Hospitality Project
Tanushree Saksena PGIDS –B 2015-‟17 DIDSP150604
Contents
1. a) b) c) d)
2. 3. 4. 5. 6. 7. a) b) c) d) e) f) g) h) • • • • • i) • • • • •
Case Studies ITC Maurya, New Delhi (Live) Hotel Le Cadre, New Delhi (Live) Raas, Jodhpur (Online) Katamama, (Online)
Process Sheets Mood Board Style Board Element Board Material Board Working Drawings: Layout Plan – Ground floor Layout Plan – First floor Layout Plan – Second floor (Typical Floor) Sectional Elevation – Through & through Universal Access sheet Door Window Schedule Main Entrance Door Detail Reception Lobby Detail: Layout Plan, RCP, Electrical Plan Flooring Plan Sectional Elevations Standard Room (Twin room) Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations
j) • • • • • • k) • • • • • •
8. a) b) c) d) e) f) g) h)
Family Suite Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations Furniture Detail Retail Shop Detail: Layout Plan RCP Electrical Plan Flooring Plan Sectional Elevations Display System Detail
Presentation Drawings: Rendered Layout Plan – Ground Floor Rendered Layout Plan – First Floor Rendered Layout Plan – Second Floor (Typical Floor) Rendered Elevations – Through and through Rendered – Reception Rendered – Standard room Rendered – Family Suite Rendered – Retail Shop
9.
3D view –
a) b)
Retail Shop Standard Room
10. BOQ of Standard Room 11. Estimation and costing of one item of furniture
CASE STUDY 1 Name:
A premier luxury hotel in the Capital, is acknowledged as the preferred „Residence for World Leaders and Global Icons‟ for over 30 years. The 438 room property epitomizes the luxury hotel experience with exemplary service and warm hospitality soaked in Indian traditions. The hotel has established industry benchmarks in safety and security, wide choice of premium rooms and suites, world renowned restaurants including the iconic Bukhara, banqueting facilities, spa and wellness, and more.
ITC Maurya
Location: Diplomatic Enclave, Sardar Patel Marg,New Delhi. ITC Maurya is favorably located for business meetings, events, recreation, high end retail therapy and fine dining. • 7km from the domestic Airport • 14km from thee International Airport • 9km from the New Delhi Railway Station • 6km from the city centre (Connaught Place) Star Category: 5 star Independent/Chain/Franchisee : Chain (ITC Hotels)
Places visited• Guest Rooms • Reception • Lobby • Lift Lobby • Corridor • Restaurant • Retail space Source: itchotels.in
Ambience/Theme: ITC Maurya is a tribute to the illustrious Mauryan Dynasty which gave Indian history the Golden Age of art, architecture and culture. The architecture of the hotel rises up in steps in the style of a Buddhist Stupa. Contemporary interpretation by some of India‟s finest artists, ITC Maurya houses a priceless and exquisite collection of art by Krishen Khanna, M F Husain, Tyeb Mehta, Yusuf Arakkal, A R Ramachandran, Akbar Padamsee and more
Source: itchotels.in
Source: itchotels.in
RECEPTION AND LOBBY Circulation and Adjacency Once we enter the foyer area the reception is to the right making it easily accessible to the guests. The Duty managers desk is near the reception. The lobby acts as a central space with lift lobby and reception area adjacent to it. Ambience and DĂŠcor The finishes and materials used in the area gave a royal and opulent feel to the space. Central lobby recreates the dome of a Buddhist Chaitya Hall which has been modeled from the ancient cave temples in Karla, Maharashtra
Source: itchotels.in
CORRIDORS Circulation 1.5m wide corridor. DĂŠcor Use of mirror work on the walls go with the theme of the hotel.
Lighting The recessed lights were placed together in a rhythmic pattern.
Lighting Ambient lighting by use of recessed lights.
Services Wall mounted sprinklers were installed. The space was centrally air conditioned.
Services Sprinklers placed at 3m and smoke detectors placed at 5m distance.
Special Features Painting by a famous Indian artist behind the reception desk demanded attention. The central dome and large caret which the made all the elements of the space come together. Source: itchotels.in
Special Features Mirror work on the walls
Executive Room
Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and lamps Finishes Floor –Carpeted Wall – Off white paint with engravings. Ceiling – Off white paint on false ceiling Special Feature Large Bay Window
Tower Room
Source: itchotels.in
Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and lamps Finishes Floor –Marble Wall – Tapestry ( behind the bed) Textured paint of different colours Ceiling – Off white paint on false ceiling Special Feature Tapestry on wall behind the bed
ITC One Décor Mix of modern and traditional furniture. Lighting Ambient lighting by use of recessed lights and a variety of lamps such as hanging lamps on the bedside, table lamps, etc. Finishes Floor – Wooden Wall – Off white paint with mirrorwork Ceiling – Off white paint on false ceiling Special Feature Large Bow Windows
Source: itchotels.in
Source: itchotels.in
Source: itchotels.in
PRESIDENTIAL SUITE: Synonymous with opulence, luxury, comfort and style, the Grand Presidential Floor is designed to play host to the extended entourage of luminaries with ease. An exclusive private entrance, a Presidential parking boulevard, a private high speed elevator, state-ofthe-art security systems and the Presidential Floor Butler, everything here is complemented by discreet and efficient service. The Grand Presidential Apartment, is a 2 bedroom mansion of luxury with silk panelled walls, dark wood flooring and magnificent artwork. The suite comprises of a Reception area, a large Living Room, a Study, a Peacock themed 12 seater Private Dining Room, an opulent Bathroom with mother of pearl accessories and imperial décor and a mini spa & gymnasium. With the latest in technology, the suite has 55‟ high definition TV‟s, an IPAD digital valet and IPOD docking station. Exclusive access to a business courtyard, The Summit Lounge and Boardroom, provide an oasis where affairs of the state can be discussed in complete privacy
Source: itchotels.in Source: itchotels.in
Source: itchotels.in
ANALYSIS: ITC Maurya is an ultra luxurious hotel inspired by The Mauryan dynasty residing at a prime location. It is an ideal hotel for business travellers because of its location and the facilities provided. The theme has been very well executed in terms of décor and is followed in each and every corner of the hotel. The highlight of the hotel is the grand central dome present at the lobby which gave an overwhelming feeling and in a way it has established a benchmark in luxury and authenticity. What we found interesting was the overall décor and feel of ITC Maurya which celebrates Indian traditional art and crafts and collaborates it with modern day lifestyle. The way the spaces had a perfect blend of natural and artificial light created a comfortable environment was commendable. The warm hospitality, services and facilities makes the hotel
CASE STUDY 2 Name:
Hotel Le Cadre Boutique
Places visited• Guest Room • Reception • Lobby • Lift Lobby • Corridor • Restaurant • Banquet Hall
Location: E-23, East of Kailash, New Delhi • 17km from the Airport • 12km from the New Delhi Railway Station • 1km from Nehru Place • 1km from GK1 • 6km from the city centre (Connaught Place) Independent/Chain/Franchisee : Independent Source: bookeventz.com
Hotel le Cadre is a Boutique Hotel and tucked away in the busy business district of Nehru Place, this property hosts 28 rooms and spaces (from 150 tp 300 plus sq. ft.), with attached bathrooms. A cafe, serving hot coffee and delicious snacks within. Hotel Le cadre is just about half an hour drive from IGI Airport. Guests can use the well-equipped business centre and the conference Hall with the latest in audio-visual equipment. Other services include a travel desk, express check-in/check-out facility, wi-fi internet in the rooms also, Same day laundry facilities, Doctor on call , foreign exchange and valet parking facilities.
Source: ixigo.com
Once you enter the premises there is a parking space on the left side and as you enter the main door there is a reception desk on the right. There is a café next to the reception area with a partition wall in between
Source: hotellecadre.in
Source: hotellecadre.in
Total no. of Rooms 28 Category of Rooms Twin room Queen Room
Source: hotellecadre.in
The rooms were decent enough and utility based with basic amenities present such as a wardrobe, console table and working desk TV along with bed and attached bathroom.
Source: hotellecadre.in
Source: hotellecadre.in
ANALYSIS: The hotel is located ideally for corporate meetings being near Nehru place as well as wedding functions because of the banquet hall present. Built on a small plot the hotel bas tried to utilize the maximum amount of space available strategically. DĂŠcor of the place is very simple and seems that more focus has been put on making the place functional. The cafĂŠ situated next to the reception area with the capacity of 20 is not enough for accommodating all the guests present at the same time. No housekeeping room or janitor room was accommodated and they were just given a dirty corner of the premises, next to the parking. The rooms were decent enough and utility based. Basic amenities were available in the room.
CASE STUDY 3 Name:
Raas, Jodhpur
Location:Jodhpur, Rajasthan, India Area 1.5-acre Lead Designers Ambrish Arora (Lotus, New Delhi) & Rajiv Majumdar (Praxis, Bangalore) Design Team Arun Kullu, Radha Muralidharan, Anuja Gupta, Ruchi Mehta Landscape Design Akshay Kaul & Associates Structural Design BL Manjunath Contractors Buildkraft India & Moolchand Stone mason
Source: studiolotus.in Source: studiolotus.in
Source: studiolotus.in
Source: studiolotus.in
Source: studiolotus.in
Situated in the prestigious north-eastern quarter of the Walled City, in the very shade of Mehrangarh's Victory Palace and Gate, and a stone's throw from the Clock Tower; RAAS comprised, in fact, of four charismatic buildings in Jodhpur's very own 'rose-red' sandstone. The oldest, the Haveli proper as it were, was built towards the end of the 18th Century and with its delicately carved stone panels - the hall-mark of Rajput Architecture served as the exclusive and intimate residence of the family. Source: studiolotus.in
Source: archdaily.com
Raas Jodhpur is a luxury boutique hotel with 39 rooms built in the context of the Old city quarter of Jodhpur. This has been translated into a project where there is a dialogue between the old and the new. Luxury was about being authentic both in terms materials and workmanship, and in providing visitors a tactile and sensual experience within the historical context of the old city of Jodhpur without aping the old. The property was inherited with three, beautiful period structures (17th18th century) which have been painstakingly restored with traditional craftsman in Source: studiolotus.in the original materials such as lime mortar and Jodhpur sandstone. Source: studiolotus.in
Source: studiolotus.in
Total no. of Rooms- 36 Category of Rooms Luxury Rooms Deluxe suite Heritage Suite Source: studiolotus.in
Source: studiolotus.in
Source: studiolotus.in
Source: studiolotus.in
Source: studiolotus.in
36 rooms have been created, spread over 3 contemporary buildings, (using the same materials and skills as the traditional buildings) inserted into the site in a manner that they frame the visual and spatial relationship among the old buildings and the Fort, creating a dialogue between the old and the new. Source: studiolotus.in
Special Features Inspired by the age old double skinned structures of the region, (the traditional stone latticed jharokha forms of Rajasthani architecture – which perform multiple functions of passive cooling and offering privacy to the user) these buildings act as lanterns framing the site. The drama of the stone jaali (lattice) is heightened by the fact that these panels can be folded away by each user to reveal uninterrupted views of the fort, or can be closed for privacy and to keep the harsh Jodhpur sun out. Source: studiolotus.in
Source: studiolotus.in
ANALYSIS: Raas, Jodhpur has made the best use of its location (base of Mehrangarh Fort) by using its scenic view to as a backdrop for of the hotel. It is a perfect blend of the old and new which provides the guests an experience like no other. Each element has been carefully and intelligently designed to bring out the Rajasthan art and traditions. The hotel has used techniques and materials present within the area to form a sustainable environment which shows that there are many ways in which unique spaces can be formed without spending too much time and money for construction. What we found commendable was the construction of contemporary buildings without making changes in the old structures to build a complex which is a fusion of both traditional and modern forms. The way the climatic conditions have also been taken into consideration by use of simple techniques like foldable Jharokha windows is quite commendable. Source: studiolotus.in
CASE STUDY 4 Name : Katamama Architects Andra Matin Location Bali, Indonesia PROJECT TEAM MEMBERS Patisandhika Sidarta, Ady Putra Sanjaya, Hendra Irwanto, Ayudya Paramitha Client PTT Family Area 6000.0 sqm Project Year 2015 Interior Designer (Guest Rooms) Takenouchi Webb Interior Designer (Public Areas) PTT Family in-house team Project Team (Public Areas) Ronald Akili, Margareta Amelia Miranti, Ade Herkarisma, Sashia Rosari
Source: archdaily.com
Contemporary design elements pay reference to the Balinese lifestyle and lush green gardens that reflect the natural beauty of the island. The exterior of Katamama takes its cues from the Balinese building practice of tri angga, a concept where the spatial structure reflects harmony between the building and its occupants. Source: archdaily.com Source: archdaily.com
Source: archdaily.com
Source: archdaily.com
The idea behind Katamama was to represent Bali. It feels Balinese, but modern at the same time. The main concept is actually the 'modern' architecture of 60s and 70s. Itâ€&#x;s very geometrical. And these days, when almost every hotel in Bali is planned with the curved lines, itâ€&#x;s quite unusual Source: archdaily.com
Source: archdaily.com
The raw brick of the walls are highlighted in the suites and wide boards of teak are used for the flooring. Other wall finishes include solid-timber slats and a rough pale coloured plaster. The main spaces of the suites are designed to be as open as possible with the bathroom separated by a set of decorative sliding panels that can open to make the bathroom part of the main space. Each bedroom looks out onto a balcony terrace with a day-bed, table and chairs and becomes an extension of the Source: archdaily.com room, with the same hand-made brick material extending out from the room wall. Source: archdaily.com
Katamama features an elevated lobby allowing guests to view the pool and surrounding landscape. Rooms that occupy the lower floor are described as “introverted� by Matin, with a secluded view to the garden. His vision for the building was to allow guests to see a different angle of the landscape from every Source: archdaily.com level of the hotel.
Source: archdaily.com
ANALYSIS: Katamama hotel forms an experiential dialogue between the traditional and the modern with the architecture taking inspiration from Balanies lifestyle whereas as the interiors taking up a modern look. It provides a new and different atmosphere while being deeply rooted in Balanies traditions. Source: archdaily.com
Boutique Hotel Project Brief Location: Ahmedabad, Gujarat Theme: Gujarat Concept Statement: The concept is to design a hotel that forms a symphony of light and shadow by use of both daylight (natural) and artificial light. By use of simple techniques of playing with light, different spaces will have a dynamic yet mysterious feel to it and will provide an extraordinary experience to the guests.
Experiential Narrative: Change is the only constant and to constantly provide a changing experience to the guests walking into the hotel is my objective. I designed a hotel based on the concept of playing with light and shadow by use of both modern and traditional methods to form a contemporary look. Situated in Ahmedabad, the hotel‟s design will optimize the use of resources available and will take inspiration from the local crafts and harness natural light (generating solar energy) to form a sustainable environment. Public Spaces
Guest Rooms
Staff Areas
1.
1. 2. 3. 4.
1. 2. 3. 4. 5. 6. 7. 8. 9.
2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15.
Reception with travel desk and currency exchange counter Lobby Manager‟s cabin Back office Public Washrooms – Conference Room Meeting Rooms Retail Shops – Patisserie Dining Hall Bar/Lounge Banquet Hall Spa and Salon Gym Recreational Room
5. 6. 7. 8.
Standard Rooms – Twin Room King Room Room for the Physically Disabled Executive Rooms Executive Suites Family Suite Grand Suite
Luggage Room Kitchen Staff Male Changing Room Staff Female Changing Room Staff Dining Room Dormitory Laundry Room Housekeeping Room Store Room
Process Sheets Banquet Hall Rooms
BUBBLE DIAGRAM 1
Rooms Retail Shops
Cafe Suites Dining Hall
Lift Lobby
Luggage Room
Corridor
Gym
Public Toilets
Spa Back Office
Lobby + Reception
Meeting Rooms
Gym
Corridor
Corridor Conference Room
Manager‟s cabin
Lift Lobby
Lift Lobby
Entrance
BUBBLE DIAGRAM 2 (FINAL)
Bar and Lounge
Banquet Hall
Retail Shops
Conference room Lift Lobby
Luggage Room
Corridor
Lobby + Reception
Meeting Rooms
Dining Hall
Suites Gym
Public Toilets
Spa Back Office
Manager‟s cabin Entrance
Rooms
Rooms
Corridor
Corridor
Lift Lobby
Lift Lobby
ZONING
Space Designing
I started off by playing with different forms both angular and curved
To bring out a contemporary look in in the hotel, I decided to play with curves in spatial design while retaining the traditional geometric forms in interior finishes and dĂŠcor.
I then decided to play only with straight lines and angles but it formed purely traditional look to the spaces.
After a few changes, the layout was finalized which had a blend of contemporary and traditional forms.
Mood Board 1
4
3
2
5
6
7
Style Board 8
11
9
13
10
15
17
12
14
16
Element Board – Public Areas
Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop
Element Board- Guest Rooms
Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop
Material Board
Source: Images taken from different sources like pinterest.com, pepperfry.com, etc., and edited n Photoshop
Jaalis and Backlit Wall Panels
I designed a set of jaalis and backlit wall panels which include both contemporary versions of traditional jaalis as well as jaalis which have a direct influence of traditional Guajarati motifs and patterns.
DJ AREA
20
AHU ROOM
1320
18
19 STAGE AREA
21
17
16 1600
4 2020
3166
1642
4342
15
22
1
2
3
CUTOUT ABOVE
2038
TRAVEL DESK
CURRENCY EXCHANGE
1584
3000
14
2880
5
MODEL
MODEL
7
MODEL
MODEL
2490 DISPLAY SHELVES
CASH COUNTER
11
13 12
1950
MODEL
6
8 1328
MODEL
2224
SWIMMING POOL
MODEL
10
9 MIRROR DISPLAY SHELVES
POSTER
S.No.
Subject: INTERIOR SPACE DESIGN
Project Name: HOSPITALITY PROJECT
Drawing Title: LAYOUT PLAN - GROUND FLOOR
Name: TANUSHREE SAKSENA Scale: 1:250
Units:
MM
Date: 25.11.16
8
10 14
AHU ROOM
14
14
14
14 1320
9 WALK-IN WARDROBE
11
12
JACUZZI
13
3646
7
6
1
CUTOUT ABOVE
COURTYARD
3220
(OPEN TO SKY)
2
3426
2
4 3
S.No.
Subject: INTERIOR SPACE DESIGN
5
Project Name: HOSPITALITY PROJECT
5
Drawing Title: LAYOUT PLAN - FIRST FLOOR
Name: TANUSHREE SAKSENA Scale: 1:250
Units:
MM
Date: 25.11.16
11
11
11
11
11
3096
2616
10
9
3096
2
8
1 3
2920 1930
7 3166
2736
4
4
5
5
5
5 6
S.No.
Subject: INTERIOR SPACE DESIGN
Project Name: HOSPITALITY PROJECT
Drawing Title: LAYOUT PLAN - SECOND FLOOR
Name: TANUSHREE SAKSENA Scale: 1:250
Units:
MM
Date: 25.11.16
A
DETAIL - A MUD-MIRROR WORK
SECTION AT AA'
B
DETAIL - B WOOD CARVING
SECTION AT BB'
S.No.
Subject: INTERIOR SPACE DESIGN
Project Name: HOSPITALITY PROJECT
Drawing Title: SECTIONAL ELEVATIONS
Name: TANUSHREE SAKSENA Scale: 1:200
Units:
MM
Date: 14.11.16
2200
1600
Subject: INTERIOR SPACE DESIGNING
Project Name: HOSPITALITY PROJECT
300 900
Drawing Title: DOOR WINDOW SCHEDULE
1600
2200 300
300
1200 2180
1000
2400
2100
2400
2400
2100
1800
2400
2100
S.No.
1800
900
2100
1800
300
300
1800
2400
1800
760 760
2100
1800
1000
300
300
300
900
2200
2200
750
2200
1500
2200
6700
2200
2200
2200
2200
4880
7350
5500
300
300 3800
4700
900
2200 300
4670
6700
900
2200 300
2200
1600
6200
4500
900
1200
5400
1600
4800
4500
2000
2200
3000
900
Name: TANUSHREE SAKSENA Scale: 1:150
Units: MM
Date: 25.11.16
A 1868
1818
2780
LEGEND SYMBOL
DESCRIPTION
4686
02
6946
FLOOR MOUNTED EGA BOX
AMOUNT
6AMP SWITCH SOCKET
10
1200X900MM SANDSTONE TILES 900
900
206
4736
B'
C'
C
900
900
472
GRANITE INLAY WORK
1200
B
636
1200X900MM BOTTOCHINO MARBLE TILES
1200
900
GRANITE INLAY WORK
6946
8146
TRAVEL DESK 600
CURRENCY EXCHANGE
1200
1584
3996
3150
3150
4124
366
946
748
368
LAYOUT PLAN
ELECTRICAL PLAN
FLOORING PLAN
A'
BACKLIT WALL PANEL (JAALI)
MUD- MIRROR WORK
360
Backlit Onex
1200
JAALI
900
JAALI
F.F.L
SECTION AT AA'
S.No.
SECTION AT BB'
Subject:
Project Name:
INTERIOR SPACE DESIGN
HOSPITALITY PROJECT
SECTION AT CC'
Drawing Title: RETAIL SHOP DETAIL (WILLS LIFESTYLE)
Name: TANUSHREE SAKSENA Scale: 1:125
Units: MM
Date: 25.11.16
LEGEND A
600
SYMBOL
610
B'
AMOUNT 01
SURFACE MOUNTED LIGHT FIXTURE
02
600
942
1668
942
DESCRIPTION EMERGENCY RECESSED LIGHT FIXTURE
2898
814
01
6 AMP SWITCH SOCKET
06
16AMP SWITCH SOCKET
02
TELEVISION OUTLET
01
TELEPHONE OUTLET
01
AC CONTROL SWITCH
01
1100 1610
2600
BOFC : 2700
FLOORING LEGEND
1 NO. SWITCH SOCKET FOR GENERAL PURPOSE USE
990
624
580
890 624
1198
652
C'
2898
04
F-01
1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET
MUD-MIRROR WORK
890
01
2 WAY CONTROL SWITCH
WOOD LAMINATE
2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET
3916
3916
650
BOFC : 3050
2000
01
KEY TAG CONTROL SWITCH
534
500
1000
CL OF BED
1000
1500
SYMBOL
F-01
DESCRIPTION WOOD LAMINATE FLOORING
D 900
D'
600
2596
600X600MM SANDSTONE TILES
2 NO. 16AMP SWITCH SOCKET FOR ELECTRIC KETTLE AND MINI FRIDGE
MUD-MIRROR WORK
500
EXHAUST GRILL
AC SWITCH
MUD-MIRROR WORK
C
01
BOFC : 2700
2000
600
01
SPEAKER
F-04
SWITCH FOR MIRROR LIGHT 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE
300
MUD-MIRROR WORK
2078
320
01
SPRINKLER
600
F-02
2 WAY SWITCH FOR CEILING LIGHT & SWITCH FOR WASHROOM LIGHT KEY TAG
04
SMOKE DETECTOR
600X600MM ITALIAN MARBLE
600
380 592
1184
790
150
978
456
BOFC : 2700
300
600
1 NO. SWITCH CEILING LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG
1376 400
906
1200
1956
300 300
BOFC : 2400
RECESSED LIGHT FIXTURE
1170
B
2338
1170
F-02
600
600X600MM SANDSTONE TILES
F-03
F-03
1 NO. SWITCH BALCONY LIGHTS
F-04
SANDSTONE
SANDSTONE
ITALIAN MARBLE
A'
LAYOUT PLAN
RCP
ELECTRICAL PLAN
FLOORING PLAN
DETAIL - A MUD-MIRROR WORK
300
300
300
300
SECTION AT AA'
S.No.
A
SECTION AT BB'
Subject:
Project Name:
INTERIOR SPACE DESIGN
HOSPITALITY PROJECT
MUD-MIRROR WORK
500
700
350
1074
500
400
300
F.F.L
1000
1 NO. SWITCH CEILING LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG
1000
1000
1800
2100
1000
2100
2180 350
376 356 356 356 356
900
1350
900
750
1200 F.F.L
2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET
300
F.F.L
500
550
1000
750
LAMINATED CLADDING WITH BACKPLY ON WALL
SECTION AT CC'
Drawing Title: TWIN ROOM DETAIL
SECTION AT DD'
1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET
Name: TANUSHREE SAKSENA Scale: 1:100
Units:
MM
Date: 14.11.16
A
450 1288
400
2006
400 2368
1240
SYMBOL 1588
1256
BOFC : 2700
1024
450
LEGEND 4000
1676
EQ
2368
2804
3704
2300
370
01
KEY TAG
01
1344
04
2 WAY CONTROL SWITCH
01
6 AMP SWITCH SOCKET
2300
06
16AMP SWITCH SOCKET
02
TELEVISION OUTLET
01
TELEPHONE OUTLET
01
AC CONTROL SWITCH
01
2300
BOFC : 3050
1588
0
1828
EXHAUST GRILL
CONTROL SWITCH
2804
800
01
2300
1344
1830
1344
840
300
MUD-MIRROR WORK
1186
01
SPEAKER
2300
BOFC : 2700
2804
R5
1678
600
1500
01
SPRINKLER
1588
1154
1000 600
04
SMOKE DETECTOR
1588 1000
1344
1676
590
1656 1706
1500
590
600
4506
2300
1196
2000
2300
1000
1306 800
R5 0
02
RECESSED LIGHT FIXTURE
1024
686
1656
01
SURFACE MOUNTED LIGHT FIXTURE
1588
590
1960
500
1492 500
2036 EQ
880
AMOUNT
MUD-MIRROR WORK
500
640
1514
2300
BOFC : 2700
BOFC : 2700
1024
2000
880
500
750
BOFC : 3050
650
650
600
600
800
800
2000
1590
830
EQ
1100
2492
2472 814
BOFC : 2700
1344
A'
B'
600
1500
2866
B
2364
300
2300
2300
2804
3704
1588
A
1000
BOFC : 2700
BOFC : 2700
600
1344
600
1588
830
1650 1100
1000
2036
1514 1000
2300
BOFC : 3050
2036
752
920
1200
DESCRIPTION EMERGENCY RECESSED LIGHT FIXTURE
400 400
400 400
580
FLOORING LEGEND SYMBOL
LAYOUT PLAN
C'
F-01
RCP
F-02
SANDSTONE
F-03
SANDSTONE
F-04 1280.0
DESCRIPTION WOOD LAMINATE FLOORING
ITALIAN MARBLE
2650.0
1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE
600
2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET
600
GRASS
F-03
1 NO. SWITCH FOR WARDROBE LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT
150.0
700.0
1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT
760.0
600X600MM ITALIAN MARBLE TILES
1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. SWITCH FOR MIRROR LIGHT
150.0
F-01
1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET
1 NO. SWITCH FOR ROOM LIGHTS
3000.0 1432.0
450 300.0
TEAK WOOD
1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT
400
2000.0
F-03
600
1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. SWITCH FOR MIRROR LIGHT
DETAIL B
F-04 1 NO. MASTER SWITCH FOR ALL LIGHTS 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. WI-FI PLATE WITH TELEPHONE OUTLET
300.0
1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT
F-05
1 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE
3482.0
600
WOOD LAMINATE
300.0
380.0
F-01
2 NO. 16AMP SWITCH SOCKET MINI FRIDGE AND ELECTRIC KETTLE
1 NO. SWITCH FOR CEILING LIGHT 1 NO. SWITCH FOR WALK-IN-WARDROBE LIGHT 1 NO. 2 WAY SWITCH FOR WASHROOM LIGHT KEY TAG
600
F-02 2 NO. 6AMP SWITCH SOCKET FOR GENERAL PURPOSE USE 1 NO. TELEVISION OUTLET
600X600MM SANDSTONE TILES
600
1 NO. SWITCH FOR BALCONY LIGHTS
1692.0
2456.0
ELECTRICAL PLAN
DETAIL - A MUD-MIRROR WORK
FLOORING PLAN
MUD-MIRROR WORK
C
900
BACKLIT WALL PANEL
500
1000
900
1000
1000
BACKLIT WALL PANEL
MUD-MIRROR WORK
MUD-MIRROR WORK
B
MUD-MIRROR WORK
A
SECTION AT AA'
S.No.
Subject: INTERIOR SPACE DESIGN
SECTION AT BB'
Project Name: HOSPITALITY PROJECT
Drawing Title: FAMILY SUITE DETAIL
Name: TANUSHREE SAKSENA Scale: 1:150
Units: MM
Date: 14.11.16
200
200
200
2400
600
1196
1550
300
TRACK LIGHT FIXTURE
70
RECESSED LIGHT FIXTURE
20
P
SUSPENDED PENDANT LIGHT
600
600
03
SPRINKLER
06
AC GRILL
06
600
6000
920
1300 EQ
600
920 600
EQ
1300
300 600
4000
1050
P
2158 1870
300
P
978
740
740
740
740
978
EQ 800
1100
06
SMOKE DETECTOR
1940
730
1790.0
DISPLAY SHELVES
1300
600 2600
1300 1000
AMOUNT
600 P
730
4840.0
600 1126
1300
300
2600 300.0
2328.0 900.0
DESCRIPTION
360 360 468
1276
2182.0
P
2176
2428
1100
1870
MIRROR
300.0 200.0
1000
2740
500.0
750.0
SYMBOL P
P
800
880
CASH COUNTER
900.0
STORAGE
1920.0
1500.0
CHANGING ROOMS
DISPLAY SHELVES
EQ 1384.0
3612.0 EQ
1894.0
400.0 1400.0
EQ
EQ
1382.0 400.0 312.0
EQ
EQ
750.0 360.0
MIRROR
1842.0
EQ
1500.0
1846.0
DISPLAY SHELVES
1048.0
300
600
EQ
DISPLAY SHELVES
4000.0
ISLAND DISPLAY (STEPS)
400.0
500
LEGEND
1300
750.0
MODEL
750.0 348.0
200.0 500.0
ISLAND DISPLAY (STEPS)
MODEL
750.0
3646.0
750.0
300.0 174.0
300.0 300.0 1420.0
1862.0
MODEL
996.0
400.0
1384.0
3656.0 1048.0
2614.0
750.0
600
DISPLAY SHELVES
1894.0
DISPLAY SHELVES
MIRROR
2602.0
600
1050
600
1500.0
600
360 360
1800.0
1800.0
962
600
1600
270 900.0
600
586.0
MODEL
2600
MODEL
2600
MODEL
1552
MODEL
POSTER
LAYOUT PLAN
RCP
600X600MM SANDSTONE TILES
ELEVATION AT AA'
CHANGING ROOMS
STORAGE
ELEVATION AT BB' FLOORING PLAN
S.No.
Subject:
Project Name:
INTERIOR SPACE DESIGN
HOSPITALITY PROJECT
Drawing Title: RETAIL SHOP DETAIL (WILLS LIFESTYLE)
Name: TANUSHREE SAKSENA Scale: 1:125
Units: MM
Date: 14.11.16
Retail Store – Will’s Lifestyle
Family Suite
Rate Analysis for Flooring S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Sandstone
SFT
Rs150
15%
Rs173
1
Rs173
2
Cement motar
SFT
Rs13
10%
Rs14
1
Rs14
3
Labour cost
SFT
Rs50
-
-
1
Rs50
4
Grout/Protection
SFT
Rs8
10%
Rs9
1
Rs9
Rs246 + 30% = Rs320
S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Wood Laminate
SFT
Rs100
10%
Rs110
1
Rs110
2
Adhesive
SFT
Rs10
10%
Rs11
1
Rs11
3
Labour cost
SFT
Rs15
-
-
1
Rs15
Rs136 + 30% =Rs177
S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Italian Marble
SFT
Rs350
15%
Rs400
1
Rs400
2
Cement motar
SFT
Rs13
10%
Rs14
1
Rs14
3
Grout/Protection
SFT
Rs8
10%
Rs9
1
Rs9
5
Labour cost + Polish
SFT
Rs90
-
-
1
Rs90
Rs513 +30% = Rs670
Rate Analysis for Ceiling S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
3
Material and Labour cost
SFT
Rs90
-
Rs90
1
Rs90
Rs90 + 30% = Rs117
Rate Analysis for Wall finishes S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Textured paint with Labour cost
SFT
Rs20
-
Rs20
1
Rs20 Rs20 + 30% = Rs26
S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
POP Mud Mirror work
SFT
Rs50
-
Rs50
1
Rs50
Rs50+ 30% = Rs65
Rate Analysis for Door frame S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Wooden frame
CUFT
1500
35%
Rs2025
1.4
Rs2835
2
Hilti fasteners
nos
Rs75
5%
Rs80
6
Rs80
3
polish
SFT
RS100
10%
Rs110
1
Rs110
5
Labour cost -Making of frame
rft
Rs30
-
Rs30
17
Rs510
-Fixing of frame
pc
300
-
300
1
Rs30
Rs3565+30% =Rs4634
Rate Analysis for Fabric Paneling S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Hardwood frame
SFT
RS40
20%
Rs48
1
Rs48
2
Ply (12mm thck)
SFT
Rs45
10%
Rs46
1
Rs46
3
MDF (6mm thck)
SFT
RS10
10%
Rs11
1
Rs11
4
Foam (10mm thck)
SFT
Rs8
10%
Rs9
1
Rs9
5
Fabric
SFT
Rs30
15%
Rs35
1
Rs35
7
Labour -Frame
SFT
Rs35
-
Rs35
1
Rs35
-Ply
SFT
Rs12
-
Rs12
1
Rs12
-MDF
SFT
Rs12
-
Rs12
1
Rs12
-Upholstery
SFT
Rs20
-
Rs20
1
Rs20
Rs228 +20% =Rs274
Rate Analysis for Fixed Glass S.No. Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Toughened glass
SFT
RS165
20%
Rs198
28
Rs5544
2
Frame
CuFT
Rs1500
30%
Rs1950
2.75
Rs5362
3
Beading
RFT
RS15
10%
Rs16
22
Rs352
4
Labour -Making of frame
RFT
Rs30
-
Rs30
1
Rs30
-Fixing of frame
Pc
Rs300
-
Rs300
1
Rs300
Rs35
-
Rs35
1
Rs35
-Glass
Rs11623+30% =Rs15,110
BOQ S.No.
Description
Units
Rate
Quantity
Amount
1
Stone Cladding (Sandstone)
Smt
3444.48
10.4
35822.59
2
Stone Cladding (Italian marble)
Smt
7211.88
7.4
53367.91
3
Laminate
Smt
1905.228
10.4
19814.37
4
POP False Ceiling
Smt
1905.228
17.8
33913.06
5
Textured paint
Smt
279.864
62
17351.57
6
POP Mural (Mud-mirror work)
Smt
699.66
7
Door Frame
Smt
49880.38
18 1
12593.88 49880.3
8
Fixed Glass window
Smt
162644
1
162644
8
Fabric Paneling
Smt
2949.336
1.5
4424.004
3,89,811.7
Costing of Furniture piece (Back office working desk) S.No.
Item
Units
Rate
Wastage
Net Rate
Quantity
Amount
1
Ply
SFT
Rs65
5%
Rs68
75
Rs510
2
Laminate
SFT
Rs28
10%
Rs30.8
15
Rs462
3
Aluminum frame
Kg
RS200
10%
Rs220
2.8
Rs616
4
Edge tape
RFT
Rs15
10%
Rs16.5
15.34
Rs253
5
Paint
SFT
Rs12
10%
Rs13.2
6.97
Rs92
6
Adhesive
SFT
Rs10
10%
Rs11
15
Rs165
7
Labour Cost
LS
Rs300
-
Rs300
1
Rs300
8
Nylon legs
Nos
Rs5
2%
5.1
4
Rs20.4 Rs2418 + 30% =
Rs3143
Bibliography 1. Moore, P. (2015) ‘How to capture dramatic skies in your iPhone photos’, Taking Photos, 10 April. Available at: http://iphonephotographyschool.com/dramatic-skies/ (Accessed: 3 October 2016). 2. www.examplesof.com (no date) Available at: http://www.examplesof.com/photography/bokeh/candle-colorful-bokeh.jpg (Accessed: 3 October 2016). 3. Alibaba (1999) Buy products online from china wholesalers at Aliexpress.Com. Available at: https://he.aliexpress.com/w/wholesale-cognac-glasses.html (Accessed: 3 October 2016). 4. IPhone 5 wallpapers HD - autumn forest, backgrounds (2014a) Available at: https://in.pinterest.com/pin/492370171735147044/ (Accessed: 3 October 2016). 5. India (no date) Available at: https://in.pinterest.com/kgiuzio/india/ (Accessed: 3 October 2016). 6. Rias, M. and Join (2012) 45+ surreal long exposure photography inspirations. Available at: http://smashingtips.com/long-exposure-photography-shots (Accessed: 3 October 2016). 7. Architecture (2010) Available at: https://in.pinterest.com/olivermohinderg/architecture/ (Accessed: 3 October 2016). 8. Depositphotos, I. (2009) Carved stone grilles pattern at Sarkhej Roza mosque in Ahmedabad. Available at: http://depositphotos.com/75677131/stock-photocarved-stone-grilles-pattern-at.html (Accessed: 3 October 2016). 9. px, 500 (2016) ‘500px ISO’, Available at: https://iso.500px.com/tag/reflection/ (Accessed: 3 October 2016). 10. Buy Ajrakh print short Kurta online India - 5121 (no date) Available at: http://www.voonik.com/recommendations/ajrakh-print-short-kurta (Accessed: 3 October 2016). 11. Indian embroidery (no date) Available at: https://in.pinterest.com/preethigarya/indian-embroidery/ (Accessed: 3 October 2016). 12. Indian art - Lipan work (no date) Available at: https://in.pinterest.com/shilpaatul/indian-art-lipan-work/ (Accessed: 3 October 2016). 13. Crafts, I.S. (2013) Mosaic table lamps, indian, moroccan, buy online. Available at: http://www.indianshailycrafts.com/mosiac-table-lamps.html (Accessed: 3 October 2016). 14. Moroccan lanterns (no date) Available at: https://in.pinterest.com/explore/moroccan-lanterns/ (Accessed: 3 October 2016). 15. VALOOSA (2016a) We bring you the world - hand made fair trade arts and crafts. Available at: http://valoosa.com/ (Accessed: 3 October 2016). 16. Cushions from India (no date) Available at: https://in.pinterest.com/essentialindian/cushions-from-india/ (Accessed: 3 October 2016). 17. Art - India (no date) Available at: https://in.pinterest.com/designsbyanupa/art-india/ (Accessed: 3 October 2016).