Nia Granados - Portfolio 2021 by Nia Granados

NIA GRANADOS Interior Architecture

ABOUT Hello! I am a 2018 interior architecture graduate of the University of Tennessee, Knoxville. While there, I held a array of positions in leadership in several student groups, such as AIAS, IIDA, ASID, & NOMAS. I also have extensive knowledge in digital fabrication & representation due to a variety of work experiences throughout college. Upon graduating, I moved across the country to California to start a career in design. Initially, I began as a designer at Keith Yates Design in Los Angeles, a specialized residential firm designing luxury home theaters. Most recently, I primarily worked on corporate interior architecture work at HGA, working with a variety of large tech clients throughout the Bay Area. I aspire to expand my knowledge with a collection of new experiences in design, architecture, & visual media in order to create memorable experiences.

CONTACT email | tanyagranados22@gmail.com website | www.niagranados.com phone | 865.307.9055

STATISTICS I have worked on the following from space planning to construction docs: - 76 office building projects - 3 science/ technology projects I also have a range of experience with space planning, rendering, & construction documents with: - 2 residential projects - 5 retail projects

TABLE OF CONTENTS PROFESSIONAL

pg. 04

2018 - 2021

ACAD EMIC

pg. 12

2013 - 2018

MISCELLANEOUS FURNITURE, PHOTOGRAPHY, & FABRICATION

pg. 38

PROFESSIONAL 2018 - 2021

HAREON SOLAR 3629-406-00

After

25 METRO DR SUITE 228, SAN JOSE, CA

SPACE PLA

Before

LEGEND - SPACE PLAN

EXISTING

HAREON SOLAR 3629-406-00

84 West Santa Clara Street San Jose, CA 95113 Telephone 408.288.7833

Demo

25 METRO DR SUITE 228, SAN JOSE, CA

SPACE

10 JULY 2019

SERVER/ STOR.

10'-0" x 5'-0"

BREAK

9'-7" x 14'-8"

Before

OFFICE

10'-0" x 9'-6"

LG. OFFICE 10'-0" x 14'-8"

REF

After

GENERAL NOTE

A. EXISTING CONDIT

B. FURNITURE SHOW

LEGEND - SPAC

CONF.

12-1" x 15'-1"

CONF.

12-1" x 15'-1"

SUMMARY

CONFERENCE BREAK OFFICE LG. OFFICE SERVER/STOR. 6X6 WORKSTATIONS

After

Before

Opt. 1 84 West Santa Clara Street San Jose, CA 95113 Telephone 408.288.7833

10 JULY 2019

SIZE: 4" H CONTINUOUS NOTES: COVED AT HARDSURFACE; STRAIGHT AT CARPET

KELLY MOORE GAYBRIELLE GREENE ggreene@kellymoore.com

COLOR: SWISS COFFEE FINISH: EGGSHELL

KELLY MOORE GAYBRIELLE GREENE ggreene@kellymoore.com

COLOR: TBD FINISH: EGGSHELL

FINISH: SATIN NICKEL

(AT WALL)

PROTECT ALL NEW OR EXISTING FINISHES FROM DAMAGE DURING CONSTRUCTION. PROTECT ALL SURFACES NOT TO BE PAINTED FROM OVERSPRAY AND SPATTER. REMOVE PAINT FROM SURFACES WHERE IT DOES NOT BELONG. DO NOT PAINT ELECTRICAL PANELS.

THE GENERAL CONTRACTOR AND ELECTRICIAN ARE TO TAKE SPECIAL CARE TO NOT LOCATE DEVICES ON SURFACES TO RECEIVE SPECIAL FINISHES SUCH AS ACCENT PAINT, MARKER BOARD, FABRIC WRAPPED-PANELS, ETC. SUBMIT ELECTRICAL AND LIFE-SAFETY DRAWINGS SHOWING DEVICE LOCATIONS FOR REVIEW BY ARCHITECT PRIOR TO ROUGHIN OF THESE DEVICES. a. DEVICE COVERPLATE COLORS: • WALLS - WHITE • FLOORS - COLOR TO MATCH ADJACENT FINISH FLOORING b. ELECTRICAL/TELEDATA DEVICES: • WALLS - WHITE • FLOORS - COLOR TO MATCH ADJACENT FINISH FLOORING c. LIFE-SAFETY DEVICES: • WALLS - WHITE (NOT RED) • CEILINGS - WHITE (NOT RED)

J 9'-1"

2'-6"

OFFICE 231

LVT-1

4 4A

5 5A 8A

BREAK ROOM 229

CONFERENCE ROOM 232

MT-1

231

REF

P-2

17 A680

VCT-1

4'-0"

SERVER/ STORAGE 230

230

8'-6"

ALIGN B4S

B-1 P-1 C-1 TYP. THROUGHOUT, U.O.N.

233

234

232

OFFICE 234

C-2 5%

LARGE OFFICE 233

OFFICE 235

9'-7"

235

ALIGN

19'-7"

OPEN OFFICE 228

1 11'-0"

Final Revision 3

CONSTRUCTION/ FINISH PLAN - SUITE 228

16'-0"

SPECIFIC PAINT PRODUCT IS TO BE SUITABLE FOR SUBSTRATE TO BE PAINTED. PROVIDE MINIMUM ONE PRIME COAT/ TWO FINISH COATS AT ALL SURFACES. ADD FINISH COATS IF REQUIRED FOR PROPER COVERAGE.

TO RECEIVE MILLWO J.

Relocation

ALL THROUGH PENE FLOOR ASSEMBLIES CHAPTER 7. PROVID AROUND ALL PENET PENETRATIONS SHA PROVIDE SMOKE AN WALL ASSEMBLIES I

WHERE IT OCCURS, BEAM / COLUMNS WH DETERMINED PER M ADJACENT FIREPRO GOVERNING AUTHO

TENANT TO PROVIDE ASSISTED LISTENING

LEGEND - CON

Renovation of an older office suite for a client relocation. Tenant was ALL CERAMIC AND STONE TILE INSTALLATIONwith (IF OCCURSthe ON PROJECT) IS TO BE PER which very involved design, RECOMMENDATIONS SET FORTH IN THE TCNA HANDBOOK, CURRENT EDITION (SEE tcnatile.com) FOR THE SPECIFIC SITE CONDITIONS ON THE PROJECT. TAKE SPECIAL CARE led to several revisions to accomIN PROVIDING APPROPRIATE MOISTURE BARRIER/WATERPROOOFING MEASURES AND ANTI-FRACTURE OR CRACK CONTROL. modate requests. CERAMIC TILE FINISH NOTES:

LAY ALL RESILIENT AND SIMILAR HARD-SURFACE FLOORING WITH GRAIN RUNNING IN A SINGLE DIRECTION (U.O.N.). FOR CARPET TILE, REVIEW DIRECTION REQUIREMENTS WITH ARCHITECT IF NOT ALREADY SPECIFIED IN THE DRAWINGS.

a. b.

B4S

WALL GROUT: (SPECIFY PRODUCT AND COLOR) JOINT WIDTHS: FLOOR - 1/8", WALL - 1/8"

THE GENERAL CONTRACTOR IS TO VERIFY WITH THE OWNER THEIR REQUIREMENTS FOR ADDITIONAL MATERIALS INCLUDING FLOOR, WALL AND CEILING MATERIALS. COORDINATE DESIRED STORAGE LOCATION WITH OWNER.

Project involvment was from the original space planning to construction administration. Complete construction documents available upon request.

INDICATED W TYPE (TYP.)

FEC

100

JOHN RYAN ohnryan@burkeindustries.com

Project Location: San Jose, CA Client: Property Mngmnt + Tenant X KEYNOTES - CO Project Type: Tenant Fit-Out # Total SF: 1,530 SF 1 PROVIDE (N) MANUAL SILVER BIRCH WITH W WINDOW MULLION FO Design Start Date: July 2019 PROVIDE SUBMITTAL. (N) PLASTIC L Project Completion: March 2020 2 INSTALL COUNTERTOP. PROVID 3 4 4A 5 5A

1/4" = 1'-0"

6A 7A

HEATER, GARBAGE DI UNDERMOUNT ADA SI ELEVATION. PROVIDE (2) 1/4" COPP WATER SYSTEM. CON TENANT TO PROVIDE PRICE ALT - GC TO PR PATCH, REPAIR, AND R PRICE ALT - PROVIDE MATCH OTHER TENAN SLICED WHITE MAPLE TENANT SIDE. PRICE ALT - PROVIDE PRICE ALT- PROVIDE 3 BACKERBOARD.

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In d e p e n d e n t C o d e C o n s u lta n ts

A. REFER TO MATERIAL IDENTIFICATION SCHEDULE FOR TYPICAL FINISHES AND PRODUCT INFORMATION. B. CENTER CARPET TILE AND RESILIENT FLOOR TILE ABOUT ROOM AXES LEAVING EQUAL BORDER UNITS, UNLESS OTHERWISE INDICATED ON DRAWINGS. ADJUST SO THAT PERIMETER TILES ARE NOT LESS THAN ONE-HALF OF TILE WIDTH. DO NOT CUT FIELD TILES. C. CUT AND FIT CARPET TILE TO BUTT TIGHTLY TO VERTICAL SURFACES, PERMANENT FIXTURES, AND BUILT-IN FURNITURE. D. INSTALL CARPET AND RESILIENT FLOOR TILE PATTERNS PARALLEL TO WALLS AND BORDERS, UNLESS INDICATED OTHERWISE ON DRAWINGS. E. PROVIDE FLOOR TRANSITIONS AND CHANGES IN LEVEL COMPLYING WITH REQUIREMENTS OF 4'-8 3/4" 4'-8 3/4" APPLICABLE BUILDING CODES AND AUTHORITIES HAVING JURISDICTION. F. PROVIDE LEVELS OF GYPSUM BOARD FINISH FOR LOCATIONS AS FOLLOWS: LEVEL 1: CEILING PLENUM AREAS AND CONCEALED AREAS, EXCEPT PROVIDE HIGHER LAB LEVEL OF FINISH AS REQUIRED TO COMPLY WITH FIRE RESISTANCE RATINGS AND D117 ACOUSTICAL RATINGS.

XXX

A150 ---



RESILIENT BASE

---

COLOR: MATCH BUILDING STANDARD SIZE: MATCH BUILDING STANDARD

COLOR: MATCH BUILDING STANDARD FINISH: MATCH BUILDING STANDARD 1 1 /0 2 /2 0

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In d e p e n d e n t C o d e C o n s u lta n ts

# 1

XXX

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DESCRIPTION

In d e p e n d e n t C o d e 1R" &%߰# C o n s u lta n ts INFILL AREA AS REQUIRED TO MATCH (E) ADJACENT PARTITION WALL AND 15(1"%&% 1 /0 2 /2 0 ߰ BASE FINISH. ( $1'+$00(/ & &23<5,*+7 +$00(/& &23<5,*+7 *5((1 $1' $%5$+$0621 2 ) $%5$+$0621 , )2 *5((1,1&" &$ / RELOCATE POWER AND VERIFY NETWORK PORTS. BUS TO PROVIDE RACKS FOR STORAGE. $7

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CONSTRUCTION PLAN - LEVEL 01 - B145 +&216758&7,21 B145A &216758&7,21

P-1

16'-9 1/2"

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In d e p e n d e n t C o d e C o n s u lta n ts

&!%!

AREA N.I.C.

PARTITION FINISHES: In d e p e n d e n t C o d e C o n s u lta n ts

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CARD READER

PRODUCT: MATCH BUILDING STANDARD COLOR: MATCH BUILDING STANDARD SIZE: MATCH BUILDING STANDARD INSTALLATION: MATCH BUILDING STANDARD

BASE: B-1

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CONSTRUCTION KEYED NOTE

 PRODUCT INFO + NOTES

LUXURY VINYL TILE

13'-7 1/2"

ALIGN

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C-1 B-1 P-1

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MFR:

ALIGN

16'-9 1/2"

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16'-9 1/2"

LVT-1

CONSTRUCTION PLAN 01 CONSTRUCTION PLAN -- LEVEL LEVELPLAN 01 -- D117 B145 - LEVEL + B145A 01 - B145 + B145A 23 CONSTRUCTION 3 1/8" 01 CONSTRUCTION PLAN - LEVEL - A135 1/8" 1/8" == 1'-0" 1'-0" = 1'-0" 1/8" = 1'-0"

MATERIAL:

FLOOR FINISHES:

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SYMBOL



 A150

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TACTILE EXIT SIGNAGE. SEE DETAIL 20 / A031 OFFICE B147 FLOOR EXIT SIGNAGE. SEE DETAIL 15 / A031

MATERIAL TRANSITION P-1 MATCHLINE, SEE: 9 / A202 FOR TYPICAL TRANSITION DETAILS REFER TO DETAIL OFFICE y FINISH KEYED FINISH TAG NOTE FINISH DIRECTION SYMBOL B147 2)),&( 2)),&(

X-X

DOOR TAG SEE SHEET A700 FOR DOOR SCHEDULE 11 AND LEGEND.

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C-1 B-1

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Project Location: Cupertino, CA Client: Tech Client Project yType: Tenant Fit-Out CONSTRUCTION/ CONSTRUCTIO Total SF: 4,982 SF FINISH PLAN FINISH PLA - LEVEL 01- LEVEL Design Start Date: November 2019 Project Completion: Est. July 2021

REFER TO GENERAL NOTES BELOW FOR TYPICAL FINISHES.

2)),&( $%

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A135B

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A135A

OFFICE B147

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B145 SEE A010 FOR ALL GENERAL NOTES, ABBREVIATIONS, AND SYMBOLS

13'-7 1/2"

ALIGN

C-1 LVT-1 B-1 B-1 P-1 P-1



6'-11"

B145



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B145 &5

(N) CONSTRUCTION

C-1 B-1 P-1

OFFICE B145

13'-7 1/2"

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ALIGN

OFFICE B145

(E) CONSTRUCTION TO REMAIN

13'-7 1/2"

OFFICE LAB B145 D117

C-1 B-1 P-1



4'-8 3/4"

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CONSTRUCTION CONSTRUCTION PLAN - LEVELPLAN 01 - D117 - LEVEL 01 - D117 2 CONSTRUCTION 2 1/8" 01 CONSTRUCTION PLAN - LEVEL - DOOR A10701 - A181 PLAN - LEVEL 1/8" = 1'-0" = 1'-0" 1 1/8" 1/8" = 1'-0" = 1'-0"

$XWKRU



A107

6'-11"

5'-0 1/2"

3'-10"

LVT-1 B-1 P-1

Client required relocation of labs, which then affected the updated occupancy code & required further changes. The small project soon came to involve several workrooms, hall door changes, and a few office changes in order to meet occupancy limit.

LVT-1 B-1 P-1

LAB A181

3'-10"

6'-11"

LAB D117

3'-10"

8 12

&2167

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/ ,& ( 6&2

4'-8 3/4"

3'-10"

4'-8 3/4" 4'-8 3/4"

5 4'-8 3/4"

A. ALL INTERIOR PARTITIONS SHALL BE "A3a" UNLESS NOTED OTHERWISE. B. PLAN DIMENSIONS ARE FROM FACE OF PARTITION AND DO NOT INCLUDE APPLIED &216758&7,21 &216758&7,21 3/$1TYPE /(*(1' 3/$1 /(*(1' FINISHES, UNLESS NOTED OTHERWISE. PLAN DIMENSIONS INDICATED AS "HOLD" OR SEE A010 FOR ALL GENERAL SEE A010 NOTES, FOROFALL ABBREVIATIONS, GENERAL NOTES, AND ABBREVIATIONS, SYMBOLS AND SYMBOLS "CLEAR" DIMENSIONS ARE FROM FACE APPLIED FINISH.

SEE A010 FOR ALL G C. INSTALL WORK STRAIGHT, PLUMB, LEVEL, SQUARE, AND TRUE, IN PROPER ALIGNMENT. D. FLATNESS: LEVEL FLOORS TO TRUE PLANE WITHIN 1/4 INCH (6 MM) IN 10'0" (3 M) WHEN TESTED BY TEN FOOT (3 M) STRAIGHTEDGE PLACED ANYWHERE ON FLOOR IN ANY (E) CONSTRUCTION (E) CONSTRUCTION (E) CONSTRU DIRECTION. TO REMAIN TO REMAIN TO REMAIN E. BEFORE PROCEEDING WITH PARTITION FRAMING, PROVIDE LAYOUT MARKINGS OF (N) CONSTRUCTION 4'-8 3/4" 4'-8 3/4" PARTITIONS (N) ANDCONSTRUCTION ASSOCIATED IN-WALL ELECTRICAL DEVICES ON SUBFLOOR FOR (N) CONSTRU REVIEW BY ARCHITECT. BEFORE PROCEEDING WITH PARTITION FRAMING, PROVIDE LAYOUT MARKINGS OF PARTITIONS AND ASSOCIATED IN-WALL ELECTRICAL DEVICES ON LAB SUBFLOOR FOR REVIEW BY ARCHITECT. D117 F. COORDINATE FURNITURE-RELATED ELECTRICAL LAYOUT WITH FURNITURE VENDOR. G. WHERE HANDRAILS, GRAB BARS, CABINETS, WALL-MOUNTED DOOR STOPS, OR OTHER DOOR TAG INSTALL DOOR TAG WALL-HUNG ITEMS ARE ATTACHED TO PARTITIONS, BACKER PLATES LEVEL 2: GYPSUM BOARD),1,6+ BELOW TILE/(*(1' AND BELOW STONE, EXCEPT REMOVE TOOL MARKS ),1,6+ /(*(1' SEE SHEET A700 FOR SEE DOOR SHEET A700 FOR ACCURATELY POSITIONED AND FIRMLY SECURED TO/(*(1' METAL STUDS, WHETHER ORDOOR NOT AND RIDGES. 12 ),1,6+ SCHEDULE AND SCHEDULE AND LEGEND. A010 FOR ALL GENERAL SEE A010NOTES, FOR ALLABBREVIATIONS, GENERAL NOTES, AND ABBREVIATIONS, SYMBOLS SUCH BACKER PLATES OR BLOCKING ARE INDICATED ONLEGEND. DRAWINGS. 12 LEVEL 4:SEE GYPSUM BOARD SURFACES, EXCEPT WHERE ANOTHER FINISH LEVEL IS AND SYMBOLS SEE A010 FOR ALL GENERALEXISITING NOTES, ABBREVIATIONS, AND SYMBOLS H. WHERE NEW WORK ABUTS, ALIGNS OR ADJOINS MATERIALS, MAKE SMOOTH INDICATED. REFER TO GENERALREFER NOTESTO BELOW GENERAL FOR NOTES TYPICALBELOW FINISHES. FOR TYPICAL FINISHES. LVT-1 AND EVEN TRANSITION AND ELIMINATE EVIDENCE OF PATCHING AND REFINISHING. LEVEL 5: WHERE INDICATED REFER TO GENERAL NOTES BELOW FOR TYPICAL FINISHES. LVT-1 FINISH NEW WORK TO MATCH ADJACENT UNDISTURBED SURFACES, UNLESS NOTED B-1 G. PROTECT NEW WORK AND EXISTINGLCONSTRUCTION TO B-1 REMAIN FROM DAMAGE 20 / A031SEE P-1 DETAIL 20 / A031 TACTILE EXIT SIGNAGE. TACTILE SEE DETAIL EXIT SIGNAGE. K MATERIAL TRANSITION MATERIAL TRANSITION OTHERWISE. THROUGHOUT CONSTRUCTION PERIOD. MATERIAL TRANSITION MATCHLINE, SEE: 9MATCHLINE, / A202 TO SEE: P-1 9 / A202 REFER TO DETAIL REFER FOR DETAIL TYPICAL TRANSITION FOR TYPICAL DETAILSTRANSITION DETAILS I. CLOSE AND PATCH HOLESMATCHLINE, AND OPENINGS IN EXISTING FLOOR, WALL AND CEILING WHICH H. DO NOT LOCATE ELECTRICAL OR DATA/TELECOMMUNICATION DEVICES ON SURFACES SEE: 9 / A202 FOR TYPICAL TRANSITION DETAILS REFER TO DETAIL EXIST OR RESULT FROM DEMOLITION ORFLOOR ALTERATION WORKFLOOR TOSEE MATCH EXIT SIGNAGE. DETAIL EXIT ADJACENT SIGNAGE. 15 / A031SEE DETAIL 15 / A031 INCLUDING, BUT NOT LIMITEDy TO, ACCENT PAINTS, MARKER BOARDS, AND FABRIC WRAPPED X-X FINISH TAG X-X FINISH TAG FINISH KEYED y NOTEFINISH KEYED NOTE FINISH DIRECTION SYMBOL FINISH DIRECTION SYMBOL UNDISTURBED SURFACES. PANELS. REFER TO SPECIFICATIONS FOR SUBMITTAL REQUIREMENTS FOR DEVICE X-X y FINISH TAG FINISH KEYED NOTE FINISH DIRECTION SYMBOL J. PRIOR TO CONCEALMENT OF FIRE RESISTIVE MATERIALS BY OTHER WORK, PATCH AND LOCATIONS. CONSTRUCTION KEYED CONSTRUCTION NOTECOMPLETE KEYED NOTE REPAIR AREAS OF REMOVED ORyDAMAGED APPLIEDyFIREPROOFING. SYMBOL MATERIAL: SYMBOL MATERIAL: MFR: MFR: PRODUCT INFO + NOTES PRODUCT INFO + NOTES &5 SYMBOL MATERIAL: PATCHING AND REPAIR TO MAINTAIN EXISTINGMFR: FIRE-RESISTANCE DESIGN IN PRODUCT INFO + NOTES FLOOR FINISHES: FLOOR FINISHES: ACCORDANCE WITH FIREPROOFING MANUFACTURER'S WRITTEN INSTRUCTIONS FOR  FLOOR FINISHES: A107 CARD READER CARD READER CR CONDITIONS OF EXPOSURE ANDCR INTENDED USE. COORDINATE TESTING AND INSPECTION LVT-1 LVT-1 TILE LUXURY ---VINYL TILE PRODUCT: --LUXURY6VINYL MATCH BUILDING PRODUCT: STANDARD MATCH BUILDING STANDARD OF ASSEMBLIES AS LUXURY REQUIRED BY AUTHORITIES LVT-1 ---HAVING JURISDICTION. VINYL TILE PRODUCT: MATCH BUILDING STANDARD COLOR: MATCH BUILDING COLOR: STANDARD MATCH BUILDING STANDARD K. PROVIDE FIRESTOPPING OF PENETRATIONS AND VOIDS THROUGH FIRE-RATED WALL, STANDARD COLOR: MATCH BUILDING SIZE: MATCH BUILDING SIZE: STANDARD MATCH BUILDING STANDARD FLOOR AND PARTITION ASSEMBLIES [AND ROOF] INCLUDING EMPTY OPENINGS AND STANDARD SIZE:N.I.C. MATCH BUILDING INSTALLATION: MATCH INSTALLATION: BUILDING STANDARD MATCH BUILDING STANDARD AREA N.I.C. AREA OPENINGS CONTAINING CABLES, PIPES, DUCTS, CONDUIT ANDINSTALLATION: OTHER ELEMENTS. MATCH BUILDING STANDARD L. AT SOUND-RATED PARTITION WALLS, PROVIDE CONTINUOUS BEAD OF ACOUSTICAL BASE: BASE: SEALANT AT AT JUNCTURE OF BOTH FACES OF RUNNERS OR PLATES WITH FLOOR AND BASE: B-1 B-1BASE RESILIENT RESILIENT --- BASE --- MATCH BUILDING COLOR: COLOR: STANDARD MATCH BUILDING STANDARD CEILING CONSTRUCTION, AND WHEREVER GYPSUM BOARD ABUTS DISSIMILAR MATERIALS. B-1 RESILIENT BASE --COLOR: MATCH BUILDING STANDARD SIZE: MATCH BUILDING SIZE: STANDARD MATCH BUILDING STANDARD CONSTRUCTION PLAN - LEVEL 01 DOOR A107 CONSTRUCTION PLAN LEVEL 01 - D117 AT OPENINGS AND CUTOUTS, FILL OPEN SPACES BETWEEN GYPSUM BOARD SIZE: MATCH BUILDING STANDARD NOTES: NOTES: STANDARD MATCH BUILDING STANDARD 5 CONSTRUCTION PLAN - LEVEL 01 -MATCH D117BUILDING AND FIXTURES, CABINETS,2DUCTS OTHER FLUSH OR PENETRATING ITEMS, 1/8" = 1'-0" 1/8"AND = 1'-0" NOTES: MATCH BUILDING STANDARD 2 1/8" = 1'-0" WITH CONTINUOUS BEAD OF SEALANT. ' $ 5& + ' $ 5& + 6( 6( , , 1 1 SEAL SIDES AND BACKS OF ELECTRICAL BOXES TO COMPLETELY CLOSE OFF 5" &2/ 5" &2/ PARTITION FINISHES: PARTITION FINISHES: 77 77 .(<127(6 .(<127(6 % )/225 3/$1 % )/225 3/$1 PARTITION FINISHES: OPENINGS AND JOINTS. .(< JSTANDARD P-1 --- MATCH BUILDING PAINT P-1 PAINTK--COLOR: COLOR: MATCH BUILDING STANDARD # # DESCRIPTION

DESCRIPTION

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INSTALL 5 GENERAL INSTALL DOOR. NOTES, SALVAGED DOOR. FINISH: MATCH BUILDING STANDARD (AT FLOOR) 5 PERMIT INSTALL SALVAGED $ PERMIT 08.07.2020 08.07.2 6 INSTALL SALVAGED 6 INSTALL DOOR WITH SALVAGED CARD READER.

DOOR WITH CARD READER.

6 INSTALL SALVAGED

LAB D117

Shuffle

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SEALANT AT AT JUNCTUR CEILING CONSTRUCTION, MATERIALS. AT OPENINGS A AND FIXTURES WITH CONTINU SEAL SIDES AN OPENINGS AND

XXX

1/8" = 1'-0"

XXX

SEALANT AT AT JUNCTURE SEALANT OFAT BOTH AT JUNCTURE FACES OF OF RUNNERS BOTH FACES OR PLATES OF RUNNERS WITH FLOOR OR PLATES AND WITH FLOOR AND CEILING CONSTRUCTION, CEILING AND CONSTRUCTION, WHEREVER GYPSUM AND WHEREVER BOARD ABUTS GYPSUM DISSIMILAR BOARD ABUTS DISSIMILAR MATERIALS. MATERIALS. AT OPENINGS AND CUTOUTS, AT OPENINGS FILL AND OPENCUTOUTS, SPACES BETWEEN FILL OPENGYPSUM SPACES BOARD BETWEEN GYPSUM BOARD CONSTRUCTION PLAN LEVEL - A181 ITEMS, AND FIXTURES, CABINETS, AND FIXTURES, AND CABINETS, OTHER FLUSH DUCTS OR ANDPENETRATING OTHER FLUSHITEMS, OR 01 PENETRATING 1DUCTS WITH CONTINUOUS BEAD WITH CONTINUOUS OF SEALANT. BEAD OF SEALANT. 1/8" = 1'-0" SEAL SIDES AND BACKS SEALOF SIDES ELECTRICAL AND BACKS BOXES OF ELECTRICAL TO COMPLETELY BOXES CLOSE TO COMPLETELY OFF CLOSE OFF OPENINGS AND JOINTS. OPENINGS AND JOINTS.

CONSTRUCTION PLAN - LEVEL 01 - A181

A135B

A135A

CONSTRUCTION CONSTRUCTION PLAN - LEVELPLAN 01 - A181 - LEVEL 01 - A181 1 1/8" = 1'-0" 1/8" = 1'-0"

ALL ELECTRICAL OUTLETS TO BE 18" ABOVE FINISHED FLOOR UNLESS OTHERWISE NOTED. 13'-6"

E E

LOBBY 201

CONFERENCE 203

ALL CERAMIC AND STONE TILE INSTALL RECOMMENDATIONS SET FORTH IN THE tcnatile.com) FOR THE SPECIFIC SITE CO IN PROVIDING APPROPRIATE MOISTURE ANTI-FRACTURE OR CRACK CONTROL.

CERAMIC TILE FINISH NOTES: a. WALL GROUT: (SPECIFY PRODU b. JOINT WIDTHS: FLOOR - 1/8", WA

1A4S

THE GENERAL CONTRACTOR IS TO VER ADDITIONAL MATERIALS INCLUDING FLO DESIRED STORAGE LOCATION WITH OW

FEC

C-1

201

P-2

VCT-1

LAY ALL RESILIENT AND SIMILAR HARDSINGLE DIRECTION (U.O.N.). FOR CARPE ARCHITECT IF NOT ALREADY SPECIFIED

TENANT LOBBY IMPROVEMENT

SERVER/ STOR. 202

B4S

14 LEGEND - POWER/DATA PLAN

MT-1

ALL OUTLETS ARE NEW UNLESS OTHERWISE NOTED.

POWER PLAN KEYED NOTE

NO DESCRIPTION PRICING BID SET BACKGROUND PERMIT

OFFICE 205 C-1

DATE 07.16.20 09.03.20 09.03.20 10.14.20

205

EXISTING

+42"

SPECIAL MOUNTING HEIGHT A.F.F. (MOUNT 16 @ 18" A.F.F. U.O.N.)

OFFICE 206

LI F

ALIGN

206

OFFICE 206

B4S

C-1

4'-8"

209ALIGN 3'-1"

2O4S REF

ALIGN

ISSUANCE HISTORY - THIS SHEET

207 +42"

+42"

J2S

MT-1

LARGE OFFICE 207

1 2 3

POWER/DATA 2 PLAN

B4S

KEYNOTES - POWER/DATA PLAN C-1 17 # DESCRIPTION

BREAK 208 +42"

3629-459-00 12 A680

HGA NO:

PROVIDE SEPARATE DEDICATED POWER FOR EACH : DISHWASHER, HOT WATER AND BREAK 6 WASTE DISPOSAL. 208 J2S A660 J2S COUNTERTOP POWER TO BE MOUNTED HORIZONTALLY. TYP. REMOVE ALL (E) JUNCTION BOXES AND RECEPTACLESTYP. NOT SHOWN TO REMAIN. REMOVE JUNCTION BOXES AND PATCH BACK WALL. DATE: REPLACE18 ALL FACEPLATES TO REMAIN WITH NEW SUCH THAT FACEPLATES AND RECEPTACLES MATCH THROUGHOUT SUITE WITH NEW BUILDING STANDARD WHITE.

LVT-1

ALIGN

LARGE OFFICE 207

5'-1"

1'-6" CLR

3 4

TELEDATA SYMBOL NOTATIONS:

NAME: SCOTT COLSONC A DATE: 9-30-21 REGISTRATION NUMBER:C-20117

NOTE: REFER TO GENERAL NOTES REGARDING TRIM RING AND CONDUIT PATHWAY B4S REQUIREMENTS AT TELEDATA OUTLETS

REF

OFFICE 205

204

WALL-MOUNTED TELEPHONE/DATA OUTLET

N C-2 T R. COL 5% RANDOMT B-1 P-1 No. C-20117 TYP. THROUGHOUT, U.O.N. REN.9-30-21

B4S

C-1

ALIGN

I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATION OR REPORT WAS PREPARED BY ME OR UNDER MY DIRECT SUPERVISION AND THAT I AM UNDER D A RARCHITECT C C-1A DULY LICENSED S E STATE OF HCALIFORNIA THE LAWS OF THE I

WALL-MOUNTED DEDICATED DUPLEX OUTLET PHONE ROOM 204 WALL-MOUNTED GFCI DUPLEX OUTLET

OPEN OFFICE 209

203

WALL-MOUNTED DUPLEX OUTLET

CT TE N SO

PHONE ROOM 204

WALL-MOUNTED OUTLETS: OPEN OFFICE 209

L IC E SCO

10.14.2020

CONSTRUCTION DOCUMENTS

POWER/DATA PLAN - SUITE 201E K L 3/16" = 1'-0"

M.9

CONSTRUCTION/ FINISH PLAN - SUITE 201E K L 3/16" = 1'-0"

A400 M.9

C COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.

• WALLS - WHITE • FLOORS - COLOR TO MAT LIFE-SAFETY DEVICES: • WALLS - WHITE (NOT RED • CEILINGS - WHITE (NOT R

202

SERVER/ STOR. 202

201

VERIFY LAYOUT (WITH MARKINGS ON FLOOR) OF ALL NEW FLOOR AND WALL-MOUNTED DEVICE LOCATIONS IN FIELD WITH TENANT, ARCHITECT AND FURNITURE VENDOR PRIOR TO ELECTRICAL ROUGH-IN.

12'-0"

MARKET READY 2001 GATEWAY PLACE SUITE 201E SAN JOSE, CA 95110 7'-0" 3'-2" ALIGN

PER CONNECTION PORT. TENANT'S VENDOR TO PROVIDE AND INSTALL RECEPTACLE AND COVER PLATE. TENANT'S CONSULTANT TO BE RESPONSIBLE FOR PULLING AND TERMINATING ALL TELEPHONE AND COMPUTER CABLING. PROVIDE SINGLE GANG J-BOX AND EMT CONDUIT TO POINT OF NON-VISIBLE CEILING ACCESS (FOR CLEAR PULL STRING PATHWAY) WHERE INSULATION OCCURS INSIDE OF PARTITION.

2" 20 A680

ALIGN ALIGN

SS-1 WATERFALL EDGE

1'-6"

Break Elev. SUITE 201E

1'-6"

1'-6" 17 A680

3'-2" 19 A680

PL-2

3629-459-00 BREAK CASEWORK ELEVATION

3/8" = 1'-0"

FULL SIZE LABEL

A market suite for the client IN SET LABELready FULL RECESSED, FLUSHED W/ ADJACENT SURFACE to pique interest of potential office tenants. Renovation of older existFACE OF CABINET DOOR ing office to match building standard LABEL finishes. Certain changes were AT DOOR later made from the original space plan to allow more natural light into BASE TRASH - LABEL AT CABINET - WITH LARGE APPL 14 BASE space. 1 1/2" = 1'-0" 1" = 1'-0" CL

2'-1" CLR 14 A680

EQ 2" FILLER 18 A680

SUITE 201E

2001 GATEWAY PL SUITE 201E, SAN JOSE, CA 95110

BLUSHED STAINLESS STEEL (TEXTURE HORIZ. DIRECTION)

COMPOST

SS-1

D E

Daylight

RECYCLE

WT-1

MT-2

LETTERING 1/4" HIGH ETCHING & BACK FILLED BLACK

3 1/2"

2'-2"

2'-0" 2'-10"

TRASH

PL-1

3'-8 1/2" CLR

3629-459-00

(8) EQ

2001 GATEWAY PL SUITE 201E, SAN JOSE, CA 95110 SPACE PLAN DEMOLITION - OPT 2

SPACE PLAN - OPT 2

CONFERENCE LOBBY

Project involvment was from the SCHEDULEDspace PARTITION original planning through (SEE FLOOR PLANS). construction documents. Complete construction documents available SCHEDULED COUNTERTOP upon request.

OFFICE

SERVER/ STOR.

OFFICE

DRAWER UNIT

LEGEND - SPACE PLAN DEMOLITION OFFICE EXISTING CONSTRUCTION TO REMAIN.

TRASH SIGNAGE BY MILLWORKER, EXISTING CONSTRUCTION TO BE REMOVED. OPEN SEE DETAIL 13 / A680 OFFICE1'-10" CLEAR UNO EXISTING TRASH RECEPTACLE, GC PROVIDED . DOORS TO BE REMOVED.

TYP UNO (4" AT LOWER BASE)

SEE INTERIOR ELEVATIONS

GENERAL NOTES - SPACE PLAN A. EXISTING CONDITION REQUIRE VERIFICATION IN FIELD.

SURFACE PULLS, TYP. (SEE San Jose, CA Project Location: HARDWARE SPECS AND INTERIOR ELEVATIONS FOR MORE INFO.) Client: Property Manager ADJUSTABLE SHELF (SEE INTERIOR Project Type: Market Ready Fit-Out ELEVATIONS FOR QUANTITY). SUPPORT HOLES AT 2" O.C. TotalSHELF SF: 2,883 SF Design Start Date: October 2020 Project Completion: February 2021

8" MIN

B. FURNITURE SHOWN ARE FOR REFERNCE ONLY. N.I.C.

LEGEND - SPACE PLAN

EXISTING CONSTRUCTION TO REMAIN.

REF

84 West Santa Clara Street San Jose, CA 95113 Telephone 408.288.7833

TRASH - W/ PULL OUT 17 BASE 1" = 1'-0"

84 West Santa Clara Street San Jose, CA 95113 Telephone 408.288.7833

Demo

ISSUE DATE

Opt. 1

NEW CONSTRUCTION

SUMMARY

CONFERENCE BREAK OFFICE LG. OFFICE OPEN OFFICE SERVER/STOR. WORKSTATIONS

1/8" = 1'-0" DATE CABINET WITH DRAWER &ISSUE SHELF 18 BASE 1" = 1'-0"

= = = = = = =

9" MIN

BREAK

3/4" DW

DRAWER SLIDES (2 EA. SIDE)

3/4" 5 1/4"

LARGE OFFICE

1 1 4 1 1 1 8

As indicated

11" MIN

19" MIN

BASE CABINET WITH ACC 19 APPROACH) 1" = 1'-0"

ACAD EMIC 2013 - 2018

Cultural Concourse The L&N Station is a historical building inside of Knoxville, Tennessee’s World’s Fair Park. The building has had a rich history of bringing people together. Opened in 1905, the building’s original use was that of a train station. Years passed and the station closed and then reopened in 1982, in time for the World’s Fair, located in its backyard. It is now currently being used as a STEM high school, which brings together students from all over Knox County. This rich history became inspiration for the intent of this design-- to continue the L&N’s history of being a concourse that connects people. The focus of this project was to create a cultural community center intended to celebrate minorities, be it race, sexuality, gender, or religion. The program and design of this building kept the variety of people that would use this space in mind. Every space is accessible for those with mobility devices without need for any out-ofthe-way ramps so that they would have the same experience as able-bodied visitors. Gender neutral bathrooms are installed throughout the center, and a quiet room is available to provide a moment of respite to anyone in need of a moment of peace. Elements of biophilic design influenced not only the materials, but the design by referencing the golden ratio, which creates the Fibonacci spiral.

The main focus of the community center is the performance space. A Fibonacci spiral appears on the floor as an inlay, defining the edges on the different levels of risers. This LOORtransform 1 space Fcan from a sunken stage with rows of seating 1 - ENTRANCE HALL to a completely flush surface, shown in the diagrams on this 2 - as BISTRO page. This is accomplished not only through 3 - BISTRO SEATING the collapsing seats, the removable hand4 - PERFORMANCE SPACE rails, or the movable stage, but a hydraulic 5 - QUIET SPACE 16

6 - GENDER NEUTRAL BATHROOMS

floor. Flexible use is crucial in this space, 3 as each cultural performance requires its unique arrangement of the space, such as a gamelan, an Indonesian instrumental ensemble, whose performance requires the audience to surround the performers. This would require a flat stage, instead of a lowered stage. The ribs that encompass this stage are stationary and whose shape in an elevation view is a Fibonacci shell.

Jump Seat Emerge The seating is stored inside the floor of the risers, then pulled out for use.

5 2

FLOOR 1

1 - ENTRANCE HALL 6 2 - BISTRO 3 - BISTRO SEATING 4 - PERFORMANCE SPACE 5 - QUIET SPACE 6 - GENDER NEUTRAL BATHROOMS

FLOOR 1 1 - ENTRANCE HALL 2 - BISTRO 3 - BISTRO SEATING 4 - PERFORMANCE SPACE 5 - QUIET SPACE 6 - GENDER NEUTRAL BATHROOMS

The design of this cultural community center is based on the theory that social change can be made through architecture by pairing a stimulating program with the implementation of both biophilic design & environmental psychology to mould the space, making the environment not only pleasant, but captivating.

FLOOR 1 1 - ENTRANCE HALL 2 - BISTRO 3 - BISTRO SEATING 4 - PERFORMANCE SPACE 5 - QUIET SPACE 6 - GENDER NEUTRAL BATHROOMS

FLOOR 1 1 - ENTRANCE HALL 2 - BISTRO 3 - BISTRO SEATING 4 - PERFORMANCE SPACE 5 - QUIET SPACE 6 - GENDER NEUTRAL BATHROOMS 17

ET STRE GAY

P UT A CORK IN IT

Site

Suspended pieces of recycled cork

float and swirl above inhabitants, echoing & swirling into the form of of the main “wine splash“ wall.

View of cork display

Cork Ceiling Installation

Located in a renovated warehouse in the Old City of Knoxville, this unique concept is a recycling center turned wine bar. Customers are encouraged to bring their recyclable cork and glass products in exchange for discounts at the bar. This bar encourages people to slow down from the fast pace of life and relax with a glass of wine. This center not only encourages recycling with its points program, but educates its customers with framed infographics about recycling, wine, and cork, line up along the main hall to the bar. All of the materials chosen for this bar are eco-friendly or are made with recyclable products. A large cork art display hangs above customers, the main center wall and bar is covered in a cork wall covering, and even the floors are made of cork. This is to remind customers that there are several ways of recycling the materials that they bring.

Wine Splash Diagram

The main wall system that occurs in the space is a swirling centerpiece that consists of four main parts. It is shaped after a splash of wine swirling into a glass in plan view. The four main parts are the hidden restroom, the hidden recycling bins, the fireplace, and finally, the bar. Visitors should “flow“ into the warm, inviting space from the bar and back into the seated lounge area. Wine Splash Diagram

Wine Wine Splash Diagram Circulation

ulation

Wine Splash

Splash Diagram

Circulation Wine Splash & Circulation

Elevations 3 & 4 Wine Bar

ADA Seating

Built-In R

Wine Splash

Restroom Lounge Bar

Firep

lace

Recycling

Entrance

Plan

By placing the recycling ports in the wall at the entrance, and keeping the bins hidden from view, it eliminates problem of smell and clutter, as well as making the task of recycling intriguing. This way, you can recycle first and focus on relaxing.

Circulation

Interactive Exhibit

Interactive Exhibit - RecyclingInteractive Exhibit Interactive Exhibit - Recycling

Cork Recycling Cork Recycling

Bar view facing entrance and lounge.

Memory

Plan

Section 1

Section 2

Section 4

Section 3

Designed to exist within an assisted living center for elderly people with dementia or Alzheimer’s, this room takes research and uses it to create a space in which a person with dementia will be comfortable. Familiar materials, such as concrete and wood are used. From the bed, the closet, bathroom, reading bench, and entrance are visible. There are no doors within the space in order to avoid the patient becoming lost. This specific room was designed with a musical client in mind. Music has been shown to improve memory recall in patients with Alzheimer’s, allowing them to better remember things from the distant past. By using the familiar curves of the violin, a violin player might be encouraged to play the instrument and experiment with the acoustics of the room. The hope is that this room would encourage better memory recall with elders.

The wooden slats create an acoustic system that filters light. It not only creates spaces by curving from the ceiling to the ground, but by becoming a part of the furniture, and even the shower. 26

MALLEABLE NETWORKS

Ghosted Axon

This office space was designed for the hypothetical eastern headquarters for creative mastermind, OpenIdeo. OpenIdeo provides an international platform for people from all walks of life to come together, create connections, and make the world a better place by collectively looking at one socioeconomic problem at a time. This particular design looks at the workplace as a changing space. Just as OpenIdeo is a malleable network, this office design allows interpersonal relationships and connections to be changed by the way each group interacts with the environment. In allowing this malleability, creativity is allowed to flow with ease throughout the open workspace.

Mass ing ild Bu

Step 3:

-K

Great er Kn

lle xvi no

EscalateBeginning

with research, it was discovered that OpenIdeo tends to crowd-source solutions to global problems. With each problem there is a changing variety of interest and backgrounds comes together to solve the issue. The connections to these people are never lost, but change distances.

ar t

ers -

San Francis

Open

IDE

U niv

Maleable Connectivity Diagram

ers

Te n n

esse e

S h e l te r

Iteration

Step 2:

Using Rhino and Grasshopper, several iterations of an organic connectivity diagram were created.

O ve r p

ass

Interpretation By selecting the lines from the main gesture of each iteration, one interpretation was applied to each floor.

Using Rhino’s TweenCurves, a twist was created.

14 1

Office

Space k r o W Main Circulation Diagram

The malleable connectivity diagram to the left shows how the internet— a world-wide web of networking— never loses connections, and that relationships are all interconnected.

Break Lounge

Creativity Centers

Kitchen

FLO

Step 1:

CONNECTIVITY

14 1

le ss

LAYERED

Viewing Path

Increasing the number of steps between each shape, a spiral staircase was created, allowing both physical and visual connection between the floors.

e vill ox

Op en ID EO

Creat ivity Bu rst s

ReceptionArt Gallery

Work Spaces 2 &3

Reception

Lobby 2 OR FLO

Work Spaces 2 &3

Lobby

FLO OR 1

Conference Rooms 1 & 2 Lecture Hall Conference

Op en

ar t

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San Francis

IDE

Open

IDE

n n esse e

Step 1:

io 1: Iteration Iteration Step

Step 2:

S h e l te r

me Ho

CONNECTIVITY CONNECTIVITY

le ss

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f Te

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ass

O ve r p

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Interpretation Step 2: Interpretation

Using Rhino and Grasshopper, several iterations lines from ofgesture each of each Using Rhino and Grasshopper, several iterations By selectingBythe selecting the the linesmain fromgesture the main of an organicofconnectivity diagram werediagram created. interpretation was appliedwas to applied each floor. an organic connectivity were created. iteration, one iteration, one interpretation to each floor.

n n esse e

S h e l te r

ers

f Te

Maleable Connectivity Maleable Connectivity Diagram Diagram

U niv

Using Rhino’s TweenCurves, twist was created. Using Rhino’s TweenCurves, a twist wasa created.

Step 3:

Escalate Step 3: Escalate

Viewing PathViewing Path

Increasing Increasing the number theofnumber steps between of steps each between shape, each a spiral shape, a spiral staircase was staircase created, wasallowing created,both allowing physical bothand physical visualand visual connection connection between the between floors.the floors.

ar t

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San Francis

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San Francis

Open

IDE

tivity e Connectivity Diagram

The furniture selected for the office space is comprised of several ergonomic pieces, thought and fun provoking chairs like the spun chair, and 34

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The office spaces were created with OpenIdeo’s collaboration and teamwork in mind, creating a variety of2 1 public and private spaces to do so.

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Office space at night.

MISCELLANEOUS FURNITURE, PHOTOGRAPHY, & FABRICATION

Digi-Fab The Digital Fabrication lab inside of the College of Architecture + Design’s Fab Lab has a vast variety of tools. Experimentation led to the creation of these objects. Some were created entirely through digital labor, then 3D printed, while others involved multiple steps. The T-Rex skull involved splitting a model of a T-Rex skull in Rhino, laser cutting and engraving each piece, and rubbing ink into each engraved piece. Finally, it was fashioned together with metal fastenings. The parametric coral was created through Grasshopper in Rhino, then edited to be printable. The form was inspired by Haruka Misawa’s 3-D printed aquarium pieces.

BY EMMANUEL GONZALEZ - Redesigned by Tanya Granados

Created as a part of a furniture design course, this credenza was made by modifying a previous design to have details of finer furniture, such as beveled corners, an inset floating back, and beautiful mid-century modern style legs. The dimensions were modified from the original design, by Emmanuel Gonzalez, to have a more appealing proportions, turning the white maple into a sleek shape that matches the walnut leg’s aesthetic. Finally, the bungee cord was threaded through the holes to create a fun, playful side to the piece. Wooden ends were hand-carved out of the walnut to detail the ends.

divinity | venice 2015

photography During our stay in Italy, we also explored our surroundings through photography under the instruction of Diane Fox. We were taught to observe our surroundings in order to catch particular moments, to be intentional with our lens. Composition, photoshop, camera settings, adjustments, and terminology were taught every morning before a daily excursion to document our surroundings. Over the course of the month, we traveled from our home base of Florence to surrounding towns of Sienna, Cinque Terra, Pisa, and Venice, where we were lucky enough to catch the Venice Biennale and experience the artistic wonder that it is.

rosa damascena | venice 2015

moment | venice 2015

ad infinitum | sienna 2015

dolce | sienna 2015

flight | venice 2015

THANK YOU

Nia Granados - Portfolio 2021

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