Taos Gallery Guide 2021

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2021–2022 | galleryguideoftaos.com


EXCEPTIONAL SERVICE, EXCEPTIONAL RESULTS

Alyssa Burnett

Gabriel Traister

575.779.8177

575.770.3711

TAOS OFFICE

ANGEL FIRE OFFICE

204 Paseo del Pueblo Norte

3375 Mountain View Blvd, Suite E

Office: 575.758.8673

Office: 575.377.1192

www.Taos.realestate

www.AngelFire.realestate

Robbie Puskarich 575.224.6652

walkingraingroup@cbmp.com

walkingraingroup.coldwellbankernewmexico.com


Taos’ Foremost Western Art Gallery

HERITAGE FINE ARTS ONE LOCATION ~ WORLDWIDE

Roberto Ugalde

Be Sure to Explore Our Estate Salesroom presenting the Finest in Aftermarket Collectibles Open Daily 10 -6pm • In The Middle Of Gallery Row • 122 Kit Carson Rd, Taos 575-751-7348 • heritagefineartstaos.com taosnews.com/taosgalleryguide

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3D Paintings & Handpainted Drums by Shari Ubechel Jewelry Guitars Gifts Local Crafts

Come find my latest work at 132 Bent St. in Taos and on Facebook earthandspiritgallery.com | shariuk@hotmail.com | 575-770-3390

Reina galleryreina.com Studio (575) 770 -7826

“River in Fall”

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Available locally at: Chimayo Trading Magpie Ammann Gallery

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“FIre & Ice 53” Cold Wax & Oil 30” x 40”

Specializing in Cold Wax & Oil Paintings

102 Dona Luz, Taos, NM 87571

(west of the Taos Plaza and behind US Bank) 575-770-0760 • marystrattonart@aol.com

www.marystrattonart.com Also represented by Royal Street Fine Art • 205 S. Mill Street, Aspen CO 81611 www.rsfa.com


FINE HANDWOVENS, WEARABLE ART & ACCESSORIES

117 Bent Street, Taos, NM 87571 • One block north of Taos Plaza on historic Bent Street

575-737-9800 • www.artemisiataos.com

Celebrating 43 years in Taos Featuring the Art of:

BEVERLY BRANCH CHARLOTTE SHROYER NARRIE TOOLE JONATHAN VORDERMARK

Vintage Jewelry, Pottery, Weavings, Fine Art and Southwest Collectibles 129 Kit Carson Rd and On The Historic Taos Plaza 575-758-4828 Jackiestradingpost.com 6

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IN THIS ISS UE

64 3 Artists /

Noelle Kalom OWNER Robin Martin PUBLISHER Chris Baker EDITOR Lynne Robinson ART DIRECTOR Sean Ratliff ADVERTISING MANAGER Chris Wood

COVER Jim Wagner “She’s Not Home” 36”x36” oil on canvas

Jones Walker of Taos 575-758-7965 joneswalkeroftaos.com

WRITERS Haven Lindsey Tamra Testerman Dena Miller Lynne Robinson PHOTOGRAPHY Morgan Timms CREATIVE DIRECTOR Karin Eberhardt

Artwork by Noelle Kalom

26 56 60 70 81 97 100

State of Museums 3 Artists / Afton Love 3 Artists / Nikesha Breeze The Bones of MoMo Rob Nightingale Gallery Map Artist Index 2021-2022 / Vol. 11 A Publication of the Taos News 575.758.2241 • taosnews.com

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Sage Sage Fine FineArt Art ÚÚ

115C 115C East East Taos Taos Plaza Plaza | 575 | 575 758 758 9396 9396 | www.SageFineArt.com | www.SageFineArt.com

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ÚLynn LynnMcLain McLain Ú ÚElizabeth Elizabeth Jose Jose Ú ÚBarbara Barbara Bartels Bartels Ú

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N ovNo e mbe ve mbe r Hrike H ike , 20 , 20 x 16, x 16, acracr ylicylic on on cancan vasvas b y bVa y lVa Mo l Mo uttet uttet

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Barbara Bartels Bartels Ú ÚCher CherMcMacken McMacken ÚBarbara Elizabeth Jose Jose Ú ÚVal ValMouttet Mouttet ÚElizabeth LynnMcLain McLain Ú ÚPat PatPollard Pollard ÚLynn DaneSpangler Spangler Ú ÚDane

Sage SageFine FineArt Art

115C 115C East East Taos Taos Plaza Plaza | 575 | 575 758 758 9396 9396 | www.SageFineArt.com | www.SageFineArt.com taosnews.com/taosgalleryguide

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The Art of Storytelling Cher McMacken

“Pop p ies R e do n” 3 0 ” x 3 0 ” M i x e d M e di a c h er m c m a c k e n @ i c l o u d.c o m c h er m c m a c k e nf i ne a r t .c o m 808-651-4508

Val Mouttet

“Sk ull and Popp ies 1 ” 30” x 3 0 ” Ac r ylic v mouttet @ aol. c om mouttetpain tin g . c om 402- 9 3 6 - 0 8 7 7

at Sage Fine Art

115C East Taos Plaza | 575-758-9396 | www.sagefineart.com taosnews.com/taosgalleryguide

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TARA TARA KELLEY-CRUZ KELLEY-CRUZ

“Tender “Tender Mercies” Mercies” 48x3648x36 Acrylic Acrylic 12

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TRACY TRACY TURNER TURNER SHEPPARD SHEPPARD

“Morning Spectrum” Oil 14x18 “Morning Spectrum” Oil 14x18

“Twilight Spectrum” Oil 14x18 “Twilight Spectrum” Oil 14x18

TheThe Jewel Jewel of Kit of Kit Carson Carson Road Road 117B117B Kit Carson Kit Carson Road, Road, TaosTaos Next to Next Kitto Carson Kit Carson HomeHome and Museum and Museum 325-647-5736 325-647-5736 theranchattaos.com theranchattaos.com taosnews.com/taosgalleryguide

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Representing the Historical Classics and the Best Contemporary Artists

San Ildefonso Pottery by Martha Appleleaf and Eric Fender, Santa Clara Pottery by Sharon Naranjo, Taos Drums by Lee Lujan; Navajo Weaving by Charlene Laughing

14K Gold bracelets with Australian Opal and Natural American Turquoise by Gabriel Abrums

Located in the Ranchos Plaza, (3.7 miles south of the Taos Plaza) #1 St. Francis Church Plaza, Ranchos De Taos, NM 87557 575.758.0504 | www.chimayotrading.com Contact us for the valuation and resale of your Southwestern collectable art.

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Where History Meets Art in Taos

19th century pueblo pottery, mid-ninenteenth century Granero, Taos, Third-phase Navajo Chief’s Blanket

“Ranchos Church” Oil on Board, Ca. 1900, 12”x16”

Ralph Waldo Emerson Meyers, (1885 — 1948) 575.758.0504 taosnews.com/taosgalleryguide

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Representing the Historical Classics and the Best Contemporary Artists

“Don Gregorios’ eld, Truchas N.M.” Oil on Belgian Linen, 48”x36”

Donna Clair 575.758.0504 taosnews.com/taosgalleryguide

| www.chimayotrading.com 19


Representing the Historical Classics and the Best Contemporary Artists

“Journey to Chinle” Oil on Canvas, 16”x 20”

Doug Candelaria 575.758.0504 20

| www.chimayotrading.com taosnews.com/taosgalleryguide




Representing the Historical Classics and the Best Contemporary Artists

“Contemplation” Oil on Canvas, 22” x 30”

Giovanna Paponetti 575.758.0504 taosnews.com/taosgalleryguide

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Night Break 14’ x 11’

Kari Bell Bold Abstracts

610.207.3047 karibellart.com

IRA WRIGHT @theartofwright

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irawrightart.com

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CATHERINE SIMMS SIMMS ART TAOS 575 -770-4589 · SIMMSARTNM.COM

102B PASEO DEL PUEBLO NORTE (ON THE CORNER OF PASEO AND KIT CARSON, ADJACENT TO WORLD CUP COFFEE) taosnews.com/taosgalleryguide

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An architectural rendering shows what the new Lunder Research Center may look like after the building is acquired and renovated. COURTESY HENRY ARCHITECTS LLC

THE STATE OF MUSEUMS by Dena Miller

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P

Pandemonium struck in spring of 2020, just as Taos’ Gallery Guide was going to press.

It had promised to be an exciting year for the crown jewel museums of Taos: Couse-Sharp Historic Site; Harwood Museum of Art; Millicent Rogers Museum; Taos Art Museum at Fechin House; and Taos Historic Museums. Notable exhibitions and big dreams were in the works for 2020, with each organization under the direction of passionately dedicated executive directors.

After a year of shutdowns and interruptions it would seem not much had moved forward, but surprisingly, the museums of Taos not only survived, but thrived – a tribute to staff dedication, innovative thinking, maximized resources, collaborative efforts and a soupçon of making-it-up as they went along.

airiness abounding. Couse site executive director Davison Koenig said, “The premise of LRC is to engender interest in and preserve the shared history of Taos,” one which will further cement Taos as a destination for both art aficionados and students. Many other transformations occurred during 2020, revamping how we think of our museums and offering new ways to enjoy them going forward. HARWOOD, MRM VIRTUALS Exhibitions were still installed, regardless of limited hours or complete shutdowns; the

Taos museums report they stand ready to welcome locals and visitors with vibrant agendas, new attractions and hybrid events designed to ensure enjoyment, whatever the year ahead holds. LUNDER RESEARCH CENTER Perhaps most striking in 2020 was ongoing reconstruction of the former Mission Gallery into the Lunder Research Center, an adjunct to the Couse-Sharp site – a world-class repository of tricultural art history archives. June 2021 marks the Couse Foundation’s 20th anniversary. The Lunder building was acquired with an initial endowment from the Peter and Paula Lunder family and capital funding administered by the Couse Foundation. Combined with the homes and studios of E. Irving Couse and J. H. Sharp – original members of the Taos Society of Artists – the complex is both a fascinating step back in time and a peek into the future. Arroyo Seco architects, David and Alix Henry, designed the repurposing of the building to preserve many of its important historic features. General contractor, Los Alamitos II, with Paul Espinoza at the helm, are transforming the space with light and

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Millicent Rodgers Museum. COURTESY PHOTO

difference, of course, was their availability online. Juniper Leherissey Manley, executive director of The Harwood Museum of Art, noted that virtual programming expanded their audience far wider than could have been anticipated. It was such a successful model, in fact, the Harwood is continuing the practice going forward. “We’ll be hosting virtual tours of the exhibit halls and a series of artists’ talks on Facebook Live, which we’ll then make available on our website and through YouTube,’’ Manley said. “Many of our Zoom events include pre-recorded introductions

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‘Strive’ 60” x 40” oil on stretched canvas

Collection shown by appointment at Angel Fire studio Peñasco Gallery coming soon! 512.761.1336 cmsstudiogallery.com taosnews.com/taosgalleryguide

‘Together’ 60" x 40" oil on stretched canvas

Christopher Sullivan

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Crafting Memorable Dining Experiences

Tues-Saturday 11am-9pm Enjoy Happy Hour 3-6pm: Full Bar & Tapas Best Patio Dining in Taos! 575-751-3020 martyrssteakhouse.com 30

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A Must Find Gallery on the south side of town.

114 Este Es Rd TaosCeramics.com 575-758-2580

TaosCeramicsCenter GALLERY

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Angie Coleman Studio/Gallery

Wild Rivers 12”x 18” 2021 Edition of 10

NEW LOCATION 117 Kit Carson Road • Taos, NM 575-779-4658 32

angiecolemanfinearts.com acoleman@taosnet.com taosnews.com/taosgalleryguide



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FINE ART

Early Modern to Contemporary

A premier destination BSU HBMMFSZ, providing a personalized art experience. Focusing on RVBMJUZ DPOUFNQPSBSZ 5BPT .PEFSOT BOE .JE $FOUVSZ NPEFSO BSU. Located POMZ two miles south of Taos Plaza. Open daily by appointment • Walk in Hours: Tues. - Thurs. 10-5 1335 Gusdorf Rd. Suite i • Taos • NM • 87571 • 575.751.1262 DUW# ÀQHDUW FRP • ),1($57 FRP 34

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The Most Important Public Holding of Maria Martinez Pottery in the World

1504 Millicent Rogers Road

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millicentrogers.org top pick 35


working studio & showroom expert jewelry repair original jewelry design & sales by appointment shop online

goldenandersonstudios.com

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William Meyer Artist working in graphic media and acrylic 818-307-2346

wilmeyer1954@gmail.com

P. O. B ox 1 1 0 7 , E l Pra d o, N M

87529

P l eas e c a l l o r e ma i l f o r a p p o i n t m e n t

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JONES WALKER PIERRE DELATTRE

MAX JONES

NANCY ORTENSTONE

“Thinking It Over” 32 x 24 acrylic on canvas

“Maxterpieces” 12x12 acrylic on canvas “This Side of the Mountain” 38 x 48 acrylic on canvas

Authentic Taos with a modern flair. flair.

Local Artists Artists | | Gifts Gifts | | Home Home Accents Accents | | Design Design Services Services Local 127 Bent Bent Street Street • • Taos, Taos, NM NM • • 575.758.7965 575.758.7965 127 40

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JONES WALKER PEGGY MCGIVERN JIM WAGNER

“She’s Not Home” 36x36 oil on canvas “Pendleton” 24x29 mixed media on canvas

Authentic Authentic Taos Taos with with aa modern modern flflair. air.

Local Local Artists Artists || Gifts Gifts || Home Home Accents Accents || Design Design Services Services

127 127 Bent Bent Street Street •• Taos, Taos, NM NM •• 575.758.7965 575.758.7965 taosnews.com/taosgalleryguide

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JONES WALKER PIERRE DELATTRE RYAN SUAZO

NANCY ORTENSTONE

“Thinking It Over” 32 x 24 acrylic on canvas

“Apache Wild Fire” 16x20 acrylic on canvas “This Side of the Mountain” 38 x 48 acrylic on canvas

Authentic Taos with a modern flair.

Local Artists | Gifts | Home Accents | Design Services

127 Bent Street • Taos, NM • 575.758.7965 42

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JONES JONES WALKER WALKER PEGGY MCGIVERN JOCELYN MARTINEZ

“Starstruck” 16x20 black scratchboard “Pendleton” 24x29 mixed media on canvas

Authentic AuthenticTaos Taoswith withaamodern modernflflair. air.

Local LocalArtists Artists || Gifts Gifts || Home HomeAccents Accents || Design DesignServices Services

127 127Bent BentStreet Street••Taos, Taos,NM NM••575.758.7965 575.758.7965 taosnews.com/taosgalleryguide

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JONES WALKER PIERRE DELATTRE JEFF COCHRAN

NANCY ORTENSTONE

“Thinking It Over” 32 x 24 acrylic on canvas

“Meeting a Friend by the River” 45x48 oil on birch “This Side of the Mountain” 38 x 48 acrylic on canvas

Authentic Taos with a modern flair.

Local Artists | Gifts | Home Accents | Design Services

127 Bent Street • Taos, NM • 575.758.7965 44

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JONES WALKER PEGGY MCGIVERN C.S. TALLEY

“Tu Y la Trinidad” 12x16 oil on canvas panel “Pendleton” 24x29 mixed media on canvas

Authentic Taos with a modern flair.

Local Artists | Gifts | Home Accents | Design Services

127 Bent Street • Taos, NM • 575.758.7965 taosnews.com/taosgalleryguide

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JONES WALKER PIERRE DELATTRE

NANCY ORTENSTONE

“Thinking It Over” 32 x 24 acrylic on canvas

“This Side of the Mountain” 38 x 48 acrylic on canvas

Authentic Taos with a modern flair.

Local Artists | Gifts | Home Accents | Design Services

127 Bent Street • Taos, NM • 575.758.7965 46

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JONES WALKER PEGGY MCGIVERN

“Pendleton” 24x29 mixed media on canvas

Authentic Taos with a modern flair.

Local Artists | Gifts | Home Accents | Design Services

127 Bent Street • Taos, NM • 575.758.7965 taosnews.com/taosgalleryguide

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JONES WALKER PIERRE DELATTRE VICTORIA RYAN

NANCY ORTENSTONE

“Thinking It Over” 32 x 24 acrylic on canvas

“The Lake In Winter” 48x48 acrylic on canvas “This Side of the Mountain” 38 x 48 acrylic on canvas

Authentic Taos Taos with with aa modern modern flflair. air. Authentic

Local Artists Artists || Gifts Gifts || Home Home Accents Accents || Design Design Services Services Local

127 Bent Bent Street Street •• Taos, Taos, NM NM •• 575.758.7965 575.758.7965 127 48

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JONES WALKER JONESWALKEROFTAOS.COM

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Gary Paul

42” x 36”

42” x 36”

303.514.5151 • ɬɬɬِɋƌȏȽƌȵɋǠȽɋƩȏǹǹƷƩɋǠɫƷِƩȏȂ

See my work at Taos Artist Collective • 106 A Paseo del Pueblo Norte • Taos • 770.9950

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Lois Fernandez Plein Air Painter of:

Jersey Shore

New Mexico Landscapes

SHOWN EXCLUSIVELY AT:

Taos Artist Collective . taosartistcollective.com . 575.770.9950 Owner/Director

loisintaos@yahoo.com

New Mexico Realtor

Bill Binger New Mexico Moon Available at Taos Artist Collective 106 A Paseo del Pueblo Norte taosartistcollective.com

billbinger@live.com 575 741 0391 Acrylic on Canvas 48X60 taosnews.com/taosgalleryguide

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Betsy Kuhn BETSY KUHN FINE ART betsykuhnfineart.com Author of “A Counting of Crows” A Memory Journal for Women Elders

acountingofcrows.com

betsy@betsykuhnfineart.com

Come see my work at Taos Artist Collective: 106 A Paseo del Pueblo Norte

TRAYSON CONNER PHOTOGRAPHY

Creatively Edited Original Photography Presented on Metallic Paper and Limited Edition Canvas Art Series – Dog Days

traysonconnerphotography.com Represented by Taos Artist Collective

taosartistcollective.com

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Kirk Buchanan

impasto oils of landscapes & inspiring scenery

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Linda Brito CUSTOM ZIA WALL ART Wood painted with vivid colors of fluid metallic acrylic resin Shown Exclusively Show l at

TAOS ARTIST COLLECTIVE 106 A Paseo del Pueblo Norte • taosartistcollective.com Custom Commissions Available Upon Request: 505-920-1422

Catalina Justiniano “The Story Teller” 24x24 inches, mixed media on canvas Taos Artist Collective Seen exclusively at

taosartistcollective.com

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Artist & Plein Air Painter wildriver575@gmail.com 575.224.4220 Come see my work at

Taos Artist Collective 106 A Paseo del Pueblo Norte 575.751.7122 taosartistcollective.com

April Buchschacher gallery@thepaintedhorse.net Instagram: April_Buchschacher Facebook: April Buchschacher Art

469.744.1082

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Commissions and Pet Portraits Available

See my work at Taos Artist Collective taosartistcollective.com

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Afton Love

THE ALLEGORY OF GEOLOGY AND THE EXPRESSION OF LIGHT AND DARK By Tamra Testerman

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T

he Vallecitos, New Mexico artist Afton Love said her family name comes from a long line of “many Loves.” Afton is a coincidence between my parents. My grandfather on my mom’s side was born in Afton, Wyoming. My great grandmother and lots of great, great great aunts on my dad’s side are named Afton. Their heritage is Scottish and there is a river in Scotland called Afton that they named the ladies after. Robert Burns wrote the poem Flow Gently Sweet Afton in the 1700s about that river.” Love was reared in a deep river canyon. The walls of the canyon were her window to the world. She said she has an “inherent tendency towards the abstract in both art and ideas. Because I grew up noticing light and shadow on canyon walls and rocky faces. I think this imagery comes instinctively to me. I discover forms to convey my questions about the meaning of life. We are all searching for paths to lead a meaningful life. For me my explorations as an artist always bring me back to the allegory of geology and the expression of light and dark that I find there.”

Walking into a gallery or museum with Love’s monumental scale depictions of rock and land formations is an invitation to take part in a “physical event.” She said the negotiation of time and space “is a precious thing. It can be a physical event, even if one is viewing a drawing. It gives us an opportunity to experience relativity and put ourselves in the perspective of a larger life, a larger system. I shrink my drawings to a tiny percentage of their original stature, yet it is our natural tendency to estimate our body’s scale to the rocky surface you see depicted.”

a little vulnerable pile of fragile paper. Beeswax has been a preservative throughout millennia. The way it fixes the drawing in place and also strengthens the tracing paper. It saves the landscape. The beeswax is golden and smells so good. It feels like it purifies and preserves something precious.” Clay is also an elemental part of her work. Love said the use of this substance “feels almost alchemical. I have learned to dig the clay that is local to the area that I live. It is rewarding to go through the complete process myself and to dig up what was once surface sediment, and create a moldable body that I then translate back into a rocky surface. It is a little like recreating the wheel, but for me it is asking a question that always has a different answer. “ Afton’s mentors are “the greats who have passed. Often they are not fine artists. I am reading Tarkovsky’s memoir Sculpting Time. It is his manifesto on filmmaking, but I find it inspiring. Finding commonality between the arts or between myself and another person trying to create or live a creative life is profound. The medium is almost beside the point. I look up to filmmakers and musicians in a certain way, because their art form depends on others. Collaboration is inherent to the work, and that is something I admire, and can’t imagine. An artist maintains their integrity by simply following the work. The work tells you where it wants to go, and it is our job as artists to follow it. There is always compromise. But if the art comes first I think you are doing ok.” For further information about the artist visit her website aftonlove.com

Afton said her creative process begins with her wanderings to the places where she puts herself into the landscape. She does much of the sculptural work on site, and the drawings are labored over for months in the studio. “Once I find a formation or specific rock I want to draw, I get to know it. I visit it at different hours of the day, sometimes wait till a different time of year to see what the shadows do. Split Rock is a drawing I made of a very specific rock. The first time I saw it was in July, and that was one of the few times of the year that the sun hits its face. I went back months later to document it in order to begin the drawing but in fall, winter and spring the sun never gets high enough in the sky to shine on its northern face. So I waited a year to begin to get the photos I wanted of the dramatic shadow of the split.” To some degree, there is an eco-political impetus behind Love’s work. “Showing the natural landscape, bringing it to our attention on any level, is a political act. To me the work is personal. If it influences you and brings you closer to yourself and your relationship with nature, then it is an eco-political event as well. I feel very tender about the work. When I am dipping the drawings in beeswax. When they come off the wall, the large mural sized drawings are small and make up taosnews.com/taosgalleryguide

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Nikesha Breeze ON LOVING, SHAPING AND REMEMBERING By Lynne Robinson

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T

his past year has been huge for me,” Nikesha Breeze says. “Not just with the lock downs and relative home isolation [Breeze is the mother of two teenage sons], but with all the uprisings around the world for Black Lives Matter and social justice, both of which I’ve been deeply engaged with.”

And needless to say, both of which deeply impact and inform the art and performance pieces for which she has become known. Originally from Portland, Oregon, Breeze has lived and worked in the high desert of Taos for the last 20-odd years. “I am an American-born descendant of the Mende People of Sierra Leone, and Assyrian immigrants from Iran,” she explains. “My work investigates the interrelationality and resilience of the black and queer body in relationship to power, vulnerability, the sacred, and the ancestral.” Using ritual in process, and gifted with acute attention to detail, love of craft and material, Breeze digs deeper for inspiration. “Working from a Global African Diasporic, Afro-Centric and Afro-Futurist perspective” she explains, “I reimagine the possibility of healing intergenerational traumatic inheritance through the intersection of art, ritual and remembrance.” The artist further notes, “I identify as black, queer, intersex, non-binary and a mother, and I create spaces where Black, Brown, Indigenous, and Earth bodies can be seen as undeniably sacred and inviolable.” Breeze keeps her work centered on Black bodies simultaneously existing within realms of past, present and future. Using performance art, film, painting, textiles, sculpture and site-specific engagement to build a counter-narrative of an “Otherwise,” a realm of indivisibility between Black artistic aesthetic, Black time and ritual-spiritual healing.

large part of a new body of work. The artist plans a large show this summer, while setting future sights on a large, site-specific installation representing the recurring themes that elevate her work, and our consciousness – healing, reclamation and reparation. ”My work engages in the invisible world, along with artists such as Betye Saar, Allison Saar, Nick Cave and Anselm Kiefer. Artists who I see as working on the edges of ritual, time and history. “I reimagine Black pasts as they become re-informed by Black futures, and present the resulting present as a living altar and artifact. My practice reimagines relationships with land, inhuman life and the invisible world In the face of the idea that there is ‘no return.’ We stand here as bodies carrying the voices of our histories on our backs, our faces shining towards new horizons, the tools of our liberation in our hands. We are being drunk by our ancestors and we are feeding all of our future life.” Breeze is philosophic looking to the future, as yet unknown, as she continues to explore the inner and outer realms of existential and non-linear time lines of truth: “All of my work seeks to engage the viewer in a relationship of the soul, a personal act of witnessing and being witnessed. It’s a form of loving. Of returning. Of shaping. Of reclaiming and remembering. In my art, which is my life, I want to touch the world, as I am touched. Wound touching wound.” See more of Nikesha Breeze and the work ‘they’ make at nikeshabreeze.com

“My methodologies call upon ancestral memory and archival resurrection to surface faces, bodies, stories and spirits that have been systematically erased from the master narrative,” Breeze says. Her inclusion last year in the Harwood Museum’s juried show of “Contemporary Art in Taos,” sealed her reputation as an artist of substance working in Taos, which remains the artist’s base, while continuing to work and collaborate with artists and institutions further afield. Together with two other Black New Mexican artists, Breeze created a nonprofit – Earth Seed Black Arts Alliance – which has successfully worked with New Mexico public schools to create a new Black History curriculum. Breeze’s recent collaboration with two other artists, resulted in an epic outdoor performance piece exploring the “shapes of tectonic Blackness in nature.” Breeze says that much of 2020 was spent developing and nurturing relationships with museums and institutions around the country, while also creating a taosnews.com/taosgalleryguide

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JOI N US! Painting adventures in oil, pastel, watercolor, and drawing.

Become a member, see the shows, sponsor us, enter to WIN!

MEMBERS ENJOY: 1. Painting Outdoors (en Plein Air) socially distanced 2. Workshops and Demos 3. Shows, Events and Contests 4. Your own page on the website

ATTEND OR ENTER: April: Jemez Springs Invitational Sept: Taos Plein Air Juried Show Oct: 13th National Juried Show

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Locally Sourced Meats • Fresh Squeezed Margs • Incredible Ambience • Open Wed – Mon

575.776.3333

Located on Ski Valley Road, 470 State Highway 150 in Arroyo Seco sabrosotaos.com

DORA DILLISTONE NEW PAINTINGS

THE MYTHOLOGY OF THE HORSE FALL 2021 EXHIBITION DATE TBA

DORADILLISTONE.COM DILLISTONEINC. STORYOFLUNA.COM “THE BLACK HORSE” (DETAIL) FOUR HORSES SERIES OIL ON CANVAS 36” X 36”

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Noelle Kalom ‘QUARANTINE REFLECTIONS’ By Lynne Robinson

64

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G

rowing up in Taos, Noelle Kalom left after graduating from Taos High, and never looked back.

She spent 16 years in NYC cutting creative teeth in Guerilla Street Theater and making art in her Brooklyn studio, before returning to Santa Fe where she met and married jeweler and artist, Wave Redfish, a Lakota Native. Together they travelled the world and Europe quickly became the love affair that remained for Noelle, long after the marriage dissolved. It was there she was in fact headed for, when she found herself locked down in Taos, instead. Her father, Ron Kalom, had recently passed, and her mother, Carolyn, was adjusting to life without him. The Kaloms came to Taos in the late ’60s, from Chicago when Noelle was still a toddler; they opened a pizza joint called The House of Taos, and stayed. The restaurant became a popular hangout for local artists. Her parents were both active in the Taos Art Association (now the Taos Center for the Arts) and Noelle and her younger sister Naomi grew up in the heart of Taos’ arts scene.

can be seen at Georgia Gersh’s magpie gallery, at 218 Paseo del Pueblo Norte, Unit B. Hanging alongside some of the most accomplished artists and artisans in Taos, she finds herself in enviable company. Kalom entered the 2021 Taos Art Banner Art competition at the urging of family and friends, and was chosen as one of the artists to have her work displayed around town this spring and summer. In March, Kalom finally got her wings back and headed across the pond for an artist residency in Ireland. “My plan is to start working on a larger scale,” she said before she left, “and once I’ve completed the work in residency, I’m going to keep travelling, the return ticket is open ended,” she smiled. The artist’s current noellekalom.com

work

can

be

seen

at

“It is ironic that I found myself stuck here, and wound up being so inspired to create this series,” Kaylom mused as she recalled the years she spent staying as far away as she could. Locked down with nowhere else to go, Kalom began clearing out her late father’s study to create a studio space. Her “Quarantine Reflections” series began to emerge almost immediately. It was a prolific outpouring, the result of years of classes in person and online, and “just making art, whenever I can.” This series, which the artist describes as “evocative and tribal” in their colorful rhythm and movement, are made using acrylic and mixed media on canvas. The surfaces of layered color and texture create depth and perspective that goes beyond linear form. “I am inspired by the moment in time as well as my immediate surroundings,” she said at the time, when the work began pouring out of her. “It’s like Americans are all grounded and we can’t leave our rooms until we get it together.” She laughed. “And I’m just trying to make sense of that.” “Now I’m also trying to figure out how to promote it on social media and online,” she said, and added, “I need to learn the business of art.” For the past six months Kalom continued to work her “Quarantine Reflections” series, and clearly learned a thing or two about getting the work out into the world. Currently, several pieces taosnews.com/taosgalleryguide

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66

FRAMING FINE ART SINCE 1985 Color Design and Technique

Conservation Framing

Custom/Ready Made Frames Design Consultation

(575)758-7355

202 Paseo Del Canon East, Taos paletteframing@newmex.com

66

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MARX CONTEMPORARY Unique and beautiful sculptural paintings & objects made with natural materials: feathers, mica, earth, bones, etc. Please call or text before you come 575-779-7097 204 Paseo del Canon, E2 nickimarx.com nickimarx@gmail.com

Mica Mountain, 2’x2’, mica, sand and acrylic paint

Where the artists and the art hang out.

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69


By Lynne Robinson

Moriah Stanton’s bare bones life and discerning eye 70

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W

hen Moriah Stanton feels a “yes” — the sacred kind, the kind that roots deep in the gut and begs to flower — she follows it. While wandering around a jewelry supply store in Santa Fe in 2007, Stanton ran into Taos silversmith Rick Montaño, she felt her next “yes” apprenticed with him in Taos, learning to solder and file conchos and set stones. Stanton felt that universal “uh-huh” in 2016 when she walked into the hacienda-style building off La Avenida de la Placita that would become MoMo, her gallery space that is at once home and sleek with highly curated craftsmanship of fine-line artwork and moon-inspired necklaces and ceramics. She acquired the place with her Love Apple waitressing tips and a small loan from a girlfriend. “Bare bones,” as she’d say. Bare bones as her Pilar Hill childhood in an off-grid school bus with big brother Rede, and her ‘Da,’ Ed Stanton, Cambridge-educated art-dealer and bon vivant. The cream-and-brown-colored bus was a lesson in having “nothing and everything”: – Nothing: No electricity or running water; no TV. Bus break downs at truck stops, with ‘Da’ scrounging to sell for gas money. Mom was out of the picture. – Everything: Limitlessness. Stanton’s father encouraged the children’s fierce independence. “He never wanted us to feel like we had to earn our freedom,” says the now 40-year-old. Momo (her nickname) and Rede ran for the anthills, collecting raw red stones atop the bustling mounds — garnets. They’d venture into secret mines, find the cross-shaped staurolite crystals. Bus-bound in Mazatlan, Mexico, for three years, they swam the sea, perfected their Spanish and snuck into resort swimming pools. Back on Pilar Hill, they hung around when Ed’s artist friends came over – proof of life’s many possible pathways. It was hard to hang art in the bus, but it was still colorful with her father’s gallery eye and its refined taste: blown Venetian glass, Native American beadwork, and antique nods to the nautical. For awhile, Ed owned Ed Stanton Gallery in Taos and another gallery in Massachusetts. “He taught us quality. I wasn’t raised in a throwaway environment.” This discerning taste vibrates in the white walls of MoMo, named after her nickname and because taosnews.com/taosgalleryguide

the points of each M remind her of Taos Mountain peaks. “Everything I bring into the gallery has to have some kind of consciousness behind it,” says Stanton. “I’m a maker, I’m a jeweler, I’m an artist. I know the sacrifice it takes to put in to hone your skills.” There’s Scout Dunbar’s mixed-media drawings (think: mulberries); Eli Geller’s lithe film photos (which almost pass as charcoal drawings); motorcycle-riding young Eli Walter’s still life oil paintings; which remind Stanton of Giorgio Morandi for their pastel simplicity. “And he makes all the oil pigments himself,” says Stanton. Ceramics by Rachel Donner and Bianka Groves; Chelsea Wrightson’s drawing series. She also features handmade, fair-trade textiles and home goods. She hopes to dedicate part of the store solely to “MoMo Home.” Amongst sprawling cases of jewelry, lies Stanton’s own work – reticulated silver bracelets – texture patterning into rivers and rivulets, or bumpy, reptilian-like skin. “Each of these pieces carries its own DNA,” says Stanton, who is often drawn to one-of-a-kind artwork. (In her own DNA lives the influence of her Taoseño grandmother, Mary Wagner, who studied at the New York Students Art League — where Pollock, O’Keefe and Rothko went — in the late ’40s. The duo would go to the Harwood together.) Australian opals and yellow diamonds, Stanton marvels at the stones as she did as a girl. She once met a dealer who gave the young jeweler four esmeraldas sueltas/loose emeralds worth $8,000, who said to stranger off the street Stanton, “You can pay me when you sell these. I believe in you.” “This kicked up my game. I was forced to start making finer jewelry,” says Stanton. Having her daughter, Lucia, also reinitiated a driving force for Stanton’s business. Three years old now, Lucia sometimes sits at the front desk and introduces herself as “Dinosaur,” when customers come in. Stanton remembers her father: their crazy life; the bus. Today, “Hercules,” as they called their home, is an abandoned shell of what it was – now a haunt for the coyotes. It sits like a bone in a desert body; like a bone set deep in Stanton’s own body; a femur, perhaps, propelling her forward, or a rib, kept close to the heart. MoMo Taos, 133 Bent Street, Taos 505-690-7871 71


Wilder Nightingale Fine Art Rob Nightingale

“Tierras Del Pasado” (Lands of the Past) 36x36 Oil on Canvas

2018 Taos Fall Arts Visionary Award

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

72

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The Best of Taos Don Brackett

“Soft Summer Sky” 8x10 Oil

PJ Garoutte

“The Moons Good Vibrations” 24x24 Oil

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

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73


The Best of Taos Heidi Smith

“Silvery Sage” 9x12 Oil HeidiSmithGroup.com

Bob Cooley

“One Dozen” · Watercolors and Acrylics

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

74

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The Best of Taos Peggy Immel

“Dazzling Rio Grande” 12 x 16 Oil peggyimmel.com

Steve Immel

“Adobe at Ranchos Plaza” Photography steveimmelphotography.com

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

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75


The Best of Taos Victoria Taylor-Gore

“Light Inside” 9.5 x 14.4 Pastel Victoriataylorgore.com

Karyn DeBont

“Sky Serpent - Taos Valley” 8 x 16 Oil kdebontart.com

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

76

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The Best of Taos Michelle Chrisman

“Morning, Canones Canyon” Oil 12 x 12 · “Behind the Abiquiu Inn” Oil 12 x 12 michellechrisman.com

Louise Minks

“Abiquiu Amber” 48x60 Acrylic louiseminks.com

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

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77


The Best of Taos Stephen Day

“No Fences” 24x30 Oil on Canvas

Peggy Trigg

“Shadows in the Canyon” 24x36 Oil on Canvas peggytrigg.com

Wilder Nightingale Fine Art 119 Kit Carson Road,Taos, NM 575-758-3255 · wnightingale.com

78

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79


Lynco Design Pottery by Lynn FitzGerald

Stoneware Baking & Serving Dishes

Studio Showroom Available by Appointment

575-758-1850 . 719-850-3545 lyfitzgerald@msn.com lyncodesignpottery.com 80

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ROB NIGHTINGALE Sales down, but support decidedly up by Haven Lindsey

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81


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83


84

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“See them in their studios. That’s where you’ll see their best work.” ~ Larry Bell

PHOTOS BY KATHLEEN BRENNAN

You’re Invited

SECOND ANNUAL OPEN HOUSE Honoring “Chinese Year of the Ox” 232 Camino de Santiago, Taos October 9, 10, 11 2021

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STUDIO/GALLERY by appointment. tjmabrey@gmail.com 575-613-3269 Sign up for newsletter here: TJMabrey.com 85


Robert Perez Jr.

Echo Mountain, 48in w x 48in l, oil on canvas

Studio Z of Taos by appointment 1210 Salazar Rd. Building 3 - I, Taos 575-779-2671 robertperezjrsamson@gmail.com

studiozoftaos.com 86

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AA Rating

L A R RY M A RT I N E Z J E W E L E R . C O M

FIRST PLACE

Celebrating 49 years of custom jewelry design

G.I.A. TRAINED

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822 Paseo del Pueblo Sur • 575.758.4169 87


ELIZABETH JOSE A British artist in the Southwest — A unique perspective

elizabethjose.com View her work in person at Sage Fine Art, 115 E Plaza, Taos Call to book a studio visit on 575-613-3014 88

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We carry the supplies you need to create your masterpiece. Craft Supplies • Found Objects • Classes

216 A Paseo Del Pueblo N. • 575-751-7456 taosnews.com/taosgalleryguide

89




go to new york to be somebody go to los angeles to be somebody else come to taos to be yourself

taosnews.com/taosgalleryguide 92

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There’s something wonderful on the corner of Bent Street.

Bronze Figures by yenny Cocq

94

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Raku Sculptures by John Booth

Raven Calling For A Prayerful Heart

101 Bent Street • 575.758.3561 www.taosblue.com • info@taosBlue.com taosnews.com/taosgalleryguide

95


There’s something wonderful on the corner of Bent Street.

Bold Ones by Suzanne Betz

101 Bent Street • 575.758.3561 www.taosblue.com • info@taosBlue.com 96

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TRE

S ES

TRE

LLA

S

WAX TTON STRA MARY RY/STUDIO E GALL

T

ARTIS

RON LA

RIMORE

GALLE

RY

KIMOSA

BE

TERASI

AN

INGER JIRBY GALLERY

PARCHT

SAGE FINE ART

MICHAE L GORMAN GALLE

SIMMS TA OS AR ART COLLE TIST CTIVE TAOS

RY

HERITAG

E FINE

ART BTH RYEANRAS NCH GALLE AT RY TAOS ANGIE COLEM AN STUD IO WILDE RN FINE AR IGHTINGAL E T JACKIE

S TRAD

ING PO

ST

MICHAE L STUDIO VIGIL & GAL LERY

THOM WH GALLE EELER RY taosnews.com/taosgalleryguide

97


98

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99


ARTIST INDEX

100

Abeyta

Tony

35

Brackett

Don

72-78

Crews

Anna Bush

31

Abrums

Gabriel

16, 23

Branch

Beverly

6

Crown

Keith

34

Adams

Charles

39

Brett

Dorothy

34

Cuff

Erin

69

Adams

Kenneth Miller

39

Brito

Linda

54

Da

Tony

35

Ainsworth

Diane

72-78

Brock

Jeff

69

Dakort

Lane

94

Akins

Lee

31

Brown

Britt

69

Dasburg

Andrew

34

Albaka

Moussa

69

Brown

Daniel

12,13

Daughters

Robert

39

Amick

Robert

39

Bruce

Anne

31

Davis

Ron

34

Ammann

Susan

4

Brunner

Jake

31

Davis

Audrey

12,13

Anderson

David

36

Brunton

Donna

72-78

Day

Stephen

72-78

Andrews

Eric

34

Brzozowski

Laura

79

de Kooning

Elaine

34

Aragon

Frederick

72-78

Buchanan

Kirk

53

De Luna

Alma

101

Autumn

Christine

72-78

Buchschacher

April

55

De Puy

John

34

Azzara

Courtney

34

Burchfield

Charles

34

DeBont

Karyn

72-78

Bakos

Joseph

39

Burke

Jane

101

Dekeuster

Joanne

108

Baldinger

Luisa

94

C.S.

Talley

44

Dekeuster

Kevin

108

Balink

Henry

39

Calcagno

Lawrence

34

Delattre

Pierre

48

Bamberg

Heather

79

Candelaria

Doug

18

Dillistone

Dora

63

Barela

Patrocinio

34

Canella

Katherine

94

Dixon

Tom

34

Barker

Claudette

12,13

Caporino

Karen

31

Dixon

Maynard

39

Barker

Jim

72-78

Carey

Cathy

12,13

Donner

Rachel

69

Barnes

Bruce

94

Carol

Mary

3

Doolittle

Mary

12,13

Bartels

Barbara

9

Caster

Mitch

3

Dukart

Lane

94

Batterton

Robert

72-78

Catusco

Louis

34

Dunbar

Scout

69

Baumann

Gustave

34

Caudillo

Brian

107

Dye

Greg

72-78

Belitz

Monique

72-78

Chappelle

Pam

94

Eaton

Robert

94

Bell

Kari

24

Chase

Sidney Marsh

39

Eckert

Shirley

4

Bell

Larry

34

Chavez

Lorenzo

72-78

Eger

Diane

94

Benrimo

Thomas

34

Chrisman

Michelle

72-78

Egri

Ted

34

Benson

Holly

103

Clair

Donna

19

Ellis

Robert C.

34

Bensusan

Kitty

72-78

Coar

Norlynne

72-78

Ellis

Robert M.

34

Berninghaus

O.E.

39

Coats

Seana

31

Ellis

Fremont

39

Bernstein

Martin

69

Cochran

Jeff

45

Elwell

Robert

39

Bets

Suzanne

94

Cocq

Yenny

94

Ely

Wolcott

34

Bianga

Gerd

69

Cohn

Julie

12,13

Epstein

Georgia

31

Binger

Bill

51

Coleman

Angie

32

Ewert

Gretchen

31 & 69

Bisttram

Emil

34

Colin

George

79

Ewing

Charles

72-78

Black

Laverne Nelson

39

Connor

Trayson

52

Farny

Henry

39

Blanchard

Schuyler

101

Cook

Howard

39

Fernandez

Lois

51

Blumenschein

Helen

39

Cooley

Bob

72-78

Fick

Jorge

34

Blumenschein

E.L.

35,39

Cooper

Ron

34

Finck

Hilary

69

Bomar

Bill

34

Corbett

Edward

34

FitzGerald

Lynn

80

Booth

John

94

corlett

Judy

94

Fleck

Joseph

39

Bosque

Serit del

69

Coutts

Gordon

39

Furlow

Malcolm

3

Brackett

Don

12,59

Cox

Jim

72-78

Gaillard

Chloe Marie

38

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www.riftgallery.com

MORE THAN A GALLERY, AN EXPERIENCE:

Exceptional pottery, sculpture, pastel, and mixed media in a serene gallery setting

• Working sculpture studio • Stone carving classes, tools & stone • Extensive sculpture library • Breathtaking canyon hike Artists:

Betsy Williams lliams Mark Saxe xe Schuyler Blanchard Jane Burke ke Susu Knight ght Jamie Lang ang Alma De Luna

505.579.9179 2249 NM 68 • Rinconada, NM taosnews.com/taosgalleryguide

101


ARTIST INDEX

102

Ganthiers

Louise

34

Immel

Peggy

72-78

Lopez

Ron

34

Garcia

Lydia

35

Immel

Steve

72-78

Lucena

Margi

72-78

Garcia

Meredith

72-78

Isreal

Linda

72-78

Luna

Adi

89

Garel

Leo

34

Jablonski

Julie

72-78

Mabrey

TJ

85

Garoutte

PJ

72-78

Jacobs

Ned

39

Magar

Tony

34

Gaspard

Leon

39

James

Rebecca

39

Maggiori

Mark

38

Gasteyer

Mariana

94

Jirby

Inger

107

Maggiori

Katherine

94

Gastiya

Mariana

94

Johns

David

94

Mandelman

Beatrice

34

Geller

Eli

69

Johnson

Brett Alan

38

Marin

John

34

Gentry

Judy

72-78

Jones

Max

40

Martin

William

20

Goebel

Rod

39

Jordan

Jerry

38

Martin

America

34

Golden

Gail

36

Jose

Elizabeth

9,88

Martinez

Maria

35

Gonske

Walt

22

Justiniano

Catalina

54

Martinez

Jocelyn

43

Gonzales

Barbara

35

Kee

Andersen

3

Marx

Nicki

67,72-78,79

Gonzales

Cavan

35

Keener

Anna

39

Mayer

Sylvie

66

Gorman

Carl

79

Keffer

Jim

38

Maziere

Catherine

94

Gorman

Michael

79

Kelley-Cruz

Tara

12,13

McAfee

Ila

39

Gorman

R.C.

79

Kelly

Mary Jo

55

McCullough

Susan

72-78

Gorman

Zonnie

79

Kennedy

Danielle

72-78

McGivern

Peggy

47

Gourley

PattyMara

31

Kilgore

Rosa

12,13

McKinzie

Wayne

72-78

Grant

Coni

72-78

Kin-yionny Beyeh

79

McLain

Lynn

9,15

Graves

Morris

34

Klimov

Tatiana

107

McMacken

Cher

9,11

Graves

Valerie

72-78

Kloss

Gene

34

Meyers

William

37

Greer

Milford

34

Knight

Susu

101

Meyers

Ralph

17, 39

Gross

Sherry

94

Koch

Tatiana

3

Michaels

Patricia

35

Groves

Blanka

69

Komitor

Deb

94

Mieshiel

Hagege

Logan Maxwell

39

Kotowski

Serit

31

Milah Libin

Claire

34

Hall

Carlos

39

Krider

Annoel

94

Miller

Sandra

4

Hansen

Peter

72-78

Kuhn

Betsy

52

Minks

Louise

72-78

Hanson

Hollis

94

Kurtz

Alex

4

Minton

Ty

94

Harmon

Cliff

34

La Noe

Adeine de

34

Mittl

Alissa

31

Harvey

Noel

69

Lage

Joel

72-78

Montano

Rick

69

Hassler

Von

39

Lampl

Dorothy

72-78

Morales

Vincent

31

Heffernan

Jean & Tom

94

Lange

Jamie

101

Morel

Chris

33

Henkel

Kim

69

Larimore

Ron

10

Moses

Ed

34

Hennelly

Meaghan

69

Larry

Martinez

87

Mouttet

Val

9,11

Herrera

Larry

94

Latham

Barbara

34

Moyers

John

38

Hicks

Miranda

69

Lauricella

Vincent

79

Moyers

John

39 39

14

Higgins

Victor

34

Lehner

John

93

Moyers

William

Hirch

Nancy

94

Letterly

Hugh

79

Mullican

Lee

34

Hoback

Priscilla

107

Liermann

Geraldine

72-78 & 94

Nash

Willard

39 90

Hoffman

Frank

39

Lillick

Cork

31

Neel

Vera

Hollingshead

Mat

72-78

Lillywhite

Raphael

39

Nes

Margaret

72-78

Hood

Susan

3

Lippincott

Janet

34

Nez

Latham

79

Hunter

John Young

39

Lockwood

Ward

34

Nez

Michael

79

taosnews.com/taosgalleryguide



ARTIST INDEX Nichols

Richard Alan

38

Ross

Carol Sue

69

Tate

Joshua

69

Nightingale

Robert

72-78

Rumfelt

Anais

69

Taylor-Gore

Victoria

72-78

Nordtfeldt

BJO

39

Rusnell

Wesley

34

Teller

Peter

3

O’Keeffe

Georgia

34

Ryan

Victoria

46

omas

Katie

89

Oliver

Marcia

31

Saint John Hawley Ann

34

omas

Barry

38

Oliver

Richard

72-78

Salsbury

Abby

31

Tolbert

Mildred

34

Ortenstone

Nancy

48

Sanders

Kathleen

31

Toole

Narrie

6

Ortiz

Mata

16

Sandzen

Birger

39

Treiber

Kim

31

Painters

Plein Air

62

Saxe

Hank

34

Trigg

Peggy

72-78

Paponetti

Giovanna

21

Saxe

Mark

101

Trujillo y Fuentes Patricio

79

Parsons

Sheldon

39

Schiff

Karen

34

Tsosie

April

79

Paul

Gary

50

Schleeter

Howard

39

Tubis

Seymour

34

Pearlman

Judy

94

Scholder

Fritz

34

Turner

Ben

39

Perez Jr.

Robert

86

Sena

Ralph

35

Turner

Elmer P

39

Pesola

Teresa

31

Shaffer

Martin

39

Ubechel

Shari

4

Pino

Bernadette

72-78

Sharpe

Louis Hovey

39

Ugalde

Roberto

3

Pletka

Paul

35

Sheppard

Tracy Turner

12,13

Valdez

Horacio

35

Pollard

Pat

9

Shimonek

Mick

72-78

Vigil

Tori & Tom

94

Porter

Dean

38

Ship

9 to 5

62

Vinella

Ray

39

Prescott

Fredrick

107

Shorty

Eddy

38

Vito

Teresa

72-78

Price

Ken

34

Shroyer

Charlotte

6

Vordermark

Jonathan

6

Pritchard

David

94

Sihvonen

Oli

34

Wagner

Jim

41

Pulos

Cris

72-78

Silvia

Nancy

72-78

Wagner

Rory

72-78

Pulver

Dean

34

Simms

Catherine

25

Waldrum

Harold

34

Quillian

Alma

72-78

Sloan

John

34

Wallis

Scott

72-78

Ray

Robert

34

Smith

Heidi

72-78

Walters

Eli

69

Reed

Doel

39

Smith

Kathleen

72-78

Ward

Don

38

Reid

James

3

Sollman

Jeanne

94

Warm Day Coming Jonathan

35

4

Solomon

David

34

Weisfield

Gayle

3,67

Reina

104

Rencher

Ron

38

Solomon

Hyde

34

Wells

Cady

34

Renee

Savannah

79

Spangler

Dane

9

Wheeler

om

59

Renwick

Robert

72-78

Spohn

Clay

34

Williams

Roger

3

Rew

Robin

105

Squires

Rick

94

Williams

Betsy

101

Reyna

Sharon Dryflower 35

Stanton

Moriah

69

Wood

Leolyn

53

Reynolds

Charles

39

Stovall

Dan

38

Wood

Mary Dolph

38

Ribak

Louis

34

Stratton

Mary

5

Woodall

Pat

7

Richel

Shaun

34

Striegel

Ron

79

Wright

Ira

24

Roach

Chuck

3

Stroh

Earl

34

Wrightson

Chelsea

69

Robles

Julian

38

Strong

Charles

34

Yellowbird

Monte

3

Rogers

Millicent

35

Strong

Mark

34

Roller

Gary

12,13

Suazo

Ryan

43

Rolshoven

Julius

39

Sullivan

Chris

29

Romancito

Melwell

38

Tahoma

Quincy

35

Romero

Virginia

35

Takayama

Michio

34

Romo-Manning Dorothy

36

Takayama

Yaye

34

taosnews.com/taosgalleryguide




Inger Jirby at the Gallery

6

575.758.7333

jirby@newmex.com www.jirby.com


JoAnne and Kevin DeKeuster

Enchanted Circle Pottery Wood-Fired Pottery & Sculpture 26871 EAST U.S. HWY 64 Located between Taos and Angel Fire and mile markers 268 & 269 dekeusterclay@gmail.com 575-737-9640 enchantedcirclepottery.com


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