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CATALOGUE
ENG
CATALOGUE
Art.no. 88750704
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Royal Talens
Foreign offices:
Postal address: P.O. Box 4 7300 AA Apeldoorn, the Netherlands
France Talens France S.A. Villepinte
Visiting address: Sophialaan 46 7311 PD Apeldoorn, the Netherlands Tel. no.: +31 55-5274700 Fax: +31 55-5215286 Email: info@talens.com Internet: www.royaltalens.com
Spain Talens EspaĂąa S.A. Barcelona
Commercial Register: no. 08006261
Germany Talens GmbH Emmerich
Switzerland Talens AG Dulliken
Japan Talens Japan Co. Ltd. 1-6-20 Morinomiya Chuo Chuo-ku Osaka 450 Tel.: +31 6 910 8825 Fax: +31 6 910 8836 China Hehua Talens Shanghai Fine Art Materials Trading Co., Ltd. No. 201 Shenxu 2 Road, Xinqiao Town, Songjiang District 201612 Shanghai China Tel.: +86 21 676 48 672 Fax: +86 21 676 48 729
General information Colophon: Design: Photography:
Production: Printed by:
BRP Communicatie, Apeldoorn, the Netherlands Fotopartners, Zwolle (cover); Gerhard Witteveen, Apeldoorn; Studio Fototaal, Apeldoorn, the Netherlands compulutions the catalog company, Wormerveer, the Netherlands Van Lijsebetten, Sint-Niklaas, Belgium
Š2010 Royal Talens, Apeldoorn, the Netherlands Subject to modifications
ROYAL TALENS
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Table of contents General information Table of contents Talens, ambitious and innovative
8
40
48 Table of contents
78
1 2 4
Rembrandt Oil colours Acrylic colours Water colours Soft pastels CarrĂŠ pastels
8 10 16 20 26 36
Pigments, the miracle that gives colour
38
Cobra Water mixable oil colour Auxiliaries
40 42 46
Van Gogh Oil colours Acrylic colours Water colours Pastels CarrĂŠ pastels Oil pastels Pencils Colour pencils Pastel pencils Water colour pencils Sketch pencils
48 50 56 61 66 67 68 70 71 73 74 76
Amsterdam Expert Series Standard Series Specialties Auxiliaries Accessoires Oil colours
78 80 83 87 88 93 94
ArtCreation Expression: Oil colours Acrylic colours Water colours Gouache Essentials acrylic colours Elements Eeasels Brushes/painting knives Grounds
96 98 98 100 102 104 106 108 108 111 114
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Talens display material
115
Talens – top essentials in fine art Auxiliaries Brushes Rembrandt brushes Van Gogh brushes Talens brushes Painting knives Easels Grounds Painting requirements Graphic products Gouache Extra Fine Quality Ecoline Various graphic products
116 118 130 131 139 145 147 148 154 159 166 167 172 174
Paint a future
176
Talens – colouring products for children Ecola School colours Blockprint Wasco Panda oil pastels Various products for children
179 180 181 181 182 183 184
Decorfin Universal satin Glass and Relief paint Porcelain and Contour paint Textile Patina and Antique Auxiliaries Brushes
186 188 190 191 192 193 194 196
Environment and safety
198
Colour Index / Pigments
200
Promotion material
201
Keywords
202
96
130
154
166
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ROYAL TALENS: AMBITIOUS AND INNOVATIVE Royal Talens is a household name in artists' materials. Across the world professional and hobby artists use the quality products of Royal Talens. Talens has built up its position as a product of choice by ceaselessly working upon improvements since its establishment in 1899. Ambitious and innovative, it always looks for the ultimate balance between craftsmanship and innovation; with as final goal, to encourage people's creative expression by providing them with the best possible materials and information.
For more than 100 years now Royal Talens has been supplying state-of-the-art artists’ materials. In 1899 Marten Talens founded the ‘Dutch Factory for Paints, Lacquers and Inks’ in Apeldoorn (the Netherlands). Commercial success and Talens’ innovative strength as well as the market growth led to an ever increasing production of oil colours in new products. In 1912 the factory expanded for the first time. Royal Talens’ reputation grew and reached far beyond the country's borders. The Rembrandt oil colours, known from the “Dutch farmer”, became a great success abroad. A sales office was set up in the United States to assist further brand expansion and sales.
Expansion possibilities In 1963 Royal Talens joined the Sikkens Group. Through a merger of Sikkens with the AKZO group in the mid 1970s Talens became a
full subsidiary of the AKZO group. Since 1991 Royal Talens has been part of Sakura Color Products Corporation, a fully privately owned company with its home base in Osaka, Japan. With 1500 personnel worldwide Sakura is a major player in the area of writing instruments and colouring materials. The Sakura connection provides a stable basis, which increases Royal Talens' effectiveness and enables further expansion.
Royal status In 2010 Royal Talens is a globally recognised and active player. The brand focus is very much on its continuity through further expansion, development of its products and improvement of its quality. These ambitions typify the brand: already back in 1949 Royal Talens acquired the ‘Royal’ designation, an honour of which Royal Talens is rightly proud.
Globally active, known worldwide Royal Talens has a strong and extensive network of international distributors. At present the brand has sales offices in the Netherlands, Belgium, France, Germany, Spain, Switzerland, China and Japan. The Talens companies in these countries employ over 300 people. The offices supply various sales channels, including fine art specialist shops, art and craft shops, department stores, hypermarkets and wholesalers. With offices as well as agents in more than 100 countries Royal Talens strives to supply its products to end users all over the world.
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Effective through knowledge of the market With its wide experience, large international knowledge network and own research facilities Royal Talens closely monitors market developments. There have been many changes in the needs and preferences of end users, as well as in the wishes of retailers. By responding quickly and alertly to the changing needs Royal Talens is able to endorse and expand its position in the market time and again. With its own production facilities at the head office in Apeldoorn and strategic partnerships in Chile, Poland and China, Royal Talens can produce quickly and effectively and respond to local situations. The result is a modern, effective company that develops popular products, geared towards the consumers' wishes and requirements.
Logistics expertise The logistics expertise of Royal Talens guarantees an excellent availability and speedy delivery of products, anywhere in the world. The distribution centre in Apeldoorn is the most modern one in the fine art industry and lies at the basis of the company's speedy service at low costs. With additional distribution centres in Spain, Switzerland and China and an excellent collaboration with internationally renowned distribution and transport organisations, Royal Talens ensures that its products are available everywhere in the world.
Single source of supply and service The balanced composition of the Royal Talens range ensures that retailers can buy all their artists' requirements from one source. In addition to the various products the range includes an
extensive package of supporting materials, such as point of sale brochures, display materials and communication aids including highly interactive web pages of both the brands and the parent organisation Royal Talens which guarantee excellent sales of the products.
Fine art - brands with a good reputation Royal Talens develops brands and products that stimulate people to paint and draw. This is only possible if we have a sound knowledge of the wishes and needs of these customers. Together the Royal Talens brands form a wide consistent product range of artists' and drawing accessories. Traditional and modern at the same time, they are suitable for both the professional artist and the beginner; and always offer good quality at an attractive price.
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Rembrandt - The Professional Choice Amsterdam - All Acrylics A legendary name for a range that is known for its superior and unparalleled quality. It has been developed through pure skill and artistic insight, and is based on the best raw materials. This allows Rembrandt products to boast unique characteristics such as maximum fineness, lightfastness and durability.
Those who paint with acrylic colours become inspired by Amsterdam of Royal Talens. Amsterdam, the acrylic brand par excellence, offers serious users everything they need. Whether it is an extensive palette of basic colours (Standard Series), a more advanced palette (Expert Series) or a complete range of auxiliaries. Amsterdam has it all.
Van Gogh - The Quality Brand Van Gogh provides a contemporary and wide range of painting and drawing products, especially developed for the serious hobby painter. High-quality products, with some extraordinarily pleasing properties, which help to make painting a true pleasure.
Cobra - Infinite Freedom The possibilities offered by Cobra water mixable oil colours are endless. This is ideal for artists who wish to express precisely how they feel through their work. They can experiment as never before, wherever and whenever they want. Without solvents such as turpentine and white spirits, which are no longer necessary.
ArtCreation - For the artist in you ArtCreation offers the possibility to express your creativity in a simple manner. The brand is aimed particularly at the starting hobby painter. For these users ArtCreation has a complete range of painting accessories at an attractive price, without compromising on the quality and the reliability. ArtCreation consists of three sub-brands: ArtCreation Expression for the starting artist, ArtCreation Essentials for more experienced artists and ArtCreation Elements for auxiliary products. ArtCreation opens the door to very pleasurable painting .
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Creative expression to share Royal Talens inspires. For more than 100 years now we have been stimulating creative expression worldwide; by developing high-quality brands and products that stimulate people to paint and draw. We use the worldwide recognition that our brands enjoy and our in-depth knowledge of the markets and their needs to facilitate and support professional and amateur artists throughout the world in producing new work. Royal Talens’ innovative character stimulates us to continue innovating.
Decorfin - Create Your World
Auxiliaries
Decorfin is a decoration paint suitable for a wide range of painting hobbies. Ideal for painting glass and ceramics for example, or for painting on wood, textiles, carton and paper. The Decorfin quality range challenges the consumer to discover his many possibilities.
A wide range of auxiliaries for almost all painting techniques. The auxiliaries include a wide selection of specialist varnishes and various auxiliaries to change the properties of artists' paints or to preserve the work.
Graphic products Talens auxiliaries and requirements Canvases Talens has a wide range of top quality grounds (cotton, linen, 3D, canvas boards and roll canvas).
High-quality products for designers, graphic artists and illustrators. An important line within this is Gouache Extra fine quality, top quality gouache with a selection of 65 colours. In addition, there are various sorts of ink and other specialist products. All these products can also be used for educational purposes.
Artists' easels Wherever you want to paint, Talens has a suitable wooden or metal artists' easel for every location: table-top easels, studio easels and field easels. The wooden artists' easels have been made from first-class impregnated beech wood.
Painting knives and brushes Painting knives with a wooden handle, for preparing and mixing paint or applying oil and acrylic colours. In addition, there is a wide selection of brushes, brush shapes and hair types, under the brand names Rembrandt, Van Gogh and Talens.
We encourage creative amateurs and professionals all over the world to push back their boundaries and to ‘rediscover’ themselves. We believe that creative expression is very important; a passion to share and to develop further. For you, for everyone. On the basis of this notion we would like to contribute to the success of your business and clients, by providing you a broad support with our Fine Art products.
Talens colouring products for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the colours and the materials can also be combined well. All products meet European toy safety standards.
Accessories Also included in the range are various types of painting requirements like charcoal, palettes and manikins.
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ROYAL TALENS
8 Mastering your inspiration Looking at the world behind the reality. Feeling how the elements adapt to a s i n g l e w i l l . Wo r k i n g w i t h c o l o u r s a n d t e c h n i q u e s t h a t g i v e s h a p e t o t h i s deepest of inspiration. That is art.
The Professional Choice
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THE CHOICE OF THE PROFESSIONAL ARTIST
A legendary name for a range that is known for i t s s u p e r i o r a n d u n p a ra l l e l e d q u a l i t y. I t h a s b e e n developed through pure skill and artistic insight, and is based on the best raw materials. This allows Rembrandt products to boast unique characteristics such as maximum fineness, l i g h t f a s t n e s s a n d d u ra b i l i t y. A g u a ra n t e e o f timeless and enduring artistic expression.
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Rembrandt and oil colour is a unique combination of superior quality and tradition in just one tube. A magnificent colour range of 120 colours. With an even distribution across the several colour ranges and a good balance between transparent and opaque colours.
Oil colour The properties of Rembrandt oil colours: • Sublime brilliance and intensely deep colours • Optimal colour strength due to the highest possible concentration of pigments and very fine grinding • Highest degree of lightfastness • Very pure colours and greatest durability of the paint coat
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0103...2 0105...2
REMBRANDT OIL COLOUR TUBE 40 ML
REMBRANDT OIL COLOUR TUBE 15 ML
Available in 120 colours
Available in 120 colours
0106...2
REMBRANDT OIL COLOUR TUBE 60 ML Available in 5 whites
0107...2
REMBRANDT OIL COLOUR TUBE 150 ML Available in 25 colours and 5 whites
Various auxiliaries are used when painting in oils. Talens offers a complete and professional range. Go to page 118 for a complete review.
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01822306
01820310
Contents: 6 tubes 15 ml Rembrandt oil colour
Contents: 10 tubes 15 ml Rembrandt oil colour
REMBRANDT OIL COLOUR S TARTER SET 01C306
REMBRANDT OIL COLOUR BASIC SET 01C310
01840004
REMBRANDT OIL COLOUR BOX TRADITIONAL Contents: 15 tubes 15 ml Rembrandt oil colour 1 tube 40 ml Rembrandt oil colour 1 bottle 75 ml Talens Painting medium 2 Rembrandt brushes: - series 201 no. 4, series 208 no. 10 (bleached Chinese hog bristle) tube with 3 sticks of charcoal double palette cup wooden palette colour mixing brochure ●
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01840003
REMBRANDT OIL COLOUR BOX PROFESSIONAL Contents: 13 tubes: -12 tubes 40 ml Rembrandt oil colour -1 tube 60 ml Rembrandt oil colour 2 bottles 75 ml auxiliaries: - Talens Odourless white spirit - Talens Painting medium 3 Rembrandt brushes: - series 200 no. 8, series 201 no. 4, series 208 no. 12 (bleached Chinese hog bristle); painting knife no. 3012 tube with 3 sticks charcoal double palette cup wooden palette colour mixing brochure ●
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01840002
REMBRANDT OIL COLOUR BOX MAS TER Contents: 38 tubes: -24 tubes 15 ml Rembrandt oil colour -12 tubes 40 ml Rembrandt oil colour - 2 tubes 60 ml Rembrandt oil colour 3 bottles 75 ml auxiliaries: - Talens Odourless white spirit - Talens Painting medium - Talens Retouching varnish 4 Rembrandt brushes: - series 200 no. 10, series 208 no. 14 (bleached Chinese hog bristle) - series 290 no. 6, series 291 no. 4 (polyester fibres, selected filament) painting knife no. 3012 double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●
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01840001
REMBRANDT OIL COLOUR BOX EXCELLENT Contents: 41 tubes: - 19 tubes 15 ml - 18 tubes 40 ml - 3 tubes 60 ml - 1 tube 150 ml 6 bottles 75 ml auxiliaries: - Talens Painting medium - Talens Odourless white spirit - Talens Picture varnish glossy - Talens Picture varnish mat - Talens Retouching varnish - Talens Glazing medium 10 Rembrandt brushes: - series 200 no. 8, 12, 16 (bleached Chinese hog bristle) - series 208 no. 6, 10, 14 (bleached Chinese hog bristle) - series 240 no. 6 and 10 (pure red sable hair) - series 291 no. 4 and 8 (polyester fibres, selected filament) 3 palette knives (no. 3010, 3012, 3015) brushes mat 2 de luxe single palette cups and a double palette cup box with 25 sticks charcoal colour mixing brochure original hand-sprayed colour chart ●
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colour chart Rembrandt oil colour Zinc white
+++ 104 3 1 PW4
Zinc wh.(lins.oil)
Titanium white
Tit.white (lins.oil)
+++ 117 3 1 PW4
+++ 105 4 1 PW6/PW4
+++ 118 4 1 PW6/PW4
Mixed white
Transp.white
Cadmium lemon
+++ 103 4 1 PW6/PW4
+++ 119 1 1 PW6/PW4
+++ 207 4 4 PY35
Perm.lemon yellow
+++ 254 3 3 PY184
Cadmium yellow L
+++ 208 4 4 PY35
Perm.yellow L
Cadmium yellow M
Perm.yellow M
Cadm.yellow D
Perm.yellow D
Transp.yellow M
Stil de grain yellow
Aureoline
Transp. yellow green
+++ 283 3 3 PY154
+++ 271 4 4 PY35
+++ 284 3 3 PY154/PO43
+++ 210 4 4 PY35/PO20
+++ 285 3 3 PY154/PO43
+++ 272 1 3 PY128
+++ 251 1 3 PY110
+++ 242 2 4 PY150
+++ 281 1 3 PY129
Naples yellow green
Nick.titan.yellow L
Naples yellow L
Nick.titan.yellow D
Naples yellow D
Yellow ochre L
Naples yellow red
Cadmium orange
Perm. orange
+++ 282 4 2 PW6/PY42/PG17
+++ 279 4 2 PW6/PY184
+++ 228 4 1 PBr24
+++ 224 4 2 PW6/PO43/PBr24
+++ 211 4 4 PO20/PY35
+++ 266 3 3 PO73/PY154
Vermilion
Cadmium red L
Permanent red L
Cadmium red M
Transp.red M
Permanent red M
Scarlet
Cadmium red D
Permanent red D
+++ 311 3 3 PO73
+++ 303 4 4 PR108/PO20
+++ 370 3 3 PR255/PO73
+++ 314 4 4 PR108
+++ 317 1 3 PR207
+++ 377 3 3 PR255
+++ 334 3 3 PR149
+++ 306 4 4 PR108
+++ 371 3 3 PR254
Cadm.red purple
Perm.red purple
Perm.madder L
Perm.madder M
Perm.madder D
Burnt carmine
Carmine
Quinacridone rose
Perm. red violet
+++ 309 4 4 PR108
+++ 348 3 3 PR264/PW6
+++ 321 2 3 PR254/PR264/PV19
+++ 395 2 3 PR264/PV19
+++ 342 2 3 PR264
+++ 323 2 3 PR264/PB29
+++ 318 3 3 PR176
+++ 366 1 3 PV19
+++ 567 2 3 PR202
Perm.violet M
Cobalt violet
Perm. blue violet
Ultramarine violet
Ultramarine L
Ultramarine D
Cobalt blue L
Cobalt blue (ultram.)
Cobalt blue D
+++ 537 2 3 PV19
+++ 539 2 5 PV14
+++ 507 1 2 PV15
+++ 505 1 2 PB29
+++ 513 3 5 PB28
+++ 512 3 2 PB29/PB15
+++ 515 3 5 PB74
King’s blue
Sèvres blue
Cerulean blue
Mang.blue (phthalo)
Phthalo blue red
Prussian blue
Indanthrene blue
Indigo
+++ 517 4 3 PB28/PW6
+++ 530 4 3 PB15/PW6
+++ 534 2 5 PB35
+++ 582 3 3 PB15
+++ 583 1 3 PB15
+++ 585 2 3 PB60
+++ 533 2 2 PB15/PB29/PBk9
Ultramarine green
Cobalt turq.blue
Turquoise blue
Phthalo turq.blue
Perm.yellow green
Permanent green L
Emerald green
Permanent green D
+++ 683 1 3 PG24
+++ 586 3 5 PB36
+++ 522 4 3 PB15/PG7/PW6
+++ 565 1 3 PB15/PG7
+++ 633 3 3 PG7/PY154
+++ 618 3 3 PG7/PY154
+++ 615 4 2 PG36/PY154/PW6
+++ 619 3 3 PG7/PY154
Phthalo green yellow
Phthalo green blue
Viridian
Sèvres green
Cobalt green
Cobalt turq.green
Cinnabar green D
Sap green
Cinnabar green M
+++ 650 4 3 PG7/PW6
+++ 610 3 5 PG26
+++ 682 3 5 PG50
+++ 627 4 2 PG7/PY42/PR101
Chromium ox.green
Yellow ochre
Raw sienna
Gold ochre
Orange ochre
Light oxide red
+++ 234 2 1 PY42/PR101
+++ 231 4 1 PY42
+++ 232 4 1 PY42
+++ 339 4 1 PR101
+++ 681 1 3 PG36
+++ 222 4 2 +++ 280 4 2 +++ 223 4 2 PW6/PY154/PBr24 PW6/PY154/PBr24 PW6/PY154/PBr24
+++ 568 2 3 PV16
+++ 680 1 3 PG7
+++ 616 2 3 PG18
Cinnabar green L
Olive green
Green earth
+++ 626 4 2 PG7/PY154/PY42
+++ 620 1 2 PG7/PY110/PR264
Venetian red
Indian red
Phthalo blue green
+++ 576 1 3 PB15
+++ 508 1 2 PB27 Permanent green M
+++ 614 3 3 PG7/PY154
+++ 623 1 2 PG7/PY110
+++ 625 4 2 PG7/PY154/PY42
+++ 668 4 3 PG17
+++ 227 4 1 PY42
Caput mortuum violet
Brown ochre
Vandyke brown
Sepia
Transp.ox.yellow
Asphaltum
Transp.ox. orange
+++ 347 4 1 PR101
+++ 344 4 1 PR101/PB29/PR264
+++ 430 4 1 PR101/PBk11
+++ 403 3 1 PR101/PBk11
+++ 416 3 1 PY42/PR101/PBk11
+++ 265 1 3 PY42
+++ 414 1 1 PY110/PR264/PG7
+++ 273 1 3 PY42/PR101
Perm.madder brown
Transp.ox.red
Stil de grain brown
Transp. ox.brown
Burnt umber
Raw umber
Umber greenish
Warm grey
+++ 324 2 3 PR264/PR101/PV19
+++ 378 1 3 PR101
+++ 418 1 3 PY110/PR264/PG7
+++ 426 1 3 PR101
+++ 409 2 1 PR101/PBk11
+++ 408 2 1 PY42/PR101/PBk11
+++ 410 2 1 PY42/PBk11
+++ 718 4 1 PBk9/PR101/PW6
Cold grey
Payne’s grey
Ivory black
Lamp black
Oxide black
Silver
Pewter
Light gold
Deep gold
+++ 717 4 1 PBk9/PW6
+++ 708 3 1 PBk11/PB29/PV19
+++ 701 3 1 PBk9/PB29
+++ 702 4 1 PBk7
+++ 735 4 1 PBk11
+++ 800 3 3 PW6,15,20/PBk11
+++ 815 3 3 PW6,15,20/PR101/PBk11
+++ 802 3 3 PW6,20/PR101
+++ 803 3 3 PW6,20/PR101
Bronze
Copper
Pearl white
+++ 811 3 3 PW20/PR101
+++ 805 3 3 PW20/PR101
+++ 817 1 3 PW6,15,20
+++ 349 4 1 PR101 Burnt sienna
+++ 411 2 1 PR101
Explanations of the signs from left to right Example: Permanent red M
+++ 377 3 3 PR255
+++ 629 2 1 PY42/PB15
+++ 506 1 2 PB29
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 120 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions 0 = 0 - 10 years lightfast under museum conditions
opacity 1 = transparent (25 colours) 2 = semi-transparent (20 colours) 3 = semi-opaque (35 colours) 4 = opaque (40 colours) 377 = colour number 3 = price series
Letter behind the colour name: L = light , M = medium, D = deep
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.
= also available in tube of 150 ml PR255 = pigments used (see explanation on page 200)
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Acrylic colour Rembrandt acrylic colour is a high quality artists' paint that meets the strict requirements of today's artists. You can expect the very best from this paint. The properties: • Very strong and brilliant colours • Heavy-body paint for clear brush strokes • Highest degree of lightfastness • Durable and flexible paint film • Uniform drying time and degree of gloss • Alkali-resistant (fresh concrete)
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18820510
REMBRANDT ACRYLIC COLOUR BASIC SET 18C510 Contents: 10 tubes 40 ml
1805...2
REMBRANDT ACRYLIC COLOUR TUBE 40 ML Available in 75 colours
18840003
REMBRANDT ACRYLIC COLOUR BOX PROFESSIONAL Contents: 15 tubes 40 ml Rembrandt acrylic colour 2 bottles 75 ml auxiliaries: - Talens Acrylic medium mat - Talens Acrylic varnish glossy 3 Rembrandt brushes: - series 290 no. 12, series 291 no. 6, series 292 no. 8 (polyester fibres, selected filament) 1 painting knife no. 3012 double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●
18840004
REMBRANDT ACRYLIC COLOUR BOX TRADITIONAL Contents: 10 tubes 40 ml Rembrandt acrylic colour 1 bottle 75 ml Talens Acrylic medium glossy 2 Rembrandt brushes: - series 290 no. 8, 291 no. 6 (polyester fibres, selected filament) double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●
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18840002
REMBRANDT ACRYLIC COLOUR BOX MAS TER Contents: 20 tubes 40 ml Rembrandt acrylic colour 2 bottles 75 ml auxiliaries: - Talens Acrylic medium mat - Talens Acrylic varnish glossy 4 Rembrandt brushes: - series 208 no. 14 (bleached Chinese hog bristle ) - series 290 no. 12, series 291 no. 6, series 292 no. 8 (polyester fibres, selected filament) 2 palette knives (no. 3012 and 3015) double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●
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colour chart Rembrandt acrylic colour Titanium white
Zinc white
Cadmium lemon
Azo yellow lemon
Cadmium yellow L
Azo yellow L
Cadmium yellow M
Azo yellow M
Cadm.yellow D
+++ 105 4 1 PW6
+++ 104 2 1 PW7
+++ 207 4 3 PY35
++ 267 3 2 PY3
+++ 208 4 3 PY35
++ 268 3 2 PY3/PY74
+++ 271 4 3 PY35
+++ 269 3 2 PY74
+++ 210 4 3 PY35/PO20
Azo yellow D
Transp.yellow M
Nick.titan.yellow
Naples yellow D
Naples yellow red
Cadmium orange
Perm. orange
Cadmium red L
Naphthol red L
+++ 270 3 2 PY74/PO43
+++ 272 1 3 PY128
+++ 274 4 2 PY53
+++ 223 4 1 PW6/PBr24/PY154
+++ 224 4 1 PW6/PY42/PO43
+++ 211 4 3 PO20
+++ 266 3 3 PO43/PY74
+++ 303 4 3 PR108
++ 398 3 2 PR112/PO43
Cadmium red M
Naphthol red M
Cadmium red D
Carmine
Transp.red M
Quinacridone rose
Permanent madder
Perm.red violet
Perm. blue violet
+++ 314 4 3 PR108
+++ 396 3 2 PR254
+++ 306 4 3 PR108
++ 318 3 2 PR23
+++ 317 1 3 PR209
+++ 366 1 3 PV19
+++ 336 2 3 PR264
+++ 567 2 3 PR122/PV23
+++ 568 2 3 PV23/PR122
Ultramarine violet
Ultramarine
Cobalt blue
Phthalo blue
Pruss. blue (phthalo)
Cerulean blue
Brilliant blue
Mang.blue (phthalo)
Phthalo turq.blue
+++ 507 1 2 PV15
+++ 504 1 1 PB29
+++ 511 3 3 PB28
+++ 570 1 2 PB15
+++ 566 2 2 PB15/PBk11
+++ 534 3 3 PB35
+++ 564 4 2 PB15/PG7/PW6
+++ 582 1 1 PB15/PG7
+++ 565 1 2 PB15/PG7
Turquoise blue
Permanent green M
Permanent green L
Yellowish green
Emerald green
Permanent green D
Phthalo green
Olive green
Sap green
+++ 522 4 2 PB15/PG7/PW6
+++ 617 3 2 PG7/PY74
+++ 618 3 2 PG7/PY74
+++ 614 3 2 PG7/PY74
+++ 615 4 2 PG7/PY74/PW6
+++ 619 1 2 PG7/PY128
+++ 675 1 2 PG7
+++ 620 1 3 PG7/PY110/PV19
++ 623 1 1 PG8
Chromium ox.green
Yellow ochre light
Yellow ochre
Raw sienna
Burnt sienna
Light oxide red
Indian red
Mars violet
Transp. ox.yellow
+++ 668 4 2 PG17
+++ 228 4 2 PBr24
+++ 227 4 1 PY42
+++ 234 2 1 PY42
+++ 411 2 1 PR101
+++ 339 4 1 PR101
+++ 347 4 1 PR101
+++ 538 4 1 PR101
+++ 265 1 2 PY42
Transp. ox.orange
Transp. ox.red
Transp. ox.brown
Raw umber
Burnt umber
Vandyke brown
Payne’s grey
Oxide black
Ivory black
+++ 273 1 2 PY42/PR101
+++ 378 1 2 PR101
+++ 426 1 2 PR101/PG7
+++ 408 2 1 PY42/PBk11
+++ 409 2 1 PR101/PBk11
+++ 403 3 1 PBk11/PR101
+++ 708 3 1 PBk11/PB15/PV19
+++ 735 4 1 PBk11
+++ 701 4 1 PBk9
Lamp black
Silver
Light gold
Deep gold
Bronze
Copper
Pearl white
Pearl yellow
Pearl red
+++ 803 3 2 PW6/PW20/PR101
+++ 811 3 2 PW20/PR101
+++ 805 3 2 PW20/PR101
+++ 817 1 2 PW6/PW15/PW20
+++ 818 1 2 PW6/PW15/PW20
+++ 819 1 2 PW6/PW15/PW20
+++ 702 4 1 PBk7
+++ 800 3 2 +++ 802 3 2 PW6/PW15/PW20/PBk11 PW6/PW20/PR101
Pearl blue
Pearl violet
Pearl green
+++ 820 1 2 PW6/PW15/PW20
+++ 821 1 2 PW6/PW15/PW20
+++ 822 1 2 PW6/PW15/PW20
Explanations of the signs from left to right Example: Carmine
++ 318 3 2 PR23
Letter behind the colour name: L = light , M = medium, D = deep
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (70 colours) ++ = 25 - 100 years lightfast under museum conditions (5 colours) + = 10 - 25 years lightfast under museum conditions 0 = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303. 318 = colour number
opacity 1 = transparent (22 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (20 colours) 4 = opaque (24 colours) 2 = price series
PR23 = pigments used (see explanation on page 200)
ROYAL TALENS
19
20_Talens_cat 2011_UK
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Pagina 20
CATALOGUS
ROYAL TALENS
20
Rembrandt water colour is the professional choice of water colourists. This is particularly because of the following exclusive benefits:
Water colour • The purest pigments and the purest quality of gum arabic • Maximum transparency • Colours remain constantly brilliant • Highest degree of lightfastness
21_Talens_cat 2011_UK
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Pagina 21
ROYAL TALENS
21
0586...1
REMBRANDT WATER COLOUR PAN Available in 80 colours
0504...0
REMBRANDT WATER COLOUR TUBE 20 ML Available in 40 colours
0510...1
REMBRANDT WATER COLOUR TUBE 5 ML Available in 80 colours
For each painting technique the right brush. Royal Talens offers a complete series of brushes in the Rembrandt range (page 131)
22_Talens_cat 2011_UK
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Pagina 22
ROYAL TALENS
22
05838611
REMBRANDT WATER COLOUR METAL BASIC SET PANS 05M8612
05808614
REMBRANDT WATER COLOUR POCKET BOX 05HP8612 12 PANS
Contents: 12 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 4 (round model, extra fine point, red sable hair)
Contents: 12 pans Rembrandt water colour Rembrandt reversible brush series 100 no. 4 (round model, extra fine point, red sable hair) removable lid with mixing palette
●
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05838623
REMBRANDT WATER COLOUR DE LUXE SET 05M8624 PANS Contents: 24 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 6 (round model, extra fine point, red sable hair) ●
●
05838649
REMBRANDT WATER COLOUR DE LUXE SET 05M8648 PANS Contents: 48 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 6 (round model, extra fine point, red sable hair) ●
●
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Pagina 23
ROYAL TALENS
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05840005
REMBRANDT WATER COLOUR BOX TRADITIONAL Contents: 12 tubes 5 ml Rembrandt water colour 1 Rembrandt brush series 110 no. 6 (pure red sable hair) porcelain mixing tray brochure ●
●
●
●
05840002
REMBRANDT WATER COLOUR BOX MAS TER 05840004
Contents: 42 pans Rembrandt water colour 2 bottles 75 ml auxiliaries: - Talens Liquid masking film - Talens Water colour varnish mat 4 Rembrandt brushes: - series 110 no. 4 and 12 (pure red sable hair), - series 132 no. 6 and series 136 no. 4 (petit gris pur, squirrel) porcelain mixing tray 3 sketch pencils, 2B kneadable eraser brushes mat sponge metal water bottle brochure
REMBRANDT WATER COLOUR BOX TRADITIONAL
●
Contents: 22 pans Rembrandt water colour 1 Rembrandt brush series 110 no. 4 (pure red sable hair) porcelain mixing tray brochure
●
●
●
●
●
●
●
●
●
●
●
●
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05840003
REMBRANDT WATER COLOUR BOX PROFESSIONAL Contents: 28 pans Rembrandt water colour 1 bottle 75 ml Talens Liquid masking film 2 Rembrandt brushes series 110 no. 4 and 8 (pure red sable hair) porcelain mixing tray 2 sketch pencils, 2B kneadable eraser brochure ●
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24_Talens_cat 2011_UK
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Pagina 24
ROYAL TALENS
24
50838612
EMPT Y METAL SET 50M8612 FOR 12 PANS
50838624
EMPT Y METAL SET 50M8624 FOR 24 PANS
50838648
EMPT Y METAL SET 50M8648 FOR 48 PANS
Empty sets For putting together one's personal choice of Rembrandt water colours with pans.
25_Talens_cat 2011_UK
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16:30
Pagina 25
colour chart Rembrandt water colour Chinese white
Transp. titanium white
Cadmium lemon
+++ 207 2 3 PY35
Perm.lemon yellow
Cadmium yellow L
+++ 254 2 2 PY184
+++ 208 2 3 PY35
Azo yellow L
Cadmium yellow M
Azo yellow M
Cadm.yellow D
+++ 268 2 PY154
+++ 271 2 3 PY35
+++ 269 2 PY154/PO62
+++ 210 2 3 PY35/PO20
+++ 108 2 1 PW4
+++ 112 1 PW6
Azo yellow D
Aureoline
Indian yellow
Gamboge
Naples yellow D
Naples yellow red
Cadmium orange
Perm. orange
Vermilion
+++ 270 2 PY154/PO43
+++ 242 3 PY150
+++ 244 2 PY154/PO48
+++ 238 2 PY150/PO48
+++ 223 2 1 PBr24/PY53/PW6
+++ 224 2 1 PY42/PO43/PW6
+++ 211 2 3 PO20/PY35
+++ 266 2 PO73/PY154
+++ 311 2 PR255/PY154
Cadmium red L
Permanent red L
Cadmium red M
Permanent red M
Cadmium red D
Permanent red D
Permanent madder L
Madder deep
Alizarin crimson
+++ 303 2 3 PR108/PO20
+++ 370 2 PR255/PY154
+++ 314 2 3 PR108
+++ 377 2 PR255
Permanent madder
Carmine
Quinacridone rose
Permanent red violet
+++ 336 2 PR264/PV19
+++ 318 2 PR264/PV19
French ultramarine
Ultramarine D
Cobalt blue (ultram.)
+++ 503 2 G PB29
+++ 506 1 G PB29
Indanthrene blue
Indigo
+++ 306 2 3 PR108
+++ 371 2 PR254
+++ 321 2 PR254/PV19
Perm.madder purple
Cobalt violet
Mauve
+++ 325 2 PR264/PV19
+++ 539 2 3 G PV14
+++ 532 2 PV19/PB15
Cobalt blue
Cerulean blue
Cerulean bl.(phthalo)
Phthalo blue red
+++ 512 1 PB29/PW6
+++ 511 2 3 G PB28
+++ 534 2 3 G PB35
+++ 535 2 PB15/PW6
Turquoise blue
Bluish green
Perm.yellow green
+++ 640 2 PG7/PB15
+++ 366 2 PV19
+++ 567 2 PV19
+ 331 2 PR83 Perm. blue violet
Phthalo blue green
Permanent green
Emerald green
Cobalt green
Viridian
+++ 633 2 PY154/PG7
+++ 662 2 PG7/PY154
+++ 615 2 PG36
+++ 610 2 3 G PG19
+++ 616 2 G PG18
Chromium ox.green
Yellow ochre
Gold ochre
+++ 668 2 2 PG17
+++ 227 1 PY43/PY42
+++ 231 1 PY43 Burnt umber
Phthalo green
Hooker green D
Hooker green L
Sap green
Olive green
Green earth
+++ 675 2 PG7
+++ 645 2 PG7/PY150
+++ 644 2 PG7/PY150
+++ 623 2 PY150/PG7
+++ 620 2 PG7/PY150/PV19
+++ 629 1 G PG23
Transp.ox.yellow
Raw sienna
Burnt sienna
Transp.ox.red
Perm.madder brown
Light oxide red
Venetian red
Indian red
+++ 265 2 PY42
+++ 234 1 G PY43
+++ 378 2 PR101
+++ 324 2 PR264/PR101
+++ 339 2 1 PR101
+++ 349 2 1 PR101
+++ 347 2 1 PR101/PR264
Raw umber
Transp. ox. brown
Sepia
Vandyke brown
Payne’s grey
Neutral tint
Ivory black
Lamp black
+++ 426 2 PR101
+++ 416 1 PBk7/PR101
+++ 403 2 1 PR101/PBk7
+++ 708 2 1 PBk6/PB15
+++ 715 2 1 PBk6/PV19
+++ 701 2 1 G PBk6
+++ 702 2 1 PBk6/PBk9
Example:
Cadmium yellow M
+++ 271 2 3 PY35 PY35 = pigments used (see explanation on page 200)
Prussian blue
+++ 576 2 PB15
+++ 522 2 PB15/PG7
Explanations of the signs from left to right
+++ 507 2 G PV15
+++ 583 2 PB15
+++ 533 2 1 PB15/PBk6
+++ 408 1 PBr7
Ultramarine violet
+++ 568 2 PV19/PB15
+++ 585 2 PB60
+++ 411 1 PBr7
+ 326 2 PR83
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (78 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions (2 colours) 0 = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
+++ 508 1 PB27
+++ 409 1 PBr7
Opacity 2 = semi-transparent (26 colours) 3 = price series = also available in tube of 20 ml â—† = colour with high adhesion (11 colours) G = Granulating colours (11 colours which give a light grainy effect) are indicated with a G
271 = colour number
Transparency Most Rembrandt water colour tones are very transparent because of the use of pure gum arabic and the pigments chosen. A few colours are slighty less transparent because of the specific pigment used, such as cadmium colours.
Nevertheless, since water colours are usually heavily diluted, this will be scarcely visible. These less transparent colours are marked with a 2 .
ROYAL TALENS
25
26_Talens_cat 2011_UK
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16:32
Pagina 26
CATALOGUS
ROYAL TALENS
26
Rembrandt soft pastels owe their quality to the close collaboration with professional artists, combined with traditional expertise and more than a century of experience in the manufacture of pastels. Each colour is made according to a unique formula, and the necessary raw materials go through very strict controls for each new batch.
Soft pastels The properties: • World-wide most used soft pastels • Characteristic softness for excellent colour release • Very high colouring power and brilliant colour tones • Manufactured with the purest pigments and finest quality kaolin
27_Talens_cat 2011_UK
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16:35
Pagina 27
ROYAL TALENS
27
3199....
REMBRANDT SOFT PAS TELS Available in 203 colours
31823133
REMBRANDT SOFT PAS TELS GENERAL SELECTION DE LUXE SET 300C60.5 Contents: 60 half pastels
31823108
REMBRANDT SOFT PAS TELS S TARTER SET 300C15.5 Contents: 15 half pastels
31823145
REMBRANDT SOFT PAS TELS GENERAL SELECTION PROFESSIONAL SET 300C90.5 Contents: 90 half pastels
31823116
REMBRANDT SOFT PAS TELS BASIC SET 300C30.5 Contents: 30 half pastels
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Pagina 28
ROYAL TALENS
28
31823017
REMBRANDT SOFT PAS TELS GENERAL SELECTION S TARTER SET 300C15 Contents: 15 whole pastels
31823047
REMBRANDT SOFT PAS TELS GENERAL SELECTION TRADITIONAL SET 300C45 Contents: 45 whole pastels
31823031
31823160
Contents: 30 whole pastels
Contents: 60 whole / 60 half pastels
REMBRANDT SOFT PAS TELS GENERAL SELECTION BASIC SET 300C30
REMBRANDT SOFT PAS TELS GENERAL SELECTION MAS TER SET 300C60/60.5
29_Talens_cat 2011_UK
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Pagina 29
ROYAL TALENS
29
31812015
REMBRANDT SOFT PAS TELS GENERAL SELECTION S TARTER BOX 300H15 Contents: 15 whole pastels
31823033
REMBRANDT SOFT PAS TELS PORTRAIT SELECTION BASIC SET 300C30P Contents: 30 whole pastels
31812115
REMBRANDT SOFT PAS TELS GENERAL SELECTION BASIC BOX 300H30.5 Contents: 30 half pastels
31823093
REMBRANDT SOFT PAS TELS PORTRAIT SELECTION PROFESSIONAL SET 300C90P Contents: 90 whole pastels
30_Talens_cat 2011_UK
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16:42
Pagina 30
ROYAL TALENS
30
31812145
31812160
REMBRANDT SOFT PAS TELS PORTRAIT SELECTION TRADITIONAL BOX 300H45P
REMBRANDT SOFT PAS TELS PORTRAIT SELECTION DE LUXE BOX 300H60P
Contents: 45 whole pastels
Contents: 60 whole pastels
31812190
31823092
Contents: 90 whole pastels
Contents: 90 whole pastels
REMBRANDT SOFT PAS TELS PORTRAIT SELECTION PROFESSIONAL BOX 300H90P
REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION PROFESSIONAL SET 300C90L
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16:44
Pagina 31
ROYAL TALENS
31
31812045
REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION TRADITIONAL BOX 300H45L Contents: 45 whole pastels 31823032
REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION BASIC SET 300C30L Contents: 30 whole pastels
31812060
REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION DE LUXE BOX 300H60L Contents: 60 whole pastel
31812090
REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION PROFESSIONAL BOX 300H90L Contents: 90 whole pastels
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Pagina 32
ROYAL TALENS
32
31812150
REMBRANDT SOFT PAS TELS GENERAL SELECTION MAS TER BOX H150 145 colours Rembrandt soft pastels with extra white and black make this pastel box a complete and wonderful collection of 150 pastels, from which every pastellist can find the right colours for any subject.
31813225
REMBRANDT SOFT PAS TELS EXCELLENT BOX H225 Total general selection. All 203 colours available in a prestigious wooden box, which is supplemented with a number of commonly used colours to bring the total selection to 225 pastels.
33_Talens_cat 2011_UK
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Pagina 33
ROYAL TALENS
33
50812150
REMBRANDT EMPT Y PAS TEL BOX 300H150E For 150 whole pastels Measurements: 49.5 x 31.0 x 8.5 cm (l x w x h)
50812060
REMBRANDT EMPT Y PAS TEL BOX 300H60E For 60 whole pastels Measurements: 32.3 x 22.9 x 6.1 cm (l x w x h)
Empty wooden pastel boxes For composing a more personal choice of Rembrandt soft pastels.
90840060
REMBRANDT EMPT Y PAS TEL BOX H60 WITH SIEVE For 60 whole pastels With sieve for keeping the pastels clean Measurements: 39.7 x 30.7 x 3.7 cm (l x w x h)
34_Talens_cat 2011_UK
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Pagina 34
ROYAL TALENS
34
colour chart Rembrandt soft pastels 100 White PW6
205 Lemon yellow PY184/PY138
201 Light yellow PY184/PY83
202 Deep yellow PY139
236 Light orange PY139/PY42
235 Orange PO43
370 Perm.red L PR254/PO67
372 Perm.red PR254/PY83
371 Perm.red D PR254/PR264
+++ 100,5
+++ 205,3
+++ 201,3
++ 202,3
+++ 236,3
++ 235,3
++ 370,3
+++ 372,3
+++ 371,3
101 White supersoft PW6
+++ 205,5
+++ 201,5
++ 202,5
++ 236,5
++ 235,5
++ 370,5
+++ 372,5
+++ 371,5
+++ 101,5
+++ 205,8
+++ 201,7
++ 202,7
++ 236,7
++ 235,8
++ 370,7
++ 372,8
+++ 371,7
+++ 205,9
++ 201,8
+++ 202,9
++ 236,8
++ 235,9
++ 370,9
++ 372,9
++ 371,8
+++ 202,12
++ 236,9
++ 372,10
++ 371,9
+++ 205,12
318 Carmine PR176/PR254
331 Madder D PR254/PR12
397 Perm.rose PV19
545 Red violet PR202
536 Violet PV19/PB29
548 Blue violet PV16/PB29
506 Ultramarine D PB29/PB27
505 Ultramarine L PB29
508 Prussian blue PB27/PB29
+++ 318,3
+++ 331,3
++ 397,3
++ 545,3
++ 536,3
+++ 548,3
+++ 506,3
+++ 505,3
+++ 508,3
+++ 318,5
+++ 331,5
++ 397,5
++ 545,5
++ 536,5
+++ 548,5
+++ 506,5
+++ 505,5
+++ 508,5
++ 318,7
++ 331,7
++ 397,7
++ 545,7
+++ 536,7
+++ 548,7
+++ 506,7
+++ 505,7
+++ 508,7
++ 318,8
++ 331,8
++ 397,9
++ 545,8
+++ 536,9
+++ 548,8
+++ 506,9
+++ 505,8
+++ 508,8
++ 318,9
++ 331,9
++ 397,10
+++ 505,9
+++ 505,10
570 Phthalo blue PB15
522 Turquoise blue PG7/PB15
640 Blue green PB27/PG36
++ 570,3
++ 522,3
+++ 640,3
627 Cinnabar gr. D 619 Perm.green D 675 Phthalo green 618 Perm.green L 626 Cinnabar gr. L 633 Perm. yellow gr. PY184/PY74/PB27 PY184/PY42/PB15 PY3/PG36 PG17/PY42 PY184/PY83/PB27 PY83/PY184/PG36
+++ 627,3
++ 619,3
+++ 675,3
+++ 618,3
+++ 626,3 +++ 633,3
++ 570,5
++ 522,5
+++ 640,5
+++ 627,5
++ 619,5
+++ 675,5
++ 618,5
++ 626,5 +++ 633,5
++ 570,7
++ 522,8
+++ 640,7
+++ 627,7
++ 619,7
+++ 675,8
++ 618,8
++ 626,7 +++ 633,7
++ 570,9
++ 522,10
+++ 640,9
+++ 627,8
+++ 619,9
++ 618,9
++ 626,9 +++ 633,9
+++ 627,9
+++ 627,10
++ 626,10
35_Talens_cat 2011_UK
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16:57
Pagina 35
colour chart Rembrandt soft pastels 620 Olive green PY139/PG7
227 Yellow ochre PY42
234 Raw sienna PY42/PR101
231 Gold ochre PY42/PR101
339 Light oxide red PR101
408 Raw umber PY42/PR101
411 Burnt sienna PR101/PBr7
343 Cap. mort. red PR101
347 Indian red PR101/PB29
+++ 620,3
+++ 227,3
+++ 234,3
+++ 231,3
+++ 339,3
+++ 408,3
+++ 411,3
+++ 343,3
+++ 347,3
+++ 620,5
+++ 227,5
+++ 234,5
+++ 231,5
+++ 339,5
+++ 408,5
+++ 411,5
+++ 343,5
+++ 347,5
++ 620,7
+++ 227,7
+++ 234,7
+++ 231,7
+++ 339,7
+++ 408,7
+++ 411,7
+++ 343,7
+++ 347,7
++ 620,8
+++ 227,9
+++ 234,8
+++ 231,8
+++ 339,8
+++ 408,9
+++ 411,8
+++ 343,8
+++ 347,9
++ 620,10
+++ 227,10
+++ 234,9
+++ 231,9
+++ 339,9
+++ 408,10
+++ 411,9
+++ 343,9
+++ 234,10
+++ 231,10
+++ 339,10
+++ 411,10
538 Mars violet PR101
409 Burnt umber PR101/PBr7
704 Grey PY42/PBk7/PR101
727 Blue grey PB29/PBk6/PB27
707 Mouse grey PB29/PV16/PBk6
709 Green grey PG17/PBk6
700 Black PBk7/PBk11
+++ 538,3
+++ 409,3
+++ 704,3
+++ 727,3
+++ 707,3
+++ 709,3
+++ 700,5
+++ 538,5
+++ 409,5
+++ 704,5
+++ 727,5
+++ 707,5
+++ 709,5
+++ 538,7
+++ 409,7
+++ 704,7
+++ 727,7
+++ 707,7
+++ 709,7
+++ 538,8
+++ 409,8
+++ 704,8
+++ 727,8
+++ 707,8
+++ 709,8
+++ 538,9
+++ 409,9
+++ 704,9
+++ 727,9
+++ 707,9
+++ 709,9
+++ 538,10
+++ 409,10
+++ 704,10
+++ 727,10
+++ 707,10
+++ 709,10
Explanations of the signs from left to right Example: 205 Lemon yellow PY184/PY138
+++ 205,3
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (142 colours) ++ = 25 - 100 years lightfast under museum conditions (60 colours) + = 10 - 25 years lightfast under museum conditions (1 colours) ยบ = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.
205,3 = colour number and tone ,3 = mixture with black ,5 = full shade ,7 t/m ,12 = mixture with an increasing amount of white PY184/PY138 = pigments used (see explanation on page 200)
ROYAL TALENS
35
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17:00
Pagina 36
ROYAL TALENS
36
The centuries-old tradition of using natural materials such as chalk, china clay and coloured earth is honoured by Rembrandt carré pastels. The carré pastels are an exclusive range of eighteen traditional colours, namely earth colours, greys, white and black. The raw materials are the same as those for Rembrandt soft pastels, but applied in another ratio. This makes carré pastels less soft and ideal for sketching. The Rembrandt carré pastels have a number of important features:
Carré pastels • A high colour release and tinting strength • The highest possible colourfastness • A good adhesion on practically all types of paper • Washable
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17:02
Pagina 37
ROYAL TALENS
37
34820008
REMBRANDT CARRÉ PAS TELS SET 34C8 Contents: 6 Carré pastels
34820013
REMBRANDT CARRÉ PAS TELS SET 34C13 Contents: 12 Carré pastels
34820018
REMBRANDT CARRÉ PAS TELS SET 34C18 Contents: 18 Carré pastels, complete range
38_Talens_cat 2011_UK
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12:25
Pagina 38
ROYAL TALENS
38
THE MIRACLE THAT GIVES COLOUR
Pigments
Pigment forms an important basis for colour. These days the pigments that are used come almost solely from laboratories. Perhaps not quite so romantic, but in many cases better for the environment, one’s health, wallet and the quality of the colour. An antholog y.
What are pigments exactly?
Purpura snails
The Latin word ‘pigmentum’ means ‘paint’. Before a pigment becomes paint a binder such as oil or Gum Arabic needs to be added. A pigment is powdery and, in contrast to a dye, is not soluble in the fluid binder with which it is mixed. Pigments are dispersed; upon mixing with a binder they remain as small granules. The finer the dispersion of the pigments, the more intense the colour. There are both natural and synthetic pigments. Natural pigments may have an organic origin; they are for example extracted from plants such as madder, woad and gooseberry. Or from animals, for example Indian yellow (from cows’ urine), carmine red/cochineal (the cochineal insect) and purple (the purpura snail) Other pigments are obtained as minerals, and as such are inorganic: these include earth pigments, Venetian Red, ochre, azurite and ultramarine.
For 4 grams of the purple dye, or Tyrian pink, slaves in ancient times had to dive to the bottom of the sea and collect 30,000 purpura snails. Those few grams could colour a pound of paint; the dye therefore was considerably powerful. And extraordinarily expensive. Although these days a better synthetic variant is available, the status of such a scarce colour is still clear, for example in its use in the purple robes of the pope and bishops.
Personal palette Rembrandt mixed his paint himself, as did all his contemporary painters of the 17th century or the Golden Age. He used some ten pigments: white lead, bone black, Kassel earth, umber, yellow ochre, lead tin yellow, vermilion, madder, smalt and azurite. Paint from tubes is a 19th century invention. If Rembrandt had had our pigments, his paintings would have looked quite different today. These days it is possible to give all colour ranges the highest degree of lightfastness; the colours retain their properties, also after years and years.
Valuable stone These days Afghan fighters finance their weaponry with the same ultramarine that Titian used in the 16th century. It was once the most expensive pigment in the world; today the pigment would cost approximately € 7500 per kilo ($4473 per lb.). The name of this intense blue, which is extracted from the semi-precious stone Lapis Lazuli, means ‘from beyond the sea’. Despite a good synthetic replacement the original is still highly sought-after. Incomprehensible, because there are synthetic variants that are much better, and which are used by Royal Talens.
Zeeland red is back Since the 15th century until the beginning of the 20th century, the madder plant (Rubia tinctorum) had been grown, mainly in the Dutch province of Zeeland, to form the basis for the red colour madder or alizarin. The discovery of a synthetic variant put a stop to this. This is until an entrepreneur from Zeeland recently started to again sell the environmentally-friendly variant of the redder than red pigment: soon we will be able to enjoy fields of madder once more! The paint industry, by the way, will not use madder, as the better synthetic variants are simply much more lightfast.
Would you like to know more? Visit the Talens web site; a source of inspiration as well as information: www.royaltalens.com. For further information about pigments, click on ‘technical’.
Inside information
Don Nederhand, technical adviser of Royal Talens, about the use of pigments: “These days there are so many pigments! In the 1950s and 1960s a new one was added almost every day; now mainly long-lasting pigments are looked for. We closely monitor, for example, the developments in the car industry, which requires optimal durability, as do we. Do you remember those faded red cars of twenty years ago? That is now inconceivable. Much has been improved; not only in terms of quality, but also in the size of the range. There is now so much choice. But, you know, there is always something to wish for. A cheaper and opaque alternative for the cadmiums – the basis for yellow, orange and red tints – would be nice. The cheaper variants are always less opaque and less lightfast. The good ones are not only very expensive, but also less opaque. We continue in our pursuit of improvements.”
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12:26
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39_Talens_cat 2011_UK
PIGMENTS
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11:53
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Setting down what you truly feel. Saying what you really want to say. Experimenting as never before - wherever you want. Discover the boundless possibilities of Cobra water mixable oil colour. And get the best out of yourself.
water mixable oil colour
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12:49
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From now on give your inspiration full rein with Cobra: the new water mixable oil colour from Royal Talens that produces wonderful and long-lasting results without having to use solvents such as turpentine or white spirits. A material with unlimited possibilities for the ambitious artist. www.cobra.royaltalens.com
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A well balanced range Cobra is an Artists’ quality water mixable oil paint with a particularly high pigment content. Only the very best pigments and oil are used for this. During the grinding process the paint is pulverized in the triple-roll mill until the fineness of an Artists’ quality has been achieved. An important feature of Cobra is the particularly rich range of colours. Based on years of knowledge and experience Royal Talens has put together a complete and high-quality range of water mixable oil colours and auxiliaries.
water mixable oil colour The range consists of 70 intense transparent, semi-transparent, semi-opaque and opaque colours. They all have the highest degree of lightfastness (+++) and under museum conditions remain unchanged for at least 100 years. The range includes 32 mono-pigmented colours (colours in which only one pigment is used, so that when mixing attractive pure colours are created). There are also ten colours based on highly exclusive pigments – such as the cadmiums, cobalts and chromium oxides – and an exceptionally transparent oxide red or yellow.
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24-11-2010
14:17
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2107...0
COBRA WATER MIXABLE OIL COLOUR TUBE 150 ML Available in 30 colours
2105...0
COBRA WATER MIXABLE OIL COLOUR TUBE 40 ML Available in 70 colours
For working outside with Cobra water mixable oil colour Talens offers a series of field easels of varnished metal or of beech wood impregnated with oil. Go to page 149 for the complete review.
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19:07
Pagina 44
44 21820510 ROYAL TALENS
COBRA WATER MIXABLE OIL COLOUR VALUE PACK Contents: 10 tubes 40 ml Cobra water mixable oil colour
21820505
COBRA WATER MIXABLE OIL COLOUR S TARTER SET Contents: 5 tubes 40 ml Cobra water mixable oil colour
21820511
COBRA WATER MIXABLE OIL COLOUR GIFT SET Contents: 10 tubes 40 ml Cobra water mixable oil colour Cobra painting medium 75 ml Cobra brushes flat, polyester no. 4 and 10 Palette cup double ●
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14:17
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colour chart Cobra water mixable oil colour Zinc white
Titanium white
+++ 104 3 1 PW7
+++ 105 4 1 PW6
Titanium buff
Cadmium lemon
Perm.lemon yellow
+++ 291 4 3 PW7/PY42/PBk9
+++ 207 4 4 PY35
+++ 254 3 2 PY184
Perm.yell.medium
Indian yellow
Naples yellow lt
Napels yellow dp
+++ 284 3 2 PY154
+++ 244 1 3 PY110
+++ 222 4 3 PW7/PY154/PBr24
+++ 223 4 3 PW7/PY154/PBr24
Vermilion
Cadmium red lt
Pyrrole red lt
Transp.red medium
Cadm.red medium
+++ 311 3 2 PO43
+++ 303 4 4 PR108
+++ 340 3 3 PR254/PO43
+++ 317 1 3 PR207
+++ 314 4 4 PR108
Madder lake
Primary magenta
Persian rose
Perm.red violet lt
Perm.red violet
+++ 577 4 3 PR202/PW7
+++ 389 2 2 PR264
+++ 369 1 3 PV19
Ultramarine
Cobalt blue
+++ 504 1 2 PB29
+++ 511 3 4 PB28
+++ 330 4 2 PW7/PR202 Cobalt blue (ultram.)
+++ 512 3 3 PB29/PB15
Perm.yellow dp
Primary yellow
Transp.yell.medium
+++ 275 3 2 PY184/PY154
+++ 272 1 3 PY128
Cadmium yellow dp
Cadmium orange
+++ 210 4 4 PY35/PO20
+++ 211 4 4 PO20
+++ 266 3 2 PY154/PO43
+++ 224 4 3 PW7/PO43/PBr24
Pyrrole red
Pyrrole red deep
Cadmium red deep
Carmine
+++ 315 3 3 PR254
+++ 345 3 3 PR254/PR264
+++ 306 4 4 PR108
+++ 318 3 3 PR176
Violet
Perm.blue violet
Blue violet
Grey blue
+++ 567 2 3 PV23/PR122
+++ 536 4 3 PW7/PR122/PV23
+++ 568 2 3 PV23/PR122
+++ 548 4 3 PW7/PB29/PV23
+++ 562 4 2 PW7/PB29/PBk9
King’s blue
Prussian blue
Cerulean blue
Cerulean blue (phthalo)
Phthalo blue
Primary cyan
+++ 517 4 3 PW7/PB29
+++ 508 1 3 PB27
+++ 534 3 4 PB35
+++ 535 4 2 PB15/PW7
+++ 570 1 3 PB15
+++ 572 4 2 PB15/PW7
Emerald green
Phthalo green
Permanent green dp
+++ 615 4 2 PW7/PG7/PY154
+++ 675 1 3 PG7
+++ 285 3 2 PY154/PO43
Yellowish green
Permanent green lt
+++ 522 4 3 PW7/PB15/PG7
+++ 565 1 3 PB15/PG7
+++ 617 3 3 PG7/PY154
+++ 618 3 3 PG7/PY154
Chromium oxide green
Yellow ochre
Raw sienna
Light oxide red
Burnt sienna
Transp. oxide red
+++ 234 2 2 PY42/PBk11
+++ 339 4 2 PR101
+++ 411 2 2 PR101
Lamp black
Vandyke brown
Payne’s grey
Ivory black
+++ 403 3 2 PR101/PBk11
+++ 708 3 2 PBk9/PB15/PV19
+++ 701 4 1 PBk9
Explanations of the signs from left to right Example: Primary yellow
+++ 275 3 2 PY184/PY154
+++ 271 4 4 PY35 Naples yellow red
Phthalo turq.blue
+++ 227 4 2 PY42
+++ 283 3 2 PY154
Cadm.yellow medium
Permanent orange
Turquoise blue
+++ 668 4 4 PG17
Perm.yellow lt
+++ 702 3 1 PBk9/PB29
Sap green
Olive green
+++ 623 1 3 PG7/PY110
+++ 620 1 3 PG7/PY110/PR264
Transp. oxide yellow
Raw umber
Burnt umber
+++ 378 1 3 PR101
+++ 265 1 3 PY42
+++ 408 2 3 PY42/PBk11
+++ 409 2 2 PR101/PBk11
Silver
Light gold
Deep gold
+++ 800 3 3 PW6/15/20/PBk11
+++ 802 3 3 PW6/20/PR101
+++ 803 3 3 PW6/20/PR101
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 70 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions
opacity 1 = transparent (13 colours) 2 = semi-transparent (7 colours) 3 = semi-opaque (24 colours) 4 = opaque (26 colours) 275 = colour number 2 = price series
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.
+++ 619 3 3 PG7/PY154
= also available in tube of 150 ml PY184/PY154 = pigments used (see explanation on page 200)
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Mediums affect the properties of the paint and are often indispensable for a durable build-up of your painting.
COBRA PAINTING PAS TE 087 Purpose: Increasing the transparency, while retaining the viscosity. Composition: Vegetable oils and thickening agents.
COBRA PAINTING MEDIUM 091
Qualities: Increases the transparency Degree of gloss is retained No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly
Purpose: Increasing the flow and/or transparency, makes the paint fatter. Composition: Vegetable oils, synthetic resins and water.
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Qualities: Increases the gloss and transparency Makes the brush-stroke run slightly No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly
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COBRA GLAZING MEDIUM 092 Purpose: Increasing the flow and/or transparency, makes the paint fatter. Composition: Vegetable oils, synthetic resins and water. Qualities: Makes the brush-stroke run slightly Increases the gloss and transparency No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly ●
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Mediums Working with Cobra is even more fun and easy with those mediums and varnishes that are especially geared to water mixable oil paint techniques. The auxiliaries are carefully geared towards the specific requirements of this technique. Also important, the mediums are solvent-free so they do not produce any irritating odours.
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Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odourless white spirit Qualities: Gives a silky sheen Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●
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COBRA VARNISH GLOSSY 102 Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, odourless white spirit Qualities: Gives a high gloss Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●
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COBRA VARNISH MATT 103
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Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odourless white spirit
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Qualities: Gives a matt gloss Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●
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Varnishes Cobra auxiliaries Painting medium Glazing medium Painting paste Varnish glossy Varnish satin Varnish matt
Product code 091 092 087 102 118 103
75 ml 24281091 24281092
250 ml 24301091 24301092
60 ml
200 ml
24061087
24081087
400 ml
95163102 95163118 95163103
ROYAL TALENS
COBRA VARNISH SATIN 118
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The Quality Brand Quality, that’s what you choose. That is why you use Van Gogh paint, so you can focus completely on your creativity and the painting process. Thanks to the lively and intense colours you can do anything in your paintings. Your inspiration determines the direction and the paint is your instrument. Van Gogh is therefore the ideal brand for the serious artist for whom quality is important.
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16:23
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10:08
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Painting with Van Gogh is a true pleasure. The buttery oil colours of Van Gogh give a wonderful result with oil techniques. With a choice from a wide and balanced range of colours. In addition to the bright colours, Van Gogh stands for the certainty of good oil colours. The fineness, tinting strength, the high level of pigmentation and the durability contribute to an ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in different tubes, sets and selection boxes.
Oil colour Van Gogh oil colour: high quality Strong and intense colours Easy to mix and use High pigment level Uniform degree of gloss and thickness of the various colours Good to excellent lightfastness for colour retention over time ●
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0204...3
VAN GOGH OIL COLOUR TUBE 20 ML Available in 66 colours
0205...3
VAN GOGH OIL COLOUR TUBE 40 ML Available in 66 colours
0206...3
VAN GOGH OIL COLOUR TUBE 60 ML Available in 66 colours
0208...3
VAN GOGH OIL COLOUR TUBE 200 ML Available in 55 colours
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ROYAL TALENS
02821406
VAN GOGH OIL COLOUR S TARTER SET 02C406 Contents: 6 tubes 20 ml
02820410
VAN GOGH OIL COLOUR BASIC SET 02C410 Contents: 10 tubes 20 ml
02820415
VAN GOGH OIL COLOUR COMBISET 10X20 ML Contents: 10 tubes 20 ml 1 bottle painting medium 75 ml 2 Van Gogh brushes series 210 no. 8 (Gussow model, hog bristle) and series 211 no. 4 (round model, hog bristle) double palette cup ●
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02840510
VAN GOGH OIL COLOUR BASIC BOX Contents: 10 tubes 40 ml 2 bottles Talens auxiliaries 75 ml: - Painting medium - Odourless white spirit 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) double palette cup wooden palette cleaning cloth ●
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02840100
VAN GOGH OIL COLOUR BOX INSPIRATION Contents: 14 tubes Van Gogh oil colour 40 ml 2 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium 2 Van Gogh brushes - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 6 (round model, hog bristle) painting knife no. 3014 double palette cup wooden palette cleaning cloth colour mixing brochure ●
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02843426
VAN GOGH OIL COLOUR BOX EXPERT Contents: 26 tubes Van Gogh oil colour: - 24 tubes 20 ml - 2 tubes 60 ml Zinc and Titanium white (linseed oil) 3 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium - Painting varnish glossy 3 Van Gogh brushes: - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 04 (round model, hog bristle) - series 294 no. 12 (Gussow model, polyester fibre) painting knife no. 3014 double palette cup tube with 3 sticks charcoal wooden palette cleaning cloth colour mixing brochure ●
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02843425
VAN GOGH OIL COLOUR BOX SUPERIOR Contents: 34 tubes Van Gogh oil colour: - 32 tubes 20 ml - 2 tubes 60 ml zinc and titanium white (linseed oil) 4 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium - Retouching varnish - Painting varnish glossy 1 tube 60 ml Talens Painting paste 5 Van Gogh brushes: - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 6 (round model, hog bristle) - series 232 no. 8 (model cat tongue, ox hair) - series 235 no. 4 (round model, ox hair) - series 294 no. 12 (Gussow model, polyester fibre) painting knife no. 3014 double palette cup tube with 3 sticks charcoal wooden palette cleaning cloth colour mixing brochure ●
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14:10
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colour chart Van Gogh oil colour Zinc white
+++ 104 3 1 PW4 Azo yellow D
Titanium white
Titan. white (lins.oil)
+++ 105 4 1 PW6/PW4
+++ 118 4 1 PW6/PW4
++ 267 3 1 PY3/PW6
+++ 208 4 2 PY35
++ 268 3 1 PY3/PY74/PW6
+++ 271 4 2 PY35
Naples yellow L
Naples yellow D
Naples yellow red
Cadmium orange
Indian yellow
++ 270 3 1 PY74/PO43/PW6 Cadmium red L
+++ 244 1 2 PY110 Azo red M
Azo yellow lemon
+++ 222 4 1 +++ 223 4 1 PW6/PY154/PBr24 PW6/PY154/PBr24
Cadmium yellow L
+++ 224 4 1 PW6/PO43/PBr24
Azo yellow L
+++ 211 4 2 PO20
Cadm.yellow M
Azo yellow M
Cadm.yellow D
++ 269 3 1 PY74/PW6
+++ 210 4 2 PY35/PO20
Azo orange
Azo red L
Vermilion
++ 276 3 1 PO43/PY3
++ 312 3 1 PO34
Cadmium red M
Permanent red
Azo red D
Cadmium red D
Quinacridone rose
Madderlake L
Carmine
++ 327 1 1 PR83/PV19
++ 318 2 2 PR83/PR57:1
Cobalt blue ultram.
Sèvres blue
+++ 303 4 2 PR108
++ 393 3 1 PO34/PR57:1
+++ 314 4 2 PR108
+++ 372 3 2 PR254
++ 313 3 1 PO34/PR57:1
+++ 306 4 2 PR108
+++ 366 1 1 PV19
Alizarin crimson
Madder lake D
Mars violet
Perm.red violet
Violet
Ultramarine
Cobalt blue
++ 326 1 1 PR83
++ 331 1 1 PR83
+++ 538 4 2 PR101
+++ 567 2 2 PV23/PR122
++ 536 2 1 PV23/PV19
+++ 504 1 1 PB29
+++ 511 3 2 PB28
Phthalo blue
Prussian blue
Turquoise blue
Phthalo turq.blue
+++ 522 4 1 PW6/PB15/PG7
+++ 565 1 2 PB15/PG7
Fir green
+++ 623 1 1 PG7/PY110 Burnt sienna
Cerulean blue
Cerulean bl.(phthalo)
+++ 534 3 2 PB35
+++ 535 4 1 PB15/PW6
Permanent green D
Phthalo green
+++ 570 1 1 PB15 Viridian
++ 619 3 2 PB15/PY74
+++ 675 1 1 PG7
Raw sienna
Transp.ox.yellow
Transp.ox.red
+++ 265 1 2 PY42
+++ 378 1 2 PR101
Ivory black
Lamp black
+++ 701 4 1 PBk9
+++ 702 3 1 PBk9/PB29
+++ 234 2 1 PY43 Payne grey
+++ 708 3 2 PBk9/PB15/PV19
Explanations of the signs from left to right Example: Azo yellow lemon
++ 267 3 1 PY3/PW6 Letter behind the colour name: L = light , M = medium, D = deep
++ 311 3 2 PO34/PR57:1
+++ 616 2 2 PG7/PY43
++ 508 1 1 PB27 Sap green
+++ 411 2 1 PBr7
+++ 512 2 1 PB29
+++ 530 4 1 PB15/PW6
Yellow green
Perm.green M
Emerald green
++ 617 3 1 PG7/PY74
++ 614 3 1 PG7/PY3
Chromium ox.green
Green earth
Olive green
Yellow ochre
+++ 654 4 2 PG7/PY43
+++ 668 4 2 PG17
+++ 629 2 1 PY43/PBr7/PB15
+++ 620 1 2 PG7/PY128
+++ 227 4 1 PY42
Light oxide red
Indian red
Raw umber
Burnt umber
+++ 408 2 1 PBr7
+++ 409 2 1 PBr7
+++ 339 4 1 PR101
+++ 347 4 2 PR101
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (47 colours) ++ = 25 - 100 years lightfast under museum conditions (19 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions
Transparency/opacity 1 = transparent (14 colours) 2 = semi-transparent (10 colours) 3 = semi-opaque (15 colours) 4 = opaque (9 colours)
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
1 = price series
267 = colour number
++ 615 4 1 PW6/PB15/PY3
Vandyke brown
+++ 403 3 1 PBr7/PBk9
= also available in tube of 200 ml PY3/PW6 = pigments used (see explanation on page 200)
ROYAL TALENS
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15:18
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Van Gogh acrylic colours are a durable acrylic paint with high-quality pigments that can be used pure or thinned with water. Due to the short drying time it is possible to paint layer over layer quickly. Van Gogh acrylic colours are a versatile range with a rich palette of 40 colours. The paints are available in aluminium tubes and various sets and selection boxes. Van Gogh acrylic colours do justice to your creations.
Acrylic colour Van Gogh acrylic colours: Top quality Strong and intense colours High pigment content Heavy-body paint for clear brush-stroke Good to excellent lightfastness so that the colour is retained over time ●
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2205...0
VAN GOGH ACRYLIC COLOUR TUBE 40 ML Available in 40 colours
2207...0
VAN GOGH ACRYLIC COLOUR TUBE 150 ML Available in titanium white (105) and oxide black (735)
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22820511
VAN GOGH ACRYLIC COLOUR S TARTER SET 5X40 ML Contents: 5 tubes 40 ml
22820510
VAN GOGH ACRYLIC COLOUR BASIC SET 10X40 ML Contents: 10 tubes 40 ml
22820506
VAN GOGH ACRYLIC COLOUR COMBISET 10X40 ML Contents: 10 tubes 40 ml 1 bottle acrylic medium glossy 75 ml 2 Van Gogh brushes series 294 no. 10 and no. 4 (Gussow model, selected filament) double palette cup ●
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22840513
VAN GOGH ACRYLIC COLOUR BOX BASIC Contents: 10 tubes 40 ml 2 bottles Talens auxiliaries 75 ml: - Acrylic medium glossy - Acrylic varnish glossy 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) double palette cup wooden palette cleaning cloth ●
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22840100
VAN GOGH ACRYLIC COLOUR BOX INSPIRATION Contents: 14 tubes 40 ml Van Gogh acrylic colour 2 bottles Talens auxiliaries 75 ml: - Acrylic medium glossy - Acrylic varnish glossy 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) painting knife no. 3014 double palette cup wooden palette cleaning cloth colour mixing brochure ●
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colour chart Van Gogh acrylic colour Titanium white
Azo yellow lemon
Azo yellow L
Azo yellow M
Azo yellow D
Naples yellow D
Naples yellow red
Azo orange
Vermilion
++ 267 3 PY3
++ 268 3 PY3/PY74
+++ 269 3 PY74
+++ 270 3 PY74/PO43
+++ 223 4 PW6/PY42/PY154
+++ 224 4 PW6/PY42/PO43
++ 276 3 PO34/PY74
++ 311 3 PO34
Naphthol red L
Naphthol red M
Carmine
Carmine D
Quinacridone rose
Perm. madder
Perm. red violet
Perm. blue violet
Ultramarine
++ 398 3 PR112/PO34
++ 396 3 PR112
++ 318 3 PR23
++ 322 2 PR12/PV19
+++ 366 1 PV19
+++ 336 2 PR264
+++ 567 2 PR122/PV23
+++ 568 2 PV23/PR122
+++ 504 1 PB29
Cobalt blue (ultram.)
Phthalo blue
Prussian bl.(phthalo)
Brilliant blue
Turquoise blue
Permanent green L
Permanent green M
Emerald green
Permanent green D
+++ 512 3 PB29/PB15
+++ 570 1 PB15
+++ 566 2 PB15/PBk11
+++ 564 4 PB15/PG7/PW6
+++ 522 4 PB15/PG7/PW6
+++ 618 3 PG7/PY74
+++ 614 3 PG7/PY74
+++ 615 4 PG7/PY74/PW6
+++ 619 1 PG7/PY128
Phthalo green
Sap green
Chromium ox.green
Yellow ochre L
Yellow ochre
Raw sienna
Burnt sienna
Light oxide red
Raw umber
+++ 675 1 PG7
++ 623 1 PG8
+++ 668 4 PG17
+++ 228 4 PBr24
+++ 227 4 PY42
+++ 234 2 PY42
+++ 411 2 PR101
+++ 339 4 PR101
+++ 408 2 PY42/PBk11
Burnt umber
Vandyke brown
Payne grey
Oxide black
+++ 409 2 PR101/PBk11
+++ 403 3 PBk11/PR101
+++ 708 3 PBk11/PB15/PV19
+++ 105 4 PW6
Explanations of the signs from left to right Example: Titanium white
+++ 105 4 PW6 Letter behind the colour name: L = light , M = medium, D = deep
+++ 735 4 PBk11
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (31 colours) ++ = 25 - 100 years lightfast under museum conditions (9 colours) + = 10 - 25 years lightfast under museum conditions ยบ = 0 - 10 years lightfast under museum conditions
Transparency/opacity 1 = transparent (6 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (14 colours) 4 = opaque (11 colours) 105 = colour number
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
Van Gogh acrylic colours can be used on all sorts of grounds providing they are grease-free and sufficiently absorbent. Talens offers a wide range of canvas stretchers (cotton, linen) of various types (stapled, nailed and 3D). Go to page 154 for the complete overview.
= also available in tube of 200 ml PW6 = pigments used (see explanation on page 200)
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61
Van Gogh water colour is a transparent paint with intense colours. All colours have the highest degree of lightfastness. The paint is easy to use. The purity allows the colours to be mixed easily and to be washed to create the finest of nuances. Lively colours are the result! The wide range of 40 colours is available in tubes and pans. There is also a wide choice of sets that are handy to take with you. Always ready for use.
Water colour Van Gogh water colour: high quality Easy colour transfer Strong and highly transparent colours Uniform viscosity of the various colours All colours are highly lightfast, even when thinned a great deal ●
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●
●
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62
2086...0
VAN GOGH WATER COLOUR PAN Available in 40 colours 2001...0
VAN GOGH WATER COLOUR TUBE 10 ML Available in 40 colours
20820110
VAN GOGH WATER COLOUR BASIC SET 20C110 Contents: 10 tubes 10 ml
20808612
VAN GOGH WATER COLOUR POCKET BOX 20HP8612 Contents: 12 pans brush series 191 no. 6 (pointed model, round, selected filament) sponge ●
●
●
20800112
VAN GOGH WATER COLOUR PLAS TIC SET 20HP112 Contents: 12 tubes 10 ml brush series 191 no. 6 (pointed model, round, selected filament) sponge ●
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20808624
VAN GOGH WATER COLOUR PLAS TIC SET 20HP8624 Contents: 24 pans brush series 191 no. 6 (pointed model, round, selected filament) sponge ●
●
●
20808618
VAN GOGH WATER COLOUR PLAS TIC SET 20HP8618 Contents: 18 pans 2 tubes 10 ml Chinese white and Payne’s grey brush series 191 no. 6 (pointed model, round, selected filament) sponge ●
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●
20838612
VAN GOGH WATER COLOUR METAL SET 20M8612 Contents: 12 pans reversible brush series 191 no. 3 (pointed model, round, selected filament) ●
●
20838624
VAN GOGH WATER COLOUR METAL SET 20M8624 Contents: 24 pans brush series 191 no. 6 (pointed model, round, selected filament) ●
●
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64
20848624
VAN GOGH WATER COLOUR BOX PANS GWC H8624 Contents: 24 Van Gogh water colour pans 2 Van Gogh brushes: - series 191 no. 4 (pointed model, round, polyester fibre) - series 171 no. 8 (round model, red sable hair) mixing palette ●
●
●
20840112
VAN GOGH WATER COLOUR BOX TUBES GWC H112 Contents: 12 tubes Van Gogh water colour 10 ml 2 Van Gogh brushes: - series 191 no. 4 (pointed model, round, selected filament) - series 171 no. 8 (round model, red sable hair) mixing palette ●
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colour chart Van Gogh water colour Chinese white
Perm.lemon yellow
Azo yellow L
Azo yellow M
Gamboge
Azo yellow D
Naples yellow red
Permanent orange
Vermilion
+++ 108 PW4
+++ 254 PY184
+++ 268 PY154
+++ 269 PY154/PO62
+++ 238 PY154/PR101
+++ 270 PY154/PO43
+++ 224 PY42/PO43
+++ 266 PY154/PO73
+++ 311 PR254/PY154
Permanent red L
Permanent red D
Madder lake L
Madder lake D
Quinacridone rose
Perm. red violet
Perm. blue violet
Ultramarine D
Cobalt bl. (ultram.)
+++ 370 PR254
+++ 371 PR254/PV19
+++ 327 PR264/PR254
+++ 331 PR264
+++ 366 PV19
+++ 567 PV19
+++ 568 PV19/PB29
+++ 506 PB29
+++ 512 PB29/PW6
Cerulean bl. (phthalo)
Phthalo blue
Prussian blue
Indigo
Perm. yellow green
Hooker green L
Hooker green D
Permanent green
Viridian
+++ 535 PB15/PW6
+++ 570 PB15
+++ 508 PB27
+++ 533 PB15/PBk6
+++ 633 PY154/PG7
+++ 644 PG7/PY154
+++ 645 PG7/PY154
+++ 662 PG7/PY154
+++ 616 PG7
Phthalo green
Sap green
Olive green
Yellow ochre
Raw sienna
Raw umber
Burnt sienna
Light oxide red
Burnt umber
+++ 675 PG7
+++ 623 PY129/PG7
+++ 620 PG7/PY154
+++ 227 PY42
+++ 234 PY42
+++ 408 PY42/PR101
+++ 411 PR101/PBk11
+++ 339 PR101
+++ 409 PR101/PBk6
Sepia
Vandyke brown
Payne grey
Ivory black
+++ 416 PBk7/PR101
+++ 403 PBk6/PR101
+++ 708 PBk6/PV19
+++ 701 PBk6/PBk9
Explanations of the signs from left to right Example: Azo yellow M
+++ 269 PY154/PO62 Letter behind the colour name: L = light , M = medium, D = deep
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (alle 40 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions ยบ = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
For each painting technique the right brush. Talens offers a complete series of brushes in the Van Gogh range. Go to page 139 for a complete review.
PY154/PO62 = pigments used (see explanation on page 200)
ROYAL TALENS
65
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66
Pastels Van Gogh pastels come in two sorts: oil pastels and carrĂŠ pastels. Van Gogh oil pastels are made of pigment with fats and waxes as binding agent; available both separately and in assortment sets. Van Gogh carrĂŠ pastels fall under the dry pastels category. They are square in shape and are made of pigment and various types of clay; only available in assortment sets. Due to the various combinations of binding agents each type of pastel has its own look and applications.
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Carré pastels Van Gogh carré pastels have a handy square shape, are sturdy and less brittle. Dry sturdy pastels for all-round drawing Due to their square form suitable for both rough and detailed work Excellent washabilty Can also be used with water for water colour effects Good lightfastness for colour retention also in the long term ●
●
●
●
●
90820012
90820024
Contents: 12 carré pastels
Contents: 24 carré pastels
VAN GOGH CARRÉ PAS TELS S TARTER SET 90C12
VAN GOGH CARRÉ PAS TELS BASIC SET 90C24
90820048
VAN GOGH CARRÉ PAS TELS SET 48 COLOURS 90C48 Contents: 48 carré pastels
ROYAL TALENS
67
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Oil pastels Van Gogh oil pastels are characterised by their brilliant colours and softness, allowing them to easily transfer their colour and making them pleasant to work with. ●
●
●
●
Striking tinting strength and easy colour transfer Based on pure pigments, mineral oils and waxes Remarkably soft and do not give off dust Suitable for various grounds
9586...0
VAN GOGH OIL PAS TEL Available in 60 colours.
95860012
VAN GOGH OIL PAS TELS S TARTER SET 95C12 Contents: 12 Van Gogh oil pastels
95860024
VAN GOGH OIL PAS TELS BASIC SET 95C24 Contents: 24 Van Gogh oil pastels
95860061
VAN GOGH OIL PAS TELS SET 60 COLOURS 95C60 Contents: 60 Van Gogh oil pastels
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colour chart Van Gogh oil pastels White
Colourless
Lemon yellow
Light yellow
Light yellow
Yellow
Yellow
Deep yellow
Deep yellow
+++ 100.5 PW6
120.5 PW18
+++ 205.5 PY3
+++ 201.5 PY1
+++ 201.9 PY3/PY42
+++ 200.5 PY55
++ 200.9 PY1/PY42
+++ 202.5 PY3/PY152
+++ 202.9 PY3/PO43
Orange
Light orange
Vermilion
Scarlet
Scarlet
Scarlet
Carmine
Carmine
Deep rose
+++ 235.5 PY139/PO43
++ 236.5 PY55/PO13
+++ 311.5 PO13/PR9
+++ 334.5 PR170/PR112
+++ 334.7 PR112/PR168
++ 334.9 PO43/PR168
+++ 318.5 PV19/PB29
+++ 318.7 PV19/PR112
+++ 362.5 PV19
Violet
Blue violet
Blue violet
Red violet
Red violet
Ultramarine
Ultramarine
Ultramarine violet
Cerulean blue
+++ 536.5 PR122/PB29
+++ 548.5 PR122/PB29
+++ 548.7 PR122/PB29
+++ 545.7 PR101/PR122
++ 545.9 PV19/PR112
+++ 504.5 PB29
+++ 504.9 PB29
+++ 507.5 PV23/PB29
+++ 535.5 PB15/PG7
Cerulean blue
Phthalo blue
Phthalo blue
Prussian blue
Turquoise blue
Turquoise blue
Green yellow
Green yellow
Perm.green medium
+++ 535.7 PB15/PG7
+++ 570.3 PB27/PBk7
+++ 570.5 PB15/PB29
+++ 508.5 PB27
+++ 522.5 PB15/PG7
+++ 522.9 PB15/PG7
+++ 243.5 PY1/PY3/PB15
+++ 243.9 PY3/PB15:3
+++ 614.5 PY3/PB15:3
Perm.green medium
Viridian
Phthalo green
Sap green
Fir green
Yellow ochre
Yellow ochre
Raw sienna
Gold ochre
+++ 614.7 PY3/PG7
+++ 616.3 PB15/PG7
+++ 675.5 PY3/PG7
+++ 623.5 PY42/PR101/PBk7
+++ 654.5 PY42/PG7/PBk7
+++ 227.5 PY42
+++ 227.7 PY3/PY42
+++ 234.5 PY42/PO43
++ 231.5 PY42/PY55/PR101
Raw umber
Burnt sienna
Indian red
Burnt umber
Vandyke brown
Sepia
Silver
Light gold
Deep gold
+++ 408.5 PY42/PR101/PBk7
+++ 411.5 PR101
+++ 347.5 PV19/PR101
+++ 409.5 PY42/PR101/PBk7
+++ 403.5 PR101/PBk7
+++ 416.5 PR101/PBk7
+++ 800.5 PM1
+++ 802.5 PM1/PY42/PY55/PR101
+++ 803.5 PM1/PY42/PY55/PR101
Cold grey
Green grey
Warm grey
Warm grey
Black
Pearlescent white
+++ 717.7 PBk7/PW6
+++ 709.5 PY42/PB15/PBk7/PW6
+++ 718.5 PY42/PBk7/PW6
+++ 718.8 PY42/PBk7/PW6
+++ 700.5 PBk7
° 830.5 PW6/PW15/PW20
Explanations of the signs from left to right Example: Light yellow
+++ 201.5 PY1
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (53 colours) ++ = 25 - 100 years lightfast under museum conditions (5 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions (1 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
201,5 ,3 ,5 ,7/,8/,9
= colour number and tone = mixing shade with black = full shade = mixing shade with an increasing amount of white
PY1
= pigments used (see explanation on page 200)
ROYAL TALENS
69
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Under the Van Gogh brand a series of pencils is available: colour pencils, water colour pencils, pastel pencils and graphic sketch pencils. These pencils are unique due to their guaranteed lightfastness. Royal Talens has combined its expertise in the use of pigments in artists' colours with the specific properties of pencils. The result is a complete range of fine art pencils in various metal sets and selection boxes with the following properties:
Pencils ●
●
●
●
Excellent colour transfer and colour intensity Colours are retained due to the use of lightfast pigments Easy to use Made with care from wood cultivated in an ecological manner
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97730012
VAN GOGH COLOUR PENCILS S TARTER SET GCP M12 Contents: 12 colour pencils
97730024
VAN GOGH COLOUR PENCILS BASIC SET GCP M24 Contents: 24 colour pencils
Colour pencils sets ●
●
●
Guaranteed lightfastness Good colour release Choice of various metal sets and a selection box
97730036
VAN GOGH COLOUR PENCILS SET GCP M36 Contents: 36 colour pencils
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97730065
VAN GOGH COLOUR PENCILS COMPLETE SET GCP M60 Contents: 60 colour pencils
97730064
VAN GOGH COLOUR PENCILS BOX GCP H60 Contents: 60 Van Gogh colour pencils (complete range) kneadable eraser sharpener ●
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97750049
VAN GOGH PAS TEL PENCILS BOX GPP H45 Contents: 45 Van Gogh pastel pencils (complete range) 6 Van Gogh Special sketch pencils stump kneadable eraser sharpener ●
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●
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97750012
VAN GOGH PAS TEL PENCILS S TARTER SET GPP M12 Contents: 12 pastel pencils
Pastel pencils sets ●
●
●
Guaranteed lightfast Extremely soft pastel pencils Choice of various metal sets and a selection box
97750024
VAN GOGH PAS TEL PENCILS BASIC SET GPP M24 Contents: 24 pastel pencils
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97740012
VAN GOGH WATER COLOUR PENCILS S TARTER SET GWCP M12 Contents: 12 water colour pencils
97740024
VAN GOGH WATER COLOUR PENCILS BASIC SET GWCP M24 Contents: 24 water colour pencils
Water colour pencils sets ●
●
●
Guaranteed lightfast Good colour release and perfectly water-soluble Choice of various metal sets and a selection box
97740036
VAN GOGH WATER COLOUR PENCILS SET GWCP M36 Contents: 36 water colour pencils
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97740065
VAN GOGH WATER COLOUR PENCILS SET GWCP M60 Contents: 60 water colour pencils (complete range)
97740064
VAN GOGH WATER COLOUR PENCILS BOX H60 Contents: 60 Van Gogh water colour pencils (complete range) Van Gogh brush series 191 no. 8 (pointed model, round, selected filament) kneadable eraser sharpener ●
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97760013
VAN GOGH SKETCH PENCILS SET GSP M12S Contents: 12 special sketch pencils
97760024
VAN GOGH SKETCH PENCILS SET GSP M24 Contents: 24 graphic and special sketch pencils
Sketch pencils sets ●
●
●
Guaranteed lightfastness Good colour release Choice of various metal sets 97760012
VAN GOGH SKETCH PENCILS SET GSP M12G Contents: 12 graphic sketch pencils
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11:59
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ROYAL
TAL EN S
79
Those who paint with acrylic colours become inspired by Amsterdam of Royal Talens. Amsterdam, the acrylic brand par excellence, offers serious users everything they need. Whether it is an extensive palette of basic colours, a more advanced palette or a complete range of auxiliaries. Amsterdam has it all.
A MST ERDA M
T H O S E W H O PA I N T W I T H AC RY L I C C O LO U R S B E C O M E INSPIRED BY AMSTERDAM
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Extra fine quality The strong facets of you and the Amsterdam Expert Series. When you work with acrylic colours there comes a time when you expect more of yourself and of your paint. Then there is the Amsterdam Expert Series. A carefully selected acrylic paint, the result of pure craftsmanship and made of the best ingredients.
Expert Series Inspiring properties • Heavy-body paint, suitable for working with brush as well as painting knife • High degree of the purest pigments which guarantees strong and intense colours • The highest degree of lightfastness (+++), the original colour remains unchanged for at least 100 years (under museum conditions)
• A group of colours with authentic, very exclusive pigments • Many colours are mono-pigmented, thereby producing the purest colours when mixed • Exceptionally durable and flexible paint film due to the basis of 100% acrylic resin • Uniform degree of gloss, therefore no undesired differences in gloss
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1911...0
AMS TERDAM EXPERT SERIES TUBE 75 ML Available in 70 colours
1915...0
AMS TERDAM EXPERT SERIES TUBE 150 ML Available in 70 colours
1974...0
AMS TERDAM EXPERT SERIES BOTTLE 400 ML Available in 40 colours
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colour chart Amsterdam Expert Series Titanium white
Zinc white
Titanium buff
Titanium buff deep
Naples yellow red light
Perm.lemon yellow L
Cadmium yellow lemon
Perm. lemon yellow
Cadm. yellow lt
+++ 105 4 1 PW6
+++ 104 2 1 PW7
+++ 291 4 2 PW6/PY42/PBk11
+++ 290 4 2 PW6/ PY42/PBk11
+++ 292 4 2 PW6/ PY42/PV19
+++ 217 3 2 PY184/PW6
+++ 207 4 4 PY35
+++ 254 3 3 PY184
+++ 208 4 4 PY35
Cadmium yellow M
Permanent yellow M
Transp.yellow medium
Aureoline
Cadmium yellow D
Perm. yellow deep
Transparant orange
Permanent orange
Cadmium orange
+++ 271 4 4 PY35
+++ 284 3 2 PY74
+++ 272 1 3 PY128
+++ 242 3 3 PY74/PO73/PW6
+++ 210 44 PY35/PO20
+++ 285 3 3 PY74/PO43
+++ 218 1 3 PY128/PR209
+++ 266 3 3 PO73/PY74
+++ 211 4 4 PO20
Vermilion
Cadmium red light
Cadm. red medium
Pyrrole red
Transp.red medium
Cadmium red deep
Pyrrole red deep
Quinacridone rose
Carmine
+++ 311 3 3 PO73
+++ 303 4 4 PR108
+++ 314 4 4 PR108
+++ 315 3 3 PR254
+++ 317 1 3 PR209
+++ 306 4 4 PR108
+++ 345 3 3 PR254/PR264
+++ 366 1 3 PV19
+++ 318 2 3 PR264
Permanent madder
Carmine deep
Quina rose dp opaq.
Quina rose lt opaq.
Permanent red violet
Mauve
Perm.red viol. opaque
Perm.violet opaque
Perm.blue viol.opaque
+++ 336 2 3 PR264/PV23
+++ 322 2 3 PR264/PV23
+++ 363 4 2 PV19/PW6
+++ 346 4 2 PV19/PW6
+++ 567 2 3 PR122/PV23
+++ 532 4 2 PV19/PV23/PW6
+++ 590 4 3 PV19/PV23/PW6
+++589 4 3 PV19/PV23/PW6
+++ 581 4 3 PV23/PV19/PW6
Perm. blue violet
Ultramarine
Cobalt blue dp. (ultram.)
Cobaltblue lt (ultram.)
Indigo
Cobalt blue
King’s blue
Phthalo blue
Indanthr. blue phth.
+++ 568 2 3 PV23/PR122
+++ 504 1 3 PB29
+++ 518 3 2 PB29/PB15
+++ 516 4 2 PB29/PW6
+++ 533 2 2 PB29/PBk7
+++ 511 3 4 PB28
+++ 517 4 2 PB29/PB15/PW6
+++ 570 1 3 PB15
+++ 521 4 2 PB15/PB29/PW6
Prussian blue (phth.)
Sèvres blue
Sky blue
Turquoise blue
Phthalo turq.blue
Turquoise green
Permanent green deep
Perm.green light
Yellow green
+++ 566 2 3 PB15/PBk11
+++ 530 4 3 PB15/PG7/PW6
+++ 527 4 2 PW6/ PB15
+++ 522 4 2 PB15/ PG7/PW6
+++ 565 1 3 PB15/PG7
+++ 661 4 2 PG7/PB15/PW6
+++ 619 3 3 PG7/PY74
+++ 618 4 2 PG7/PY74
+++ 617 3 3 PG7/PY74
Green yellow light
Olive green
Chromium ox.green
Sap green
Light oxide red
Burnt sienna
Yellow ochre
Raw sienna
Transp. ox.yellow
+++ 219 3 2 PY184/PW6
+++ 620 2 3 PG7/PR101
+++ 668 4 3 PG17
+++ 623 2 2 PG7/PY42/PR101
+++ 339 4 3 PR101
+++ 411 2 2 PR101
+++ 227 4 2 PY42
+++ 234 2 3 PY42
+++ 265 1 3 PY42
Transparant ox.brown
Raw umber
Burnt umber
Vandyke brown
Payne grey
Oxide black
Ivory black
+++ 426 1 3 PR101/PG7
+++ 408 2 2 PY42/PBk11
+++ 409 2 2 PR101/PBk11
+++ 403 3 2 PBk11/ PR101
+++ 708 4 2 PB29/PBk7/PV19/PW6
+++ 735 4 1 PBk11
+++ 701 4 1 PBk9
Explanations of the signs from left to right Example: King’s blue
+++ 517 4 2 PB29/PB15/PW6
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 70 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions
transparency/opacity 1 = transparent (9 colours) 2 = semi-transparent (14 colours) 3 = semi-opaque (15 colours) 4 = opaque (32 colours) 517 = colour number 2 = price series
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
PB29/PB15/PW6 = pigments used (see explanation on page 200) = available in bottle 400 ml
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83
A wide selection of colours Amsterdam Standard Series offers everything an acrylic painter needs. An excellent-quality acrylic paint and an enormous range of colours.
Standard Series The characteristics: • A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour • An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result • Alkali resistant, and consequently suitable for wall paintings
Ease of use • The paint can be thinned easily with water • Short drying time: thin films of paint dry within half an hour • The specific preparation method makes the paint practically odourless
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84
1709...2
AMS TERDAM S TANDARD SERIES TUBE 120 ML Available in 70 colours
1772...2
AMS TERDAM S TANDARD SERIES BOTTLE 500 ML Available in 50 colours
1712...0
AMS TERDAM S TANDARD SERIES TUBE 250 ML Available in 70 colours 1771...2
AMS TERDAM S TANDARD SERIES BOTTLE 1000 ML Available in 40 colours
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17790905
AMS TERDAM S TANDARD SERIES PRIMARY SET 17800905
AMS TERDAM S TANDARD SERIES SET + 3 DOSING NOZZLES
Contents: 5 x 120 ml tubes: titanium white, primar y yellow, primar y magenta, primar y cyan, oxide black
Contents: 5 x 120 ml tubes and three dosing nozzles titanium white, primar y yellow, primar y magenta, primar y cyan, oxide black
17790904
AMS TERDAM S TANDARD SERIES MIXING SET Contents: 5 x 120 ml tubes: titanium white, azo yellow light, naphtol red medium, ultramarine, oxide black.
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colour chart Amsterdam Standard Series Zinc white
+++ 104 2 PW7
Titanium white
+++ 105 4 PW6
Nick.titan.yellow
+++ 274 4 PY53
Green yellow
+++ 243 3 PY74/PG7
Azo orange
++ 276 3 PO34/ PY74
Vermilion
++ 311 3 PO34/ PY74
Perm.red purple
Quinacridone rose
+++ 348 2 PV19
+++ 366 3 PV19
Perm. blue violet
Utramarine violet
Titanium buff L
+++ 289 4 PW6/PY42 Azo yellow lemon
++ 267 3 PY3 Naphthol red L
++ 398 3 PR112/ PY74
Titanium buff D
+++ 290 4 PW6/ PR101/ PBk11 Primary yellow
++ 275 3 PY3/ PY74 Naphthol red M
++ 396 3 PR112
Venetian rose
Persian rose
++ 316 4 PW6/ PR112/ PY42
+++ 330 4 PW6/ PV19/PR101
Utramarine violet L
Grey blue
+++ 568 2 PV23/ PV19
+++ 507 4 PV15/ PW6
+++ 519 4 PW6/ PB29
+++ 562 4 PW6/ PB15/ PBk7
King’s blue
Brilliant blue
Sky blue light
Prussian blue (phth.)
+++ 564 4 PB15/PG7/PW6
+++ 551 4 PW6/ PB15/ PG7
Emerald green
Perm. green deep
+++ 517 4 PW6/ PB15 Perm. green light
+++ 618 3 PG7/ PY74 Burnt sienna
+++ 411 2 PR101
+++ 615 4 PG7/ PY74/ PW6 Burnt umber
+++ 409 3 PR101/ PBk11
Explanations of the signs from left to right Example: Gold yellow
++ 253 4 PY74/PO34/PW6 Letter behind the colour name: L = light , M = medium, D = deep
+++ 619 2 PG7/ PY74 Vandyke brown
+++ 403 3 PBk11/ PR101
+++ 566 2 PB15/ PBk7
Naples yellow L
Naples yellow green
Naples yellow D
Naples yellow red L
Naples yellow red
+++ 222 4 PW6/ PY42
+++ 282 4 PW6/ PY42/ PG7
+++ 223 4 PW6/PBr24/PY154
+++ 292 4 PW6/PY42/PR101
+++ 224 4 PW6/PBr24/PO73
Azo yellow L
Transp.yellow M
Azo yellow M
Azo yellow deep
Gold yellow
+++ 268 3 PY74 Transp.red M
+++ 317 1 PR209 Light rose
+++ 361 4 PV19/PW6 Utramarine
+++ 504 1 PB29 Green blue
+++ 557 1 PB15/ PG7
Olive green light
Olive green deep
+++ 621 3 PG7/ PY74/ PY42
+++ 622 4 PG7/ PY42/ PR101
Warm grey
Neutral grey
+++ 718 4 PW6/ PBk11/ PR101
+++ 710 4 PW6/ PBk7/ PY42
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (57 colours) ++ = 25 - 100 years lightfast under museum conditions (13 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
+++ 272 1 PY128
++ 269 3 PY74
Pyrrole red
Naphthol red D
+++ 315 3 PR254
++ 399 3 PR112/PR23
++ 270 3 PY74/PO34 Carmine
++ 318 3 PR23
++ 253 4 PY74/PO34/PW6 Primary magenta
+++ 369 1 PV19
Quinacridone rose L
Perm. red violet L
Perm. red violet
Caput mort. violet
+++ 385 4 PV19/PW6
+++ 577 4 PR122/PW6
+++ 567 1 PV19/PV23
+++ 344 3 PV19/PBk7/PW6
Primary cyan
Phthalo blue
Cobalt blue (ultram.)
+++ 512 3 PB29
+++ 572 2 PB15/PW6
Turquoise blue
Turquoise green
+++ 522 4 PB15/PG7/PW6
+++ 661 4 PW6/PG7/PB15
Sap green
Yellow ochre
++ 623 1 PG8
+++ 227 4 PY42
Lamp black
+++ 702 4 PBk7
+++ 570 1 PB15 Yellow green
Mangan. bl. phthalo
+++ 582 2 PB15/PG7 Brilliant green
+++ 617 3 PG7/PY74
+++ 605 3 PG7/PY74
Gold ochre
Raw sienna
+++ 231 3 PR101/PY74
+++ 234 4 PY42
Oxide black
+++ 735 4 PBk11
transparency/opacity 1 = transparent (8 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (22 colours) 4 = opaque (31 colours) 253 = colour number
PY74/PO34/PW6 = pigments used (see explanation on page 200) available in tube 120 ml available in tube 250 ml available in bottle 500 ml available in bottle 1000 ml
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1709...2
AMS TERDAM S TANDARD SERIES SPECIALTIES TUBE 120 ML Available in 10 colours
Discover the possibilities of the metallic and fluorescent colours of Amsterdam Specialties – also in combination with the other 70 colours of the Amsterdam Standard Series. Range of 10 special colours • 6 metallics: silver, light gold, deep gold, copper, bronze and pewter • 4 fluorescent colours (reflex colours): reflex yellow, reflex orange, reflex rose and reflex green • The Specialties range offers the acrylic painter the possibility to realise new striking effects • Special colours of a reliable, good-quality brand • The Specialties can be combined perfectly with the other 70 colours of the Amsterdam Standard Series • Also easy to use with the Amsterdam dosing nozzle • The complete range is available in 120 ml tube • The 3 metallics silver, light gold and deep gold are also available in 500 ml bottle
1772...2
AMS TERDAM S TANDARD SERIES SPECIALTIES BOTTLE 500 ML Available in 3 colours
Standard Series Specialties Reflex yellow
Reflex orange
º256 2
Explanations of the signs from left to right Example: Light gold
º257 2
Reflex rose
º384 2
Reflex green
º672 2
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (6 colours) º = 0 - 10 years lightfast under museum conditions (4 colours)
Silver
Light gold
Deep gold
Copper
Bronze
Pewter
+++800 3 PW6/PW15/PW20/PBk11
+++802 3 PW6/PW20/PR101
+++803 3 PW6/PW20/PR101
+++805 3 PW6/PW20/PR101
+++811 3 PW20/PR101
+++815 3 PW6/PW15/PW20/PBk11
transparency/Opacity 2 = semi-transparent (4 colours) 3 = semi-opaque (6 colours)
PW6/PW20/PR1016 = pigments used (see explanation on page 200) available in tube 120 ml
802 = colour number available in bottle 500 ml
+++802 3 PW6/PW20/PR101
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
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Auxiliaries Besides a wide range of colours Amsterdam All Acrylics also offers a wide range of auxiliaries for achieving special effects. Mediums Acrylic medium gloss Acrylic medium matt Gel medium gloss Gel medium matt Heavy gel medium gloss Heavy gel medium matt Extra heavy gel medium gloss Extra heavy gel medium matt Acrylic thickening medium
Product code 012 117 094 080 015 020 021 022 040
75 ml 24282... 24282...
250 ml 24302... 24302... 24122... 24122... 24122... 24122... 24122... 24122... 24122...
1000 ml 24322... 24192... 24192... 24192... 24192... 24192... 24192...
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AMS TERDAM ACRYLIC MEDIUM GLOSSY 012
AMS TERDAM ACRYLIC MEDIUM MATT 117
Purpose: Thinning acr ylic colours and retaining the durability of the paint film Composition: Acr ylic resin dispersion
Purpose: Thinning acr ylic colours and reducing the degree of gloss while retaining the durability of the paint film Composition: Acr ylic resin dispersion, matting agent (silica)
Qualities: Milky white product, dries to a colourless and transparent finish Increases the degree of gloss Does not affect the dr ying time Increases the flexibility of the paint film Can be thinned with water Waterproof when dr y Suitable for glazing technique with acr ylic colours Apply at temperatures above 10 ºC, do not freeze
Qualities: Milky white product, dries to a colourless and transparent finish Gives a satin gloss Does not affect the dr ying time Increases the flexibility of the paint film Can be thinned with water Waterproof when dr y Suitable for glazing techniques with acr ylic colours Apply at temperatures above 10 ºC, do not freeze
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AMS TERDAM GEL MEDIUM GLOSSY 094
AMS TERDAM GEL MEDIUM MATT 080
Purpose: Increasing the gloss and transparency of acrylic colours while retaining the viscosity. Gluing all sorts of materials Composition: Acrylic resin dispersion, thickening compounds
Purpose: Reducing the gloss and increasing the transparency of acrylic colours whilst retaining the viscosity. Gluing all sorts of materials Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities: Milky white product, dries to a colourless and transparent finish Apply at temperatures above 10 ºC, do not freeze
Qualities: Milky white product, dries to a colourless and transparent finish Apply at temperatures above 10 ºC, do not freeze
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Mediums AMS TERDAM ACRYLIC THICKENING MEDIUM 040 Purpose: Increasing the viscosity and brush stroke of acr ylic colours without affecting the intensity and opaqueness of the paint Composition: Acr ylate thickener in water Qualities: Add in ver y small quantities Mix ver y well with a painting knife Reduces the gloss Only use in combination with acr ylic colours, not suitable for gluing materials Apply at temperatures above 10 ºC, do not freeze ●
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AMS TERDAM HEAVY GEL MEDIUM GLOSSY 015
AMS TERDAM HEAVY GEL MEDIUM MATT 020
Purpose: Increasing the viscosity, gloss and transparency of acr ylic colours Composition: Acr ylic resin dispersion, thickening compounds
Purpose: Increasing the viscosity and transparency of acr ylic colours, reducing the gloss Composition: Acr ylic resin dispersion, thickening compounds, matting agent (silica)
Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours thicker Increases the brush stroke Enables the application in one stroke of extremely thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●
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Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours pasty Increases the brush stroke Enables the application in one stroke of extremely thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●
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AMS TERDAM EXTRA HEAVY GEL MEDIUM GLOSSY 021
AMS TERDAM EXTRA HEAVY GEL MEDIUM MATT 022
Purpose: Increasing the viscosity, gloss and transparency of acr ylic colours Composition: Acr ylic resin dispersion, thickening compounds
Purpose: Increasing the viscosity and transparency of acr ylic colours, reducing the gloss Composition: Acr ylic resin dispersion, thickening compounds, matting agent (silica)
Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours ver y thick Increases the brush stroke considerably Makes it possible to apply ver y thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●
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Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours ver y thick Increases the brush stroke considerably Makes it possible to apply ver y thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●
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91 Product code 013 070 005 Product code 003
75 ml 24282... 24282...
1000 ml
24192... 1000 ml 24192...
250 ml 24122...
AMS TERDAM ACRYLIC RETARDER 070 Purpose: Delaying dr ying of acr ylic colours Composition: Slowly evaporating polyhydric alcohol Qualities: Increases the dr ying time for acr ylic colours by maximum 20% Completely evaporates from the acr ylic paint Use sparingly (the thinned acr ylic paint may not contain more than 5% Acr ylic retarder) Can be thinned with water ●
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AMS TERDAM ACRYLIC REMOVER 013 Purpose: Removing dried acr ylic paint from brushes Composition: Solvent of natural origin Qualities: Completely biodegradable Soak hair bundle of brush with dried paint remnants for ± 1 hour Wash off cleaned materials with water and soap and then rinse Not suitable for removing dried layers of varnish; can damage the acr ylic paint Can cause irritation ●
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AMS TERDAM ACRYLIC BINDER 005 Purpose: Making acrylic colours, durable gluing of various materials during collage techniques and reducing the absorption of absorbent grounds (presizing) Composition: Acr ylic resin dispersion Qualities: Dries quickly and produces an elastic, water-resistant, colourless and transparent film Alkali-resistant, suitable for walls Adheres on all grease-free and dust-free, somewhat absorbent grounds Can be painted over with acr ylic colours and Gesso Clean utensils with water Apply at temperatures above 10 ºC Do not freeze ●
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Auxiliaries - miscellaneous AMS TERDAM MODELING PAS TE 1003 Purpose: Making relief grounds Composition: Synthetic dispersion, thickening agents, titanium dioxide Qualities: Can be overpainted with oil or acr ylic colours Dries in a few hours, depending on the layer thickness Can be mixed with acr ylic colours, Gel medium and Acr ylic mediums Can be thinned with water Waterproof and non-yellowing Clean utensils with water Apply at temperatures above 10 ºC, do not freeze ●
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ROYAL TALENS
Auxiliaries - miscellaneous Acrylic remover Acrylic retarder Acrylic binder Primers Modeling paste
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Varnishes Varnishes Acrylic varnish gloss Acrylic varnish matt
Product code 114 115
75 ml 24282... 24282...
AMS TERDAM ACRYLIC VARNISH GLOSSY 114 Purpose: Durable protection of acr ylic colour paintings (final varnish) Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin Qualities: Apply after the paint film has completely dried (with normal film thickness of 4 to 5 days) Dr y within a few hours Does not yellow Mixing with Acr ylic varnish matt 115 decreases the degree of gloss Can be thinned with white spirit, clean brushes with white spirit Dr y varnish layers can be removed with white spirit Flammable (in spray can extremely flammable) ●
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AMS TERDAM ACRYLIC VARNISH MATT 115 Purpose: Durable protection of an oil painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine-oil, matting agents (silicas) Qualities: Apply when paint film has completely dried (with normal film thickness 4 to 5 days) With a brush apply in one layer and in one direction Dries in a few hours Does not yellow Gives a matt appearance Mixing with Acr ylic varnish gloss 114 increases the degree of gloss Can be thinned with white spirit, clean brushes with white spirit Dr y layers of varnish can be removed with white spirit Shake well before use Flammable (in spray can: extremely flammable) ●
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250 ml 24302... 24302...
1000 ml 24322... 24322...
400 ml 95162013 95162014
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Accessories
90673550
AMS TERDAM TEAR-OFF PALETTE ●
●
●
●
91841709
AMS TERDAM DOSING NOZZLES This makes it ver y easy to paint straight from the tube. The dosing nozzle can be easily sealed and fits onto the 75 ml, 120 ml and 150 ml tubes. Contents: 5 nozzles
35 x 50 cm Always a clean palette 30 sheet special paper (85 grams) with a smooth surface for easy mixing Suitable oil colour, acr ylic colour, water colour and gouache
ROYAL TALENS
93
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Oil colour • Well-balanced basic range of oil colours in large packaging • Good to very good degree of lightfastness through use of quality pigments • All 35 colours have a uniform degree of gloss and drying time
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2618...0
AMS TERDAM OIL COLOURS CAN 500 ML 2608...1
Available in 28 colours (with the exception of the 7 colours indicated with •)
AMS TERDAM OIL COLOURS TUBE 200 ML Available in 35 colours
colour chart Amsterdam oil colour Zinc white
Titanium white
Titanium white
Azo yellow lemon
Azo yellow L
Azo yellow M
Azo yellow D
Azo orange
Naples yellow D
+++ 104 3 PW4
+++ 105 4 PW6/PW4
+++ 118 3 PW6/PW4
++ 267 3 PY3
++ 268 3 PY3/PY74
++ 269 3 PY74
++ 270 3 PY74/PO43
++ 276 3 PO67/PY3
+++ 223 4 PW6/PY154/PBr24
Naples yellow red
Azo red L
Azo red M
Azo red D
Madder lake D
Quinacridone rose
Violet
Ultramarine
Cobalt blue (ultram.)
+++ 224 4 PW6/PBr24/PO43
++ 312 3 PO34
++ 393 3 PO34/PR57:1
++ 313 3 PO34/PR57:1
++ 331 1 PR83
+++ 366 1 PV19
++ 536 2 PV23/PV19
+++ 504 1 PB29
+++ 512 2 PB29
Cerulean bl.phthalo
Phthalo blue
Prussian blue
Turquoise blue
Yellow green
Permanent green M
Emerald green
Phthalo green
Sap green
++ 508 1 PB27
+++ 522 4 PW6/PB15/PG7
++ 617 3 PG7/PY74
++ 614 3 PG7/PY3
++ 615 4 PW6/PY3/PG7
•
+++ 675 2 PG7
Burnt sienna
Burnt umber
Ivory black
+++ 411 2 PBr7
+++ 409 2 PG7
+++ 701 4 PBk9
•
•
•
+++ 535 4 PB15/PW6
+++ 570 1 PB15
Green earth
Yellow ochre
Raw sienna
Raw umber
Light oxide red
+++ 629 2 PY43/PBr24/PB15
+++ 227 4 PY42
+++ 234 2 PY43
+++ 408 2 PBr7
+++ 339 4 PR101
Explanations of the signs from left to right Example: Azo yellow lemon
++ 267 3 PY3 Letter behind the colour name: L = light , M = medium, D = deep
•
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (20 colours) ++ = 25-100 years lightfast under museum conditions (15 colours)
transparency/opacity 1 = transparent (6 colours) 2 = semi-transparent (8 colours) 3 = semi-opaque (11 colours) 4 = opaque (10 colours)
The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
267 = colour number
•
++ 623 1 PG8
PY3 = pigments used (see explanation on page 200)
•
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EXPRESS YOURSELF WITH THE GREATEST OF EASE
Whether experienced or not, an artist wants good materials for the best possible price. ArtCreation is a concept that has been specially developed for the artist who is looking for value for money. The ArtCreation brand consists of three sub-brands. ArtCreation Expression for the starting artist or gift items for beginners. Experienced artists can opt for ArtCreation Essentials. ArtCreation Elements provide supporting products.
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ArtCreation Expression is ideal for beginners. The range consists of various sets with several ranges of colours and a step-by-step plan that is simple to follow. All you need is a set and a few extra auxiliaries to get started. This makes ArtCreation Expression a challenge to work with and an inspirational gift to receive. ArtCreation Expression is available in oil colour, acrylic colour, water colour and gouache. Oil paint is a traditional paint that has been used since the 15th century. It is a versatile paint with which you can paint both in thin and very thick layers. Oil colour is characterized by, for example, its intense colour that does not get either darker or lighter when drying.
Oil colour
9010108M 9010108M
ARTCREATION EXPRESSION OIL COLOUR SET 8 X 12 ML
ARTCREATION EXPRESSION OIL COLOUR SET HANGING 8 X 12 ML
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9010112M
ARTCREATION EXPRESSION OIL COLOUR SET 12 X 12 ML
9020112M
ARTCREATION EXPRESSION OIL COLOUR SET HANGING 12 X 12 ML
9010124M
ARTCREATION EXPRESSION OIL COLOUR SET 24 X 12 ML 9020124M
ARTCREATION EXPRESSION OIL COLOUR SET HANGING 24 X 12 ML
9010113M
ARTCREATION EXPRESSION OIL COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes oil colour, table easel, stretched canvas 24 x 30 cm, 2 brushes, tear-off palette
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9021708M
ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 8 X 12 ML
9011708M
ARTCREATION EXPRESSION ACRYLIC COLOUR SET 8 X 12 ML
9021712M 9011712M
ARTCREATION EXPRESSION ACRYLIC COLOUR SET 12 X 12 ML
ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 12 X 12 ML
Acrylic colour Acrylic colours are a modern and versatile paint that can be used in various ways. The colours are easy to mix and you can use them on many different grounds such as artists' canvas and paper. Plaster, board, wood, stone and cement provide good grounds as well.
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9011724M
ARTCREATION EXPRESSION ACRYLIC COLOUR SET 24 X 12 ML
9021724M
ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 24 X 12 ML
9011713M
ARTCREATION EXPRESSION ACRYLIC COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes acrylic colour, table easel, stretched canvas 24 x 30 cm, 2 brushes, tear-off palette
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9022008M
ARTCREATION EXPRESSION WATER COLOUR SET HANGING 8 X 12 ML
9012008M
ARTCREATION EXPRESSION WATER COLOUR SET 8 X 12 ML
9012012M
ARTCREATION EXPRESSION WATER COLOUR SET 12 X 12 ML
9022012M
ARTCREATION EXPRESSION WATER COLOUR SET HANGING 12 X 12 ML
Water colour Water colour is a transparent paint that is applied thinned with water. The more water you use, the lighter the colour of the paint. As a result many transparent layers can be applied on top of one another.
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9012024M
ARTCREATION EXPRESSION WATER COLOUR SET 24 X 12 ML
9012013M
ARTCREATION EXPRESSION WATER COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes water colour, A4 paper pad, 2 brushes, mixing tray, pencil, kneadable eraser
9022024M
ARTCREATION EXPRESSION WATER COLOUR SET HANGING 24 X 12 ML
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9021608M
ARTCREATION EXPRESSION GOUACHE SET HANGING 8 X 12 ML
9011608M
ARTCREATION EXPRESSION GOUACHE SET 8 X 12 ML
9011612M
ARTCREATION EXPRESSION GOUACHE SET 12 X 12 ML
9021612M
ARTCREATION EXPRESSION GOUACHE SET HANGING 12 X 12 ML
Gouache Gouache is an opaque paint that is thinned with water, with which you can paint matt sections without leaving stripes. Because this paint dries within several minutes, it is highly practical to use. The paint can be used on many grounds, such as paper, carton and wood. Gouache is known for its colour intensity.
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9011624M
ARTCREATION EXPRESSION GOUACHE SET 24 X 12 ML
9011613M
ARTCREATION EXPRESSION GOUACHE COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes gouache, paper pad A4, 2 brushes, mixing tray, pencil, kneadable eraser
9021624M
ARTCREATION EXPRESSION GOUACHE SET HANGING 24 X 12 ML
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ArtCreation Essentials is especially for the experienced artist and provides a trusted quality acrylic colour at a good price. It consists of a range of 38 colours and is available in generous packaging. ArtCreation Essentials is a reliable quality acrylic paint which is 100% based on acrylic resin. The paint is pasty, has a silky sheen when dry and can be painted over quickly. ArtCreation Essentials can be used both straight from the tube and thinned with water. The paint is waterproof when dry. Due to its adhesive properties this paint allows you to work on any somewhat absorbent ground that is free of grease and dust, such as canvas and paper, as well as plaster, board, wood, stone and cement.
Acrylic colour
3511...M
ARTCREATION ESSENTIALS ACRYLIC COLOUR TUBE 75 ML Available in 38 colours
3574...M
ARTCREATION ESSENTIALS ACRYLIC COLOUR BOTTLE 750 ML Available in 18 colours
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3582806M
ARTCREATION ESSENTIALS ACRYLIC COLOUR SET 6 X TUBE 75 ML
3582812M
ARTCREATION ESSENTIALS ACRYLIC COLOUR SET 12 X TUBE 75 ML
colour chart ArtCreation Essentials acrylic Titanium white
Titanium buff deep
Naples yellow deep
Naples yellow red light
Greenish yellow
Azo yellow lemon
Primary yellow
Azo yellow deep
Azo orange
105 +++ 4 PW6
290 +++ 4 PY42, PBk11, PW6
223 +++ 4 PY42, PW6
292 +++ 4 PY42, PR101, PW6
243 +++ 3 PY3, PG7
267 +++ 3 PY3
275 ++ 3 PY1, PY3
270 ++ 3 PY1, PO34
276 ++ 3 PO34, PY3
Naphthol red light
Naphthol red medium
Carmine
Primary magenta
Perm. red violet light
Permanent red violet
Permanent blue violet
Greyish blue
Ultramarine
398 + 3 PR21, PY1
396 ° 3 PR21
318 ° 3 PR21, PR13
369 +++ 3 PV19
577 +++ 3 PR122, PW6
567 +++ 3 PR122, PB29
568 +++ 3 PV23
562 +++ 4 PB29, PBk11
504 +++ 2 PB29
Cobalt blue (ultram.)
Primary cyan
Phthalo blue
Brilliant blue
Turquoise green
Yellowish green
Permanent green light
Emerald green
Permanent green deep
512 +++ 3 PB29, PW6
572 +++ 3 PB15
570 +++ 2 PB15
564 +++ 3 PB15, PG7, PW6
661 +++ 3 PG7, PB15, PW6
617 +++ 3 PY3, PG7
618 ++ 3 PY1, PY3, PG7
615 +++ 3 PG7, PY3
619 +++ 3 PG7, PY1
Viridian
Sap green
Yellow ochre
Raw sienna
Burnt sienna
Burnt umber
Vandyke brown
Neutral grey
Ivory black
616 +++ 2 PG7
623 +++ 3 PG7, PY3, PY42
227 +++ 3 PY42
403 +++ 4 PR101, PBk11, PY42
710 +++ 4 PY42, PBk11, PW6
701 +++ 4 PBk11
Silver
Gold
800 +++ 3 PW6, PW15, PW20, PBk11
801 +++ 3 PW6, PW20, PY42
Explanations of the signs from left to right Example: Azo yellow lemon
267 +++ 3 PY3
234 +++ 3 411 +++ 4 409 +++ 4 PY42, PR101, PBk11 PR101, PY42, PBk11 PR101, PBk11, PY42
Degree of lightfastness +++ = 100 years completely lightfast under museum conditions (31 colours) ++ = 25 - 100 years lightfast under museum conditions (4 colours) + = 10 - 25 years lightfast under museum conditions (1 colour) º = 0 - 10 years lightfast under museum conditions (2 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.
Transparency/opacity 1 = transparent 2 = semi-transparent (3 colours) 3 = semi-opaque (25 colours) 4 = opaque (10 colours) 267 = colour number
PY3 = pigments used (see explanation on page 200)
= also available in bottle of 750 ml
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ArtCreation Elements offers auxiliary products that are useful for every artist, for example stretched canvases, brushes, palette knives and artists’ easels.
Easels Outside or inside, in your own studio or hobby room, ArtCreation Elements has the right artists’ easels for you. The range consists of table easels, studio easels and field easels, in beechwood and pinewood.
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9105001M
ARTCREATION ELEMENTS TABLE EASEL MIRA Foldable pinewood table easel (bookend model), practical to use and easy to store. ●
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ground surface maximum canvas height total height weight
23 x 35 cm 25.5 cm 30 cm 0.5 kg 9105011M
ARTCREATION ELEMENTS MINI TABLE EASEL ELARA Practical, foldable beechwood tripod table easel. ●
9105010M
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ARTCREATION ELEMENTS MINI TABLE EASEL LEDA
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ground width maximum canvas height total height weight
19 cm 32 cm 36 cm 0.3 kg
Very compact beechwood table easel with slanted struts. Suitable for working on smaller canvases. Equipped with a canvas clamp for extra canvas stability. ●
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ground surface maximum canvas height total height weight
14.5 x 15 cm 31 cm 41 cm 0.4 kg
9105015M
9105014M
Solid beechwood box easel. The drawer has a wooden inner tray with compartments for an organized and tidy storage of your materials. The foldable support makes the easel easy to carry.
Solid pinewood table easel. For optimal work this easel has a centre pole with a canvas carrier that can be adjusted in height and angle. Thanks to the foldable base the easel is easy to store.
ARTCREATION ELEMENTS TABLE BOX EASEL CALLIS TO
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ground surface maximum canvas height total height weight
30 x 37.5 cm 30 cm 34 cm 2.1 kg
ARTCREATION ELEMENTS TABLE EASEL ARIANE
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ground surface maximum canvas height total height weight
34 x 28 cm 60 cm 80 - 104 cm 1.1 kg
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9105055M
Solid beechwood tripod studio easel. The canvas carrier can be adjusted for an optimal working height, and is fitted with a canvas clamp for extra canvas stability. Easy to fold.
Solid pinewood tripod studio easel. The canvas carrier can be adjusted for an optimal working height, and is fitted with a canvas clamp for extra canvas stability. Easy to fold.
ARTCREATION ELEMENTS TRIPOD S TUDIO EASEL CORONA
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ground width maximum canvas height total height weight
65 cm 128 cm 176 - 240 cm 5.2 kg
ARTCREATION ELEMENTS TRIPOD S TUDIO EASEL ISABELLE
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ground width maximum canvas height total height weight
58 cm 140 cm 170 cm 3 kg
9105018M
ARTCREATION ELEMENTS FIELD BOX EASEL AURORE Solid beechwood field box easel with wooden palettes. The drawer has a wooden inner tray with compartments for an organized and tidy storage of your materials. Equipped with a canvas clamp and carrier with an adjustable height for an optimal work situation. Very compact and easy to carry. ●
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ground width maximum canvas height total height weight
66 cm 78 cm 144 - 178 cm 5.6 kg
9105019M
ARTCREATION ELEMENTS FIELD EASEL UMBRA Solid beechwood field easel with various adjustment possibilities, allowing it to be used both vertically and horizontally. Very compact and easy to carry.
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ground width maximum canvas height total height weight
78 cm 65 cm 128 - 182 cm 1.7 kg
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ArtCreation Elements has a wide range of quality brushes for different types of paint and techniques. The brushes vary in size, hair type and shape; depending on the type of paint you use, your painting technique and your personal preference. Hog bristle A sturdy type of hair which is used for thicker paints. The hair is strong and resilient and leaves a brush stroke. Technique: oil colour, acrylic colour and gouache Ox hair A strong and durable soft hair type that is suitable for all types of paint, and particularly if you don’t want to see a brush stroke or if you use the paint thinned. Technique: oil colour, acrylic colour and gouache. Filament (polyester) A synthetic fibre, very strong and resilient and good moisture absorption. Technique: oil colour, acrylic colour, water colour and gouache. Red sable hair / polyester A combination of red sable hair and synthetic fibre (polyester). Highly resilient and can absorb a lot of moisture and paint. When wet has a very sharp point. Technique: water colour
Brush shape Brushes are available in various shapes:
- With a flat brush, the ‘Gussow model’, you paint larger sections and small, flat brush strokes.
- A round brush is suitable for more detailed work.
- A cat tongue model combines the characteristics of flat and round pointed brushes; the hair has been fitted in a flat ferrule, but is longer is the middle. Cat tongue models are therefore suitable for both larger sections and smaller details.
- A flat one-stroke liner has a long hair bundle for applying flat and wide brush strokes and for painting and wetting large surfaces.
Brushes 9099215M
9099213M
This ArtCreation Elements brushes set of hog bristle is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes:
This ArtCreation Elements brushes set of hog bristle is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes:
Round – 6 Cat tongue – 10, 14 Flat – 10,14
Flat – 4, 8, 16
ARTCREATION ELEMENTS BRUSHES SET HOG BRIS TLE
ARTCREATION ELEMENTS BRUSHES SET HOG BRIS TLE
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9099225M
ARTCREATION ELEMENTS BRUSHES SET OX HAIR This ArtCreation Elements brushes set of ox hair is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: 9099223M Round – 6 Cat tongue – 10, 14 Flat – 10,14
ARTCREATION ELEMENTS BRUSHES SET OX HAIR This ArtCreation Elements brushes set of ox hair is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Flat – 4, 8, 16
9099235M
ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Round – 6 Cat tongue – 10, 14 Flat – 10,14
9099233M
ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Flat – 4, 8, 16
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9099123M
ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for water colour and contains the following types and sizes: Round – 4, 6, 8
9099133M
ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for water colour and contains the following types and sizes: Round – 6, 8 Flat liner brush – 5/8”
9099113M
ARTCREATION ELEMENTS BRUSHES SET RED SABLE HAIR/POLYES TER This ArtCreation Elements brushes set of red sable hair and polyester is suitable for water colour and contains the following types and sizes: Round – 4, 6, 8
Painting knives Due to the flexible and resilient steel blade these ArtCreation Elements palette knives are suitable for mixing colours as well as for expressive, structured work with oil and acrylic colours.
9146990M
ARTCREATION ELEMENTS SET OF THREE PAINTING KNIVES Set consisting of three ArtCreation Elements painting knives in various shapes and sizes.
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Grounds ArtCreation Elements offers a range of universally prepared canvases that are suitable for both oil and acrylic colours. The canvas has been stretched on a stable wooden frame to avoid warping and bending. With larger sizes diagonal and cross laths give the frame extra rigidity. The wooden components in these canvases are FSC-certified. The canvases are available in various sizes and come in two versions: standard (2 cm thick) and extra thick (3D, 4 cm thick).
ARTCREATION ELEMENTS S TRETCHED CANVAS COTTON
ARTCREATION ELEMENTS STRETCHED CANVASES 3D COTTON
Size 10 x 10 cm 13 x 18 cm 18 x 24 cm 20 x 20 cm 20 x 100 cm 24 x 30 cm 30 x 30 cm 30 x 40 cm 30 x 50 cm 30 x 100 cm 40 x 40 cm 40 x 50 cm 40 x 100 cm 50 x 50 cm 50 x 60 cm 50 x 70 cm 50 x 100 cm 60 x 60 cm 60 x 80 cm 60 x 100 cm 60 x 120 cm 80 x 80 cm 80 x 100 cm 80 x 120 cm 100 x 100 cm
Size 10 x 10 cm 20 x 20 cm 20 x 50 cm 30 x 30 cm 30 x 40 cm 30 x 60 cm 40 x 40 cm 40 x 50 cm 40 x 80 cm 50 x 50 cm 50 x 60 cm 60 x 60 cm 60 x 80 cm 80 x 80 cm 100 x 100 cm
Article no. 9575101M 9575131M 9575182M 9575202M 9575200M 9575243M 9575303M 9575304M 9575305M 9575300M 9575404M 9575405M 9575400M 9575505M 9575506M 9575507M 9575500M 9575606M 9575608M 9575600M 9575602M 9575808M 9575800M 9575802M 9575000M
Article no. 9576101M 9576202M 9576205M 9576303M 9576304M 9576306M 9576404M 9576405M 9576408M 9576505M 9576506M 9576606M 9576608M 9576808M 9576000M
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Our display materials are very important in our communication with the end user. Modern consumers are critical. They are familiar with multimedia, aware of the latest developments and are looking for clear information on products. In addition, a customer wants to be inspired and excited by an attractive visual presentation of the Royal Talens product range. As a retailer you benefit from solutions that can save space: practical presentation materials that are easy to stock.
ROYAL TALENS
TALENS DISPLAY MATERIALS Royal Talens has anticipated these developments through its ready-touse display solutions that provide optimal flexibility. The visual presentation goes further than just the display: there are for example attractive headers, flyer dispensers, colour charts and colour number strips. Here is an example of various display solutions developed by Talens. Please feel free to contact us for further information.
DISPLAY MATERIALS
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TOP ESSENTIALS IN FINE ART Auxiliaries and requirements Talens supplies a large variety of auxiliaries and requirements for all painting techniques.
Artists' easels Wherever you want to paint, Talens has a suitable wooden or metal artists' easel for every location: table-top easels, studio easels and field easels. The wooden artists' easels have been made from first-class impregnated beech wood.
Auxiliaries Canvases Talens has a wide range of top quality grounds (cotton, linen, 3D, canvas boards and roll canvas).
A wide range of auxiliaries for almost all painting techniques. The auxiliaries include a wide selection of specialist varnishes and various auxiliaries to change the properties of artists' paints or to preserve the work.
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L TTAAL LE EN N S S R ROOYY AA L
117 117
Graphic products High-quality products for designers, graphic artists and illustrators. An important line within this is Gouache Extra fine quality, top quality gouache with a selection of 65 colours. In addition, there are various sorts of ink and other specialist products. All these products can also be used for educational purposes.
Painting knives and brushes Painting knives with a wooden handle, for preparing and mixing paint or applying oil and acrylic colours. In addition, there is a wide
selection of brushes, brush shapes and hair types, under the brand names Rembrandt, Van Gogh and Talens.
Colouring products for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the materials can also be combined well. All products meet European toy safety standards.
Accessories Also included in the range are various accessories like charcoal, palettes and manikins.
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Auxiliaries Talens supplies a large and very complete range of auxiliaries, essential for practically every painting technique. These auxiliaries are divided into mediums and varnishes. The auxiliaries are accurately geared to the specific requirements of each technique. They ensure a good technical composition and conservation of the work or change the properties of the artists' paint.
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Primers for oil colour
TALENS GESSO PRIMER 1001 Purpose: Making a universal preparator y coat on various absorbent grounds Composition: Acr ylic resin dispersion, titanium dioxide ●
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Provides good adhesion for oil colours, acr ylic colours, gouache, etc. Suitable for absorbent grounds that are free of dust and grease, such as artists’ canvas, wood, plywood, hardboard, cardboard and paper Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks Ver y absorbent grounds must first be treated with Amsterdam Acr ylic binder Can be coloured with acr ylic colour Thinnable with water Dries within a few hours, after 24 hour it can be painted over with oil colour Apply at temperatures above 10°C, do not freeze Clean utensils with water
Available in buckets of: 1 l. (art. no. 24192001) 5 l. (art. no. 24652001) 10 l. (art. no. 24641001)
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Solvents for oil colour Solvents for oil colour Rectified turpentine White spirit Odourless white spirit
Product no. 032 090 089
75 ml 24280032 24280090 24280089
250 ml 24300032 24300090 24300089
1000 ml 24320032
TALENS RECTIFIED TURPENTINE 032 Purpose: Thinning oil colour and cleaning brushes and other art materials Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)
TALENS WHITE SPIRIT 090 ●
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Makes oil paint leaner (use in lower layers) Allows brush stroke to run Suitable for removing (dr y) varnish coats Suitable for dissolving (natural) resins Also for thinning mediums and varnishes for oil colour Flammable
Purpose: Thinning oil colour and cleaning brushes and other artists’ materials Composition: Mineral oil distillate ●
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TALENS ODOURLESS WHITE SPIRIT 089 Purpose: Thinning oil colour and cleaning brushes and other artists’ materials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics: Odourless Dr ying time somewhat longer than Talens white spirit (090) Ver y pure, 100% evaporation; disappears completely from the paint film Makes oil paint leaner (use in lower coats) Not suitable for removing dr y varnish coats ●
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Ver y pure, 100% evaporation; disappears completely from the paint film Makes oil paint leaner (use in lower layers) Suitable for removing (dr y) varnish coats Suitable for dissolving synthetic resins Also for thinning mediums and varnishes for oil colour Flammable
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Oils Oils for oil colour Bleached linseed oil Boiled linseed oil Purified linseed oil Poppy oil Stand oil
Product no. 025 026 027 028 031
75 ml 24280025 24280026 24280027 24280028 24280031
250 ml 24300025 24300026 24300027
TALENS BLEACHED LINSEED OIL 025 Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil ●
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TALENS PURIFIED LINSEED 027
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Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil
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Increases the gloss and the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight Can be thinned with white spirit or turpentine
Increases the gloss and the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows strong yellowing in dark conditions, which largely disappears in daylight Can be thinned with white spirit or turpentine
TALENS POPPY OIL 028 Purpose: For the artist to make his own paint and painting medium Composition: Poppy oil ●
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Virtually non-yellowing, making it ideal for light colours Smaller risk of wrinkling than with linseed oil Dries more slowly than linseed oil Gives a less durable paint film than linseed oil Only use in the final coat Can be thinned with white spirit or turpentine
TALENS BOILED LINSEED OIL 026
TALENS S TAND OIL 031
Purpose: For the artist to make his own medium and as an ingredient for a paint formula Composition: Linseed oil, siccatives
Purpose: For the artist to make his own (glazing) medium and as an ingredient for a paint formula Composition: Linseed stand oil
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Increases the gloss and reduces the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows strong yellowing in dark conditions, which largely disappears in daylight Not to be used as medium in lower layers Can be thinned with white spirit or turpentine Is darker in colour than the other linseed oils
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Greatly increases the gloss and the dr ying time Slightly yellowing (between poppy seed and linseed oil) Can be thinned with white spirit or turpentine Traditional glazing medium Not to be used in lower coats when mixed with paint
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Mediums Mediums for oil colour Painting medium Painting medium quick-drying Alkyd medium Glazing medium Venetian turpentine Painting paste
Product no. 083 084 007 086 019 096
60 ml
75 ml 24280083 24280084 24280007 24280086 24280019
250 ml 24300083 24300084
1000 ml 24320083 24320084
24300086 24300019
24060096
TALENS PAINTING MEDIUM QUICK-DRYING 084
TALENS PAINTING MEDIUM 083 Purpose: Increasing the flow and/or transparency of oil colour, and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit
Purpose: Increasing the flow and/or transparency of oil colour, shortening the dr ying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives ●
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No influence on the dr ying time of the paint Increases the durability and elasticity of the paint film Makes the brush stroke run slightly, depending on the amount added Increases gloss Does not yellow Can be thinned with white spirit or turpentine Flammable
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Increases the durability and elasticity of the paint film Makes the brush stroke run, depending on the amount added Increases gloss Does not yellow Can be thinned with white spirit or turpentine Flammable
TALENS ALKYD MEDIUM 007
TALENS GLAZING MEDIUM 086
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the dr ying time Composition: Alkyd resin, white spirit
Purpose: Increasing the flow and transparency of glazing layers in oil colour Composition: Vegetable oils, synthetic resins, white spirit ●
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Increases the durability and elasticity of the paint film Makes the brush stroke run, depending on the amount added Hardly influences the degree of gloss Slightly yellowing Can be thinned with white spirit or turpentine Suitable as glazing medium Flammable
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No influence on the dr ying time of the paint film Brush stroke runs Increases the gloss Does not yellow Increases the durability and elasticity of the paint film Can be thinned with white spirit or turpentine Flammable
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TALENS VENETIAN TURPENTINE 019 Purpose: Increasing the flow and transparency of glazing layers in oil colour Composition: Natural balsam, turpentine oil ●
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Traditional glazing medium Increases the dr ying time of the paint film Increases the durability of the paint film Makes the brush stroke run, depending on the amount added Increases the gloss Slightly yellowing Can be thinned with white spirit or turpentine Flammable
TALENS PAINTING PAS TE 096 Purpose: Preventing the wrinkling of thick paint layers, increasing the amount of paint, decreasing the tinting strength and increasing the transparency of oil colour while retaining the viscosity Composition: Vegetable oils, synthetic resins, thickening mediums, white spirit ●
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Increases the durability of the paint film Slightly reduces the gloss of oil colour Reduces the dr ying time of the paint film Does not yellow Can be thinned with white spirit or turpentine Flammable
Varnishes for oil colour ●
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Apply sparingly Does not affect the further dr ying time of the paint film As temporar y protective varnish do not apply until after 2-3 months Dries in a few hours Does not yellow Can be thinned with white spirit Clean brushes with white spirit Highly flammable (in spray can: extremely flammable)
TALENS RETOUCHING VARNISH 004 Purpose: Reviving sunken-in (matt) areas and providing temporar y protection (temporar y final varnish) of oil paintings not entirely dr y Composition: Synthetic resin, white spirit
Varnishes for oil colour Retouching varnish Picture varnish glossy Picture varnish matt Acrylic varnish glossy Acrylic varnish mat Dammar varnish glossy Dammar varnish matt
Product no. 004 002 003 114 115 081 082
75 ml 24280004 24280002 24280003 24280114 24280115 24280081 24280082
250 ml 24300004 24300002 24300003
24300081 24300082
1000 ml 24320004 24320002 24320003
400 ml 95160004 95160002 95160003 95160013 95160014
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TALENS PICTURE VARNISH MATT 003 TALENS PICTURE VARNISH GLOSSY 002 Purpose: Durable protection of an oil painting (final varnish) Composition bottle: Synthetic resin, turpentine oil, white spirit Composition spray can: Synthetic resin, white spirit Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours Does not yellow Gives a high gloss The gloss can be decreased by mixing with Picture varnish matt 003 Can be thinned with white spirit or turpentine Clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine Flammable (in spray can: extremely flammable)
Purpose: Durable protection of an oil painting (final varnish) Composition bottle: Synthetic resin, turpentine oil, waxes Composition spray can: Synthetic resin, white spirit, silica ●
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Apply when paint film has completely dried (approx. 1 year with normal layer thickness) When applying with a brush do so in one layer and in one direction Dries in a few hours Does not yellow Varnish in bottle gives a satin gloss, varnish in spray can is matter The degree of gloss is increased when mixed with Picture varnish gloss 002 Can be thinned with turpentine Clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine If the contents become cloudy place bottle in warm water Flammable (in spray can: extremely flammable)
TALENS ACRYLIC VARNISH MATT 115 Purpose: Durable protection of an oil painting or acr ylic painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine oil, matting agents (silicas)
TALENS ACRYLIC VARNISH GLOSSY 114 Purpose: Durable protection of an oil painting or acr ylic painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine oil
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Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acr ylic paint after 4 to 5 days) Dries in a few hours Does not yellow More flexible than Picture varnish gloss 002 Gives less gloss than Picture varnish gloss 002 Mixing with Acr ylic varnish matt 115 reduces the degree of gloss Dr y varnish coats can be removed with white spirit or turpentine Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine Flammable (in spray can: extremely flammable)
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Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acr ylic paint after 4 to 5 days) When applying with a brush do so in one layer and in one direction Do not use on strongly absorbent grounds Does not yellow More flexible than Picture varnish matt 003 Produces a matter look than Picture varnish matt 003 Mixing with Acr ylic varnish glossy 114 increases the degree of gloss Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine Shake well before use Flammable (in spray can: extremely flammable)
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TALENS DAMMAR VARNISH GLOSSY 081
TALENS DAMMAR VARNISH MATT 082
Purpose: Protecting an oil painting Composition: Dammar resin, turpentine oil
Purpose: Protecting an oil painting Composition: Dammar resin, turpentine oil, matting agents (wax and silica)
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Traditional final varnish Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours May show signs of ageing after some time such as yellowing and crackling Gives a high gloss Mixing with Dammar varnish matt 082 reduces the degree of gloss Can be thinned with turpentine, clean brushes with white spirit or turpentine Dr y varnish coats can be removed with turpentine Highly flammable
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Traditional final varnish Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours May show signs of ageing after some time such as yellowing and crackling Gives a satin gloss Apply in one layer and in one direction Mixing with Dammar varnish glossy 081 increases the degree of gloss Can be thinned with turpentine, clean brushes with turpentine or white spirit Dr y varnish coats can be removed with turpentine Shake well before use Highly flammable
Auxiliaries for oil colour - miscellaneous Auxiliaries for oil colour - miscell. Siccative Courtrai (pale) Siccative Harlem (dark) Underpainting white Casein Tempera binder
Product no. 030 085 101 103
75 ml 24280030 24280085
60 ml
150 ml
03071101 24060103
TALENS SICCATIVE COURTRAI (PALE) 030
TALENS SICCATIVE HARLEM (DARK) 085
Purpose: Reducing the dr ying time of oil colours Composition: Metal compounds, white spirit
Purpose: Reducing the dr ying time of oil colours Composition: Metal compounds, resins, oil, white spirit
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Reduces the elasticity and durability of the paint film; therefore use ver y sparingly (add maximum 2%) Can be thinned with white spirit Flammable
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Reduces the elasticity and durability of the paint film, therefore use ver y sparingly (add maximum 10%) Can be thinned with white spirit Flammable
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TALENS UNDERPAINTING WHITE 101
TALENS CASEIN TEMPERA BINDER 103
Purpose: Making quick dr ying relief grounds for oil colour Composition: Alkyd resin, vegetable oils, titanium dioxide, white spirit
Purpose: Making a water mixable casein tempera paint in combination with oil colours Composition: Casein solution, thickening and matting agents, emulsifier
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Hand-dr y, depending on the layer thickness, within three days Gives a satin gloss when dr y Can be mixed and overpainted with oil colours Also suitable as quick-dr ying mixing white in oil paint techniques Can be thinned with white spirit or turpentine Flammable Clean utensils with white spirit
TALENS GUM ARABIC 008 Purpose: Changing the consistency of gouache, making the paint less thixotropic Composition: Gum arabic dissolved in water ●
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Makes gouache more transparent Increases the gloss Increases the elasticity of gouache and thereby reduces the risk of crackling in thicker paint layers
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Mix 1 part of binder to a maximum of 1 part of oil colour Gives a satin gloss when dr y Dries quickly to a virtually waterproof finish Highly suitable for making underpaintings with oil painting techniques
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Pagina 127
Varnishes for water colour and gouache Water colour varnish Water colour varnish matt Protecting Spray Gouache varnish Gouache varnish glossy Gouache varnish matt
Product no. 050 680 Product no. 074 107
75 ml 24280050
250 ml 24300050
75 ml 24280074 24280107
250 ml 24300074 24300107
150 ml
400 ml
95160680 1000 ml 24320074
95161680
TALENS PROTECTING SPRAY 680 TALENS WATER COLOUR VARNISH MATT 050 Purpose: Making the painting less susceptible to moisture Composition: Colourless, non-yellowing acr ylic resin, white spirit, matting agents (silica)
Purpose: Protecting works carried out in, for example, gouache, water colour and inks Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit ●
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Dries in a few hours Little influence on the degree of gloss Does not yellow Water resistant when dr y, making the painting less susceptible to moisture Ready for use, do not thin Apply in one layer and in one direction Not suitable for extremely absorbent grounds Shake before use Clean brushes with white spirit Highly flammable
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Short dr ying time Layer thickness determines the degree of gloss (a thick layer gives a higher gloss) Makes matt paint layers more transparent and colours deeper Does not yellow Water resistant when dr y, making the painting less susceptible to moisture Store in a cool and dr y place Extremely flammable
TALENS GOUACHE VARNISH MATT 107 TALENS GOUACHE VARNISH GLOSSY 074 Purpose: Protecting gouache paintings Composition: Colourless synthetic resin dissolved in, amongst others, white spirit
Purpose: Protecting gouache paintings Composition: Colourless synthetic resin dissolved in, amongst others, white spirit, matting agents (silicas) ●
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Dries water-resistant in a few hours, making the painting less susceptible to moisture Increases gloss Mixing with Gouache varnish matt 107 reduces the degree of gloss Makes colours darker and somewhat more transparent Does not yellow Can be thinned with white spirit, clean brushes with white spirit Highly flammable
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Dries water-resistant in a few hours, making the painting less susceptible to moisture Scarcely changes degree of gloss or opacity of gouache Mixing with Gouache varnish glossy 074 increases the degree of gloss Causes hardly any colour changes Does not yellow Ready for use, do not thin Apply in one layer and in one direction Not suitable for extremely absorbent grounds Shake before use Clean brushes with white spirit Highly flammable
ROYAL TALENS
127
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128
Various auxiliaries for water colour and gouache Various auxiliaries for water colour and gouache Ox gall Liquid masking film
Product no. 051 052
75 ml 24280051 24280052
250 ml 24300051
TALENS OX G ALL 051
TALENS LIQUID MASKING FILM 052
Purpose: Prevents beading and improves the adhesion of water-based paints on somewhat hydrophobic grounds Composition: (synthetic) surfactant, water
Purpose: Temporar y masking of sections in a water colour painting Composition: Dispersion of natural rubber in water
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Can be added to the paint Use sparingly to avoid strong absorption of the paint Can also be used directly in order to degrease grounds other than paper with, for example, a cloth. Residues are then removed with a clean damp cloth or sponge
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Prevents adhesion of water colour to areas of the painting that are treated with Liquid masking film Dries in 10 minutes Once dr y remove with the fingertips or an eraser within a few days Becomes more difficult to remove after some time Can cause discolouration on cellulosic paper Can also be used for water-based inks
Varnish for oil pastels
TALENS VARNISH FOR OIL PAS TELS 060 Purpose: Making work in oil pastel and wax crayon smudge-proof Composition: Synthetic dispersion in water with built-in surfactants ●
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Dries within one hour to a colourless, transparent and waterproof finish Gives a satin gloss Has hardly any effect on the colours Can be thinned with water Shake before use Available in 75 ml bottle, article no. 24280060
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Pagina 129
Fixatives for pastels Fixatives for pastels Pastel fixative Fixative for charcoal Concentrated fixative
Product no. 061 063 064
75 ml 24280061 24280063
1000 ml 24320061 24320063
150 ml
400 ml
95160006
95160016
TALENS PAS TEL FIXATIVE 061
TALENS CHARCOAL FIXATIVE 063
Purpose: Improving the adhesion of the particles of pastels to the surface Composition: Colourless resins, ethanol, acetone
Purpose: Improving the adhesion of charcoal, chalk and graphite particles to the surface Composition: Colourless resins, ethanol, acetone
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Preferably apply in each pastel layer Use sparingly Apply using a fixative atomiser at approx. 40 cm distance Quick-dr ying Non-yellowing Highly flammable
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Use sparingly Apply using a fixative atomiser at approx. 40 cm distance Makes colours darker and more transparent Quick-dr ying Non-yellowing Highly flammable
TALENS CONCENTRATED FIXATIVE 064 Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface Composition: Colourless resins, ethanol ●
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In combination with pastel use preferably in ever y layer Use sparingly Quick-dr ying Non-yellowing More concentrated than Fixative for pastel 061 Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings Extremely flammable
ROYAL TALENS
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For almost every technique and painting type Talens supplies you with a suitable brush and painting knife.
Brushes and painting knives
Brushes • Complete and varied range of brushes under the brand names of Rembrandt and Van Gogh • Wide choice of various hair types and brush shapes for all types of paints and painting techniques
Pa i n t i n g k n i v e s • For expressive, well-structured work with oil and acrylic colours • Flexible and resilient steel blades, with handles made of polished solid wood • Palette knife for preparing and mixing paint
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Pagina 131
131
Hair : Form: Ferrule: Handle:
100% Russian Kolinsky red sable round, pointed seamless, gold-plated brass short, black, lacquered, length:160-205 mm
ROYAL TALENS
Rembrandt series 100 Technique: Water colour
Characteristics: ver y resilient hair bundleoptimal water absorption
No. 909100.. Ø <->
000 97 1 6
00 98 1.2 7.5
0 99 1.4 9
1 01 1.7 10.5
2 02 2.1 12.5
No. 909100.. Ø <->
8 08 4.9 22
9 09 5.6 24
10 10 6.5 26
11 11 7.3 28
12 12 8.2 30
3 03 2.5 14
4 04 2.9 16
5 05 3.6 18
6 06 4 19.5
7 07 4.5 21
Rembrandt series 107 Technique: Water colour Hair : Form: Ferrule: Handle:
No. 909107.. Ø <->
petit gris pur and red sable round, sharply pointed seamless, gold-plated brass Short, black, lacquered, length: 165-240 mm
8 08 5.4 25-16
Characteristics: remarkable resilience can hold a large amount of water for both large surfaces as well as ver y fine details
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10 10 6.5 27-18
Brush data length of handle given includes the length of the ferrule Ø: diameter of the hair bundle in mm (measured at the point where the hair bundle comes out of the ferrule) <->: length of the hair bundle in mm (measured from the point where the hair bundle comes out of the ferrule up to the point of the brush)
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Brushes • A large choice of hair types of the highest quality • Perfect setting of the hair bundle • Made with traditional craftsmanship and the greatest care
• Top quality water colour brushes of pure red Kolinsky sable hair • Very soft petit gris pur water colour brushes with excellent water absorption • Fan brushes of 100% badger hair for making colour transitions in oil paint • Top quality bleached Chinese hog brisle for oil colours • Unique quality polyester fibre for acrylic paints
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132
Rembrandt series 110 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:
100% red sable round, sharp point seamless, gold-plated brass short, black lacquered, length: 175-250 mm
Characteristics: resilient hair bundle can hold a large amount of water for both large surfaces as well as ver y fine details
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No. 909110.. Ø <->
000 97 1 6
00 98 1 7
0 99 1 8
1 01 1.2 9
2 02 1.7 10.5
3 03 2.1 12.5
4 04 2.5 14.5
5 05 2.9 16.5
No. 909110.. Ø <->
8 08 4.5 21
9 09 4.6 22
10 10 4.9 23
12 12 5.6 25
14 14 6.5 28
16 16 7.3 30
20 20 9.2 33
24 24 10.5 38
6 06 3.6 18.5
90911033
REMBRANDT WATER COLOUR BRUSHES SET SERIES 110 (NO. 2-4-8)
Rembrandt series 114 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:
petit gris pur (squirrel) round, pointed seamless, gold-plated brass short, black lacquered, length: 160 - 200 mm
No. 909114.. Ø <->
0 99 1.2 7
2 02 1.7 10
4 04 2.5 14
6 06 3.6 18
Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details ●
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8 08 4.9 22
10 10 6.5 25
12 12 8.2 32
Rembrandt series 132 Technique: Water colour Hair : Form: Ferrule: Handle:
petit gris pur (squirrel) oval seamless, nickel-plated brass short, black lacquered, length: 190 - 205 mm
No. 909132.. Ø <->
2 02 26.5 11.5
4 04 32 16.5
6 06 37 21.5
Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes
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7 07 4.0 20
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Pagina 133
133
Hair : Form: Ferrule: Handle: length:
petit gris pur (squirrel) round, pointed transparent swan's feather shaft, bound with brass wire (French setting) natural wood, white lacquered, 160 - 175 mm
No. 909135.. Ø <->
2 02 8 27
4 04 10 31
ROYAL TALENS
Rembrandt series 135 Technique: Water colour
Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details
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6 06 12 34
Rembrandt series 136 Technique: Water colour
Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details the specific hair bundle (sword shaped) gives fanciful touches ●
Hair : Form: Ferrule: Handle:
petit gris pur (squirrel) sword model, sharp point seamless, nickel-plated brass short, black lacquered, length: 160 - 190 mm
No. 909136.. Ø <->
2 02 7.5 25-35
4 04 9.5 25-37
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6 06 11.5 25-40
Rembrandt series 200 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle: length:
bleached Chinese hog bristle (Chunking) Gussow seamless, nickel-plated brass natural wood, white lacquered, 285 - 310 mm
No. 909200.. Ø <->
2 02 3.9 8
4 04 5.6 10
6 06 6.9 12
Characteristics: high quality interlocked hair bundle that retains its shape flexible hair bundle, resistant to wear can contain a lot of thick paint for distinct touches
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8 08 8.2 14
10 10 11.1 16
12 12 13.4 18
14 14 16.6 22
16 16 19.8 24
18 18 23.3 26
20 20 24.7 28
24 24 27.5 33
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134
Rembrandt series 201 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
Characteristics: high quality interlocked hair bundle that retains its shape flexible hair bundle, resistant to wear*can contain a lot of thick paint for regular round touches
bleached Chinese hog bristle (Chunking) round seamless, nickel-plated brass white lacquered, length: 290 - 310 mm
No. 909201.. Ø <->
2 02 1.9 10
4 04 2.6 14
6 06 3.8 16
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8 08 4.9 20
10 10 6.1 23
12 12 7.2 26
14 14 8.5 31
16 16 9.7 35
18 18 11.3 38
20 20 13.3 41
18 18 18.8 27
20 20 22.2 29
24 24 15.3 43
Rembrandt series 208 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
Characteristics: flexible hair bundle, resistant to wear can contain a lot of thick paint for painting rounded touches
bleached Chinese hog bristle (Chunking) filbert (cat's tongue) seamless, nickel-plated brass white lacquered, length: 285 - 305 mm
No. 909208.. Ø <->
2 02 3.0 8
4 04 4.1 10
6 06 6.2 12
Rembrandt series 209 Technique: Oil, Acr ylic, Gouache
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8 08 8.2 14
10 10 9.8 16
bleached Chinese hog bristle (Chunking) chiselled seamless, nickel-plated brass white lacquered, length: 290 - 320 mm
No. 909209.. Ø <->
12 12 13.6 30
24 24 26 45
36 36 36 56
14 14 14.2 21
16 16 16.4 24
Characteristics: flexible hair bundle, resistant to wear can contain a lot of thick paint extra thick hair bundle for mixing wet-in-wet the colours on the canvas gives a ver y fanciful touch
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Hair : Form: Ferrule: Handle:
12 12 10.8 18
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24 24 28.0 35
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135
Rembrandt series 240 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
pure red sable Gussow seamless, nickel-plated brass long, black lacquered; length: 280 - 300 mm
No. 909240.. Ø <->
0 99 2.0 5
1 01 2.8 5.5
2 02 3.6 7
No. 909240.. Ø <->
18 18 16.7 18
20 20 17.4 19
24 24 19.8 21
4 04 4.9 9
Characteristics: remarkably resilient hair bundle for ver y sharp and edged touches particularly suitable for painting the finest details and for glazing techniques
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6 06 6.6 10.5
8 08 8.5 11.5
10 10 10.2 13.5
12 12 11.5 15
14 14 13.7 16
16 16 15.1 17
Rembrandt series 241 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
Characteristics: remarkably resilient hair bundle particularly suitable for painting the finest details and for glazing techniques
pure red sable round, pointed seamless, nickel-plated brass long, black lacquered, length: 290 - 315 mm
No. 909241.. Ø <->
0 99 1.0 7
1 01 1.0 8
2 02 1.2 9
No. 909241.. Ø <->
18 18 4.6 22
20 20 4.9 23
24 24 5.6 25
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4 04 1.7 10
6 06 2.1 12
8 08 2.5 14.5
10 10 2.9 16.5
12 12 3.6 18.5
14 14 4.0 20
16 16 4.5 21
Rembrandt series 245 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
pure red sable filbert (cat's tongue) seamless, nickel-plated brass long, black lacquered, length: 285 - 300 mm
No. 909245.. Ø <->
2 02 3.5 8
4 04 5.1 10
6 06 6.6 12
8 08 8.2 14
Characteristics: remarkably resilient hair bundle for sharp touches with pointed accents particularly suitable for painting the finest details and for glazing techniques
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10 10 10.2 16
12 12 11.2 18
14 14 13.5 21
16 16 15.0 22
18 18 16.6 23
20 20 17.4 24
24 24 19.8 25
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136
Rembrandt series 280 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
bleached Chinese hog bristle (Chunking) fan-shaped flat, seamless, nickel-plated brass long, white lacquered, length: 310 - 350 mm
No. 909280.. Ø <->
2 02 7.5 25-30
4 04 9.5 27-34
6 06 11 35-42
8 08 13 37-44
Characteristics: flexible hair bundle resistant to wear for painting gradual colour transitions ●
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10 10 15 40-48
Rembrandt series 282 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
badger fan-shaped seamless, nickel-plated brass long, black lacquered, length: 305 - 345 mm
No. 909282.. Ø <->
2 02 7.5 25-30
4 04 9.5 28-33
6 06 11 32-40
8 08 13 37-44
Characteristics: ver y soft hair bundle, resistant to wear for painting gradual colour transitions not suitable for watermixable colours
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10 10 15 42-50
Rembrandt series 290 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:
deep polyester (selected filament) Gussow seamless, nickel-plated brass long, black lacquered, length: 280 - 320 mm
No. 909290.. Ø <->
90929033
2 02 5.9 8
4 04 6.2 9
6 06 7 11.5
8 08 10 13.5
Characteristics: resilient hair bundle, resistant to wear suitable for using the paint thickly, for details and glazing techniques gives a ver y sharp touch
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10 10 11 14.5
12 12 12.4 16
REMBRANDT OIL AND ACRYLIC BRUSHES SET SERIES 290 (NO. 4-8-12)
14 14 14.5 19
16 16 16 21
18 18 19.5 23
20 20 21 24
24 24 25 29
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Rembrandt series 291 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
deep polyester (selected filament) round round, seamless nickel-plated brass long, black lacquered, length: 290 - 310 mm
No. 909291.. Ø <->
2 02 3.1 14
4 04 3.6 16.5
6 06 4.6 18
8 08 5.5 21.5
Characteristics: resilient hair bundle, resistant to wear suitable for using the paint thickly, for details and glazing techniques for painting fine details ●
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10 10 6.5 25
12 12 7.1 28
14 14 8.1 31
16 16 9.2 34
18 18 10 36
20 20 10.6 38
24 24 11.8 41
20 20 10.6 34
24 24 11.8 39
90929133
REMBRANDT OIL AND ACRYLIC BRUSHES SET SERIES 291 (NO. 4-8-12)
Rembrandt series 292 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
deep polyester (selected filament) filbert (cat's tongue) seamless, nickel-plated brass long, black lacquered, length: 285 - 365 mm
No. 909292.. Ø <->
2 02 3.1 12.5
4 04 3.6 15.5
6 06 4.6 17.5
8 08 5.5 20.5
Characteristics: resilient hair bundle, resistant to wear suitable for both thick and thin types of paint gives a pointed and sharp touch
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10 10 6.5 22.5
12 12 7.1 24
14 14 8.1 26
16 16 9.2 28.5
18 18 10.0 31
Rembrandt series 307 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
No. 909307.. Ø <->
light brown ox hair round, one-stroke liner with straight end seamless, nickel-plated brass long, black lacquered; length: 275 - 280 mm
4 04 1.7 60
8 08 2.5 60
12 12 3.6 60
Characteristics: long hair bundle, resistant to wear can contain a lot of thin paint for painting long continuous lines and for spontaneously "drawing-like" painting work
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138
Rembrandt series 310 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
red sable round, liner with pointed end seamless, nickel-plated brass long, black lacquered, length: 280 -295 mm
No. 909310.. Ø <->
2 02 1.2 22
4 04 1.7 24
6 06 2.1 26
Characteristics: resilient hair bundle, resistant to wear ver y sharp point highly suitable for "drawing-like" painting work ●
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8 08 2.5 28
10 10 2.9 30
12 12 3.6 32
Rembrandt series 380 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle: length:
black ox hair flat, so-called spalter turned-back stainless steel short and flat, black lacquered; 190 - 230 mm
The size in inches indicates the width of the hair bundle
No. 909380.. Ø <->
1" 10 25.5 28
3" 30 74 40
Characteristics: hair bundle resistant to wear can contain a lot of moisture for painting large surfaces using all kinds of techniques (provided the paint has been sufficiently thinned) also suitable for thin varnishes
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139
Van Gogh series 120 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle: length:
light brown ox hair round, pointed seamless, nickel-plated short, deep blue lacquered, 155 - 200 mm
No. 909120.. Ø <->
1 01 1.2 9.0
2 02 1.6 10.5
No. 909120.. Ø <->
11 11 7.5 30
12 12 8.5 32
Characteristics: Flexible hair bundle, resistant to wear For water-soluble paints like water colour, gouache and Ecoline ●
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3 03 2.2 12.5
4 04 2.8 14.5
5 05 3.3 16.5
6 06 3.8 19
7 07 4.5 22
8 08 5.0 24
Van Gogh series 130 Technique: Water colour Hair : Form: Ferrule: Handle:
pure black goat round, pointed imitation swan's feather shaft, bound with brass wire (French natural wood, unlacquered, length: 160 - 175 mm
No. 909130.. Ø <->
2 02 8 26
4 04 10 32
Characteristics: Ver y soft goat hair in a rich bundle Can hold a large amount of water For making washes
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6 06 12 37
Brushes • Manufactured with great care and craftsmanship • A choice of various hair types of the finest quality • A complete range with the right brush for each painting technique
9 09 5.7 26
10 10 6.5 28
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Van Gogh series 171 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:
Characteristics: Flexible hair bundle with a ver y fine point Can hold a large amount of water Also suitable for fine painting work in oil and acr ylic colour
red sable hair round, pointed seamless, nickel-plated short, deep blue lacquered, length: 170 - 205 mm
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No. 909171.. Ø <->
000 97 1.1 6
00 98 1.1 7
0 99 1.1 8
1 01 1.3 10
No. 909171.. Ø <->
8 08 4.8 23
9 09 5.4 24
10 10 6.1 25
12 12 7.8 29
2 02 1.6 11
3 03 2.0 13
4 04 2.15 16
5 05 2.65 18
6 06 3.15 19
7 07 4.0 22
90917133
VAN GOGH WATER COLOUR BRUSHES SET SERIES 171 (NO. 2-4-8)
Van Gogh series 191 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Round, pointed seamless, nickel-plated short, deep blue lacquered, length 155-200 mm
Characteristics: flexible hair bundle resistant to wear can contain a large amount of water also suitable for fine painting work in oil and acr ylic colour
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No. 909191.. Ø <->
000 97 1.1 5.5
0 99 1.3 7
1 01 1.7 9
2 02 1.9 11
3 03 2.4 14
4 04 2.75 16
5 05 3.3 18
6 06 3.6 19
7 07 4.3 21
No. 909191.. Ø <->
9 09 5.6 23
10 10 6.1 25
12 12 7.4 31
14 14 8.0 33
16 16 9.0 35
18 18 9.6 36
20 20 10.3 37
22 22 11.2 38
24 24 12 39
90919133
VAN GOGH WATER COLOUR BRUSHES SET SERIES 191 (NO. 4-8-12)
8 08 5.0 22
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Van Gogh series 210 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
white bleached Chinese hog bristle Gussow seamless, nickel-plated long, deep blue lacquered, length: 270-295 mm
No. 909210.. Ø <->
2 02 3.2 7
4 04 4.5 9
6 06 6.8 11
8 08 8.9 12
Characteristics: Flexible hair bundle Suitable for thicker types of paint For a straight and sharp touch ●
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10 10 10.4 13.5
12 12 11.1 15
14 14 15 17
16 16 17.1 19
18 18 19.2 21
20 20 23 23
24 24 28 27
18 18 12 34
20 20 13 37
24 24 17 41
90921033
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 210 (NO. 4-8-12)
Van Gogh series 211 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
white bleached Chinese hog bristle Round seamless, nickel-plated long, deep blue lacquered, length 260 - 275 mm
No. 909211.. Ø <->
90921133
2 02 2 16
4 04 2.5 18
6 06 3.5 20
8 08 4.2 22
Characteristics: flexible hair bundle suitable for thicker types of paint for a regular, round touch
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10 10 5.5 24
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 211 (NO. 4-8-12)
12 12 6.5 26
14 14 8 28
16 16 10 31
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Van Gogh series 232 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
light brown ox hair Cat's tongue seamless, nickel-plated long, deep blue lacquered, length 285 - 305 mm
No. 909232.. Ø <->
2 02 2 16
4 04 2.5 18
6 06 3.5 20
8 08 4.2 22
Characteristics: resilient hair bundle, resistant to wear gives a pointed and straight touch
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10 10 5.5 24
12 12 6.5 26
14 14 8 28
16 16 10 31
18 18 12 34
20 20 13 37
24 24 17 41
18 18 19.2 21
20 20 23 22
24 24 28 26
18 18 5.7 26
20 20 6.5 28
24 24 8.2 32
90923233
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 232 (NO. 4-8-12)
Van Gogh series 234 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
light brown ox hair Gussow, long seamless, nickel-plated long, deep blue lacquered, length 285 - 310 mm
No. 909234.. Ø <->
2 02 3.2 6
4 04 4.5 8.5
6 06 6.8 10
8 08 8.9 11.5
Characteristics: resilient hair bundle, resistant to wear for painting sharp touches ●
●
10 10 10.4 13
12 12 11.1 15
14 14 15 17
16 16 17.1 19
90923463
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 234 (NR. 4, 8, 12)
Van Gogh series 235 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
light brown ox hair Round seamless, nickel-plated long, deep blue lacquered, length 280 - 300 mm
No. 909235.. Ø <->
90923533
2 02 1.2 9
4 04 1.7 10.5
6 06 2.1 12.5
8 08 2.5 14.5
Characteristics: resilient hair bundle, resistant to wear for painting details
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10 10 2.9 16.5
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 235 (NO. 4-8-12)
12 12 3.6 19
14 14 4.5 22
16 16 4.9 24
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ROYAL TALENS
143
Van Gogh series 294 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Gussow seamless, nickel-plated long, deep blue lacquered, length 280 - 300 mm
No. 909294.. Ø <->
2 02 3.1 7
4 04 4.1 9
6 06 5.1 10
8 08 7.2 12
Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint and for varnishing small surfaces
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10 10 8.2 14
12 12 10 15
14 14 12.7 16
16 16 14.6 18
18 18 15.8 19
20 20 17 20
24 24 22 24
20 20 6.4 25
24 24 7.4 31
20 20 17.7 27
24 24 24.0 36
Van Gogh series 295 Technique: Oil, Acr ylic Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Round seamless, nickel-plated long, deep blue lacquered, length 275 - 290 mm
No. 909295.. Ø <->
2 02 1.7 9
4 04 1.85 11
6 06 2.4 14
8 08 2.75 16
Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint also for painting details ●
●
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10 10 3.3 18
12 12 3.6 19
14 14 4.3 21
16 16 5 22
18 18 6.1 23
90929333
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 294 (NO. 8-12) / 295 (NO. 6)
Van Gogh series 296 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Cat's tongue seamless, nickel-plated long, deep blue lacquered, length 280 - 305 mm
No. 909296.. Ø <->
90929633
2 02 4 9
4 04 5 10
6 06 6 12
8 08 7.4 13
Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint gives a pointed and sharp touch
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10 10 8.6 16
VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 296 (NO. 4-8-12)
12 12 10 18
14 14 11 20
16 16 13.3 22
18 18 16.2 25
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ROYAL TALENS
144
Van Gogh series 305 Technique: Water colour, Gouache, Varnish
Characteristics: flexible hair bundle, resistant to wear for long and sharp touches can hold a lot of thinned paint and varnish for painting large uniform surfaces and for drawing figures and letters as well as for varnishing ●
Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Flat seamless, nickel-plated short, deep blue lacquered, length 190 - 210 mm
●
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The size in inches indicates the width of the hair bundle
No. 909305.. Ø <->
5/8" 05 17 28
7/8" 07 23 31
1/4" 11 30 35
Van Gogh series 362 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:
bleached Chinese hog bristle (Chunking) Flat, spalter turned-back aluminium short, deep blue lacquered, length 175 - 190 mm
Characteristics: flexible hair bundle, resistant to wear for applying broad underpaintings and for varnishing ●
●
The size in inches indicates the width of the hair bundle
No. 909362.. Ø <->
2" 20 51 40
3" 30 75 45
Van Gogh series 370 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (selected filament) Flat, spalter turned-back aluminium short, deep blue lacquered, length 180 - 195 mm
The size in inches indicates the width of the hair bundle
No. 909370.. Ø <->
2" 20 51 40
Characteristics: ver y flexible and fairly soft hair bundle, resistant to wear for applying primers also for broad underpaintings and for varnishing
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Pagina 145
145
Hair : Form: Ferrule: Handle:
No. 909150.. Ø <->
pony/goat round round, aluminium short, red lacquered, length: 160 - 190 mm
1 01 1.2 9
2 02 1.6 11
5 05 2.8 17
ROYAL TALENS
Talens series 150 Technique: Water colour, Gouache, Ecoline
Characteristics: for thin types of paint, like water colour and Ecoline ●
7 07 3.8 21
10 10 5.6 25
11 11 6.5 28
13 13 7.5 33
14 14 8.3 35
90915033
TALENS WATER COLOUR BRUSH SET SERIES 150 (NO. 4, 8, 12)
Talens series 220 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
No. 909220.. Ø <->
hog bristle Gussow model seamless, polished aluminium long, green lacquered, length: 280 - 300 mm
2 02 3.7 7
6 06 6.5 11
10 10 10.8 14
14 14 15.2 17
Characteristics: versatile and sturdy brush with good paint absorption gives a straight touch
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16 16 17.5 19
18 18 20.0 21
20 20 22.5 23
24 24 29 27
90922033
TALENS BRUSHES SET FOR OIL AND ACRYLIC COLOUR SERIES 220 (NO. 4, 8, 10)
90922333
TALENS BRUSHES SET FOR OIL AND ACRYLIC COLOUR SERIES 220/221/222 (NO. 8)
Brushes Talens series 221 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
No. 909221.. Ø 17.0 <->
hog bristle round seamless, polished aluminium long, blue lacquered, length: 260 - 275 mm
Characteristics: versatile strong brush with good paint absorption for an even and round touch
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2 02 2.1
4 04 2.5
6 06 3.6
8 08 4.5
10 10 5.6
12 12 6.5
14 14 8.0
16 16 9.8
18 18 12.0
20 20 13.2
24 24
16
18
20
22
24
26
28
31
34
37
41
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Pagina 146
ROYAL TALENS
146 Talens series 222 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:
No. 909222.. Ø <->
hog bristle Lyons model (flat with rounded end) seamless, polished aluminium long, yellow lacquered, length: 260 - 275 mm
2 02 3.2 16
4 04 4.3 18
6 06 6.2 20
8 08 9.5 22
Characteristics: a strong brush for various types of paint good paint absorption ●
●
10 10 10.6 24
12 12 11.8 26
14 14 14.0 28
16 16 16.5 31
18 18 18.2 34
20 20 22 37
Talens series 350 Technique: Gouache Hair : Form: Ferrule: Handle:
No. 909350.. Ø <->
hog bristle round (stencilling model) aluminium short, orange lacquered, length: 150 - 220 mm
2 02 5.5 14
4 04 8 17
6 06 10 19
8 08 12 21
Characteristics: for stencilling with Ecola, School colours and acr ylic colours ●
10 10 13 24
12 12 15.5 27
Talens series 360 Technique: Oil, Acr ylic, Gouache, Primer, Varnish Hair : Form: Ferrule: Handle: length:
hog bristle flat, so-called spalter tin short, plain wood, unlacquered, 145 - 190 mm
Characteristics: for painting, priming and varnishing large surfaces
●
The size in inches indicates the width of the hair bundle No. 909360.. Ø <->
90750002
/" 05 12 30
1 2
TALENS GLUE BRUSH NO. 2
1" 10 24 30
1 1/ 2" 12 37 32
2" 20 50 33
3" 30 74 36
24 24 28 41
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ROYAL TALENS
147
Painting knives • For expressive, well-structured work with oil and acrylic colours • Flexible and resilient steel blades, with handles made of polished solid wood • Palette knife for preparing and mixing paint No.
Article number
Length knife
Width knife
Total length
3004
91463004
70 mm
22 mm
225 mm
3005
91463005
87 mm
29 mm
242 mm
3007
91463007
83 mm
17 mm
238 mm
3008
91463008
75 mm
16 mm
230 mm
3009
91463009
85 mm
12 mm
240 mm
3010
91463010
60 mm
29 mm
215 mm
3011
91463011
55 mm
19 mm
210 mm
3012
91463012
55 mm
18 mm
210 mm
3013
91463013
65 mm
14 mm
220 mm
3014
91463014
57 mm
16 mm
212 mm
3015
91463015
46 mm
12 mm
201 mm
3016
91463016
27 mm
12 mm
182 mm
3017
91463017
78 mm
23 mm
233 mm
3018
91463018
62 mm
13 mm
217 mm
3019
91463019
70 mm
20 mm
225 mm
3021
91463021
71 mm
10 mm
226 mm
3022
91463022
68 mm
18 mm
223 mm
3023
91463023
29 mm
11 mm
184 mm
3025
91463025
50 mm
15 mm
205 mm
3026
91463026
54 mm
28 mm
209 mm
3027
91463027
36 mm
22 mm
191 mm
4017
91464017
154 mm
214 mm
264 mm
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148
Easels Painting outside or inside, in the studio or in the hobby room. For every location Talens has the right artists' easel. The wooden artists' easels of Talens are all made of high-quality impregnated beech wood. There is a wide choice of table easels, studio easels and field easels.
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Studio easels
91055250
TALENS S TUDIO EASEL 250 BARCELONA Ground surface: 68 x 76 cm Max. canvas height: 150 cm Total height: 220 - 325 cm Weight: 27.8 kg Ver y durable and solid studio easel in oiled beech wood Extra wide 68 cm bottom canvas ledge Foldable foot Large knobs for easy adjustment Continuously variable in height through a swivel mechanism. Large double tray with 2 drawers for artists’ materials. 4 large castors, 2 of which with brake. Can be tightened with 2 clamping screws. Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on. Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible. ●
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91055251
TALENS EXTENDED CENTRE POLE EASEL BARCELONA For canvases up to 200 cm in height Weight: 2.7 kg ●
ROYAL TALENS
149
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Pagina 150
150
ROYAL TALENS
91055246
TALENS S TUDIO EASEL 246 VENICE 91055249
TALENS S TUDIO EASEL 249 MONACO Ground surface: 60 x 66 cm Max. canvas height: 170 cm Total height: 235 - 305 cm Weight: 18 kg Robust studio easel in oiled beech wood Adjustable in height using a metal rail Double tray for artists’ materials. Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on. Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible. Large knobs for easy adjustment. Easy to move thanks to castors. Can be tightened with 2 clamping screws. ●
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Ground surface: 55 x 59 cm Max. canvas height: 141 cm Total height: 166 - 297 cm Weight: 11 kg Ver y stable studio easel in oiled beech wood Extra wide 53 cm bottom canvas ledge Foldable foot Increased working height to 147 cm (eye level) Can be tilted using ver y stable piano hinge Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible Adjustable height using metal rail Large knobs for easy adjustment ●
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91055248
TALENS S TUDIO EASEL 248 MADRID Ground surface: 57 x 59 cm Max. canvas height: 143 cm Total height: 172 - 295 cm Weight: 12 kg Solid and stable studio easel in oiled beech wood Adjustable foot Increased working height to 143 cm (eye level) Double tray for artists’ materials Adjustable height using metal rail Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible Large knobs for easy adjustment ●
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Pagina 151
91055256
TALENS S TUDIO EASEL 256 CHICAGO Ground surface: 71 cm Max. canvas height: 118 cm Total height: 184 - 234 cm Weight: 12 kg Ver y sturdy tripod design studio easel in oiled beech wood Ver y stable and robust with an extra heavy frame Adjustable height using metal rail Adjustable working angle by lengthening back leg Extensive adjustment possibilities as crossbar and bottom canvas ledge can be adjusted independently (also suitable for smaller rooms) Double tray for artists’ materials Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible ●
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91055245
TALENS S TUDIO EASEL 245 LONDON Ground surface: 60 x 68 cm Max. canvas height: 125 cm Total height: 151 - 229 cm Weight: 11.5 kg Solid and stable studio easel in oiled beech wood Bottom canvas ledge and canvas clamp adjustable in height Extra large 51 x 69 cm drawing board, which can also be removed and used separately Can be tilted to horizontal position, making it also suitable for water colouring Large knobs for easy adjustment Fully folding for great compactness Suitable for 3D canvases
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91055258
TALENS S TUDIO EASEL 258 NEW YORK 91055259
TALENS S TUDIO EASEL 259 WASHINGTON Ground surface: 66 cm Max. canvas height: 127 cm Total height: 180 - 267 cm Weight: 7 kg Compact tripod design studio easel in oiled beech wood Stable design with extra wide frame Increased working height to 130 cm Adjustable height using metal rail Double tray for artists’ materials Adjustable crossbar to avoid disturbing incidence of light Folding Suitable for 3D canvases ●
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Ground surface: 62 cm Max. canvas height: 128 cm Total height: 172 - 259 cm Weight: 6.5 kg Compact tripod design studio easel in oiled beech wood Stable design with extra wide frame Increased working height to 130 cm Wide bottom canvas ledge of 54 cm Adjustable height using metal rail Folding Suitable for 3D canvases ●
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ROYAL TALENS
151
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Pagina 152
152
ROYAL TALENS
91055016
TALENS TABLE EASEL 016 MALLORCA Ground surface: 32 x 37 cm Max. canvas height: 73 cm Total height: 94 - 124 cm Weight: 2.5 kg Oiled beech wood In height adjustable crossbar to a working height of 44 cm Foldable footrest Adjustable canvas clamp Suitable for 3D canvases
91055014
TALENS TABLE EASEL 014 IBIZA Ground surface: 28 x 32 cm Max. canvas height: 59 cm Total height: 75 - 103 cm Weight: 1.8 kg Oiled beech wood In height adjustable crossbar to a working height of 39 cm Foldable footrest Adjustable canvas clamp Suitable for 3D canvases
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91055209
91055152
Ground surface: 31 x 39 cm Max. canvas height: 65 cm Total height: 43 - 75 cm Weight: 500 g Table easel of oiled beech wood Fully folding Height adjustable canvas clamp
Ground surface: 35 x 45 cm Max. canvas height: 59 cm Total height: 39 - 69 cm Weight: 1.3 kg Sturdy table easel of oiled beech wood Foldable Height adjustable canvas clamp
TALENS TABLE EASEL 209 ELBA
TALENS TABLE EASEL 152 SICILY
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Table easels
91055263
TALENS TABLE EASEL 263 ROTTERDAM Size of the box: 31 x 41 x 7 cm Max. canvas height: 67 cm Weight: 3.6 kg Luxurious box easel in oiled beech wood Wooden palette and leather handle Metal inner trays that can be removed Canvas ledge and canvas clamp that can be adjusted in height ●
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10:08
Pagina 153
ROYAL TALENS
153
91055261
TALENS FIELD EASEL 261 REMBRANDT Size of the box: 32 x 48 x 11 cm Ground surface area (folded out): 74 x 100 cm Max. canvas height: 86 cm Weight: 6 kg Luxurious field easel and artists’ box in one, compact and ver y practical Supplied with wooden palette and leather carr ying strap With metal inner tray that can be removed Equipped with canvas ledge and canvas clamp that can be adjusted in height Adjustable legs with non-slip caps ●
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91050034
TALENS FIELD EASEL 034 DANUBE Length (folded): 84 cm Ground surface area (folded out): 90 x 100 cm Max. canvas height: 130 cm Weight: 2.5 kg Black varnished metal field easel Easy to clean For working horizontally (water colouring) as well as vertically With extra canvas ledges for working with larger canvases Telescopic adjustable legs with non-slip caps ●
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Field easels 91055239
TALENS FIELD EASEL 239 MISSISSIPPI Length (folded): 93 cm Ground surface area (folded out): 82 x 82 cm Max. canvas height: 110 cm Weight: 4 kg Robust field easel for greater stability For working horizontally (water colouring) as well as vertically Equipped with leather belt for holding together legs when folded in Adjustable legs with non-slip caps ●
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Pagina 154
ROYAL TALENS
154
Grounds Talens supplies a wide range of high quality grounds: ●
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Canvas stretchers of excellent quality in both cotton and linen. Universally prepared and suitable for various artists' paints. Canvas boards made of universally prepared cotton stretched on MDF board. Roll canvas in various prepared types of textile, both finely and coarsely woven.
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Pagina 155
155
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Universally primed canvas with a medium structure Professional quality Easily withstands ageing Ver y low water sensitivity Tautly stretched on a plain pinewood canvas frame Stapled at the rear, allowing the sides to be easily painted Complete with beechwood wedges for re-tensioning the canvas Nailed on the sides Diagonal and cross laths provide extra sturdiness for the larger sizes Available in several sizes
Size (cm)
20 x 20 24 x 30 30 x 30 30 x 40 30 x 60 30 x 90 40 x 40 40 x 50 40 x 60 40 x 80 40 x 120 50 x 50 50 x 60 50 x 70 50 x 100 50 x 150 60 x 60 60 x 70 60 x 80 60 x 90 60 x 120 70 x 70 70 x 100 80 x 80 80 x 100 80 x 120 90 x 90 100 x 100 100 x 120 100 x 140 100 x 150 100 x 160
Art. no.
Lath thickness (cm)
Frame structure
95622020 95622430 95623030 95623040 95623060 95623090 95624040 95624050 95624060 95624080 95624020 95605050 95625060 95625070 95625000 95625051 95626060 95626070 95626080 95626090 95626020 95607070 95627000 95628080 95628000 95628020 95629090 95620000 95620020 95620040 95620050 95620061
2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x3,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2,5x6,5 2,5x6,5 2,5x6,5
0 0 0 0 I I 0 0 I I I 0 I I I + I I I I + I + + + + + + + + + ++
Explanation of frame structure Symbol 0 I + ++
Explanation no diagonal lath diagonal lath cross lath 2 cross laths
ROYAL TALENS
S TRETCHED CANVAS, LINEN, NAILED
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Pagina 156
156
ROYAL TALENS
TALENS S TRETCHED CANVAS COTTON ●
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Universally primed canvas with a medium structure Tautly stretched on a plain pinewood canvas stretcher (thickness 21 mm) Complete with beechwood wedges for re-tensioning the canvas Nailed on the back, so sides can be painted Diagonal and cross laths provide extra sturdiness for the larger sizes
Size (cm)
Art. no.
10 x 10 13 x 18 18 x 24 20 x 20 20 x 50 20 x 40 20 x 80 20 x 100 20 x 120 24 x 30 25 x 35 30 x 30 30 x 40 30 x 60 30 x 80 30 x 90 30 x 100 30 x 120 40 x 40 40 x 50 40 x 60 40 x 80 40 x 100 40 x 120 40 x 160 50 x 50
95711010 95711318 95711824 95712020 95712050 95712040 95712080 95712000 95712021 95712430 95712535 95713030 95713040 95713060 95713080 95713090 95713000 95713020 95714040 95714050 95714060 95714080 95714000 95714020 95714061 95715050
Lath thickness (cm) 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2x4,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x3,5
Frame structure 0 0 0 0 0 0 I I I 0 0 0 0 I I I I I 0 0 I I I I I 0
Size (cm)
Art. no.
50 x 60 50 x 70 50 x 100 50 x 120 60 x 60 60 x 70 60 x 80 60 x 90 60 x 120 60 x 140 70 x 70 70 x 80 70 x 90 70 x 100 70 x 120 80 x 80 80 x 100 80 x 120 90 x 90 100 x 100 100 x 120 100 x 140 100 x 150 100 x 160 120 x 140
95715060 95715070 95715000 95715000 95716060 95716070 95716080 95716090 95716020 95716040 95717070 95717080 95717090 95717000 95717020 95718080 95718000 95718020 95719090 95710000 95710020 95710040 95710050 95710060 95712041
Lath thickness (cm) 2x3,5 2x4,5 2x4,5 2x4,5 2x3,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2,5x6,5 2,5x6,5 2,5x6,5
Frame structure I I I I I I I I + + I + + + + + + + + + + + + ++ +
Explanation of frame structure Symbol 0 I + ++
Explanation no diagonal lath diagonal lath cross lath 2 cross laths
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8:51
Pagina 157
157 TALENS S TRETCHED CANVAS 3D COTTON ●
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Extra thick sides that can be painted (40 mm) Gives an extra dimension to your work Universally prepared cotton canvas with a fine structure Tautly stretched on a plain pinewood frame Complete with beechwood wedges for re-tensioning the canvas Diagonal and cross laths provide extra sturdiness for the larger sizes
Size (cm)
Art. no.
20 x 20 20 x 50 24 x 30 30 x 30 30 x 40 30 x 80 40 x 40 40 x 50 40 x 60 50 x 50 50 x 60 50 x 70 50 x 100
95692020 95692050 95692430 95693030 95693040 95693080 95694040 95694050 95694060 95695050 95695060 95695070 95695000
Lath thickness (cm) 4x3 4x3 4x3 4x3 4x3 4x4 4x3 4x3 4x3 4x3 4x3 4x4 4x4
Frame structure 0 0 0 0 0 I 0 0 I 0 I I I
ROYAL TALENS
●
Size (cm)
Art. no.
60 x 60 60 x 70 60 x 80 70 x 70 70 x 100 80 x 80 80 x 120 90 x 90 100 x 100 100 x 120 100 x 150 100 x 160
95696060 95696070 95696080 95697070 95697000 95698080 95698020 95699090 95690000 95690020 95690050 95690060
Lath thickness (cm) 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4
Canvas boards TALENS CANVAS BOARDS ●
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Universally prepared cotton canvas, glued and folded over an MDF board Sturdy and retains its shape For consumers shrink-wrapped per piece
Art. no. 93250912 93251824 93252020 93252430 93252535 93253030 93253040 93253846 93254040 93254050 93254060 93255050 93255060 93255070 93256060 *) covered with sturdy paper
Size 9 x 12* 18 x 24 20 x 20 24 x 30 25 x 35 30 x 30 30 x 40 38 x 46 40 x 40 40 x 50 40 x 60 50 x 50 50 x 60 50 x 70 60 x 60
Frame structure I I I I + + + + + + + +
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Pagina 158
ROYAL TALENS
158
Artists’ canvas on roll ●
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Professional quality canvas on roll Available in cotton, linen, polyester and cotton/rayon Available in 12 qualities: 9 types universally prepared 3 types prepared with oil Available in various weaves, from extra fine to coarse Roll width up to 2.10m
Art. no.
Ref.
Size
Type
Weight (g/m2)
Warp (threads/cm2)
Weft (threads/cm2)
Texture
Priming
95504101
CS
1,60 x 10 m
100% cotton
300
21,5
19
fine
universally primed
95503101
C1
2,10 x 10 m
100% cotton
260
22
22
fine
universally primed
95503102
C2
2,10 x 10 m
100% cotton
370
22
14
medium
universally primed
95503103
CR
2,10 x 10 m
70% cotton / 30% rayon
360
13,5
11
medium
universally primed
95504001
LS
1,50 x 10 m
100% linen
360
12,5
12,5
medium
universally primed
95503001
L1
2,10 x 10 m
100% linen
350
13
13
fine
universally primed
95503002
L2
2,08 x 10 m
100% linen
320
11
9
medium
universally primed
95503003
L3
2,10 x 10 m
100% linen
440
10
10
coarse
universally primed
95505001
L4
2,10 x 10 m
100% linen
390
11
14
fine
primed for oil paint
95505002
L5
2,10 x 10 m
100% linen
460
17
14,5
medium
primed for oil paint
95505003
L6
2,10 x 10 m
100% linen
470
10
10,5
coarse
primed for oil paint
95503201
P1
2,10 x 10 m
100% polyester
250
16
15
fine
universally primed
14-11-2010
11:18
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ROYAL TALENS
159_Talens_cat 2011_UK
Painting accessories Talens offers a number of essential accessories for every painter. The assortment ranges from palettes in several kinds to manikins and charcoal
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Pagina 160
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160
Portfolios • Sturdy light grey cardboard folders • For protecting, transporting and storing drawings • With three inward-folding flaps • Available in five sizes
TALENS PORTFOLIOS Size 23 x 32 cm 32 x 45 cm 46 x 65 cm 52 x 73 cm 64 x 88 cm
Packed per 20 20 10 10 10
Art.no. 92111004 92111003 92111002 92111005 92111001
Palette cups • Round metal cups for painting auxiliaries • Can easily be attached to the palette with a clip • Resistant to thinners in oil colours
92500000
TALENS SINGLE PALETTE CUP
92500002
TALENS DOUBLE PALETTE CUP
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11:20
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161
Metal palettes • Metal palettes, compact size, with mixing compartments • Easy to clean • Suitable for acrylic, water colour, gouache • Also for working with Decorfin decoration colours
90650013
TALENS METAL PALETTE, RECTANGULAR With 13 mixing compartments Size: 10,6 x 20 cm Packed per : 12
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90650012
TALENS METAL PALETTE, OVAL With 12 mixing compartments Size: 12,6 x 18,5 cm Packed per : 12
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Wooden palettes
TALENS WOODEN PALETTE, OVAL ●
●
●
TALENS WOODEN PALETTE, RECTANGULAR
Sturdy wooden palettes impregnated with oil Only to be used with oil colours Packed per : piece
Size 16 x 25 cm 21 x 30 cm 25 x 35 cm
Thickness 3 mm 3 mm 3 mm
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Art.no. 90651625 90652130 90652535
Sturdy wooden palettes impregnated with oil Only to be used with oil colours Packed per : piece
Size 16 x 25 cm 21 x 30 cm 25 x 35 cm
Thickness 3 mm 3 mm 3 mm
Art.no. 90652516 90653021 90653525
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Mixing trays • Handy mixing trays in various styles and sizes • For mixing water thinnable paints such as acrylic, water colour and gouache, as well as for Decorfin decoration colours • Can be easily cleaned • Not suitable for solvent-based paints such as white spirit
91840213
TALENS MIXING TRAY SET (21/3) Set consisting of 3 round dishes with round and flat bottoms Diameters: 4.4 cm, 5 cm and 5.7 cm respectively Packed per : 10
●
91840066
TALENS MIXING TRAY COMPACT (66P) A rectangular mixing tray with 5 round and 5 rectangular compartments Size: 10,5 x 19,5 cm Packed per : piece
●
91840231
TALENS PAINT TRAY, ROUND (23/1P) A round dish that can be easily stacked Diameter : 6 cm Packed per : 10
●
163_Talens_cat 2011_UK
22-11-2010
12:23
Pagina 163
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163
Manikins • Excellent aid for painting human figures • Available in plain varnished or unvarnished wood • Very easy to adjust • The manikin can be mounted on the supplied metal stand.
93400018
MANIKIN MAN, PLAIN WOOD, HEIGHT 40 CM 93400002
MANIKIN MAN, PLAIN WOOD, HEIGHT 30 CM
93400019
MANIKIN MAN, PLAIN WOOD, HEIGHT 40 CM
93400003
MANIKIN FEMALE, PLAIN WOOD, HEIGHT 30 CM
93400016
MANIKIN MAN, SEGMENTED TORSO, PLAIN WOOD, HEIGHT 30 CM
93400020
93400017
93400021
MANIKIN FEMALE, SEGMENTED TORSO, PLAIN WOOD, HEIGHT 30 CM
MANIKIN MAN, VARNISHED WOOD, HEIGHT 30 CM MANIKIN MAN, VARNISHED WOOD, HEIGHT 30 CM
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11:23
Pagina 164
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Tear-off palettes • Always a clean palette • 36 sheets of special paper (85 g) with a very smooth surface allowing excellent mixing • Suitable for oil, acrylic, water colour and gouache • Available in sizes 22 x 30 cm and 25 x 35 cm
90672230
TALENS TEAR-OFF PALETTE 22 X 30 CM 90672535
TALENS TEAR-OFF PALETTE 25 X 35 CM
Charcoal • Artists' quality charcoal made of specially selected willow twigs • The sticks easily release their full, rich and dense colour • Available in three thicknesses
96000020
TALENS THIN CHARCOAL, 30 S TICKS ●
For working in detail Diameter : 3 – 4 mm Packed per : box with 30 sticks
96000003
TALENS CHARCOAL TUBE WITH 3 S TICKS ●
For working in detail Diameter : 3 – 4 mm
96000050
TALENS THICK CHARCOAL, 20 S TICKS ●
Ver y suitable for coarse work Diameter : 7 – 12 mm Packed per : box with 20 sticks 96000030
TALENS MEDIUM CHARCOAL, 25 S TICKS ●
For coarser sketches Diameter : 5 – 6 mm Packed per : box with 25 sticks
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11:25
Pagina 165
Kneadable eraser
96000100
TALENS KNEADABLE ERASER Grey kneadable eraser for absorbing removing pastel, graphite and charcoal particles Can be used many times until the eraser is completely saturated The erasers are wrapped in cellophane Packed per : counter box with 20 pieces
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Accessories – miscellaneous
91201003
TALENS FIXATIVE ATOMIZER To be used in combination with bottles of Pastel fixative or Fixative for charcoal For fixing (parts) of pastel, (colour) pencil and charcoal drawings Packed per : 10
●
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91630553
TALENS TALENS MODEL POWDER BUCKET 250 GRAM After mixing with water gives a versatile modelling paste Once dr y can be processed like wood For combined techniques with acr ylic colour Also for hobby, decoration and model construction applications Packed per : bucket of 250 gram
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ROYAL TALENS
165
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11:26
Pagina 166
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166
Graphic art products High-quality products for designers, graphic artists and illustrators. An important line is Gouache Extra Fine Quality, a top quality gouache with a choice of 65 colours. In addition, there are various types of inks and other special products. All these products can also be used for educational purposes.
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167
0804...2
TALENS GOUACHE EXTRA FINE QUALIT Y TUBE 20 ML Available in 60 colours
0806...2
TALENS GOUACHE EXTRA FINE QUALIT Y TUBE 60 ML Available in white (100) and black intenso (703)
0816...2
TALENS GOUACHE EXTRA FINE QUALIT Y BOTTLE 16 ML Available in 50 colours (indicated by X in the colour chart)
0824...2
TALENS GOUACHE EXTRA FINE QUALIT Y BOTTLE 50 ML Available in 45 colours (indicated by X in the colour chart, except the reflex colours)
Gouache Extra Fine Quality Gouache, under the name Gouache Extra Fine Quality, is an opaque paint with a high pigment load that completely obscures the ground. The opacity of the paint is obtained by using opaque fillings. Gouache is often used by designers and illustrators and for educational purposes.
• Top quality gouache colour for artists, designers and illustrators as well as for education • High pigmentation resulting in powerful colours • Dries within a few minutes to a uniform, velvety, matt and opaque appearance • Large choice of 65 intense colours
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Pagina 168
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168
08791609
TALENS GOUACHE EXTRA FINE QUALIT Y SET WITH PRIMARY COLOURS Contents: 6 bottles 16 ml
08791608
TALENS GOUACHE EXTRA FINE QUALIT Y SET 08ZP1606 Contents: 6 bottles 16 ml
08791612
TALENS GOUACHE EXTRA FINE QUALIT Y SET 08ZP1610 Contents: 10 bottles 16 ml
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Pagina 169
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169
08820407
TALENS GOUACHE EXTRA FINE QUALIT Y MIXING SET 08C405 Contents: 5 tubes 20 ml
08820408
TALENS GOUACHE EXTRA FINE QUALIT Y MIXING SET 08C408 Contents: 8 tubes 20 ml
08850411
TALENS GOUACHE EXTRA FINE QUALIT Y BASIC SET 08PS410 Contents: 10 tubes 20 ml
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Pagina 170
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170
08801613
TALENS GOUACHE EXTRA FINE QUALIT Y PLAS TIC CASSETTE 08HP1612 Contents: 12 bottles 16 ml and mixing bowl 08801609
TALENS GOUACHE EXTRA FINE QUALIT Y PLAS TIC CASSETTE 08HP1608 Contents: 8 bottles 16 ml, 1 mixing slab and 2 mixing bowls
08840409
TALENS GOUACHE EXTRA FINE QUALIT Y ARTIS TS’ BOX DES10 Contents: 10 tubes 20 ml 2 bottles 75 ml auxiliaries: - Gouache varnish glossy - Gum arabic Brushes: series 220 no. 4 and no. 10, Gussow model, hog bristle and series 191 no. 6, selected filament ●
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Pagina 171
colour chart Gouache Extra Fine Quality White
Opaque white extra
Naples yellow
Lemon yellow (P)
Light yellow
Yellow
Deep yellow
Light orange
Orange
+++ 100 PW6/PW5
+++ 106 PW6/PW5
+++ 255 PW6/PY139/PY184
++ 205 PY3
++ 201 PY74/PY3
+++ 200 PY74/PO67
+++ 202 X PY74/PO67
+++ 236 PY74/PO67
° 235 PR4/PY74
Flesh tint
Vermilion
Light red
Scarlet
Deep red
Carmine
Bordeaux
Perm.rose (mag.) (P)
Rose
+++ 374 X PW6/PY42/PO43
+ 311 PR4
++ 301 PR112
++ 334 PR112/PV19
++ 302 PR112/PV19
+ 318 PR112/PR23
+ 375 PR23
+++ 397 PV19/PR122
+++ 357 PV19
Deep rose
Red violet
Lilac
Violet
Blue violet
Ultramarine lt
Ultramarine dp
Cobaltbl.(ultram.)
Orient blue
++ 362 PV19/PR23
+++ 545 PV19/PB29
+++ 556 PV23/PV19/PW6
+++ 536 PV23/PV19
+++ 548 PV23/PB15/PB29
+++ 505 PB29
+++ 506 PB29
+++ 512 PB29/PB15
++ 524 PB15
Light bl.(cyan) (P)
Azure blue
Turquoise blue
Green yellow
Light green
Green
Emerald green
Cerulean bl. (phthalo) Prussian bl. (phthalo)
+++ 535 PB15
+++ 566 PB15
+++ 501 PB15
+++ 526 PB15/PG7
++ 522 PB15/PG7/PW5
++ 243 PY3/PG7
+++ 601 PY74/PG7
++ 600 PY74/PG7
++ 615 PY3/PG7
Deep green
Viridian
Turquoise green
Fir green
Olive green
Yellow ochre
Raw sienna
Raw umber
Light brown
++ 602 PY3/PG7
+++ 616 PG7
++ 661 PG7/PB15
+++ 654 PY74/PG7/PBk7
+++ 620 PG7/PBr7/PY74
+++ 227 PY42
+++ 234 PY42
+++ 408 PBk6/PY42/PO67
+++ 401 PY42
Deep brown
Light oxide red
Burnt sienna
Havana brown
Burnt umber
Sepia
Cold grey
Warm grey
Black intenso
+++ 402 PBr7/PO67
+++ 339 PR101/PO67
+++ 411 PR101
+ 427 PR83:1/PBk7/PBr7
+++ 409 PBr7/PBk11
+++ 416 PBr7/PBk11
+++ 717 PBk6
+++ 718 PBk6/PBr7
+++ 703 PBk9
Silver
Light gold
Deep gold
Copper
Bronze
+++ 800 PW6/PW15/PW20
+++ 802 PW6/PW15/PW20
+++ 803 PW6/PW15/PW20
+++ 805 PW6/PW15/PW20
+++ 811 PW6/PW15/PW20
Reflex yellow
Reflex orange
Reflex red
Reflex rose
Reflex green
° 256
° 257
° 383
° 384
° 672
Neutral black
+++ 737 PBk9 Metal colours
Reflex colours
Explanations of the signs from left to right Example: Lemon yellow (P)
++ 205 PY3
degree of lightfastness +++ = 100 years completely lightfast under museum conditions (42 colours) ++ = 25 - 100 years lightfast under museum conditions (13 colours) + = 10 - 25 years lightfast under museum conditions (4 colours) 0 = 0 - 10 years lightfast under museum conditions (6 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303
(P) = primary colour 205 = colour number
PY3 = pigments used (see explanation on page 200)
ROYAL TALENS
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Pagina 172
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1125...0
ECOLINE BOTTLE 30 ML Available in 48 colours
1172...0
1171...0
Available in 23 colours
Available in 23 colours
ECOLINE BOTTLE 490 ML
ECOLINE BOTTLE 990 ML
Ecoline liquid water colour • Ready to use liquid water colour for diverse creative applications both at home and at school • Available in 46 brilliant colours and 2 opaque colours (White and Gold) • The colour range includes the three primary colours Lemon yellow (205), Magenta (337) and Sky blue cyan (578) • Excellent adhesion to water colour and drawing paper and board • To retain colours the drawings should be kept in a drawing portfolio
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11802506
ECOLINE SET 11TP2506 Contents: 6 bottles 30 ml
11802510
ECOLINE SET 11TP2510 Contents: 10 bottles 30 ml
11822508
ECOLINE SET 11C2508 Contents: 8 bottles 30 ml
colour chart Ecoline White
Pastel yellow
Lemon yellow
Chartreuse
Sand yellow
Light yellow
Deep yellow
Light orange
Deep orange
100 X
226
205 X
233
259
201 X
202 X
236 X
237
Pastel red
Vermilion
Scarlet
Carmine
Pastel rose
Light rose
Magenta
Red violet
Pastel violet
381
311 X
334 X
318 X
390
361
337 X
545 X
579
Blue violet
Ultramarine violet
Pastel blue
Sky blue (cyan)
Ultramarine light
Prussian blue
Ultramarine deep
Turquoise blue
Blue green
548 X
507
580
578 X
505
508 X
506 X
522 X
640
Fir green
Spring green
Pastel green
Light green
Green
Deep green
Grass green
Bronze green
Forest green
654
665
666
601 X
600 X
602 X
676
657
656
Yellow ochre
Gold ochre
Saffron yellow
Burnt sienna
Red brown
Deep ochre
Sepia
Cold grey
Warm grey
227 X
231
245
411 X
422
407
416 X
717 X
718
Deep grey
Black
Gold X also available in 490 ml and 990 ml bottle
706
700 X
801
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174
Drawing ink • For refined and exacting drawing work • Available in 18 clear and transparent colours and 2 opaque (white and black) • Can be thinned with water, waterproof once dry • Can be applied with brush, drawing-pen, technical drawing-pen and airbrush • To retain colours the drawings should be kept in a drawing portfolio
4335...0
4372...0
TALENS DRAWING INK BOTTLE 11 ML, WITH DRAWING-PEN FILLER
TALENS DRAWING INK BOTTLE 490 ML Available in 10 colours
Available in 20 colours
colour chart Drawing ink White
Yellow
Orange
Vermilion
Scarlet
Brick red
Carmine
Violet
Prussian blue
100 X
200 X
235 X
311 X
334
352
318
536
508
Ultramarine
Cobalt blue
Indigo
Light green
Deep green
Raw sienna
Burnt sienna
Brown
Sepia
504 X
511
533
601
602 X
234 X
411 X
400
416 X
Neutral tint
Black
715
700 X
X also available in bottle 490 ml
Rubbercement • A special adhesive for temporary mounting, developed for graphic artists, designers and draftsmen • Fast-drying, completely transparent and acid-free • Waterproof once dry • Any remnants of glue can be rubbed off with fingers • Not suitable for permanent mounting or photos 95306500
TALENS RUBBERCEMENT TUBE 55 ML
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Pagina 175
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175
Indian ink • Trusted drawing ink for drawing, calligraphy and airbrush work • Based on highly lightfast pigment and shellac • Gives an attractive deep black result through a maximum pigment concentration • Can be thinned with water; waterproof once dry • Suitable for many sorts of grounds such as (technical) drawing paper, board, polyester film and tracing paper • Applied using, for example, a drawing pen and water colour brush
44357000
TALENS INDIAN INK BOTTLE 11 ML BLACK
44257000
TALENS INDIAN INK BOTTLE 30 ML BLACK
44727000
TALENS INDIAN INK BOTTLE 490 ML BLACK
44717000
TALENS INDIAN INK BOTTLE 990 ML BLACK
Opaque moist colour • A highly opaque paint for masking and for retouching dust marks and scratches on films • Based on a highly opaque iron oxide pigment and gum arabic • When dry the paint film is very flexible and does not crack • It is best to use fine brushes such as red sable water colour brushes
13240000
TALENS OPAQUE MOIS T COLOUR BOTTLE 50 ML
13730000
TALENS OPAQUE MOIS T COLOUR BOTTLE 250 ML
176_Talens_cat 2011_UK
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12:47
Pagina 176
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Let children in poor areas paint their dreams and make them come true. Hetty van der Linden makes this happen, with Royal Talens as an essential partner. An uplifting story about a woman who dreams as well as acts:
PAINT A FUTURE! Paint a Future
Future dreams
“Actually I never knew what to make of art. Then one day I drove past a roundabout with some piece of vague art in the middle and thought: they could probably build at least one hundred houses in a third-world country for the price of that. Wealth is distributed so unfairly around the world.” Hetty van der Linden has been a successful artist for decades now, but it was only a few years ago that she discovered how art can provide a service. There seems to be a way to use art to do something about that inequality.
It all started four years ago with an invitation for a painters’ week in an artists’ colony in Croatia which supports two orphanages. “I thought that it would be nice to make a painting together with the children. I gave them all paint and a brush and told them that it was a magic wand that would make their dreams come true. Close your eyes, I said, and imagine what you want the most. Paint what you see. I then incorporated their paintings into a work that I donated to the orphanage. I also made quite a few silk screens of it and decided to give the proceeds to the children. I wanted to make their dreams come true. I was immediately gripped by that idea and it has not let go of me since. And so Paint a Future was born. Now this occupies my time almost day and night. It gives such hope to see that
children with so many negative experiences can still have such positive dreams for the future. Children from the streets paint houses, children in orphanages paint families, and there are also those children who want to float in space as an astronaut or defend their people as a lawyer.”
Hands off! Meanwhile more than a hundred artists from 40 countries work for children in ten countries: Croatia, Bosnia, Bulgaria, Moldavia, Morocco, Madagascar, Argentina, Brazil, Tunisia and Chile and since 2010 Peru. “Once or twice per year we come together as a group somewhere in the world to incorporate the dreams of children into our paintings by making works of art out of the
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12:51
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children's wishes. In May 2010 this was in Florianopolis, a “bounty” island off the coast of Brazil. A good friend of Hetty’s owns a luxury resort where the artists involved can stay free of charge in order to make their works of art for children from all over the world. For ten days they work on 100 new works of art. Every artist chooses two children's drawings which they then integrate organically into a new work of art. And it can get serious: “Hands off, that is my child,” is often heard; a good example of the passion and healthy ‘-rivalry’ among the artists. Prior to the work week Hetty first visited Peru where together with children from Taray, a village that was wiped off the map through flooding and with children from the enormous slums of Lima she painted their dreams. Afterwards she travelled on to Brazil, where ten artists came together on Florianopolis in the resorts of Quinta do Bucanero and Ihla do Papagaio in order to transform these children's dreams on paper into works of art. These works of art were displayed in the Historical Museum of Florianopolis and Porto Alegre and in the “usina do gazometro” of Porto Alegre.
By and for children Realising dreams is more than a fulltime job. “I work on this literally both day and night. Turning the dreams into reality costs a great deal of time, but there are artists and friends throughout the world that lend a helping hand. Painting with children on the streets, in slums or for example in orphanages is something I often do alone and that takes up a lot of time. But the reward that you get the moment a dream comes true is many times greater.”
Last year, for example, the proceeds of three paintings were used to build a school in Nosy-Varika on Madagascar. But that has not solved the greatest problem. Hetty: “There is a great deal of malnourishment on the African island, whilst a child can be helped for just 20 cents per day.” And so she travelled with the Paint a Future mobile gallery to Madrid, where she visited a school where a friend of hers is a teacher. Using Talens Decorfin paint, the students painted earthenware plates, which were sold for 12 Euros each.
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Pagina 178
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www.paintafuture.org www.youtube.com/user/paintafuture hetty@paintafuture.org [Photography] Titus Tiel Groenestege Ria Nieswaag Felix Grande Philippe Arruda Renato Sehn
For each plate sold a child on Madagascar could eat for two months. She then travelled to a school in Navacerrada north of Madrid where she painted mugs with schoolchildren. These were sold in the town for 7 Euros, precisely the amount that is necessary for buying a vaccinated chicken. Through these activities Hetty has managed to provide the entire village of Beloha on Madagascar with laying hens and roosters, as well as continuity in the food supply. Both activities in Spain were a resounding success: realised by children for children.
Child Artist Buyer The Paint a Future project is still growing, in part thanks to its many sponsors and donors. Art is proving to be an efficacious way of combating poverty and inequality. “Everyone working on the project does this completely selflessly. The artists make the works of art for the children. If someone helps to realise the dream of the child by donating to Paint a Future he or she gets in return a wonderful work of art in addition to a major tax exemption as Paint a Future is recognised as an ANBI institution
for general benefit. And that includes everyone, both businesses and private individuals. The money we receive from these donations is used directly for the benefit of the children. I do not have high overhead costs and never have to sleep in hotels, as I can always stay with artist friends of mine. The help therefore goes directly from child to artist, to donor and directly back to the child.” Hetty would not be able to realize all this without sponsors. “My support from the very beginning has been Royal Talens; from day one they vouched for me. Wherever I go I am guaranteed of material; Talens ensures that there is material such as paper, canvas and paint where I need it. That help is invaluable. We all have something to contribute. As an artist you usually don’t have money, but you do have talent. I find it satisfying that in this way I can give something in return: give children a better world.”
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ROYAL TALENS
179_Talens_cat 2011_UK
Colouring materials for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the colours and the materials can also be combined well. All products meet European toy safety standards.
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Pagina 180
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Ecola poster colour • Intensely-coloured gouache available in 18 colours including the 3 basic mixing colours Lemon yellow (205), Tyrian rose magenta (359) and Light blue cyan (501) • Intense colours so economical in use • Available in glass bottle of 16 ml and larger plastic squeeze bottles, especially for educational purposes • Water-thinnable, so brushes can easily be cleaned with water afterwards
0916...0
ECOLA BOTTLE 16 ML Available in 12 colours Indicated with X in the colour chart 0973...0
ECOLA PLAS TIC BOTTLE 250 ML Available in 18 colours 0972...0
ECOLA PLAS TIC BOTTLE 500 ML Available in 18 colours 0971...0
ECOLA PLAS TIC BOTTLE 1000 ML Available in 18 colours
09791606
ECOLA SET PRIMARY COLOURS Contents: 6 bottles 16 ml
09791609
ECOLA SET 09ZP1606 Contents: 6 bottles 16 ml
09791610
ECOLA SET 09ZP1610 Contents: 10 bottles 16 ml White
Lemon yellow
Yellow
Deep yellow
Orange
Flesh tint
Scarlet
Carmine
Tyrian rose (magenta)
100 X
205 X
200 X
202
235
374
334 X
318 X
359 X
Violet
Prussian blue
Deep blue
Light blue
Light green
Deep green
Yellow ochre
Brown
Black
536
508
502 X
501 X
601
602 X
227 X
400 X
700 X
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10:00
Pagina 181
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School colour Poster paint in 14 popular colours, perfectly intermixable • Dries quickly to a splendid and matt appearance • Packed in practical squeeze bottles of 1 litre • Water-thinnable, so brushes can be easily cleaned with water afterwards 3671...0
SCHOOL COLOUR BOTTLE 1000 ML
colour chart School colours
Available in 14 colours
White
Yellow
Orange
Light red
Deep red
Rose
Flesh tint
100
200
235
301
302
357
374
Purple
Light blue
Deep blue
Light green
Deep green
Brown
Black
573
501
502
601
602
400
700
Blockprint • Quick-drying and well-covering paint for stencilling and stamping techniques • Available in 9 lightfast, intermixable colours • Water-thinnable; utensils can be cleaned with water and soap after use
15727000
BLOCKPRINT PLAS TIC BOTTLE 500 ML BLACK Only available in Black (700)
1504...0
BLOCKPRINT TUBE 20 ML
1573...0
BLOCKPRINT PLAS TIC BOTTLE 250 ML
Available in 9 colours
Available in 9 colours
colour chart Blockprint White
Yellow
Vermilion
Carmine
Deep blue
Light blue
Deep green
Brown
Black
+++ 100
++ 200
++ 311
++ 318
+++ 502
+++ 501
+++ 602
+++ 400
+++ 700
degree of lightfastness The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303 +++ = 100 years completely lightfast under museum conditions (6 colours) ++ = 25 - 100 years lightfast under museum conditions (3 colours) + = 10-25 years lightfast under museum conditions 0 = 0-10 years lightfast under museum conditions
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182
Wasco wax crayons • Widely used by children at school and at home • Can be perfectly combined with other products such as Ecoline (in the so-called “repelling technique”) • Use Wasco opaque black for the popular graffito technique (scratching) • Wasco is ideal for drawing on paper, board, wood, textile and stone
95721113
WASCO SET 1010C12 Contents: 12 sticks and a scratcher for the scratching technique
95721107
WASCO SET 1010C6 Contents: 6 sticks
95721145
WASCO SET 1010/144, LARGE PACK FOR EDUCATIONAL USE Contents: 144 sticks (12 sticks of all 12 colours)
Opaque black • Deep black paint, water-based, specially made for the scratching technique • Gives optimum adhesion to a ground painted with Wasco or Panda • After drying an image can be scratched onto the Opaque black layer, allowing the underlying colours to emerge
34240700
OPAQUE BLACK BOTTLE 50 ML
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Panda oil pastels • Soft oil pastels, for school and home • Can be excellently combined in techniques with gouache, poster colour, water colour and in the so-called “repelling technique” with Ecoline • Suitable for various grounds such as paper, board, wood, drawing foil, cellophane, unglazed earthenware, fabrics and stone • Use Wasco opaque black for the popular graffito technique (scratching) • Available in 3 assortment sets 95830012
PANDA OIL PAS TELS SET 400C12 Contents: 12 oil pastels
95830144
PANDA OIL PAS TELS 400C144, LARGE PACK FOR EDUCATIONAL USE Contents: 144 oil pastels (12 oil pastels per colour)
95830024
PANDA OIL PAS TELS SET 400C24 Contents: 24 oil pastels
ROYAL TALENS
183
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ROYAL TALENS
184
Transparent water colour • Transparent water colours in pans with a 3-cm diameter • The square pans with a raised edge prevent colours from running over into one another • Very suitable for use at home and in schools • Available in 2 assortment sets
95930012
TRANSPARANT WATER COLOURS SET 31MP12 Contents: 12 pans and a tube of Transparent mixing
95930024
TRANSPARANT WATER COLOURS SET 31MP24 Contents: 24 pans and a tube of Transparent mixing white
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Opaque water colour • Gives full and opaque shades • Colours can perfectly be mixed • The square pans with a raised edge prevent colours from running over into one another • Very suitable for use at home and in schools • Available in 3 assortment sets
95500012
OPAQUE WATER COLOURS SET 975TP12 Transparent plastic box with 12 pans (cannot be replaced)
95920024
OPAQUE WATER COLOURS SET 30MP24 Contents: 24 pans and a tube of Mixing white
95920012
OPAQUE WATER COLOURS SET 30MP12 Contents: 12 pans and a tube of Mixing white
ROYAL TALENS
185
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Create your world
Decorfin is a decoration paint suitable for a wide range of painting hobbies. Ideal for painting glass and ceramics for example, or for painting on wood, textiles, c a r t o n a n d p a p e r. T h e D e c o r f i n q u a l i t y ra n g e c h a l l e n g e s the consumer to discover his many possibilities.
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ROYAL TALENS
188
2916...1
DECORFIN UNIVERSAL SATIN BOTTLE 16 ML Available in 62 colours
2924...1
DECORFIN UNIVERSAL SATIN BOTTLE 50 ML Available in 62 colours
29821608
DECORFIN UNIVERSAL SATIN SET 29C1608 Contents: 6 bottles 16 ml 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●
●
●
Universal Satin • Universal water-thinnable decoration colours with satin gloss • Water-based, once dry waterproof • of a wide range of 62 intense and lightfast colours • Suitable for many grounds, such as wood, board, paper, plaster, earthenware, stone, clay and metal • Also suitable for painting toys • Brushes can simply be cleaned with water after use
Decorfin Universal Satin should be used at temperatures above 10 °C. Store at temperatures above freezing.
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colour chart - Decorfin Universal Satin White
Broken white
Ivory
Sand
Naples yellow
Bright yellow
Sun yellow
Biarritz
Honey
100
122
107
261
255
287
241
260
225
Provence yellow
Gold yellow
Apricot
Orange
Red
Bright red
Antique red
Bordeaux
Fuchsia
206
253
258
235
300
387
391
375
350
Oriental red
Aubergine
Lilac
Purple
Blue violet
Violet
Stone blue
Soft blue
Ice blue
360
353
556
376
548
536
531
528
523
Cobalt blue
Sky blue
Vivid blue
Bright blue
Mediterran. blue
Antique blue
Turquoise green
Grey green
Bottle green
511
527
588
587
529
563
603
663
684
Bright green
Vivid green
Fir green
Moss green
Antique green
Olive green deep
Apple green
Spring green
Lime
687
688
654
653
646
689
655
665
649
Olive green
Yellow ochre
Skin colour
Terra
Sienna
Deep brown
Havana brown
Chestnut
Light oxide red
620
227
380
432
434
402
427
433
339
Stone grey
Black
Cold grey
Soft grey
Silver
Gold
Antique gold
Copper
742
700
717
744
800
801
814
805
ROYAL TALENS
189
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ROYAL TALENS
190
Glass • Durable glass paint, solvent-based, in a choice of 20 lightfast colours • Suitable for decorating glass, plexiglass and other transparent objects • Gives a crystal-clear result • Not suitable for humid rooms • Can be thinned with white spirit; brushes can be cleaned after use with white spirit • Flammable 1216...1
DECORFIN GLASS BOTTLE 16 ML Available in 20 colours
12821608
DECORFIN GLASS SET 12C1608 Contents: 5 bottles 16 ml 1 tube of 20 ml Relief paint gold 801 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●
●
●
1224...1
DECORFIN GLASS BOTTLE 50 ML
●
Available in 20 colours
colour chart Decorfin Glass Transparent white
White opaque
Etched glass
Yellow
Orange
Red
Fuchsia
Violet
Blue violet
119
126
125
200
235
300
350
536
548
Blue
Light blue
Turquoise
Light green
Green
Olive green
Brown
Light brown
Red brown
603
601
600
620
400
401
422
500
501
Black
grey
700
704
Relief paint • Decoration paint, water-based, for effects in relief on paper, wood, glass and transparent plastic • Gives, in combination with Decorfin Glass, a splendid stained glass effect • Choice of 15 colours (including 7 metallic colours) • In tube with dosing nozzle for drawing both fine and somewhat thicker lines • Not suitable for humid rooms
3804...0
DECORFIN RELIEF PAINT TUBE 20 ML Available in 15 colours
White
Colourless
Deep red
Deep blue
Deep green
Red brown
Black
Lead grey
Silver
100
120
302
502
602
422
700
736
800
Gold
Light gold
Antique gold
Copper
Bronze
Pewter
801
802
814
805
811
815
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Porcelain • Water-based ceramic paint for painting heat-proof grounds, such as ceramics, porcelain, earthenware and metal • A wide choice of 36 lightfast colours (18 transparent and 18 opaque colours) • After hardening in the oven at 150 °C during 45 minutes the painted objects are dishwasher safe • Brushes used can be cleaned with water • Decorfin Porcelain should be used at temperatures above 10 °C. • Store at temperatures above freezing.
2816...1
DECORFIN PORCELAIN BOTTLE 16 ML Available in 36 colours
28821608
DECORFIN PORCELAIN SET 28C1608 Contents: 5 bottles 16 ml 1 tube Contour paint gold 801 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●
●
●
2824...1
DECORFIN PORCELAIN BOTTLE 50 ML
●
Available in 36 colours
colour chart Decorfin Porcelain White
Matt colourless
Glossy colourless
White opaque
Broken white opaque
Bright yellow
Bright yellow opaque
Gold yellow opaque
Gold yellow
100
123
124
126
127
287
288
262
253
Orange opaque
Orange
Bright red
Bright red opaque
Bordeaux
Fuchsia opaque
Blue violet
Purple
Sky blue
263
235
387
388
375
341
548
376
527
Sky bl. opaque
Soft bl. opaque
Mediterranean blue
Turquoise opaque
Bright green
Bright green opaque
Spring green
Olive green opaque
Fir green
541
543
529
685
687
690
665
686
654
Terra opaque
Sienna opaque
Terra
Deep brown
Black
Black opaque
Silver opaque
Gold opaque
Copper opaque
437
438
432
402
700
746
807
808
809
Contour paint • Decoration paint for drawing fines lines and text on earthenware, glass and metal • After hardening in the oven at 150 °C during 45 minutes the painted objects are dishwasher safe • After drying the surfaces within the lines can be painted with Decorfin Porcelain • In tube with dosing nozzle for drawing fines lines and text
colour chart Decorfin Contour Paint White
Colourless
Black
Silver
Gold
100
120
700
800
801
3904...0
DECORFIN CONTOUR PAINT TUBE 20 ML Available in 5 colours
ROYAL TALENS
191
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ROYAL TALENS
192 • Water-based textile paint for painting washed cotton, linen and mixed fibres • Choice of 40 lightfast colours (30 transparent and 10 opaque colours) • After drying the painting can be fixed with an iron • Painted fabrics can be washed at a maximum of 60 °C • Even after frequent washing the colours remain fresh and the fabrics still feel soft
0716...1
DECORFIN TEXTILE BOTTLE 16 ML Available in 40 colours
Decorfin Textile should be used at temperatures above 10 °C. Store at temperatures above freezing.
0724...1
DECORFIN TEXTILE BOTTLE 50 ML Available in 40 colours 07821608
DECORFIN TEXTILE SET 07C1608 Contents: • 6 bottles 16 ml • 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 • manual
Textile colour chart Decorfin Textile White
White opaque
Provence yellow
Gold yellow
Gold yellow opaque
Orange
Orange opaque
Bright red
Bright red opaque
100
126
206
253
262
235
263
387
388
Oriental red
Fuchsia
Bordeaux
Purple
Blue violet
Blue violet opaque
Sky blue
Sky bl. opaque
Cobalt blue
360
350
375
376
548
549
527
541
511
Turquoise
Turquoise opaque
Spring green
Spring green opaque
Olive green
Bottle green
Terra
Terra opaque
Skin colour
603
685
665
667
620
684
432
437
380
Honey
Yellow ochre
Sienna
Havana brown
Black
Black opaque
Silver
Gold
Antique gold
225
227
434
427
700
746
800
801
814
Reflex yellow
Reflex orange
Reflex rose
Reflex green
256
257
384
672
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193
ROYAL TALENS
Patina • Paint for patinating objects (giving an antique look) • Based on oil paint • Choice of 6 special antique colours • Brushes used can be cleaned with white spirit • Attention: contains linseed oil (see remark about self-combustion on page 199) 24242...
DECORFIN PATINA BOTTLE 50 ML Available in 6 colours
colour chart Decorfin Patina Antique white
Antique red
Antique blue
Antique brown
Antique green
Antique black
121
391
563
431
646
711
Antique Colour • Versatile decoration paint, solvent-based, in a range of 7 quick-drying metal colours • Gives a metal effect which cannot be distinguished from real metal • Suitable for many grounds and decoration objects, such as mirror and painting frames, glass, stone, metal and wood • Can be easily applied evenly with a brush • Can be thinned, if need be, with acetone • Highly flammable 3724...1
DECORFIN ANTIQUE COLOUR BOTTLE 50 ML Available in 7 colours
colour chart Decorfin Antique Colour Silver
Copper
Bronze
Brass
Green gold
Antique gold
Pewter
800
805
811
812
813
814
815
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ROYAL TALENS
194
Primer • Opaque white primer, water-based • Prevents the paint from being absorbed too strongly by the ground • Suitable for various absorbing grounds like wood, stone and unglazed earthenware
24242098
DECORFIN PRIMER BOTTLE 50 ML
Mediums Decorfin Glass medium • Makes Decorfin Glass less concentrated • Enhances transparency • Also suitable as varnish for protecting decorations • Flammable
24162293
DECORFIN GLASS MEDIUM BOTTLE 16 ML
24242293
DECORFIN GLASS MEDIUM BOTTLE 50 ML
Decorfin Crackle medium • Quick-drying water-based medium for creating crackle effects with the help of Decorfin Universal satin • Suitable for various grounds and objects, made of wood, stone, glass and earthenware • The best results can be obtained in combination with Decorfin Universal satin • Brushes used can be cleaned with water
24242095
DECORFIN CRACKLE MEDIUM BOTTLE 50 ML
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Varnishes Decorfin Varnish glossy • Quick-drying water-based varnish • Gives painted objects an even high gloss • Protects against dust, moisture and dirt • Highly suitable for utensils
24242099
DECORFIN VARNISH GLOSSY (WATER-BASED) BOTTLE 50 ML
Decorfin Varnish satin • Water-based, quick-drying varnish • Gives painted objects an even silk-sheen • Protects against dust, moisture and dirt • Highly suitable for utensils 24242118
DECORFIN VARNISH SATIN (WATER-BASED) BOTTLE 50 ML
Decorfin Multi varnish • Non-yellowing varnish, solvent-based • Gives painted objects an even high gloss • Very suitable for 3D and decoupage techniques • Brushes should be cleaned afterwards with white spirit • Not suitable for utensils • Highly flammable
24242097
DECORFIN MULTI VARNISH BOTTLE 50 ML
ROYAL TALENS
195
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ROYAL TALENS
196
Decorfin series 61 Hair : Form:i Ferrule: Handle:
gold-coloured polyester fibres (filament) round, pointed seamless, aluminium plain wood, lacquered
Characteristics: painting details Packed per : 6
No. 905610..
0 00
2 20
4 40
6 60
8 80
6 60
8 80
Decorfin series 62 Hair : Form: Ferrule: Handle:
red sable round, pointed seamless, nickel-plated brass plain wood, lacquered
Characteristics: painting details Packed per : 6
No. 905620..
0 00
2 20
4 40
Decorfin series 63 Hair : Form: Ferrule: Handle:
bleached hog bristle flat seamless, aluminium plain wood, lacquered
Characteristics: painting large surfaces Packed per : 6
No. 905630..
8 80
14 40
18 80
Brushes • A complete range of brushes for all Decorfin decoration paints • For fine and detailed work as well as for large surfaces • Plain wooden lacquered handles • Choice of several hair types such as polyester fibres, red sable hair and hog bristle
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Decorfin series 64 Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (filament) flat seamless, aluminium plain wood, lacquered
Characteristics: painting large surfaces Packed per : 6
No. 905640..
2 20
4 40
8 80
Decorfin series 65 Hair : Form: Ferrule: Handle:
bleached hog bristle round, stomp seamless, aluminium plain wood, lacquered
Characteristics: for stencillin Packed per : 6
No. 905650..
4 40
8 80
12 20
Decorfin series 66 Hair : Form: Ferrule: Handle:
bleached hog bristle flat, spalter nickel plated tin plain wood, lacquered
Characteristics: for painting (larger) surfaces, varnishing The size in inches indicates the width of the hair bundle (1 inch â&#x20AC;&#x201C; 2.54 cm) Packed per : 6
No. 905660..
1â&#x20AC;? 10
2â&#x20AC;? 20
Decorfin series 67 Hair : Form: Ferrule: Handle:
gold-coloured polyester fibres (filament) round, one-stroke liner seamless, aluminium plain wood, lacquered
Characteristics: drawing lines Packed per : 6
No. 905670..
4 40
6 60
ROYAL TALENS
197
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ROYAL TALENS
198 PRODUCT DEVELOPMENT
NEW EU RULES
In the manufacture of its products Royal Talens limits the use of hazardous raw materials as much as possible. Due to continuous product development, with new insights into the harmfulness of raw materials, Royal Talens applies harmless alternatives as much as possible. If it is not possible or if it is undesirable to replace a certain hazardous substance, then it is often inevitable that the relevant products are given a safety label. In this way the user is informed on how to work with the product safely.
In the next few years the hazard labels are going to change. This is as a result of the new European CLP Directive. CLP stands for Classification Labelling and Packaging and sets out the rules for the classification and labelling of hazardous substances and mixtures. Through this directive the worldwide system for classification and labelling, the GHS (Globally Harmonised System) developed by the United Nations, will be implemented by law.
EU SAFELY LABEL Based on the EU Substances and Preparations guideline and the resulting (European) national legislation, all hazardous substances have to be supplied with a safety label. Depending on the physical and chemical properties there are a number of hazard classifications, for example: Flammable, Highly flammable, Harmful, Irritant, Poisonous or Dangerous for the Environment. Depending on the relevant danger classification the safety label comprises Risk sentences (R-sentences), Safety sentences (S-sentences) and usually one or more safety symbols. The following symbols are used in the European safety classifications:
The most striking change is the new hazard symbols. These will replace the current symbols. Below are a number of the new symbols. Flammable (replaces current flame symbol)
Causes irritation, sensitizing and harmful (replaces the St.Andrew’s cross)
or
(e.g. inhalation hazard of certain solvents)
Flame symbol This symbol is used on products that are classified as "Flammable"(F) or "Highly flammable" (F+). St. Andrew’s cross This symbol is used on products that are classified as "Harmful"(Xn) or "Irritant"(Xi).
Dangerous for the environment This symbol is used on products that are classified as environmentally harmful (N). This classification means that they are toxic to organisms living in the water or can in the long term have harmful effects on the aquatic environment.
Hazardous for the aquatic environment (replaces the environmental hazard symbol)
SAFET Y INFORMATION SHEETS The safety label on the packaging is not the only to inform users of the properties of the product. A manufacturer is obliged to supply a Safety Information Sheet for products that contain hazardous components. These sheets contain information for the user explaining how to use the product safely. Royal Talens has these sheets in various languages, both for products that contain hazardous substances as well as for products that do not contain hazardous substances. The Safety Data sheets can be downloaded via our website www.royaltalens.com.
Health, safety and environment As a modern and self-respecting organisation Royal Talens attaches great importance to a sound approach of the health, safety and environmental aspects of its activities. Royal Talens, therefore, considers respecting the importance of health, safety and the environment as part of its social responsibility. This means that in the organisation’s decision making process regarding its activities, the health and safety of its workers and users of Royal Talens products, as well as the protection of the environment, play an increasing role.
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COLOUR MATERIAL FOR CHILDREN
United States (USA)
Within the EU, colour materials for children (for example poster colours) fall under the legislation for toys. This legislation sets out the requirements the products have to meet if they are intended to be used by children up to the age of 14. The following symbols are related to this:
A regulation that applies solely to the United States and not to Europe is that colouring materials for artists have to be screened according to the ASTM norm D4236. This norm has been included in American legislation and describes the way a product is assessed to determine whether it poses a danger to health. The packaging of such products should be supplied with a Conformance Statement which indicates that the product meets this norm. In relation to this Royal Talens is a member of the Art & Creative Materials Institute (ACMI). As part of the certification programme of this institute, the Royal Talens products are examined by a toxicologist in accordance with the above ASTM norm. As quality mark the products have one of the following ACMI seals. The Conformance Statement is added below these seals.
This compulsory symbol This compulsory symbol (a so-called CE Marking) indicates that the product meets the health and safety guidelines as set down in the European guidelines. This symbol is used on products that despite meeting the criteria may still be hazardous to very young children. The nature of the danger is also indicated (for example the danger of swallowing small parts). The text "Not suitable for children under 3 years of age" can also replace this symbol.
AP-seal Products with the AP seal (Approved Product) seal are certified as being non-hazardous.
OTHER SYMBOLS Apart from the above symbols, other symbols can be found on the packaging. These may be legally prescribed symbols as well as symbols that have been mutually agreed upon by certain branches of industry.
Reversed Epsilon This symbol can be found on spray cans. It indicates that the products meet the legal requirements within the EU. Shake before use Producten die na verloop van tijd kunnen resulteren in Products that may no longer be a homogenous mixture after a period of time should be shaken before use. This symbol is used for products for which this is necessary. Green point This symbol is now used in many European countries. It indicates that a financial contribution is given to the organisation that collects and processes the packaging in that particular country. Material Identification Symbol This symbol can mostly be found on plastic packaging materials. This symbol refers to the used material, it can be applied in the separation of waste. The figure in the symbol indicates the code of the material. For example 04 = PE-LD and 05 = PP. Below the symbol the name of the material is also mentioned.
Spontaneous combustion Cloths and other absorbent materials that contain amounts of, for example, linseed oil, can spontaneously combust when they get overheated. The following warning is used for products that have an increased risk of causing spontaneous combustion: Materials such as cloths, tissues and clothing contaminated with this product can spontaneously combust within a few hours. To reduce the risk of fire, all contaminated materials should be dampened with water (and soap) and disposed of in a sealable (metal) container or jar. At the end of the day contaminated materials should always be removed from the workplace and stored outside.
CL-seal Products with the CL seal (Cautionary Labelling) seal come with a warning. This product can be used safely if the safety recommendations are followed. Environment and safety for the user: tips Exercise the necessary caution when working with auxiliaries, particularly varnishes. Many varnishes are solvent-based, which are generally flammable. Work therefore in a well-ventilated space, due to the risk of fire as well as in consideration of your health. Use white spirit and turpentine oil sparingly and in an environmentallyconscious way. Flushing them down the sink is harmful to the environment and also not necessary. Clean the brushes in a jar with some turpentine or white spirit in it. Screw the lid onto the jar to prevent evaporation. Allow the pigment particles to sink to the bottom. After a while the pigment will have sunk to the bottom and the turpentine or white spirit can be decanted into a clean jar and reused. If brushes are soaked temporarily in turpentine or white spirit, take a piece of aluminium cooking foil, stick the end of the brush through it and stretch the foil over the jar. If necessary use an elastic band to seal the pot more effectively. Avoid that solvents come in contact with skin and do not breathe vapors.
ROYAL TALENS
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ROYAL TALENS
200 NAME
PIGMENT
White pigments PW4 PW5
(PW = Pigments White) Zinc oxide Coprecipitate of zinc sulphide and barium sulphate Titanium dioxide Titanium dioxide and tin oxide coated mica Zinc sulphide
PW6 PW6/PW15/PW20 PW7 Yellow pigments PY1 PY3 PY35 PY40 PY42 PY43 PY53
NUMBER 77947 77115 77891 77891 / 77861/ 77019 77975
PY55 PY74 PY83 PY110 PY128 PY129 PY138 PY139 PY150 PY152 PY154 PY184
(PY = Pigments Yellow) Monoazo Monoazo Cadmium zinc sulphide Potassium cobaltinitrite Hydrated synthetic iron oxide Hydrated natural iron oxide Nickel / antimony / titanium oxides Disazo Monoazo Disazo (diarylide) Isoindolinone Disazo (diarylide) Azomethine Quinophtalone Isoindolinone Monoazo Disazo Benzimidazolone Bismuth vanadate
Orange pigments PO13 PO20 PO34 PO43 PO48 PO62 PO67 PO73
(PO = Pigments Orange) Disazo Cadmium sulfo-selenide Disazo Perinone Quinacridone Benzimidazolone Pyrazoloquinazolone Diketopyrrolopyrrole
21110 77202 21115 71105 73900 / 73920 11775 12915 561170
Red pigments PR4 PR9 PR12 PR13 PR21 PR23 PR57:1 PR83 PR101 PR108 PR112 PR122 PR149 PR168 PR170
(PR = Pigments Red) Monoazo (naphthol) Monoazo Monoazo (naphthol) Monoazo (naphthol) Monoazo (naphthol) Monoazo (naphthol) Monoazo Anthraquinone Synthetic iron oxide Cadmium sulfo-selenide Monoazo (naphthol) Quinacridone Perylene Anthanthrone Monoazo
12085 12460 12385 12395 12300 12355 15850:1 58000:1 77491 77202 12370 73915 71137 59300 12475
11680 11710 77205 77357 77492 77492 77788 21096 11741 21108 56280 20037 48042 56300 56298 12764 21111 11781 771740
NAME
PIGMENT
Red pigments PR176 PR179 PR202 PR207
(PR = Pigments Red) continuation Monoazo (benzimidazolone) Perylene Quinacridone Quinacridone
PR209 PR254 PR255 PR257 PR264
Quinacridone Diketopyrrolopyrrole Diketopyrrolopyrrole Heterocyclic Ni-complex Diketopyrrolopyrrole
12515 71130 73907 73900 / 73906 73905 56110 561050 562700 561300
Brown pigments PBr6 PBr7 PBr24 PBr25
(PB = Pigments Brown) Synthetic iron oxide Calcined natural iron oxide Antimony / chromium/ titanium oxide Benzimidazolone
77491 77491 77310 12510
Violet pigments PV14 PV15 PV16 PV19 PV23
(PV = Pigments Violet) Cobalt phosphate Polysulphide of sodium alumino silicate Manganese ammonium pyrophosphate Quinacridone Dioxazine
77360 77007 77742 73900 51319
Blue pigments PB15 PB27 PB28 PB29 PB35 PB36 PB60 PB74
(PB = Pigments Blue) Phthalocyanine Ferric ferrocyanide Cobaltous aluminate Polysulphide of sodium aluminosilicate Cobaltous stannate Cobaltous/ chromium/ alumino oxide Indanthrone Cobalt zinc silicate
74160 77510 77346 77007 77368 77343 69800 77366
Green pigments PG7 PG8 PG17 PG18 PG19 PG23 PG26 PG36 PG50
(PG = Pigments Green) Phthalocyanine Nitroso Chromium sesquioxide Hydrated chromium sesquioxide Oxides of cobalt and zinc Natural green earth Cobaltchromite Phthalocyanine Cobalt titanate (Cobaltous / nickel / zinc / titanium alumino oxide)
Black pigments PBk6 PBk7 PBk9
NUMBER
PBk10 PBk11
(PB = Pigments Black) Carbon (Carbon black) Carbon (Carbon black) Bone black (mixture of calciumphosphate and carbon) Crystallized carbon (Graphite) Synthetic iron oxide
Metal pigments PM1
(PM = Pigments Metal) Aluminium
74260 10006 77288 77289 77335 77009 77344 74265 77377 77266 77266 77267 77265 77499 77000
Colour Index / Pigments On this page you will find a guide to the â&#x20AC;&#x2DC;Colour Indexâ&#x20AC;&#x2122;. This index, drawn up by the Society of Dyers and Colourists, classifies pigments in a clear way. In the first column you will find the abbreviated name of the pigment as given on Talens products. In the case of inorganic pigments the second column gives the full chemical name. In the case of organic pigments the chemical class is given. Names in brackets refer to fuller or alternative names by which the pigment is known. The last column gives the Colour Index number, by which the pigment is also known.
For professional grades of paint we list the pigments used. The pigment is indicated by letters and figures according to the Colour Index. The Colour Index is an international system which allows one to check which pigments are used in a particular colour and what the properties of that pigment are. The letters stand for a particular colour, the figures give the specific type of pigment. For example: PW6 = Pigment White, 6 = Titanium dioxide. The following pigment designations are currently used: PW = Pigment White PB = Pigment Blue PO = Pigment Orange
PR = Pigment Red PY = Pigment Yellow PV = Pigment Violet
PG = Pigment Green PBr = Pigment Brown PBk = Pigment Black
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PROMOTIONAL MATERIAL Talens has promotional material for practically all of its products, often in the form of brochures and original colour charts. These colour charts are made on the basis of genuine colour samples (painted or sprayed by hand). All brochures are packaged in units of 25, whereas the colour charts are packaged individually. Ask your supplier for a complete overview and the terms of delivery. A complete overview (pdf) is available that shows all the promotional materials, as well as packaging and posters. Please ask your sales consultant for more information. LEAFLETS Item no.
Title
88010114 88070024 88130014 88410014 88590014 88390014 88390024 88020214 88210014 88220014 88590114 88030214 88080614 88080714 88190024 88150014 88140214 88140314 88150084
Fine art products Rembrandt oil colours Rembrandt acrylic colours Rembrandt water colours Rembrandt soft/carré pastels Rembrandt brushes Cobra, brochure Cobra, leaflet Van Gogh oil colours, brochure Van Gogh water colours, brochure Van Gogh acrylic colours, brochure Van Gogh brushes Amsterdam oil colours Amsterdam acrylic colours, Specialties Amsterdam acrylic colours, Standard Series Amsterdam acrylic colours, Expert Series Amsterdam auxiliaries, brochure A5 Painting easels, brochure, A4 Painting easels, leaflet Talens auxiliaries, brochure A5
88700044 88700024 88280014 88330014 88700150
Decorfin Decorfin Universal satin Decorfin Textile Decorfin Porcelain Decorfin Glass/Relief paint Decorfin Tips & ideas, brochures A5, international
8870014M 8870054M
ArtCreation ArtCreation Elements/Expression, brochure ArtCreation Elements/Essentials, brochure
Item no.
Title
88230014 88800150 88708144 88800154
Diversen Gouache Extra Fine, brochure Colour mixing, brochure, international Fun with painting, brochure Colour, brochure A5
ORIGINAL COLOUR CHARTS Item no.
8835130M
Title Fine art products Rembrandt oil colours Rembrandt acrylic colours Rembrandt water colours Rembrandt pastels – laminated Cobra water mixable oil colour Van Gogh oil colours Van Gogh water colours Van Gogh acrylic colours Van Gogh oil pastels Amsterdam oil colours Amsterdam Acrylic Standard Series, laminated Amsterdam Acrylic Standard Series, folded Amsterdam Acrylic Standard Series, samples on canvas, for display Amsterdam Acrylic Expert Series, laminated Amsterdam Acrylic Expert Series, folded Amsterdam Acrylic Expert Series, samples on canvas, for display ArtCreation Essentials, gelamineerd
88230030 88190130
School and graphical products Gouache Extra Fine Quality Ecoline
88010130 88070470 88130030 88410030 88390030 88020030 88210030 88220030 88950030 88030030 88080130 88080230 88080530 88190230 88190330 88190430
Promotional material PACKAGED PER:
ARTICLE NUMBER + COLOUR NUMBER
Many products are not supplied individually but in trading units of 3, 5 or 6 (particularly small tubes or bottles). The trading unit therefore consists of a number of units of the same product.
Some article numbers in this catalogue also contain 2, 3 or 4 dots with the figures. In place of these dots the colour number should be read.
IMPORTANT: The bar code on the trading unit is a unique code that only applies to that particular unit (and so is not the same as the code on the individual tube or bottle). This ‘trading unit bar code’ should only be used for logistical purposes; with a single scan of this code the content of the trading unit can be checked in or out.
For example, Ultramarine of Van Gogh Acrylic Colours: the article number for this tube is 2204 . . . 0 , and the colour number of Ultramarine is 504. The full article number for this product is therefore: 22045040
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ROYAL TALENS
202 A Acrylic binder, amsterdam Acrylic colours Amsterdam Expert Series Amsterdam Standard Series ArtCreation Essentials ArtCreation Expression Rembrandt Van Gogh Acrylic medium, Amsterdam Acrylic remover, Amsterdam Acrylic retarder, Amsterdam Acrylic varnish, Amsterdam Acrylic varnish, Talens Alkyd medium, Talens Amsterdam Acrylic colour Auxiliaries Expert Series Oil colour Specialties Standard Series Antique colour, Decorfin Artists’ canvas on roll, Talens ArtCreation Acrylic colour Brushes Easels Elements Essentials acrylic colour Expression Gouache Grounds Oil colour Painting knives Water colour B Binder, Amsterdam acrylic Binder, Talens Casein tempera Blockprint water colour Boards, Canvas Box easels, ArtCreation Box easels, Talens Brushes ArtCreation Elements Decorfin Rembrandt Talens Van Gogh C Canvas boards, Talens Canvas on roll, Talens Canvas, ArtCreation stretched Canvas, Talens stretched Carré pastels, Rembrandt Carré pastels, Van Gogh Casein tempera binder, Talens Charcoal, Talens Charcoal fixative, Talens Cleaning solvents, Talens -
91 80 83 106 100 16 56 89 91 91 92 124 122 80 88 80 94 87 83 193 158 104 111 108 108 106 98 104 114 98 113 102 91 126 181 157 109 152 111 196 131 145 139 144 145 114 154 36 67 126 164 129 120
Decorfin (continuation) Relief Paint Textile Universal satin Varnishes Dosing nozzle, Amsterdam Drawing folders, Talens Drawing ink, Talens -
190 192 188 195 93 160 174
E Easels, ArtCreation Elements Easels, Talens Ecola (poster colour) Ecoline liquid water colour Elements, ArtCreation Eraser, Talens kneadable Essentials acrylic colour, ArtCreation Expert Series, Amsterdam Expression, ArtCreation Extra heavy gel mediums, Amsterdam -
108 148 180 172 108 165 106 80 98 90
F Field easels, ArtCreation Elements Field easels, Talens Fixative for charcoal, Talens Fixative for pastels, Talens Fixative, Talens Concentrated Fixative atomizer, Talens -
110 148 129 129 129 165
G Gel mediums, Amsterdam Gesso primer, Talens Glass, Decorfin Glazing medium, Cobra Glazing medium, Talens Gogh, Van Acrylic colour Brushes Carré pastels Colour pencils Oil colour Oil pastels Pastels Sketch pencils Water colour Water colour pencils Gouache Extra Fine Quality Gouache, ArtCreation Expression Gouache varnish, Talens Grounds, ArtCreation Elements Grounds, Talens Gum arabic, Talens H Heavy gel mediums, Amsterdam K Kneadable eraser, Talens Knives, ArtCreation Elements painting Knives, Talens painting -
89 119 190 46 122 56 139 67 70 50 68 66 76 61 74 167 104 127 114 154 126 90 165 113 147
Keywords Cobra Glazing medium Painting medium Painting paste Varnishes Water mixable oil colour Crackle medium, Decorfin D Dammar varnish, Talens Decorfin Antique colour Brushes Contour paint Crackle medium Glass Medium for Glass Patina Porcelain Primer
46 46 46 47 42 194 125 193 196 191 194 190 194 193 191 194
L Linseed oils, Talens Liquid masking film, Talens Liquid water colours, Ecoline M Manikins, Talens Masking film, Talens Liquid Medium for glass, Decorfin Medium(s) for Acrylic colour Cobra water mixable oil colour Decorfin Glass Oil colour Mixing trays, Talens Modeling paste, Amsterdam Modelpowder, Talens Moist colour, Talens Opaque -
121 128 172 163 128 194 89 46 194 122 162 91 165 175
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O Oil colours Amsterdam ArtCreation Expression Cobra water mixable Rembrandt Van Gogh Oil pastels, Panda Oil pastels, Van Gogh Oils, Talens Linseed Opaque black, Talens Opaque moist colour, Talens Ox gall, Talens P Painting knives, ArtCreation Elements Painting knives, Talens Painting paste, Cobra Painting paste, Talens Palette cups, Talens Palette knife, Talens Palettes, Talens Panda oil pastels Pastel fixative, Talens Pastels Rembrandt Carré Rembrandt SoftVan Gogh Carré Van Gogh Oil Patina, Decorfin Picture varnish, Amsterdam Picture varnish, Talens Pocket box, Rembrandt Pocket box, Van Gogh Poppy oil, Talens Primer, Gesso Protecting Spray, Talens R Relief paint, Decorfin Rembrandt Acrylic colour Brushes Carré pastels Oil colour Soft pastels Water colour Retarder, Amsterdam acrylic Retouching varnish, Talens Roll, Talens canvas on Rubbercement, Talens -
95 98 40 10 50 183 68 121 182 175 128 113 147 46 123 160 147 161 183 129 36 26 67 68 193 92 124 22 62 121 119 127
190 16 125 36 10 26 22 91 123 158 174
S School colours, Talens Siccatives, Talens Soft pastels, Rembrandt Solvents, Talens Specialties, Amsterdam Spirit, Talens Odourless white Spirit, Talens White Stand oil, Talens Standard Series, Amsterdam Stretched canvas, ArtCreation Elements Stretched canvas, Talens Studio easels, ArtCreation Elements Studio easels, Talens -
181 126 26 120 87 120 120 121 83 114 154 108 148
T Table-top easels, ArtCreation Elements Table-top easels, Talens Tear-off palette, Amsterdam Tear-off palettes, Talens Tempera Binder, Talens Casein Textile, Decorfin Thinners, Talens Transparent water colours, pans Trays, Talens Mixing Turpentine, Talens Venetian -
109 152 93 164 126 192 122 184 162 123
U Underpainting white, Talens Universal satin, Decorfin -
126 188
V Van Gogh, see Gogh, Van Varnish(es) for Acrylic colour Cobra Decorfin Gouache Oil colour Oil pastel Water colour Venetian turpentine, Talens -
92 47 194 127 124 128 127 123
W Wasco wax crayons Water colour varnish, Talens Water colours ArtCreation Expression Rembrandt Talens opaque, pans Talens transparent, pans Van Gogh White spirit, Talens -
182 127 102 20 184 184 61 120
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Š2010 Royal Talens, Apeldoorn, the Netherlands
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CATALOGUE
ENG
CATALOGUE
Art.no. 88750704