終於卸下浩婷對

love is, a barter gambling takes away their future

他的武裝、接受追求，阿成認為自己就要搞懂愛

ruthlessly.

SCREENPLAY

陳麒文 CHEN Chi-wen EDITOR

陳俊宏 CHEN Chun-hung MUSIC

溫子捷 WEN Tzu-chieh

情了！沒想到一場黑吃黑的賭局，無情捲走兩人

SOUND

的未來……。

簡豐書 Book CHIEN, 陳維良 CHEN Wei-liang CAST

邱澤 Roy CHIU, 許瑋甯 HSU Wei-ning, 蔡振南 TSAI Chen-nan, 鍾欣凌 CHUNG Hsin-ling PRINT SOURCE

金盞花大影業股份有限公司 Calendar Studios Co., Ltd.

10.04 MON 信義 11 21:00 ★ 070

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

�失的���

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 119min

My Missing Valentine

陳玉勳，1995 年首部劇情長片 《熱帶魚》驚豔台灣，獲金馬獎 最佳原著劇本，奠定獨樹一格的 勳式喜劇。2013 年《總舖師》 創下全台三億台幣的驚人票房； 2017 年古裝喜劇鉅作《健忘村》 巨星雲集，轟動兩岸三地。 CHEN Yu-hsun is regarded as the master of comey. His first feature, Tropical Fish, is critically acclaimed. Zone Pro Site and A Village of No Return were well-received in the Chinese-speaking territories in Asia.

入圍獎項：劇情長片、導演、編劇、女主角、攝影、剪輯、視覺效果

動作快速、凡事搶拍的小淇，感情生活毫無進展，

Xiao-chi does everything so quickly that she's

年近 30 還是母胎單身。小淇每天在郵局重複著

always one step ahead of others. Her dull job in the

千篇一律的櫃檯工作，除了要應付形形色色的客 人，還有一個動作慢吞吞的公車司機阿泰，每天 都固定來找她寄一封平信。期待愛情降臨的小淇，

post office, where a slow bus driver coming to mail a letter every day. Xiao-chi is approaching 30 and has been looking forward to her first love to come. Finally, on the eve of Valentine's Day, a hot guy asks

在情人節前夕居然被天菜陽光男劉老師搭訕。眼

her out. As she anticipates her first date, she wakes

見夢寐以求的情人節約會就要來臨，萬萬沒想到

up the next morning and finds that the Valentine's

一覺醒來，情人節居然憑空消失了！

Day has mysteriously passed...

DIRECTOR, SCREENPLAY

陳玉勳 CHEN Yu-hsun EXECUTIVE PRODUCER

葉如芬 YEH Ju-feng, 李烈 LEE Lieh PRODUCER

張雅婷 CAHNG Ya-ting CINEMATOGRAPHER

周宜賢 CHOU Yi-hsien EDITOR

賴秀雄 LAI Hsiu-hsiung MUSIC

盧律銘 LU Luming SOUND

簡豐書 Book CHIEN, 湯湘竹 TANG Shiang-chu CAST

劉冠廷 LIU Kuan-ting, 李霈瑜 Patty LEE, 林美照 LIN Mei-zhao, 黑嘉嘉 Joanne MISSINGHAM, 周群達 Duncan CHOU PRINT SOURCE

華文創股份有限公司 Mandarin Vision Co., Ltd. 2020 釜山影展 Busan IFF 2020 香港亞洲電影節 Hong Kong Asian FF 2020 金馬獎最佳劇情長片、最佳導演、最佳原著劇本、最佳視覺效果、最佳剪輯 Best Narrative Feature, Best Director, Best Original Screenplay, Best Visual Effects, Best Film Editing, Golden Horse Awards

10.06 WED 信義 11 15:20 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

071

��犯

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 107min

Plurality

蕭力修，台灣電影導演、編劇、 攝影。2003年作品《COPY:COPY》 獲 台 北 電 影 節 最 佳 實 驗 電 影。 2004 年短片《神的孩子》入圍金 馬獎最佳視覺效果及最佳創作短 片；2015 年以影集《麻醉風暴》 橫掃金鐘獎最佳迷你劇集、最佳導 演獎等四項大獎。 Aozaru SHIAO is the director of Taiwanese series Wake Up, which won awards at 50th Golden Bell Awards, including Best Miniseries and Best Directing for a Miniseries.

入圍獎項：男主角、攝影、視覺效果

是無辜的受害者？還是心懷不軌的加害者？ 一場離奇的意外爆炸車禍，竟牽扯出駭人聽聞的 連環兒童失蹤案件。警方為了追查失蹤兒童的下

After a bizarre bus accident, Ming Ze awakens from a coma to discover that his mind now shares the consciousness of four fellow passengers all of them dead; all of them suspects in a serial

落，五名罹難乘客被迫死而復生，利用意識上傳

kidnapping and murder case. To prove his own

技術借屍還魂。五名人格就這樣上傳至同一副軀

innocence, Ming evades capture by the police and

殼：一個被判死刑的腦死植物人。五個嫌疑犯、 五種版本的「真相」，卻讓案件更撲朔迷離。

tries to track down the killer's only surviving victim. But in order to unmask the murderer's true identity, Ming must first fight the monster within himself.

DIRECTOR

蕭力修 Aozaru SHIAO EXECUTIVE PRODUCER

林秉聿 Benjamin LIN, 郝柏翔 Alain HAO, 丁長鈺 Olive TING, 盧維君 LU Wei-chun PRODUCER

徐薇婷 Vera HSU SCREENPLAY

林秉聿 Benjamin LIN, 蕭力修 Aozaru SHIAO, 洪子詠 HUNG Tzu-yung CINEMATOGRAPHER

于光維 Jimmy YU EDITOR

陳俊宏 CHEN Chun-hung, 高嗚晟 KAO Ming-cheng MUSIC

王波 WANG Po SOUND

劉小草 Agnes LIU, 曾雅寧 Ning TSENG CAST

楊祐寧 Yo YANG, 張榕容 Sandrine PINNA PRINT SOURCE

犢影制作電影有限公司 CalFilms Asia Ltd.

10.04 MON 信義 10 19:00 ★ 072

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

馗�：�� 2

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 104min

The Rope Curse 2

廖士涵，2013 年拍攝首部公共 電視人生劇展《仲夏夜府城》， 入圍五項金鐘獎，隔年以電視電 影《菸蒂》入圍金鐘獎迷你劇集 導演獎。2018 年起執導系列電 影《粽邪》、《馗降：粽邪 2》， 將台灣傳統民俗送肉粽儀式搬上 大銀幕。 LIAO Shih-han's A Midsummer N i g h t i n Ta i n a n a n d C i g a re t t e received many nominations at the Golden Bell Awards. Since 2018, he has direc ted the ser ies of supernatural horror films The Rope Curse.

入圍獎項：女配角、配樂、造型設計、聲音設計、視覺效果、傑出技術 – 動作設計

佳敏從小擁有靈異體質，父母雙亡後被阿姨收養，

Jia-min, who was born sensitive to the paranormal,

雖然阿姨很疼愛她，但姨丈卻經常家暴她們。某

tries to summon "Yi-A-Gu" with two streamers.

日佳敏的同學芊芊和網紅男友灰熊想拍攝著名的 民間傳說「椅仔姑」，希望由佳敏召喚神靈。誰 知召靈情況失控，幸而得到路過的火哥相助才化 解危難。 火哥與佳敏一樣能見陰陽，身負「鍾馗天命」可 以降妖伏魔。然而五年前，火哥與師父及師兄至

Huo-Ge helps Jia-Min subdue the Spirit when the situation got out of hand. Huo-Ge possesses super natural powers too, hence he is able to exorcise demons. But he lost his will to exorcise demons during a battle with the Thai Demon five years ago. As the wave of suicides triggered, the village was in chaos. Another battle is about to unfold...

DIRECTOR

廖士涵 LIAO Shih-han EXECUTIVE PRODUCER, PRODUCER

鄒介中 Jeff TSOU SCREENPLAY

馬自明 Simon MA CINEMATOGRAPHER

李鳴 LEE Ming EDITOR

高鳴晟 KAO Ming-cheng, 王瀞巧 WANG Ching-chiao MUSIC

毒窟除煞時，遇上異國邪靈「鬼師父」，在這場

吳欣穎 Sing WU

對決中火哥遭入魔附身，身心受到重創，從此一

SOUND

蹶不振。五年後，佳敏與火哥居住的小鎮陸續爆

杜篤之 TU Duu-chih, 江宜真 CHIANG Yi-chen, 卓宗成 CHO Zong-cheng

發上吊事件，火哥想起師父的教誨：「你有兩個 選擇，一輩子逃避，或者勇敢面對。」恐懼與不

CAST

李康生 LEE Kang-sheng, 許安植 Wilson HSU, 陳雪甄 Vera CHEN

安籠罩了整個小鎮，一場攸關生死的考驗如暴風 雨般降臨，驚悚激烈的神鬼對峙全面展開……。

PRINT SOURCE

華影國際影藝有限公司 WOWing Entertainment Group

2020 金馬獎 Golden Horse Awards

10.01 FRI 信義 11 14:30 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

073

��

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 104min

The Silent Forest

柯貞年，台灣導演、編劇，擅長 探究人性複雜的灰色地帶，透過 精準的場景氛圍營造與角色設 定， 展 現 說 故 事 的 技 巧。 短 片 《無名馬》入圍金馬獎最佳創作 短片；2017 年共同執導植劇場 《天黑請閉眼》獲金鐘獎最佳戲 劇獎。 KO Chen-nien is a Taiwanese director and scriptwriter. Her short film, Horse with No Name, was nominated for Best Short Film at the 2011 Golden Horse Awards.

入圍獎項：劇情長片、導演、男配角、新演員、剪輯、配樂、聲音設計

失聰少年張誠準備轉到啟聰學校就讀。聾人的世

Deaf teenager Chang Cheng transfers to a school

界，卻不比聽人的世界寧靜。當他發現校車最後

for children with special needs. However, the world

一排的「遊戲」，融入新生活的欣喜之情瞬間成 為恐懼。眼見心儀的女孩貝貝在遊戲中遍體鱗傷、 學長小光氣勢狂妄不可質疑，一群同學們又天真

of the hearing-impaired doesn't seem quiet at all. When Chang witnesses the "game" taking place in the last row on the school bus, his excitement about blending into a new environment immediately turns

無害，張誠忖度著是否該揭開遊戲的殘忍真相，

into fear. Seeing Bei Bei, the girl he has a crush on,

或加入遊戲的行列？當加害者與受害者的界線越

getting hurt so badly, Xiao Guang, the ringleader,

趨模糊，盤根錯節的苦痛、無可傾訴的怨懟，種 種困惑與不安在無聲的校園蔓延。 新銳導演柯貞年首部劇情長片，大膽將真實事件 搬上大銀幕，在直面殘酷的同時，亦不失溫柔的 眼光，犀利刻劃人物之間複雜與糾結的情感，呈

DIRECTOR

柯貞年 KO Chen-nien EXECUTIVE PRODUCER

於蓓華 YU Pei-hua, 瞿友寧 Arthur CHU PRODUCER

王威人 Uilin WANG SCREENPLAY

behaving like a king and other schoolmates acting

柯貞年 KO Chen-nien, 林品君 LIN Pin-jun

innocent, Chang debates with himself on whether

CINEMATOGRAPHER

he should reveal the cruel truth about the game or whether he should join in. As the divide between the perpetrators and the victim begins to blur, confusion and anxiety grow among everyone in school.

陳麒文 CHEN Chi-wen EDITOR

蘇珮儀 Milk SU, 陳俊宏 CHEN Chun-hung MUSIC

盧律銘 LU Luming

現聲嘶力竭卻仿若無聲的殘忍。貝貝一句「他們

SOUND

只是在玩」輕描淡寫，卻驚悚、沉痛，更是真實

郭禮杞 KUO Li-chi, 李東煥 LEE Dong-hwan

無比的哀嘆。

CAST

劉子銓 Troy LIU, 陳姸霏 CHEN Yan-fei, 金玄彬 KIM Hyun-bin PRINT SOURCE

2020 東京 FILMeX 影展 Tokyo FILMeX 2020 金馬獎最佳新演員、最佳音效 Best New Performer, Best Sound Effects, Golden Horse Awards 2020 印度影展最佳導演、最佳男主角 Best Director, Best Actor, IFF India

10.05 TUE 信義 10 18:50 ★ 074

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

畢業生有限公司 The Graduate Co. Ltd.

��

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 130min

The Soul

程偉豪，台灣導演，劇情長片作 品包含《紅衣小女孩》、《目擊 者 》 等。《 保 全 員 之 死 》 獲 第 52 屆金馬獎；《紅衣小女孩》 提名第 53 屆金馬獎；《紅衣小 女孩 2》為 2017 年國片票房冠 軍，成為具商業及藝術指標性的 導演。 CHENG Wei-hao is a Taiwanese director. His feature films include The Tag-Along, Who Killed Cock Robin. He was nominated for Best New Director at the 53rd Golden Horse Awards for The Tag-Along.

入圍獎項：劇情長片、男主角、女配角、美術設計、造型設計、視覺效果

靈魂末路，似幻似真……。

The end of souls, with illusion and disillusion...

DIRECTOR

著名集團董事長王世聰慘死家中，負責此案的檢

A well-known entrepreneur Wang Shi-Cong was found slaughtered at home. The prosecutor Liang

EXECUTIVE PRODUCER

察官梁文超與妻子刑警阿爆在調查過程中得知， 死者多年的合作夥伴萬博士、與前妻的兒子王天 佑、年輕的新婚妻子李燕，甚至是死去的前妻，

Wen-chao and CIB officer A-bao working on the case have discovered during the investigation that every suspect, like the victim's business partner Dr.

每個嫌疑人之間都有著錯綜複雜的關聯。隨著更

Wan, the victim and his ex-wife's son Wang Tian-

多線索浮出水面，他們也逐漸發現了豪門血案背

you, the victim's young wife Li Yan, and even the

後隱藏的驚人祕密……。

victim's ex-wife, are all connected with one another in complex relationships. As more leads started to surface, they are able to gradually unveil the shocking secret hidden beneath this brutal killing of the rich and powerful...

程偉豪 CHENG Wei-hao 唐在揚 David TANG PRODUCER

張雅婷 CHANG Ya-ting, 何瑞德 Red HE SCREENPLAY

程偉豪 CHENG Wei-hao, 金百倫 JIN Pai-lunn, 陳彥齊 CHEN Yen-chi CINEMATOGRAPHER

Kartik VIJAY EDITOR

解孟儒 SHIEH Meng-ju MUSIC

盧律銘 LU Luming SOUND

簡豐書 Book CHIEN, 李育智 LEE Yu-chih CAST

張震 CHANG Chen, 張鈞甯 Ning CHANG, 李銘順 Christopher LEE, 孫安可 SUN Anke PRINT SOURCE

嘉揚電影有限公司 Rise Pictures Ltd.

10.01 FRI 信義 10 12:10 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

075

�扯

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color, B&W ｜ 106min

Treat or Trick

許富翔，畢業於台北藝術大學電 影研究所導演組，拍攝風格輕鬆 多變，擅長呈現生活中的日常細 節， 初 試 啼 聲 的《Z046》 斬 獲 日本 SSFF & ASIA 大獎，爾後執 導電視劇《16 個夏天》獲台灣電 視金鐘獎戲劇節目導演獎，為台 灣最受期待的新銳導演之一。 HSU Fu-hsiang is good at showing daily details in a vibrant way. His series, The Way We Were, won Best Directing (TV Series) at the Golden Bell Awards.

入圍獎項：導演、男配角、女配角、剪輯、聲音設計

貪污警察頭頭鋒哥年輕時不懂事，詐賭得罪了黑

During a police raid led by the bent cop Feng and

幫老大林董。所幸老友小強代他賠上一根指頭，

his men, Feng's buddy Chiang got another idea

給鋒哥人生帶來第二次機會，小強卻從此萬劫不 復，成了林董的小弟。為了補償小強，鋒哥化身 小強最強後盾，帶頭幫他黑吃黑。有天鋒哥帶著

after seeing the offenders' prized possession. He takes the diamonds, skipping town to a distant village to lie low. Feng has no choice but to bring his men Monk and Yang to retrieve the diamonds in

弟兄們攻堅，拜把小強見財起意，黑吃黑帶著鑽

48 hours. Oddly enough, Chiang's cell phone signal

石逃到村莊並人間蒸發，鋒哥只好帶上兄弟和尚

suggests that he is in the village, but Feng couldn't

與派來盯哨的老楊一起在 48 小時內找回鑽石。 奇怪的是，小強的手機訊號明明在村裏，卻怎麼 也找不到蹤跡，鋒哥只好與看似純樸卻奇怪的村

DIRECTOR

許富翔 HSU Fu-hsiang EXECUTIVE PRODUCER

丁長鈺 Olive TING PRODUCER

黃小芬 Elsa HUANG SCREENPLAY

find him anywhere. Feng can only begin dealing with

林宇辰 LIN Yu-chen, 許富翔 HSU Fu-hsiang, 歐力福 TING Chang-yu

the seemingly innocent yet weird villagers, entailing

CINEMATOGRAPHER

everyone playing mind games on one another. Amidst this chaotic situation, a female ghost shows

柯朝璋 Kobe KE EDITOR

民展開一場鬥智。局面已經混亂不堪，還有女鬼

up, making it even worse...

李棟全 Wenders LI

跑來搗亂，在這重重謎團中，鋒哥能相信的究竟

Can Feng eventually discover the truth, and get his

陳柏霖 CHEN Bo-lin, 海大富 Déjà Fu

是人還是鬼？他能查出真相，救回兄弟？正邪善 惡之間，令人不安與猜疑。

buddy back?

MUSIC SOUND

Good or evil, the uncer tainty leaves everyone

湯湘竹 TANG Shiang-chu, 劉小草 Agnes LIU, 曾雅寧 Ning TSENG

unsettling and suspicious.

CAST

2021 富川奇幻影展國際競賽評審團大獎 Jury's Choice, Bucheon Choice, Bucheon International Fantastic FF

陳柏霖 CHEN Bo-lin, 陳以文 CHEN Yi-wen, 劉冠廷 LIU Kuan-ting, 林鶴軒 LIN He-xuan, 黃尚禾 HUANG Shang-ho, 百白 Bai Bai PRINT SOURCE

良人行影業有限公司 Third Man Entertainment Co., Ltd.

10.07 THU 信義 11 19:30 ｜ 10.07 THU MUVIE TITAN 20:00 ★ 076

台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

�・�

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color, B&W ｜ 119min

Wrath of Desire

周美玲，台灣知名國際導演，哲 學創意人，畢業於政治大學哲學 系。電影作品曾獲柏林影展泰迪 熊獎、金馬獎等。擅於拍出女性 清澈迷人的內在情慾，並啟發鏡 頭前女明星的演員潛力。 Zero CHOU is one of the bestk nown LG B TQ + fil mmake rs in Taiwan. She has won the Berlinale Teddy award as well as Outstanding Taiwanese Film of the Year at the Golden Horse Awards.

入圍獎項：女主角、女配角、新演員

「誰，殺了杜小鳳？」 杜小鳳是個女刺青師，剛出獄的更生人。率先自 首的的人叫劉以潔，是個檢察官，當年就是她親

Androgynous Xiao-feng, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Liu Yi-jie, guilt-ridden from the suicide

手將杜小鳳定罪。然而女檢的新婚丈夫孟燁，卻

of her brother and her strict Catholic upbringing.

在清醒之後坦言：自己才是兇手。唯一能替杜小

Before demanding Xiao-feng's three-and-a-half

鳳回答的，只有她在獄中寫的 372 封書信……。

years sentence for manslaughter, Yi-jie has a night of passion with her that redirects both their lives.

這些信是她不曾寄出過的情書，但在她出獄後，

Xiao-feng writes her hundreds of letters and begs

這些信卻點燃了三人之間的嫉妒、慾火、以及不

her to wait for her release. In fear of her own desire,

敢面對的感情。最後這份來自地獄的愛，終於引 來不可挽回的殺機。

Yi-jie marries Meng Yeh, the genderless young man she saved from prison who reminds her of her brother...

DIRECTOR, SCREENPLAY

周美玲 Zero CHOU EXECUTIVE PRODUCER

周美玲 Zero CHOU, 林志杰 Jay LIN PRODUCER, EDITOR

劉芸后 Hoho LIU, 周美玲 Zero CHOU CINEMATOGRAPHER

劉芸后 Hoho LIU MUSIC

吳穎然 Arny WU SOUND

葉約瑟 Joseph YEH, 王逸勳 Wang Yi-syng CAST

陽靚 Peace YANG, 翁嘉薇 Weng Chia-wei, 徐宇霆 HSU Yu-ting, 黃尚禾 HUANG Shang-ho, 陳俋君 CHEN Yu-chun, 嚴藝文 YEN Yi-wen PRINT SOURCE

金禾創意股份有限公司 Harvest Production Films Co. 2020 塔林黑夜影展 Tallinn Black Nights FF 2021 大阪亞洲電影節 Osaka Asian FF 2021 布里斯本同志影展 Brisbane Queer FF

10.03 SUN 信義 10 12:00 ★ 台北電影獎 - 劇情長片 TAIPEI FILM AWARDS - NARRATIVE FEATURES

077

��的靈�

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color, B&W ｜ 104min

A Lean Soul

朱賢哲，2016 年首部劇情長片 《白蟻—慾望謎網》獲釜山影展 國際影評人費比西獎，並入圍金 馬 獎 最 佳 新 導 演。 紀 錄 片 作 品 2001 年《養生主：台灣流浪狗》 獲 金 馬 獎 最 佳 紀 錄 片，《 西 嶼 坪》獲金穗獎最佳紀錄短片。 CHU Hsien-che's first feature, White Ant, received the FIPRESCI Prize at the 2016 Busan International Film Festival. His documentary earned Best Documentary at the Golden Horse Awards in 2001.

入圍獎項：紀錄片、視覺效果

1967 年，七等生發表了台灣文學史上著名短篇小 說〈我愛黑眼珠〉，引起爭議，被批評為艱澀的 個人主義、虛無主義作家。《削瘦的靈魂》紀錄 片以導演口述旁白和小說文本字幕，與重要的他 人訪談，勾勒出七等生的生命脈絡與創作形象。

A L e a n S o u l e x a m i n e s t h e l i fe a n d w o r k s o f Taiwanese novelist Qi Dengsheng. The filmmakers were able to obtain in-depth interviews not only with Qi's closest friends and relatives, but also with the notoriously camera-shy Qi himself. The film also vividly dramatizes many passages from Qi's

導演朱賢哲突破拍攝困難與作家心防，多次採訪

intensely autobiographical works of fiction. The

隱世的七等生，方得以一窺其瘋狂又孤寂的內在

result is an intimate and candid portrait of one of

世界。

the most important and controversial Taiwanese writers of the last fifty years.

DIRECTOR, SCREENPLAY

朱賢哲 CHU Hsien-che PRODUCER

賴孟秀 LAI Meng-hsiu CINEMATOGRAPHER

許維昶 HSU Wei-chang EDITOR

賴炳宏 Bill LAI MUSIC

吳家鳳 WU Chia-feng SOUND

周震 CHOU Cheng, 李佳蓉 LI Chia-jung, 康銪倫 Allen KANG PRINT SOURCE

目宿媒體股份有限公司 Fisfisa Media Co., Ltd.

2020 金馬影展 Golden Horse FF

10.06 WED 信義 11 21:30 ★ 078

台北電影獎 - 紀錄片 TAIPEI FILM AWARDS - DOCUMENTARIES

惡���

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 76min

THE BAD MAN

李永超，出生於緬甸，目前於台 灣和緬甸兩地創作。劇情短片多 次入圍釜山影展競賽，首部紀錄 長片《血琥珀》入選盧卡諾影展 影評人週競賽單元。 LEE Yong-chao was born in Myanmar, and now works both in Taiwan and Myanmar. His first documentary feature, Blood Amber, was selected for Locarno Film Festival in the Semaine de la cr itique competition section.

入圍獎項：紀錄片

一 位 充 滿 暴 戾 之 氣、 滿 口 嗜 殺 成 性 的 緬 甸 克 欽

THE BAD MAN is a documentary of the life story of

青 年， 他 將 殺 戳 當 作 兒 戲 般 談 笑。 過 去 的 軍 旅

a violent and bloodthirsty young man from Kachin,

生涯使他付出慘痛代價，也徹底改變他的人生， 如 今 面 對 未 來 的 方 向， 他 該 如 何 思 考、 如 何 抉 擇……。

Myanmar, who casually discusses killing as if it were not his own story. His past of a non-voluntary, military life has cost him a great deal and completely changed his post-military life. With all the wounds and experiences, he is now considering which path to take for the future.

DIRECTOR, CINEMATOGRAPHER, EDITOR

李永超 LEE Yong-chao PRODUCER

李永超 LEE Yong-chao, 閻自美 YAN Zih-mei MUSIC

福多瑪 Thomas FOGUENNE SOUND

周震 CHOU Cheng, 李佳蓉 LEE Chia-jung, 康銪倫 Allen KANG PRINT SOURCE

財團法人公共電視文化事業基金會 Public Television Service Foundation

2021 盧卡諾影展 Locarno FF

09.29 WED 信義 10 19:00 ★｜ 10.06 WED 信義 10 12:20 ★ 台北電影獎 - 紀錄片 TAIPEI FILM AWARDS - DOCUMENTARIES

079

捕�的�

世界首映 World Premiere

The Catch

台灣、日本、南韓 Taiwan, Japan, South Korea ｜ 2021 ｜ DCP ｜ Color, B&W ｜ 54min

許哲嘉，喜歡觀察人、社會、自 我。在某種處境遇見關於存在的 狀態，宛如微光般吸引他探索、 理解、與追尋。 HSU Che-chia likes to observe people, society, his inner self in certain circumstances. He comes into contact with the state of being, deeply drawn by its glimmer quality to search, explore and ponder into its mystery.

入圍獎項：紀錄片、攝影、剪輯、聲音設計

每年 11 月至隔年 2 月，台灣宜蘭蘭陽溪的出海 口，會出現一批臨時搭建的工寮聚落，一群來自 東部的阿美族人群聚在此，捕撈當年亞洲第一批 鰻魚苗，這裡是他們臨時的家園。

Each year, between November and the following February, a group of Aborigines Taiwanese migrant workers set up camp near Lanyang River in Yilan County, on the northeastern coast of Taiwan. They travel from afar to this spot in hopes of catching

61 歲的捕鰻人噹噹，第 7 年來到這裡，與以往不 同的是，新交往的女友舞賽陪同前來，讓工寮的 生活多了安定感。深夜裡，捕鰻人下海捕撈高價 的魚苗，等待他們的不只是狂風大浪，還有更現

that season's eel fry. For those four months, these campsites are their homes. But no amount of warmth from within the campsite can shield them from the harsh ocean winds, the volatile squatter environment, harassment from local gangs, or a

實的生存挑戰在臨時的工寮聚落。在地幫派的挑

slew of unpredictability that arise from living on

釁騷擾、強勁東北季風與潮流導致的死亡頻傳，

unfriendly grounds.

還有鰻苗漁獲量波動的巨大風險。然而這裡也是 捕鰻人臨時的家，他們在此地再現原住民傳統生 活，凝聚彼此的情感，共同面對生存的現實。

09.28 TUE 信義 10 18:30 ★｜ 10.05 TUE 信義 10 12:40 ★ 080

台北電影獎 - 紀錄片 TAIPEI FILM AWARDS - DOCUMENTARIES

DIRECTOR, CINEMATOGRAPHER

許哲嘉 HSU Che-chia PRODUCER

李嘉雯 Diana LEE Chia-wen EDITOR

林欣民 Tom LIN SOUND

澎葉生 Yannick DAUBY, 蔣震道 CHIANG Chen-tao PRINT SOURCE

財團法人公共電視文化事業基金會 Public Television Service Foundation

綠�牢籠

台灣、日本、法國 Taiwan, Japan, France ｜ 2021 ｜ DCP ｜ Color ｜ 101min

Green Jail

黃胤毓，旅居日本多年，以沖繩 那霸及台北為據點，創作《狂山 之 海 》 系 列 紀 錄 片， 並 擔 任 國 際 合 製 電 影 及 紀 錄 片 之 製 片。 曾代表台灣參與捷克伊赫拉瓦 國 際 紀 錄 片 影 展「 新 銳 製 片 人 2020」。作品有《海的彼端》、 《綠色牢籠》。 HUANG Yin-yu is based in Okinawa and Taipei. He directs and produces multinational documentaries and was the Taiwan representative at "Emerging Producers" at Jihlava IDFF. His works include After Spring, the Tamaki Family… and Green Jail.

入圍獎項：紀錄片、配樂、聲音設計

歷史上曾被稱為「綠色牢籠」的「西表礦坑」，

There remains only silence in the "Green Jail",

如今雜草叢生，徒留一片寂靜。戰前，位於沖繩

the once upon a time large-scale mining village

邊陲的西表島，曾是大東亞帝國主義下惡名昭彰 的礦坑之島，來自九州、沖繩與殖民地台灣、朝 鮮等地的礦工，在這座島嶼中度過了高壓管理下

located on Iriomote Island, Okinawa, Japan. Before World War II, under Greater East Asia Imperialism, it imprisoned thousands of miners, many of whom were from the Japanese colonies: Taiwan and Korea.

的人生。出生於台灣小基隆（現新北市三芝）的

The 90-year-old protagonist, Grandma Hashima,

橋間良子，十歲時被擔任召募人的養父帶來這座

is the adopted daughter of the Taiwanese head

島嶼。如今橋間阿嬤已年逾 90 歲，依然守著這 些祕密及養父母的墓。礦坑裡發生了什麼事？她 的養父楊添福招集了無數台灣礦工來到「綠色牢

miner. She now lives alone in her family's shaggy wooden house, with hardly any visitors. Through her memories of guilt, pain, anger, and the miseries of the past 80 years, she recounts the tales in the

籠」，他在這段撲朔迷離的歷史中扮演了什麼角

coalmine. Was her adoptive father, who recruited

色？本片拍攝了主角晚年的光陰，在她獨居生活

hundreds of Taiwanese miners to the island, an

與獨白中，可窺見一個集體瘋狂時代下，不願回 溯的記憶，與一個無法挽回過往的悲傷心靈。

oppressor or the oppressed victim of Japanese Imperialism?

DIRECTOR, PRODUCER

黃胤毓 HUANG Yin-yu CINEMATOGRAPHER

中谷駿吾 NAKATANI Shungo EDITOR

Valérie PICO, 何孟學 HO Mon-cher, 黃胤毓 HUANG Yin-yu MUSIC

福多瑪 Thomas FOGUENNE SOUND

周震 CHOU Cheng, 李佳蓉 LI Chia-Jung, 康銪倫 Allen KANG CHARACTER

橋間良子 HASHIMA Yoshiko, Luis Daniel KIMURA PRINT SOURCE

木林電影有限公司 Moolin Films, Ltd.

2021 大阪亞洲電影節 Osaka Asian FF

09.25 SAT 信義 10 14:30 ★｜ 10.04 MON 信義 10 12:20 ★ 台北電影獎 - 紀錄片 TAIPEI FILM AWARDS - DOCUMENTARIES

081

度日

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 40min

In Their Teens

林佑恩，1986 年出生於台北。 畢業於倫敦金匠學院，主修攝影 與城市文化，現為政治大學傳播 學院碩士生。曾任攝影記者，現 為影像工作者，《度日》為其首 部紀錄短片。 LIN Yu-en was born in Taipei, Taiwan in 1986. He graduated from Goldsmiths, University of London. In Their Teens is his first documentary short film.

入圍獎項：紀錄片

剛滿 19 歲的土豆，父親過世、母親離開家中， 與叔叔、哥哥一同住在三合院裡，關係疏離。土 豆從小提早投入社會與就業市場自食其力，高風 險的勞動工作是他們僅有的選擇，搬金紙、噴農 藥，甚至是遊走法律灰色地帶的謀生方式。 這群青年有著青春的躁動、想望，期盼翻轉的機 會，但生命卻是不停地離散與流動。他們提前投 入社會、走進家庭，他們的下一代是否會同樣複 製他們的人生？

With mother left home and father passed away, Tudou, a 19-year-old is left living with his older brother and uncle in a three-sectioned compound. Estranged from his family, he has been selfsupporting since a young age, engaging in highrisk labor jobs like moving joss paper or spring pesticides. In order to make a living, he would exploit grey areas or loopholes in the law. Doomed by the constant separations and the transience of life, a group of restless young people from the rural area of Yunlin, Taiwan, are desperate for the chance to turn their lives around. They started working and forming families much earlier than others would, but as an outsider, we wonder if their next generation will replicate their lives.

2021 金穗獎 Golden Harvest Awards

09.28 TUE 信義 10 18:30 ★｜ 10.05 TUE 信義 10 12:40 ★ 082

台北電影獎 - 紀錄片 TAIPEI FILM AWARDS - DOCUMENTARIES

DIRECTOR, CINEMATOGRAPHER, EDITOR

林佑恩 LIN Yu-en PRODUCER

鍾宜杰 CHUNG Yi-chieh MUSIC

福多瑪 Thomas FOGUENNE SOUND

周震 CHOU Cheng PRINT SOURCE

財團法人公共電視文化事業基金會 Public Television Service Foundation

��的梨

世界首映 World Premiere

Her and I

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 18min

影片訴說一個青春期的女生，試著在母親、 男友以及她身處的環境裡，找尋被愛的可能。 Her and I depicts an adolescent girl's quest for love amidst her relationships with her boyfriend, mother and the world that surrounds her.

陳韶君，出生於 1992 年台灣高 雄，畢業於台北藝術大學電影 系，主修表演、剪接。畢業後 擔任影像自由接案工作者，現 就讀台北藝術大學電影系碩士 班編劇組。 CHEN Shao-chun was born in Kaohsiung in 1992. She obtained a BA in Filmmaking from Taipei National University of the Arts, focusing on acting and editing.

入圍獎項：短片、新演員

DIRECTOR, SCREENPLAY, EDITOR 陳韶君 CHEN Shao-chun PRODUCER 林劭慈 Shao LIN CINEMATOGRAPHER 陳牧聖

CHEN Mu-sheng MUSIC 謝政寬 HSIEH Cheng-kuan SOUND 陳映杉 CHEN Ying-shan, 劉逸筠 LIU Yi-yun CAST 吳翰林 WU Han-lin, 黃稚玲 HUANG Chih-ling PRINT SOURCE 陳韶君 CHEN Shao-chun

江�

09.25 SAT 信義 10 17:40 ★｜ 10.02 SAT 信義 10 13:20 ★ 台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 25min

Jiang

江仔整天帶著楊毅四處遊蕩，儘管做的事情 都百般無聊，卻好似成為楊毅年少視野的鑰 匙。國三的暑假後，江仔轉學了，再也沒有 人提起江仔，但楊毅明明記得放暑假的前一 天，他們曾在陽光和大雨中度過難忘的夏末。 Jiang takes Yang everywhere as they hang out together. Though they wander about aimlessly, Jiang seems like a key that unlocks a new horizon for Yang's adolescent years. But Jiang later transfers to another school, and has never since been mentioned again, though Yang remembers vividly the day before the summer vacation. 入圍獎項：短片

2021 金穗獎 Golden Harvest Awards

黃仕旻，原先想當甜點師、老 師、作家，最後想成為一名編 劇，卻意外先做了導演。像一 顆球從天而降，而你本能地接 起，又試圖尋找這顆球當初從 哪來。 HUANG Shi-min initially wanted to be a pastry chef, teacher, or writer. Eventually, he thought it would be better to be a screenwriter. However, he unexpectedly became a director first.

DIRECTOR, SCREENPLAY 黃仕旻 HUANG Shi-min PRODUCER 王妍文 WANG Yen-wen CINEMATOGRAPHER 廖殷 LIAO Ying EDITOR 劉克聞 LIU Ko-wen, 黃仕旻 HUANG Shi-min MUSIC 許志遠 Point HSU SOUND 林延融 LIN Yan-rong CAST 楊佾

YANG Yi, 邱杰霖 CHIOU Jie-lin PRINT SOURCE 黃仕旻 HUANG Shi-min

09.25 SAT 信義 10 17:40 ★｜ 10.02 SAT 信義 10 13:20 ★ 台北電影獎 - 短片 TAIPEI FILM AWARDS - SHORT FILMS

083

�樂�

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 21min

Melody's melody 美樂蒂戀愛了，儘管二人相距 5872 公里， 年齡差了十歲，語言也有點不通，可是螢幕 裡的查理為她寫歌、為她學中文、聽她傾訴， 是與她結婚三十年的丈夫，和常常失蹤的女 兒從來沒能給她的滿足。這段戀情什麼都好， 唯一的問題是……查理好像是詐騙分子。謊 言也好，騙局也罷，不試試看怎麼知道真愛 什麼時候會來到身邊？

入圍獎項：女主角

Melody is in love. Though her lover is 5878 km away and 10 years younger. This Charlie from the screen cares for her so much, except for that it's very likely Charlie is a scammer. But how would you know if this is true love that finally comes if you don't try?

2021 金穗影展 Golden Harvest FF DIRECTOR 陳稚尹 CHEN Chih-yin PRODUCER 傅崑閔 Kumi FU SCREENPLAY 馬慧妍 Ma Wai In, 陳稚尹 CHEN Chih-yin

陳稚尹，高雄人，畢業於政大 廣播電視研究所，參與多部影 視製作，包含廣告、電視、電 影、紀錄片，主要負責導演、 剪接、編劇。首部劇情短片作 品《阿波羅十一號》獲多項國 內外影展肯定。 CHEN Chih-yin is a Taiwanese filmmaker who graduated with a MFA in Film Production from National Chengchi University. Apollo 11 is her first short film and it was selected for many film festivals.

CINEMATOGRAPHER 詹嘉文 Garvin CHAN EDITOR 陳稚尹 CHEN Chih-yin, 林思妤 LIN Sih-yu MUSIC 福多瑪

Thomas FOGUENNE SOUND 楊以瑄 Shanice YANG, 嚴唯甄 Morgan YEN CAST 楊麗音 YANG Li-yin, 劉黛瑩 LIU Dai-ying PRINT SOURCE 陳稚尹 CHEN Chih-yin

����

09.26 SUN 信義 11 13:20 ★｜ 10.03 SUN 信義 11 14:50 ★ 台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 25min

Neko And Flies 遠洋漁船回來了，炎熱潮濕的漁港活絡起來。 顧船人的工作要訣是睜一隻眼、閉一隻眼， 只要船還在，都不是大事。然而心軟的莊仔 卻將港口賣春的精障女子 Neko 安置在廢棄 船，又將自己捲入菲律賓籍與印尼籍漁工間 的爭執風波。當船老闆要賣掉廢棄船，他們 將何去何從？ Guards looking after ships usually turn a blind eye to troubles as long as the ship remains safe. However, Chuang kind-heartedly shelters the intellectually-challenged prostitute, Neko, in a dilapidated ship, while being involved in disputes between foreign fishers. Meanwhile, the shipowner is selling the dilapidated ship. 入圍獎項：短片

2020 高雄電影節 Kaohsiung FF 2021 克萊蒙費宏短片影展 Clemont-Ferrand ISFF 2021 金穗獎 Golden Harvest Awards DIRECTOR, SCREENPLAY 曹仕翰 TSAO Shih-han PRODUCER 陳彥翰 Startle CHEN CINEMATOGRAPHER 詹晨智

CHAN Chen-chih EDITOR 杜素鈴 TU Su-ling MUSIC 鄭各均 ZHENG Ge-jun SOUND 周震 CHOU Cheng, 李威嶧 Wayne LEE CAST 莊益增 Cres CHUANG, 潘之敏 Vicci PAN PRINT SOURCE 百景映畫有限公司 Life Scenery Films

09.25 SAT 信義 10 17:40 ★｜ 10.02 SAT 信義 10 13:20 ★ 084

台北電影獎 - 短片 TAIPEI FILM AWARDS - SHORT FILMS

曹仕翰，曾入圍 2012 年電視金 鐘電視電影編劇獎。2016 年入 選金馬電影學院，短片《春之 夢》與《貓與蒼蠅》皆入選克 萊蒙費宏短片影展國際競賽。 現 正 籌 拍 電 影 長 片《 南 方 時 光》。 TSAO Shih-han holds an MFA in Filmmaking from TNUA. His short films A Dream Of Spring and Neko and Flies were both selected for the Clermont-Ferrand Short Film Festival.

���

世界首映 World Premiere

Piano Lessons

台灣、美國 Taiwan, USA ｜ 2021 ｜ DCP ｜ Color ｜ 30min

11 歲那年春天，在同儕早已知道喜歡是怎麼 回事時，湯瑪斯卻更在意自己的毛有幾根， 以及每周六的鋼琴課是否太女孩子氣。直到 一次意外，他發現自己似乎在意起了鋼琴老 師，而鋼琴課從此再也不同……。 Thomas, a sensitive 11-year-old boy who lost his mother at a young age, tries to make sense of his feelings for his piano teacher.

徐湧智，導演、編劇、剪輯， 美國南加州大學電影製作藝 術 碩 士。 短 片 作 品 曾 入 選 國 際 短 片 影 展， 共 同 剪 輯 作 品 《Tailored to Fit》獲 2017 年美 國沙加緬度亞太影展最佳紀錄 短片。 HSU Yung-chih is a Taiwanese filmmaker. He received his MFA in Film & Television Production from the USC School of Cinematic Arts, where he focused on directing, writing, and editing.

入圍獎項：短片、編劇、配樂

DIRECTOR, SCREENPLAY, EDITOR 徐湧智 HSU Yung-chih PRODUCER 李欣 LI Xin, David R. LIU CINEMATOGRAPHER 李小雯

LI Xiaowen MUSIC 福多瑪 Thomas FOGUENNE SOUND 鄭元凱 Kenny CHENG, 陳品華 CHEN Pin-hua CAST Chandler DEAN PRINT SOURCE 徐湧智 HSU Yung-chih

巴基��

09.25 SAT 信義 10 17:40 ★｜ 10.02 SAT 信義 10 13:20 ★ 香港、台灣 HongKong, Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 25min

The Poem of Pakistan 巴基斯坦裔香港青年 Hamid 是銷售金融商品 從業員，努力融入社會，希望成為社會上流， 經常遊走於投機取巧的界線中，與自身文化 和價值觀產生衝突。Hamid 處理同鄉的保險 索償，遇上熱愛烏都語詩歌的少年，勾起他 對故土的連結，也反思自己在追求的是否為 真正期許的生活。 Hamid, a young Pakistani in Hong Kong, works hard to earn a living and has to take shortcuts sometimes. He meets a Pakistani youth who loves Pakistani literature. He leads Hamid to reflect on his current way of life.

入圍獎項：短片

陳瀚恩，畢業於台北藝術大學 電影創作研究所，現任教於黎 明技術學院影視傳播系。曾以 短片《老人與狗》入圍金馬獎 及台北電影獎，並獲得香港 ifva 公開組金獎。 CHAN Hon Yan won the 25th ifva Gold Award for his work, Old Man and A Dog, which was also nominated at the Golden Horse Awards and Taipei Film Awards.

DIRECTOR, SCREENPLAY, EDITOR 陳瀚恩 CHAN Hon Yan PRODUCER 劉婉玲 LAU Yuen Ling CINEMATOGRAPHER 黃瑋納

WONG Wai Nap MUSIC 黃衍仁 WONG Hin Yan SOUND 林延融 LIN Yan-rong CAST 潘文星 Singh INDERJEET, 胡源耀 WU Yeun Yiu PRINT SOURCE 杜以樂 Tobe TO

09.25 SAT 信義 10 17:40 ★｜ 10.02 SAT 信義 10 13:20 ★ 台北電影獎 - 短片 TAIPEI FILM AWARDS - SHORT FILMS

085

廢棄之城

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 91min

City of Lost Things

易智言，以《寂寞芳心俱樂部》 入選鹿特丹影展競賽；《藍色大 門》入選坎城影展導演雙週；《行 動代號：孫中山》獲大阪亞洲電 影節最佳影片、金馬獎最佳原著 劇 本 及 台 北 電 影 獎 最 佳 編 劇； 《廢棄之城》獲金馬獎最佳動畫 長片。 YEE Chih-yen's second film Blue Gate Crossing entered the 2003 Cannes Directors' Fortnight. Meeting Dr. Sun won Best Original Screenplay at the 2014 Golden Horse Awards.

入圍獎項：動畫片、美術設計、造型設計、傑出技術 – 動畫製作

小樹，16 歲，蹺家逃學在街頭被霸凌，他無處可

As a 16-year-old struggling teenager, Leaf runs

去於是躲到了廢棄城，在那裡他認識了阿袋。阿

away from home, skips classes and ends up,

袋，30 歲，一個從來不認為自己是垃圾的塑膠 袋，一心只想逃離廢棄城。要逃離，阿袋必須依 賴小樹護送，但小樹並不想離開，只想待在廢棄

mysteriously, in a peculiar place, City of Lost Things. There he meets Baggy, a 30-year-old plastic bag. Baggy never sees himself as just another piece of unwanted junk. He has a purpose in his life, that

城賴活著。小樹虛與委蛇答應幫忙，私下卻通風

is, to lead his tribe to flee City of Lost Things. But

報信，企圖破壞逃離計畫，以為逃離計畫一旦破

he needs the help of a reluctant Leaf to fight the

壞，自己就能繼續拒絕真實世界，繼續待在廢棄

dreadful army of the Armors.

城。不料，小樹的背叛導致阿袋逃離時被鐵甲車 捉住，一行人被送進了焚化爐。面對生死存亡關 頭，面對自己強烈的罪惡感，小樹只能背水一戰，

DIRECTOR, SCREENPLAY

易智言 YEE Chih-yen PRODUCER

楊紹昌 Vance YANG, 謝春未 Sanvy HSIEH, 黃士銘 HUANG Shih-ming CINEMATOGRAPHER

陳宗良 Steven CHEN, 王登鈺 Fish WANG, 陳穩升 Vincent CHEN, 林淑貞 Kathy LIN, 柳公仁 LIU Kung-jen, 林偉立 Weili LIN, 謝承錦 HSIEH Chen-chin EDITOR

力抗鐵甲車，他的英雄旅程該如何開始？

易智言 YEE Chih-yen, 胡必烈 Rick HU, 楊紹昌 Vance YANG, 李凱威 LEE Kai-wei MUSIC

柯智豪 Blaire KO SOUND

杜篤之 TU Duu-chih, 胡必烈 Rick HU VOICE

2020 金馬獎最佳動畫長片 Best Animated Feature, Golden Horse Awards

黃河 River HUANG, 張孝全 Joseph CHANG PRINT SOURCE

影一製作所股份有限公司 1 Production Film Co.

10.02 SAT 信義 11 16:10 ★ 086

台北電影獎 - 動畫片 TAIPEI FILM AWARDS - ANIMATIONS

��凡�

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 6min

Extravagantly Ordinary Night 她明朗的世界隨著失去視力而黯淡下來，在 黑色無光的世界裡，久違的與過去的心上人 相遇，短暫的時光中感受到以前的溫度、氣 味、心境、視野，敲擊在心上無數個平凡又 奢侈的記憶，以及夜晚。 Her bright world becomes dark after she has lost her eyesight. One day, she meets him, the person she had loved when she could still see... During the short conversation, she could feel the temperature, smell, vision and state of mind in this extravagantly ordinary night.

饒予安，畢業於台北藝術大學 動畫學系。作品形式橫跨平面 設計、繪畫、graphic novel 及 動畫等，著迷於影音與圖像， 擅於從個人經驗出發，微觀「記 憶」與「失去」之詮釋。 JAO Yu-an is an indie ar tist born in 1997. Currently based in Taipei, she is at being retrospective, intro-spective, and organizing stuff. She inclines to cloak sentiment with a veneer of rationality.

入圍獎項：動畫片

2020 關渡動畫節台灣特別獎、評審優選獎 Taiwan Special Award, Honorable Mentioned, KuanDu IAF 2021 金穗獎 Golden Harvest Awards DIRECTOR, SCREENPLAY, EDITOR 饒予安 JAO Yu-an MUSIC 蔡佳穎 TSAI Chai-ying PRINT SOURCE 饒予安 JAO Yu-an

�中的女�

09.26 SUN 信義 11 13:20 ★｜ 10.03 SUN 信義 11 14:50 ★ 亞洲首映 Asian Premiere

Girl in the Water

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 7min

壁癌脫落的房間裡，女人正等著補過的牆面 風乾，一邊摸著腿上的疤，回憶一段愛情。 故事源自個人經驗，透過創作重現女性在受 傷與自我療癒的歷程中，所展現的獨特觀點 與內在時間感。 In a room full of wall cancer, the woman recalls some ups and downs of love while she is stroking the scar on her leg, waiting for the paint to dry. Girl in the Water depicts femininity and female internal time-consciousness through the convalescence of woman' s broken heart, which is based on the director's personal experiences.

入圍獎項：動畫片

2021 安錫動畫影展 Annecy IAFF 2021 薩格雷布動畫影展 Animafest Zagreb 2021 斯圖加特動畫影展 ITF Stuttgart DIRECTOR, PRODUCER, SCREENPLAY, EDITOR 黃詩柔 HUANG Shi-rou MUSIC 吳沛綾 WU Pei-lin SOUND 林筱筑 Andree LIN,

吳沛綾 WU Pei-lin, 甄雅萍 ZHEN Ya-ping PRINT SOURCE 緩慢工作 Slow Studio

黃詩柔，畢業於台南藝術大學 動畫藝術與影像美學研究所， 現為自由動畫師與插畫家，擅 長手繪結合數位創作，特別喜 愛使用水彩與複合媒材。作品 細膩溫暖，充滿詩意與獨特的 觀點。 HUANG Shi-rou is a freelance animator and illustrator, who specializes in hand drawing, especially watercolor and multimaterial. The viewers are able to discover the unique concept and metamorphosis of animation, feeling warm through her works.

09.26 SUN 信義 11 13:20 ★｜ 10.03 SUN 信義 11 14:50 ★ 台北電影獎 - 動畫片 TAIPEI FILM AWARDS - ANIMATIONS

087

�川��

台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 19min

Little Hilly

小山是一個沉默的十歲小女孩，沒有人關心 她每天承受的各種壓力和鬱悶。小山討厭壓 抑的自己，也討厭大人建構出來的世界。真 正的小山到底想對大人們說什麼呢？ Hilly is a 10-year-old silent Taiwanese girl; nobody was concerned about her depression and the pressure she suffered from everyday life. Hilly hates that she always suppresses herself, and also hates the world controlled by adults. What does Hilly really want to speak out to the adults?

入圍獎項：動畫片

2020 洛杉磯短片電影節最佳動畫片 Best Animation, LA Shorts IFF 2020 韓國獨立動畫節觀眾票選獎 Audience Choice, Indie-AniFest 2020 台中動畫影展台灣短片首獎、觀眾人氣票選獎 Grand Prix, Taiwanese Short Films, Audience Award, Taichung IAF DIRECTOR 黃勻弦 HUANG Yun-hsien, 廖珮妤 LIAO Pei-yu PRODUCER 謝春未 Sanvy HSIEH SCREENPLAY 黃勻弦

HUANG Yun-hsien, 吳彥杰 WU Yan-jie CINEMATOGRAPHER 唐治中 TANG Zhi-zhong EDITOR 旋轉犀牛原創設計工作室 TurnRhino Original Design Studio MUSIC 三川娛樂有限公司 Kawamusic Co., Ltd. SOUND 陳金煒 David CHEN, Carlos RODRIGUEZ PRINT SOURCE 旋轉犀牛原創設計工作室 TurnRhino Original Design Studio

�車

黃勻弦，以自成一格的美術風 格見長。曾創作動畫作品《巴 特》、《當 一個人》、《山川 壯麗》。廖珮妤，擅長趣味性 強烈的停格技術。作品《Ctrl T》 榮獲 2016 年紅點設計獎。 HUANG Yun-hsien has come to realize that characters should not only have the delicate model but also the story and mental impression. She hopes to show the different expressions of the declining traditional culture. LIAO Pei-yu takes inspiration from uncanny things in everyday life. Her works are intriguing and full of creativity. She is now a freelancer who specializes in clay animation.

09.26 SUN 信義 11 13:20 ★｜ 10.03 SUN 信義 11 14:50 ★ 台灣 Taiwan ｜ 2020 ｜ DCP ｜ Color ｜ 20min

Night Bus 深夜，一輛開在濱海公路上的末班車，車上 乘客貴婦的珍珠項鍊被偷，牽扯出群眾正義 下的荒謬私刑與背後隱藏的祕密。最後，漆 黑的海岸邊只餘火燒車的熊熊火光。 Late night. This wealthy and elderly lady wakes up to find her precious necklace stolen. What follows is a series of intriguing turn of events, chaotic mob justice, vengeful lynching, as the truth behind the theft unfolds. The film climaxes as the commuter bus goes ablaze, burning and glittering against the pitch-dark coastal sky.

入圍獎項：動畫片

2020 金馬獎最佳動畫短片 Best Animatied Short Film, Golden Horse Awards 2021 克萊蒙費宏短片影展實驗片競賽單元評審團特別提及 Special Mention of the Jury, Lab Competition, Clermont-Ferrand ISFF 2021 斯圖加特動畫電影節 ITF Stuttgart DIRECTOR, SCREENPLAY, EDITOR 謝文明 Joe HSIEH PRODUCER 李婉菱 LEE Wan-lin MUSIC 楊智安 Ned YOUNG SOUND

杜篤之 TU Duu-chih, 杜則剛 TU Tse-kang PRINT SOURCE 謝文明 Joe HSIEH

09.26 SUN 信義 11 13:20 ★｜ 10.03 SUN 信義 11 14:50 ★ 088

台北電影獎 - 動畫片 TAIPEI FILM AWARDS - ANIMATIONS

謝文明，擅長以手繪動畫探討 人性陰暗面，並以驚悚異色風 格屢獲國際影展注目。2012 年 《禮物》獲聖地牙哥亞洲影展 最佳動畫片；2020 年《夜車》 獲金馬獎最佳動畫短片。 Joe HSIEH is an independent Taiwanese animation director w h o s e wo r ks o f t e n e x p l o re the dark side of human nature and are filled with horror and suspense. Night Bus was awarded Best Animated Short Film at the 2020 Golden Horse Awards.

FUTURE LIGHTS

未來��

天猶未光

The Edge of Daybreak

謊言風暴

伊朗 Iran ｜ 2020 ｜ DCP ｜ Color ｜ 83min

180° Rule

德黑蘭女教師莎拉正要前往伊朗北方，參加 一場親友婚禮，丈夫卻在出發之際臨時變卦， 眼看夫妻與女兒三人同行的計畫就要告吹， 一場歡喜的全家遠遊，漸漸變調成一場難解 的家庭危機。 靈感來自導演友人的真實經歷，以冷凝的手 法與來回切換的視角，描摹當代伊朗女性的 家庭處境。看似尋常的冬日旅行，卻籠罩在 體制框架和性別眼光烏雲下，交織成一幅幅 噤聲與謊言的肖像畫。身體的限制、女性的 親職與家務，續奏成一曲懸疑的寂寞之歌。 「我一直想要拍攝關於『謊言與祕密』的三

部 曲， 我 的 第 一 部 長 片 就 當 作 這 系 列 的 起 點。」──弗拉努斯．薩邁迪

an individual was my core motivation for this production. For anyone who watches this film, there's a different narration based on their

A school teacher from Tehran is preparing to attend a wedding in northern Iran. When her husband suddenly forbids her to go, she makes

personal experience. To me, this just reveals how life-changing one supposedly insignificant decision may be." – Farnoosh Samadi

a choice that will place her on a painful path to atonement. "It is based on a true story which had happened to a friend, and as a woman raised an Iranian society I could relate to the events. The fact that under such circumstances the audience could freely judge but couldn't clearly blame

©Arash Vakilzadeh

弗 拉 努 斯． 薩 邁 迪， 出 生 於 伊 朗， 畢 業 於 羅 馬 藝 術 學 院。 編 劇 作 品《More Than Two Hours》曾提名坎城影展，兩部 執導短片《親情，不忍翻譯》與 《目擊之後》皆曾入選多個國際 影展。《謊言風暴》為其首部劇 情長片。 Farnoosh SAMADI is an Iranian director and scriptwriter graduated from Fine Art Academy of Rome in Italy. Her script, More Than Two Hours, was nominated for a Palme d'Or at Cannes. 180° Rule is her directorial feature debut. ©Habib Majidi

DIRECTOR, SCREENPLAY 弗拉努斯．薩邁迪 Farnoosh SAMADI PRODUCER Ali MOSAFFA CINEMATOGRAPHER

Masoud SALAMI EDITOR Meisam MOLAEI MUSIC Peyman YAZDANIAN SOUND Amirhossein GHASEMI CAST Sahar DOLATSHAHI, Pejman JAMSHIDI, Hassan POURSHIRAZI, Azita HAJIAN, Amirreza RANJBARAN PRINT SOURCE Pluto Film

2020 多倫多影展 Toronto IFF 2020 倫敦影展 London FF 2021 香港電影節 Hong Kong IFF

09.23 THU 華山 1 16:00 ｜ 09.30 THU 華山 1 17:40 ｜ 10.03 SUN 信義 11 12:30 090

未來之光 FUTURE LIGHTS

失格教育

土耳其 Turkey ｜ 2021 ｜ DCP ｜ Color ｜ 85min

Brother's Keeper

冬雪紛飛的安納托利亞山區，一所與世隔絕 的男子寄宿學校座落其中。某日夜裡，男孩 們在淋浴間過度嬉鬧，遭到教官嚴厲處罰， 被迫在零下 30 度的低溫中洗冷水澡。隔天， 尤素夫竟發現同房好友開始嚴重嘔吐，陷入 昏迷。他趕忙通報師長，卻只見大人們不斷 互踢皮球。隨著時間分秒流逝，下山之路的 積雪越發深厚，他望著奄奄一息的好友，理 智也面臨崩潰邊緣。 庫德族裔新銳導演改編童年親身經歷，場景 設置在宛如真實社會縮影的寄宿學校，透過 純真而驚懼的男孩之眼，以晃動不安的鏡頭 控訴官僚殺人的冷酷體制，更尖銳影射陳腐

教育思維的世代複製過程。 「施加在我們幼小身體上的控制，將在往後 的人生形塑我們的心智。控制孩子，本質上 就是控制未來。」──法利．卡拉罕

condition and try to get him to the hospital, the school has been buried under a sudden, heavy snowfall. With no way out and now desperate to reach help, teachers and pupils engage in a blame game where grudges, feelings of guilt and hidden secrets emerge, as time ticks

Yusuf and his best friend Memo are pupils at a

mercilessly on and threatens to run out.

boarding school for Kurdish boys, secluded in the mountains of Eastern Anatolia. When Memo falls mysteriously ill, Yusuf is forced to struggle through the bureaucratic obstacles put up by the school's repressive authorities to try to help his friend. But by the time the adults in charge finally understand the seriousness of Memo's

©Bagerkaya

法 利． 卡 拉 罕，1983 年 出 生 於土耳其。2010 年開始創作短 片，2014 年首部劇情長片《The Fall from Heaven》獲安塔利亞 影展最佳影片。2021 年新作《失 格教育》一舉闖入柏林影展電影 大觀單元，並獲國際影評人費比 西獎。 Ferit KARAHAN was born in Turkey in 1983. His short films, Before the Flood and Yusiv's Dream, were screened at numerous festivals. His feature debut, The Fall from Heaven, premiered at Antalya Film Festival and won Best Film. ©Türksoy Gölebeyi

DIRECTOR 法利．卡拉罕 Ferit KARAHAN PRODUCER Kanat DOĞRAMACI SCREENPLAY 法利．卡拉罕 Ferit KARAHAN,

Gülistan ACET CINEMATOGRAPHER Türksoy GÖLEBEYI EDITOR Sercan SEZGIN, Hayedeh SAFIYARI, 法利．卡拉罕 Ferit KARAHAN SOUND Srdjan KURPJEL CAST Samet YILDIZ, Ekin KOÇ, Mahir İPEK, Nurullah ALACA, Cansu FIRINCI, Melih SELÇUK PRINT SOURCE Intramovies

2021 柏林影展電影大觀單元國際影評人費比西獎 FIPRESCI Prize, Panorama, Berlinale 2021 香港電影節 Hong Kong IFF 2021 全州影展 Jeonju IFF

09.24 FRI 華山 2 17:40 ｜ 10.02 SAT 華山 2 20:30 ｜ 10.05 TUE 華山 2 15:30 未來之光 FUTURE LIGHTS

091

辣嬤俱樂部

西班牙 Spain ｜ 2021 ｜ DCP ｜ Color ｜ 98min

Destello Bravío

西班牙西南方，一座連鬼都不想逗留的荒僻 小鎮，希達與老公感情不睦，開著小車一心 出走。瑪莉雅丈夫逝世，新手寡婦只能跟緊 地方辣嬤俱樂部，共度貴婦的午後八卦時光。 依莎成天對著卡帶錄音機留訊息，給自己也 給未來的人；她相信有一天外星人會飛來， 一陣光、一陣頭疼後，煩惱與哀愁都會消失。 西班牙導演艾娜．羅里葛茲首部劇情長片， 回到祖父家鄉近郊，一座人口外移的小鎮。 在這個只剩 600 人的社區裡，她開設工作坊 紀錄爺奶們的生命瑣事。遊走於紀錄和魔幻 寫實的邊界，羅里葛茲自言深受美國彩色攝 影之父威廉．埃格爾斯頓影響，企圖在小鎮

日常中，尋找寂寞女人「心」方向。一部沒 有魔法的魔幻電影，宛若布紐爾《青樓怨婦》 的女主角住進《蜂巢的幽靈》鬼鎮宅院；當 你乞求魔法，魔法就會降臨！

we w i l l l o s e o u r m e m o r i e s a n d we w i l l

「試鏡後消息傳開，阿嬤們說：『去試鏡吧， 儘管不一定會選你，但他們會聽你說。』」 ──艾娜．羅里葛茲

who remain, time seems to stand still. Cita is

disappear." Isa hopes for change, and this is not surprising. She lives in a small community in the southwest of Spain, where nothing ever happens. The young all leave. For those not satisfied with this; her hopes are fixed on something different. She leaves her husband and roams the small town.

Isa uses a cassette recorder to record messages to herself, which she later plays back. "A mighty flash of light will appear above the village, which will change everything", she hears herself say. "It is magnificent. We will all get a headache,

艾娜．羅里葛茲，1982 年出生 於西班牙，畢業於馬德里康普斯 頓大學影音多媒體系博士班。畢 業後曾擔任影像教師，並下鄉 組織女性影像工作坊。2021 年 執導首部劇情長片《辣嬤俱樂 部》，於鹿特丹影展世界首映。 Ainhoa RODRÍGUEZ holds a PhD in Audiovisual Media from the Complutense University of Madrid. She also works as a teacher and gives workshops to women in rural areas. Destello Bravío premiered in the Tiger Competition at IFFR 2021.

DIRECTOR, SCREENPLAY 艾娜．羅里葛茲 Ainhoa RODRÍGUEZ PRODUCER 艾娜．羅里葛茲 Ainhoa RODRÍGUEZ,

Lluís MIÑARRO CINEMATOGRAPHER Willy JÁUREGUI EDITOR José LUIS PICADO MUSIC Alejandro LÉVAR, Paloma PEÑARRUBIA SOUND Alejandro CASTILLO, Eva VALIÑO CAST Guadalupe GUTIÉRREZ, Carmen VALVERDE, Isabel MENDOZA PRINT SOURCE Patra Spanou Film

2021 鹿特丹影展 IFF Rotterdam 2021 紐約新導演 新電影影展 New Directors / New Films 2021 莫斯科影展 Moscow IFF

09.26 SUN 華山 2 20:50 ｜ 09.30 THU 華山 2 18:00 ｜ 10.03 SUN 華山 2 12:00 092

未來之光 FUTURE LIGHTS

天猶未光

泰國、瑞士 Thailand, Switzerland ｜ 2021 ｜ DCP ｜ B&W ｜ 116min

The Edge of Daybreak

2006 年泰國軍政府政變前夕，波伊帶著女 兒到祕密宅邸，密會即將潛逃出境的叛軍丈 夫最後一面。波伊憶起 1976 年泰國法政大 學屠殺事件後，九歲的她溺水陷入昏迷，軍 人父親離家已三年，精神崩潰的母親靠著偷 情獲得救贖，鬼魅般的宅邸裏，時間彷彿停 滯。隨著日蝕來臨，父親突然返家，這會是 她甦醒的預兆嗎？ 泰裔當代藝術家泰基．薩匹賽特首部劇情長 片作品，串聯橫跨 30 年的兩次政治運動。 政權更迭，不同世代的女性卻都身陷丈夫缺 席的漫長等待。透過不斷輪迴的家族亂倫悲 劇，以安哲羅普洛斯式詩意鏡頭穿梭鬼魅宅

邸，透過知名剪接師利．查泰米提古的迷宮 敘事，剖開皇軍干政的動盪宿命，與反政變 的深沉省思。

meal with her husband before he is smuggled

「我生於軍人世家，本片就是我的家庭分崩 離析、靈魂從失樂園一路墜入萬丈深淵的血 淚實錄，卻也是我個人的精神救贖之旅。」 ──泰基．薩匹賽特

coma after nearly drowning. Her father, a

abroad. 30 years earlier, Ploy was a young girl in a soldier, has been missing for three years and her mother is recovering from a nervous breakdown. Together with her lover and her husband's younger brother, she relives the traumas of their youth.

The Edge of Daybreak examines the devastating psychological landscape of a dysfunctional family as it falls from grace in the shadow of wars. On the eve of a shift in political power, a woman is taken to a safe house, sharing a final

泰基．薩匹賽特，1975 年出生 於日本，成長於泰國，於美國舊 金山州立大學取得電影學位後， 成為常駐曼谷的當代藝術家， 其錄像裝置與實驗短片作品常 於海內外美術館與藝廊展出。 作 品《The Mental Traveller》 曾入選 2019 年鹿特丹影展短片 競賽。 Taiki SAKPISIT lives and works in Bangkok. After graduating from San Francisco State University i n 2 0 0 8, h e s t a r t e d m a k i n g experimental shorts and moving image works. The Edge of Daybreak is his first feature film, which world premiered at IFFR 2021.

DIRECTOR, SCREENPLAY 泰基．薩匹賽特 Taiki SAKPISIT PRODUCER Cattleya PAOSRIJAROEN, Soros SUKHUM CINEMATOGRAPHER Chananun CHOTRUNGROJ EDITOR Harin PAESONGTHAI, 利．查泰米提古 Lee CHATAMETIKOOL MUSIC 森永泰弘 MORINAGA Yasuhiro SOUND Akaritchalerm KALAYANAMITR CAST Manatsnan PHANLERDWONGSAKUL,

Sunida RATANAKORN, Chalad Na SONGKHLA, Tanapat SIRISOOK PRINT SOURCE 185 Films

2021 鹿特丹影展國際影評人費比西獎 FIPRESCI Prize, IFF Rotterdam 2021 香港電影節 Hong Kong IFF

09.27 MON 華山 1 20:40 ｜ 09.30 THU 華山 1 14:40 ｜ 10.07 THU 華山 1 12:10 未來之光 FUTURE LIGHTS

093

烽火幻劫

立陶宛 Lithuania ｜ 2020 ｜ DCP ｜ Color ｜ 97min

The Flood Won't Come

夜幕低垂，煙硝四起，特殊部隊重裝進入村 鎮，夜視鏡讓敵人無處匿藏。資深上校一聲 令下調度千軍萬馬，他馳騁沙場多年，能為 不同的部隊調兵遣將。如今無情的戰火卻將 蔓延入自己的國家，上校厭倦了你爭我奪的 戲碼，他只想早日回到家鄉，享用一頓豐盛 的晚餐，窩在溫暖的沙發上享受家庭時光。 無奈現實由不得他，他能做的就是繼續撐起 這場不知何時能平安落幕的征戰。 宛若電競射擊遊戲般的鏡頭運動，流暢且精 準的場面調度，導演巧妙運用無人空拍機、 夜視鏡、長鏡頭等不同的拍攝手法再現戰爭

場景，為早已陳腔濫調的戰爭電影開創令人 耳目一新的視聽感受。叢林、荒野、廢棄的 建築，鏡頭伴隨槍管在空間游移，戰爭的殘 酷與無情正一幕幕在眼前上演。

will give them. We need a location, a country

「本片像是某種關於戰爭的集錦，我匯集了 發生在不同地點的景況，那些角色都其來有 自， 他 們 都 曾 經 存 在 戰 場 上， 或 正 身 處 其 中。」──馬拉特．薩格森揚

He doesn't want to, but he has to fight. He is a

Blue screen informs that the war has begun. What will be needed for the war?

where the war would take place. No problem, the Colonel is a real pro. Now his followers have grown up and caused a war in his country. He needs to demonstrate his skills. Colonel on one of the sides and is forced to kill his compatriots. He finds it hard. He is old and tired of war. He simply wants an honorable way out and to remain a hero in the eyes of future generations, but his deepest heart desire is a home.

Collect the men, find guns, or maybe someone

馬拉特．薩格森揚，1978 年出 生 於 亞 美 尼 亞 北 部 的 洛 里，12 歲開始在地方電視台擔任剪接 師，爾後搬到立陶宛與祖父母同 住，並繼續在電視台工作，亦曾 為樂團拍攝音樂錄影帶。擁有立 陶宛音樂與戲劇學院電影導演學 位， 短 片 作 品《Lernavan》 曾 獲得立陶宛金像獎最佳短片， 《烽火幻劫》為其首部長片。 Marat SARGSYAN was born in Armenia in 1978. In 2005, he went to the Lithuanian Academy of Music and Theater to study directing. In 2009, he made his short graduation film, Lernavan, and The Flood Won't Come is his first feature.

DIRECTOR, SCREENPLAY 馬拉特．薩格森揚 Marat SARGSYAN PRODUCER Ieva NORVILIENE CINEMATOGRAPHER Feliksas ABRUKAUSKAS EDITOR Jan DE COSTER, Ieva VEIVERYTE, 馬拉特．薩格森揚 Marat SARGSYAN SOUND Saulius URBANAVICIUS CAST Valentinas MASALSKIS, Daumantas CIUNIS, Sigitas RACKYS, Sarunas ZENKEVICIUS, Remigijus VILKAITIS PRINT SOURCE Reel Suspects

2020 威尼斯影展影評人週 International Film Critics' Week, Venice FF 2020 塔林黑夜影展 Tallinn Black Nights FF 2020 葉里溫影展 Golden Apricot Yerevan IFF

09.28 TUE 華山 2 12:50 ｜ 10.02 SAT 華山 2 15:30 ｜ 10.06 WED 華山 2 17:20 094

未來之光 FUTURE LIGHTS

甘單歐吉桑

亞洲首映 Asian Premiere

美國 USA ｜ 2021 ｜ DCP ｜ Color ｜ 100min

I Was a Simple Man

歐吉桑喃喃囈語，踽踽獨行，一個人面對即 將走向盡頭的生命終章。故事分成四個篇章， 從夏威夷檀香山的現代大廈，回望二次世界 大戰前北方歐胡島的鄉村牧民。過去的鬼魂 拜訪了他，現時的家人與之對話，夾雜家族 歷史與地方神話，襯著歐胡島絕美的自然景 致與壯闊海面，歐吉桑的身影穿梭在一個又 一個的日常對話之間，交織成一幅醉心的島 嶼人生詩篇。

如夢似真的家族浮世繪。以土生土長的夏威 夷素人演員飾演主角歐吉桑，與《瘋狂亞洲 富豪》亞裔女星吳恬敏有著細膩動人的對手 戲。

His health is deteriorating and his relationship

「我想帶大家探索夏威夷鮮為人知，充滿鬼 魅、 心 碎， 與 富 有 靈 性 之 美 的 那 一 面。」 ──克里斯多福．馬科托．約基

made her presence known in order to guide

新銳導演克里斯多福．馬科托．約基深受日 本與台灣新浪潮影響，島民思維更佔據其大 半生，他試著從家鄉的歷史與家族的過往擷 取故事，雜揉當地的傳統神話，勾勒出這幅

follows the story of Masao, an aging patriarch

with his family becomes more and more estranged. When he contemplates his final time before he passes on, he is visited by the ghost of his deceased wife Grace, who has his way onto peace and beyond.

Set in the present-day Oahu, Hawaii, the film who is spending his serene days in his home, with his vast family who intermittently keep him company.

克里斯多福．馬科托．約基，出 生於夏威夷檀香山，畢業於南加 州大學電影藝術學院，曾入選紐 約 影 展 Artist Academy、 柏 林 影展新銳營、京都影片製作實驗 室等。2018 年首部長片《秋子 家的八月》於鹿特丹影展首映， 《甘單歐吉桑》入選日舞影展美 國劇情片類競賽單元。 Christopher Makoto YOGI is an artist and filmmaker from Honolulu, Hawaii. His debut feature film, August at Akiko's, had its world premiere at IFFR 2018. I Was a Simple Man is his second feature, which screened at Sundance 2021. DIRECTOR, SCREENPLAY, EDITOR 克里斯多福．馬科托．約基 Christopher Makoto YOGI PRODUCER KIM Sa-hwa,

Matthew PETOCK, 克里斯多福．馬科托．約基 Christopher Makoto YOGI, Yamato CIBULKA CINEMATOGRAPHER Eunsoo CHO MUSIC 張洪泰 Alex ZHANG Hung-tai, Pierre GUERINEAU SOUND CHOI Sung-rok CAST Steve IWAMOTO, 吳恬敏 Constance WU, Chanel Akiko HIRAI, Kanoa GOO, Tim CHIOU PRINT SOURCE Visit Films

2021 日舞影展 Sundance FF

09.24 FRI 華山 2 15:00 ｜ 10.01 FRI 華山 2 20:30 ｜ 10.04 MON 華山 2 13:10 未來之光 FUTURE LIGHTS

095

就是你，救世主

多明尼加共和國、波多黎各、卡達 Dominican Republic, Puerto Rico, Qatar ｜ 2021 ｜ DCP ｜ Color ｜ 99min

Liborio

里波利歐消失在一場暴雨中，村裡的家人朋 友以為他已不在人世，但他卻奇蹟似地回來， 聲稱自己被賦予一項任務：趕走壞的，帶來 好的。從此里波利歐被奉為先知，追隨者逐 漸增長，他帶著他們隱居山林，建立自給自 足的小聚落。然而，美好的山居歲月並不長 久，隨著美軍入侵，逐漸破壞原有的安寧。

這個地區掌握霸權的角色，梭沙趁此拋出提 問：「這些里波利歐跟隨者，他們相信的是 什麼？他們是誰？或者說我更想問的是，我 們是誰？」

改編自多明尼加共和國 20 世紀初期真人真 事，導演梭沙以水流般的非傳統敘事，引領 觀眾回望歷史現場與集體記憶。作為一個著 名的信仰來源，里波利歐是為大時代內憂外 患的一種希望與自由的象徵。當土地開始被 販賣，農民開始移居城市，美國也自認它是

prophet. He says he has been given a mission:

community. Everything changes when the invading US Marines wants to disarm and disband the community. Liborio wants to avoid a confrontation but knows that they cannot run forever.

In early 20th century, Liborio, a peasant, disappears in a hurricane and returns as a to bring the good and take away the evil, curing the sick and teaching by example. People begin to congregate by his side, and they move to the mountains to have total freedom and develop the dream of an independent

尼 諾． 馬 提 內 茲． 梭 沙，1976 年出生於多明尼加共和國。移居 西班牙後，以剪接者工作參與多 部電影及紀錄片製作。2012 年 起為歐洲電影學院會員之一， 《就是你，救世主》為其首部劇 情長片。 Nino MARTÍNEZ SOSA originally came from Dominican and studied editing in Cuba. He then moved to Spain, where he began a prolific career as editor. Having founded his production company in his home country, he made Liborio, his first feature. ©balsie guanábana macuto

DIRECTOR 尼諾．馬提內茲．梭沙 Nino MARTÍNEZ SOSA PRODUCER Fernando SANTOS DÍAZ, 尼諾．馬提內茲．梭沙

Nino MARTÍNEZ SOSA SCREENPLAY 尼諾．馬提內茲．梭沙 Nino MARTÍNEZ SOSA, Pablo Arellano CINEMATOGRAPHER Óscar DURÁN EDITOR Ángel HERNÁNDEZ ZOIDO, 尼諾．馬提內茲．梭沙 Nino MARTÍNEZ SOSA SOUND Maite Rivera CARBONELL CAST Vicente SANTOS, Karina VALDEZ, Fidia PERALTA, Ramón Emilio CANDELARIO, Jeffrey HOLSMAN PRINT SOURCE Pluto Films

2021 哥特堡影展 Göteborg FF 2021 鹿特丹影展 IFF Rotterdam 2021 紐約新導演 新電影影展 New Director / New Films

09.27 MON 信義 11 13:30 ｜ 10.02 SAT 京站 6 14:10 ｜ 10.07 THU 京站 6 22:00 096

未來之光 FUTURE LIGHTS

死了一個瑪德蓮娜之後

亞洲首映 Asian Premiere

巴西 Brazil ｜ 2021 ｜ DCP ｜ Color ｜ 85min

Madalena

巴西中部農業區，第三性的瑪德蓮娜小姐失 蹤數日，一具身著白衣的屍體出現在大豆田 中。命案的消息在城裡傳開，在每個人心上 蒙了一層淺淺的陰影。酒店小姐露琪安奉媽 媽桑之命，去瑪德蓮娜住處取欠款；生性多 疑又壓抑的地主小開鎮日往返田野間，在收 成季的前夕疲於奔命；瑪德蓮娜的閨蜜碧安 卡，與三五好友回到被掠奪一空的住處，試 著與姐妹一同緬懷瑪德蓮娜……。 巴西導演馬迪亞諾．馬切蒂首部劇情長片， 以家鄉馬托格羅索為舞台，透過三個互不認 識的人與一具屍體，娓娓道來一樁小鎮殺人 事件，以及案發後那些「活下來的他者」如

何繼續生活的寫實光影。自七○年代遷都巴 西利亞後，巴西中部雨林面臨高速開發，轉 為大片大片機械化的農地，透過本片長鏡頭 的如實捕捉，呈現難得一見的巴西中部風貌。 「巴西是世界上跨性別殺人案件數最高的國 家。」──馬迪亞諾．馬切蒂

the town, each in their own way, they react to her absence. "The film sprang from a desire to reflect on issues that are specific to the region where I grew up, which is still under-filmed and barely discussed even within Brazil. I'm from the northern part of Mato Grosso, a part of the Brazilian agricultural frontier that has been

Luziane, Cristiano, and Bianca have almost nothing in common, beside the fact that they

transformed beyond recognition over the past sixty years." – Madiano Marcheti

all live in the same rural city surrounded by soy fields in western Brazil. While they don't know one another, each of them is affected by Madalena's disappearance. In different parts of

馬迪亞諾．馬切蒂，1988 年出 生於巴西中部馬托格羅索州，為 世界上僅存最大的未開發區域。 他畢業於里約天主教宗鐸大學， 在學期間拍攝數部短片，曾入選 里約聖保羅短片影展。2021 年 首部劇情長片《死了一個瑪德蓮 娜之後》於鹿特丹影展首映。 Madiano MARCHETI obtained a bachelor's degree in Film from the Pontifical Catholic University of Rio de Janeiro. During his studies, he started writing and has directed several award-winning short films. Madalena is his feature debut.

DIRECTOR 馬迪亞諾．馬切蒂 Madiano MARCHETI PRODUCER Clélia Bessa, Joel PIZZINI, Sérgio PEDROSA, Marcos PIERI,

Beatriz MARTINS SCREENPLAY 馬迪亞諾．馬切蒂 Madiano MARCHETI, Thiago GALLEGO, Thiago ORTMAN, Tiago COELHO CINEMATOGRAPHER Guilherme TOSTES, Tiago RIOS EDITOR Lia KULAKAUSKAS MUSIC Junior MARCHETI SOUND

Bernardo UZEDA CAST Natália MAZARIM, Rafael DE BONA, Pamella YULE, Chloe MILAN, Mariane CÁCERES PRINT SOURCE WIDE

2021 鹿特丹影展 IFF Rotterdam 2021 紐約新導演 新電影影展 New Directors / New Films 2021 伊斯坦堡影展 Istanbul FF

09.28 TUE 信義 11 16:30 ｜ 10.02 SAT 信義 11 11:20 ｜ 10.07 THU 信義 11 13:00 未來之光 FUTURE LIGHTS

097

再見父親

希臘、法國 Greece, France ｜ 2021 ｜ DCP ｜ Color ｜ 108min

Moon, 66 Questions

離開家鄉多年後，父親病情每況愈下，獨生 女阿提米絲回到雅典。由於雙親早已離婚， 她成為父親唯一的照護者。在機緣巧合下， 她接手了父親過往拍攝的家庭錄影帶，無意 間發現父親深藏已久的祕密，也重新認識了 這位過往如陌生人般的父親。

和好的最大阻礙。所幸黑暗盡頭總是有光， 真相帶來勇氣，無愛轉為無礙，引領著陌生 的兩人踏上關係的新開端。

本片為導演賈桂琳．倫佐的自傳式電影，出 身於非典型家庭的她，以電影捕捉關係中的 流動與瞬息萬變，佐以生活中各種荒謬又詭 異的家庭日常。電影以女主角的日記為襯， 時而平行、時而交織敘事，展現生活中的細 微層次。父親的步履蹣跚與照護者女兒的無 力沮喪交織，生理與精神的失衡，成為兩人

Discovering her father's well-kept secret allows

for adulthood. This is why – from the very beginning of its development – I have always pitched the project as the coming-of-age of a relationship, rather than the one of a person only." – Jacqueline Lentzou

After years of distance, Artemis has to get back to Athens due to her father's frail state of health. Artemis to understand her father, in a way she was not able before, therefore love him truly for the first time. 'Coming-of-age' films have always confused me, as I see coming-of-age as an ongoing process, rather than an event that magically comes

賈桂琳．倫佐，1989 年出生於 希臘雅典，畢業於倫敦電影學 院。編導之五部短片於柏林、坎 城等各大影展首映，並於國際影 評人週獲獎。作品著重於日常 中深掘非典型家庭的各種面向， 並積極嘗試各種影像實驗的形 式創作。 Jacqueline LENTZOU graduated from London Film School and has written and directed five short films, all of which premiered at prestigious film festivals, including Locarno, Toronto, Berlin and Cannes. Moon, 66 Questions is her feature debut. DIRECTOR, SCREENPLAY 賈桂琳．倫佐 Jacqueline LENTZOU PRODUCER Fenia COSSOVITSA CINEMATOGRAPHER Konstantinos KOUKOULIOS EDITOR Smaro PAPAEVANGELOU MUSIC Delphine MALAUSSENA SOUND Dimitris KANELLOPOULOS, Leandros NTOUNIS, Julien PEREZ CAST Sofia KOKKALI, Lazaros GEORGAKOPOULOS PRINT SOURCE Luxbox

2021 柏林影展 Berlinale 2021 紐約新導演 新電影影展 New Directors / New Films

09.24 FRI 信義 11 21:30 ｜ 09.30 THU 信義 11 12:00 ｜ 10.03 SUN 信義 11 17:30 098

未來之光 FUTURE LIGHTS

戰地微光

匈牙利、法國、拉脫維亞、德國 Hungary, France, Latvia, Germany ｜ 2021 ｜ DCP ｜ Color ｜ 103min

Natural Light

二戰期間，一名匈牙利下士跟隨指揮官與連 隊，穿越嚴冬森林來到一處俄國村莊，支援 納粹德軍掃蕩蘇聯游擊隊。正當他們拔營前 進之際，卻中了敵軍火力埋伏，指揮官不幸 喪命。這名士官帶隊撤回村裡，企圖找出內 鬼，卻演變成一場抹滅不去的夢魘。 匈牙利導演丹尼斯．納吉一鳴驚人首部劇情 長片，拍攝紀錄片起家的他，擷取同名小說 片段，以冷冽影像將角色滄桑無奈的面孔化 為風景，並在節制的對白、配樂與情感之下， 讓鏡頭遊走於主、客觀視角之間，呈現主角 身處陌生環境下，面對判斷與道德難題的心 理狀態。

「當下，是本片的關鍵元素，我想要呈現一 個不斷評估的當下，看主角不斷試著消化， 卻始終無法清楚的理解，藉此對人們能否真 的理解現實並做出正確判斷，提出質疑。」 ──丹尼斯．納吉

unit as he is dragged into a chaotic situation that he cannot control.

World War II, occupied Soviet Union. István Semetka is a simple Hungarian farmer who serves as a Caporal in a special unit scouting for partisan groups. On their way to a remote village, his company falls under enemy fire. As the commander is killed, Semetka has to overcome his fears and take command of the

丹尼斯．納吉，1980 年出生於 匈牙利布達佩斯。畢業於布達佩 斯戲劇電影學院，並曾於德國 影視學院擔任交換學生。2012 年入選柏林新銳營，2013 年短 片《Soft Rain》 入 選 坎 城 導 演 雙 週， 隔 年 紀 錄 片《Another Hungary》 入 選 鹿 特 丹 影 展。 2015 年 紀 錄 片《Harm》 入 選塞拉耶佛影展紀錄片競賽。 2021 年發表首部劇情長片《戰 地微光》。 Dénes NAGY graduated from the University of Theatre and Film Ar ts of Budapest in 2009. His short fiction, Soft Rain, premiered in Directors' Fortnight at Cannes 2013 and his documentary, Another Hungary, had its premiere at IFFR 2014.

DIRECTOR, SCREENPLAY 丹尼斯．納吉 Dénes NAGY PRODUCER Sára LÁSZLÓ, Marcell GERŐ, Inese Boka-GRŪBE,

Caroline PIRAS, Melanie BLOCKSDORF CINEMATOGRAPHER Tamás DOBOS EDITOR Nicolas RUMPL MUSIC Santa RATNIECE SOUND Dominique GABORIEAU, Jocelyn ROBERT CAST Ferenc SZABÓ, Tamás GARBACZ, László BAJKÓ, Gyula FRANCZIA, Ernő STUHL PRINT SOURCE Luxbox

2021 柏林影展最佳導演 Best Director, Berlinale 2021 莫斯科影展 Moscow IFF

09.27 MON 華山 2 17:30 ｜ 09.30 THU 華山 2 15:20 ｜ 10.04 MON 華山 2 20:50 未來之光 FUTURE LIGHTS

099

迷樓驚魂

丹麥、挪威 Denmark, Norway ｜ 2020 ｜ DCP ｜ Color ｜ 123min

The Penultimate

濃 霧 的 平 原 上， 水 務 員 來 到 一 棟 神 祕 的 大 樓 查 水 表， 卻 慘 被 住 戶 毆 打 囚 禁。 他 亟 欲 逃 出 迷 宮 般 的 困 境， 卻 遭 到 各 色 奇 怪 人 士 阻止。只知若與其中一位「新娘者」結婚， 便 能 找 到 掌 管 大 門 鑰 匙 的 看 守 人， 逃 離 這 個 邏 輯 詭 異 的 荒 唐 世 界。 而 這 一 切 究 竟 是 真實抑或夢境？ 雜揉了卡夫卡的敘事風格、葛羅托斯基「貧 窮劇場」法則，以及貝克特的荒謬表演，本 片以暗黑詭譎的謎語詰問，玩轉劇場及電影 語言，讓演員們於高反差的燈光與封閉性的 空間場景中，強烈扭動身體穿梭於房間之中， 透過肢體互動來投射角色間「心靈迷宮」的

符號關係，將水務員的經歷，以黑色幽默的 隱喻投射眼前的瘋狂世界。 「自我有記憶以來，幽閉感便時時存在。與 生俱來對世界的超敏感知，形塑了我對存在 狀態及藝術表述的方式，進而催生了這個故 事。」──約納斯．凱悠普．約特

obstacles. In his attempt to escape, perception of reality, the rational, and the remnants of his human existence are turned upside down. "For as long as I can remember, the feeling of confinement has lived within me. An irrational feeling that I think has arisen from an innate hypersensitivity towards the world. It has become an existential living condition and a

The Penultimate is a Kafkaesque tale of an insignificant Water Inspector who arrives at a giant remote building to register the residents'

way of expressing myself artistically. From this place springs the story of The Penultimate." – Jonas Kærup Hjort

water meters. Before he knows of it, he finds himself trapped inside the building, facing an "Alice in NO-Wonderland"- like maze of

約 納 斯． 凱 悠 普． 約 特，1983 年出生於丹麥，現居哥本哈根， 橫跨劇場及電影的導演雙棲。 2017 年於丹麥國家電影學院完 成 學 業， 並 以 畢 業 短 片《In a Month》 榮 獲 多 項 國 際 影 展 大 獎。《迷樓驚魂》為其首部劇情 長片，身兼導演、編劇及剪接。 Jonas KÆRUP HJORT is a Danish film director, who has a background in theater. In 2017, he graduated from the National Film School of Denmark with In a Month, which earned him several awards. The Penultimate is his first feature.

DIRECTOR, SCREENPLAY, EDITOR 約納斯．凱悠普．約特 Jonas KÆRUP HJORT PRODUCER Rikke Tambo ANDERSEN CINEMATOGRAPHER Jacob SOFUSSEN MUSIC Sven Dam MEINILD, Thomas DYBDAHL SOUND Lars HALVORSEN, Rune PALVING CAST Joen HØJERSLEV, Joen BILLE, Anne FLETTING, Malene MELSEN PRINT SOURCE TVCO

2020 塔林黑夜影展 Tallinn Black Nights FF 2021 香港電影節 Hong Kong IFF

09.25 SAT 華山 2 15:00 ｜ 09.29 WED 華山 2 17:40 ｜ 10.02 SAT 華山 2 12:30 100

未來之光 FUTURE LIGHTS

失親變奏曲

德國 Germany ｜ 2020 ｜ DCP ｜ Color ｜ 96min

Rival

當大人的善意遇上小孩的天真，一個沒有壞 人的故事，卻成為最完美的悲劇。九歲的烏 克蘭男孩羅曼遠渡重洋偷渡至德國與母親團 聚，卻得知媽媽將改嫁她照顧的德國雇主史 瓦茲，不諳德語的羅曼，將史瓦茲視為第三 者。母親突然重病送醫，羅曼暫被史瓦茲藏 進山中小屋，在等待母親的日子裡，生疏又 語言不通的兩人眼看就要破冰，但男孩的天 真，卻引發一場無法收拾的意外。

內斂，後勁強烈，童星葉里札．那札仁科成 熟的演技令人驚艷。

小男孩的原型來自德國導演馬庫斯．蘭茲紀 錄片中的真實人物，導演細膩描摹男孩對情 感的渴求與嫉妒，也坦然呈現他在全然陌生 環境中，近乎籠中獸般的焦慮與摸索。敘事

with his mother Oksana. But he finds her not

「我深信電影的魔法來自以他人之眼觀看世 界，來建立同理心。我們透過九歲男孩的雙 眼，進入他好奇而狂野、精力旺盛且奔放不 羈的自由之心。」──馬庫斯．蘭茲

old man, he desperately struggles for her attention. Then, Oksana falls seriously ill, and mother and son are separated once more. Roman finds himself trapped in a remote place, cut off from civilization and totally dependent on his rival.

Hidden in a van, 9-year-old Roman crosses borders from Ukraine to Germany to be reunited alone. She lives with a 62-year-old widower, working illegally as his caretaker. When Roman finds his mother in bed with the

馬庫斯．蘭茲，1969 年出生於 德 國 哈 廷 根， 成 長 於 魯 爾， 畢 業於柏林德國影視學院。創作 領域橫跨紀實與劇情電影，亦 擅於結合兩者優勢，2004 年首 部長片《Close》入選上海電影 節，《 失 親 變 奏 曲 》 是 他 的 第 二部劇情長片。 Marcus LENZ studied Directing and Cinematography at the German F i lm a nd Tel ev i s i o n Ac a d e my Berlin. Since he graduated, he has been directing documentaries and features. Rival had its world premiere at Busan Film Festival 2020.

©Mila Teshaieva

DIRECTOR 馬庫斯．蘭茲 Marcus LENZ PRODUCER Gunter HANFGARN, Andrea UFER SCREENPLAY 馬庫斯．蘭茲

Marcus LENZ, Lars HUBRICH CINEMATOGRAPHER Frank AMANN EDITOR Hansjörg WEISSBRICH, Bernd EUSCHER MUSIC Caroline SIEGERS, Evgueni GALPERINE SOUND Jonathan RITZEL CAST 葉里札．那札仁科 Yelizar NAZARENKO, Udo SAMEL, Maria BRUNI PRINT SOURCE Pluto Film

2020 釜山影展 Busan IFF 2020 美國電影學會電影節 AFI Fest 2020 塔林黑夜影展 Tallinn Black Nights FF

09.24 FRI 信義 11 16:30 ｜ 09.29 WED 信義 11 13:00 ｜ 10.02 SAT 信義 11 21:40 未來之光 FUTURE LIGHTS

101

墜愛少女

埃及、突尼西亞、德國 Egypt, Tunisia, Germany ｜ 2021 ｜ DCP ｜ Color ｜ 102min

Souad

舒雅德，19 歲埃及醫學生，住在尼羅河三角 洲上的小城市扎加齊格。她生活在保守家庭， 戴著教條箍緊的頭巾，卻在社交媒體有個祕 密身分。網路上的舒雅德嘟嘴賣萌、露肩擺 弄性感，還恣意與陌生男子阿梅德建立私密 的虛擬關係。直到一場悲劇發生，舒雅德的 雙面生活倏忽粉碎，妹妹拉巴卻意外與阿梅 德產生了交集，她撿拾姊姊遺留的碎片，踏 上尋找真相的旅程。

以及真實面對的問題。導演艾滕．阿敏將埃 及社會狹隘的社交空間，與網路興起改變人 與人關係的兩條軸線並置，一窺女性如何被 迫虛構第二身分，以免於社會教條抨擊的矛 盾現況。

背景設在城市與農村混合的小城市，城裡的 對比與違和，恰與居民一樣都有著身分認同 的危機。片中女孩們漫無止盡的閒聊，看似 繁瑣卻呈現出她們生活原始的面容與空虛，

community, which she has internalized. On the

Souad, a 19-year-old Egyptian girl, is on the cusp of adulthood. In her everyday life, her desire to explore new kinds of freedom clashes with the

a diligent student, obedient daughter and big sister. But when Souad's notions of a selfdetermined life shatter, the busy noise of her contradictory realities dissipates, clearing the way to reveal an encounter between two people who have nothing in common but their relationships with Souad. Perhaps it is only now, in this encounter, that Souad becomes tangible.

expectations of society, her family and religious one hand, she creates a secret cosmopolitan alter ego on her smartphone and seeks romantic connections online. On the other hand, she is

艾滕．阿敏，1978 年出生於埃 及亞歷山卓，畢業於開羅美國大 學。2011 年她與三位導演記錄 了埃及革命期間的抗議活動，完 成 紀 錄 片《Tahrir 2011》， 於 威尼斯影展首映，正式開啟電影 生涯。2013 年她完成首部長片 《Villa 69》，入選多個國際影 展。 Ayten AMIN studied Film at the Art Lab of the American University in Cairo. Her graduation film, Her Man, screened at ClermontFerrand and her feature debut, Villa 69, screened at Abu Dhabi, Malmö and Cannes. DIRECTOR 艾滕．阿敏 Ayten AMIN PRODUCER Sameh AWAD SCREENPLAY Mahmoud EZZAT, 艾滕．阿敏 Ayten AMIN CINEMATOGRAPHER Maged NADER EDITOR Khaled MOEIT SOUND Victor BRESSE, Sara KADDOURI, Moustafa SHAABAN, Mohab EZZ CAST Bassant AHMED , Basmala ELGHAIESH, Hussein GHANEM, Hager MAHMOUD, Sarah SHEDID PRINT SOURCE Best Friend Forever

2021 柏林影展 Berlinale 2021 翠貝卡影展 Tribeca FF 2021 上海電影節 Shanghai IFF

09.26 SUN 信義 10 10:30 ｜ 10.01 FRI 信義 10 15:50 ｜ 10.07 THU 信義 10 14:00 102

未來之光 FUTURE LIGHTS

ASIAN PRISM

��稜�

濁水漂流

Drifting

濁水漂流

香港 Hong Kong ｜ 2021 ｜ DCP ｜ Color ｜ 113min

Drifting

剛 出 獄 的 輝 哥 重 回 深 水 埗 露 宿， 不 巧 遇 上 食 環 署 人 員 掃 蕩 清 場， 家 當 盡 失。 他 與 一 班 街 友 只 得 另 覓 居 所， 在 天 橋 底 下 以 木 板 搭 建 小 屋。 剛 畢 業 的 社 工 熱 心 幫 忙， 集 結 眾 街 友 向 政 府 申 訴， 並 要 求 道 歉。 千 言 萬 語 說 不 盡， 同 是 天 涯 淪 落 人， 生 活 如 同 混 濁 水 體， 在 這 個 充 滿 高 樓 豪 宅 的 城 市 裡 靜 靜 流 過。 輝 哥 與 街 友 們 所 等 待 的 正 義 與 賠 償，究竟會不會到來？

其生存狀態。「我不是憂愁，是憤怒。」簡 單明瞭的一句台詞，道盡多少心聲。吳鎮宇 再臻生涯顛峰，演活眼睛裡有隱隱火光的輝 哥一角，其姿態、神色及聲音出神入化又毫 無斧鑿痕跡，極為動人。

改編真人真事，《翠絲》導演李駿碩的第二 部劇情長片，下足功夫找來雙影帝吳鎮宇、 謝君豪，及影后李麗珍助陣，加上一票實力 派演員，共同凝視被社會邊緣化的靈魂，與

Just out of jail, Fai finds a spot on a street corner

「我相信，無論來自哪裡，過去做過什麼， 都有權爭取自己應有的尊嚴，都有權得到作 為人的待遇和尊重。」──李駿碩

disappear into a garbage truck. Young social worker Ms. Ho thinks it's time to fight this in court. In the meantime, Fai and his friends have other concerns. Shot during the period of intense protests on the streets of Hong Kong (which are not shown, although they were an influence on the film) and against a backdrop of the contrast between luxury high-rise buildings and makeshift huts under viaducts, Jun Li paints a

where other homeless people welcome him. But he doesn't get much time to settle in. The police

committed, human picture of a marginalized group, showing friendship and solidarity, conflict and tragedy.

soon chase them away, and their possessions

李駿碩，畢業於香港中文大學新 聞系、劍橋大學性別研究哲學碩 士班。首部劇情長片《翠絲》拿 下金馬獎最佳男配角，並獲香港 電影金像獎最佳編劇、新晉導演 兩項提名。《濁水漂流》是他的 第二部劇情長片。 Jun LI studied journalism in Hong Kong and gender studies at Cambridge. His feature debut, Tracey, was nominated for three awards at the 2018 Golden Horse Awards. Drifting is his second feature that premiered at IFFR 2021.

DIRECTOR, SCREENPLAY 李駿碩 Jun LI PRODUCER 文佩卿 Mani MAN Pui Hing CINEMATOGRAPHER 梁銘佳 LEUNG Ming Kai EDITOR 麥曦茵 Heiward MAK, 李駿碩 Jun LI MUSIC 黃衍仁 WONG Hin Yan SOUND 鄧學麟 Cyrus TANG CAST 吳鎮宇

Francis NG, 謝君豪 TSE Kwan Ho, 李麗珍 Loletta LEE, 蔡思韵 Cecilia CHOI, 朱栢康 CHU Pak Hong, 寶珮如 Baby BO, 柯煒林 Will OR PRINT SOURCE 滿滿額創作香港有限公司 mm2 Studios Hong Kong Limited

2021 鹿特丹影展 IFF Rotterdam 2021 香港電影節 Hong Kong IFF

09.26 SUN 華山 2 11:20 ｜ 10.01 FRI 信義 10 21:40 ｜ 10.06 WED 信義 10 15:00 104

亞洲稜鏡 ASIAN PRISM

海邊最後的夏天

菲律賓、台灣 Philippines, Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 72min

Last Days at Sea

菲律賓南方的小漁村，男孩小瑞過著如詩般 的童年，睜眼就是無邊無際的藍色海洋，捕 魚維生的村民們奉行大公無私的生活態度。 在他的世界裡，沙灘、游泳與夜裡繁星，構 築了村民平凡且心靈富足的日常。然而就在 這個夏末，小瑞將要離開這座遺世獨立的美 好角落，前往城市裡讀書，他緊抓童年的尾 巴，在那一天來臨之前，用力享受跳下海洋、 坐看日落星辰的每一刻。 菲律賓導演薇尼斯．阿田恩薩因緣際會前往 菲律賓南方拍攝，在那裡遇上年僅八歲的小 瑞，一雙純真清澈、未受城市污染的雙眼， 讓她決定將鏡頭轉向紀錄他的日常。透過她

與男孩直率的問答與對話，如實呈現一個沒 有貪婪、污染與自私的世外桃源，如詩般的 澄淨對話與離別倒數的不捨，真實又揪心地 映照在如畫般壯闊的日落與沙灘上。

community in which his family lives, stoically endures the challenges of poverty, overfishing and rural exodus. Despite Reyboy's pending departure, his parents hope that by saying goodbye, they will give him the opportunity to have a better future.

When they grow big, they leave the shells they are in. And then, the shell they've left behind... a smaller crab will find it and it will become its home. Twelve-year-old Reyboy will soon be leaving his home village of Karihatag to attend school in the city. He loves the sea, the constant sound of waves in his ears and looking towards the wide horizon stretching out before his eyes. The small

薇尼斯．阿田恩薩，1989 年出 生於菲律賓，畢業於歐盟（EM） 計 畫 DocNomads 紀 錄 片 遊 牧 者碩士班，擅長以獨特的視角 捕捉日常行為影響生活的細微 變化。她與台灣導演吳璠共同 創立宇宙子電影工作室，為作 者電影主導的紀錄片創作平台。 《海邊最後的夏天》為其首部 紀錄長片。 Venice ATIENZA is a Filipino documentary filmmaker and photographer. In 2017, she graduated from DocNomads Erasmus Mundus program. Last Days at Sea, her first feature documentary, is supported by the IDFA Bertha Fund Classic 2019.

DIRECTOR 薇尼斯．阿田恩薩 Venice ATIENZA PRODUCER 吳璠 Fan WU, 薇尼斯．阿田恩薩 Venice ATIENZA CINEMATOGRAPHER 薇尼斯．阿田恩薩 Venice ATIENZA, Moshe LADANGA EDITOR Anna Magdalena Silva SCHLENKER, Katrin Maria ESCAY MUSIC, SOUND 澎葉生 Yannick DAUBY CHARACTER John Russel Rey PAÑO PRINT SOURCE 宇宙子電 影工作室 Svemirko Film Productions

2021 柏林影展 Berlinale

09.25 SAT 信義 11 13:00 ★｜ 10.01 FRI 信義 11 22:00 ★｜ 10.05 TUE 信義 11 18:40 ★ 亞洲稜鏡 ASIAN PRISM

105

鐵幕追緝令

哈薩克、南韓、烏茲別克 Kazakhstan, South Korea, Uzbekistan ｜ 2020 ｜ DCP ｜ Color ｜ 112min

Three

1979 年，莫斯科奧運前夕，蘇聯邊陲的哈 薩克小鎮出現了一位以女性為目標的連續殺 人犯，還是個食人魔，嚴重影響國家形象。 實習警探薛爾與從小相依為命的姊姊蒂娜同 住，初出茅廬就遇上這等大案，姊姊擔心不 已。豈料警方順利抓到食人魔，精神病院卻 關不住他，逃亡在外的殺人犯再次喚起鎮民 的恐懼。 烏茲別克籍韓裔導演魯斯蘭 • 朴，改編蘇聯 鐵幕時代的真實連環殺人案，從菜鳥警探視 角，深入挖掘極權制度產生的人性扭曲。當 泯滅人性的邪惡食人魔荒唐地逃院，正映射 了下至警局、精神病院，上至軍方高層，層

層體制疊床架屋的巨大陰影。飾演蒂娜的坎 城影后莎默．耶斯雅莫娃，與飾演警探的新 銳男星阿斯卡．伊利亞索夫有精采的對手戲。 USSR Kazakhstan. Sher Sadykhov, who lives with his older sister, starts his internship at a special task force. Sher's internship begins with the emergence of a serial killer that only kills women. New victims occur and the investigation seems to be at a blind alley. Meanwhile, Sher finds out that his sister is the new target of the serial killer...

魯斯蘭 • 朴，1981 年出生於烏 茲別克，畢業於塔什干法政大學 韓語系，2001 年回韓國參與電 影製作，於 2006 年畢業於韓國 藝術綜合大學電影系。2011 年 以《 雙 城 悲 歌 》 入 選 盧 卡 諾、 多 倫 多、 釜 山 等 國 際 影 展， 並 獲 2012 年台北電影節國際青年 導演競賽最佳影片。時隔九年， 《鐵幕追緝令》勇奪釜山影展新 浪潮大獎。 Ruslan PAK was born in Uzbekistan. He graduated from the Pedagogical University in Tashkent and the Korea National University of Arts. His first feature, Hannan, was invited to numerous film festivals, including Locarno, Toronto and Busan.

DIRECTOR 魯斯蘭．朴 Ruslan PAK PRODUCER Aleksandr TSOY SCREENPLAY Anna OVCHAROVA, 魯斯蘭．朴 Ruslan PAK CINEMATOGRAPHER KIM Hyung-jun EDITOR SON Yeon-ji, 魯斯蘭．朴 Ruslan PAK MUSIC NST, JEONG Jung-yeop SOUND

IM Won-bin CAST 阿斯卡．伊利亞索夫 Askar ILYASSOV, Igor SAVOCHKIN, 莎默．耶斯雅莫娃 Samal YESLYAMOVA PRINT SOURCE M-Line Distribution

2020 釜山影展新浪潮大獎 New Currents Award, Busan IFF 2021 莫斯科影展 Moscow IFF

09.27 MON 華山 2 20:20 ｜ 10.01 FRI 京站 6 16:20 ｜ 10.05 TUE 京站 6 13:40 106

亞洲稜鏡 ASIAN PRISM

美國夢直播情

俄羅斯、波蘭、比利時 Russia, Poland, Belgium ｜ 2020 ｜ DCP ｜ Color ｜ 94min

The Whaler Boy

俄羅斯東邊的白令海峽，獵鯨港，楚科奇少 年里歐胥卡與爺爺相依為命。好女孩全都到 大城市唸書了，夏日的城鎮盡是困獸，男孩 們 只 能 學 著 男 人， 守 著 初 來 乍 到 的 網 際 網 路，看著遠在「亞美利加」的電愛美少女搔 首弄姿。里歐胥卡愛上聊天室裡的金髮少女 「郝甜 999」，他甚至計劃要女孩從底特律 偷渡到俄國，卻突然發現女孩並不愛他！阿 拉斯加就在海峽對岸，伊人在水一方，男孩 決定遠赴海的彼端亞美利加，挽回初戀！

特時間點，描繪偏鄉少年迷走虛實、漫遊寂 寞邊界的模樣。當葛斯．范桑式的寂寥青春、 遇上溫德斯式美國夢碎，在遼闊的俄羅斯東 北疆界，催生了這則全球化時代的青春電幻 物語。

俄羅斯導演菲利普．尤烈夫首部劇情長片， 大 膽 啟 用 素 人 少 年， 透 過 獵 鯨 港 的 冷 冽 光 景，抓住網路初次登入少數民族自治區的獨

a shed every evening to watch gorgeous girls

Leshka lives in an isolated village on the Bering

chat site. For most of the guys, it's just a bit of fun, but Leshka takes it seriously. He encounters a beautiful girl on the chat site and falls in love with her. Leshka's first love transforms him beyond recognition: he is now determined to find the camgirl in the real world, where a crazy journey awaits him.

Strait. He is a teenager, and like most men in his village, he is a whale hunter. The internet's recent arrival in Leshka's village means the predominantly male population now gathers in thousands of kilometers away dance on the screen of a constantly buffering erotic webcam

菲利普．尤烈夫，1990 年出生 於俄羅斯莫斯科，畢業於俄國國 立影視學院。2008 年短片《The Morning with Different Eyes》 於 聖 保 羅、 阿 布 達 比、 蒙 特 婁 影展放映；2012 年《The Song of the Mechanical Fish》 入 選 日舞、克萊蒙費宏影展短片競 賽。2020 年首部劇情長片《美 國夢直播情》於威尼斯影展威尼 斯日首映。 Philipp YURYEV studied at Russian State University of Cinematography. His thesis film, The Song of the Mechanical Fish, was in competition at Clermont-Ferrand 2012 and Sundance 2013. The Whaler Boy is his feature debut.

DIRECTOR, SCREENPLAY 菲利普．尤烈夫 Philipp YURYEV PRODUCER Aleksey UCHITEL CINEMATOGRAPHER

Mikhail KURSEVICH, Yakov MIRONCHEV EDITOR Karolina MACIEJEWSKA, Alexander KRYLOV, 菲利普．尤烈夫 Philipp YURYEV MUSIC Krzysztof A. JANCZAK SOUND David VRANCKEN CAST Vladimir ONOKHOV, Kristina ASMUS, Vladimir LYUBIMTSEV, Nikolay TATATO, Arieh WORTHALTER, Maria CHUPRINSKAYA PRINT SOURCE Loco Films

2020 威尼斯影展威尼斯日最佳影片 GdA Director's Award, Venice Days, Venice FF 2020 平遙影展羅貝托 • 羅塞里尼榮譽最佳影片 Best Film, Roberto Rossellini Awards, Pingyao IFF 2021 香港電影節 Hong Kong IFF

09.27 MON 華山 2 14:50 ｜ 10.02 SAT 華山 2 18:00 ｜ 10.05 TUE 華山 2 13:00 亞洲稜鏡 ASIAN PRISM

107

亞洲稜鏡：邊境 、近境

以亞洲為主要座標，本單元在定錨於亞洲之外， 發現更多遊移於邊界之間或跨越疆界的故事。是 精神上的探索、生活上的開拓，也可能是文化交 融。在虛擬的時空，異化與真我同時發生。 Focusing on Asia, “Asian Prism: Crossing the Border” extends its antenna outside the continent to search for the stories that happen on or across the borders. It is a spiritual exploration and an expansion in life as well as the exchange between cultures. In a virtual time and space, alienation and one’s true self co-exist.

Asian Prism: Crossing the Border Along the Sea

海邊的女人們

海邊的女人們

日本、越南 Japan, Vietnam ｜ 2020 ｜ DCP ｜ Color ｜ 89min

Along the Sea

來自越南的鳳、茹、安，三人遠渡東洋來到 日本，甫落地護照就被血汗工廠老闆沒收， 超高工時與無理的軍事化管理，迫使她們決 心逃跑，從此成為非法勞工。透過仲介的介 紹，三人落腳濱海的漁工廠，過起隱姓埋名 的打工、換宿、還債的漁工生活。原以為三 個女人相依為命，可以就此平穩；某日，鳳 卻突然腹痛不止，但礙於沒有健保而不敢就 醫……。 日本，作為全世界移工人口第四多的國度， 本片是日本第一部以越南移工為主角的劇情 片。新銳導演藤元明緒首部作品《何處是我 鄉》以緬甸新移民成長故事為主題，於東京

影展獲獎，爾後更將他拍攝 NHK 紀實節目時 聽聞的移工故事，揉合緬甸裔妻子的過往經 驗，交織出這則遊走真實與虛構間的殘酷人 間劇場。

them to a fisherman for work and a shed to

「本片靈感來自一封移工寄給我的 SOS 電子 郵件。」──藤元明緒

doubled. As they start their work, Phuong

stay for free. Traveling by train and ferry, they arrive in Northern Japan. Despite the illegal working conditions, the trio feel relieved as they have found work and their wages are suddenly falls to the ground, stricken with severe pain. Worried, An and Nhu take Phuong

An, Nhu and Phuong, three young Vietnamese women in their early 20s, work as technical trainees in Japan. Unsatisfied with their

to a hospital, but they are refused admission for not having an ID card. Phuong then begins looking into how to get fake ID documents.

situation, they decide to escape, becoming illegal residents in Japan. Dan, a middle-aged Vietnamese man, introduces

藤元明緒，1988 年生於日本大 阪，大阪視覺藝術專門學校電影 科畢業，後遷至東京為 NHK 執 導紀實節目。2017 年首部劇情 長片《何處是我鄉》於東京影 展亞洲未來單元獲最佳影片； 2020 年《海邊的女人們》入選 聖賽巴斯提安影展新導演競賽單 元。 FUJIMOTO Akio graduated from Visual Arts Academy Osaka. In 2017, his first feature, Passage of Life, premiered at Tokyo and won Best Asian Future Film and the Spirit of Asia Award. Along the Sea was in New Director Competition at San Sebastián 2020.

DIRECTOR, SCREENPLAY, EDITOR 藤元明緒 FUJIMOTO Akio PRODUCER 渡邊一孝 WATANABE Kazutaka, Josh LEVY,

NGUYEN Le Hang CINEMATOGRAPHER 岸建太朗 KISHI Kentaro SOUND 彌榮裕樹 YAEI Youki CAST HOANG Phuong, HUYNH Tuyet Anh, QUYNH Nhu PRINT SOURCE Asian Shadows

2020 聖賽巴斯提安影展 San Sebastián IFF 2020 東京影展 Tokyo IFF 2021 大阪亞洲電影節 Osaka Asian FF

09.28 TUE 信義 11 14:00 ｜ 10.02 SAT 信義 11 19:10 ｜ 10.06 WED 京站 6 22:00 亞洲稜鏡：邊境、近境 ASIAN PRISM: CROSSING THE BORDER

109

德國妹妹蒙古姊姊

蒙古、德國 Mongolia, Germany ｜ 2020 ｜ DCP ｜ Color ｜ 92min

Black Milk

草原召喚著從小在德國長大的薇希，她離開 城市，來到這記憶模糊的家鄉，與久未謀面 的姊姊在蒙古大戈壁一起生活。牧養牲口、 逐水草而居的自由令人心生嚮往，牧民順應 自然、崇敬生命的態度，深深吸引著薇希。 然而，文化間的衝突正隱然蔓延，姊妹倆對 於婚姻、愛情、性、夢想有著截然不同的價 值觀，彼此的隔閡日漸加劇。面對不是自身 的傳統，她們該如何在自我認同與社會認可 間取得平衡？

直探女性情感與情慾自主的神祕地帶。由柏 楚的親戚飾演電影中的姊姊角色，為人物增 添自然和親密的互動；二度合作的攝影師司 凡．徹那，貼合故事節奏的影像，默契十足 地捕捉到角色的心靈狀態與令人屏息的戈壁 之美。

繼《海蒂不分類》之後，導演鄔珊瑪．柏楚 再次自編自導自演，從自己移民到歐洲的經 驗出發，剖析跨文化間的認同難題，並大膽

returns to the Gobi Desert. The bond between

Two sisters meet again after decades of separation. At a young age, Wessi moved to Germany while Ossi stayed in Mongolia. Their

participate in the harsh nomadic life and admires Ossi's everyday skills. Ossi, on the other hand, seems overwhelmed by Wessi's modern attitude towards life and is even more unsettled when she realizes that her sister is falling in love with an older neighbor. Wessi is desperate for his love and, as the rebel of the family, does not care about the traditions she didn't grow up with. A fight for love and recognition begins.

world is turned upside down when Wessi the sisters has remained strong but the culture clash is causing tension. Wessi wants to fully

鄔珊瑪．柏楚，1984 年出生於 蒙古，五歲時隨家人移民東德。 畢業於慕尼黑電視電影學院，曾 拍攝多部紀錄片。作品多探索當 代社會中女性的能動性與親密關 係，2016 年自編自導自演的首 部劇情長片《海蒂不分類》獲台 北電影節國際新導演競賽首獎， 《德國妹妹蒙古姊姊》為其第二 部長片作品。 Uisenma BORCHU was born in Mongolia in 1984 and came to the GDR in 1988. She studied at the Munich University of Television and Film, and her diploma film, Don't Look at Me That Way, won several awards worldwide.

DIRECTOR, SCREENPLAY 鄔珊瑪．柏楚 Uisenma BORCHU PRODUCER, CINEMATOGRAPHER 司凡．徹那 Sven ZELLNER EDITOR 鄔珊瑪．柏楚 Uisenma BORCHU, Christine SCHORR MUSIC Daniel MURENA SOUND Benedikt HOENES CAST 鄔珊瑪．柏楚 Uisenma BORCHU, Gunsmaa TSOGZOL, Franz ROGOWSKI, Terbish DEMBEREL, Borchu BAWAA PRINT SOURCE Nine Film

2020 柏林影展 Berlinale 2020 塔林黑夜影展 Tallinn Black Nights FF 2021 大阪亞洲電影節 Osaka Asian FF

09.24 FRI 信義 10 14:30 ｜ 09.28 TUE 信義 10 15:50 ｜ 10.02 SAT 信義 10 19:30 110

亞洲稜鏡：邊境、近境 ASIAN PRISM: CROSSING THE BORDER

女力拳開

南韓 South Korea ｜ 2020 ｜ DCP ｜ Color ｜ 104min

Fighter

少女智娜自北韓遠渡邊境，追隨母親的腳步 逃向南韓，開始全新人生。出了社福機構的 她六親無依，父親還卡在邊境動彈不得，更 發現母親早已另組家庭。迫於經濟壓力，她 白天在拳擊館清掃，晚上在餐館收盤子，堅 毅的氣質引起拳館老闆注意，邀她加入練習， 邁向職業拳擊手之路，就此踏上汗水與淚水 交織的青春擂台。 韓國新銳導演尹載皓繼《我們的美好時光》 後，推出「脫北者三部曲」第二部，直視脫 北者女性的故事，在極低成本的限制下，以 貼身親密鏡頭捕捉「脫北者」受歧視的底層 身份。劇中智娜問：「打拳能賺錢嗎？」直

搗核心，將尹載皓長年田調底層青年的普世 難題，化為一首描繪嚮往自由、在夢想與現 實間載浮載沉的現實之詩。

lives somewhere in town, while her father is

「我常在心中想像一個沒有南北國土分裂的 世代，不用跨越國界爭取自由，青年難題或 許會大不相同。」──尹載皓

her tactics. While working in a gym, she puts

still stuck in the north. In order to raise the money for his escape, Jina toils day and night. Following a period of setbacks, she changes on her boxing gloves. The sheer tension of her body reflects struggle for recognition far beyond the boxing ring.

After successfully escaping North Korea and spending months in a social inclusion facility, Jina moves into her new apartment in Seoul.

Fighter carefully tells the story of a refugee's fate in a divided country, the inner border of which is not just on the map.

However, the path to a self-determined life continues to challenge the young woman. Her mother, who has become a stranger to her,

尹載皓，1980 年出生於韓國釜 山，於巴黎 Le Fresnoy 學習影 像與攝影。2018 年紀錄片《脫 北者：我的雙面人生》貼身跟拍 脫北者穿越國境的偷渡旅程；其 創作「脫北者三部曲」的首部曲 《我們的美好時光》榮膺釜山影 展開幕片。 Jéro YUN studied Art, Photography and Film at the ENSAD in Nancy and Le Fresnoy in Paris. His short film, Hitchhiker, screened in the Directors' Fortnight at Cannes and his debut feature film, Beautiful Days, opened Busan 2018.

DIRECTOR, SCREENPLAY, EDITOR 尹載皓 Jéro YUN PRODUCER KIM Min-kyoung CINEMATOGRAPHER LIM Chang-wook MUSIC OH Su-jin SOUND SEO Kyeong-won CAST 林成美 LIM Seong-mi, 白瑞斌 BAEK Seo-bin, 吳光祿 OH Kwang-rok, 李丞娟 LEE Seung-yeon PRINT SOURCE 可樂藝術文創股份有限公司 Cola Films Co., Ltd.

2020 釜山影展年度最佳女演員、奈派克獎 Best Actress of the Year, NETPAC Award, Busan IFF 2021 柏林影展 Berlinale

09.26 SUN 華山 1 20:30 ｜ 09.30 THU 信義 11 18:10 亞洲稜鏡：邊境、近境 ASIAN PRISM: CROSSING THE BORDER

111

戀戀南娥湖

法國、寮國 France, Laos ｜ 2020 ｜ DCP ｜ Color ｜ 100min

Goodbye Mister Wong

寮國北方的南娥湖畔，年輕女子法蘭絲被兩 位背景迥異的男子追求，一是財大氣粗的中 國商人，另一位則是平凡的當地漁人，而命 運又為她帶來雨果，一位追尋妻子腳步來到 寮國的法國男人。法蘭絲成為雨果的在地嚮 導，引領他探索這個美麗靜謐的國度，也為 苦樂參半的故事揭開序幕。當眾人的命運交 織錯纏在這片土地上，與此同時也書寫著寮 國的過去、現在，與未來。

控訴看似多元文化融合的寮國，實則被西方 殖民與中國資本根深蒂固影響的現況，並以 極簡台詞、長鏡頭和聲響為主導，紀實風格 如實反映當地人的樣貌，並刻劃不停變動中 的寮國眾生相。

全片以 16mm 拍攝，充滿阿比查邦式的東南 亞神祕主義與自然主義；以錯綜複雜的水路 作為交通網路，寮國本身便是百轉千迴的隱 喻。導演以其法籍寮裔的背景，不著痕跡的

two men from opposite worlds. On the other,

old. This project is the reflection of a lifetime steeped into French culture; but I never forgot my Laotian roots. At the outset, the script revolved around France's (Nini Vilivong) relationship with Hugo (Marc Barbé) whose rise in her family rekindled memories of her French father. The subject then shifted

On the shores of Lake Nam Ngum in northern Laos, two destinies cross paths. On the one hand, France, a young woman sought after by

towards China's influence over cur rent economic development in Laos. Behind its fairy-tale appearances, Goodbye Mister Wong is a bittersweet tale." – Kiyé Simon Luang

Hugo, a Frenchman in search of the woman who left him a year earlier. "I came to France in 1976 when I was ten years

奇耶．西蒙．朗，1966 年出生 於寮國，十歲移居法國。曾修讀 視覺藝術，並擔任教職十年，後 投身於電影編導，曾拍攝多部實 驗片、紀錄片與劇情片，內容多 與寮國有關，《戀戀南娥湖》為 其首部劇情長片。 Kiyé Simon LUANG was bor n in Laos and moved to France in 1976. He studied visual arts and now works in photography, writing and film. In 2007, he initiated a collaboration with Shellac to revive cinematographic production in Laos.

DIRECTOR, SCREENPLAY 奇耶．西蒙．朗 Kiyé Simon LUANG PRODUCER Thomas ORDONNEAU CINEMATOGRAPHER

Aaron SIEVERS EDITOR Frédéric FICHEFET SOUND Pierre Alain MATHIEU CAST Nini VILIVONG, Marc BARBÉ, Soulasath SAUL, Nathalie RICHARD, Khamhou PHANLUDETH PRINT SOURCE Shellac

2020 馬賽影展 FID Marseille 2020 波爾多 後 紀錄片電影及媒體影展 Porto/Post/Doc: Film & Media Festival 2021 維爾紐斯影展 Vilnius IFF

10.01 FRI 華山 1 14:40 ｜ 10.04 MON 華山 1 12:10 ｜ 10.07 THU 華山 1 20:40 112

亞洲稜鏡：邊境、近境 ASIAN PRISM: CROSSING THE BORDER

木與水

德國、法國、香港 Germany, France, Hong Kong ｜ 2021 ｜ DCP ｜ Color ｜ 79min

Wood and Water

在教堂服務了大半輩子，安珂終於迎來退休 的一天。她與平日分居各地的兒女們相約海 邊老家餐敘，卻遺憾獨獨少了遠赴香港工作 的兒子。德國黑森林的閒散生活歲月靜好， 就是有點無聊，耐不住空虛的安珂決定踏上 旅程，隻身前往陌生的香港拜訪兒子。時逢 香港因反送中遊行而躁動不平，安珂嘗試為 自己的生命翻開新的篇章。 曾旅居香港的德國新銳導演約納斯．巴克與 母親的共同創作，以緩慢而優雅的節奏，運 用 16mm 膠卷拍攝她在人生最後的階段，上 演一場從「心」出發的冒險與追尋。在紀實 與虛構之間、鄉村與城市之間、靜謐與喧囂

之間，甚至是分離與連結之間，導演融匯西 方視角和東方哲學，建構了一部宛若綿長公 路電影的當代心靈寓言。

is an enigmatic new world to her. Through

「這是一段從孤寂憂慮到圓滿平靜的內在旅 程。」──約納斯．巴克

a fortune-teller and a social activist. These

conversations with strangers, she gradually settles in. A young woman who is sad to leave Hong Kong, Max's doorman, a psychiatrist, encounters help Anke to break down the inner walls she constructed years ago and make way

Anke has retired. She looks forward to seeing

for a new chapter in her life.

her children over the summer holidays. At the last minute, her son Max is unable to join them because of protests that are bringing Hong Kong, where he lives, to a standstill. As she has been out of touch with him for many years, she decides to visit him. Protest-ridden Hong Kong

約納斯．巴克，1985 年出生於 德國康士坦茨，畢業於英國愛丁 堡藝術學院，主修電影導演。曾 短暫於倫敦發展，拍攝兩部短片 《Wanderdrachen》、《One and Many》皆於國際影展首映。 2018 年曾赴香港任自由影視工 作者，《木與水》為其首部劇情 長片。 Jonas BAK was born in Konstanz in 1985 and studied Directing at Edinburgh College of Art. He wrote and directed two short films, Wanderdrachen and One and Many. Wood and Water is his first feature film.

@Trance Films

DIRECTOR, SCREENPLAY, EDITOR 約納斯．巴克 Jonas BAK PRODUCER Charlotte LELONG CINEMATOGRAPHER

Alex GRIGORAS MUSIC Brian ENO SOUND Marian MENTRUP CAST Anke BAK, Ricky YEUNG, Alexandra BATTEN, Patrick LO, Theresa BAK PRINT SOURCE Trance Films

2021 柏林影展 Berlinale 2021 紐約新導演 新電影影展 New Directors / New Films

09.28 TUE 華山 2 17:40 ｜ 10.03 SUN 華山 2 21:20 ｜ 10.06 WED 華山 2 15:00 亞洲稜鏡：邊境、近境 ASIAN PRISM: CROSSING THE BORDER

113

FORWARD TAIWAN

�日・��

Border 越界

越界

世界首映 World Premiere

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 60min

Border

台灣金門與中國廈門的海峽中線，終年漂浮 著成片的海漂保麗龍，越界盜沙的行為層出 不窮。為了追尋這起破壞性的源頭，導演黃 晧傑一路追到養殖氾濫的鄉村港灣，以及準 備蓋國際機場的小鎮，意外發現巨大的商機 潛藏其間，以及更加巨大的填海造陸計畫， 正在摧殘原本鄉村的風貌。一切，都是為了 經濟成就大於一切的「中國夢」。 來自金門的台灣導演黃晧傑，長期關注金門 的環境議題，以及兩岸的瞬息變化。這回他 將鏡頭對準對岸的廈門島，從海上漂浮的海 廢為起始，一路向西追尋；廈門島上「一國 兩制統一中國」的大幅標語，大方迎接自金

門游來的泳客。黃晧傑將本片作為寫給金門 海洋的警示語，雜揉了他對台海兩岸特殊關 係的獨特觀察；然而越過這道海峽界線，投 奔的究竟是怒海，還是一頭吞噬環境的經濟 巨獸？ In the middle of the strait between Kinmen and Xiamen in China, there are patches of sea filled with floating Styrofoam and sand is being

business opportunities and land reclamation have scarred the rural landscape while the residents pursue the Chinese Dream - a dream that places economic achievements above all else. Swimmers crossing the straight from Kinmen must beware of the siren on the other side - the hungry economic behemoth persistently chanting "one country, two systems and a unified China."

illegally dug up and smuggled across the border. While tracing the source of the destruction, the filmmakers came to a harbor overcrowded with fish farms and a small town where an international airport is being planned. Huge

黃晧傑，出生於台灣金門，身兼 影展策展人、紀錄片導演。熱愛 拍攝山林與海洋，並長期關注 家鄉的環境議題。2005 年開始 拍攝紀錄片，作品包括《Kalay Ngasan：我們的家》、《大浪 人生》等。《越界》為其寫給金 門海洋的警示信。 HUANG Hao-jie is a film festival curator as well as a documentary director from Kinmen, Taiwan. Border attempts to illustrate the special relationship between Taiwan and China, telling a cautionary tale of the marine ecosystem in Kinmen.

DIRECTOR 黃晧傑 HUANG Hao-jie EXECUTIVE PRODUCER 鄭文堂 CHENG Wen-tang PRODUCER 王淑平 WANG Shu-ping CINEMATOGRAPHER 蔡維隆 TSAI Wei-long, 羅友辰 LUO You-chen, 黃宏錡 HUANG Hong-ci, 黃晧傑 HUANG Hao-jie EDITOR 林偉聖 LIN Wei-sheng MUSIC 柯智豪 Blaire KO SOUND 好多聲音 FORGOOD S OUND PRINT SOURCE 兔草電影有限

公司 Loud Rabbit Film Ltd.

09.25 SAT 華山 1 20:20 ★▲｜ 10.04 MON 華山 1 18:00 ▲ 明日．台灣 FORWARD TAIWAN

115

明日・台灣

台 - 灣短

SHOW Forward Taiwan - Taiwan Shorts

Unforgettable Darkness of the Stained Spirit 失去

� 13 �

明日．台灣：台灣短 SHOW I Forward Taiwan - Taiwan Shorts I 世界首映 World Premiere

Day 13

疫情爆發，人心惶惶，長期於香港經商的男 子返台，欲探望病危的前妻，卻在即將解除 隔離的第 13 天，心境起了巨大的變化，生命 也將導向全然不同的方向。全片風格細膩沉 穩，精巧地以「隔離」為喻，帶出離鄉人的 各種幽微念想，千絲萬縷，剪不斷理還亂。 男主角樸實內斂的詮釋，一舉一動更添幽思。 During the Covid-19 pandemic, a man returns to Taiwan from Hong Kong because his ex-wife is ill. He has to stay in quarantine for 14 days. But it doesn't matter. He has already separated from his family for 20 years. When the quarantine period ends, he feels hesitant to face his family.

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 15min

黃國瑞，畢業於文化大學廣告 學系，曾參與多支電影及廣告 製作。現為影視及平面設計工 作者。2016 年以短片《nizpi》 獲 MOD 微電影暨金片子創作大 賽社會組優選。 HUANG Kuo-jui is a filmmaker and graphic designer. His short film, nizpi, was in the Top Selections in the 2016 MOD Golden Short Film Competition.

DIRECTOR, PRODUCER, SCREENPLAY, EDITOR 黃國瑞 HUANG Kuo-jui CINEMATOGRAPHER 李邦豪 LEE Pang-hao SOUND

張鈞 CHANG Jun CAST 許宏榮 Dennis HSU, 張芯瑜 CHANG Sin-yu, 邱筱文 CHIU Hsiao-wen, 吳羽翔 WU Yu-hsiang PRINT SOURCE 黃國瑞 HUANG Kuo-jui

失�

世界首映 World Premiere

Unforgettable Darkness of the Stained Spirit

協議離婚的夫妻，為了徹底遺忘對方，決定 進行刪除記憶的腦皮質手術。在醫院諮詢的 過程中，他們一一檢視婚姻關係裡的疑點、 盲點、痛點。忘記眼神，忘記臉龐，忘記身 體都不難，只怕忘了想忘記的決心。手術前 夕，一場意外打亂了兩人的計畫……。宛如 台版《王牌冤家》，夏于喬、黃健瑋精湛詮 釋一幅都市男女的愛恨風情畫，在所有關於 你的記憶迷宮裡，一再失而復得、得而復失。 After the divorce lawsuit, Jia Ting and Ming Kai want to have brain surgery to completely forget each other. While preparing the materials for the surgery, which include the objects representing their love, hatred, relatives and friends, they realize that the difference between them is this increasingly divided memory...

DIRECTOR, SCREENPLAY 丁啟文 TING Chi-wen PRODUCER 鄭義儒 ZHENG Yi-ru CINEMATOGRAPHER 洪孟承

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 30min

丁啟文，畢業於政治大學廣播 電視學系、北京電影學院研究 所。劇本作品《他們等待的那 個果陀》曾榮獲第 20 屆台北文 學獎舞台劇本首獎，並由故事 工廠改編為舞台劇。短片作品 《高清有碼》曾入選 2020 年 台北電影節。 TING Chi-wen graduated from the Department of Radio and Television at the National Chengchi University and obtained an MFA in Screenwriting from Beijing Film Academy.

HUNG Meng-chen EDITOR 顏子為 YAN Zi-wei MUSIC, SOUND 鄭昭元 Chao CHENG CAST 黃健瑋 HUANG Chien-wei, 夏于喬 Kimi HSIA, 李想 LEE Shiang PRINT SOURCE 丁啟文 TING Chi-wen

09.25 SAT 信義 11 18:40 ★｜ 09.29 WED 信義 11 21:00 ★ 明日．台灣：台灣短 SHOW I FORWARD TAIWAN - TAIWAN SHORTS I

117

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世界首映 World Premiere

A Rolling Stone

筆名未泯的羅義皇，與現任男友同居，在城 市中工作、生活與創作。他笑稱每次回老家 都要「設計自己的逃亡路線」，身上有 37 把 鑰匙，方向感不好的他，有時連回家都會迷 路。未泯在二次入獄時拿了一座林榮三文學 獎，但並不是每把鑰匙都能開啟正確的門。 在未泯身上，「未泯」的又是什麼？新銳導 演葉家辰以鏡頭忠實紀錄下作家羅義皇生命 中的迷茫、甜蜜與和解。 He has tattoos. He writes poems. He paints. He has done a few dirty jobs. When he was in prison for the second time, he received a literary award. He always looks for work, friends, love, but gets lost again and again... He is Weiming, a pen name he adopted when he was in junior high school.

DIRECTOR, CINEMATOGRAPHER, EDITOR 葉家辰 YEH Chia-chen CHARACTER 羅義皇 RO Yi-huang, 王成龍 WANG Cheng-

long PRINT SOURCE 葉家辰 YEH Chia-chen

09.25 SAT 信義 11 18:40 ★｜ 09.29 WED 信義 11 21:00 ★

118

明日．台灣：台灣短 SHOW I FORWARD TAIWAN - TAIWAN SHORTS I

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 42min

葉家辰，就讀於台灣藝術大學 電影學系碩士班。有多部短片 編導經驗，2018 年作品《演員》 曾獲第 23 屆 ifva 香港獨立短片 及影像媒體節評審推薦獎。 YEH Chia-chen is a filmmaker and visual artist. She is currently doing an MFA at the NTUA, and her short film, Keep Rolling, won the Jury Recommendation at the ifva Awards 2018.

明日．台灣：台灣短 SHOW II Forward Taiwan - Taiwan Shorts II

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世界首映 World Premiere

Falling Koi

「牠快死掉了，有沒有水給牠？」一尾從卡 車裡跳出來的烏鯉，正在男子拎著的塑膠袋 裡啪噠作響，橋上的少年遞上他車內僅有的 一瓶水。在渺無人煙的山區，少年追憶著逝 去的時光與記憶，已成廢墟的過去，如何能 尋？ 鄭有傑、王可元繼《親愛的房客》後再次同 框演出，兩人一魚展開這趟微型公路之旅。 生命中總有些卡關的時刻，放慢速度環顧周 遭，絕地之處總有生機可循。 A depressed young man, an enthusiastic local and a koi embark on a journey.

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 12min

朱建安，1993 年出生於台北， 畢業於政治大學企業管理學系， 目前就讀紐約哥倫比亞大學電 影編導研究所。曾拍攝短片《趨 光》、《審慎評估》，視電影 創作為與人交流情感的渠道。 An CHU graduated from the Department of Business Administration at the National Chengchi University and is currently doing an MFA in Film at the Columbia University.

DIRECTOR, SCREENPLAY 朱建安 An CHU PRODUCER 蔡渝涵 TSAI Yu-han CINEMATOGRAPHER 楊仲傑 YANG Chung-chieh EDITOR 朱威 CHU Wei MUSIC 鄭昭元 Jennifer ZHENG SOUND 林子翔 LIN Zi-xiang CAST 王可元 WANG Ko-yuan, 鄭有傑

CHENG Yu-chieh PRINT SOURCE 朱建安 An CHU

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my sister

世界首映 World Premiere

大學放榜前一天，小春無意間發現了家裡的 大祕密。即將成年到異地求學，弟弟夏仔沒 放過這最後與姊姊相處的夏天。家鄉的人事 物依舊，面對眼前未知的未來，小春既期待 又怕受傷害。成年的滋味，竟如此超乎預期 地又澀又甜。 從平凡的台灣家庭孕育出後韻無窮的成長故 事，勾勒不善表達情感的家人面對分離時那 不捨與疼惜之情，藍葦華、鄭有傑演出精采， 年輕演員亦不遜色，細膩刻劃女孩面對成年、 離家時的不安與期待。 It is the day before Hsiao-chun's 18th birthday, and she is preparing to leave home for university. At home, she shares a room with her younger brother. That night, she overhears a secret, which completely changes the way she looks at her family and herself...

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 25min

潘客印，導演、編劇、剪接師、 配音員。畢業於淡江大學大眾 傳播學系，曾以剪接作品《肇 事者逃逸》入圍金鐘戲劇類節 目剪輯獎。首部編導電影短片 《姊姊》獲選文化部電影短片 輔導金。 PAN Ke-yin is a director, scriptwriter, editor and voiceover artist. He was nominated Best Editing at the Golden Bell Awards for Hit and Run.

DIRECTOR, SCREENPLAY, EDITOR 潘客印 PAN Ke-yin PRODUCER 呂彥萩 LU Yen-chiu CINEMATOGRAPHER 趙冠衡 Eric

CHAO MUSIC 質地有聲製樂所 Audio Textural, 許家維 HSU Chia-wei SOUND 高偉晏 R.T KAO CAST 黃珮琪 HUANG Pei-chi, 朱羿銘 CHU Yi-ming, 高伊玲 KAO Yi-ling, 藍葦華 LAN Wei-hua, 張凱喆 CHANG Kai-jhe PRINT SOURCE 酷映有影工作室有限公 司 Key In Films Ltd.

09.26 SUN 信義 11 18:20 ★｜ 09.30 THU 信義 11 21:00 ★ 明日．台灣：台灣短 SHOW II FORWARD TAIWAN - TAIWAN SHORTS II

119

��肉圓

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 15min

Piglet Piglet

診間裡的超音波傳出寶寶的心跳聲，懷胎八 週的妤安對新生命有些雀躍也有些許不安。 丈夫上偉興致勃勃地在總統大選的造勢晚會 上，向妤安分享他的肉圓店創業夢想。夫妻 倆的未來圖像正慢慢浮現。 本片集結新生代演員黃迪揚、李雪，以女性 面對新生命到來的忐忑不安，呼應台灣社會 近年的集體情緒，美豬、肉圓、選票、台灣 的未來。當理念喊得聲嘶力竭的同時，枕邊 人的心事誰人知。 Leading up to the 2020 Taiwanese presidential election, Yu-Ann finds herself pregnant and decides to keep to herself since her husband is busy with the opening of a Ba-wan bistro. But before Yu-Ann has the chance to tell her husband about the pregnancy, she has a miscarriage and is devastated... DIRECTOR, SCREENPLAY, EDITOR 林宗諺 LIN Tsung-yen PRODUCER 李光哲 LEE Kuang-che, Khalea Ross ROBINSON CINEMATOGRAPHER Thesun SOUND 陳子翔 CHEN Tzu-xiang CAST 李雪 Angel LEE, 黃迪揚 RD HUANG, 劉明勳 Sean LIU, 徐瑞蔆 HSU Jui-ling PRINT SOURCE 林宗諺 LIN Tsung-yen

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世界首映 World Premiere

8Teen

考上警專的阿杰和死黨魷魚即將一起到台北 念書，兩人嚮往到瞎趴的城市生活、看漂亮 女生、吃高級牛排。在家鄉的最後一個暑假， 阿杰一如既往地幫忙阿公的賣酒生意，面對 眼前時常買醉的大人，阿杰只想趕快離家。 某天，鎮上來了一名時髦女生，神祕的氣質 吸引阿杰的目光，越發增添他對成長的想像。 火車進站又離站，北漂青年的青春夢想會在 何處停靠？新銳演員黃冠智將夾雜迷惘與憧 憬的少年脾性詮釋入裡。 Jay lives in a small village. He longs to go to Taipei, but his dream is hampered by his alcoholic grandfather. One day, a beautiful girl from Taipei arrives, filling Jay's life with hope, excitement and possibilities. But Jay feels devasted again when the girl suddenly leaves the village. DIRECTOR, SCREENPLAY 林劭慈 Shao LIN PRODUCER 程薇倫 Winnie CHEN, 葉佐志 Kyle YEH Tso-chih CINEMATOGRAPHER

陳紹涵 Victoria CHEN EDITOR 邱建澄 Owen CHIU MUSIC 蔡佳穎 TSAI Chia-ying SOUND 陳君毅 CHEN Jyun-yi, 陳奎翰 CHEN Kuei-han CAST 裴子齊 PEI Tzu-chi, 黃冠智 HUANG Guan-zhi, 羅優 LO Yu, 蔡佳容 TSAI Chia-jung, 陳永輝 CHEN Yung-hui PRINT SOURCE 程薇倫 Winnie CHEN

09.26 SUN 信義 11 18:20 ★｜ 09.30 THU 信義 11 21:00 ★ 120

明日．台灣：台灣短 SHOW II FORWARD TAIWAN - TAIWAN SHORTS II

林宗諺，台灣電影導演與編劇， 亦拍攝紀錄片。大學主修電機 系， 現 就 讀 紐 約 大 學 電 影 研 究 所， 為 2020 年 NYU Grad Film 李安獎學金受獎者。作品 關注社會議題、人物生活樣貌， 風格寫實，以影像創作實踐社 會責任，帶有強烈的社會責任 實踐。 LIN Tsung-yen is a scriptwriter and director. Currently, he is doing an MFA in Directing in the Kanbar Institute of Film & Television, New York University Tisch School of the Arts.

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 28min

林劭慈，1994 年出生於桃園， 畢業於台北藝術大學電影系表 演主修。大學四年接觸表演， 從自己身為一個演員開始學 習，進而發現自己對影像敘事 的熱情。短片作品《133 公里》 曾入選金穗獎、女性影展台灣 競賽。 Shao LIN has directed five short films, which were presented at several film festivals and awards, including the Golden Harvest Awards, the Women Make Waves and the MOD Short Film Awards.

火車快飛

8Teen

WORLD CINEMA

當代��

Conference 重返悲劇現場

瞞天過界

巴勒斯坦、約旦、卡達、義大利、瑞典 Palestine, Jordan, Qatar, Italy, Sweden ｜ 2020 ｜ DCP ｜ Color ｜ 96min

200 Meters

巴勒斯坦男子穆斯塔法，與妻兒分據以色列 「 隔 離 牆 」 兩 邊， 彼 此 相 隔 200 公 尺。 每 晚睡前的通話與燈號，是他對家人的思念寄 語。正逢背傷未癒的他，兒子又與同學起衝 突，生活愈發不容易。一日，他為了與家人 會面，冒險選擇一趟與陌生人共度的越界之 旅……。 導演阿敏．納伊法以一個父親的視角和心思， 描繪個人生命、家庭與世代，乃至國族層次 的意涵，宛如多面稜鏡。透過公路片和懸疑 劇的類型手法，剖析阿拉伯世界的生活情景。 一部車一個世界，又或一部車是移動的家， 更是每日迫切的現實和想望。片中德籍女攝

影師、回鄉參加婚禮的巴勒斯坦男子、出外 謀職的少年，各有隱情與抉擇，刻寫著殘酷 又動人的以巴浮世繪。 Every night, Mustafa says goodnight to his children by flashlight – signaling across the 200 meters that keep them apart, on either side of the encroaching Israeli-constructed

naively defiant Palestinian returning home for his cousin's wedding with his camera-ready German girlfriend. Whilst the wall fragments Palestine itself, it is the subtle and labyrinthine ramifications of everyday life that Ameen Nayfeh brings into frame, highlighting the ingenuity and dignity of Mustafa's attempts to withstand the situation.

wall. But when his son is taken to hospital, the distance that separates him from his family becomes a vast ocean. Via bureaucracy, heavily-policed checkpoints and smugglers, his odyssey collides fatefully with others – from a young boy simply trying to find work, to a

©David Schittek

阿 敏． 納 伊 法，1988 年 出 生 於巴勒斯坦，2010 年於東耶路 撒冷聖城大學主修護理，後於 約旦紅海電影藝術學院取得電 影 製 作 碩 士。 短 片 作 品《The Crossing》 獲 阿 拉 伯 短 片 電 影 節評審團大獎；另有紀錄短片 《The Uppercut》和《The Eid Gift》；《瞞天過界》為其首部 劇情長片。 A m e e n N AY F E H wa s b o r n i n Palestine in 1988. He obtained a BSc in Nursing from Al-Quds University in East Jerusalem and an MFA in Film Production from the Red Sea Institute of Cinematic Arts in Jordan. 200 Meters is his first feature.

©Alaa Aliabdallah

DIRECTOR, SCREENPLAY 阿敏．納伊法 Ameen NAYFEH PRODUCER May ODEH CINEMATOGRAPHER Elin KIRSCHFINK EDITOR Kamal El MALLAKH MUSIC Faraj SULIMAN SOUND Sylvain BELLEMARE CAST Ali SULIMAN, Anna UNTERBERGER, Motaz MALHEES, Lana ZREIK, Ghassan ABBAS PRINT SOURCE True Colours

2020 威尼斯影展威尼斯日 Venice Days, Venice FF 2020 倫敦影展 London FF 2020 釜山影展 Busan IFF

09.28 TUE 信義 11 21:00 ｜ 10.03 SUN 京站 6 16:40 ｜ 10.06 WED 京站 6 14:20 當代精選 WORLD CINEMA

123

越高潮越寂寞

亞洲首映 Asian Premiere

以色列 Israel ｜ 2021 ｜ DCP ｜ Color ｜ 89min

All Eyes Off Me

以色列的年輕世代渴望嘗試所有新鮮事，丹

卻因此耽溺成癮。看似自信獨立，卻又害怕

sexual fantasy. Truth is, Avishag actually has

妮懷孕了，她急著在派對中尋找並告知播種

寂寞，想愛、渴望親密卻無法向他人展露真

someone else in mind.

者麥克斯，卻難見其蹤影；麥克斯交了新女

實脆弱的一面。好不容易相愛，卻又輕易讓

"My intention was to make a reverse Lolita.

友艾薇夏格，忙著體驗粗暴性幻想情節。然

彼此心碎；想逃離現實，卻被黑洞般的空虛

Instead of the older man attracted to a virginal

而他卻有所不知，艾薇夏格正陷入一段未預

和恐懼咬嚙吞噬。片中章節環環相扣，彷若

child, a young and sexual girl who is attracted

期、看似不可能的關係中，尋求何謂真正的

人際關係網路，角色互為彼此鏡像，血淋地

交集、溫暖與親密。

體現這個世代的寫照。

沒有限制、禁忌，追求新奇、刺激，萬物如 速食隨手可拋，興奮感卻無法持久，只有在 性愛中追求痛楚，才能真正感受自身存在，

to explain that feeling, why she is so attracted to him, I would have to show the world of the heroine, Avishag, which is very bold and liberal,

導演哈妲絲．班．阿若雅藉本片叩問何謂自 由、愛與親密？自覺青春無敵的年輕世代，

to a virginal man. But then I felt that in order

but this has a price. The price is that with Tel Aviv, today. Danny is looking for Max through a party to share that she's pregnant with his child. But Max just started a new relationship

all that freedom and stimulation it becomes harder to feel anything at all." – Hadas Ben Aroya

with Avishag and attempts to realize her rough

哈妲絲．班．阿若雅，1988 年 出生於以色列，畢業於史蒂夫蒂 施電影電視學院。2016 年首部 長片《越愛越寂寞》於盧卡諾影 展首映，並入選 2017 年台北電 影節國際新導演競賽。《越高潮 越寂寞》為其第二部長片，於柏 林影展電影大觀單元首映。 Hadas BEN AROYA graduated from the Steve Tisch School of Film and Television. Her feature debut, People That Are Not Me, which she wrote, directed, produced and starred, premiered at Locarno 2016. All Eyes Off Me is her second feature.

DIRECTOR, SCREENPLAY 哈妲絲．班．阿若雅 Hadas BEN AROYA PRODUCER 哈妲絲．班．阿若雅 Hadas BEN AROYA,

Maayan EDEN CINEMATOGRAPHER Meidan ARAMA EDITOR Or LEE-TAL SOUND Neal GIBBS CAST Elisheva WEIL, Leib LEV LEVIN, Yoav HAIT, Hadar KATZ PRINT SOURCE Best Friend Forever

2021 柏林影展 Berlinale

09.24 FRI 華山 1 14:40 ｜ 10.01 FRI 華山 1 12:10 ｜ 10.06 WED 華山 1 20:30 124

當代精選 WORLD CINEMA

不容易的爸爸

日本 Japan ｜ 2020 ｜ DCP ｜ Color ｜ 108min

Any Crybabies Around?

秋田縣男鹿半島，新手父親阿佑的女兒剛出 世，他卻在全鎮最重要的祈福祭典「生剝鬼 節」酒醉裸奔，在全國性電視直播節目出盡 洋相，成為全村公敵。阿佑拋妻棄女，逃到 東京兩年，才回老家面對過去、尋求諒解， 豈料妻子早已改嫁。新年到了，「生剝鬼」 照舊穿梭大街小巷，怪聲問著：「有愛哭鬼 嗎？」被嚇過，才能放下稚氣；這回阿佑要 嚇的是誰？

京公園》、《晨曦將至》著名攝影師月永雄 太，精準捕捉老男孩們踽踽獨行的後青春期 風景，奪下聖賽巴斯提安影展最佳攝影獎。

是枝裕和旗下新銳導演計畫的首波作品。於 PIA 影展一戰成名，新銳導演佐藤快磨找來 《寬鬆世代又怎樣》仲野太賀獨挑大樑，動 人演繹鄉下小鎮長不大的「彼得潘們」。《東

and visit homes to scare kids into behaving

「我也曾是那個逃跑到東京的『彼得潘』。」 ──佐藤快磨

Two years later he returns to his hometown to make it up to his ex-wife and their little daughter, only to find himself faced with a very difficult situation.

A man is caught on live national TV naked and drunk in the middle of the sacred Namahage Festival, where men dress in ogre-like costume well in the next year. Tasuku, a young father, is ostracized for shaming the village and its tradition and flees to Tokyo alone.

佐藤快磨，1989 年出生於日本 秋田市。於東京大學中輟，本想 從事廣告業，後改念一年制電 影學校。2014 年首部劇情長片 《Don't Say That Word》 於 日 本 PIA 影 展 勇 奪 觀 眾 票 選 獎。 2020 年是枝裕和監製《不容易 的爸爸》入選聖賽巴斯提安影展 競賽單元。 SATO Takuma made several short films before his first feature, Don't Say That Word, which won the Audience and Cinema Fan Awards at Pia Film Festival 2014. Any Crybabies Around? is his second feature.

DIRECTOR, SCREENPLAY, EDITOR 佐藤快磨 SATO Takuma PRODUCER 大日向隼 OHINATA Jun, 伴瀨萌 BANSE Megumi,

古市秀人 FURUICHI Shuto CINEMATOGRAPHER 月永雄太 TSUKINAGA Yuta MUSIC 折坂悠太 ORISAKA Yuta SOUND 廣中桃李 HIRONAKA Tori CAST 仲野太賀 NAKANO Taiga, 吉岡里帆 YOSHIOKA Riho, 寬一郎 Kanichiro, 山中崇 YAMANAKA Takashi PRINT SOURCE 英屬蓋曼群島商威望國際娛樂股份有限公司台灣分公司 CatchPlay Inc.

2020 聖賽巴斯提安影展最佳攝影 Best Cinematography, San Sebastián IFF 2020 東京 FILMeX 影展 Tokyo FILMeX IFF 2020 芝加哥影展 Chicago IFF

09.25 SAT 華山 2 20:40 ▲｜ 10.06 WED 信義 11 18:50 ▲ 當代精選 WORLD CINEMA

125

無懼之地

法國 France ｜ 2020 ｜ DCP ｜ Color ｜ 99min

Beasts

天未亮，最後一抹藍色月光籠罩牧場，康斯 坦絲和父親、男友忙著趕牛入棚、鋪乾草、 餵牛崽。設備老舊的牧場在三人努力下勉強 撐著，隨時面臨破產的危機。康斯坦絲不願 放棄，她轉向農業委員會爭取資金，也幸運 獲得主席西凡的支持。一切看似順利，但當 西凡藉著幫助的名義不斷靠近，康斯坦絲卻 漸如拍賣場上，那一頭任人喊價競標的牛。

掙扎無力的無助。電影更刻意將男性的動物 本能作為女主角命運轉圜的關鍵點，寫實體 現導演對現實社會的諷刺。

牲畜市場猶如濾鏡，清一色都是男性，自成 一處野獸人間之地。導演馬蘭丁透過電影探 討男性為主的畜牧業中，身體與統治的關係， 並藉著長鏡頭的語言，讓觀眾同步體會女主 角面對男性特權暴力時，身軀被圈困緊縛、

farm, modernizing and expanding it.

agency, so their fate lies in his hands... When Sylvain tells Constance how much he wants her, can she afford to turn him down?

25-year-old Constance is the daughter of a cattle farmer. With her fiancé Bruno, she lives and works on her father's farm. The young couple hope that one day, they will take over the

As the bank threatens to seize their business and they are crippled by a huge amount of debt, the family gain the support of the powerful Sylvain. He sits on the board of a regional farm-financing

納爾．馬蘭丁，1981 年出生於 法國巴黎，身兼電影導演、演員 與編劇。年少時從事演員，爾後 接連執導兩部短片與長片《She Walks》。2020 年 新 作《 無 懼 之地》入選坎城影展影評人週。 Naël MARANDIN has directed two features, including Beasts in 2020 and She Walks in 2016 and two short films. He works with fiction steeped in reality and tells stories where society, intimacy, power and desire coalesce.

DIRECTOR, SCREENPLAY 納爾．馬蘭丁 Naël MARANDIN PRODUCER Julien ROUCH CINEMATOGRAPHER

Noé BACH EDITOR Damien MAESTRAGGI MUSIC Maxence DUSSÈRE SOUND Olivier DANDRÉ, Jocelyn ROBERT, Dominique GABORIEAU CAST Diane ROUXEL, Finnegan OLDFIELD, Jalil LESPERT, Olivier GOURMET, Bruno RAFFAELLI PRINT SOURCE Kinology

2020 坎城影展影評人週 International Critics' Week, Cannes 2020 釜山影展 Busan IFF 2020 塔林黑夜影展 Tallinn Black Nights FF

09.25 SAT 華山 1 14:30 ｜ 09.30 THU 華山 1 12:00 ｜ 10.06 WED 華山 1 17:50 126

當代精選 WORLD CINEMA

蕩漾年華

德國 Germany ｜ 2021 ｜ DCP ｜ Color ｜ 89min

Bliss

柏林的妓院裡，環肥燕瘦，各自美豔的軀體 一字排開。莎夏已是老鳥，自信熟練；義大 利女孩瑪麗亞初來乍到，古怪又特立獨行， 帶著些許文藝氣息；莎夏立刻為瑪麗亞異於 常人的氣質傾倒，瑪麗亞則迷戀莎夏的自在 從容。兩人深陷前所未有的熱戀，彷彿看見 幸福的一瞬之光。無奈生活的殘酷埋下綺戀 的阻礙，瑪麗亞急於向父親證明自己在異鄉 的生活富足順遂；莎夏也背負上一段婚姻的 包袱。兩人該如何破除自身陰影、恐懼，直 面世俗眼光展現真我？ 導演庫爾以社會學背景為基礎，在女同志的 愛情故事中，以具象或抽象的「監獄」為母

題，從首部作品《獄愛》到本次以邊緣女性 視角，實踐「差異」與「重複」的手法。宛 若囚鳥的兩人，不僅被都市生活、現實條件 桎梏，更為彼此的成見與誤解禁錮，讓戀情 被鍊上重重枷鎖。

differently than anything either of them has experienced before - a promise of great happiness. But then their connection starts to tremble – because of their fear of showing each other their true selves and facing their own abysses.

Sascha has been working in the Berlin brothel "Queens" for many years. Maria is the new girl, and she is independent, maverick and queer. Sascha is immediately drawn to this otherness while Maria in turn is fascinated by Sascha's supreme ease. The attraction becomes a love that works

漢芮卡．庫爾，1984 年出生於 德國南部，曾於科隆研讀社會 學，後轉換跑道攻讀電影製作與 導演。首部劇情長片《獄愛》及 《蕩漾年華》皆於柏林影展電影 大觀單元首映。 Henrika KULL studied at the German Film and Television Academy Berlin and the Film University Babelsberg Konrad Wolf. Her graduation film, Jibril, premiered in Panorama at Berlinale 2018 and won many international prizes.

DIRECTOR, SCREENPLAY 漢芮卡．庫爾 Henrika KULL PRODUCER Martin HEISLER CINEMATOGRAPHER

Carolina STEINBRECHER EDITOR 漢芮卡．庫爾 Henrika KULL, Anna-lena ENGELHARDT, Hannah SCHWEGEL MUSIC Dascha DAUENHAUER SOUND Thomas NEUMANN CAST Katharina BEHRENS, Adam HOYA, Nele KAYENBERG,

Jean-Luc BUBERT PRINT SOURCE Reel Suspects

2021 柏林影展 Berlinale

09.23 THU 華山 1 20:40 ｜ 09.28 TUE 華山 1 12:20 ｜ 10.01 FRI 京站 6 21:40 當代精選 WORLD CINEMA

127

重返悲劇現場

俄羅斯、愛沙尼亞、英國、義大利 Russia, Estonia, UK, Italy ｜ 2020 ｜ DCP ｜ Color ｜ 135min

Conference

俄羅斯偏遠修道院修女娜塔莉亞，在莫斯科 歌劇院脅持事件 17 年後，為倖存者們籌辦哀 悼紀念會。娜塔莉亞在莫斯科見到不諒解自 己的女兒，與癱瘓臥床的丈夫，她的出現迫 使一家人重新憶起這段黑暗的過往。哀悼會 上，倖存者句句血淚，講述著每個生命體猝 然逝去的悲慟，過往的恐怖攻擊歷歷在目， 活下來的內疚卻是日夜不可承受之重。 延續導演歷來對於「被社會遺忘的局外人」 的關注，本片自娜塔莉亞的家庭悲劇出發， 探索恐懼的本質，以小見大暗示了再重大的 事件終究被遺忘，徒留倖存者傷悲。電影以 魔幻寫實為基調，背景處處可見一道光束貫

穿，宛如黑暗中救贖的一瞬之光。

the events as told by a few participants in the memorial evening we learn the dark details of

Natalia, a nun from a remote Russian monastery,

Natalia's personal story.

comes to Moscow 17 years after the terrorist attack in Dubrovka Theater. She was sent there to organize a memorial evening for the victims of the attack that happened in October 2002. We soon learn that Natalia and her family were the witnesses for the attack. Almost forgotten now by the outside world, the organizers and participants of the memorial evening or the Conference (as they were asked to call it officially) are made to feel like a burden by the rest of the society. Following the chronology of

艾凡．塔爾多斯基，1988 年出 生於俄羅斯莫斯科，畢業於莫斯 科國立電影學院。首部長片《廢 青同盟》曾入選 2015 年台北電 影節國際新導演競賽；2017 年 《玩尾女人》亦於台北電影節放 映。《重返悲劇現場》為其第四 部編導長片。 Ivan I. TVERDOVSKIY is a Russian writer and director born in 1988. His debut feature, Corrections Class, was in the International New Talent Competition at Taipei Film Festival 2014. Conference is his fourth film.

DIRECTOR, SCREENPLAY, EDITOR 艾凡．塔爾多斯基 Ivan I. TVERDOVSKIY PRODUCER Katerina MIKHAYLOVA,

Konstantin FAM, Egor ODINTSOV CINEMATOGRAPHER Fedor GLAZACHEV MUSIC Sten SHERIPOV SOUND Horret KUUS, Andrey GURYANOV, Rustam MEDOV CAST Natalya PAVLENKOVA, Natalya POTAPOVA, Kseniya ZUEVA, Yan TSAPNIK PRINT SOURCE REASON8 Films

2020 威尼斯影展威尼斯日 Venice Days, Venice FF 2020 開羅影展最佳導演、最佳女主角 Best Director, Best Actress, Cairo IFF 2020 塔林黑夜影展 Tallinn Black Nights FF

09.28 TUE 信義 10 12:30 ｜ 10.01 FRI 信義 10 18:30 ｜ 10.04 MON 信義 10 15:40 128

當代精選 WORLD CINEMA

大眾情人之死

亞洲首映 Asian Premiere

加拿大、愛爾蘭 Canada, Ireland ｜ 2020 ｜ DCP ｜ Color ｜ 101min

Death of a Ladies' Man

風流成性的「大眾情人」山姆，在文學教授 的身份之前，更是個老酒鬼，與前妻育有一 子一女，一世渣男卻撞見第二任妻子尬上小 鮮肉，婚姻告終。他開始有特異功能，不時 看到幻象，像是上空出現飛翔的噴火龍、科 學怪人陪他混酒吧、和父親鬼魂一同拼酒。 他被診斷為腦癌末期，壽命只剩一年，遂決 定默默躲回愛爾蘭鄉下，偏偏卻在下定決心 當一個好人，試圖修補疏離的兒女關係之際， 又遇上新的真愛。

感悟，誠意十足的誠懇熱血讓他一口氣拿到 〈哈利路亞〉等七首柯恩名曲授權。《記憶 乍響》、《宿怨》蓋布瑞．拜恩精采詮釋做 鬼也風流倜儻的教授；《親愛媽咪》師生組 合蘇珊．克雷蒙、安托萬．奧利弗．波尼安 再次攜手演繹母子情深。卓別林說：「用特 寫拍悲劇、用大遠景拍喜劇。」深受啟發的 導演循此模式，完成這齣笑淚交織的創意人 生劇。

身為已逝魁北克國寶詩人歌手李歐納．柯恩 的超級粉絲，導演馬修．比索內特這回以同 名歌曲〈大眾情人之死〉為靈感，加入自身

Samuel O'Shea, a university professor of poetry,

ending but more disturbingly, he has begun seeing things: Frankenstein sidles up to the bar and strangers sing and dance to Leonard Cohen tunes. His much-missed father, who died when Samuel was just a boy, pops up for chats. At first Samuel thinks it could be the drink, but then learns he has a brain tumor. Reflecting on the life he has lived, Samuel retreats to his family shack in remote Ireland. Surprisingly, he meets and falls in love with a local woman full of unexpected ideas. All

exuberant womanizer and enthusiastic drinker,

this leads Samuel to an utterly unforeseeable happy ending.

has seen better days. His second marriage is

馬修．比索內特，1965 年出生 於 加 拿 大 蒙 特 婁， 電 影、 廣 告 導演與小說家。畢業於蒙特婁 康考迪亞大學電影與英語文學 系，後於皇后大學獲法律學位、 取得律師資格，旋即轉為電影 產業服務。已創作四部電影長 片，2009 年 作 品《Passenger Side》於多倫多影展、倫敦影展 放映。 Matthew BISSONNETTE studied English and Film at Concordia University in Montreal. He has written and directed four feature films and many adverts. His debut novel, Smash Your Head on the Punk Rock, was published in 2008.

DIRECTOR, SCREENPLAY 馬修．比索內特 Matthew BISSONNETTE PRODUCER Corey MARR, Don CARMODY, Marie-Claude POULIN, Martina NILAND CINEMATOGRAPHER Jonathon CLIFF EDITOR Matt LYON MUSIC Stephen RENNICKS SOUND Paul GERMANN, Mark GINGRAS CAST 安托萬．奧利弗．波尼安 Antoine Olivier PILON, 蘇珊．克雷蒙 Suzanne CLÉMENT, 蓋布瑞．拜恩 Gabriel BYRNE, 布萊恩．格里森 Brian GLEESON, Karelle TREMBLAY, Jessica PARÉ PRINT SOURCE 天馬行空數位有限公司 Sky Digi Entertainment Co., Ltd.

2020 加拿大卡加利影展 Calgary IFF

10.02 SAT 信義 10 16:50 ▲ 當代精選 WORLD CINEMA

129

失落園

英國 UK ｜ 2020 ｜ DCP ｜ Color ｜ 104min

Limbo

強風吹拂的蘇格蘭偏遠離島，天賦異稟的年 輕敘利亞音樂家歐瑪與其三位同鄉友人正等 待難民證結果出爐。他們被迫參加當地詭異 的「文化意識」課，接受一番令人困惑的思 考教育。島上唯一的公共電話亭，是他與遠 方家人通話的慰藉。歐瑪帶著祖傳的烏德琴， 卻因手臂骨折而無法彈奏，失去音樂家存在 的意義。漫步在凜冽的寒風中，他想起留在 家鄉奮戰的兄弟，對比眼下的處境，歐瑪不 禁開始質疑當初離開的決定。

曾聽過福音而死亡之人，靈魂將滯留懸而未 果之界域」，以此影射難民主角在異鄉的痛 苦景況。英國導演班．夏拉克融合了英式幽 默與荒誕主義，完成這部夾雜淚水與笑聲的 感人憂鬱喜劇。

靈感來自導演大馬士革友人的真實故事，運 用簡潔的框景運鏡，鋪陳主角歐瑪的自我意 識之旅。片名「Limbo」取自天主教教義，「未

about their refugee status claims, Omar and his

In a remote corner of Scotland's Outer Hebrides, gifted young musician Omar and his fellow Syrian asylum seekers endure a puzzling cultural-

only payphone. Unable to play due to a broken arm, Omar carries his grandfather's oud with him while wandering the lonely landscape, as if weighed down by both the burden and the comfort of memories of home and the life he knew. His brother, who stayed behind to fight in Syria, is a source of worry and an object of hero-worship as Omar questions his own decision to have ever left.

awareness lesson from an oddball pair of locals. With little else to do while awaiting letters flatmates otherwise pass the time queuing up to hear the voices of loved ones on the island's

班． 夏 拉 克， 導 演、 編 劇。 畢 業於愛丁堡大學及蘇格蘭電影 學 院，2015 年 以 短 片《Patata Tortilla》 獲 英 國 影 藝 學 院 新 銳 劇本獎，同年推出首部劇情長片 《Pikadero》。《失落園》為其 第二部長片作品，入選 2020 年 坎城影展。 Ben SHARROCK is a writer-director from Edinburgh. He studied Film at Screen Academy Scotland and Arabic in Damascus. His debut feature, Pikadero, won numerous awards, including Best Feature at Edinburgh International Film Festival. Limbo is his second feature. DIRECTOR, SCREENPLAY 班．夏拉克 Ben SHARROCK PRODUCER Irune GURTUBAI, Angus LAMONT CINEMATOGRAPHER Nick COOKE EDITOR Karel DOLAK, Lucia ZUCCHETTI MUSIC Hutch DEMOUILPIED SOUND Ben BAIRD CAST Amir EL-MASRY, Vikash BHAI, Ola OREBIYI, Kwabena ANSAH, Sidse Babett KNUDSEN, Kais NASHIF PRINT SOURCE Protagonist Pictures

2020 坎城影展 Cannes 2020 聖賽巴斯提安影展 TCM 青年評審團獎 TCM Youth Jury Award, San Sebastián IFF 2021 英國獨立電影獎最具突破製片獎 Breakthrough Producer, British Independent Film Awards

09.26 SUN 信義 10 13:00 ｜ 09.29 WED 信義 10 16:10 ｜ 10.07 THU 信義 10 16:40 130

當代精選 WORLD CINEMA

戚風男孩

法國 France ｜ 2020 ｜ DCP ｜ Color ｜ 110min

My Best Part

居住巴黎的演員傑若米為愛癡狂，甚至在男 友家裝監視器；他為此參加互助會，卻還是 無法克制無所不在的嫉妒。兩人大吵一架， 傷心欲絕的傑若米獲得一個重要的試鏡，他 決定逃離巴黎回到母親身邊。男人與男孩的 模糊邊界，宛如童話中迷途的角色，內心迷 茫且不安，他該如何找回自己？ 熱門影集《找我經紀人》裡鬼靈精怪的迷人 要角尼古拉．莫瑞，自編自導自演首部劇情 長片，演出極致的脆弱與親密感，並在極端 情緒間收放自如。以「嫉妒」為題，雜揉了 自我生命經驗與日常觀察，用輕盈流動的筆 觸，描繪了一個惴惴不安的迷失靈魂。

「嫉妒總能驅使人們克服想像的衝動，悲劇 的是他們多半不是憑空想像。」──尼古拉． 莫瑞

Bordering between light comedy and bittersweet drama, My Best Part is an insightful journey of self-knowledge that delves into modern man's existential tragicomedy.

Jérémie's rampant jealousy has exhausted his partner to the point of a breakup. Job-wise, his acting career is trailing along with his miserable love life. Jérémie, standing on the precipice of a typical Parisian depression, heads to his mother's house in the countryside, aiming to pull himself together for an important audition. However, the return to his roots will prove anything but restful.

尼古拉．莫瑞，1980 年出生於 法國，導演、演員。參與多部知 名電影製作如《安那其戀人》、 《巴黎我愛你》等，2015 年出 演影集《找我經紀人》廣受好 評。《戚風男孩》是他的首部劇 情長片。 Nicolas MAURY graduated from the National Academy of Dramatic Arts in Paris. His performance in the hit series Call My Agent earned him international recognition. My Best Part is his directorial debut.

DIRECTOR 尼古拉．莫瑞 Nicolas MAURY PRODUCER Charles GILLIBERT SCREENPLAY Maud AMELINE, Sophie FILLIÈRES, 尼古拉．莫瑞 Nicolas MAURY CINEMATOGRAPHER Raphaël VANDENBUSSCHE EDITOR Louise JAILLETTE MUSIC Olivier MARGUERIT SOUND Charlie CABOCEL CAST 尼古拉．莫瑞 Nicolas MAURY, 娜坦麗．貝葉 Nathalie BAYE, 阿爾諾．法盧瓦 Arnaud VALOIS, 羅蕾．卡拉米 Laure CALAMY, 尚馬克．巴爾 Jean-Marc BARR PRINT SOURCE 好威映象有限公司 Hooray Films, Ltd.

2020 坎城影展 Cannes 2020 多倫多影展 Toronto IFF 2020 鐵撒隆尼卡影展 Thessaloniki IFF

10.03 SUN 信義 10 15:30 當代精選 WORLD CINEMA

131

美麗疾境

塞爾維亞、斯洛維尼亞、荷蘭、法國、 波士尼亞與赫塞哥維納 Serbia, Slovenia, Netherlands, France, Bosnia and Herzegovina ｜ 2020 ｜ DCP ｜ Color ｜ 123min

Oasis

瑪麗亞初到身心障礙青少年照護機構，立刻 就與卓甘娜成為好友，並認識了沉默寡言的 羅柏。勃發的青春荷爾蒙，讓三人關係陷入 苦戀，為了贏得羅柏的心，兩女不僅爭風吃 醋，友情亦籠罩了嫉妒、挫折與傷痛的陰影， 衝突一觸即發。對獨立的渴望，誘引躲藏在 社會角落的他們，透過探索與解放慾望來追 求痛快的真實，試圖衝破令人窒息的監控和 規則。然而私密的情誼已逐漸走向禁忌的遊 戲，無法回頭。

為好意的牢籠內，一舉一動都被要求符合正 常人的準則。他們玩起捉迷藏，渴求一瞬的 喘息綠洲，然而生命終究自尋出路，讓不了 解、也不願了解他們的世界，聽見最真實的 哭喊。

本片拍攝於真實的照護機構，為青年量身打 造並邀請他們演出，宛若《過於寂靜的喧囂》 孿生影片，社會不願正視的人因殘缺，在名

and gradually grows into a dangerous game of

Upon her arrival at an institution for people with

teenagers' profound longing for independence and human connection takes hold. Driven by their newfound feelings of desire and jealousy, their impulsive actions topple the delicate balance preserved by the institution's stifling rules and spill over into confrontation and desperate measures to find any way out.

mental disabilities, Maria becomes fast friends with the equally fiery Dragana. When it becomes clear that they are both in love with the more withdrawn Robert, their relationship is upset hide-and-seek to win him over. Condemned to a lifetime of hiding away from society, the three

伊凡．以奇，1982 年出生於塞 爾維亞，大學主修電視電影導 演， 曾 參 與 柏 林 影 展 新 銳 營。 2010 年拍攝紀錄片《塔羅牌神 棍》，2014 完成首部劇情長片 《誰是野蠻人》，藉男孩成長故 事隱喻科索沃與塞爾維亞間的微 妙關係。 Ivan IKIĆ studied Film and Television Directing at the Faculty of Dramatic Arts at the University of Arts in Belgrad. In 2014, his Barbarians won the Special Jury Prize at Karlovy Vary and 12 more awards.

DIRECTOR, SCREENPLAY 伊凡．以奇 Ivan IKIĆ PRODUCER Milan STOJANOVIĆ, Marija STOJANOVIĆ CINEMATOGRAPHER

Miloš JACIMOVIĆ EDITOR Dragan Von PETROVIĆ SOUND Ranko PAUKOVIĆ CAST Marijana NOVAKOV, Tijana MARKOVIĆ, Valentino ZENUNI, Milica DJINDJIC, Sasa STRUGAR, Marusa MAJER, Goran BOGDAN PRINT SOURCE Heretic Outreach

2020 威尼斯影展威尼斯日歐洲電影獎 Label Europa Cinemas, Venice Days, Venice FF 2020 平遙影展羅貝托．羅塞里尼榮譽最佳導演 Best Director, Roberto Rossellini Awards, Pingyao IFF 2020 鐵撒隆尼卡影展 Thessaloniki IFF

09.23 THU 華山 1 13:00 ｜ 10.02 SAT 華山 1 17:50 ｜ 10.07 THU 京站 6 13:30 132

當代精選 WORLD CINEMA

我的警察情人

亞洲首映 Asian Premiere

羅馬尼亞 Romania ｜ 2020 ｜ DCP ｜ Color ｜ 81min

Poppy Field

年輕憲警克里斯提的法國男友遠道而來，兩 人終於在羅馬尼亞相聚，共度難得的親密時 光。偏偏久別重逢卻遇上克里斯提的輪值， 他的職業也引發了彼此的感情拉鋸與猶疑。 當克里斯提被派到反同團體中斷同志電影放 映的現場，他心中的不安也逐漸瀕至引爆點。

的攝影師馬里烏斯．潘度盧，他曾參與多部 羅馬尼亞新浪潮重要作品，如《1208 全民開 講》、《警察，形容詞》、《如果我想吹口哨》 等。

劇場導演尤金．傑貝拉努取材自 2013 年真 實事件，全片以 16mm 拍攝，描繪年輕戀人 的貼身與親密，以及同處一室卻油然而生的 距離感。隱藏在國家與社會體制下的感情難 以放鬆，迫近的鏡頭穿梭在警察、反同團體 與觀眾對峙之間；跨文化和語言的元素，亦 為本片重要的背景。本片找來羅馬尼亞重要

Romanian gendarme, Cristi, who tries to find the

Hadi, is visiting him, Cristi is called in for an intervention at a movie theater, where an ultranationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.

Poppy Field follows the struggle of a young balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. While his long-distance French boyfriend,

尤金．傑貝拉努，劇場及電影導 演。擅長處理政治與社會題材， 關注人物在主流文化下的自由與 表達。曾與斯圖加特國立劇院合 作執導德國電影大師法斯賓達首 部劇作《外籍工人》。《我的警 察情人》為其首部劇情長片。 Eugen JEBELEANU is a Romanian theater and film director. His projects have been centered around political and social subjects and he has worked with prestigious theaters around the world. Poppy Field is his first feature.

DIRECTOR 尤金．傑貝拉努 Eugen JEBELEANU PRODUCER Velvet MORARU SCREENPLAY Ioana MORARU CINEMATOGRAPHER 馬里烏斯．潘度盧 Marius PANDURU EDITOR Cătălin CRISTUŢIU SOUND Alex DRAGOMIR CAST

Conrad MERICOFFER, Alexandru POTOCEAN, Radouan LEFLAHI, Cendana TRIFAN, Ionuţ NICULAE PRINT SOURCE Patra Spanou Film

2020 塔林黑夜影展 Tallinn Black Nights FF 2020 都靈影展最佳男演員 Best Actor, Torino FF 2021 格拉斯哥影展 Glasgow FF

09.24 FRI 信義 10 21:50 ｜ 09.27 MON 信義 10 13:00 ｜ 10.04 MON 京站 6 22:10 當代精選 WORLD CINEMA

133

青春請閉眼

烏克蘭 Ukraine ｜ 2021 ｜ DCP ｜ Color ｜ 122min

Stop-Zemlia

性格安靜的高中女孩瑪莎，在班上有兩個最 好的朋友，幾個人湊在一起打屁笑鬧，就是 校園最快樂的時光。她用 IG 聊天、偷偷暗戀 班上的酷帥男孩，偶爾獨自在房裡聽音樂， 隨著城市的點點燈火起舞。跟所有青春期的 男孩女孩一樣，在這段柔軟殘酷的時光裡， 她內心的微型風暴持續運作。迪斯可舞會即 將來臨，瑪莎能否藉機拉近與男孩的距離？

田調成就了細節豐富、立體飽滿的人物故事， 也輻射出當代烏克蘭青少年圖像。全片成熟 不落俗套，在電子配樂的粗糙顆粒之下，尋 找青春的浮躁與出口。

realize that my first experience of an innocent

An introvert high school girl Masha sees herself

its characters at that age when existential

彷彿片中角色的一員，烏克蘭新銳女導演葛

intense time of the pre-graduation year, Masha

諾斯泰的鏡頭緊緊跟隨男孩女孩，親密地遊 走在各種詞不達意卻又真心無比的時刻。拍 片靈感源於自身成長經驗，她煞費苦心尋找 合適演員、舉辦為期九週的工作坊；紮實的

as an outsider unless she hangs around with Yana and Senia, who share her non-conformist

slow dance influenced the formation of my sexuality more profoundly than my first sexual experience. This inspired me to create a film, which tells about the sensual encounters of experience is at its most vivid." – Kateryna Gornostai

status. While she is trying to navigate through an falls in love and that forces her to leave her comfort zone. "Masha's story has autobiographical roots. She resembles me at the age of 16. Looking back, I

卡特琳娜．葛諾斯泰，1989 年 出生於烏克蘭，現居基輔。紀錄 片導演起家，後編導多部劇情短 片。擅長以自然無痕跡的手法捕 捉生命光景，《青春請閉眼》為 其首部劇情長片。 Kateryna GORNOSTAI is a director, writer and film editor. She studied f i l m m a k i n g a t M a r i n a Razbezhkina and Mikhail Ugarov's School of Documentary Film and Theatre and started her career as a documentary filmmaker. StopZemlia is her feature debut. ©Oleksandr Roshchyn

DIRECTOR, SCREENPLAY 卡特琳娜．葛諾斯泰 Kateryna GORNOSTAI PRODUCER Vitalii SHEREMETIEV, Vika KHOMENKO,

Natalia LIBET, Olga BESKHMELNYTSINA CINEMATOGRAPHER Oleksandr ROSHCHYN EDITOR Nikon ROMANCHENKO, 卡特琳娜．葛諾斯泰 Kateryna GORNOSTAI MUSIC Maryana KLOCHKO SOUND Mykhailo ZAKUTSKYI, Oleg GOLOVESHKIN CAST Maria FEDORCHENKO, Arsenii MARKOV, Yana ISAIENKO, Oleksandr IVANOV PRINT SOURCE Pluto Film

2021 柏林影展 Berlinale 2021 上海電影節 Shanghai IFF

09.25 SAT 信義 10 11:20 ｜ 09.28 TUE 信義 10 21:30 ｜ 10.05 TUE 信義 10 15:50 134

當代精選 WORLD CINEMA

辣媽的祕密

智利 Chile ｜ 2020 ｜ DCP ｜ Color ｜ 100min

La Verónica

名模薇若妮卡貴為足球明星之妻，作家跟前 跟後準備為她出版自傳。沒人看清在薇若妮 卡甜美的外表下，卻是一顆最毒婦人心。薇 若妮卡一心要搶下美妝品牌年度代言大位， 仍在襁褓的女兒哭鬧讓她心煩意亂，社群當 道的社會，她的 IG 追蹤人數遲遲不破兩百 萬。她決定不擇手段，擋我者死，無論是媽 媽、老公、還是嬰孩。偏偏檢調單位找上門， 決定重啟調查薇若妮卡第一個孩子離奇死亡 的真相。 全片鏡頭正面直視薇若妮卡的面孔，讓她的 真面貌一張張揭開，堆疊出社群平台營造出 的亮麗假象之外，為求名利走火入魔的暗黑

現實。本片諷刺當代網紅文化一針見血，直 指其驚悚駭人之處。智利名導帕布羅．拉瑞 恩《關於艾瑪》中的主演瑪莉安娜．迪．吉 洛拉莫再次突破自我飾演附魔的惡毒名模， 挑戰全片正面特寫的高難度演出。

marriage is on the verge of breakdown and she begins to feel jealous of Amanda, her newborn daughter.

Verónica, a model who enjoys huge popularity on social media and is married to an international football star, sees her world tumble down around her when she learns that she's the prime suspect in an investigation into the murder of her first daughter, killed 10 years ago. Amid the pressure of the investigation, her

李奧納多．梅戴爾，1983 年出 生於智利，畢業於智利電影學 院。 影 像 創 作 領 域 橫 跨 電 影、 VR 及藝術裝置，嘗試拓展影像 經驗。首部長片便挑戰文本的單 一性，在一個故事裡製造三百萬 個 版 本。 作 品 另 有 時 尚 電 影、 MV 以及泛影像藝術創作。 Leonardo MEDEL graduated from the Film School of Chile. Cofounder of the Merced production company, he has directed short films, interactive projects, virtual reality projects and feature films. La Verónica is his second feature.

DIRECTOR, SCREENPLAY 李奧納多．梅戴爾 Leonardo MEDEL PRODUCER Juan Pablo FERNÁNDEZ, Alejandra ROSALES CINEMATOGRAPHER Pedro GARCÍA EDITOR, SOUND Daniel FERREIRA CAST 瑪莉安娜．迪．吉洛拉莫

Mariana DI GIROLAMO, Patricia RIVADENEIRA, Ariel MATELUNA, Antonia GIESEN, Willy SEMLER PRINT SOURCE Films Boutique

2020 多倫多影展 Toronto IFF 2020 釜山影展 Busan IFF 2020 聖賽巴斯提安影展 San Sebastián IFF

10.01 FRI 京站 6 13:30 ｜ 10.04 MON 京站 6 16:20 ｜ 10.07 THU 京站 6 19:20 當代精選 WORLD CINEMA

135

WILD TALES

�界奇�

Garbage Theory 廢柴萬物論

魔鬼中的天使

法國、比利時 France, Belgium ｜ 2020 ｜ DCP ｜ Color ｜ 123min

Atarrabi and Mikelats

雙胞胎阿塔拉比與米格拉是大地女神瑪里女 神之子。當年瑪里女神為了偷生小孩，硬上 男村民後將其滅口，卻自覺缺乏母愛而將他 倆送至惡魔的寄宿學校。出生只差幾分鐘的 兩人個性迥異，米格拉成為惡魔大弟子，阿 塔拉比卻純潔如玉，一心脫離惡魔學校。偏 偏阿塔拉比的「叛逆」是條荊棘路，被惡魔 沒收了影子，無法進入天堂之門。

米蓋爾．巴蘭迪亞蘭採集的巴斯克原始神話， 結合現代元素所改編的中世紀寓言，瘋狂無 極限，是劍指歐洲基督宗教世界觀的超另類 灼見。

師承法國新浪潮侯麥的精神，佐以布列松式 的厚重風格，宛若陳年高粱般獨特，燥烈卻 帶有真誠。精通神話與藝術史的導演尤金． 格林，迷上南歐口傳神話，以 1939 年逃避 西班牙首相佛朗哥魔爪的鄉間傳教士尤塞．

he's a scholar and the "height of hipness", after

Eugène Green's entertaining, episodic, and surpassingly beautiful film is a strikingly original vision of good and evil and the importance of humility and humanity in a fearful world.

Atarrabi and Mikelats are brothers born minutes apart, the children of the powerful goddess Mari. After their mother hands them over to the Devil, making him their teacher and caretaker all - the boys grow up to be polar opposites. The curious, saintly Atarrabi wants to see the world beyond their lair; the wicked, diabolical Mikelats prefers to stay and pledge his soul to his master.

尤金．格林，1947 年出生於紐 約 布 魯 克 林，1969 年 移 居 巴 黎 攻 讀 藝 術 史， 後 經 營 劇 團。 2001 年以《Toutes les Nuits》 獲路易．德呂克獎；2014 年《La Sapienza》於盧卡諾影展首映， 為《綜藝報》讚譽為侯麥傳人。 作品曾於各大國際影展放映，以 獨特宗教哲思備受影迷傳唱。 Eugène GREEN was born in New York in 1947 and has lived in France since 1969. He has written and directed eight feature films, which were screened at prestigious festivals including Cannes, Locarno and Berlin. He also writes novels, essays and poems.

DIRECTOR, SCREENPLAY 尤金．格林 Eugène GREEN PRODUCER Julien NAVEAU CINEMATOGRAPHER Raphaël O'BYRNE EDITOR Laurence LARRE SOUND Jean MINONDO CAST Saia HIRIART, Lukas HIRIART, Ainara LEEMANS, Thierry BISCARY PRINT SOURCE Noodles Production

2020 聖賽巴斯提安影展 San Sebastián IFF 2020 紐約影展 New York FF 2021 全州影展 Jeonju IFF

09.25 SAT 華山 1 17:10 ｜ 09.29 WED 華山 1 12:10 ｜ 10.04 MON 華山 1 14:50 幻界奇航 WILD TALES

137

撕裂異弒界

英國 UK ｜ 2021 ｜ DCP ｜ Color ｜ 84min

Censor

保守黨執政的八○年代英國，身為倫理審查 員的伊妮，每天都必須加班觀看、過濾海量 的錄影帶，確保沒有過激的內容流入民間， 戕害大眾身心健康。某天，她竟然在經手的 虐殺電影中，看到了自己失蹤已久的妹妹。 無論是巧合還是陷阱，她決定親身前往片廠 調查真相，卻發現自己漸漸無法分辨現實與 幻境。 在錄影帶還是家庭娛樂重心的年代，大量粗 製濫造卻不乏創意的私家手作電影跳過審 查，在出租店以產地直送的方式，滿足了一 代人的刺激視聽快感。基於對幼時觀影經驗 的追念，英國新銳導演貝莉邦德從心理恐怖

類型出發，重現當年地下錄像的粗礪生猛。 在盡情揮灑血漿、浪擲屍塊之餘，亦不乏針 對審查機制的深刻政治辯證。

childhood. The mysterious disappearance

「過去的保守政府將人民的暴戾怪給恐怖電 影， 卻 無 視 政 策 造 成 的 民 不 聊 生， 無 處 發 洩。」──普朗諾．貝莉邦德

her sister pronounced dead. When Enid is

of her younger sister still weighs heavily on her. Enid has not yet given up the search for her, though her parents have decided to have assigned to censor a film from the archives, it rekindles fresh memories of that time. Becoming increasingly obsessed, she picks

Film censor Enid takes her work seriously. With meticulous zeal, she recommends the redaction of extremely violent, brutal, bloody and sexually

up the trail and embarks on a nightmarish, feverish quest during which the lines between fiction and reality become blurred.

explicit scenes for censorship, without which no film can be released. Her sense of duty is reinforced by feelings of guilt from her

普朗諾．貝莉邦德，來自英國威 爾 斯， 導 演、 編 劇。 曾 憑 B 級 血腥題材短片《Nasty》於多個 國際影展大放異彩，更獲《綜藝 報》評選為近年最值得關注的導 演之一。首部劇情長片《撕裂異 弒界》獲柏林及日舞影展選映。 Prano BAILEY-BOND is a Welsh director and screenwriter. She has won a number of international awards for her short films and music videos. In 2021, Variety named her as a "Director to Watch". Censor is her feature debut.

DIRECTOR 普朗諾．貝莉邦德 Prano BAILEY-BOND PRODUCER Helen JONES SCREENPLAY 普朗諾．貝莉邦德

Prano BAILEY-BOND, Anthony FLETCHER CINEMATOGRAPHER Annika SUMMERSON EDITOR Mark TOWNS MUSIC Emilie LEVIENAISE-FARROUCH SOUND Tim HARRISON CAST Niamh ALGAR, Michael SMILEY, Nicholas BURNS, Vincent FRANKLIN, Sophia LA PORTA PRINT SOURCE 光年映畫有限公司 Light Year Images

2021 柏林影展 Berlinale 2021 日舞影展 Sundance FF 2021 全州影展 Jeonju IFF

09.24 FRI 華山 1 20:30 ｜ 09.29 WED 華山 1 18:00 138

幻界奇航 WILD TALES

芙圖娜的異想世界

義大利 Italy ｜ 2020 ｜ DCP ｜ Color ｜ 108min

Fortuna - The Girl and the Giants

六歲的芙圖娜與母親同住無名市郊外，平日 與同齡玩伴安娜、尼可拉共度生活中的歡樂 時光。然而她的真實身分卻是一名來自外星 球的公主，不能讓巨人發現藏身處，偏偏一 樁意外的降臨，混淆了這段通往夢與幻想的 旅程。 本片以奇幻、絢麗的風格，呈現殘酷的真實 事件，電視和收音機、煙灰缸與空椅子、公 寓與屋頂，構築了層層窺看的密閉世界。交 錯於靜照與 MV 之間的影像風格，時而沾染 希區考克的懸念，時而飄散出大衛．林區的 曖昧氣味。當手機和圖畫裡的童年不再沉默， 孩童的眼神既是武裝、也是證言。影片從遠

而近、時而上下，公寓大樓的格局與眾人的 心思一覽無遺，淺亮的日光逐一崩解成叫人 憂鬱的黑夜，我們能真正理解芙圖娜的內心 嗎？ 6-year-old Fortuna lives with her mother in an anonymous suburb. She spends her time with

"Making a film out this terrible news story implies the necessity of telling this horror without showing it. Between reality and fantasy, starting from a dream we venture inside a nightmare: reality, a dark place where the children's need for love is betrayed by adults." – Nicolangelo Gelormini

two playmates, Nicola and Anna, dreaming of being Nancy, an alien princess chased by giants who want to kidnap her and her friends. After a tragic accident happened to Nicola, an obscure secret surfaces in a struggle between reality and imagination, unveiling a horrible truth. A dark fairy tale, based on a true story.

尼可蘭傑洛．杰洛米尼，曾任導 演保羅．索倫提諾的助理，也曾 與法國女演員伊莎貝．雨蓓共 事，導演之路從 MV 作品開始， 2011 年《Reset》獲英國雨舞影 展首獎；《芙圖娜的異想世界》 為其首部劇情長片。 Nicolangelo GELORMINI is an Italian director, screenwriter and editor, who studied at Centro Sperimentale di Cinematografia after obtaining a degree in Architecture. In 2020, he wrote, d i re c te d a n d e d i te d h i s f i rs t feature, Fortuna - The Girl and the Giants. DIRECTOR, EDITOR 尼可蘭傑洛．杰洛米尼 Nicolangelo GELORMINI PRODUCER Davide AZZOLINI SCREENPLAY

尼可蘭傑洛．杰洛米尼 Nicolangelo GELORMINI, Massimiliano VIRGILIO CINEMATOGRAPHER Agostino VERTUCCI MUSIC Golden Rain SOUND Cantiere SONORO CAST Valeria GOLINO, Pina TURCO, Cristina MAGNOTTI, Libero DE RIENZO PRINT SOURCE True Colours

2020 羅馬影展 Rome FF 2020 塔林黑夜影展 Tallinn Black Nights FF 2021 香港電影節 Hong Kong IFF

09.25 SAT 華山 1 11:40 ｜ 09.28 TUE 華山 1 15:00 ｜ 10.01 FRI 華山 1 17:20 幻界奇航 WILD TALES

139

廢柴萬物論

亞洲首映 Asian Premiere

匈牙利 Hungary ｜ 2021 ｜ DCP ｜ Color ｜ 80min

Garbage Theory

布達佩斯，年份不詳。作風特異的大學生帕 娜，用父親留下的錄音機，改造成外星電波 發射器。一天，來自星星的訪客在地球毀滅 前橫空降世，只因私心想循聲見到金曲〈On the Edge of Time〉的主人──匈牙利女伶 莎蘿塔．佐羅內。這對怪奇羞澀雙人組，浪 漫且慢，自此停停走走，面對敵營的追殺， 展開一場逃不了也躲不掉的詭奇公路電影。 科幻探險主題既古又新，本片風格雜揉了摩 登與懷舊，愛的任務恰巧向《接觸未來》、 《魔鬼終結者》、《一首 Punk 歌救地球》 互撞。然而年輕歲月的人際彆扭及羅曼史難 題，又教人聯想到俄片《我的人魚女友》，

當主唱莎蘿塔．佐羅內驚喜現身，復又增添 一絲虛實相間的奇幻。看似簡約尋常的場景 陳設，總被多彩霓虹點亮，學校迴廊、鐵橋、 舞池和泳池，成了末日前的冥想處，亦是叛 逃中途轉運站。

loathing alien arrives. Boy tells Panna that the planet is doomed, and he is only interested in saving his one admired artist, Sarolta Zalatnay. The two strangers form a unit. Panna and Boy meet the unusual characters and extraordinary situations during the adventure lasting a night, which open up the world in front of them.

Garbage Theory is a dramedy webbed through with the elements of sci-fi, which tells the story of one night spent by an alien lacking selfappreciation and a troubled university student in Budapest. Panna is a lonely university student incapable of forming human relationships, until Boy, the self-

雅 科 斯． 巴 提 許，1988 年 出 生 於 匈 牙 利，2009 年 開 始 拍 攝 MV 與 短 片， 作 品 包 括《Boglárka》、《Sweet Home》、《Portrait》等。《廢 柴萬物論》為其首部劇情長片。 Á ko s B A D I T S i s a H u n g a r i a n filmmaker born in Mosonmagyaróvár in 1988. He has directed several shor t films and music videos. Garbage Theory is his feature debut, which will have its asia premiere at Taipei Film Festival 2021.

DIRECTOR 雅科斯．巴提許 Ákos BADITS PRODUCER Viktória PETRÁNYI, Annamária LIGOSZTÁJEVA SCREENPLAY

雅科斯．巴提許 Ákos BADITS, Ágota BENEDEK CINEMATOGRAPHER Balázs István BALÁZS EDITOR Brigitta BACSKAI MUSIC Bálint SERES SOUND Tamás BOHÁCS CAST Lili WALTERS, Zalán TAKÁCS, Veronika VARGA, Benjámin LENGYEL,

莎蘿塔．佐羅內 Sarolta ZALATNAY, Attila ÁRPA PRINT SOURCE National Film Institute Hungary

09.23 THU 華山 1 18:20 ｜ 10.02 SAT 京站 6 16:50 ｜ 10.05 TUE 京站 6 22:10 140

幻界奇航 WILD TALES

我倆還有明天

哈薩克、法國 Kazakhstan, France ｜ 2020 ｜ DCP ｜ Color ｜ 89min

Yellow Cat

曾在孤兒院看過《午後七點零七分》的前科 犯柯梅克，自認能演出亞蘭．德倫主演的所 有段落且無所不能，更懷抱著在山上建一座 電影院的春秋大夢。當所有人都嘲笑他傻， 妓女戶裡的紅捲髮正妹伊娃卻與他一拍即 合，自告奮勇擔任助手。小倆口能否成功逃 出連狗都不如的人生迴圈、擺脫黑手黨的霸 凌和情緒勒索，攜手在荒野中投放夢想的光 束？ 導演葉贊諾夫以疏離的視角開展奇幻視野， 將人、物與暴力事件交織編排，看似天外飛 來一筆，實為精心算計足以啟動荒謬與幽默 的絕佳設計。他召喚《萬花嬉春》到魏斯．

安德森《月昇冒險王國》的甜美幻夢，又雜 揉泰倫斯．馬力克《窮山惡水》與昆汀．塔 倫提諾《八惡人》的暴力詩學，向某種幾近 癡愚、於現實難濟的藝術純愛致敬。

the world: good is good and evil is evil. It won't be easy for such a hero to survive in this cruel world. But he is kind, and his kindness will help him get through everything.

Ex-con Kermek and his beloved Eva want to leave their crime-infested life on the Kazakh steppes behind. He has a dream: building a movie theater in the mountains. Will Kermek's love of Alain Delon be strong enough to keep them out of the violent clutches of the mafia? Kermek is a folk character who came to modern times. He has pure and simple understanding of

阿迪康．葉贊諾夫，1982 年出 生於哈薩克，畢業於哈薩克國家 藝術學院，主修電影導演。電影 作品屢次入選國際影展並獲獎， 2014 年作品《屋主》於坎城影 展首映，並入選釜山影展亞洲百 大影片。 Adilkhan YERZHANOV was born in the Jezkazgan region of Kazakhstan and studied at the Kazakhstan National Academy of Arts. His 2014 film, The Owners, premiered at Cannes and Yellow Cat was selected for Venice 2020.

DIRECTOR, EDITOR 阿迪康．葉贊諾夫 Adilkhan YERZHANOV PRODUCER Serik ABISHEV, Olga KHLASHEVA SCREENPLAY

阿迪康．葉贊諾夫 Adilkhan YERZHANOV, Inna SMAILOVA CINEMATOGRAPHER Yerkinbek PTYRALIYEV MUSIC Alim ZAIROV, Ivan SINTSOV SOUND Ilya GARIYEV CAST Azamat NIGMANOV, Kamila NUGMANOVA, Sanjar MADI PRINT SOURCE Arizona Productions

2020 威尼斯影展 Venice FF 2020 聖賽巴斯提安影展 San Sebastián IFF 2020 釜山影展 Busan IFF

09.24 FRI 華山 2 20:00 ｜ 09.27 MON 華山 2 12:20 ｜ 09.30 THU 京站 6 22:10 幻界奇航 WILD TALES

141

REALITY BITES

異���

除了尋找不設限於紀實或虛構的故事，本 單元同時也呈現在製作上突破既有規則的 作品。以一種更有機、廣大、寬容以囊括 更多可能性的方式，以虛構提煉真實，或 以真實挑戰虛構。

In order to look for the stories not confined to only the factual or the fictional, “Reality Bites” unveils the productions that break the existing rules. In an organic and tolerant way that accommodates more possibilities, the factual is distilled from the fictional or the fictional is challenged by the factual in these films.

Come Here 造訪

河流，奔跑著，倒映著

美國 USA ｜ 2021 ｜ DCP ｜ Color ｜ 87min

A River Runs, Turns, Erases, Replaces

中國，武漢。攝影機瞻之在前，忽焉在後， 對準熙來攘往的人群船隻、霓虹染映的長江 水面、熱鬧簇擁的觀景平台、殘喘微延的水 牛農田，兀自前行的工地重機。在四封遙致 已逝親人的信件中，未亡人追憶、潸然，嘗 試在那座彷彿無暇記憶的城市，以及那場不 便直呼名諱的病災中，自癒。 以紀實錄像跨入當代藝術的導演朱聲仄，帶 著攝影機回到自己的故鄉，穿越鋪天蓋地的 新聞熱議，以幽靈般既疏離又孤寂的視角， 凝視著在現代化下變遷與流轉的城市面容。 她徘徊在生者與亡靈之間，游離於存在與消 逝之間，城市與創作者玩著一二三木頭人，

看似永恆，卻轉瞬萬變。緩慢而詩意的影像 序列，演奏著一首寧靜的鎮魂歌，也是一部 躁動的進行曲。 「我不只是透過影像去觀察這個地方，而是 試著去描繪它給我的經驗，探尋它給我的感 覺。」──朱聲仄

by nature and dramatically altered by roaring machines and rising infrastructure. Where desires are planted. Where memories are buried. The lost place. "So, I decide to turn this film into a letter. It is a letter to the city. However, summoning up the memory is not to evoke nostalgia; instead, it is to reflect on consequences. It is

A portrait of urban spaces along the Yangtze River in the city of Wuhan. An engaging communal stage, on which people perform in various ways: some dancing, singing, swimming;

a contemplation on the past and the lost, that not only tells what happened, but embodies what could have happened, and what could yet happen." – Zhu Shengze

some shoveling, welding, and hammering. An evolving landscape that is continuously sculpted

朱聲仄，1987 年出生於中國武 漢，現居美國從事影像創作。作 品以紀錄片和實驗電影為主，自 2013 年首部作品《虛焦》起， 已有多部作品獲威尼斯、柏林、 盧卡諾等國際影展選映。2019 年作品《完美現在時》獲鹿特丹 影展金虎獎肯定。 ZHU Shengze is a filmmaker from China now based in Chicago, USA. She co-founded with Yang Zhengfan a production company BURN THE FILM, that is dedicated to creating and supporting movingimage works with singular voices.

DIRECTOR, EDITOR 朱聲仄 ZHU Shengze PRODUCER 楊正帆 YANG Zhengfan CINEMATOGRAPHER 朱聲仄 ZHU Shengze,

楊正帆 YANG Zhengfan MUSIC 吳維 WU Wei, 生命之餅 SMZB SOUND Aymeric DUPAS PRINT SOURCE Burn The Film

2021 柏林影展 Berlinale 2021 巴黎真實影展 Cinéma du Réel

09.25 SAT 華山 2 18:10 ｜ 09.29 WED 華山 2 20:40 ｜ 10.04 MON 華山 2 15:50 異境真實 REALITY BITES

143

古老的靈魂

亞洲首映 Asian Premiere

西班牙 Spain ｜ 2021 ｜ DCP ｜ Color ｜ 92min

Ancient Soul

印 尼 爪 哇 島， 硫 磺 礦 工 尤 諾 的 妻 子 離 開 了 他。 尤 諾 下 工 後， 身 上 總 有 洗 不 掉 的 硫 磺 味，就像他無法忘卻妻子的氣味一樣。面對 母親突如其來的重病，尤諾什麼都試過了， 從巫師咒術、麥加朝聖，到加密貨幣致富， 卻依然束手無策。到底是薩瑪邪靈作祟，還 是跟阿拉祈禱不夠虔誠，抑或……慢性糖尿 病所致？ 西班牙新銳導演阿法洛．格拉，隻身前往爪 哇島東部，陪伴號稱「世界上最危險工作」 的 硫 磺 礦 工， 以 長 達 五 年 的 紀 錄 片 田 野 為 底，和當地素人一同拿起攝影機，完成一部 探索人性的作品，也讓影像本身成為論證，

挑戰電影創作的實驗性與更多可能。導演格 拉絕妙並置了三段平行宇宙，三度輪迴，從 妻子的離別為起點、母親的葬禮為終點，一 次次哀歌重唱，將爪哇島現代史化作一齣宿 命輪迴大戲，長鏡頭捕捉硫磺氤氳與礦工們 的容顏。

life in conjunction is brought to the fore each time: animism, Islam and finally capitalism. Oliv is thus to be won back via magic, pilgrimage or Facebook, while the cure for Yono's mother lies in ceremony, prayer or simple vital signs. Ancient Soul is an ethno-fictional film which explores otherness and questions the myth

Yono is a sulphur miner living in eastern Java. One day, his wife Oliv leaves him, and he tries

of progress in the neo-colonial reality of the islands of the South Seas.

to get her back. Another day, his mother falls ill, and he tries to get her well. The plot's outcome is unchanged with every repetition, although the three resultant variants are far from identical, as one of the belief systems that usually inform

阿 法 洛． 格 拉，1988 年 出 生 於西班牙巴塞隆納，後於印尼 東 爪 哇 島 長 住。2016 年 於 紀 錄片製作課程結業，拍攝短片 《Crossboundaries》；2021 年推出籌備五年的長片《古老的 靈魂》，入選聖賽巴斯提安影展 WIP 工作坊，並於柏林影展世界 首映。 Álvaro GURREA was born in 1988 in Barcelona. He has a master's degree in Creative Documentary and spends extended periods of time in Indonesia, where he shot his first feature-length film, Ancient Soul, with a rural community in East Java.

DIRECTOR, SCREENPLAY, CINEMATOGRAPHER 阿法洛．格拉 Álvaro GURREA PRODUCER Rocío MESA EDITOR

Manuel MUÑOZ RIVAS SOUND Alejandra MOLINA RÍOS CAST Yono ARISMONANDAR, Sayu KHOLIF, Musaena'h, Ach. EFENDI, Nurussalam, Roni HIDAYAT PRINT SOURCE Good Move Media

2021 柏林影展 Berlinale

09.23 THU 華山 2 15:00 ｜ 09.30 THU 華山 2 20:30 ｜ 10.05 TUE 華山 2 18:00 144

異境真實 REALITY BITES

造訪

泰國 Thailand ｜ 2021 ｜ DCP ｜ B&W ｜ 68min

Come Here

泰國北碧府的山林中，火車搖晃著彷彿駛進 時光裡。二戰時期，同盟國戰俘曾在此行過 地獄之火，以血淚為日軍鑿開叢林；今日此 時，四名年輕演員到此度假，參觀戰火遺跡， 在山林與河水圍繞的日與夜，他們排練、喝 酒、呼麻，在微醺中聊著理想、愛情與回憶。 叢林深處，一名女子被同伴拋下而迷失方向， 神靈卻彷彿聽見了她的心願。 泰國導演阿諾查．蘇維查康彭的第四部長片， 她不靠任何籌資，以極低預算進行一場完全 自主的創作。黑白畫面拉近過去與現在，試 圖在時間的洪流裡叩問，沉重的歷史究竟能 在輕盈的生命留下多少痕跡？劇情事件時序

被重組、甚至重演，演員本色登場的臉部特 寫成為敘事分節點，影片從自身形式到劇情 內容，都在探討「再現」從個人到社會的多 層次意涵。

thousands of war prisoners, who lost their lives

「我的影片是關於我們如何無法成為他人， 以及無法關注他人的痛苦。」──阿諾查． 蘇維查康彭

of another woman, who finds herself alone

here. At night, back at the raft house, they are drinking and talking randomly. Once in a while, someone would act out a scene from a play. Running parallel to this narrative is the story in the middle of the forest after her friend mysteriously disappears. The four friends in the raft house say something that might allude

Four friends in their mid-twenties, who are

to that woman...

all actors in the same theater company, go to Kanchanaburi, west of Thailand, on a trip. They visit the World War II memorial site of the "Death Railway", which was built to honor tens of

阿諾查．蘇維查康彭，1976 年 出生於泰國，獨立電影創作者與 製片，擅以詩意影像關注泰國社 會議題。2009 年首部長片《看 似平凡的故事》獲鹿特丹影展金 虎獎；2016 年完成第二部長片 《生命宛如幽暗長河》；2017 年成立 Purin Pictures，支持東 南亞獨立電影創作。 Anocha SUWICHAKORNPONG is a scriptwriter, director and owner of production house Electric Eel Films. Her Graceland was the first Thai short film selected for Cannes, and Mundane History, her feature debut, won the 2010 IFFR Tiger Award.

© Electric Eel Films, Diversion

DIRECTOR, SCREENPLAY 阿諾查．蘇維查康彭 Anocha SUWICHAKORNPONG PRODUCER Parinee BUTHRASRI,

Mai MEKSAWAN CINEMATOGRAPHER Boonyanuch KRAITHONG EDITOR Aacharee UNGSRIWONG SOUND Ernst KAREL CAST Apinya SAKULJAROENSUK, Waywiree ITTIANUNKUL, Sirat INTARACHOTE, Sornrapat PATHARAKORN,

Bhumibhat THAVORNSIRI PRINT SOURCE 赤角 Rediance

2021 柏林影展 Berlinale 2021 香港電影節 Hong Kong IFF 2021 全州影展 Jeonju IFF

09.28 TUE 華山 2 15:30 ｜ 10.01 FRI 華山 2 13:40 ｜ 10.05 TUE 華山 2 20:30 異境真實 REALITY BITES

145

科西嘉島的夏天

亞洲首映 Asian Premiere

法國 France ｜ 2021 ｜ DCP ｜ Color ｜ 128min

I Comete - A Corsican Summer

一個烈日高照的尋常夏日，離開的人短暫回 來，常居的人冷暖相對。科西嘉島上唯一的 黑皮膚居民馮斯瓦，靜靜地聽著祖母教職退 休後的生活思索。更多時候是若有似無地參 與其他成人與孩童的生活。石頭小徑、牧場 牛羊、夜間派對和湖光山色，無聲地陪伴著 每個人的祕密與傷口。

凝望的鏡頭裡，如同袒露特寫的切片。性別 與世代，膚色和話語，彼此吞吐勾引卻又疏 離，成了迴旋在島上的一個個孤獨又集體的 回憶氣泡。

導演帕斯卡．塔格納提自導自演，詮釋總是 帶著濃厚憂鬱的水電工戴歐一角，影片集結 一眾科西嘉島民與職業演員，演繹了一幕幕 科西嘉島夏日離散詩篇。影片既有寫實的島 嶼風情，亦多線鋪排各式出乎預料的奇遇和 想像。哲學、性愛、幸福的話題，在一個個

grown-ups discuss the future while elders

rippling laughter, summer suspends time but doesn't heal all wounds.

Corsica, in a small village. Kids brighten the streets, teens mess around, reflect on time passing by. Those who never left welcome back those who went abroad. Family and long-time friends share together this precious moment in the mountains. Under the burning sun and to the sound of

© Céline Nieszawer

帕斯卡．塔格納提，1982 年出 生於科西嘉島，活躍於電影和 劇 場， 集 演 員、 作 家 與 導 演 於 一身。2010 年自導自演首部劇 情短片《Belorusskaïa》頗受好 評，開啟他往後一系列的短片創 作。《科西嘉島的夏天》為其首 部劇情長片。 Pascal TAGNATI is an actor, musician and director. He released his first short film, Belorusskaïa, in which he also acted, in 2010. After several short films, he made his feature debut, I Comete – A Corsican Summer, in 2021.

DIRECTOR, SCREENPLAY, EDITOR 帕斯卡．塔格納提 Pascal TAGNATI PRODUCER Martin BERTIER, Helen OLIVE, Delphine LEONI CINEMATOGRAPHER Javier Ruiz GÓMEZ SOUND Amaury ARBOUN, Pierre BOMPY, Vincent VERDOUX CAST Jean-Christophe FOLLY, 帕斯卡．塔格納提 Pascal TAGNATI, Cédric APPIETTO, Apollonia BRONCHAIN ORSONI, Jérémy ALBERTI PRINT SOURCE Best Friend Forever

2021 鹿特丹影展評審團特別獎 Special Jury Award, IFF Rotterdam 2021 莫斯科影展 Moscow IFF

09.30 THU 華山 2 12:20 ｜ 10.03 SUN 華山 2 14:30 ｜ 10.07 THU 華山 2 17:10 146

異境真實 REALITY BITES

當我們成為風景

亞洲首映 Asian Premiere

法國 France ｜ 2021 ｜ DCP ｜ Color ｜ 115min

We

法蘭西島大區快鐵 B 線「RER B」，是一條 從北到南橫貫巴黎市郊及其周邊地區的鐵路 支線。沿著這條鐵路，形形色色的人們依傍 而生，難民以車為居所勉強生活度日，退休 的老人們娓娓道來往昔時光，年輕人在午後 和煦的陽光下玩耍，敘述著自身與家族的回 憶。看似分裂對立的群像，被拼湊成一幅地 景，消弭了邊界，相依共存。

主義提出截然不同的論述。

啟發自法國一本記錄 RER B 鐵路沿線景象和 人物的日記文學，導演巧妙地以一條鐵路為 題，連結了地理上和社會背景截然不同的人 們，訪問影像與歷史，和自身的回憶並置， 在分裂的局勢下探尋人的根源，同時對國族

Documentary filmmaker Alice Diop takes us

「這部電影創造了一個空間，納進這些截然 不同的世界。儘管他們彼此並不認識，但透 過一個個銜接的畫面，那些原有的邊界忽然 就都不存在了。」──愛麗絲．迪歐普

of a patchwork portrait to describe a riven society, Diop displays impressive control of her essay and its impact. Isolation, discrimination and nostalgia for hierarchies, inherited from a monarchical past... Divisions haunt France's present. But the human urge to give as well as to receive stubbornly creeps into every

The RER B is an urban train that traverses Paris and its environs from north to south.

situation. Could this be the one thing that still keeps a nation together?

through these suburban spaces and confronts us with some of the faces and stories of which they are composed. Justifiably adopting the fragmented structure

愛麗絲．迪歐普，1979 年出生 於法國歐奈蘇布瓦，為塞內加 爾裔法國導演。於法國國立電 影學院學習紀錄片製作，擅於 探索影像和社會、歷史間的關 係。2011 年首部紀錄長片《La mort de Danton》獲巴黎真實 影展圖書館獎；2016 年紀錄片 作品《待命者》拿下法國凱撒 獎最佳短片。 Alice DIOP is a French director. Her feature-length documentary, On Call, won the main prize at Cinéma du Réel and her short film, Towards Tenderness, won Best Short Film at the 2017 César Awards.

DIRECTOR 愛麗絲．迪歐普 Alice DIOP PRODUCER Sophie SALBOT CINEMATOGRAPHER Sarah BLUM, Sylvain VERDET,

Clément ALLINE EDITOR Amrita DAVID SOUND Mathieu FARNARIER, Nathalie VIDAL CHARACTER Ismael Soumaila SISSOKO, N'deye Sighane DIOP, Pierre BERGOUNIOUX, Marcel BALNOAS, Ethan BALNOAS PRINT SOURCE Totem Films

2021 柏林影展邂逅單元最佳影片 Best Film, Encounters, Berlinale 2021 巴黎真實影展 Cinéma du Réel 2021 紐約新導演 新電影影展 New Directors / New Films

09.24 FRI 華山 1 11:50 ｜ 09.28 TUE 華山 1 20:40 ｜ 10.06 WED 華山 1 14:50 異境真實 REALITY BITES

147

VISIONS

作者�角

Social Hygiene 全員社距中

打開波士頓市政廳

美國 USA ｜ 2020 ｜ DCP ｜ Color ｜ 275min

City Hall

市政廳提供民眾及社群的服務，包含生活的 各種面向，亦擴及出生到死亡，大多數人卻 從未留心過，或僅視其理所當然。以市長團 隊帶領的市政會議揭開序幕，議題討論從公 共設施、弱勢輔助到考古農業及動物收容， 一窺人民與政府的緊密連結與對話，多元族 群的聲音和需求。秉持著紀錄片不介入的精 神，影片徐徐開展 275 分鐘，一路抽絲剝繭 精采體現「政府」的真實面。 美國導演懷斯曼至今最政治的一部片，亦是 宣言。在當前政治趨向混亂衰敗時，強調政 府必須與人民同一陣線，共同維護美國憲法 與民主的核心價值。電影以波士頓作為縮影，

刻劃進行中的民主，由基層人民共同參與、 塑形，在公共議題和爭議政策上辯論、妥協， 團結社群，展現具包容性的良性政治樣貌。

efforts by Boston city government to provide these services. The film also illustrates the variety of ways the city administration enters into civil discourse with the citizens of Boston. Mayor Martin J. Walsh and his

City government touches almost every aspect

administration are presented addressing a

of our lives. Most of us are unaware of or take

number of their policy priorities, which include

for granted these necessary services such as

racial justice, affordable housing, climate

police, fire, sanitation, veterans affairs, elder

action, and homelessness. City Hall shows a

support, parks, licensing of various professional

city government successfully offering a wide

activities, recordkeeping of birth, marriage and

variety of services to a diverse population.

death as well as hundreds of other activities that support Boston residents and visitors. City Hall, by Frederick Wiseman, shows the

©Wolfgang Wesener

佛雷德里克．懷斯曼，1930 年 出生於美國波士頓，為世界知名 紀錄片導演，曾獲奧斯卡與威尼 斯影展終身成就獎，執導過 45 部 影 片， 多 聚 焦 於 美 國 機 構。 2014 年《歡迎光臨國家畫廊》 與 2017 年《悅讀：紐約公共圖 書館》為近期代表作。 Frederick WISEMAN has directed 45 documentaries since 1967, which seek to portray ordinary human experience in a wide variety of contemporary social institutions. Also, he has directed a fiction film, The Last Letter, in 2002 and works in theater. DIRECTOR, EDITOR, SOUND 佛雷德里克．懷斯曼 Frederick WISEMAN PRODUCER 佛雷德里克．懷斯曼 Frederick WISEMAN,

Karen KONICEK CINEMATOGRAPHER John DAVEY PRINT SOURCE Zipporah Films Inc.

2020 威尼斯影展特別提及 Special Mention, Fair Play Cinema Award, Venice FF 2020 多倫多影展 Toronto IFF 2020 電影筆記十大佳片 Top 10 Film, Cahiers du Cinéma

09.27 MON 華山 1 12:00 ｜ 10.03 SUN 華山 1 18:30 作者視角 VISIONS

149

引言

南韓 South Korea ｜ 2021 ｜ DCP ｜ B&W ｜ 66min

Introduction

年輕演員英浩前往父親經營的診所，正逢父 親幫一位男演員看診，他靜靜在外頭等候。 朱苑為了學習服裝設計遠赴柏林，在母親的 安排下住進了韓國藝術家住所。為了一解相 思，英浩飛往柏林，只為見朱苑一面，兩人 興奮地思考如何一起待在德國。回到韓國， 英浩的母親兜了一場飯局，要介紹他給一位 前輩，原來前輩正是那天在診所擦身而過的 男演員，他酒酣耳熱之際竟訓斥起英浩戲劇 與生活的界線拿捏，鬱悶的英浩跑到海邊， 沉睡中夢見了女友，醒來後竟冒著嚴寒，踏 入冰凍的海中……。

常秀，再次邀請申錫鎬、繆思金珉禧、《江邊 旅館》奇周峰等演員，以三段敘事描寫年輕男 子的愛情與親情觀，演繹心思細膩敏感的男 人，刻劃男性面對愛情時的掙扎心境，透過黑 白鏡頭巧妙地建構出他獨到的電影美學。

曾以《逃亡的女人》獲柏林影展最佳導演的洪

whose beauty intimidates her. Some time later,

Youngho is summoned by his father, who is a doctor. Finding him busy with his patients, one of whom is a famous actor, Youngho has to wait.

Youngho goes to lunch with his mother, who wants to introduce him to a colleague – it is the same man Youngho met at his father's clinic. Youngho asks his friend Jeongsoo to accompany him, and after lunch they go to the beach. Youngho falls asleep, and dreams of Juwon. When he wakes up, he braves the considerable cold and goes swimming, while Jeongsoo watches.

When his girlfriend Juwon moves to Berlin for her studies, Youngho shows up in the city to surprise her. Through her mother, Juwon has found accommodation at the home of an artist

洪常秀，1960 年出生於南韓首 爾。自 1996 年創作至今，已完 成 25 部長片，是多產且獨樹一 格的韓國電影作者，擅長探尋男 女間情感關係，代表作包括《愛 情，說來可笑》、《這時對，那 時錯》、《獨自在夜晚的海邊》 等，2020 年以《逃亡的女人》 摘下柏林影展最佳導演殊榮。 HONG Sang-soo studied at Chungang University, California College of Arts and the School of Art Institute of Chicago. Since 1996, he has made 25 features, many of them were screened at prestigious film festivals, including Cannes, Berlin, Locarno, Rotterdam and Venice.

DIRECTOR, PRODUCER, SCREENPLAY, CINEMATOGRAPHER, EDITOR, MUSIC 洪常秀 HONG Sang-soo SOUND

SEO Ji-hoon CAST 申錫鎬 SHIN Seok-ho, 朴美姬 PARK Mi-so, 金英浩 KIM Young-ho, 奇周峰 KI Joo-bong, 徐永嬅 SEO Young-hwa, 金珉禧 KIM Min-hee PRINT SOURCE 可樂藝術文創股份有限公司 Cola Films Co., Ltd.

2021 柏林影展最佳劇本 Best Screenplay, Berlinale

09.28 TUE 信義 11 19:00 ▲ 150

作者視角 VISIONS

月亮 樹

世界首映 World Premiere

台灣 Taiwan ｜ 2021 ｜ DCP ｜ Color ｜ 34min

The Moon and the Tree

一場失敗脊椎手術後，「月亮歌手」李珮菁 癱瘓了 40 年。她告訴蔡明亮：「拍我每天的 復健吧，從 23 歲就癱瘓的下半身，這兩年終 於有知覺，會痛了。」李珮菁以一曲〈我愛 月亮〉走紅，這四十載，陪伴她的是日復一 日的復健。常楓要一百歲了，演員這條路走 了半個世紀。蔡明亮看他像一棵樹，說他「越 老越漂亮、越瀟灑。」鏡頭望著常楓走過廢 樓及廊道，榕樹們早在外頭等候。擁有長青 之名的老樹與老者，一靜一動，歷經一場特 意又巧合的深遠對視，兩者形象逐漸交疊。

與螢光幕前閃耀的璀璨星光，經歷時光的洗 鍊，回到生活本身，是什麼模樣？在看似無 為、節制的影像裡，實是一種對生命的凝視。

影后楊貴媚邀請蔡明亮創作公益短片，將鏡 頭探向充滿歲月刻痕的兩個形影。曾在舞台

Actor Chang Feng is reaching one hundred years

ever more beautiful as it grows old. The Moon and the Tree is a short film Tsai made for charity. Looking into what lies the deepest in the lives of two big stars in Taiwan,

Since a failed spine surgery forty years ago, Lee

the film truthfully reflects the essence of life.

Pei-jing, known as the "Moon singer", has been confined to a wheelchair. She says to Tsai Mingliang, "Film the physiotherapy sessions I have every day. My body has been paralyzed from my waist down since I was 23. Finally, in the last couple of years, I can feel pain down there."

old. Tsai describes Chang as a tree, which looks

蔡明亮，1957 年出生於馬來西 亞。《愛情萬歲》獲威尼斯金獅 獎，《 郊 遊 》 獲 威 尼 斯 評 審 團 大獎、金馬獎最佳導演獎。「慢 走長征」影像計畫以來，著力於 藝術展演與跨界創作，讓電影走 進美術館。最新長片作品為《日 子》。 TSAI Ming-liang won the Golden Lion for Vive L'Amour at Venice 1994. In 2013, his Stray Dogs was awarded the Grand Special Jury Prize at Venice and Best Director at the Golden Horse Awards. His latest feature, Days, came out in 2020. DIRECTOR 蔡明亮 TSAI Ming-liang PRODUCER 王雲霖 Claude WANG CINEMATOGRAPHER, EDITOR 張鍾元

CHANG Jhong-yuan SOUND 林子翔 Terry LIN CHARACTER 李珮菁 LEE Pei-jing, 常楓 CHANG Feng PRINT SOURCE 汯呄霖電影有限公司 Homegreen Films

10.03 SUN 京站 6 19:30 ★ 作者視角 VISIONS

151

全員社距中

加拿大 Canada ｜ 2021 ｜ DCP ｜ Color ｜ 76min

Social Hygiene

這是一部完美示範安全社交距離的電影。情 場浪子安東尼離群索居、避世山林，無奈生 命中的五個女人陰魂不散，還一路追到荒郊 野外。面對姐姐、妻子、情人、收稅員和神 祕女孩連番質問，他雄辯滔滔，卻也言不及 義，小心翼翼測量尺度，保持距離以策安全。 一齣維持著關係，卻沒有熱度的超現實社交 喜劇，現於深山熱映。 2015 年，柯特為了呈現社交媒體盛行時代， 人際互動型態的構成，而寫成《全員社距中》 劇本，卻意外成為一則超前部署的預言。片 中演員兩兩之間保持室外一公尺距離，還以 遠距離加長鏡頭拍攝，微妙的設計讓觀眾與

演員在空間與心理距離都拉開雙倍。觀眾就 像領到邀請碼，走入私密談話房間，但基於 社交禮節，又無法輕易離席的狀態。電影放 大觀者感官，感受與注意日常早已習慣的人 際交流。 Hedonistic philosopher-cum-delinquent,

collector, who is after his neck, Antonin cannot get his attraction and desire for the beautiful Cassiopée out of his skull. Tormented, Antonin must now devise the right scheme and the right words to apologize to Aurore, one of his victims. Between these five women, Antonin gets stuck.

Antonin always finds the right word to win himself both the compliments and the rebukes of his fellows. A married man, Antonin never misses a chance to exploit both the goodness and the patience of his wife, Églantine. He is also a constant source of disappointment to his sister, Solveig. Busy trying to avoid Rose, the tax

德尼．柯特，1973 年出生於加 拿 大， 從 事 多 年 的 電 影 評 論， 2005 年曾以《放逐．邊境》獲 盧卡諾影展影像競賽單元金豹 獎， 爾 後 創 作 不 輟。 近 期 新 作 《全員社距中》獲柏林影展邂逅 單元最佳導演。 Denis CÔTÉ made his feature debut, Drifting States, in 2005, w i n n i n g t h e G o l d e n Le o p a r d at Locarno. His previous films, including Vic +Flo Saw a Bear, Boris without Beatrice, Ghost Town Anthology and Social Hygiene were all in competition at Berlinale.

DIRECTOR, SCREENPLAY 德尼．柯特 Denis CÔTÉ PRODUCER 德尼．柯特 Denis CÔTÉ, Annie ST-PIERRE, Aonan YANG,

Andreas MENDRITZKI CINEMATOGRAPHER François MESSIER-RHEAULT EDITOR Nicolas ROY SOUND Frédéric CLOUTIER CAST Maxim GAUDETTE, Larissa CORRIVEAU, Éléonore LOISELLE, Eve DURANCEAU, Kathleen FORTIN, Evelyne ROMPRÉ PRINT SOURCE 視幻文化 Parallax Films

2021 柏林影展邂逅單元最佳導演 Best Director, Encounters, Berlinale 2021 香港電影節 Hong Kong IFF 2021 維爾紐斯影展 Vilnius IFF

09.24 FRI 信義 11 14:10 ｜ 09.27 MON 信義 11 16:00 ｜ 10.01 FRI 京站 6 19:20 152

作者視角 VISIONS

偶然與想像

日本 Japan ｜ 2021 ｜ DCP ｜ Color ｜ 121min

Wheel of Fortune and Fantasy

車廂後座，看著摯友面部閃動光澤，說著和 初次約會男人以話語深觸彼此的動人瞬間， 自己已成故事的戀情去向，是否也有倒轉的 可能？門戶敞開的會面時段，熟女學生的紅 唇張合出小說的高潮段落，教授該如何為惑 者的情慾告白解套？網路病毒肆虐，人際溝 通管道全面復古，女子高校裡的純愛時代再 掀波瀾，那些年未說出口的遺憾，是否會因 手扶梯向上的離奇巧遇而圓滿？

運三段樂章的電影。當多數戲劇情節繃緊在 失控與質變的磅礴一瞬，導演卻總在清淡、 優雅，與關於友愛和寬解的輕鬆轉調間舒緩， 柔和成迷人的魔幻時刻。

擅長在當代生活的日常細瑣裡，洞察那些因 奇怪與未料、輕微偏岔出常軌，而捕捉到不 凡瞬間的導演濱口竜介，這次更將三段平易 又離奇的故事組成宛如短篇小說集、又若命

who her best friend starts to have feelings for, is

past, leading the two to confess the feelings they have harbored in their hearts. Wheel of Fortune and Fantasy shows the stories about the complexities of relationships told through coincidences that happen in the lives

An unexpected love triangle, a failed seduction

of women in love.

trap and an encounter that results from a misunderstanding. Meiko is startled when she realizes that the man, her ex; Sasaki plots to trick his college professor out of revenge while Natsuko encounters a woman who seems to be someone from her

濱口竜介，1978 年出生於日本 神奈川縣，2006 年就讀於東京 藝術大學映像研究科。2015 年 長片作品《歡樂時光》獲盧卡諾 影展最佳劇本獎；2018 年《睡 著也好醒來也罷》入選坎城影展 主競賽，被譽為最具創造力的日 本當代導演。 HAMAGUCHI Ryusuke studied Film at the Tokyo University of the Arts. His 317-minute Happy Hour premiered at Locarno 2015 and won numerous international awards. Asako I & II was in competition at Cannes 2018.

DIRECTOR, SCREENPLAY 濱口竜介 HAMAGUCHI Ryusuke PRODUCER 高田聡 TAKATA Satoshi CINEMATOGRAPHER 飯岡幸

子 IIOKA Yukiko SOUND 鈴木照彦 SUZUKI Akihiko CAST 古川琴音 FURUKAWA Kotone, 渋川清彦 SHIBUKAWA Kiyohiko, 森郁月 MORI Katsuki, 占部房子 URABE Fusako, 河井青葉 KAWAI Aoba PRINT SOURCE 東昊影業有限公司 Andrew Film Co., Ltd.

2021 柏林影展評審團大獎 Grand Jury Prize, Berlinale 2021 布宜諾斯艾利斯獨立影展 BAFICI 2021 香港電影節 Hong Kong IFF

10.04 MON 京站 6 19:00 作者視角 VISIONS

153

西，先在巴西利亞大學學習建築，

後赴紐約大學電影學院。他曾擔任陶德． 海恩斯的助理導演，1992 年開始執導 劇情片與紀錄片，作品多次獲得國際影 展獎項肯定，以《妖姬莎塔》（2002） 聞名，為巴西最多產的電影導演之一。 2008 年執導 HBO 影集《Alice》，他的 短片和裝置作品也在沙迦雙年展、聖保 羅雙年展等展出。近期以紀錄片《中央 機場》（2018）、劇情片《被遺忘的人 生》（2019）獲得柏林影展、坎城影展 獎項肯定。

K

arim AÏNOUZ was born in Fortaleza, Brazil in 1966. He studied Architecture in Brasilia and Film at New York University. He was assistant director to Todd Haynes and worked on over twenty films as editor. As director, screenwriter and artist, Aïnouz has made over fifteen films to date. Futuro Beach was in competition at Berlinale 2014 his documentary Central Airport THF was presented in Panorama at Berlinale 2018 and won the Amnesty International Film Prize. The Invisible Life of Euridice Gusmao received the main award in the Un Certain Regard at Cannes 2019. Moreover, he is a mentor for screenwriting at the Brazilian institute Porto Iracema das Artes and a member of the Academy of Motion Picture Arts and Sciences.

154

焦點影人 Filmmaker in Focus

里． 阿 努 茲，1966 年 出 生 於 巴

Karim AÏNOUZ

凱

凱里・ 阿努茲

焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

作品年表

年份 Year

原文片名 Original Title

1989 1992

O Preso

Filmography

1993

片名 Title

形式 Form

職位 Position

Homogift

Short

D

The Prisoner

Short

D, W

Seams

Doc Short

D, W, P

Irreversible Metabolic Shock

Short

D

1994

Paixão Nacional

1996

Hic Habitat Felicitas

Short

D, W, CP

1998

Les Ballons des Bairros

Doc Short

D

Rifa-me

Short

D, CW

血濺艷陽天 Behind the Sun

Feature

CW

妖姬莎塔 Madame Satã

Feature

D, CW

2000 2001

Abril Despedaçado

2002 2004

Sertão de Acrílico Azul Piscina

Doc Short

CD, CW

2004

Se fosse tudo sempre assim

Short

CD

2005

Cinema, Aspirinas e Urubus

Movies, Aspirin and Vultures

Feature

CW

2005

Cidade Baixa

Lower City

Feature

CW

2006

O Céu de Suely

逆光 Suely in the Sky

Feature

D, CW

Alice

TV Series

D, P

Viajo Porque Preciso, Volto

失戀男人旅行日記 I Travel Because

Feature

CD, CW

Porque te Amo

I Have to, I Come Back Because I Love Feature

D

TV Movie

D

Doc Short

D, W

2008 2009

You 2010

Desassossego

Neverquiet (Film of Wonders)

(filme das maravilhas) 2010

Alice: O Primeiro Dia do Resto da Minha Vida

2011

Sunny Lane

2011

Destricted.br (Bichos Pretos Coloridos) Feature

D

2011

O Abismo Prateado

The Silver Cliff

Feature

D, CW

2011

Sua Cidade Empática

Your Empathic City

Short

D

Venice 70: Future Reloaded

Documentary

D, W

Documentary

D

Short Plays (Brazil)

Feature

CD, W

未來海岸 Futuro Beach

Feature

D, CW

Domingo

Doc Short

D, W

Short

CD, W

Documentary

D

Documentary

D

Feature

D, W

Feature

D, W

Feature

D

阿爾及利亞天空下 Nardjes A.

Documentary

D

Mariner of the Mountains

Documentary

D

2013

(O Homen Que Desarmava Bombas) Cathedrals of Culture

2014

(Centre Pompidou) 2014 2014

Praia do Futuro

2014 2014

Terra Prometida

2015

Diego Velázquez -

Diego Velázquez ou le réalisme

Realismo Selvagem

sauvage

2018

Zentralflughafen THF

中央機場 Central Airport THF

2018

O Sol na Cabeça

2019

A Vida Invisível de Eurídice

被遺忘的人生 The Invisible Life of

Gusmão

Eurídice Gusmão 30/30 Vision: 3 Decades of Strand

2019

Releasing 2020 2021

Marinheiro das Montanhas

導演 Director (D) 、編劇 Writer (W)、製片 Producer (P)、共同導演 Co-Director (CD)、共同編劇 Co-Writer (CW) 、共同製片 Co-Producer (CP) 焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

155

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巴西、法國 Brazil, France ｜ 2002 ｜ 35mm ｜ Color ｜ 105min

Madame Satã

DIRECTOR

凱里．阿努茲 Karim AÏNOUZ PRODUCER

Marc BEAUCHAMPS, Isabel DIEGUES, Vincent MARAVAL, Mauricio Andrade RAMOS, Donald RANVAUD, Juliette RENAUD, Walter SALLES SCREENPLAY

凱里．阿努茲 Karim AÏNOUZ, 馬切羅．勾梅茲 Marcelo GOMES, Sérgio MACHADO, Mauricio ZACHARIAS CINEMATOGRAPHER

Walter CARVALHO EDITOR

Isabela MONTEIRO DE CASTRO MUSIC

Sacha AMBACK, Marcos SUZANO SOUND

Waldir XAVIER CAST

Lázaro RAMOS, Emiliano QUEIROZ, Renata SORRAH, Marcela CARTAXO, Flavio BAURAQUI, Fellipe MARQUES PRINT SOURCE

Wild Bunch

來自里約拉帕區的黑人喬，生長在龍蛇雜處 的貧窮與混亂之間，膚色與性傾向都不受這 個世界歡迎。他與妓女、跨性別者同居並相 互扶持，毒品、犯罪、賣淫，則是生命中無 以名狀的黑暗。一日，喬遇見了俊美的雷納 托，身體與心靈都備受吸引，他懇求酒吧老 闆讓他模仿當代歌后表演，出乎意料大受歡 迎，自此「莎塔」誕生，以妖姬之姿為巴西 寫下一段色彩斑斕的變裝皇后史。

開夜生活的序曲，燈紅酒綠的歡笑映照著底 層的沉淪，夢想與渴望在街區裡綻放又凋零。 導演凱里．阿努茲以妖姬莎塔作為引信，點 燃他對情慾、政治、階級與性別的創作初心， 而電影外的喬終究在監獄裡度過餘生，只留 電影追憶那段誘人且暗藏靈光的消逝年代。

Dos Santos was at once a notorious black

「我生來就是個罪犯，這就是我的生活。」 ──妖姬莎塔

de Janeiro. A sordid bohemian underworld

改編自巴西傳奇變裝皇后「妖姬莎塔」喬． 法蘭西斯科（João Francisco dos Santos） 崛起前的真實故事，導演以繽紛的色彩體現 三○年代的里約紅燈區，魅惑繚繞的音樂拉

Madame Satã is a biopic inspired by the life of one of the most remarkable figures in Brazilian

muscle street-fighting criminal, a legendary transvestite cabaret star and a devoted father to seven adopted children. Born to slaves in the arid wastes of Northern Brazil and sold by his mother at the age of seven, he pursued his freedom on the mean streets of Lapa, Rio inhabited by pimps, whores, bandits, and artists creates a background of violence and raw desire, where desperate dreams spring from poverty.

popular culture, João Francisco dos Santos (1900–1976), best known as "Madame Satã".

2002 坎城影展一種注目單元 Un Certain Regard, Cannes 2002 聖保羅影展評審團特別獎 Special Jury Award, São Paulo IFF 2003 巴西電影大獎最佳男女主角、藝術指導、服裝設計、化妝 Best Actor, Actress, Art Direction, Costume Design, Make-Up, Cinema Brazil Grand Prize

09.27 MON 華山 1 17:50 ｜ 10.02 SAT 華山 1 15:00 ｜ 10.06 WED 華山 1 12:00 156

焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

��

巴西、德國、葡萄牙、法國 Brazil, Germany, Portugal, France ｜ 2006 ｜ DCP ｜ Color ｜ 87min

Suely in the Sky

DIRECTOR

凱里．阿努茲 Karim AÏNOUZ PRODUCER

Walter SALLES, Mauricio Andrade RAMOS, Hengameh PANAHI, Thomas HÄBERLE, Peter ROMMEL SCREENPLAY

Mauricio ZACHARIAS, Felipe BRAGANÇA, 凱里．阿努茲 Karim AÏNOUZ CINEMATOGRAPHER

Walter CARVALHO EDITOR

Isabela MONTEIRO DE CASTRO, Tina BAZ LE GAL MUSIC

Berna CEPPAS, Kamal KASSIN SOUND

Leandro LIMA CAST

荷米拉．蓋德斯 Hermila GUEDES, Maria MENEZES, Zezita MATOS, 華歐．米格 João MIGUEL, Georgina CASTRO PRINT SOURCE

Tamasa Distribution

bounds. Determined to make more of her life

愛蜜拉扭動著年輕的身體，在夏夜裡釋放青 春的氣味。21 歲的她帶著兒子回到巴西東北 部貧窮的家鄉，等待丈夫從聖保羅前來團聚， 然而漫長的企盼只換來無情的拋棄。愛蜜拉 沒有時間憤怒，她渴望著逃離鄉村重新生活， 她需要一張遠離此地的車票；不幸的她決定 化名為蘇愛莉，穿梭在男人堆裡販賣彩券， 中獎者就可以和她共度一夜。

盡收在遠景鏡頭之中。

鏡頭幾乎沒放過伊瓜圖小鎮上的生活方式， 細緻地建構出女主角成長的環境。大量特寫 鏡頭圍繞著女主角，觀者一路從同情到好奇， 究竟這位販賣身體的年輕女性，能否獲得逃 脫的機會？機車一路奔馳，湛藍的沙漠天空

birthplace in the Northeast Brazil, under the

凱里．阿努茲：「我試圖想像女人決定重塑 自己的生活，然而她卻選擇離開、留下一切， 那又是另一回事了。」

than her best friend, the prostitute Georgina, she thinks of a way to escape country life. Under the name Suely she organizes a lottery in which the winner can spend the night with her. Among the contestants is her old flame

When life in cosmopolitan São Paulo gets too

João...

expensive for her, the beautiful 21-year-old Hermila returns with her young child to her poor assumption that her husband will soon follow. When he doesn't turn up after a long wait, she has to adjust her view of reality. But Hermila's lust for life, courage and mood swings know no

2006 威尼斯影展 Venice FF 2006 哈瓦那電影節金獎、最佳女主角 Grand Coral, Best Actress, Havana FF 2006 里約熱內盧影展最佳影片、導演、女主角 Best Film, Best Director, Best Actress, Rio de Janeiro IFF

09.26 SUN 華山 2 14:10 ｜ 10.01 FRI 華山 2 18:00 ｜ 10.06 WED 信義 11 12:50 焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

157

失戀男��行日�

巴西 Brazil ｜ 2009 ｜ DCP ｜ Color ｜ 71min

I Travel Because I Have To, I Come Back Because I Love You DIRECTOR, SCREENPLAY

馬切羅．勾梅茲 Marcelo GOMES, 凱里．阿努茲 Karim AÏNOUZ PRODUCER

João VIEIRA Jr., Daniela CAPELATO CINEMATOGRAPHER

Heloisa PASSOS EDITOR

Karen HARLEY MUSIC

Chambaril SOUND

Waldir XAVIER, Ricardo CUTZ CAST

Irandhir SANTOS PRINT SOURCE

Carnaval Filmes

地質學家獨自駕車來到巴西東北部，進行為 期 30 天的運河水道勘察之旅。他沿著單一 公路不斷前行，擋風玻璃隔離了乾旱灌木叢 的塵土，卻盡收沿途貧脊的地質風景。車內 的他喃喃自語著「旅行出於必要，返家出於 愛你」卻換來一片靜默，無人答應。他沒有 停，繼續調查建構水渠的可能路線，並在不 同女子身上尋找「她」的身影。

José Renato, a 35-year-old geologist, is sent on

導演藉由一名虛構人物，將隨機蒐集的影像 素材鋪排成一個完整的故事，安排這顆受傷 的靈魂前往巴西偏遠的荒涼之地，其心境的 空虛、孤立與被遺棄，皆刻意與荒蕪的地景 無縫結合。電影以第一人稱口吻敘事，與超 8、DV 等多種格式混合帶來的私密感，增添 了前行的動力。車子一次次停駐於不起眼的 街道小鎮，搭配詩意的音樂與隻言片語，宛 如一部融合旅行地誌與虛構小說的迷幻公路 電影。

echo in José Renato, making the trip increasingly

a fieldtrip to the scrublands of the Sertão. The goal of his survey is to assess possible routes for a water canal from the region's only river. For many of the region's inhabitants, the canal will be a lifeline, the chance of a future and source of hope. But for those living on the canal's direct course, it means only requisitions, departure and loss. The desolation of the landscape seems to difficult. His geological research is slowly

馬 切 羅． 勾 梅 茲，1963 年 出 生 於 巴 西， 2005 年作品《Cinema, Aspirin and Vultures》 曾於坎城影展一種注目單元放映。與凱里． 阿努茲共同編寫《妖姬莎塔》劇本。 Marcelo GOMES graduated in Film Studies from Bristol University and has directed a number of short films. His first feature, Cinema, Aspirin and Vultures, premiered in Un Certain Regard at Cannes 2005. He co-wrote the script of Madame Satã with Karim Aïnouz.

pervaded by a sensation of groundlessness, an incessant pining for his ex-wife and a yearning to go home. But he decides to press ahead, to continue the trip, in the hope that the crossing can somehow transmute his feelings.

2009 威尼斯影展 Venice FF 2009 里約熱內盧影展最佳導演、最佳攝影 Best Director and Best Cinematography, Rio de Janeiro IFF 2010 布宜諾斯艾利斯獨立影展 BAFICI

09.25 SAT 華山 2 12:40 ｜ 10.01 FRI 華山 2 15:50 ｜ 10.05 TUE 信義 10 22:00 158

焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

未來�岸

巴西、德國 Brazil, Germany ｜ 2014 ｜ DCP ｜ Color ｜ 107min

Futuro Beach

DIRECTOR

凱里．阿努茲 Karim AÏNOUZ PRODUCER

Geórgia Costa ARAÚJO, Hank LEVINE SCREENPLAY

Felipe BRAGANÇA, 凱里．阿努茲 Karim AÏNOUZ CINEMATOGRAPHER

Ali Olcay GÖZCAYA EDITOR

Isabela MONTEIRO DE CASTRO MUSIC

赫胥卡 Hauschka SOUND

Waldir XAVIER CAST

華格納．莫拉 Wagner MOURA, Clemens SCHICK, Jesuita BARBOSA, Savio Ygor RAMOS, Sophie Charlotte CONRAD PRINT SOURCE

The Match Factory

兩名德國男子意外捲入暗流溺水，一名巴西 救生員潛入海中，卻只救回其中一位。在殘 忍的現實下，兩人發生了關係。過沒多久， 以海為家的救生員拋下巴西的一切，飛往德 國，試圖延續這場夏日戀情。而當冷冽的空 氣圍繞柏林，他試著在陸地生活、愛上這片 灰色朦朧的異域風景，可惜熱戀的溫度終究 抵不過柏林的寒冬，無業的他懷念起記憶中 的巴西艷陽，與那道湛藍醉心的海岸線。

帶來起伏。導演捨棄多餘的細節與對白，改 在視覺與聽覺上著墨，挑動感官、點燃觀者 的好奇心。《精銳部隊》華格納．莫拉跳脫 以往慓悍形象感性演出。

way to a deeper, emotional connection. Donato

凱里．阿努茲：「這是一部風景電影，電影 中 的 角 色 都 困 在 風 景 中， 也 從 風 景 中 被 釋 放。」

for love soon turns into a deeper search for his

摩托車奔馳在巴西風電場的沙丘上，電影以 壯闊的風景開啟一場旅程，終結在德國高速 公路的迷霧中。隨著主角從拉美跨度漂流至 歐洲，溫度與愛意皆隨著生活與身份的轉變

in Brazil; Konrad is an ex-military thrill-seeker

decides to leave everything behind, including his ailing mother and younger brother, Ayrton, to go to Berlin with Konrad. There, he finds both confusion and liberation, and his journey own identity. Eight years later, an unexpected visit from Ayrton brings all three men back together as they struggle to reconcile the pain

Donato works as a lifeguard at the Futuro Beach

of loss and longing, instinctively drawn to each other in search of hope and a brighter future.

from Germany holidaying with a friend. After Donato saves Konrad from drowning but fails to save his friend, initial sexual sparks give

2014 柏林影展 Berlinale 2014 芝加哥影展 Chicago IFF 2014 聖賽巴斯提安影展 San Sebastián IFF

09.29 TUE 華山 1 15:10 ｜ 10.02 SAT 華山 1 12:00 ｜ 10.07 THU 華山 1 17:50 焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

159

中��場

德國、法國、巴西 Germany, France, Brazil ｜ 2018 ｜ DCP ｜ Color ｜ 97min

Central Airport THF

DIRECTOR

凱里．阿努茲 Karim AÏNOUZ PRODUCER, EDITOR

Felix VON BOEHM CINEMATOGRAPHER

Juan SARMIENTO G. MUSIC

Benedikt SCHIEFER SOUND

Moritz UNGER, Daniel WEIS CHARACTER

Ibrahim Al HUSSEIN, Qutaiba NAFEA, Maria ALAHMAD, Christine KIESSIG-KÄMPER, Olivier BONNET PRINT SOURCE

Luxbox

1923 年，滕珀爾霍夫機場正式啟用，為了應 付日漸繁忙的空中交通，納粹政府致力擴建 最現代化的航廈，打造希特勒理想中的「世 界首都」。巨大半圓式、典型德國法西斯風 格的建築體，見證了冷戰期間西柏林物資流 通的重要管道「柏林大空運」。2008 年停 止營運後，機場搖身一變成為柏林最大的公 園；近年則成為敘利亞、伊拉克難民的暫時 居所。

到未知的未來。鏡頭耐心地跟隨停滯在這座 機場中的漂泊生命，無數個從盛夏到寒冬的 日子，飽嘗顛沛流離；人們抵達，人們離去。 這座因著法西斯主義而興建的建築，如今服 務著人道主義。

偌大的停機庫房中，簡易隔板搭起的白方格， 是難民們在異地展開新生活的第一站。家鄉 的戰火迫使他們與親人分散，來到陌生的國 度，隔離在這座廢棄機場裡，等待著被轉運

Tempelhof is an iconic airport in central Berlin.

凱里．阿努茲：「這部電影透過一座機場的 歷史，反映柏林的城市變遷，以及當前的世 界局勢。」

The 18-year-old Ibrahim is one of Tempelhof's temporary residents. In voice-over, he talks about his memories of his village in Syria and his journey to Europe. Central Airport THF follows his story, trying to provide a counterbalance to the chaos that will dominate people's memories of this time in their lives. The daily routine of the refugees in the hangars contrasts with that of the Berliners and tourists relaxing in the enormous Tempelhof Park.

Since 2015, when hundreds of thousands of refugees arrived in Germany, Tempelhof has served as an accommodation center for them.

2018 柏林影展國際特赦組織獎 Amnesty International Film Prize, Berlinale 2018 哥本哈根紀錄片影展 CPH:DOX 2018 蒙特婁紀錄片影展 Montreal IDF

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阿爾�利���下

亞洲首映 Asian Premiere

Nardjes A.

阿爾及利亞、法國、德國、巴西、卡達 Algeria, France, Germany, Brazil, Qatar ｜ 2020 ｜ DCP ｜ Color ｜ 81min

DIRECTOR

凱里．阿努茲 Karim AÏNOUZ PRODUCER

Marie-Pierre MACIA, Christopher ZITTERBART, Claire GADÉA, Richard DJOUDI, Janaina BERNARDES CINEMATOGRAPHER

Juan SARMIENTO G. EDITOR

Ricardo SARAIVA SOUND

Sebastian MORSCH CHARACTER

Nardjes ASLI PRINT SOURCE

MPM Premium

2019 年二月，阿爾及利亞人民發起持續數月 的「微笑革命」，以和平示威的方式要求掌 權長達 20 年的總統包特夫里卡下台。每個 週末的開端，男女老少扶老攜幼走上街頭， 爭取和平、民主和自由。歷經法國 130 年的 殖民統治與流血獨立運動，等待阿爾及利亞 人民的卻是將近半世紀的獨裁統治，忍無可 忍的民眾拒絕陳腐的政客與沉默，齊聚街頭 奮力發出心中的不平之聲。

母親在監獄裡出生，父親則因參與共產黨運 動，九○年代被迫流亡德國，自由無懼的血 液在她血液裡流動。影片細膩地勾勒阿爾及 利亞年輕世代參與社會運動的樣貌，騷動、 青春且自信地捍衛自己的信念與家園，人民 只要團結，暴政必有衰亡的一天。

凱里．阿努茲這次帶著攝影機來到父親的祖 國，跟隨主角在婦女節這天走上街頭，記錄 下這個歷史性的時刻。主角的祖父死於阿爾 及利亞獨立戰爭，祖母被法國殖民政府逮補，

of office. He quickly abandons his plan to make

On his first trip to Algeria in the spring of 2019,

Through fr iends, he meets the ac tivist Nardjes and accompanies her for 24 hours on International Women's Day, 8 March 2019. He shows her chanting slogans at a large-scale rally with thousands of demonstrators and then, after sharing an evening meal, dancing at a club where everyone shakes off the tensions of the day.

Karim Aïnouz experiences at first hand the protests against President Bouteflika's fifth term a film about his father's home country and opts instead to document the ongoing, non-violent protests of the "Revolution of Smiles" in Algiers.

2020 柏林影展 Berlinale 2020 阿姆斯特丹紀錄片影展 IDF Amsterdam

09.26 SUN 信義 11 11:00 ｜ 09.29 WED 信義 11 15:40 ｜ 10.04 MON 華山 1 20:30 ★ 焦點影人：凱里．阿努茲 FILMMAKER IN FOCUS: KARIM AÏNOUZ

161

焦點影人 Filmmaker in Focus

Radu JUDE

哈都 ・ 裘德 ©Silviu Ghetie

哈

都．裘德，1977 年出生於羅馬尼亞，於布加勒斯 特學習電影製作，身兼導演、編劇。在學期間便

擔任羅馬尼亞新浪潮巨匠克利斯提・普優的助理導演， 2006 年開始執導多部敏銳而寫實的短片，備受國際矚目。 2009 年初試啼聲的首部劇情長片《世界上最快樂的女孩》 入選 50 多個國際影展。2015 年後拍攝的作品《追拿吉 普賽！》、《心痕如詩》、《塗鴉少年祕密檔案》與《1941 亡者群像》啟用大量歷史文件和錄像檔案，邀請觀眾共同 關注羅馬尼亞個人與群體的痛史。2021 年新作《倒楣性 愛和瘋狂 A 片》依舊展現其犀利的洞察力、不拘一格的創 作語法和實驗動能，一舉獲得柏林影展金熊獎殊榮。

162

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

R

adu JUDE is a Romanian director and screenwriter. He studied filmmaking in Bucharest and started his career as an assistant director, working with directors such as Costa Gavras, Radu Muntean and Cristi Puiu. In 2006, he made the short film, The Tube With a Hat, which won more than 50 international awards. Jude's feature debut in 2009, The Happiest Girl in the World, was selected for more than 50 international film festivals. Titles such as Aferim!, Scarred Hearts and Everybody in Our Family followed and won multiple awards, including Silver Bear for Best Director at Berlinale 2015, Special Jury Prize at Locarno 2016 and an EFA nomination for Best Scriptwriter. The international premiere of The Dead Nation at Locarno 2017 marked his debut in documentary. I Do Not Care If We Go Down in History as Barbarians won the Crystal Globe for Best Film and Label Europa Cinema Prize at Karlovy Vary 2018. Uppercase Print and The Exit of the Trains, co-directed with Adrian Cioflâncă, premiered in Berlinale Forum 2020. His latest feature, Bad Luck Banging or Loony Porn, won the Golden Bear at Berlinale 2021.

作品年表

年份 Year

原文片名 Original Title

2002

În familie

片名 Title

形式 Form

職位 Position

Filmography

TV Series

D

2003

Wrestling

Short

D

2004

The Black Sea

Short

D

電視壞掉的一天 The Tube With a Hat

Short

D

親愛的亞莉珊卓 Alexandra

Short

D, W, P

2006

Lampa cu căciulă

2007 2007

Dimineața

In the Morning

Short

D, W

2009

Cea mai fericită fată din lume

世界上最快樂的女孩

Feature

D, CW

The Happiest Girl in the World 2010

Stanka se pribira vkashti

Stanka Goes Home

Short

W

2011

Film pentru prieteni

一盡到底 A Film for Friends

Short

D, W, P

2011

Tatăl meu cel obosit

My Tired Father

Short

CW

2012

Toată lumea din familia

Everybody in Our Family

Feature

D, W

noastră 2013

Doi copii

Two Children

Short

D

2013

O umbră de nor

憂鬱的午後 Shadow of a Cloud

Short

D, CW

2014

Trece și prin perete

晚安，噓 It Can Pass Through the Wall

Short

D, W, CP

追拿吉普賽！Aferim!

Feature

D, W

2015 2016

Inimi cicatrizate

心痕如詩 Scarred Hearts

Feature

D, W

2017

Țara moartă

The Dead Nation

Documentary

D, W

2018

Cele două execuții ale

The Marshal’s Two Executions

Documentary

D, W

Mareșalului 2018

Îmi este indiferent dacă în istorie vom intra ca barbari

Short 羅馬尼亞野蠻史

Feature

D, W

I Do Not Care If We Go Down in History as Barbarians

2019

A pedepsi, a supraveghea

To Discipline, To Punish

Short

D

2020

Nu ştiu

I Don’t Know

Short

D

2020

Stimați oameni de cultură

Dear Intellectuals

Short

D

2020

O fabulă

A Fable

Short

D

2020

journal confiné

Short

D

2020

Ieșirea trenurilor din gară

1941亡者群像 The Exit of the Trains

Documentary

CD, CW, CP

2020

Tipografic majuscul

塗鴉少年祕密檔案 Uppercase Print

Documentary

D, CW

2021

Babardeală cu bucluc sau

倒楣性愛和瘋狂A片

Feature

D, W

porno balamuc

Bad Luck Banging or Loony Porn

2021

Caricaturana

Short

D

2021

Plastic Semiotic

Short

D, W

導演 Director (D) 、編劇 Writer (W)、製片 Producer (P)、共同導演 Co-Director (CD) 、共同編劇 Co-Writer (CW) 、共同製片 Co-Producer (CP)

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

163

哈都．裘德短片輯 I：家庭群像 Radu Jude Short Films Collection I: Family Shorts

���掉的一�

羅馬尼亞 Romania ｜ 2006 ｜ DCP ｜ Color ｜ 23min

The Tube With a Hat

清晨大雨，小男孩馬利安家裡也下起小雨，但爸爸仍答應帶兒子進城修電視。 兩人扛拉著電視機，穿越羅馬尼亞偏鄉泥濘的小路，擠公車來到市中心。無關 沿途風景的公路旅行，旅程的目的地是回家，趕在下午六點前扭開電視機，收 看李小龍的節目，是這對父子最重要的小事。 One early morning, Marian, a 7-year-old boy in a poor Romanian village, wakes up his father and persuades him to go to the city to fix their old TV set. Despite the bad weather, the father agrees. They start the trip, carrying the TV set, hoping that Bichescu, a specialist, will fix their problem.

2007 日舞影展國際短片製作獎 International Short Filmmaking Award, Sundance FF 2007 鹿特丹影展 IFF Rotterdam 2007 紐約新導演

新電影影展 New Director / New Films

DIRECTOR 哈都．裘德 Radu JUDE PRODUCER 艾達．所羅門 Ada SOLOMON SCREENPLAY 弗洛林．拉札瑞斯古 Florin LĂZĂRESCU CINEMATOGRAPHER

馬里烏斯 • 潘度盧 Marius PANDURU EDITOR Cătălin CRISTUȚIU SOUND Andrei TONCU CAST Marian BRATU, Gabriel SPAHIU, Natalia CĂLIN, Alexandru GEORGESCU, Costica DRAGANESCU PRINT SOURCE Hi Film Productions

��的��珊卓

羅馬尼亞 Romania ｜ 2007 ｜ DCP ｜ Color ｜ 24min

Alexandra

塔維與四歲女兒亞莉珊卓每週六固定約會，身為假日父親的他總是積極討好女 兒，努力當個好爸爸。然而當小女兒親暱直呼塔維的名字，他卻直覺感到害怕， 懷疑前妻正密謀與新歡聯手，刪除亞莉珊卓生命中真正的「爸爸」。單親爸爸 的猛爆性父愛一發不可收拾，從探視權到稱謂，在意程度直線飆升，上綱成一 場荒誕的家庭諷刺劇場。 Tavi comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra, his daughter, doesn't call him "Daddy" any more and asks his ex-wife for an explanation...

2008 克萊蒙費鴻短片影展 Clermont-Ferrand ISFF 2008 德國奧伯豪森短片影展最佳導演 Best Director, ISFF Oberhausen 2009 羅馬尼亞戈波電影獎最佳短片 Best Short Film, Gopo Awards DIRECTOR 哈都．裘德 Radu JUDE PRODUCER 艾達．所羅門 Ada SOLOMON SCREENPLAY 哈都．裘德 Radu JUDE, Augustina STANCIU CINEMATOGRAPHER

Andrei BUTICA EDITOR Cătălin CRISTUȚIU SOUND Dana BUNESCU CAST Șerban PAVLU, Alexandra PASCU, Oana IOACHIM, Cornel Mimi BRANESCU, Cristina IVAN PRINT SOURCE Hi Film Productions

164

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

��的午�

羅馬尼亞 Romania ｜ 2013 ｜ DCP ｜ Color ｜ 30min

Shadow of a Cloud

首都下午悶熱異常，山雨欲來，牧師接到了緊急任務，匆忙趕到垂死女人的 床邊。塞滿焦慮的房間裡，空氣令人窒息，牧師隨即為女人進行禱告，有人 期盼神蹟降臨，亦有人願病者平靜離去。一個祈禱，各自表述；當死亡逐漸 逼近，家族成員各自懷著矛盾的心情，無處宣洩的壓力匯聚成雲，化為即將 宣洩的大雨。 The pastor is called urgently to the sickbed of a dying woman. With anxiety permeating in the room, the pastor is blessing the dying. Meanwhile, some family members pray for miracles to happen and some for a peaceful death to come.

2013 坎城影展導演雙週 Directors' Fortnight, Cannes 2014 羅馬尼亞戈波電影獎最佳短片 Best Short Film, Gopo Awards 2014 鹿特丹影展 IFF Rotterdam DIRECTOR 哈都．裘德 Radu JUDE PRODUCER 艾達．所羅門 Ada SOLOMON SCREENPLAY 哈都．裘德 Radu JUDE, 弗洛林．拉札瑞斯古

Florin LĂZĂRESCU CINEMATOGRAPHER 馬里烏斯．潘度盧 Marius PANDURU EDITOR Cătălin CRISTUȚIU SOUND Dana BUNESCU CAST Alexandru DABIJA, Șerban PAVLU, Mihaela SÎRBU, Olga Taisia PODARU, Gabriel SPAHIU PRINT SOURCE Hi Film Productions

09.23 THU 華山 2 17:40 ｜ 09.26 SUN 華山 2 16:30 ｜ 10.06 WED 華山 2 20:00

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

165

哈都．裘德短片輯 II：死亡之眼 Radu Jude Short Films Collection II: All About Death

一盡��

羅馬尼亞 Romania ｜ 2011 ｜ DCP ｜ Color ｜ 57min

A Film for Friends

生無可戀的中年男子窩在租屋處準備自盡。他打開攝影機自拍遺言，在鏡頭前 憤怒狂語，待怒氣消退後又快速萎縮，眼淚退潮般離開他的身體。一鏡到底的 自殺秀，在槍彈上膛的那一刻徹底翻轉；一場精心安排留給友人的遺言影片， 竟荒謬變調成血腥恐怖片，讓這齣生死遺言踩在恐怖與喜劇的交界線。 A disillusioned man is filming a farewell letter for his loved ones before committing suicide. From his sometimes furious, sometimes tear-jerking confession, we get to know that he lost everything, but somehow one's still never sure whether to cry, pity, laugh or cheer him up.

2011 外西凡尼亞影展 Transilvania IFF DIRECTOR, PRODUCER, SCREENPLAY 哈都．裘德 Radu JUDE CINEMATOGRAPHER Andrei BUTICA EDITOR Cătălin CRISTUȚIU SOUND Vlad VOINESCU, Filip MURESAN CAST Gabriel SPAHIU, Șerban PAVLU, Lucia MAIER, Marian BRATU, Silviu GEAMANU PRINT SOURCE Hi Film Productions

��，�

羅馬尼亞 Romania ｜ 2014 ｜ DCP ｜ Color ｜ 17min

It Can Pass Through the Wall

哭聲穿透厚牆，哀厲聲越晚越清晰。「我很害怕，爺爺！你聽到了嗎？」蘇菲 亞躲進爺爺懷中，不肯離去。那日早些，鄰居年輕男子自殺了，夜裡整座公寓 被喚醒，蘇菲亞不敢睡，但爺爺只是哄著要她別怕。看得見和看不見的亡魂、 聽得到或聽不到的聲音，是孩子想像力太豐富，還是大人們不敢面對？ "I am frightened, Grandpa! Do you hear?" Sofia hides in her grandpa's arms at night. A neighbor killed himself earlier. The invisible and yet visible ghost. The inaudible and yet audible voice. Is the child imagining it or are the adults too afraid to face it?

2014 坎城影展導演雙週ILLY短片獎評審團特別提及 Special Mention, Illy Prize, Directors' Fortnight, Cannes 2014 鐵撒隆尼卡影展 Thessaloniki FF 2015 羅馬尼亞戈波電影獎最佳短片 Best Short Film, Gopo Awards DIRECTOR, SCREENPLAY 哈都．裘德 Radu JUDE PRODUCER 哈都．裘德 Radu JUDE, 艾達．所羅門 Ada SOLOMON CINEMATOGRAPHER 馬里烏斯．潘度盧 EDITOR Cătălin CRISTUȚIU SOUND Dana BUNESCU CAST Sofia NICOLAESCU, Ion ARCUDEANU, Marcel HOROBEȚ, Gabriel SPAHIU, Alecu JUDE PRINT SOURCE microFILM

09.26 SUN 華山 2 18:40 ｜ 09.29 WED 華山 2 15:30 ｜ 10.07 THU 華山 2 20:20 166

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

�界上��樂的女�

羅馬尼亞、荷蘭 Romania, Netherlands ｜ 2009 ｜DCP ｜Color ｜99min

The Happiest Girl in the World

DIRECTOR

哈都．裘德 Radu JUDE PRODUCER

艾達．所羅門 Ada SOLOMON SCREENPLAY

Augustina STANCIU, 哈都．裘德 Radu JUDE CINEMATOGRAPHER

馬里烏斯．潘度盧 Marius PANDURU EDITOR

Cătălin CRISTUȚIU SOUND

Titi FLEANCU CAST

Vasile MURARU, Andreea BOȘNEAG, Violeta Haret POPA, Șerban PAVLU, Andi VASLUIANU PRINT SOURCE

Films Boutique

為了領取三枚飲料集點換來的大獎，即將升 上大學的少女來到羅馬尼亞首都布加勒斯 特，擔任一日廣告明星。她被整頓梳妝、熱 臘除毛，聲稱將化身小珍妮佛洛佩茲。她坐 在嶄新轎車裡灌下超量果汁，耳邊傳來父母、 導演與贊助商輪番接力、夾雜情緒勒索的耳 提面命。挨罵臭臉不要緊，轉身切記笑容可 掬，老話一句常複誦：我是世界上最快樂的 女孩。

人生方向的獨立意志。導演哈都．裘德敏銳 地呈現羅馬尼亞從共產主義到資本主義的過 渡之際，年輕世代在家長保守觀念與消費文 化間，對未來人生與階級翻轉的期待、幻滅 與茫然。

本片以獨特寫實的切角，側記少女圓夢計畫 的台前幕後，通過冗長的關係來回角力，細 膩呈現主角如傀儡般被操弄擺佈的實況，但 也展現她不斷通過協商，試圖拿回掌握自我

labels and won an expensive car.

grants the awards. She spends the day doing the shooting, which goes on with the ordinary problems. During the shooting breaks, Delia talks with her parents and their discussion eventually turn into ugly arguments. What seemed to be at the beginning a lucky event becomes for Delia an extreme and emotionally

Delia comes from a poor family living in a small Romanian town. She is the winner of an

painful situation, in which she has to rethink and question her family relationship.

advertising campaign: she sent three juice bottle

Delia and her parents come to Bucharest for the promotion testimonial – a video showing that the refreshment company keeps its promises and

2009 柏林影展 CICAE 藝術電影獎 C.I.C.A.E. Award, Berlinale 2009 多倫多影展 Toronto IFF 2009 倫敦影展 London FF

09.28 TUE 華山 1 18:00 ｜ 10.03 SUN 華山 1 12:30 ｜ 10.07 THU 華山 1 15:10 焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

167

����

羅馬尼亞、德國 Romania, Germany ｜ 2016 ｜ DCP ｜ Color ｜ 141min

Scarred Hearts

DIRECTOR, SCREENPLAY

哈都．裘德 Radu JUDE PRODUCER

艾達．所羅門 Ada SOLOMON CINEMATOGRAPHER

馬里烏斯 • 潘度盧 Marius PANDURU EDITOR

Cătălin CRISTUȚIU SOUND

Dana BUNESCU CAST

Lucian Teodor RUS, Ivana MLADENOVIC, Ilinca HĂRNUȚ, Șerban PAVLU, Marian OLTEANU, Alexandru DABIJA PRINT SOURCE

Beta Cinema GmbH

©Silviu Ghetie

療養院裡石膏加身的病體橫陳，痛苦滲進軀 幹，絕望在體內咆哮。詩人的靈魂和愛慾遭 禁錮，卻也逆向激發出求生、愛與被愛、反 思與創作的頑強意志。改編自羅馬尼亞猶太 詩人馬克斯．布雷赫的同名小說，在他年方 二十、青春正好之際，卻患了名為「波特氏 病」的結核性脊椎炎。十年癱瘓於床榻的歲 月，他戀愛，寫作，化痛為詩語。

病人歇斯底里的尖叫或吟誦聲線，搭配馬克 斯．布雷赫原著中的文句字卡貫串全片，試 圖讓觀眾透過視聽經驗的渲染，深切共感生 死在他身心烙下的痕跡。

全片以 35mm 膠卷拍攝，從腳部觀覽臥床人 物的稀缺視角、富有舞台感的人物群像、明 暗強烈的光影，與裝飾性的療養院陳設，引 出林布蘭、安德烈亞．曼特尼亞等畫作中幽 閉、壓迫又富含宗教性的戲劇性場景，再以

writings of M. Blecher.

well-chosen names, with a general resonance. I will make it so that the reader does not wonder where it is all happening and cares only for the events and cases described. There will be graver, more overwhelming realities,

1937. Emanuel, a twenty-year-old young man suffering from bone tuberculosis, is admitted to a seaside sanatorium. A free adaptation of the

"My whole effort consists of writing a good, readable book, but that may be too vague for you, so I will explain more... It is a document of human value, applicable anywhere. Even in my

2016 盧卡諾影展評審團特別獎、唐吉訶德獎 Special Jury Prize, Don Quixote Award, Locarno FF 2016 釜山影展 Busan IFF 2016 倫敦影展 London FF

09.24 FRI 華山 1 17:10 ｜ 10.03 SUN 華山 1 15:10 168

search for character names I made sure to pick

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

operating rooms, bandages changed in white, cold, terrifying clinic rooms and love stories between plaster-clad patients." (a fragment from a letter written by M. Blecher to poet Geo Bogza, 1936)

1941 �者��

羅馬尼亞 Romania ｜ 2020 ｜ DCP ｜ B&W ｜ 173min

The Exit of the Trains

DIRECTOR, SCREENPLAY

哈都．裘德 Radu JUDE, 亞德里安．喬福蘭卡 Adrian CIOFLÂNCĂ PRODUCER

艾達．所羅門 Ada SOLOMON, Carla FOTEA, 哈都．裘德 Radu JUDE CINEMATOGRAPHER

馬里烏斯．潘度盧 Marius PANDURU EDITOR

Cătălin CRISTUȚIU SOUND

Dana BUNESCU PRINT SOURCE

Taskovski Films

1941 年，德國佔領蘇聯位於東歐的大片領 地，一波大屠殺於 6 月 29 日羅馬尼亞雅西 縣首府爆發。是日，超過一萬名猶太人或遭 槍殺、或乘火車遭系統性殺害。事發至今近 80 年，這群人的形影與聲音因時移事往而模 糊，什麼樣的形式才能讓證人陳述、審判證 詞，讓受難者的聲線被清晰聽聞？ 哈都．裘德並未選擇特定的個人視角、煽動 的故事線、甚或驚人的美學，讓觀眾直接找 到廉價的同理或輕易的投射；相反地，他僅 以極簡形式的投放，展示一幀幀肖像、信件、 照片與檔案，仿若黑盒子裡被陳列與重播的 展品，懇請觀者瞻仰這系列的遺像與創痛， 逐字循句地接收並咀嚼文件與證言，影廳恰 似一座紀念館，為歷史幽靈還魂附體，成為 觀眾無從迴避且必須直視與聽聞的實在。

On June 29, 1941, the Jewish residents of the city of Iasi were rounded up and beaten, and most of the men were shot or crowded onto trains, where they later died of asphyxiation. While Germans took part in the pogrom, the majority of the perpetrators were Romanian policemen, military officers, and civilians. How can a film deal with this crime? Radu Jude and Adrian Cioflâncă have opted for a radical, pared-down approach: their film lists the

亞德里安．喬福蘭卡，羅馬尼亞歷史學者， 亦為羅馬尼亞猶太歷史研究中心負責人。 2016 年收到一張專輯，內含 364 張雅西 大屠殺受害者的肖像。他進一步與導演哈 都．裘德展開深談，並合作拍攝《1941 亡 者群像》。 Adrian CIOFLÂNCĂ is a Romanian historian. He teamed up with Radu Jude to co-direct the documentary essay The Exit of the Trains.

names of those who died from A to Z, illustrating them with photographs from passports and family albums. Astoundingly sober accounts are heard in voiceover. Through repetition, accumulation, and variation, the filmmakers make the scale of the atrocity tangible, allowing nuances to emerge and giving the number of victims, 13,000, a concrete form, until in the end, after about two-and-a-half hours, they draw on an entirely different visual register.

2020 柏林影展 Berlinale 2020 科索沃紀錄片短片影展特別提及 Special Mention, DokuFest 2020 全州影展 Jeonju IFF

09.23 THU 華山 2 20:00 ｜ 09.29 WED 華山 2 11:40 ｜ 10.03 SUN 華山 2 17:30 焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

169

���年祕密檔�

羅馬尼亞 Romania ｜ 2020 ｜ DCP ｜ Color ｜ 128min

Uppercase Print

DIRECTOR

哈都．裘德 Radu JUDE PRODUCER

艾達．所羅門 Ada SOLOMON SCREENPLAY

哈都．裘德 Radu JUDE, 賈尼娜．卡布納流 Gianina CĂRBUNARIU CINEMATOGRAPHER

馬里烏斯．潘度盧 Marius PANDURU EDITOR

Cătălin CRISTUȚIU SOUND

Dana BUNESCU CAST

Bogdan ZAMFIR, Șerban LAZAROVICI, Ioana IACOB, Șerban PAVLU PRINT SOURCE

Best Friend Forever

©Silviu Ghetie

1981 到 1985 年間，時逢獨裁者尼古拉．希 奧塞古統治時期，當時羅馬尼亞為史達林體 制最嚴重的國家，少年穆古．卡林內斯庫夜 半奔走街頭，以白色粉筆塗鴉書寫抗爭訊息， 受到祕密警察逮捕、審問，最終離奇死亡收 場。 延續《追拿吉普賽！》自多元歷史文本取材 的手法，導演哈都．裘德進一步將賈尼娜． 卡布納流的劇作改編成一齣破格的「文獻劇」 電影。他以搭景劇場中的人物獨白，儀式性 再現國家檔案的官腔，以及國家機器的思想 控制與去人性的樣態；儀式之外，更穿插看 似風馬牛不相及的輕娛樂、新聞影像及政治

宣傳片，讓觀眾在少年的事件內外往返，時 而在場、時而抽離，體驗時代同存歌舞昇平 與高壓窒迫的平行時空荒謬感，認知獨裁政 府淡化事件關注度的媒體操作手段。

Linking both stories - secret and public - personal and collective - brings to light an unknown hero 30 years after the fall of communism.

Romania, 1981. Ceausescu is in office, leading a communist Romania. He writes the official story with the help of the National Television. Mugur Călinescu, a 16-year-old teenager, writes another story on walls with chalked uppercase protest messages against the regime. His actions are compiled in a voluminous file kept by the Secret Police (Securitate), which observed, apprehended, interrogated and destroyed him.

2020 柏林影展 Berlinale 2020 維爾紐斯影展 Vilnius IFF 2020 里斯本獨立影展 IndieLisboa

09.27 MON 信義 10 15:40 ｜ 09.30 THU 信義 10 21:40 ｜ 10.03 SUN 信義 10 18:30 170

焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

�楣性�和�狂 A �

亞洲首映 Asian Premiere

Bad Luck Banging or Loony Porn

羅馬尼亞、克羅埃西亞、 捷克、盧森堡 Romania, Croatia, Czech Republic, Luxembourg ｜ 2021 ｜ DCP ｜ Color ｜ 106min DIRECTOR, SCREENPLAY

哈都．裘德 Radu JUDE PRODUCER

艾達．所羅門 Ada SOLOMON CINEMATOGRAPHER

馬里烏斯．潘度盧 Marius PANDURU EDITOR

Cătălin CRISTUȚIU MUSIC

Jura FERINA, Pavao MIHOLJEVIĆ SOUND

Dana BUNESCU CAST

Katia PASCARIU, Claudia IEREMIA, Olimpia MĂLAI, Nicodim UNGUREANU, Alexandru POTOCEAN, Andi VASLUIANU PRINT SOURCE

海鵬影業有限公司 Swallow Wings Film Co., Ltd.

女教師艾咪的性愛影片外流，正逢家長大會 決議教師是否適任，夫妻倆一時狂野歡愛的 身心，在校方與家長們有色的眼光與道德鞭 笞下，終因過度操用而筋疲力盡。她成為羅 馬尼亞街頭另一具無魂有體的夢遊者，對喧 騰周身或大或小的災情再也高潮無能，徹底 冷感。 本片貌似由三種迥異的敘事型態──私密錄 像、紀錄片、劇場化的網路論壇組合而成， 實際上卻大膽穿梭於真實與虛擬世界的諸多 孔洞內外，串流規格複合、議題雜陳的地景 與聲景。導演哈都．裘德藉此對看似沒有規 則、實則具全球共通邏輯的人際網絡與文化，

進行寫實的擬態，找到極為貼近後現代身心 感官經驗的電影語法，也藉此對那些看似對 公共事物漠然，卻又極好窺淫並匿名口誅筆 伐的道德魔人，進行幽默的布紐爾式揶揄。 Emi, a school teacher, finds her reputation under threat after a personal sex tape is uploaded onto the internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender. Bad Luck Banging or Loony Porn is a film in three loosely connected parts: a walk in the city of Bucharest, then a playful essay on obscenities, all culminating, in the third part, in

"The film first appeared out of long discussions with friends. On a few occasions we discussed real-life stories from Romania and other countries, of teachers being expelled from schools where they were teaching because of what they were doing in their private lives: live-cam sex chat or posting amateur porn recordings on the internet. The discussions were so heated, it made me think that although the topic seems trivial and shallow, there must be a lot more behind it if reactions to it are so powerful. Then I decided to make a film." – Radu Jude

an incendiary comic confrontation.

2021 柏林影展金熊獎 Golden Bear, Berlinale 2021 盧森堡市影展 Luxembourg City FF

10.05 TUE 華山 1 20:00 ★ 焦點影人：哈都．裘德 FILMMAKER IN FOCUS: RADU JUDE

171

CLASSICS REVISITED

�典重現

The Franc 平民大富翁

軍中禁戀

數位修復 Restored

法國 France ｜ 1999 ｜ DCP ｜ Color ｜ 93min

Beau Travail

東非塔朱拉灣沿岸，一支法國外籍兵團由嚴 厲的士官卡盧和指揮官布諾聯手主持，戰鬥 與生活訓練日復一日一成不變，直至新兵桑 丹的到來，為營區井然有序的權力體系，投 下一顆不安定的未爆彈。 取材自美國作家梅爾維爾生前未完成的小說 《水手比利巴德》，導演克萊兒．德尼與長 年合作的編劇尚波爾．法裘、攝影師阿涅斯． 高達聯手，點燃一支剛柔並濟的男情戰舞。 前殖民地的港灣、沙灘，攻守操演，日光炙 曝，肌膚和土石也顯單薄。貼身的衣物布料 與第一人稱回憶書寫柔和了視線，撩撥著欲 望，亦匍匐入夢。然而片中不只燈與火、水

和血的景觀令人屏息，樂音也沉醉如夢，英 國音樂家班傑明．布瑞頓的歌劇作品刻寫了 同性愛戀的弦外音，當夜間俱樂部電音乍響、 男女搖擺，莊諧的邊界亦為之鬆動。

destruction of both Sentain and himself. Denis and cinematographer Agnès Godard fold military and masculine codes of honor, colonialism's legacy, destructive jealousy, and repressed desire into shimmering, hypnotic

Foreign Legion officer, Galoup, recalls his once glorious life, leading troops in the Gulf of Djibouti. His existence there was happy, strict

images that ultimately explode in one of the most startling and unforgettable endings in all of modern cinema.

and regimented, but the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind. He feels compelled to stop him from coming to the attention of the commandant who he admires, but who ignores him. Ultimately, his jealousy leads to the

克萊兒．德尼，1946 年出生於 法國巴黎，成長期間隨家人旅居 非 洲 多 國。 曾 以《 白 鬼 子 》、 《我心渴望的陽光》、《黑洞迷 情》等片聞名影壇，也曾攝製舞 者 紀 錄 片《Vers Mathilde》。 作品常觸及性別、殖民 後殖民 議題，尤擅於捕捉人物的凝視、 身體的姿態與律動，展現獨特的 影像思索特質。 Claire DENIS is one of French New Wave directors. Her first feature, Chocolat, which was in competition at Cannes 1988, was followed by a string of critically acclaimed works, including The Intruder , White Materials and High Life.

© Pathé Télévision

DIRECTOR 克萊兒．德尼 Claire DENIS PRODUCER Patrick GRANDPERRET SCREENPLAY 克萊兒．德尼 Claire DENIS,

尚波爾．法裘 Jean-Pol FARGEAU CINEMATOGRAPHER 阿涅斯．高達 Agnès GODARD EDITOR Nelly QUETTIER MUSIC Eran TZUR SOUND Christophe WINDING CAST 丹尼．拉馮 Denis LAVANT, Michel SUBOR, Grégoire COLIN PRINT SOURCE LS Distribution

09.24 FRI 信義 10 17:00 ｜ 09.27 MON 信義 10 21:30 ｜ 09.30 THU 信義 10 19:00 經典重現 CLASSICS REVISITED

173

凡人故事 Tales of Little People

平�大��

亞洲首映 Asian Premiere

The Franc

數位修復 Restored

塞內加爾、瑞士、法國 Senegal, Switzerland, France ｜ 1994 ｜ DCP ｜ Color ｜ 46min

積欠房租的歌手被房東扣下樂器抵債，適逢貨幣大貶值，與其窮忙還債，不如 靠彩券一決生死。世故與諷刺隱身於質樸的影像與劇情之中，白日夢與現實交 織，轉瞬間還瞥見未來，為這則驚世寓言帶上一抹奇幻色彩。資本社會有錢判 生，沒錢判死，非洲電影大師吉布里．迪歐普．蒙貝提在窮人的生命韌性中看 見希望，以「凡人故事三部曲」作為獻給人們的現代寓言。 Poor musician Marigo buys a lottery ticket after his landlady confiscates his instruments in exchange for the unpaid rent. Marigo glues the ticket to his door. When he wins the lottery, he has to remove his door and carry it for miles to claim his fortune.

2019 波隆納再發現影展 Il Cinema Ritrovato 2019 紐約影展 New York FF DIRECTOR, SCREENPLAY 吉布里．迪歐普．蒙貝提 Djibril DIOP MAMBÉTY PRODUCER 希爾維亞．沃薩 Silvia VOSER CINEMATOGRAPHER, EDITOR Stephan ORIACH MUSIC Dieye Ma DIEYE, Issa CISSOKHO, Moussa NDIAYEE SOUND Alioune M'BOW CAST Dieye Ma DIEYE, Aminta FALL, Demba BÂ PRINT SOURCE Waka Films

販售太陽的女孩

亞洲首映 Asian Premiere

The Little Girl Who Sold the Sun

數位修復 Restored

塞內加爾、瑞士、法國 Senegal, Switzerland, France ｜ 1999 ｜ DCP ｜ Color ｜ 45min

患有小兒麻痺的女孩與家人一同行乞，她看著男孩們滿街兜售報紙，決心成為 第一位賣報紙的女孩。女孩從不向命運低頭，幸運降臨時亦不佔命運便宜，樂 觀的劇情背後，卻是塞內加爾迂腐政局與經濟崩盤下的人心惶惶。1998 年導演 於本片剪接階段罹癌病逝，隔年才由音樂家胞弟華西斯與製片希爾維亞．沃薩 協力完成，留下未開拍的「凡人故事三部曲」最終章。 A disabled girl, Sili, decides to do a boys' job and starts selling newspapers on the streets of Dakar. Sili does a great job but the boys are not happy. The story tells her battle about being daring to imagine what she can be and not caring about what anyone else thinks.

2019 波隆納再發現影展 Il Cinema Ritrovato 2019 紐約影展 New York FF DIRECTOR, SCREENPLAY 吉布里．迪歐普．蒙貝提 Djibril DIOP MAMBÉTY PRODUCER 希爾維亞．沃薩 Silvia VOSER CINEMATOGRAPHER Jacques BESSE EDITOR

Sarah TAOUSS-MATTON MUSIC 華西斯．迪歐普 Wasis DIOP SOUND Alioune M'BOW CAST Lissa BALÉRA, Dieynaba LAAM, Taïrou M'BAYE, Martin N'GOM, Oumou SAMB PRINT SOURCE Waka Films

吉布里．迪歐普．蒙貝提，1945 年出生於塞內加爾首都達卡，自學電影的他，一生僅創作兩部長片、五部短片，卻為世 界帶來深遠的影響。1973 年首部長片《逃離非洲》入選坎城導演雙週，1992 年長片《鬣狗之城》入選坎城影展主競賽。 1998 年他在製作「凡人故事三部曲」期間肺癌病逝，享年 53 歲。 © Betty E. Weber

Djibril DIOP MAMBÉTY was a Senegalese film director, actor, orator, composer and poet known for his original and experimental cinematic technique and the non-linear, unconventional narrative style.

09.28 TUE 華山 2 20:00 ｜ 10.04 MON 華山 2 18:20 ｜ 10.07 THU 華山 2 14:40 174

經典重現 CLASSICS REVISITED

刺青

數位修復 Restored

日本 Japan ｜ 1966 ｜ DCP ｜ Color ｜ 86min

The Spider Tattoo

當鋪女兒阿艷與學徒新助相約私奔，尋求澡 堂老闆的幫忙，然而老闆卻對阿艷別有用心。 盤纏將盡，新助有意回到當鋪，但阿艷執意 不肯。某日，新助被騙外出，中了埋伏，被 迫殺人；而阿艷則遭綁架，被賣至藝妓屋。 為了打造阿艷成為頂尖藝妓，店主找來刺青 師在其背上刺了絡新婦，自此阿艷改名為染 吉，魔性與虐待的本性彷若被喚醒，卻在某 天，與逃亡已久的新助意外重逢……。 本片改編自谷崎潤一郎短篇小說《刺青》及 《艷殺》，將谷崎異色的女性崇拜與官能美 學視覺化。導演增村保造雖備受義大利新寫 實主義薰陶，卻有感其過度強調社會壓力，

會打壓個體性，因此不願在片中再現這般的 日本社會，而是創造出有著強烈個性及自主 欲的女主角，堅強為達目的不擇手段，並以 不刻意裸露的情色，將性愛自由引申至社會 與政治自由。 The daughter of a rich merchant elopes with their servant. To satisfy her lover's fetish, she gets a mystical spider tattoo. The eerie result is that every man who enters her life is murdered.

增村保造，1924 年出生於日本 山梨縣，畢業於東京大學法學 部。義大利留學期間師從費里尼 與維斯康提，歸國後於大映製片 廠任溝口健二與市川崑等人助理 導演，而後獨立執導，為日本新 浪潮的先驅，片中女性多具有獨 立及自主意識。 MASUMURA Yasuzo had worked as an assistant director on Mizoguchi Kenji's later films and made his directorial debut, Kisses, in 1957. Known for the protagonists driven by love and hate, Masumura created a new type of Japanese films ahead of his time. DIRECTOR 增村保造 MASUMURA Yasuzo PRODUCER 小澤宏 OZAWA Hiroshi SCREENPLAY 新藤兼人 SHINDO Kaneto CINEMATOGRAPHER 宮川一夫 MIYAGAWA Kazuo EDITOR 菅沼完二 SUGANUMA Kanji MUSIC 鏑木創 KABURAGI Hajime SOUND 大角正夫 OSUMI Masao CAST 若尾文子 WAKAO Ayako, 長谷川明男 HASEGAWA Akio, 山本學 YAMAMOTO Gaku,

佐藤慶 SATO Kei, 須賀不二男 SUGA Fujio PRINT SOURCE Kadokawa Corporation

09.27 MON 信義 11 21:50 ｜ 10.02 SAT 信義 11 13:40 經典重現 CLASSICS REVISITED

175

火女

南韓 South Korea ｜ 1971 ｜ DCP ｜ Color ｜ 98min

Woman of Fire

前進大城市謀生的明子，願意無償工作只要 主人承諾媒合一樁好婚事。郊外別墅男主人 流連於眾多美豔女歌手間作曲販售，女主人 吩咐女僕明子，除了家事勞動、蛋雞飼養等 工作，還要阻止男主人與女歌手過度親密。 偏偏男主人卻因酒精誤事，與女僕發生不倫 關係，從此兩個勾心鬥角的女人、軟弱無能 的男人，一場驚心動魄的三角關係，蔓延成 濃烈的嫉愛之火，終將三人玉石俱焚。

佳女主角。導演金綺泳以扭曲歪斜的攝影構 圖、華麗怪誕的美術風格，呈現出韓國七○ 年代經濟快速成長下，中產階級家庭關係的 失能。睽違 50 年再登大銀幕，當年充滿戲 劇張力的演技、既噴人血也灑狗血的劇情， 如今看來依然精采，堪稱韓國影史上邪典電 影經典。

以《夢想之地》勇奪奧斯卡最佳女配角的尹 汝貞，電影出道作《火女》即震驚影壇，從 壓抑的鄉下女僕進化成為愛瘋魔的復仇女 子，形象令人怵目驚心，一舉拿下青龍獎最

"Housemaid Trilogy," Woman of Fire is a lurid,

Housemaid's vicious love triangle is now relocated to an industrialized chicken farm run by a controlling wife. She hires a young country girl as maid and chaperon for her composer husband, who she suspects of infidelity. When the girl falls victim to the urbanite composer's advances, the dark forces smoldering beneath the flimsy façade of bourgeois domesticity are unleashed to devastating effect.

The second part of Kim Ki-young's so-called frightening and audaciously stylized reimagining of his 1960 cult classic. The reconfiguration and sharpening of the razor edges of The

金綺泳（1919-1998），韓國一 代電影巨匠，早期以《高麗葬》、 《陽山道》等寫實主義風格電影 嶄露頭角，後期確立其詭譎驚人 的影像風格，結合通俗劇的敘事 結構，講述當代韓國階級問題； 代表作《下女》被眾多影評盛讚 為韓國影史上最好的電影之一， 對往後眾多韓國著名電影導演 如奉俊昊、朴贊郁等帶來深遠影 響。1998 年於自家火災中不幸 逝世。 KIM Ki-young (1919-1998) is an eccentric figure in Korean cinema. His collection of works contains the most grotesque and melodramatic films. He established his own production company in 1956 and The Housemaid can be seen as his breakthrough.

DIRECTOR, SCREENPLAY 金綺泳 KIM Ki-young PRODUCER 鄭鎮宇 CHUNG Jin-woo CINEMATOGRAPHER 鄭一成

JEONG Il-sung EDITOR 金熙洙 KIM Hee-su MUSIC 韓相基 HAN Sang-ki SOUND 李在雄 LEE Jae-woong CAST 南宮遠 NAM Koong-won, 尹汝貞 YOUN Yuh-jung, 全桂賢 JEON Gye-hyeon PRINT SOURCE Pioneer Pictures Film

1971 錫切斯影展最佳女演員 Best Actress, Sitges FF 1971 大鐘獎最佳新人女演員、最佳攝影、最佳剪接、最佳燈光 Best New Actress, Best Cinematography, Best Editing, Best Lighting, Dae Jong Film Awards 1971 青龍電影獎最佳導演、最佳女主角、最佳女配角、最佳美術 Best Director, Best Actress, Best Supporting Actress, Best Art Direction, Blue Dragon Film Awards

10.03 SUN 京站 6 14:00 ▲｜ 10.07 THU 京站 6 16:40 ▲ 176

經典重現 CLASSICS REVISITED

本單元選映的 XR 作品中，可以看見人們的情感、幻

想或慾望在虛擬空間中一一被具像化。諸如拼貼性的 家族記憶、多元文化影響下身份認同的建立、群體傷 痛等等。如何共感他人的生命經驗，在虛擬實境的 「後空間」中有了實現的可能。 In the XR works selected this year, human emotions, fantasies or desires are embodied one after another in the virtual space, covering collage of family memories, building one’s identity under the impact of multiculturalism, and collective trauma. In the "post-space" of virtual reality, it becomes possible to sympathize with others’ life experiences.

XR FRONTLINE

XR ��界

烏托邦建設中

Heterotopia: Mirrors & Perspectives

應許之諾

美國 USA ｜ 2020 ｜ VR360 ｜ Color ｜ 14min

A Promise Kept 「我曾承諾營裡另外的 599 個女人，如果能 活下來，我會告訴全世界她們的故事。」 倖存者佛里琪帶領我們造訪二戰時，超過百 萬猶太人葬身於此的奧斯威辛集中營。我們 走過當時的列車、廁所、宿舍、毒氣室甚至 火葬場，聆聽鉅細靡遺的描述。透過全景掃 描技術、縮時攝影、空拍等技術，並以動畫 結合實境，重現佛里琪於空間中的回憶，持 續述說，讓歷史不被忘記。 This gripping virtual reality experience takes you on a journey back to the notorious Auschwitz killing center with a survivor, Fritzie Fritzshall, as she fulfills her promise to the 599 women who helped in saving her life.

2020 西南偏南電影節 SXSW LEAD ARTIST 艾瑞爾．艾弗隆 Ariel EFRON DIRECTOR Ken WINIKUR PRODUCER Illinois Holocaust Museum &

艾瑞爾．艾弗隆，獲獎無數的 多媒體創作者，活躍於藝術、 文化及科技領域。擅長以數位 敘事在公共場域、博物館及行 動裝置提供沉浸式體驗。透過 創造各種型態的經驗，增加群 眾參與。 Ariel EFRON is a creative director and multimedia designer working at the intersection of arts, cul-ture and technology. His work specializes in immersive experiences that combine digital storytelling in public spaces.

Education Center, Susan ABRAMS, Kelley SZANY KEY COLLABORATOR Illinois Holocaust Museum & Education Center CINEMATOGRAPHER Konstanty KULIK, Shawn DUFRAINE EDITOR, ANIMATOR Chris HEALER, Matt FLEISCHER, eyelash.ai CAST Fritzie FRITZSHALL PRINT SOURCE Illinois Holocaust Museum & Education Center

我在再教育營的日子

美國、哈薩克 USA, Kazakhstan ｜ 2021 ｜ VR360 ｜ Color ｜ 20min

Reeducated

「再教育營」到底是怎麼一回事？被拘留的 生活與官方宣稱的相差多遠？我們走進位於 中國新疆的「再教育營」，重歷倖存者於營 中的血淚生活。影片根據三名曾被扣留於同 一場所的哈薩克族人證詞構築而成，結合口 述歷史、手繪記錄、衛星照片，以黑白動畫 及立體聲音，重建他們在營中的生活細節及 政治教育經驗，儼然一份證據確鑿、歷歷在 目的全方位證供。 Reeducated is a documentary produced by The New Yorker that takes the viewers inside one of Xinjiang's re-eduction camps, guided by the recollections of three men who were imprisoned together at the same facility. By 2018, as many as a million people were held in a vast network of re-eduction camps.

2021 西南偏南電影節沉浸式新聞評審團特別獎 Special Jury Recognition for Immersive Journalism, SXSW DIRECTOR 山姆．沃爾森 Sam WOLSON PRODUCER Ben MAUK, 山姆．沃爾森 Sam WOLSON, Nicholas RUBIN, Matt HUYNH, KANG Soo-jeong, Monica RACIC ARTIST Matt HUYNH ANIMATION TECHNICAL ARTIST Nicholas RUBIN ANIMATOR Oliver CARR, Noel PAUL, Eddy MOYA, M. J. STEELE MUSIC, SOUND Jon BERNSON CAST Erbaqyt Otarbai, Orynbek Koksebek, Amanzhan Seiituly PRINT SOURCE Dirt Empire

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山姆．沃爾森，沉浸式影片導 演和攝影師，長期與《國家地 理雜誌》、《紐約時報》和《紐 約客》等媒體合作。自 2017 年 起，導演完成一系列關注福島、 環境保護、蘇丹努巴山脈戰爭 區等議題之作品。 Sam WOLSON is an immersive film director and photographer working with National Geographic, The New York Times and The New Yorker. His projects screened at many film festivals, including Sundance and SXSW.

一生一樹

美國 USA ｜ 2021 ｜ VR360 ｜ Color ｜ 12min

Namoo

生命是場不能逆返的成長，我們一路得到， 也 一 路 失 去， 直 至 累 積 肩 上 的 一 切， 終 有 一 天 成 為 不 能 承 受 之 重。 在 VR 繪 畫 工 具 「Quill」的逐筆描繪下，我們身處生命起源 的小山丘，天真無邪的小男孩如同一株幼小 樹苗，在我們面前走入世界，與他人產生連 結，最終長成一棵盤根錯節的大樹，而我們 也伴隨這名小男孩，走過人生的每個階段。 Namoo, which means "tree" in Korean, is a narrative poem coming to life expressed as animated cinema and Oh's most ambitious work to date. Inspired by the passing of Oh's grandfather, the film explores one man's journey from beginning to end.

2021 日舞影展 Sundance FF 2021 翠貝卡影展 Tribeca FF 2021 聖荷西Cinequest電影節 Cinequest Film & Creativity Festival LEAD ARTIST, DIRECTOR, SCREENPLAY 艾瑞克．吳 Erick OH PRODUCER Maureen FAN, Kane LEE, Eric DARNELL,

艾瑞克．吳，現居美國的韓裔 電影工作者及藝術家，作品曾 獲奧斯卡等獎項提名。2010 至 2016 年 於 皮 克 斯 動 畫 公 司 工 作，及後製作《Pig: The Damn Keeper Poems》獲法國安錫動 畫影展水晶獎。 Erick OH is a 2021 Oscar-nominated Korean filmmaker and artist based in California. He studied Fine Arts at Seoul National University and Film at UCLA and had worked as an animator at Pixar.

Larry CUTLER LEAD DEVELOPER Shannon RYAN CINEMATOGRAPHER Kent SEKI, Kelly NAKASONE EDITOR Vanessa ROJAS ART DIRECTOR Eusong LEE ANIMATOR Jon Paul BROWSER, Nick LADD, Dan FRANKE, Javier MOYA MUSIC Zach JOHNSTON,

Matteo ROBERTS SOUND Andrew VERNON PRINT SOURCE Baobab Studios

再見章魚先生

法國 France ｜ 2020 ｜ VR360 ｜ Color ｜ 9min

Goodbye Mister Octopus 與父親發生爭執，灰心沮喪之際，16 歲少女 史黛拉收到母親來信。活靈活現的信件，提 供安慰也激發栩栩如生的想像。這段想像歷 程猶如一場意想不到，上天下海的成年禮， 讓她接納成長過程中的傷痛，擁抱即將來臨 的未來。透過流暢的敘事，與主角一起探索 身份認同、愛的責任與矛盾，成長過程充滿 無盡取捨，我們是否還記得最初觸動內心的 人事物？ Through Stella, the heroine, Goodbye Mister Octopus tells an illumining coming-of-age story about the questioning of identity, of what our loved ones represent and the perception of those around us.

2020 威尼斯影展 Venice FF 2020 日內瓦影展 Geneva IFF DIRECTOR 阿莫里．坎皮恩 Amaury CAMPION PRODUCER Arnaud COLINART SCREENPLAY Lily LAMBERT ANIMATOR Fred

阿莫里．坎皮恩，2D 及 VR 動 畫 創 作 者。 首 部 360 動 畫 作 品《Snowball》 結 合 特 殊 聲 音設計，創造完整的體驗。他 同 時 為 獨 立 製 作 公 司 Studio Geppetto 的創辦人，致力於製 作創意、動態及聲音設計相互 搭配，靈活交織的作品。 Amaury CAMPION is a motion designer who is based in Paris and had trained as a telecommunication engineer. The founder of Studio Geppetto, he is specialized in 2D, 2D virtual reality and freelance spatialization.

RIMBAU, Lana CHOUKROUNE, 阿莫里．坎皮恩 Amaury CAMPION MUSIC Peter SANDBERG SOUND Clément CERLES CAST Kate MORAN, Avant STRANGEL, Kaycie CHASE PRINT SOURCE Atlas V

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雅加達時光紀事

日本、印尼、德國 Japan, Indonesia, Germany ｜ 2020 ｜ VR360 ｜ Color ｜ 12min

Replacements

以樸實溫暖的手繪筆觸，描繪一個爪哇家庭 的日常故事，在三個世代的更迭中，古老的 傳統村莊逐漸演變為如今的熱鬧都會。 靈感來自真實存在的人物和地點，世事常變， 人們卻仍心存感謝與滿足。透過平凡的一家 人的眼睛，共同見證鄰里景觀的改變，映襯 1980 至 2020 年間，雅加達在都市、環境、 政治及文化的演化。從雅加達的都市化歷程 中，探討人類共感的根源、時間和變化。

©Kampung Ayu

2020 富川動畫影展 Bucheon IAF 2020 威尼斯影展 Venice FF

Replacements depicts a Javanese family routinely observing their neighborhood day after day, generation after generation, replacement after replacement. They are witnesses of Jakarta's urban, environmental, political, and cultural transformations from about 1980 to 2020. A praise of the satisfaction of impermanent things. It is a VR story about roots, time and change.

2021 日本Beyond the Frame影展最佳VR大賞 Grand Prix, Beyond the Frame Festival

喬納森．哈加德，法國與印尼 混血，身兼導演、動畫師和插 畫家，目前定居於日本京都。 他擅長使用動畫和新媒體創作， 作品關注自身在東京、雅加達 的居住經驗與城市研究。 Jonathan HAGARD is a halfFrench half-Indonesian director, animator and illustrator. Based on his experiences and researches in sprawling cities such as Tokyo and Jakar ta, he tells stories through traditional animation and new media.

LEAD ARTIST, DIRECTOR, SCREENPLAY 喬納森．哈加德 Jonathan HAGARD PRODUCER 喬納森．哈加德 Jonathan HAGARD,

Nova Dewi SETIABUDI, Andreas HARTMANN KEY COLLABORATOR Dewi HAGARD, Kaori KIDA PRINT SOURCE Diversion Cinema

烏托邦建設中

法國 France ｜ 2020 ｜ VR Interactive ｜ Color ｜ 10min

Heterotopia: Mirrors & Perspectives 如果能從無到有、與另一人一起創建自己心 目中的理想城市，那會是什麼樣的經驗？本 片將觀眾的部分身體展示在面前的虛擬實 境，觀眾必須如建築師般，依照設計圖，用 雙手親自蓋起眼前的世界。然而每蓋一棟建 築，眼前卻會產生更完美的城市圖像，宛如 沒有盡頭的工作，面前的景致不斷帶著建築 師前往永遠到不了的烏托邦。 In this VR experience on imaginary places embody an architectural duo in the construction of a fantasy city, from the first building to its ruin.

2020 巴黎新影像藝術節 NewImages Festival 2020 拉瓦勒虛擬實境展 Laval Virtual LEAD ARTIST, DIRECTOR 山謬．勒波 Samuel LEPOIL, 里昂．丹尼斯 Leon DENISE, 多利安．利哥 Dorian RIGAL PRODUCER

Rémi LARGE CAST Claire SAUMANDE PRINT SOURCE Tamanoir Immersive Studio

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山謬．勒波，擅長以劇場概念 創作沉浸式作品。 里昂．丹尼 斯，從電玩遊戲出發，探索現 實的疆界。多利安．利哥，數 位藝術家，作品多探討人造與 自然中的建築結構。 Samuel LEPOIL is dedicated to produce immersive projects on the border between digital and performing arts. Leon DENISE began his career in video games, exploring the boundary between the virtual world and the reality. Dorian RIGAL is a digital artis. His works look into the architectural structure between the manmade and the natural worlds.

家中的劊子手

丹麥、法國、加拿大 Denmark, France, Canada ｜ 2020 ｜ VR Interactive ｜ Color ｜ 25min

The Hangman at Home 受美國詩人卡爾．桑德堡 1992 年的詩作〈家 中的劊子手〉啟發，延伸為帶有手繪質地的 虛擬實境作品。觀眾置身的世界已與詩中的 絞刑吏無關，而是邀請觀者主動以行動觸發 事件，跨入不同的臨界點，進入不同角色的 空間與生活。臨界點是一扇窗、一個角落或 衣櫥，透過沉浸式的體驗，最終將觀眾引導 至場景前，面對「行為」與「不行為」的選 擇結果。 The Hangman at Home is an animated VR experience exploring themes surrounding acknowledgement and the awkward intimacy of humanness. Told in five interwoven stories; each situation presents a person, or persons in a delicate moment: fragile, playful, terrified, contemplated, confused, curious...

2020 威尼斯影展VR最佳評審團大獎 Grand Jury Prize for Best VR Immersive Work, Venice FF 2020 渥太華動畫影展 Ottawa IAF LEAD ARTIST Carl SANDBURG DIRECTOR, SCREENPLAY 米雪兒．奎諾 Michelle KRANOT, 尤里．奎諾 Uri KRANOT

米雪兒．奎諾、尤里．奎諾， TinDrum 工 作 室 的 創 辦 人， 致 力 於 研 究 和 發 展 技 術。 兩 人亦於丹麥動畫紀錄片公司 ANIDOX 擔任製作與導演，動 畫作品形式多元，並持續開發 新的敘事技術。 Michelle and Uri KRANOT's multimedia work fuses anima-tion and new technologies to create contemporary ex-periences. The Kranots are the founders of TinDrum and the producers and creative directors of ANIDOX.

PRODUCER Katayoun DIBAMEHR, Avi AMAR KEY COLLABORATOR Pierre-Yves DRAPEAU CINEMATOGRAPHER

Morten ANDERSEN ANIMATOR Philip PIAGET, Juliette VIGER, Mohammad BABAKOUHIASHRAFI, Fabien CORRE CAST Anne DORVAL PRINT SOURCE Floréal Films

霧中

台灣 Taiwan ｜ 2020 ｜ VR360 ｜ Color ｜ 14min

In the Mist 霧室中，微光裡，蒸騰的熱氣飄繞、滿溢。 忽隱忽現的男身，吸吮著彼此的慾望和孤寂， 越是擠擰，越是渴。你像是穿正裝誤闖禁域， 墜入夢與醒之間，凝視，也被凝視，想不起 來自己怎麼來到這裡，也不知道該怎麼出去。 導演周東彥將如詩的鏡頭語言搬進 VR，引領 你我直搗男色三溫暖，剝開層疊的慾望，探 看裹藏內裡的某種──無愛之愛。

©KRIS KANG

In a dim room filled with steam and mist, blurred figures of men are sipping the desire and loneliness from each other. You seem to have entered a forbidden zone and fallen into a state between dreaming and being awake, gazing at someone, and also being gazed by them.

2020 高雄電影節 Kaohsiung FF 2021 威尼斯影展 Venice FF

© 潘怡帆

周東彥，狠劇場導演及狠主流 多媒體藝術總監，創作以影像 與劇場為核心，亦跨足錄像藝 術、紀錄片與 MV。代表作包含 《你找什麼？》、《剩女，真 的？》。 CHOU Tung-yen is the creative director of Very Theatre and Very Mainstream Studio. His interdisciplinary work in theater and film has been shown globally and received nominations at the Golden Horse Awards.

DIRECTOR 周東彥 CHOU Tung-yen PRODUCER 狠劇場 Very Theatre TECHNICAL DIRECTOR 余瑞培 YU Ray-pei LIGHTING DESIGNER 陳大再 CHEN Da-zai CINEMATOGRAPHER 周哲宇 CHOU Che-yu EDITOR 黃嘉文 HUANG Chia-wen MUSIC 廖海廷

LIAO Hai-ting SOUND 高勤倫 KAO Chin-lun PROJECT MANAGER 覃子珈 TAN Tzu-chia CAST 林靖雁 LIN Jing-yan, 古振宅 Gryphon, 陳欣宏 CHEN Hsin-hung, 闕子超 Jack, 陳詩翰 John, 金逸璋 James, 卓楷程 CHO Kai-cheng, 吳亦展 Owen WU, 李其 諺 LI Chi-yen, 路克 Luke, 巴尼 Barnie, 李羿陞 Eason LEE, 邱明芳 QIU Ming-fang PRINT SOURCE 狠劇場 Very Theatre

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大師狂想曲：蔡明亮

法國、英國、台灣、盧森堡、南韓 France, UK, Taiwan, Luxembourg, South Korea ｜ 2021 ｜ VR Interactive ｜ Color ｜ 10min

Missing Pictures 2: Tsai Ming-liang 《大師狂想曲》為一系列 VR 紀錄片，從國 際大師級導演的親身經歷出發，講述每位導 演創作的背後不為人知、未能實現的故事。 本集故事以台灣導演蔡明亮的童年往事切 入，他在影片中分享了許多關於疼愛自己的 外公、外婆，以及過去在馬來西亞古晉市生 活時，自由自在的美好回憶。

2021 翠貝卡影展 Tribeca FF

Hard times, bad luck, tight spots, destiny... Some films become recipes for misfortune. Missing Pictures is a documentary series that gives some of the greatest directors a chance to tell the story they were never able to bring to the screen. Join Taiwanese director Tsai Ming-liang on a journey through the heart of his untold story set in the memories of his childhood.

DIRECTOR 克萊蒙 • 德諾 Clement DENEUX, 賴冠源 LAI Kuan-yuan EXECUTIVE PRODUCER Antoine CAYROL, Arnaud COLINART, Fred VOLHUER, Pierre ZANDROWICZ, Philip KALIN-HAJDU, 陳斯婷 Estela Valdivieso CHEN, Adam Cullen YOUNG, Hélène WALLAND, Christian NEUMANN, Jay KIM, Sooyoung CHOE, Rene Hyewon LEE, Mina HYEON, Sugon KIM PRODUCER Antoine CAYROL, 陳斯婷 Estela Valdivieso CHEN, Marianne LEVY-LEBLOND, Lamia DABOUSSY, Oriane HURARD ANIMATOR LI Che-cheng MUSIC 福多瑪 Thomas FOGUENNE CAST 蔡明亮 TSAI Ming-liang PRINT SOURCE 綺影映畫有限公司 Serendipity Films Ltd.

心向列車：她和他

火車轟隆作響，一路往前。女人、男人、老 人和小孩各據車廂一角，他們互不認識，卻 各懷心事，在人生的困頓中左右為難。你可 以選擇走進女人或男人的內心，穿梭於現實、 想像和回憶，聆聽他們難以啟齒的腦中劇場， 而你的視線緊盯之處、你的手部動作或話語， 都將影響故事的發展。這是一部從故事設計、 繪畫風格、角色內在歷程，都設計的極為仔 細的沉浸互動作品。 In her early 40s, a woman tries to answer her boyfriend's question. Opposite, a young man is infatuated with the woman seated in front of him. As audience, we enter the thoughts of the passengers traveling on a train and help them face a pivotal moment in their lives.

2021 西南偏南電影節 SXSW DIRECTOR 薩德．圖馬 Ziad TOUMA PRODUCER 薩德．圖馬 Ziad TOUMA, Oriane HURARD KEY COLLABORATOR Dpt., Post-Moderne, Novelab, Mocaplab, Satore Tech, Rümker, Accordex, Karen VANDERBORGHT SCREENPLAY Nicolas PEUFAILLIT CINEMATOGRAPHER Sergio OCHOA, Joséphine DEROBE EDITOR 薩德．圖馬 Ziad TOUMA, Karen VANDERBORGHT MUSIC David DRURY SOUND Novelab PRINT SOURCE Couzin Films

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Clement DENEUX is working in film, television, series, and advertisements for different production companies. His short film Zombinladen was selected in Fantasia International Film Festival in 2012. LAI Kuan-yuan is a multi-media visual arts creator. His VR projects have been selected to numerous festivals.

加拿大、法國 Canada, France ｜ 2020 ｜ VR Interactive ｜ Color ｜ 20min

The Passengers: Her & Him

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克萊蒙．德諾，法國導演、編 劇，2011 年 執 導 短 片《Zombinladen》；2016 年起拍攝《大 師狂想曲》系列 VR 紀錄片。 賴冠源，台灣多媒材視覺藝術 創 作 者，VR 作 品 包 括《 哈 瑪 星列車》、《潛入西拉雅》等。

薩德．圖馬，加拿大導演、製 片 與 編 劇，Couzin Films 創 辦人。近期為加拿大電台導演 及製作一系列互動實境遊戲 「The Judas」，於世界各地 影展獲多項提名。 Ziad TOUMA is a director, producer and wr iter working in f i l m , te l ev i s i o n a n d X R . H i s debut feature film, Saved by the Belles, was nominated for three Canadian Screen Awards.

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放映時刻表 Screening Schedule

XR Frontline

地點 Venue： 松山文創園區 Art Space D 藝巷空間 Songshan Cultural and Creative Park - Art Space D 放映日期 Dates： 09.24 FRI – 09.26 SUN 10.01 FRI – 10.03 SUN 應許之諾 A Promise Kept ｜ 14 min 1400

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我在再教育營的日子 Reeducated ｜ 20 min 1400

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一生一樹 + 再見章魚先生 Namoo + Goodbye Mister Octopus ｜ 11 min+9 min 1400

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雅加達時光紀事 + 烏托邦建設中 Replacements + Heterotopia: Mirrors & Perspectives ｜ 12 min+10 min 1400

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家中的劊子手 The Hangman at Home ｜ 25 min 1400

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心向列車：她和他 The Passengers: Her & Him ｜ 20 min 1400

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AY YESSAY FILMMAKER IN FOCUS: KARIM AÏNOUZ 焦點影人： 凱里・阿努茲

FILMMAKER IN FOCUS: RADU JUDE 焦點影人： 哈都・裘德 XR FRONTLINE XR 全浸界 專文 ESSAY

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浪漫的觀察者與實踐家： 凱里・阿努茲 文

蘇逸華

20

年初我很幸運地參加於哥特堡影展期間舉行的

著超8與16mm攝影機展開兩個月的公路旅行，將沿途

一場大師講座，聽凱里・阿努茲導演娓娓道來

所見隨機捕捉下來，幾年過去阿努茲偶然提議把這些素

他的生平與創作歷程。帶著從容的自信，說阿努茲是一

材拿出來做些什麼，2004年完成一部實驗色彩濃厚的

位企業家或是舞台劇演員我也會毫不猶豫地相信。聆聽

精巧短片《Sertão de Acrílico Azul Piscina》。2008

講座的過程之中，可以了解他是一個樂於分享在拍片中

年，阿努茲 經 歷了長 達兩年拍攝HBO影集《Alice》的

所經歷的思辨與實驗過程的創作者，也是擅長與初次或

拍攝，在商業製作的疲勞轟炸下，很希望能找回原始的

長年合作的夥伴溝通的電影工作者。

手作感以及相對自由的創作空間，因而再次回頭與勾梅 茲構思，這些十年前拍攝的影像能說什麼樣的故事？原

生平 外貌不像拉丁美洲裔的阿努茲，身上流有中東血統，他 的爸爸是一位阿爾及利亞工程師，媽媽則是一位來自巴 西的生化學家。父母離異之後，阿努茲5歲隨著母親回到 故鄉，位於巴西東北角上的福塔萊薩。生長於一個充滿 女性的大家庭，阿努茲於1991年首次拿起攝影機，拍攝 一部實驗混合紀錄，關於自己奶奶的短片。在展開自編 自導的創作生涯前，阿努茲曾在紐約住過一段時日，擔 任陶德・海恩斯的助理導演，也曾與 華 特・薩 勒斯共同 執筆編寫電影劇本。

早期創作光景：《妖姬莎塔》、《逆光》、《失戀 男人旅行日記》 從一開始阿努茲即清楚地將拍攝動機攤在檯面上，《妖 姬莎塔》講述一位從事非法行業、身無分文的跨性別黑 人的故事。莎塔奔放不羈的性格充分地表達阿努茲心中 對現實的怒火，也因此點燃了對於情慾、政治、階級、種 族、性別探討的創作初心。

本是兩雙眼睛捕捉的景物，他們轉而開始想像，如果這 是一個人的視角，他會是什麼樣的身份？他要去哪？旅 行的目的為何？這場探尋成就了《失戀男人旅行日記》 （2009），一名男子為了去探查運河地勢而踏上公務旅 行的故事。

情慾的置換：《未來海岸》、《被遺忘的人生》 身為一個坦然公開同志身份並且在柏林居住超過十年的 巴西導演，阿努茲將自己對男同志的情慾觀察融入切身 相關的兩個城市：鄰近阿努茲成長的地方「未來海岸」 （Praia do Futuro） 與柏林。柏林圍牆倒塌後，他認為 柏林代表著希望與任何的可能性。 阿努茲在情慾戲上的描繪非常地赤裸、純粹。《未來海 岸》中多納托與康拉德見證了生命的驟逝卻發生關係， 激烈而直接，在時間的催化下，愛意自肉體歡愉中悄然 滋生；《逆光》愛蜜拉與青梅竹馬在汽車酒店裡交歡，頭 頂上的日光燈不客氣地照亮兩人交纏的軀體，坦蕩蕩地 享受短暫的感官刺激；於2020台北電影節首映之《被遺

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阿努茲曾在一段訪談中提到「每個人性格衝突之處是最

忘的人生》，劇中新婚的妹妹在昏暗的浴室中，被酒醉

性感以及最有趣的地方。」《逆光》愛蜜拉的身體讓 她

的丈夫草率躁進地奪走初夜。阿努茲曾在一段訪談中提

享受肉體上的歡愉、感受酒吧狂躁的律動，但同時經歷

到：「當一個人從對方的嘴巴中拿開陰毛，對我來說那

了意外懷孕，身體最終也成為她迎向自由的籌碼。

就是吸引力、親密感。」

1999年阿努茲與馬切羅・勾梅茲（Marcelo Gomes）帶

阿努茲總是能 為鏡頭下的人物找到合適的創作電影類

型。不擔憂會流於俗氣或濫情，阿努茲大膽採用「通俗

掩飾地用攝影機記錄下這一座過去是納粹集會點、如今

劇」（melodrama）的敘事手法呈現劇情長片作品《被

是廢墟的機場，以及如今身處其中的人們。

遺忘的人生》。他直言不諱地坦承70年代起流行的巴西 肥皂劇在他童年記憶佔了不小的篇幅，對他來說，通俗 劇是「電影敘事方式中最有效的政治立場表態」。在影 像美學上也選擇飽滿、充滿誘惑的色彩來襯托這個實則 悲傷的故事。其實《被遺忘的人生》原著小說的調性是 輕快溫和的，與電影差距很大，是電影賦予了這故事通 俗劇的色彩。

另外，阿努茲為了追本溯源，於2019年2月首次踏上父親 的國土，希望去了解阿爾及利亞自解放戰爭後到走上民 主之路的過程。因為父親曾經參與1954至1962年之間 阿爾及利亞解放戰爭，原本專心埋首於資料研究與田野 調查的阿努茲，卻意外跟隨當地社會運動份子，拍攝了 一部發生在一天之內的紀錄片。相較於過往反抗或社會 運動類型紀錄影片總是氣氛凝重或命在旦夕，《阿爾及

相較於配樂，阿努茲更喜歡將些許歌曲放入電影裡，像

利亞天空下》（2020）一掃陰霾記錄下街頭示威歡愉的

是《失戀男人旅行日記》開場主角車中收音機播放的寂寞

能量。

情歌，《逆光》中讓愛蜜拉搖曳生姿的舞曲，抑或《未來 海岸》片尾揚起大衛・鮑伊的〈Heroes〉。〈Heroes〉悠 揚高亢的旋律，為原本趨於沈靜的畫面添加一股過於喧 嘩的浪漫，流露導演對於素材掌握的自信與我行我素。 許多人稱阿努茲是一位「女權創作者」，他反倒認為「反 父權的」（anti-patriarchal, anti-macho films）與他的 創作立場更為貼切。在《被遺忘的人生》與《逆光》中皆 可以看見在父權宰制的社會下，女性獨善其身、迎向最 後曙光的韌性。

巴西現行電影產業的危機 巴西電影在2019年的國際影展上表現格外亮眼，《殺戮 荒村》與《被遺忘的人生》分別拿下2019年坎城主競賽 評審團獎以及一種注目單元最佳影片。以巴西原住民為 主題創作的《熱病幻夢》(The Fever) 更在盧卡諾影展 抱回大獎。然而自出身右翼的巴西總統雅伊爾·波索納洛 上任以來，巴西藝文產業面臨前所未有的危機。波索納 洛不留情面地攻訐國家電影產業與公共資金，並提倡藉 由電檢審查制度，鼓勵拍攝家庭、道德教化與國族英雄

社會議題反思：《中央機場》、《阿爾及利亞天

崇拜的電影，同時大力反對LGBTQ與性愛相關題材，大

空下》

幅刪減一向支持巴西合製電影和巴西電影在國際影展上 表現的單位之預算。儘管如此，阿努茲與眾多巴西中新

阿努茲獨特的成長背景，也讓他關注處於社會邊緣的敘

生代創作者，正以力挽狂瀾的信心進行反動，也期望阿

利亞難民。來自切身經驗，阿努茲體會到中東人在歐洲

努茲能繼續於創作中展現人性的光輝。

常常被污名化與歧視，伊斯蘭國的恐怖攻擊、敘利亞內 戰的白熱化，都讓種種情況雪上加霜，也使得戰火下的 受害者被同步抹上黑名。在由德法公共電視ARTE出資 拍攝的紀錄片《中央機場》（2018）中，阿努茲以精準的 眼光將鏡頭投向安頓 於柏林滕珀爾霍夫機場的敘利亞 難民。年輕時曾接受建築學洗禮的阿努茲，毫不美化與

蘇逸華，台北電影節節目團隊。

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哈都・裘德： 在電影中，穿透羅馬尼亞的過去與現在 文

謝璇

要

談哈都・裘德，得從羅馬尼亞新浪潮談起。

羅馬尼亞新浪潮迸發自千禧年後，新浪潮先鋒導演克利

這片土地上的真實生死、家庭關係 與無能的男性們 在裘德的短片中可明確看見新浪潮在他創作之初的深

斯提・普優的首部長片《Stuff and Dough》（2001）入選坎

刻影響。《電視壞掉的一天》（2006）改編自文學家弗

城影展導演雙週單元，為新浪潮揭開序幕。國際影展對

洛林・拉札瑞斯古根據自身經歷寫成的短篇小說，拉札

羅馬尼亞電影的關注為新浪潮推波助瀾，在3年內就達

瑞 斯 古 後 也 與 裘 德 合 作 編 寫成 名作《 追拿 吉 普 賽！》

到高峰──普優的短片《Cigarettes and Coffee》

（2015）。《電視壞掉的一天》以極 致寫實的風格，描

（2004）榮獲柏林影展短片金熊獎、另一新浪潮代表人

述兒子央求父親帶他到城裡修電視的一段經歷，貼近土

物卡塔林・米特里古則以《塞 車狂想曲》（2004）奪得

地、描繪小人物故事的方向，正是新浪潮電影追求的寫

短片金棕櫚。國際 影展的認可 讓 羅 馬尼亞獨立製作的

實。隔年推出《親愛的亞莉珊卓》，爸爸將女兒送回已離

作者電影得以大放異彩，影評、學者也跟進投入評論與

婚的前妻與其男友家中，因探視權引爆爭執一發不可收

研究。國境之內，長年位處世界電影產業邊陲的羅馬尼

拾。裘德在片中建立一個脆弱卻又激進的男性，回溯新

亞，以低成本的製作策略吸引國際合製。除此之外，歐

浪潮的脈動，亦有在影像中打破父權掌控且強調女性意

洲各國的電影補助、資金，也帶動了人才交流與跨國合

識的傳統。《親愛的亞莉珊卓》描繪的婚姻裂痕、家庭

作。一股新的歐洲電影之風在各國吹起。

關係，尤其以家長與子女之間的情感為重，這些線索也 延展至他的第二部長片《Everybody in Our Family》

乘著新浪潮餘波，掀起另一番巨浪

（20 12）。卑微 或 失能 的男性 角色 形 象在《 憂 鬱的 午 後》（2013）更加彰顯。牧師被找去為臥病在床的老媽

正值新浪潮頂峰，當時仍在攻讀電影製作學位的哈都・裘

媽祝禱，家中的女性 成員聚集在 床邊，悲慟不已；男性

德已經開始擔任助理導演，其中包括普優的《The Death

成員卻一副事不關己。當牧師被捲入家族紛爭，男性成

of Mr. Lazarescu》（2005）。師承普優，裘德的作品

員仍手足無措。在「哈都・裘德短片輯I：家庭群像」中，

不管是創作內核或製作思維，都帶有新浪潮的底蘊。新

除了看見 裘 德回應 新 浪 潮 關注 的家 庭、人 際 互 動 的主

浪潮電影美學上的通性──包括攝影風格、視覺美學、

題，也印證他在風格上追求寫實、貼近生活，以及人物

敘事結構以及對時間空間的呈現──延展至裘德的作品

塑造上的特性與通性。

中，且逐漸發展出屬於他的作者色彩。在內容上，裘德

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也不斷回應新浪潮的集體關照──例如以邊緣、具反英

「哈 都・裘 德 短 片輯 I I：死 亡 之 眼」選 映《一盡 到底》

雄（antihero）特性的人物為角色、反覆梳理父子關係、

（2011）以 及《晚安，噓 》（2014）。兩者 除了主 題 上

直面女性議題，且帶有獨到生猛的黑色幽默。不僅是創

都扣連死亡，攝影也採用一鏡甚至定鏡拍攝。《一盡到

作層面，長期與裘 德合作的製片艾 達・所羅門，兩人在

底》中，生無可戀的中年男性決定自拍錄下遺言，準備寄

美國投資、羅馬尼亞拍攝的作品《Vacuums》（2003,

給親朋好友們。一顆定鏡長達近60分鐘，強力反轉後勁

Luke Cresswell, Steve McNicholas）製作時結識；所

十足。《晚安，噓》則以小女孩的角度，端看年幼的生命

羅門在成立製作公司Hi Film Productions之後與裘德展

如何想像或懼怕死亡的存在。同為一鏡到底，攝影機僅

開合作至今。獨 立 製 作 的 路 線，也 是 新 浪 潮 導演 的 共

在室內、簡單分為兩個空間的場域移動，卻縝密調度出

同點。

人物關係以及利用空間敘事。

在素樸與絕美之間，以感官顛覆世界

片的作品關注二戰期間，在安東內斯庫將軍的親納粹德 軍政權領導之下，導致近30萬猶太人赴死的黑暗歷史相

裘德的首部長片《世界上最快樂的女孩》（2009）可謂

關事件。其中，裘德與 歷史學者亞德里安・喬福蘭卡合

他在 短片中顯 現的特性 之 集 大 成，也 為新浪 潮落幕前

導的《1941亡者群像》（2020）可謂連觀影過程本身都

的重要作品之一。幸運以飲料集點抽中大獎的女孩，在

是創作一環的作品。近160分鐘的罹難者家屬證言，以

父母陪同下到首都拍攝廣告，等著抱回汽車頭獎。裘德

靜態照片搭配口述，道出親族被帶上死亡列車的悲痛記

在片中建立了一個由男性主導的世界作為社會的縮影，

憶；最後則靜默10分鐘呈現當時的真實畫面。坐立難安

透過女孩與之抗衡的過程為女性賦權。女孩夢想著能開

甚至反覆消耗心神的過程中，挑戰觀眾如何面對自己看

車與朋友們一同遊玩，父母則希望賣掉汽車解決經濟困

待他人之苦痛與殘忍歷史的態度。

境。女孩在社會要求與私我渴望間努力達到平衡，更竭 力抵抗父親的壓迫。

同年，改編自劇作家賈尼娜・卡布納流同名舞台劇作的 《塗鴉少年祕密檔案》則關注由獨裁者尼古拉・希奧塞

在強調作者電影路線的新浪潮中，裘德也逐漸發展出屬

古為首的共產黨政府時期，羅馬尼亞境內經濟蕭條、民

於他的導演色彩並且找到他的重要母題──歷史觀照及

不聊生，祕密警察橫行，監視人民且控制社會的歷史。

批判。《心痕如詩》（2016）改編自文學家馬克斯・布雷

當希奧塞古透過國家電視台打造自己浮誇不實的英雄形

赫的同名自傳式小說，描述他在海濱醫院的最後一段生

象，少年穆格・卡林內斯庫則在街頭塗鴉寫下人民的心

命經歷。影像上交融文學、繪畫古典美學，鋪排一場極

聲，卻招致祕密警察監控，最終死於非命。本片以高度

致藝術的饗宴。布雷赫的猶太人身分，也連動裘德向來

風格化的美術設計打造鮮豔、華麗的視覺，以少年見證

關注題材，在本片的藝術風格表現之外，鋪排大方向的

的屬於人民的歷史和電視台播送的官方歷史相互對照，

歷史觀照。

混和舞台劇、電視節目等在風格上營造豐富層次與旁徵

裘德 以新作《倒楣性愛和瘋狂 A片》（2021）勇奪柏林 影展金熊獎殊榮。在這部野心極大，也將裘德的作者風

博引的創作方法，也是裘德無論在劇情片或紀錄片創作 時，常用的手法之一。

格、核心主題都推向極致的作品中，相當值得一提的則

執起導演筒至今方15年，裘德已累積約20部作品以及

是新浪潮作品共有的黑色幽默神采。黑色幽默作為權威

數以百計的廣告。他的鏡頭在回望歷史傷痕的同時，也

的反動、諷刺人性的有效工具，成為本片的重要基調。

銳利地看透當下。他以新浪潮為養分，還在逐漸掀起另

歷史教師與老公的性愛影片外流，通俗到甚至有點老套

一波浪頭的路上。

的故事起點，卻逐漸走向癲狂的大亂鬥。對於階級、性 別、政 治、道德價值的批判與諷刺毫不手軟。除了高超 的幽默感，裘德也使用了他擅長從歷史檔案徵引素材並 且加以重構的敘事手法，百科全書式地再譯歷史、戰爭 與政治，以達「毀三觀」的衝擊效應。

參考書目 Dennis Deletant (2006). Hitler’s Forgotten Ally: Ion Antonescu and His Regime, Romania 1940-1944. UK: Palgrave MacMillan

揭露：以導演目光剖開歷史的陰暗

Doru Pop (2014). Romanian New Wave Cinema: An Introduction. USA: McFarland & Company, Inc

裘德於2017年起開始紀錄片創作，至今有三部包含劇情

洪茂雄（2008）。《羅馬尼亞史－在列強夾縫中求發展的國家》。 台北：三民。

再訪

謝璇，台北電影節節目團隊。

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走進虛擬實境的後空間： XR 全浸界 文

蘇逸華

今

年選映的XR作品中，可以看見人們的情感、幻想

虛擬實境中一對一、親密的敘事特點，在許多今年選映

或慾望在虛擬空間中一一被具像化。諸如拼貼性

的作品中可以感受到。《家中的劊子手》讓體驗者扮演

的家族記憶、多元文化影響下身份認同的建立、群體傷

窺 視者 的角色，走 進一 個個由厚實 油畫筆 跡 堆砌而成

痛等等。如何共感他人的生命經驗，在虛擬實境的「後空

的空間，望著五種不同生命經驗下的日常切片，桑德堡

間」中有了實現的可能。

的詩成了囈語呢喃。究竟是將觀者拉入了幻境，抑或在 觀照他人的小劇場下，反而更清楚反映自身的處境？甚

VR作品《烏托邦建設中》創作靈 感 來自傅 柯的文本論

者，體驗者主動決定了進入不同房間的順序，也會讓體

述，「傅 柯以heterotopia指稱介於真實空間和烏托邦

驗者自己從被動的觀眾成為主動說故事的人。除了互動

（utopia，虛構空間）之間，既真實又虛幻的所在，具有

式VR，雙導演夫妻檔米雪兒・奎諾與尤里・奎諾也使用

凝縮異質元素於一處而迸發的擾動潛能。」1在《烏托邦

同樣素材，發展2D動畫短片以及「VR多位體驗者版」，

建設中》裡，一對建築師原先攜手打造理想的城市，卻

希望藉由此系列作品探問群體與個體所賦予人的責任。

在建造過程中發現最理想的建築結構永遠在追尋的盡

在《霧中》裡，男體的窺視因為VR的觀影方式而縮短了

頭，觸不可及。體 驗 者 週 而 復 始 地 用雙 手 形塑 並 摧 毀

「看」與「被看」的距離。有豐富劇場與影像創作經驗的

「點雲」組成的建物，浸入一場哲學性思辨之中。

周東彥巧妙地將台中國家歌 劇院的舞台特性融入此次

未竟 之境也 是《 大師 狂 想曲》VR系列作品的主 題，繼 第一集拍攝類型電影大師阿貝爾・費拉拉後，《大師狂 想曲》第二集走入蔡明亮的內心。憶想兒時與阿公阿嬤 午 後的漫 漫時光，心底 收 藏的回憶 在 虛 擬 實 境中反倒 有了生長 空間，讓電影創作思維 與VR藝術產生啟示性 的結合。

的VR玄想中，在虛擬實境中體驗男色三溫暖空間的解 構，讓體驗者的臆想漫遊於浩瀚宇宙之中。 VR親密式的敘事特點也一氣呵成地運用在《再見章魚先 生》與《一生一樹》兩者之中。不論是面對成長十字交口 的徬徨，抑或對生命的詠嘆，藉由非常個人、私密的敘事 角度，生命韌性的光輝一覽無遺。兩件作品皆是在3D繪

觀察一個地域在時間洗禮下所經歷的蛻變，有時會抽出

圖Quill應用程式內製作完成，也在美術風格上融入了2D

心底不曾注意的到思緒。《雅加達時光紀事》透過細緻

動畫的風采與手繪的質地。

的動畫呈現一家三代生活環境的物換星移。不用對白， 反而藉由許多細節的流轉，像是暴風雨造成的大水災、

近年來XR也成為探究轉型正義與各種公共議題方興未

都市仕紳化所帶來景觀上的變化等等，讓觀者感受啟動

艾的媒介。Fritzie Fritzshall為伊利諾大屠殺博物館的館

這些變化背後的因子，時間感與空間感交揉在一起，既

長，她以倖存者之姿帶領觀者重返奧辛維茲集中營，《

魔幻又真實。在《心向列車：她和他》之中，體驗者則能

應許之諾》回望並緬懷已逝去的生靈，試圖藉由全景掃

藉由角色扮演，透過話語與視線左右故事開展的方式，

描、縮時攝影以及無人機拍攝，對照史料照片，喚起集

踏入乘客的思緒迷宮，並在過程中試圖揮別角色心中的

體的省思與回顧，並且履行許久前對599位女性許下的

憾恨。

承諾。在排猶與各種極端仇恨並存的網路時代，盼能以 此為鑑，不要讓令人悔恨的歷史一再重覆發生。

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CNN曾經帶著VR攝影機深入北韓，讓世界各地的人一窺 當地生活樣貌。而《我在再教育營的日子》，記者山姆・ 沃爾森親自走訪新疆，訪問三位囚禁於塔城的哈薩克人， 透過動畫重現攝影機無法進入的「再教育營」，將視覺藝 術家Matt Huynh原始且肅穆的手繪風格融入其中。該作 品為《紐約客》雜誌發起計畫，透過第一手見證、倖存者 的速寫、衛星攝影等完成VR影像，同時輔以線上文字報 導，要讓世人知道這議題早已迫在眉梢。作品可說是充 分運用手上的素材，使其發出最大聲量，向全世界報導 二戰後規模最龐大的少數族群迫害行為。 整體而言，今年XR全浸界的作品迸發出更多敘事的想 像與可能性。外在的實體空間所無法輕易收納或者實踐 之情感、乃至各種抽象的概念，透過虛擬實境的非現實 空間，卻能成為人們眼中的「真實」。借助XR科技的詮 釋，敘事的角度與方式有更多元的展現，人們對真實的 想像也多了一層新的維度，然而不變的是「人的溫度」依 舊會是串連敘事情感最關鍵的元素之一。

1

引述自《傅柯 Heterotopia 翻譯考》，王志弘

蘇逸華，台北電影節節目團隊。

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A Romantic Observant and Doer Karim Aïnouz By Stephanie SU

E

arly in 2020, I luckily attended a master’s class held at the Göteborg Film Festival, where director Karim Aïnouz elaborated on his life and film career. For his calm confidence, I would have totally been convinced if Aïnouz were an entrepreneur or a stage actor. In listening to his lecture, I found that, in addition to his delight in sharing the reflection and experimental process during shooting, he was a filmmaker with deep worldly wisdom, and good at communicating with collaborators. Life Of Middle Eastern descent, Aïnouz does not look like a Latino. His father is an Algerian engineer and his mother is a biochemist from Brazil. His parents divorced when he was five years old; he returned with his mother to Fortaleza to the northeast of Brazil. Growing up in a big family filled with women, Aïnouz picked up the camera for the first time in 1991, and made a half experimental and half documentary short film about his grandmother. Before launching his career as a scriptwriter and a director, Aïnouz had lived in New York for a period and served as an assistant director for Todd Haynes, in addition to co-writing film scrips with Walter Salles. Early Career: Madame Satã, Suely in the Sky and I Travel Because I Have to, I Come Back Because I Love You Since the very start, Aïnouz clearly showed his motivation of filmmaking. Madame Satã relates the story of a transsexual black who is a penniless illegal worker. The unrestrained personality of Satã adequately incarnates the flame of fury within Aïnouz’s toward reality, which further enkindled his initial attempt to explore politics, hierarchy, race and gender through filmmaking. Aïnouz said in an interview, “I think the sexiest and most interesting thing about a character is contradiction.” The perspective is embodied in Hermila, the protagonist in Suely in the Sky, who was enthralled by physical pleasure through her flesh. In feeling the wild and restless vibration in a bar, she underwent unexpected pregnancy. And her body eventually became the chips for her liberation.

In 1999, Aïnouz embarked on a road trip lasting for two months along with a close friend, Marcelo Gomes. With Super-8 and 16mm cameras, they randomly captured the scenery along the way. Years later, Aïnouz incidentally suggested to do something about the materials, leading to Sertão de Acrílico Azul Piscina, an ingenious short film with a strong experimental tone. Few years later, in 2008,

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Aïnouz went through a 2-year lengthy shooting for the HBO series Alice. The bombardment of the commercial production inspired a thirst in him to retrieve the primary feeling of the “handmade” and a relatively freer creative space, so he returned to Gomes to conceive a story that could be told from the film made a decade ago. They turned to imagine that the scenery originally captured through two pairs of eyes was seen through the perspective of a single person, and conceived the identity of the latter. Where would he go? What is the goal of the journey? The inquiries became I Travel Because I Have to, I Come Back Because I Love You relating a story about a man who embarked on a business trip for a topological survey of a canal. Erotic Replacement: Futuro Beach and The Invisible Life of Eurídice Gusmão As a Brazilian director who frankly disclosed his homosexuality and has lived in Berlin for more than 10 years, Aïnouz integrated his observation about the love and lust of gay men into two cities closely bound with him: “Praia do Futuro (Futuro Beach)” near the place he grew up, and Berlin. For him, the Berlin after the fall of the Berlin Wall represented hope and any kind of possibility. The ways Aïnouz depicts erotic scenes are extremely straightforward and pure. In Futuro Beach, Donato and Konrad have sex intensively and directly while witnessing a sudden death. Catalyzed by time, love quietly grows out of their physical pleasure. In Suely in the Sky, when Hermila intercourses with her adolescence sweetheart in a motel, their intertwined bodies are starkly exposed under the fluorescent light over their heads, showing their sheer ravishment by the temporal sensual excitement. In The Invisible Life of Eurídice Gusmão, the newlywed younger sister was rashly deprived of her virginity by her drunken husband in a darkly lit bathroom. As Aïnouz mentioned in an interview, “When one takes the other’s pubic hair from his mouth—for me, that’s affection, that’s intimacy.” Aïnouz can always find adequate genres for the characters in front of his camera. Without the slightest consideration over vulgarity or sentimentality, he audaciously adopts the narrative approach of melodrama in representing his feature film titled The Invisible Life of Eurídice Gusmão. According to his frank confession, the Brazilian soap opera en vogue since the 1970s occupied a rather important place in his childhood memories. For him, melodrama is “one of the most effective ways of being politi-

cal in storytelling.” In terms of visual aesthetics, the director chose saturated and rather seductive colors to reflect the actually sad story. The style of the original novel of The Invisible Life of Eurídice Gusmão is actually lively and soft, which greatly differs from the film. It is in the film that the story is endowed with a melodramatic tone. In comparison to soundtracks, Aïnouz prefers to insert songs in his films. For example, at the beginning of I Travel Because I Have to, I Come Back Because I Love You, a lonely love song is played on the radio in the protagonist’s car; in Suely in the Sky, a dance song makes Hermila sway. Or Heroes of David Bowie heard at the end of Futuro Beach; its melodic and resounding tune adds a romanticism far too loud to the images tending towards tranquility, revealing the director’s confidence and self-assuredness in handling his materials. Aïnouz is generally considered a “feminist filmmaker,” but he thinks that “anti-patriarchal” films better describe his attitude of filmmaking. Women’s resilience in attending to their own well-being and seeking the last light of dawn in a patriarchal society can be perceived in both The Invisible Life of Eurídice Gusmão and Suely in the Sky. Reflection on Social Issues: Central Airport THF and Nardjes A. Growing up in a particular background, Aïnouz pays close attention to Syrian refugees on the margins of society. With his personal experience, Aïnouz profoundly recognizes the stigmatization and discrimination imposed on Middle Eastern people in Europe. As these conditions are exacerbated with the terrorist attacks by the Islamic State and the escalation of the Syrian civil war, the victims of wars are condemned. In Central Airport THF (2018), a documentary funded by the German-French public tv channel ARTE, Aïnouz directed his lens toward Syrian refugees settled at Berlin Tempelhof Airport with a precise vision. Trained in architecture in his youth, Aïnouz used his camera to unpretentiously record the statuses at this airport, previously a meeting point for Nazis now in ruins, as well as the people there today.

one day. In comparison with the weighty ambiance or immediate death threat recurrent in his prior documentaries about revolts or social movements, in Nardjes A., such gloominess is swept away and replaced with the joyful energy of street demonstration. The Crisis in the Brazilian Film Industry Today In 2019, Brazilian films particularly shone out in film festivals worldwide. At the Cannes Film Festival that year, Bacurau and The Invisible Life of Eurídice Gusmão respectively took home the Jury Prize of the Official Selection and the top prize of Un Certain Regard. Moreover, The Fever revolving around indigenous Brazilians won the FIPRESCI Prize and Best Actor at the Locarno International Film Festival. However, the arts and cultural industries in Brazil have confronted unforeseen crisis since the right-wing Brazilian President Jair Bolsonaro took office. In addition to his merciless attacks on the national film industry and public funds, Bolsonaro advocated encouraging the production of films related to families, moralization and worship for national heroes by means of film censorship while strongly opposing to subjects about LGBTQ and sex. He also considerably cut the budget of the organizations that used to support Brazilian co-produced films and promote Brazilian films to international film festivals. Nevertheless, Aïnouz and a great many filmmakers from the senior and new generations in Brazil continue to react with confidence to turn the tide. Hopefully humanity continues to shine in the works of Aïnouz.

Translated by Sylvie LIN Stephanie SU, member of Taipei Film Festival program team.

Being half Algerian, Aïnouz set foot on the soil of his father’s mother country for the first time in February 2019 to seek his own origin, hoping to understand the process of democratization in Algeria following the Algerian War of Independence. His father’s participation in that war from 1954 to 1962 incidentally prompted Aïnouz initially immersed in data and field research to follow local activists and shoot a documentary recording the course of

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Radu Jude: Past and Present in Romania Through Films By Katrina HSIEH

R

adu Jude is inseparable from Romania New Wave.

The wave began around the millennium. The pioneering filmmaker Cristi Puiu’s feature debut, Stuff and Dough (2011) premiered in Director’s Fortnight at Cannes. In the next three years, Romanian films garnered extensive international attention, with a climax in 2004 when Puiu’s short film Cigarettes and Coffee received the Golden Bear at Berlinale. Another signature figure, Cătălin Mitulescu, won a Palme d’Or at 2004 Cannes in the short film section for Traffic. These independent auteur films from Romania were elevated with international recognitions, film critiques, and academic studies. Long being on the periphery of the global film industry, Romania attracted international co-productions with lower costs. Film subsidies and capital in Europe also facilitated talent exchanges and international cooperation for different compositions of European films. Wage Another Wave During Romania New Wave, Radu Jude started to serve as assistant director on The Death of Mr. Lazarescu (2005) by Puiu, while studying film production degrees. He learned from Puiu, and demonstrated New Wave elements in his core creative or production concepts. Common components in New Wave films, including photography styles, visual aesthetics, narrative structures, as well as temporal and spatial presentations, emerge in Jude’s films. He has also developed his auteur styles over time. When it comes to content, he chooses marginal characters and anti-heroic figures, contemplates on father-son relationships, addresses female issues, and often carries dark humor. He met the long-term producer partner Ada Solomon when shooting Vacuums (2003, Luke Cresswell, Steve McNicholas), an USA production filmed in Romania. After Solomon starts Hi Film Productions, she continues to work with Jude until now. Independent production is also the common model for New Wave filmmakers. Real Life and Death, Family Relationship, and Incompetent Males New Wave has left clear marks on Jude’s early career and his short films. The Tube With a Hat (2006) was adapted from a short story by writer Florin Lăzărescu based on personal experiences. Lăzărescu is also the writer for Jude’s acclaimed film Aferim! (2015). In a very realistic style, The Tube With a Hat describes how a boy asks to follow his father to downtown for fixing their television.

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This down-to-earth approach with everyday figures is common among New Wave films. In Alexandra (2007), father sends the daughter to his ex-wife and her boyfriend, and confrontations erupt with custody disputes. In the film, Jude portrays a vulnerable but aggressive male character. Many New Wave films tend to highlight female awareness and overturn patriarchal control. Alexandra touches upon marital issues, family relationships, and family bonds. These clues are also included in his second feature film Everybody in Our Family (2012). Humble and dysfunctional male characters are even more obvious in Shadow of a Cloud (2013). A pastor is called to pray for the sick old lady. While female family members sorrow around the bed, males are indifferent. When the pastor is dragged into the family dispute, males look bewildered. In “Radu Jude Short Films Collection I: Family Shorts”, Jude addresses family and interpersonal engagement issues, exhibits realistic styles, and delivers consistent qualities in characters. “Radu Jude Short Films Collection II: All About Death” will screen A Film for Friends (2011) and It Can Pass Through the Wall (2014). Both films are related to death issues, and shot with long takes or fixed camera locations. In the former, a hopeless middle-aged man decides to record his last words for family and friends. The 60-minute-long take is powerful and impactful. The latter imagines and fears about death from a little girl’s perspective. Cameras only move between two simple spaces indoors, but capture a sophisticated human relationship and narrative through spaces. Overturn the World Between Simplicity and Glamour His first feature, The Happiest Girl in the World (2009), aggregates qualities from his short film. It’s also one of the key films before the New Wave closes. As the winner of an advertising campaign, a girl is accompanied by her parents to the capital for making advertisements and claiming the car prize. In the film, Jude creates a microcosm of a male-dominated society, and empowers females through her resistance. While parents want to sell the car, she dreams of traveling with friends. The girl struggles to balance between social demands and personal aspirations, and fights against oppressions from her father. In the New Wave that upholds auteur films, Jude gradually polishes his styles and identifies his core topics about historical contemplation and criticism. Scarred Hearts (2016) is adapted from the namesake autobi-

ographical novel by M. Blecher that describes the last part of life at a beachside hospital. With literature and classical aesthetics, the film presents an artistic feast. Blecher’s Jewish identity also influences the film to include historical views besides artistic styles. His latest film Bad Luck Banging or Loony Porn (2021) has won Golden Bear at Berlinale. This ambitious title pushes his styles and topics to the most, with a notable dark humor common in New Wave films. A key basic tone in the film, dark humor has always been an effective tool to counter authority and reflect on humanity. Starting with a leaked sex video of history teacher and her husband, this cliché story grows into a full-blown chaos, with direct criticism to class, gender, politics, and moral values. Besides a great sense of humor, Jude also skillfully reinterprets history, war, and politics in an encyclopedic way to create a desired impact.

films and hundreds of commercials. Through his lens, we review historic traumas and see through the current time. After the New Wave, he is on the way to another wave.

Translated by Leonard CHIEN Katrina HSIEH, member of Taipei Film Festival program team.

Reference Dennis Deletant (2006). Hitler’s Forgotten Ally: Ion Antonescu and His Regime, Romania 1940-1944. UK: Palgrave MacMillan

Revisit / Disclosure: Shed the Light on Dark History from a Director’s Perspective

Doru Pop (2014). Romanian New Wave Cinema: An Introduction. USA: McFarland & Company, Inc

Jude has started to produce documentaries since 2017. So far, he has delivered three fictional and documentary films related to the death of 300,000 Jews during WWII under the regime of Romanian Prime Minister Ion Antonescu. In The Exit of the Trains (2020) co-directed by Jude and historian Adrian Cioflâncă, even viewing is a part of the creative process. Nearly 160 minutes of testimony from victims’ families include photos and oral descriptions to portray the trauma when relatives were sent on the trains to death. The film ends quietly with 10 minutes of historic footage. In a draining and exhausting process, it challenges how viewers confront pains, sorrow, and brutal history.

洪茂雄（2008）。《羅馬尼亞史－在列強夾縫中求發展的國 家》。台北：三民。

Uppercase Print (2020) is adapted from the stage play by Gianina Cărbunariu. It focuses on the Communist government led by dictator Nicolae Ceaușescu in Romania, and the history of economic recession, popular despair, securitate abuses, and surveillance. When Ceaușescu fabricated his exaggerated and unfaithful hero image on national television, a young man Mugur Călinescu speaks out for the public via his graffiti artworks, and leads to securitate surveillance and tragic death. The film uses artistic styles to deliver flamboyant and glamourous visuals. It juxtaposes popular history witnessed by the young man, and official history on television. Jude often mixes theater, television shows and other extensive sources to create fictional or documentary films. Over the past 15 years, Jude has directed around 20

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Stepping into the Post-space: XR Frontline By Stephanie SU

I

n the XR works selected this year, human emotions, fantasies or desires are embodied one after another in the virtual space, covering collage of family memories, building one’s identity under the impact of multiculturalism, and collective trauma. In the “post-space” of virtual reality, it becomes possible to sympathize with others’ life experiences.

The VR work Heterotopia is inspired by Foucauldian text and discourse. “The term heterotopia is used by Foucault to indicate the space located between real space and utopia. Heterotopia is real yet unreal, and is where heterogeneous elements agglomerate to generate potential of disturbance.”1 In “Heterotopia: Mirrors & Perspectives”, an architect duo initially worked together to build an ideal city, but in the process of construction, they realized that the most ideal building structure always lay at the end of the search and remained out of reach. Experiencers of this VR work use their hands to repeatedly shape and destroy the building made of “point clouds” and immerse in a philosophical reflection. Thoughts previously unperceived deep within are sometimes extracted through observing the transformation experienced in a region under the baptism of time. Through refined animation, Replacements represents the shifts in the living environment of a family of three generations. Rather than resorting to dialogue, the circulation of numerous details such as big floods caused by storms, landscape changes following urban gentrification are employed to make the viewer perceive the factors behind these changes. A sense of time is interwoven with a sense of space, creating a work that is both magical and realistic. An unfinished state is also the theme of the VR series Missing Pictures. Following Episode 1 on Abel Ferrara, a master of genre films, Episode 2 delves into the psyche of Tsai Ming-liang. In the virtual reality, the unfinished works the masters have never been able to bring to the big screen can now evolve, allowing the creative ideas of cinema to combine with VR art in illuminating ways. In The Passengers: Her & Him, experiencers can step into the maze of passengers’ thoughts. In the process, they can also try to drop the regrets within the characters. The one-on-one intimacy that characterizes virtual reality narration is palpable in many of the works selected this year. In The Hangman at Home, the experiencer seems to play the role of a peeper, walking into a series of space created with strokes of thick oil and contemplating the daily fragments of five different life experiences; Sandburg’s

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poems become ravings and whispers. Is the viewer being drawn into an illusion, or is his/her situation reflected more clearly by observing another individual’s small theater? Moreover, the experiencer actively decides the order of entering different rooms, which also turns him/her from a passive viewer into an active storyteller. Based on the same material, the director couple Michelle and Uri Kranot not only made an interactive VR work but also developed a 2D animated short film and “multi-experiencer VR version”. With the series of works, they attempt to examine responsibilities assigned by groups and individuals. In In the Mist, the distance between “watching” and “being watched” in peeping at male body is shortened through VR viewing. With rich experience in theater and moving-image creation, Chou Tung-yen embodied the special structure of the stage at National Taichung Theater into the wild imagination of this VR work. In watching the spatial deconstruction of a men’s bathhouse in virtual reality, the experiencer’s fantasy wanders in the vast universe. The intimacy that characterizes VR narration is also deployed in one go in both Goodbye Mister Octopus and Namoo. Whether facing the hesitation at a crossroad in growing-up or celebrating life, the spark of resilience in life is perceived at a glance through a very personal and private narrative perspective. Both works are produced and completed using Quill, a 3D drawing application, whereas their art style integrates features of 2D animation and a hand-painted texture. In recent years, XR has also become a prospering medium for exploring transformative justice and diverse public issues. As a survivor, Fritzie Fritzshall, the director of the Illinois Holocaust Museum, leads the viewers back to the Auschwitz concentration camp. A Promise Kept looks back at and evokes memory of the deceased. Through panoramic scanning, time-lapse photography and drone filming along with comparison of historical photos, the work attempts to inspire collective reflection and retrospection, and fulfill a promise made to 599 women long ago. In the Internet era filled with antisemitism and all kinds of extreme hatred, it hopefully offers an example and prevents the recurrence of such remorseful history. CNN has penetrated North Korea with VR cameras to reveal glimpses of local life to people around the globe. In Reeducated, reporter Sam Wolson travelled in Xinjiang and interviewed three Kazakhs imprisoned in Tacheng. The “internment camp” inaccessible to cameras is rep-

resented through animation integrated with visual artist Matt Huynh’s original and solemn hand-painted style. A project initiated by The New Yorker magazine, the work is based on first-hand testimonies, sketches of survivors, and satellite imagery to make VR images. Added with online text reports, this work attempts to inform the world of the imminence of the issue and arguably makes full use of the materials available to make the loudest voice by reporting to the world about the largest persecution of minorities after World War II. On the whole, the works in this year’s “XR Frontline” spark more narrative imagination and possibilities. Through the non-real space of virtual reality, emotions that cannot be easily contained or practiced in external physical space as well as various abstract concepts can actually become “reality” in people’s eyes. Interpretation through XR technology allows for more diversified representations of narrative angles and techniques, thus adding a new dimension to people’s imagination of reality. However, what persists is that “human warmth” remains one of the essential elements connecting narrative emotions.

Translated by Sylvie LIN Stephanie SU, member of Taipei Film Festival program team.

1 Quoted from The Translation of Foucault’s Heterotopia written by Wang Chih-hung.

專文 ESSAY

197

版權資料 Print Source 1 Production Film Co.

B ────────────

影一製作所股份有限公司

英屬蓋曼群島商威望國際娛樂股份有限公司 台灣分公司

WU Chi-yu 巫奇優

Baobab Studios

wuchyiiou@gmail.com

David KAHN

+886 2-7730-2556 #602

david.kahn@baobabstudios.com

one@1production.com.tw

+1-408-420-1331

+886-2-8978-2500 #111

Be for Films

CHEN Chih-yin 陳稚尹

+886-2-7730-2556 #9 185 Films

Lisa DE ROOSTER

Cattleya PAOSRIJAROEN

festival@beforfilms.com

cattleya.project185@gmail.com

+32-2-793-3893

+66-2-374-7932 Best Friend Forever A ────────────

Marc NAULEAU sales@bffsales.eu

Lily LAI 賴儷文 lilylai@catchplay.com

fyfy1130@gmail.com +886-975-276-317 CHEN Shao-chun 陳韶君 tty590@gmail.com +886-918-676-358

+33-6-72-23-27-18

CHEN, Winnie 程薇倫

Ivy CHEN 陳怡樺

Beta Cinema GmbH

+886-933-850-717

ivy5296.chen@gmail.com

Cosima FINKBEINER

+886-2-7730-2648 #214

cosima.finkbeiner@betacinema.com

Activator Co., Ltd. 牽猴子股份有限公司

+49-89-67-34-69-823 Andrew Film Co., Ltd.

winnie850717@gmail.com

CHU, An 朱建安 cc4324@columbia.edu +1-914-349-1898

東昊影業有限公司

Burn The Film

Mike CHANG 張全琛

Zhengfan YANG

Cola Films Co., Ltd.

mike@andrewsfilm.com

burnthefilm@gmail.com

可樂藝術文創股份有限公司

+886-2-2741-7684

+1-312-841-3678

Mel JIANG 江孟軒

Arizona Productions

C ────────────

+886-2-2656-2056

guillaume@arizonafilms.net

Calendar Studios Co., Ltd.

Couzin Films

+33-6-78-18-01-05

金盞花大影業股份有限公司

Ziad TOUMA

Emma LIN 林怡臻

ziad@couzinfilms.com

Guillaume DE SEILLE

Asian Shadows

emmalovevic@gmail.com

Lya LI

+886-2-2312-2792

lya@chineseshadows.com +86-136-027-21891

CalFilms Asia Ltd.

mel@colafilms.com.tw

+1-514-562-9423 Creamfilm Production 甜蜜生活製作有限公司

犢影制作電影有限公司

TSENG Hang-ting 曾瀚霆

Atlas V

Vera HSU 徐薇婷

ht@creamfilm.com.tw

Danielle GIROUX

vera@calfilms-asia.com

danielle@atlasv.io

+886-2-2377-0992

+33-7-67-50-32-49 Carnaval Filmes João VIEIRA Jr. joao@carnavalfilmes.com.br +55-81-3132-1525 198

CatchPlay Inc.

版權資料 PRINT SOURCE

+886-2-2766-8610

HUANG Kuo-jui 黃國瑞

D ────────────

H ────────────

DFFB

Harvest Production Films Co.

Josephine ALEYT

金禾創意股份有限公司

j.aleyt@dffb.de

Hoho LIU 劉芸后

HUANG Shi-min 黃仕旻

+49-30-25-75-91-52

yunhou@yahoo.com

s74569877@gmail.com

+886-920-588-329

+886-911-296-921

Sam WOLSON

Heretic Outreach

I ────────────

Mr.wolson@gmail.com

Christina LIAPI

+1-248-413-7113

christina@heretic.gr

ifilm Co., Ltd.

+30-210-600-5260

傳影互動股份有限公司

rayhuang09@gmail.com +886-972-318-612

Dirt Empire

Jeffrey CHEN 陳振熒

Diversion cinema Agata Di TOMMASO

Hi Film Productions

festival@ifilm.com.tw

agata@diversioncinema.com

Ada SOLOMON

+886-2-2325-2080

+33-7-66-47-83-82

office@hifilm.ro +40-21-252-4867

Illinois Holocaust Museum & Education Center

Homegreen Films

Kelley SZANY

F ──────────── Films Boutique

汯呄霖電影有公司

kelley.szany@ilhmec.org

Isabel IVARS

Claude WANG 王雲霖

+1-847-967-4823

isabel@filmsboutique.com

hgfilmsinfo@gmail.com

+49-30-69-53-78-50

+886-920-516-410

Intramovies

Fisfisa Media Co., Ltd.

Hooray Films, Ltd.

maria@intramovies.com

目宿媒體股份有限公司

好威映象有限公司

Fen LIU 劉怡芬

hoorayfilms.tw@gmail.com

freshfen@fisfisa.com

+886-2-2368-9212

J ────────────

House On Fire International Co.

JAO Yu-an 饒予安

+886-2-2396-8085 #16

Maria LANFRANCHI +39-064-577-7930

Floréal Films

光譜映像有限公司

yuannrao@gmail.com

Katayoun DIBAMEHR

TSAI Hsin-hung 蔡信弘

+886-958-935-182

katayoun@florealfilms.com

nobu29@houseonfire.com.tw

+33-1-85-09-17-37

+886-2-2368-3252

Joint Entertainment International Inc. 佳映娛樂國際股份有限公司

G ────────────

HSIEH, Joe 謝文明 joehsieh.animation@gmail.com

Good Move Media

joehsieh1112@gmail.com

Pearl CHAN

+886-919-337-159

hello@goodmovemedia.com +852-5683-8625

HSU Yung-chih 徐湧智 ilovefaigo12@gmail.com +886-927-615-572

James LIU 劉嘉明 james@j-ent.com.tw +886-2-2720-6007 K ──────────── Kadokawa Corporation Miki ZEZE zeze-m@partner.kadokawa.jp +81-50-1746-7804 版權資料 PRINT SOURCE

199

Key In Films Ltd.

LS Distribution

Moolin Films, Ltd.

酷映有影工作室有限公司

Agnès KIEFT

木林電影有限公司

PAN Ke-yin 潘客印

akieft@ls-distribution.eu

HO Mon-cher 何孟學

keyinfilms@gmail.com

+33-1-40-74-76-76

info@moolinfilms.com +886-926-680-701

+886-2-2511-7742 Luxbox Kinology

Marie LAMBOEUF

MPM Premium

Grégoire GRAESSLIN

festivals@luxboxfilms.com

Natsuki LAMBERT

festivals@kinology.eu

+33-1-71-37-99-34

natsuki@mpmpremium.com +33-9-54-37-21-98

+33-9-51-47-43-44 M ────────────

N ────────────

L ──────────── m-appeal Les Films Elémentaires

Magdalena BANASIK

National Film Institute Hungary

Jacques RICHARD

films@m-appeal.com

Katalin VAJDA

lesfilmsdechaillot@gmail.com

+49-30-61-10-71-49

kati.vajda@nfi.hu +36-30-441-4465

+33-6-46-33-13-96 M-Line Distribution Life Scenery Films

Jin PARK

Neverland Entertainment Limited

百景映畫有限公司

sales@mline-distribution.com

十三月股份有限公司

TSAO Shih-han 曹仕翰

+82-2-796-2427

Sandy SIAO 蕭涵宇 chickhaha@gmail.com

lifesceneryfilm@gmail.com +886-956-356-509

Mandarin Vision Co., Ltd.

+886-2-2656-0711

華文創股份有限公司 Light Year Images

Desmond YANG 楊鎧宇

Nine Film

光年映畫有限公司

desmond@mandarinvision.com

Nelleke DRIESSEN

House WANG 王鴻碩

+886-2-2722-0958 #17

nelleke@ninefilm.com +31-6-110-02501

housewang0625@gmail.com +886-2-2361-6265

Memento Films International Gaelle PALLUEL

Noodles Production

LIN Tsung-yen 林宗諺

festival@memento-films.com

Elisabeth GRANGE

lintsungyen@gmail.com

+33-1-53-34-90-33

elisabeth@noodlesproduction.com +33-1-86-95-85-35

+886-921-538-828 microFILM Loco Films

Ada SOLOMON

Arnaud GODART

microfilm.romania@gmail.com

arnaud.godart@loco-films.com

+40-21-252-4867

+33-6-15-90-18-19

Parallax Films 視幻文化

mm2 Studios Hong Kong Limited

CAO Liuying

Loud Rabbit Film Ltd

Harmony CHING

caoliuying@parallaxchina.com

兔草電影有限公司

harmonyching@mm2entertainment.com

+43-677-637-52543

HUANG Hao-jie 黃晧傑

+852-541-89722

hoijcafe@gmail.com +886-920-695-140

200

P ────────────

版權資料 PRINT SOURCE

Patra Spanou Film

R ────────────

Patra SPANOU

Sky Digi Entertainment Co., Ltd. 天馬行空數位有限公司

film@patraspanou.biz

REASON8 Films

Tiffany WANG 王婷妮

+49-15-20-19-87-294

Anna KRUPNOVA

tiffany_wang@skydigient.com

ak@reason8films.com

+886-2-2231-1010 #11

Pioneer Pictures Film

+44-791-462-1232 Slow Studio

Jasmine cjw0567@naver.com

Rediance 赤角

緩慢工作

+82-2-540-4637

Jing XU

HUANG Shi-rou 黃詩柔

jing@rediancefilms.com

slowstudioart@gmail.com

+33-7-85-80-45-97

+886-980-915-661

daniela@plutofilm.de

Reel Suspects

Square Eyes

+49-30-21-91-82-20

Francisco ZAMBRANO

Wouter JANSEN

festivalreel@gmail.com

info@squareeyesfilm.com

+33-1-58-51-42-95

+31-6-220-76717

mounia@protagonistpictures.com

Renaissance Films Limited

Svemirko Film Productions

+44-207-734-9000

興揚電影有限公司

Fan WU 吳璠

Annie CHEN 陳亭均

svemirkofilm@gmail.com

Public Television Service Foundation

tinjun222@gmail.com

+91-704-529-3932

財團法人公共電視文化事業基金會

+886-2-2657-1577

Pluto Film Daniela CÖLLE

Protagonist Pictures Mounia WISSINGER

Swallow Wings Films Co., Ltd.

Amber CHEN 陳逸雯 prg51034@mail.pts.org.tw

Rise Pictures Ltd.

海鵬影業有限公司

+886-2-2630-1806

嘉揚電影有限公司

Albert YAO 姚聖洋

CHEN Yi-ju 陳怡如

Alba HU 胡婷昀

pacificoceansy@gmail.com

news60105@mail.pts.org.tw

abciklerba@gmail.com

+886-2-2361-0873

+886-2-2633-2000 #1019

+886-2-2657-1577 #106 T────────────

LAI Yen-ming 賴衍銘 prg7212@mail.pts.org.tw

S──────────── Tamanoir Immersive Studio

+886-2-2630-1812 Lynn WU 吳岱穎

Serendipity Films Ltd.

remi@tamanoir.co

pub50718@mail.pts.org.tw

綺影映畫有限公司

+33-6-85-39-32-56

+886-2-2630-1058

Hazel WU 吳秀瑩

TUNG Ya-ching 童雅琴

hazelwu@sfilms.com.tw

Tamasa Distribution Laurence BERBON

pub51052@mail.pts.org.tw +886-2-2633-8051

Shellac

laurence@tamasadistribution.com

Jessie SHIH 施悅文

Egle CEPAITE

+33-1-43-59-01-01

pub6008@pts.org.tw

egle.cepaite@shellacfilms.com

+886-2-2633-8115

+33-6-78-25-91-61

Taskovski Films Marija SHAJAHAN salestf@taskovskifilms.com +387-65-920857

版權資料 PRINT SOURCE

201

The Graduate Co., Ltd.

TurnRhino Original Design Studio

Wild Bunch

畢業生有限公司

旋轉犀牛原創設計工作室

Esther DEVOS

TUNG Fang-yu 董芳伃

TANG Zhi-zhong 唐治中

edevos@wildbunch.eu

tung@graduatefilm.com

turnrhino@gmail.com

+33-1-43-13-22-54

+886-2-2882-5225

+886-919-560-847

The Match Factory

TVCO

華影國際影藝有限公司

Valentina BRONZINI

Billy MONRACCHINI

阮郁茹

info@matchfactory.de

billy@tvco.eu

genesis8952@gmail.com

+49-30-443-190-511

+39-339-111-6100

+886-2-2577-9326

Third Man Entertainment Co., Ltd.

V ────────────

Y ────────────

Echo KU 古佳蓁

Very Mainstream Studio

YEH Chia-chen 葉家辰

echo.ku@thirdman.com.tw

狠主流多媒體有限公司

chiachen919@gmail.com

+886-2-2578-2269 #281

Anne CHUANG Chih-chung 莊執中

+886-975-209-908

WOWing Entertainment Group

良人行影業有限公司

anne.vmstudio@gmail.com +886-2-2234-5588

Z ────────────

Visit Films

Zipporah Films Inc.

Tarek SHOUKRI

Karen KONICEK

TO, Tobe 杜以樂

ts@visitfilms.com

info@zipporah.com

tto@hkac.org.hk

+1-718-312-8210

+1-617-576-3603

TING Chi-wen 丁啟文 screenplayting@gmail.com +886-979-121-651

+852-2824-5329 W ──────────── Totem Films Núria PALENZUELA

Waka Films

festivals@totem-films.com

Silvia VOSER

+33-6-30-84-75-75

wakafilms@hotmail.com +41-79-62-32-876

Trance Films Charlotte LELONG

We are one Co., Ltd.

charlotte@trance-films.com

南人電影有限公司

+33-6-21-37-19-37

April LEE 李婉榕 april7446@gmail.com

True Colours

+886-922-620-189

Fabio TUCCI fabio@truecolours.it

WIDE

+39-345-805-9421

Matthias ANGOULVANT

Giulia CASAVECCHIA

ma@widemanagement.com

giulia@truecolours.it

+33-1-53-95-24-44

+39-6-3735-2334

202

版權資料 PRINT SOURCE

影片索引 （依筆劃順序排序） 17歲的天空

158

失戀男人旅行日記

1941亡者群像

174

平民大富翁

一劃 ─────────────

149

打開波士頓市政廳

146

科西嘉島的夏天

179

一生一樹

159

未來海岸

107

美國夢直播情

166

一盡到底

118

未泯

95

甘單歐吉桑

120

美豬肉圓

由宇子的天秤

132

美麗疾境

16

169

三劃 ─────────────

36-37

九劃 ───────────── 82

84

度日

美樂蒂

129

大眾情人之死

182

大師狂想曲：蔡明亮

六劃 ─────────────

173

軍中禁戀

女力拳開

152

全員社距中

128

重返悲劇現場

再見父親

十劃 ─────────────

111 54-55 88

女孩們的夏日浮光 山川壯麗

98 179

再見章魚先生

171

倒楣性愛和瘋狂A片

四劃 ─────────────

65

同學麥娜絲

181

家中的劊子手

125

不容易的爸爸

97

死了一個瑪德蓮娜之後

80

捕鰻的人

160

中央機場

83

江仔

109

海邊的女人們

93

天猶未光

50-51

西非夜譚

105

海邊最後的夏天

85

巴基之詩

七劃 ─────────────

150

引言

156

妖姬莎塔

182

心向列車：她和他

178

我在再教育營的日子

17

168

心痕如詩

67

我沒有談的那場戀愛

100

迷樓驚魂

157

逆光

71

消失的情人節

180

烏托邦建設中 茶金：第1-2集特別版

月老

133

我的警察情人

151

月亮 樹

141

我倆還有明天

十一劃 ─────────────

113

木與水

38-39

沉默代號Azor

153

10-11

87

水中的女孩

176

火女

120

火車快飛

五劃 ─────────────

175

刺青

八劃 ─────────────

偶然與想像

87

奢侈凡夜

42-43

徘徊年代

88

夜車

131

戚風男孩

119

姊姊

166

晚安，噓

性．愛饗宴

94

烽火幻劫

44-45

167

世界上最快樂的女孩

144

古老的靈魂

68

怪胎

117

第13天

四樓的天堂：第1-2集

32

昂希朗格瓦：電光魅影

174

販售太陽的女孩

失去

143

河流，奔跑著，倒映著

83

失格教育

139

芙圖娜的異想世界

145

失落園

161

阿爾及利亞天空下

56-57

失落邊境

134

青春請閉眼

78

削瘦的靈魂

18 117 91 130 58-59 101

失親變奏曲

73

軟弱的梨 造訪 野馬分鬃 馗降：粽邪2

影片索引 FILM INDEX

203

十二劃 ───────────── 96

就是你，救世主

123

瞞天過界

79

惡人之煞

127

蕩漾年華

74

無聲

164

親愛的亞莉珊卓

無懼之地

64

親愛的殺手

結婚，先不要

84

貓與蒼蠅

115

越界

85

鋼琴課

124

越高潮越寂寞

119

錦鯉墜落

180

雅加達時光紀事

126 52-53

十三劃 ───────────── 170 77 40-41 147

塗鴉少年祕密檔案 愛．殺 煙硝中，我們狂歡

178

應許之諾

90

謊言風暴

十九劃 ───────────── 181

霧中

當我們成為風景

二十一劃 ────────────

當男人戀愛時

106

鐵幕追緝令

12-13,76

詭扯

137

魔鬼中的天使

15,66

詭祭

70

164

電視壞掉的一天

十四劃 ───────────── 48-49,81 63

綠色牢籠 腿

135

辣媽的祕密

92

辣嬤俱樂部

十五劃 ───────────── 102

墜愛少女

140

廢柴萬物論

86

廢棄之城

110

德國妹妹蒙古姊姊

165

憂鬱的午後

138

撕裂異弒界

75

緝魂

72

複身犯

十六劃 ─────────────

204

十七劃 ─────────────

99

戰地微光

104

濁水漂流

影片索引 FILM INDEX

二十二劃 ──────────── 46-47 69

歡迎來到鬼魅之都 聽見歌 再唱

二十三劃 ──────────── 112

戀戀南娥湖

Film Index 90

(Alphabetical Order)

180° Rule

123

200 Meters

120

8Teen A ─────────────

36-37 166

15,66 129 92 104

A Balance A Film for Friends

78

A Lean Soul

63

A Leg

Dead & Beautiful Death of a Ladies’ Man Destello Bravío Drifting E ─────────────

93

Edge of Daybreak, The

169

Exit of the Trains, The

87

Extravagantly Ordinary Night

178

A Promise Kept

143

A River Runs, Turns, Erases, Replaces

118

A Rolling Stone

164

Alexandra

111

Fighter

124

All Eyes Off Me

94

Flood Won’t Come, The

109

Along the Sea

16

Formula 17

144

Ancient Soul

139

Fortuna - The Girl and the Giants

125

Any Crybabies Around?

174

Franc, The

137

Atarrabi and Mikelats

159

38-39

F ─────────────

119 44-45

Azor B ─────────────

Falling Koi Feast

Futuro Beach G ─────────────

140 46-47

Garbage Theory

171

Bad Luck Banging or Loony Porn

79

BAD MAN, THE

87

Girl in the Water

64

Be Alive Just Like You

17

Gold Leaf: Ep.1-2 (Special Edition)

Ghosts

126

Beasts

179

Goodbye Mister Octopus

173

Beau Travail

112

Goodbye Mister Wong

48-49,81

110

Black Milk

127

Bliss

115

Border

181

Hangman at Home, The

Brother’s Keeper

167

Happiest Girl in the World, The

91 80 40-41

Green Jail H ─────────────

C ─────────────

18

Heaven on the 4th Floor: Ep.1-2

Catch, The

32

Henri Langlois: The Phantom of the Cinematheque

83

Her and I

Celts

138

Censor

160

Central Airport THF

149

City Hall

180

Heterotopia: Mirrors & Perspectives I ─────────────

146

86

City of Lost Things

67

65

Classmates Minus

158

I Comete - A Corsican Summer I missed you I Travel Because I Have To, I Come Back Because I Love You

145

Come Here

95

I Was a Simple Man

128

Conference

68

i WEiRDO

D ─────────────

181

In the Mist

117 42-43

Day 13 Days Before the Millennium

82 150

In Their Teens Introduction

影片索引 FILM INDEX

205

166 83

It Can Pass Through the Wall

180

Replacements

J ─────────────

101

Rival

Jiang

73

S ─────────────

L ─────────────

135

La Verónica

105

Last Days at Sea

96

Liborio

130

Limbo

69 174 88

Listen Before Sing

156

52-53 165 54-55 74

75 175

Spider Tattoo, The

Madame Satã

134

Stop-Zemlia

Moon and the Tree, The Moon, 66 Questions

131

My Best Part My Missing Valentine

182

Missing Pictures 2: Tsai Ming-liang

119

my sister

56-57 157

Suely in the Sky

58-59

Taste

106

Three

10-11 12-13,76 164

Till We Meet Again Treat or Trick Tube With a Hat, The U ─────────────

N ───────────── Namoo

117

161

Nardjes A.

170

99

Natural Light

84

Neko And Flies

88

Unforgettable Darkness of the Stained Spirit Uppercase Print W ─────────────

147

We

Night Bus

107

Whaler Boy, The

Night of the Kings

153

Wheel of Fortune and Fantasy

O ─────────────

176

Woman of Fire

Oasis

113

Wood and Water

P ─────────────

182

Passengers: Her & Him, The

100

Penultimate, The Piano Lessons Piglet Piglet

72

Plurality

85

Poem of Pakistan, The Poppy Field R ─────────────

206

Striding Into the Wind T ─────────────

179

178

Soul, The

Madalena

98

133

Silent Forest, The Souad

151

120

Short Vacation Social Hygiene

Melody’s melody

85

Shadow of a Cloud

102

Man in Love

132

Second Thoughts

Little Hilly

70

50-51

Scarred Hearts

152

84

71

168

Little Girl Who Sold the Sun, The M ─────────────

97

Rope Curse 2, The

Reeducated

影片索引 FILM INDEX

77

Wrath of Desire Y ─────────────

141

Yellow Cat

導演索引 Director Index

(Alphabetical Order)

A ─────────────

156-161 AÏNOUZ, Karim 凱里．阿努茲 102 AMIN, Ayten 艾滕．阿敏 105 ATIENZA, Venice 薇尼斯．阿田恩薩 B ─────────────

109 FUJIMOTO Akio 藤元明緒 G ───────────── 139 GELORMINI, Nicolangelo 尼可蘭傑洛．杰洛米尼 158 GOMES, Marcelo 馬切羅．勾梅茲 134 GORNOSTAI, Kateryna 卡特琳娜．葛諾斯泰

140 BADITS, Ákos 雅科斯．巴提許

137 GREEN, Eugène 尤金．格林

138 BAILEY-BOND, Prano 普朗諾．貝莉邦德

144 GURREA, Álvaro 阿法洛．格拉

113 BAK, Jonas 約納斯．巴克

H ─────────────

124 BEN AROYA, Hadas 哈妲絲．班．阿若雅

180 HAGARD, Jonathan 喬納森．哈加德

129 BISSONNETTE, Matthew 馬修．比索內特

153 HAMAGUCHI Ryusuke 濱口竜介

110 BORCHU, Uisenma 鄔珊瑪．柏楚 C ──────────── 179 CAMPION, Amaury 阿莫里．坎皮恩 85 CHAN Hon Yan 陳瀚恩 42-43 CHANG Teng-yuan 張騰元 63 CHANG Yao-sheng 張耀升

36-37 HARUMOTO Yujiro 春本雄二郎 150 HONG Sang-soo 洪常秀 88 HSIEH, Joe 謝文明 80 HSU Che-chia 許哲嘉 67 HSU Chih-yen 許智彥 12,76 HSU Fu-hsiang 許富翔

84 CHEN Chih-yin 陳稚尹

85 HSU Yung-chih 徐湧智

83 CHEN Shao-chun 陳韶君

67 HSU, Mag 徐譽庭

16 CHEN Yin-jung 陳映蓉

115 HUANG Hao-jie 黃晧傑

71 CHEN Yu-hsun 陳玉勳

65 HUANG Hsin-yao 黃信堯

18 CHEN, Singing 陳芯宜

117 HUANG Kuo-jui 黃國瑞

75 CHENG Wei-hao 程偉豪

83 HUANG Shi-min 黃仕旻

181 CHOU Tung-yen 周東彥 77 CHOU, Zero 周美玲 78 CHU Hsien-che 朱賢哲 119 CHU, An 朱建安 169 CIOFLÂNCĂ, Adrian 亞德里安．喬福蘭卡 152 CÔTÉ, Denis 德尼．柯特 D ───────────── 182 DENEUX, Clément 克萊蒙．德諾 173 DENIS, Claire 克萊兒．德尼 180 DENISE, Leon 里昂．丹尼斯 174 DIOP MAMBÉTY, Djibril 吉布里．迪歐普．蒙貝提 147 DIOP, Alice 愛麗絲．迪歐普 E ───────────── 178 EFRON, Ariel 艾瑞爾．艾弗隆 F ───────────── 38-39 FONTANA, Andreas 安德烈亞斯．馮塔納

87 HUANG Shi-rou 黃詩柔 48-49,81 HUANG Yin-yu 黃胤毓 88 HUANG Yun-hsien 黃勻弦 I ───────────── 132 IKIĆ, Ivan 伊凡．以奇 J ───────────── 87 JAO Yu-an 饒予安 133 JEBELEANU, Eugen 尤金．傑貝拉努 164-171 JUDE, Radu 哈都．裘德 K ───────────── 100 KÆRUP HJORT, Jonas 約納斯．凱悠普．約特 91 KARAHAN, Ferit 法利．卡拉罕 176 KIM Ki-young 金綺泳 74 KO Chen-nien 柯貞年 10-11 KO, Giddens 九把刀 181 KRANOT, Michelle 米雪兒．奎諾

導演索引 DIRECTOR INDEX

207

181 KRANOT, Uri 尤里．奎諾 127 KULL, Henrika 漢芮卡．庫爾 54-55 KWON Min-pyo 權珉杓 L ───────────── 50-51 LACÔTE, Philippe 菲利普．拉科特 182 LAI Kuan-yuan 賴冠源

R ───────────── 32 RICHARD, Jacques 賈克．理查 182 RIGAL, Dorian 多利安．利哥 92 RODRÍGUEZ, Ainhoa 艾娜．羅里葛茲 52-53 RUX, Zora 卓拉．盧克斯 S ─────────────

64 LAI Meng-jie 賴孟傑

93 SAKPISIT, Taiki 泰基．薩匹賽特

58 LÊ Bảo 黎豹

90 SAMADI, Farnoosh 弗拉努斯．薩邁迪

79 LEE Yong-chao 李永超 98 LENTZOU, Jacqueline 賈桂琳．倫佐 101 LENZ, Marcus 馬庫斯．蘭茲 180 LEPOIL, Samuel 山謬．勒波 44-45 LEYENDEKKER, Tim 提姆．萊昂德克 104 LI, Jun 李駿碩

94 SARGSYAN, Marat 馬拉特．薩格森揚 125 SATO Takuma 佐藤快磨 54-55 SEO Hansol 徐韓率 130 SHARROCK, Ben 班．夏拉克 72 SHIAO, Aozaru 蕭力修 145 SUWICHAKORNPONG, Anocha 阿諾查．蘇維查康彭

68 LIAO Ming-yi 廖明毅

T ─────────────

88 LIAO Pei-yu 廖珮妤

146 TAGNATI, Pascal 帕斯卡．塔格納堤

73 LIAO Shih-han 廖士涵 17 LIN Chun-yang 林君陽 120 LIN Tsung-yen 林宗諺

117 TING Chi-wen 丁啟文 40-41 TOMOVIĆ, Milica 米莉卡．托莫維奇 182 TOUMA, Ziad 薩德．圖馬

82 LIN Yu-en 林佑恩

151 TSAI Ming-liang 蔡明亮

120 LIN, Shao 林劭慈

84 TSAO Shih-han 曹仕翰

112 LUANG, Kiyé Simon 奇耶．西蒙．朗 M ───────────── 126 MARANDIN, Naël 納爾．馬蘭丁 97 MARCHETI, Madiano 馬迪亞諾．馬切蒂 96 MARTÍNEZ SOSA, Nino 尼諾．馬提內茲．梭沙

128 TVERDOVSKIY, Ivan I. 艾凡．塔爾多斯基 V ───────────── 15,66 VERBEEK, David 王洪飛 W ───────────── 56-57 WEI Shujun 魏書鈞

175 MASUMURA Yasuzo 增村保造

149 WISEMAN, Frederick 佛雷德里克．懷斯曼

131 MAURY, Nicolas 尼古拉．莫瑞

178 WOLSON, Sam 山姆．沃爾森

135 MEDEL, Leonardo 李奧納多．梅戴爾 N ───────────── 99 NAGY, Dénes 丹尼斯．納吉 123 NAYFEH, Ameen 阿敏．納伊法 O ───────────── 179 OH, Erick 艾瑞克．吳 46-47 OKYAY, Azra Deniz 阿茲拉．丹妮茲．歐卡 P ───────────── 106 PAK, Ruslan 魯斯蘭．朴 119 PAN Ke-yin 潘客印

Y ───────────── 69 YANG Chih-lin 楊智麟 86 YEE Chih-yen 易智言 118 YEH Chia-chen 葉家辰 141 YERZHANOV, Adilkhan 阿迪康．葉贊諾夫 70 YIN Chen-hao 殷振豪 95 YOGI, Christopher Makoto 克里斯多福．馬科托．約基 111 YUN, Jéro 尹載皓 107 YURYEV, Philipp 菲利普．尤烈夫 Z ───────────── 143 ZHU Shengze 朱聲仄

208

導演索引 DIRECTOR INDEX

特別感謝 Acknowledgement (依姓氏筆畫排序 in alphabetical order) ASTRO SHAW

財團法人公共電視文化事業基金會

王柏偉

呂昀澤

Atlas V

傑眾公共關係顧問股份有限公司

王柔心

呂婉柔

Baobab Studios

華文創 MandarinVision

王派彰

呂筑君

Couzin Films

傳影互動股份有限公司

王若鈞

宋倍儀

Diversion cinema

嘉揚電影有限公司

王若曦

宋微暄

Floreal Films

綺影映畫

王娟娟

李 烈

Illinois Holocaust Museum & Education Center

遠傳電信股份有限公司

王祖鵬

李子凡

KKBOX

影一製作所股份有限公司

王婷妮

李天爵

Le Pacte

澤東電影

王惠珍

李正上

Luxbox

積木影像製作有限公司

王雲霖

李伯軒

Media Luna New Films

興揚電影有限公司

王萱儀

李沂聲

Memento Films International

親愛的工作室有限公司

王詩涵

李佳純

M-Line Distribution

鴻梅文創志業股份有限公司

王誌成

李宗柱

Swedish Film Institute

鏡電視

王韻婷

李宜樺

Tamanoir Immersive Studio

瀚草影視文化事業股份有限公司

王韻筑

李承陽

WestEnd Films

Adelin Frandes

丘庭毓

李旻潔

三三電影製作有限公司

Agata Di Tommaso

古明弘

李金寶

三視多媒體網路股份有限公司

Antoine Cayrol

伊凡・尤命

李俞頻

中影股份有限公司

Bella LU

全明遠

李昭融

中環國際娛樂事業股份有限公司

Brenda CHEN

向淑容

李婉榕

天馬行空數位有限公司

Danica DiLeonardo

朱淯萱

李惠穎

可樂藝術文創股份有限公司

Danielle Giroux

朱廣瑜

李湲元

台北當代藝術館

David Kahn

江玳維

李琪瑤

台灣數位藝術中心

Evelyn Wang

江珮瑜

李琬琳

光年映畫有限公司

Irene HSU

何玉蓮

李華強

在地實驗 ET@T

Jerry WEI

何佳禧

李鈺鳳

好威映象有限公司

Kane Lee

何郁玫

李榮珠

汯呄霖電影

Katayoun Dibamehr

何煜偉

李懷瑾

赤角 Rediance

Kelley Szany

何澤欣

沈芬妃

赤兔影像 Redbit Pictures

Kevin Lin

佘祖逸

卓庭宇

佳映娛樂國際股份有限公司

Louise Nguyen

余卜康

周以文

東昊影業有限公司

Luna TSAI

吳佳芯

周巧絃

前景娛樂有限公司

Rémi Large

吳宗育

周育嫻

南人電影有限公司

ROUILLEAULT Nicolas

吳宗駿

周怡楨

狠劇場

Sam Wolson

吳宜倩

周東彥

美商索尼影業台灣分公司

Thibault de Torcy

吳幸雯

周咸貞

英屬蓋曼群島商威望國際娛樂股份有限公司台灣分公司

Uisenma Borchu

吳泳儀

周庭伃

紅色製作有限公司

Ziad Touma

吳奕倫

周海茵

剝皮寮歷史街區

于文萱

吳彥嫻

周麗君

原子映像有限公司

于念平

吳致達

房彥文

時報出版

王丹荷

吳貞儀

林凡儿

海納百川娛樂有限公司

王允踰

吳庭儀

林子亮

海鵬影業有限公司

王心妤

吳書緯

林子茵

國家電影及視聽文化中心

王咏甯

吳翊瑄

林子歡

甜蜜生活製作有限公司

王怡蓁

吳琬婷

林木材

特別感謝 ACKNOWLEDGEMENT

209

210

林仕肯

徐 卉

郭 璈

陳緯恩

楊員彰

鄭光洲

林妤芳

徐佳鈴

郭旻薇

陳靜媚

楊晉維

鄭安婷

林志勳

徐慧霓

郭羿纖

陳靜儒

楊涵茜

鄭冠佑

林育妘

徐耀璇

郭秭鈞

陳鴻元

楊琇雯

鄭偉柏

林佳亨

晏靖宜

郭敏容

陳驛安

楊凱湉

鄭偉銘

林孟穎

紐承俊

郭淨瑩

陸弈靜

楊惠君

鄭雯予

林宜萩

翁健偉

陳乃綺

麻生汶

楊斯淳

鄭鈺馨

林念儀

袁支翔

陳心靖

傅天余

楊景婷

鞏于萱

林怡妘

馬巧音

陳永錤

嵇少微

楊皓鈞

黎芸凱

林昕儒

馬媽媽

陳宇愛

彭小芬

楊雅筑

蕭宇彤

林欣蕾

馬嘉佳

陳伯任

曾威揚

溫國佑

蕭采薇

林芸碩

馬慧妍

陳君如

曾慶銘

葉杏柔

蕭閔之

林邵儒

高立茀

陳吟鳳

游方慈

葉佳茹

蕭雅馨

林冠儀

高國豪

陳妍芯

游 倪

葉亭君

賴文惠

林致成

高聖皓

陳妍蒨

游惠君

葉家華

賴欣儀

林倖如

張 穎

陳秀卿

游惠雯

董幼榆

賴奕亘

林哲儀

張至寧

陳佩妤

湛有慈

董成瑜

賴錦堂

林家瑄

張秀敏

陳宜筠

覃子珈

董承平

賴譽瑄

林師祺

張育銨

陳怡如

馮艾琪

董芳伃

閻俊瑋

林書宇

張哲鳴

陳易瑭

黃文英

詹雅婷

駱子筠

林秭裴

張庭偉

陳欣緯

黃文浩

詹馥瑜

龍 霈

林景瑞

張晟越

陳雨凡

黃廸諾

鄒念祖

繆詠華

林儀芬

張祐慈

陳亭卉

黃怡玲

鄒喆恩

謝以萱

林震宇

張素惠

陳亮君

黃怡媗

嘉世強

謝佳錦

邱子瑜

張偉雄

陳品叡

黃欣翎

廖文鈴

謝佾伶

邱崇義

張凱婷

陳奕碩

黃俊庭

廖芳儀

謝承璇

邱湉皓

張嘉行

陳姿卉

黃俊璋

廖翊帆

謝秉翰

邱筱文

張賢信

陳建元

黃俐曄

廖翊珊

鍾志均

邱筱雯

張憶潔

陳建嘉

黃保慧

廖福生

鍾佩樺

邵 鴻

曹軒滋

陳彥宇

黃南瑄

趙思豪

鍾展文

施彥如

梁哲彰

陳炫劭

黃美清

齊美約

簡逸萱

施盈姍

梁震牧

陳美亘

黃庭安

劉怡廷

簡榆庭

施筱柔

莊立愷

陳郁琦

黃翊涵

劉雨霓

簡毓宗

柯舒凡

莊宇恒

陳韋元

黃堯音

劉哲浩

聶 彤

段鍾沂

莊佳穎

陳婉伶

黃筱媛

劉淑祉

顏瑜庭

劉詠涵

羅芊瑜

洪伯豪

莊偉程

陳惟真

黃鈺涵

洪健倫

莊執中

陳烱淵

黃瓊慧

潘芝諺

羅宥潔

洪薇雯

莊智凱

陳斯婷

楊士弘

蔡文瑄

嚴 韻

胡乃婷

許世穎

陳逸軒

楊子昕

蔡世宗

蘇 櫻

胡婷昀

許玉如

陳雅蘭

楊子暄

蔡亞潔

蘇文琪

倪安宇

許時豪

陳鈺欣

楊元鈴

蔡佩璇

蘇吉安

夏于喬

許瑞麟

陳鈺晴

楊玉冰

蔡珮玲

蘇庭卉

姬健梅

許騰云

陳嘉妤

楊定樵

蔡雅涵

蘇瑞琴

蔡遵弘

顧心怡

鄭 芹

孫伊萱

連奕琦

陳嘉珣

楊宜姍

孫嘉騏

郭 瑀

陳與行

楊珂溦

特別感謝 ACKNOWLEDGEMENT

財團法人台北市文化基金會 － 台北電影節執行團隊

Taipei Film Festival Office, Taipei Culture Foundation 主席

Festival President

易智言

YEE Chih-yen

總監

Director

李亞梅

LI Ya-mei

副總監

Deputy Director

王統生

Maurice WANG

節目部Department of Program

諮詢委員 Committee Board 張三玲

Sanling CHANG

林孝謙

Gavin LIN

塗翔文

Steven TU

陳寶旭

Rachel CHEN

沈可尚

SHEN Ko-shang

李 烈

LEE Lieh

資深副理

Senior Program Assistant Manager

蘇逸華

Stephanie SU

瞿友寧