Hospitality project - Tanushree Saksena by Tanushree Saksena

Hospitality Project

Tanushree Saksena PGIDS –B 2015-‟17 DIDSP150604

Contents

1. a) b) c) d)

2. 3. 4. 5. 6. 7. a) b) c) d) e) f) g) h) • • • • • i) • • • • •

Case Studies ITC Maurya, New Delhi (Live) Hotel Le Cadre, New Delhi (Live) Raas, Jodhpur (Online) Katamama, (Online)

Process Sheets Mood Board Style Board Element Board Material Board Working Drawings: Layout Plan – Ground floor Layout Plan – First floor Layout Plan – Second floor (Typical Floor) Sectional Elevation – Through & through Universal Access sheet Door Window Schedule Main Entrance Door Detail Reception Lobby Detail: Layout Plan, RCP, Electrical Plan Flooring Plan Sectional Elevations Standard Room (Twin room) Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations

j) • • • • • • k) • • • • • •

8. a) b) c) d) e) f) g) h)

Family Suite Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations Furniture Detail Retail Shop Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations Display System Detail

Presentation Drawings: Rendered Layout Plan – Ground Floor Rendered Layout Plan – First Floor Rendered Layout Plan – Second Floor (Typical Floor) Rendered Elevations – Through and through Rendered – Reception Rendered – Standard room Rendered – Family Suite Rendered – Retail Shop

3D view –

a) b)

Retail Shop Standard Room

10. BOQ of Standard Room 11. Estimation and costing of one item of furniture

CASE STUDY 1 Name:

A premier luxury hotel in the Capital, is acknowledged as the preferred „Residence for World Leaders and Global Icons‟ for over 30 years. The 438 room property epitomizes the luxury hotel experience with exemplary service and warm hospitality soaked in Indian traditions. The hotel has established industry benchmarks in safety and security, wide choice of premium rooms and suites, world renowned restaurants including the iconic Bukhara, banqueting facilities, spa and wellness, and more.

ITC Maurya

Location: Diplomatic Enclave, Sardar Patel Marg,New Delhi. ITC Maurya is favorably located for business meetings, events, recreation, high end retail therapy and fine dining. • 7km from the domestic Airport • 14km from thee International Airport • 9km from the New Delhi Railway Station • 6km from the city centre (Connaught Place) Star Category: 5 star Independent/Chain/Franchisee : Chain (ITC Hotels)

Places visited• Guest Rooms • Reception • Lobby • Lift Lobby • Corridor • Restaurant • Retail space Source: itchotels.in

Ambience/Theme: ITC Maurya is a tribute to the illustrious Mauryan Dynasty which gave Indian history the Golden Age of art, architecture and culture. The architecture of the hotel rises up in steps in the style of a Buddhist Stupa. Contemporary interpretation by some of India‟s finest artists, ITC Maurya houses a priceless and exquisite collection of art by Krishen Khanna, M F Husain, Tyeb Mehta, Yusuf Arakkal, A R Ramachandran, Akbar Padamsee and more

Source: itchotels.in

RECEPTION AND LOBBY Circulation and Adjacency Once we enter the foyer area the reception is to the right making it easily accessible to the guests. The Duty managers desk is near the reception. The lobby acts as a central space with lift lobby and reception area adjacent to it. Ambience and DĂŠcor The finishes and materials used in the area gave a royal and opulent feel to the space. Central lobby recreates the dome of a Buddhist Chaitya Hall which has been modeled from the ancient cave temples in Karla, Maharashtra

Source: itchotels.in

CORRIDORS Circulation 1.5m wide corridor. DĂŠcor Use of mirror work on the walls go with the theme of the hotel.

Lighting The recessed lights were placed together in a rhythmic pattern.

Lighting Ambient lighting by use of recessed lights.

Services Wall mounted sprinklers were installed. The space was centrally air conditioned.

Services Sprinklers placed at 3m and smoke detectors placed at 5m distance.

Special Features Painting by a famous Indian artist behind the reception desk demanded attention. The central dome and large caret which the made all the elements of the space come together. Source: itchotels.in

Special Features Mirror work on the walls

Executive Room

Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and lamps Finishes Floor –Carpeted Wall – Off white paint with engravings. Ceiling – Off white paint on false ceiling Special Feature Large Bay Window

Tower Room

Source: itchotels.in

Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and lamps Finishes Floor –Marble Wall – Tapestry ( behind the bed) Textured paint of different colours Ceiling – Off white paint on false ceiling Special Feature Tapestry on wall behind the bed

ITC One Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and a variety of lamps such as hanging lamps on the bedside, table lamps, etc. Finishes Floor – Wooden Wall – Off white paint with mirrorwork Ceiling – Off white paint on false ceiling Special Feature Large Bow Windows

Source: itchotels.in

PRESIDENTIAL SUITE: Synonymous with opulence, luxury, comfort and style, the Grand Presidential Floor is designed to play host to the extended entourage of luminaries with ease. An exclusive private entrance, a Presidential parking boulevard, a private high speed elevator, state-ofthe-art security systems and the Presidential Floor Butler, everything here is complemented by discreet and efficient service. The Grand Presidential Apartment, is a 2 bedroom mansion of luxury with silk panelled walls, dark wood flooring and magnificent artwork. The suite comprises of a Reception area, a large Living Room, a Study, a Peacock themed 12 seater Private Dining Room, an opulent Bathroom with mother of pearl accessories and imperial décor and a mini spa & gymnasium. With the latest in technology, the suite has 55‟ high definition TV‟s, an IPAD digital valet and IPOD docking station. Exclusive access to a business courtyard, The Summit Lounge and Boardroom, provide an oasis where affairs of the state can be discussed in complete privacy

Source: itchotels.in Source: itchotels.in

Source: itchotels.in

ANALYSIS: ITC Maurya is an ultra luxurious hotel inspired by The Mauryan dynasty residing at a prime location. It is an ideal hotel for business travellers because of its location and the facilities provided. The theme has been very well executed in terms of décor and is followed in each and every corner of the hotel. The highlight of the hotel is the grand central dome present at the lobby which gave an overwhelming feeling and in a way it has established a benchmark in luxury and authenticity. What we found interesting was the overall décor and feel of ITC Maurya which celebrates Indian traditional art and crafts and collaborates it with modern day lifestyle. The way the spaces had a perfect blend of natural and artificial light created a comfortable environment was commendable. The warm hospitality, services and facilities makes the hotel

CASE STUDY 2 Name:

Hotel Le Cadre Boutique

Places visited• Guest Room • Reception • Lobby • Lift Lobby • Corridor • Restaurant • Banquet Hall

Location: E-23, East of Kailash, New Delhi • 17km from the Airport • 12km from the New Delhi Railway Station • 1km from Nehru Place • 1km from GK1 • 6km from the city centre (Connaught Place) Independent/Chain/Franchisee : Independent Source: bookeventz.com

Hotel le Cadre is a Boutique Hotel and tucked away in the busy business district of Nehru Place, this property hosts 28 rooms and spaces (from 150 tp 300 plus sq. ft.), with attached bathrooms. A cafe, serving hot coffee and delicious snacks within. Hotel Le cadre is just about half an hour drive from IGI Airport. Guests can use the well-equipped business centre and the conference Hall with the latest in audio-visual equipment. Other services include a travel desk, express check-in/check-out facility, wi-fi internet in the rooms also, Same day laundry facilities, Doctor on call , foreign exchange and valet parking facilities.

Source: ixigo.com

Once you enter the premises there is a parking space on the left side and as you enter the main door there is a reception desk on the right. There is a café next to the reception area with a partition wall in between

Source: hotellecadre.in

Total no. of Rooms 28 Category of Rooms Twin room Queen Room

Source: hotellecadre.in

The rooms were decent enough and utility based with basic amenities present such as a wardrobe, console table and working desk TV along with bed and attached bathroom.

Source: hotellecadre.in

ANALYSIS: The hotel is located ideally for corporate meetings being near Nehru place as well as wedding functions because of the banquet hall present. Built on a small plot the hotel bas tried to utilize the maximum amount of space available strategically. DĂŠcor of the place is very simple and seems that more focus has been put on making the place functional. The cafĂŠ situated next to the reception area with the capacity of 20 is not enough for accommodating all the guests present at the same time. No housekeeping room or janitor room was accommodated and they were just given a dirty corner of the premises, next to the parking. The rooms were decent enough and utility based. Basic amenities were available in the room.

CASE STUDY 3 Name:

Raas, Jodhpur

Location:Jodhpur, Rajasthan, India Area 1.5-acre Lead Designers Ambrish Arora (Lotus, New Delhi) & Rajiv Majumdar (Praxis, Bangalore) Design Team Arun Kullu, Radha Muralidharan, Anuja Gupta, Ruchi Mehta Landscape Design Akshay Kaul & Associates Structural Design BL Manjunath Contractors Buildkraft India & Moolchand Stone mason

Source: studiolotus.in Source: studiolotus.in

Source: studiolotus.in

Situated in the prestigious north-eastern quarter of the Walled City, in the very shade of Mehrangarh's Victory Palace and Gate, and a stone's throw from the Clock Tower; RAAS comprised, in fact, of four charismatic buildings in Jodhpur's very own 'rose-red' sandstone. The oldest, the Haveli proper as it were, was built towards the end of the 18th Century and with its delicately carved stone panels - the hall-mark of Rajput Architecture served as the exclusive and intimate residence of the family. Source: studiolotus.in

Source: archdaily.com

Raas Jodhpur is a luxury boutique hotel with 39 rooms built in the context of the Old city quarter of Jodhpur. This has been translated into a project where there is a dialogue between the old and the new. Luxury was about being authentic both in terms materials and workmanship, and in providing visitors a tactile and sensual experience within the historical context of the old city of Jodhpur without aping the old. The property was inherited with three, beautiful period structures (17th18th century) which have been painstakingly restored with traditional craftsman in Source: studiolotus.in the original materials such as lime mortar and Jodhpur sandstone. Source: studiolotus.in

Source: studiolotus.in

Total no. of Rooms- 36 Category of Rooms Luxury Rooms Deluxe suite Heritage Suite Source: studiolotus.in

Source: studiolotus.in

36 rooms have been created, spread over 3 contemporary buildings, (using the same materials and skills as the traditional buildings) inserted into the site in a manner that they frame the visual and spatial relationship among the old buildings and the Fort, creating a dialogue between the old and the new. Source: studiolotus.in

Special Features Inspired by the age old double skinned structures of the region, (the traditional stone latticed jharokha forms of Rajasthani architecture â&#x20AC;&#x201C; which perform multiple functions of passive cooling and offering privacy to the user) these buildings act as lanterns framing the site. The drama of the stone jaali (lattice) is heightened by the fact that these panels can be folded away by each user to reveal uninterrupted views of the fort, or can be closed for privacy and to keep the harsh Jodhpur sun out. Source: studiolotus.in

Source: studiolotus.in

ANALYSIS: Raas, Jodhpur has made the best use of its location (base of Mehrangarh Fort) by using its scenic view to as a backdrop for of the hotel. It is a perfect blend of the old and new which provides the guests an experience like no other. Each element has been carefully and intelligently designed to bring out the Rajasthan art and traditions. The hotel has used techniques and materials present within the area to form a sustainable environment which shows that there are many ways in which unique spaces can be formed without spending too much time and money for construction. What we found commendable was the construction of contemporary buildings without making changes in the old structures to build a complex which is a fusion of both traditional and modern forms. The way the climatic conditions have also been taken into consideration by use of simple techniques like foldable Jharokha windows is quite commendable. Source: studiolotus.in

CASE STUDY 4 Name : Katamama Architects Andra Matin Location Bali, Indonesia PROJECT TEAM MEMBERS Patisandhika Sidarta, Ady Putra Sanjaya, Hendra Irwanto, Ayudya Paramitha Client PTT Family Area 6000.0 sqm Project Year 2015 Interior Designer (Guest Rooms) Takenouchi Webb Interior Designer (Public Areas) PTT Family in-house team Project Team (Public Areas) Ronald Akili, Margareta Amelia Miranti, Ade Herkarisma, Sashia Rosari

Source: archdaily.com

Contemporary design elements pay reference to the Balinese lifestyle and lush green gardens that reflect the natural beauty of the island. The exterior of Katamama takes its cues from the Balinese building practice of tri angga, a concept where the spatial structure reflects harmony between the building and its occupants. Source: archdaily.com Source: archdaily.com

Source: archdaily.com

The idea behind Katamama was to represent Bali. It feels Balinese, but modern at the same time. The main concept is actually the 'modern' architecture of 60s and 70s. Itâ&#x20AC;&#x;s very geometrical. And these days, when almost every hotel in Bali is planned with the curved lines, itâ&#x20AC;&#x;s quite unusual Source: archdaily.com

Source: archdaily.com

The raw brick of the walls are highlighted in the suites and wide boards of teak are used for the flooring. Other wall finishes include solid-timber slats and a rough pale coloured plaster. The main spaces of the suites are designed to be as open as possible with the bathroom separated by a set of decorative sliding panels that can open to make the bathroom part of the main space. Each bedroom looks out onto a balcony terrace with a day-bed, table and chairs and becomes an extension of the Source: archdaily.com room, with the same hand-made brick material extending out from the room wall. Source: archdaily.com

Katamama features an elevated lobby allowing guests to view the pool and surrounding landscape. Rooms that occupy the lower floor are described as â&#x20AC;&#x153;introvertedâ&#x20AC;? by Matin, with a secluded view to the garden. His vision for the building was to allow guests to see a different angle of the landscape from every Source: archdaily.com level of the hotel.

Source: archdaily.com

ANALYSIS: Katamama hotel forms an experiential dialogue between the traditional and the modern with the architecture taking inspiration from Balanies lifestyle whereas as the interiors taking up a modern look. It provides a new and different atmosphere while being deeply rooted in Balanies traditions. Source: archdaily.com

Boutique Hotel Project Brief Location: Ahmedabad, Gujarat Theme: Gujarat Concept Statement: The concept is to design a hotel that forms a symphony of light and shadow by use of both daylight (natural) and artificial light. By use of simple techniques of playing with light, different spaces will have a dynamic yet mysterious feel to it and will provide an extraordinary experience to the guests.

Experiential Narrative: Change is the only constant and to constantly provide a changing experience to the guests walking into the hotel is my objective. I designed a hotel based on the concept of playing with light and shadow by use of both modern and traditional methods to form a contemporary look. Situated in Ahmedabad, the hotel‟s design will optimize the use of resources available and will take inspiration from the local crafts and harness natural light (generating solar energy) to form a sustainable environment. Public Spaces

Guest Rooms

Staff Areas

1. 2. 3. 4.

1. 2. 3. 4. 5. 6. 7. 8. 9.

2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15.

Reception with travel desk and currency exchange counter Lobby Manager‟s cabin Back office Public Washrooms – Conference Room Meeting Rooms Retail Shops – Patisserie Dining Hall Bar/Lounge Banquet Hall Spa and Salon Gym Recreational Room

5. 6. 7. 8.

Standard Rooms – Twin Room King Room Room for the Physically Disabled Executive Rooms Executive Suites Family Suite Grand Suite

Luggage Room Kitchen Staff Male Changing Room Staff Female Changing Room Staff Dining Room Dormitory Laundry Room Housekeeping Room Store Room

Process Sheets Banquet Hall Rooms

BUBBLE DIAGRAM 1

Rooms Retail Shops

Cafe Suites Dining Hall

Lift Lobby

Luggage Room

Corridor

Gym

Public Toilets

Spa Back Office

Lobby + Reception

Meeting Rooms

Gym

Corridor

Corridor Conference Room

Manager‟s cabin

Lift Lobby

Entrance

BUBBLE DIAGRAM 2 (FINAL)

Bar and Lounge

Banquet Hall

Retail Shops

Conference room Lift Lobby

Luggage Room

Corridor

Lobby + Reception

Meeting Rooms

Dining Hall

Suites Gym

Public Toilets

Spa Back Office

Manager‟s cabin Entrance

Rooms

Corridor

Lift Lobby

ZONING

Space Designing

I started off by playing with different forms both angular and curved

To bring out a contemporary look in in the hotel, I decided to play with curves in spatial design while retaining the traditional geometric forms in interior finishes and dĂŠcor.

I then decided to play only with straight lines and angles but it formed purely traditional look to the spaces.

After a few changes, the layout was finalized which had a blend of contemporary and traditional forms.

Mood Board 1

Style Board 8

Element Board â&#x20AC;&#x201C; Public Areas

Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop

Element Board- Guest Rooms

Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop

Material Board

Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop

Jaalis and Backlit Wall Panels

I designed a set of jaalis and backlit wall panels which include both contemporary versions of traditional jaalis as well as jaalis which have a direct influence of traditional Guajarati motifs and patterns.

DJ AREA

AHU ROOM

1320

19 STAGE AREA

16 1600

4 2020

3166

1642

4342

CUTOUT ABOVE

2038

TRAVEL DESK

CURRENCY EXCHANGE

1584

3000

2880

MODEL

2490 DISPLAY SHELVES

CASH COUNTER

13 12

1950

MODEL

8 1328

MODEL

2224

SWIMMING POOL

MODEL

9 MIRROR DISPLAY SHELVES

POSTER

S.No.

Subject: INTERIOR SPACE DESIGN

Project Name: HOSPITALITY PROJECT

Drawing Title: LAYOUT PLAN - GROUND FLOOR

Name: TANUSHREE SAKSENA Scale: 1:250

Units:

Date: 25.11.16

10 14

AHU ROOM

14 1320

9 WALK-IN WARDROBE

JACUZZI

3646

CUTOUT ABOVE

COURTYARD

3220

(OPEN TO SKY)

3426

4 3

S.No.

Subject: INTERIOR SPACE DESIGN

Project Name: HOSPITALITY PROJECT

Drawing Title: LAYOUT PLAN - FIRST FLOOR

Name: TANUSHREE SAKSENA Scale: 1:250

Units:

Date: 25.11.16

3096

2616

3096

1 3

2920 1930

7 3166

2736

5 6

S.No.

Subject: INTERIOR SPACE DESIGN

Project Name: HOSPITALITY PROJECT

Drawing Title: LAYOUT PLAN - SECOND FLOOR

Name: TANUSHREE SAKSENA Scale: 1:250

Units:

Date: 25.11.16

DETAIL - A MUD-MIRROR WORK

SECTION AT AA'

DETAIL - B WOOD CARVING

SECTION AT BB'

S.No.

Subject: INTERIOR SPACE DESIGN

Project Name: HOSPITALITY PROJECT

Drawing Title: SECTIONAL ELEVATIONS

Name: TANUSHREE SAKSENA Scale: 1:200

Units:

Date: 14.11.16

2200

1600

Subject: INTERIOR SPACE DESIGNING

Project Name: HOSPITALITY PROJECT

300 900

Drawing Title: DOOR WINDOW SCHEDULE

1600

2200 300

300

1200 2180

1000

2400

2100

2400

2100

1800

2400

2100

S.No.

1800

900

2100

1800

300

1800

2400

1800

760 760

2100

1800

1000

300

900

2200

750

2200

1500

2200

6700

2200

4880

7350

5500

300

300 3800

4700

900

2200 300

4670

6700

900

2200 300

2200

1600

6200

4500

900

1200

5400

1600

4800

4500

2000

2200

3000

900

Name: TANUSHREE SAKSENA Scale: 1:150

Units: MM

Date: 25.11.16

A 1868

1818

2780

LEGEND SYMBOL

DESCRIPTION

4686

6946

FLOOR MOUNTED EGA BOX

AMOUNT

6AMP SWITCH SOCKET

1200X900MM SANDSTONE TILES 900

900

206

4736

900

472

GRANITE INLAY WORK

1200

636

1200X900MM BOTTOCHINO MARBLE TILES

1200

900

GRANITE INLAY WORK

6946

8146

TRAVEL DESK 600

CURRENCY EXCHANGE

1200

1584

3996

3150

4124

366

946

748

368

LAYOUT PLAN

ELECTRICAL PLAN

FLOORING PLAN

BACKLIT WALL PANEL (JAALI)

MUD- MIRROR WORK

360

Backlit Onex

1200

JAALI

900

JAALI

F.F.L

SECTION AT AA'

S.No.

SECTION AT BB'

Subject:

Project Name:

INTERIOR SPACE DESIGN

HOSPITALITY PROJECT

SECTION AT CC'

Drawing Title: RETAIL SHOP DETAIL (WILLS LIFESTYLE)

Name: TANUSHREE SAKSENA Scale: 1:125

Units: MM

Date: 25.11.16

LEGEND A

600

SYMBOL

610

AMOUNT 01

SURFACE MOUNTED LIGHT FIXTURE

600

942

1668

942

DESCRIPTION EMERGENCY RECESSED LIGHT FIXTURE

2898

814

6 AMP SWITCH SOCKET

16AMP SWITCH SOCKET

TELEVISION OUTLET

TELEPHONE OUTLET

AC CONTROL SWITCH

1100 1610

2600

BOFC : 2700

FLOORING LEGEND

1 NO. SWITCH SOCKET FOR GENERAL PURPOSE USE

990

624

580

890 624

1198

652

2898

F-01

1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET

MUD-MIRROR WORK

890

2 WAY CONTROL SWITCH

WOOD LAMINATE

2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET

3916

650

BOFC : 3050

2000

KEY TAG CONTROL SWITCH

534

500

1000

CL OF BED

1000

1500

SYMBOL

F-01

DESCRIPTION WOOD LAMINATE FLOORING

D 900

600

2596

600X600MM SANDSTONE TILES

2 NO. 16AMP SWITCH SOCKET FOR ELECTRIC KETTLE AND MINI FRIDGE

MUD-MIRROR WORK

500

EXHAUST GRILL

AC SWITCH

MUD-MIRROR WORK

BOFC : 2700

2000

600

SPEAKER

F-04

SWITCH FOR MIRROR LIGHT 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE

300

MUD-MIRROR WORK

2078

320

SPRINKLER

600

F-02

2 WAY SWITCH FOR CEILING LIGHT & SWITCH FOR WASHROOM LIGHT KEY TAG

SMOKE DETECTOR

600X600MM ITALIAN MARBLE

600

380 592

1184

790

150

978

456

BOFC : 2700

300

600

1 NO. SWITCH CEILING LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG

1376 400

906

1200

1956

300 300

BOFC : 2400

RECESSED LIGHT FIXTURE

1170

2338

1170

F-02

600

600X600MM SANDSTONE TILES

F-03

1 NO. SWITCH BALCONY LIGHTS

F-04

SANDSTONE

ITALIAN MARBLE

LAYOUT PLAN

RCP

ELECTRICAL PLAN

FLOORING PLAN

DETAIL - A MUD-MIRROR WORK

300

SECTION AT AA'

S.No.

SECTION AT BB'

Subject:

Project Name:

INTERIOR SPACE DESIGN

HOSPITALITY PROJECT

MUD-MIRROR WORK

500

700

350

1074

500

400

300

F.F.L

1000

1 NO. SWITCH CEILING LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG

1000

1800

2100

1000

2100

2180 350

376 356 356 356 356

900

1350

900

750

1200 F.F.L

2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET

300

F.F.L

500

550

1000

750

LAMINATED CLADDING WITH BACKPLY ON WALL

SECTION AT CC'

Drawing Title: TWIN ROOM DETAIL

SECTION AT DD'

1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET

Name: TANUSHREE SAKSENA Scale: 1:100

Units:

Date: 14.11.16

450 1288

400

2006

400 2368

1240

SYMBOL 1588

1256

BOFC : 2700

1024

450

LEGEND 4000

1676

2368

2804

3704

2300

370

KEY TAG

1344

2 WAY CONTROL SWITCH

6 AMP SWITCH SOCKET

2300

16AMP SWITCH SOCKET

TELEVISION OUTLET

TELEPHONE OUTLET

AC CONTROL SWITCH

2300

BOFC : 3050

1588

1828

EXHAUST GRILL

CONTROL SWITCH

2804

800

2300

1344

1830

1344

840

300

MUD-MIRROR WORK

1186

SPEAKER

2300

BOFC : 2700

2804

1678

600

1500

SPRINKLER

1588

1154

1000 600

SMOKE DETECTOR

1588 1000

1344

1676

590

1656 1706

1500

590

600

4506

2300

1196

2000

2300

1000

1306 800

R5 0

RECESSED LIGHT FIXTURE

1024

686

1656

SURFACE MOUNTED LIGHT FIXTURE

1588

590

1960

500

1492 500

2036 EQ

880

AMOUNT

MUD-MIRROR WORK

500

640

1514

2300

BOFC : 2700

1024

2000

880

500

750

BOFC : 3050

650

600

800

2000

1590

830

1100

2492

2472 814

BOFC : 2700

1344

600

1500

2866

2364

300

2300

2804

3704

1588

1000

BOFC : 2700

600

1344

600

1588

830

1650 1100

1000

2036

1514 1000

2300

BOFC : 3050

2036

752

920

1200

DESCRIPTION EMERGENCY RECESSED LIGHT FIXTURE

400 400

580

FLOORING LEGEND SYMBOL

LAYOUT PLAN

F-01

RCP

F-02

SANDSTONE

F-03

SANDSTONE

F-04 1280.0

DESCRIPTION WOOD LAMINATE FLOORING

ITALIAN MARBLE

2650.0

1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE

600

2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET

600

GRASS

F-03

1 NO. SWITCH FOR WARDROBE LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT

150.0

700.0

1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT

760.0

600X600MM ITALIAN MARBLE TILES

1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. SWITCH FOR MIRROR LIGHT

150.0

F-01

1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET

1 NO. SWITCH FOR ROOM LIGHTS

3000.0 1432.0

450 300.0

TEAK WOOD

1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT

400

2000.0

F-03

600

1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. SWITCH FOR MIRROR LIGHT

DETAIL B

F-04 1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET

300.0

1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT

F-05

1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE

3482.0

600

WOOD LAMINATE

300.0

380.0

F-01

2 NO. 16AMP SWITCH SOCKET MINI FRIDGE AND ELECTRIC KETTLE

1 NO. SWITCH FOR CEILING LIGHT 1 NO. SWITCH FOR WALK-IN-WARDROBE LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG

600

F-02 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET

600X600MM SANDSTONE TILES

600

1 NO. SWITCH FOR BALCONY LIGHTS

1692.0

2456.0

ELECTRICAL PLAN

DETAIL - A MUD-MIRROR WORK

FLOORING PLAN

MUD-MIRROR WORK

900

BACKLIT WALL PANEL

500

1000

900

1000

BACKLIT WALL PANEL

MUD-MIRROR WORK

SECTION AT AA'

S.No.

Subject: INTERIOR SPACE DESIGN

SECTION AT BB'

Project Name: HOSPITALITY PROJECT

Drawing Title: FAMILY SUITE DETAIL

Name: TANUSHREE SAKSENA Scale: 1:150

Units: MM

Date: 14.11.16

200

2400

600

1196

1550

300

TRACK LIGHT FIXTURE

RECESSED LIGHT FIXTURE

SUSPENDED PENDANT LIGHT

600

SPRINKLER

AC GRILL

600

6000

920

1300 EQ

600

920 600

1300

300 600

4000

1050

2158 1870

300

978

740

978

EQ 800

1100

SMOKE DETECTOR

1940

730

1790.0

DISPLAY SHELVES

1300

600 2600

1300 1000

AMOUNT

600 P

730

4840.0

600 1126

1300

300

2600 300.0

2328.0 900.0

DESCRIPTION

360 360 468

1276

2182.0

2176

2428

1100

1870

MIRROR

300.0 200.0

1000

2740

500.0

750.0

SYMBOL P

800

880

CASH COUNTER

900.0

STORAGE

1920.0

1500.0

CHANGING ROOMS

DISPLAY SHELVES

EQ 1384.0

3612.0 EQ

1894.0

400.0 1400.0

1382.0 400.0 312.0

750.0 360.0

MIRROR

1842.0

1500.0

1846.0

DISPLAY SHELVES

1048.0

300

600

DISPLAY SHELVES

4000.0

ISLAND DISPLAY (STEPS)

400.0

500

LEGEND

1300

750.0

MODEL

750.0 348.0

200.0 500.0

ISLAND DISPLAY (STEPS)

MODEL

750.0

3646.0

750.0

300.0 174.0

300.0 300.0 1420.0

1862.0

MODEL

996.0

400.0

1384.0

3656.0 1048.0

2614.0

750.0

600

DISPLAY SHELVES

1894.0

DISPLAY SHELVES

MIRROR

2602.0

600

1050

600

1500.0

600

360 360

1800.0

962

600

1600

270 900.0

600

586.0

MODEL

2600

MODEL

2600

MODEL

1552

MODEL

POSTER

LAYOUT PLAN

RCP

600X600MM SANDSTONE TILES

ELEVATION AT AA'

CHANGING ROOMS

STORAGE

ELEVATION AT BB' FLOORING PLAN

S.No.

Subject:

Project Name:

INTERIOR SPACE DESIGN

HOSPITALITY PROJECT

Drawing Title: RETAIL SHOP DETAIL (WILLS LIFESTYLE)

Name: TANUSHREE SAKSENA Scale: 1:125

Units: MM

Date: 14.11.16

Retail Store – Will’s Lifestyle

Family Suite

Rate Analysis for Flooring S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Sandstone

SFT

Rs150

15%

Rs173

Cement motar

SFT

Rs13

10%

Rs14

Labour cost

SFT

Rs50

Grout/Protection

SFT

Rs8

10%

Rs9

Rs246 + 30% = Rs320

S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Wood Laminate

SFT

Rs100

10%

Rs110

Adhesive

SFT

Rs10

10%

Rs11

Labour cost

SFT

Rs15

Rs136 + 30% =Rs177

S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Italian Marble

SFT

Rs350

15%

Rs400

Cement motar

SFT

Rs13

10%

Rs14

Grout/Protection

SFT

Rs8

10%

Rs9

Labour cost + Polish

SFT

Rs90

Rs513 +30% = Rs670

Rate Analysis for Ceiling S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Material and Labour cost

SFT

Rs90

Rs90 + 30% = Rs117

Rate Analysis for Wall finishes S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Textured paint with Labour cost

SFT

Rs20

Rs20 Rs20 + 30% = Rs26

S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

POP Mud Mirror work

SFT

Rs50

Rs50+ 30% = Rs65

Rate Analysis for Door frame S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Wooden frame

CUFT

1500

35%

Rs2025

1.4

Rs2835

Hilti fasteners

nos

Rs75

Rs80

polish

SFT

RS100

10%

Rs110

Labour cost -Making of frame

rft

Rs30

Rs510

-Fixing of frame

300

Rs30

Rs3565+30% =Rs4634

Rate Analysis for Fabric Paneling S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Hardwood frame

SFT

RS40

20%

Rs48

Ply (12mm thck)

SFT

Rs45

10%

Rs46

MDF (6mm thck)

SFT

RS10

10%

Rs11

Foam (10mm thck)

SFT

Rs8

10%

Rs9

Fabric

SFT

Rs30

15%

Rs35

Labour -Frame

SFT

Rs35

-Ply

SFT

Rs12

-MDF

SFT

Rs12

-Upholstery

SFT

Rs20

Rs228 +20% =Rs274

Rate Analysis for Fixed Glass S.No. Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Toughened glass

SFT

RS165

20%

Rs198

Rs5544

Frame

CuFT

Rs1500

30%

Rs1950

2.75

Rs5362

Beading

RFT

RS15

10%

Rs16

Rs352

Labour -Making of frame

RFT

Rs30

-Fixing of frame

Rs300

Rs35

-Glass

Rs11623+30% =Rs15,110

BOQ S.No.

Description

Units

Rate

Quantity

Amount

Stone Cladding (Sandstone)

Smt

3444.48

10.4

35822.59

Stone Cladding (Italian marble)

Smt

7211.88

7.4

53367.91

Laminate

Smt

1905.228

10.4

19814.37

POP False Ceiling

Smt

1905.228

17.8

33913.06

Textured paint

Smt

279.864

17351.57

POP Mural (Mud-mirror work)

Smt

699.66

Door Frame

Smt

49880.38

18 1

12593.88 49880.3

Fixed Glass window

Smt

162644

Fabric Paneling

Smt

2949.336

1.5

4424.004

3,89,811.7

Costing of Furniture piece (Back office working desk) S.No.

Item

Units

Rate

Wastage

Net Rate

Quantity

Amount

Ply

SFT

Rs65

Rs68

Rs510

Laminate

SFT

Rs28

10%

Rs30.8

Rs462

Aluminum frame

RS200

10%

Rs220

2.8

Rs616

Edge tape

RFT

Rs15

10%

Rs16.5

15.34

Rs253

Paint

SFT

Rs12

10%

Rs13.2

6.97

Rs92

Adhesive

SFT

Rs10

10%

Rs11

Rs165

Labour Cost

Rs300

Nylon legs

Nos

Rs5

5.1

Rs20.4 Rs2418 + 30% =

Rs3143

Bibliography 1. Moore, P. (2015) ‘How to capture dramatic skies in your iPhone photos’, Taking Photos, 10 April. Available at: http://iphonephotographyschool.com/dramatic-skies/ (Accessed: 3 October 2016). 2. www.examplesof.com (no date) Available at: http://www.examplesof.com/photography/bokeh/candle-colorful-bokeh.jpg (Accessed: 3 October 2016). 3. Alibaba (1999) Buy products online from china wholesalers at Aliexpress.Com. Available at: https://he.aliexpress.com/w/wholesale-cognac-glasses.html (Accessed: 3 October 2016). 4. IPhone 5 wallpapers HD - autumn forest, backgrounds (2014a) Available at: https://in.pinterest.com/pin/492370171735147044/ (Accessed: 3 October 2016). 5. India (no date) Available at: https://in.pinterest.com/kgiuzio/india/ (Accessed: 3 October 2016). 6. Rias, M. and Join (2012) 45+ surreal long exposure photography inspirations. Available at: http://smashingtips.com/long-exposure-photography-shots (Accessed: 3 October 2016). 7. Architecture (2010) Available at: https://in.pinterest.com/olivermohinderg/architecture/ (Accessed: 3 October 2016). 8. Depositphotos, I. (2009) Carved stone grilles pattern at Sarkhej Roza mosque in Ahmedabad. Available at: http://depositphotos.com/75677131/stock-photocarved-stone-grilles-pattern-at.html (Accessed: 3 October 2016). 9. px, 500 (2016) ‘500px ISO’, Available at: https://iso.500px.com/tag/reflection/ (Accessed: 3 October 2016). 10. Buy Ajrakh print short Kurta online India - 5121 (no date) Available at: http://www.voonik.com/recommendations/ajrakh-print-short-kurta (Accessed: 3 October 2016). 11. Indian embroidery (no date) Available at: https://in.pinterest.com/preethigarya/indian-embroidery/ (Accessed: 3 October 2016). 12. Indian art - Lipan work (no date) Available at: https://in.pinterest.com/shilpaatul/indian-art-lipan-work/ (Accessed: 3 October 2016). 13. Crafts, I.S. (2013) Mosaic table lamps, indian, moroccan, buy online. Available at: http://www.indianshailycrafts.com/mosiac-table-lamps.html (Accessed: 3 October 2016). 14. Moroccan lanterns (no date) Available at: https://in.pinterest.com/explore/moroccan-lanterns/ (Accessed: 3 October 2016). 15. VALOOSA (2016a) We bring you the world - hand made fair trade arts and crafts. Available at: http://valoosa.com/ (Accessed: 3 October 2016). 16. Cushions from India (no date) Available at: https://in.pinterest.com/essentialindian/cushions-from-india/ (Accessed: 3 October 2016). 17. Art - India (no date) Available at: https://in.pinterest.com/designsbyanupa/art-india/ (Accessed: 3 October 2016).